PATRICK JOHN SANDBERG ARCHITECTURAL PORTFOLIO 2020
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Patrick John Sandberg psandberg @ryerson.ca 705 715 667
Punctual, Hardworking, and always looking for new opportunities. Driven to design architecture that performs well and act in accordance to its concept. Ready to learn and further expand my experience.
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Education
2016 - 2020
Skills
Illustrator CC Photoshop CC Indesign CC Rhinocerous 5 Revit 2018 V-ray 3.0
Ryerson University, Toronto, ON Bachelor in Architecural Science
AT GPA 3.0
Work Experience Oct - Present 2020
Architectural Intern I frontofficetokyo, Toronto, Canada
Aug - Present 2020
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Currently working on an international project, residential design developemnt and urban planning,
Residential permit and construction drawings
Fishing Swimming Ping Pong Sketching
Student Intern I Hudson Architecture, Toronto, Canada
References
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Jan - Apr 2020
Hobbies
Freelance Designer I H2M INC, Toronto, Canada
Available upon request
Awards
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Residential permit and construction drawings, working alongside principal architect
Microsoft Office AutoCad 2019 Model Making Laser Cutting Woodworking
DWA ‘How Bright is Our Future?’ Installation
May - Aug 2018
Student Intern I MVSA Architects Amsterdam, Netherlands Digital design studies and modeling, physical model making, presentation and graphic design
Build Team I DWA Architects Toronto, ON, Canada Fabricated and erected installation at the 2018 Toronto Interior Design Show
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German Design Awards 2020 Honorable Mention, Interior Design: Exhibits, Pavilion and Exhibitions, 12th International Design Awards 2019 Best Exhibit, 21st Annual Best of Canada Design
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Jan 2018
Winner, Excellent Architecture: Fair & Exhibition,
Competition, Canadian Interiors 2018 Special Mention, Architecture+Art, Architizer Award, 2018
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ART FACTORY MODEL
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CAMP WINSTON // DESIGN PROPOSAL
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CAMP WINSTON // NATURE PAVILION
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For the Boat
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KINDERHAUS // PANDEMIC HUT
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UNION STATION HYPERLOOP
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DWA ‘How Bright is Our Future?’ INSTALLATION
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AIAS FORUM 2020 STAGE
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TETRASHELL // WINTERSTATIONS 2021
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ART FACTORY
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ART FACTORY PHASE III
OCAD UNIVERSITY SATELLITE CAMPUS PROPOSAL
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ARC520 Integration Studio I September 2018 - December 2018 Rhino 5, Revit, V-ray, Illustrator, Photoshop Partner: Gabe Garofalo
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ER Situated in the lower junction triangle, Art Factory aims to teach students using the architectural elements of the building, in a framework that emulates the design process. From unrefined to refined, areas of the building both exterior and interior are designed to express the program inside. In addition, master planning efforts to revitalize the lower junction into a cultural hub via the integration of a public corridor from Bloor to the museum of contemporary art, and mixed-use buildings north of the building.
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W OAD
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RUTTAN STREET
SITE PLAN 1:500
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RUTTAN STREET
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Lobby Student/Public Activity Space Student Courtyard Gallery Wood Working Shop Steel Working Shop Primary Work Shop Tool Crib Welding Space Service Room Washrooms Wet Labs/Ceramics Studio Outdoor Kilns/Informal Classroom Reception Administration UP DOWN
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UP
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UP
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UP
UP
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4m
UP
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UP
2m
UP
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1m
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DOWN
GROUND FLOOR PLAN 1:250
RUTTAN STREET
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UP
Gallery Material Storage/Display Storage Quiet Spaces Library Administration
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DOWN UP
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UP
DOWN
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1m
2m
4m
SECOND FLOOR PLAN 1:250
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STUDIOS Foundational Studio Communication Design
FOURTH FLOOR
Tool Crib Welding Space
Informal Classrooms
THIRD FLOOR
GALLERY + CRIT ROOMS
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MAKER SPACES
SERVICING
ADMINISTRATIVE DEPARTMENT
SUPPORT SPACES Library
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Classroom Support
SECOND FLOOR
Aboriginal Gathering Space Classroom Support
Design Computer Lab
Student Lounge/ Public Activity Space
MAIN ENTRANCE Elevators Stairs
TOTAL GROSS FLOOR AREA : 7820m² TOTAL GROSS FLOOR AREA : 6516m²
GROUND FLOOR
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Washrooms
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Lecture Theatre
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UPPER BASEMENT LEVEL
PROGRAM EXPLODED AXONOMETRIC
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LOWER BASEMENT LEVEL
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2m
4m
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2m
4m
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SECTIONAL PERSPECTIVE
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ART FACTORY PHASE I
1:200 PHYSICAL MODEL STUDY
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ARC620 Integration Studio II January 2019 Lasercutting, Woodcutting, Modelmaking, Crafting
A continuation of the previous semesters work, myself and a partner built a 1:200 scale model of the OCAD U Satellite Campus Proposal: Art Factory, however with new ideas implemented in the overall design. A jagged atrium throughout the floors and sawtooth roofs that face north were explored within the model. The idea was to bring more diffused light into the lower floors as well create opportunities for the different programs within the building to collaborate around the jagged atrium, via the sight lines and unique space.
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Partner: Gabe Garofalo
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Front Section Perspective
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NATURE PAVILION PHASE I
NATURE PAVILION PROPOSAL
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ARC720 Design Build Studio May-August 2019 Rhino, Illustrator, Photoshop, Modelmaking, CNC Partner: Sara Lee
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Nature Pavilion was designed to blur the lines between the exterior and interior environments. The projects intended usage was to be a learning space for children with neurological diseases attending a camp specifically for nurturing and safe growth. With that in mind, the interior space aims to let the children experience the outside environment but within a safe, protected shell. The larger openings created by the aluminum sheets bent into ovals allow for maximum discrepancy from the outside environment, while Accoya wood structure and decking add softer tones to balance the space and cultivate a natural learning space.
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5mm folded aluminum sheets
1/4” x 3” hex bolt and nut 1/2” washer
aluminum bug mesh
W 2”x12” accoya lumber
detail axonometric
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5mm kerfed aluminum sheets
sand
2”x4” accoya lumber decking
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west elevation 0m
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8m
Tongue and Groove Connection
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Interior Perspective
Closeup on Hardware + Detail
Closeup on Hardware + Detail
Closeup on Steel mesh + Bug screen
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CAMP WINSTON NATURE PAVILION PHASE II
NATURE PAVILION
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ARC720 Design Build Studio May-August 2019 Rhino, Illustrator, Photoshop, Modelmaking, CNC
Designed by Patricia Diaz and Bernadette Rosano, Nature Pavilion is a study/ learning space for Camp Winston, a camp for children with neurological diseases. As part of the studio, we planned and constructed the Nature Pavilion within 4 months. Featuring cedar lumbar and polycarbonate sheets, the design manifests a warm, comfortable and sheltered experience that both gives views to the garden nearby as well shade the users from direct sunlight.
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Team: Anna Oh, Arash Ghafoori, Batoul Al, Bernadette Rosano, Chantal Shahmooradian, Curtis Reason, Elena Teimouri, Haleigh McLeod, Julia Krulicki, Keanu Salimi, Patricia Diaz, Patrick John Sandberg, Rui Batista, Sara Lee.
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For the Boat P4
BOATHOUSE ASC856 The Small Building September - December 2019 Rhino, Illustrator, Photoshop, V-ray, Enscape
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W Anchored and floating off the shore on Lake Joseph, For the Boat is designed just as the name suggests, the building is built around the boat. Featuring a skillion (shed, lean-to) roof design and a large opening in the center of the building, with the use of industrial materials in an architectural application such as aluminum sheets, steel trusses and steel mesh, and large apertures with thin steel trimming, the design aims to contemporize the idea of a vernacular residential home, and bring its typology onto a different plane, water. For the Boat also utilizes traditional wood frame steel construction, allowing for a light system.
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No longer burden by a physical context, For the Boat aligns its composition to the water level and plays with views of the lake unobstructed by vegetation and natural topology. The supporting structure to allow it float on the water is an array of pontoons, this
Roof Plan
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allows for the building to float, and depending on the various water levels of the lake, can create different views throughout all seasons. The penetration of sunlight into the project is another main objective, with the use of clerestory windows along the south faรงade, and east facade, these glazing locations stream light into the center of the building.
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Because of the skillion roof design, a high ceiling condition is possible, opening the space, and allowing for the focus to be on the water and too allow the floor of the building to bleed into the lake, as if the spaces are connected, and that you are merely in an enclave. Taking all these elements together, For the Boat contemporizes the traditional vernacular home by bringing it to the water lev - el, using steel elements in exchange to wood elements, and the penetration of sunlight into the building open the space to water, and most importantly is designed around the boat
Exploded Axonometric
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WEST ELEVATION
NORTH ELEVATION
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SOUTH ELEVATION
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SECTION EW
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SECTION NS
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KINDERHAUS PROJECT P2
PANDEMIC HUT DESIGN
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ARC820 Design Build Studio April - July 2020 Rhino, Illustrator, Photoshop, V-ray, Enscape
Friends can reduce stress and navigate challenging developmental experiences. In the pandemic, measures have been put into place to limit social interaction, the closing of playgrounds and selfisolation and quarantining when you have COVID-19.
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For children, making friends is a vital part of growing up and an essential part of their social and emotional development. Attributes such as social competence, altruism, self-esteem, and self-confidence have been found to be positively correlated to having friends.
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These conditions have adverse affects on children who are sick with COVID-19. Quarantining and self-isolation may be easier to handle mentally and physically when you are an adult, however for children they do not have the same mental strength and perseverance. Kinderhaus aims to give all children a safe space to play, interact and have fun with their friends while they are in quarantine, to continue their growth both mentally and physically.
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SECTION EW (FACING EAST)
SECTION EW (FACING WEST)
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Prefabricated Plywood Modu
Inflatable Structure + Compressor System
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Modular Construction Extendable Floor Component
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Washroom + Backwall Unit
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UNION STATION HYPERLOOP P3
POST-PANDEMIC DESIGN
Union Station Hyperloop project is a study on what transportation will evelove into after the COVID-19 pandemic. This project brings ideas of health safety, proper social distancing and individual transportation as the new way of travel after the pandemic. The tube sytem and pods speak about inviduial transporation, the many divisons in spaces point to proper social distancing and the robustness of the station itself point to a more evolved and organized means of travel now that publioc spaces have been eliminated.
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ARC820 Pandemic Studio May - August 2020 Rhino, Photoshop, V-ray
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DWA ‘How Bright is Our Future?’ INSTALLATION
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January 2018 Heavy Machinery, Woodworking, Painting, Carpeting, Construction
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I worked alongside fellow ryerson students to help construct and erect this installation at the Interior Design Show 2018 Toronto. We were tasked to take drawings and craft the structure and foundation with the use of cosntruction tools. Erection at the show invloved planning a safe work environment and effecient workflow as their was a time constraint.
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CONTRA AIAS FORUM 2020 STAGE INSTALLATION
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September -December 2019 Rhino, Illustrator, Photoshop, Modelmaking, CNC
To celebrate hosting the FORUM conference in Toronto, this design takes the city’s footprint and draws attention to the most significant area, the downtown core, through the use of topography contours accentuated by artificial LED lighting. Physically, the stage installation creates contrast through a bold black background for land contours and a more natural finish for the area representing the lake south of the city. The most
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Team: Haleigh McLeod, Julia Krulicki, Keanu Salimi, Patrick John Sandberg, Sara Lee, Liane Werdina, Natalie Chan .
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outset areas of topography are also given contrast through the use of artificial lights to highlight key nodes of the city. This design highlights areas with high densification or activity, creating a dialogue for the contrast between the densification of the downtown core compared to the outward sprawl on the edges of the city. Density data in the form of an architectural installation from the city hosting the conference ties the host city to the conference as well as its theme, in order to provide information to attendees that are not native to Toronto. Through using visual effects such as contrasting painted elements with natural finishes as well as artificial lighting of significant points, this stage installation design displays contrast while clearly associating the CONTRA theme with the host city of Toronto.
5mm komatex
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2” x 4” structural support
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2” x 4” framing
1/4” plywood
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Exploded Axonometric
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TETRASHELL WINTERSTATIONS 2021 October 2020 Rhino, Illustrator, Photoshop, V-ray
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Partner: Lourdes Narciso
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Exploded Axonometric
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W Plan
Front Elevation
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