VOL.1 : Commercial Design

Page 1

2016 --- 2017 VOLUME I COMMERCIAL DESIGN PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO

INTERIOR ARCHITECTURE & ENTREPRENEURIAL DESIGN


COPYRIGHT @ 2017 PANCHAYA SIENGSAKUL All right reserved. No part of this book may be used or reproduced in any manner without the written permission of Panchaya Siengsakul. Academy Of Art University 79 New Montgomery Steet San Francisco, Ca 94105 Director : Archana Myer Instructor : Chamindri Wijemanne Course : Portfolio Date : Spring 2017 Typeface : Univers Software : Adobe Suite CC 2017 Photography : Sony Nex-5 Print & Bindery : BlurbÂŽ 580 California St # 300 San Francisco, CA 94104

E pansieng@gmail.com T (+1) 617-763-3354

A 501 Taylor St. Apt 204 San Francisco, CA 94102


2016 --- 2017 VOLUME I COMMERCIAL DESIGN PANCHAYA SIENGSAKUL DESIGN PORTFOLIO BANGKOK ------> SAN FRANCISCO

ENTREPRENEURIAL INTERIOR ARCHITECTURE & DESIGN



ACKNOWLEDGEMENTS Family : My wonder mom and Super dad, my dearest sister and brother, my sponsor uncle and my aunts, and my fluffy pet bunnies. Faculty : Charles Gignilliat, Grace Wood, David Riffert, Paul Delevati, Suzan Swabacker, Stephanie Smith-Haenel, Rose, Michael Mood, Edward Pertcheck, Molly Ness, Steven Birdwell, CarrieAnn Plank, Ernest Mariotto, Michael Sammet, Tobi Adamolekun, Rico Peng, Ivan Azerbegi, Chamindri Wijemanne, Serena Zanello and Samuel Mathau Friends and Classmates : Hoong, Juub, Pla, Eve, Mint, Ice, Peace, Noon, Paew, Tae, Boat, Phan, Yanan, Kan, P’Ueng, Kwan, Peak, New, Mo, Bok, Mac, Milk, Big, Haew, Nut, Hammy, Ploy, P’Yod, Kam, Maprang, Pangrum, P’Mai, P’Tarn, P’Baew, P’Ngonngon, P’Pink, P’Auin, P’Baby, P’Boo, Theresa, Dahyun, Elif, Xiaoran, Riko, Stephanie, Yoon, Gili, Mehran, Sephia, Miranda, Mio, Nicole, Nadia, N’Bew, N’Palm, N’Oak, P’Noon, P’Ped, P’Yai, P’Boy, P’Pitch, Piyanart, Orn, Pam, Petch, Bam, Prae, and Preachompu.

I would like to thank all of you. Without you, this portfolio couldn’t be completed. Thank you to the instructors of Academy of Art University. You taught me so much about this professional field. Thank you to the ESL tutors. As an international student, without your patience and enthusiasm, I would not have been able to express myself clearly. Thank you to my friends. You always stand by me when I am in need of help, either in the academic or mental aspects, eventhough we were in different continents. Most importantly to my family and my uncle. Without you, the dream of learning design abroad would never have come true. You’re the people who care about me the most in the world. Thank you for flying to U.S. and taking care of me when I missed home the most. There will never be enough words to express my appreciation. Thank you. I’ve seen true love from you all. Finally, I would like to dedicate this book to my supporters and myself. I designed this book after the greatest loss of my country, In Remembrance of His Majesty King Bhumibol Adulyadej. My thoughts and prayers go out to all people in Thailand. I am proud to have been born in the reign of king Rama IX of Thailand from the bottom of my heart. April 2017


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CONTENTS PROJECT 1 TCHO WORKPL ACE OF THE FUTURE 05 TCHO : FROM NASA TO THE BARS OF CHOCOLATE 09 DEMOGRAPHICS : DOGPATCH SAN FRANCISCO, CA 11 6 TRENDS FOR PRODUCTIVE OFFICE DESIGN FOR 2016 13 DESIGN DEVELOPMENT : SKETCHES 15 CONSTRUCTION RESERCH : CUSTOM DESIGN NOOK 17 CONCEPT : CHEMICAL L AB 23 FLOOR PL AN : ZONING & CIRCUL ATION 25 ELEVATIONS 27 RENDERING : COLL ABORATION LIBRARY 31 RENDERING : TCHO CEO OFFICE 35 RENDERING : COMMON AREA NOOK

PROJECT 2 NEX T UNIVERIT Y 41 STEELCASE : CLIENTELE & USER SCENARIO 4 3 SITE ANALYSIS : LOCATION & SOL AR STUDY 47 NEX T MOOD AND TONE 48 CONCEPT : 3D GL ASSES 49 BRANDING : NEX T CORPORATE IDENTIT Y 53 DESIGN DEVELOPMENT : SKETCHES 55 FLOOR PL AN : REFLECTED CEILING PL AN 59 MATERIAL LEGENDS & ELEVATION 61 RENDERING : NEX T IN-BET WEEN LEARNING SPACE 65 RENDERING : NEX T FACULT Y CONNECTION HUB


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X-ray / eks rÄ / noun an electromagnetic wave of high energy and very short wavelength, which is able to pass through many materials opaque to light.

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PROJECT I COMMERCIAL DESIGN 2016 WORKPLACE OF THE FUTURE TOOLS : REVIT / ADOBE CC SUITE

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TCHO: FROM NASA TO THE BARS OF CHOCOLATE TCHO is a start-up chocolate born

TCHO designed a chocolate “Beta”

in Pier 17, San Francisco, the city

program in which feedback from their

where was the birthplace of Google,

customers helped us refine their early

Facebook, Microsoft and Apple.TCHO

formulations before final launch. Plus,

was firstly established by NASA

their packaging is modern and iconic;

engineer, founder of Wired and Peru

TCHO has won numerous design

cocoa manufacturers, recycling old

awards. The TCHO team includes

machines and adapted to modern

chocolate and food enthusiasts

times to become one of the best

with deep chocolate experience

chocolates in the world.

from industry leaders like Ghirardelli, Scharffen Berger, and Lake Champlain

Under the concept of “fail fast”: Take

Chocolates.

a fast, try it in different people and then iterarlo, as if it were software.

F ROM A R T I C L E T C H O I S N E W A M E R I C A N C H O C O L AT E . © 2 0 17 T C H O V E N T U R E S,

There are many ways in which TCHO

INC.

is where Silicon Valley start-up meets San Francisco food culture. That means TCHO marries the relentless pursuit of innovation to the obsession with flavor and quality which are hallmarks of our region. TCHO has a unique and innovative sourcing program, TCHOSource, that goes beyond Fair Trade — working directly with cacao farmers to improve their crops and livelihood.

BUSINESS AND FINANCIAL MANAGEMENT OPERATIONS SOCIAL MANAGEMENT AND CUSTOMER SERVICES

TECH SPECIALISTS AND SOFTWARE DEVELOPERS

This program has helped thousands of farmers in Peru, Ecuador, the Dominican Republic, and Ghana.

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THE NAME TCHO IS A PHONETIC SPELLING FOR THE FIRST SYLL ABLE OF CHOCOL ATE. TCHO IS PRONOUNCED “CHOH!” (THE “T” IS SILENT)

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SAN FRANCISCO, CALIFORNIA

DOGPATCH DEMOGRAPHICS

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EDUCATION ATTAINMENT % DOGPATCH

SAN FRANCISCO AVERAGE

50

25

TOP 3 OCCUPATIONS OF MALES % DOGPATCH

SAN FRANCISCO AVERAGE

MALE IN MANAGEMENT OCCUPATIONS HERE

21.3%

CITY

14.1%

0 BACHELOR’S

MASTER’S

PROFESSIONAL’S

MALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS

DOCTORATE

HERE

6.2%

CITY

8.1%

MALE IN COMPUTER AND MATEMATICAL OCCUPATIONS

SAN FRANCISCO’S NEW INDIE NEIGHBORHOOD

HERE

11.2%

CITY

8.7%

TOP 3 OCCUPATIONS OF FEMALES %

Dogpatch is proof that good things come in small packages. The

DOGPATCH

charming microhood was largely industrial for years, but has become

SAN FRANCISCO AVERAGE

FEMALE IN MANAGEMENT OCCUPATIONS

a budding enclave of artisans and craftsmen. The area maintains a sleepy, untouched vibe on the surface — with palpitating creativity at the core.

HERE

30.5%

CITY

11.8%

FEMALE IN BUSINESS AND FINANCIAL OPERATIONS OCCUPATIONS

The historic district is home to some of the city’s oldest structures

HERE

10.5%

CITY

9.4%

FEMALE IN COMMUNITY AND SOCIAL SERICES OCCUPATIONS

and Victorian cottages. Pier 70 is an existing shipyard and industrial site that supported both World Wars and manufactured supplies for

HERE

2.8%

CITY

2.8%

the Gold Rush and Transcontinental Railway. The Noonan Building at Pier 70 is now studio space.

HOUSEHOLD INCOME DISTRIBUTION

RENT PAID BY RENTERS

HOUSEHOLD PER EACH $1000 SECTION

PENTERS PER EACH $100 SECTION

12

240

10

200

8

160

6

120

4

80

2

40

0

0 0 10 20 30 40 50 60

75

1001

25

1502

00

$max in thousand of $

0

2004

00

6008

00

1000

1500

2000

in $/month

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FROM THE FUTURE OF WORK BY VIVIAN GIANG

TRENDS FOR PRODUCTIVE OFFICE DESIGN FOR 2016 1

2

3

CREATE PATHS FOR CHANCE MEETINGS

INCLUDE NOOKS NEAR COMMON AREAS

BUILD CONFERENCE ROOMS DIRECTLY IN COMMON AREAS

Creating paths for chance meetings,

The best-case scenario when people

Instead of the boring walls that usually

including nooks, and designing agile,

run into each other is that brilliant

put people to sleep, glass walls in the

unique workspaces are solutions that

conversations spark, resulting in

middle of a busy area can help keep

designers say promote collaboration,

innovative solutions. This is exactly

the mind awake.

creativity, and productivity in the

why you should include nooks—areas

modern office.

where people can go and maintain

Your mind is being spiked by the

some privacy—around these common

activity that’s swirling around, but

areas and paths.

the downside is that this could be a

It’s more crucial to make sure people are connecting and brainstorming with

problem for people who have issues

each other. The chance encounters are

If you have to reserve a conference

necessary to increase familiarity and

room to finish that conversation, then

to hopefully create conversations that

you lose time. It’s not efficient.

lead to solutions.

11

concentrating.


P RO JEC T 1

4

5

6

INCLUDE BOOTHS FOR PRIVATE CONVERSATIONS

CREATE AN AGILE WORKSPACE

HAVE ADJUSTABLE DESKS AND CONFERENCE TABLES

It’s certainly important for people to

We design spaces today where every

desks today should be able to adjust

have a sense of privacy. People need

employee doesn’t have to sit in a

to any height and conference tables

a space that they can go to make a

specific spot rather than going to sit

should do the same since research

conference or Skype call.

in one desk all day, it could be that I’ll

also shows that standing meetings

start working at a bench, then I’ll go

keep groups more engaged and less

Because it’s important to create

to a more quiet space for head-down

territorial than sitting meetings.

those spaces and create a company

concentration, then I’ll go to the social

culture that supports those spaces. In

hub because I want to connect with

Research shows that sitting too

other words, you don’t want to have

my co-workers. We’ve moved beyond

much is harmful to our health and

a culture where the boss is always

traditional offices to agile design.

employers should be concerned about

asking why someone isn’t at their

the health of their biggest asset: their

desk. People need to feel like they can

Agile designs make more sense

go to a private area for a phone call or

because it feels more comfortable

simply to work uninterrupted if they

for employees where people have

need to.

choices, more control, and power. We

employees.

still need to conquer how to control distractions. You can’t control all distractions, but you can get up and move.

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PENCIL ON DRAFT PAPERS

SKETCHES

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© P HOTO: DR. S A NDR A GE L B RICH

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CUSTOM DESIGN FOR CONFERENCE AND NOOK AREAS

CONSTRUCTION RESEARCH CARBON F I BRE -RE I NF ORCE D CONCRE T E Concrete reinforced with textiles instead of steel has many advantages: it saves raw materials, has a high potential for lightweight construction and can thus be used in innovative ways. Moreover reinforcement fabrics such as carbon do not rust and therefore have a longer lifespan. The thin-walled carbon fibre-reinforced concrete shells were manufactured by means of a flexible formwork system made of glass-fibre reinforced plastic (GFRP), whereby the researchers first coated and preformed the textile reinforcement structures with resin and then integrated the fibres into the concrete for casting the shells. A R T I C L E P U B L I S H E D 0 5 / 13 / 2 0 16 BE T TINA SIGMUND

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LIBERAL

CASUAL

BOLD

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MOOD AND TONE

CONCEPT: CHEMICAL LAB Lean and Mean to be Real is the

prescription for TCHO crews.I would like to represent iconic boldness of the company identity by applying space characters with their own philosophies.

FLEXIBILITY

First of all, energetic atmosphere is the leader of commercial space as it is where people spend most of their daily life within wake-time. Contrarily,

PRODUCTIVITY

diversity of unisex colors stands for vibrant and individual identity of the location. Dogpatch; a new art-indy neighborhood is a manufacturing Revival of San

EFFICIENCY

Francisco. Finally, liberality is representing TCHO as a new intellectual community of finest products with creativity and missions to change how people experience chocolates.

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1

RECEP TION

PUBLIC / CIRCUL ATION

2

L AB

ACCESSIBLE INDIVIDUAL WORKING SPACE

3

COLL ABOR ATION LIBR ARY

CONVENIENTLY ACCESSIBLE / LOW TR AFFIC

4

NOOK

INDIVIDUAL WORKING SPACE

5

MANAGER OFFICE

VISUAL AND ACOUSTIC CONTROL

6

WORKING SPACE

COLL ABOR ATION ARE A / HIGH TR AFFIC

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MEE TING ROOM

HIGHLY RESTRICTED

8

CEO OFFICE

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CAFE TERIA AND LOUNGE

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CONFERENCE

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E XHIBITION DISPL AY

12

ADA RESTROOM

8

8

4

4 5

6 6

7 9

19

7


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ZONING & CIRCULATION

12 10 12

11

2 3

4

1

EMPLOYEE VISITORS EGRESS

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F1

CONCRE TE

F2

CARPE T I

F3

CARPE T II

F4

ARE A RUG

F5

RECL AIMED WOOD PARQUE T

F6

TILE

F7

INDOOR SYNTHE TIC GR ASS

M1

CARBON FIBER-REINFORCED CONCRE TE

F1

F2

F3

F4

F5

F6

F7

M1

14 ' - 10 15/32"

M1

42' - 8 13/32"

F4

F5 F7 F3

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MATERIAL & FURNITURE PLAN 9' -1 0 34

6" /1 15

'5 2" 1/

M1

F6

F1

'48

4

" 32 1/

F2

M1

-8 3 '

" /16

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23

' - 10 1/2"

A ust

nt

10' - 8"

nt i ht

e Tr ck i ht

RCO inere en

H NA ont n Arte en

5' - 0"

R 3' - 0"

VOLUME I COMME RCI A L DESIGN

5' 1 -1 2" /3

00 60


P RO JEC T 1

REFLECTED CEILING PLAN / LIGHT FIXTURE AND FURNITURE LEGENDS

FURNITURE LEGENDS

L1

L2

L3

L4

L5

L6

T1

T2

T3

T4

T5

T6

C1

C2

C3

C4

C5

C6

C7

C8

C9

C10

L1

6” RECESSED 11-W DIMMABLE LED RE TROFIT LIGHT TRIM

L2

EL AN GORVE 39 1/4” WIDE CHROME LED LINE AR PENDANT

L3

RILE Y BL ACK 10 WAT T LED TR ACK HE AD FOR JUNO

L4

HUNA PENDANT LIGHT FONTANA ARTE

L5

QUOIZEL MARINE 6” WIDE WESTERN BRONZE MINI PENDANT

L6

STOA WALL SCONE BY FOCUS LIGHTING

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9' - 9 11/32"

12' - 0 1/32"

VOLUME I COMME RCI A L DESIGN

NOR T H V IE W OF ME E T- U P NOOK

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P RO JEC T 1

DISSECTION OF THE SOUTH & NORTH VIEW

ELEVATIONS

NOR T H V IE W OF W ORK ING SPACE A ND C OL L A B OR AT I V E S TAT ION

SOU T H V IE W OF W ORK ING SPACE A ND ME E T- U P NOOK

SOU T H V IE W OF ME E T- U P NOOK

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VOLUME I COMME RCI A L DESIGN

R

R

This collaboration area was programmed to improve

All furniture was selected by considering modularity and

communication in this office. By considering the ecology

functions for collaborative area. This is also a library for

of the brand, there’re many departments working

employees gathering and researching resources. Even

cohesively in each production process; enhancing the

though, the space is open, however, carpet, and hanging

space with energetic mood-boosting finishing colours

clouds from the ceiling are designed for better acoustics.

with hexagon-shaped furniture to create bold and lively environment for collaborative purposes.

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COLLABORATION LIBRARY 28


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MEETING ROOMS People will notice from the first that

humour, these curtains are mimicking

this meeting room reminds them of a

restricted areas in factory that contain

retro car-wash service station or QC

important information of the company.

partition area. And it is correct. These

This humour is possible because of

transparent vivid yellow curtains are

TCHO’s community culture that makes

an operable partition of each meeting

this happens. Moreover, in contrast of

area as flexibility is the priority. To

red brick wall, bright and semi-matte

spice this room up from traditional

yellow finishing and natural touch from

meeting room, with some sense of

wood furniture are for users fun and comfort.

R

R

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R

CEO Office is located solitarily from other areas in order to create privacy and less pressure among employees. This room boundaries are brick walls and glazed windows and door for sustainability and ventilation. The room is quite simple but spacious with a few gimmicks that play a roll to reduce stressfulness and promote productivity.

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CEO OFFICE

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CAFETERIA & LOUNGE

Cafeteria and lounge is a break room for employees and employers functioning as a space to strengthen bonds among co-workers and their boss. With one long dining table with small prep-kitchen island and shelves for everyone’s convenience. Artificial green grass is the selected flooring material that psychologically relaxes human visual perception and calms mind. I chose perforated stainless steel partition making this room provocative and modern.

R

33

R


P RO JEC T 1

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A V IE W INSIDE A C OMMON A RE A NOOK W I T H P L AY F UL A ND L IGH T HE A R T E D AT MOSP HE RE RE P RESE N T P ROVOK AT I V E P E RSP E C T I V E OF TCHO

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P RO JEC T 2

Entrepreneur / äntrəprə nər / noun 1 a person who organizes and manages any enterprise, especially a business, usually with considerable initiative and risk. 2 an employer of productive labor; contractor.

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PROJECT II COMMERCIAL DESIGN 2016 NEXT UNIVERSITY TOOLS : REVIT / ADOBE CC SUITE

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INTRO TO NEXT UNIVERSITY AND PROJECT MISSIONS

CLIENTELE & USER SCENARIO Steelcase is a United States-based furniture company which produces office furniture, architectural and technology products for office environments and the education, health care and retail industries. NEXT Education Spaces Steelcase Education works with leading educational institutions to create places that enhance the success and wellbeing of students and educators. Large Classroom Active Learning Classrooms In-between learning Spaces Faculty Connection Hub Student WorkCafe

Certificates + Profiles

41

Materials Chemistry

End of Use + Recycling

Life Cycle Thinking + Assessments


P RO JEC T 2

A HIGHER EDUCATION INSTUTION : NEXT UNIVERSITY NEXT University is a cutting-edge learning instution with the primary goal to develop students that will be

LEADERS

future leaders and innovators. “The Future is in our Hands” is a quote of NEXT, a private liberal arts institution with less that 2,200 students.

INNOVATORS

Primary users : High education learning center dedicated to build leadership learners with promising missions and visions as well as

FUTURE

facilities composed to support instuition’s crews and visitors. Age : between 20 -35 yrs.

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NEXT UNIVERSITY

LOCATION & SOLAR STUDY Next University 1584 Wesleyan Drive Norfolk, Virginia 23502

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VIRGINIA VS. TOTAL POPULATION

NORFOLK DEMOGRAPHICS TOTAL POPUL ATION MALE FEMALE

24 2 , 8 0 3 12 5,797 117, 0 0 6

CAUCASIAN AFRICAN AMERICAN ASIAN

47.75 % 4 2 .6 2 % 3.3 6 %

MEDIAN AGE OF BOTH SE XES MALE FEMALE

LOTS OF LOCAL AMENITIES SUNNY W E ATHER LOW COST OF LIVING

45

29 28 31


P RO JEC T 2

Individuals And Groups :

GREEN MOVEMENT BECOMES EVERYONE DAILY LIFE 1) Sustainable Conciousness : With climate control strategy and low harmful VOC gases emission for better ventilation, the studies indicated that improving indoor air quality can impact a person’s learning performance by as much as 10-20%. 2) Today, Students Are Engaged More By Active Learning System : From Milenium generation and up for ward, nowadays, stidents seek active learning environment while teaching method had been shifted to a learing-while-doing method. As a result, creating mock-up spaces where students can experience new situations in a focused setting is very crucial.

3) Integrate Technology By Critical

The study demonstrated that

Component For M-Generation

engagement increases as students

Millennium generation has a distinct

move from just receiving information

profile, for instance, multi-taskers with to discussing and experiencing it, and simultaniously wireless interactions

peaks when students in turn convey

are their nature. An Interior space

information to others.

should providing sufficient electrical outlets with comfortable furniture

6) Attract & Retain Human Resources

for the users who crave and expect

by Facilities Interiors Are Valuable

constant stimulation.

Marketing Tools For Recruiting : An apearance is always do matter.

4) Provide

Increasing of compettive environment

Flexibility by An Environment That Are

in education industry is a motivation

Both Flexible And Adaptable :

of improvement.

School design must acknowledge the rapid pace of change and create an

Studies indicate that physical

environment that are both flexible

condition of school facilities impacts

and adaptable for the future that

teacher working effectiveness and

respond to the teaching styles of

improves a relationship between

each professor with the ability to

students and faculty.

recogfigure quickly, quietly and with minimal distraction.

7) Establish Community By Sense Of Community Is A Part Of College

5) Encourage Collaboration by Easy

Experience : Students crave sense o

Transfer Information Between

community in the college time. With the sense of belonging can be served from student service center, social activities offering them centralized amenities.

FROM ERAMUS UNIVERSITY ROTTERDAM BY PAUL DE RUITER ARCHITECTS

DESIGN TRENDS IN HIGHER EDUCATION 46


VOLUME I COMME RCI A L DESIGN

SIMPLE

ORGANIC

INNOVATIVE

PROMISING

47


P RO JEC T 2

MOOD AND TONE

CONCEPT: 3D GLASSES The Viewpoint of Technology,

we bring sustainability to life.

ORGANIC

NEXT, in other words, it refers

FUTURISTIC

to our responsibility to create future generations with leadership perspective and initiative to new innovation for community in dynamic

PROMISING

culture.

SUSTAINABLE

PHILOSOPHY

INNIVATIVE

Make Touchable Scenery 1) Create active and guilt-free movement for better future 2) Healthy Community thant enhancing learning performance

SIMPLE YOUNG

3) Create seamless culture in NEXT School Connection Hub

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VOLUME I COMME RCI A L DESIGN

COMBINATION

49

SPACING

INTERSECTION


P RO JEC T 2

SKETCH DESIGN DEVELOPMENT

BRANDING NEXT CORPORATE IDENTITY DEVELOPMENT I started with my sketches to relate my design mood and tone with the concept. By employing intersected curves and angle, it represents overlapping and intellectual knowledge in shapes of organic and flowing lines and forms. Digital Edit with font and shape selection Font: GOTHAM UPPERCASE Regular 120% Horizontal scale

ABCDE FGHIJK LMNOP QRSTU VWXYZ

FIRST VERSION

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P RO JEC T 2

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VOLUME I COMME RCI A L DESIGN

COLOUR PENCIL ON DRAFT PAPERS

SKETCHES

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P RO JEC T 2

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VOLUME I COMME RCI A L DESIGN

LE VEL 1 R6 R5

R3 R4 R2

R1

R3 R1

R6

R6 R5

R3 R4 R2

R1

55

LE VEL 2


P RO JEC T 2

CIRCULATION / ZONING / FUNITURE AND MATERIAL PLANS

CIRCULATION & FLOOR PLAN ZONING : LE VEL 1 R1

ATRIUM

R2

STUDENT WORK CAFE

R3

STUDENT LOUNGE

R4

NE X T LIBR ARY

R5

IN-BE T WEEN LE ARNING SPACE

R6

L ARGE CL ASSROOM ZONING : L E V EL 2

R1

ATRIUM

R2

STUDENT WORK CAFE

R3

NOOK

R4

FACULT Y CONNECTION HUB

R5

IN-BE T WEEN LE ARNING SPACE

R6

ACTIVE LE ARNING CL ASSROOM

CIRCUL ATION TO MAIN TR ANSIT SECONDARY TR ANSITION TO ROOMS EGRESS

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P RO JEC T 2

LIGHT FIXTURES AND CEILING FINISHINGS

REFLECTED CEILING PLAN L1

L2

L3

L5

L6

L7

L4

L1

PHILLIPS LED RECESSED DOWNLIGHT

L2

INTR A LIGHTING PIPE TUBE P 60

L3

INTR A LIGHTING PIPE TUBE S25

L4

INTR A LIGHTING PIPE TUBE S60

L5

MIZ AR E THER CEILING PENDANT 500MM

L6

INTR A LIGHTING MINUS CEILING 2000LM

L7

INTR A LIGHTING MINUS CEILING 4 000LM

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F1

TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING

F2

MOHAWK MALTED MILK LOF T LIFE CARPE T

F3

ROYAL GR ASS ECODENSE ECO-FRIENDLY ARTIFICIAL GR ASS

F4

TERR A Z ZIO LUMINA BROKEN GL ASS AND CONCRE TE TERR A Z ZO

W1

VANDERSANDEN GROUP UNICOLOURED IVORY WHITE BRICK

W2

BENJAIN MOORE NATUR A INTERIOR PAINT-FL AT 512

W3

BIOTECTURE INDOOR GARDEN DESIGN BY MIDDLESE X

W4

BAUX ACOUSTIC WOOD WOOL PANELS

W5

TERR AMAI MISSION OAK WHITE ENGINEERED FLOOR & PANELING

W6

ROLLOUT ME TATRON MUR AL WHITE GEOME TRY WALLPA PER

W7

ROLLOUT ME TATRON MUR AL JAL A PENO GEOME TRY WALLPA PER

F1

F2

F3

F4

W1

W3

W4

W5

W6

W7


P RO JEC T 2

DISSECTION OF THE SOUTH, EAST AND WEST VIEWS

ELEVATIONS 2

3

4

ROO 24' - 0"

e e 2 12' - 0"

e e 1 0' - 0"

1

Atrium n Stu ent 1/4" = 1'-0"

ork C e

1

e

tion

2

3

4

5 A

B

C

D

e e 2 12' - 0"

e e 2 12' - 0"

e e 1 0' - 0" e

e e 1 0' - 0"

tion

3

2

3

st View e 1/16" = 1'-0"

10' - 8"

2

e rnin S ce 1/16" = 1'-0"

tion

4

e e 1 0' - 0"

4

North View e 1/4" = 1'-0"

D

tion

D

C

S

60


VOLUME I COMME RCI A L DESIGN

One of Next intuitive missions is to create innovative human resources for better society. According to the study, it indicates that human working performance can increase up to 82% with good collaboration. In-Between learning space is designed for small groups of working collectively.

IN-BETWEEN LEARNING SPACE

61


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VOLUME I COMME RCI A L DESIGN

Sustainability is one of next initiation to bring natural resource consciousness in the community. The library contains various of used books, magazines and other unused study materials for students as well as provides book donation station for everyone.

NEXT LIBRARY 63


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VOLUME I COMME RCI A L DESIGN

Since students crave sense of community, this area will elaborate diversity of cultures, knowledge, interests etc. With the sense of belonging, students will be more corporative with other social activities and services than just studying.

FACULTY CONNECTION HUB 65


P RO JEC T 2

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VOLUME I COMME RCI A L DESIGN

1

4

A N AT RIUM AT MOSHE RE W I T H A T RE ME NDOUS L I V ING WA L L A ND A LUMINOUS NE X T LOGO

67


P RO JEC T 2

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AUTOBIOGRAPHY Panchaya Siengsakul‘s design foundation was constructed in a vibrant and diverse city, Bangkok, Thailand; where the Bangkokian contemporary street style has impacted her passion in interior architecture and design. After moving to San Francisco, she has been influenced by the aesthetics of Westcoast leading innovation and sustainability that makes art and design business speak louder. Panchaya believes not only kinetic power from outside-world inspiration can motivate us, but also each individual potential that drives creativities in art and design. To sustain diligence, a passion will be through with commitment. From the phrase, the sky has no limit, she regards eclectic information and discipline as an essence to every dimension in life and the pursuit of her goals. This portfolio shows the experimental, challenging and playful process she took to discover her own new design with her sharpness in visual communication and psychological interpretation. Under the concept “X-ray”, this book conveys the dissection of each design development through its DNA. As a result, blue was selected as the corporate color representing a “Cyanotype”, a photographic printing process that produces a cyan-blue copy referred to as blueprints. “I appreciate everything and all people who have broadened my perspective and inspired me in every period and dimension of life and time.“ Thank you.


END OF VOLUME I ------------------->



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