Kristaq Shabani
VIRTYTI I THYER
3.*** U plagosën PERËNDITË për vdekje, i patë ? . . . Lotët vareshin sikur loznin, shpirtrat të këpusnin zemrën nga dhimbjet; s ka më tronditësçast, kur plagosen Perënditë, pale , kur vriten ! . . . Betejat tragjike të ESKILIT BABA në TEATRO a n t i k e , . . . 4. *** Riplagosen sot komikisht , qeshja varet në shpërthim si k a t a r a k t , Vdekjet k r a h ë t si pole kthejnë , Spaletat duartrokasin shtruar ! . . . nga Majat bien si KUKULLA . . . , bashkë me Aktin e Lëmuar !
KRISTAQ F. SHABANI
VIRTYTI I THYER HUMILIATED VIRTUE «
»
PLAGOSJA E PERËNDIVE
LA VI RTU SPEZZATA
5. *** Virtyti pjell : dy prostitucionet : dy sekse të kundërt. . . , Vesi mbetet vetëm Ves. Nuk mund të kuptohet përfundimi i të dy të mbledhshmëve : Ndëshkimi i përjetshëm i burrit . . . ,
Poezi, Poems ,
, Poesia
AUTOR : SYRI I ZI I ULLIRIT . . .
FIRMA 4
1
Kristaq Shabani
VIRTYTI I THYER
KRISTAQ SHABANI VIRTYTI I THYER HUMILIATED VIRTUE « » LA VIRTU SPEZZATA Poezi, Poems, , Poesia Ideoi kopertinën: Autori
Copyright : KRISTAQ F. SHABANI, 2011 Ku r lotët fillojnë të varen, Virtytet nxitojn të thyhen ... Njeriu në sarkazmë pyet: QENIEN: Ç m ë ka mbetu r nga N JERIU? Qenia hesht në një memecëri te pashembëlltë...Lotët tregojnë vetëm dobësi apo kërkojnë SINONIMET e tyre të fshehura?!... Njeriu humbet pronën e tij të madhe: EMRIN ... Zyrat e GJENDJES CIVILE përpilojnë çertifikata lindjeje m e em ra të rinj... Kom bi shpleks Gërshetën ... Shteti gremiset si meit ... Virtytet e thyera apelojnë: O N JERËZ, MOS N A THYEN I... . AUTORI
SE C I L I MUND TË BË H E T Ç M U N D T Ë B Ë H E T. . . 1.
* Rivrasja e Profetit: Kacavirrja e Majmunit..., Ringjallja e Profetit : Ditën e lexoj së mbari ! . . . !!!
2.
*** TJERI - xhuxh, p l a k u - TJER ra në KURTH me avokatin DYPEN , Kurthi mban firmën : N j e r i u i Trashë . . . ******* Në plejadë marshallësh : TETARI i vogël O L A F ! . . .
K U R T H
Libri është shtypur në shtypshkronjën e Shtëpisë botuese Marin Barleti Tiranë, 2011
2
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Kristaq Shabani 12. *** F A
T I Më sjell N
E perkëdhel si fëmijën e vetëm , i numëroj fletët si ditët , si vjetët . . . Qetohem pas lindjes se krijesës : Habent sua fata Libelli . Horacin : Mauri Terenc . . .
13. * E kuptova që s kam miq : Një ditë që doja të vetëvritesha asnjë sm u afrua të më thoshte : Mosu vrit . . . , Ve\ sytë e qenit tim në vajë të plotë , sikur më thoshin : Mos, mos, IM ZOT . . .
VIRTYTI I THYER
6. Mbret ëri t hipin e zbresin nga Fronet , V i k a r ë t e BREJIT në të njëjtat role , veç ndërrojnë pëlhurat si maska . . .
V I K A R Ë T 7. ** Shkëlqen si dhëmbi i bardhë ( të turmbullon bardhësia e Mermerit ) Poli ndien polin . . . , Kujdesja : Pemë e Misterit me frute të kujdesshëm , rrëzon në pike frute për të thithur mushte . . . Ngjyrimi i bardhë harron ditën , . . . shekullin : Gladiatori shfaq syrin për të mundur Demin !
SKLLAVËRIA E BARDHË
RRËFENJA E VETATENTATORIT 14. *** Nata e parfumuar me Erëza epshin ndjell , Kurva : zallishte e çngjyrosur Partnerin përcjell , E gjata Natë ,
8
8. *** Dua t i ngjaj Murfit si binjak , por smë lënë . . . *** Të luaj POLIDORIN gishti tregues më dikton , Ligësia MBRETËRESHË ul vithet në p o l t r o n ! . . .
POLIDORI 5
KUNDËR MURFIT
Kristaq Shabani
VIRTYTI I THYER
9. * Tund qesen si Fortunali, qesen magjike... Ndoshta qesja është bosh, fare bosh,... Tundja në dorë të Fortunalit të Ri të jep përshtypjen se është plot..., Pa\im qese të tilla përrallore, oj lulebore ?t i tundi ashtu kot , kot , të na ngrohin Mjegullën , Trenat janë si gratë , veç Pritje në Stacion ! . . .
të vitheve të tejlëmuara , që brejnë dëshirat , në qiell të rrëzuara e përpëlitje syri . . . Ah , o mendje , të lidh vapa me të dy duart e padukshme . . .
FATURAT 11. ***
FO RTUN A LI 10. * Kush su prek nga bukuria metise , rritur në vape tropikale : Përvlim . . . Flakë e vampirëve magjepse deh viktimat tek pijnë joshjen e gjinjve të derdhur , tek pikon harbueshem lëng gjiri tërhequr nga dhëmbëbardhët evropianë , në një ritual qejfi , me nota melodiozë barsur *** Linjat mbyllen në aktin final
6
SHQIP
Syri , syrin e tij kërkon . . . U hutua Syri si në një çast pritës; Etja arriti pikë Maksimi : ROSTERE - çmimi i virtytit shpërblen me kurorë trëndafili me të moralshmen vajzë , skuqur nga shikimi : Tapitë e Bukurisë , pronë e nderit . . . ( E lodhshme të gjesh gjilpërë në Labirint . . . ) Një pasthirrmim shpirti lëshon *** dhe një Ah! në finish kthehet në Notë pentagrami, JURIA UNËqejfmbetur, dhe ajo që shkon tek spektri..., Oh,krah i lehtë, oh!...
ÇMIMI ROSTERE
7
Kristaq Shabani rrugën bashkë gjer tek Statujat . . . I hutuar mbeta . . . Homeri i mirë më njeh . . . thirra. Më dëgjuan fqinjët , kokën ktheva . . . Homeri ishte rifutur në statujën e boshuar , Ndriste syri i magjiktë i veprës . . .
VIRTYTI I THYER Nata me ERËZA , nga gjithë Ngjyrat më e plotë : E VERDHA . .
ERËZAT 15. *** V r a s ë si i pezmatuar qan armiqtë e vrarë . . . *** Lotët e dyshimtë s kanë për t u tharë ,
Ë N D Ë R R 21.*
P E Z M A T I M SESILE , o Mbretëreshë e ballos së ndritshme , Qelia gjermane t i ka lidhur këmbët , në PARIS vallëzohet me merak, . . . Çelësat tunden në gjoks të gardianes si kambana orësh , Qelia lidh këmbët , Në ROMË vallëzohet . . .
16. * Edlirta e stërvitur në not , gruazon burrin në gjysmënatë ,
Çudi e madhe po ndodh sot në Glob: Burri po thyhet si XHAM ! . . .
GR
*** Dy sy djegin një zemër , ndjenjave te para u vihet stërkëmth , SESILE , I dashuri harron qelinë gjermane , Në MADRID vallëzohet . . . ( Vallë, ç bëhet në TIRANË ?! ) *** Aktet radhën humbasin : Dy këmbët e kockëta nga Qielli ngrë kjo BOTË . ***
12
17* Peizazhi negativ, ndoshta më i lumturi . . . Si , na , pi ndien përrallën e VRATKOS ; Me majë Lapsi nis sfidën : Hap kolonat memece, kova nxjerr nga puset,
9
Kristaq Shabani varret e pashenja gërmon, skeletet pa qivur i zbukuron me lule lapsi , ( Lapsi këndon Elegjinë . . kokave të mëdha kuskutë u publikon , Kuskuta
VIRTYTI I THYER E P I G O N Ë
që gama e ndjenjave të thotë : Lind Ah , vajza sy bojëqielli u mashtrua nga borgjezi fisnik ! Ah , o shpirt, nga kraharori dil! . . .
zverdh , Imperializmit i heq dhëmbët (Lapsi thyen Hartën . . . ,) Ndeshja me një Dem . . . të papërmbajtur , E ndiej vetminë e tij në karikatura , Karikaturat jetime kërkojne ajrin e lirë , por sistemi hedh hapat si gjysma . . . , por sekonda ta jep lavdin, ngjit në varg tre rrokje : Si + na + pi = SINAPI . . . Vetmia smbyt . . . Karikaturat nga qelitë dalin !
19 * Dlirësia e shtirur : Komediane e lëmuar : Nami i ngjitur: - Kërkuesi i parë , shkeli syrin tërheqës . . . , Poeti , argati më i këndshëm i Lëndinës së bukur , psherëtin dhe pyet : . . . Kur ? Një kopsë e shtrenjtë vetëzbërthehet : T a n i . . . K ë t u! . . . merr përgjigjen . Argati tejhumb!
P U R I T A N E SI ? NA ! PI : . . .
* N D E R SH M Ë R I A N U K Ë SH T Ë P U R I T A N E 18. p o e t ë t
Shekspir ******* Mjafton një varg, vajza, humbet virgjërinë, Mjafton një natë, mendja mbetet shtatzanë , Mjafton vetëm një prush,
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20.* Homeri më ndiqte pas , u çudita ,. . . Kishte dalë papritmas nga Statuja e Parlamentit të vjetër , Teatri antik u step . . . **** I miri Homer , më i mirë se Perënditë e veta , më thirri nga larg : Më prit . . . , ta bëjmë
11
Kristaq Shabani From the Summits they fall like DOLLS Together w ith the Sm ooth and easy Act
THE AFFLICTION OF THE GODS 4.
Virtu e
gives birth to tw o brothels
THE SIGN
Kings ascend and descend
from their thrones. The Vicars of Bregi in the same roles Only that they change their cloths like m asks
THE VICARS 7.
Këmbët papritur çlirohen , Ne qeli, ja fillohet . . . të vallëzohet . . . SESILE , Vallë, ç bëhet në . . .
QELIA E SESILES MBRETËRESHË
to tw o opposite sexes Bad habbits rem ain alw ays the sam e It s d ifficu lt for the resu lt of the tw o p lu s- nu m bers to be comprehended: The Eternal d evine ju stice of Man -WRITER -THE BLACK EYE OF THE OLIVE-TREE
5.
VIRTYTI I THYER
It shines like a white tooth
22. * Ku ta kërkoj ecjen që ma vodhën ? Teatri antik më hap Udhën. Nga makinat dalin ZOTAT. I shpëtoj karficëssë PUTHADORËS . . . Pjatancës së servirjes ( mbajtur në duar qumështi ) më presin GOTAT ! . . . *** Më mirë dy sy të ndezur të më vjedhin vargun , Më mirë një puthje kortezie të më zgjidhë rrugën; Vet Bukuria POETËT i çliron , Mos e humbshin kurrë të FORTLUMTURËN . . . . . . OFELIA përgjigjet , e d ë g j o n ?! . . . .
SHE MBJE
(the w hiteness of the m arble d azzles you ) one Pole feels the other Pole The care of The Tree of mysteries d rips its ju ices so every d rop can be su cked one by one The w hite colour forgets the d ay the centu ry: The gladiator shows his eye to win the Bull!
WHITE SLAVERY! 16
13
Kristaq Shabani
VIRTYTI I THYER
EVERYONE BECOMES WHATEVER EVERYONE WANTSTO BECOME
RISTAQ F. SHABANI HUMILIATED VIRTUE poetry . « »
1.
English translation- Vassiliki Kalahani I.W.A CHRISTAKIS SHABANIS I.W.A, W.P.S HUMILIATED VIRTUE Poetry Editor: Efthimios Hatzeioannou Translator: Kostas Gatzonis
: Copyright Kristaq F. Shabani, 2011 Libri u shtyp në Shtypshkronjën e Shtëpisë Botuese Marin Barleti Tiranë, 2010
Prop het w as killed again.
The Ap e is escalating, clim bing u p w ard s. The Prop het cam e to life once again. Du ring the d ay I read calm ly and clearly.
!!! 2.
:
The
The short- legged one.
The Old Man TIER fell into a trap w ith DYPEN the lawyer. The trap brings the signature: The thick- skinned Man.. the harsh one In the majority of the field-marshals is the Small corporal OLAF
TIER
Introduction
When the tears start to fall, Virtues face humiliation.
3.
Man that is so sarcastic asks the ENTITY: What s left from MAN ; The Entity is silent with an unprecedented muteness. Tears only show weaknesses or d o they seek their secret synonyms; Man loses his big prop erty TH E N AME The Registration Offices com p ile Birth Certificates w ith nam es so new The nation u nknots its Braid The Cou ntry is vanished like a corpse. The humiliated Virtues appeal: OH PEOPLE PLEASE DON T H UMILIATE US! ...
did you see them; Tears fell playing games.. the sou ls ..., the heart... crack open from pain a big heartly, shocking situation as gods are wounded.. let more to say if they are put to death!... The tragic battles of the FATHER AESCHYLUS at an ancient THEATRE They are wounded again today like a comedy Their laugh ready to fall like a waterfall Death changes its wings like magnetic poles Some peole with epaulettes applause silently..
THE WRITER
14
THE GODS are wounded badly
15
Kristaq Shabani
VIRTYTI I THYER
* * 17.
8.
The negative scenery
maybe the most happy one.. Si, na, pi, he listens and feels the fairy-tale of Bratcus with the end of the pencil he provokes.. he op ens colu m ns of silence from the walls he brings out buckets graves without signs he stirs round.. skeletons without boxes he beautifies with the flowers of a pencil. (The pencil sings the Elegy ) On the big heads ivy is revealed. Ivy turns yellow.. It detaches the teeth of Imperialism. (The pencil breaks the Map..) A battle with a heifer that s u nrestrainable I feel its loneliness in the laughing pictures the orphan caricatures that gasp for breath and freed om still the system makes steps that are half and m issing The moment thus gives you the glory On the verse it adds three more syllables Si+ na+ pi=SINAPI*=MUSTARD Loneliness d oesn t d row n you The caricatures of sarcasm Com e out of their cells SINAPI*= MUSTARD
*
20
I want to look like Mourf
like a tw in.. bu t they d on t let me I want to play like Polydoras the ind icator of the hand show s m e The bad-hearted QUEEN w ho sits her hind qu arters on the throne
POLYDORAS VERSUS MOURF * 9.
The bag of coins sw ays like Fortou nalis
The m agic bag of coins The magic bag may be empty The shaking of hand s of the new Fortou nalis The bag gives you the im pression that it s very fu ll I w ish w e had little bags like these com ing from fairy tales Oh Ortansia.., to sw ay them back and forth w ithou t reason.. to let them w arm u s on m isty d ays and nights The trains are like w om en Only to w ait for them at the Station!...
10.
Who w asn t teased by a hybrid beau ty;
She.. brou ght u p in tropical heat A great dagger Eyes of bew itching vampires after their victim s... As they drink the temptation of the well-shaped breasts.. as the breast d rip s its ju ices end lessly and the Eu rop eans d rink it w ith their very w hite teeth like a ceremony of joy.. everyone pregnant with melodic notes The lines close at the final act on the buttocks that are so smooth and fine that they drill the flames of passion on a fallen sky
17
Kristaq Shabani and the flickering of the eye Oh, my opinion, The heat has tied you up with its two hands invisible!..
THE EVIDENCE 11.
An eye asks for an eye
The eye d isconcerts as if w aiting Thirst reaches its peak ROSTERE - a prize of virtue a payment with a wreath made of roses the m ost virtu ou s girl that blu shes w hen looked The carpets of Beauty a self-use of Dignity. (It s tiring to find a need le in the Labyrinth..) An exclamation mark lets an oh .. from the depths of the sou l.. at the final closing m om ent as it p asses a note on the stave The greek magistrate-EGO- disappointed And she w ho goes for victories Oh, quick-winged one, oh!
THE ROSTERE PRIZE 12. Like an only d au ghter I caress her I count her leaves Like days Like years I settle down As nature comes to birth HABENT SUA FATA LIBELI* Bring me Horatius Maouri Terens Luck Every book has its luck
VIRTYTI I THYER
13. I feel it and know it that I haven t got friend s A day that I wanted to commit suicide Noone approached me to tell me: Don t comm it suicid e.. d on t! The eyes of tears From my dog Only As if they were saying Don t d o it MY MASTER!..Don t!.. THE STORY OF THE ONE WHO COMMITTED SUICIDE
14.
A night full of fragrances
full of perfumes and aromas aw akens lu st The whore.. The road spread with gravels with its painting vanishing off escorts the partner The night is so end less A Night full with fragrances from all the colours The m ost perfect one is TH E YELLOW ON E
AROMAS 15. The obstinate killer cries for the enem ies that are killed Tears that are su sp iciou s w on t d ry ou t ..
OBSTINACY 16. Su nrise exercised in sw im m ing Sim ilar to her she m akes the m an as night It s very od d w ith w hat is hap p ening tod ay... Man to break like a w ind ow and glass!
WOM 18
19
Kristaq Shabani
VIRTYTI I THYER
HONESTY ISN T A CONSERVATIVE WOMAN ***
Shakespeare
1. I entered the eye of the sea I swam with eyelids of eyes I left heat back, I left it alone on the breasts of a princess Searching is alw ays a fever you know Am I in a bitter dilemma to cast an anchor on the shores of eyelids;
Gjirokastra 1987
*** 2 . Orphan I am bursting like a bubble from enclosed obstinacy like a bu bble of soap I bu rst Here and there thrown a pile Friendship, Moments of embracement With faces turned down Do they sit these moments A dring melts.., it loses the name The nam e that s cond em ned in the very d eep d arkness!
Tirana 1989
18.
It only asks for a verse
the girl loses her virginity It only asks for a night and the opinion becom es pregnant It only asks for a burning fire and the abundance of feelings will say: I w ill give birth! Oh, the girl with the blue eyes Was su bd u cted by a bou rgeois aristocrat Oh my soul, from my bowels come out!...
DESCENDANT POETS 19.
Hypocratical putity
usual and comical.. The fame that is achieved. -The first one that seeks stepped u pon the charming eye The labou rer poet the most pleasant one in the beautiful pastures and fields sighs and asks When; An exp ensive bu tton u nd oes itself alone. N ow !.. H ere! it receives an answer. The labourer w orker loses everything in the end
THE END
CONSERVATIVES 24
21
Kristaq Shabani
In ROME everyone is d ancing
* 20.
Homer came behind me
I w as pu zzled So suddenly he came out of the statu e of the old parliam ent The ancient theatre ju st stepped asid e Good Homer The kindest one of all his gods Shouted to me from afar: -Wait for me.. wait! Together w e ll go on the road that lead s to the statu es.. Iw as su rprised for a w hile Good H omer know s me! I shouted. The neighbours heard me I turned my head round Homer had got into the empty statue again The magic eye of the act shone so brightly
Two eyes burn a living heart in its very first feelings They trip your feet, SESILE!.., The lover forgets the germ ans cell In MADRID everyone is d ancing (Really, what is happening in TIRANA;!) Acts are losing their order; Tw o legs so bony and thin are held up high in the sky by this WORLD Sud d enly the legs are released In the cell they are starting again to d ance Really,, what is happening in the CELL
*
Sesile, oh, Queen of dance
fu ll of sparkling rays The cell of the germans has tied up your feet In Paris Everyone d ances w ith joy The keys go to and fro on the chest of the woman- guard like a bell w ith w atches The cell ties your feet
22
SESILE!
OF QUEEN SESILE; * 22.
DREAM
21.
VIRTYTI I THYER
Where can I ask for the stride
the personal strid e they stole from me; The ancient theatre opens a road to me: From the cars Gentlemen come out I am released from the brooch of FLATTERIN G! On the shallow plate that is served (that is held by hands white like milk) the GLASSES await for me!... Much better are two eyes inflamed read y to steal the verse from me Beauty alone frees all the Poets... N ever lose a thing that is happ y BENEFIT is answering now, do you hear it;
23
Kristaq Shabani
VIRTYTI I THYER
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VIRTYTI I THYER
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VIRTYTI I THYER
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Kristaq Shabani
VIRTYTI I THYER .
* * * Il ferimento dei Pantheon ! Si feriscono di nuovo oggi comicamente la risata si appende nell esplosione come cattarata le morti , le ali come poli voltano i gradi applaudono tranquillamente ! ...dalle Cime cadono come Bambole... insieme con l atto raffinato! * * *
1989
TRAPPOLA Tjeri nano il vecchio Tjer è caduto nella trappola con l avvocato Dypen La trappola mantiene la firma: L uomo grosso Nelle pleiade di marescialli il piccolo Caporale Olaf . * * *
I re scendono e salgono dai froni, i Vicari di Breji negli stessi poli soltanto cambiano le tele come maschere...
I VICARI
40
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Kristaq Shabani
Kristaq F. Shabani La virtu spezzata Tradutore: Aleksandra Shabani Quando le lacrime cominciano a versarsi, Le virtu si affrettano a spezzarsi... L uomo in sarcasmo domanda: L esistenza Che mi è rimasta dall uomo? L esistenza tace in una mutezza incomparabile... Le lacrime dimostrano soltanto debolezza oppure cercano i loro Sinonimi segreti ?!... L uomo perde la sua grande proprieta: Il nome... Le uffici dello stato civile compilano le metriche con dei nomi nuovi... La nazione sbroglia La Treccia ... Lo stato si ribalta come smorto... Le virtu spezzate si appellano: O gente, non ci spezza... L autore
VIRTYTI I THYER
OGNUNO PUO DIVENTARE CHE PUO DIVENTARE * L omicidio di nuovo del Profeta: l arrampicamento della Scimmia..., la risurrezione del Profeta: Il giorno lo leggo cosi come è. !!!
*** Sono feriti i Pantheon a morte li avete visti ?... Le lacrime si appendevavano come se giocavavano, gli spiriti ti troncavavano il cuore dai dolori; non cha momento piĂš sconvolto che quando si feriscono i Pantheon, e poi un momento quando si ammazzano !... Le battaglie tragiche di Padre Escili in Teatri antici... La virtu parte due prostituzioni: due sessi contrari... Il vizio si rimane soltanto vizio. Non si puo capire la conclusione dei due retrattili: La punizione eterno dell uomo... , Autore: L occhio nero dell olivo...
LA FIRMA 38
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Kristaq Shabani come i giorni, come gli anni.
VIRTYTI I THYER * * *
Mi calmo dopo la nascita della creatura: H abent su a fata Libelli Mi porta A Orazio: Maur Terenz.
LA FORTUNA *** L ho capito che non ho amici: Un giorno che mi volevo suicidarmi nessuno non mi è avvicinato a dirmi: N on ti su icid i..., Soltanto gli occhi del mio cane pieno in lamento e come se mi dicevano: N o, non m io signore
IL RACCONTO DEL SE STESSO ATENTATORE *** La notte profumata con delle erbe aromatiche la passione sedurre la putana: cosparso di ghiaia svanita Compagno accompagna..., La lunga notte la notte con delle erbe aromatiche con tutti i colori
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Splende come il bianco dente ( ti intorbidisce la bianchezza di Marmo ) Il pole sente il pole..., La carezza: L albero dal Misterio con fruti solleciti, abbate nei punti fruti per poppare mosti... Il bianco colorazione dimentica il giorno .... il secolo: il Gladiatore dimostra l occhio per lottare il Toro!
LA SCHIAVITU BIANCA * * *
Voglio che gli assomiglio a Murfi come gemello ma non mi lasciano... Giocare a Polidor il dito indice mi svela, La malvagita reggina abbasa le natiche nel poltrone !...
POLIDOR CONTRO A MURFI * * * Scuota il portamonete come Fortunal, il portamonete magico... Forse il portamonete è vuoto quasi vuoto,... La scossa in mano del nuovo Fortunali ti d a l im p ressione
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Kristaq Shabani che è pieno..., che abbiamo tali portamoneti
e balbettio d occhio... Ah, mente ti lega il caldo con le due mani invisibili...
favolosi o ortensia che li scuoti cosi inutilmente, inutilmente
LE FATTURE ***
che ci riscaldano la Nebbia I treni sono com e d onne soltanto attesa in stazione!...
FORTUNALI
ALBANESE
* * * Chi non si è toccato dalla bellezza meticcia cresciuta in caldo tropicale: Bollimento... fiam m a d ei vam p iri incantevole eccita le vittime mentre bevono l alletamento d elle mamm elle scorri m entre sgocciola fu oribond o liqu id o d i m am m ella tirato dai denti bianchi europiani, in un rituale di piacere, con note melodiose impregnate. Le linee si chiudono nell atto finale delle natiche liscio al di la che rosicchiano i desideri nei cieli falliti
VIRTYTI I THYER
L occhio, l occhio cerca... si è d istratto l Occhio come in un attimo accogliente; La sete ha giunto punto di Maxim Rostere il p rem io d i virtu si ricompensa con corona di rosa con la moralmente ragazza, arroventata dallo sguardo: I titoli di proprieta della Bellezza, la proprieta d ell onore... ( E stanco trovare ago in Labirinto... ) Un interizione d anim a lascia and are Ed u n Ah ! alla fine si torna in Nota di pentagramo La giu ria Io e quella che se ne va verso lo spettro oh, braccio leggero, oh !...
IL PREMIO ROSTERE *** L accarezzo come bambino unico, le conto le pagine
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Kristaq Shabani m i conosce ... ho chiam ato Mi hanno sentito i viccini la testa ho voltato Omer era rientrato nella statua vuota... Splend eva l occhio m agico d ell op era... Sogno *** Sesile reggina dello splendido ballo. La cella germana che ti ha legato le gambe a Pariggi si d anza con preoccupazione... Le chiavi si scuotano nel petto della guardiana com e cam p ane d i ore La cella lega le gambe,... A Rom a si d anza... Due occhi bruciano un cuore ai primi sentimenti ce li mette un grande ostacolo, Sesile, L am ato d im entica la cella germana,... A Mad rid si d anza ( Forse m ai che accad e a Tirana ? ! ) Gli atti il filo perdono : Du e gam be d osseo d al Cielo alza qu esto Mond o . Le gambe improvvisamente si liberano,
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VIRTYTI I THYER p i첫 p ieno: Il giallo . Le erbe aromatiche *** L om icid a com e irritato piange i nemici uccisi... Le lacrime dubbiose non c hanno p er asciu garsi .
L IRRITAZIONE *** Do... Pu ra allenata in nuoto d iventa d onna il m arito in mezzo di notte, Grande incanto sta accadendo oggi nel globo Il m arito si rom pe com e Vetro !... *** Paessaggio negativo forse il pi첫 felice... Come ? Prendi ! Bevi ... sente la favola di Vratkos; Con cima di matita comincia la sfida: Apre le colone mute, il secchio ricava dai pozzi le tombe senza segno scava gli scheletri senza feretro li adorna con fiore di matita
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Kristaq Shabani ( La m atita canta l Elegia... alle grande teste di erba fumaria le pubblica erba fumaria si ingialla, all im p erialism o gli toglie i denti ( La matita rovina la mappa... ) L incontro con u n Toro... incontenibile La sento la sua solitudine in caricature ... le caricature orfane cercano la libera aria, ma la sistema butta i passi come mete... ma il secondo te la da la gloria incolla in versi tre sillabe: come + prendi+ bevi = Comeprendibevi ...La solitudine non soffoca... le caricatu re d alle celle escono!
VIRTYTI I THYER nobile Ah, anim a d al petto esci !... * Purezza finta: Comediana raffinata: Repu tazione incollato Il p rim o cercatore, ha calp estato l occhio attrativo... Il p oeta bracciante p iù gentile del bellissimo Prato sosp ira e d om and a: ....Qu and o ? Un bottone caro si fa sbattonare da solo: Ad esso .... Qu i ! ... prende la risposta. Il bracciante p erd e d all altra p arte. Puritana
***
COME ? PRENDI ! BEVI... *** I poeti Epigon L onore non è p u ritana
Sheksp ir
Basta un verso, la ragazza perde la verginita, Basta una notte, la mente rimane incinta, Basta soltanto un brace che la gamma dei sentimenti ti d ica: N asci.... Ah, la ragazza ad occhio celeste si è fatta ingannare dal borghese
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Omer mi seguiva dietro mi sono incantato,... Era uscito improvvisamente dalla Statua del vecchio parlamento. Il Teatro antico si è indietreggiato... Il migliore Omer, il più migliore che i suoi Pantheon. Mi ha chiamato da lontano: Aspettam i ..., che lo facciam o la strada insieme fino alle Statu e... Istupidito sono rimasto Il m igliore Om er
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Kristaq Shabani growing need to have a spiritualistic way of life. In brief, this collection tackles broader structures of the literature which nowadays is referred to as ¯ post-post modernism . Kristaq F Sh aban i verse, like Ezra Pou n d H u gh Selw yn Mauberley (Contacts and Life) speculate about the hopelessness of a m od ern m ind p itted against civilization s od d ities. Self clashes w ith self d ep icting the su p erficial p roblem s of self-centered p eop le and leave u s am id aban d on m en t an d cataclysm . Kristaq w rites in Introduction in Humiliated Virtue: ¯ When the tears start to fall, Virtues face humiliation. Man that is so sarcastic asks the ENTITY What is left from MAN; The Entity is silent with an unprecedented muteness. Tears on ly sh ow w eakn esses or d o th ey seek th eir secret synonymns Let u s com p are these sentim ents from Part V of Pou nd s H u ge Selwyn Mauberly: ¯ There died a myriad And of the best, among them, For an old bitch gone in the teeth, For a botched civilization This volume of Shabani is one of the more completely realized and artistically accomplished volumes I have seen in recent past. The u nd erlying elem ents of Pu ritanism in the book are it s hallm ark and there is a sm oother show of violence and tend erness in his lines. What is left of MAN besieges the readers with regard to hopelessness that loafers arou nd not in the d arkness ou tsid e bu t w ithin. Shabani s all efforts as I m ove throu gh his book convinces m e of his astu te d eterm ination to coax the light ou t of d arkness w ithin and then submerge it with greater conscience. ¯ Moments of embracement With faces turned down Do they sit these moments A d ring m elts it loses the nam e The name that is condemned in the very deep darkness. Orphan in Humiliated Virtue There are half-hidden images in above lines-the images that evoke a sense of formlessness but keep stirring. ¯ A very deep darkness is a silhouette against the stirrings of hidden light. I have reasons to find
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VIRTYTI I THYER in cella ecco si comincia... che si danzi Sesile forse mai che accade a ..... La cella di reggina Sesile *** Dove la cerco la cam m inata che m e l hanno ru bato? Il teatro antico mi apre la Strada Dalle macchine escono i Dii. Gli scap p o alla forcina d el m ano bacciato... Alla pietanza del servizio ( mantenute nelle mani di latte ) mi aspettano i Bicchieri ! Meglio due occhi accesi che m i ru bino il verso Meglio mi baccio per cortesia che mi svolga la strada. Soltanto la bellezza i Poeti li liberi non la perdorono mai la più felicissima .... Ofelia si rispond e la senti?!...
L ABBATIMENTO
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Kristaq Shabani
VIRTYTI I THYER
By K. K. SRIVASTAVA,I.W.A NEW DELHI, INDIA ¯ For every poet it is always the morning in the world, and History a forgotten insomniac night; History and elemental awe are always our early beginning, because the fate of poetry is to fall in love with the world, in spite of History. Derek Walcott Any article, critical one at that (I leave the hazard s of w hat is m ea n t by th e w or d ¯ cr itica l w r itin gs to th e im a g in a tion of d istingu ished au d ience p resent here) w ill not start on a ju d iciou s note unless the writer of that article is sure about the relationship that exists between the background and the figure that will be the subject matter of such an article. Let me place my cards on the table. In one of the articles I wrote on the Poetry of Wendy Webb recently, I tried to explain that relationship and I reproduce the excerpts: ¯ The w orld of p oetry is not a facile and straight w orld . It is a world characterized by hostile presence of structures, firm and high, cru m bling and d w ind ling, having acu te fru strations and severe conflicts, w ith p erceivable areas of d arkness and hid d en areas of illumination, varied and skewed, but enlightening always trying to bring to the fore bu ried p otential of w ord s. It is a w orld fu ll of dichotomies: pleasures and perils, love and hatred, gains and losses all are intermingled but unaccountably. The onus of explaining that unaccountability rests with the writers, a term that mercifully includes poets too. The word ¯ mercifully used here is to remind ourselves that poetry as a genre is exhibiting a decreasing trend all over the world w ith n o big p u blish ers as takers for p oetry books an d n o big read ership . It is really a strange w orld -it s strangeness m akes the textu re of life of p oets and it s strangeness form s the w rap and the w oof of w hat w e call p oetry: good or bad . There is really no good poetry or no bad poetry-a poem is a poem as perceived by the readers. Perception again is motivated by personal experiences and motives. The fact that even after about fifty years of their having been penned, let m e take an exam p le of a H ind i poet from m y ow n cou ntry i.e.
Muktibodh, whose poems, longer ones in particular still continue to be subject matter of a great debate and discussion as regards their real motive and meaning, speaks a lot of an unending tendency of readers cutting across all cultures to keep absorbing newer and newer facets of long existing poems. That is one way history of literature ensures that obscurity melts away as time passes by. So aptly writes T.S.Eliot in his poem, A Note on War PoetryIn the effort to keep day and night together; It seems just possible that a poem might happen To a very young man: but a poem is not poetryThat is a life. ¯ But the abstract conception Of Private experience at it s greatest intensity Becom ing u niversal w hich w e call ¯ poetry Though a poem has a life but it does not die. It dies the moment people stop reading it or looking at it. No poem thus dies or ceases to exist as no one on this earth can ever guarantee that a poem, however obscure and nebulous that might be, will never be read. (The whole article can be reached at www.agonia.net under Essay titled The Poetry of Wendy Webb by K.K.Srivastava) The above citation is primarily meant to convey the general milieu about the prevailing poetic scene and the troubling contexts against which poets pen their verses. There is hardy any denying that many voices, in the hu m d ru m w orld of contem porary p oetry, now ad ays d on t captivate u s. They d on t as they have their d im ensions u nable to stir the conscience of readers, readers find it hard to mingle their dreams and realties as well with these voices, they find in difficult to p erceive their id entities as su bm erging into these voices. It is the ¯ p rofou nd p leasu re that one seeks in p oem s, it is the ¯ emotional tranquility that one gropes in for in poems, it is the ¯ bliss of solitude that one aspires for in a poem. Recently I have had the occasion to sate my intellectual appetite in terms of pleasure, tranquility and bliss in the form of my reading Kristaq F Shabani intellectu ally insp iring collection of p oem s Humiliated Virtue (translated by Kostas Gatzonis). It resonates with echoes of the Greek mythology. It is a collection that addresses bigger and m ore versatile issu es that m od ern p hilosop hy brings to poets and w riters, reinforced by constant cu ltu ral reorientation w hich in tu rn m ixes together anxieties of m od ern hu m an beings w ith the
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ARTICLE BY INDIAN POET, K K SRIVASTAVA, READ IN ALBANIAN CONFERENCE RECENTLY Critical Article on Kristaq F Shabani s book Humiliated Virtue
Kristaq Shabani
VIRTYTI I THYER
and em otional tou ch-som etim es in harm ony w ith The EGO , the tough and fiery one, in the shape of a proud man, bold and clever. The hu m iliated Virtu es ap p eal:/ OH , PEOPLE, PLEASE DON T H UMILIATE US! (Introduction of the book, excerpt)
traces of influ ence of w ritings of N ietzsche in Shabani s p oetry. ¯ The Prophet was killed again. The Ape is escalating, climbing upwards The Prophet came to light once again, During the day I read calmly and clearly. Everyone Becomes Whatever The Gods are wounded badly Did you see them.. TRAP Remember the description by Nietzsche of the market crowded w ith hu m an beings, gossip ing and pu rchasing, w alking aim lessly when suddenly a naked man came running shouting ¯ God is dead. God is dead. And then blamed the crowd for having killed God. And the crowd, in turn, baptized that man as ¯ mad. For Shabani, as it was for Nietzsche, poetry is an experience that goes beyond words despite the uneasiness that accompanies being an intellectual in rebellion as Shabani is. Shabani qu estions throu gh his p oem s rationality of thou ghts w hich are su bject m atter of his im aginative gam e and emotional ambivalence. He questions the order, autocratic orders to which are subordinate human beings. He comes so close to Auden who writes, ¯ When he laughed, respected senators burst with laughter, And when he cried the little children died in the streets. W. H. Auden in Epitaph of a Tyrant Hand And again w ith Pentti Saarikoski, the poet from Finland ¯ Tyrants were People Who undressed And got dressed Worked into the small dark hours Invitation to the Dance Kings ascend and descend From their thrones. The ¯ Vicars of Bregi In the same roles Only that they change their cloths like m asks The Vicars in Humiliated Virtue This is where images of past and present become one; the poet continu ally looking from the center of an old civilization into the
Nadia-Cella POP, Romania
Christaki Shabani is a writer in the area of Albanian literature, where surely he has a lot to offer to the world of intellectual thought, surpassing the narrow geographic boundaries of his own country. In this certain time of dramatic political and social developments, where Europe and specially the Balcanic regions are found literally in the eye of the cyclone of the so called N ew Ord er of Things, the d eep p rophetic, restless spirit of Christakis Shabanis travels in his w ork into a world of new dimensions. Restlessness and optimistic thoughts, uncertainty and certainty, reality and fantasy, realism and mythology, modernism and tradition are presented in a very impressive plot in his work, showing the revealing abilities and the dynamic sources of Christakis Shabanis w ho send s w orld w id e m essages of very high spiritual values. Sensational love, love, justice equality, hope, are just a few of the elements that the read er m ay see in Christakis Shabanis s work. The work that we are now presenting to you is just a small pretaste of his all literal contribution as we so anxiously expect his new poems to be published in the nearby future. His work: The free Prophet . The pasture of the Nymhs . Man- property of three cou ntries and I m one note m ore on the stave . Athens, January 1998 Efthimios Hatzeioannou Writor- Ed itor of ATTICA LETTERS -GREECE
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Kristaq Shabani prospects of contemporary life. The aura of sycophancy he abhors. Looking back at short, thought provoking poems of Humiliated Virtue one wonders if the poet has overcome ruptured images of the conflicts between good and bad or still he has to overcome these as often times we find him providing us a psychological armour to his readers to cope with their anxieties. He suggests ÂŻ the night is so end less A night full with fragrances From all the colours AROMAS Kristaq is intellectu ally gracefu l, eru d ite, know led geable and dreamy. In his poems it is easy to notice thoughts disappearing into images, to appreciate his recourse to Greek mythology, to be stunned with originality and artistic exuberance of poems and above all to see ÂŻ the p earls of his literary achievem ents. H e w rites w ith as m u ch passionate energy as is possible covering an impressive array of topics. His kaleidoscopic mind touches virtually everything from mundane to metaphysical, personal to political catching a variety of moods and perspectives. Most refreshing phenomenon about his poetry is that he is not a self obsessed poet and he enjoys illuminating the world both internal and external in all their radiance. Written in free verse his poems have rhythm and are lyrical, beautiful blend of time and space. He locates the self in the backwash of history and culture and portrays his feelings w ith the solitu d e of an observer. H is is a voice ample strong and eerie. Built up from details his poems are deep and intense posing eschatological and p hilosop hical qu estions w hich I sincerely hope the honoured poets, writers and artists participating in this international sym p osiu m w ill ad d ress d u ring 8th Ap ril to 11th April 2010. NOTE:(This article w as read ou t at an International Sem inar held at Albania on 11th April 2010)
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VIRTYTI I THYER
KRISTAQ F. SHABANI POETRY BOOK HUMILIATED VIRTUES
A short comment by Nadia-Cella Pop For the p oet Kristaq Shabani, u nd erstand ing of the life and reality, in m otion an d clash , all th ese m ean a p u lse, a sp ecial m ovem ent. Of cou rse, there is a relationship betw een w ord s w ealth and poet s personality. The poet know s things, he analyses, making a sp eech for his read ers, p oetically short, in a d ialogu e w ith hu m an entity. When the tears start to fall, Virtu es face hu m iliation./ Man that is so sarcastic asks the entity: What s left from MAN . (an excerpt from Introd uction) The poet takes colours, shapes, feelings from the real world in ord er to bu ilt a jigsaw p ictu re . H is literary w ork d oes not contain imagery, he wants to leave the pleasures of imagination to the readers. He just offers a group of elements. Th e Prop h et w as killed again / Th e Age is escalatin g, clim bing u p w ard s./ The Prop het cam e to life once again./ Du ring the d ay I read calm ly and clearly. The lingu istic seekings of the p oet are variou s, his sp eech is ready to be delivered to many categories of poetry readers. Kristaq Shabani likes to be close of nature, love, classical literary works or social matters. So, we can see the intensity of his searchings, his struggle for real subjects of life. H ypocritical p u tity / u su al and com ical / The fam e that is achieved . (the poem Descend ant Poet ) The fictional encounter of Homer makes him to be troubled, is a call for Kristaq to go on the read of statues, those eternal testimonies that enlighten and rule our modern world: Shou ted to m e from afar:/ Wait for m e w ait!/ Together w e ll go on the road / that lead s to the statu es. (excerpt from Dream ) Kristaq Shabani has a register of m ood s and free intellectu al contacts that make him to be a storyteller of thoughts and actions, in a personal manner of the diverse forms of interpretation. Without to waste poetical means, his eyes see the effects or reasons of existence
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Kristaq Shabani Eol, I pray to you , The Splend ou r f the Cross , I am a note on the Pentagram , Elegy of the Angel , Are god s m ortal , The sw arthy Girl w ith a Chingon , The Broken Virtue , Mortal Epigram and the d ancing of the Dream , Au tu m n s Joy , Tw o Possessives , «The Opening of the Curtain»,«A passage of answers in a mirror of the soul» the poetic volume (Ezmerka me topuz, a Seat in Heavens, Two pronors) Chrisanthemus II. Prose: The Su bject of the Fatal N ovel, The freed Prophet Sketches & Stories, The asphyxia of Ruiners , The Brid es Mead ow , Reflex in the Waterfall (Self Anthology) 1, 2 for child ren, Sara N ovel for child ren, Kristina N ovel for child ren, Villas of the Form ations (The Braid of the Su m m er) N ovel, The colored Fainting N ovel, «Trenjerw zori d he nw nta novel III. Publicistique: Vitality , Th e Iten erary of th e m agic , Jorgo Bou kas , Sp iritu al connection , The m agic of the qu een Chestnu t , The rep orter , The p earl , Intellect 2001 , Intellect 2002 Anthology Op en lane 1 in Albanian au thors of the literary association Pegasi and 90 p oets from the w orld Open lane 2, 3, 4 English, Greek, French, Italian, Sp anish Pegasiad a 1 IV. Comedy The yellow w orm - spid er , The rotten night V. Literary criticism The blu e lane critiqu e, recence, analytics, The Wind of the Shu nning Analitycs, The lie w ith the Ring Diagram , H oroscope based on the Stars of Know led ge Essay, There w here the Sw allow s pay their H om ages
VIRTYTI I THYER
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VI. Translations
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1.. Th e ga llop in g of th e blu e h orse w riten by Pa n a jota Hristopulu Zalone 2. (Peace.... I am afraid) 3. ETERN AL TIME Leta Kucohera 4. Painting in a w hite sea , Panagiota Zaloni 5. KISSED BY TH E H EA VEN LY STA RS IRO ALEKSANDHRAKI
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Kristaq Shabani
VIRTYTI I THYER
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26.01.2010
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CURRICULUM VITAE Personal Information Name: KRISTAQ Father: FORI Surname: SHABANI Place of birth: Lliar, Zagori, Gjirokastër Living place: Gjirokastër (lagjja 18 Shtatori Pallati 87/4) Fam ily origin: Intellectual. Father, Fori, University d egree; grad u ated abroad , in Greece; Grandfather Athanas Shabani, University degree, American, Canadian, Greek citizenship. He lived in Canada and NEW YORK (SHBA) for 60 years. Profession: Teacher. Actu al p osition: p rofesionist w riter. Mem ber of the Albanian w riters and artists Association, honou red m em ber and m em ber of the International writers Association IWA with headquarters in Ohio USA, W.P.S. (World Poets Society) , honoured member of the writers and p oets Association Xasteron - Zaloni Athinë, Greece. Foreign Languages: Perfect knowledge of Greek, Italian; Good knowledge of Russian. From 1995 in p rogress he is a jou rnalist of the Eu roelliniki newspaper. Education: High school degree University degree, faculty of Languages & Literature The academy of Land Forces (multi-machines), Tiranë University Lu igj Gu raku qi Shkod ra, Facu lty of H istory & Geography Several training cou rses in the literary, p u blicity and m ilitary fields Literary experience: Defined by others: I. Poetic works: The p u lse of p ain , Tu rn arou nd to Pom ona , A seat in H eavens , The Oasis Yellow strips , The breathing of the m an , The Shining Med allion , The Trinom ial f the Tw ittering , The fifth Season , I light the lip s of Tim e , The inborned Asthm a ,
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Kristaq Shabani
PERMBAJTJA
S E C I L I MUND TË BË H E T ............................................. 3 Ç MUN D TE B Ë H E T. . . ......................................... 3 !!! ..................................................................................................... 3 K U R T H ................................................................................. 3 PLAGOSJA E PERËNDIVE ...................................................... 4 F I R M A ....................................................................................... 4 V I K A R Ë T .......................................................................... 5 SKLLAVËRIA E BARDHË ....................................................... 5 POLIDORI KUNDËR MURFIT .............................................. 5 F O R T U N A L I SHQIP ...................................................... 6 F A T U R A T ............................................................................... 7 ÇMIMI ROSTERE .................................................................... 7 RRËFENJA E VETATENTATORIT............................................ 8 E R Ë Z A T ................................................................................... 9 P E Z M A T I M .................................................................... 9 GR ............................................................................................... 9 SI ? NA ! PI : . . . ........................................................................ 10 N D E R S H M Ë R I A ........................................................... 10 N U K Ë S H T Ë P U R I T A N E ..................................... 10 P U R I T A N E ................................................................... 11 Ë N D Ë R R ........................................................................... 12 QELIA E SESILES MBRETËRESHË .................................... 13 S H E M B J E .............................................................................. 13 EVERYONE BECOMES WHATEVER EVERYONE WANTS TO BECOME .................................. 15 TIER ......................................................................................... 15 !!! ................................................................................................... 15 THE AFFLICTION OF THE GODS ........................................ 16 THE SIGN .................................................................................... 16 THE VICARS .............................................................................. 16 WHITE SLAVERY!..................................................................... 16
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VIRTYTI I THYER 6. With the white birds of the sky JOTA FOTIADHI 7. Vasiliki Kalahani The Love of the Sky burns me POEMS VII. Inclu d ed in the Anthology With the flam e of creation Xasteoron Zalone 1,2 Greece. H is creations are inclu d ed in m any literary Anthologies and Almanachs in the world. ALMANAC 2008 Mongoli, Montonegro, Kosovo, Brazil, Italy, Fyrom H is p oetries, esp ecially those taken from his book A seat in H eavens are published in the Keleno periodical magazine, Pensa aqu i Brasil, Pom ecia N otizie Italy and m any other m agazines throu ghou t the w orld . Du ring all this tim e he has pu blished in the p eriod ical literary p ress in Alban ia from th e year 1974 in th e m agazines Ylli , N entori , 10 Korriku , Shqiptarja e re , as w ell in the new sp ap ers Drita , Zeri i rinise , Mesu esi , Bashkim i , Zeri i pop u llit , Pararoja , Java etc. VIII. Chief of the new sp ap ers Pegasi ed ition of the Writers Association Pegasi and the m agazine Pegasi 2007, new sp ap ers Intelekt 2001 , Çilter (ed ition of the coord inative cou ncil of the civil society of the sou thern territories); new sp ap ers Shep eri , Lliari , Labove e Kryqit , N ivan i , Katu n d ish ta , Zh eji , Doshnica , Falim d he shp resojm e , si d he Reza Prolog etc. IX. Kristaq is the iniciator of the Pegasi m ovem ent for a transform ed Literatu re and a Universal exchenge of Valu es . H e has taken p art in som e national and International literary activities. Winner of m any International p rices. Ed itor of a thou sand literary w orks in Albania in every literary genres, as w ell m otivator of the translation of the Albanian Literatu re in m any foreign langu ages. Id eator and organisator of the national and international literary activities. Pegasi has its baranches in the w hole su oth of Albania as well in Athens, Greece, Kosovo and the whole world. In the Pegasi n ew sp a p er a r e p r op a g a ted in Alba n ia n La n gu a ge a n d oth er languages nearly 300 poets from the world from the translators Kosta Gaxhoni, Aleksandra Shabani, Mirela Dudi etc. The 32nd edition of the newspaper Pegasi is translated in seven languages of the world.
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Intervista A society, which does not administer the brain and its progressive bursts delays and stationes the continuance International Sym p osiu m Mu se of p oetry Pegasi 2008 w ith su bject for a d ifferent literatu re May 2008 In ter n a tion a l Sym p osiu m Mu se of p oetr y Pega si 2009 CONTEMPORARY POETRY, Aprill 2009 Third International Sym p osiu m MUSE OF POETRY PEGASI 2010 WITH SUBJECT Magic of translation , APRIL 2010 w ith the participation of many poets from the country and the world. President of the International Association of poets, writers and Artists PEGASI ALBANIA
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POLYDORAS VERSUS MOURF ............................................. 17 THE EVIDENCE ........................................................................ 18 THE ROSTERE PRIZE ............................................................... 18 AROMAS .................................................................................... 19 Obstinacy .................................................................................... 19 WOM ....................................................................................... 19 HONESTY ISN T A CONSERVATIVE WOMAN ............. 21 DESCEN DANT POETS............................................................. 21 CONSERVATIVES .................................................................... 21 DREAM ....................................................................................... 22 OF QUEEN SESILE; ............................................................... 23 THE END .................................................................................... 24 « , ...» ....... 26 !!! ................................................................................................... 26 ....................................................................................... 26 .............................................................................. 27 .............................................................................. 27 ! ................................................................ 28 ...................................... 28 « » .............................................. 29 ........................................................................ 29 « » ....................................................... 30 ................................................... 31 ........................................................................... 31 .... ........................................................................................ 32 ...................................................................................... 33 « » ................................................. .. 33 ......................................................... 33 ............................................................................. 34 ....................................................................................... 34 « »........................ 35 OGNUNO PUO DIVENTARE CHE PUO DIVEN TARE ............................................................... 39 LA FIRMA .................................................................................. 39
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TRAPPOLA ................................................................................ 40 I VICARI .................................................................................... 40 LA SCH IAVITU BIAN CA ....................................................... 41 POLIDOR CON TRO A MURFI .............................................. 41 FORTUN ALI ALBAN ESE................................................ 42 LE FATTURE ............................................................................. 43 IL PREMIO ROSTERE ........................................................ 43 LA FORTUN A ........................................................................... 44 L IRRITAZION E ........................................................................ 45 COME ? PREN DI ! BEVI... ...................................................... 46 L ABBATIMEN TO .................................................................... 49
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