VOL.3 : Sustainable Design and Art Collection

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2012 --- 2017 VOLUME III SUSTAINABLE DESIGN & ART COLLECTION PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO

ENTREPRENEURIAL INTERIOR ARCHITECTURE & DESIGN


COPYRIGHT @ 2017 PANCHAYA SIENGSAKUL All right reserved. No part of this book may be used or reproduced in any manner without the written permission of Panchaya Siengsakul. Academy of Art University 79 New Montgomery Steet San Francisco, Ca 94105 Director : Archana Myer Instructor : Chamindri Wijemanne Course : Portfolio Date : Spring 2017 Typeface : Univers Software : Adobe Suite CC 2017 Photography : Sony Nex-5 Print & Bindery : BlurbÂŽ 580 California St # 300 San Francisco, CA 94104

E pansieng@gmail.com T (+1) 617-763-3354

A 501 Taylor St. Apt 204 San Francisco, CA 94102

W Issuu.com/panchaya behance.net/pansieng


2012 --- 2017 VOLUME III SUSTAINABLE DESIGN & ART COLLECTION PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO

ENTREPRENEURIAL INTERIOR ARCHITECTURE & DESIGN



ACKNOWLEDGEMENTS Family : My wonder mom and Super dad, my dearest sister and brother, my sponsor uncle and my aunts, and my fluffy pet bunnies. Faculty : Charles Gignilliat, Grace Wood, David Riffert, Paul Delevati, Suzan Swabacker, Stephanie Smith-Haenel, Rose, Michael Mood, Edward Pertcheck, Molly Ness, Steven Birdwell, CarrieAnn Plank, Ernest Mariotto, Michael Sammet, Tobi Adamolekun, Rico Peng, Ivan Azerbegi, Chamindri Wijemanne, Serena Zanello and Samuel Mathau Friends and Classmates : Hoong, Juub, Pla, Eve, Mint, Ice, Peace, Noon, Paew, Tae, Boat, Phan, Yanan, Kan, P’Ueng, Kwan, Peak, New, Mo, Bok, Mac, Milk, Big, Haew, Nut, Hammy, Ploy, P’Yod, Kam, Maprang, Pangrum, P’Mai, P’Tarn, P’Baew, P’Ngonngon, P’Pink, P’Auin, P’Baby, P’Boo, Theresa, Dahyun, Elif, Xiaoran, Riko, Stephanie, Yoon, Gili, Mehran, Sephia, Miranda, Mio, Nicole, Nadia, N’Bew, N’Palm, N’Oak, P’Noon, P’Ped, P’Yai, P’Boy, P’Pitch, Piyanart, Orn, Pam, Petch, Bam, Prae, and Preachompu.

I would like to thank all of you. Without you, this portfolio couldn’t be completed. Thank you to the instructors of Academy of Art University. You taught me so much about this professional field. Thank you to the ESL tutors. As an international student, without your patience and enthusiasm, I would not have been able to express myself clearly. Thank you to my friends. You always stand by me when I am in need of help, either in the academic or mental aspects, eventhough we were in different continents. Most importantly to my family and my uncle. Without you, the dream of learning design abroad would never have come true. You’re the people who care about me the most in the world. Thank you for flying to U.S. and taking care of me when I missed home the most. There will never be enough words to express my appreciation. Thank you. I’ve seen true love from you all. Finally, I would like to dedicate this book to my supporters and myself. I designed this book after the greatest loss of my country, In Remembrance of His Majesty King Bhumibol Adulyadej. My thoughts and prayers go out to all people in Thailand. I am proud to have been born in the reign of king Rama IX of Thailand from the bottom of my heart. April 2017


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CONTENTS 03 PROJECT 5 CHILDREN’S CREATIVIT Y MUSEUM PL AYGROUND 23 PROJECT 6 BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF THAIL AND 55 SELECTED ART PIECES AND DESIGNS 2012 - PRESENT


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Biomimicry / ,baıəΩ’mımıkrı / noun Biomimicry /the ,bīō’miməkrē copying or imitation / of a natural phenomenon’s or environment’s efficiency and survival mechanisms in noun manufacturing the design and processes productionor ofin materials, applied case-based structures, and sysreasoning; tems that are also modeled writtenon biomimickry biological entities and processes.

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PROJECT V SURVEY OF SUSTAINABLE DESIGN 2015 CHILDREN’S CREATIVITY MUSEUM PLAYGROUND TOOLS : WATERCOLOR / ADOBE CC SUITE

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YERBA BUENA GARDEN, SAN FRANCISCO

TARGET & OBJECTIVES Children’s Creativity Museum

221 4th St, San Francisco, CA 94103 This playground design project is one a corporate space of the Children’s Creativity Museum in the SOMA, San Francisco. The site is located among an urban neighborhood, an outdoor park outside the museum in Yerba Buena Garden with more active and creative environment.

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PRIMARY TARGET The primary users are children in elementary grade who play as active target who create motion in this park. According to the research, they tend to enjoy learning from adventure and outdoor activities more than the other ages. The playground can attract both museum visitors and well as others who are dropping by with their parents.

SECONDARY TARGET The secondary users are very essential to make this space becomes operative. These passive targets are the parents who bring their children to this museum and wide age range of people who come to enjoy a tranquility of the park. As a result, this project zoning had divided in to 2 types; active area and passive area.

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Biophilia is a hypothetical human tendency to interact or be closely associated with other forms of life in nature. Shapes of each playground station are inspired by organic shapes in nature. I got an inspiration from microorganism cells in the ocean; the living fossils that constrain their forms since primitive era until the present. The zoning and tool features have been simplified, while I remained some natural textures and colours the same as they were, for instance, wood panels, ropes and glasses .

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YERBA BUENA GARDEN, SAN FRANCISCO

PHILOSOPHY

The project’s objectives are to create a sustainable community along with amusement which is be able to engage systematic thinking in childhood. They can learn from activities; for instance, kids can experience passive heating and cooling knowledge from natural light, ventilation and thermomass, they will accomplish understanding life cycle of matters and essential reasons we should consider decomposition of non-toxic materials as well as they can determine renewable energy from the environment.

HEALTH

SUSTAINABILITY

CREATIVITY

SOCIAL

Each play station has their own objective for children proper developments. Firstly, with “health” concern, ‘Muscle skills’ in the arms and upper bodies of children will be further developed through play. Most children will not notice the physical involvement in any plays because they are too focused on their play and the task at hand. In addition, using sand is a medium that is inherently open-ended. Sand is an appropriate play object for every cognitive level of the child. With its fine characters, soothing, soft and flowing quality, sophisticated thought processes engage exploration and creativity. In addition, embedding them preserving natural resources with a wise selection, it is the best way to implant sustainable aspect in childhood and community. Moreover, a collaborating learning with amusement will promote their sustainable passion and responsibility in future. Finally, although each child may have a separate play space with delicate concentration, but when children are playing together, they are often faced with problems involving sharing tools or negotiating for play space. By working together in a common play space, children learn empathy and how to recognize and understand the perspectives of the other children while working together and sharing tools.

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ORGANIC

VIBRANT

CONTEMPORARY

CITRIC

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MOOD AND TONE

CONCEPT: HIDDEN BASE Each tool placement is aligned horizontally and vertically for aesthetic purpose. A rhythmic component will stimulate curiosity in children while promotes the user physical health and creativity. Plus, a huge sand basin that cover majority of the park will soothe and engage imagination and social activity among them.

ACTIVE ACTIVITIES

PASSIVE ACTIVITIES

HEALTH

CREATIVITY

SUSTAINABILITY

Trampoline

Swing

Junkle Gym

SOCIAL DEVELOPMENT

Monkey Bar

Seesaw

Swing

Sand Box

Slider

Sandbox

Seesawt

Sound Pipe

Hide And Seek

Sound Pipe

Jungle Gym Hiddentunnel

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WATERCOLOR ON PAPER

FLOOR PLAN SKETCH

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PARK

PICNIC PLAYGROUND CIRCULATION

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ROCK CLIMBING, TR AMPOLINE & SANDBOX

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TUNNEL

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PARK SE ATING AND STAIRS

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SOL AR GARDEN PARK (PICNIC)

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MONKE Y BAR AND SOUND PIPE

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HIDDEN HOUSE, SLIDER & ROPE 1

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HIDDEN HOUSE, SLIDER & SWING HOOPS 2

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SWINGS

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SEESAWS

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SAND POND

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ROCK CL IMBING, T R A MPOL INE & SANDBOX By recycle materials as the embedded steps for climbing up to the trampoline, this trampoline also are made of natural rubber that also VOC’s free material. It can be a shade for children who are playing on the sand basin underneath. Physical +++ Sustainable +++ Creative ++ Social ++

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WATERCOLOR ON PAPER

PLAYGROUND STATIONS

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T UNNEL

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PA RK SE AT ING AND S TA IRS

The tunnel is located along with the stepped seating for people who want to spending time sitting in the park or parents who came with their children. This tool is representing how creature camouflage in nature, each kid’s physical and psychological health will get promoted from playing with challenging adventure or thrilling hide-and-seek. Physical +++ Sustainable + Creative ++ Social +

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SOL A R GA RDEN PA RK (PICNIC) The artificial trees are made to show renewable energy by embedded solar panels on leaves. Therefore, solar energy will turned into electricity and illuminate in night time. Moreover, on top of each tree, there’s a rain catcher that filters rain into clean water. Physical + Sustainable +++ Creative ++ Social +

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MONK E Y BA R AND SOUND PIPE The pipes are connected with multifunctons. Kids can exercise or interact with each others by talking vie the sound pipe bar. This will improve their social skill and understand scientific facts behind communications. Physical +++ Sustainable + Creative + Social +++

These fancy trash cans are my own design that specify types of waste; recycle, compose, landfill and batter y. Ever y time you discard garbages, there will be a greeting and an appreciation; such as “thank you”, “feed me”, or “i’m hungr y” or “nom nom nom”. This interaction will engage children positive and fun aspect toward throwing away wastes and cleaning.

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HIDDEN HOUSE, SLIDER & SWING HOOPS 2 These are rubber pillars which are made of decomposable and VOCs free material. Their shapes and forms concisely imitate a forest and a grass field surrounding the “Hidden House of Fun� play station. Kids can approach to the hidden house through these colorful pillars and climb up to the house in various ways; such as, the rope slider, rubber steps, or perforates wood panel. The house is made of reclaimed wood that were heat-pressed and formed like a dome which were perforated for ventilation and natural light. During the day time, children also can experience an aesthetics and a contrast of light and shadow. Physical +++ Sustainable + Creative + Social +++

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HIDDEN HOUSE, SL IDER & SW ING HOOPS 2 This play station is also made of reclaimed wood. Even though, it’s smaller but its contraction is more air y and more challenging. This play station promotes childhood physical development from climbing, hanging and sliding. Physical +++ Sustainable ++ Creative + Social +++

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SW INGS While the swings are swinging, the motion will generate kinetic energy that make the fan-like flower rotate. Physical ++ Sustainable +++ Creative ++ Social +++

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Mile·stone / ‘mīl,stōn / noun 1 a stone set up beside a road to mark the distance in miles to a particular place. 2 an action or event marking a significant change or stage in development.

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PROJECT VI THESIS OF MESUEM RENOVATION 2013 BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF THAILAND TOOLS : AUTOCAD / WATERCOLOR / ADOBE CC SUITE

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© P HOTO: PA NCH AYA SIE NGS A K UL

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BUREAU OF FOSSIL RESEARCH AND GEOLOGICAL MUSEUM OF BANGKOK T his is t h e b e g inin g o f t h e T h ai M u s e u m

E v e n t h o u g h, t his e x is t in g m u s e u m w a s

R e n o v a t io n T h e sis I n 2 0 12 . A y e a r t o

r e n o v a t e d in 2 0 0 4 u n d e r t h e D e p a r t-

f inis h t his t h e sis b o o k w a s t h r illin g w i t h

m e n t o f M in e r al R e s o u r c e s , M inis t r y o f

l o t s o f c h all e n g in g . I t w a s m y f ir s t s t e p

N a t u r al R e s o u r c e s a n d E n v ir o n m e n t o f

t o g o o n si t e f o r a r e al r e s e a r c h, m e e t

T h ail a n d , i t s t ill l a c k s o f v isi t o r s .

r e al p e o p l e, a n d d o e x p e r im e n t w i t h a r t .

A c c o r din g t o m y r e s e a r c h . t h e r e’r e o nl y 3 - 5 g u e s t s p e r d a y.

T his is m y u n d e r g r a d t h e sis p r oj e c t W hi c h I s e l e c t e d e x is t in g si t e f o r r e n o -

A s a r e s ul t , t h e r e s o lu t io n is t o w a k e

v a t io n . I p r im a r il y t a r g e t f o r a c a d e mi c

t his p u b li c s p a c e a n d e n g a g e n e w a t-

p u r p o s e w hil e in t e g r a t in g in t e r a c t i v e

t r a c t io n f o r f a milie s a n d t o u r is t s w h o

a n d e x p e di t io n a r y f u n c t io n t o c r e a t e

w a n t t o s p e n din g t h eir q u ali t y t im e s

c o m m u ni t y f o r p e o p l e w h o in t e r e s t e d in

p l a y in g a n d l e a r nin g t o g e t h e r.

g e o l o g y a n d in t e r a c t i v e g a d g e t s . F r o m a q u o t e “m o r e o r b e t t e r ”, m y d e si g n o b j e c t io n is t o r e v i v e t h e s p a c e . T h ai m u s e u m c r isis h a s b e e n s t r u c k t o t h e f r e e z in g p o in t t h a t p e o p l e h a v e a n e g a t i v e a s p e c t t o w a r d i t a s a b o r in g b uil din g c o n t ainin g c o ll e c t io n s o f t hin g w i t h l o t s o f in f o r m a t io n .

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PHYSICAL AND PSYCHOLOGICAL CHARACTER OF THE AUDIENCES

TARGET USERS AND CONCEPT Target Physical Character : Elementary Students aged between 6-12 years

Under responsible of parents, teachers and inspectors with low/limited purchasing power Target Psychological Character : 1) better learning with fun and activities 2) Enjoy listening story 3) Need more motivation 4) Easy to get magnified and persuaded 5) Give priority to being among friends or a group 6) Accord their decisions to the majority 7) Easy to impress 8) Need more freedom with high creativity 9) Love adventure and challenge 10) Start imitating for learning and find their own identity 11) We a can inspect each child leadership from activities 12) Start making logic than emotional decision 13) Expect admiration and appreciation from older and friends when doing something they are fascinated in 14) Urge to learn and understand new things 15) Need space to express their thoughts and identity A R T I C L E P U B L I S H E D 0 9 / 0 3 / 2 0 12 D R . S U WA N N E E P U T T H I S R I / C H I L D A N D A D O L E S C E N T P S Y C H I AT R I S T T H E C A M B R I D G E H O S P I TA L , H A R VA R D U N E V E R S I T Y, U. S . A .

TEAMWORK

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PIONEER

FUN


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MISSION AND CONCEPT: RESURRECTION To study geology, the only way

Our earth is simply made up of

to discover and learn from the

four distinct layers; crust, mantle ,

ground is to dig deep in. In my

outer core and inner core. However,

term of ‘Resurrection’, it means to

there’re still lots of mysterious facts

deconstruct knowledge from Earth

waiting for us to discover to the key

layer by layer. This concept is inspired

of evolutions and the beginning of this

by Deconstructivism Architecture

planet.

movement which deconstructing and reinterpreting an old structure in order to create a new provocative and challenging one that repels an existence of the gravity.

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MOOD AND TONE

COMMUNICATION CHARACTERS Lean and Mean to be Real is the prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies. First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily, diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.

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Consequently, this mood and tone will strengthen corporate identity of the museum by created an equation by integrate a color code with my own definition. Equation : Category —> Interpretation —> Color Way Equation 1 : Geology = Nature

—> Earth tone

Equation 2 : Target group + Mood&tone

—> Vivid Tone

Equation 3 : ≈ Earth tone + Vivid Tone

—> Earthy + Citric Color Way

After ward, I picked organic forms from the nature representing simple and appealing. This is another design element that will be applied to a construction and furniture. Considering safety, durability and resilience, I simplified organic shapes and transformed them into dynamic 3d elements.

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There’s a myth that weight of a whole ant’s population on earth is equal to human’s. Ants are the common species that can be found around the world while it is a key creature that sustain ecosystem in nature. American Museum of Natural History Researchers announced discovery of oldest known fossil ants-92-millionyear-old fossils found in New Jersey amber. The key theme of this museum is an Ant Empire as I want visitors to experience deep down into the earth. So ants will be a stor y teller and director y of this exhibition.

The Fossil Research and Geological Museum’s current name is the 360-degree Museum of Geology. It’s located on the first floor of the Morakot (Emerald) building run under Department of Mineral Resources, Ministry of Natural Resources and Environment, Rama VI Road, Ratchathewi, Bangkok, Thailand. Hours : Tue - Sun 8.30 am - 4.30 pm Closed : Every Monday and public holiday

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The museum is a merger of 2 former sections namely Paleontology section and Geological Museum section; Paleontology section contains fossil investigation, reseach and collections facilities; and geological mutseum section displays geological collections and contains commercial area.

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FACADE DESIGN & FLOOR PLAN

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Building B h = 5.5 0 m

Building B h = 4.5 0 m

Building A h = 5.5 0 m

Building B h = 7.0 0 m

Building A h = 4.5 0 m

Building A h = 9.0 0 m

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“Services, Facilities and Entry Area” From the entrance atrium, there’s a coatcheck area with lockers for no charge. No only providing amusement and education, this museum also considering safety and wellness of visitors. As it’s located across a Rama hospital, a firstaid area is designed with fun element to reduce children anxiety.

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“Welcome to An Ant Empire” To begin with an introduction to the creature who lives underground, ants. In this exhibition, there’re insect amber fossils setting along with a study of earth anatomy with examples where visitors will walk deep down on the ramp leading to another room.

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This is an ADA ramp walking path where a wall is decorated with plaster ant models walking in line leading audiences to next room. In this room, one side of the walls have the earth crust layer installation that make people understand context shortly.

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“Minerals in Daily Life” In this atrium, each custom-made organic form is displaying real example of minerals and gem stones informed with their fun facts and benefits. On the floor, there’re ball stools for people to sit on or play. Each of them will be printed with a chemistry shortcut of an element. Moreover, there’s a hydraulic elevator route to next area.

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“Blink Blink a Room of Jewels� After egress the hydraulic elevator, visitors will enter new exhibition about gemstones. The context is including ancient myths about jewels for twelve astrological zodiacs, gems meanings and crystal properties production as well as gemstone processing.

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“Jurassic Adventure� Welcoming an audience with a projection on a wall in a dark room where stone-like bean bags on the floor provided for visitors to take a break and watch some VTRs. This is the first showcase of the B building begins with an introduction to an ancient world of dinosaurs and how life emerged on earth.

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This public library is open for everyone. To make a difference, there is a videomapping projecting of a sand basin embedded in the floor where kids can play a role an an archaeologist digging on site to reveal fossils.

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Moreover, in the Cretaceous Adventure, there’s a curvy mezzanine projecting into the dioramas of creature that existed in the Cretaceous Period. Figures on the left: There’re play stations displaying real fossil collections in this area with hidden fun facts under each cube stool.

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“The Cretaceous Period was the last and longest segment of the Mesozoic Era. It lasted approximately 79 million years, from the minor extinction event that closed the Jurassic Period about 145.5 million years ago to the CretaceousPaleogene (K-Pg) extinction event dated at 65.5 million years ago.� A R T I C L E P U B L I S H E D 0 1/ 0 7/ 2 0 16 A M N H /J. B R O U G H A M

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“A Postal Service and a Souvenir Shop”

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PARO R T JEC C OLTL 7EC T ION

Ret·ro·spec·tive / ,retrə’spektiv / adjective looking back on or dealing with past events or situations. noun an exhibition or compilation showing the development of the work of a particular artist over a period of time.

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ART COLLECTION SELECTED ART PIECES AND DESIGNS 2012 - PRESENT TOOLS : AUTOCAD / WATERCOLOR / INK / ADOBE CC SUITE

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FUSION BALINESE RESTAURANT : THE SEALICIOUS / 2012 The Sealicious in a fusion Balinese restaurant and bar integrating authentics with modern lifestyle. This space was designed to be spacious and exposed to an open air. In contrast, an atmosphere was subtle and distinctive employing an exclusive privacy. As an attraction for nightlife, an exterior is consisted of pool area and lounge for premier events. While an interior is a restaurant area, convention rooms, v.i.p. room, openair kitchen, grilling island and bars. A highlight of this restaurant is an living wall and waterfall decorated with mosses, venus flytraps, nepentheses and local wild orchids. TOOLS : PIGMA PEN 0.5 / WATERCOLOR / ADOBE CC SUITE

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TOOLS : PIGMA PEN 0.5 / INK / ADOBE CC SUITE /2010

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I started doing watercolor illustration about a relationship between a pet and its owner a year after my own pet had died. I found returning to do something I’m passionated in is soothing and gives me lots of positive drive to share. The context of my illustrations is very simple. However, I would like to portray how great of an ordinary and healthy relationship power is that can compassionately make people and especially myself smile. TOOLS : WATERCOLOR / ADOBE CC SUITE / 2012-PRESENT

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In 2014, before I moved to San Francisco, I spent a month in Boston and made new friends. I was my very first experience traveling abroad by myself and did painting in an unfamiliar bedroom.

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This my first illustration made in San Francisco depicting a topic of “who am I” when my master degree school year started. It illustrated my physical and psychological characters and interests in a semi-abstract way. I picked a few shades of blue as they are my personal most comfortable colors. Consequently, I’d have never known that at the end of my journey in academic year, my final portfolio will be corporate in blue as well.

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AUTOBIOGRAPHY Panchaya Siengsakul‘s design foundation was constructed in a vibrant and diverse city, Bangkok, Thailand; where the Bangkokian contemporary street style has impacted her passion in interior architecture and design. After moving to San Francisco, she has been influenced by the aesthetics of Westcoast leading innovation and sustainability that makes art and design business speak louder. Panchaya believes not only kinetic power from outside-world inspiration can motivate us, but also each individual potential that drives creativities in art and design. To sustain diligence, a passion will be through with commitment. From the phrase, the sky has no limit, she regards eclectic information and discipline as an essence to every dimension in life and the pursuit of her goals. This portfolio shows the experimental, challenging and playful process she took to discover her own new design with her sharpness in visual communication and psychological interpretation. Under the concept “X-ray”, this book conveys the dissection of each design development through its DNA. As a result, blue was selected as the corporate color representing a “Cyanotype”, a photographic printing process that produces a cyan-blue copy referred to as blueprints. “I appreciate everything and all people who have broadened my perspective and inspired me in every period and dimension of life and time.“ Thank you.


END OF VOLUME III --------------------->



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