20th Century & Contemporary Art [catalogue] by PHILLIPS

20th Century & Contemporary Art Evening & Day Sales New York / 7 & 8 December 2020

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20th Century & Contemporary Art Department Evening Sale

Day Sales

Head of Auctions, Head of Evening Sale

Head of Sale, Morning Session

Amanda Lo Iacono +1 212 940 1278 aloiacono@phillips.com

John McCord +1 212 940 1261 jmccord@phillips.com

Cataloguer

Head of Sale, Afernoon Session

Carolyn Mayer +1 212 940 1206 cmayer@phillips.com

Rebekah Bowling +1 212 940 1250 rbowling@phillips.com

Researcher/Writer Brittany Jones +1 212 940 1255 bjones@phillips.com

Associate Head of Day Sales

Administrator

Annie Dolan +1 212 940 1288 adolan@phillips.com

Brooke Reese +1 212 940 1312 breese@phillips.com

Associate Specialist, Morning Session

Patrizia Koenig +1 212 940 1279 pkoenig@phillips.com Cataloguer, Afernoon Session Avery Semjen +1 212 940 1207 asemjen@phillips.com Administrator Ariel Fishman +1 212 940 1264 afshman@phillips.com

20th Century & Contemporary Art Evening & Day Sales New York / 7 & 8 December 2020

Auction & Viewing Location

Sale Designation

450 Park Avenue New York 10022

When sending in written bids or making enquiries please refer to these sales as NY010720 or 20th Century & Contemporary Art Evening Sale, NY010820 or 20th Century & Contemporary Art Day Sale, Morning Session, and NY010920 or 20th Century & Contemporary Art Day Sale, Afernoon Session.

Auctions Evening Sale Monday, 7 December, 7pm (lots 1–38) Day Sale, Morning Session Tuesday, 8 December, 10am (lots 101–238) Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts Tuesday, 8 December, 2pm (lots 301–319) Day Sale, Afernoon Session Tuesday, 8 December, 2:30pm (lots 401–572) Please register to bid online, absentee or by phone. Viewing by appointment 30 November–7 December Contact AppointmentsNewYork@phillips.com or +1 212 940 1200 to arrange your visit

Absentee and Telephone Bids tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com

Executives Edward Dolman

David Norman

Jamie Niven

Chief Executive Ofcer

Chairman, Americas

Senior Advisor to the CEO

+1 212 940 1241 edolman@phillips.com

+1 212 940 1280 dnorman@phillips.com

+1 917 880 2532 jniven@phillips.com

Cheyenne Westphal

Jonathan Crockett

Hugues Jofre

Global Chairwoman

Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Senior Advisor to the CEO

ÂŠ Brigitte Lacombe

+44 20 7318 4044 cwestphal@phillips.com

+44 207 901 7923 hjofre@phillips.com

+852 2318 2023 jcrockett@phillips.com

Arnold Lehman Senior Advisor to the CEO +1 212 940 1385 alehman@phillips.com

Deputy Chairmen & Chairwomen

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Peter Sumner

Miety Heiden

Worldwide Deputy Chairman

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Head of Private Sales

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

+44 20 7318 4063 psumner@phillips.com

Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Elizabeth Goldberg

Deputy Chairwoman, Americas, Worldwide Head of Photographs

Deputy Chairman, Americas, Head of Business Development, Americas

Deputy Chairwoman, Europe, Senior Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Americas, Senior International Specialist, American Art

+32 3257 3026 mhoet@phillips.com

+1 212 940 1239 egoldberg@phillips.com

+44 20 7318 4010 smarich@phillips.com

+1 212 940 1243 vhallett@phillips.com

+1 212 940 1392 vpfeifer@phillips.com

+44 20 7901 7943 mheiden@phillips.com

Our Team 20th Century & Contemporary Art

Jean-Paul Engelen

Robert Manley

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

New York

Scott Nussbaum

Takako Nagasawa

Rachel Adler Rosan

Kevie Yang

Amanda Lo Iacono

Head of Department

International Specialist

Head of Appraisals

Senior Specialist

Head of Auctions

+1 212 940 1354 snussbaum@phillips.com

+1 212 940 1353 tnagasawa@phillips.com

+1 212 940 1333 radlerrosan@phillips.com

+1 212 940 1254 kyang@phillips.com

+1 212 940 1278 aloiacono@phillips.com

John McCord

Rebekah Bowling

Katherine Lukacher

Jeannette van Campenhout

Annie Dolan

Head of Day Sale, Morning

Head of Day Sale, Afernoon

Head of Online Sales

Head of Latin American Art

Associate Head of Day Sales

+1 212 940 1261 jmccord@phillips.com

+1 212 940 1250 rbowling@phillips.com

+1 212 940 1215 klukacher@phillips.com

+1 212 940 1391 jvancampenhout@phillips.com

+1 212 940 1288 adolan@phillips.com

Patrizia Koenig

Carolyn Mayer

Avery Semjen

Brittany Jones

Associate Specialist

Cataloguer

Researcher/Writer

+1 212 940 1279 pkoenig@phillips.com

+1 212 940 1206 cmayer@phillips.com

+1 212 940 1207 asemjen@phillips.com

+1 212 940 1255 bjones@phillips.com

20th Century & Contemporary Art

London Olivia Thornton Head of 20th Century & Contemporary Art, Europe

Nathalie Zaquin-Boulakia Senior International Specialist

Matt Langton

Henry Highley

Rosanna WidĂŠn

Kate Bryan

Senior Specialist

Head of Evening Sale

+44 20 7318 4074 mlangton@phillips.com

+44 20 7318 4061 hhighley@phillips.com

+44 20 7318 4060 rwiden@phillips.com

+44 20 7318 4050 kbryan@phillips.com

+44 20 7318 4099 othornton@phillips.com

+44 20 7901 7931 nzaquin-boulakia@phillips.com

Tamila Kerimova

Simon Tovey

Charlotte Gibbs

Louise Simpson

Kathy Lin

Olivia Taylor

Head of Day Sale

Head of New Now Sale

Head of Online Sales, London

Cataloguer

+44 20 7318 4065 tkerimova@phillips.com

+44 20 7318 4084 stovey@phillips.com

+44 20 7901 7993 cgibbs@phillips.com

+44 20 7901 7911 lsimpson@phillips.com

+44 20 7318 4093 klin@phillips.com

+44 20 7318 4082 otaylor@phillips.com

Judith Lamb

Clara Krzentowski

Maria Vittoria Raiola

Cataloguer

Researcher/Writer

Researcher

+44 20 7901 7995 jlamb@phillips.com

+44 20 7318 4064 ckrzentowski@phillips.com

+44 20 7901 2927 mvraiola@phillips.com

Isaure de Viel Castel

Lihua Tung

Charlotte Raybaud

Danielle So

Delissa Putri Handoko

Head of Department

Senior Specialist, Asia

Head of Evening Sale

Head of Day Sale

Head of Online Sales, Hong Kong

+852 2318 2025 isauredevielcastel@phillips.com

+852 2318 2052 lihuatung@phillips.com

+852 2318 2026 craybaud@phillips.com

+852 2318 2027 dso@phillips.com

+852 2318 2000 delissahandoko@phillips.com

Hong Kong

Business Development

Americas Vivian Pfeifer Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Client Advisory

Americas Philae Knight Client Advisory Director +1 212 940 1313 pknight@phillips.com

Europe Giulia Campaner Mendes Client Advisor +44 20 7318 4058 gcampaner@phillips.com

Laurent Taevernier Client Liaison Coordinator +32 32 573026 ltaevernier@phillips.com

Asia

Middle East & South Asia

Iori Endo

Yassaman Ali

Senior Client Advisor

Client Advisory Director

+44 20 7318 4039 iendo@phillips.com

+44 20 7318 4056 yali@phillips.com

Trusts, Estates & Valuations

Americas Jennifer Jones

Laura Wenger

Senior Vice President, Director of Trusts, Estates & Valuations

Associate Vice President Account Manager Trusts, Estates & Valuations

+1 212 940 1272 jjones@phillips.com

+1 212 940 1302 lwenger@phillips.com

International Specialists & Regional Directors

Americas CĂ˘ndida SodrĂŠ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

Regional Director, Consultant, Brazil

Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

Senior Specialist, 20th Century & Contemporary Art, Denver

Regional Director, Los Angeles

Specialist, 20th Century & Contemporary Art, Miami

+55 21 999 817 442 csodre@phillips.com

+1 773 230 9192 cehlers@phillips.com

+1 310 922 2841 lauren.peterson@phillips.com

+1 917 657 7193 mdekoning@phillips.com

Cecilia Lafan

Maura Smith

Silvia Coxe Waltner

Sophia Kinell

Regional Director, Consultant, Mexico

Regional Director, Palm Beach

Regional Director, Seattle

Regional Representative, San Francisco

+52 1 55 5413 9468 clafan@phillips.com

+1 508 642 2579 maurasmith@phillips.com

+1 206 604 6695 scwaltner@phillips.com

+1 650 799 7931 sophia.kinell@phillips.com

Laurence Calmels

Clara Rivollet

Laurence Barret-Cavy

Elie Massaoutis

Thibault Stockmann

Regional Director, France

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

Head of Design, France, Senior International Specialist

+33 153 71 77 89 lbarret-cavy@phillips.com

+33 7 86 34 53 15 emassaoutis@phillips.com

International Specialist, 20th Century & Contemporary Art, France

+1 323 383 3266 bkoh@phillips.com

+1 917 583 4983 vgarcia@phillips.com

Europe

+33 1 53 71 77 87 lcalmels@phillips.com

+33 6 42 09 97 39 crivollet@phillips.com

+33 601 888 749 tstockmann@phillips.com

Dr. Nathalie Monbaron Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com

Dr. Alice Trier

Tobias Sirtl

Carolina Lanfranchi

Margherita Solaini

Maura Marvao

Kalista Fenina

Specialist, 20th Century & Contemporary Art, Germany

Associate Specialist, 20th Century & Contemporary Art, Italy

+49 151 4192 6447 tsirtl@phillips.com

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Specialist, 20th Century & Contemporary Art, Moscow

+49 173 25 111 69 atrier@phillips.com

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy

Kirsten MacDonald

Lori Spector

Regional Director, Scandinavia

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Zurich

+45 2010 2111 kmacdonald@phillips.com

+39 338 924 1720 clanfranchi@phillips.com

+39 340 369 5226 msolaini@phillips.com

+351 917 564 427 mmarvao@phillips.com

+7 905 741 15 15 kfenina@phillips.com

+41 76 259 30 39 lspector@phillips.com

Asia Kyoko Hattori

Jane Yoon

Yeonah Lim

Wenjia Zhang

Alicia Zhang

Yolanda Zeng

Regional Director, Japan

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea

Associate Regional Representative, Korea

Regional Director, China

Associate Regional Representative, Shanghai

+86 139 1828 6589 aliciazhang@phillips.com

+86 132 6290 0120 yolandazeng@phillips.com

+81 90 2245 6678 khattori@phillips.com

+82 10 7389 7714 jyy@phillips.com

+82 2 797 8001 ylim@phillips.com

+86 13911651725 wenjiazhang@phillips.com

Cindy Yen

Meiling Lee

Christine Fernando

Sandy Ma

Vivi Yip

Rika Dila

General Manager, Taiwan

International Specialist, Taiwan

Senior Consultant, Thailand

+886 908 876 669 mlee@phillips.com

International Specialist, South East Asia

Senior Consultant, Indonesia

+886 2 2758 5505 cyen@phillips.com

Associate Regional Representative, Singapore +65 9128 6277 christinefernando@phillips.com

+852 2318 2025 sma@phillips.com

+62 8111 220 824 viviyip@phillips.com

+66 81 818 6878 rdila@phillips.com

Our team is comprised of experts from auction houses, museums, galleries and other leading arts institutions. In addition to auctions in our New York, London, Hong Kong and Geneva salerooms, Phillips holds private sales and curated selling exhibitions across all of our categories around the world. Our range of services includes appraisals for private clients, advisors, attorneys and other key fduciaries, and our dedicated Trusts, Estates & Valuations team provides complimentary reviews of collections.

Evening Sale Lots 1â&#x20AC;&#x201C;38

Property from the Collection of Pamela K. and William A. Royall Jr.

1. Amy Sherald b. 1973 The Bathers signed and dated “Amy Sherald 2015 Amy Sherald” on the reverse. oil on canvas. 72 1/8 x 67 in. (183.2 x 170.2 cm). Painted in 2015. Estimate $150,000-200,000

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2. Jadé Fadojutimi b. 1993 Lotus Land signed twice “JADÉ’S” on the stretcher; further signed, titled and dated ““Lotus Land” Jan 2017 Jadé Fadojutimi Jadé Fadojutimi” on the reverse. acrylic and oil on canvas. 47 1/ 2 x 59 in. (120.7 x 149.9 cm). Painted in 2017. Estimate $40,000-60,000

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Property from a New York Private Collection

3. Vaughn Spann b. 1992 Big Black Rainbow (Deep Dive) signed, titled and dated “Vaughn Spann 2019 “Big BLACK RAINBOW (Deep Dive)”” on the reverse. polymer paint and terrycloth on canvas. 80 1/4 x 84 1/4 in. (203.8 x 214 cm). Executed in 2019. Estimate $40,000-60,000

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Property from an Important West Coast Collection

4. Matthew Wong 1984-2019 Before Night Falls signed and dated “Wong 2018 [in Chinese]” and titled “BEFORE NIGHT FALLS” on the reverse. oil on canvas. 48 x 60 in. (121.9 x 152.4 cm). Painted in 2018. Estimate $300,000-500,000

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Property of an Important Texan Collector

5. Ruth Asawa 1926-2013 Untitled (S.045, Hanging Five-Lobed, Multilayered Continuous Form within a Form, with Spheres in the First, Second and Third Lobes) copper and brass wire. 72 x 14 x 14 in. (182.9 x 35.6 x 35.6 cm). Executed circa early 1960s. Estimate $1,500,000-2,000,000

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Property from a Midwestern Private Collection ○◆

6. Agnes Martin 1912-2004 Untitled oil and gold leaf on canvas. 11 7/8 x 11 7/8 in. (30.2 x 30.2 cm). Executed circa 1961. Estimate $1,800,000-2,500,000

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Property from a Midwestern Private Collection ○◆

7. Morris Louis 1912-1962 Infeld signed, titled, inscribed and dated “MORRIS LOUIS #492 “INFIELD” 1962.” on the stretcher; further inscribed by the artist’s widow ““INFIELD” M. Louis 62” on the reverse. Magna on canvas. 90 1/4 x 24 in. (229.2 x 61 cm). Painted in 1962. Estimate $900,000-1,200,000

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Property from a Midwestern Private Collection ○◆

8. Donald Judd 1928-1994 Untitled red lacquer on galvanized iron. 5 x 69 1/8 x 8 5/8 in. (12.7 x 175.6 x 21.9 cm). Executed in 1965 and refabricated in 1969, this work is the frst bullnose of 7 unique examples fabricated between 1965-1970. Other examples are housed in the permanent collections of The Museum Ulm (example number 3) and The Saint Louis Art Museum (example number 5). Estimate $3,000,000-4,000,000

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Property from a Midwestern Private Collection ○

9. Richard Diebenkorn 1922-1993 Untitled (Berkeley) signed with the artist’s initials and dated “RD 54” lower lef. watercolor, gouache, graphite and colored pencil on paper. 16 x 13 in. (40.6 x 33 cm). Executed in 1954. Estimate $300,000-500,000

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Property of a Distinguished American Collector ○◆

10. David Hockney b. 1937 Nichols Canyon acrylic on canvas. 84 x 60 in. (213.4 x 152.4 cm). Painted in 1980. This work has been requested for inclusion in the artist’s forthcoming exhibition David Hockney in Perspective organized by The Fitzwilliam Museum, Cambridge, to be held from June 11 - October 10, 2021. Estimate Upon Request

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11. Amoako Boafo b.1984 Purple on Red signed, inscribed and dated “AMOAKO M BOAFO 2019 KING” center right. oil on canvas. 76 5/8 x 55 1/8 in. (194.6 x 140 cm). Painted in 2019. Estimate $200,000-300,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

12. Barkley L. Hendricks 1945-2017 Selina/Star signed and dated “B. Hendricks ‘80” upper right; signed, titled and dated ““SELINA/STAR” 1980 BARKLEY L. HENDRICKS” on the stretcher. oil and acrylic on linen. 60 1/8 x 50 1/8 in. (152.7 x 127.3 cm). Painted in 1980. Estimate $800,000-1,200,000

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Property from the Collection of Thomas Miller and Robert Boyett

13. Norman Rockwell 1894-1978 The Peephole signed “NORMAN ROCKWELL” lower lef. oil on panel. 14 1/4 x 11 1/4 in. (36.2 x 28.6 cm). Painted in 1958. This work is accompanied by an original copy of the August 30, 1958 issue of The Saturday Evening Post. Estimate $1,000,000-1,500,000

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Property of an Important American Collector ○◆

14. Clyford Still 1904-1980 PH-407 signed and dated “Clyford 1964” lower lef; signed, inscribed and dated “Clyford — 1964 P.H. 407 2 Westminster Md.” on the reverse. oil on canvas. 114 x 75 in. (289.6 x 190.5 cm). Painted in 1964. Estimate Upon Request

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Property of an Important Asian Collector ○◆

15. Glenn Ligon b. 1960 Stranger #67 signed, titled and dated “Stranger #67 2012 Glenn Ligon LIGON” on the backing board. oilstick, acrylic and coal dust on canvas. 84 x 60 in. (213.4 x 152.4 cm). Executed in 2012. Estimate $1,400,000-1,800,000

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Property from an Important European Collection ○◆

16. Jean-Michel Basquiat 1960-1988 Portrait of A-One A.K.A. King signed, titled and dated ““PORTRAIT OF A ONE A.K.A. KINGS” Jean Michel Basquiat SEPT 1982” on the reverse. acrylic, oilstick and marker on canvas mounted on tied wood supports. 72 x 72 3/8 in. (182.9 x 183.8 cm). Executed in 1982. Estimate $10,000,000-15,000,000

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Property from an Important West Coast Collection

17. Titus Kaphar b. 1976 Veil signed and dated “Kaphar 08” on the reverse. oil on canvas. 48 1/4 x 36 1/8 in. (122.6 x 91.8 cm). Painted in 2008. Estimate $70,000-90,000

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Property from an Important American Collection ○◆

18. René Magritte 1898-1967 Untitled (Woman’s Face covered by a Rose) signed “Magritte” upper lef. gouache on paper. 12 1/ 2 x 9 7/8 in. (31.8 x 25.1 cm). Executed in January 1965, this work was commissioned for the June 1965 issue of XXe Siècle Aux sources de l’Imaginaire. Estimate $1,200,000-1,800,000

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Property from the Collection of Thomas Miller and Robert Boyett

19. Norman Rockwell 1894-1978 An Audience of One signed “Norman Rockwell” lower right. oil on canvas. 26 x 20 5/8 in. (66 x 52.4 cm). Painted in 1938. Estimate $2,500,000-3,500,000

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Property from an Important American Collection ○◆

20. Pablo Picasso 1881-1973 Deux personnages signed and dated “Picasso 39” lower lef; dated “22 Sept 39” on the reverse. oil on canvas. 16 1/8 x 13 in. (41 x 33 cm). Painted on September 22, 1939, this work is accompanied by a certifcate of authenticity from Claude Ruiz Picasso. Estimate $1,200,000-1,800,000

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Property of an Important Collector

21. Joan Mitchell 1925-1992 Untitled titled “sans titre” on the reverse of the lef canvas. oil on canvas, diptych. each 102 1/ 2 x 70 3/4 in. (260.4 x 179.7 cm), overall 102 1/ 2 x 141 1/ 2 in. (260.4 x 359.4 cm). Painted in 1979. Estimate $9,000,000-12,000,000

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Property of an American Private Collector

22. Gerhard Richter b. 1932 Abstraktes Bild (678-1) signed, inscribed and dated “678-1 Richter 1988” on the reverse. oil on canvas. 38 1/4 x 36 1/4 in. (97.2 x 92.1 cm). Painted in 1988. Estimate $3,000,000-5,000,000

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Property from an Important New England Private Collection

23. Alexander Calder 1898-1976 Dot + Loop incised with the artist’s monogram and date “CA 56” on the largest element. sheet metal, wire and paint. 36 1/ 2 x 47 1/ 2 x 29 in. (92.7 x 120.7 x 73.7 cm). Executed in 1956, this work is registered in the archives of the Calder Foundation, New York, under application number A07389. Estimate $1,200,000-1,800,000

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Property from an Esteemed Private Collection ○◆

24. Joan Mitchell 1925-1992 Untitled signed “J. Mitchell” lower right. oil on canvas. 80 5/8 x 69 3/8 in. (204.8 x 176.2 cm). Painted circa 1953. This work has been requested for inclusion in the artist’s forthcoming retrospective Joan Mitchell organized by The Baltimore Museum of Art, the San Francisco Museum of Modern Art, and the Fondation Louis Vuitton, Paris, to be held from March 21, 2021 - February 27, 2023. Estimate $10,000,000-15,000,000

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Property from a Distinguished Private Collection ○

25. Roy Lichtenstein 1923-1997 Nude with Joyous Painting (Study) signed and dated “rf Lichtenstein ‘94” lower right; signed and dated “rf Lichtenstein ‘94” on the reverse. colored pencil and graphite on paper. 13 x 11 1/8 in. (33 x 28.3 cm). Executed in 1994. This work will be included in the forthcoming catalogue raisonné being prepared by the Roy Lichtenstein Foundation. Estimate $1,500,000-2,000,000

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Property from a Private Collection ○

26. George Condo b. 1957 Transparent Female Forms signed and dated “Condo 09” on the reverse. acrylic, chalk and pastel on linen. 78 x 113 7/8 in. (198.1 x 289.2 cm). Executed in 2009. Estimate $3,500,000-5,500,000

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Property from the Louis-Dreyfus Family Collections ○◆

27. Helen Frankenthaler 1928-2011 Of White Square signed and dated “Frankenthaler ‘73” lower lef. acrylic on canvas. 79 1/ 2 x 255 1/4 in. (201.9 x 648.3 cm). Painted in 1973. Estimate $2,800,000-3,500,000

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Property of an Important Collector

28. Morris Louis 1912-1962 Beth Sin signed and inscribed “M Louis #108” on the reverse. Magna on canvas. 91 7/8 x 113 1/4 in. (233.4 x 287.7 cm). Painted in 1958. Estimate $4,000,000-6,000,000

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Property of a Distinguished European Collector

29. Georg Baselitz b. 1938 Forstarbeiter signed “Baselitz” lower lef; signed and inscribed “G. Baselitz Nr. 2” on the stretcher; further signed, titled and dated “G. Baselitz ‘67 “Forstarbeiter”” on the reverse. oil on canvas, in artist’s frame. 64 3/4 x 52 in. (164.5 x 132.2 cm). Painted in 1967. Estimate $1,800,000-2,500,000

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Property from the Family Collection of Payson and Helen Wolf

30. Charles White 1918-1979 Roots signed and dated “CHARLES WHITE ‘63” lower right. ink on board. 37 x 54 in. (94 x 137.2 cm). Executed in 1963. Estimate $500,000-700,000

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Property of an Important Northeast Private Collector

31. Roy Lichtenstein 1923-1997 Coup de Chapeau I incised with the artist’s signature, number and date “6/6 rf Lichtenstein ‘96” and stamped with the Tallix foundry mark on the base. painted and patinated bronze. 26 1/ 2 x 26 1/ 2 x 7 1/8 in. (67.3 x 67.3 x 18.1 cm). Executed in 1996, this work is number 6 from an edition of 6. This work will be included in the forthcoming catalogue raisonné being prepared by the Roy Lichtenstein Foundation. Estimate $500,000-700,000

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Property from an Important East Coast Collection

32. Sturtevant 1926-2014 Warhol Gold Marilyn signed, titled and dated “WARHOL GOLD MARILYN 1972 Sturtevant” on the reverse of the lef canvas; signed, titled, inscribed and dated “Sturtevant ‘04 WARHOL MARILYN 1973/04 replique (#2c NO IMAGE)” on the reverse of the right canvas. silkscreen ink and acrylic on canvas, diptych. each diameter 18 1/8 in. (46 cm). 1972-1973/2004 Replique, this work is accompanied by a certifcate of authenticity signed by the artist. This work will be included in the forthcoming catalogue raisonné being prepared by the Artist’s Estate and Galerie Thaddaeus Ropac. Estimate $450,000-550,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

33. Kehinde Wiley b. 1977 Portrait of Mickalene Thomas, the Coyote signed and dated “Kehinde Wiley 2017” on the reverse. oil on canvas, in artist’s frame. 130 3/8 x 94 7/8 x 4 1/ 2 in. (331.2 x 241 x 11.4 cm). Painted in 2017. Estimate $100,000-150,000

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Property from a Distinguished Midwestern Collection

34. René Magritte 1898-1967 Le Choeur des Sphinges signed “Magritte” lower lef; signed, titled and dedicated “à Madame Blanche L. Sundheim - René Magritte “Le Choeur des Sphinges”” on the reverse. gouache on paper. 16 3/8 x 11 5/8 in. (41.6 x 29.5 cm). Executed in 1964. Please note that this work will be presented to the Comité Magritte on November 24, 2020. Estimate $1,000,000-1,500,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

35. Mickalene Tomas b. 1971 I’ve Been Good To Me signed, titled and dated “I’ve Been Good To Me, 2013 M. Thomas” on the reverse. rhinestones, acrylic, enamel, silkscreen and oil on panel. 108 x 84 in. (274.3 x 213.4 cm). Executed in 2013. Estimate $200,000-300,000

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Property from an Important Private Collection

36. Gaston Lachaise 1882-1935 Garden Figure (second state) [LF 137] cast with the artist’s name “© G. LACHAISE G. LACHAISE” and the estate stamp and number “LACHAISE ESTATE 1/8” on the lower lef cast base edge; further stamped with the Modern Art Foundry insignia “MODERN ART FOUNDRY NEW YORK N.Y.” on the rear edge of the cast base. bronze with brown patina, on stone base. sculpture 77 1/ 2 x 31 1/ 2 x 23 1/ 2 in. (196.9 x 80 x 59.7 cm), stone base 7 7/8 x 31 1/ 2 x 23 1/ 2 in. (20 x 80 x 59.7 cm). Conceived in 1935 and cast in 1973 by Modern Art Foundry, this work is number 1 from an edition of 8 of which only 2 were produced. We are grateful to Virginia Budny, author of the forthcoming catalogue raisonné sponsored by the Lachaise Foundation, for her assistance in preparing the catalogue entry for this work. Estimate $600,000-800,000

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Property from a Distinguished Private Collection, Palm Beach

37. Ed Ruscha b. 1937 Local Storms signed and dated “Edward Ruscha 1973” on the overlap. egg white on satin. 19 7/8 x 24 in. (50.5 x 61 cm). Executed in 1973. Estimate $800,000-1,200,000

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Property from a European Private Collection scan for more on this lot

38. Barbara Kruger b. 1945 Untitled (Fear and Hate) silkscreen on vinyl. 65 3/4 x 132 1/ 2 in. (167 x 336.5 cm). Executed in 1990. Estimate $300,000-500,000

Day Sale, Morning Session Lots 101â&#x20AC;&#x201C;238

image

Property from the Collection of Pamela K. and William A. Royall Jr.

101. Bill Traylor 1853-1949

Property Sold to Beneft The Hudson School

102. Jacob Lawrence 1917-2000

Untitled (Black and Brown Horse)

Street Scene

pastel and graphite on the reverse of a repurposed poster. 14 x 22 in. (35.6 x 55.9 cm). Executed circa 1941.

signed and dated “Jacob Lawrence 1951” lower center right. gouache, ink and graphite on paper. image 10 x 16 1/ 2 in. (25.4 x 41.9 cm), sheet 17 3/4 x 23 1/ 2 in. (45.1 x 59.7 cm). Executed in 1951.

Estimate $40,000-60,000 Peter Nesbett, co-author of Jacob Laurence: Paintings, Drawings, and Murals, A Catalogue Raisonné, has provided his written opinion of the work’s authenticity. Estimate $40,000-60,000 scan for more on this lot

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Property from the Collection of Pamela K. and William A. Royall Jr.

103. Milton Avery 1885-1965

Property from the Collection of Pamela K. and William A. Royall Jr.

104. Hans Hofmann 1880-1966

Landscape

Provincetown Blue Sea

signed and dated “Milton Avery 1949” lower right; titled and inscribed “#17 Landscape” on the reverse. oil on canvasboard. 17 7/8 x 23 7/8 in. (45.5 x 60.5 cm). Painted in 1949.

signed “hans hofmann” lower right. oil on board. 24 x 30 in. (61 x 76.2 cm). Painted in 1937. Estimate $50,000-70,000

Estimate $60,000-80,000

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105. Vivian Springford 1913-2003

106. Helen Frankenthaler 1928-2011

Untitled (VSF327)

Thanksgiving Day Series (#13)

acrylic on canvas. 90 x 90 in. (228.6 x 228.6 cm). Painted circa 1970-1975.

signed “Frankenthaler” lower right; further signed “Frankenthaler” on the reverse. ceramic tile, stoneware with glazes. 13 3/8 x 17 1/ 2 in. (34 x 44.5 cm). Executed in 1973, this work is from a series of 71 unique tiles.

Estimate $50,000-70,000

Estimate $25,000-35,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

107. Beauford Delaney 1901-1979

108. Matthew Wong 1984-2019

Street Scene

A Dream

signed and dated “BEAUFORD DELANEY 1968” lower right. oil on canvas. 38 1/8 x 51 1/8 in. (96.8 x 129.9 cm). Painted in 1968.

signed in Chinese, titled and dated in Chinese “A DREAM [Wong 2018]” on the reverse. oil on canvas. 24 x 20 in. (61 x 50.8 cm). Painted in 2018.

Estimate $120,000-180,000

Estimate $150,000-200,000

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Property from the Estate of Ruth O’Hara

109. Alexander Calder 1898-1976

Property from the Estate of Ruth O’Hara

110. Alexander Calder 1898-1976

Untitled

oil on canvas mounted to board. 3 1/ 2 x 9 1/ 2 in. (9 x 24 cm). Painted circa 1945, this work is registered in the archives of the Calder Foundation, New York, under application number A10755.

oil on canvas mounted to board. 9 x 6 in. (22.9 x 15.2 cm). Painted circa 1945, this work is registered in the archives of the Calder Foundation, New York, under application number A10754.

Estimate $60,000-80,000 Estimate $60,000-80,000

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Property from the Estate of Ruth O’Hara

111. Alexander Calder 1898-1976

Property from the Estate of Ruth O’Hara

112. Alexander Calder 1898-1976

Light Fixture

Untitled

sheet metal, wire and electrical socket. 17 1/4 x 12 x 12 in. (43.8 x 30.5 x 30.5 cm). Executed in 1952, this work is registered in the archives of the Calder Foundation, New York, under application number A11950.

sheet metal, wire and paint. 20 1/ 2 x 13 x 2 in. (52.1 x 33 x 5.1 cm). Executed circa 1950, this work is registered in the archives of the Calder Foundation, New York, under application number A25249.

Estimate $40,000-60,000

Estimate $350,000-500,000

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Property from the Estate of Ruth O’Hara

113. Alexander Calder 1898-1976

Property from the Estate of Ruth O’Hara

114. Alexander Calder 1898-1976

Fly choker

Tray

brass wire. 6 1/4 x 5 x 1 in. (15.9 x 12.7 x 2.5 cm). Executed circa 1929, this work is registered in the archives of the Calder Foundation, New York, under application number A16741.

copper. 12 1/4 x 9 1/4 x 7/8 in. (31.1 x 23.5 x 2.2 cm). Executed in 1948, this work is registered in the archives of the Calder Foundation, New York, under application number A21777.

Estimate $70,000-100,000

Estimate $25,000-35,000

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Property from the Estate of Ruth O’Hara

115. Alexander Calder 1898-1976

Property from the Estate of Ruth O’Hara

116. Alexander Calder 1898-1976

Lion Cage

Untitled

signed “Calder” lower right. ink and crayon on paper. 18 3/4 x 24 1/ 2 in. (47.6 x 62.2 cm). Executed circa 1931, this work is registered in the archives of the Calder Foundation, New York, under application number A00049.

signed “Calder” lower right. ink and crayon on paper. 19 x 24 1/4 in. (48.3 x 61.6 cm). Executed circa 1930, this work is registered in the archives of the Calder Foundation, New York, under application number A23599.

Estimate $20,000-30,000

Estimate $18,000-25,000

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Property from the Estate of Ruth O’Hara

117. Alexander Calder 1898-1976

Property from the Estate of Ruth O’Hara

118. Alexander Calder 1898-1976

Aerialist

The Crooked Stick and the Straight Stick

wood, wire, leather, cloth, lead, and string. 13 1/ 2 x 5 1/ 2 x 1 1/ 2 in. (34.3 x 14 x 3.8 cm). Executed circa 1926-1931, this work is registered in the archives of the Calder Foundation, New York, under application number A23043.

signed and dated “Calder 1931” lower right. ink on paper. 22 3/4 x 30 3/4 in. (57.8 x 78.1 cm). Executed in 1931, this work is registered in the archives of the Calder Foundation, New York, under application number A02655.

Estimate $400,000-600,000

Estimate $20,000-30,000

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Property from the Estate of Ruth O’Hara

119. Joan Miró 1893-1983

Property from the Estate of Ruth O’Hara

120. Joan Miró 1893-1983

Tête

Figures

incised with the artist’s signature and number “Miró 2/2” and stamped with the Fundició Parellada, Barcelona foundry mark on the base. bronze with gray patina. 23 1/4 x 8 1/ 2 x 9 in. (59 x 21.5 x 23 cm). Conceived in 1968 and cast by Fundició Parellada, Barcelona, this work is number 2 from an edition of 3 numbered 0 to 2/2, plus 1 nominative cast.

signed “Miró” center right; further signed, inscribed and dated “joan miró “Danse” 29/5/36” on the reverse. watercolor and ink on paper. 16 1/4 x 12 7/8 in. (41.2 x 32.9 cm). Executed on May 29, 1936. Estimate $250,000-350,000

Estimate $60,000-80,000

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Property from the Estate of Ruth O’Hara

121. Robert Rauschenberg 1925-2008

Property from the Estate of Ruth O’Hara

122. Robert Rauschenberg 1925-2008

Untitled

Untitled (de Gaulle)

signed and dated “Rauschenberg ’68” lower right. graphite, solvent transfer and watercolor on paper. 22 1/4 x 29 7/8 in. (56.5 x 76 cm). Executed in 1968.

signed, inscribed, and dated “Rauschenberg Paris 1961” on the reverse. solvent transfer, graphite and watercolor on paper. 22 1/4 x 30 in. (56.5 x 76.2 cm). Executed in 1961.

Estimate $180,000-250,000

Estimate $250,000-350,000

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Property from the Estate of Ruth O’Hara

123. Robert Rauschenberg 1925-2008

Property from the Estate of Ruth O’Hara

124. Conrad Marca-Relli 1913-2000

Untitled

The Expendible

signed and dated “Rauschenberg 74” on the reverse. acrylic, graphite, paper bags and paper collage on paper. 34 x 24 1/4 in. (86.5 x 61.5 cm). Executed in 1974.

signed and dated “MARCA-RELLI / 57” lower right; further signed with the artist’s initials “M-R” on the reverse; further signed, titled, and dated “MARCA-RELLI M-2-57 THE EXPENDIBLE” on the stretcher. oil and canvas collage on canvas. 35 1/4 x 53 in. (89.5 x 134.6 cm). Executed in 1957, this work is registered with the Archivio Marca-Relli, Parma, as archive number MARE-6075.

Estimate $12,000-18,000

Estimate $100,000-150,000

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Property from the Estate of Ruth O’Hara

125. Andy Warhol 1928-1987

Property from the Estate of Ruth O’Hara

126. Andy Warhol 1928-1987

Puma Invader

Map of Eastern U.S.S.R. Missile Bases (positive)

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF PA10.474” twice on the overlap. synthetic polymer paint and silkscreen ink on canvas. 16 x 20 in. (40.6 x 50.8 cm). Executed circa 1985-1986.

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF PA 10.129” on the overlap. synthetic polymer paint and silkscreen ink on canvas. 16 x 20 in. (40.6 x 50.8 cm). Executed circa 1985-1986.

Estimate $40,000-60,000

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Property from the Estate of Ruth O’Hara

127. Andy Warhol 1928-1987

Property from the Estate of Ruth O’Hara

128. Arthur Segal 1875–1944

Map of Eastern U.S.S.R. Missile Bases (negative)

Stillleben mit Flasche

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF PA 10.170” on the overlap. synthetic polymer paint and silkscreen ink on canvas. 16 x 20 in. (40.6 x 50.8 cm). Executed circa 1985-1986.

signed “A. Segal” lower lef and dated “1924” lower right; further signed and titled “A Segal Stillleben mit Flasche” on the reverse of the frame. oil on canvas, in artist’s painted frame. 26 7/8 x 31 3/8 in. (68.2 x 79.7 cm). Painted in 1924.

Estimate $40,000-60,000

Dr. Pavel Liska has confrmed the authenticity of the present work. Estimate $60,000-80,000

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Property from the Estate of Ruth O’Hara

129. Marc Chagall 1887-1985

Property from the Estate of Ruth O’Hara

130. Käthe Kollwitz 1867-1945

La danse au village

Mutter, zwei Kinder an sich pressend

signed and dated “Chagall 1907.8” lower center; inscribed “10” upper lef. graphite on paper. 4 1/4 x 4 in. (10.9 x 10.2 cm). Executed circa 1907-1908, this work is accompanied by a certifcate of authenticity issued by the Comité Chagall.

signed and dated “Käthe Kollwitz 1932” lower right. charcoal on paper. 23 7/8 x 18 1/4 in. (60.5 x 46.4 cm). Executed in 1932. Estimate $40,000-60,000

Estimate $4,000-6,000

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Property from a Distinguished Private Collection, New York

131. Richard Pettibone b. 1938

Property from a Distinguished Private Collection, New York

132. Richard Pettibone b. 1938

Andy Warhol, “Liz,” 1963

Andy Warhol, “Marilyn Monroe,” 1962 (brown)

signed and dated “Richard Pettibone 1967” on the stretcher. acrylic and silkscreen on canvas, in artist’s frame. 6 1/4 x 6 1/4 in. (15.9 x 15.9 cm). Executed in 1967.

signed with the artist’s initials and dated “RP 73” on the stretcher; signed by Andy Warhol “Andy Warhol” on the reverse. acrylic and silkscreen on canvas, in artist’s frame. 2 3/8 x 2 in. (6 x 5.1 cm). Executed in 1973.

Estimate $40,000-60,000 Estimate $30,000-40,000

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Property from a Distinguished Private Collection, New York

133. Richard Pettibone b. 1938

Property from a Distinguished Private Collection, New York

134. Richard Pettibone b. 1938

Jasper Johns “Grey Rectangles,” 1957

Marcel Duchamp “Bicycle Wheel,” 1913

signed, titled and dated “Richard Pettibone 1967, Jasper Johns Grey Rectangles 1957” on the stretcher. acrylic, collage and sculpmetal on canvas with three wood insets, in artist’s frame. 7 7/8 x 7 7/8 in. (20 x 20 cm). Executed in 1967.

stamped with the artist’s pseudonym and date “LEE ENROSE 1965” on the underside. stool, bicycle wheel rim and black fork. 52 1/ 2 x 24 x 15 1/ 5 in. (133.4 x 61 x 38.6 cm). Executed in 1965, this work is from a series of 5 unique painted variants.

Estimate $40,000-60,000

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Property from a Distinguished Midwestern Collection

135. Alexander Calder 1898-1976

Property from a Distinguished Midwestern Collection

136. Saul Steinberg 1914-1999

Untitled

Two Worlds

sheet metal, wire and string. 17 x 30 x 4 3/4 in. (43.2 x 76.2 x 12.1 cm). Executed circa 1972, this work is registered in the archives of the Calder Foundation, New York, under application number A29160.

signed and dated “STEINBERG 1964” lef edge. ink on paper. 23 1/8 x 14 5/8 in. (58.8 x 37 cm). Executed in 1964. Estimate $8,000-12,000

Estimate $200,000-300,000

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Property from a Distinguished Midwestern Collection

137. Jean Dubufet 1901-1985

Property from a Distinguished Midwestern Collection

138. Jack Tworkov 1900-1982

Site aux trois arbres

Marsh

signed with the artist’s initials and dated “J.D. 75” upper right; titled and inscribed “T73 Site aux 3 arbres” on the reverse. acrylic on canvas. 36 1/4 x 28 3/4 in. (92 x 73 cm). Painted on August 5, 1975.

signed and dated “Tworkov 63” lower right. oil on canvas. 41 7/8 x 57 in. (106.6 x 144.9 cm). Painted in 1963. Estimate $60,000-80,000

Estimate $400,000-600,000

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Property from a Distinguished Midwestern Collection

139. Philip Guston 1913-1980

Property from a Distinguished Midwestern Collection

140. Willem de Kooning 1904-1997

Slope

Untitled

signed “Philip Guston” lower right; further signed, titled and dated “PHILIP GUSTON “Slope” 1960” on the reverse. oil on paper laid on Masonite. 30 1/8 x 38 1/ 2 in. (76.4 x 97.9 cm). Painted in 1960.

signed “de Kooning” lower right; dedicated “Happy Birthday / dear Martin / Bill” on the reverse. oil on paper laid on Masonite. 35 3/8 x 22 1/ 2 in. (90 x 57 cm). Painted in 1964.

Estimate $300,000-500,000

Estimate $500,000-700,000

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Property of an Important New York Estate

141. Mary Heilmann b. 1940

Property from the Collection of Pamela K. and William A. Royall Jr.

142. Richard Pousette-Dart 1916-1992

Glide (diptych)

Pool of Contemplation

signed and dated “M Heilmann 2001” on the reverse of the lef canvas; further signed, inscribed and dated “M Heilmann 2001 Blue Sky Serape” on the reverse of the right canvas. oil on canvas, diptych. each 54 x 36 in. (137.2 x 91.4 cm) overall 54 x 72 in. (137.2 x 182.9 cm). Painted in 2001-2002.

signed and dated “RPousette-Dart 80-3” on the reverse. oil on canvas. 33 x 66 in. (83.8 x 167.6 cm). Painted in 1980-1983. Estimate $180,000-250,000

Estimate $150,000-200,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

143. Ralph Humphrey 1932-1990

144. Hans Hofmann 1880-1966

Armanda

Untitled

oil on canvas. 69 7/8 x 60 1/8 in. (177.7 x 152.7 cm). Painted in 1959.

stamped by The Estate of Hans Hofmann and inscribed “HH-011782” on the stretcher. oil on board laid on canvas. 32 x 24 in. (81.3 x 61 cm). Painted circa 1960-1965.

Estimate $30,000-50,000

Estimate $150,000-200,000

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145. Robert Motherwell 1915-1991

146. Teodoros Stamos 1922-1997

Open No. 51: In Black and Orange

Navarone

signed with the artist’s initials “RM” and then painted over upper right. acrylic on canvas. 25 x 29 7/8 in. (63.5 x 75.9 cm). Painted in 1969.

signed “Σtamos” lower lef; further signed “T. Stamos” on the stretcher. oil on canvas. 50 7/8 x 69 3/4 in. (129.5 x 177.3 cm). Painted in 1959.

Estimate $180,000-280,000

Estimate $80,000-120,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

147. Betty Parsons 1900-1982

148. Robert Motherwell 1915-1991

Untitled

Basque Suite #50

acrylic on canvas. 68 7/8 x 40 1/8 in. (175 x 102 cm). Painted circa 1962, this work will be included in the forthcoming online Catalogue Raisonné currently being prepared by the Betty Parsons Foundation.

signed “Motherwell” upper lef. gouache and lithograph on paper. 22 x 17 in. (55.9 x 43.2 cm). Executed in 1970, this work is unique. Estimate $50,000-70,000

Estimate $20,000-30,000

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Property from the Collection of Blake Byrne, Los Angeles

149. David Smith 1906-1965

Property from the Collection of Pamela K. and William A. Royall Jr.

150. Elaine de Kooning 1918-1989

Classic Figure III

Bull

incised with the artist’s signature and number “II David Smith” on the fgure’s proper lef arm. bronze, mounted on wooden base. sculpture 13 1/4 x 8 1/ 2 x 3 1/ 2 in. (33.5 x 21.5 x 9 cm), base 1 1/ 2 x 4 3/4 x 4 3/4 in. (3.8 x 12 x 12 cm), overall 14 5/8 x 8 1/ 2 x 4 3/4 in. (37.3 x 21.5 x 12 cm). Executed in 1945, this work is from an edition of 3 known works.

signed “E. de Kooning” lower lef. oil on Masonite. 151/2 x 177/8 in. (39.5 x 45.5 cm). Painted in 1959-1960. Estimate $15,000-20,000

Estimate $100,000-150,000

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Property from the Collection of the City of Plymouth

151. Larry Poons b. 1937

152. Friedel Dzubas 1915-1994

Panamar

Key Largo

signed, titled, inscribed and dated “PANAMAR © LAWRENCE POONS 1984 84 C-2” on the reverse. acrylic, foam and paper on canvas, in artist’s frame. 86 x 43 in. (218.4 x 109.2 cm). Executed in 1984.

signed, titled and dated “Dzubas “KEY LARGO” /64” on the reverse. oil on canvas. 33 x 33 in. (83.8 x 83.8 cm). Painted in 1964. Estimate $50,000-70,000

Estimate $50,000-70,000

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Property from the Collection of the late Betsy Burton

153. Roger Brown 1941-1997

154. Roger Brown 1941-1997

Untitled (diptych)

Looking for a Leveraged Buyout

(i) signed with the artist’s initials “JRB” lower center, (ii) signed with the artist’s initials “JRB” lower right. oil on canvas, in artist’s frame, diptych. each canvas 14 x 11 in. (35.6 x 27.9 cm), overall framed 14 3/4 x 22 3/4 in. (37.5 x 57.8 cm). Painted in 1967.

titled “LOOKING FOR A LEVERAGED BUYOUT” on the overlap. oil on canvas. 48 x 72 in. (121.9 x 182.9 cm). Painted in 1988.

This work is recorded with the Roger Brown Study Collection of the School of the Art Institute of Chicago and Kavi Gupta Gallery.

This work is recorded with the Roger Brown Study Collection of the School of the Art Institute of Chicago and Kavi Gupta Gallery. Estimate $60,000-80,000

Estimate $30,000-50,000 scan for more on this lot

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Property from the Collection of the late Betsy Burton

155. Roger Brown 1941-1997

156. John Wesley b. 1928

The Big Bang

Flight

titled “THE BIG BANG” on the overlap. oil on canvas. 72 x 72 in. (182.9 x 182.9 cm). Painted in 1989.

signed, titled and dated ““FLIGHT” John Wesley 1968” on the reverse. acrylic on canvas. 38 7/8 x 33 5/8 in. (99 x 85.5 cm). Painted in 1968.

This work is recorded with the Roger Brown Study Collection of the School of the Art Institute of Chicago and Kavi Gupta Gallery.

Estimate $90,000-120,000

Estimate $40,000-60,000

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157. Kenneth Noland 1924-2010

158. Fred Sandback 1943-2003

Dawn-Dusk

Untitled

signed, titled and dated “Kenneth Noland DAWNDUSK 1968” on the reverse. acrylic on canvas. 30 1/ 2 x 142 in. (77.5 x 360.7 cm). Painted in 1968.

blue, red and yellow acrylic yarn. 90 x 11 x 11 in. (228.6 x 27.9 x 27.9 cm). Executed in 1990, this work is from a series of 6 unique sculptures and is accompanied by a letter of authenticity provided by the Estate, registered under Fred Sandback Estate Number 2488.3.

Estimate $150,000-250,000

Estimate $60,000-80,000

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159. Nam June Paik 1932-2006

160. Carl Andre b. 1935

Music is Not Sound

Steel Parallels

signed and dated “88 PAIK” on the right TV monitor. single-channel video system, acrylic on 2 TV-chairs with 9” color monitors, 2 cymbals, mallet, 2 found bust sculptures and 2 plastic telephones. 46 x 72 x 41 in. (116.8 x 182.9 x 104.1 cm). Executed in 1988, this work is from a series of 6 unique variants.

hot-rolled steel, in 10 parts. each 3/8 x 19 5/8 x 19 5/8 in. (1 x 50 x 50 cm), overall 3/8 x 59 x 98 3/8 in. (1 x 150 x 250 cm). Executed in 2006, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate $100,000-150,000

Estimate $100,000-150,000

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161. John Chamberlain 1927-2011

162. Frank Stella b. 1936

Los Ang Us

k.161b

painted and chromium-plated steel, wall leaning. 96 x 47 x 33 in. (243.8 x 119.4 x 83.8 cm.). Executed in 1988.

paint on 3D-printed epoxy resin. 20 x 20 x 20 in. (50.8 x 50.8 x 50.8 cm). Executed in 2011. Estimate $60,000-80,000

Estimate $400,000-600,000

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Property of an Important Miami Collector

163. John Chamberlain 1927-2011

Property from the Collection of the late Betsy Burton

164. Roy Lichtenstein 1923-1997

Sparkplugstaccato

Suspended Mobile

painted and chromium-plated stainless steel. 64 x 56 3/4 x 50 1/4 in. (162.6 x 144.1 x 127.6 cm). Executed in 2007.

signed, numbered and dated “19/19 rf Lichtenstein ‘90” on the backing board; stamped with the Saf Tech Arts mark and number “RL90-002”. magna and silicone screenprint on polyester monoflament fabric, stretched over concave epoxy resin and fberglass frame. 50 3/4 x 75 3/4 x 3 7/8 in. (129 x 192.3 x 10 cm). Executed in 19901991, this work is number 19 from an edition of 19 plus 1 bon a tirer, 2 printer’s proofs, 1 presentation proof, 2 Saf Tech Arts proofs, 1 archive proof and 4 artist’s proofs.

Estimate $250,000-350,000

Estimate $150,000-200,000 scan for more on this lot

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Property of an Important New York Estate

165. Jean-Michel Basquiat 1960-1988

166. Martin Wong 1946-1999

Untitled (Geese+)

Untitled (Antonio Home)

signed, dedicated and dated “To KIM Jean-Michel Basquiat 1984.” on the reverse. oilstick and charcoal on paper. 41 1/ 2 x 29 3/4 in. (105.4 x 75.7 cm). Executed in 1984.

inscribed “344 EWING TERRACE SAN FRANCISCO, CA 94118” on the stretcher. acrylic on canvas. 17 7/8 x 24 in. (45.4 x 61 cm). Painted in 1985.

Estimate $300,000-400,000

Estimate $40,000-60,000

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Arts du Feu: Works from the Collection of Jason Jacques

167. Keith Haring 1958-1990

168. Andy Warhol 1928-1987

For Herb

Marilyn

signed, titled and dated “© K. Haring NOV. 5 1989 FOR HERB_” on the reverse. acrylic and photo collage on handmade paper. 24 1/ 2 x 29 5/8 in. (62.2 x 75.2 cm). Executed on November 5, 1989.

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF UP 48.62” on the reverse. silkscreen ink on HMP paper. image 181/2 x 137/8 in. (47 x 35.5 cm), sheet 311/2 x 24 in. (80 x 61 cm). Executed circa 1978, this work is unique.

Estimate $50,000-70,000

Estimate $100,000-150,000

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169. Andy Warhol 1928-1987

170. Andy Warhol 1928-1987

Flowers

Frau Weintraub

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF OP 24.13” on the reverse. silkscreen ink on Strathmore drawing paper. 40 1/8 x 30 1/8 in. (101.9 x 76.5 cm). Executed circa 1964, this work is unique.

signed and dated “Andy Warhol 86” on the overlap. acrylic and silkscreen ink on canvas. 40 1/8 x 40 1/8 in. (101.8 x 101.8 cm). Executed in 1986. Estimate $120,000-180,000

Estimate $250,000-350,000

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Property from the Collection of Blake Byrne, Los Angeles

171. Robert Rauschenberg 1925-2008

172. Robert Rauschenberg 1925-2008

Pewter Drawer

Quarters from the series Anagrams (A Pun)

signed and dated “RAUSCHENBERG 1961” on the reverse. solvent transfer, pencil, wash and, gouache on paper. 22 7/8 x 28 7/8 in. (58 x 73.6 cm). Executed in 1961.

signed and dated “RAUSCHENBERG 97” lower lef. vegetable dye transfer on polylaminate. 59 3/4 x 45 1/8 in. (151.7 x 114.6 cm). Executed in 1997. Estimate $100,000-150,000

Estimate $300,000-500,000

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Property from a Private West Coast Collection

173. Ed Ruscha b. 1937

174. Ed Ruscha b. 1937

Chick Unit

Three works: (i-iii) Periods

signed and dated “Ed Ruscha 2003” on the backing board. acrylic on linen. 16 x 24 1/8 in. (40.6 x 61.3 cm). Painted in 2003.

each inscribed and consecutively numbered “Cancellation Proof [1, 6, 7]” lower lef; each signed and dated “Ed Ruscha 2013” lower right. unique lithographs. each image 24 x 24 in. (61 x 61 cm) each sheet 28 7/8 x 28 in. (73.3 x 71 cm). Executed in 2013, these are unique cancellation proofs 1, 6 and 7 aside from an edition of 60 of the fnal version.

Estimate $200,000-300,000

Estimate $120,000-180,000

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Property from the Estate of Janet Solinger

175. Alex Katz b. 1927

Property from the Collection of Pamela K. and William A. Royall Jr.

176. Neil Jenney b. 1945

Zihuatenejo Bay

Lines and Track

signed and dated “Alex Katz 80” upper right. oil on Masonite. 9 x 11 3/4 in. (23 x 30 cm). Painted in 1980.

signed, signed with the artist’s initials, inscribed and dated “This work is the best single image painting nj neil jenney nyc 1969” on the stretcher. acrylic on canvas, in artist’s frame. 58 x 64 1/ 2 in. (147.3 x 163.8 cm). Painted in 1969.

Estimate $35,000-45,000

Estimate $200,000-300,000

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177. Ralph Goings 1928-2016

178. Fernando Botero b. 1932

Hot Fudge Sundae

Venus

signed and titled “Ralph Goings HOT FUDGE SUNDAE” on the reverse; further signed, titled and dated “RALPH GOINGS 1972 HOT FUDGE SUNDAE” on the stretcher. oil on canvas. 39 7/8 x 56 1/8 in. (101.5 x 142.5 cm). Painted in 1972.

signed and dated “BOTERO 05” lower right. oil on canvas. 66 3/4 x 50 in. (169.5 x 127 cm). Painted in 2005. Estimate $350,000-450,000

Estimate $200,000-300,000

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Property from a Private Collection, Beverly Hills

179. Manolo Valdés b. 1942

180. Fernando Botero b. 1932

Regina

Reclining Woman with Mirror

incised with the artist’s initials and partially titled “MV R” on the reverse. bronze. 18 7/8 x 12 7/8 x 12 7/8 in. (48 x 33 x 33 cm). Executed circa 2000, this work is unique.

incised with the artist’s signature and number “Botero 2/6” and stamped with the foundry mark on the base. bronze. 14 7/8 x 55 1/8 x 19 5/8 in. (38 x 140 x 50 cm). Executed in 1986, this work is number 2 from an edition of 6 plus 2 artist’s proofs.

Estimate $50,000-70,000 Estimate $400,000-600,000

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Property from a Private Collection, Beverly Hills

181. Fernando Botero b. 1932

182. Pablo Picasso 1881-1973

Bowl of Fruits

Personnage endormi et femme accroupie (VIII)

signed and dated “BOTERO 04” lower right. oil on canvas. 39 3/4 x 47 3/4 in. (101 x 121.3 cm). Painted in 2004.

signed, inscribed and dated “Picasso 8 mai 47 VIII” lower right. ink wash and pen on paper. 20 x 25 7/8 in. (50.8 x 65.8 cm). Executed on May 8, 1947.

Estimate $180,000-220,000 Estimate $150,000-200,000

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Property from an Important Private Collection, Colorado

183. Henri Matisse 1869-1954

184. Alexander Archipenko 1887-1964

Jeune flle assise

Seated Woman Combing Her Hair

signed and dated “Henri Matisse 1 Janvier 28” lower right. ink on cut-out paper, laid on paper. 10 x 12 3/4 in. (25.4 x 32.4 cm). Executed on January 1, 1928, this work is accompanied by a certifcate of authenticity issued by Wanda de Guébriant in 1986.

incised with the artist’s signature, number and date “Archipenko 3/8 1915” lower lef. bronze. 21 1/ 2 x 7 x 6 in. (54.6 x 17.8 x 15.2 cm). Conceived in 1915/circa 1960, this authorized posthumous cast is number 3 from an edition of 8.

Estimate $50,000-70,000

Frances Archipenko Gray has confrmed the authenticity of this work. Estimate $150,000-200,000

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185. Francis Picabia 1879-1953

186. Francis Picabia 1879-1953

Sans titre

signed “Francis Picabia” lower right. gouache and graphite on paper. 16 5/8 x 12 3/4 in. (42.2 x 32.5 cm). Executed circa 1939-1940.

signed “Francis Picabia” lower edge; inscribed “19” on the reverse; further signed and inscribed by Germaine E. Picabia on a paper certifcate afxed to the reverse. oil on cardboard. framed 17 3/8 x 10 3/4 in. (44.1 x 27.3 cm). Painted circa 1938.

This work will be included in the forthcoming catalogue raisonné being prepared by the Comité Picabia.

Estimate $250,000-350,000 Estimate $20,000-30,000

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187. Joan Miró 1893-1983

188. Wassily Kandinsky 1866-1944

Sans titre

Untitled

signed and dated “Miró 7/V/63.” lower right. wax crayon and felt-tip pen on 2 joined sheets of paper. 13 1/4 x 18 7/8 in. (33.8 x 47.8 cm). Executed on May 7, 1963, this work is accompanied by a certifcate of authenticity issued by ADOM (Association pour la Défense de l’œuvre de Joan Miró).

signed with the artist’s initial and dated “K 21” lower lef. watercolor and graphite on paper. 8 7/8 x 9 7/8 in. (22.5 x 25.3 cm). Executed in 1921. Estimate $140,000-180,000

Estimate $70,000-90,000

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189. Jean Dubufet 1901-1985

190. Alexander Calder 1898-1976

Texte Logologique VI

Untitled

signed with the artist’s initials and dated “J.D. 67” lower right; inscribed “M322 VI” on the reverse. felt-tip pen on paper. 10 5/8 x 16 7/8 in. (27 x 43 cm). Executed on January 8, 1967.

signed and dated “Calder 67” lower right. gouache on paper. 22 1/ 2 x 30 in. (57.2 x 76.2 cm). Executed in 1967, this work is registered in the archives of the Calder Foundation, New York, under application number A15715.

Estimate $40,000-50,000 Estimate $30,000-50,000

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191. Alexander Calder 1898-1976

192. Bob Tompson 1937-1966

Untitled

The Beg

signed and dated “61 Calder” lower right. gouache and ink on paper. 29 3/8 x 41 1/ 2 in. (74.6 x 105.4 cm). Executed in 1961, this work is registered in the archives of the Calder Foundation, New York, under application number A22580.

signed and dated “62 B. Thompson” lower lef; further signed and dated “B. Thompson, ’62-’63” lower right; further signed, titled, inscribed and dated “B. Thompson ’62 Paris “The Beg”” on the reverse. gouache on paper. 21 3/8 x 17 7/8 in. (54.3 x 45.4 cm). Executed in 1962-1963.

Estimate $40,000-60,000 Estimate $30,000-50,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

193. Beauford Delaney 1901-1979

194. Andy Warhol 1928-1987

Self-portrait

Rolling Stones - Love you Live Bill Wyman

signed, inscribed and dated “BEAUFORD DELANEY, PARIS 1964” on the reverse. oil on canvas. 18 1/8 x 13 1/8 in. (46 x 33.3 cm). Painted in 1964.

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF 102.016” on the reverse. graphite on paper. 40 7/8 x 28 1/8 in. (103.8 x 71.4 cm). Executed in 1975.

Estimate $30,000-40,000

Estimate $15,000-20,000

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195. Andy Warhol 1928-1987

196. Andy Warhol 1928-1987

The Annunciation (afer Leonardo da Vinci)

Head (Afer Picasso)

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF 22.005” on the reverse. graphite on paper. 23 1/ 2 x 31 1/ 2 in. (59.7 x 80 cm). Executed in 1984.

stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed and numbered “VF 51.001” on the reverse. charcoal on handmade paper. 31 5/8 x 24 in. (80.3 x 61 cm). Executed in 1985.

Estimate $40,000-60,000

Estimate $15,000-20,000

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197. Marisa Merz 1926–2019

198. Gordon Matta-Clark 1943-1978

Untitled (Gold and Silver)

Bing-Go Gone

pastel on Japanese paper. 36 x 24 1/ 2 in. (91.4 x 62.2 cm). Executed circa 2004.

(i) titled and inscribed “’BING-GO GONE’ “A PROJECT YOU PROBABLY HAVEN’T SEEN” on the reverse. gelatin silver print, in 2 parts. each 7 1/ 2 x 10 in. (18.9 x 25.4 cm). Executed in 1975, this work is unique.

Estimate $70,000-90,000

Estimate $20,000-30,000

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Property from the Estate of Janet Solinger

199. Sigmar Polke 1941-2010

200. Georg Baselitz b. 1938

Untitled

Untitled (Beach Picture)

each signed with the artist’s initials and consecutively numbered “S.P. T 1 -14” on the reverse. unique Cibachrome prints, in 14 parts. each 20 x 16 in. (50.8 x 40.6 cm). Executed in 1992.

dated “29.VII.81” lower right; inscribed “Nr. G.B.Z. 1018” on the reverse. watercolor, blue ink and pencil on paper. 24 x 17 in. (61 x 43.2 cm). Executed on July 29, 1981.

Estimate $100,000-150,000

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Estimate $12,000-18,000

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Property from the Estate of Janet Solinger

201. Anselm Kiefer b. 1945

202. Friedrich Schröder-Sonnenstern 1892-1982

Gilgamesch im Zedernwald titled “Gilgamesch im Zedernwald” lower center; signed and dated “Anselm Kiefer 1980” on a label afxed to the backing board. acrylic and dispersion paint on photographic print. 32 1/4 x 23 1/4 in. (82 x 59 cm). Executed in 1980. Estimate $40,000-60,000

Pussy, Die mondmoralische Märchenwundersau com Kurfürstendamm signed, signed with the artist’s monogram, titled and dated “PUSSY, DIE MONDMORALISCHE MÄRCHENWUNDERSAU VOM KURFÜRSTENDAMM F.S. SONNENSTERN 1955” lower edge; further signed, signed with the artist’s monogram and dated “Sonnenstern 1955” on the reverse. colored pencil and graphite on paperboard. 19 7/8 x 28 3/4 in. (50.7 x 73 cm). Executed in 1955. Estimate $3,000-5,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

203. Francis Bacon 1909-1992

204. William Turnbull 1922-2012

Untitled (Figure upside down on sofa)

Untitled (Walking Figures)

inscribed “Figure upside down on sofa; seen from distance as in crouching fgure” upper center; further inscribed “April 12 standing fgure, seated fgure, lying fgure from Muybridge” on the reverse. oil on canvas. 24 x 20 in. (61 x 50.8 cm). Painted circa 1957-1961.

signed and dated “1952 TURNBULL” on the reverse. oil on canvas. 30 1/8 x 40 in. (76.5 x 101.6 cm). Painted in 1952. Estimate $10,000-15,000

The authenticity of this work was confrmed by Martin Harrison, author of Francis Bacon: Catalogue Raisonné. Estimate $100,000-150,000

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Arts du Feu: Works from the Collection of Jason Jacques

205. Yayoi Kusama b. 1929

Arts du Feu: Works from the Collection of Jason Jacques

206. Yayoi Kusama b. 1929

Grass-Igniting Coruscation

Village with Mountain Views

signed and dated “Yayoi Kusama 1975” upper lef; further signed, titled in Japanese and dated “[Grass-Igniting Coruscation] Yayoi Kusama 1975” on the reverse. pastel, ink, paper and fabric collage on paper. 15 1/ 2 x 21 3/4 in. (39.4 x 55.2 cm). Executed in 1975, this work is accompanied by a registration card issued by YAYOI KUSAMA Inc.

signed, stamped with the artist’s seal and dated “1979 Yayoi Kusama” lower lef; further signed, titled in Japanese and dated “[Village with Mountain Views] 1979 Yayoi Kusama” on the reverse. felt-tip pen with water-based ink on paperboard. 10 1/4 x 7 7/8 in. (26 x 20.2 cm). Executed in 1999, this work is accompanied by a registration card issued by YAYOI KUSAMA Inc.

Estimate $50,000-70,000 Estimate $15,000-20,000

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207. Mark Tobey 1890-1976

208. Paul Jenkins 1923-2012

Untitled (Raissance of a Flower)

Phenomena Entrance to Peking

signed and dated “Tobey 62” lower right. tempera on paper. 11 1/8 x 7 1/4 in. (28.3 x 18.3 cm). Executed in 1962.

signed “Paul Jenkins” lower right; further signed, titled and dated “Paul Jenkins Phenomena Entrance to Peking 1989” on the reverse. acrylic on canvas. 50 3/4 x 37 7/8 in. (129 x 96.3 cm). Painted in 1989.

Achim Moeller, Managing Principal of The Mark Tobey Project LLC, has confrmed the authenticity. The work is registered in the Mark Tobey archive with the number MT [289-7-20-20].

Estimate $25,000-35,000

Estimate $20,000-30,000

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Property from the Collection of the late Betsy Burton

209. Al Held 1928-2005

210. David Novros b. 1941

Cygnus I

Untitled

signed and dated “AL HELD 89” on the reverse. acrylic on canvas. 48 x 60 in. (121.9 x 152.4 cm). Painted in 1989.

signed with the artist’s initials and dated “D.N. ’76” on the stretcher. oil on canvas. 54 x 24 1/8 in. (137.2 x 61.3 cm). Painted in 1976.

Estimate $20,000-30,000

Estimate $15,000-20,000

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Property from the Collection of Blake Byrne, Los Angeles

211. Alfred Jensen 1903-1981

212. Lee Mullican 1919-1998

Gothic

Isis Appearing (Guardian Figure)

signed “Al Jensen” lower right. oil and crayon on paper laid on board. 22 x 30 in. (55.9 x 76.2 cm). Executed in 1958.

oil on canvas. 72 x 50 in. (182.9 x 127 cm). Painted in 1978. Estimate $10,000-15,000

Estimate $18,000-25,000

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213. Larry Bell b. 1939

214. Harvey Quaytman 1937-2002

Small Mirage Study #162

Walnut, Slate and Clay

signed, partially titled and dated “L. Bell ’91 11/27/91 SMS 162” on the reverse. aluminum and silicon monoxide on canvas. 30 1/8 x 30 1/8 in. (76.5 x 76.5 cm). Executed on November 27, 1991.

signed, titled, inscribed and dated ““Walnut, SLate and CLay” Harvey Quaytman 1997 A/C” on the overlap. acrylic on canvas. 80 x 80 in. (203.2 x 203.2 cm). Painted in 1997.

Estimate $15,000-20,000

Estimate $25,000-35,000

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Property from a Distinguished Private Collection, New York

215. Sol LeWitt 1928-2007 Black and Gray Diagonal Bands in Three Directions with a Black Border inscribed “134” lower lef; signed and dated S. LEWITT 7/82” lower right. ink on paper. 22 x 30 1/ 2 in. (55.9 x 77.5 cm). Executed in 1982.

216. Richard Tuttle b. 1941 Untitled signed, inscribed and dated “CXL Richard Tuttle 1971” on the reverse. ink and watercolor on the reverse of a Richard Tuttle limited edition Two Books 1969 title page. 12 1/8 x 10 1/8 in. (30.7 x 25.7 cm). Executed in 1971.

Estimate $40,000-60,000 Estimate $7,000-10,000

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217. George Rickey 1907-2002

218. George Rickey 1907-2002

Inverted Column

Two Fixed Two Moving Lines III

incised with the artist’s signature and date “Rickey 1966” on the wall mount. stainless steel. approximately 36 x 6 x 12 in. (91.4 x 15.2 x 30.5 cm). Executed in 1966, this work is unique.

incised with the artist’s signature, number and date “1/3 Rickey 1975” on the base; partially titled “2 Fixed, 2 Moving” on the underside of the base. stainless steel on marble base. approximately 22 x 24 x 5 in. (55.9 x 61 x 12.7 cm), base 3 x 3 x 1 in. (7.6 x 7.6 x 2.5 cm). Executed in 1975, this work is number 1 from an edition of 3.

Estimate $30,000-50,000

Estimate $20,000-30,000

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Property from the Collection of Blake Byrne, Los Angeles

219. Joel Shapiro b. 1941

220. Luis Tomasello 1915-2014

Untitled

Atmosphère Chromoplastique No. 259

incised with the artist’s signature, number and date “SHAPIRO 3/3 80” on the underside. bronze. 12 1/8 x 9 7/8 x 11 5/8 in. (30.7 x 25.2 x 29.5 cm). Executed in 1980, this work is number 3 from an edition of 3.

signed, titled and dated “ATMOSPHERE CHROMOPLASTIQUE No 259 1970 Luis Tomasello” on the stretcher. acrylic on wood. 41 1/4 x 41 1/4 in. (104.8 x 104.8 cm). Executed in 1970.

Estimate $12,000-18,000

We are most grateful to Sicardi Ayers Bacino, Houston, for their assistance with the cataloguing of this work Estimate $40,000-60,000

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221. Edgar Negret 1920-2012

222. Pedro Coronel 1923–1985

Árbol

Sin título

signed, titled and dated ““ÁRBOL” NEGRET 1984” on the underside. painted aluminum. 44 7/8 x 32 1/4 x 29 7/8 in. (114 x 82 x 76 cm). Executed in 1984, this work is unique.

signed, inscribed and dated “Pedro Coronel. PARIS 80” on the reverse. oil on canvas. 31 1/ 2 x 27 1/ 2 in. (80 x 69.9 cm). Painted in 1980, this work is accompanied by a certifcate of authenticity issued by Galería Central de Arte Moderno Misrachi.

This work is accompanied by a certifcate of authenticity issued by Galería Casa Negret Buitrago, Germán Alvarado.

Estimate $60,000-80,000

Estimate $25,000-35,000

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223. Carlos Alfonzo 1950-1991

224. Francisco Toledo 1940 -2019

Thought Forms

Le Xu

signed and dated “ALFONZO 87” lower right; titled “THOUGHT FORMS” on the overlap. oil on canvas. 86 1/4 x 88 3/ 5 in. (219.1 x 225 cm). Painted in 1987.

signed “Toledo” lower right; further signed, titled, stamped with the artist’s studio seal and dated “Toledo LE Xu 1967” on the reverse. oil on panel. 31 1/ 2 x 23 5/8 in. (80 x 60 cm). Painted in 1967.

Estimate $60,000-80,000

Estimate $40,000-60,000

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Property from a Private Collection, Beverly Hills

225. Ana Mercedes Hoyos 1942-2014

226. LeRoy Neiman 1921–2012

Inverapuestas el Perro

Le rendez-vous

signed and dated “hoyos 92” lower lef. oil on canvas. 59 x 59 in. (150 x 150 cm). Painted in 1992.

signed and dated “LeRoy Neiman 68” lower right; further signed, titled, inscribed and dated “LeRoy Neiman 1968 NY “Le rendez-vous” “Chateau de Chatilly” FORET DE FRANCE 68” on the reverse. oil and enamel on board. 48 1/4 x 72 in. (122.5 x 182.9 cm). Painted in 1968.

Estimate $70,000-90,000

Estimate $40,000-60,000

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Property from a Private Collection, Beverly Hills

227. Bernard Bufet 1928-1999

Property from a Private Collection, Beverly Hills

228. Bernard Bufet 1928-1999

La montagne Sainte-Victoire

Princesse Espagnole

signed and dated “Bernard Bufet 63” upper right. oil on canvas. 35 1/4 x 51 1/8 in. (89.5 x 130 cm). Painted in 1963.

signed and dated “Bernard Bufet 59” lower lef. oil on canvas. 51 3/8 x 38 5/8 in. (130.5 x 98 cm). Painted in 1959.

This work is recorded in the archives of the Galerie Maurice Garnier, Paris.

Estimate $50,000-70,000

Estimate $40,000-60,000

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Property from a Private Collection, Beverly Hills

229. Christian Zervos 1889-1970 The complete set of Pablo Picasso, Catalogue Raisonné 1875-1973 the complete set of 34 volumes (with volume 2 in 2 parts), bound with covers in blue fabric. each 12 7/8 x 9 7/8 in. (32.7 x 25.1 cm). Published between 1957-1978 by Editions Cahiers d’Art, Paris.

Property from the Collection of Blake Byrne, Los Angeles

230. Georges Rouault 1871-1958 Jeune clown pensif stamped by the artist’s studio “Atelier de Georges Rouault” on the reverse. oil on paper laid on canvas. 8 5/8 x 6 1/8 in. (22 x 15.5 cm). Painted circa 1940, this work is accompanied by a certifcate of authenticity issued by Fondation Georges Rouault.

Estimate $12,000-18,000 Estimate $25,000-35,000

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Property from the Collection of Blake Byrne, Los Angeles

231. Auguste Herbin 1882-1960

Property from the Collection of Pamela K. and William A. Royall Jr.

232. Carl Paul Jennewein 1890-1978

Untitled

Iris

signed and dated “herbin 1941” lower center. gouache on paper mounted to board. image 11 1/ 2 x 15 3/8 in. (29.2 x 39.1 cm), sheet 12 3/4 x 18 1/ 2 in. (32.4 x 47 cm). Executed in 1941.

incised with the artist’s signature and date “C.P. JENNEWEIN 19©39” on the base. bronze with verdigris patina. 87 x 22 x 20 in. (221 x 55.9 x 50.8 cm). Conceived in 1939, this work was cast circa 1942.

The late Geneviève Claisse has confrmed the authenticity of this work.

Estimate $40,000-60,000

Estimate $8,000-12,000

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233. Jim Dine b. 1935

234. Claes Oldenburg b. 1929

Untitled

Two Small Ray Guns

signed, and dated “Jim Dine 1962 Dec 25.” lower center; further signed and inscribed “Jim Merry Xmas” on the reverse. oll, pastel, graphite, toothbrush and broken glass on board. 18 7/8 x 24 7/8 in. (47.9 x 63.2 cm). Executed on December 25, 1962.

enamel on plaster, metal paint tube and paintbrush bristles, mounted to paperboard. upper element 2 7/8 x 3 1/8 in. (7.5 x 8 cm), lower element 3 1/8 x 4 1/ 2 in. (8 x 11.5 cm), board 9 1/6 x 5 7/8 in. (23.3 x 15.1 cm). Executed in 1959-1960. Estimate $40,000-60,000

Estimate $18,000-25,000

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235. Larry Rivers 1923-2002

236. Kenny Scharf b. 1958

Dreyfus

Coconut Donut in Space

signed, titled and dated “Rivers ‘64” center right. graphite, colored pencil, pastel, tape and paper collage on paper. 20 1/4 x 13 7/8 in. (51.4 x 35.2 cm). Executed in 1964.

signed, titled and dated “coconut donut iN space Kenny Scharf ’08” on the reverse. oil and glitter on canvas. 24 x 24 in. (61 x 61 cm). Executed in 2008. Estimate $15,000-20,000

Estimate $10,000-15,000

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237. Kenny Scharf b. 1958

238. Kenny Scharf b. 1958

Turkone

Spacecase

spray paint on aluminum. 73 x 43 x 49 in. (185.4 x 109.2 x 124.5 cm). Executed in 2011.

signed, titled and dated “SPACECASE Kenny Scharf 85” on the reverse. acrylic on canvas. 29 7/8 x 24 in. (76 x 61 cm). Painted in 1985.

Estimate $40,000-60,000 Estimate $30,000-40,000

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts Lots 301â&#x20AC;&#x201C;319

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

301. Katherine Bradford b. 1942

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

302. Katharina Grosse b. 1961

Diver for Dreyfoos

Ohne titel

signed and dated “K Bradford 2020” on the reverse. acrylic on canvas. 20 x 16 in. (50.8 x 40.6 cm). Painted in 2020.

signed, inscribed and dated “2019/3022” on the reverse. acrylic on paper. 29 1/ 2 x 22 1/ 2 in. (74.9 x 57.2 cm). Painted in 2019.

Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for lowincome Black students who wish to pursue a career in the visual and performing arts.

Courtesy of the Artist and Koenig Galerie. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Estimate $8,000-12,000

Estimate $30,000-40,000

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

303. Peter Saul b. 1934

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

304. Daniel Richter b. 1962

Four Dogs and a Sport Car

Ohne Titel

signed and dated “SAUL ‘20” lower right. acrylic and colored pencil on paper. 20 x 30 in. (50.8 x 76.2 cm). Executed in 2020.

signed and dated “D. Richter 20” on the reverse. oil on canvas. 15 3/4 x 11 3/4 in. (40 x 29.8 cm). Painted in 2020.

Courtesy of the Artist, Michael Werner Gallery, New York and London and Venus Over Manhattan, New York. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Estimate $25,000-35,000

Estimate $20,000-30,000

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

305. David Salle b. 1952

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

306. Robert Longo b. 1953

The Surprise

Study of Milwaukee Riot Cops

signed, titled and dated ““THE SURPRISE” David Salle 2020” on the reverse. oil on linen. 40 x 30 in. (101.6 x 76.2 cm). Painted in 2020.

signed and dated “Robert Longo 2018” lower right; titled “Study of Milwaukee Riot Cops” lower lef. ink and charcoal on vellum. 15 3/8 x 33 in. (39.1 x 83.8 cm). Executed in 2018.

Courtesy of the Artist and Skarstedt, New York. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Courtesy of the Artist and Metro Pictures, New York. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts. Estimate $70,000-90,000

Estimate $40,000-60,000 scan for more on this lot

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

307. Anselm Kiefer b. 1945 Erzvater grub, Erzmutter molk das Schicksal nährend für ein ganzes Volk titled “Erzvater grub, Erzmutter molk das Schicksal nährend für ein ganzes Volk” upper edge of glass. glass, metal and stones. 24 3/4 x 11 3/4 x 11 3/4 in. (62.9 x 29.8 x 29.8 cm). Executed in 2016. Courtesy of the Artist and White Cube. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

308. Georg Baselitz b. 1938 Gestern und heute signed, titled, and dated “I.18.VI 020 G. Baselitz gestern und heute” on the reverse. oil on canvas. 53 1/4 x 44 in. (135.3 x 111.8 cm). Painted in 2020. Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts. Estimate $600,000-700,000

Estimate $100,000-150,000 scan for more on this lot

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

309. Julian Schnabel b. 1951

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

310. Antony Gormley b. 1950

Untitled (BEZ)

SMALL VEER 2 II

signed and dated “Julian Schnabel 2011” on the overlap; inscribed “P11.0033” on the stretcher. inkjet print, oil, ink, gesso and resin on polyester. 106 1/8 x 75 3/8 in. (269.6 x 191.5 cm). Executed in 2011.

stamped with the artist’s initials, inscription and date on the underside. cast iron. 37 5/8 x 10 7/8 x 6 3/8 in. (95.5 x 27.6 x 16.2 cm). Executed in 2018.

Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts. Estimate $200,000-300,000

Estimate $100,000-150,000 scan for more on this lot

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

311. Tracey Emin b. 1963

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

312. Spencer Finch b. 1962

Saturated In Your Love

Study for Goldberg Variation 8

neon. 56 1/8 x 61 1/8 in. (142.6 x 155.3 cm). Executed in 2020, this work is artist’s proof 2 from an edition of 3 plus 2 artist’s proofs and is accompanied by a certifcate of authenticity signed by the artist.

fuorescent fxtures, lamps and flters. 48 x 4 x 3 in. (121.9 x 10.2 x 7.6 cm). Executed in 2020.

Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Estimate $70,000-100,000 scan for more on this lot

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

313. Olafur Eliasson b. 1967

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

314. Jeppe Hein b. 1974

The hue of the void

Vertical Cut (100 x 100)

signed and dated “Olafur Eliasson 2020” lower right. watercolor and pencil on paper. 14 1/ 2 x 10 1/4 in. (36.8 x 26 cm). Executed in 2020.

mirror foil on aluminum frame. 39 3/8 x 39 3/8 x 1 5/8 in. (100 x 100 x 4.1 cm). Executed in 2020.

Estimate $10,000-15,000 scan for more on this lot

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

315. Tony Matelli b. 1971

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

316. Kenny Scharf b. 1958

Head (Orange)

PURBZ

plaster, polyurethane, painted bronze and stainless steel. 12 x 11 x 12 in. (30.5 x 27.9 x 30.5 cm). Executed in 2020.

signed, titled and dated “Purbz K Scharf ‘20” on the reverse. oil on linen with powder coated aluminum frame. 24 5/8 x 24 5/8 x 2 1/ 2 in. (62.5 x 62.5 x 6.4 cm). Painted in 2020.

Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for low-income Black students who wish to pursue a career in the visual and performing arts.

Estimate $10,000-20,000

Estimate $25,000-35,000

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

317. Alexis Rockman b. 1962

Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

318. Karl Horst Hödicke b. 1938

Pufns

Cocktail 2

signed and dated “A. Rockman 8/21/20” lower lef. ink and acrylic on paper. 18 x 24 in. (45.7 x 61 cm). Painted in 2020.

signed, titled and dated “Hödicke Cocktail II 03” on the reverse. polyester resin on canvas. 39 3/8 x 31 1/ 2 in. (100 x 80 cm). Executed in 2003.

Estimate $10,000-15,000

Estimate $20,000-30,000

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Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts

319. Enoc Perez b. 1967 Brooklyn, NY 2020 signed, titled and dated “Enoc Perez May 31, 2020 Brooklyn, NY.” on the reverse. oil on canvas. 18 x 24 in. (45.7 x 61 cm). Executed in 2020. Courtesy of the Artist. All proceeds received by the Hall Art Foundation from the sale of this artwork will be gifed to the School of the Arts Foundation, Inc. and used to implement scholarships at the Alexander W. Dreyfoos School of the Arts in West Palm Beach, Florida for lowincome Black students who wish to pursue a career in the visual and performing arts. Estimate $17,000-25,000 scan for more on this lot

Day Sale, Afternoon Session Lots 401â&#x20AC;&#x201C;572

Property Sold to Beneft the Cuperior Residency, Berlin

401. Kudzanai-Violet Hwami b. 1993

402. Christina Quarles b. 1985

Eve on Psilocybin

Tuckt

oil on canvas. 51 1/8 x 54 3/8 in. (129.9 x 138.1 cm). Painted in 2018.

signed, titled and dated “Christina Quarles CHRISTINA QUARLES 2016 “TUCKT”” on the overlap. acrylic on canvas. 32 x 48 in. (81.3 x 121.9 cm). Painted in 2016.

A portion of Phillips’ revenue for this Lot will beneft the Cuperior Residency, Berlin.

Estimate $70,000-100,000 Estimate $30,000-40,000

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Property Sold to Beneft the Cuperior Residency, Berlin

403. Christina Forrer b. 1978

404. Jonathan Lyndon Chase b. 1989

Untitled (Purple and Pink)

Bend

signed and dated “Christina Forrer 2018” on the reverse. cotton, wool, linen and silk. 43 x 47 1/4 in. (109.2 x 120 cm). Executed in 2018.

signed and dated “Jonathan L Chase 2018” on the stretcher. acrylic, marker, graphite and glitter on cotton bed sheet. 72 x 60 in. (182.9 x 152.4 cm). Executed in 2018.

Estimate $20,000-30,000 A portion of Phillips’ revenue for this Lot will beneft the Cuperior Residency, Berlin. Estimate $35,000-45,000

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405. Robin F. Williams b. 1984

406. Loie Hollowell b. 1983

The Getaway (Study)

Linked Lingam in Red and Blue

signed and dated “ROBIN F WILLIAMS 2016” on the reverse. pastel on paper. 50 x 40 in. (127 x 101.6 cm). Executed in 2016.

signed, titled and dated “Loie Hollowell “Linked Lingam” “Linked Lingam in Red and Blue” 2015 Loie Hollowell” on the reverse. oil on linen mounted to panel. 28 x 21 in. (71.1 x 53.3 cm). Painted in 2015.

Estimate $25,000-35,000

Estimate $60,000-80,000

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407. Emily Mae Smith b. 1979

408. Gina Beavers b. 1974

Centurion XX

Lips with Painter’s Lips

signed and dated “EMILY MAE SMITH 2015” on the reverse. acrylic and oil on linen. 38 x 27 in. (96.5 x 68.6 cm). Painted in 2015.

signed and dated “Gina Beavers 2019” on the reverse. acrylic and foam on canvas mounted to panel, in artist’s frame. 31 1/8 x 31 1/8 x 5 7/8 in. (79.1 x 79.1 x 14.9 cm). Executed in 2019.

Estimate $20,000-30,000 Estimate $15,000-20,000

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Property Sold to Beneft the Cuperior Residency, Berlin

409. Joy Labinjo B.1994

Property from the Collection of Pamela K. and William A. Royall Jr.

410. Alex Gardner b. 1987

Visiting Great Grandma

to be titled

signed and dated “Joy Labinjo 2018 joy” on the reverse. oil and household paint on canvas. 57 3/8 x 76 3/4 in. (145.7 x 194.9 cm). Painted in 2018.

signed and dated “ALEX GARDNER 2018” on the overlap. acrylic on linen. 60 x 60 in. (152.4 x 152.4 cm). Painted in 2018.

A portion of Phillips’ revenue for this Lot will beneft the Cuperior Residency, Berlin.

Estimate $20,000-30,000

Estimate $10,000-15,000

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411. Austyn Weiner b. 1989 Crowd Pleaser signed, titled and dated “CROWD PLEASER AUSTYN 2017” on the reverse. oilstick on canvas mounted to panel. 56 x 98 1/4 in. (142.2 x 249.6 cm). Executed in 2017. Estimate $20,000-30,000

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412. Avery Singer b. 1987 Untitled (Study for “Gerty MacDowell’s Playbook”) signed and dated “Avery Singer 2016” on the reverse. acrylic on gessoed board. 30 x 38 3/4 in. (76.2 x 98.4 cm). Painted in 2016. Estimate $120,000-180,000

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Property Sold to Beneft the Cuperior Residency, Berlin

413. Tunji Adeniyi-Jones b. 1992

Property of an Important New York Estate

414. Toyin Ojih Odutola b. 1985

Red Twins III

What You Think You See

oil on canvas. 58 x 60 in. (147.3 x 152.4 cm). Painted in 2018. A portion of Phillips’ revenue for this Lot will beneft the Cuperior Residency, Berlin.

signed, titled and dated “Toyin Ojih ODUTOLA “WHAT YOU THiNK YOU SEE” (2014)” on the reverse. charcoal, pastel, marker and graphite on paper. 29 1/4 x 30 in. (74.3 x 76.2 cm). Executed in 2014.

Estimate $15,000-20,000

Estimate $40,000-60,000

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415. Dana Schutz b. 1976

416. Derek Fordjour b. 1974

Drowning (2)

No. 29

signed and dated “Dana Schutz 2011” lower right. monotype with watercolor, pastel, crayon and graphite on paper. 59 7/8 x 46 in. (152.1 x 116.8 cm). Executed in 2011, this work was published by Two Palms, New York.

signed, titled and dated “FORDJOUR ‘17 No. 29” on the reverse. oil pastel, charcoal, acrylic, cardboard and carved newspaper mounted to canvas. 30 x 24 in. (76.2 x 61 cm). Executed in 2017.

Estimate $60,000-80,000

Estimate $50,000-70,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

417. Titus Kaphar b. 1976

Property from the Collection of Pamela K. and William A. Royall Jr.

418. Henry Taylor b. 1958

Memory Fails

Noah was here and obviously Thelma too

signed and dated “Kaphar 10” lower right. oil on canvas and tar on panel, with antique frame. 46 x 66 in. (116.8 x 167.6 cm). Executed in 2010.

acrylic on canvas. 75 1/ 2 x 62 5/8 in. (191.8 x 159.1 cm). Painted in 2014. Estimate $150,000-200,000

Estimate $80,000-120,000

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419. Torey Tornton b. 1990

420. Samuel Levi Jones b. 1978

Park on Log on Lawn Mower, Smash

Promises

inscribed and dated “xx 2k13” on the reverse. acrylic, spray paint and collage on wood. 43 3/4 x 88 1/4 in. (111.1 x 224.2 cm). Executed in 2013.

signed, titled and dated “Samuel Levi Jones Promises 2014” on the reverse. deconstructed encyclopedia set on canvas. 109 x 67 in. (276.9 x 170.2 cm). Executed in 2014.

Estimate $40,000-60,000 Estimate $40,000-60,000

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421. Angel Otero b. 1981

422. Marcus Jahmal b. 1990

Tasso’s (Afer Sir Anthony Van Dyck)

Rope & Rug

signed, titled and dated ““TASSO’S” (AFTER ANTHONY VAN DYCK) Angel Otero 2012 ANGEL OTERO” on the reverse. oil and oil paint skins on canvas. 40 1/ 2 x 32 1/ 2 in. (102.9 x 82.6 cm). Executed in 2012.

signed, titled and dated “Jahmal 2017 ‘Rope & Rug’” on the reverse. oil on panel. 60 x 60 in. (152.4 x 152.4 cm). Painted in 2017. Estimate $12,000-18,000

Estimate $20,000-30,000

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Property Sold to Beneft the Cuperior Residency, Berlin

423. Madelynn Green b. 1993

424. Jammie Holmes b. 1984

Cadillac

Untitled

signed and dated “Madelynn Mae Green 2017” on the reverse. oil and acrylic on canvas. 24 x 30 in. (61 x 76.2 cm). Painted in 2017.

signed with the artist’s initials and dated “JH 2019” on the reverse. oil on canvas. 48 x 24 in. (121.9 x 61 cm). Painted in 2019.

A portion of Phillips’ revenue for this Lot will beneft the Cuperior Residency, Berlin.

Estimate $6,000-8,000

Estimate $3,000-5,000

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425. Hernan Bas b. 1978

426. Genieve Figgis b. 1972

Don’t Tell It To The Mountain

Him

signed with the artist’s initials and dated “HB 09” lower right; further signed with the artist’s initials, titled and dated “Don’t tell it on a mountain HB 09” on the reverse. acrylic on canvas mounted to panel. 84 x 72 in. (213.4 x 182.9 cm). Painted in 2009.

signed and dated “genieve fggis 2014” on the reverse. acrylic on canvas. 39 1/ 2 x 31 3/8 in. (100.3 x 79.7 cm). Painted in 2014. Estimate $50,000-70,000

Estimate $90,000-120,000

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427. Katherine Bernhardt b. 1975

428. Katherine Bernhardt b. 1975

Plantains, Limes, and Papaya

5 Cigarettes on Black

signed, titled and dated “Plantains, Limes, Papaya 2015 Katherine Bernhardt” on the overlap. acrylic on canvas. 48 x 48 in. (121.9 x 121.9 cm). Painted in 2015.

signed, partially titled and dated “Katherine Bernhardt 2014 5 cigarettes” on the reverse. acrylic and spray paint on canvas. 40 x 30 in. (101.6 x 76.2 cm). Executed in 2014.

Estimate $20,000-30,000

Estimate $10,000-15,000

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429. Ann Craven b. 1969

430. Brian Calvin b. 1969

Deer on Emerald Field #2, 2006

Thing I

signed, titled and dated “a craven 2006 (Deer on Emerald Field #2)” on the reverse. oil on canvas. 60 x 48 in. (152.4 x 121.9 cm). Painted in 2006.

signed, titled and dated “Brian Calvin “THING (I)” 2007” on the reverse. acrylic on canvas. 48 x 60 in. (121.9 x 152.4 cm). Painted in 2007.

Estimate $15,000-20,000

Estimate $25,000-35,000

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431. Melike Kara b. 1985

432. Susumu Kamijo b. 1975

Untitled

Candy

signed and dated “Melike Kara ‘18” on the reverse. oilstick and acrylic on canvas. 78 3/4 x 110 1/4 in. (200 x 280 cm). Executed in 2018.

pastel pencil and pastel oilstick on paper. 31 7/8 x 26 in. (81 x 66 cm). Executed in 2018. Estimate $8,000-12,000

Estimate $30,000-40,000

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433. Sanford Biggers b. 1970

434. Etel Adnan b. 1925

Quilt #19 (Rockstar)

Untitled

signed and dated “Sanford Biggers 2013” lower right; further signed and dated “Sanford Biggers 2013” on the reverse. antique quilt, assorted textiles, acrylic and spray paint. 75 3/8 x 76 in. (191.5 x 193 cm). Executed in 2013.

signed and dated “Adnan 13” on the reverse. oil on canvas. 12 5/8 x 16 in. (32.1 x 40.6 cm). Painted in 2013. Estimate $40,000-60,000

Estimate $30,000-40,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

435. McArthur Binion b. 1946 DNA Study: VI ink, laser print collage, oil paint stick and Staonal crayon on panel. 96 x 72 in. (243.8 x 182.9 cm). Executed in 2014.

Property from the Collection of Pamela K. and William A. Royall Jr.

436. McArthur Binion b. 1946 Sketch XIX (Looking for Grey): Three Movements of Sunlight ink, laser print collage, oil paint stick and Staonal crayon on panel. 48 x 32 in. (121.9 x 81.3 cm). Executed in 2014.

Estimate $100,000-150,000 Estimate $30,000-40,000

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437. Jef Sonhouse b. 1968

438. Michael Ray Charles b. 1967

Study for Exhibit A - Cardinal Francis Arinze

(Forever Free) Strange Fruits

signed, titled and dated “STUDY FOR EXHIBIT A CARDINAL FRANCIS ARINZE 2005 Jef Sonhouse” on the reverse. oil and mixed media on wood. 25 x 13 x 2 3/8 in. (63.5 x 33 x 6 cm). Executed in 2005.

signed and dated “MICHAEL RAY © CHARLES 08” lower right. acrylic latex, gold leaf and copper penny on board. 97 1/4 x 60 1/4 in. (247 x 153 cm). Executed in 2008.

Estimate $15,000-20,000

Estimate $40,000-60,000

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439. Tomoo Gokita b. 1969

440. Ella Kruglyanskaya b. 1978

Hangover

Running Of

signed, titled and dated “HANGOVER Tomoo Gokita 2015” on the reverse. acrylic gouache on canvas. 89 1/ 2 x 71 5/8 in. (227.3 x 181.9 cm). Painted in 2015.

signed and dated “Ella Kruglyanskaya 2014” on the reverse. Flashe on paper. 91 x 48 in. (231.1 x 121.9 cm). Executed in 2014. Estimate $25,000-35,000

Estimate $200,000-300,000

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Property of an Important New York Estate

441. Mark Bradford b. 1961

442. Teaster Gates b. 1973

Untitled (Corner of Desire and Piety) II

Rubber Reduction Exercise

signed with the artist’s initial, partially titled and dated “Corner of Desire and Piety M 2008” on the reverse. mixed media collage. 22 x 27 3/4 in. (55.9 x 70.5 cm). Executed in 2008.

signed and dated “Theaster Gates 2013” on the reverse. roofng paper, rubber and tar on panel. 96 1/4 x 96 1/4 x 4 in. (244.5 x 244.5 x 10.2 cm). Executed in 2013.

Estimate $150,000-200,000

Estimate $100,000-150,000

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443. Mark Grotjahn b. 1968 Untitled (Top and Interior Gates, DeWalt Mask M33.f) bronze. sculpture 42 x 23 x 42 1/4 in. (106.7 x 58.4 x 107.3 cm), plinth 31 x 31 1/ 2 x 39 in. (78.7 x 80 x 99.1 cm), overall 73 x 31 1/ 2 x 42 1/4 in. (185.4 x 80 x 107.3 cm). Executed in 2014.

444. Glenn Ligon b. 1960 Stranger in the Village (excerpt) #5 signed, titled and dated “Glenn Ligon Glenn Ligon Stranger in the Village 1996 (excerpt) #5” on the reverse. coal dust on paper. 71 1/ 2 x 53 1/ 2 in. (181.6 x 135.9 cm). Executed in 1996. Estimate $150,000-200,000

Estimate $150,000-200,000

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445. Jenny Holzer b. 1950

446. Sherrie Levine b. 1947

Under a Rock

The Cradle

electronic LED sign with red and green diodes. 9 1/ 2 x 112 1/ 2 x 5 1/ 2 in. (24.1 x 285.8 x 14 cm). Executed in 1986, this work is number 6 from an edition of 6 plus 1 artist’s proof.

cast bronze. 18 7/8 x 39 3/8 x 23 5/8 in. (47.9 x 100 x 60 cm). Executed in 2009, this work is number 3 from an edition of 6 plus 2 artist’s proofs. Estimate $150,000-200,000

Estimate $150,000-200,000

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447. Haim Steinbach b. 1944

448. Haim Steinbach b. 1944

Untitled (strainer, soap dispenser) 2A

Untitled (brush, dog chew) 1A

plastic laminated wood shelf, enamel and steel strainer and plastic and resin soap dispenser. 28 1/ 2 x 24 3/4 x 15 1/4 in. (72.4 x 62.9 x 38.7 cm). Executed in 2009.

signed and dated “Haim Steinbach 08” on the reverse of the shelf. plastic laminated wood shelf, horsehair wood brush and rubber dog chew. 16 1/ 2 x 27 x 9 in. (41.9 x 68.6 x 22.9 cm). Executed in 2008.

Estimate $20,000-30,000 Estimate $20,000-30,000

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Property from a Distinguished Midwestern Collection

449. Peter Halley b. 1953

450. Peter Halley b. 1953

Overthruster

World of Mire

signed and dated “Peter Halley Peter Halley 1991” on the reverse. acrylic, fuorescent acrylic and Roll-a-Tex on two adjoined canvases. 90 x 89 in. (228.6 x 226.1 cm). Executed in 1991.

signed and dated “Peter Halley Peter Halley 1991” on the reverse. acrylic, fuorescent acrylic and Roll-A-Tex on two adjoined canvases. 84 3/8 x 81 1/ 2 in. (214.3 x 207 cm). Executed in 1991.

Estimate $200,000-300,000

Estimate $150,000-200,000

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451. Jacqueline Humphries b. 1960

452. Robert Longo b. 1953

Untitled

signed and dated “Humphries 2015” on the reverse. oil on linen. 40 x 38 in. (101.6 x 96.5 cm). Painted in 2015.

(i) signed, numbered and dated “Robert Longo 2 1980” on the reverse, (ii) signed, numbered and dated “Robert Longo 1980 3” on the reverse, (iii) signed, numbered and dated “3 Robert Longo 1980” on the reverse. charcoal on paper, triptych. each 60 x 40 in. (152.4 x 101.6 cm). Executed in 1980.

Estimate $70,000-100,000

Estimate $300,000-400,000

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Property from a Distinguished Midwestern Collection

453. Sue Williams b. 1954

454. Carroll Dunham b. 1949

Pentagon Parking

Green Extension

signed and dated “Sue Williams 2014” on the reverse; titled “PENTAGON Parking” on the stretcher. oil and acrylic on canvas. 50 x 60 in. (127 x 152.4 cm). Painted in 2014.

signed and dated “October - November 1989 Carroll Dunham” center right. vinyl, acrylic and pencil on canvas. 62 1/ 2 x 78 3/4 in. (158.8 x 200 cm). Executed in 1989.

Estimate $50,000-70,000

Estimate $150,000-200,000

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455. Susan Rothenberg b. 1945

456. David Hammons b. 1943

Dominos-Hot

Untitled

signed, titled and dated “DOMINOS - HOT S. Rothenberg 2001 - 2002” on the reverse. oil on canvas. 73 x 75 in. (185.4 x 190.5 cm). Painted in 2001-2002.

signed “HAMMONS” lower right. enamel on Masonite. 36 1/8 x 48 1/8 in. (91.8 x 122.2 cm). Executed in 1969. Estimate $80,000-120,000

Estimate $50,000-70,000

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Property from the Collection of Blake Byrne, Los Angeles

457. Henry Taylor b. 1958

458. Fred Wilson b. 1954

Untitled (Bast)

signed, inscribed and dated “Henry Taylor Today is a Good One 2.25 2012 But I done” on the reverse. acrylic, ink, printed paper, printed cardboard and newsprint collage on canvas. 39 1/4 x 71 in. (99.7 x 180.3 cm). Executed in 2012.

plaster. 28 1/ 2 x 28 1/ 2 x 3 in. (72.4 x 72.4 x 7.6 cm). Executed in 1992. Estimate $25,000-35,000

Estimate $50,000-70,000

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459. David Salle b. 1952

460. Julian Schnabel b. 1951

Watchcap

Mi Vida es una Cumbre de Mentiras (Green Resin Picture)

signed, titled and dated ““WATCHCAP” David Salle 2006” on the reverse. oil on linen. 90 x 84 in. (228.6 x 213.4 cm). Painted in 2006.

signed and dated “Julian Schnabel 1994” on the overlap. oil, resin, gesso and leather on canvas, in artist’s frame. 98 x 78 in. (248.9 x 198.1 cm). Executed in 1994.

Estimate $60,000-80,000 Estimate $60,000-80,000

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Arts du Feu: Works from the Collection of Jason Jacques

461. Per Kirkeby 1938-2018

462. Per Kirkeby 1938-2018

Untitled

signed and dated “PER KIRKEBY 1986” on the reverse. mixed media on blackboard. 48 x 48 in. (121.9 x 121.9 cm). Executed in 1986.

signed with the artist’s initials and dated “PK 07” on the reverse. oil and tempera on canvas. 45 x 37 3/8 in. (114.3 x 94.9 cm). Painted in 2007.

Estimate $25,000-35,000

Estimate $40,000-60,000

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463. Ross Bleckner b. 1949

464. Mel Bochner b. 1940

Love by Ambition

Measurement: 41”/22”

signed, titled and dated “Ross Bleckner 1996 LOVE BY AMBITION” on the reverse. oil on canvas. 84 x 72 in. (213.4 x 182.9 cm). Painted in 1996.

(i) signed, titled and dated “MEASUREMENT: 41”/ 22” MEL BOCHNER 1998” on the reverse, (ii, iii) titled “MEASUREMENT: 41”/22”” on the reverse. oil and acrylic on canvas, in 3 parts. (i) 14 x 18 in. (35.6 x 45.7 cm), (ii) 11 x 14 in. (27.9 x 35.6 cm), (iii) 18 x 14 in. (45.7 x 35.6 cm), overall 32 x 32 in. (81.3 x 81.3 cm). Painted in 1998.

Estimate $50,000-70,000

Estimate $40,000-60,000

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465. Tauba Auerbach b. 1981

466. Tauba Auerbach b. 1981

Grain - Meander Arc/Arc

Corrugation I

acrylic on canvas. 60 x 45 in. (152.4 x 114.3 cm). Painted in 2018.

signed and dated “TAUBA AUERBACH 2011” on the overlap. acrylic on canvas. 40 1/8 x 30 1/8 in. (101.9 x 76.5 cm). Painted in 2011.

Estimate $100,000-150,000 Estimate $70,000-100,000

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Property of an Important Miami Collector

467. Olafur Eliasson b. 1967

Property from the Collection of Blake Byrne, Los Angeles

468. Olafur Eliasson b. 1967

Red Green Kaleidoscope

Straight back

stainless steel, mirror and color efect flter. 77 1/ 2 x 30 x 64 in. (196.9 x 76.2 x 162.6 cm). Executed in 2004.

colored glass, gold, stainless steel, paint and LED lights. diameter 26 3/8 in. (67 cm). Executed in 2018, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate $80,000-120,000 Estimate $70,000-100,000

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469. Ugo Rondinone b. 1964

470. Ugo Rondinone b. 1964

SECHSTERAUGUSTZWEITAUSENDUNDZWÖLF

SUNRISE. east. may

signed and dated “ugo rondinone 2012” on the stretcher. acrylic airbrush on canvas and silkscreen on Plexiglas plaque. diameter 106 1/8 in. (269.6 cm). Executed in 2012.

incised with the partial title “sunrise + E. may.” lower lef of sculpture. cast bronze, silver auto paint and concrete plinth. sculpture 73 x 46 1/4 x 50 5/8 in. (185.4 x 117.5 x 128.6 cm), plinth 23 x 46 1/8 x 45 5/8 in. (58.4 x 117.2 x 115.9 cm), overall 96 x 46 1/4 x 50 5/8 in. (243.8 x 117.5 x 128.6 cm). Executed in 2005, this work is number 1 from an edition of 1 plus 2 artist’s proofs.

Estimate $150,000-200,000

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471. Juan Genovés 1930-2020

472. Adel Abdessemed b. 1971

Iluminado

Mappemonde 2 (thursday)

signed and dated “genovés 13” lower right; further signed, titled and dated “Genovés “iLUMiNADO” 2013” on the reverse. acrylic and mixed media on canvas mounted to panel. 59 x 47 1/4 in. (149.9 x 120 cm). Executed in 2013.

printed steel. diameter 67¾ in. (172.1 cm). Executed in 2010, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate $40,000-60,000

Estimate $50,000-70,000

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473. Richard Deacon b. 1949

474. Gary Hume b. 1962

Coat

American Tan III (Bronze)

welded plastic. 71 x 83 x 48 in. (180.3 x 210.8 x 121.9 cm). Executed in 1990.

painted bronze and sheet metal with wooden plinth. sculpture 47 x 34 1/4 x 36 5/8 in. (119.4 x 87 x 93 cm), plinth 22 1/4 x 11 5/8 in. (56.5 x 29.5 cm), overall 69 1/4 x 34 1/4 x 36 5/8 in. (175.9 x 87 x 93 cm). Executed in 2006-2007, this work is number 2 from an edition of 5.

Estimate $35,000-45,000

Another example from this edition is housed in the permanent collection of the Palm Springs Art Museum. Estimate $40,000-60,000

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475. Damien Hirst b. 1965 Beautiful high speed, head into the steering wheel impact painting household gloss on canvas. diameter 84 in. (213.4 cm). Executed in 1996. Estimate $300,000-500,000

476. Gilbert & George b. 1943 and b. 1942 Pains signed and dated “1988 Gilbert + George” lower right; each titled and numbered respectively “PAINS [1-9]” on the reverse of the backing boards. hand-dyed gelatin silver prints, in artist’s frames, in 9 parts. each 24 x 20 in. (61 x 50.8 cm) overall 72 x 60 in. (182.9 x 152.4 cm). Executed in 1988. Estimate $80,000-110,000

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477. Peter Doig b. 1959

478. Chris Ofli b. 1968

Figure in Landscape

Footsteps (Devil’s staircase)

signed, titled and dated “ʻFigure in Landscape’ Peter Doig ‘96” on the reverse. oil on panel. 18 7/8 x 13 3/4 in. (47.9 x 34.9 cm). Painted in 1996.

signed, titled and dated ““footsteps (Devil’s staircase)” 2007 Chris Ofli” on the reverse. oil on canvas. 36 x 24 in. (91.4 x 61 cm). Painted in 2007.

Estimate $200,000-300,000

Estimate $60,000-80,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

479. Antony Gormley b. 1950

480. Antony Gormley b. 1950

Breathing Room XIII

Bond II

signed, titled and dated “Breathing Room XIII 2010 Antony Gormley 2010” on the reverse. ink and bleach on paper. 29 3/4 x 43 7/8 in. (75.6 x 111.4 cm). Executed in 2010.

stamped with the artist’s initials, number and date on the underside. cast iron. 72 x 21 1/4 x 16 1/8 in. (183 x 54 x 41 cm). Executed in 2010, this work is number 4 from an edition of 5 plus 1 artist’s proof.

Estimate $30,000-50,000

Estimate $250,000-350,000

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detail

481. Mike Kelley 1954-2012

482. Mike Kelley 1954-2012

City 5

Garbage Drawing #32

resin, electrical hardware and wood veneer on wood. sculpture 12 x 17 3/4 x 17 3/4 in. (30.5 x 45.1 x 45.1 cm), base 46 x 25 x 25 in. (116.8 x 63.5 x 63.5 cm), overall 58 x 25 x 25 in. (147.3 x 63.5 x 63.5 cm). Executed in 2007, this work is number 1 from an edition of 5 plus 2 artist’s proofs and 1 printer’s proof.

partially titled “32” on the reverse. acrylic on paper. 10 1/4 x 36 7/8 in. (26 x 93.7 cm). Painted in 1988. Estimate $15,000-20,000

Estimate $70,000-90,000

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Property from the Collection of Blake Byrne, Los Angeles

483. Jim Shaw b. 1952

484. George Condo b. 1957

Untitled (Ethan)

Smiling Girl with Lilac Shirt

signed and dated “Jim Shaw 06” on the overlap. oil on canvas mounted to panel. 60 1/4 x 42 1/8 in. (153 x 107 cm). Painted in 2006.

signed, titled and dated “Condo 05 Smiling girl with Lilac shirt” on the reverse. oil on canvas, in artist’s frame. 17 1/8 x 15 1/8 in. (43.5 x 38.4 cm). Executed in 2005.

Estimate $12,000-18,000

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Estimate $60,000-80,000

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485. Danh Vo b. 1975 Cease to know or to tell. Or to see or to be your own. Have someone else’s will as your own Phung Vo’s handwriting and gold leaf on found Mexican beer (Corona-Victoria) cardboard box. 20 1/ 2 x 52 1/4 in. (52.1 x 132.7 cm). Executed in 2014. Estimate $80,000-120,000

486. Jose Dávila b. 1974 Untitled found cardboard boxes and soda bottle caps. each 6 3/4 x 22 1/ 2 x 19 1/4 in. (17.1 x 57.2 x 48.9 cm), installation dimensions 117 x 22 1/ 2 x 19 1/4 in. (297.2 x 57.2 x 48.9 cm). Executed in 2007, this work is artist’s proof 2 from an edition of 2 plus 2 artist’s proofs, and is accompanied by a certifcate of authenticity signed by the artist. Estimate $22,000-28,000

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487. Damián Ortega b. 1967

488. Lucia Koch b. 1966

Highway

Mostruário

poured concrete. 12 x 21 1/ 2 x 19 1/ 2 in. (30.5 x 54.6 x 49.5 cm). Executed in 2009.

set of 10 laser cut colored acrylic plates. installation dimensions variable, approximately 78 1/ 2 x 37 x 38 1/ 2 in. (199.4 x 94 x 97.8 cm). Executed in 2012.

Estimate $10,000-15,000

Estimate $15,000-20,000

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Property from the Collection of Blake Byrne, Los Angeles

489. Rivane Neuenschwander b. 1967

490. Los Carpinteros b. 1969, b. 1970, b. 1971

Carta d’Agua (Rain Map)

Mesa

acrylic and rain drops on road maps, in 4 parts, in artist’s frames. each 15 x 15 in. (38.1 x 38.1 cm). Executed in 2007, this work is accompanied by a certifcate of authenticity signed by the artist.

signed and dated “Los Carpinteros 2001” lower right; titled ““mesa”” lower center. watercolor and graphite on paper. 29 1/ 2 x 41 1/ 2 in. (74.9 x 105.4 cm). Executed in 2001.

Estimate $15,000-20,000

Estimate $8,000-12,000

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Property from the Tiroche DeLeon Collection

491. Abraham Cruzvillegas b. 1968 Autorretrato ciego regresando a la cordura entre gritos y sombrerazos en la plaza Taksim beige acrylic paint on newspaper clippings, cardboard, photographs, drawings, postcards, envelopes, tickets, vouchers, letters, drawings, posters, fyers, cards, recipes, napkins and steel pins, in 128 parts. installation dimensions variable approximately 137 3/4 x 110 1/4 in. (349.9 x 280 cm). Executed in 2013, this work is accompanied by a certifcate of authenticity signed by the artist.

Property from the Tiroche DeLeon Collection

492. Adrián Villar Rojas b. 1980 Sick of Goodbyes airbrushing and paint on car hood. 44 1/4 x 51 1/8 x 20 in. (112.4 x 129.9 x 50.8 cm). Executed in 2011. Estimate $30,000-50,000

Estimate $30,000-40,000 scan for more on this lot

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493. No Lot

Property from the Tiroche DeLeon Collection

494. Leandro Erlich b. 1973 Camisas ceramic on wooden shelf. installation dimensions 51 1/8 x 68 7/8 x 16 7/8 in. (129.9 x 174.9 x 42.9 cm). Executed in 2012, this work is number 1 from an edition of 3 plus 1 artist’s proof. Estimate $30,000-50,000

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Property from the Tiroche DeLeon Collection

495. OSGEMEOS b. 1974 Dentro do arco-iris, é assim (Within the Rainbow) mixed media on wood. 82 7/8 x 202 1/ 2 x 7 1/ 2 in. (210.5 x 514.4 x 19.1 cm). Executed in 2010. Estimate $150,000-200,000

Property from from the Tiroche DeLeon Collection

496. Vik Muniz b. 1961 Seven works from the series Pictures of Garbage: (i) The Sower (Zumbi); (ii) The Bearer (Imã); (iii) Marat (Sebastião); (iv) The Gypsy (Magna); (v) Isis (Woman Ironing); (vi) Mother and Children (Suellem); (vii) Atlas (Carlão) signed and dated “Vik Muniz 2008-11” on a label afxed to the reverse of the backing board of Atlas (Carlão). chromogenic print, in 7 parts. (i, iii) 30 1/4 x 23 1/ 2 in. (76.8 x 59.7 cm), (ii) 30 3/4 x 23 1/ 2 in. (78.1 x 59.7 cm), (iv, vii) 30 x 23 1/ 2 in. (76.2 x 59.7 cm), (v) 33 1/4 x 23 1/ 2 in. (84.5 x 59.7 cm), (vi) 30 1/ 2 x 23 1/ 2 in. (77.5 x 59.7 cm). Executed in 2008-2011, this work is number 19 from an edition of 30. Estimate $70,000-100,000

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Property from the Tiroche DeLeon Collection

497. Vik Muniz b. 1961 Jackie (Pictures of Diamonds) chromogenic print. 59 7/8 x 48 in. (152.1 x 121.9 cm). Executed in 2005, this work is artist’s proof 1 from an edition of 10 plus 5 artist’s proofs. Estimate $80,000-120,000

498. Hélio Oiticica and

Neville D’Almeida 1937-1980, b. 1941 34-CC3 (Maileryn - Cosmococa Programa in Process) chromogenic print mounted to aluminum. 44 3/4 x 29 7/8 in. (113.7 x 75.9 cm). Photographed in 1973 and printed in 2003, this work is number 6 from an edition of 12. Estimate $12,000-18,000

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499. Douglas Huebler 1924-1997

500. Lutz Bacher 1943-2019

Duration Piece #7, New York City

JOKES, Barry Goldwater (It’s a Great Country)

each photograph signed “Douglas Huebler” on the reverse; further signed “Douglas Huebler” lower right of project statement. typed project statement and 15 photographs. statement 11 x 8 1/ 2 in. (27.9 x 21.6 cm), each photograph 4 1/4 x 6 1/4 in. (10.8 x 15.9 cm). Executed in 1969.

distressed black and white photograph mounted to aluminum. 38 x 41 in. (96.5 x 104.1 cm). Executed in 1987, this work is unique. Estimate $8,000-12,000

Estimate $12,000-18,000

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501. Alex Guofeng Cao b. 1969 Two works: (i) JFK vs Jackie; (ii) Jackie vs JFK each signed, numbered and dated “AP 2/3 Cao 2010” on a label afxed to the reverse. chromogenic print mounted to Dibond. each 60 x 40 in. (152.4 x 101.6 cm). Executed in 2010, these works are each artist’s proof number 2 from an edition of 10 plus 3 artist’s proofs.

502. Louise Lawler b. 1947 Arranged by Mr. and Mrs. Alfred Atmore Pope or Their Daughter Theodate (Manet) signed, numbered and dated “Louise A. Lawler 1984 3/5” and stamped by the artist’s studio on the reverse. black and white photograph with printed mat. 27 1/ 2 x 31 3/8 in. (69.9 x 79.7 cm). Executed in 1984, this work is number 3 from an edition of 5.

Estimate $8,000-12,000 Estimate $15,000-20,000

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503. Louise Lawler b. 1947

504. Laurie Simmons b. 1949

Blue Line

Tourism: Las Vegas (Foxy) (2nd View)

signed, numbered and dated “Louise A. Lawler 1/5 1984” and stamped by the artist’s studio on the reverse. black and white photograph with printed mat. 27 7/8 x 32 in. (70.8 x 81.3 cm). Executed in 1984, this work is number 1 from an edition of 5.

signed, partially titled, numbered and dated “AP Tourism: Las Vegas (2nd View) 1984 Laurie Simmons” on a label afxed to the reverse of the backing board. 40 x 60 in. (101.6 x 152.4 cm). Executed in 1984, this work is artist’s proof 1 from an edition of 1 plus 2 artist’s proofs.

Estimate $15,000-20,000 Estimate $18,000-22,000

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505. Tracey Mofatt b. 1960

506. Anne Collier b. 1970

Something More #1

Dutch Still Life #4 (Postcard)

Cibachrome print. 39 x 51 in. (99.1 x 129.5 cm). Executed in 1989, this work is an artist’s proof from an edition of 30.

signed “Anne Collier” on a label afxed to the reverse of the backing board. chromogenic print. 28 5/8 x 23 1/4 in. (72.7 x 59.1 cm). Executed in 2012, this work is number 1 from an edition of 5 plus 2 artist’s proofs.

Estimate $20,000-30,000

Estimate $8,000-12,000

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507. Idris Khan b. 1978

508. Wolfgang Tillmans b. 1968

Eternal Movement

Freischwimmer 206

signed and dated “Idris Khan 2012” on a label afxed to the reverse of the backing board. digital chromogenic print mounted to aluminum. 60 x 70 7/8 in. (152.4 x 180 cm). Executed in 2012, this work is number 6 from an edition of 7 plus 2 artist’s proofs.

signed and numbered “Wolfgang Tillmans 1/1+1” on a label afxed to the reverse of the backing board. chromogenic print mounted to Dibond, in artist’s frame. 71 1/8 x 93 5/8 in. (180.7 x 237.8 cm). Executed in 2012, this work is number 1 from an edition of 1 plus 1 artist’s proof.

Estimate $40,000-60,000

Estimate $180,000-220,000

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509. Tomas Demand b. 1964

510. Andreas Gursky b. 1955

Fabrik (mit Namen)

Ohne Titel XI

signed, numbered and dated “Thomas Demand 1994 5/5” on the reverse. chromogenic print mounted to Diasec. 49 5/8 x 70 7/8 in. (126 x 180 cm). Executed in 1994, this work is number 5 from an edition of 5.

partially titled, numbered and dated “O.T. XI 6/6 99’” on the reverse of the backing board. chromogenic print mounted to Plexiglas, in artist’s frame. 108 1/4 x 81 1/ 2 in. (275 x 207 cm). Executed in 1999, this work is number 6 from an edition of 6.

Estimate $20,000-30,000

Estimate $50,000-70,000

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511. Wolfgang Tillmans b. 1968

512. Wolfgang Tillmans b. 1968

paper drop (black) II

Silver 132

signed, titled, inscribed, numbered and dated “paper drop (black) II ph 11/2006 pr 08/2014 8/10 + 1 Wolfgang Tillmans” on the reverse. inkjet print. 12 x 16 in. (30.5 x 40.6 cm). Photographed in 2006 and printed in 2014, this work is number 8 from an edition of 10 plus 1 artist’s proof.

signed, titled, inscribed and dated “Silver 132 2013 unique Wolfgang Tillmans” on the reverse. chromogenic print. 12 x 16 in. (30.5 x 40.6 cm). Executed in 2013, this work is unique. Estimate $10,000-15,000

Estimate $10,000-15,000

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513. Barkley L. Hendricks 1945-2017

514. Dawoud Bey b. 1953

Michael

Monique II

signed, titled and numbered ““Michael” B. Hendricks 1/2” on the mount. silver gelatin print. image diameter 4 1/ 2 in. (11.4 cm), mount 14 x 8 in. (35.6 x 20.3 cm). Executed circa 1971, this work is number 1 from an edition of 2.

signed “Dawoud Bey” on a label afxed to the reverse of the backing board of the lef image. Polacolor ER print, triptych. each 29 x 22 in. (73.7 x 55.9 cm), overall 29 x 66 in. (73.7 x 167.6 cm). Executed in 1999, this work is unique.

Estimate $5,000-7,000

Estimate $7,000-10,000

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515. Richard Mosse b. 1980

516. Ryan McGinley b. 1977

Seen and Not Seen

Kudzu

signed, titled and dated on a label afxed to the reverse of the fush-mount. chromogenic print. 49 1/ 2 x 39 1/ 2 in. (125.7 x 100.3 cm). Executed in 2012, this work is from an edition of 5 plus 1 artist’s proof.

chromogenic print, face-mounted to Plexiglas. 59 1/ 2 x 39 3/4 in. (151.1 x 101 cm). Executed in 2014, this work is number 1 from an edition of 3. Estimate $15,000-25,000

Estimate $20,000-30,000

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Property from the Collection of Blake Byrne, Los Angeles

517. Kehinde Wiley b. 1977 Two works: (i) Afer El Greco’s (Domenikos Theotokopoulos) The Annunciation; (ii) Afer George Romney’s Elizabeth Warren as Hebe each signed, numbered and dated “Kehinde Wiley 09 1/6” on the reverse. chromogenic print. each image 30 x 22 1/ 2 in. (76.2 x 57.2 cm), each sheet 34 x 26 3/4 in. (86.4 x 67.9 cm). Executed in 2009, each of these works is number 1 from an edition of 6 plus 1 artist’s proof.

Property from the Collection of Blake Byrne, Los Angeles

518. Zanele Muholi b. 1972 Hlonipha, Cassilhaus, Chapel Hill, North Carolina silver gelatin print. 39 1/4 x 26 1/8 in. (99.7 x 66.4 cm). Executed in 2016, this work is number 2 from an edition of 8. Estimate $10,000-15,000

Estimate $10,000-15,000

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519. Elad Lassry b. 1977 Trufe Goat Cheese, Emmentaler, Fork and Spoon chromogenic print, in artist’s frame. 14 1/ 2 x 11 3/8 in. (36.8 x 28.9 cm). Executed in 2010, this work is number 5 from an edition of 5 plus 2 artist’s proofs.

520. Elad Lassry b. 1977 Bouquet charcoal on paper, in artist’s frame. 14 3/8 x 11 3/8 in. (36.5 x 28.9 cm). Executed in 2012. Estimate $2,000-3,000

Estimate $3,000-5,000

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Property from the Collection of Blake Byrne, Los Angeles

521. Marlene Dumas b. 1953

Property from the Collection of Blake Byrne, Los Angeles

522. Marlene Dumas b. 1953

The Refection

White Lies II

signed, titled and dated “Marlene DUMAS the refection 1992” on the reverse. oil on canvas. 12 x 10 in. (30.5 x 25.4 cm). Painted in 1992.

signed and dated “marlene 2001” upper right; titled and inscribed “White Lies (2) I think I’ve hurt myself / I need some fresh air / without you I’ll die...” upper lef. ink and acrylic on paper. 26 x 19 3/4 in. (66 x 50.2 cm). Executed in 2001.

Estimate $70,000-100,000

Estimate $40,000-60,000

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Property from the Collection of Blake Byrne, Los Angeles

523. Marlene Dumas b. 1953

Property from the Collection of Blake Byrne, Los Angeles

524. Marlene Dumas b. 1953

Telephone Sex

The Woman and the Mirror

signed, titled and dated “Telephone Sex Marlene Dumas 1990” lower edge. watercolor and ink on paper. 9 1/ 2 x 12 1/ 2 in. (24.1 x 31.8 cm). Executed in 1990.

signed and dated “M. Dumas 1990” lef edge; titled and inscribed “oh NO NOT again! The Woman + the Mirror” upper edge; further inscribed “frst the BAD NEWS...” lower lef. watercolor and pencil on paper. 12 3/4 x 9 5/8 in. (32.4 x 24.4 cm). Executed in 1990.

Estimate $20,000-30,000

Estimate $12,000-18,000

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Property from the Collection of Blake Byrne, Los Angeles

525. Marlene Dumas b. 1953

Property from the Collection of Blake Byrne, Los Angeles

526. Marlene Dumas b. 1953

Helena Sleeping

Pampers Baby

titled and dated “Helena Sleeps 1989” lower right. ink wash on paper. 13 3/4 x 10 7/8 in. (34.9 x 27.6 cm). Executed in 1989.

signed, titled and dated “M Dumas. Pampers Baby. 1989.” lower right. watercolor, crayon and collage on paper. 12 1/4 x 17 3/8 in. (31.1 x 44.1 cm). Executed in 1989.

Estimate $15,000-20,000 Estimate $10,000-15,000

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Property from the Collection of Blake Byrne, Los Angeles

527. Marlene Dumas b. 1953

Property from the Collection of Blake Byrne, Los Angeles

528. Marlene Dumas b. 1953

A Little Devil

Baba Soldaat

signed with the artist’s initials, titled and dated “A Little Devil MD 1989” lower edge. watercolor and collage on paper. 12 x 9 1/ 2 in. (30.5 x 24.1 cm). Executed in 1989.

signed, titled and dated “Baba Soldaat 1990 M Dumas” lower right. watercolor on paper. 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Executed in 1990. Estimate $8,000-12,000

Estimate $8,000-12,000

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Property from the Collection of Blake Byrne, Los Angeles

529. Marlene Dumas b. 1953

Property from the Collection of Blake Byrne, Los Angeles

530. Marlene Dumas b. 1953

Not Born Yet

Rana Temporaria

signed, titled and dated “NOT BORN yet. 1990 marlene.” lower right; further signed “M Dumas” on the reverse. ink, graphite and staples on paper collage on paper. 9 1/ 2 x 12 3/4 in. (24.1 x 32.4 cm). Executed in 1990.

titled and inscribed “Rana Temporaria die liefde is tijdelijk” upper lef. ink and pencil on paper. 8 1/4 x 11 1/ 2 in. (21 x 29.2 cm). Executed in 1992. Estimate $10,000-15,000

Estimate $8,000-12,000

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Property from the Collection of Blake Byrne, Los Angeles

531. Marlene Dumas b. 1953 Untitled (On the Sidewalk, Gebroke Liggaam [sic], The Breaking of a Human Body) (i) signed and dated “M Dumas 1987” on the reverse; further signed, partially titled and dated “M Dumas gebroke liggaam (1987)” lower edge, (ii) signed “M Dumas” on the reverse; partially titled “The breaking of a human body” upper edge; dated “17/3/88” lower lef, (iii) signed, partially titled and dated “M Dumas 1987 on the SIDEWALK” lower edge. ink and crayon on paper, triptych. (i) 8 1/4 x 8 1/4 in. (21 x 21 cm), (ii,iii) 8 1/4 x 11 5/8 in. (21 x 29.5 cm). Executed in 1987-1988.

532. Dana Schutz b. 1976 Yawn signed and dated “Dana Schutz 2002” on the reverse. charcoal on paper. 16 x 15 1/ 2 in. (40.6 x 39.4 cm). Executed in 2002. Estimate $10,000-15,000

Estimate $18,000-22,000

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Property from the Collection of Blake Byrne, Los Angeles

533. Raymond Pettibon b. 1957

534. Charline von Heyl b. 1960

Untitled

Untitled (L.S. #8)

each signed and respectively dated. pen, watercolor and ink on paper, in 10 parts. largest 30 x 22 1/4 in. (76.2 x 56.5 cm), smallest 11 3/8 x 8 1/4 in. (28.9 x 21 cm). Executed in 1985-1993.

signed and dated “Charline von Heyl 2007” on the reverse. oil on canvas. 18 x 20 in. (45.7 x 50.8 cm). Painted in 2007.

Estimate $70,000-100,000

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Estimate $15,000-20,000

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535. Heimo Zobernig b. 1958

536. Heimo Zobernig b. 1958

Untitled (HZ2013-097)

Untitled (HZ2014-043)

signed, partially titled and dated “Heimo Zobernig 2013 HZ2013-097” on the overlap. acrylic on canvas. 78 3/4 x 78 3/4 in. (200 x 200 cm). Painted in 2013.

signed, partially titled and dated “Heimo Zobernig 2014 HZ2014-043” on the overlap. acrylic on canvas. 78 3/4 x 78 3/4 in. (200 x 200 cm). Painted in 2014.

Estimate $35,000-45,000

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537. Peter Dreher 1932-2020

538. Anselm Reyle b. 1970

Seascape #20

Untitled

partially titled, indistinctly inscribed and dated “20 7.3.98” on the reverse. oil on linen. 15 3/4 x 15 3/4 in. (40 x 40 cm). Painted in 1998.

mixed media on canvas, acrylic glass. 56 1/8 x 48 x 9 in. (142.6 x 121.9 x 22.9 cm). Executed in 2009. Estimate $25,000-35,000

Estimate $8,000-12,000

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Arts du Feu: Works from the Collection of Jason Jacques

539. Friedrich Kunath b. 1974

540. Sterling Ruby b. 1972

Breath In, Breathe Out, Move On

Purse

signed and dated “2012 Kunath” on a label afxed to the reverse. oil, acrylic, pastel, watercolor, colored pencil, charcoal, pencil and spray paint on canvas. 62 1/ 2 x 39 in. (158.8 x 99.1 cm). Executed in 2012.

incised with the artist’s initials and date “SR10” on the backside. bronze. 14 x 27 x 17 in. (35.6 x 68.6 x 43.2 cm). Executed in 2010, this work is number 2 from an edition of 3. Estimate $20,000-30,000

Estimate $20,000-30,000

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Property of an Important New York Estate

541. Rosemarie Trockel b. 1952

542. Ken Price 1935-2012

Pot 5

Ming

signed and inscribed “R Trockel RT1773” on the underside. glazed ceramic. 11 1/ 2 x 14 x 10 in. (29.2 x 35.6 x 25.4 cm). Executed in 2006.

signed and numbered “5/25 Kenneth M. Price” on the underside. acrylic on fred clay. 7 x 8 1/ 2 x 6 in. (17.8 x 21.6 x 15.2 cm). Executed in 1998, this work is number 5 from an edition of 25.

Estimate $25,000-35,000

Estimate $12,000-18,000

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Property from the Collection of Blake Byrne, Los Angeles

543. Robert Terrien b. 1947

544. Erwin Wurm b. 1954

No title (black cloud)

Fountain for Arthur Rimbaud

stamped with the artist’s initials “R.T.” on the reverse. enamel on wood. 9 3/4 x 17 3/4 x 2 7/8 in. (24.8 x 45.1 x 7.3 cm). Executed 1993-2000.

concrete, plate, pump and water. 22 1/4 x 16 x 48 in. (56.5 x 40.6 x 121.9 cm). Executed in 2007, this work is artist’s proof 1 from an edition of 3 plus 2 artist’s proofs.

Estimate $15,000-20,000

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Estimate $20,000-30,000

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Property from the Collection of Pamela K. and William A. Royall Jr.

545. Chiharu Shiota b. 1972

546. Claudia Comte b. 1983

State of Being #9

Tubes 4 (O, i, n)

steel, wool thread and child’s dress. 39 1/ 2 x 39 1/ 2 x 20 in. (100.3 x 100.3 x 50.8 cm). Executed in 2009.

cherry wood, in 3 parts, on artist’s base. O: 22 1/4 x 14 1/8 x 5 in. (56.5 x 35.9 x 12.7 cm), i: 12 7/8 x 4 3/4 x 4 1/ 2 in. (32.7 x 12.1 x 11.4 cm), n: 9 x 26 1/ 2 x 4 1/ 2 in. (22.9 x 67.3 x 11.4 cm), base: 19 1/8 x 86 5/8 x 15 in. (48.6 x 220 x 38.1 cm), overall: 41 3/8 x 86 5/8 x 15 in. (105.1 x 220 x 38.1 cm). Executed in 2013.

Estimate $30,000-40,000

Estimate $18,000-22,000

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547. Simone Leigh b. 1967

548. Korakrit Arunanondchai b. 1986

Untitled

Untitled (Mannequin)

terra cotta, porcelain and metal base. sculpture 16 1/8 x 9 x 7 in. (41 x 22.9 x 17.8 cm), base 5 x 6 1/4 x 6 in. (12.7 x 15.9 x 15.2 cm), overall 17 x 9 x 7 in. (43.2 x 22.9 x 17.8 cm). Executed in 2013.

mixed media. 72 x 22 x 15 in. (182.9 x 55.9 x 38.1 cm). Executed in 2015. Estimate $18,000-22,000

Estimate $20,000-30,000

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Property Sold to Beneft the Cuperior Residency, Berlin

549. Mofat Takadiwa b. 1983

550. Oscar Murillo b. 1986

Educated Fulls

matt painting (yoga)

computer keys and wire. 78 3/4 x 39 3/8 x 11 3/4 in. (200 x 100 x 29.8 cm). Executed in 2016.

signed and dated “Oscar Murillo ‘13 Oscar Murillo ‘13” on the overlap. oil, oilstick, plastic and dirt on canvas. 103 3/8 x 84 1/ 2 in. (262.6 x 214.6 cm). Executed in 2013.

A portion of Phillips’ revenue for this Lot will beneft the Cuperior Residency, Berlin.

Estimate $80,000-120,000 Estimate $12,000-18,000

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551. Urs Fischer b. 1973

552. Rashid Johnson b. 1977

Pineapple / Melon

Cosmic Slop

silkscreen print on mirror-polished stainless steel sheets, polyurethane foam sheets, two-component polyurethane adhesive, stainless steel beams, aluminum L sections and screws, in 4 parts. sponge, each 55 1/8 x 39 5/8 x 52 in. (140 x 100.6 x 132.1 cm), chair, each 46 7/8 x 26 3/8 x 52 in. (119.1 x 67 x 132.1 cm). Executed in 2010, this work is number 1 from an edition of 2 plus 1 artist’s proof.

spray paint on mirror, in artist’s frame. 35 1/8 x 45 1/8 in. (89.2 x 114.6 cm). Executed in 2010. Estimate $10,000-15,000

Estimate $100,000-150,000

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553. Radclife Bailey b. 1968 Homage to Negro Baseball League mixed media on panel. 80 x 80 x 4 in. (203.2 x 203.2 x 10.2 cm). Executed in 1997. Estimate $20,000-30,000

554. Martin Eder b. 1968 Gedanken beim Verlassen Meines Kopfes (Thoughts Leaving my Head) signed, titled, inscribed and dated “gedanken beim Verlassen meines Kopfes Thoughts leaving my Head WVZ 505 @ 02/04 Martin Eder” on the reverse. oil on canvas. 78 1/ 2 x 94 1/4 in. (199.4 x 239.4 cm). Painted in 2004. Estimate $25,000-35,000

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555. Rob Pruitt b. 1964

556. Richard Aldrich b. 1975

Suicide Painting XXXIV

Tinto Brass Painting

signed and partially titled “Rob Pruitt Suicide Painting #” on the stretcher. acrylic on linen. 108 x 81 in. (274.3 x 205.7 cm). Painted in 2014.

oil, wax, pencil and china marker on linen. 84 x 58 in. (213.4 x 147.3 cm). Executed in 2011. Estimate $12,000-18,000

Estimate $30,000-50,000

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557. Matt Connors b. 1973

558. Alex Da Corte b. 1980

Untitled (ticking)

The Bad Seed

signed and dated “Matt Connors 2004” on the overlap. oil on printed fabric. 20 x 20 in. (50.8 x 50.8 cm). Executed in 2004.

spray paint, digitally printed poplin, sequin pins, foam, velvet, hardware and Plexiglas, in artist’s frame. 56 1/4 x 56 1/4 in. (142.9 x 142.9 cm). Executed in 2017.

Estimate $5,000-7,000 Estimate $20,000-30,000

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559. Kerstin Brätsch b. 1969

560. Kaari Upson b. 1972

Untitled

oil and pigment on paper. 97 1/4 x 80 in. (247 x 203.2 cm). Painted in 2007.

loveseat, charcoal, Aqua-Resin and fberglass. 29 1/ 2 x 54 7/8 x 30 1/ 2 in. (74.9 x 139.4 x 77.5 cm). Executed in 2012.

Estimate $15,000-20,000 Estimate $20,000-30,000

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561. Dan Colen b. 1979

562. Aaron Young b. 1972

Terbuckity-buckity!

Arc Light (Moscow single)

signed, titled and dated “Dan Colen 2011 “TERBUCKITY - BUCKITY!”” on the overlap. tar and feathers on canvas. 47 5/8 x 35 1/8 in. (121 x 89.2 cm). Executed in 2011.

oil, rubber and acrylic on aluminum. 59 x 79 in. (149.9 x 200.7 cm). Executed in 2008. Estimate $8,000-12,000

Estimate $50,000-70,000

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563. Aaron Curry b. 1972

564. Jon Pestoni b. 1969

Untitled

Brite Spot

painted aluminum honey comb panel. 94 5/8 x 43 in. (240.3 x 109.2 cm). Executed in 2013.

signed and dated “Jon Pestoni 2013” on the reverse. oil on canvas mounted to panel. 103 x 78 in. (261.6 x 198.1 cm). Painted in 2013.

Estimate $10,000-15,000 Estimate $8,000-12,000

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565. Joel Mesler b. 1974

566. Jon Rafman b. 1981

Untitled

N.A.D. (Swirlyface Picasso)

signed, inscribed and dated “The Estate of Joel Mesler Joel Mesler 2018” on the overlap. acrylic on linen. 70 x 50 in. (177.8 x 127 cm). Painted in 2018.

archival pigment print. 58 x 42 in. (147.3 x 106.7 cm). Executed in 2012. Estimate $20,000-30,000

Estimate $30,000-40,000

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Arts du Feu: Works from the Collection of Jason Jacques

567. Jef Koons b. 1955

568. Djordje Ozbolt b. 1967

Seated Ballerina

Be Curious

signed, numbered and dated “Jef Koons 31/50 2015” on the underside. oil on carved wooden sculpture. 18 x 9 1/ 2 x 17 in. (45.7 x 24.1 x 43.2 cm). Executed in 2015, this work is number 31 from an edition of 50 plus 10 artist’s proofs.

signed and dated “Djordje Ozbolt 2008” on the reverse. acrylic on board. 58 5/8 x 66 1/ 2 in. (148.9 x 168.9 cm). Painted in 2008. Estimate $15,000-20,000

Estimate $30,000-50,000

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569. Wang Yigang b. 1961

570. Alexander Kaletski b. 1946

Abstract N9

Budweiser Fest

signed [in Chinese], signed with the artist’s initials and dated “2015 WYG” lower right. oil on canvas. 71 x 65 1/4 in. (180.3 x 165.7 cm). Painted in 2015.

signed “Kaletski” lower right. mixed media on cardboard. 50 x 79 in. (127 x 200.7 cm). Executed in 2010.

Estimate $30,000-50,000

Estimate $2,500-3,500

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571. Harland Miller b. 1964

572. Harland Miller b. 1964

You Are No Longer Part of My Life by Medical Opinion

Pipe Down Cunt

signed “Harland Miller” on the reverse. oil on canvas. 98 5/8 x 62 in. (250.5 x 157.5 cm). Painted in 2012.

signed, inscribed and dated “signature sign Harland Miller 2017” lower lef; further inscribed “THOUGHT AFTER FILTHY THOUGHT” center right. screen print hand-fnished with oil paint and varnish on archival paper 400 gsm. 54 3/8 x 41 1/4 in. (138.1 x 104.8 cm). Executed in 2013, this work is unique.

Estimate $70,000-100,000

Estimate $50,000-75,000

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Sale Information Auction & Viewing Location

Auction License

450 Park Avenue New York 10022

2013224

20th Century & Contemporary Art Department

Auctions

Auctioneers

Evening Sale

Day Sales

Evening Sale Monday, 7 December, 7pm (lots 1–38)

Hugues Joffre - 2028495 Sarah Krueger - 1460468 Henry Highley - 2008889 Adam Clay - 2039323 Jonathan Crockett - 2056239 Rebecca Tooby-Desmond - 2058901 Susan Abeles - 2074459 Aurel Bacs – 2047217 Blake Koh – 2066237 Susanna Brockman – 2058779 Rebekah Bowling - 2078967

Head of Auctions, Head of Evening Sale

Head of Sale, Morning Session

Amanda Lo Iacono +1 212 940 1278 aloiacono@phillips.com

John McCord +1 212 940 1261 jmccord@phillips.com

Cataloguer

Head of Sale, Afernoon Session

Day Sale, Morning Session Tuesday, 8 December, 10am (lots 101–238) Property of the Artists Donated to the Hall Art Foundation to Beneft the Alexander W. Dreyfoos School of the Arts Tuesday, 8 December, 2pm (lots 301–319) Day Sale, Afernoon Session Tuesday, 8 December, 2:30pm (lots 401–572) Please register to bid online, absentee or by phone. Viewing by appointment 30 November–7 December Contact AppointmentsNewYork@phillips.com or +1 212 940 1200 to arrange your visit

Catalogues

Researcher/Writer

catalogues@phillips.com New York +1 212 940 1240 London +44 20 7318 4024 Hong Kong +852 2318 2000 $35/€25/£22 at the gallery

Brittany Jones +1 212 940 1255 bjones@phillips.com

Client Accounting Sale Designation When sending in written bids or making enquiries please refer to these sales as NY010720 or 20th Century & Contemporary Art Evening Sale, NY010820 or 20th Century & Contemporary Art Day Sale, Morning Session, and NY010920 or 20th Century & Contemporary Art Day Sale, Afernoon Session.

Sylvia Leitao +1 212 940 1231 Michael Carretta +1 212 940 1232 Buyer Accounts Dawniel Perry +1 212 940 1317 Seller Accounts Carolina Swan +1 212 940 1253

Brooke Reese +1 212 940 1312 breese@phillips.com

Associate Specialist, Morning Session

Copyright Administrator Chanah Haddad +1 212 940 1319 chaddad@phillips.com Property Manager Ryan Falkowitz +1 212 940 1284 rfalkowitz@phillips.com

Shipping Steve Orridge +1 212 940 1370 Anaar Desai +1 212 940 1320 Photography Jean Bourbon Kent Pell Mark Babushkin

Beauford Delaney, Street Scene, 1968, lot 107 (detail) Willem de Kooning, Untitled, 1964, lot 140 (detail) Georg Baselitz, Gestern und heute, 2020, lot 307 (detail) Christina Quarles, Tuckt, 2016, lot 402 (detail) David Hockney, Nichols Canyon, 1980, lot 10 (detail). Acrylic on canvas, 84 x 60”, Artwork © David Hockney, Photo Credit: Prudence Cuming Associates Inside back cover Joan Mitchell, Untitled, 1953, lot 24 (detail). Artwork © Estate of Joan Mitchell Back Cover Clyford Still, PH-407, 1964, lot 14. Artwork © 2020 City and County of Denver/Artists Right Society (ARS), NY

Associate Head of Day Sales

Administrator

450 Park Avenue +1 212 940 1200

tel +1 212 940 1228 fax +1 212 924 1749 bidsnewyork@phillips.com

Rebekah Bowling +1 212 940 1250 rbowling@phillips.com

Annie Dolan +1 212 940 1288 adolan@phillips.com

Client Services

Absentee and Telephone Bids

Front cover David Hockney, Nichols Canyon, 1980, lot 10 (detail). Acrylic on canvas, 84 x 60”, Artwork © David Hockney, Photo Credit: Prudence Cuming Associates Inside front cover Joan Mitchell, Untitled, 1979, lot 22 (detail). Artwork © Estate of Joan Mitchell Ruth Asawa, Untitled (S.045, Hanging Five-Lobed, Multilayered Continuous Form within a Form, with Spheres in the First, Second and Third Lobes), 1960s, lot 5 (detail). Artwork © 2020 Estate of Ruth Asawa/ Artists Rights Society (ARS), New York Jean-Michel Basquiat, Portrait of A-One A.K.A. King, 1982, lot 16 (detail). Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Helen Frankenthaler, Of White Square, 1973, lot 27 (detail) © 2020 Helen Frankenthaler/Artists Rights Society (ARS), New York

Carolyn Mayer +1 212 940 1206 cmayer@phillips.com

Patrizia Koenig +1 212 940 1279 pkoenig@phillips.com Cataloguer, Afernoon Session Avery Semjen +1 212 940 1207 asemjen@phillips.com Administrator Ariel Fishman +1 212 940 1264 afshman@phillips.com Property Manager Danilo Mantilla +1 718 290 0022 dmantilla@phillips.com

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Guide for Prospective Buyers

1 Prior to Auction

Condition of Lots Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staf are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of signifcant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding. Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer.

Catalogue Subscriptions If you would like to purchase a catalogue for this auction or any other Phillips sale, please contact us at +1 212 940 1240 or +44 20 7318 4010.

Pre-Auction Viewing Pre-auction viewings are open to the public and free of charge. Our specialists are available to give advice and condition reports at viewings or by appointment.

Pre-Sale Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, ofer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Where “Estimate on Request” appears, please contact the specialist department for further information. It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do not include the buyer’s premium or any applicable taxes.

Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verifed and approved by a qualifed electrician.

Buying at Auction The following pages are designed to ofer you information on how to buy at auction at Phillips. Our staf will be happy to assist you. Conditions of Sale The Conditions of Sale and Authorship Warranty which appear later in this catalogue govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship among Phillips, the seller and the buyer and describe the terms upon which property is bought at auction. Please be advised that Phillips generally acts as agent for the seller. Buyer’s Premium Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 26% of the hammer price up to and including $600,000, 21% of the portion of the hammer price above $600,000 up to and including $6,000,000 and 14.5% of the portion of the hammer price above $6,000,000.

Pre-Sale Estimates in Pounds Sterling and Euros Although the sale is conducted in US dollars, the pre-sale estimates in the auction catalogues may also be printed in pounds sterling and/or euros. Since the exchange rate is that at the time of catalogue production and not at the date of auction, you should treat estimates in pounds sterling or euros as a guide only. Catalogue Entries Phillips may print in the catalogue entry the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive and in some cases we may intentionally refrain from disclosing the identity of previous owners. Please note that all dimensions of the property set forth in the catalogue entry are approximate.

Symbol Key The following key explains the symbols you may see inside this catalogue. O Guaranteed Property Lots designated with the symbol [O] are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the fnancial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be signifcant Phillips may choose to share the burden of that fnancial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the third party guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee.

In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fxed fee or an amount calculated by reference to the hammer price of the lot. If the third party guarantor is the successful bidder they will be required to pay the full hammer price and buyer’s premium and will not be otherwise compensated. Disclosure of fnancial interest by third parties Phillips requires third party guarantors to disclose their fnancial interest in the lot to anyone whom they are advising. If you are contemplating bidding on a lot which is the subject of a third party guarantee and you are being advised by someone or if you have asked someone to bid on your behalf you should always ask them to confrm whether or not they have a fnancial interest in the lot. ∆ Property in Which Phillips Has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest. No Reserve •Unless indicated by a •, all lots in this catalogue are ofered subject to a reserve. A reserve is the confdential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate. ∑ Regulated Species Lots with this symbol have been identifed at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import. Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 12 of the Conditions of Sale.

Ө Charitable Contribution Deduction Buyers of Lots indicated with this symbol may be entitled to claim a charitable deduction pursuant to the terms of Paragraph 10 of the Conditions of Sale. 2 Bidding in the Sale Bidding at Auction Bids may be executed during the auction in person by paddle, by telephone, online or prior to the sale in writing by absentee bid. Proof of identity in the form of government issued identifcation will be required, as will an original signature. We may also require that you furnish us with a bank reference. Bidding in Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufcient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot

Design New York / 9 December

Viewing

Enquiries

4 - 9 December 1 Hampton Road Southampton, New York

designnewyork@phillips.com +1 212 940 1268

Please note the present lot will be available for viewing at 450 Park Avenue in New York, 30 November - 7 December.

Peter Voulkos Black Bulerias, 1958 ÂŠ Pier S. Voulkos and Daniel R. Peters Trust

phillips.com

be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staf member immediately. At the end of the auction, please return your paddle to the registration desk. Bidding by Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multi-lingual staf members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least $1,000. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and any applicable taxes, which we can execute on your behalf in the event we are unable to reach you by telephone.

$50 to $1,000 $1,000 to $2,000 $2,000 to $3,000 $3,000 to $5,000 (i.e., $4,200, 4,500, 4,800) $5,000 to $10,000 $10,000 to $20,000 $20,000 to $30,000 $30,000 to $50,000 $50,000 to $100,000 $100,000 to $200,000 above $200,000

by $50s by $100s by $200s by $200s, 500, 800

Credit Cards As a courtesy to clients, Phillips will accept American Express, Visa and Mastercard to pay for invoices of $30,000 or less.

by $500s by $1,000s by $2,000s by $2,000s, 5,000, 8,000 by $5,000s by $10,000s auctioneer’s discretion

Collection It is our policy to request proof of identity on collection of a lot. A lot will be released to the buyer or the buyer’s authorized representative when Phillips has received full and cleared payment and we are not owed any other amount by the buyer. Promptly afer the auction, we will transfer all lots to our warehouse located at 29-09 37th Avenue in Long Island City, Queens, New York. All purchased lots should be collected at this location during our regular weekday business hours. As a courtesy to clients, we will upon request transfer purchased lots suitable for hand carry back to our premises at 450 Park Avenue, New York, New York for collection within 30 days following the date of the auction. We will levy removal, interest, storage and handling charges on uncollected lots.

The auctioneer may vary the increments during the course of the auction at his or her own discretion.

Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at www.phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The frst time you register you will be required to create an account; thereafer you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate frewalls may cause difculties for online bidders.

3 The Auction

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confdential. Bids must be placed in the currency of the sale. Our staf will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and any applicable taxes. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence.

Consecutive and Responsive Bidding; No Reserve Lots The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. If a lot is ofered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold.

Employee Bidding Employees of Phillips and our afliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures. Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment.

Conditions of Sale As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement. Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the benefciary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot.

4 Afer the Auction Payment Buyers are required to pay for purchases immediately following the auction unless other arrangements are agreed with Phillips in writing in advance of the sale. Payment must be made in US dollars either by cash, check drawn on a US bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate policy not to make or accept single or multiple payments in cash or cash equivalents in excess of US$2,000 in any calendar year.

Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven days following the auction. Transport and Shipping As a free service for buyers, Phillips will wrap purchased lots for hand carry only. Alternatively, we will either provide packing, handling and shipping services or coordinate with shipping agents in order to facilitate such services for property purchased at Phillips. In the event that the property is collected in New York by the buyer or the buyer’s designee (including any private carrier) for subsequent transport out of state, Phillips may be required by law to collect New York sales tax, regardless of the lot’s ultimate destination. Please refer to Paragraph 18 of the Conditions of Sale for more information. Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent inquiries as to whether a license is required to export the property from the United States or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licenses or permits. The denial of any required license or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Regulated Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certifcate prior to exportation and additional licenses or certifcates upon importation to any foreign country. Please note that the ability to obtain an export license or certifcate does not ensure the ability to obtain an import license or certifcate in another country, and vice versa. We suggest that prospective bidders check with their

Donald Judd Catalogue Raisonné

Phillips is proud to support Judd Foundation.

Judd Foundation invites owners of Donald Judd artworks – paintings, objects, and wood-blocks – to submit information. For details please visit: juddfoundation.org/catalogue or contact: cr@juddfoundation.org Tel +1 432 729 4406 ext. 102 P. O. Box 218 Marfa, TX 79843 juddfoundation.org

own government regarding wildlife import requirements prior to placing a bid. It is the buyerâ&#x20AC;&#x2122;s sole responsibility to obtain any necessary export or import licenses or certifcates as well as any other required documentation. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species. Privacy Our Privacy Policy is available at www.phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. Phillips premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillipsâ&#x20AC;&#x2122; auctions will be flmed for simultaneous live broadcast on Phillipsâ&#x20AC;&#x2122; and third party websites and applications. Your communications with Phillips, including by phone and online (e.g. phone and on-line bidding) may be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy.

The Andy Warhol Catalogue Raisonné

Owners of paintings, sculptures, and drawings are encouraged to contact the Andy Warhol Catalogue Raisonné at catalogue@warholfoundation.org, or use this link to fll out an owner questionnaire:

Your information is confdential. Please note that completing the online form on the Foundation’s website does not guarantee that the work will be included in the Catalogue Raisonné

warholfoundation.org/forms/artwork.

Call for Works Volume 6 of the Andy Warhol Catalogue Raisonné: Paintings 1978–1980 is now in preparation

Andy Warhol 45 Gold Marilyns (Reversal Series), 1979-80. Courtesy of Leeum, Samsung Museum of Art. © The Andy Warhol Foundation for the Visual Arts, Inc.

Conditions of Sale The Conditions of Sale and Authorship Warranty set forth below govern the relationship between bidders and buyers, on the one hand, and Phillips and sellers, on the other hand. All prospective buyers should read these Conditions of Sale and Authorship Warranty carefully before bidding. 1 Introduction Each lot in this catalogue is ofered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to this catalogue or other written material posted by Phillips in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction. By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips and the seller contract with the buyer. 2 Phillips as Agent Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company afliated with Phillips may own a lot, in which case we will act as agent for that company, or Phillips or an afliated company may have a legal, benefcial or fnancial interest in a lot as a secured creditor or otherwise. 3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips in relation to each lot is partially dependent on information provided to us by the seller, and Phillips is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot ofered for sale at Phillips is available for inspection by prospective buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders

(and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfed themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identifcation purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips in our absolute discretion. Neither Phillips nor any of our afliated companies shall be liable for any diference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 Bidding at Auction (a) Phillips has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips. (b) As a convenience to bidders who cannot attend the auction in person, Phillips may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the Absentee Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and any applicable sales or use taxes. The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staf will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (c) Telephone bidders are required to submit bids on the Telephone Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Telephone bidding is available for lots whose low pre-sale estimate is at least $1,000. Phillips reserves the right to require written confrmation of a successful bid from a telephone bidder by fax or otherwise immediately afer such bid

is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation. (d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available on our website at www.phillips.com. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’s bid department in our sole discretion. As noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request. Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are fnal and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘foor’ bids. ‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘foor’ or ‘phone’ bid are identical, the ‘foor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing with Phillips before the commencement of the auction that the bidder is acting as agent on behalf of an identifed third party acceptable to Phillips and that we will only look to the principal for such payment. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal and state antitrust law. (g) Arranging absentee, telephone and online bids is a free service provided by Phillips to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to execute such bids except where such failure is caused by our willful misconduct.

(h) Employees of Phillips and our afliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures. 5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is ofered subject to a reserve, which is the confdential minimum selling price agreed by Phillips with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-ofer a lot for sale (including afer the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises afer the sale, our sale record is conclusive. The auctioneer may accept bids made by a company afliated with Phillips provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is ofered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in US dollars and payment is due in US dollars. For the benef t of international clients, pre-sale estimates in the auction catalogue may be shown in pounds sterling and/or euros and, if so, will ref ect approximate exchange rates. Accordingly, estimates in pounds sterling or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but Phillips accepts no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below.

(f) If a lot is not sold, the auctioneer will announce that it has been “passed,” “withdrawn,” “returned to owner” or “bought-in.”

(d) As a courtesy to clients, Phillips will accept American Express, Visa and Mastercard to pay for invoices of $30,000 or less.

(g) Any post-auction sale of lots ofered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction.

(e) Title in a purchased lot will not pass until Phillips has received the Purchase Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identifcation has been provided, and any earlier release does not afect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price.

6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium and any applicable sales tax (the ‘Purchase Price’). The buyer’s premium is 26% of the hammer price up to and including $600,000, 21% of the portion of the hammer price above $600,000 up to and including $6,000,000 and 14.5% of the portion of the hammer price above $6,000,000. Phillips reserves the right to pay from our compensation an introductory commission to one or more third parties for assisting in the sale of property ofered and sold at auction.

(b) Sales tax, use tax and excise and other taxes are payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of applicable taxes. Phillips will only accept valid resale certifcates from US dealers as proof of exemption from sales tax. All foreign buyers should contact the Client Accounting Department about tax matters. (c) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in US dollars either by cash, check drawn on a US bank or wire transfer, as follows: (i) Phillips will accept payment in cash provided that the total amount paid in cash or cash equivalents does not exceed US$2,000. Buyers paying in cash should do so in person at our Client Accounting Desk at 450 Park Avenue during regular weekday business hours. (ii) Personal checks and banker’s draf s are accepted if drawn on a US bank and the buyer provides to us acceptable government issued identifcation. Checks and banker’s draf s should be made payable to “Phillips.” If payment is sent by mail, please send the check or banker’s draf to the attention of the Client Accounting Department at 450 Park Avenue, New York, NY 10022 and make sure that the sale and lot number is written on the check. Checks or banker’s draf s drawn by third parties will not be accepted. (iii) Payment by wire transfer may be sent directly to Phillips. Bank transfer details: Signature Bank 485 Madison Avenue, New York, NY 10022 SWIFT code: SIGNUS33 ABA routing no.: 026013576 For account of: Phillips Auctioneers LLC Account no.: 1502977462 Please reference the relevant sale and lot number.

7 Collection of Property (a) Phillips will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or any of our afliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfed such other terms as we in our sole discretion shall require, including completing any antimoney laundering or anti-terrorism fnancing checks. As soon as a buyer has satisfed all of the foregoing conditions, he or she should contact our Shipping Department at +1 212 940 1372 or +1 212 940 1373 to arrange for collection of purchased property. (b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. Promptly afer the auction, we will transfer all lots to our warehouse located at 29-09 37th Avenue in Long Island City, Queens, New York. All purchased lots should be collected at this location during our regular weekday business hours. As a courtesy to clients, Phillips will upon request transfer on a bi-weekly basis purchased lots suitable for hand-carry back to our premises at 450 Park Avenue, New York, New York for collection within 30 days following the date of the auction. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from the earlier to occur of (i) the date of collection or (ii) seven days afer the auction. Until risk passes, Phillips will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property. (c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for hand-carry only. We will, at the buyer’s expense, either provide packing, handling, insurance and shipping services or coordinate with shipping agents instructed by the buyer in order to facilitate such services for property bought at Phillips. Any such instruction, whether or not made at our recommendation, is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Third party shippers should contact us by telephone at +1 212 940 1376 or by fax at +1 212 924 6477 at least 24 hours in advance of collection in order to schedule pickup. (d) Phillips will require presentation of government issued identifcation prior to release of a lot to the buyer or the buyer’s authorized representative.

8 Failure to Collect Purchases (a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of the auction, the buyer will incur a late collection fee of $10 per day for each uncollected lot. Additional charges may apply to oversized lots. We will not release purchased lots to the buyer until all such charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or our afliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction. 9 Remedies for Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within seven days of the auction, Phillips may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips’s premises or elsewhere at the buyer’s sole risk and expense at the same rates as set forth in Paragraph 8 (a) above; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notifcation of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips and instruct our afliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice, arrange the sale of such property and apply the proceeds to the amount owed to Phillips or any of our afliated companies afer the deduction from sale proceeds of our standard vendor’s commission and all sale-related expenses; (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set of the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our afliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs or (x) take such other action as we deem necessary or appropriate.

(b) As security to us for full payment by the buyer of all outstanding amounts due to Phillips and our afliated companies, Phillips retains, and the buyer grants to us, a security interest in each lot purchased at auction by the buyer and in any other property or money of the buyer in, or coming into, our possession or the possession of one of our afliated companies. We may apply such money or deal with such property as the Uniform Commercial Code or other applicable law permits a secured creditor to do. In the event that we exercise a lien over property in our possession because the buyer is in default to one of our afliated companies, we will so notify the buyer. Our security interest in any individual lot will terminate upon actual delivery of the lot to the buyer or the buyer’s agent. (c) In the event the buyer is in default of payment to any of our afliated companies, the buyer also irrevocably authorizes Phillips to pledge the buyer’s property in our possession by actual or constructive delivery to our afliated company as security for the payment of any outstanding amount due. Phillips will notify the buyer if the buyer’s property has been delivered to an afliated company by way of pledge. 10 Charitable Contribution Deduction Buyers of lots indicated with a Ө symbol may be entitled to claim a charitable contribution deduction for the hammer price, but such deduction will be limited to the excess of the hammer price paid for the lot over its fair market value. In accordance with applicable IRS regulations, Phillips has provided a good faith estimate of the fair market value for each lot, which is the mean of the pre-sale estimates relating to that lot. Buyers will have until January 31, 2021, inclusively, to indicate to Hall Art Foundation in writing, their wish to beneft from this charitable contribution deduction by sending an email to Maryse Brand, Director, Hall Art Foundation: maryse@hallartfoundation.org. Bidders are advised to consult with their own tax advisors to determine the application of the tax law to their own specifc circumstances and whether a charitable contribution deduction is available. Buyers of all such Lots are advised to discuss their particular tax circumstances with their independent tax advisors, including residency eligibility under applicable laws to determine if a charitable deduction for any lot is available in any jurisdiction outside the United States. 11 Rescission by Phillips Phillips shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party. Upon notice of Phillips’s election to rescind the sale, the buyer will promptly return the lot to Phillips, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 14 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips and the seller with respect to such rescinded sale.

12 Export, Import and Endangered Species Licenses and Permits Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the US or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips has marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species. 13 Privacy (a) You acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with our privacy policy from time to time as published at www.phillips.com or available by emailing dataprotection@phillips.com. (b) Our privacy policy sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data (including for example the provision of auction, private sale and related services; the performance and enforcement of these terms and conditions; the carrying out of identity and credit checks; keeping you informed about upcoming auctions, exhibitions and special events; and generally where reasonably necessary in the management and operation of our business); (iii) the lawful bases on which we rely in undertaking our processing of your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. (c) Phillips premises and sale and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes and will be flmed during the auction for simultaneous live broadcast on our and third party websites and applications. By remaining in these areas, you acknowledge that you may be photographed, flmed and recorded and grant your permission for your likeness and voice to be included in such recordings. If you do not wish to be photographed or flmed or appear in such recordings, please speak to a member of Phillips staf. Your communications with Phillips, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy available at www.phillips.com.

Authorship Warranty 14 Limitation of Liability (a) Subject to subparagraph (e) below, the total liability of Phillips, our afliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot. (b) Except as otherwise provided in this Paragraph 14, none of Phillips, any of our afliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips or any of our afliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or any of our afliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and ftness for purpose, are specifcally excluded by Phillips, our afliated companies and the seller to the fullest extent permitted by law. (d) Subject to subparagraph (e) below, none of Phillips, any of our afliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in subparagraph (a) above, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips or any of our afliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions. 15 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it. 16 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements. (b) Notices to Phillips shall be in writing and addressed to the department in charge of the sale, quoting the

reference number specifed at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notifed by them in writing to Phillips. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and efect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part. 17 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with laws of the State of New York, excluding its conficts of law rules. (b) Phillips, all bidders and all sellers agree to the exclusive jurisdiction of the (i) state courts of the State of New York located in New York City and (ii) the federal courts for the Southern and Eastern Districts of New York to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission, personal service, delivery by mail or in any other manner permitted by New York law or the law of the place of service, at the last address of the bidder or seller known to Phillips. 18 Sales Tax (a) Unless the buyer has delivered a valid certifcate evidencing exemption from tax, the buyer shall pay applicable sales tax on any lot picked up or delivered anywhere in the United States. (b) If the point of delivery or transfer of possession for any purchased lot to the buyer or the buyer’s designee (including any private carrier) occurs in New York, then the sale is subject to New York sales tax at the existing rate of 8.875%. (c) If the buyer arranges shipping for any purchased lot in New York by a common carrier (such as the United States Postal Service, United Parcel Service, or FedEx) that does not operate under a private agreement or contract with negotiated terms to be delivered to an out of state destination, then the sale is not subject to New York sales tax.

Phillips warrants the authorship of property in this auction catalogue described in headings in bold or CAPITALIZED type for a period of fve years from date of sale by Phillips, subject to the exclusions and limitations set forth below. (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gif from the original buyer, heirs, successors, benefciaries and assigns; (ii) property where the description in the catalogue states that there is a confict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientifc methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry. (b) In any claim for breach of the Authorship Warranty, Phillips reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us.

(c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notifed Phillips in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips to the saleroom in which it was purchased in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising afer the date of the auction. Phillips has discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, any of our afliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, any of our afliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

450 Park Avenue New York 10022 phillips.com +1 212 940 1200 bidsnewyork@phillips.com Please return this form by email to bidsnewyork@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one): Paddle Number

In-person Absentee Bidding Telephone Bidding

• Company purchases: If you are buying under a business entity, we require a copy of government-issued identification (such as the certificate of incorporation) as well as proof of owners and directors to verify the status of the company. • Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale printed in the catalogue. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

As a private individual On behalf of a company

• If you cannot attend the sale, we can execute bids confidentially on your behalf.

Sale Title Title

• Private purchases: Proof of identity in the form of government-issued identification and proof of address will be required.

Sale Number First Name

Sale Date

Surname Account Number

Company (if applicable) Address

• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 26% of the hammer price up to and including $600,000, 21% of the portion of the hammer price above $600,000 up to and including $6,000,000 and 14.5% of the portion of the hammer price above $6,000,000.

• “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

City

• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable sales or use tax. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specified, if less than 50% of the low estimate.

State/Country

Zip Code Phone

Mobile

Fax

• Your bid must be submitted in the currency of the sale and may be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

Phone (for Phone Bidding only)

• If we receive identical bids, the first bid received will take precedence.

Phone number to call at the time of sale (for Phone Bidding only) 1.

Please complete the following section for telephone and absentee bids only Lot Number

Brief Description

In Consecutive Order

US $ Limit* Absentee Bids Only

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of willful misconduct. Agreement to bid by telephone must be confirmed by you promptly in writing or by fax. Telephone bid lines may be recorded. • Please submit your bids to the Bid Department by email to bidsnewyork@phillips.com or by fax at +1 212 924 1749 at least 24 hours before the sale. You will receive confirmation by email within one business day. To reach the Bid Department by phone please call +1 212 940 1228. • Absent prior payment arrangements, please provide a bank reference. Payment can be made by cash (up to $2,000, per calendar year), credit card (up to $30,000), money order, wire transfer, bank check or personal check with identification, drawn on US banks. • Lots cannot be collected until payment has cleared and all charges have been paid. • By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips. com or available by emailing dataprotection@phillips.com. • Phillips’s premises may be subject to video surveillance and recording. Telephone calls (e.g., telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy.

* Excluding Buyer’s Premium and sales or use taxes

Signature

Date

By checking this box, you confrm your registration/bid(s) as above and accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.

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Index Abdessemed, A. 472

Da Corte, A. 558

Halley, P. 449, 450

Labinjo, J. 409

Parsons, B. 147

Springford, V. 105

Adeniyi-Jones, T. 413

Dávila, J. 486

Hammons, D. 456

Lachaise, G. 36

Perez, E. 319

Stamos, T. 146

Adnan, E. 434

Dawoud, B. 514

Haring, K. 167

Lassry, E. 519, 520

Pestoni, J. 564

Steinbach, H. 447, 448

Aldrich, R. 556

de Kooning, E. 150

Heilmann, M. 141

Lawler, L. 502, 503

Pettibon, R. 533

Steinberg, S. 136

Alfonzo, C. 223

de Kooning, W. 140

Hein, J. 314

Lawrence, J. 102

Pettibone, R. 131, 132,

Stella, F. 162

Andre, C. 160

Deacon, Richard 473

Held, A. 209

Leigh, S. 547

133, 134

Still, C. 14

Archipenko, A. 184

Delaney, B. 107, 193

Hendricks, B. L. 12, 513

Levi Jones, S. 420

Picabia, F. 185, 186

Sturtevant 32

Arunanondchai, K. 548

Demand, T. 509

Herbin, A. 231

Levine, S. 446

Picasso, P. 20, 182

Asawa, R. 5

Diebenkorn, R. 9

Hirst, D. 475

LeWitt, S. 215

Polke, S. 199

Takadiwa, M. 549

Auerbach, T. 465, 466

Dine, J. 233

Hockney, D. 10

Lichtenstein, R. 25,

Poons, L. 151

Taylor, H. 418, 457

Avery, M. 103

Doig, P. 477

Hödicke, K. H. 318

31, 164

Pousette-Dart, R. 142

Therrien, R. 543

Dreher, P. 537

Hofmann, H. 104, 144

Ligon, G. 15, 444

Price, K. 542

Thomas, M. 35

Bacher, L. 500

Dubufet, J. 137, 189

Hollowell, L. 406

Longo, R. 306, 452

Pruitt, R. 555

Thompson, B. 192

Bacon, F. 203

Dumas, M. 521, 522, 523,

Holmes, J. 424

Los Carpinteros 490

Bailey, R. 553

524, 525, 526, 527, 528,

Holzer, J. 445

Louis, M. 7, 28

Bas, H. 425

529, 530, 531

Hoyos, A. M. 225

Baselitz, G. 29, 200, 308

Dunham, C. 454

Huebler, D. 499

Magritte, R. 18, 34

Basquiat, J.-M. 16, 165

Dzubas, F. 152

Hume, G. 474

Marca-Relli, C. 124

Rafman, J. 566

Tomasello, L. 220

Humphrey, R. 143

Martin, A. 6

Rauschenberg, R. 121, 122,

Traylor, B. 101

Beavers, G. 408

Thornton, T. 419 Quarles, C. 402

Tillmans, W. 508, 511, 512

Quaytman, H. 214

Tobey, M. 207 Toledo, F. 224

Bell, L. 213

Eder, M. 554

Humphries, J. 451

Matelli, T. 315

123, 171, 172

Trockel, R. 541

Bernhardt, K. 427, 428

Eliasson, O. 313, 467, 468

Hwami, K. V. 401

Matisse, H. 183

Reyle, A. 538

Turnbull, W. 204

Biggers, S. 433

Emin, T. 311

Matta-Clark, G. 198

Richter, D. 304

Tuttle, R. 216

Binion, M. 435, 436

Erlich, L. 494

Jahmal, M. 422

McGinley, R. 516

Richter, G. 22

Tworkov, J. 138

Jenkins, P. 208

Merz, M. 197

Rickey, G. 217, 218

Bleckner, R. 463 Boafo, A. 11

Fadojutimi, J. 2

Jennewein, C. P. 232

Mesler, J. 565

Rivers, L. 235

Bochner, M. 464

Figgis, G. 426

Jenney, N. 176

Miller, H. 571, 572

Rockman, A. 317

Botero, F. 178, 180, 181

Finch, S. 312

Jensen, A. 211

Miro, J. 119, 120, 187

Rockwell, N. 13, 19

Valdes, M. 179

Bradford, K. 301

Fischer, U. 551

Johnson, R. 552

Mitchell, J. 21, 24

Rondinone, U. 469, 470

Villar Rojas, A. 492

Bradford, M. 441

Fordjour, D. 416

Judd, D. 8

Mofatt, T. 505

Rothenberg, S. 455

Vo, D. 485

Bratsch, K. 559

Forrer, C. 403

June Paik, N. 159

Mosse, R. 515

Rouault, G. 230

von Heyl, C. 534

Brown, R. 153, 154, 155

Frankenthaler, H. 27, 106

Motherwell, R. 145, 148

Ruby, S. 540 Ruscha, E. 37, 172, 174

Upson, K. 560

Kaletski, A. 570

Muholi, Z. 518

Gardner, A. 410

Kamijo, S. 432

Mullican, L. 212

Calder, A. 23, 109, 110, 111,

Gates, T. 442

Kandinsky, W. 188

Muniz, V. 496, 497

Salle, D. 305, 459

Weiner, A. 411

112, 113, 114, 115, 116, 117,

Genoves, J. 471

Kaphar, T. 17, 417

Murillo, O. 550

Sandback, F. 158

Wesley, J. 156

118, 135, 190, 191

Gilbert & George 476

Kara, M. 431

Saul, P. 303

White, C. 30

Calvin, B. 430

Goings, R. 177

Katz, A. 175

Negret, E. 221

Scharf, K. 236, 237,

Wiley, K. 33, 517

Cao, A. G. 501

Gokita, T. 439

Kelley, M. 481, 482

Neiman, L. 226

238, 316

Williams, R. F. 405

Chagall, M. 129

Gormley, A. 310, 479, 480

Khan, I. 507

Neuenschwander, R. 489

Schnabel, J. 309, 460

Williams, S. 453

Chamberlain, J. 161, 162

Green, M. M. 423

Kiefer, A. 201, 307

Noland, K. 157

Schröder-Sonnenstern,

Wilson, F. 458

Charles, M. R. 438

Grosse, K. 302

Kirkeby, P. 461, 462

Novros, D. 210

F. 202

Wong, M. 166

Chase, J. L. 404

Grotjahn, M. 443

Koch, L. 488

Schutz, D. 415, 532

Wong, M. 4, 108

Colen, D. 561

Gursky, A. 510

Kollwitz, K. 130

Ofli, C. 478

Segal, A. 128

Wurm, E. 544

Collier, A. 506

Guston, P. 139

Koons, J. 567

Oiticica and D’Almeida,

Shapiro, J. 219

Comte, C. 546

Kruger, B. 38

H. and N. 498

Shaw, J. 483

Yigang, W. 569

Condo, G. 26, 484

Kruglyanskaya, E. 440

Ojih Odutola, T. 414

Sherald, A. 1

Young, A. 562

Connors, M. 557

Kunath, F. 539

Oldenburg, C. 234

Shiota, C. 545

Coronel, P. 222

Kusama, Y. 205, 206

Bufet, B. 227, 228

Warhol, A. 125, 126, 127, 168, 169, 170, 194, 195, 196

Ortega, D. 487

Simmons, L. 504

Zervos, C. 229

Craven, A. 429

OSGEMEOS 495

Singer, A. 412

Zobernig, H. 535, 536

Cruzvillegas, A. 491

Otero, A. 421

Smith, D. 149

Curry, A. 563

Ozbolt, D. 568

Smith, E. M. 407 Sonhouse, J. 437 Spann, V. 3

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