2012-05-11 | Panmela Castro: Social activism with graffiti
Panmela Castro (light green T-shirt) with students who participated in a workshop about gender issues at Bronx International (#) High School (#), in New York. (Courtesy of Anarkia Boladona)
By Daniela Oliveira for Inforsurhoy.com – 11/05/2012 RIO DE JANEIRO, Brazil – What do President Dilma Rousseff, 65, and the graffiti artist and social activist Panmela Castro, 30, have in common?
Besides being prominent figures in fields dominated by men, the two were the only Brazilians included in the list of the 150 women who shake the world (http://www.thedailybeast.com/features/150-women-who-shake-the-world.html%20%20), published in March by Newsweek magazine and the website The Daily Beast. Rousseff and Castro, who signs her work using the pseudonym Anarkia, are featured in the list alongside women such as U.S. Secretary of State Hillary Clinton, German Chancellor Angela Merkel and celebrities such as Oprah Winfrey and Angelina Jolie. The artist has gained attention through her feminist graffiti, as well as the work she does with the NGO Nami Rede Feminista de Arte Urbana (http://www.redenami.com%20%20), known simply as Rede Nami, which she created. Rede Nami uses urban art to promote women’s rights. Castro and her partners provide graffiti workshops in Rio de Janeiro’s favelas and low-income neighborhoods to raise the awareness of women about their roles in society. Click to view slideshow
“Since it’s a street art, graffiti is able to reach everyone and can provoke positive social change. We use it to go into communities and talk to other women about gender issues, domestic violence, psychological violence and so much more,” says Castro, who recently returned from Istanbul, where she participated in a forum on women’s rights and female empowerment. “If we were to just invite an attorney (#) to come talk about the Maria da Penha Law (http://dialogoamericas.com//en_GB/articles/saii/features/main/2011/10/12/feature-01) [which seeks to curb domestic violence (#) against women], it wouldn’t have the same appeal and a lot of women wouldn’t even show up.” Castro married when she was 21. Two years later, she became involved with graffiti on the streets of the Penha neighborhood, on the north side of Rio de Janeiro. “I used graffiti to release some of my anxieties,” she says. Castro says she was very shy but through graffiti was able to develop her voice, little by little. Her marriage ended when she turned 24.