2016 --- 2017 VOLUME I COMMERCIAL DESIGN PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO
INTERIOR ARCHITECTURE & ENTREPRENEURIAL DESIGN
COPYRIGHT @ 2017 PANCHAYA SIENGSAKUL All right reserved. No part of this book may be used or reproduced in any manner without the written permission of Panchaya Siengsakul. Academy Of Art University 79 New Montgomery Steet San Francisco, Ca 94105 Director : Archana Myer Instructor : Chamindri Wijemanne Course : Portfolio Date : Spring 2017 Typeface : Univers Software : Adobe Suite CC 2017 Photography : Sony Nex-5 Print & Bindery : BlurbÂŽ 580 California St # 300 San Francisco, CA 94104
E pansieng@gmail.com T (+1) 617-763-3354
A 501 Taylor St. Apt 204 San Francisco, CA 94102
2016 --- 2017 VOLUME I COMMERCIAL DESIGN PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO
ENTREPRENEURIAL INTERIOR ARCHITECTURE & DESIGN
ACKNOWLEDGEMENTS Family : My wonder mom and Super dad, my dearest sister and brother, my sponsor uncle and my aunts, and my fluffy pet bunnies. Faculty : Charles Gignilliat, Grace Wood, David Riffert, Paul Delevati, Suzan Swabacker, Stephanie Smith-Haenel, Rose, Michael Mood, Edward Pertcheck, Molly Ness, Steven Birdwell, CarrieAnn Plank, Ernest Mariotto, Michael Sammet, Tobi Adamolekun, Rico Peng, Ivan Azerbegi, Chamindri Wijemanne, Serena Zanello and Samuel Mathau Friends and Classmates : Hoong, Juub, Pla, Eve, Mint, Ice, Peace, Noon, Paew, Tae, Boat, Phan, Yanan, Kan, P’Ueng, Kwan, Peak, New, Mo, Bok, Mac, Milk, Big, Haew, Nut, Hammy, Ploy, P’Yod, Kam, Maprang, Pangrum, P’Mai, P’Tarn, P’Baew, P’Ngonngon, P’Pink, P’Auin, P’Baby, P’Boo, Theresa, Dahyun, Elif, Xiaoran, Riko, Stephanie, Yoon, Gili, Mehran, Sephia, Miranda, Mio, Nicole, Nadia, N’Bew, N’Palm, N’Oak, P’Noon, P’Ped, P’Yai, P’Boy, P’Pitch, Piyanart, Orn, Pam, Petch, Bam, Prae, and Preachompu.
I would like to thank all of you. Without you, this portfolio couldn’t be completed. Thank you to the instructors of Academy of Art University. You taught me so much about this professional field. Thank you to the ESL tutors. As an international student, without your patience and enthusiasm, I would not have been able to express myself clearly. Thank you to my friends. You always stand by me when I am in need of help, either in the academic or mental aspects, eventhough we were in different continents. Most importantly to my family and my uncle. Without you, the dream of learning design abroad would never have come true. You’re the people who care about me the most in the world. Thank you for flying to U.S. and taking care of me when I missed home the most. There will never be enough words to express my appreciation. Thank you. I’ve seen true love from you all. Finally, I would like to dedicate this book to my supporters and myself. I designed this book after the greatest loss of my country, In Remembrance of His Majesty King Bhumibol Adulyadej. My thoughts and prayers go out to all people in Thailand. I am proud to have been born in the reign of king Rama IX of Thailand from the bottom of my heart. April 2017
VOLUME I COMME RCI A L DESIGN
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CONTENTS PROJECT 1 TCHO WORKPL ACE OF THE FUTURE 05 TCHO : FROM NASA TO THE BARS OF CHOCOLATE 09 DEMOGRAPHICS : DOGPATCH SAN FRANCISCO, CA 11 6 TRENDS FOR PRODUCTIVE OFFICE DESIGN FOR 2016 13 DESIGN DEVELOPMENT : SKETCHES 15 CONSTRUCTION RESERCH : CUSTOM DESIGN NOOK 17 CONCEPT : CHEMICAL L AB 23 FLOOR PL AN : ZONING & CIRCUL ATION 25 ELEVATIONS 27 RENDERING : COLL ABORATION LIBRARY 31 RENDERING : TCHO CEO OFFICE 35 RENDERING : COMMON AREA NOOK
PROJECT 2 NEX T UNIVERIT Y 41 STEELCASE : CLIENTELE & USER SCENARIO 4 3 SITE ANALYSIS : LOCATION & SOL AR STUDY 47 NEX T MOOD AND TONE 48 CONCEPT : 3D GL ASSES 49 BRANDING : NEX T CORPORATE IDENTIT Y 53 DESIGN DEVELOPMENT : SKETCHES 55 FLOOR PL AN : REFLECTED CEILING PL AN 59 MATERIAL LEGENDS & ELEVATION 61 RENDERING : NEX T IN-BET WEEN LEARNING SPACE 65 RENDERING : NEX T FACULT Y CONNECTION HUB
VOLUME I COMME RCI A L DESIGN
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P RO JEC T 1
X-ray / eks rÄ / noun an electromagnetic wave of high energy and very short wavelength, which is able to pass through many materials opaque to light.
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PROJECT I COMMERCIAL DESIGN 2016 WORKPLACE OF THE FUTURE TOOLS : REVIT / ADOBE CC SUITE
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TCHO: FROM NASA TO THE BARS OF CHOCOLATE TCHO is a start-up chocolate born
TCHO designed a chocolate “Beta”
in Pier 17, San Francisco, the city
program in which feedback from their
where was the birthplace of Google,
customers helped us refine their early
Facebook, Microsoft and Apple.TCHO
formulations before final launch. Plus,
was firstly established by NASA
their packaging is modern and iconic;
engineer, founder of Wired and Peru
TCHO has won numerous design
cocoa manufacturers, recycling old
awards. The TCHO team includes
machines and adapted to modern
chocolate and food enthusiasts
times to become one of the best
with deep chocolate experience
chocolates in the world.
from industry leaders like Ghirardelli, Scharffen Berger, and Lake Champlain
Under the concept of “fail fast”: Take
Chocolates.
a fast, try it in different people and then iterarlo, as if it were software.
F ROM A R T I C L E T C H O I S N E W A M E R I C A N C H O C O L AT E . © 2 0 17 T C H O V E N T U R E S,
There are many ways in which TCHO
INC.
is where Silicon Valley start-up meets San Francisco food culture. That means TCHO marries the relentless pursuit of innovation to the obsession with flavor and quality which are hallmarks of our region. TCHO has a unique and innovative sourcing program, TCHOSource, that goes beyond Fair Trade — working directly with cacao farmers to improve their crops and livelihood.
BUSINESS AND FINANCIAL MANAGEMENT OPERATIONS SOCIAL MANAGEMENT AND CUSTOMER SERVICES
TECH SPECIALISTS AND SOFTWARE DEVELOPERS
This program has helped thousands of farmers in Peru, Ecuador, the Dominican Republic, and Ghana.
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THE NAME TCHO IS A PHONETIC SPELLING FOR THE FIRST SYLL ABLE OF CHOCOL ATE. TCHO IS PRONOUNCED “CHOH!” (THE “T” IS SILENT)
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SAN FRANCISCO, CALIFORNIA
DOGPATCH DEMOGRAPHICS
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EDUCATION ATTAINMENT % DOGPATCH
SAN FRANCISCO AVERAGE
50
25
TOP 3 OCCUPATIONS OF MALES % DOGPATCH
SAN FRANCISCO AVERAGE
MALE IN MANAGEMENT OCCUPATIONS HERE
21.3%
CITY
14.1%
0 BACHELOR’S
MASTER’S
PROFESSIONAL’S
MALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS
DOCTORATE
HERE
6.2%
CITY
8.1%
MALE IN COMPUTER AND MATEMATICAL OCCUPATIONS
SAN FRANCISCO’S NEW INDIE NEIGHBORHOOD
HERE
11.2%
CITY
8.7%
TOP 3 OCCUPATIONS OF FEMALES %
Dogpatch is proof that good things come in small packages. The
DOGPATCH
charming microhood was largely industrial for years, but has become
SAN FRANCISCO AVERAGE
FEMALE IN MANAGEMENT OCCUPATIONS
a budding enclave of artisans and craftsmen. The area maintains a sleepy, untouched vibe on the surface — with palpitating creativity at the core.
HERE
30.5%
CITY
11.8%
FEMALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS
The historic district is home to some of the city’s oldest structures
HERE
10.5%
CITY
9.4%
FEMALE IN COMMUNITY AND SOCIAL SERICES OCCUPATIONS
and Victorian cottages. Pier 70 is an existing shipyard and industrial site that supported both World Wars and manufactured supplies for
HERE
2.8%
CITY
2.8%
the Gold Rush and Transcontinental Railway. The Noonan Building at Pier 70 is now studio space.
HOUSEHOLD INCOME DISTRIBUTION
RENT PAID BY RENTERS
HOUSEHOLD PER EACH $1000 SECTION
PENTERS PER EACH $100 SECTION
12
240
10
200
8
160
6
120
4
80
2
40
0
0 0 10 20 30 40 50 60
75
1001
25
1502
00
$max in thousand of $
0
2004
00
6008
00
1000
1500
2000
in $/month
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FROM THE FUTURE OF WORK BY VIVIAN GIANG
TRENDS FOR PRODUCTIVE OFFICE DESIGN FOR 2016 1
2
3
CREATE PATHS FOR CHANCE MEETINGS
INCLUDE NOOKS NEAR COMMON AREAS
BUILD CONFERENCE ROOMS DIRECTLY IN COMMON AREAS
Creating paths for chance meetings,
The best-case scenario when people
Instead of the boring walls that usually
including nooks, and designing agile,
run into each other is that brilliant
put people to sleep, glass walls in the
unique workspaces are solutions that
conversations spark, resulting in
middle of a busy area can help keep
designers say promote collaboration,
innovative solutions. This is exactly
the mind awake.
creativity, and productivity in the
why you should include nooks—areas
modern office.
where people can go and maintain
Your mind is being spiked by the
some privacy—around these common
activity that’s swirling around, but
areas and paths.
the downside is that this could be a
It’s more crucial to make sure people are connecting and brainstorming with
problem for people who have issues
each other. The chance encounters are
If you have to reserve a conference
necessary to increase familiarity and
room to finish that conversation, then
to hopefully create conversations that
you lose time. It’s not efficient.
lead to solutions.
11
concentrating.
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4
5
6
INCLUDE BOOTHS FOR PRIVATE CONVERSATIONS
CREATE AN AGILE WORKSPACE
HAVE ADJUSTABLE DESKS AND CONFERENCE TABLES
It’s certainly important for people to
We design spaces today where every
desks today should be able to adjust
have a sense of privacy. People need
employee doesn’t have to sit in a
to any height and conference tables
a space that they can go to make a
specific spot rather than going to sit
should do the same since research
conference or Skype call.
in one desk all day, it could be that I’ll
also shows that standing meetings
start working at a bench, then I’ll go
keep groups more engaged and less
Because it’s important to create
to a more quiet space for head-down
territorial than sitting meetings.
those spaces and create a company
concentration, then I’ll go to the social
culture that supports those spaces. In
hub because I want to connect with
Research shows that sitting too
other words, you don’t want to have
my co-workers. We’ve moved beyond
much is harmful to our health and
a culture where the boss is always
traditional offices to agile design.
employers should be concerned about
asking why someone isn’t at their
the health of their biggest asset: their
desk. People need to feel like they can
Agile designs make more sense
go to a private area for a phone call or
because it feels more comfortable
simply to work uninterrupted if they
for employees where people have
need to.
choices, more control, and power. We
employees.
still need to conquer how to control distractions. You can’t control all distractions, but you can get up and move.
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PENCIL ON DRAFT PAPERS
SKETCHES
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© P HOTO: DR. S A NDR A GE L B RICH
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CUSTOM DESIGN FOR CONFERENCE AND NOOK AREAS
CONSTRUCTION RESEARCH CARBON F I BRE -RE I NF ORCE D CONCRE T E Concrete reinforced with textiles instead of steel has many advantages: it saves raw materials, has a high potential for lightweight construction and can thus be used in innovative ways. Moreover reinforcement fabrics such as carbon do not rust and therefore have a longer lifespan. The thin-walled carbon fibre-reinforced concrete shells were manufactured by means of a flexible formwork system made of glass-fibre reinforced plastic (GFRP), whereby the researchers first coated and preformed the textile reinforcement structures with resin and then integrated the fibres into the concrete for casting the shells. A R T I C L E P U B L I S H E D 0 5 / 13 / 2 0 16 BE T TINA SIGMUND
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LIBERAL
CASUAL
BOLD
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MOOD AND TONE
CONCEPT: CHEMICAL LAB Lean and Mean to be Real is the
prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies.
FLEXIBILITY
First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily,
PRODUCTIVITY
diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San
EFFICIENCY
Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.
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1
RECEP TION
PUBLIC / CIRCUL ATION
2
L AB
ACCESSIBLE INDIVIDUAL WORKING SPACE
3
COLL ABOR ATION LIBR ARY
CONVENIENTLY ACCESSIBLE / LOW TR AFFIC
4
NOOK
INDIVIDUAL WORKING SPACE
5
MANAGER OFFICE
VISUAL AND ACOUSTIC CONTROL
6
WORKING SPACE
COLL ABOR ATION ARE A / HIGH TR AFFIC
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MEE TING ROOM
HIGHLY RESTRICTED
8
CEO OFFICE
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CAFE TERIA AND LOUNGE
10
CONFERENCE
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E XHIBITION DISPL AY
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ADA RESTROOM
8
8
4
4 5
6 6
7 9
19
7
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ZONING & CIRCULATION
12 10 12
11
2 3
4
1
EMPLOYEE VISITORS EGRESS
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F1
CONCRE TE
F2
CARPE T I
F3
CARPE T II
F4
ARE A RUG
F5
RECL AIMED WOOD PARQUE T
F6
TILE
F7
INDOOR SYNTHE TIC GR ASS
M1
CARBON FIBER-REINFORCED CONCRE TE
F1
F2
F3
F4
F5
F6
F7
M1
14 ' - 10 15/32"
M1
42' - 8 13/32"
F4
F5 F7 F3
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MATERIAL & FURNITURE PLAN 9' -1 0 34
6" /1 15
'5 2" 1/
M1
F6
F1
'48
4
" 32 1/
F2
M1
-8 3 '
" /16
22
23
' - 10 1/2"
A ust
nt
10' - 8"
nt i ht
e Tr ck i ht
RCO inere en
H NA ont n Arte en
5' - 0"
R 3' - 0"
VOLUME I COMME RCI A L DESIGN
5' 1 -1 2" /3
00 60
P RO JEC T 1
REFLECTED CEILING PLAN / LIGHT FIXTURE AND FURNITURE LEGENDS
FURNITURE LEGENDS
L1
L2
L3
L4
L5
L6
T1
T2
T3
T4
T5
T6
C1
C2
C3
C4
C5
C6
C7
C8
C9
C10
L1
6” RECESSED 11-W DIMMABLE LED RE TROFIT LIGHT TRIM
L2
EL AN GORVE 39 1/4” WIDE CHROME LED LINE AR PENDANT
L3
RILE Y BL ACK 10 WAT T LED TR ACK HE AD FOR JUNO
L4
HUNA PENDANT LIGHT FONTANA ARTE
L5
QUOIZEL MARINE 6” WIDE WESTERN BRONZE MINI PENDANT
L6
STOA WALL SCONE BY FOCUS LIGHTING
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9' - 9 11/32"
12' - 0 1/32"
VOLUME I COMME RCI A L DESIGN
NOR T H V IE W OF ME E T- U P NOOK
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P RO JEC T 1
DISSECTION OF THE SOUTH & NORTH VIEW
ELEVATIONS
NOR T H V IE W OF W ORK ING SPACE A ND C OL L A B OR AT I V E S TAT ION
SOU T H V IE W OF W ORK ING SPACE A ND ME E T- U P NOOK
SOU T H V IE W OF ME E T- U P NOOK
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VOLUME I COMME RCI A L DESIGN
R
R
This collaboration area was programmed to improve
All furniture was selected by considering modularity and
communication in this office. By considering the ecology
functions for collaborative area. This is also a library for
of the brand, there’re many departments working
employees gathering and researching resources. Even
cohesively in each production process; enhancing the
though, the space is open, however, carpet, and hanging
space with energetic mood-boosting finishing colours
clouds from the ceiling are designed for better acoustics.
with hexagon-shaped furniture to create bold and lively environment for collaborative purposes.
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COLLABORATION LIBRARY 28
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29
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MEETING ROOMS People will notice from the first that
humour, these curtains are mimicking
this meeting room reminds them of a
restricted areas in factory that contain
retro car-wash service station or QC
important information of the company.
partition area. And it is correct. These
This humour is possible because of
transparent vivid yellow curtains are
TCHO’s community culture that makes
an operable partition of each meeting
this happens. Moreover, in contrast of
area as flexibility is the priority. To
red brick wall, bright and semi-matte
spice this room up from traditional
yellow finishing and natural touch from
meeting room, with some sense of
wood furniture are for users fun and comfort.
R
R
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R
CEO Office is located solitarily from other areas in order to create privacy and less pressure among employees. This room boundaries are brick walls and glazed windows and door for sustainability and ventilation. The room is quite simple but spacious with a few gimmicks that play a roll to reduce stressfulness and promote productivity.
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CEO OFFICE
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CAFETERIA & LOUNGE
Cafeteria and lounge is a break room for employees and employers functioning as a space to strengthen bonds among co-workers and their boss. With one long dining table with small prep-kitchen island and shelves for everyone’s convenience. Artificial green grass is the selected flooring material that psychologically relaxes human visual perception and calms mind. I chose perforated stainless steel partition making this room provocative and modern.
R
33
R
P RO JEC T 1
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A V IE W INSIDE A C OMMON A RE A NOOK W I T H P L AY F UL A ND L IGH T HE A R T E D AT MOSP HE RE RE P RESE N T P ROVOK AT I V E P E RSP E C T I V E OF TCHO
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P RO JEC T 2
Entrepreneur / äntrəprə nər / noun 1 a person who organizes and manages any enterprise, especially a business, usually with considerable initiative and risk. 2 an employer of productive labor; contractor.
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PROJECT II COMMERCIAL DESIGN 2016 NEXT UNIVERSITY TOOLS : REVIT / ADOBE CC SUITE
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VOLUME I COMME RCI A L DESIGN
INTRO TO NEXT UNIVERSITY AND PROJECT MISSIONS
CLIENTELE & USER SCENARIO Steelcase is a United States-based furniture company which produces office furniture, architectural and technology products for office environments and the education, health care and retail industries. NEXT Education Spaces Steelcase Education works with leading educational institutions to create places that enhance the success and wellbeing of students and educators. Large Classroom Active Learning Classrooms In-between learning Spaces Faculty Connection Hub Student WorkCafe
Certificates + Profiles
41
Materials Chemistry
End of Use + Recycling
Life Cycle Thinking + Assessments
P RO JEC T 2
A HIGHER EDUCATION INSTUTION : NEXT UNIVERSITY NEXT University is a cutting-edge learning instution with the primary goal to develop students that will be
LEADERS
future leaders and innovators. “The Future is in our Hands” is a quote of NEXT, a private liberal arts institution with less that 2,200 students.
INNOVATORS
Primary users : High education learning center dedicated to build leadership learners with promising missions and visions as well as
FUTURE
facilities composed to support instuition’s crews and visitors. Age : between 20 -35 yrs.
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NEXT UNIVERSITY
LOCATION & SOLAR STUDY Next University 1584 Wesleyan Drive Norfolk, Virginia 23502
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VIRGINIA VS. TOTAL POPULATION
NORFOLK DEMOGRAPHICS TOTAL POPUL ATION MALE FEMALE
24 2 , 8 0 3 12 5,797 117, 0 0 6
CAUCASIAN AFRICAN AMERICAN ASIAN
47.75 % 4 2 .6 2 % 3.3 6 %
MEDIAN AGE OF BOTH SE XES MALE FEMALE
LOTS OF LOCAL AMENITIES SUNNY W E ATHER LOW COST OF LIVING
45
29 28 31
P RO JEC T 2
Individuals And Groups :
GREEN MOVEMENT BECOMES EVERYONE DAILY LIFE 1) Sustainable Conciousness : With climate control strategy and low harmful VOC gases emission for better ventilation, the studies indicated that improving indoor air quality can impact a person’s learning performance by as much as 10-20%. 2) Today, Students Are Engaged More By Active Learning System : From Milenium generation and up for ward, nowadays, stidents seek active learning environment while teaching method had been shifted to a learing-while-doing method. As a result, creating mock-up spaces where students can experience new situations in a focused setting is very crucial.
3) Integrate Technology By Critical
The study demonstrated that
Component For M-Generation
engagement increases as students
Millennium generation has a distinct
move from just receiving information
profile, for instance, multi-taskers with to discussing and experiencing it, and simultaniously wireless interactions
peaks when students in turn convey
are their nature. An Interior space
information to others.
should providing sufficient electrical outlets with comfortable furniture
6) Attract & Retain Human Resources
for the users who crave and expect
by Facilities Interiors Are Valuable
constant stimulation.
Marketing Tools For Recruiting : An apearance is always do matter.
4) Provide
Increasing of compettive environment
Flexibility by An Environment That Are
in education industry is a motivation
Both Flexible And Adaptable :
of improvement.
School design must acknowledge the rapid pace of change and create an
Studies indicate that physical
environment that are both flexible
condition of school facilities impacts
and adaptable for the future that
teacher working effectiveness and
respond to the teaching styles of
improves a relationship between
each professor with the ability to
students and faculty.
recogfigure quickly, quietly and with minimal distraction.
7) Establish Community By Sense Of Community Is A Part Of College
5) Encourage Collaboration by Easy
Experience : Students crave sense o
Transfer Information Between
community in the college time. With the sense of belonging can be served from student service center, social activities offering them centralized amenities.
FROM ERAMUS UNIVERSITY ROTTERDAM BY PAUL DE RUITER ARCHITECTS
DESIGN TRENDS IN HIGHER EDUCATION 46
VOLUME I COMME RCI A L DESIGN
SIMPLE
ORGANIC
INNOVATIVE
PROMISING
47
P RO JEC T 2
MOOD AND TONE
CONCEPT: 3D GLASSES The Viewpoint of Technology,
we bring sustainability to life.
ORGANIC
NEXT, in other words, it refers
FUTURISTIC
to our responsibility to create future generations with leadership perspective and initiative to new innovation for community in dynamic
PROMISING
culture.
SUSTAINABLE
PHILOSOPHY
INNIVATIVE
Make Touchable Scenery 1) Create active and guilt-free movement for better future 2) Healthy Community thant enhancing learning performance
SIMPLE YOUNG
3) Create seamless culture in NEXT School Connection Hub
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COMBINATION
49
SPACING
INTERSECTION
P RO JEC T 2
SKETCH DESIGN DEVELOPMENT
BRANDING NEXT CORPORATE IDENTITY DEVELOPMENT I started with my sketches to relate my design mood and tone with the concept. By employing intersected curves and angle, it represents overlapping and intellectual knowledge in shapes of organic and flowing lines and forms. Digital Edit with font and shape selection Font: GOTHAM UPPERCASE Regular 120% Horizontal scale
ABCDE FGHIJK LMNOP QRSTU VWXYZ
FIRST VERSION
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P RO JEC T 2
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COLOUR PENCIL ON DRAFT PAPERS
SKETCHES
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VOLUME I COMME RCI A L DESIGN
LE VEL 1 R6 R5
R3 R4 R2
R1
R3 R1
R6
R6 R5
R3 R4 R2
R1
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LE VEL 2
P RO JEC T 2
CIRCULATION / ZONING / FUNITURE AND MATERIAL PLANS
CIRCULATION & FLOOR PLAN ZONING : LE VEL 1 R1
ATRIUM
R2
STUDENT WORK CAFE
R3
STUDENT LOUNGE
R4
NE X T LIBR ARY
R5
IN-BE T WEEN LE ARNING SPACE
R6
L ARGE CL ASSROOM ZONING : L E V EL 2
R1
ATRIUM
R2
STUDENT WORK CAFE
R3
NOOK
R4
FACULT Y CONNECTION HUB
R5
IN-BE T WEEN LE ARNING SPACE
R6
ACTIVE LE ARNING CL ASSROOM
CIRCUL ATION TO MAIN TR ANSIT SECONDARY TR ANSITION TO ROOMS EGRESS
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P RO JEC T 2
LIGHT FIXTURES AND CEILING FINISHINGS
REFLECTED CEILING PLAN L1
L2
L3
L5
L6
L7
L4
L1
PHILLIPS LED RECESSED DOWNLIGHT
L2
INTR A LIGHTING PIPE TUBE P 60
L3
INTR A LIGHTING PIPE TUBE S25
L4
INTR A LIGHTING PIPE TUBE S60
L5
MIZ AR E THER CEILING PENDANT 500MM
L6
INTR A LIGHTING MINUS CEILING 2000LM
L7
INTR A LIGHTING MINUS CEILING 4 000LM
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F1
TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING
F2
MOHAWK MALTED MILK LOF T LIFE CARPE T
F3
ROYAL GR ASS ECODENSE ECO-FRIENDLY ARTIFICIAL GR ASS
F4
TERR A Z ZIO LUMINA BROKEN GL ASS AND CONCRE TE TERR A Z ZO
W1
VANDERSANDEN GROUP UNICOLOURED IVORY WHITE BRICK
W2
BENJAIN MOORE NATUR A INTERIOR PAINT-FL AT 512
W3
BIOTECTURE INDOOR GARDEN DESIGN BY MIDDLESE X
W4
BAUX ACOUSTIC WOOD WOOL PANELS
W5
TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING
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ROLLOUT ME TATRON MUR AL WHITE GEOME TRY WALLPA PER
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ROLLOUT ME TATRON MUR AL JAL A PENO GEOME TRY WALLPA PER
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W1
W3
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P RO JEC T 2
DISSECTION OF THE SOUTH, EAST AND WEST VIEWS
ELEVATIONS 2
3
4
ROO 24' - 0"
e e 2 12' - 0"
e e 1 0' - 0"
1
Atrium n Stu ent 1/4" = 1'-0"
ork C e
1
e
tion
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3
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5 A
B
C
D
e e 2 12' - 0"
e e 2 12' - 0"
e e 1 0' - 0" e
e e 1 0' - 0"
tion
3
2
3
st View e 1/16" = 1'-0"
10' - 8"
2
e rnin S ce 1/16" = 1'-0"
tion
4
e e 1 0' - 0"
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North View e 1/4" = 1'-0"
D
tion
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S
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VOLUME I COMME RCI A L DESIGN
One of Next intuitive missions is to create innovative human resources for better society. According to the study, it indicates that human working performance can increase up to 82% with good collaboration. In-Between learning space is designed for small groups of working collectively.
IN-BETWEEN LEARNING SPACE
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VOLUME I COMME RCI A L DESIGN
Sustainability is one of next initiation to bring natural resource consciousness in the community. The library contains various of used books, magazines and other unused study materials for students as well as provides book donation station for everyone.
NEXT LIBRARY 63
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VOLUME I COMME RCI A L DESIGN
Since students crave sense of community, this area will elaborate diversity of cultures, knowledge, interests etc. With the sense of belonging, students will be more corporative with other social activities and services than just studying.
FACULTY CONNECTION HUB 65
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VOLUME I COMME RCI A L DESIGN
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A N AT RIUM AT MOSHE RE W I T H A T RE ME NDOUS L I V ING WA L L A ND A LUMINOUS NE X T LOGO
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AUTOBIOGRAPHY Panchaya Siengsakul‘s design foundation was constructed in a vibrant and diverse city, Bangkok, Thailand; where the Bangkokian contemporary street style has impacted her passion in interior architecture and design. After moving to San Francisco, she has been influenced by the aesthetics of Westcoast leading innovation and sustainability that makes art and design business speak louder. Panchaya believes not only kinetic power from outside-world inspiration can motivate us, but also each individual potential that drives creativities in art and design. To sustain diligence, a passion will be through with commitment. From the phrase, the sky has no limit, she regards eclectic information and discipline as an essence to every dimension in life and the pursuit of her goals. This portfolio shows the experimental, challenging and playful process she took to discover her own new design with her sharpness in visual communication and psychological interpretation. Under the concept “X-ray”, this book conveys the dissection of each design development through its DNA. As a result, blue was selected as the corporate color representing a “Cyanotype”, a photographic printing process that produces a cyan-blue copy referred to as blueprints. “I appreciate everything and all people who have broadened my perspective and inspired me in every period and dimension of life and time.“ Thank you.
END OF VOLUME I ------------------->