2019 Peninsula School of Art Workshop Catalog by Peninsula School of Art

PENINSULA SCHOOL OF ART

2019 SUMMER & FALL WORKSHOPS

OUR MISSION To

provide

enriching,

experiences

ages

abilities

and

individual a

participants that

perspectives,

community

educational of

broaden

and

dedicated

all

foster

the

transformative power of the visual arts. Peninsula designated

School

501(c)(3)

Art

organization.

hat started as a handful of

artists

offering

classes

from a small grey building

in a meadow in Fish Creek, has now grown to become the premier Midwest destination for visual arts education. For over half a century Peninsula School of Art has been dedicated to the belief that everyone deserves access to the artsâ&#x20AC;&#x201D;and each of us has the potential for artistic expression. Our exceptional education programs, exhibits, and events open doors for curious minds of all ages, backgrounds and abilities to learn, discover and explore through the visual arts. We celebrate creativity together during the Door County Plein Air Festival. We bring nationally-recognized artist-educators to the Door Peninsula. Weâ&#x20AC;&#x2122;ve expanded our reach through Family Art Days and school programs. And artists from around the country share their works and process with the community in our Guenzel Gallery

Jeffery Mothes

WELCOME

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elcome! What will you experience at Peninsula School of Art? One thing is for certain, you are

opening yourself up to endless possibilities!

BOARD OF DIRECTORS Nancy Sargent, Chair Karen Hertz-Sumnicht, Vice Chair Steve Sauter, Treasurer

In our workshops, you will learn new skills,

Mynn Lanphier, Secretary

gain confidence, and most importantly tap

Ginnie Cappaert

into your creativity. Artists of all levels are

Julia Chomeau

welcome here. You will work side-by-side

Tom Claggett

with nationally-recognized faculty and other

Karen Cook

aspiring artists â&#x20AC;&#x201C; learning not only from

Sue Enroth

the instructor, but your fellow classmates.

Barb Hambleton

Our new Try It Now program offers you the chance to experiment with new media and techniques, in an accessible threehour format. Our professional development programs will help you build the skills to

Christy Kelly-Bentgen Susan Livengood Virginia Maher Mary Beth Maudsley Diane Miller Mary Nelson

take your artistic practice to the next level.

Stephanie Trenchard

You will also notice that there is a new

Jim VanderHeiden

emphasis in our 2D programs on workshops

Terry Wickman

that are open to all painting media. These

Sylvia Youell

workshops are designed to help you focus

Sue Zingsheim

on the elements of art making, including

STAFF

design, color and composition. More than

Catherine Hoke, Executive Director

ever, PenArt is committed to your artistic

Elysia Michaelsen, Director of Education

growth

Tori Daubner, Registrar & Programs Administrator

and

the

fundamentals

art.

I look forward to welcoming you to PenArt!

Ginny Sowinski, Development & Events Coordinator

CONTACT US MEMBER REGISTRATION OPENS JANUARY 15 NON MEMBER REGISTRATION OPENS JANUARY 29 Renew your membership before registration opens or at the time of your registration to receive early registration benefit and workshop discounts.

STREET ADDRESS

3900 County Road F, Fish Creek, WI 54212

MAILING ADDRESS

P.O. Box 304, Fish Creek, WI 54212

PHONE

920.868.3455

info@PeninsulaSchoolofArt.org

WEB

www.PeninsulaSchoolofArt.org

CONTENTS TRY SOMETHING NEW Novice and new Try it Now programs

PROFESSIONAL DEVELOPMENT Professional skills workshops for artists in all media

4-6

62-63 2D STUDIO ARTS About our 2D programs

CHILDREN

Painting & Drawing workshops

Workshops for children, ages 3Â½ to 12 years old

11-32

64-67

Paper, print and book arts workshops

33-39

TEENS Workshops for teens, ages 13 to 17 years old

3D STUDIO ARTS

74-75

About our 3D programs

FAMILIES

Metal workshops

Friday drop-in programs for families

41-48

76-77

Clay workshops

49-52

ART FOR ALL Community events and exhibitions

PHOTOGRAPHY & DIGITAL ARTS

78-84

Photo, video, digital arts & technology workshops

54-60

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A VISION FOR THE FUTURE The Door to Creativity Campaign

85-89

TRAVEL AND LODGING Area information and accommodations

90-91

SUPPORT ARTISTS AND ART MAKING Become a member

92-93

SCHOLARSHIPS Tuition support for adults, children and teens

REGISTRATION INFORMATION & POLICIES 95-98

TRY SOMETHING NEW For over 50 years, PenArt has been the place for first-time makers, developing students, and established artists to open their thinking, exercise their creativity, and try something new.

Still not sure which workshop is right for you? Contact Elysia Michaelsen, Director of Education, at 920.868.3455 or workshop@PeninsulaSchoolofArt.org

W 8

e recognize that stepping out of one’s

take the first step – you don’t have the time, you

comfort zone, especially those who

neglected your creativity and now it’s gone forever,

are brand new to art making, can be

you’re too old, you’re too young, you don’t have the

daunting, and we’ve heard every excuse to not

right training or degree, you might fail. Part of what

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makes taking risks possible at PenArt is the inclusive and accessible nature of our programming, staff and faculty, and campus. We believe we can find the right experience for every individual, no matter the excuse. New in 2019, is our Try It program. Designed for those looking to get their hands dirty and create something in the studio for the first time, these classes are three hours in length, offered periodically throughout the summer and fall, and focus on basic techniques in ceramics and printmaking. Instructors will guide you through the creation of a small project from start to finish. Walk away with new skills and perhaps even the desire to continue exploring your creative interests in one of our other offerings. PenArt will

2019 TRY IT PROGRAMS

MEMBER $40 • NON-MEMBER $45 TRY IT: MONOPRINTING ID: TI1901 • May 25 • 9am-Noon TRY IT: THROWING ON THE WHEEL ID: TI1902 • May 25 • 9am-Noon TRY IT: SCREEN PRINTING ID: TI1903 • May 25 • 1-4pm TRY IT: HAND BUILDING ID: TI1904 • May 25 • 1-4pm TRY IT: SCREEN PRINTING ID: TI1905 • Jul 6 • 9am-Noon TRY IT: HAND BUILDING ID: TI1906 • Jul 6 • 9am-Noon TRY IT: MONOPRINTING ID: TI1907 • Jul 6 • 1-4pm

provide all of the tools and materials.

TRY IT: THROWING ON THE WHEEL ID: TI1908 • Jul 6 • 1-4pm

For new students ready to commit to a

TRY IT: MONOPRINTING ID: TI1909 • Aug 31 • 9am-Noon

multiple-day workshop, browse our Skill Level I and Open to All Levels offerings. Learn the foundations of your chosen medium, including the vocabulary, tools and materials, and techniques, through demonstrations,

group

discussions,

and guided practice. Our introductory workshops have fewer students, ensuring plenty of individualized attention from our skilled instructors. In just the first day, you’ll start to see your skills improve and your confidence build. By the end of the workshop, you’ll be ready to take the next step toward more advanced processes

that

pique

your

TRY IT: THROWING ON THE WHEEL ID: TI1910 • Aug 31 • 9am-Noon TRY IT: SCREEN PRINTING ID: TI1911 • Aug 31 • 1-4pm TRY IT: HAND BUILDING ID: TI1912 • Aug 31 • 1-4pm TRY IT: SCREEN PRINTING ID: TI1913 • Oct 26 • 9am-Noon TRY IT: THROWING ON THE WHEEL ID: TI1914 • Oct 26 • 9am-Noon TRY IT: MONOPRINTING ID: TI1915 • Oct 26 • 1-4pm TRY IT: HAND BUILDING ID: TI1916 • Oct 26 • 1-4pm

interest.

2-D STUDIO ARTS WORKSHOPS Painting, Drawing, Printmaking, Paper and Book Arts

eninsula School of Art’s drawing, painting, and printmaking workshops are designed to encourage artists of all levels to pursue their

creative interests, take risks, and develop skill, free from the pressures of everyday life. Our spacious, light-filled painting and printmaking studios provide an inspiring setting, while our innovative faculty

The instructor knows how to “teach;” breaking down the process into small bits, demonstrating each step followed by close supervision. She had an excellent lesson plan, very well thought out, and covered a great deal of important information. I got more out of this class than almost any taken before. - 2018 Student

help you to explore and expand your practice. Beginning students gain a strong foundation in the

growth and discovery are of the utmost importance,

history, materials, and techniques of the medium,

with finished pieces representing only part of the

while more experienced painters and printmakers

process. Gift yourself with time and space and

gain fresh perspectives in both content and

join us for a workshop – or two – this season.

technique. At all levels and in all 2D media, artistic

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PAINTING & DRAWING

MIXED MEDIA PAINTING: EXPLORE AND EXPAND MEGAN KATHOL BERSETT ID: 2D1901 May 22-25 • 9am-4pm Acrylic, Print/Paper/Book • All Levels Member: $470 • Non-Member: $510 Includes materials fee.

SKILL LEVELS

CONCEPT

SKILL LEVEL 1

A Skill Level 1 workshop requires no prior art making experience. Beginning with the foundations, instruction will include explanation of materials, vocabulary, and art and design principles.

SKILL LEVEL 2

A Skill Level 2 workshop requires basic experience and training in the medium, such as a previous workshop(s). Developing technical skills will be emphasized. Content and motivations for making work will be introduced.

SKILL LEVEL 3

SKILL LEVEL 4

A Skill Level 4 workshop requires experience, competency, and confidence in the medium. Artistic growth, including technical and conceptual challenges, will be emphasized through independent working time, group discussion, and critique.

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Expand your painting practice by experimenting with various material processes, such as screen printing, collage, and paint pouring. Employ simple creative guidelines using these materials and other painting methods to explore compositional techniques that make effective use of space, pattern, and layering in your work.

EXPERIENCE

Along with daily material demonstrations and a priority on individual working time, this workshop will include lectures and discussions based on relevant artworks, design issues, explorations of content, and constructive peer and instructor feedback about in-progress work. You will leave with a few small works-in-progress or finished pieces, as well as new collage materials, processes, and ideas to incorporate into your personal studio practice.

INSTRUCTOR

Megan Kathol Bersett creates abstract mixed media paintings that visually process basic cognitive, emotional, and psychological experiences. She received her MFA from Illinois State University, and her BFA from Truman State University. Her work has been exhibited in solo and group exhibitions across the United States. Megan is currently an educator at several colleges in Bloomington-Normal, IL.

www.MeganKatholBersett.com

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info@PeninsulaSchoolofArt.org

UNIQUE INTERPRETATIONS IN OIL PASTEL GEORGE SHIPPERLEY ID: 2D1902 May 30-Jun 1 • 9am-4pm Pastel • Levels 3-4 Member: $340 • Non-Member: $370

CONCEPT

Oil pastels are pure pigments combined with a non-drying oil and wax binder, allowing for a wide range of techniques and applications, including layering, underpainting, sgraffito, and blending with solvents for a wash effect. This workshop offers an opportunity to develop your individual painting and drawing practice, as well as discover the compositional advantages of working with a limited palette.

EXPERIENCE

Throughout the workshop, George will demonstrate experimental methods and provide individualized instruction. A group discussion with constructive feedback from your peers will close each day.

INSTRUCTOR

George Shipperley is a highly-acclaimed contemporary Impressionist painter who specializes in oil pastel. He places emphasis on originality, creativity, and color in his work. George is a Signature Member of The Oil Pastel Society and former member of the Palette & Chisel Academy in Chicago. He was inducted into the Illinois Fox Valley Arts Hall of Fame in 2014. George's work is represented by Edgewood Orchard Gallery in Door County, Abel Contemporary Gallery in Stoughton, WI, and Proud Fox Gallery in Geneva, IL.

www.GeorgeShipperley.com

PAINTING THE LIGHT IN THE STUDIO AND OUT KYLE MARTIN

ID: 2D1903 Jun 3-4 • 9am-4pm Oil, Acrylic • Levels 2-3 Member: $225 • Non-Member: $250

CONCEPT

When you can paint the light, you can paint anything. Painting directly from life, develop skills in observing, simplifying, and translating complex visual information into broad areas of value and color in this two-day workshop. This approach will help you paint the effects of light in any scene, resulting in compositions that are dynamic and convincing.

EXPERIENCE

Through demonstrations and discussions, Kyle will take the mystery out of color mixing and color theory, including how to identify value, build harmony, and understand the strengths and weaknesses of modern organic, mineral, and earth pigments. Working in the studio on day one and en plein air on day two, you will practice painting the large masses of color and light, followed by more sophisticated color and value as you work through the painting process with Kyle as your guide.

INSTRUCTOR

An award-winning artist, Kyle Martin enjoys painting a variety of subjects from life, including landscapes, still life, figures, and, of course, barns. In his workshops, he teaches the importance of the elements, including design and value, liberating students to paint quickly with juicy brushwork and rewarding results. His work is represented by The Vault in Reedsburg, WI, and Outside the Lines in Galena, IL.

Kyle-Martin.blogspot.com

AN INTRO TO SOFT PASTEL DAN MACKERMAN

ID: 2D1904 Jun 3-4 • 9am-4pm Pastel • Levels 1-2 Member: $225 • Non-Member: $250

CONCEPT

Pastel has been used by artists since the 18th century. Discover the rich history of this medium in this two-day introductory workshop. An overview of pastel materials, tools, and techniques will help you to establish a painting toolkit and take your skills to the next level.

EXPERIENCE

The first day will mostly be devoted to demonstrations and discussions, covering great examples of pastel works, a step-by-step approach to developing a composition, and useful tools. Sketching your first compositions will close the day. You will spend the second day producing work with Dan as your guide. Some drawing experience will be helpful in this workshop.

INSTRUCTOR

Dan Mackerman holds an MFA from the University of Minnesota, and his experience includes work with University of MN, Minneapolis College of Art and Design, Minneapolis Institute of Art, and the Minnesota Museum of American Art, among others. Dan has an extensive exhibition record and his work is in over 70 public collections. He has received grants and awards in juried competitions through the years, most recently a 2017 Minnesota State Artist Initiative Grant, Second Place Overall at the 2016 Grand Marais Plein Air Festival, and Best of Show - Painting at the national juried Uptown Art Festival.

www.DanMackerman.com

SUPPLIES FOR ART AREN'T ALWAYS ART SUPPLIES GEOFFREY MCCORMACK

ID: 2D1905 Jun 5-8 • 9am-4pm Watercolor • Levels 2-4 Member: $450 • Non-Member: $490 Plus materials fee.

CONCEPT

Discover a different approach to water media in this four-day workshop that focuses on creativity and resourcefulness. Combine traditional art supplies with everyday tools to create unique effects and, ultimately, a distinguishable visual style.

EXPERIENCE

Each morning and afternoon will begin with a demonstration of a specific technique, including masking and resists, glazing and washing, creating textures, color mixing, and rendering light and shadow. Geoffrey’s take on drawing, composition, and studio setup will also be addressed. The rest of each day will be dedicated to working on exercises and paintings with Geoffrey available for individualized feedback.

INSTRUCTOR

Geoffrey McCormack's influences include Trompe L'oeil, Constructivism, and Photo Realism, resulting in paintings that hover somewhere between illusion and realism. He earned an MFA and BFA from San Jose State University. After 12 years teaching at Cabrillo College and a successful 35year illustration career, Geoffrey moved to Eugene, OR, where he now works as a full-time fine artist. He is a Signature Member of the National Watercolor Society and American Watercolor Society, and Master Signature Member of the California Watercolor Association.

www.McSurf.com

Painting & Drawing

DEVELOPING A BODY OF WORK CASSIE MARIE EDWARDS ID: 2D1906 Jun 5-8 • 9am-4pm

Any Painting Media, Drawing • Levels 3-4

Member: $450 • Non-Member: $490

CONCEPT

Geared toward students who have gained skill in various artistic techniques, this workshop aims to refine the concepts and ideas driving your work. Create and develop a cohesive body of work as you gather feedback and build momentum in the studio.

EXPERIENCE

Cassie will guide you through various exercises to help focus the scope of your work and establish a successful studio practice. Once a conceptual direction has been determined, you will begin creating a new body of work in the medium of your choice. Individual and group conversations will provide specific feedback.

INSTRUCTOR

Cassie Marie Edwards is a painter and an Instructor in the Foundations and 2D Studio Art area at the University of Wisconsin-Oshkosh. Her paintings have been exhibited in Los Angeles, Chicago, Miami, New York, Las Vegas, Milwaukee, and Minneapolis. Cassie's most recent solo exhibition with Aron Packer Projects focused on her latest series of paintings, which she describes as figurine portraits.

www.CassieMarie.com

SLOW TRAVEL USING THE CREATIVE PROCESS BRIAN FRINK

ID: 2D1907 Jun 10-13 • 9am-4pm Watercolor • All Levels Member: $450 • Non-Member: $490

CONCEPT

Discover how quick studies made using basic drawing and watercolor supplies to record your travels, both near and far, can enrich your studio practice. Explore this two-part process by creating small works that document the places and moments around you before returning to the studio to reinterpret and expand on observations through larger, more finished pieces.

EXPERIENCE

The workshop will begin with an overview of watercolor painting and best practices for small, quick studies. Beginning students will be introduced to the process and tools of watercolor, while more advanced students will head out into the Door County landscape to create their first works in the “travel spirit”. The rest of the week will be split between dedicated time to document places of inspiration and time in the studio creating new works based on your studies.

INSTRUCTOR

Brian Frink has taught Painting and Drawing at Minnesota State UniversityMankato for the past thirty years, and currently serves as the Department of Art Chair. He earned his MFA from University of Wisconsin-Madison. He has received numerous grants and awards, including two McKnight Fellowships, six Minnesota State Arts Board grants, and a National Endowment for the Arts Fellowship.

www.BrianFrink.com

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CREATING THE CHILDREN'S PICTURE BOOK LAURA MONTENEGRO

ID: 2D1908 Jun 10-13 • 9am-4pm Print/Paper/Book, Any Painting Media Levels 2-3 Member: $450 • Non-Member: $490

CONCEPT

The unfolding of a story relies on sequential images to carry the reader from beginning to end. Add to this, the interweaving of word with image and you have a richly complex storytelling form. In this workshop, you will experiment with a variety of styles, materials, and techniques, as well as learn about the children’s book publishing process.

EXPERIENCE

The picture book maker has many elements available with which to shape their story; word, image, pacing, structure, format, and cover design. Each day, you will engage in playful exercises, demonstrations, and in-class activities exploring these essential elements. This workshop will lead you through making small experimental books to a longer, more complex hand-bound book dummy based on a concept of your choosing.

INSTRUCTOR

Laura Nyman Montenegro is an awardwinning author and illustrator of children's picture books. Her books, A Bird About to Sing, A Poet's Bird Garden, Sweet Tooth, and One Stuck Drawer have won Parent's Choice Awards, as well as have been featured on Reading Rainbow. She has an MA in Art Education, and BA in Fine Arts and Anthropology from the University of New Mexico.

www.LauraNymanMontenegro.com

COMPLEX FORMS, ELEGANT PROCEDURES: INVENTIVE APPROACHES TO UNCONVENTIONAL MATERIALS SHANE MCADAMS

ID: 2D1909 Jun 14-15 • 9am-4pm Any Painting Media, Drawing • All Levels Member: $225 • Non-Member: $250

CONCEPT

This workshop is designed for students with an interest in experimenting with materials and exploring new artistic directions based on those experiments. The majority of artwork we encounter in the world reflects a divide between media and subject. In our quest for representation and illusion, we often miss the potential of various media to exercise wonderful internal qualities.

EXPERIENCE

Working through an array of materials, you will examine them for their natural qualities. From there, you will assign various ‘verbal’ actions on each material. Note the effects, and determine which ones are worth pursuing further. The second half of the workshop will encourage you to work with one or two specific materials, looking to tease out an individual composition or series of compositions as a final takeaway.

INSTRUCTOR

Shane McAdams is an artist, educator, writer, and curator. His work has been exhibited at the John Michael Kohler Art Center, Museum of Wisconsin Art, Haggerty Museum of Art, and others. Shane is a three-time Creative Capital awardee and Andy Warhol Writer’s Grant finalist. He currently writes for the Shepherd Express and runs the gallery REAL TINSEL in Milwaukee.

www.ShaneMcAdams.com

PAINTING IN BLACK AND WHITE SHANNON ESTLUND ID: 2D1910 Jun 14-15 • 9am-4pm Acrylic, Watercolor • All Levels Member: $225 • Non-Member: $250

CONCEPT

CONTEMPORARY THEMES IN ABSTRACTION LESLIE SMITH III ID: 2D1911 Jun 17-18 • 9am-4pm

Any Painting Media, Drawing • Levels 3-4

Member: $225 • Non-Member: $250

Explore dramatic possibilities in your paintings with a limited palette of black and white. Using the concept of Notan, a balance of dark and light, this workshop will refine your ability to create illusionistic space in any composition through the relationships of figure and ground and transparency and opacity.

CONCEPT

EXPERIENCE

Working from still life setups, personal photo references of the landscape, and experimental and abstract prompts, you will work through a series of small exercises and paintings. The importance of value and its ability to create depth will be emphasized throughout as you hone your skills in observing and translating value to canvas. The workshop will be comprised of discussions, demonstrations, and group critiques led by Shannon.

INSTRUCTOR

Shannon Estlund holds an MFA in Visual Studies from Minneapolis College of Art and Design and a BFA from the University of Florida. Her work investigates the surrounding neighborhood and forest of her home, focusing on the growth, decay, and various states in-between. Shannon has received several grants for her work, has been exhibited nationally and internationally, as well as featured in New American Paintings and Studio Visit magazines. Shannon lives and works in Fridley, MN.

www.ShannonEstlund.com

Participate in an engaging dialogue surrounding the content and direction of your work, as well as larger art historical concerns and contemporary trends in abstract painting. Emphasis will be placed on studio practice development, including material, process, and content. In addition to working independently in the studio each day, you will participate in a series of one-on-one conversations with Leslie, material development exercises and digital presentations related to contemporary and historical abstraction. This workshop is geared toward intermediate to advanced level painters.

INSTRUCTOR

Leslie Smith III is an oil painter best known for his abstractions painted on shaped canvases. He engages in an expressionistic-based practice, activating his canvases with bold color, gestural brushstrokes, and narratives that insinuate discord. Leslie received his MFA from Yale University School of Art and his BFA from the Maryland Institute of College of Art. His works have been exhibited in throughout the country and abroad, most notably the Contemporary Art Museum Houston, Galleria Ponce and Robles, and international art fairs in Basel, Switzerland and Paris, France. Leslie is an Associate Professor of Painting and Drawing at UWMadison.

www.LeslieSmith3.com

Painting & Drawing

PAINTING BEYOND LOCAL COLOR SHANNON ESTLUND

PAINTING STRUCTURES IN THE LANDSCAPE NANCIE KING MERTZ

DRAWING, PERSPECTIVE, AND LOOKING MAT BARBER KENNEDY

Designed for painters of all levels and media, this workshop moves beyond local color to investigate how an imaginative approach to your palette can result in representational paintings that are expressive and readable. Value structure, color theory, and the use of artistic license will be emphasized.

CONCEPT

EXPERIENCE

ID: 2D1912 Jun 17-18 • 9am-4pm Any Painting Media • All Levels Member: $225 • Non-Member: $250

CONCEPT

Beginning with a discussion of value and how it can create structure and space, you will complete a brief exercise to hone your skills in seeing and composing an image. Moving into color, basic theory, harmonies, and relationships will be introduced before working through a series of landscapefocused exercises and paintings. Build your level of expression in each as you gain an understanding of the possibilities of your palette to create a sense of space and expression.

INSTRUCTOR

www.ShannonEstlund.com

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ID: 2D1913 Jun 19-22 • 9am-4pm Pastel • All Levels Member: $450 • Non-Member: $490 Whether you’re big city or small town, this workshop will turn your favorite views of buildings and structures into dramatic, expressive paintings. Examine space, perspective, and design through practical hands-on lessons that aim to help you build confidence. A short demonstration clarifying techniques and sharing pointers on perspective and composing a scene will be offered to start the workshop off. From there, Nancie will assist students one-on-one. Depending on your comfort and skill level, you can expect to complete two or more paintings each day. Individual attention will be stressed in this experience opposed to group lecture.

INSTRUCTOR

Nancie King Mertz has spent her lifetime painting in oil and pastel. She received her MA and BFA in Painting from the University of Illinois. She was also awarded the Master Circle by the International Association of Pastel Societies, and is a Master Signature Member of the Pastel Society of America and Chicago Pastel Painters. Nancie teaches workshops across the country and abroad, and is on the faculty for the Plein Air Convention and the IAPS Convention. While Nancie has travelled to nearly 20 countries and to cities around the country for inspiration, Chicago, her home, remains her favorite city to explore and paint.

www.NancieKingMertz.com

920.868.3455

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ID: 2D1914 Jun 19-22 • 9am-4pm Drawing • All Levels Member: $450 • Non-Member: $490 To paraphrase Paul Klee, “a line is a dot undertaking a journey”; a joyous and wondrous idea, yet for so many drawing is an unimaginative and inexpressive process. In this workshop, Mat will share his philosophy and approach to drawing as a rich art form and aid in establishing lively, representational paintings.

EXPERIENCE

The first half of the workshop will be spent going over perspective in participatory and intuitive exercises that will help you over the “I don’t get it” hump and gain confidence. While the second half of the workshop will encourage you to develop a more expressive voice. Expand your language of line and tone, as you draw with your fingers, erasers, and pencils. Be prepared for a busy week loaded with information and hands-on experience.

INSTRUCTOR

For over 20 years, Mat Barber Kennedy has been drawing and painting aging machines, tools, and buildings. Constructed in layers, adapted over generations, and decaying in pieces, he is fascinated by the junctions of materials and corrosion of designed objects over time. Mat is a Fellow of the Royal Society of Arts, a Member of the Royal Institute of Painters in Watercolour, and in 2007 was awarded the Turner Medal in London. In addition, he has been featured in the Door County Plein Air Festival for several years.

www.MatBarberKennedy.com

PAINT/COLLAGE - COLLAGE/PAINT HOLLY ROBERTS ID: 2D1915 Jun 24-27 • 9am-4pm Acrylic, Print/Paper/Book • All Levels Member: $465 • Non-Member: $505 Includes materials fee.

CONCEPT

In this workshop, you will explore as many ways of constructing the collage as possible with paint acting as the integrating element. Using water-based paint over and under your collages, you will learn not only how to build collages, but also how to paint both supportively and expressively. Find your creative voice as you discover what media work together and what processes best align with your vision and goals.

EXPERIENCE

Through discussions and hands-on practice, Holly will share image transfer processes, gluing techniques, compatibility of media, and different ways of working with water-based paints. Materials will include, but are not limited to paint, photographs, found objects, organic materials, cloth, and three-dimensional objects. Leave this workshop with a toolkit of strategies for assembling collages and combining media successfully.

INSTRUCTOR

Holly Roberts is an accomplished artist working in painting, photography, and collage. She earned an MFA from Arizona State University. Her work is nationally and internationally exhibited and has been published in four monographs. A retrospective of Holly's work, titled 33 Years, was held at the Griffin Museum of Photography in MA. She has twice received National Endowment for the Arts Fellowships.

OIL PAINTING FOR BEGINNERS TRINA MAY SMITH

AN EXERCISE IN ABSTRACTION EMMETT JOHNS

CONCEPT

ID: 2D1916 Jun 24-27 • 9am-4pm Oil • All Levels Member: $450 • Non-Member: $490 Immerse yourself in the world of oil painting, and gain confidence in the nuts and bolts of the medium. Learn how to interpret what you see and transfer that information to canvas to create paintings that are seemingly real and aesthetically sound. Topics will also include basic color theory and compositional strategies.

EXPERIENCE

Throughout the week you will complete a series of still life paintings each focused on a different skill and goal, including paint mixing and application, seeing and translating color, solving compositional issues, and more. Demonstrations and discussions will introduce you to each concept, and Trina will provide feedback throughout the process. Though you will be working with the still life, the objectives of this workshop will benefit any genre or style of painting.

INSTRUCTOR

Trina May Smith grew up in the Pacific Northwest. Earning her MFA from the University of Wisconsin-Madison, she now calls Wisconsin home. Trina has an active studio practice and exhibits regularly in solo and group shows. She is represented by the Tory Folliard Gallery in Milwaukee, WI and is an Assistant Professor in Painting at the University of Wisconsin-Oshkosh.

ID: 2D1918 Jun 28-29 • 9am-4pm Acrylic • All Levels Member: $225 • Non-Member: $250 Explore the philosophy that abstraction holds all creative expression in this fastpaced two-day workshop. Alternating between working spontaneously and working methodically, you will discover the inherent possibilities within your paintings.

EXPERIENCE

Brief daily demonstrations and a series of small-scale exercises will introduce you to abstract and non-objective approaches to art making, while group conversations on the history of painting will provide you and your developing work with context. You will be encouraged to work more independently in the afternoon with Emmett available for feedback.

INSTRUCTOR

For over 20 years, Emmett Johns has been working intensively with pastels and oil paints. He is nationally recognized for his landscape, portrait, and large-scale abstract paintings. The structural integrity and portrayal of the deeper essence of a particular place or person are of utmost importance to the artist. Emmett's work can be found at his gallery located in the Settlement Shops in Door County, and during the winter, at his gallery in Albuquerque.

www.EmmettJohns.faso.com

www.TrinaMaySmithArt.com

www.HollyRobertsStudio.com

Painting & Drawing

PATTERN AND DECORATION IN CONTEMPORARY PAINTING MARIA ROSE ADAMS

A LIVELY PARTNERSHIP: ARTIST AND WATERCOLOR DAN DANIELSON

CONCEPT

ID: 2D1919 Jun 28-29 • 9am-4pm Any Painting Media • Levels 2-3 Member: $225 • Non-Member: $250 More than merely pleasing to the eye, pattern provides a dynamic framework for formal and conceptual exploration. The desire for order is central to humanity and repeating decoration adorns every corner of life. This workshop will urge you to consider the meditative, creative, and ubiquitous nature of pattern and inspire ideas for incorporating it into your practice.

EXPERIENCE

Drawing inspiration from personal objects, the natural world, and past work, you will create a variety of pattern studies in your chosen medium. Instruction will include techniques for pattern invention, the role of color, and spatial phenomena to consider. Develop and execute a concept for the incorporation of pattern into at least one personal piece. Maria will be available to offer individual instruction and feedback, as well as to facilitate discussion and sharing amongst the group.

INSTRUCTOR

Maria Rose Adam's richly colored, densely patterned work is a celebration of and meditation on life's simple pleasures as well as the power of searching for the job of home in every object, room, and flower bud. She holds an MFA in Drawing and Painting from the University of Washington, and a dual BFA in Studio Art and Art Education from Michigan State University. She lives and works in Saint Paul, MN.

www.MariaRoseAdams.com

PeninsulaSchoolofArt.org

ID: 2D1920 Jul 8-9 • 9am-4pm Watercolor • Levels 2-3 Member: $225 • Non-Member: $250 Painting in watercolor is a partnership between the artist and the medium. This workshop will help you to become comfortable with the medium that is best known for its lively spontaneity. Create fresh, dynamic paintings as you learn how to give up control and allow watercolor to be its best self – fluid and loose.

EXPERIENCE

TRAVEL SKETCHING LUCINDA NAYLOR

ID: 2D1921 Jul 8-9 • 9am-4pm Drawing • All Levels Member: $225 • Non-Member: $250

CONCEPT

Sketching is as much about training the eye to see, as making a mark on the page. Delve into quick – rough and finished – sketching, while learning to draw at any time and in any place. Working in black and white, as well as colored media, this workshop will prepare you to keep a sketchbook on-the-go; whether that “go” is Fish Creek, London, Paris, or your favorite coffee shop.

Dan will demonstrate how to take a big brush approach to painting and leave the details behind, as well as key techniques of the medium and lesser known, unique methods. Many photo references will be provided, although you are very welcome to bring your own. Plenty of individual guidance will be provided, as well as a casual group critique to close the workshop.

EXPERIENCE

INSTRUCTOR

Lucinda Naylor explores the figure and abstraction through a variety of media, including drawing, printmaking, painting, sculpture, and installation. She earned her MFA in Painting from the University of Illinois - Chicago. Since then, she has taught drawing, painting, and illustration at universities in Minnesota, Illinois, and Massachusetts. For over 20 years, she has taught a summer sketching class at the Minneapolis College of Art and Design. Lucinda lives in Minneapolis where she is working on a number of graphic novels.

Dan Danielson's fascination with watercolor began at The American Academy of Art, where he studied under Irving Shapiro, a well-renowned watercolorist. Upon retiring from his career as a Creative Director, Dan began painting and teaching full-time. His work explores the unique qualities of watercolor through colorist and regionalist works; capturing the medium's translucent elegance and strength. Dan is a Signature Member of The Illinois Watercolor Society and exhibits his work throughout the region.

www.DanDanielson.com

920.868.3455

info@PeninsulaSchoolofArt.org

This workshop includes demonstrations and group exercises with plenty of individualized attention and drawing time. Appropriate for all skill levels, demonstrations will be geared toward beginning students, while one-on-one discussions will be tailored to enhance intermediate and advanced students’ skills.

INSTRUCTOR

www.LucindaNaylor.com

PAINTING NATURE'S WONDERS DALE POPOVICH

ID: 2D1922 Jul 10-13 • 9am-4pm Watercolor • Levels 1-2 Member: $450 • Non-Member: $490

CONCEPT

The Northwoods of Wisconsin is a painter’s paradise. Explore the beauty of nature as you conquer the medium of transparent watercolor and gain a deeper understanding of its unique properties, techniques, and tools.

EXPERIENCE

Step-by-step instruction will lead you through the creation of a series of paintings. How to block in a painting, interpret color, value, and temperatures, use different watercolor-specific processes, and create sound compositions will be emphasized. Dale will provide individualized feedback throughout each exercise and painting. Photo references of various types of landscapes will be supplied by the instructor.

INSTRUCTOR

Dale Popovich is an award-winning watercolorist and teacher passionate about capturing the raw beauty of the American landscape with the fluid stroke of a brush. Dale taught at The Academy of Art in Chicago for 22 years. Now he teaches at the Palette and Chisel Academy of Fine Arts, Mainstreet Art Center, and Elmhurst Art Museum. Professionally teaching since 1978, Dale has worked with over 2000 students, mentoring many who are now accomplished artists.

www.DalePopovich.com

INDOOR OUTDOOR STUDIO: NATURE STUDIES MEET PLEIN AIR BETHANN MORAN-HANDZLIK ID: 2D1923 Jul 10-13 • 9am-4pm Oil • All Levels Member: $450 • Non-Member: $490

CONCEPT

PROCESS, PURPOSE, PASSION: INTRODUCTION TO ABSTRACT PAINTING WITH OIL & COLD WAX JAMES EDWARD SCHERBARTH ID: 2D1924 Jul 15-18 • 9am-4pm Cold Wax, Oil • All Levels Member: $450 • Non-Member: $490

Gain a deeper sense of the landscape and the skill to portray it in this hybrid workshop combining plein air and studiobased work. Painting the broad landscape outdoors and collected natural specimens in the studio, you will train your eye to see the expansive visual notes, as well as the particulars of the natural world. This comparative relationship will aid you in successfully creating landscape paintings that are lively, understood, and meaningful.

CONCEPT

EXPERIENCE

Focused on process, demonstrations and discussions will feature tools and techniques to push the limits of the medium, invite surprise, and explore possibilities of how it can be incorporated into your individual artistic practice. This workshop is well suited for those who have had some prior painting experience and who enjoy the sharing, flexibility, and happenstance of a group environment.

Each day Bethann will guide you through the process of selecting a composition, building your painting, and developing detail in relationship to the broad structure. Demonstrations, lectures, and group critiques will be balanced with plenty of painting time and individualized instruction. All levels are welcome.

INSTRUCTOR

Bethann Moran-Handzlik's work is dedicated to realism derived from direct observation and memory. She received her MFA in Painting and Drawing from the University of Wisconsin-Milwaukee, and her BA in Graphic Design and Philosophy from St. Norbert College. Her paintings have been exhibited regionally, nationally, and internationally. Bethann is a generous and informed teacher with over 20 years of experience. She is a Lecturer of Art at the University of Wisconsin-Whitewater. www.BethannMoranPainting.blogspot.com

This workshop explores the versatility and possibilities of combining oil paint with cold wax medium. Unlike encaustic, cold wax is used at room temperature to both extend the paint and serve as a medium. Utilize cold wax, tube oils, pigment sticks, powdered pigments, and a variety of implements to create meaningful abstractions.

EXPERIENCE

INSTRUCTOR

An award winning artist hailing from Minnesota, James Edward Scherbarth is best known for his use of color, line, and texture in creating contemporary abstract oil and cold wax paintings. His creative process is an intuitive one of constructing and deconstructing, collecting, blending, erasing, blurring, marking, and clarifying; mimicking the natural processes of the world. James maintains a working and teaching studio in Minneapolis.

www.JamesEdwardScherbarth.com

Painting & Drawing

AN INTRODUCTION TO GOUACHE: THE PAINTING MEDIUM YOU DIDN'T KNOW YOU NEEDED KYLE MCKENZIE

THE PORTRAIT: FROM DRAWING TO PAINTING STUART FULLERTON

ID: 2D1925 Jul 15-18 • 9am-4pm Gouache • All Levels Member: $450 • Non-Member: $490

ID: 2D1926 Jul 15-18 • 9am-4pm Drawing, Oil • Levels 2-3 Member: $510 • Non-Member: $550 Includes model fee.

CONCEPT

At first, gouache can seem tedious or unresponsive. However, with the right foundation, it can be an extremely fluid tool for visual expression for painters of all backgrounds. Discover the unique characteristics of gouache and how to use it with confidence in the creation of studies and finished works.

EXPERIENCE

The workshop will begin with an introduction to the medium, including the properties of gouache and the tools and techniques specific to it. The second day will focus on using gouache as a tool for studies, while the remainder of the workshop will be dedicated to working on a series of paintings. The school’s surroundings will be used as inspiration for assignments.

INSTRUCTOR

Kyle McKenzie is a painter from Joplin, MO. His paintings employ subtleties of light and color to explore mundane subjects, and feature carefully-crafted surfaces and highly-intentional color relationships. He holds an MFA in Painting from the University of Arkansas and an MA from Pittsburg State University. Kyle is an Assistant Professor of Art at Missouri Southern State University, where he has taught various courses in painting, color theory, art theory, and professional practices since 2010.

www.KyleJMcKenzie.com

20 PeninsulaSchoolofArt.org

EMBRACE THE PRACTICE: A PAINTING A DAY LISA DARIA KENNEDY

ID: 2D1927 Jul 19-20 • 9am-4pm Any Painting Media • All Levels Member: $225 • Non-Member: $250

CONCEPT

Discover the intimate and compelling art of portraiture in this four-day intensive painting workshop. Gain confidence and proficiency as you practice capturing the portrait from start to finish in both charcoal and oil with Stuart as your guide.

Embrace the process of painting and the importance of daily practice as a path to developing your creativity and imagemaking skills in this two-day workshop. Discover how painting can be used as an insistent act of documentation and with it, record weeks, months, and even years.

EXPERIENCE

The first day and a half will be devoted to solving some of the recurring drawing issues that come up in portraiture using gesture, comparative measurement, and the invaluable tools of a hand mirror and plumb line. Over the next two and a half days, you will focus on painting the model’s portrait in oil. Using a standard palette of colors, explore the warm and cool relationships in the portrait; expanding on the value relationships learned when working in charcoal. Demonstrations and one-on-one instruction will provide you with feedback and bring your practice to the next level.

INSTRUCTOR

Stuart Fullerton grew up in north central Wisconsin. He studied Archaeology and Law at Harvard University. Today, Stuart works and paints in Chicago, IL. He is a long-time member of the Palette and Chisel Club and of the Plein Air Painters of Chicago. Stuart has been accepted into countless juried shows and is on the Board of the Oil Painters of America and of the Palette and Chisel Academy.

www.StuartFullerton.com

920.868.3455

info@PeninsulaSchoolofArt.org

Over the course of two days, you will paint at least 10 panels, guided by Lisa, who has made over 3,100 daily, consecutive paintings – so far. A combination of demonstrations, in-class assignments, and individual instruction will teach students techniques to create fresh, deliberate marks. Additionally, Lisa will share approaches to simplify the process of painting and ways to stay inspired and motivated. All levels of painters are welcome.

INSTRUCTOR

Since 2009, Lisa Daria Kennedy has committed to an on-going daily painting project. As a young adult cancer survivor, she discovered living is not just surviving. Each painting seeks to give a voice to the fiber of the everyday. Lisa received an MFA and BFA from the Massachusetts College of Art and Design, and BA from Roger Williams University. Currently she is the Design Editor for the literary publication, Mount Hope, and an Assistant Professor at the Massachusetts College of Art and Design in Boston.

www.LisaDariaKennedy.com

ART AND OPTICS: USING OPTICAL DEVICES TO CREATE PAINTINGS AND DRAWINGS KYLE MCKENZIE ID: 2D1928 Jul 19-20 • 9am-4pm Any Painting Media • All Levels Member: $225 • Non-Member: $250

CONCEPT

Dating back to the early 17th century, optical devices have been used by artists as drawing aids. In this workshop you will explore the camera lucida, camera obscura, prism, and projector through the lens that these devices are tools and not replacements for skill development.

EXPERIENCE

USING GOUACHE COLOR STUDIES TO IMPROVE YOUR PAINTINGS KYLE MCKENZIE ID: 2D1929 Jul 22-24 • 9am-4pm Gouache • Levels 2-4 Member: $340 • Non-Member: $370

CONCEPT

Designed for experienced painters, this workshop will focus on the preliminary planning stages of the painting process. Using gouache, a quick-drying, opaque medium, create color and composition studies to proceed with more confidence and strengthen your paintings.

EXPERIENCE

The workshop will begin with an overview of the history of optical devices, their opportunities and limitations in art making, and experimental possibilities within contemporary art for representational and abstract applications. The second day will be dedicated to using the optical devices to make artworks in the drawing or painting media of your choice. Leave this workshop with a new tool for further exploration in your home studio.

Demonstrations and discussions will provide an overview of the medium and its unique characteristics, while hands-on lessons in color interaction will help you look at your existing and future work with a more analytical eye. Working from photo references, create multiple color and value studies for a single composition and complete studies with flat patches of color to explore abstract structural concepts. Discover how this process allows you to explore several options relatively quickly.

INSTRUCTOR

www.KyleJMcKenzie.com

ABSTRACTION DEMYSTIFIED SHANE WALSH

ID: 2D1930 Jul 29-Aug 1 • 9am-4pm Oil, Acrylic • Levels 3-4 Member: $450 • Non-Member: $490

CONCEPT

Manipulate space, deconstruct form, and re-invent your visual world. This workshop will explore different strategies for creating abstract images, including gestural, hardedged geometric, process-based, and abstraction as a verb. Whether working with the element of chance or through formal structure, you will expand your knowledge of materials, techniques, and abstraction as a visual language.

EXPERIENCE

Shane will introduce a variety of concepts related to abstraction within the context of historical and contemporary approaches to painting and drawing. As you respond to a broad range of problems and visual prompts, emphasis will be placed on experimentation, invention, and developing your unique aesthetic and interests. Group discussions and critiques will provide constructive feedback.

INSTRUCTOR

Shane Walsh's paintings are the result of his involvement with collage, both in a literal sense and as a conceptual framework for understanding the legacy of abstraction. He works in both New York and Milwaukee and teaches in the Painting and Drawing area at the University of Wisconsin-Milwaukee. Shane's work has been included in solo and group exhibitions in New York, Los Angeles, Seattle, St. Louis, and Miami.

www.ShaneWalshPaintings.com

www.KyleJMcKenzie.com

Painting & Drawing

ANIMATION FOR ARTISTS HANNAH HAMALIAN

SENSE OF PLACE GREGORY EUCLIDE

PAINTING WITH CASEIN PAINTS KATE BORCHERDING

ID: PH1906 Jul 29-Aug 1 • 9am-4pm Digital Animation, All Media • All Levels Member: $450 • Non-Member: $490

ID: 2D1931 Jul 29-Aug 1 • 9am-4pm

Member: $450 • Non-Member: $490

ID: 2D1932 Aug 2-3 • 9am-4pm Casein Paint • All Levels Member: $225 • Non-Member: $250

CONCEPT

Any Painting Media, Drawing • Levels 3-4

An introduction to animation, this workshop will explore a variety of methods in conjunction with Dragonframe capture software. Gain an understanding of the fundamentals of timing, storyboarding, and animation techniques that can be translated in clay, paper, digital materials, and more. Discover how this medium can be used to express your artistic interests.

Moving beyond the traditional rectangular, flat sheet of paper, this workshop investigates the relationship between experiences in the landscape and representing those experiences in the studio. With consideration for the viewer’s interaction, create works that encompass space, tactility, and personal content.

EXPERIENCE

Through demonstrations, readings, and lectures, you will be introduced to the idea of creating a sense of place through materials and forms. Emphasis will be placed on the production of work. Using found materials, as well as photographs, paintings, and drawings, you will create a unique document that expresses your understanding of a place. This workshop if more of an exploration of process or a way of approaching the creation of work than a tutorial on how to paint or draw.

A combination of lectures, demos, short screenings, and guided animation exercises will introduce you to the various facets of animation. Expect to complete at least one animation exercise each day using different methods and techniques. Additionally, time will be dedicated to support the development of a longer, more involved animation project that may extend beyond the four days of the workshop. This workshop is open to all levels and accessible to artists of all media.

INSTRUCTOR

Hannah Hamalian is an instructor at the Milwaukee Institute of Art and Design and UW-Milwaukee. As a filmmaker, she uses animation, live action, and appropriated videos to ask questions of herself and her viewers. She is drawn to time, motion, and immersive soundscapes as tools to create experiences of expanded possibility. Hannah received her MFA from UW-Milwaukee and her BA from Carleton College.

www.HannahHamalian.com

22 PeninsulaSchoolofArt.org

EXPERIENCE

INSTRUCTOR

Gregory Euclide is an artist and educator living in the Minnesota River Valley. In his studio practice, Gregory gathers organic matter from his everyday surroundings and reconstructs them alongside traditional art mediums, resulting in vignettes that ebb and flow in waves of contrast. He has been awarded numerous prestigious grants and fellowships and featured in countless solo and group exhibitions in museums and galleries. He received his MFA from the Minneapolis College of Art and Design.

www.GregoryEuclide.com

920.868.3455

info@PeninsulaSchoolofArt.org

Explore the versatility of casein paint in this two-day workshop. Casein paint differs from other paint media yet shares many of the same characteristics. You can achieve the rich textures of oils and acrylic, the smooth opacity of gouache, and wash effects of watercolor. Drying quickly to a matte, moisture-resistant finish, casein is a clean, water-soluble medium.

EXPERIENCE

Each morning will begin with a demonstration illustrating the day’s lessons, including composing images, under drawings and under paintings, color mixing, transparent and opaque effects, working wet in wet and wet on dry, mediums, and more. Apply these concepts in small studies in the late morning, before moving onto larger paintings in the afternoon. Each afternoon will conclude with a discussion of the day’s progress, questions, and next steps.

INSTRUCTOR

Kate Borcherding is a mixed media artist. Her artistic style is both neoclassical and postmodern. Kate received her MFA in Printmaking from IU-Bloomington and her BS in Art from UW-Madison. Since then, she has been the recipient of countless awards and honors, participated in numerous exhibitions, and completed an Arts/Industry residency at John Michael Kohler Arts Center. Kate is a Professor of Printmaking and Drawing at Sam Houston University.

PAINTING FROM COLLAGE FOR BEGINNERS ERIN LABONTE

ID: 2D1933 Aug 2-3 • 9am-4pm Acrylic • Levels 1-2 Member: $225 • Non-Member: $250

CONCEPT

Getting started can be the hardest part. Overcome your fear of the blank canvas and break down barriers in this two-day workshop designed for the beginning painter. Approach the canvas each day with a series of techniques to help you place your image and start painting.

EXPERIENCE

The morning of day one will be dedicated to collaging found or personal images to assemble the composition of your first painting. Erin will then guide you through the process of underpainting your canvas and transferring your image. Demonstrations and discussions will include basic painting techniques, the importance of creating space and color relationships, and material handling. Individualized instruction will be offered throughout the two days and the workshop will close with a group discussion.

INSTRUCTOR

Erin LaBonte received her Bachelor of Fine Arts from the University of WisconsinStevens Point, and her Master of Fine Arts from the Pennsylvania Academy of the Fine Arts in Philadelphia. Erin practices many artistic mediums in her own studio work. She is an advocate for bringing art to public spaces and for community engagement. Erin is Associate Professor of Art and Gallery Director at Silver Lake College of the Holy Family in Manitowoc, WI.

www.ErinLaBonte.com

INTRODUCTION TO INSTALLATION ART LIZ MILLER ID: 2D1936 Aug 7-10 • 9am-4pm

Any Painting Media, 3D Media • All Levels

Member: $450 • Non-Member: $490

CONCEPT

Interested in installation art, but not sure where to start? While installation art is typically thought of in relation to sculpture, this hands-on workshop will consider the relationship between 2D and 3D using simple flexible materials, such as fabric and paper. Discover how to convert these materials into complex forms to create an immersive installation in collaboration with your classmates.

EXPERIENCE

Making individual contributions that become part of a larger collaborative thematic work, you will transform PenArt’s painting studio. Liz will share her tricks for bending, folding, and nontechnical manipulating of paper and fabric to produce elaborate and sculptural interludes. Group discussions led by Liz will address technical and conceptual concerns throughout the four days.

INSTRUCTOR

Liz Miller received her MFA from the University of Minnesota, and her BFA from the Rhode Island School of Design. Her installations have been featured in solo and group exhibitions throughout the United States and abroad, with recent solo exhibitions at The Washington Pavilion, SPACE Gallery, and Firehouse Art Center. Liz is a Professor of Installation and Drawing at Minnesota State UniversityMankato.

www.LizMiller.com

DRAWING FUNDAMENTALS PHILIP SALAMONE

ID: 2D1937 Aug 7-10 • 9am-4pm Drawing • All Levels Member: $450 • Non-Member: $490

CONCEPT

The objective of this workshop is to strengthen your drawing skills through an understanding of the classical fundamentals. Learn to make convincing, sensitive drawings that are true to life through a coherent, analytical approach to drawing.

EXPERIENCE

Using an easy-to-understand step-bystep process, you will discover a number of foundational principles that will help you to interpret and then express the visual experience. Philip will give demonstrations, as well as personal instruction and feedback to guide you through each stage of the process. Topics to be covered will include proportions, measuring, perspective, value structure, light phenomena, edge manipulation, and composition.

INSTRUCTOR

Philip Salamone was born and raised in central Wisconsin to an Italian family of East Coast ex-pats. He graduated from the University of Wisconsin-Madison with a degree in Fine Arts, later moving to New York to study at the Grand Central Atelier. After completing their three-year program and additional studies at the Art Students League, he returned to Madison to build a community of like-minded artists to learn from and grow alongside. He now teaches at both the University of Wisconsin-Madison and at his own school, the Atwood Atelier.

www.PhilipSalamone.com

Painting & Drawing

COLLAGE BASICS MELISSA ORESKY

ID: 2D1938 Aug 12-15 • 9am-4pm Any Painting Media, Print/Paper/Book All Levels Member: $450 • Non-Member: $490

CONCEPT

Collage is as much a way of thinking as of making. Explore methods of gathering imagery and materials, and taking apart and piecing them together into pictorial images and designs. Collage making helps us to consider issues of continuity and discontinuity; exploring the language of images within a fragmented arena of pictures, materials, and patterns.

EXPERIENCE

Class time will consist of lectures that present works by modern and contemporary artists who engage in collage, technical demonstrations, and time to work on projects that explore the processes and concepts presented. Projects will be specific yet allow for individual interpretation. You will work with images and materials collected prior to class. This initial image collection is a vital aspect of the collage process.

INSTRUCTOR

In her works on paper, canvas, and in video, Melissa Oresky engages collage as a material practice, visual language, and concept. Her work examines landscape through the lens of abstraction, and is currently exploring ideas of "plantlikeness". Melissa received her MFA from the University of Illinois - Chicago and her BFA from the School of the Art Institute of Chicago. Melissa is an Associate Professor of Painting and Drawing at Illinois State University.

www.MelissaOresky.com

24 PeninsulaSchoolofArt.org

ART HISTORY AS INSPIRATION WENDI TURCHAN

ID: 2D1939 Aug 12-15 • 9am-4pm Any Painting Media, Drawing • All Levels Member: $225 • Non-Member: $250

CONCEPT

Where does inspiration come from? Many artists draw inspiration from moments in the history of art, although it may not be readily apparent when looking at their work. In this interdisciplinary, 2D workshop, you will explore what it means to draw inspiration from art history while creating unique, individual works of art.

EXPERIENCE

BEING OUTSIDE: THINKING IN AND WITH THE LANDSCAPE MELISSA ORESKY ID: 2D1940 Aug 16-17 • 9am-4pm Any Painting Media, Photography All Levels Member: $225 • Non-Member: $250

CONCEPT

This multi-media workshop will focus on ways that artists can engage with the landscape and outdoor environment. Beginning with direct, experiential observation and multi-sensory immersion outside, you will explore methods to examine, and document.

The first three mornings will begin with a brief lecture on a specific time and place in art history. This will be followed by a discussion of a small selection of artworks, including sharing ideas about how individuals might use a piece as a jumping off point to create one original work per day. Breaks for small group discussions and critiques will take place after lunch and at the end of each day. The final day will begin with a conversation about the work completed in the first three days, while the remainder of the day will be dedicated to individual pursuits.

EXPERIENCE

INSTRUCTOR

Wendi Michelle Turchan is a northeast Wisconsin-based artist and educator. Her work explores time and place utilizing small, temporary forms within the landscape. Her work has been exhibited widely across the country in solo and group shows. She received her MFA in Painting from the University of Oregon and her BFA from University of WisconsinOshkosh. Wendi is a Lecturer of Art at UW-Fond du Lac.

www.WendiMichelleTurchan.com

920.868.3455

info@PeninsulaSchoolofArt.org

While outside on the first day, you will translate your experiences from the outdoors through writing, drawing, collecting, photographing, or making video. Use that documentation as raw material to create an artwork inside the studio on day two. This workshop is suitable for all levels, but recommended for people who already have a practice in a particular visual art or non-visual medium, such as painting, drawing, photography, sculpture, gardening, hiking, or writing.

INSTRUCTOR

www.MelissaOresky.com

INTRODUCTION TO ADOBE PHOTOSHOP: INCORPORATING DIGITAL TOOLS INTO YOUR STUDIO PRACTICE EMILY SCHEIDER BERENS

ID: PH1910 Aug 16-17 • 9am-4pm Digital, All Media • All Levels Member: $235 • Non-Member: $260 Includes materials fee.

CONCEPT

This workshop will introduce you to the basics of using Adobe Photoshop® as a tool for combining digital imaging techniques with your existing studio practice. Create rich mixed-media compositions as you learn the fundamentals of importing and remixing hand-rendered artwork.

EXPERIENCE

Through a series of demonstrations and hands-on exercises, you will discover how to import, organize, and export files within Photoshop®, use layers, blending modes, and the FX panel, refine image selection techniques, create custom digital brushes and hand-rendered mark-making, blend together digital paint layers, and use retouching tools to enhance your imagery. Leave this workshop with a set of new digital skills and at least one print.

INSTRUCTOR

Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for 'tra-digital' media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has delivered digital literacy workshops regionally and internationally. She is a faculty member within UW-Milwaukee's Peck School of the Arts.

www.Emily-Scheider.com

WORKING TOGETHER: METHODS IN MIXED MEDIA PAINTING SARA WILLADSEN ID: 2D1942 Aug 19-20 • 9am-4pm Acrylic, Drawing • All Levels Member: $225 • Non-Member: $250

CONCEPT

This workshop will present methods for combining a range of mediums and acrylic painting through various applications and prompts. Discover new possibilities with mixed media that can be applied to representational and abstract painting.

EXPERIENCE

The first day will consist of demonstrations concentrating on a variety of new techniques, followed by correlating exercises. The second day will focus on creating a piece or pieces using the processes that best fit with your artistic goals. An informal group discussion will take place at the end of each day to provide you with feedback and next steps.

INSTRUCTOR

Working mainly with paint and found materials, Sara Willadsen's work explores concepts of abstract spaces and structures guided by her surroundings. She received her MFA in Painting from Northern Illinois University and her BA in Studio and Graphic Arts from Lakeland College. Her work has been featured in New American Paintings and Making the Cut Volume 1: The World's Best Collage Artists, and shows frequently in group exhibitions at the regional and national level. Sara lives and works in Sheboygan Falls, WI.

www.SaraWilladsen.com

INTRODUCTION TO ADOBE ILLUSTRATOR®: INCORPORATING DIGITAL TOOLS INTO YOUR STUDIO PRACTICE EMILY SCHEIDER BERENS ID: PH1911 Aug 19-20 • 9am-4pm Digital, All Media • All Levels Member: $235 • Non-Member: $260 Includes materials fee.

CONCEPT

EXPERIENCE

Demonstrations and hands-on practice will introduce you to the process of importing, organizing, and exporting files, merging photographic image files with vector compositions to create mixed-media collage work, using pen and brush tools to create line drawing and vector artwork, utilizing the shape-building and patterning tools, and creating templates for future projects, including stencils, pattern blocks, or screen printing film positives.

INSTRUCTOR

www.Emily-Scheider.com

Painting & Drawing

PROCESS AND EXPERIMENTATION WITH ACRYLIC PAINT TOM BERENZ

ABOUT FACE: LET'S TURN THINGS AROUND SUSAN PLOUGHE

ENCAUSTIC MIXED MEDIA SARAH REHMER

ID: 2D1944 Aug 21-24 • 9am-4pm Oil • Levels 3-4 Member: $450 • Non-Member: $490

ID: 2D1945 Aug 26-29 • 9am-4pm Encaustic • All Levels Member: $450 • Non-Member: $490 Plus materials fee.

CONCEPT

EXPERIENCE

ID: 2D1943 Aug 21-24 • 9am-4pm Acrylic • All Levels Member: $450 • Non-Member: $490

Acrylic offers the greatest flexibility of any paint media; allowing you to work spontaneously one moment and methodically the next. Discover the wide range of effects that can be achieved through traditional and experimental techniques, including glazing, pouring, scraping, utilizing acrylic mediums, mixing paint with non-traditional materials, and more in this fast-paced workshop.

EXPERIENCE

The workshop will begin with Tom giving a basic introduction to acrylic paint, including paint chemistry, color theory, and brush handling. Discussions and demonstrations throughout the week will move into more advanced information regarding the medium. These lessons will provide a jumping off point for guided exploration each day. Tom will provide individualized feedback throughout the process.

INSTRUCTOR

Tom Berenz is an accomplished painter and Assistant Professor of Drawing and Painting at the University of WisconsinParkside. He holds an MFA from UWMadison and a BFA from UW-Oshkosh. Tom's paintings have been exhibited nationally and internationally and featured in multiple publications. He has received numerous awards, including the 2017 Mary L Nohl Established Artist Fellowship. Tom lives and works in Milwaukee, WI.

www.TomBerenz.com

26 PeninsulaSchoolofArt.org

Have you always wanted to paint people, but have been held back by fear, or perhaps attempted a few portraits and been uninspired or discouraged by the results? This workshop focuses on removing barriers that are keeping you from fully enjoying the process of painting people. Through daily demonstrations and discussions, Susan will introduce a variety of ways to approach portraiture, expanding the possibilities of what a portrait can look like. As you work through each project, working from a selection of inspiring reference photos, she will help you to find the methods that work best for you. No matter your style, the focus will always be on the FACE – freedom, amusement, courage, and exploration.

INSTRUCTOR

Susan Ploughe holds a BFA in Painting from Carnegie Mellon University. A native of Pennsylvania, she has lived in Lake Zurich, IL for over 24 years. After many years of working as an illustrator and graphic designer, she turned to oil painting full time in 2002. Since then, her work has been juried into many respected shows, including the Oil Painters of America national exhibitions, and has won awards in the OPA Eastern Regional, Salon International, American Impressionist Society, Plein Air Easton, and others.

www.SusanPloughe.com

920.868.3455

info@PeninsulaSchoolofArt.org

This workshop will provide artists of all levels the basics of working with this dynamic and exciting medium. Encaustic paints are extremely versatile and can be combined with a range of other materials. Safety, the use of other materials, and adhesion and archival considerations will be emphasized. Sarah will begin by presenting safety and studio setup options, before moving into the basics of working with encaustic paints and what other studio materials play well with the wax-based paint. Class time will alternate between demonstrations and individual working time, giving you ample time to practice and experiment. 2D and 3D applications will be discussed. Encaustic paint, oil sticks, and other encaustic-specific materials will be provided for use for a small fee.

INSTRUCTOR

Sarah Rehmer was born and raised in the western suburbs of Chicago, where she still resides. In 2003, she earned her BA in Graphic Design and Photography from Dominican University in River Forest, IL. Sarah found her love for working with pages from old books and encaustic while attending a class post-graduation at the school. Her work is held in private and public collections around the country and internationally. Sarah teaches classes and workshops around the Midwest.

www.Rehmer-Studio.com

ABSTRACT LANDSCAPE PAINTING BEKI BORMAN ID: 2D1946 Aug 30-31 • 9am-4pm Acrylic • All Levels Member: $225 • Non-Member: $250

CONCEPT

The landscape lends itself to rich interpretation and expression. Using acrylic paints and personal photo references, make sense of this subject matter as a jumping off point for abstraction as you explore composition, mark-making, and paint application.

EXPERIENCE

Through demonstrations and discussions, Beki will review the basics of acrylic painting before moving into more experimental techniques. Students will work to create their own abstract landscape paintings with individualized feedback from the instructor and group. Open to all levels of experience. More advanced painters will have the opportunity to push the boundaries of their painting practice, while beginners will develop skill.

INSTRUCTOR

Beki Borman was born and raised in the Milwaukee area. She attended the Milwaukee Institute of Art & Design where she received her BFA in Painting in 2004. Since graduating, Beki has exhibited her work both locally and nationally. She paints colorful and textural landscapes in oil and acrylics using a combination of knife and brush techniques. Some of her influences include Vincent van Gogh, Wolf Kahn, and Wayne Thiebaud. Beki works out of her home studio in Milwaukee. Her work is represented by the Woodwalk Gallery in Egg Harbor.

www.BekiBorman.com

EXPERIMENTATION WITH PAPER MARBLING CAREY WATTERS

ID: 2D1947 Aug 30-31 • 9am-4pm Print/Paper/Book, Any Painting Media All Levels Member: $270 • Non-Member: $295 Includes materials fee.

CONCEPT

This workshop focuses on the timeless craft of marbling while exploring contemporary applications and alternative materials. Examine traditional methods used in marbling, their challenges, and endless opportunities.

EXPERIENCE

Demonstrations and hands-on practice will introduce you to the process. Experiment with layering marbled patterns, playing with different types of paper, and turning completed papers into folded books, boxes, and bags.

INSTRUCTOR

Carey Watters is Assistant Professor of Graphic Design and Typography at the University of Wisconsin-Parkside. She received her MFA from the University of Wisconsin-Madison in Printmaking and Book Arts. Carey has been working as a professional graphic designer since receiving her BFA in Graphic Design from the University of Wisconsin-Milwaukee in 1999. Her current book and collage work weaves together concepts regarding memory, historic map making, and religious and pagan symbolism. Her work is a direct result of her residencies and travels to Calabria, Basilicata, and Puglia, Italy, and her research of Byzantine architecture, design, and religious reliquaries.

www.CareyWatters.com

MASTERING THE WATERCOLOR MINDSET STEVE PUTTRICH

ID: 2D1948 Sep 4-7 • 9am-4pm Watercolor • All Levels Member: $450 • Non-Member: $490

CONCEPT

Success in watercolor has deep roots in mindset. When you are in the midst of a wash, whether controlled, free, or anything in between, the key ingredient is managing your mindset by redefining results as opportunities to be enhanced and any issues as puzzles to be solved.

EXPERIENCE

Explore watercolor’s full potential by using a photograph’s essence as a reference to be captured, rather than copied. Each day you will work toward completing a series of remarkable scenes with Steve as your guide. More importantly, you’ll build skills at mastering a watercolor mindset that will serve you well for a lifetime of painting. This workshop will consist of demonstrations, discussions, and plenty of hands-on practice. All levels welcome.

INSTRUCTOR

Steve Puttrich began his studies at the American Academy of Art, as well as the Art Institute of Chicago. He received degrees in architectural illustration, graphic design, and fine art. After a 35-year career as an artist, designer, and Vice President of Creative Services and Innovation for Parson Corporations, Steve is now enjoying painting and teaching full-time. In his work, he strives to tell a story through his own personal connection and experience with his subject matter.

www.StevePuttrich.com

Painting & Drawing

FLOWING COLOR: WATERSCAPES CATHERINE HEARDING ID: 2D1949 Sep 9-12 • 9am-4pm Watercolor • Levels 2-3 Member: $450 • Non-Member: $490

CONCEPT

Using Door County and Lake Michigan as inspiration, learn how to paint water that is convincing and filled with a sense of texture and movement. Adopt a threestep watercolor process for value and color studies, while learning to simplify the landscape down to its most basic shapes.

EXPERIENCE

Each morning will begin with a short studio demonstration addressing the challenges in painting this particular subject. Spend the rest of the day gaining hands-on practice painting water reflections, moving water, river and wave action, and color solutions. Individualized instruction will be provided throughout each day. A plein air demonstration will be included to show the process in action.

INSTRUCTOR

Catherine Hearding is a self-taught artist with more than 40 years of experience in watercolor painting. She works from her home studio in Lake Elmo, MN, where she can observe the rural landscapes that she loves to paint. Additionally, she spends time on the north shore of Lake Superior painting en plein air and capturing photos for reference in the studio. Catherine is president of the Minnesota Watercolor Society, and holds Signature Memberships with the Transparent Watercolor Society of America, Watercolor USA Honor Society, Minnesota Watercolor Society, and more.

www.CHearding.com

PAINTING WITH RESIN SHANE MCADAMS

ID: 2D1950 Sep 13-14 • 9am-4pm Any Painting Media • All Levels Member: $255 • Non-Member: $280 Includes materials fee.

CONCEPT

Thermoplastic resins in art are most often seen in the realm of sculpture, such as in casting, coating, and laminating. However, when used creatively in combination with additional media, resin can be a powerful painting medium. It offers depth and layering possibilities that other mediums cannot; resulting in spectacular works.

EXPERIENCE

This workshop will explain the basic physical properties and application techniques of two basic types of resin – urethane and epoxy. Demonstrations will cover tinting, layering, damming, and incorporating additional media. You will begin by pouring a layer of epoxy resin before working on a multi-layered, abstract urethane resin painting. Along the way, Shane will reveal techniques learned in his own practice. Day two will revisit the cured epoxy painting, before pouring an additional layer of resin to create a finished multi-layered piece.

INSTRUCTOR

www.ShaneMcAdams.com

28 PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

PAINTING DOOR COUNTY BARNS EN PLEIN AIR KYLE MARTIN ID: 2D1951 Sep 13-14 • 9am-4pm Oil, Acrylic • Levels 2-3 Member: $225 • Non-Member: $250

CONCEPT

The barns and pieces of rural architecture around Door County offer an opportunity to capture history on canvas. Their weathered boards and drooping roofs convey the character of the structures themselves, as well as the people who worked the land. This plein air workshop will focus on creating paintings that are structurally accurate, filled with authentic light, and vibrant in color.

EXPERIENCE

Kyle will discuss and demonstrate a variety of concepts, including the importance of drawing for accurate representation, how to identify and control value and color to capture natural light, and how to mix and see color specific to your subject matter’s unique color harmony. Practice these skills and more out in the field with Kyle available for individualized feedback.

INSTRUCTOR

www.Kyle-Martin.blogspot.com

DRAWING FROM THE MASTERS EMMETT JOHNS

ID: 2D1952 Sep 16-17 • 9am-4pm Drawing • All Levels Member: $225 • Non-Member: $250

CONCEPT

Explore the ideas and techniques of the great masters of draftsmanship in this basic drawing workshop. Essential to all aspects of image making, this workshop will help artists of all backgrounds build confidence and skill.

EXPERIENCE

Working from still life setups and old master drawings, you will learn how to use line, value, texture, shape, and more to complete drawings that are accurate and creative. Additionally, Emmett will share methods to help you work from memory; especially beneficial for those who want to improve their sketchbook and journal drawing. This workshop is open to artists of all levels and backgrounds.

INSTRUCTOR

www.EmmettJohns.faso.com

ADVENTURES IN COLOR USING SOFT PASTEL KATHLEEN NEWMAN

A CLEAR AND COMPLETE GUIDE TO CREATIVE STUDIO PAINTING TOM NACHREINER

CONCEPT

EXPERIENCE

INSTRUCTOR

www.KathleenNewman.com

www.TomNachreiner.com

ID: 2D1954 Sep 18-21 • 9am-4pm Pastel • All Levels Member: $450 • Non-Member: $490 Transform your photo references into expressive and personal paintings in this pastel workshop focused on composition, color, and value. Working from black and white images, you will foster an abstract approach to dark and light value patterns, improvise creative color strategies, and use painterly techniques to convey mood and mystery, rather than detailed accuracy in your compositions. Demonstrations and discussions will introduce you to compositional strategies, color theory, and pastel techniques. Handson practice using personal and supplied photo references will be emphasized throughout the four-days. While this is not a plein air offering, you may go outside to gather information in your sketchbooks to further fuel studio work. Kathleen Newman creates paintings inspired by her love of the outdoors and the many moods of light and shadow across the landscape and over water in particular. Her work has been exhibited regionally and nationally. Kathleen has been awarded the International Association of Pastel Societies Masters' Circle Gold Medal and Signature Letters in the Pastel Society of America, the American Impressionist Society, Chicago Pastel Painters, and the American Transparent Watercolor Society.

ID: 2D1955 Sep 23-26 • 9am-4pm Oil, Acrylic, Pastel • All Levels Member: $450 • Non-Member: $490

Gain confidence in your ability to translate your subject to canvas as you strengthen your observational skills, build a reliable process for planning, and develop your unique voice. Whether you are a beginner or more experienced painter, this workshop will help you to identify a focus in your painting practice through positive approaches to art making and a new pattern for success. Each morning, Tom will demonstrate a variety of topics, including planning compositions, handling and selecting materials, and paint application. Working from provided photo references, you will paint for the remainder of each day with Tom available for individualized feedback. Leave this workshop with focus and direction for future work. Tom Nachreiner received a BFA with Honors from Layton School of Art in Milwaukee. He has been a self-employed illustrator since 1978 and a fine artist since 2000. Tom has won many Best of Show awards at plein air events, and is a Signature Member of the Oil Painters of America and the American Impressionist Society. Recently, he created four largescale paintings for the Green Bay Packers' Permanent Art Collection depicting scenes from the Ice Bowl. Tom is represented by Edgewood Orchard Gallery in Door County.

Painting & Drawing

PORTABLE SKETCHING TECHNIQUES FOR CAPTURING STRUCTURES AND STREET SCENES ANN THOMAS

ID: 2D1956 Sep 23-26 • 9am-4pm Drawing, Watercolor • Levels 2-3 Member: $450 • Non-Member: $490

CONCEPT

Using Door County’s scenic towns as a backdrop, hone your skills in sketching structures and street scenes with a simple set of portable tools in this four-day workshop. Walk away with new techniques and strategies to create more interesting compositions in any setting.

EXPERIENCE

Through demonstrations and discussions, Ann will share techniques in using pen and ink and watercolor, zooming in on the most important elements for dynamic compositions, and achieving convincing yet simple perspective in the field. Plenty of time for one-on-one assistance will be emphasized. An enjoyable critique will close each day. Weather permitting, the class will work outside.

INSTRUCTOR

Ann Thomas is an award-winning illustrator working in colored pencil, watercolor, pastels, and pen and ink. She has received numerous awards, including a Moonbeam Award for Excellence in Children's Literature and the Silver Benjamin Franklin Award. Ann works out of her home studio in Milwaukee, WI, and teaches in both traditional classroom settings and online.

www.AnnThomasIllustration.com

COLORED PENCIL: DRAMA ON DARK PAPER RHONDA NASS

ID: 2D1958 Sep 30-Oct 1 • 9am-4pm Drawing • All Levels Member: $225 • Non-Member: $250 Plus materials fee.

CONCEPT

Whether a novice or veteran in colored pencil, discover and gain proficiency in a new layering technique that allows you to capture drama and detail beyond what you thought possible of the medium.

EXPERIENCE

The workshop will begin by examining the work of contemporary colored pencil artists. Following, you will experiment with various stroke applications, produce a color match strip, which can be used as a reference for all future works, and design and begin a final composition. Rhonda will provide feedback throughout the process. Leave this workshop feeling confident in the ability to complete your work with excellence.

INSTRUCTOR

From the moment Rhonda Nass drew her first pencil profile of a classmate, she was hooked on the limitless possibilities of communicating through art. Her teacher's proclamation, "You could never be an artist," catapulted her into a career in the arts. Rhonda earned her degree in Art Education from University of Wisconsin - Madison, and since then she and her husband, Rick, have collaboratively operated Ampersand, an illustration studio in Prairie du Sac, WI. She continues to develop her work with inspiration from Caravaggio, Peter Paul Rubens, Wayne Thiebaud, and Robert Bateman.

www.RNass.com

30 PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

EXPLORING THE MAGIC OF WATERCOLOR MICK MCANDREWS

ID: 2D1959 Oct 2-5 • 9am-4pm Watercolor • Levels 2-3 Member: $450 • Non-Member: $490

CONCEPT

Immerse yourself in the unique qualities of watercolor in this comprehensive workshop designed for students looking to strengthen their skills in composition, expand their visual language, and develop their artistic voice. Create more interest in your paintings as you exploit the wonder and intrinsic beauty of watercolor.

EXPERIENCE

Discussions and demonstrations will emphasize the importance of developing dynamic shapes, value contrast, and edge quality to produce sound compositions. Working with a limited palette, simplifying scenes, atmospheric perspective, and color theory will also be addressed. Less experienced students will follow along in step-by-step group paintings, while more experienced painters will work from their own reference materials with Mick available for individual guidance.

INSTRUCTOR

Mick McAndrew's award-winning paintings strive to capture the mood and atmosphere of a subject, combining the magic of watercolor with reverence for the principles of design to create works of sophisticated simplicity. He is a Signature Member of the Philadelphia Watercolor Society, the Pennsylvania Watercolor Society, and the Baltimore Watercolor Society. Mick is also an Artist Member of the Mid-Atlantic Plein Air Painters Association.

www.MickMcAndrewsFineArt.com

ENCAUSTIC FOR THE INTERMEDIATE TO ADVANCED PAINTER SARAH REHMER

ID: 2D1960 Oct 7-10 • 9am-4pm Encaustic • Levels 3-4 Member: $450 • Non-Member: $490 Plus materials fee.

DRAWING FOR DUMMIES MYNN LANPHIER

ID: 2D1961 Oct 7-10 • 2-5pm Drawing • Level 1 Member: $225 • Non-Member: $250

CONCEPT

Designed for the student who already has worked with encaustic paints, this workshop will encourage you to push your studio practice to the next level through a single large-scale work or series of small works.

If you have always wanted to learn to draw, or feel your drawing skills are rusty or inadequate, this workshop will help you gain confidence in rendering a variety of subject matter in a realistic way. By learning to tap into your intuitive right brain, you will dramatically improve perception and technical skill as you explore the process of drawing.

EXPERIENCE

CONCEPT

This workshop will combine long working sessions, critiques, and discussions. Sarah will work with each student one-on-one in the planning of larger projects, including sketches and small studies, as well as the execution. Time for writing and reflection on current and future work will augment those conversations to aid you in not only gaining a greater understanding of how to make the work, but also why you are making it and why you have opted to use encaustic. Encaustic-specific materials will be provided for use for a small fee.

INSTRUCTOR

www.Rehmer-Studio.com

Mynn will lead you through a series of simple exercises that are fun, easy, and meditative in nature, resulting in a remarkable development of skills. This workshop is designed for the absolute beginner, as well as those working in other media interested in honing their drawing skills. Only a few basic supplies are needed along with a willingness to let go of insecurities and preconceptions. Try new approaches to drawing in a relaxed and supportive setting. Returning students are encouraged to join Drawing for Dummies: Graduate Seminar.

INSTRUCTOR

Mynn Lanphier has a BFA in Drawing and Painting and an MA in Curriculum and Instruction. She has been teaching children and adults for over 35 years. Mynn especially loves teaching drawing, because she feels it's the most important foundation for creating artwork, and also because she believes that anyone can learn to draw!

WATERCOLOR: THE PERFECT PLEIN AIR MEDIUM BRIENNE BROWN ID: 2D1962 Oct 11-12 • 9am-4pm Watercolor • Levels 3-4 Member: $225 • Non-Member: $250

CONCEPT

Learning to paint on location is not only fun, it can help you to make strides in your studio work as well. Bring excitement to your paintings with the use of strong value sketches, bold washes, and quick energetic strokes in this two-day workshop.

EXPERIENCE

Each day will begin with a meeting in the studio to discuss the day’s plan and key concepts with time split between painting indoors and out. Brienne will demonstrate and explain her process for plein air painting, including where to start, what to paint, and how to deal with the elements, as well as share great exercises and practices. In the case of inclement weather, you will work indoors. This workshop is geared toward intermediate to advanced watercolor painters, however no plein air experience is necessary.

INSTRUCTOR

From a young age, Brienne Brown loved art but pursued a career in science. After graduating with a Master’s degree in Chemistry, she soon found that art was more than a hobby, it was a necessity. She left her toxicology job and began painting more consistently. Soon she was not only exhibiting and entering shows regularly, but also winning awards. Brienne’s passion is watercolor and plein air. She loves using the slightly controlled chaos nature of watercolor in bringing the everyday to life.

www.BrienneMBrown.com

Painting & Drawing

ABSTRACT LANDSCAPE PAINTING WITH OIL AND COLD WAX MEDIUM MARK RUSSELL

DRAWING FOR DUMMIES: GRADUATE SEMINAR MYNN LANPHIER

DEVELOPING YOUR ARTISTIC VOICE JOSEPH GYURCSAK

CONCEPT

EXPERIENCE

ID: 2D1963 Oct 16-19 • 9am-4pm Cold Wax, Oil • Levels 3-4 Member: $450 • Non-Member: $490

Broaden your language of painting by exploring new methods of working with oil and cold wax medium. In this workshop, you will be encouraged to experiment and add unique texture, mark-making, and layering to your process to create surfaces that are rich, complex, and engaging. While demonstrations will introduce a variety of techniques, the majority of class time will be reserved for hands-on experimentation through prompts and individually driven explorations. Mark will provide one-on-one critiques to help connect group exercises with each student’s unique goals. Demonstrations and examples will be landscape-based, however artists with a focus on abstraction or other imagery are welcome.

INSTRUCTOR

Mark Russell has been creating landscape paintings for more than 20 years. Surface provides a steady stream of inspiration, such as the texture of a rock, the edges of a cloud, the reflections and movement in water, or the veil of light on a hazy day. Mark builds layer upon layer to the surface through a process of scraping, rubbing, adding, and subtracting. He has exhibited his work in group shows with galleries and museums across the country, and is included in private and corporate collections.

ID: 2D1964 Oct 16-18 • 1-5pm Drawing • Level 2 Member: $225 • Non-Member: $250 Refresh and explore the skills you learned in Mynn’s Drawing for Dummies workshop, and then apply them to produce more finished works of art. Engage in an intensive experience to explore the process of taking a piece from conception to completion. Before demonstrating more advanced techniques, Mynn will review basic concepts from the introductory workshop. Take your drawing skills to the next level through individualized coaching and critiques. Working from your own selected photographs, you can expect to complete one or more finished drawings. Leave this workshop with newly gained knowledge and confidence. Students are required to have completed the beginning Drawing for Dummies workshop.

INSTRUCTOR

www.MarkRussellStudio.com

32 PeninsulaSchoolofArt.org

920.868.3455

ID: 2D1965 Oct 21-24 • 9am-4pm Any Painting Media, Drawing • All Levels Member: $450 • Non-Member: $490 Designed to encourage students to see in a more organic and abstract way, this multi-level workshop will push you to view your subject as a point of departure toward your creative interpretations. This process will engage and energize your thinking and inspire personal discovery that is unique to your vision, experiences, and being.

EXPERIENCE

Each day, questions will be posed through thoughtful group discussions that will prompt responses through the means of word and/or visual actions. Exercises in introspection, one-on-one conversations with Joseph, and plenty of working time will bridge the gap in creative possibilities and opposing views, as well as aid in you finding and using your own artistic voice.

INSTRUCTOR

Joseph Gyurcsak paints a broad range of subject matter that includes interiors, still life, figures, and landscapes. He has a keen sense for capturing the essence of his subjects with a bold and candid approach. Joseph began his formal training at Parson's School of Design and later at The School of Visual Arts in New York. He has exhibited in galleries across the country and his award-winning paintings are held in numerous private and public collections. Joseph is the Resident Artist for Blick/ Utrecht Art Materials, as well as a noted instructor and juror.

www.JosephGyurcsak.com

info@PeninsulaSchoolofArt.org

PRINT | PAPER | BOOK

SKILL LEVEL 1

A Skill Level 1 workshop requires no prior art making experience. Beginning with the foundations, instruction will include explanation of materials, vocabulary, and art and design principles.

SKILL LEVEL 2

SKILL LEVEL 3

A Skill Level 3 workshop requires a growing level of confidence with the materials, tools, and techniques of the medium, as well as developed drawing and design skills and the ability to work independently at times. Constructive critiques will provide feedback on technical and conceptual directions for future work. A Skill Level 4 workshop requires experience, competency, and confidence in the medium. Artistic growth, including technical and conceptual challenges, will be emphasized through independent working time, group discussion, and critique.

34 PeninsulaSchoolofArt.org

CREATING THE CHILDREN'S PICTURE BOOK LAURA MONTENEGRO

CONCEPT

ID: 2D1901 May 22-25 • 9am-4pm Acrylic, Print/Paper/Book • All Levels Member: $470 • Non-Member: $510 Includes materials fee.

SKILL LEVELS

SKILL LEVEL 4

MIXED MEDIA PAINTING: EXPLORE AND EXPAND MEGAN KATHOL BERSETT

EXPERIENCE

INSTRUCTOR

www.MeganKatholBersett.com

920.868.3455

info@PeninsulaSchoolofArt.org

ID: 2D1908 Jun 10-13 • 9am-4pm Print/Paper/Book, Any Painting Media Levels 2-3 Member: $450 • Non-Member: $490 The unfolding of a story relies on sequential images to carry the reader from beginning to end. Add to this, the interweaving of word with image and you have a richly complex storytelling form. In this workshop, you will experiment with a variety of styles, materials, and techniques, as well as learn about the children’s book publishing process.

EXPERIENCE

INSTRUCTOR

Laura Nyman Montenegro is an awardwinning author and illustrator of children's picture books. Her books, A Bird About to Sing, A Poet's Bird Garden, Sweet Tooth, and One Stuck Drawer have won Parent's Choice Awards, as well as have been featured on Reading Rainbow. She has a MA in Art Education, and BA in Fine Arts and Anthropology from the University of New Mexico.

www.LauraNymanMontenegro.com

PAINT/COLLAGE - COLLAGE/PAINT HOLLY ROBERTS ID: 2D1915 Jun 24-27 • 9am-4pm Acrylic, Print/Paper/Book • All Levels Member: $465 • Non-Member: $505 Includes materials fee.

CONCEPT

EXPERIENCE

INSTRUCTOR

Holly Roberts is an accomplished artist working in painting, photography, and collage. She earned an MFA from Arizona State University. Her work is in nationally and internationally exhibited and has been published in four monographs. A retrospective of Holly's work, titled 33 Years, was held at the Griffin Museum of Photography in MA. She has twice received National Endowment for the Arts Fellowships.

www.HollyRobertsStudio.com

FOLD, STITCH, EMBELLISH, COVER: MAKING ACCORDION FOLD BOOKS SUSAN MESSER ID: 2D1917 Jun 24-27 • 9am-4pm Print/Paper/Book • All Levels Member: $480 • Non-Member: $520 Includes materials fee.

CONCEPT

Versatile and elegant in design, the accordion fold book offers a binding structure that is easy to work with and playful in form. Whether viewed as a full spread, a sculptural work, or words and images presented on a series of sequential folds, this structure is well suited as an expressive vehicle.

EXPERIENCE

This workshop will start with a demonstration of the basics of folding, stitching, and gluing, followed by a discussion on the many variations of the accordion form. Create unique decorative papers and incorporate both traditional and non-traditional materials in the making of single-sheet fold-downs, flag and flutter books, and books using compound bindings. Leave this workshop with several accordion fold book models and a completed and personally developed accordion fold book.

INSTRUCTOR

Susan Messer creates handmade books, photographs, and drawings using a combination of alternative print strategies and mixed drawing and sculptural media. Susan received her MFA from Arizona State University and studied intaglio printmaking at L'Ecole Nationale Superieure des Beaux-Arts in Paris and is currently a faculty member at the University of Wisconsin-Whitewater.

ANIMATION FOR ARTISTS HANNAH WHITE HAMALIAN

ID: PH1906 Jul 29-Aug 1 • 9am-4pm Digital Animation, All Media • All Levels Member: $450 • Non-Member: $490

CONCEPT

EXPERIENCE

INSTRUCTOR

www.HannahHamalian.com

Paper/Print/Book

THE PHOTOGRAPHIC BOOK BARBARA DIENER

ID: PH1907 Aug 2-3 • 9am-4pm Digital Photography, Print/Paper/Book All Levels Member: $225 • Non-Member: $250

CONCEPT

BOOK ARTS BASICS: INTRODUCTION TO BOOK BINDING KATE BORCHERDING

SCREEN PRINTING BASICS KATIE RIES

ID: 2D1934 Aug 5-6 • 9am-4pm Print/Paper/Book • All Levels Member: $225 • Non-Member: $250

ID: 2D1935 Aug 5-6 • 9am-4pm Print/Paper/Book • All Levels Member: $250 • Non-Member: $275 Includes materials fee.

CONCEPT

This workshop will demystify the process of creating a photographic book. Whether you’re interested in working on a conceptual project or a book of favorite photographs, you will gain an understanding of developing a finished book from the making of photographs to the final product of a bound volume.

This workshop will introduce the basics of book binding, as well as book arts as an expressive medium. Discover a wide range of binding methods, including accordion folds, Coptic stitch, Japanese stab, and pamphlet stitch, along with variations, such as flag and carousel structures.

EXPERIENCE

Beginning with an overview of artist books and bindings, you will look at examples of the techniques you will be learning during the workshop. Prepare covers for your books and fold down paper for text blocks before moving into hands-on practice in binding and creating finished, blank books. The workshop will conclude with a group discussion reviewing all of the book structures made and next steps. Basic pop-ups will be introduced if time allows. Expect to leave this workshop with an armful of ideas waiting to be explored.

Guided instruction will provide you with hands-on practice editing, sequencing, designing the layout, and options for physically binding a book. Come prepared with a fleshed out body of work or group of photographs that you would like to edit and sequence into a book. Some knowledge of Photoshop, Lightroom, and InDesign will be helpful, but not necessary.

INSTRUCTOR

Through the landscape and people she encounters, Barbara Diener explores her own relationship to ideas of home, personal history, and collective memory in her photography practice. Born in Germany, she earned an MFA from Columbia College-Chicago and BFA from the California College of the Arts. Barbara is the Collection Manager in the Department of Photography at the Art Institute of Chicago and teaches at Oakton Community College and the School of the Art Institute of Chicago.

www.BarbaraDienerPhotography.com

36 PeninsulaSchoolofArt.org

EXPERIENCE

INSTRUCTOR

920.868.3455

info@PeninsulaSchoolofArt.org

Expand your creative practice with the magic of screen printing. Artists of all levels and stripes can benefit from adding screen printing to their toolbox. Learn the basics of getting an image from sketchbook to screen to paper, as well as tips for incorporating screen printing into other media, like painting, book arts, and sculpture.

EXPERIENCE

Using the basics of silkscreen printing, Katie will guide you through the process of making film positives from your personally drawn or photographed artwork, applying emulsion and exposing screens, mixing ink, organizing registration, and printing successfully. Additional screen print methods will be covered, including using drawing fluid with screen filler and color reduction printing.

INSTRUCTOR

Katie Ries makes artwork about modern environmentalism, community, and the power of observational drawing. Her prints, objects, drawings, and events invite viewers to participate in actions of amateur naturalism and iterative making. Katie earned her MFA in Printmaking from University of Tennessee-Knoxville and BA in Studio Art from Colorado College. She is an Assistant Professor of Art at St. Norbert College.

www.WhoSharesWins.com

COLLAGE BASICS MELISSA ORESKY

ID: 2D1938 Aug 12-15 • 9am-4pm Any Painting Media, Print/Paper/Book All Levels Member: $450 • Non-Member: $490

CONCEPT

EXPERIENCE

INSTRUCTOR

www.MelissaOresky.com

INTRODUCTION TO ADOBE PHOTOSHOP: INCORPORATING DIGITAL TOOLS INTO YOUR STUDIO PRACTICE EMILY SCHEIDER BERENS

INTRODUCTION TO ADOBE ILLUSTRATOR®: INCORPORATING DIGITAL TOOLS INTO YOUR STUDIO PRACTICE EMILY SCHEIDER BERENS

CONCEPT

EXPERIENCE

INSTRUCTOR

www.Emily-Scheider.com

ID: PH1910 Aug 16-17 • 9am-4pm Digital, All Media • All Levels Member: $235 • Non-Member: $260 Includes materials fee. This workshop will introduce you to the basics of using Adobe Photoshop® as a tool for combining digital imaging techniques with your existing studio practice. Create rich mixed-media compositions as you learn the fundamentals of importing and remixing hand-rendered artwork. Through a series of demonstrations and hands-on exercises, you will discover how to import, organize, and export files within Photoshop®, use layers, blending modes, and the FX panel, refine image selection techniques, create custom digital brushes and hand-rendered mark-making, blend together digital paint layers, and use retouching tools to enhance your imagery. Leave this workshop with a set of new digital skills and at least one print. Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for 'tra-digital' media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has delivered digital literacy workshops regionally and internationally. She is a faculty member within UW-Milwaukee's Peck School of the Arts.

ID: PH1911 Aug 19-20 • 9am-4pm Digital, All Media • All Levels Member: $235 • Non-Member: $260 Includes materials fee.

This workshop will introduce you to the basics of creating vector-based work in Adobe Illustrator®. Using imported digital copies of existing studio work, learn to utilize this program as a supporting prep tool for future projects, including standalone vector compositions and digital prints that mimic traditional media. Demonstrations and hands-on practice will introduce you to the process of importing, organizing, and exporting files, merging photographic image files with vector compositions to create mixed-media collage work, using pen and brush tools to create line drawing and vector artwork, utilizing the shape-building and patterning tools, and creating templates for future projects, including stencils, pattern blocks, or screen printing film positives. Emily Scheider Berens is an artist and educator living in Milwaukee, WI. She has a passion for 'tra-digital' media; blending traditional drawing and printmaking techniques with an array of digital imaging and collage processes. Emily has delivered digital literacy workshops regionally and internationally. She is a faculty member within UW-Milwaukee's Peck School of the Arts.

Paper/Print/Book

THE COLLAGRAPH: TEXTURES AND TOPOGRAPHIES DON KRUMPOS

ID: 2D1941 Aug 19-20 • 9am-4pm Print/Paper/Book • All Levels Member: $235 • Non-Member: $260 Includes materials fee.

CONCEPT

Collagraphs are often experimental prints made from collaging items on a matrix, resulting in rich, textured images. Easily combined with other techniques, this process promotes exploration and improvisation.

EXPERIENCE

REGISTER EARLY! While registrations are accepted up until the start date of a workshop, we must have a minimum number of students enrolled four weeks prior to the workshop start date in order to run the workshop. If you are interested in registering for a workshop, please register at least four weeks prior to the start date to ensure that we meet this minimum student number and your workshop will run.

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Don will demonstrate each of the collagraph techniques introduced, as well as ink mixing, color theory, paper handling, iteration of the multiple, materials safety, and press use. Hands-on practice will be a priority to allow for plenty of time to experiment. Open to all levels, however knowledge of two-dimensional elements of art and design is helpful.

INSTRUCTOR

Don Krumpos grew up on a centuryold hobby farm in northeast Wisconsin cobbling together inventions from his father's cast-iron machinery and developing a kinship for bric-a-brac and found objects. He is an art educator and makes work that embraces the spectacle of live performance and the participatory nature of art making and viewing process. Don also runs The Jabberwock Studio and Gallery in Algoma, showcasing artworks by regional and national artists that create meaningful and accessible art-based experiences for the public.

www.JabberWockStudio.com

920.868.3455

info@PeninsulaSchoolofArt.org

EXPERIMENTATION WITH PAPER MARBLING CAREY WATTERS

ID: 2D1947 Aug 30-31 • 9am-4pm Print/Paper/Book, Any Painting Media All Levels Member: $270 • Non-Member: $295 Includes materials fee.

CONCEPT

EXPERIENCE

INSTRUCTOR

www.CareyWatters.com

EXPERIMENTAL PRINTMAKING JESSICA CAPONIGRO

ID: 2D1953 Sep 18-21 • 9am-4pm Print/Paper/Book • All Levels Member: $475 • Non-Member: $515 Includes materials fee.

CONCEPT

In this workshop, students will experiment with several printmaking processes, including paper lithography, image transfers, monoprinting, screen printing, and methods for using alternative materials, including glue to create projects with flocking, glitter, embossing powders, and foil.

EXPERIENCE

Through demonstrations and lectures, you will learn techniques best suited for your specific goals and practice, as well as discuss how to combine multiple types of printmaking and how to best implement them. Projects will include creating multiple layered prints, yardage, and zines.

INSTRUCTOR

In her interdisciplinary practice, Jessica Caponigro creates physical objects, installations, and multiples, as well as writes and facilitates participatory actions. Her research includes how those in power have used storytelling and reproducible media to control history. She frequently facilitates workshops and speaks on panels, most recently at Harvard University, Museum of Contemporary Art Chicago, University of Kentucky, Oberlin College, and NYU Florence. Jessica currently lives and works in Boston, where she operates Snake Hair Press, an independent publisher of zines, multiples, and artist books.

www.JessicaCaponigro.com

BUILDING A NARRATIVE: THE HANDBOUND PHOTOGRAPHIC BOOK KAYLA MASSEY

ID: PH1913 Sep 23-26 • 9am-4pm Digital Photography, Print/Paper/Book All Levels Member: $465 • Non-Member: $505 Includes materials fee.

THE MULTIPLICITIES OF THE MONOTYPE DON KRUMPOS

ID: 2D1957 Sep 27-28 • 9am-4pm Print/Paper/Book • All Levels Member: $235 • Non-Member: $260 Includes materials fee.

CONCEPT

Transform your photographs into book form in this four-day workshop. Reconceptualize archived images while capturing new ones to create a cohesive handbound book with a personal narrative.

This workshop introduces basic monotype printmaking processes, materials, and equipment with an emphasis on the variability and multiplicity of the medium. Discover the relationship between this process and other disciplines, as you experiment with a variety of techniques.

EXPERIENCE

CONCEPT

Beginning with a brief survey of artist books, you will begin brainstorming ideas for your own book based on images you already have, as well as images you’re interested in capturing in Door County. The remainder of the week will be divided between shooting new images, editing and sequencing, and printing, assembling, and binding your book. Kayla will provide technical instruction and feedback throughout. Leave this workshop with new skills and a handbound book that illustrates your artistic interests.

INSTRUCTOR

Kayla Massey is a Milwaukee-based photographer, using both analog and digital techniques. She earned her MFA from the University of WisconsinMilwaukee and BFA from the Milwaukee Institute of Art and Design. Kayla has used her photography to explore gender issues and the unspoken nature of death in the United States. Kayla teaches courses in photography and imaging at UWMilwaukee's Peck School of the Arts.

www.KaylaMassey.com

Demonstrations will address general printmaking techniques, including ink mixing, color theory, paper handling, iteration of the multiple, materials safety, and press use, as well as monotype specific techniques, such as subtractive and additive painting, stencils, and more. Plenty of hands-on practice will be a priority. Knowledge of two-dimensional elements of art and design is helpful.

INSTRUCTOR

www.JabberWockStudio.com

Paper/Print/Book

3-D STUDIO ARTS WORKSHOPS Metal Sculpture & Jewelry, Clay Sculpture & Pottery

pen doors to new ideas, processes, and techniques in one of Peninsula School of Art’s 3D workshops. Our designated

studio spaces are fully equipped and organized with the full spectrum of tools needed, allowing you to focus on the creative challenges at hand. Our 2019 workshop season features innovative faculty sharing

Really appreciated the format of the workshop: slides, demo, then our own hands on time. The instructor was very conscientious about meeting the individual needs of each participant; very easy to work alongside, and very open minded to our design ideas. She also led us to think further on design and fabrication methods. - 2018 Student

traditional and experimental approaches to functional ceramics, jewelry design and metalsmithing, as

Across the 3D curriculum, PenArt and our faculty

well as clay- and metal-based sculpture. Beginners

emphasize process over product; experiences

can expect to learn the fundamentals of design,

that aid in each students’ personal growth and

construction, and safe studio practices. More

artistic development. It’s shaping up to be a great

advanced students can expect guided time to

season here and we hope you’ll be a part of it.

explore and experiment, with an emphasis on idea development, process, and sound construction.

40 PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

METALS

OBJECT AND MEMORY SARA BROWN & KRISTINA SMITH

CONCEPT

ID: 3D1901 Jun 5-6 • 9am-4pm Metal • All Levels Member: $250 • Non-Member: $275 Includes materials fee.

SKILL LEVELS SKILL LEVEL 1

A Skill Level 1 workshop requires no prior art making experience. Beginning with the foundations, instruction will include explanation of materials, vocabulary, and art and design principles.

SKILL LEVEL 2

SKILL LEVEL 3

A Skill Level 3 workshop requires a growing level of confidence with the materials, tools, and techniques of the medium, as well as developed design skills and the ability to work independently at times. Constructive critiques will provide feedback on technical and conceptual directions for future work.

SKILL LEVEL 4

FIFTY SHADES OF GRAY JESSICA CALDERWOOD

Discover a new approach to enamellng in this intensive two-day workshop. Working from personal sketches and photo references, learn how to use chiaroscuro rendering techniques to create imagery in vitreous enamel.

EXPERIENCE

Using copper sheet and porcelain coated steel, demonstrations will be given on enamel sifting, stencils, blocking out with oils, and using underglazes and overglazes. Bring either preparatory sketches or reference images and plan to come away with a handful of working samples. Open to all levels, however basic enamel skills are preferred.

INSTRUCTOR

Jessica Calderwood is an image-maker and sculptor that works in esoteric craft media. She uses a combination of traditional and industrial metalworking processes as a means to make statements about contemporary life. Jessica received her MFA from Arizona State University and BFA from the Cleveland Institute of Art, both with an emphasis in metalworking. Her work has been exhibited extensively throughout the United States and internationally. She has participated in artist residencies with the John Michael Kohler Arts/Industry Program, Ferro Corporation, and the Mesa Arts Center. Jessica is an Associate Professor of Art at Ball State University.

www.JessicaCalderwood.com

42 PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

ID: 3D1902 Jun 10-13 • 9am-4pm Metal • Levels 2-4 Member: $460 • Non-Member: $500 Includes materials fee.

How can a wearable object tell a story? This workshop will explore the idea of creating jewelry as a signifier of experience. Using personal items of importance and materials of interest as a starting point, you will create a series of small-scale wearables.

EXPERIENCE

Though a focus will be on including alternative materials within the composition of a fabricated piece, demonstrations and discussions will address ideation techniques, image transfer processes, and a variety of found object setting solutions. Chain making, pinback mechanisms and fabrication tips and tricks will be explored as well. Experiment with the techniques presented and produce samples as research for more finished pieces with Sara and Kristina as your guides.

INSTRUCTOR

Sara Brown is a studio jeweler and educator currently teaching at Winthrop University in Rock Hill, SC. She received her MFA in Metalsmithing and Jewelry Design from Indiana University.

www.SaraBrownStudio.com

Kristina Smith is an image and objectbased artists currently teaching photography and new media and the University of North Texas. She earned er MFA from Texas Women's University.

www.KristinaSmithFineArt.com

FUNDAMENTALS OF JEWELRY DESIGN LINDA SEEBAUER HANSEN

ID: 3D1904 Jun 14-15 • 9am-4pm Metal • All Levels Member: $255 • Non-Member: $280 Includes materials fee.

CONCEPT

Gain an understanding of the basics of soldering and shaping metal to create jewelry as you envision it. Explore methods to texture, form, and fabricate sterling silver, copper, bronze, or brass sheet and wire in this two-day comprehensive workshop.

EXPERIENCE

Linda will demonstrate a variety of techniques, such as sawing, piercing, filing, roll printing, hammering, many soldering methods, and finishing options. Beginning students can expect to finish one piece of jewelry of their own design and several samples, while intermediate to advanced students might complete more than one piece of jewelry. Open to all skill levels.

INSTRUCTOR

Linda Seebauer Hansen is a visual artist and educator who creates two- and threedimensional works in metal and mixed media. She uses a variety of techniques and processes to construct sculpture and jewelry that combine sterling, copper, and bronze into textural and volumetric works. She holds an MFA from the University of Wisconsin-Madison, and a BFA from the University of Wisconsin-La Crosse. Linda teaches jewelry classes at St. Catherine University, Quench Jewelry Arts, Minnetonka Center for the Arts, and her personal studio.

BRONZE CASTING TERESA LIND

ID: 3D1905 Jun 17-21 • 9am-4pm Metal • Levels 2-3 Member: $505 • Non-Member: $550 Plus materials fee.

CONCEPT

Using contemporary methods and materials, learn the ancient art of bronze casting in this engaging and labor-intensive workshop. Create a ceramic shell cast of an original wax sculpture or transform an existing piece into a final work in bronze.

EXPERIENCE

Teresa will guide you step-by-step in the lost wax process of bronze casting, resulting in a finished sculpture. Be prepared for a busy week loaded with information, hard work, and a unique hands-on experience. Additional material costs will vary based on the size and number of sculptures you produce, as well as the current market price of bronze and other consumables.

INSTRUCTOR

Teresa Lind earned her BFA in Drawing, Painting, and Sculpture from the University of Wisconsin-Oshkosh. After studying at the Florence Academy of Art in Italy, she graduated from the University of Wisconsin-Milwaukee with an MFA in Sculpture. Teresa is a lecturer in the Sculpture Department at UW-Whitewater. She attends national and international conferences and participates in juried exhibitions. In addition to her teaching and personal practice, she runs a small custom metal casting business from her studio in Chilton, WI.

FUNDAMENTALS OF METALSMITHING LINDA SEEBAUER HANSEN

ID: 3D1906 Jun 17-18 • 9am-4pm Metal • All Levels Member: $255 • Non-Member: $280 Includes materials fee.

CONCEPT

Explore the range and versatility of sheet metal and gain valuable skills for working with traditional metalworking tools and equipment. Several processes will be discussed, but emphasis will be on multiple fabrication techniques to construct threedimensional forms.

EXPERIENCE

Demonstrations will address shaping, bending, patterning, and soldering for a small-scale project or jewelry design. Linda will share many bench top and technical tips to experiment with metal, in addition to options for final finishing. Open to all skill levels.

INSTRUCTOR

www.LindaSeebauerHansen.com

Metal

UNUSUAL SETTINGS: STONES AND FOUND OBJECTS SUSAN RICHTER-O'CONNELL

RIVETING ENAMELS KIEU PHAM GRAY

ID: 3D1908 Jun 28-29 • 9am-4pm Metal • Levels 2-3 Member: $225 • Non-Member: $250

ID: 3D1909 Jul 9 • 9am-Noon Metal • All Levels Member: $75 • Non-Member: $80 Plus materials fee.

CONCEPT

Do you have stones or other found objects that you would like to incorporate into a piece of jewelry? Explore ways to integrate them into unique, personal creations in this hands-on workshop. Building bezels and cold connection methods will be emphasized.

EXPERIENCE

Move beyond the basic bezel to explore variations that can be used to capture unusually shaped objects. Demonstrations will address tab and modified prong settings, as well as using cold connections, such as tube and wire riveting. Some soldering experience is required for this workshop.

INSTRUCTOR

Susan Richter O'Connell began her career in the arts as a dancer. After moving to Sheboygan, WI she transitioned from dancer to metalsmith. Susan founded the metalsmith teaching program at the John Michael Kohler Arts Center over a decade ago and continues to teach classes while making work in her home studio for art fairs and galleries. Many of the found materials in her work come from beach combing along the shores of Lake Michigan and Lake Superior. Though beach stones are a mainstay of her work, Susan is constantly evolving and surprising with new elements and techniques.

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Enameling offers unlimited opportunities to develop rich surfaces of color. Learn enameling techniques and explore cold connections to complete your pieces in this half-day workshop.

EXPERIENCE

Through demonstrations, Kieu will share how to torch fire enamel on copper, as well as how to use transparent enamels on silver to create true, vibrant colors. After firing all of your components, you will rivet them together to create at least one finished pendant. No experience required, all levels welcome.

INSTRUCTOR

Kieu Pham Gray has been creating jewelry for more than 25 years. Her interest in jewelry began with the need to "look the part" while working in retail management at Nieman Marcus. Since then, she has sold to over 30 stores and participated in numerous juried exhibitions. Kieu and her husband own and operate TheUrbanBeader.com, where they work to provide the industry with specialty supplies and tools. In addition, she teaches a wide range of workshops throughout the country and authored the book "Hot and Cold Jewelry Connections". Kieu lives and works in Peninsula, OH.

www.KieuPhamGray.com

920.868.3455

info@PeninsulaSchoolofArt.org

ENAMELS IN FLIGHT: SEPARATION ENAMEL KIEU PHAM GRAY ID: 3D1910

Jul 9 • 1:30-4:30pm Metal • All Levels Member: $75 • Non-Member: $80 Plus materials fee.

CONCEPT

Take enamels to new heights using separation enamel. Applied on top of pre-fired coats of transparent enamel, separation enamel changes the viscosity of the nearby enamels during firing, creating a flowing appearance that resembles the patterns of fine marble.

EXPERIENCE

Through a series of layers and firing, you will learn how to transform copper and transparent enamels with this material. Complete up to three enameled pendants using a variety of shared enamel colors. Open to all skill levels.

INSTRUCTOR

www.KieuPhamGray.com

INTRODUCTION TO FUSING DICHROIC GLASS KIEU PHAM GRAY

ID: 3D1911 Jul 10 • 9am-Noon Metal • All Levels Member: $75 • Non-Member: $80 Plus materials fee.

CONCEPT

Brilliantly eye-catching, dichroic glass glimmers from every angle. This workshop will introduce you to the process of fusing, handling, and cutting glass to create unique elements for wearable pieces.

EXPERIENCE

Guided instruction will lead you through the process of creating dichroic glass from start to finish. A variety of glass will be provided for you to build your pieces and to be used as desired. Pieces will be fused in a kiln at the end of class and be ready for pick up the next day. Although you will have wearable pieces from this half-day workshop, consider taking the Voyager Pendant workshop to expand the use of your cabochon. Open to all levels.

INSTRUCTOR

INTRODUCTION TO BASIC SOLDERING: DOUBLE CROSS LINK BRACELET KIEU PHAM GRAY ID: 3D1912 Jul 10 • 1:30-4:30pm Metal • All Levels Member: $75 • Non-Member: $80 Plus materials fee.

CONCEPT

In this workshop, you will learn the basic concepts in silver soldering while creating a unique bracelet with a loop design. Jumpstart your metalsmithing practice with these techniques and best practices.

EXPERIENCE

Complete a fine silver bracelet from start to finish with Kieu as your guide. By the end of the workshop, you will have an understanding of the necessary tools and materials to successfully solder simple joints. Geared toward beginners, but all levels are welcome.

INSTRUCTOR

www.KieuPhamGray.com

The instructor teaches in such an all-encompassing manner that truly has you feeling like an artist. This workshop was so important not only because my confidence in my technical skills improved, but I learned new ways to generate ideas and new ways to conceptualize them. Her activities include "3D sketching" where various materials are used to give an idea life in sculptural form where pen and paper would fall short. Anyone looking to examine their creative processes in order to make themselves more productive, more original, and more uninhibited, should definitely take a class like this! 2018 Metals Student

www.KieuPhamGray.com

Metal

INTREPID RING KIEU PHAM GRAY

VOYAGER PENDANT KIEU PHAM GRAY

CONCEPT

ID: 3D1913 Jul 11 • 9am-4pm Metal • Levels 2-3 Member: $115 • Non-Member: $125 Plus materials fee. Can’t get enough rings? In this workshop, you will make two more and combine them to create an extravagant end result.

EXPERIENCE

Refine your ring-making skills as you work through this multi-faceted project. Topped with a 10mm pearl, this ring will be the showcase in your jewelry box. Silver soldering experience is required for this workshop.

INSTRUCTOR

www.KieuPhamGray.com

ID: 3D1914 Jul 12 • 9am-4pm Metal • Levels 3-4 Member: $115 • Non-Member: $125 Plus materials fee. Take a voyage in metal working to create a pendant that has texture, design, and a little sparkle. Using a variety of techniques, this experience is sure to expand your metalsmithing vocabulary.

EXPERIENCE

Solder, forge, and texture sterling silver to create this pendant, then bezel set a cabochon to add color. Consider adding on the Introduction to Fusing Dichroic Glass workshop to produce your own cabochon for this project. Silver soldering experience is required for this workshop.

INSTRUCTOR

www.KieuPhamGray.com

A PIECE A DAY NICOLE JACQUARD

ID: 3D1916 Jul 29-Aug 1 • 9am-4pm Metal • All Levels Member: $450 • Non-Member: $490

CONCEPT

Idea generation is essential to any artistic practice. This constant battle that artists of all levels engage in while in their studio can be isolating and even daunting. In this workshop, you will approach each day as a fresh, blank slate in which to work, re-work, and ultimately complete a piece within 24 hours.

EXPERIENCE

Each day will consist of something new, including starting points for exploration, daily demonstrations of basic metalsmithing techniques, experimentation with traditional and unusual materials, as well as short readings to help process ideas for the development of future work.

INSTRUCTOR

Nicole Jacquard is an Assistant Professor and the Area Head at Indiana University in Bloomington. She was the President of the Society of North American Goldsmiths from 2015-2017. Nicole's education includes a BFA from IU, MFA from the University of Michigan, and a second MFA and PhD in Fine Art from RMIT University in Melbourne. Additionally, she is a two-time recipient of the prestigious Fulbright Award. Nicole's practice explores themes of the souvenir, ornamentation, longing, and nostalgia associated with the collection of personal objects; interested in how ordinary objects transcend the mundane through the association of memory.

www.NicoleJacquard.com

46 PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

PUT A LID ON IT: CONTAINER FABRICATION JENNIFER WELLS

ID: 3D1918 Aug 12-15 • 9am-4pm Metal • Levels 2-3 Member: $450 • Non-Member: $490 Plus materials fee.

CONCEPT

Everyone needs a place to hide those tiny, special objects. In this workshop, you will explore design concepts, construction techniques, and surface treatments related to small, lidded container fabrication.

EXPERIENCE

Demonstrations will address hinges, friction fit, box clasps, and solder setups. You will experiment with surface treatments and textures. You are encouraged to bring at least one special object to design a container for; we all have at least one, now you’ll have somewhere to keep it. A basic understanding of metalsmithing is required, including previous experience soldering, sawing, and filing.

INSTRUCTOR

Jennifer Wells is a studio artist living and working between the US and Italy. After earning her MFA from East Carolina University, she spent a year at Arrowmont School of Arts and Crafts as a resident artist. She also completed shorter-term residencies at Pocosin Arts and Jentel Foundation. Jennifer has taught numerous workshops nationally and internationally, and been a Visiting Artist and Professor with a number of universities. Jennifer is in the collection of the Enamel Arts Foundation and the Racine Museum.

www.JennWells.com

NECKLACES: FROM PENDANT TO CHAIN TO CLASP SARAH MANN

FORGING THROUGH THE KITCHEN: MAKING HANDCRAFTED UTENSILS DANNY SAATHOFF

CONCEPT

ID: 3D1919 Aug 21-24 • 9am-4pm Metal • Levels 2-3 Member: $450 • Non-Member: $490

Discover new approaches to thoughtfully designing and fabricating jewelry in this intensive workshop focused on necklaces. Expand your skillset and take into consideration new techniques to challenge yourself and apply fresh thinking in creating a beautiful necklace from start to finish.

EXPERIENCE

To start, Sarah will guide you through the process of imagining and designing all elements of a necklace, including the pendant, chain, and clasp. As you begin to fabricate and assemble, you will be encouraged to explore new techniques and unexpected possibilities. Sarah will provide individualized feedback throughout. Leave this experience with a new set of skills, design concepts, and a finished necklace. Previous soldering experience is required for this workshop.

INSTRUCTOR

Sarah Mann is a professional jeweler of over 20 years. She studied jewelry design under Heikki Seppa at Washington University in St. Louis and at the Fuji Studio in Florence. Her work has been featured in numerous solo and group exhibitions and is represented in galleries across the country. Sarah currently lives and works in Milwaukee, where she creates stunning sterling silver jewelry.

www.MannStudio.com

ID: 3D1920 Aug 26-29 • 9am-4pm Metal • All Levels Member: $450 • Non-Member: $490

Have you ever thought about cooking with handcrafted kitchen utensils you made yourself? Pouring soup from a ladle that you created, or flipping pancakes with a spatula built to fit your hands? This workshop will focus on making beautiful, functional kitchen tools made mostly of metal. Possible items include spoons, forks, cheese knives, ladles, scoops, strainers, bowls, spatulas, and more.

EXPERIENCE

Through demonstrations and hands-on practice, you will learn how to raise sheet metal to make hollow forms, saw, texture, file, and finish and polish metal, as well as how to fabricate and rivet wood or stone for handles. Soldering will be included in the construction; however, the majority will be completed using cold connections. Copper and brass will be primarily used, however silver is also an option. Some metalsmithing experience is helpful, but novices are encouraged to register.

INSTRUCTOR

Danny Saathoff is a jewelry designer and sculptor. He refers to his jewelry as small-scale sculpture and his sculpture as large-scale jewelry. Danny's sculptures have been commissioned by restaurants, airports, hospitals, and more. His jewelry can be found in galleries around the country and online. Danny is an Instructor of Metalsmithing at Carleton College.

www.DannySaathoff.com

Metal

PICTURE IN PICTURE IN PICTURE: ENAMEL AND PHOTOGRAPHIC TRANSFERS ANDREW KUEBECK ID: 3D1921 Sep 9-12 • 9am-4pm Metal • All Levels Member: $450 • Non-Member: $490 Plus materials fee.

CONCEPT

POLYMER CLAY: MAKING MOLDS, STUDS, AND PENDANTS LINDSAY LOCATELLI ID: 3D1923 Sep 18-21 • 9am-4pm Metal, Clay • All Levels Member: $450 • Non-Member: $490 Plus materials fee.

CONCEPT

Fusing enamel to the surface of metal creates infinite opportunities to include imagery in your jewelry and small-metals work. This workshop will focus on digital image creation, manipulation, application, and resolution of enameled works featuring your own photography.

EXPERIENCE

A series of demonstrations and discussions will show how to combine traditional techniques of champlevé, cloisonné, and basse taille with contemporary approaches, including enamel decals and photographic image etching and plating. Working time will be prioritized to create striking enamel compositions that address the surface of the metal plate, the interior of the enamel, and the enamel’s surface. Expect to leave this workshop with at least one finished piece, and a series of metal plates that can be set later.

INSTRUCTOR

Andrew Kuebeck received his MFA in Jewelry Design and Metalsmithing from Indiana University and his BFA from Bowling Green State University. He is an Assistant Professor and Area Head of the Jewelry/Metals/Enameling Department at Kent State University. Andrew works in a variety of formats, ranging from functional jewelry to sculptural objects and vessels.

www.AndrewKuebeck.com

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MAKE IT YOURS: UNIQUE CHAIN AND DESIGN HEATHER NUBER ID: 3D1924 Oct 2-5 • 9am-4pm Metal • All Levels Member: $450 • Non-Member: $490

CONCEPT

Chains allow for endless design possibilities. Expand your personal aesthetic as you explore a myriad of chainmaking techniques that will help you carry your design choices throughout an entire piece. By playing with what you have in the studio, moving beyond the basic jump ring, and sharing discoveries with your classmates, you will develop more visual interest and value in your work.

Lindsay will begin the workshop with a brief presentation on the art of polymer clay to illustrate the wide range of possibilities inherent in the medium. She will introduce two-part molds, as you begin to make and recreate a series of stud earrings, followed by hand building and carving techniques to create a pendant. Experiment with adding texture, paint, and gold or silver leafing to the surfaces of your pieces.

EXPERIENCE

INSTRUCTOR

Lindsay Locatelli earned her BFA from the Minneapolis College of Art and Design. After graduation, she lived in New Mexico; drawing inspiration from the region's bold landscapes, surrounding bright colors, and unique flora and fauna. Soon after returning to Minnesota, Lindsay began making wearable pieces. Today, her work continues to combine landscapes and natural curiosities - creating wearable objects of nostalgia and whimsy.

www.WazoDesigns.com

920.868.3455

info@PeninsulaSchoolofArt.org

Demonstrations and discussions will highlight methods for making jigs and variations of sheet, loop in loop, bar, and dimensional chains. Additionally, you will explore findings and clasps, as well as incorporating alternative materials. Design exercises will spur ideas and experimentation. Leave this workshop with a trove of new chain samples, as well as a finished chain, if desired. Heather Nuber is a metalsmith, contemporary jeweler, and installation artist. She received her MFA, and was an Associate Instructor, at Indiana University. She received her BFA in Metalsmithing from Edinboro University in Pennsylvania, and has studied at Haystack Mountain School of Crafts, Penland School of Crafts, Peters Valley School of Craft, and Touchstone Center for Craft. Heather's work focuses on the dynamics of personal relationships and social interactions.

www.HeatherSNuber.com

CLAY

INTRODUCTORY UTILITARIAN CERAMIC VESSEL MAKING JARED JANOVEC

ID: 3D1903 Jun 10-13 • 9am-4pm Clay • All Levels Member: $485 • Non-Member: $525 Includes clay and firing fees.

SKILL LEVELS

CONCEPT

SKILL LEVEL 1

A Skill Level 1 workshop requires no prior art making experience. Beginning with the foundations, instruction will include explanation of materials, vocabulary, and art and design principles.

SKILL LEVEL 2

SKILL LEVEL 3

SKILL LEVEL 4

50 PeninsulaSchoolofArt.org

EXPLORING IMAGERY IN CLAY MEGHAN SULLIVAN

ID: 3D1907 Jun 19-22 • 9am-4pm Clay • All Levels Member: $485 • Non-Member: $525 Includes clay and firing fees.

CONCEPT

Geared toward those new to ceramics, as well as those with a basic level of hand building or potter’s wheel experience, this workshop is focused on the development of fundamental skills inherent in the crafting of utilitarian ceramic vessels.

Inspired by personal stories and imagery, this workshop will investigate the relationship between objects and their surfaces. Explore various surface techniques as you produce experimental tiles, low-relief pieces, and small-scale sculptures.

EXPERIENCE

Through hands-on demonstrations and instruction, you will learn introductory approaches to creating utilitarian ceramic vessel forms, such as cups, tumblers, and teacups/mugs, as well as plates, trays, and bowls. Practice approaches to hand building and the potter’s wheel, as well as basic methods in using plaster molds to form pottery. Particular attention will be paid to the ceramic surface, including using underglaze colors and various application techniques to enhance each piece.

INSTRUCTOR

Jared Janovec's career as an artist spans twenty-five years. His primary creative focus has been on the development of ceramic and mixed media sculptures and object-oriented compositions that speak to human, botanical, and biological imagery and narratives. He also specializes in hand built, mold-made, and wheelthrown ceramic vessels. He is currently an Associate Professor of Art and Design at the University of Wisconsin-Whitewater.

920.868.3455

info@PeninsulaSchoolofArt.org

Group discussions and hands-on experiments will address possibilities in creating relationships and narratives between objects, including methods for depicting imagery, using negative space and color, moving beyond the pedestal to forms that hang on the wall, and using molds to create multiples. Open to all skill levels, a spirit of curiosity and experimentation is encouraged.

INSTRUCTOR

Meghan Sullivan is originally from Boston, MA. She received her MFA from the University of Nebraska-Lincoln, and her BFA from Massachusetts College of Art. Meghan now lives in Appleton and is the Uihlein Fellow of Studio Arts at Lawrence University. She has received several grants and has been an artist-in-residence at national and international studios, including the Mudflat Studio, Watershed Center for the Ceramic Arts, Studio Oni, and The Skopelos Center for the Arts. Meghan exhibits nationally and internationally.

www.MeghanSullivanCeramics.com

THE FIGURE IN CLAY ROBIN POWER

ID: 3D1915 Jul 22-24 • 9am-4pm Clay • All Levels Member: $415 • Non-Member: $445 Includes materials and model fees.

CONCEPT

ANIMATION FOR ARTISTS HANNAH HAMALIAN

ID: PH1906 Jul 29-Aug 1 • 9am-4pm Digital Animation, All Media • All Levels Member: $450 • Non-Member: $490

CONCEPT

Designed for artists of all backgrounds looking to expand their understanding of the human figure, this workshop investigates a methodical and anatomical approach to sculpting. While hand building from observation, you will learn how to identify and translate the planes, gesture, and expression of the figure.

An introduction to animation, this workshop will explore a variety of methods in conjunction with Dragonframe® capture software. Gain an understanding of the fundamentals of timing, storyboarding, and animation techniques that can be translated in clay, paper, digital materials, and more. Discover how this medium can be used to express your artistic interests.

EXPERIENCE

Join Robin as she discusses and demonstrates topics related to human anatomy, skeletal structure, body proportion, and pose. Hands-on practice will help you develop skill in building armatures, sculpting and manipulating clay, and problem-solving throughout the process. From clothed and nude models, you will use self-hardening clay to sculpt a head, torso, and full figure. Surface treatment of finished pieces will be addressed as time allows.

INSTRUCTOR

Robin Power earned her BFA from the School of the Art Institute of Chicago. Since 2010, she has held a faculty position at the Lillstreet Art Center, where she teaches classes in figurative sculpture, smallscale sculpture, and doll-making. She is a member and scholarship recipient of The Palette and Chisel, where she works from a live model to further her craft. Robin’s work investigates the human condition and how thoughts and emotions bind us together as beings.

www.RobinPower.com

INSTRUCTOR

www.HannahHamalian.com

Clay

ORNATE SURFACE: HOW TO EMBELLISH FORMS CREATIVELY WITH COMMERCIAL SPRIGS AND ONE-PART MOLDS KATE MAURY ID: 3D1917 Aug 7-10 • 9am-4pm Clay • All Levels Member: $510 • Non-Member: $550 Includes materials and firing fees.

SAGGAR FIRED CERAMICS PATTY KOCHAVER

ID: 3D1922 Sep 13-17 • 9am-1pm Clay • All Levels Member: $260 • Non-Member: $285 Includes clay and firing fees.

CONCEPT

POLYMER CLAY: MAKING MOLDS, STUDS, AND PENDANTS LINDSAY LOCATELLI ID: 3D1923 Sep 18-21 • 9am-4pm Metal, Clay • All Levels Member: $450 • Non-Member: $490 Plus materials fee.

CONCEPT

This workshop embraces a decorative and ornate approach to the surfaces and forms of functional ceramic ware. Using commercial and hand-made sprig molds, explore the possibilities for embellishment on wheel thrown and hand built work.

Head outside and explore the process of saggar firing in this four-day workshop. Using sawdust in combination with other materials, saggar firing produces unique markings and colorings across the surfaces of ceramic pieces. Take full advantage of what this type of firing has to offer as you experiment with copper salts, metals, and masking slips on a variety of forms.

EXPERIENCE

CONCEPT

Through demonstrations and hands-on practice, you will learn how to slip cast from provided commercial molds, make your own one-part molds from found objects, and explore enhancing forms using various sprig application techniques. Methods will be shared for work made on and off the wheel.

INSTRUCTOR

Kate Maury received her MFA from the New York State College of Ceramics at Alfred University, and her BFA from Kansas City Art Institute. Currently, she resides in St. Paul, MN where she is a studio resident at the Northern Clay Center and a Professor in the School of Art and Design at the University of Wisconsin-Stout. Kate's work is featured in both juried and invitational shows at regional, national, and international venues. In addition, her work is published in contemporary ceramic books such as Making Marks: Discovering the Ceramic Surface by Robin Hopper and 500 Bowls by Lark Books.

www.KateMaury.com

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Patty will begin with an overview of the making and firing processes, including which ceramic forms and sizes work best, ways to prepare surfaces, materials to put in the saggar to encourage specific markings, and what to expect during the firings. Friday and Saturday will be dedicated to producing work on the wheel or using hand building techniques, and Monday and Tuesday to saggar firing. There will be no class on Sunday to allow for bisque firings.

INSTRUCTOR

Patty Kochaver earned her BA in Fine Arts with an emphasis in Ceramics from Graceland College. After discovering a love for teaching, she was hired as the Ceramics Studio Coordinator and Instructor at Evanston Art Center. There, she found a passion for sawdust firings, in particular saggar firing. Patty now has a studio at Midwest Clay Guild and teaches at Lillstreet Art Center and Evanston Art Center.

www.PattyKochaver.com

920.868.3455

info@PeninsulaSchoolofArt.org

Polymer clay is an incredibly versatile medium that is safe and easy to work with. Discover its applications within jewelry making and learn the basics of how to work with polymer clay, including techniques in creating texture, simple mold making, adding wet clay onto cured clay, and finishing with color. Lindsay will begin the workshop with a brief presentation on the art of polymer clay to illustrate the wide range of possibilities inherent in the medium. She will introduce two-part molds, as you begin to make and recreate a series of stud earrings, followed by hand building and carving techniques to create a pendant. Experiment with adding texture, paint, and gold or silver leafing to the surfaces of your pieces.

INSTRUCTOR

www.WazoDesigns.com

The instructor demonstrated well-honed knowledge of the creative process and the ability to spark creativity through exercises and seamlessly expand her studentâ&#x20AC;&#x2122;s abilities with her keen observations and gentle suggestions. She definitely understands the importance of visual and hands-on learning and brought an excellent variety of examples of pieces created by not only herself, but also past students and other artists. -2018 Student

PHOTOGRAPHY & DIGITAL ARTS WORKSHOPS Photography, Video, Digital Arts & Technology

iscover a range of visual storytelling perspectives and methods in Peninsula School of Artâ&#x20AC;&#x2122;s photography workshops.

While the school is a home base for lectures and discussions, our innovative faculty use the unique surrounding landscape to encourage the creative, intellectual, and personal growth of

Best class ever! The instructor was excellent. Her teaching style was incredible. Just the right balance of instruction/demonstration. Super motivating, engaging, patient, helpful, encouraging. Continuously walked the room and truly cared about each artist and their specific needs to improve their work. - 2018 Student

students of all levels. First-time photographers gain an understanding of the technical workings of their cameras, while more experienced students

representing only one part of the journey. Join us

develop context in image capture through historical

in an inspiring environment as you explore the

precedents, experimental methods, and personal

multi-faceted world of photography and digital arts.

content. The objective of every workshop is artistic discovery and growth, with finished pieces

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PHOTOGRAPHY & DIGITAL ARTS

INTRODUCTION TO DRONE PHOTOGRAPHY AND VIDEO MICHAEL KIENITZ

ID: PH1901 Jun 14-15 • 9am-4pm Digital Photography, Video • All Levels Member: $225 • Non-Member: $250

SKILL LEVELS

CONCEPT

SKILL LEVEL 1

A Skill Level 1 workshop requires no prior art making experience. Beginning with the foundations, instruction will include explanation of materials, vocabulary, and art and design principles.

SKILL LEVEL 2

SKILL LEVEL 3

SKILL LEVEL 4

Drones allow unique views for capturing photos and video. In addition to traditional photography, there are a variety of applications for drone-based work, including land management, real estate, architecture, and wildlife management. Learn how to safely operate a provided drone and shoot HD video and highresolution photography.

ID: PH1902 Jun 17-18 • 9am-4pm Digital Photography • All Levels Member: $225 • Non-Member: $250

CONCEPT

Transform your images with this exciting exploration of Photoshop®. Combining digital photography and artistic discovery, this workshop will address the basic and more creative functions of the program to create art.

EXPERIENCE

Lectures, demonstrations, and hands-on practice will address how a drone works and how to utilize these small devices for photography and video with excellent results. FAA guidelines, legislation for drone use, and how to obtain a commercial drone license will be discussed before heading out into the field. Michael will guide you through the flying and image and video capture process from start to finish.

Demonstrations and discussions will provide instruction in how to adjust the exposure and color of your images, as well as how to use layers to create double exposures, diptychs, collages, and more. Special effect filters and adding text will be explored as well. Shooting assignments will be given throughout the two days to be enhanced in Photoshop®. A pigmented inkjet printer will be available to make professional enlargements of your work. Open to beginners, as well as those who have a more advanced understanding of their camera and photo editing.

INSTRUCTOR

EXPERIENCE

Michael Kienitz has been a photographer for over 40 years. His traditional work has appeared in Life, Time, Rolling Stone, Elle, Newsweek, and other major publications worldwide. His practice also includes drone-based photography and video, having shot in varied conditions, from the heat of the Amazon Basin to Iceland. Michael has taught at UW-Madison, as well as led seminars for the National Press Photographers Association, and state and local press organizations.

www.MichaelKienitz.com

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A CREATIVE APPROACH TO PHOTOSHOP® PHILIP KREJCAREK

920.868.3455

info@PeninsulaSchoolofArt.org

Philip Krejcarek is a Professor of Art at Carroll University where he has taught the past 40 years. His work has been displayed nationally and is included in the public collections of the Milwaukee Art Museum, Denver Art Museum, Wustum Museum of Fine Arts, and the Haggerty Museum of Art.

www.PhilipKrejcarek.weebly.com

EXPRESSIVE PHOTOGRAPHY DANIEL ANDERSON

ID: PH1903 Jun 24-27 • 9am-Noon Digital Photography • All Levels Member: $225 • Non-Member: $250

CONCEPT

The goal of any photograph is to communicate an idea. The question is, how do you move beyond documenting a scene and begin interpreting it? Explore your intentions, expand your visual language, and learn new techniques to engage your viewer’s mind and emotions with each image you create in this handson workshop.

EXPERIENCE

Beginning with a review of a range of photography, including the works of master photographers, examples of Dan’s images, and your own, you will discuss how to use and combine visual elements to create truly expressive images. Practice these skills and develop your voice out in the beautiful Door County landscape with Dan as your guide. Open to all digital camera formats and skill levels.

INSTRUCTOR

Daniel Anderson's personal photography practice is primarily dedicated to the landscape in its many forms. He has photographed widely throughout Door County, the American West, England, Scotland, Iceland, Ireland, Greece, and Italy. He has captured the high drama of storms, vast panoramas, as well as the delicacy of intimate details of nature. Daniel has studied with Ansel Adams and other contemporary masters of photography. His Ellison Bay Gallery is open by appointment.

www.DanielAndersonPhotography.com

PLACE FROM PLACE: ANTHOTYPES AND GUM BICHROMATE PROCESSES ALLEN MORRIS ID: PH1904 Jul 10-13 • 9am-4pm Digital Photography • Levels 2-4 Member: $475 • Non-Member: $515 Includes materials fee.

CONCEPT

This workshop will provide a basic foundation in the creation of digitallycaptured photographic prints using the historic Anthotype and Gum Bichromate processes. Both provide the opportunity to incorporate organic material from your surroundings into the physicality of the completed image; making these methods a perfect match for capturing the landscape.

EXPERIENCE

You will create digital images that describe the place that surrounds you, as well as collect plant life and soil samples that comprise the place that you are using as a stage to make your photographs. Allen will guide you through the process of preparing your digital images, transforming your collected natural materials into pigment, and finally developing the prints. You will also engage in discussions about what place means in your artistic practice.

INSTRUCTOR

Allen Morris is an Associate Lecturer of Photography at the Peck School of Arts at University of Wisconsin-Milwaukee. He received his MFA in Studio Art from the University of Nebraska-Lincoln and BFA in Applied Visual Arts from Oregon State University. Allen makes photographs that focus on the relationship between humans and their environments

TAKING CONTROL IN MANUAL MODE KASEY HEMBEL

ID: PH1905 Jul 15-18 • 9am-4pm Digital Photography • All Levels Member: $450 • Non-Member: $490

CONCEPT

Discover the untapped potential of your camera as you move out of auto mode and into manual mode. This comprehensive workshop will explore the technical components that make up a perfect image and how to manipulate your camera’s settings to achieve desired effects and accurate light and color every time.

EXPERIENCE

Gain hands-on experience as you work through daily challenges that address composition, exposure, and content. Engage in peer and group discussions, as well as work with Kasey one-on-one for individualized feedback. Leave this workshop feeling confident in your ability to adapt to any situation with your camera. This workshop requires a DSLR camera.

INSTRUCTOR

Kasey Hembel received her BA in Studio Art with emphases in Photography and Painting from the University of WisconsinGreen Bay. Her photography interests include travel, nostalgia, and the use of alternative cameras. Kasey co-owns a photography business, Kasey and Ben Photography, in Green Bay.

www.KaseyandBen.com

www.AllenMorrisPhoto.com

Photography & Digital

ANIMATION FOR ARTISTS HANNAH HAMALIAN

ID: PH1906 Jul 29-Aug 1 • 9am-4pm Digital Animation, All Media • All Levels Member: $450 • Non-Member: $490

CONCEPT

THE PHOTOGRAPHIC BOOK BARBARA DIENER

ID: PH1907 Aug 2-3 • 9am-4pm Digital Photography, Print/Paper/Book All Levels Member: $225 • Non-Member: $250

LIGHTROOM®: A BEGINNER'S GUIDE TO EDITING IMAGES KASEY HEMBEL

ID: PH1908 Aug 5-6 • 9am-4pm Digital Photography • All Levels Member: $225 • Non-Member: $250

CONCEPT

Adobe Lightroom® is a great tool for organizing, editing, renaming, and resizing your images, but it can be daunting without a guide to get started. This workshop is the solution for beginners who want to get the most out of the program in a practical, hands-on way.

EXPERIENCE

Kasey will lead you through a series of Lightroom® editing tasks, including how to perfect exposure, solve color cast woes, sharpen soft images, create black and white versions, and batch process groups of photos to speed up your workflow. You will also discuss the best ways to download, sort, and back-up your images to ensure they are stored safely and easily retrieved when needed. Facility of your computer is required for this workshop, as well as either Adobe Lightroom®, 3, 4, 5, 6 or Adobe Lightroom Classic CC®.

INSTRUCTOR

www.HannahHamalian.com

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INSTRUCTOR

www.BarbaraDienerPhotography.com

920.868.3455

info@PeninsulaSchoolofArt.org

CONCEPT

EXPERIENCE

INSTRUCTOR

www.KaseyandBen.com

TRANSLATING LIGHT TRAVIS ROOZéE

ID: PH1909 Aug 7-10 • 9am-4pm Digital Photography • Levels 3-4 Member: $450 • Non-Member: $490

CONCEPT

Explore Door County while learning how to interpret various lighting conditions, control unfavorable situations, and prepare for the moment when beautiful natural light occurs. This hands-on workshop encourages thoughtful investigation with a critical eye, while instilling fundamental photographic techniques.

EXPERIENCE

Through a balanced curriculum of studio instruction, daily explorations, and critical discussion, develop technical and conceptual skills. Core photographic principles and image design will be reinforced in the studio and in the field. Gain confidence shooting in a variety of environments and lighting situations through practical and varied experience. Familiarity with your DSLR’s manual mode is required for this workshop. Students should expect out-of-class assignments.

INSTRUCTOR

Travis Roozée is an artist, educator, and professional photographer. His personal work investigates places that have been altered by external forces, often because of industrial development. Travis' work has been included in numerous solo and group exhibitions across the United States. His experience as an instructor encompasses technical and creative courses. Travis has an MFA in photography from the Cranbrook Academy of Art.

www.TravisRoozee.com

BEING OUTSIDE: THINKING IN AND WITH THE LANDSCAPE MELISSA ORESKY

ID: 2D1940 Aug 16-17 • 9am-4pm Any Painting Media, Digital Photography All Levels Member: $225 • Non-Member: $250

CONCEPT

EXPERIENCE

INSTRUCTOR

www.MelissaOresky.com

INTRODUCTION TO ADOBE PHOTOSHOP: INCORPORATING DIGITAL TOOLS INTO YOUR STUDIO PRACTICE EMILY SCHEIDER BERENS

ID: PH1910 Aug 16-17 • 9am-4pm Digital, All Media • All Levels Member: $235 • Non-Member: $260 Includes materials fee.

CONCEPT

EXPERIENCE

INSTRUCTOR

www.Emily-Scheider.com

Photography & Digital

CONCEPT

EXPERIENCE

INSTRUCTOR

OVERCOMING DIFFICULT LIGHT IN PHOTOGRAPHY KASEY HEMBEL ID: PH1912 Sep 16-17• 9am-4pm Digital Photography • Levels 2-3 Member: $230 • Non-Member: $255 Includes model fee.

CONCEPT

Ask any photographer what is toughest to master, and most will give you the same answer – light. No matter how well you know your camera, whether you are new to photography or have been shooting for years, there is always something to learn about light.

EXPERIENCE

This workshop dives into the complex subject by discussing the most common lighting problems and how to avoid them by choosing the best position for yourself and your subject in relation to the light source, as well as adding or subtracting light with different tools when necessary. Through hands-on practice, you will learn how to spot ideal lighting situations and how to make the best of harsh light. Subjects include indoor and outdoor portraiture, window light, sunsets, natural use of flash, bright mid-day light, and compensation for fluctuating colors in ambient light.

INSTRUCTOR

www.KaseyandBen.com

www.Emily-Scheider.com

60 PeninsulaSchoolofArt.org

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info@PeninsulaSchoolofArt.org

BUILDING A NARRATIVE: THE HANDBOUND PHOTOGRAPHIC BOOK KAYLA MASSEY

ID: PH1913 Sep 23-26 • 9am-4pm Digital Photography, Print/Paper/Book All Levels Member: $465 • Non-Member: $505 Includes materials fee.

CONCEPT

Transform your photographs into book form in this four-day workshop. Reconceptualize archived images while capturing new ones to create a cohesive handbound book with a personal narrative.

EXPERIENCE

INSTRUCTOR

Kayla Massey is a Milwaukee-based photographer, using both analog and digital techniques. She earned her MFA from the University of WisconsinMilwaukee, and BFA from the Milwaukee Institute of Art and Design. Kayla has used her photography to explore gender issues and the unspoken nature of death in the United States. Kayla teaches courses in photography and imaging at UWMilwaukee's Peck School of the Arts.

www.KaylaMassey.com

thoroughly

experience. balance

enjoyed I

really academic

workshop

appreciated

the

instruction,

art

history, and art â&#x20AC;&#x153;coachingâ&#x20AC;? - 2018 Student

PROFESSIONAL DEVELOPMENT PROGRAMS For artists of all media

I realized that making art was only one piece of the puzzle! This workshop helped to open my eyes to what I needed to do next in order to create a more professional practice and presentation for myself as an artist. - 2018 Student

enArtâ&#x20AC;&#x2122;s professional development work-

Led by practicing artists, participants are intro-

shops are developed specifically for artists;

duced to concepts and practical skills grounded

providing career and confidence building

in real life examples. A spirit of community and re-

tools to support all aspects of a creative practice.

source sharing underscore each of these offerings.

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info@PeninsulaSchoolofArt.org

PENART CRITIQUE GROUP

First Friday of the Month • 3-5pm May 3 • Jun 7 • Jul 5 • Aug 2 Sep 6 • Oct 4 Professional Development • All Levels Member: Free • Non-Member: Free

CONCEPT

Moderated by PenArt’s Director of Education Elysia Michaelsen, artists will reserve a 30-minute block to show and discuss their work. Discussion formats will range from open group conversation to written critiques. Artists are also invited to share and discuss readings with the group that in some way influences making, interpreting, or reading visual work. PenArt’s Critique Group is open to artists of all backgrounds and media. Email workshop@PeninsulaSchoolofArt.org to reserve your spot.

MODERATOR

Elysia Holland Michaelsen is an artist, educator, and administrator. She earned her MFA in Painting from Arizona State University and BFA in 2D Studio Art from Plymouth State University (New Hampshire). Her work has been featured in solo and group exhibitions in innovative commercial galleries, artist-run spaces, and museums. Elysia has received numerous awards, including residencies at Anderson Ranch Arts Center and Ox-Bow Artists’ Residency. In addition to her studio practice, she is the Director of Education at Peninsula School of Art.

DEVELOPING A SUSTAINABLE STUDIO PRACTICE KAREN GOESCHKO & HELEN KLEBESADEL

PHOTOGRAPHING YOUR ARTWORK WITH A SMARTPHONE STEPHAN ANDERSON STORY

ID: PR1901 Aug 17 • 1-4pm Professional Development • All Levels Member: $45 • Non-Member: $50

ID: PR1902 Aug 30 • 1-4pm Professional Development, Digital Photography • All Levels Member: $45 • Non-Member: $50

CONCEPT

Led by artist and educator Helen Klebesadel and arts and culture administrator Karen Goeschko, this professional development workshop focuses on helping artists develop a sustainable studio practice. An interactive lecture will outline funding options for artists at the state, regional, and national levels, as well as how to navigate and take advantage of those opportunities. Later, short thinking exercises and group discussion will tackle methods for building a regular studio practice designed to support the creative career that you envision for yourself.

INSTRUCTOR

As Assistant Director of the Wisconsin Arts Board, Karen Goeschko directly manages the agency's grant programs and technical assistance services. Providing technical assistance to the state's arts organizations, including its local arts councils.

This professional development workshop will prepare you for submitting digital images of your work to juried exhibitions and galleries. Using a smartphone, learn how to photograph your own threedimensional and/or two-dimensional artwork, adjust digital images for proper white balance, and size images following specific guidelines using basic editing software.

INSTRUCTOR

Stephan Anderson-Story grew up outside of Lawrence, Kansas, and now resides in Algoma, Wisconsin. He earned his BFA from Emporia State University. Stephan maintains a regular practice and exhibits his work around the country. He is represented by James May Gallery.

www.StephanAndersonStory.com

Helen Klebesadel is an artist, educator and activist. She served on the Wisconsin Arts Board as Director of the Regional Arts Program, and as the national President of the Women's Caucus for Art.

www.Klebesadel.com

Professional Development

CHILDREN'S WORKSHOPS Ages 3½ to 12

esigned for ages 3½ to 12, our children’s

and unique lessons developed by our summer-long

program motivates students to discover

instructors in collaboration with PenArt’s Director of

their sources of inspiration and express

Education. Instructor-led tours of the exhibitions in

themselves in new ways. From painting to sculpture,

the Guenzel Gallery, field trips through the grounds,

and printmaking to ceramics, our four-day workshops

demonstrations, and group brainstorms will provide

promote self-expression, foster inquisitiveness,

sources of inspiration throughout the week for

and inspire the pursuit of meaningful ideas.

collaborative and independent projects. On the final day of class, young artists share their week’s

Housed in the original teaching and studio spaces

work with family and friends in a studio exhibition.

of PenArt’s founder, Madeline Tourtelot, our youth studios are packed with history, filled with natural

While our program explores a range of media

light, and equipped with all of the tools and

and technical skills, the goal of any workshop

materials needed for each lesson. In these spaces,

is to help children discover a myriad of ways to

young artists are encouraged to engage in the

use their imagination to turn the ordinary into

creative process from start to finish through new

extraordinary; a skill we deeply value and believe will serve our students well beyond the classroom.

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CHILDREN

When registering for a children's workshop, you might have questions about what to expect. We have a routine, but it allow for lots of impromptu fun! • Each day, your child’s instructor greets them at the door to their studio. • Backpacks, snacks, jackets, etc. will be set aside and children will head inside for a creative warm-up. • Once all of the students have arrived, instructors will introduce the topic of the workshop and get started on the lessons for the day. • Teaching methods include demonstrations, group brainstorms, readings, viewing and discussing the work of well-known artists, and, of course, hands-on practice through skill building projects and final works of art. • Halfway through the class, a break will be taken outside (If you wish, pack a snack for your child. PenArt does not provide snacks). • More art making! • Children will set aside projects that need to be completed the next day and safely pack up finished artworks to take home. • Meet your child in their studio at the end of class and see what they have accomplished. Instructors are available to answer questions and share what the rest of the week will bring.

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ABOUT WORKSHOP AGE GROUPS PenArt works closely with instructors to develop engaging and educational art lessons appropriate for each age group. Children must have reached the minimum age required at the time their workshop begins. Thank you for understanding.

DRESS FOR MESS Young artists should dress appropriately for art making. PenArt provides t-shirts and aprons to help avoid stains.

SNACK TIME Young artists take a short break halfway through each day. Please pack an appropriate snack for your child and label with his/her name. PenArt is not nut free. Please note any allergies on your childâ&#x20AC;&#x2122;s health form.

AGES 3½ TO 5

DRAWN TO STORIES

ID: YA1901 Jun 17-20 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140

DESCRIPTION

In this workshop, young artists will read and use popular children’s books as inspiration to create their own characters, tell new stories, and combine language and art. Basic drawing, painting, and collage techniques will be taught, and a variety of two-dimensional art pieces created.

CLAY CONSTRUCTION

ID: YA1902 Jun 24-27 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140

DESCRIPTION

Focused on a different type of construction each day, children will learn how to hand build using pinch, coil, and slab techniques. Functional pieces, such as pots and rattles, and sculptures, such as animals and masks, will be explored throughout the week. Projects will help children develop fine motor skills and stimulate artistic expression.

68 PeninsulaSchoolofArt.org

BOOKS THAT FOLD, TWIST, AND POP

ID: YA1903 Jul 1-5 • 9am-Noon • No class on Jul 4 Ages 3½-5 Member: $125 • Non-Member: $140

INFLUENTIAL ARTISTS

ID: YA1905 Jul 15-18 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140

DESCRIPTION

Well-known movements from throughout history and present day will be explored in this painting workshop. Young artists will look at the styles and artists that made each movement famous, from the Renaissance to Post-Modern times. Exercises and final projects will be completed in watercolor, tempera, and drawing media using traditional and experimental methods.

SHOW OF HANDS: PUPPET ART

FUR, FEATHERS, AND SCALES: CLAY ANIMAL SCULPTURES

In this workshop, children will learn how to design, illustrate, and engineer threedimensional books with pockets, pop-up images, folds, scrolls, and moveable parts. Simple folded forms will be introduced first, followed by more complex, multipage books. Pages and book covers will be created using drawing, painting, printmaking, and collage techniques.

ID: YA1904 Jul 8-11 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140

DESCRIPTION

Using a variety of materials and techniques, young artists will make a series of puppets. Children will gather inspiration for their puppets’ character traits from books, poems, and music. Individual and collaborative mixed media theaters will set the stage for everyone’s puppets to perform at PenArt and home.

920.868.3455

info@PeninsulaSchoolofArt.org

ID: YA1906 Jul 22-25 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140

DESCRIPTION

Nature and art cross paths in this ceramics workshop as students create their own pack of animal sculptures. Gathering inspiration from pets, creatures of Door County, and wild animals from throughout the world, children will use pinch, coil, and slab techniques to form each piece. Texture, pattern, and color will be added using a variety of tools and materials.

COLOR LAB

CLAY CREATIONS

DESCRIPTION

ID: YA1907 Jul 29-Aug 1 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140 Young artists will push the boundaries of color to create unique and vibrant paintings. Basic color theory, including the color wheel and color mixing will be taught, as well as painting techniques, including brush handling and paint application. Observational and abstract painting will be explored.

ID: YA1909 Aug 12-15 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140 Students will use basic hand building techniques to create a wide range of functional and decorative ceramic pieces. Children will learn how to use pinch, coil, and slab construction to build imaginative creatures, small pots, sculptural masks, and more. Add texture, pattern, and color using a variety of tools and tempera paints.

TEXTURES, PATTERNS, AND PRINTS

ID: YA1908 Aug 5-8 • 9am-Noon Ages 3½-5 Member: $125 • Non-Member: $140

DESCRIPTION

In this workshop, children will explore the rich history of printmaking. Focusing on the processes of monotype, collagraph, and paste papers, students will experiment with the tools and materials of each to create one-of-a-kind works. Gaining an understanding of color, texture, shape, line, and pattern will be emphasized.

HEALTH & PHOTO RELEASE FORMS Health and photo release forms must be completed and submitted before the first day of class. Find it at: PenArt.org/2019release

Children

AGES 6 TO 8

ALL ABOUT 2D: DRAWING AND PAINTING

NEVER TOO MANY: PRINTMAKING SAMPLER

DESCRIPTION

SCULPTURAL CLAY

CREATIONS IN PAPIER-MACHE

ID: YA1910 Jun 17-20 • 1-4pm Ages 6-8 Member: $125 • Non-Member: $140

Drawing is at the foundation of nearly all art forms. Students will begin this workshop by learning basic drawing techniques and build them into successful watercolor, tempera, and mixed media paintings exploring composition, brush handling, color mixing, and style. Realistic and abstract subjects will be referenced.

ID: YA1911 Jun 24-27 • 1-4pm Ages 6-8 Member: $125 • Non-Member: $140

DESCRIPTION

In this workshop, young artists will use hand building techniques to explore the sculptural possibilities of clay. Pinch, coil, and slab construction will be used to create a series of unique works of art, including abstract sculptures, wall-hung pieces, and freestanding objects. Children will decorate the surfaces of their work with texture tools and brightly colored underglazes.

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ID: YA1912 Jul 1-5 • 1-4pm • No class on Jul 4 Ages 6-8 Member: $125 • Non-Member: $140

This workshop will focus on three different printmaking methods, including relief, collagraph, and monotype. Young artists will learn about the history and practice techniques unique to each process, followed by time to experiment and play. Single- and multi-color prints will be produced using each method.

ID: YA1913 Jul 8-11 • 9am-Noon Ages 6-8 Member: $125 • Non-Member: $140

DESCRIPTION

This workshop will introduce young artists to a variety of ways papier-mache can be used to create three-dimensional works that are sculptural and functional. Bowls, vases, sculptures, and piñatas are just a few of the possibilities. Completed with tempera paint and other media, pieces will be vibrant and durable.

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SCULPTURES BIG AND SMALL

ID: YA1914 Jul 8-11 • 1-4pm Ages 6-8 Member: $125 • Non-Member: $140

DESCRIPTION

Focusing on structure and form, this workshop will dive into the many materials and techniques of sculpture. Cardboard, papier-mache, wood, fabric, and found objects will all be used to create abstract and realistic, hard and soft sculptures. Students will look at the sculptural works of historical and contemporary artists for inspiration and instruction throughout the week.

COMICS: FROM BEGINNING TO END ID: YA1915 Jul 15-18 • 9am-Noon Ages 6-8 Member: $125 • Non-Member: $140

DESCRIPTION

In this drawing workshop, children will explore the language of cartooning and develop their own characters and stories. Basic to advanced drawing skills, as well as storytelling techniques will be taught. Graphic novels, manga, cartooning, and other illustration styles will be viewed and discussed to help young artists invent their own style.

PAINTING THROUGH HISTORY

DRAWING AND PAINTING ANIMALS

PAINTERLY PRINTS

DESCRIPTION

ID: YA1916 Jul 15-18 Ages 6-8 • 1-4pm Member: $125 • Non-Member: $140 Look at and talk about various artistic styles in painting throughout history and contemporary times in this workshop. Young artists will experiment with a range of painting materials, mark-making tools, and paint application in a series of skillbuilding exercises and final projects. A variety of subject matter will be explored.

LAWN ORNAMENTS: CERAMICS FOR THE OUTDOORS ID: YA1917 Jul 22-25 • 1-4pm Ages 6-8 Member: $125 • Non-Member: $140

DESCRIPTION

Using the summer landscape as inspiration, young artists will create a series of functional and sculptural ceramic pieces for the outdoors. Lanterns, toad houses, small sculpture, garden tiles, and flower pots are just a few of the possible projects. Hand building techniques will be used to create each piece and brightly colored underglazes will decorate the surfaces.

ID: YA1918 Jul 29-Aug 1 • 9am-Noon Ages 6-8 Member: $125 • Non-Member: $140

In this workshop, students will learn how to use fundamental art elements to accurately draw and paint their favorite animals. Photo references, as well as possible class visits from furry, scaly, or feathered friends will provide inspiration throughout the week. Children will use graphite, oil pastel, watercolor, tempera, and more to capture these animals and their environments.

TUNNELS, POP-UPS, AND MORE: THREE-DIMENSIONAL BOOKS ID: YA1919 Aug 5-8 • 9am-Noon Ages 6-8 Member: $125 • Non-Member: $140

DESCRIPTION

Tunnel books are defined by their stagelike window containing different layers of images. Students will begin by designing the image they want their book to show. Separating the image into foreground, midground, and background layers, they will construct their book. Additionally, single pop-ups and more complicated structures will be explored. Basic drawing, painting, and collage techniques will be taught.

ID: YA1920 Aug 5-8 • 1-4pm Ages 6-8 Member: $125 • Non-Member: $140 Get the best of both worlds in this workshop that blends printmaking and painting techniques. Relief print, monotypes, collagraphs, and stencils will be further embellished using watercolor, tempera paint, colored pencil, and more. Techniques specific to each printmaking process will be taught, followed by plenty of time to experiment and combine. Throughout the workshop students will create unique single- and multiple-color works of art.

WORLDLY CERAMICS

ID: YA1921 Aug 12-15 Ages 6-8 • 1-4pm Member: $125 • Non-Member: $140

DESCRIPTION

This ceramics workshop will take young artists on a trip around the globe to discover unique works of art. Each day, students will explore a different global destination and focus on the ceramic art and techniques specific to that region. Pieces will be decorated using brightly colored underglazes and a final clear glaze will ensure all pieces are food safe.

Children

AGES 9 TO 12

GOING BIG: PAINTING A COLLABORATIVE MURAL

CERAMICS ON AND OFF THE WHEEL

DESCRIPTION

ID: YA1922 Jun 17-20 • 9am-Noon Ages 9-12 Member: $125 • Non-Member: $140 Young artists will put their painting skills to the test in this workshop focused on creating a collaborative mural. Working together, students will brainstorm ideas, complete preliminary drawings, transfer the final image to canvas, and fill with color and detail using tempera paints. The completed mural will be displayed temporarily with a community partner before returning to the PenArt campus. Small drawing and painting studies will be taken home.

SETTING THE TABLE WITH CLAY ID: YA1923 Jun 24-27 • 9am-Noon Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

In this workshop, young artists will learn the basics of making functional pottery, including cups, bowls, plates, and more. A combination of potter’s wheel and hand building techniques will teach the fundamentals of three-dimensional construction, while underglaze painting and sgraffito techniques will explore surface decoration. A final clear glaze will ensure all pieces are food safe.

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ID: YA1924 Jun 24-27 • 1-4pm Ages 9-12 Member: $125 • Non-Member: $140 Using wheel throwing and hand building techniques, young artists will create a variety of functional and decorative ceramic ware. Two days will be devoted to the potter’s wheel and two days to coil and slab construction. Dimensional details, texture, and painted imagery will decorate the surface, and a final clear glaze will ensure all pieces are food safe.

CUT AND PASTE: COLLAGE AND MONTAGE

ID: YA1925 Jul 1-5 • 9am-Noon • No class on Jul 4 Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

In this workshop, students will explore basic and more advanced collage and montage techniques, including using recycled materials, found objects, and printmaking methods to communicate an artistic vision. The works of Masters Robert Rauschenberg, Hannah Höch, Henri Matisse, Max Ernst, and more will be referenced for inspiration and instruction throughout the week.

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ART, DESIGN, AND ARCHITECTURE ID: YA1926 Jul 8-11 • 1-4pm Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

Art and architecture intersect in this workshop. Young artists will discover the building blocks of architectural design, practice their drawing skills and use of perspective, and learn a variety of sculptural construction techniques using basic materials. Students will create their own three-dimensional sculptures inspired by visionary architecture.

PAINTED ILLUSIONS

ID: YA1927 Jul 15-18 • 1-4pm Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

Throughout history, artists have used a variety of techniques to trick the eye of the viewer. This workshop will dive into the methods behind Optical Art, Trompe L’oeil, tessellations, and more. Children will use a variety of drawing and painting materials to create two-dimensional works that appear three-dimensional, imply movement, vibrate, hide images, and warp.

AROUND THE WORLD, AROUND THE WHEEL ID: YA1928 Jul 22-25 • 9am-Noon Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

Inspired by destinations both near and far, this ceramics workshop explores a variety of styles, forms, and surface design techniques. Each day, young artists will design and create functional and decorative pieces on the wheel based on the day’s global focus and lessons. The final day will be dedicated to adding texture, embellishments, and color using underglazes. A final clear glaze will ensure all pieces are food safe.

ABSTRACT POSSIBILITIES

ID: YA1929 Jul 29-Aug 1 • 1-4pm Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

Focused on line, shape, color, and texture, this workshop will investigate the world of abstract painting. Using ink, watercolor, gouache, and acrylic, students will create a series of paintings. The artists of Cubism, Modernism, Abstract Expressionism, Color Field painting, and more will be presented throughout the week and used for inspiration.

ALL ABOUT BOOK ARTS

CLAY FOR THE EVERYDAY

DESCRIPTION

ID: YA1930 Aug 5-8 • 1-4pm Ages 9-12 Member: $125 • Non-Member: $140 Learn the history and techniques of book arts in this fundamental workshop. Students will learn how to prepare paper, design covers and pages using printmaking and marbling techniques, make simple forms, such as zines, and create more complex books. A final journal will be created featuring hand painted covers, a Coptic stitch for binding, and blank pages to fill with writing and drawings.

PERSONAL POTTERY

ID: YA1931 Aug 12-15 • 9am-Noon Ages 9-12 Member: $125 • Non-Member: $140

DESCRIPTION

Great for both beginning and returning students, this workshop will focus on using the wheel to create a variety of functional pieces, including cups, trays, lidded boxes, and vases. Young artists will have plenty of time to practice potter’s wheel techniques and make new forms. Underglazes will be used to embellish each piece with designs unique to each artist’s personality.

ID: YA1932 Aug 12-15 • 1-4pm Ages 9-12 Member: $125 • Non-Member: $140 Using a combination of the potter’s wheel and hand building techniques, young artists will produce a range of functional pieces. Plates, bowls, cups, vases, book ends, and candle holders are just a few of the possible projects. Students will learn how to modify, embellish, and underglaze. A final clear glaze will ensure all pieces are food safe.

CLAY PROJECT PICK UP Some clay projects need to be bisque and glaze fired and cannot be taken home until later. PenArt will contact you with specific pickup information. We strongly recommend that you bring your child with you to identify their projects. All unclaimed items will be recycled after September 30th. Children

ILLUSTRATION TECHNIQUES

SCREEN PRINTING BASICS

DESCRIPTION

ID: YA1933 Jun 17-20 • 1-4pm Member: $125 • Non-Member: $140

ID: YA1934 Jul 1-5 • 1-4pm • No class on Jul 4 Member: $125 • Non-Member: $140

In this workshop, teens will learn the process of illustrating a sequential story from writing, layout, and sketching to the final finished pages. Students will design and roughly sketch a multiple-page story with illustrations in the media of their choice. Watercolor, colored ink, markers, pens, and colored pencil techniques will be taught.

Silkscreen printing is a versatile process that can be used to transfer graphic images to a variety of materials, including paper and fabric. Working from imagery of their choosing, teens will learn how to plan compositions, separate and sequence colors, mix and apply ink, and successfully print. Monotype, stencil, and photo emulsion screen printing processes will be explored using water-based inks.

TEEN WORKSHOPS Ages 13 to 17

hether your teen is testing their

sional equipment, and digital resources. Through-

creative

out the week, instructors challenge students

interests

preparing of-

to become more confident risk takers through

fers opportunities to expand their creative

technical skill building exercises and creative

potential.

experiences

experiments that play to their strengths and en-

encourage teens to explore new concepts, ex-

courage them to tackle their weaknesses. More

change ideas, and develop a studio practice.

self-directed projects and individualized feedback

college

Intensive

portfolio, hands-on

PenArt

help teen artists find their unique voice. Each Focused on the areas of ceramics, screen print-

week will close with a brief conversation about

ing, illustration, and large-scale, mural painting,

the work created, challenges and triumphs, and

teen workshops are held in dedicated studios;

what each student is excited to explore next.

providing access to artist-grade materials, profes-

PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

MASTERING THE POTTER'S WHEEL

ID: YA1935 Jul 22-25 • 1-4pm Member: $125 • Non-Member: $140

DESCRIPTION

This workshop offers the opportunity for teens to refine their skills on the potter’s wheel. Basic throwing techniques will be reviewed, and more advanced methods introduced as students create a series of plates, bowls, mugs, and more. Students will design and decorate the surface of each piece using texture tools and colored underglazes. A final clear glaze will ensure pieces are food safe.

MURAL ARTS

ID: YA1936 Jul 29-Aug 1 • 1-4pm Member: $125 • Non-Member: $140

DESCRIPTION

Murals are a powerful tool for starting conversation, building relationships, and empowering communities. Working collaboratively, students will brainstorm ideas, create preliminary drawings, transfer the final image to canvas, and render imagery with paint. The completed mural will be displayed temporarily with a community partner before returning to the PenArt campus. Small drawing and painting studies will be taken home.

PenArt’s teen curriculum is rich and varied with an emphasis on meaningful experiences built to help teens become better artists, designers, and thinkers.

Teens

FAMILY WORKSHOPS

DROP IN ANYTIME, STAY AS LONG AS YOU LIKE Friday mornings are set aside for drop-in art making experiences for children and family members of all ages. Designed to introduce participants to a variety of processes, materials, and ideas, a different medium is featured each week. From painting to ceramics, creativity is exercised through guided exploration. Projects and instruction are adapted to individual age and skill levels. NO PRE-REGISTRATION REQUIRED. 9AM-NOON, $15/PERSON PER SESSION Painting: Jun 21 Ceramics: Jun 28 Sculpture: Jul 12 Painting: Jul 19 Painting: Aug 2 Book Arts: Aug 9 Ceramics: Aug 16

ART FOR ALL COMMUNITY EVENTS AND EXHIBITIONS FOR APPRECIATORS OF ALL AGES Interwoven with workshops, our Guenzel Gallery exhibitions, outreach programs, and special events provide new perspectives to selected artistic themes. For instance, youâ&#x20AC;&#x2122;ll find workshops that correspond with media highlighted in our exhibitions, which in turn bring inspiration for projects in our community outreach activities. Special events are the celebratory piece in our programming that engages students and visitors of all ages in the joy of artistic discovery.

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GUENZEL GALLERY EXHIBITIONS

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MAGIC LANDSCAPES: CONTEMPORARY LANDSCAPE PAINTING May 24 to July 13 Opening Reception: Friday, May 24, 4-6pm Seven nationally-recognized artists offer vast interpretations of landscape. There are elements of the unknown, the unexplained, and the mysterious embedded in the works, giving us a fresh perspective of the landscape in which we live. It is a world we recognize - only slightly skewed. Featuring: Beth Edwards (TN), Shannon Estlund (NY), Zoe Hawk (MO), Breehan James (NY), Misha Kligman (KS), Michael Kruger (KS), Amy Talluto (NY) Beth Edwards

THE FUTURE OF COLLAGE August 16 to October 5 Opening Reception: Friday, August 16, 4-6pm In examining artistsâ&#x20AC;&#x2122; diverse approaches to collage and assemblage, this exhibition endeavors to show how these techniques can be used to express ideas about modernity and Americaâ&#x20AC;&#x2122;s throwaway culture, and as a way to capture the poetic potential of the everyday. The resulting works of art are richly textured pieces whose shifting forms and associations can be read as metaphors for the constantly fluctuating realities of contemporary life. Featured Artists: Tim Abel (IL), Bruce Basch (WI), Tanya Hartman (KS), Andy Ducett (MN), Troy Dugas (LA), Carol Emmons (WI), Melissa Oresky (IL), Ann Toebbe (IL)

Troy Dugas

WAX: CONTEMPORARY METHODS October 11 to November, 29 2019 Opening Reception: Saturday, October 12

Wax is an extraordinary versatile medium, making it the perfect vehicle for artistic experimentation - encouraging unrestricted combinations of methods and materials and the blurring of lines between sculpture, painting, photography, and printmaking. Thematically, artists in the exhibition explore language, mythology, and materiality. The possibilities & fascination with the medium continue to grow. Featured Artists: Kristy Deetz (WI), Jane Nodine (SC), Margaret Noel (NY), Sarah Rehmer (IL), Amanda Salov (WA), Liz Rundorff Smith (SC) Margaret Noel

DOOR COUNTY PLEIN AIR THE MIDWEST'S PREMIER OUTDOOR PAINTING EVENT. EVENTS JULY 21-27 EXHIBITION AND SALE JULY 27 THROUGH AUGUST 10

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The Door County Plein Air Festival is an inviational event. Information on becoming a featured artist is at: PeninsulaSchoolofArt.org/events/dcpaf/participation

2019 FEATURED ARTISTS Kurt Brian Anderson, MI Olena Babak, ME Jill Basham, MD Beth Bathe, PA Chula Beauregard, CO Zufar Bikbov, CT Lyn Boyer, CO Carl Bretzke, MN Brienne Brown, PA Michele Byrne, PA Shar Coulson, IL Andy Evansen, MN Bill Fletcher, KY Debra Joy Groesser, NE Stephanie Hartshorn, CO Kathleen Hudson, KY Charlie Hunter, VT Eric Jacobsen, OR Shelby Keefe, WI

Mat Barber Kennedy, IL John P. Lasater, IV, AR Patrick Lee, PA Jim McVicker, CA Allison Menke, MD Terry Miura, CA Dan Mondloch, MN Steve Monske, WI Tom Nachreiner, WI Kathie Odom, TN Deke Palecek, WI Larry Seiler, WI John Brandon Sills, MD Brian Sindler, IL Steve Stauffer, UT William Suys, WI Paula Swain, UT Bob Upton, MN Tara Will, MD Stephen Wysocki, WI

he Door County Plein Air Festival presented by Peninsula School of Art celebrates the tradition of outdoor painting with some of the finest painters from Door County and across the country. 40 artists will put brush to canvas, cap-

turing the summer light over the waters and fields of Door County, Wisconsin. Painting from life and the landscape has long been a Door County tradition, and one that has endured evolving styles. The festivalâ&#x20AC;&#x2122;s painters bring a fresh eye to the changing lights and colors, and a variety of styles that draw from the rich traditions of plein air painting. Listen and learn from daily artist demonstrations. Tour local partner galleries as artists paint on site. Relax with great music and food at our sunset concert* and paint out. View presentations by the festival judge, award winning artists, and knowledgeable collectors. View fresh paintings at our Collector's Preview Gala Auction. *Children can try painting plein air during our Kid's Paint, Saturday, July 27. Be at the heart of festival excitement during the Quick Paint competition. Vote for your favorite artists at our Open Door Reception. Take home an original piece of fine art.

TICKETS ON SALE NOW BY PHONE OR ONLINE AT: PENINSULASCHOOLOFART.ORG/EVENTS/DCPAF/

ARTFUL TEA

JUNE 20, 4-6PM HORSESHOE BAY GOLF CLUB Make merry and support the children and teen art education programs of PenArt. This year's event features both a silent auction as well as a raffle. Bid on fabulous items and purchase raffle tickets for a chance to win wonderful jewelry, art and home goods by some of Door County finest retailers and designers.

COMMUNITY IRON POUR OCTOBER 12, 4-8PM

All ages can join in the festivities at the at the tenth annual Community Iron Pour. Using simple to tools, create your own 5"x5" iron tile by etching into a preformed sand-and-resin mold. At dusk, the dramatic pouring of white-hot, molten iron begins, continuing until all the tiles are poured. Tiles will be cool enough for participants to take home that evening. $20 per person to create a tile or FREE to watch the pour. The event includes, live music, beverages for purchase and pulled pork sandwiches and sides.

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A VISION FOR THE FUTURE

In June of 2018, Peninsula School of Art announced the Door to Creativity Campaign. The 6.4 million dollar campaign will reinvent and revitalize the PenArt campus to support the next generation’s imagination, lifelong learning, creative growth and welcome more art lovers, learners and appreciators to our facilities, and visitors to our vibrant community.

OPENING DOORS FOR ARTISTS AND APPRECIATORS OF ALL AGES

WE HAVE REACHED A TIPPING POINT. There simply isn’t enough space to hold the growing number of creative learners, art

FOR LIFE LONG LEARNING & CREATIVE GROWTH, WE WILL: • Develop two dedicated, state-of-the-art adult painting and mixed media studios.

appreciators and young artists that visit PenArt on

• Create a digital arts and photography studio.

a daily basis, or to offer the types of programs our

• Provide access to print and digital

community – near and far - has come to depend

technologies for our community, children and

on us for.

adults.

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IN SUPPORT OF THE NEXT GENERATIONS IMAGINATION, WE WILL: • Replace two seasonal studios, with a dedicated, year-round children and teen education space that can accommodate up to four simultaneous programs. • Create direct access from the youth studios to the Guenzel Gallery.

• Furnish the studios with age appropriate equipment and materials. • Refresh the exterior of main campus to allow for safe student drop off, a school bus turn around, and dedicated outdoor spaces for children, teens and families.

INVESTING IN OUR COLLECTIVE FUTURE An investment in the Door to Creativity Campaign is an investment in our collective future. For over 100 years, Door County has

Adult 2D Studios

been known as haven for artists, creatives and art appreciators. With an abundance of galleries, practicing artists, and collectors, and so many more sources of pride surrounding us, Peninsula School of Art is ready to be part of the next century of Door County’s art heritage. With new children, teen and adult education spaces, enhanced programming in traditional and new media, connectivity to community partners and structural improvements, the Peninsula School of Art will continue to

Digital Arts Studio

enhance our community’s public life. Without PenArt’s evolution, young minds, hands and hearts will lack exposure to vital art education; new art forms and technologies will remain inaccessible; and key connections between community and business partners will be incomplete.

JOIN US IN THE DOOR TO CREATIVITY CAMPAIGN AND BRING THIS EXCITING VISION TO OUR COMMUNITY. Gifts of all sizes are appreciated.

Children's Studios

Peninsula School of Art accepts gifts via check, credit card, cash, stock or other tangible asset to the Door to Creativity Campaign. Gifts can include multi-year pledges, and are eligible for tax deduction. To make a contribution, contact Catherine Hoke at 920.868.3455 or

View of campus from Hwy 42

cathy@PeninsulaSchoolofArt.org. 88 88 PeninsulaSchoolofArt.org

920.868.3455

info@PeninsulaSchoolofArt.org

THANK YOU OUR EARLY OUR CAMPAIGN DONORS (through 12/31/2018) BENEFACTOR ($100,000 AND UP)

Anonymous Anonymous Betsy and Charlie Hoke Camilla Nielsen Palmer Foundation Patrick and Beatrice Haggerty Foundation Sylvia Youell

VANGUARD ($50,000-$99,999) Karen and Andy Cook Marianne and Don Diekman Claudia and Keith Kasen Tatman Foundation

GUARDIANS $25000-$49999

Julie Brogan Meg and T0m Claggett Carmen and Robert Gallagher Paul Heim and Julie Watkins Virginia and Tom Maher Mary Beth Maudsley Mary and Jim Nelson Andrea Nielsen Bartlett in memory of George Verheyden, Martha Sauter Catherine and Brud Sturgis Barb and Glenn Timmerman Barba and Bob Wahl Katy and Andrew Weber Jane and Bob Wienke

LEADER $10000 TO 24999

Julia and Steve Chomeau Bonnie and Dennis Connolly Nancy and Jim Forbes Barb and Doug Hambleton Karen Hertz-Sumnicht and Steve Sumnicht Chris and Ed Movall Terry and Mike Wickman

CHAMPIONS $2500-$9999

Community Foundation of the Low Country - Nancy & David Borghesi Fund Catherine Hoke Christy Kelly-Bentgen and Barney Bentgen Diane and Bill Miller Carol Muckerman North Point Marina, LLC Nancy Sargent

BUILDERS $1000-$2499

Adobe Corporation Priscilla and Antwon Beadell Marilyn and Orren Bradley Rick and Janet Brawner Richard Christensen Jean and Dan Engelke Marsella and Tim Fults Greater Milwaukee Foundation - Bosworth Family Fund Andrea Jauquet Cynthia and Al Johnson Lois and Ron Litterst Nancy Nicholas Susan Samson Jeanne and Mike Schmitz Mary Lou and Jeff Schwab Stephanie Trenchard Popelka and Jeremy Popelka Kristin and Richard Volkman, Jr. Carole Pyle Weaver

FRIEND - UP TP $999

Paul and Robert Cummings Marilyn Cushing Door County Community Foundation, Inc Heirloom Cafe & Provisions Nancy and Ed Hillner Mynn Lanphier and Paul Schloemich Lauren Lotter Gabriele Pfeiffer Betty and Ernie Schluter Patricia Schneider Sally Schoendorf Judy and Bill Schumann Alison and Phil Tatlow Bob Walk Toni and John White Wilkinson Family Foundation

TRAVEL & LODGING

Mike Bisson

Len Villano

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ocated on a 75-mile peninsula and surrounded by the waters of Green Bay on the west and Lake Michigan on the

east, Door County has more than 300 miles of picturesque shoreline, sandy beaches, rocky bluffs and large tracts of undisturbed woodlands. Ten lighthouses still guard the harbors and the more than 40 islands of the county. Tourists first came to Door County in the 19th century on schooners before there were roads. Much of Door County’s beauty and character has since been preserved in county and state parks, wildlife refuges, private preserves, sanctuaries, and trusts. Door County emerged as an art colony early in the 20th Century, and out of it grew Peninsula School of Art. Throughout the quaint harborside towns and the pastoral interior dotted with picturesque farms

PENART ACCOMMODATIONS PenArt offers limited student housing.

and orchards, quality art galleries and studios

Housing space is assigned on a first-

reflect Door County’s deserved reputation for

come, first-served basis. Accommodations

culture in the country. The rich performing arts

may be booked at the time of registration.

scene–from classical and jazz music to renowned theater troops–garners national attention. Door

Housing check-in begins at 3pm the day

County’s state and county parks offer some

before your workshop starts and check-

of the best hiking and biking opportunities to

out is by 10am on the last day of your

be found in the Midwest. Golfing, horseback

workshop. Smoking and pets are not

riding, kayaking, great fishing, cherry picking,

permitted

and shopping go hand in hand with fabulous

Housing is for PenArt students only and

restaurants

is available only during the length of your

and

relaxing

accommodations.

ADDITIONAL TRAVEL & LODGING INFORMATION DoorCounty.com VisitFishCreek.com

PenArt

accommodations.

workshop. Additional information on PenArt housing

and

nearby

accommodations

is available by calling the registrar at 920.868.3455, or on our website at: PeninsulaSchoolofArt.org/visit/accommodations/

There are many ways you can support Peninsula School of Art: • Become a member • Attend a special fundraising event • Purchase artwork through our gallery • Donate to a scholarship fund • Volunteer!

SUPPORT ARTISTS & ART MAKING BY BECOMING A MEMBER, YOU HELP US TO FULFILL OUR MISSION OF PROVIDING ENRICHING EDUCATIONAL EXPERIENCES IN THE VISUAL ARTS TO STUDENTS OF ALL AGES AND ABILITIES. TUITION FEES COVER ONLY 50% OF OUR OPERATING EXPENSES.

oin us in making PenArt a hub for the exploration in the visual arts by becoming a PenArt member. At any

level you will be supporting extraordinary opportunities for learning and art making. While tuition and fees cover a portion of our operating expenses, it is your annual membership that enables us to offer FREE family-friendly community outreach programs, special events like the Door County Plein Air Festival, and FREE exhibitions in our Guenzel Gallery. IF you have questions about making a taxdeductible contribution to PenArt, please call or email development@PeninsulaSchoolofArt.org.

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PENART FRIEND $75 - $124

PENART VISIONARY $1000 - $4999

Early workshop registration | Member rates on

All Patron benefits | 20% off PenArt facility rentals

workshops | Access to studio rentals | Catalog,

Invitations to private events

event and e-newsletter mailings

PENART SUSTAINER $125-$499 All Friend benefits | 2 free days of studio rental PenArt totebag

PENART PATRON $500-$999 All Sustainer benefits | One free week studio

PENART LEADER $5000 & UP All Visionary benefits | Private luncheon with the Director and Chair of the Board All memberships support the annual fund and are tax deductible. Valid for one year from date of membership and cover all persons in a household.

rentals

SCHOLARSHIPS Peninsula School of Art is dedicated to offering educational opportunities to aspiring artists and increasing access to our programs for a diverse group of participants. Applications for scholarship support are encouraged. Specific scholarships are funded by contributors to the Peninsula School of Art, whether through endowed funds or special gifts. We are grateful for these important gifts. Scholarships are available by contacting the PenArt offices at at 920.868.3455 or online at: PeninsulaSchoolofArt.org/scholarships/

YOUTH SCHOLARSHIPS Established in 2012, in memory of Kathryn A. Doerr (Katie), by her family, this endowed fund provides critical support for Peninsula School of Art youth scholarships and outreach programs. During her lifetime, Katie was an advocate and supporter of art education, notably to art education in the Door County community she loved. These scholarships cover 100% of the tuition expenses for any childrenâ&#x20AC;&#x2122;s or teen workshop. Participation in the program is limited to full-time residents of Door and Kewaunee, Wisconsin counties. There are a limited number of scholarship spaces available in each workshop, so please indicate your child's first, second, and third workshop choices on your application.

APPLICATION DEADLINE May 1

ADULT SCHOLARSHIPS

NOTIFICATION DATE June 1

The Peninsula School of Art Scholarship Fund supports the on-going artistic development of full-time college and university students, as well as professional art educators. The scholarship covers up to 80% of the tuition expenses for any Peninsula School of Art workshop. Housing and food are the responsibility of the student. There are a limited number of scholarship spaces available in each workshop, so please indicate your first, second, and third workshop choices on your application. If you wish to take a specific workshop whether or not you receive a scholarship, we encourage you to register for the workshop in addition to submitting a written scholarship application. If awarded a scholarship, you account will be credited for the amount of the scholarship. However, you will be required to pay the full tuition at the time of registration and you will be assessed a cancellation fee if you cancel.

APPLICATION DEADLINES

March 15 - for workshops held May - July June 15 - for workshops held Aug - Oct

NOTIFICATION DATES

April 1 - for workshops held May - July July 1 - for workshops held Aug - Oct

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REGISTRATION INFORMATION & POLICIES GENERAL INFORMATION

• Registrations are accepted by mail, phone, online or in person beginning January 15, 2019 for Members of Peninsula School of Art, and January 29, 2019 for non-Members. Students may join or renew at the time of registration. • Registrations are accepted strictly on a first-come, first-registered basis. Your place in the workshop will be reserved when we receive payment in full. • Please read the workshop description carefully before enrolling to ensure that the workshop content and skill level is appropriate. • Peninsula School of Art accepts all persons regardless of race, color, national origin. gender, sexual orientation or religion. You must be at 16 years old to attend an adult workshop. • The staff is available from 8am to at least 5pm, Mon-Sat (May-Oct) and Tue-Sat (Nov-Apr) to help. We are happy to contact faculty members on your behalf; please do not contact faculty members directly. • Unacceptable behavior: Peninsula School of Art reserves the right to refuse registrations from participants who have a history of disruptive behavior or to dismiss any student without refund who disrupts our learning environment.

ADULT REGISTRATIONS

Upon receipt of full payment, a confirmation notice will be emailed to you within two days. The confirmation notice contains important information regarding your workshop, lunch options, arrival and a link to the supply list. Please add Registrar@PeninsulaSchoolofArt.org to your safe sender list. If your payment is declined or check is not valid, your registration will be voided. The majority of our campus is handicapped accessible, however some studios are not. If you have any special needs or require special accommodations, please let us know when you register.

CHILDREN & TEEN REGISTRATIONS

Children must have reached the minimum age required at the time their workshop begins. Upon receipt of full payment, a confirmation notice will be emailed to you within two days. The confirmation letter contains important information regarding the workshop, arrival and a link to the Health and Photo Release Form. Please add Registrar@PeninsulaSchoolofArt.org to your safe sender list. Health and Photo Release Forms must be returned, preferably by email, prior to the start date of the workshop. For half day workshops, pack an appropriate snack for your child and label with his/her name, but keep in mind refrigeration is not available. PenArt is not nut free. If your child has any learning needs, allergies, or any other special concerns, please let us know when you register and include details on the Health Release Form.

PAYMENTS & FEES

Peninsula School of Art accepts Visa, MasterCard, Discover, personal checks, bank checks, money orders or cash. Materials fees not included in workshop fees are to be paid directly to the instructor before the end of class. You may pay by check or exact change. When known, these fees will be indicated on your supply list. For other classes, the materials fee will be based on the amount of materials used during the workshop. Model fees are included in workshop fees.

REGISTRATION INFORMATION & POLICIES SUPPLIES & DRESS

For most adult workshops, you will receive a list of required and optional supplies within 48 hours along with your registration confirmation notice. Instructors may request that you bring more supplies than you will actually use during the course of the workshop. The acquisition and cost of these items are your responsibility. All supply lists are also available on our website at PeninsulaSchoolofArt.org. All materials for children and teen workshops will be provided, unless otherwise noted. All students should dress appropriately for art making, including suitable footwear. Many classes use dyes, inks or paints that may stain hands and clothing. We are not responsible for clothes that become stained during the workshops. Weather permitting, students will take their lunch and breaks on the grounds and should have appropriate clothing to wear outside.

CANCELLATION POLICY TO CANCEL A WORKSHOP PenArt makes a substantial investment when planning a workshop. While we understand that circumstances may arise causing a change in your plans, we must adhere to a business policy. If you need to cancel your registration, PenArt must be notified by phone, and the following policies apply: • 30 days or more prior to a workshop: Full refund of tuition, less a $100 cancellation fee for adult workshops or $25 cancellation fee for youth workshops. • 29 days or less prior to a workshop: No refunds for any amount. Cancellation fees reflect the cost of registration, staff, instructor contracts, material acquisitions, and other services. This policy applies to all registrants, regardless of the reason for cancelling.

TO CANCEL A HOUSING RESERVATION If you registered for PenArt accommodations and you need to cancel your housing reservation, the School must be notified by phone, and the following policies apply (in addition to any workshop cancellation fees): • 30 days or more prior to check-in date: Full refund of lodging fees, less a $50 processing fee. • 29 days or less prior to check-in date: No refunds or credits. There are no exceptions to this policy. For your protection and should an unforeseen personal emergency arise, we HIGHLY recommended the purchase of trip insurance. Some credit cards, auto clubs, travel services, or online companies offer travel insurance for nonrefundable expenses. If it’s necessary for either an instructor or PenArt to cancel a workshop, you will receive a full refund of tuition, but not other related expenses. If you drop out of a class once it has started, there are no refunds for any amount.

TRANSFERS

Students may transfer from one workshop to another, space permitting, 30 days or more prior to the workshop for which they are currently registered. A $25 transfer fee for adult workshops and a $15 transfer fee for children and teen workshops will apply. Registrations are not transferable to another person. There is a limit to one transfer per student per year.

WAITING LISTS

When a workshop fills, we start a waiting list. There is no charge to be on a waiting list. If space becomes available we contact the first person on the list. That person has 24 hours to register before we move on to the next.

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REGISTRATION INFORMATION & POLICIES IF PENART CANCELS A WORKSHOP

Occasionally, PenArt must cancel a workshop due to low enrollment, illness or other unforeseen circumstances. If we do, we will notify you as soon as possible. You may register for another workshop (based on availability) or receive a full refund of tuition paid. Notification of cancellation will normally occur three weeks prior to the beginning of the workshop, in rare cases however, it may be less. Peninsula School of Art is not responsible for losses incurred due to housing, personal expenses, travel or other arrangements.

IF THERE IS A CHANGE IN WORKSHOP INSTRUCTOR

Occasionally, a listed instructor is unable to participate because of a change in his or her professional schedule. If we must replace an instructor, we will do so with someone of equal or similar credentials. When time permits, we will inform all registered students.

MEALS & HOUSING

Students have the option to purchase lunch at PenArt for $10 per day. We also provide a microwave and refrigerator for your convenience, if you choose to bring a sack lunch with you. Space is limited and we ask that students be respectful of others. Peninsula School of Art takes food allergies very seriously and is not equipped to handle allergic reactions. If you have specific dietary needs or allergies, bringing your own lunches is your best option. We are not able to accommodate particular food preferences, dietary restrictions or food allergies. Please be advised Peninsula School of Art is not a nut free zone. Peninsula School of Art has a limited supply of housing spaces available for each workshop. Housing is available on a first-come, first-served basis. Housing check-in begins at 3pm the day before your workshop starts and check-out is by 10am on the last day of your workshop. Smoking and pets are not permitted in PenArt accommodations. Housing is for PenArt students only and is available only during the length of your workshop. Additional visitor resources are available on our website.

PETS AND SERVICE ANIMALS

Please leave your pets at home. Pets, other than licensed therapy/service animals such as Seeing Eye Dogs, are not allowed on the grounds, in cars in the parking lot or in PenArt buildings. There are few housing accommodations in Door County that allow pets. If you must bring your pet, ask us about an appropriate local kennel. Peninsula School of Art complies with the Americans with Disabilities Act (ADA). Any student who plans to bring a service animal must notify the Registrar at the time of registration, at which time we may ask if the service animal is required because of a disability and what work or task the service animal has been trained to do. A service animal must be under the handlerâ&#x20AC;&#x2122;s control at all times, and the handler is expected to clean up after the service animal. For more information, please visit - https://www.ada.gov/regs2010/service_animal_qa.html

SPECIAL REQUESTS

Our goal is to meet your needs. Please let us know if you have physical limitations with regards to walking, stairs, vision, etc. The majority of our campus is handicapped accessible, although some studios are not. If your youth or teen student has any learning needs, allergies, or any other special concerns, please let us know when you register and include details on the Health Release Form.

CLASSES FILL EARLY. REGISTRATIONS ARE ACCEPTED ONLINE, BY MAIL OR PHONE. Please print clearly and fill out completely. Mail this form to:

Peninsula School of Art, P.O. Box 304, Fish Creek, Wisconsin 54212 Name:

Date:

Child's Name (if applicable):

Child's Birth Date:

Billing Address: Billing City, State, Zip Billing Phone:

Cell or Local Phone:

Email: Mailing Address (if different from billing): Mailing City, State, Zip:

Course ID

Title

Member Tuition

Non-Member Tuition

Tuition Subtotal Gift Certificate Amount (If applicable, please enclose certificate with registration) Total Tuition Annual Membership/Contributing Membership TOTAL AMOUNT DUE (Membership & Tuition)

o I have read and agree to the registration policies. oCheck enclosed, payable to Peninsula School of Art oro Charge to: o VISA o MasterCard o Discover Name on card: Account #:

Exp. Date: CVV:

Signature:

98 PeninsulaSchoolofArt.org

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CAMPUS MAP

10 11, 12

7 6

3 13

20 21

14 15

17 25 18 26

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.

Student Drop Off Entry Guenzel Gallery Hamming Room - Lecture space and digital arts studio 2D Arts Studio 2D Arts Studio Metals Studio Clay Studio Kiln Yard - Electric and raku kilns Pathway to five additional acres Garret Studio (second floor) Art Resource Library

13. Offices/Administration 14. Children, Teen, Family Studio - the "Barn" 15. Gazebo - Outdoor meeting and student dining area 16. Tent/Outdoor Studio (seasonal) 17. Children, Teen, Family Studio - Tourtelot Studio 18. Madeline Tourtelot Archives and Study Center 19 to 27. Outdoor Sculpture Collection

County Road F

Peninsula School of Art, Inc. P.O. Box 304 3900 County F Fish Creek, WI 54212

Non-Profit Org. U.S. Postage PAID Permit No. 25 LaCrosse, WI 54601

REGISTRATION OPENS Members: January 15 Non-Members: January 29

ONLINE REGISTRATION www.PeninsulaSchoolofArt.org