NEW NOW [Catalogue]

London, 7 December 2017

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2. Alex da Corte

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Executives.

Ed Dolman

Cheyenne Westphal

Chief Executive Ofcer +1 212 940 1241 edolman@phillips.com

Chairman +44 20 7318 4044 cwestphal@phillips.com

Š Brigitte Lacombe

20th Century & Contemporary Art.

Jean-Paul Engelen

Robert Manley

Worldwide Co-Head of 20th Century & Contemporary Art, and Deputy Chairman +1 212 940 1390 jpengelen@phillips.com

Worldwide Co-Head of 20th Century & Contemporary Art, and Deputy Chairman +1 212 940 1358 rmanley@phillips.com

Senior Advisors.

Hugues Jofre

Francesco Bonami

Arnold Lehman

Senior Advisor to the CEO +44 207 901 7923 hjofre@phillips.com

Senior Advisor to the CEO fonami@phillips.com

Senior Advisor to the CEO +1 212 940 1385 alehman@phillips.com

Deputy Chairmen.

Svetlana Marich

Alexander Payne

Peter Sumner

Miety Heiden

Worldwide Deputy Chairman +44 20 7318 4010 smarich@phillips.com

Deputy Chairman, Europe, and Worldwide Head of Design +44 20 7318 4052 apayne@phillips.com

Deputy Chairman, Europe +44 20 7318 4063 psumner@phillips.com

Deputy Chairman, Head of Private Sales +44 20 7901 7943 mheiden@phillips.com

Marianne Hoet

Vanessa Hallett

Vivian Pfeifer

Jonathan Crockett

Deputy Chairman, Europe Senior Specialist of 20th Century & Contemporary Art +32 3257 3026 mhoet@phillips.com

Deputy Chairman, Americas, and Worldwide Head of Photographs +1 212 940 1243 vhallett@phillips.com

Deputy Chairman, Americas and Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Deputy Chairman, Asia, and Head of 20th Century & Contemporary Art, Asia +852 2318 2023 jcrockett@phillips.com

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London.

Kate Bryan

Tamila Kerimova

Specialist +44 20 7318 4050 kbryan@phillips.com

Head of Day Sale +44 20 7318 4065 tkerimova@phillips.com

Dina Amin

Nathalie Zaquin-Boulakia Jonathan Horwich

Matt Langton

Henry Highley

Head of Department +44 20 7318 4025 damin@phillips.com

Senior Specialist Senior Specialist +44 20 7901 7931 +44 20 7901 7935 nzaquin-boulakia@phillips.com jhorwich@phillips.com

Senior Specialist +44 20 7318 4074 mlangton@phillips.com

Head of Evening Sale +44 20 7318 4061 hhighley@phillips.com

Simon Tovey

Oksana Katchaluba

Alex Dolman

Lisa Stevenson

Charlotte Gibbs

Head of New Now Sale +44 20 7318 4084 stovey@phillips.com

Specialist +44 20 7318 7933 okatchaluba@phillips.com

Associate Specialist +44 20 7318 7911 adolman@phillips.com

Cataloguer +44 20 7318 4093 lstevenson@phillips.com

Cataloguer +44 20 7901 7993 cgibbs@phillips.com

Scott Nussbaum

Rachel Adler Rosan

Kevie Yang

Amanda Lo Iacono

Rebekah Bowling

Senior Specialist +1 212 940 1333 radlerrosan@phillips.com

Specialist +1 212 940 1254 kyang@phillips.com

Head of Evening Sale +1 212 940 1278 aloiacono@phillips.com

John McCord

Head of Department +1 212 940 1354 snussbaum@phillips.com

Head of Day Sale, Morning +1 212 940 1261 jmccord@phillips.com

Head of Day Sale, Afernoon +1 212 940 1250 rbowling@phillips.com

Sam Mansour

Katherine Lukacher

Annie Dolan

Olivia Kasmin

Patrizia Koenig

Head of New Now Sale +1 212 940 1219 smansour@phillips.com

Associate Specialist +1 212 940 1215 klukacher@phillips.com

Cataloguer +1 212 940 1260 adolan@phillips.com

Cataloguer +1 212 940 1312 okasmin@phillips.com

Researcher/Writer +1 212 940 1279 pkoenig@phillips.com

New York.

Hong Kong.

Sandy Ma

Charlotte Raybaud

Danielle So

Head of Evening Sale +852 2318 2025 sma@phillips.com

Specialist +852 2318 2026 craybaud@phillips.com

Cataloguer +852 2318 2027 dso@phillips.com

Latin America.

Kaeli Deane

Valentina Garcia

Carolina Scarborough

Head of Department, Americas +1 212 940 1352 kdeane@phillips.com

Specialist, Miami +1 917 583 4983 vgarcia@phillips.com

Associate Specialist +1 212 940 1391 cscarborough@phillips.com

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Business Development.

Client Advisory.

Americas.

London.

Asia.

New York. London.

Vivian Pfeifer

Guy Vesey

Lilly Chan

Philae Knight

Yassaman Ali

Giulia Campaner Mendes

Deputy Chairman, Americas and Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Head of Business Development, EMERI +44 20 7901 7934 gvesey@phillips.com

Managing Director, Asia & Head of Business Developmenting, Asia +852 2318 2022 lillychan@phillips.com

Client Advisory Director +1 212 940 1313 pknight@phillips.com

Client Advisory Manager +44 20 7318 4056 yali@phillips.com

Associate Client Advisory Manager +44 20 7318 4058 gcampaner@phillips.com

International Specialists & Regional Directors.

Americas.

Cândida SodrÊ Regional Director, Consultant, Brazil +55 21 999 817 442 csodre@phillips.com

Melyora de Koning

Blake Koh

Cecilia Lafan

Silvia Coxe Waltner

Ken Yeh

Regional Director, Specialist, Chicago cehlers@phillips.com +1 773 230 9192

Senior Specialist, 20th Century & Contemporary Art, Denver +1 917 657 7193 mdekoning@phillips.com

Regional Director, Los Angeles +1 323-383-3266 bkoh@phillips.com

Regional Director, Consultant, Mexico +52 1 55 5413 9468 crayclafan@phillips.com

Regional Director, Seattle +1 206 604 6695 scwaltner@phillips.com

Senior International Specialist, New York +1 212 940 1257 kyeh@phillips.com

Maria Cifuentes Caruncho

Dr. Alice Trier

Clarice Pecori Giraldi

Carolina Lanfranchi

Specialist, 20th Century & Contemporary Art, Germany +49 173 25 111 69 atrier@phillips.com

Regional Director,Italy +39 02 86 42 453 cpecorigiraldi@phillips.com

Senior International Specialist, 20th Century & Contemporary Art, Italy +39 338 924 1720 clanfranchi@phillips.com

Carol Ehlers

Europe.

Laurence Calmels Regional Director, France +33 686 408 515 lcalmels@phillips.com

Specialist, 20th Century & Contemporary Art, France +33 142 78 67 77 mcifuentes@phillips.com

Maura Marvao

Kalista Fenina

Julia Heinen

Deniz Atac

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal +351 917 564 427 mmarvao@phillips.com

Specialist, 20th Century & Contemporary Art, Moscow +7 905 741 15 15 kfenina@phillips.com

Specialist & Regional Director, Switzerland +44 77 88 552 2421 jheinen@phillips.com

Specialist, Consultant, 20th Century & Contemporary Art, Turkey +9 053 337 41198 dztac@phillips.com

Asia.

Kyoko Hattori

Jane Yoon

Sujeong Shin

Cindy Yen

Meiling Lee

Iori Endo

Regional Director, Japan +81 90 2245 6678 khattori@phillips.com

International Specialist, Regional Director, 20th Century & Contemporary Art, Korea + 82 10 7389 7714 jyy@phillips.com

Associate Regional Rep, Korea +82 10 7305 0797 sshin@phillips.com

Senior Specialist, Watches & Jewellery, Taiwan +886 2 2758 5505 cyen@phillips.com

International Specialist, Taiwan +886 908 876 669 mlee@phillips.com

Regional Representative, Japan +44 20 7318 4039 iendo@phillips.com

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12. Andy Warhol

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18. Tim Noble and Sue Webster

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New Now London, 7 December 2017

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

20th Century & Contemporary Art Department

Auction 7 December 2017, 2pm

Head of Sale Simon Tovey +44 207 318 4084 stovey@phillips.com

Viewing 1 – 7 December 2017 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as UK010817 or New Now. Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com

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Cataloguers Charlotte Gibbs +44 20 7901 7993 cgibbs@phillips.com Lisa Stevenson +44 20 7318 4093 lstevenson@phillips.com Administrator Florencia Moscova +44 20 7318 4082 fmoscova@phillips.com

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1. Shara Hughes

b. 1981

Untitled oil, acrylic and pencil on canvas signed and dated ‘Shara Hughes 2005’ on the reverse 122 x 121.6 cm (48 x 47 7/8 in.)

Executed in 2005.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 Provenance Parts Gallery, Toronto Acquired from the above by the present owner

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‘I wanted to paint like everybody. Interiors became the foundation where I could lay all diferent artists who have come before me into and onto the painting.’

Shara Hughes

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2. Alex da Corte

b. 1981

The Money Pit spray paint, adhesive vinyl, CD, sticker, currency, plastic leaves, sequins, rubber ties, fabric, marblesied Plexiglas, gold foil, foam and Duct Tape, in artist’s frame 143 x 143 cm (56 1/4 x 56 1/4 in.)

Executed in 2013.

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 Provenance David Risley Gallery, Copenhagen Acquired from the above by the present owner Celebrated for his enrapturing site-specifc installations, Alex da Corte has gained notoriety for his acclaimed solo exhibitions held at major institutions this year, namely Free Roses at MASS MoCA and Slow Grafti

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at the Secession in Vienna. The present work, The Money Pit, assumes da Corte’s signature use of colour, form and cultural referencing to convey his individual artistic enquiry on a two-dimensional plane.

The title of the present work echoes that of the 1986 Richard Benjamin flm The Money Pit, featuring Tom Hanks and Shelley Long, whereby a successful couple buy a lavish house for a cut price. Manipulating the aesthetic of the Nike brand and drawing visual reference to The Simpsons, a dollar bill and a foppy disk, da Corte’s work channels the essence of consumer culture, technology and Pop. Appearing polished and highly aesthetic, glitter spills across the picture plane, while a succulent combination of orange and blue illuminates the backdrop for the meticulously placed objects. Prompting the viewer to examine our individual relationship to objects, da Corte taps into deeply personal, nostalgic narratives and familial memories, ofering a psychological reading of his enigmatic work.

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3. Harold Ancart

b. 1980

Untitled (Seascape) pencil and oil stick on paper 43.4 x 53.5 cm (17 1/8 x 21 1/8 in.)

Excecuted in 2014, this work is accompanied by a certifcate of authenticity signed and dated by the artist.

4. Richard Aldrich

b. 1975

Spider / Bird cloth, tape and wood on linen 213.5 x 147.2 cm (84 x 57 7/8 in.)

Executed in 2009.

Estimate £30,000-50,000 $39,400-65,700 €33,900-56,600 ‡ ♠

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900

Provenance Xavier Hufens, Brussels Acquired from the above by the present owner

Provenance dépendance, Brussels Acquired from the above by the present owner

Exhibited Brussels, Xavier Hufens, Harold Ancart, Winning Colors, 4 September - 4 October 2014

Exhibited Brussels, dépendance, Richard Aldrich, 10 November - 19 December 2009

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5. A.R. Penck

1939-2017

Untitled signed ‘ar.penck’ lower right crayon and acrylic on board 47.7 x 48.1 cm (18 3/4 x 18 7/8 in.)

Executed circa 1980.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Galleria d’arte Mendrisio Galleria Di Bella, Palermo Ofcine delle Arti, Agrigento Acquired from the above by the present owner

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6. Imi Knoebel

b. 1940

Anima Mundi 3-4 Ed. acrylic on synthetic paper, in 4 parts each 45.7 x 35.7 cm (17 7/8 x 14 in.)

Executed in 2010 - 2015, this work is from an edition of 5 numbered variants.

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 ♠ Provenance Private Collection, Germany Acquired from the above by the present owner

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7. Peter Halley

b. 1953

Collocation signed and dated ‘Halley Peter 2003’ on the reverse acrylic, pearlescent acrylic and Roll-a-Tex on canvas 183 x 183 cm (72 x 72 in.)

Executed in 2003.

Estimate £40,000-60,000 $52,600-78,800 €45,300-67,900 ‡ Provenance Gary Tatintsian Gallery, Moscow Acquired from the above by the present owner

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8. André Butzer

b. 1973

Ohne Titel signed and dated ‘A. Butzer ‘07’ on the reverse oil on canvas 130 x 180 cm (51 1/8 x 70 7/8 in.)

Painted in 2007.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900 ♠

Provenance Galerie Konzett, Vienna Private Collection Gabriele Senn Galerie, Vienna Private Collection Aeroplastics, Brussels Private Collection, Berlin Exhibited Vienna, Gabriele Senn Galerie, André Butzer. Marcel Hüppauf. Neue Bilder. Deutsche und Österreicher: schämt Euch!, 12 September - 25 October 2007 Brussels, Aeroplastics, Dark Ages, 20 November 2015 - 9 January 2016

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9. Sigmar Polke

1941-2010

Untitled signed, dedicated and dated ‘Für Erhard Klein von Sigmar Polke Januar 1991’ on the stretcher acrylic on canvas 20.5 x 25.7 cm (8 1/8 x 10 1/8 in.)

Executed in 1991.

Estimate £25,000-35,000 $32,800-46,000 €28,300-39,600 ♠ Provenance Erhard Klein, Bonn (gifed by the artist)

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Executed in 1991, following Sigmar Polke’s extensive and experimental exploration of colour throughout the 1970s, 1980s and 1990s, Untitled is exemplary of the artist’s mastery of alchemy and his extraordinary and energetic innovation. The gyrating form, an arabesque-like whirl of paint, is fused with subtle changes in tonality, inviting the viewer into the artist’s hallucinogenic universe. Completed fve years afer Athanor, the artist’s ground-breaking project for the Pavilion of the Federal Republic of Germany during the Venice Biennale of 1986, the present work highlights Polke’s concern with deconstructing imagery and opening new realms of interpretation.

Harnessing the artist’s alchemic experimentations, the present work expertly synthesises Polke’s preoccupation with innovative forms and materials with the subtlety of tone.

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10. A.R. Penck

1939-2017

Untitled signed ‘ar. penck’ lower case dispersion on Beaver board 62 x 125 cm (24 3/8 x 49 1/4 in.)

Painted in 1971.

Estimate £25,000-35,000 $32,800-46,000 €28,300-39,600 ♠ Provenance Galerie Frank Hänel, Frankfurt Van Ham Kunstauktionen, Cologne, 2 December 2010, lot 422 Private Collection, Frankfurt

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Property from an Important Private European Collection

11. Jonathan Wateridge

b. 1972

Repainting oil on canvas 282 x 400 cm (111 x 157 1/2 in.)

Painted in 2011.

Estimate £70,000-90,000 $92,100-118,000 €79,400-102,000 ♠ Provenance All Visual Arts, London Galerie Michael Haas, Berlin Acquired from the above by the present owner in 2011 Exhibited London, All Visual Arts, Jonathan Wateridge, Mittelland, 13 October - 12 November 2011, pp. 28-31, 40-41, 50 (illustrated)

In mimetically capturing a mundane scene of invented reality, Repainting, from Jonathan Wateridge’s Mittelland series, encapsulates the artist’s ability to interrogate perception, rendering the image strikingly realistic yet devoid of the intrusive details of photography. A single light source illuminates the room, invoking the chiaroscuro of Old Master paintings whilst refecting artifcial studio lighting. The viewer hovers between the realism of the painted scene and its obviously constructed nature.

Drawing attention to the artifce of image-making, Wateridge choreographs scenes before capturing them as the basis for his painterly compositions. Considering painting a more complex medium for capturing the ‘now’, Wateridge lifs elements from cinema and photography to create his own constructed representations of life, or, as Wateridge has termed his practive, a form of ‘fauxdocumentary’. Repainting plants a seed of doubt within the viewer as to how one ought to perceive a picture. In doing so Wateridge reinvigorates the medium of painting.

‘I merely wanted a sense that their whole life, everything that they’re doing is somehow in fux and also what questions that raises given the age they’re at. If this had been a young couple, in their twenties, perhaps the image would seem utopian, it could be aspirational, but this does something else’.

Jonathan Wateridge

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12. Andy Warhol

1928-1987

Antoine Grunn signed, stamped by the Andy Warhol Authentication board Inc. and inscribed ‘Andy Warhol A109.091’ on the overlap synthetic polymer paint and silkscreen ink on canvas 101.4 x 101.4 cm (39 7/8 x 39 7/8 in.)

Executed in 1981.

Estimate £80,000-120,000 $105,000-158,000 €90,500-136,000 ‡ Provenance Private Collection, London Sotheby’s, London, 1 July 2014, lot 247 Acquired at the above sale by the present owner

‘The point was always to accentuate the positive, eliminate the negative, and come up with a likeness that was recognizable but that existed in a “world that never was”, a sort of lusty yet ethereal limbo where everyone was a star, not only for ffteen minutes, but, in this incarnation caught permanently on canvas, “forever”, as in “Diamonds are forever”’.

Andy Warhol

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13. George Condo

b. 1957

14. Urs Fischer

b. 1973

Robot Girl stamped with the artist’s initials, numbered and dated ‘GC 2/4 ‘12’ on the lower edge; further stamped with the foundry mark on the lower edge patinated bronze 27.9 x 17.8 x 15.2 cm (10 7/8 x 7 x 5 7/8 in.)

Executed in 2012, this work is number 2 from an edition of 4 plus 1 artist’s proof and is accompanied by a certifcate of authenticity.

Money Bowl signed, dedicated and dated ‘for Simon from Urs Fischer 2000’ on the reverse of the plate plate, clay and assorted currencies plate 34.3 cm (13 1/2 in.) diameter overall height dimensions variable Executed circa 2000.

Estimate £40,000-60,000 $52,600-78,800 €45,300-67,900 ‡

Provenance Gifed by the artist to the present owner

Provenance Massimo de Carlo, London Acquired from the above by the present owner in 2013

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Estimate £10,000-15,000 $13,200-19,700 €11,300-17,000

Exhibited London, Site Gallery, Art Shefeld, Group Show: Urs Fischer, 3 October - 14 December 2013

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Property from an Important Private European Collection

15. Elmgreen & Dragset

b. 1961 and b. 1969

Right into wrong / powerless structure wood, ink and metal trolley 180.5 x 70 x 124.5 cm (71 1/8 x 27 1/2 x 49 in.)

Executed in 2003, this work is number 1 from an edition of 1.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Galerie Emmanuel Perrotin, Paris Acquired from the above by the present owner in 2004

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‘Objects, commodity products, or art works have functions for us that are not unlike words, language. We invented them for our own use and we communicate through them, thereby getting onto self-realization.’

Haim Steinbach

16. Haim Steinbach

b. 1944

Untitled (Lamp, Juicer) signed and dated ‘Haim Steinbach 2001’ on the bottom of the wooden shelf; further signed, titled and dated ‘HAIM STEINBACH “Untitled (lamp, juicer)” 2001’ on the wooden bracket wooden and Formica shelf, juicer and Glo-ball lamp shelf 35.2 x 94.2 x 52 cm (13 7/8 x 37 1/8 x 20 1/2 in.) overall 67.5 x 94 x 52 cm (26 5/8 x 37 x 20 1/2 in.)

Executed in 2001.

Estimate £30,000-40,000 $39,400-52,600 €33,900-45,300 Provenance Private Collection, London Haim Steinbach’s highly aesthetic presentation of recognisable twentieth century design and pop objects is exemplifed in the present work, Untitled (Lamp,

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Juicer). Placed purposefully on a sleek Formica and wooden shelf, rigorously designed with an acute attention to every last millimetre, a lamp and juicer are exhibited, stripped bare of their quotidian function and transported into an interrogative art world context. Designed by Philippe Starck, the Juicy Salif lemon squeezer has become visually iconic; with its futuristic alien legs and sleek pellet-like body, this object has become a kitchen implement with ‘aspirational desirability’ (Michael Czerwinski in Kate Watson-Smyth, ‘The Secret History Of: Philippe Starck’s lemon squeezer’, The Independent, 13 May 2010, online). Another design classic, Jasper Morrison’s Glo-Ball light sits orb-like, nestled beside its slender neighbour, celestial in its emanating glow.

Interested in the relationship of objects to conceptual art, Steinbach’s intentional placement of everyday implements explore our personal connections with physical objects, questioning how they create a visual syntax between the individual and collective audience.

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17. Sarah Lucas

b. 1962

Stanway John incised and numbered ‘SARAH LUCAS 1/6’ on the underside of the gold part; further stamped with the Pangolin Editions Foundry mark on the underside of the gold part polished bronze and concrete, in 2 parts each 14.5 x 15 x 38.5 cm (53/ 4 x 57/8 x 151/8 in.) overall dimensions variable Executed in 2008, this work is number 1 from an edition of 6.

Provenance Gifed by the artist Christie’s, London, 1 July 2008, lot 301 Private Collection Sadie Coles, London Private Collection, Switzerland Exhibited Gloucester Cathedral, Crucible, 1 September - 30 October 2010 (another example exhibited)

Estimate £18,000-25,000 $23,600-32,800 €20,400-28,300 ‡ ♠

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18. Tim Noble and Sue Webster

b. 1966/1967

A ‘Fucking Beautiful’ detail neon and transformers, in 3 parts 49.5 x 120.7 cm (19 1/2 x 47 1/2 in.)

Executed in 2000, this work is from an edition of 10.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900 Ω ♠ Provenance Modern Art Inc., London Christie’s, New York, 15 May 2002, lot 329 Acquired at the above sale by the present owner

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19. Rashid Johnson

b. 1977

Stay Black and Die spray paint on felt 182 x 188 cm (71 5/8 x 74 in.)

Executed in 2005, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900

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Provenance Monique Meloche Gallery, Chicago Acquired from the above by the present owner Exhibited Kunstmuseum Magdeburg, Rashid Johnson.

Sharpening My Oyster Knife, 14 June - 14 September 2008 The Hague, Parts Project, SHOW ME YOUR VITAL PARTS, 11 September - 6 November 2016

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20. Angel Otero

b. 1981

Untitled (SK – QF) signed and dated ‘Angel Otero 2013’ on the reverse oil paint and oil skins collaged on canvas 245.1 x 184.2 cm (96 1/2 x 72 1/2 in.)

Executed in 2013.

Provenance Kavi Gupta Gallery, Chicago Paradise Row, London Private Collection, Switzerland

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ‡

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21. Sterling Ruby

b. 1972

6 Cell Quilt signed and dated ‘Sterling Ruby ‘10’ lower right spray paint, paper collage and coloured pencil on paper, in artist’s frame 126 x 96 cm (49 5/8 x 37 3/4 in.)

Executed in 2010.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Pace Gallery, New York Acquired from the above by the present owner

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22. Mel Bochner

b. 1940

Blah, Blah, Blah signed and dated ‘Bochner 2016’ lower lef monoprint with collage, engraving and embossment on hand-dyed Twirocker handmade paper 56.9 x 77.9 cm (22 3/8 x 30 5/8 in.)

Executed in 2016.

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 Provenance Barbara Krakow Gallery, Boston Acquired from the above by the present owner in 2016

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23. Takashi Murakami

b. 1962

Pinyan stamped on the stretcher; further signed and dated on the reverse acrylic on canvas 53.1 x 65.5 cm (20 7/8 x 25 3/4 in.)

Painted in 1997.

Estimate £50,000-70,000 $65,700-92,000 €56,600-79,200 ‡ Provenance James Hyman Fine Art, London Sotheby’s, London Olympia, 25 October 2005, lot 410 Private Collection Sotheby’s, London, 2 July 2008, lot 428 Private Collection Sotheby’s, Paris, 8 December 2011, lot 202 Acquired at the above sale by the present owner

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24. Imi Knoebel

b. 1940

Position 25 signed and dated ‘IMI 2009’ on the reverse acrylic on aluminium 115 x 86 x 6.5 cm (45 1/4 x 33 7/8 x 2 1/2 in.)

Executed in 2009.

Estimate £30,000-40,000 $39,400-52,600 €33,900-45,300 ♠ Provenance Private Collection, Rhineland

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25. Tomory Dodge

b. 1974

King of Spain signed, titled and dated ‘TOMORY DODGE “KING OF SPAIN” 2011’ on the reverse oil on canvas 172.7 x 152.4 cm (67 7/8 x 60 in.)

Painted in 2011.

Estimate £12,000-18,000 $15,800-23,600 €13,600-20,400 Provenance Monica de Cardenas Galleria, Lugano Acquired from the above by the present owner

26. Peter Zimmermann

b. 1956

Untitled signed and dated ‘P Zimmerman 2004’ on the reverse resin on canvas 180.5 x 130.2 cm (71 1/8 x 51 1/4 in.)

Executed in 2004.

Estimate £12,000-18,000 $15,800-23,600 €13,600-20,400 ♠ Provenance Galeria Filomena Soares, Lisbon Private Collection, Portugal Palácio do Correio Velho, Lisbon, 28 June 2017, lot 146 Acquired at the above sale by the present owner

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27. Bernard Frize

b. 1954

Portable VIII acrylic and resin on canvas 60 x 81 cm (23 5/8 x 31 7/8 in.)

Executed in 2000.

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 ♠ Provenance Galerie Micheline Szwajcer, Antwerp Acquired from the above by the present owner Exhibited Frankfurt, Galerie Monika Reitz, Mr. Paint.

1 December 2000 - 27 January 2001 Musée d’Art Moderne de la Ville de Paris, Aplat: Bernard Frize, 6 June - 28 September 2003, p. 106 (illustrated)

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28. John Gerrard

b. 1974

Sow Farm (Near Libbey, Oklahoma) realtime 3D sofware and custom made monitor screen 45.5 x 68.5 x 9 cm (17 7/8 x 26 7/8 x 3 1/2 in.) overall 152 x 117 x 54 cm (59 7/8 x 46 1/8 x 21 1/4 in.)

Executed in 2009, this work is number 3 from an edition of 6 and is accompanied by a certifcate of authenticity signed by the artist and the artist's installation guide.

Provenance Thomas Dane Gallery, London Acquired from the above by the present owner Exhibited London, Thomas Dane Gallery, John Gerrard: Farm, 2 February - 25 March 2010 Berlin, Junge Akademie, John Gerrard: Sow Farm, 25 April - 28 May 2012

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 ♠

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29. JR

b. 1983

28 Millimètres, Portrait d’une génération, Les Bosquets, In the Mist, Montfermeil, France signed ‘JR’ on a gallery label afxed to the reverse colour photograph on Plexiglas 270 x 180 cm (106 1/4 x 70 7/8 in.)

Executed in 2014, this work is number 2 from an edition of 3 plus 2 artist’s proofs and is accompanied by a certifcate of authenticity signed and dated by the artist.

Provenance Galerie Perrotin, Paris Acquired from the above by the present owner Exhibited Paris, Galerie Perrotin, JR: Decade. Portrait d’une Génération, 12 September - 17 October 2015 (another example exhibited)

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 ♠

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30. Oscar Murillo

b. 1986

Untitled Drawing Of the Wall oil, dust and spray paint on paper laid on canvas 99 x 73 cm (38 7/8 x 28 3/4 in.)

Executed in 2011.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Francois Ghebaly Gallery, Los Angeles Nathalie Obadia, Brussels Acquired from the above by the present owner

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31. Kristin Baker

b. 1975

Wheedle Wherin Winnow signed, titled and dated ‘KRISTIN BAKER “Wheedle Wherin Winnow” 2012’ on the reverse acrylic on PVC 305 x 203 cm (120 1/8 x 79 7/8 in.)

Executed in 2012.

Estimate £30,000-50,000 $39,400-65,700 €33,900-56,600 ‡ Provenance The Suzanne Geiss Company, New York Acquired from the above by the present owner

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Property from an Important Private European Collection

32. Jef Wall

b. 1946

Diagonal Composition transparency in light box 50 x 56 x 12.2 cm (19 5/8 x 22 x 4 3/4 in.)

Executed in 1993, this work is an artist’s proof from an edition of 10 plus 4 artist’s proofs.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900 Provenance Anthony d’Ofay Gallery, London Acquired from the above by the present owner in 1998 Exhibited National Gallery of Victoria, Jef Wall Photographs, 30 November 2012 - 17 March 2013 (another example exhibited)

Property from an Important European Collection

33. John Armleder

b. 1948

FS 202 signed and dated ‘John Armleder 1988’ on the overlap vinyl and Venetian blind, in 2 parts overall 229.5 x 276 x 4.5 cm. (90 3/8 x 108 5/8 x 1 3/4 in.)

Executed in 1988, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 Provenance Galerie Andrea Caratsch, Zurich Private Collection Simon Lee Gallery, London Acquired from the above by the present owner in 2010

Literature T. Vischer & H. Naef, eds., Jef Wall: Catalogue Raisonné 1978-2004, Göttingen, 2005, no. 49 (illustrated, p. 129) For further literature and exhibition references please see the online catalogue entry

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‘In my opinion, it’s the viewer who produces a work of art by using a fund of information he or she has received or acquired.’

John Armleder

34. John Armleder

b. 1948

Richoux/Gordon acrylic on canvas 225 x 150 cm (88 5/8 x 59 in.)

Painted in 2013, this work is accompanied by a certifcate of authenticity.

Estimate £60,000-80,000 $78,800-105,000 €67,900-90,500 ‡ Provenance Massimo de Carlo, London Acquired from the above by the present owner in 2013

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35. Ai Weiwei

b. 1957

Two works: (i) Fairytale - 1001 Chairs 054; (ii) Fairytale - 1001 Chairs 065 titled ‘“Fairytale [in Chinese]”’ on the underside both Qing Dynasty wooden chairs (i) 103.4 x 55.7 x 43 cm (40 3/4 x 21 7/8 x 16 7/8 in.) (ii) 120.5 x 57.3 x 44.1 cm (47 1/2 x 22 1/2 x 17 3/8 in.)

Both executed in 2007.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ‡

Exhibited Kassel, Documenta 12, 16 June - 23 September 2007 Geneva, Grob Gallery, Still Life, 24 February - 5 May 2017 Literature Galerie Urs Meile, Beijing-Lucerne, Ai Weiwei, 2007, pp. 158-163 (other variants illustrated) Hans Werner Holzwarth, ed., Ai Weiwei, Cologne, 2016, pp. 306-307 (other variants illustrated)

Provenance Urs Miele, Lucerne Private Collection, Switzerland

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Property from an Important Private European Collection

36.

Maurizio Cattelan

b. 1960

Untitled (skeleton vase) polyester and synthetic resin overall 64.5 x 53.6 x 58.6 cm (25 3/8 x 21 1/8 x 23 1/8 in.)

Executed in 2000, this work is number 1 from an edition of 3.

Estimate £40,000-60,000 $52,600-78,900 €45,400-68,000 ♠ Provenance Marian Goodman Gallery, New York Acquired from the above by the present owner in 2000

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37. Cho Sung Hee

b. 1949

Blue Blossom signed, titled and dated ‘Sung hee CHO “Blue Blossom” 2015’ on the reverse Korean handmade rice paper and oil on canvas 145.5 x 112 cm (57 1/4 x 44 1/8 in.)

Executed in 2015.

Estimate £30,000-50,000 $39,400-65,700 €33,900-56,600 ‡ Provenance Acquired directly from the artist by the present owner

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38. Gavin Turk

b. 1967

The Black Saint and the Sinner Lady signed and dated ‘Gavin Turk 09’ lower right polymer acrylic on canvas 80.6 x 250.2 cm (31 3/4 x 98 1/2 in.)

Painted in 2009.

Estimate £20,000-30,000 $26,200-39,300 €22,500-33,800 ‡ ♠ Provenance Sean Kelly, New York Acquired from the above by the present owner in 2009 Exhibited New York, Sean Kelly Gallery, Gavin Turk: Jazzz, 27 March - 2 May 2009

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39. Norbert Schwontkowski

b. 1949

Kaufaus signed and dated ‘Schwontkowski 2006’ on the reverse oil on canvas 100.2 x 79.8 cm (39 1/2 x 31 3/8 in.)

Painted in 2006.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Contemporary Fine Arts, Berlin Acquired from the above by the present owner in 2006

Property from an Important Private European Collection

40.

Norbert Schwontkowski

b. 1949

Schrei signed and dated ‘Schwontkowski 2007’ on the reverse oil on canvas 50 x 40 cm (19 5/8 x 15 3/4 in.)

Painted in 2007.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Galerie Elisabeth & Klaus Thoman, Innsbruck Acquired from the above by the present owner in 2008

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41. Jonathan Meese

b. 1970

Kampf um Pluto lef panel signed, titled and dated ‘J Meese ‘06 “Kampf um Pluto”’ on the reverse; central panel signed ‘J Meese’ on the reverse; right panel signed, titled and dated ‘J Meese ‘06 “Kampf um Pluto”’ on the reverse oil and collaged photographs on canvas, triptych overall 210 x 421 cm (82 5/8 x 165 3/4 in.)

Executed in 2006.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900 ‡ ♠ Provenance Contemporary Fine Arts, Berlin Private Collection Gary Tatintsian Gallery, Moscow Acquired from the above by the present owner

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Property from an Important Private European Collection

42. Dirk Skreber

b. 1961

It rocks us so hard - Ho, Ho, Ho 7.0 oil on canvas 170 x 300.5 cm (66 7/8 x 118 1/4 in.)

Painted in 2002.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Luis Campaña, Cologne Acquired from the above by the present owner in 2003 Exhibited Haarlem, Frans Hals Museum/ De Hallen, Dirk Skreber, 6 December 2008 – 1 March 2009

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43. Alex Hubbard

b. 1975

Untitled (RF2) signed, titled and dated ‘A Hubbard 2009 “Untitled (RF2)”’ on the overlap resin, fberglass, oil and enamel on canvas 183 x 126 cm (72 x 49 5/8 in.)

Executed in 2009.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 Provenance Standard (Oslo) Private Collection

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44. Jules de Balincourt

b. 1972

Painting the World oil on panel 40.6 x 50.8 cm (15 7/8 x 20 in.)

Painted in 2011.

Estimate £12,000-18,000 $15,800-23,600 €13,600-20,400 ‡ ♠ Provenance Galerie Thaddaeus Ropac, Paris Acquired from the above by the present owner in 2011

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45. Tal R

b. 1967

Oldg signed, titled and dated ‘Tal R “Oldg” 2001’ upper right acrylic, string, ink, pencil and metallic pen on paper 56 x 76.5 cm (22 x 30 1/8 in.)

Executed in 2001.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Contemporary Fine Arts, Berlin Phillips de Pury & Company, London, 13 February 2010, lot 199 Acquired at the above sale by the present owner Exhibited Berlin, Contemporary Fine Arts, Tal R, 1 September - 5 October 2001, pl. 40, p. 23 (illustrated) Munich, Sprüth Magers Projekte, Works on Paper, 3 March - 15 May 2004

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46. Ida Ekblad

b. 1980

Stalk Gills and Caps of Goodbye signed with the artist’s initials ‘I.E.’ lower right oil on canvas 140 x 560 cm (55 1/8 x 220 1/2 in.)

Painted in 2007.

Provenance Karma International, Zurich Irena Hochman Fine Art Ltd, New York Acquired from the above by the present owner in 2011

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ †

Exhibited London, Saatchi Gallery, Gesamtkunstwerk: New Art From Germany, 18 November 2011 - 15 April 2012, pp. 42-43

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‘Painting to me combines expressions of rhythm, poetry, scent, emotion...

It ofers ways to articulate the spaces between words, and I cannot be concerned with its death, when working at it makes me feel so alive.’ Ida Ekblad

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47. Kristin Baker

b. 1975

Three works: (i) Minum #57; (ii) Minum #83; (iii) Minum #90 (i) signed, titled and dated ‘KRISTIN BAKER “Minum #57” 2012’ on the reverse; (ii) signed, titled and dated ‘KRISTIN BAKER “Minum #83” 2012’ on the reverse; (iii) signed, titled and dated ‘KRISTIN BAKER “Minum #90” 2012’ on the reverse each acrylic on PVC each 30 x 25 cm (11 3/4 x 9 7/8 in.)

Each executed in 2012.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ‡ Provenance The Suzanne Geiss Company, New York Acquired from the above by the present owner

48. Lucas Blalock

b. 1978

555–555 c-print 108.5 x 88.6 cm (42 3/4 x 34 7/8 in.)

Executed in 2012, this work is number 1 from an edition of 3.

Estimate £1,500-2,500 $2,000-3,300 €1,700-2,800 Provenance White Cube, London Acquired from the above by the present owner Exhibited London, White Cube, Lucas Blalock, 1 May - 7 July 2013 (another example exhibited)

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49. Walead Beshty

b. 1976

Four Magnet colour photographic paper 100 x 74.7 cm (39 3/8 x 29 3/8 in.)

Executed in 2009.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Thomas Dane Gallery, London Private Collection

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14/11/17 13:08

50. Nathan Hylden

b. 1978

Untitled signed and dated ‘Nathan Hylden ‘10’ on the reverse acrylic and silkscreen on aluminium 197 x 145 cm (77 1/2 x 57 1/8 in.)

Executed in 2010.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Richard Telles Fine Art, Los Angeles Galerie Johann König, Berlin Acquired from the above by the present owner

51. Nathan Hylden

b. 1978

Untitled each signed and dated ‘Nathan Hylden ‘06’ on the reverse acrylic on linen, in 4 parts smaller parts 79 x 65.5 cm (31 1/8 x 25 3/4 in) larger part 171 x 119.5 cm (67 3/8 x 47 in) Painted in 2006.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ‡ Provenance Art Concept, Paris Private Collection Phillips, London, 11 April 2013, lot 4 Acquired at the above sale by the present owner

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52. Kon Trubkovich

b. 1979

Untitled signed and dated ‘Trubkovich ‘11’ on the reverse oil on canvas 50.8 x 40.8 cm (20 x 16 1/8 in.)

Painted in 2011.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200

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Provenance OHWOW Gallery, Los Angeles Acquired from the above by the present owner Exhibited Milan, Brand New Gallery, East Ex East, 9 June - 30 July 2011

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53. Kika Karadi

b. 1975

Untitled (OPM no. 15) signed, titled and dated ‘KIKA KARADI “(OPM 15)” 2014’ on the reverse ink on linen 243.7 x 183 cm (95 7/8 x 72 in.)

Executed in 2014.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 Provenance Private Collection

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14/11/17 14:14

54. Lucien Smith

b. 1989

Untitled (blue padding) signed ‘Lucien Smith’ on the overlap vinyl, foam and plywood, in artist’s frame 154.9 x 124.5 cm (60 7/8 x 49 in.)

Executed in 2011.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance Ritter/Zamet, London Private Collection, Europe

55. Brendan Lynch

b. 1985

Three works: (i-iii) Untitled each joint compound and enamel on wood each 76.3 x 61.1 cm (30 x 24 in.)

Each executed in 2012.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 ‡ Provenance The Still House Group, New York The Suzanne Geiss Company, New York Acquired from the above by the present owner

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56. Walead Beshty

b. 1976

Copper Surrogate polished copper on wood, in 2 parts smaller part 198 x 76 cm (77 7/8 x 29 7/8 in.) larger part 253 x 61 cm (99 5/8 x 24 in.)

Executed in 2011.

Estimate £12,000-18,000 $15,800-23,700 €13,600-20,400 ‡ ♠

Provenance Regen Projects, Los Angeles McCabe Fine Art, Stockholm Dr. Fredric S. Brandt, Miami Phillips, London, 15 October 2015, lot 121 Acquired at the above sale by the present owner Exhibited Los Angeles, Regen Projects, PROCESSCOLORFIELD, 16 April - 14 May 2011

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57. Sam Falls

b. 1984

Untitled (639 Santa Clara Avenue, 90291, Upstairs Chimney, Window/Wall) c-print, in artist’s frame, aluminium, drywall, plywood and latex, in 2 parts window 103 x 82.9 cm (40 1/2 x 32 5/8 in.) wall 244 x 122 x 11.7 cm (96 1/8 x 48 x 4 5/8 in.) overall dimensions variable Executed in 2013.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Galerie Eva Presenhuber, Zurich Acquired from the above by the present owner Exhibited Zurich, Galerie Eva Presenhuber, Sam Falls, 31 August - 19 October 2013

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58. Ethan Cook

b. 1983

Untitled (Square, begin at one corner until complete) signed and dated ‘Ethan Cook 2014 Ethan Cook 2014 Ethan Cook 2014 Ethan Cook 2014’ on the overlap hand woven cotton canvas, in artist’s frame 194.5 x 194.5 cm (76 5/8 x 76 5/8 in.)

Executed in 2014.

Provenance Sadie Coles, T293-in-residence, London Acquired from the above by the present owner Exhibited London, Sadie Coles HQ, T293-inresidence, 1 May - 31 May 2014

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ‡

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14/11/17 14:17

59. Ethan Cook

b. 1983

Untitled signed and dated ‘ETHAN COOK 2014’ on the overlap hand woven cotton canvas, in artist’s frame 246.2 x 423.2 cm (96 7/8 x 166 5/8 in.)

Executed in 2014.

Provenance American Contemporary, New York Private Collection, Italy

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600

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60. Nick Darmstaedter

b. 1988

Scam Mail (Barbara) silkscreen ink on canvas 61.8 x 122.5 cm (24 3/8 x 48 1/4 in.)

Executed in 2014.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Galerie Bugada & Cargnel, Paris Acquired from the above by the present owner Exhibited Paris, Galerie Bugada & Cargnel, Fuddruckers, 14 March - 3 May 2014

61. Louis Eisner

b. 1988

Box 36 signed and dated ‘Louis E 2013’ on the reverse oil, graphite and ink on linen 55 x 44.7 cm (21 5/8 x 17 5/8 in.)

Executed in 2013.

Estimate £1,500-2,500 $2,000-3,300 €1,700-2,800 Provenance Ritter/Zamet, London Acquired from the above by the present owner

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14/11/17 14:18

62. Nick Darmstaedter

b. 1988

Scattering of their semen freely signed ‘Nick D’ on the overlap oxidised copper on canvas 137.3 x 110 cm (54 x 43 1/4 in.)

Executed in 2012.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Ritter/Zamet, London Acquired from the above by the present owner

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Please note this lot is sold with no reserve.

63. Louis Eisner

b. 1988

Knucklehead 4726152 XXXXXXX XXXXXXX titled ‘“4726152 XXXXXXX XXXXXXX”’ lower right; further signed and dated ‘Lou Eisner 2013’ on the reverse ink, chalk and wood panel, in artist’s frame 184.2 x 123.2 cm (72 1/2 x 48 1/2 in.)

Executed in 2013.

Provenance Private Collection Exhibited American Academy in Rome, Americana, 3 October - 14 November 2013, pp. 45, 94 (illustrated, p. 45)

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ‡

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64. Artie Vierkant

b. 1986

65. Aaron Bobrow

b. 1985

Detachable Storage Rack for a Metallic Structure 2 (Exploit) US Patent 6318569 B1, 430 inox plate, custom shelving and rare earth magnets 71.9 x 300 x 13 cm (28 1/4 x 118 1/8 x 5 1/8 in.)

Executed in 2013.

Brook Street (Reggie) signed, titled and dated ‘“BROOK STREET (REGGIE)” 2012 Aaron Bobrow’ on the stretcher tarpaulin on wooden stretcher bars 132 x 208 cm (51 7/8 x 81 7/8 in.)

Executed in 2012.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ‡

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ‡

Provenance Private Collection

Provenance Ofce Baroque, Brussels Acquired from the above by the present owner

Exhibited Paris, New Galerie, Exploits, 7 September - 19 October 2013

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Exhibited American Academy in Rome, Americana, 3 October - 14 November 2013, pp. 45, 94 (illustrated, p. 45)

14/11/17 14:18

66. Parker Ito

b. 1986

Inkjet painting #17 inkjet ink on silk 162.4 x 112 cm (63 7/8 x 44 1/8 in.)

Executed in 2013.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Prism Gallery, West Hollywood Acquired from the above by the present owner

Property from an Important European Collector

67. Mark Flood

b. 1957

Men’s Club signed and titled ‘“MEN’S CLUB” Mark Flood’ on the overlap acrylic on canvas 214 x 106.5 cm (84 1/4 x 41 7/8 in.)

Painted in 2006.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 Provenance Marty Walker Gallery, Dallas Leslie Hindman Auctioneers, Chicago, 25 September 2013, lot 1079 Private Collection, New York Acquired from the above by the present owner in 2013

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14/11/17 14:19

68. Caio Fonseca

b. 1959

Pietrasanta Painting signed ‘CIAO’ lower right oil on canvas 35 x 46 cm (13 3/4 x 18 1/8 in.)

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Paul Kasmin Gallery, New York Acquired from the above by the present owner

69. Nikolas Gambarof

b. 1979

Untitled signed and dated ‘Gambarof 2012’ on the reverse newspaper and acrylic on Alumilite panel 243.2 x 122.1 cm (95 3/4 x 48 1/8 in.)

Executed in 2012.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance White Cube, London Acquired from the above by the present owner

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70. Keith Tyson

b. 1969

Nature Painting (Geo) signed, titled and dated ‘K. Tyson “Nature Painting (Geo)” 2010’ on the reverse enamel on aluminium 61 x 61 cm (24 x 24 in.)

Executed in 2010.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Pace Gallery, London Acquired from the above by the present owner

71. Diana Al-Hadid

b. 1981

Untitled charcoal, watercolour, Conté and pastel on vellum 106.7 x 103.5 cm (42 x 40 3/4 in.)

Executed in 2010.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Marianne Boesky Gallery, New York The Sender Collection, New York Sotheby’s, New York, 12 June 2014, lot 225 Acquired from the above by the present owner

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72. Ryan McGinness

b. 1972

Another Forrest signed, titled and dated ‘Ryan McGinness “ANOTHER FORREST” 2006’ on the reverse acrylic and silkscreen on panel 122 x 122 cm (48 x 48 in.)

Executed in 2006.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 Provenance Vous Etes Ici, Amsterdam Acquired from the above by the present owner Literature Ryan McGinness, No Sin No Future, Hong Kong, 2008, n.p. (illustrated)

73. Rosson Crow

b. 1982

Cosmic Cavern signed and dated ‘Rosson Crow 2010’ on the reverse oil, acrylic and enamel on canvas 259.3 x 335.3 cm (102 1/8 x 132 in.)

Executed in 2010.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ‡

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Provenance Deitch Projects, New York The Suzanne Geiss Company, New York Acquired from the above by the present owner Exhibited New York, Deitch Projects, Rosson Crow: Bowery Boys, 4 March - 27 March 2010

14/11/17 14:20

74. Akim Monet

b. 1968

Temple signed, titled, numbered and dated ‘Akim Monet “Temple Khajuraho” 2/3 1992-2003’ on the reverse dye destruction print on Diasec 101.6 x 152.4 cm (40 x 60 in.)

Photographed in 1992, printed in 2003, this work is number 2 from an edition of 3.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ‡ Provenance Maruani & Noirhomme Gallery, Knokke Phillips de Pury & Company, London, 22 June 2007, lot 75 Acquired at the above sale by the present owner Literature Andres Serrano, Hilane M. Sheets and Akim Monet, The Space Between, New York, 2003, pp. 41, 92 (another example illustrated, p.41)

75. Abdulnasser Gharem

b. 1973

The Stamp (Inshallah) signed, titled and numbered ‘Abdulnasser Gharem “THE STAMP (INSHALLAH)” 4/25’ lower edge silkscreen print on Somerset Tub paper 148.8 x 119.2 cm (58 5/8 x 46 7/8 in.)

Executed in 2011, this work is number 4 from an edition of 25 plus 2 artist’s proofs.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ‡ Provenance Acquired directly from the artist by the present owner

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76. Romero Britto

b. 1963

Pastel Spring signed ‘Romero Britto’ upper right; further signed, titled and dated ‘“Pastel Spring” Romero Britto 2004’ on the reverse acrylic, marker pen and metallic pen on canvas 122 x 122 cm (48 x 48 in.)

Executed in 2004.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Acquired directly from the artist by the present owner

Property from an Important Private European Collection

77. Mustafa Hulusi

b. 1971

Untitled (Red Rose and Hand) signed, titled and dated ‘MUSTAFA HULUSI “UNTITLED (RED ROSE AND HAND)” 2005’ on the overlap oil on canvas 213.2 x 304.8 cm (83 7/8 x 120 in.)

Painted in 2005.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Max Wigram Gallery, London Acquired from the above by the present owner in 2007

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78. Laura Lancaster

b. 1979

Untitled signed and dated ‘L. Lancaster 2014’ on the reverse acrylic on linen 200 x 200 cm (78 3/4 x 78 3/4 in.)

Painted in 2014.

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 ♠ Provenance Workplace Gallery, Gateshead Acquired from the above by the present owner

79. Katherine Bernhardt

b. 1975

Adidas Sneaker (My Adidas, LL Cool J.) signed, titled and dated ‘Katherine Bernhardt ““MY ADIDAS” L.L.COOL J.” 2006’ on the reverse acrylic on canvas 122.2 x 152.5 cm (48 1/8 x 60 in.)

Painted in 2006.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance Loyal Gallery, Stockholm Private Collection Phillips, London, 30 June 2015, lot 229 Private Collection, London Exhibited Stockholm, Loyal Gallery, Katherine Bernhardt: Kiss Me Kate, 9 March - 22 April 2007

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Property from an Important Private European Collection

80. Sarah Morris

b. 1967

Underwear and Shoe signed, titled and dated ‘“UNDERWEAR AND SHOE” S Morris ‘97’ on the overlap household gloss on canvas 183.3 x 183.3 cm (72 1/8 x 72 1/8 in.)

Painted in 1997.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ♠ Provenance Jay Jopling, London Acquired from the above by the present owner in 1997

Property from an Important Private European Collection

81. Marianna Gartner

b. 1963

Girls in White signed and dated ‘M. Gartner ‘04’ lower right oil on canvas 200 x 150 cm (78 3/4 x 59 in.)

Painted in 2004.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Galerie 20.21, Essen Acquired from the above by the present owner in 2005

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Property from an Important Private European Collection

82. Marcin Lukasiewicz

b. 1979

Temple II signed ‘Lukasiewicz’ lower right oil on canvas 134.5 x 174 cm (52 7/8 x 68 1/2 in.)

Painted in 2004.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Johnen + Schüttle, Cologne Acquired from the above by the present owner in 2005

Property from an Important Private European Collection

83. Gino Rubert

b. 1969

Action on Golden Bed signed and dated ‘Gino Rubert 1997’ on the reverse oil, acrylic and collaged photographs on canvas, in artist’s frame 170 x 191.2 cm (66 7/8 x 75 1/4 in.)

Executed in 1997.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance David Beitzel Gallery, New York Galerie Senda, Barcelona Acquired from the above by the present owner in 2005

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Property from an Important Private European Collection

84. Jan Worst

b. 1953

A Final Afernoon signed and dated ‘Jan Worst 2004’ lower lef oil on canvas 149.8 x 200 cm (58 7/8 x 78 3/4 in.)

Painted in 2004.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ♠ Provenance Sperone Westwater Gallery, New York Acquired from the above by the present owner in 2004 Exhibited New York, Sperone Westwater Gallery, Eteri Chkadua, Paolo Maione, Jan Worst, 9 June - 30 July 2004

Property from an Important Private European Collection

85. Ged Quinn

b. 1963

The Anxious Attempt of Art to Mourn the Silence of Melancholy Over Everything signed and dated ‘Ged Quinn 2010’ on the overlap oil on canvas 61.5 x 49.5 cm (24 1/4 x 19 1/2 in.)

Painted in 2010.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Wilkinson Gallery, London Acquired from the above by the present owner in 2010 Exhibited London, Wilkinson Gallery, Somebody’s Coming Who Hates Us, 20 May - 27 June 2010

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86. Whitney Bedford

b. 1976

87. Anton Henning

b. 1964

Untitled (Between You and I) signed, titled and dated ‘“UNTITLED (BETWEEN YOU AND I)” BEDFORD ‘06’ on the reverse ink and oil on panel 91.5 x 153 cm (36 x 60 1/4 in.)

Painted in 2006.

The sudden and tragic death of modernism no. 4 signed and dated ‘AH 98’ lower right of part 9 oil on canvas, in 9 parts each 24.1 x 18.1 cm (9 1/2 x 7 1/8 in.)

Painted in 1998.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ ‡

Provenance D’Amelio Terras Gallery, New York Acquired from the above by the present owner

Provenance Wohnmaschine, Berlin Private Collection Kenneth L. Freed Collection of Contemporary Art, Rago Arts and Auction Center, New Jersey, 18 November 2006, lot 457 Acquired at the above sale by the present owner

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88. Andy Denzler

b. 1965

Floating Stones signed, titled and dated ‘“Floating Stones” Denzler 2010’ on the reverse oil on canvas 140 x 120 cm (55 1/8 x 47 1/4 in.)

Painted in 2010.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 Provenance Galerie Schultz Contemporary, Berlin Private Collection, Berlin Exhibited Berlin, Galerie Schultz Contemporary, The Human Nature Project, 27 July - 29 August 2010 Literature Andy Denzler Paintings, The Human Nature Project, Zurich, 2014, pp. 62-63 (illustrated)

Property from an Important Private European Collection

89. Li Luming

b. 1957

Untitled signed and dated ‘Li Luming 2007’ on the reverse oil on canvas 150 x 200.2 cm (59 x 78 7/8 in.)

Painted in 2007.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 Provenance Acquired directly from the artist by the present owner in 2008

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Property from an Important Private European Collection

90. Jãnis Avotiņš

b. 1981

Tohu signed titled and dated ‘Jãnis Avotiņš “TOHU” 2006’ on the reverse acrylic on canvas 240 x 340 cm (94 1/2 x 133 7/8 in.)

Painted in 2006.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 ♠ Provenance Johnen Galerie, Berlin Acquired from the above by the present owner in 2006 Exhibited Berlin, Johnen Galerie, Jãnis Avotiņš, 21 January - 11 February 2006

Property from an Important Private European Collection

91. Zhang Jian

1853-1926

Tian’anmen signed and dated ‘Zhang Jian 05.6’ lower centre; further signed, titled and dated ‘Zhang Jian “Tiananmen” [in Chinese] 2005’ on the reverse oil on canvas 65 x 80 cm (25 5/8 x 31 1/2 in.)

Painted in 2005.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 Provenance Galerie Frank Schlag & Cie., Essen Acquired from the above by the present owner in 2006

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Property from an Important Private European Collection

92. Alexis Rockman

b. 1962

Pet Store oil and acrylic on panel, in 2 parts each 152.6 x 244.2 cm (60 1/8 x 96 1/8 in.) overall 305.2 x 244.2 cm (120 1/8 x 96 1/8 in.)

Painted in 2003.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ‡ Provenance Leo Koenig Inc., New York Acquired from the above by the present owner in 2005 Exhibited London, Camden Arts Centre, Alexis Rockman, Wonderful World, 23 April - 13 June 2004, pp. 52-53 (illustrated)

Property from an Important Private European Collection

93. Inka Essenhigh

b. 1969

Figure Burning in Hell signed, titled and dated ‘Inka Essenhigh 2002 “Figure Burning in hell”’ on the reverse oil on panel 187.9 x 177.8 cm (73 7/8 x 70 in.)

Painted in 2002.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 Provenance Victoria Miro Gallery, London Acquired from the above by the present owner in 2002 Exhibited Edinburgh, Fruitmarket Gallery, Inka Essenhigh, 5 April - 24 May 2003 MOCA Miami, Inka Essenhigh: Recent Paintings, 3 December 2003 - 15 February 2004

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94. Pat Steir

b. 1938

Soutine drawing lesson oil on canvas 91.7 x 91.7 cm (36 1/8 x 36 1/8 in.)

Painted in 1985.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ‡ Provenance Acquired directly from the artist by the present owner

95. Walter Dahn

b. 1954

The Jewelers II acrylic on canvas 249.6 x 200.4 cm (98 1/4 x 78 7/8 in.)

Painted in 1986.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ † Provenance Collection of Horst P. Wichmann Private Collection, The Netherlands

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96. Pavel Pepperstein

b. 1966

Triumph of Mermaid signed with the artist’s initials and dated ‘P. P [in Cyrillic] 2008’ upper right; further signed and dated ‘P. Pepperstein [in Cyrillic] 2008’ lower right acrylic on canvas 199.8 x 149.5 cm (78 5/8 x 58 7/8 in.)

Painted in 2008.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900 †

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Provenance Kewenig Galerie, Cologne Private Collection, The Netherlands Exhibited Moscow, Regina Gallery, Pavel Pepperstein: City Of Russia, 25 November 2007 15 June 2008 Cologne, Kewenig Galerie, Pavel Pepperstein: Either – Or, 6 February - 11 April 2009

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97. Simon Faibisovich

b. 1949

Metamorphosis parts 1, 2 and 3 each signed with the artist’s initials and dated ‘SF [in Cyrillic] 83’ lower right; part 1 further signed, titled, numbered and dated ‘S Faibisovich “Metamorphosis” N1 ‘83 [in Cyrillic]’ on the reverse; part 2 further signed, titled, numbered and dated ‘S Faibisovich “Metamorphosis” N2 1983 [in Cyrillic]’ on the reverse; part 3 further signed, titled, numbered and dated ‘S Faibisovich “Metamorphosis” N3 1983 [in Cyrillic]’ on the reverse; part 4 signed with the artist’s initials and dated ‘SF [in Cyrillic] 84’ lower right; part 4 further signed, titled, numbered and dated ‘S Faibisovich “Metamorphosis” N4 ‘84 [in Cyrillic]’ on the reverse

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oil on canvas, in 4 parts parts 1, 2 and 4 129.2 x 55 cm (50 7/8 x 21 5/8 in.) part 3 129.2 x 81 cm (50 7/8 x 31 7/8 in.) overall dimensions variable Painted in 1983 - 1984.

Estimate £60,000-80,000 $78,800-105,000 €67,900-90,500 Provenance First Gallery, Moscow Aidan Gallery, Moscow Acquired from the above by the present owner in 1991

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98. Roman Minin

b. 1981

LOVE signed ‘Minin’ lower centre; further signed, titled and dated ‘MININ “LOVE” 2017’ on the reverse UV print on foam cardboard, in artist’s frame 160 x 130 cm (62 7/8 x 51 1/8 in.)

Executed in 2017.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance New Now Gallery, Ukraine Acquired from the above by the present owner Exhibited Kiev, Toronto Business Centre, Art Kyiv 2017, Minin in Kyiv, 4 - 7 May 2017 Brussels, MHAATA Gallery, Minin in Brussels, 2 June - 2 August 2017

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‘This picture is dedicated to the world-famous sculpture of Robert Indiana “LOVE”. Also this composition refers to the creative series “HumanAlien”, which includes sculptures and paintings and performances. In one of the paintings on this theme “All for VITA’ I stylized the letters of the Latin alphabet into multi-fgures compositions.

The letters took on a symbolic form. In the painting “LOVE” I used the letters from the picture “All for VITA”. This magic word is at the peak of relevance for us. Perhaps as relevant as it was for America during the Vietnam War. These were the times of hippies and active social position in the struggle for peace throughout the world. Our country is currently experiencing similar social metamorphosis.

This positive magic spell is understandable in all corners of the planet.’ - Roman Minin.

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99. Roman Minin

b. 1981

Human-Alien titled and numbered ‘“human alien” 1/15’ on the underside of the alien; further signed ‘minin’ on the metal barrel bronze, chemical metallization and silvering, in 2 parts alien 70 x 70.8 x 34 cm (27 1/2 x 27 7/8 x 13 3/8 in.) barrel 95.5 x 59.8 x 59.8 cm (37 5/8 x 23 1/2 x 23 1/2 in.) overall 165.5 x 70.8 x 60 cm (65 1/8 x 27 7/8 x 23 5/8 in.)

Executed in 2016, this work is number 1 from an edition of 15.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance New Now Gallery, Ukraine Acquired from the above by the present owner Exhibited Kiev, Toronto Business Centre, Art Kyiv 2017, Minin in Kyiv, 4 - 7 May 2017 Brussels, MHAATA Gallery, Minin in Brussels, 2 June - 2 August 2017 Literature Igor Abramovych, Art-Dealer, Roman Minin, 2017, p. 23-24 (illustrated, online) ‘The main thing in my work is laconicism. Only the most vivid and exaggerated features have the right to be embodied in the image. Nothing superfuous.

This is the main rule.

The image of my hero is the quintessence of the famous character of the movie Alien and the image of the miner from my pictures. I put these two images together in one and was born a new character, which more relevant today in Ukraine. It’s like a scientifc experiment with mutations of the mentality of society.

An unbelievable project. Allegorical image born of time. During the last three years,the process of dividing society into one’s own and others’ ones is under way. A system of markers is being developed to understand who is who.

I propose my result on the actual imagination.’

- Roman Minin.

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100. Egor Zigura

b. 1984

Colossus that Rebelled inscribed with the artist’s initials, numbered and dated ‘EZ 14/25 2016’ on the base bronze 79.6 x 22 x 19.5 cm (31 3/8 x 8 5/8 x 7 5/8 in.)

Executed in 2016, this work is number 14 from an edition of 25.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance Acquired directly from the artist by the present owner Exhibited London, Meliá White House, ARTROOMS 2016, January 2016 (another example exhibited)

101. Dmitriy Grek

b. 1978

Portrait II incised with the artist’s signature and number ‘D. Grek 2/10’ on the lower edge bronze and wooden plinth plinth 40.4 x 41 x 24.6 cm (15 7/8 x 16 1/8 x 9 5/8 in.) sculpture 128 x 40 x 16.5 cm (50 3/8 x 15 3/4 x 6 1/2 in.) overall 168.4 x 41 x 24.6 cm (66 1/4 x 16 1/8 x 9 5/8 in.)

Executed in 2014 - 2016, this work is number 2 from an edition of 10.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Acquired directly from the artist by the present owner Literature Igor Abramovych, Art-Dealer, Dmitriy Grek, 2017, p. 9 (illustrated, online)

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102. Nazar Bilyk

b. 1979

Space Around (Anamorphosis) signed, titled and numbered ‘NAZAR BILYK “SPACE AROUND (ANAMOrphosis)” 3/10’ on the underside of the upper element painted metal, in 2 parts overall 163 x 200 x 55 cm (64 1/8 x 78 3/4 x 21 5/8 in.)

Executed in 2016, this work is number 3 from an edition of 10.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance New Now Gallery, Ukraine Acquired from the above by the present owner

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103. George Pusenkof

b. 1953

Boat on Geneva Lake signed and dated ‘Pusenkof 2010’ on the overlap; further signed, titled and dated ‘George Pusenkof “Boat on Geneva Lake” [in Cyrillic] 20.06.2010’ on the reverse acrylic on canvas 60.2 x 100 cm (23 3/4 x 39 3/8 in.)

Painted in 2010.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ‡ Provenance Private Collection, Switzerland

104. Mikhailo Deyak

b. 1984

Water signed, titled and dated ‘Mikhailo Deyak “Water” 2017’ on the reverse painted metal, in artist’s frame 202.5 x 104.3 cm (79 3/4 x 41 1/8 in.)

Executed in 2017.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 ‡ Provenance Voloshyn Gallery, Kiev Acquired from the above by the present owner Exhibited Kiev, Voloshyn Gallery, Mikhail Deyak: Imaginary, 15 December 2016 - 22 January 2017 New York, Ukrainian Institute of America, MIKHAILO DEYAK. RECENT WORKS, 17 March - 2 April 2017 Uzhhorod, Transcarpathian Regional Art Museum, MIKHAILO DEYAK. CREATION, 29 June - 15 July 2017, pp. 34-35

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105. Anatole Galitsky

b. 1973

Untitled signed and dated ‘Anatole Galitsky 2014’ lower right oil on canvas 140 x 140 cm (55 1/8 x 55 1/8 in.)

Painted in 2014.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ‡ Provenance CAC M17, Kiev Acquired from the above by the present owner Exhibited Kiev, CAC M17, Anatole Galitsky, 2014 Kiev, Institute of International Relations, 2016 Lviv, Andrey Sheptysky National Museum, 2017

106. Igor Tcholaria

b. 1959

Red Desire signed ‘Tcholaria’ lower right; signed, titled and dated ‘Tcholaria “red desire” 2015’ on the reverse oil on canvas 80 x 100 cm (31 1/2 x 39 3/8 in.)

Painted in 2015.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance Private Collection, London

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107. Robert Combas

b. 1957

Composition signed and dated ‘94 Combas’ lower right acrylic on batik print on cotton 108 x 153 cm (42 1/2 x 60 1/4 in.)

Painted in 1994.

Estimate £20,000-30,000 $26,300-39,400 €22,600-33,900 ♠ Provenance Private Collection, Portugal

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108. Erró

b. 1932

Eros acrylic on canvas 145.2 x 271 cm (57 1/8 x 106 3/4 in.)

Painted in 2011.

Estimate £30,000-50,000 $39,400-65,700 €33,900-56,600 ♠ Provenance Acquired directly from the artist by the present owner

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109. Shepard Fairey

b. 1970

Operation Oil Freedom signed, inscribed and dated ‘Shepard Fairey 1 AP 2007’ lower margin; further signed, inscribed and dated ‘Shepard Fairey AP 2007’ on the reverse silkscreen on board 61 x 45.5 cm (24 x 17 7/8 in.)

Executed in 2007, this work is an artist's proof.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Private Collection Bonham’s, London, 24 February 2009, lot 38 Acquired at the above sale by the present owner

110. Shepard Fairey

b. 1970

Jasper Johns Red signed and numbered ‘Shepard Fairey 2/2 HPM’ lower edge silkscreen and mixed media collage on wood, in artist’s frame 61 x 45.7 cm (24 x 17 7/8 in.)

Executed in 2010, this hand painted multiple is number 2 from an edition of 2 and is accompanied by a certifcate of authenticity from Obey Giant Art signed by the artist.

Estimate £2,500-3,500 $3,300-4,600 €2,800-4,000 Provenance V1 Gallery, Copenhagen Acquired from the above by the present owner Exhibited Copenhagen, V1 Gallery, Your Ad Here, 6 August - 3 September 2011

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111. Rammellzee

b. 1960

Wild Style Dedication signed and dated ‘Rammellzee ‘08’ lower right spraypaint on canvas 48.8 x 49 cm (19 1/4 x 19 1/4 in.)

Executed in 2008.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ‡ Provenance The Estate of Rammellzee The Suzanne Geiss Company, New York Acquired from the above by the present owner

112. Rammellzee

b. 1960

Wild Style Trophy signed and dated ‘Rammellzee ‘08’ lower right spraypaint on canvas 48.8 x 49 cm (19 1/4 x 19 1/4 in.)

Executed in 2008.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ‡ Provenance The Estate of Rammellzee The Suzanne Geiss Company, New York Acquired from the above by the present owner

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113. William Grob

b. 1992

Four works: (i) I love cigars; (ii) Another broken man; (iii) Buy more feel less; (iv) Gustav Klimt in central park (i) titled “I love cigars” on the reverse; (ii) titled “Another broken man” on the reverse; (iii) titled “Buy more feel less” on the reverse; (iv) titled “Gustav Klimt in central park” on the reverse each acrylic, pen and c-print each 10 x 15 cm (3 7/8 x 5 7/8 in.)

Each executed in 2015.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Acquired directly from the artist by the present owner ‘The collection of images you are about to

view were taken in the spring months of New York City 2015 and coloured in within the same months. I was an outsider in a city I quickly titled The City of Broken Dreams, which didn’t dishearten my love for the place that I called home. Commenting on society from an outsider’s perspective is like turning down a one-way street with oncoming trafc.

Substituting one western culture for another, both as dishonest as each other, superfcial in their own unique way.’

- William Grob

114. Ben Wolf Noam

b. 1987

Sky, Canopy, Skin, Star (Yaron) signed and dated ‘Benjamin Noam 2013’ on the reverse enamel, acrylic and oil paint on canvas 183.8 x 183.8 cm (72 3/8 x 72 3/8 in.)

Executed in 2013.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ‡ Provenance The Suzanne Geiss Company, New York Acquired from the above by the present owner

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115. Scott Campbell

b. 1977

Anatomical Heart signed, numbered and dated ‘Scott Campbell 3 of 3 2009’ on the reverse of part 3 US currency, in 3 parts each 6.8 x 15.8 cm (2 5/8 x 6 1/4 in.)

Executed in 2009.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance Lazarides, London Acquired from the above by the present owner in 2009

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116. Matteo Negri

b. 1982

Rainbow arrangement signed and stamped with the artist’s stamp ‘Negri’ on the reverse chromed and lacquered iron 75 x 75 x 14.5 cm (29 1/2 x 29 1/2 x 5 3/4 in.)

Executed in 2015, this work is accompanied by a certifcate of authenticity from the Matteo Negri Archive, signed by the artist and registered under the number n°187.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Private Collection, Berlin

117. Gianfranco Pardi

1933–2012

Architectura signed, titled, dedicated and dated ‘PARDI “ARCHITECTURA” CON AMICIZIA FRANCO ‘73’ on the reverse oil on canvas, metal brackets, rope and fxings 31.2 x 30.1 x 5.2 cm (12 1/4 x 11 7/8 x 2 in.)

Executed in 1973.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ♠ Provenance Acquired directly from the artist by the present owner

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118. Dario Agrimi

b. 1980

Untitled signed ‘Dario Agrimi’ on the stretcher; further signed ‘Dario Agrimi’ on the reverse enamel on canvas 160 x 130 cm (62 7/8 x 51 1/8 in.)

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 ♠ Provenance Acquired directly from the artist by the present owner

119. Emilio Tadini

b. 1927

L’uomo dell’organizzazione signed, titled and dated ‘Emilio Tadini “L’UOMO DELL’ORGANIZZAZIONE” 1968’ on the reverse oil on canvas 100.2 x 80.6 cm (39 1/2 x 31 3/4 in.)

Painted in 1968.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Acquired directly from the artist by the present owner

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Works on Paper.

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120. Alighiero Boetti

1940-1994

Untitled signed ‘Alighiero Boetti’ lower centre; further inscribed ‘Alighiero e’ a Roma’ centre watercolour and pencil on paper 70 x 100 cm (27 1/2 x 39 3/8 in.)

Executed in 1980.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ♠ Provenance Acquired directly from the artist by the present owner

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Works on Paper.

121. George Condo

b. 1957

Untitled signed and dated ‘Condo ‘92’ upper lef crayon on paper 30.5 x 21.5 cm (12 x 8 1/2 in.)

Executed in 1992.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 Provenance Galerie Bischoferger, Zurich Private Collection Sotheby’s, London, 15 March 2016, lot 4 Private Collection Ketterer Kunst, Munich, 10 June 2016, lot 773 Acquired at the above sale by the present owner

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122. Hurvin Anderson

b. 1965

Green umbrella signed and dated ‘Hurvin Anderson June 1994’ on the reverse oil, pencil and glassine collage on paper 47.8 x 40.5 cm (18 7/8 x 15 7/8 in.)

Executed in 1994.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 ♠ Provenance Acquired directly from the artist by the present owner

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Works on Paper.

123. Hurvin Anderson

b. 1965

Blue and gold umbrella dated ‘JUNE 94’ lef edge; signed ‘HURVIN ANDERSON’ on the reverse pencil, oil, metallic paint, glassine and newspaper collage on paper 14.8 x 40 cm (5 3/4 x 15 3/4 in.)

Executed in 1994.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Acquired directly from the artist by the present owner

‘Sometimes with my previous work, I’d pull together these scenes recreated from childhood and add more – not to give them a twist, but because I felt as though there was something else going on in the background that I needed to include.’

Hurvin Anderson

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124. Gilbert & George

b. 1943 and b. 1942

T Shirt & Bag signed and dated ‘Gilbert George 2009’ lower centre, in artist’s frame postcard and paper collage on paper 122.3 x 88.4 cm (48 1/8 x 34 3/4 in.)

Executed in 2009.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ † Provenance Arndt, Berlin Private Collection, The Netherlands (acquired from the above in 2011) Exhibited Berlin, Arndt, The Urethra Postcard Art of Gilbert and George, 30 March - 27 August 2011, p. 325 (illustrated)

125. Sarah Lucas

b. 1962

Self Portraits 1990-1998 (complete portfolio of 12 works) signed and numbered ‘SARAH LUCAS 13’ on the colophon page iris print on watercolour paper, in 12 parts (i)-(x) 78.1 x 58.3 cm (30 3/4 x 22 7/8 in.) (xi) (xii) 58.3 x 78.1 cm (22 7/8 x 30 3/4 in.)

Executed in 1999, this work is number 13 from an edition of 150 plus 15 artist’s proofs.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ‡ ♠ Provenance Sadie Coles, London Acquired from the above by the present owner Exhibited Berlin, Galerie Volker Diehl, Berlin Tut Gut, 1 March - 15 April 2012 (another example exhibited) London, National Portrait Gallery, Sarah Lucas Self-Portraits, 19 March - 11 September 2011 (another example exhibited) Kunsthalle Zurich; Kunstverein in Hamburg; Tate Liverpool, Sarah Lucas, 2 April 2005 - 15 January 2006, p. 68 (another example illustrated and exhibited)

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1916-2002

Untitled signed ‘Kenneth Armitage’ lower right ink, gouache and wash on paper 65 x 37.3 cm (25 5/8 x 14 5/8 in.)

Executed circa 1960.

Works on Paper.

126. Kenneth Armitage

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Finarte, Milan, 1962 Private Collection Galleria Schettini, Milan Acquired from the above by the present owner

127. Roger Hilton

1911-1975

Composition signed with the artist’s initials and dated ‘RH ‘73’ lower lef gouache and charcoal on paper 36.1 x 55.6 cm (14 1/4 x 21 7/8 in.)

Executed in 1973.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Redfern Gallery, London Private Collection Thence by decent to the present owner

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128. Frank Auerbach

b. 1931

Mornington Crescent pen and marker on paper 21.2 x 21.2 cm (8 3/8 x 8 3/8 in.)

Executed in 1972 - 1973.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Marlborough Fine Art, London Goldmark Gallery, Rutland Private Collection Bonhams, London, 26 June 2007, lot 184 Acquired at the above sale by the present owner Exhibited London, Marlborough Fine Art, Frank Auerbach: Recent Work, 18 April - 15 May 1974

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Works on Paper.

129. Frank Auerbach

b. 1931

Study for Tree in Primrose Hill crayon and marker on paper 29.5 x 39.4 cm (11 5/8 x 15 1/2 in.)

Executed in 1986.

Estimate £2,500-3,500 $3,300-4,600 €2,800-4,000 ♠ Provenance Marlborough Fine Art, London Golkonda Gallery, Tel Aviv Private Collection Christie’s, South Kensington, 13 December 2007, lot 224 Acquired at the above sale by the present owner

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130. Paul Noble

b. 1963

A sun 4 sea 6 signed with the artist’s initials, titled and dated ‘PN “A SUN 4 SEA 6” ‘05’ lower centre pencil on paper 60 x 50 cm (23 5/8 x 19 5/8 in.)

Executed in 2005.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ♠ Provenance Thomas Dane Gallery, London Private Collection Portfolio: A Place to Explore a Collective of Creative Work, Christie’s, online, 23 November - 6 December 2016, lot 41 Acquired at the above sale by the present owner

131. Jakub Julian Ziolkowski

b. 1980

Piramida signed, titled and dated ‘Jakub Julian Ziolkowski “PiRAMiDA” 2008’ on the reverse gouache and ink on paper 44.8 x 35.5 cm (17 5/8 x 13 7/8 in.)

Executed in 2008.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 ♠ † Provenance Hauser & Wirth, London Acquired from the above by the present owner Exhibited Centre d’Art Contemporain Genève, Jakub Julian Ziolkowski, 29 May - 16 August 2009

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b. 1941

October Amagansett #9 oil pastel and pastel on paper 76.2 x 76.2 cm (30 x 30 in.)

Executed in 2002.

Works on Paper.

132. Jennifer Bartlett

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance Christie’s, New York, 14 January 2008, lot 41 Acquired at the above sale by the present owner

133. Carter Mull

b. 1977

Sëance for E ink, gouache and pasted paper on paper 166.4 x 111.8 x 3.8 cm (65 1/2 x 44 x 1 1/2 in.)

Executed in 2012.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 ‡ Provenance Marc Foxx, Los Angeles Acquired from the above by the present owner

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134. Antonio Lopez

1943-1987

Untitled (Donna Mitchell) pencil, pastel, watercolour and coloured paper on paper, in 2 parts each 65 x 45.6 cm (25 5/8 x 17 7/8 in.)

Executed in 1971.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ‡ Provenance The Estate of Antonio Lopez The Suzanne Geiss Company, New York Acquired from the above by the present owner Exhibited New York, The Suzanne Geiss Company, Antonio’s World, 7 September – 20 October 2012

135. Antonio Lopez

1943-1987

The New York Times Magazine each signed ‘Antonio’ lower right marker and coloured paper on cardboard, in 2 parts each 76.2 x 50.5 cm (30 x 19 7/8 in.)

Executed in 1966.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ‡ Provenance The Estate of Antonio Lopez The Suzanne Geiss Company, New York Acquired from the above by the present owner

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136. George Shaw

Works on Paper.

Property from an Important Private European Collection b. 1966

The Art Teacher pencil on paper 76 x 56 cm (29 7/8 x 22 in.)

Executed in 2009.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Wilkinson Gallery, London Acquired from the above by the present owner in 2009

137. Storm Tharp

b. 1971

Love Nothing More ink, coloured pencil and graphite on paper, in 21 parts each 76 x 56 cm (29 7/8 x 22 in.)

Executed in 2009.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 †

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Provenance Galerie Bertrand & Gruner, Geneva Acquired from the above by the present owner in 2009 Exhibited London, Saatchi Gallery, Paper, 18 June - 3 November 2013, pp. 180-181

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Property from an Important Private European Collection

138. Rachel Feinstein

b. 1971

Eileen (gloves) pastel on paper 98.5 x 68.3 cm (38 3/4 x 26 7/8 in.)

Executed in 2005.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance Marianne Boesky Gallery, New York Acquired from the above by the present owner in 2005

Property from the Estate of Jan Hoet

139. Jannis Kounellis

1936-2017

Self-portrait signed ‘Kounellis’ lower centre pencil on paper 20 x 13.2 cm (7 7/8 x 5 1/4 in.)

Executed in 1980.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Jan Hoet, Ghent (acquired directly from the artist)

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1928-1987

Untitled (Marilyn) stamped ‘© Andy Warhol’ lower lef; further stamped

by The Estate of Andy Warhol on the reverse screenprint on paper 56 x 43 cm (22 x 16 7/8 in.)

Works on Paper.

140. Andy Warhol

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Stellan Holm Gallery, New York Private Collection, London

141. Ross Bleckner

b. 1949

Flowers oil on paper 86.2 x 56 cm (33 7/8 x 22 in.)

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance Lehmann Maupin, New York Acquired from the above by the present owner

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Sculpture.

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142. Jonathan Monk

b. 1969

Altered to Suit (Sol LeWitt Incomplete Open Cube 5/9, 1974) coated aluminium 100 x 299.5 x 101.5 cm (39 3/8 x 117 7/8 x 39 7/8 in.)

Executed in 2004.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Lisson Gallery, London Acquired from the above by the present owner Exhibited Munich, Sprüth Magers Projekte, Time Explained Suspended Lengthened, 4 November - 18 December 2004 London, Institute of Contemporary Art, Continuous Project Altered Daily, 14 October - 4 December 2005, cat. no. 15, pp. 8, 47 Berlin, Haus am Waldsee, Jonathan Monk Yesterday Today Tomorrow etc., 8 December 2006 - 18 February 2007

143. Dimitri Kosiré

b. 1968

Monochrom signed, titled and dated ‘Kosiré 2016 “Monochrom”’ on the reverse expansive foam on wood 85.5 x 66.6 cm (33 5/8 x 26 1/4 in.)

Executed in 2016.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Private Collection

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144. Thomas Lerooy

b. 1981

The Kiss bronze, painted wooden plinth and glass vitrine, in 3 parts sculpture 85.2 x 46 x 36 cm (33 1/2 x 18 1/8 x 14 1/8 in.) overall 185.2 x 70.2 x 50.1 cm (727/8 x 275/8 x 193/ 4 in.)

Executed in 2009, this work is number 5 from an edition of 5.

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Sculpture.

Property from an Important Private European Collection

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ♠ Provenance Galerie Rodolphe Janssen, Brussels Acquired from the above by the present owner in 2009

14/11/17 14:50

145. Ida Ekblad

b. 1980

Bidden Farewell lacquered metal and sandblasted welded steel 173.5 x 62 x 70 cm (68 1/4 x 24 3/8 x 27 1/2 in.)

Executed in 2010.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ † Provenance Herald St, London Private Collection, London Private Collection, London

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146. Katharina Fritsch

Sculpture.

Property from an Important Private European Collection b. 1956

Pappkarton painted plastic 40.3 x 110.4 x 40.1 cm (15 7/8 x 43 1/2 x 15 3/4 in.)

Executed in 1999, this work is number 4 from an edition of 10.

Estimate £12,000-18,000 $15,800-23,600 €13,600-20,400 ♠ Provenance Galerie 20.21, Essen Acquired from the above by the present owner in 2003 Exhibited Minneapolis, Walker Art Center, Katharina Fritsch: Multiples, 11 May - 15 October 2017 (another example exhibited) Literature Katharina Fritsch, exh. cat., Tate Modern, London, 2002, p. 52 (another example illustrated)

147. Neil Beloufa

b. 1985

Show of polystyrene and electrical wiring, in artist’s steel frame 220.8 x 199.5 cm (86 7/8 x 78 1/2 in.)

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Balice Hertling, Paris Acquired from the above by the present owner

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148. Peter Cofn

b. 1972

Sculpture Silhouette Prop (R. Serra ‘One ton prop’ 1969) painted MDF, steel stands and video projection, in 4 parts sculpture and steel stands 188.4 x 166.5 x 85.2 cm (74 1/8 x 65 1/2 x 33 1/2 in.) overall dimensions variable Executed in 2007.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ † Provenance Herald St, London Private Collection, London Private Collection, London

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149.

Gregor Schneider

Sculpture.

Property from an Important Private European Collection b. 1969

Wanne wood, plaster, paper, plastic and dirt, in artist’s frame 208.5 x 96.2 x 14 cm (82 1/8 x 37 7/8 x 5 1/2 in.)

Executed in 1993 - 1994.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Galerie Luis Campaña, Cologne Acquired from the above by the present owner in 2000 Exhibited Bremen, Neues Museum Weserburg, Thomas Demand & Gregor Schneider, 30 July - 21 December 2006

150. Nina Beier

b. 1975

Trauerspiel graphite, clay and metal stand sculpture 28.5 x 22 x 18.2 cm (11 1/4 x 8 5/8 x 7 1/8 in.) base 120.2 x 36 x 36 cm (47 3/8 x 14 1/8 x 14 1/8 in.)

Executed in 2010.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 Provenance Croy Nielsen, Vienna Acquired from the above by the present owner Exhibited Dublin, Project Arts Centre, Exhibitions, 16 September - 13 November 2010 Turin, Castello di Rivoli, Exhibition, Exhibition, 21 September 2010 - 9 January 2011

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Property from an Important Private European Collection

151.

Kristof Kintera

b. 1973

Talkman wax, fabric, leather, electric motor, battery, MD-Player, amplifer, foam and metal 102 x 34 x 22 cm (40 1/8 x 13 3/8 x 8 5/8 in.)

Executed in 1999.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 ♠ Provenance Jiri Svetska Gallery, Prague Acquired from the above by the present owner in 2003

Property from an Important Private European Collection

152.

Yaşam Şaşmazer

b. 1980

Treacherous Wolf wood and wall vinyl sculpture 125 x 40 x 35 cm (491/ 4 x 153/ 4 x 133/ 4 in.) overall dimensions variable Executed in 2008.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Confessions of Dangerous Minds, Phillips de Pury & Company, London (Selling Exhibition) Acquired from the above by the present owner in 2011 Exhibited London, Saatchi Gallery, Confessions of Dangerous Minds, 16 - 30 April 2011

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153.

Stephan Balkenhol

b. 1957

Sculpture.

Property from an Important Private European Collection

Mann mit grauen Haaren painted Wawa wood 166 x 24.5 x 23.5 cm (65 3/8 x 9 5/8 x 9 1/4 in.)

Executed in 2003.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Mai 36 Galerie, Zurich Acquired from the above by the present owner in 2003

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Property from an Important Private European Collection

154.

Don Brown

b. 1962

Yoko XII (Twin) acrylic composite 91.5 x 36.6 x 28.7 cm (36 x 14 3/8 x 11 1/4 in.)

Executed in 2004, this work is number 3 from an edition of 6.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Sadie Coles, London Acquired from the above by the present owner in 2004 Exhibited London, Sadie Coles, Don Brown, 28 April - 29 May 2004, pp. 7, 47 (another example illustrated and exhibited)

Property from an Important Private European Collection

155. Eva Aeppli

1925-2015

Untitled (Head with Hands) tea and watercolour stained silk and wool on marble base base 7.8 x 25.5 x 25.5 cm (3 1/8 x 10 x 10 in.) sculpture 43.5 x 20 x 30 cm (17 1/8 x 7 7/8 x 11 3/4 in.) overall 51.3 x 25.5 x 30 cm (20 1/4 x 10 x 11 3/4 in.)

Executed in 1969 - 1970.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Collection of Max Palevsky (acquired directly from the artist) Christie’s, New York, 11 January 2011, lot 304 Acquired at the above sale by the present owner

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b. 1969

Number 5 signed, numbered and dated ‘Will Ryman 5 2005’ on the base papier maché 196.7 x 42 x 25 cm (77 1/2 x 16 1/2 x 9 7/8 in.)

Executed in 2005.

Sculpture.

156. Will Ryman

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 † Provenance Gasser Grunert, New York Private Collection, The Netherlands

157. Klara Kristalova

b. 1967

A little sculpture about falling in love signed ‘K. Kristalova’ on the underside stone, wood and motor 119.1 x 37.2 x 34.3 cm. (46 7/8 x 14 5/8 x 13 1/2 in.)

Executed in 2002, this work is accompanied by a certifcate of authenticity signed by the artist.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Galleri Magnus Karlsson, Stockholm Acquired from the above by the present owner Exhibited Stockholm, Galleri Magnus Karlsson, Nya Skulpturer / New Sculptures, 3 October - 9 November 2002 Literature Raphaël Gatel and Frédéric Albaret, eds., Klara Kristolva, Galerie Emmanuel Perrotin, Paris, 2010, p. 11 (illustrated)

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Property from an Important Private European Collection

158.

Gregor Schneider

b. 1969

Grabstein signed and dated ‘G Schneider ‘99’ on the side of the central element painted breeze blocks, plaster and concrete, in 3 parts overall 113.6 x 61 x 61 cm (44 3/4 x 24 x 24 in.)

Executed in 1999.

Estimate £7,000-9,000 $9,200-11,800 €7,900-10,200 ♠ Provenance Galerie Luis Campaña, Cologne Acquired from the above by the present owner in 2000

159. Jonathan Monk

b. 1969

Second Hand Daily Exchange painted wooden plinths, mirror, Plexiglas, cloth, paper and oil paint on wax, in 6 parts each hand 11.2 x 21.4 x 10.8 cm (4 3/8 x 8 3/8 x 4 1/4 in.) overall dimensions approx. 92 x 40.5 x 40.5 cm (36 1/4 x 15 7/8 x 15 7/8 in.)

Executed in 2006.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ♠ Provenance Lisson Gallery, London Acquired from the above by the present owner Exhibited London, Lisson Gallery, Jonathan Monk: Second Hand, 29 November 2006 - 20 January 2007 (illustrated on the invitation card)

The present work is a sculptural formulation of the artist’s hands holding small objects.

The installation, placement of the work and choice of these ever-changing small objects, which are to be altered every day, are to be determined by the owner.

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b. 1980

Sculpture.

160. Anna Betbeze

Moon signed, titled and dated ‘Anna Betbeze “MOON” 2011’ on the underside wool and ash diameter 219 cm (86 1/4 in.)

Executed in 2011.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 † Provenance Kate Werble Gallery, New York Private Collection, London

161. Paul Vanstone

b. 1967

Senator Portugese marble sculpture 223 x 115 x 30 cm (87 3/4 x 45 1/4 x 11 3/4 in.) overall 311 x 225 x 122 cm (122 1/2 x 88 5/8 x 48 in.)

Executed in 2014.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ † Provenance Private Collection, London (acquired directly from the artist) Exhibited Oxford, Asthall Manor, on form, 8 June – 6 July 2014

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162. Oleg Pinchuk

b. 1960

163. Oleg Pinchuk

b. 1960

King Elephant bronze 33 x 60 x 25 cm (12 7/8 x 23 5/8 x 9 7/8 in.)

Executed in 2016, this work is number 1 from an edition of 3.

Rozita bronze 15 x 32 x 12 cm (5 7/8 x 12 5/8 x 4 3/4 in.)

Executed in 2014, this work is number 7 from an edition of 8.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 ‡

Estimate £6,000-10,000 $7,900-13,100 €6,800-11,300 ‡

Provenance CAC M17, Kiev Acquired from the above by the present owner Exhibited Kiev, CAC M17, Oleg Pinchuk Sculpture Exhibition with Swiss Brand Bovet, 18 October 2016 Lviv, Andrey Sheptysky National Museum, 2017 Kiev, Central House of Artists, Sculpture Biennale, 2017

Provenance CAC M17, Kiev Acquired from the above by the present owner Exhibited Lviv, Andrey Sheptysky National Museum, 2015 Kiev, CAC M17, Oleg Pinchuk Sculpture Exhibition with Swiss Brand Bovet, 18 October 2016 Kiev, Central House of Artists, Sculpture Biennale, 2017 Lviv, Andrey Sheptysky National Museum, 2017 Literature Modern Art Research Institute, Oleg Pinchuk Sculpture, Kiev, 2014, p. 6 Oleg Pinchuk, Victor Sydorenko and Petro Lebedynets, Tavria 125 Years, 2014 An edition of Oleg Pinchuk’s Rozita sculpture is housed in the collection of the famous Latin American writer and winner of the Nobel Prize for Literature in 2010, Mario Vargas Llosa. A leading novelist of his generation, Mario Vargas Llosa wrote the following in a letter to Pinchuk: “…. awesome winged hippopotamus, which now occupies the exclusive place in my home. Undoubtedly, this is one of the most beautiful hippopotami in my huge collection I have assembled for the recent years…. I really like the fgures you create of animals, plants, fsh and people. All of them are a combination of fantasy and realism, with a touch of archness and humour, giving your works a special, unique style of yours.”

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164. Glenn Kaino

b. 1972

The Siege Perilous Plexiglas and steel vitrine, painted wood, Aeron chair and electric motor overall 165.1 x 135.5 x 135.5 cm (65 x 53 3/8 x 53 3/8 in.)

Executed in 2003.

Estimate ÂŁ6,000-8,000 $7,900-10,500 â‚Ź6,800-9,100

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Sculpture.

Property from an Important Private European Collection

Provenance The Project, New York Acquired from the above by the present owner in 2003 Exhibited Montclair Art Museum; Savannah, Telfair Museum of Art; Ann Arbor, University of Michigan Museum of Art; Austin, The Blanton Museum of Art, Come as You Are: Art of the 1990s, 8 February 2015 - 15 May 2016

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165. Lucien Smith

b. 1989

Untitled (Scrap Metal 4393) metal 76.2 x 157.5 x 81.3 cm (30 x 62 x 32 in.)

Executed in 2013.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance OHWOW Gallery, Los Angeles Acquired from the above by the present owner

Property from an Important Private European Collection

166. Gregor Schneider

b. 1969

Kopf, Bauch und Darm titled and dated ‘Kopf, Bauch und Darm ‘97-99’ on the painted cardboard; further dated ‘‘97’ on the glass painted cardboard, marker pen, metal, glass, wax, plastic, parcel tape, corrective fuid and organic materials, in 24 parts overall 59.6 x 51.2 x 97 cm (23 1/2 x 20 1/8 x 38 1/4 in.)

Executed in 1997 - 1999.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Galerie Luis Campaña, Cologne Acquired from the above by the present owner in 2000 Exhibited Bremen, Neues Museum Weserburg, Thomas Demand & Gregor Schneider, 30 July - 21 December 2006

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1928-1962

Table Monogold TM 3000 Gold leaves, Plexiglas, glass and chrome-plated metal 36 x 100 x 125 cm (14 1/8 x 39 3/8 x 49 1/4 in.)

Designed in 1961, this work is from an edition started in 1963, under the supervision of Rotraut Klein-Moquay, afer a model by Yves Klein and is signed ‘R.Klein-Moquay’ and numbered SDE-REFD on a label afxed to the underside.

Sculpture.

167. Yves Klein

Estimate £15,000-20,000 $19,700-26,300 €17,000-22,600 ♠ Provenance Private Collection, Paris

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168. Gonkar Gyatso

b. 1961

Shambala of Modern Times signed, titled, numbered and dated ‘Gonkar [in Tibetan script] “Shambala of the modern times” 9/16 2009’ on the lower lef of lower right panel and the lower right of lower lef panel Giclée and silkscreen with gold and silver leaf on paper, quadriptych each 95.5 x 105.7 cm (37 5/8 x 41 5/8 in.) overall 191 x 211.4 cm (75 1/4 x 83 1/4 in.)

Executed in 2009, this work is number 9 from an edition of 16.

Provenance Acquired directly from the artist by the present owner Exhibited Brisbane, The University of Queensland Art Museum, Three Realms, 25 February - 29 April 2012, p. 67 (another example exhibited) Haverford College, Cantor Fitzgerald Gallery, Mapping Identity, 19 March - 30 April 2010, pp. 16-17, 30 (another example illustrated and exhibited, p. 17)

Estimate £18,000-25,000 $23,600-32,800 €20,400-28,300 ‡ ♠

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169. Christian Eckart

b. 1959

Detail Painting #535 signed, titled and dated ‘Christian Eckart “DETAIL PAINTING #535” 1989’ on the reverse 23 carat gold leaf and gel medium on birch panel and pine and poplar moulding, in artist’s frame 65.4 x 69.3 cm (25 3/4 x 27 1/4 in.)

Painted in 1989.

Provenance Galerie Philippe Kriwin, Brussels Private Collection, London (acquired from the above in 1990) Exhibited Brussels, Galerie Philippe Kriwin, Christian Eckart, 21 March - 25 April 1990 (illustrated)

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,600

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170. Raf Kalenderian

b. 1981

Tran (in the Park) signed, titled and dated ‘Raf Kalenderian “Tran (in the park)” 2006’ on the reverse oil on canvas 182.8 x 121.5 cm (71 7/8 x 47 7/8 in.)

Painted in 2006.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Black Dragon Society, Los Angeles Acquired from the above by the present owner

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171. Alex Hubbard

b. 1975

Untitled acrylic, enamel paint, plastic mesh, resin and fbreglass on canvas, diptych overall 61.7 x 42.5 cm (24 1/4 x 16 3/4 in.)

Executed in 2010.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance Private Collection, Paris

172. Katy Moran

b. 1975

Untitled acrylic and collage on canvas 46.3 x 38 cm (18 1/4 x 14 7/8 in.)

Executed in 2006.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Stuart Shave/Modern Art, London Acquired from the above by the present owner

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173. George-Henry Longly

b. 1978

TIIY marble, YSL Touche Éclat, whipped cream chargers and steel fxings 88 x 55 x 2.5 cm (34 5/8 x 21 5/8 x 0 7/8 in.)

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 ‡ ♠ Provenance Jonathan Viner Gallery, London The Suzanne Geiss Company, New York Acquired from the above by the present owner

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174. Mark Boyle

1934-2005

Untitled glass, screws, dirt and gravel on fbreglass 182.9 x 182.9 x 7 cm. (72 x 72 x 2 3/4 in.)

Estimate £7,000-10,000 $9,200-13,100 €7,900-11,300 ‡ ♠ Provenance Acquired directly from the artist by the present owner

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Property from an Important Private European Collection

175. Wang Lei

b. 1980

Guidelines signed and dated ‘Wang Lei [in Chinese] 2007.11’ centre right; further signed, titled and dated ‘Wang Lei “Guidelines” [in Chinese] 2006’ on the reverse acrylic on canvas 129.4 x 129.4 cm (50 7/8 x 50 7/8 in.)

Painted in 2006 - 2007.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 Provenance Gallery Beijing Space, Beijing Acquired from the above by the present owner in 2008

176. Martin Maloney

b. 1961

“Michelle” No.2 signed, titled and dated ‘Martin Maloney “Michelle # 2” April 1999’ on the overlap; further signed, titled and dated ‘Martin Maloney “Michelle # 2” April 1999’ on the stretcher oil on canvas 76.4 x 84 cm (30 1/8 x 33 1/8 in.)

Painted in 1999.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 ♠ Provenance Anthony d’Ofay Gallery, London Private Collection, Bologna Exhibited Museo Civico di Modena, L’Eroe Borghese, 2000

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177. Muntean/Rosenblum

b. 1962 and b. 1962

Untitled acrylic, paper collage and graphite on canvas 234.5 x 165 cm (92 3/8 x 64 7/8 in.)

Executed in 2005.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠ Provenance Maureen Paley, London Acquired from the above by the present owner

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Property from an Important Private European Collection

178. Nathalie Djurberg

b. 1978

Once Removed on my Mothers Side clay animation, video 5:20 min Executed in 2008, this work is number 4 from an edition of 4 plus 2 artist’s proofs.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ♠ Provenance Galerie Gio Marconi, Milan Acquired from the above by the present owner in 2008 Exhibited Milan, Fondazione Prada, Nathalie Djurberg: Turn Into Me, 19 April - 1 June 2008, pp. 23, 210, 211 (another example exhibited and illustrated) Literature Massimiliano Gioni, ‘HIC SUNT LEONES Notes in the Margins of Nathalie Djurberg’s Empire’, Parkett, no. 90, 2012, p. 81

179. Olaf Breuning

b. 1970

Apes signed ‘Olaf’ on a gallery label afxed to the reverse c-print mounted on aluminium 149.5 x 188 cm (58 7/8 x 74 in.)

Executed in 2001, this work is number 1 from an edition of 3 plus 2 artist proofs.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 Provenance Ars Futura Galerie, Zurich Private Collection Metro Pictures, New York Acquired from the above by the present owner

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Property from an Important Private European Collection

180. Rodney Graham

b. 1949

City Self / Country Self 35mm colour flm transferred to DVD 4:00 minute loop Executed in 2000, this work is number 2 from an edition of 4 and is accompanied by a certifcate of authenticity signed and dated by the artist.

Estimate ÂŁ25,000-35,000 $32,800-46,000 â‚Ź28,300-39,600 Provenance Lisson Gallery, Cologne Acquired from the above by the present owner in 2002 Exhibited London, Lisson Gallery, Rodney Graham: What is Happy, Baby?, 7 December 2000 - 27 January 2001 (another example exhibited)

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Property from an Important Private European Collection

181. Sharon Lockhart

b. 1964

Untitled signed, numbered and dated ‘S Lockhart 3/6 2001’ on the reverse c-print 60.3 x 84.5 cm (23 3/4 x 33 1/4 in.)

Executed in 2001, this work is number 3 from an edition of 6 plus 2 artist’s proofs.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 Provenance Barbara Gladstone Gallery, New York Acquired from the above by the present owner in 2001

182. Antonio Lopez

1943-1987

Jerry Hall / New York City 9 Instamatic photographs overall 34.3 x 26 cm (13 1/2 x 10 1/4 in.)

Executed in 1976.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 ‡ Provenance The Estate of Antonio Lopez The Suzanne Geiss Company, New York Acquired from the above by the present owner

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Property from an Important Private European Collection

183. Marilyn Minter

b. 1948

Pink Bra (Pamela Anderson) signed ‘M. MINTER’ on a gallery label afxed to the reverse c-print 217.5 x 151 cm (85 5/8 x 59 1/2 in.)

Executed in 2007, this work is number 2 from an edition of 3 plus 2 artist’s proofs.

Estimate £8,000-12,000 $10,500-15,800 €9,100-13,600 Provenance Salon 94, New York Acquired from the above by the present owner in 2008 Exhibited Hamburg, Deichtorhallen, Marilyn Minter.

Werkschau, 30 April – 12 June 2011 (another example exhibited)

184. Evgeny Antufev

b. 1986

Untitled gelatin silver print, in 2 parts each 41 x 31 cm (16 1/8 x 12 1/4 in.) overall dimensions variable Executed in 2016, this work is number 6 from an edition of 6.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 Provenance Private Collection, Moscow Exhibited Moscow, Pechersky Gallery, Fragile Things, 25 October 2016 - 15 January 2017 (another example exhibited)

This work is being sold to beneft the Charity Foundation “Zvezdi Sibiri”, the ‘Stars of Siberia’ Foundation, which provides professional music education to orphaned children.

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Property from an Important Private European Collection

185. Axel Hütte

b. 1951

Akbota I c-print image 105.8 x 188.8 cm (41 5/8 x 74 3/8 in.)

Executed in 1999, this work is number 2 from an edition of 4.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 ♠ Provenance Galerie Lindig in Paludetto, Nuremberg Acquired from the above by the present owner in 2000 Literature Axel Hütte and Cees Nooteboom, Kontinente, Munich, 2000, pl. 8, pp. 42, 42, 155 (another example illustrated, p. 42)

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Property from an Important Private European Collection

186. Doug Aitken

b. 1968

Island signed and numbered ‘Doug Aitken 1/5’ on the reverse c-print on Plexiglas 101 x 126.6 cm (39 3/4 x 49 7/8 in.)

Executed in 2000, this work is number 1 from an edition of 5.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance 303 Gallery, New York Victoria Miro Gallery, London Acquired from the above by the present owner in 2000 Exhibited Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Cremers Haufen, 16 February - 16 June 2004 (another example exhibited)

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187. Ryan McGinley

b. 1977

Blue Breakdown c-print 181.5 x 274.2 cm (71 1/2 x 107 7/8 in.)

Executed in 2009, this work is from an edition of 3 plus 2 artist’s proofs.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 Provenance Team Gallery, New York Private Collection Phillips, London, 10 December 2014, lot 105 Acquired at the above sale by the present owner

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188. James Welling

b. 1951

Untitled (10715) signed, titled and numbered ‘J. Welling “10715” - 18’ on the reverse chemigram on Kodak Endura Metallic 25.5 x 20.1 cm (10 x 7 7/8 in.)

Executed in 2015, this work is number 18 from an edition of 20 variants.

Estimate £2,000-4,000 $2,600-5,300 €2,300-4,500 Provenance Camden Arts Centre, London Acquired from the above by the present owner in 2015

Property from an Important Private European Collection

189. Teresa Hubbard and Alexander Birchler b. 1965 and b. 1962 Arsenal - Curtain Exit c-print 165 x 130 cm (64 7/8 x 51 1/8 in.)

Executed in 2000, this work is number 1 from an edition of 6.

Estimate £5,000-7,000 $6,600-9,200 €5,700-7,900 ♠ Provenance Galerie Bob van Orsouw, Zurich Acquired from the above by the present owner in 2000 Exhibited New York, Bonakdar Jancou Gallery, Teresa Hubbard and Alexander Birchler: Arsenal, 9 September - 14 October 2000 (another example exhibited) Salzburg, Museum der Moderne, Les grands spectacles – 120 Jahre Kunst & Massenkultur, 16 June – 3 October 2005 (another example exhibited)

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Property from an Important Private European Collection

190. Vik Muniz

b. 1961

Death of Loyalist Militiaman Frederico Borrell Garcia, afer Robert Capa signed and dated ‘Vik Muniz 2003’ on a gallery label afxed to the reverse c-print 101.6 x 127 cm (40 x 50 in.)

Executed in 2003, this work is number 1 from an edition of 6 plus 4 artist’s proofs.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 Provenance Rena Bransten Gallery, San Francisco Acquired from the above by the present owner in 2005

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Exhibited Madrid, GalerÍa Elba Benitez, Vik Muniz, 14 February - 31 March 2004 (another example exhibited) Atlanta, High Museum of Art, Vik Muniz, 28 February - 29 May 2016, pl. 45, p. 104 (another example illustrated and exhibited) Literature Vik Muniz and Pedro Corrêa do Lago, Vik Muniz: Complete Works, 1987-2009: Catalogue Raisonné, Rio de Janeiro, 2009, p. 507 (another example illustrated) Vik Muniz and Pedro Corrêa do Lago, Vik Muniz: Complete Works, 1987-2015: Catalogue Raisonné Volume 2, Rio de Janeiro, 2015, pp. 549, 891 (another example illustrated, p. 549)

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191.

192.

191. Gerhard Richter

b. 1932

192. Gerhard Richter

b. 1932

P15 Flow Diasec-mounted chromogenic print on aluminium 100 x 200 cm (39 3/8 x 78 3/4 in.)

Executed in 2016, this facsimile object is from an edition of 500 plus 2 artist’s proofs.

P16 Flow Diasec-mounted chromogenic print on aluminium 100 x 200 cm (39 3/8 x 78 3/4 in.)

Executed in 2016, this facimile object is from an edition of 500 plus 2 artist’s proofs.

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠

Estimate £6,000-8,000 $7,900-10,500 €6,800-9,100 ♠

Provenance Heni Productions, London Acquired from the above by the present owner

Provenance Heni Productions, London Acquired from the above by the present owner

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193. Joseph Klibansky

b. 1984

On the Move signed and dated ‘Joseph Klibansky 2010’ lower lef; further signed, titled, numbered and dated ‘Joseph Klibansky “On the Move” 4/7 06-06-2010’ on the reverse acrylic, ink, resin and archival cotton paper on Dibond 99.7 x 189.9 cm (39 1/4 x 74 3/4 in.)

Executed in 2010, this work is number 4 from an edition of 7 plus 4 artist’s proofs.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ‡ ♠ Provenance Galerie des Lices, Saint Tropez Private Collection, Hong Kong

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194. Llewellyn Xavier

b. 1945

Eggshell Footprints signed ‘Llewellyn Xavier’ on the reverse; further titled ‘“EGGSHELL FOOTPRINTS”’ on the overlap oil on canvas 101.6 x 76.2 cm (40 x 30 in.)

Painted in 2016.

Estimate £10,000-15,000 $13,100-19,700 €11,300-17,000 ‡ Provenance Acquired directly from the artist by the present owner

Property from the Estate of Jan Hoet

195. Udomsak Krisanamis

b. 1966

Tonight’s the Night signed, titled and dated ‘“TONIGHT’S THE NIGHT” Krisanamis ‘98’ on the turnover edge adhesive, paper and acrylic paint on canvas 46 x 61 cm (18 1/8 x 24 in.)

Executed in 1998.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 Provenance Jan Hoet, Ghent (acquired directly from the artist)

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196. Stanley Casselman

b. 1963

Luminor-4-35 signed, titled and dated ‘Stanley Casselman “Luminor-4-35” 2015’ on the reverse oil on canvas 166 x 166 cm (65 3/8 x 65 3/8 in.)

Painted in 2015.

Estimate £12,000-18,000 $15,800-23,600 €13,600-20,400 ‡ Provenance Brintz Galleries, Florida Acquired from the above by the present owner

197. Holton Rower

b. 1962

Sugar Crash acrylic on plywood 254 x 255.5 cm (100 x 100 5/8 in.)

Executed in 2012.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 ‡ Provenance The Hole, New York The Suzanne Geiss Company, New York Acquired from the above by the present owner

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Sold with no reserve Lots 198 – 216

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This lot is sold with no reserve

198. Davis Rhodes

b. 1983

Untitled enamel on foam board 244 x 122 cm (96 1/8 x 48 in.)

Executed in 2011.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • † Provenance Ofce Baroque, Brussels Acquired from the above by the present owner Exhibited Brussels, Ofce Baroque, A Hole is to Dig, 23 April - 26 June 2011

This lot is sold with no reserve

199. Stephen G. Rhodes

b. 1977

Vacant Portrait signed with the artist’s initials and dated ‘SGR ‘II’ on the reverse oil and currency on canvas, in artist’s frame 104 x 84 cm (40 7/8 x 33 1/8 in.)

Executed in 2011.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • Provenance Private Collection, Paris

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200. Davis Rhodes

b. 1983

Untitled enamel on foam board 244.5 x 116 cm (96 1/4 x 45 5/8 in.)

Executed in 2012.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • †

Sold with no reserve Lots 198 – 216

This lot is sold with no reserve

Provenance Société, Berlin Acquired from the above by the present owner

This lot is sold with no reserve

201. Marc Gumpinger

b. 1974

Alpen 37 (1:1000) oil on canvas 100 x 70 cm (39 3/8 x 27 1/2 in.)

Painted in 2016.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ♠ Provenance Private Collection, Germany (acquired directly from the artist) Exhibited Munich, Bankhaus Herzogpark, Realities, 14 July - 30 August 2016 London, Popup-Show, Realities, 17 October - 11 November 2016

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These works are being sold with no reserve to beneft the Institute of Contemporary Art, Moscow

202. Svetlana VorontsovaVelyaminova b. 1985 Tomorrow? neon and Plexiglas 130 x 73 cm (51 1/8 x 28 3/4 in.)

Executed in 2015, this work is unique and is accompanied by a certifcate of authenticity signed by the artist.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • ‡ Provenance Donated by the artist Exhibited Moscow, Vadim Sidur Museum, Event Horizons, 2015 Moscow, Apartment exhibition, Fragile, Handle with Care, 2016 Moscow, МОММА, Procrastination, 2016

These works are being sold with no reserve to beneft the Institute of Contemporary Art, Moscow

203. Sergey Shekhovtsov

b. 1969

Lenin plastic and enamel sculpture 44 x 40 x 9 cm (17 3/8 x 15 3/4 x 3 1/2 in.) overall 46 x 42 x 18 cm (18 1/8 x 16 1/2 x 7 1/8 in.)

Executed in 2013, this work is unique and is accompanied by a certifcate of authenticity signed by the artist.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 • ‡ Provenance Acquired directly from the artist by the present owner

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204. Natasha Struchkova

b. 1957

Okulus #5 True signed, titled and dated ‘“Oculus #5” 2017 Struchkova Natasha [in Cyrillic]’ on the reverse acrylic on canvas diameter 120 cm (47 1/4 in.)

Painted in 2017, this work is unique and is accompanied by a certifcate of authenticity signed by the artist.

Sold with no reserve Lots 198 – 216

These works are being sold with no reserve to beneft the Institute of Contemporary Art, Moscow

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 • ‡ Provenance Donated by the artist Exhibited Moscow, Artplay Design Centre, Yearning for the Sky, 12 - 24 October 2017

These works are being sold with no reserve to beneft the Institute of Contemporary Art, Moscow

205. Margo Trushina

b. 1981

Sea aluminium, direct print 40 x 100 x 30 cm (15 3/4 x 43 1/4 x 11 3/4 in.)

Executed in 2017, this work is unique and is accompanied by a certifcate of authenticity signed by the artist.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • ‡ Provenance Donated by the artist

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This lot is sold with no reserve

206. Phillip Allen

b. 1967

The works (Single Dream Version) signed, titled and dated ‘PHIL ALLEN 2004 “THE WORKS (SINGLE DREAM VERSION)”’ on the reverse oil on board 61 x 76 cm (24 x 29 7/8 in.)

Painted in 2004.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • ♠ Provenance Xavier Hufens, Brussels Private Collection, London Christie’s, London, 12 February 2010, lot 294 Acquired at the above sale by the present owner

This lot is sold with no reserve

207. Slawomir Elsner

b. 1976

Odra Wodzislaw signed, titled and dated ‘Slawomir Elsner 2004 “Odra Wodzislaw” 2004’ on the reverse oil on canvas 110 x 170 cm (43 1/4 x 66 7/8 in.)

Painted in 2004.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ‡ ♠ Provenance Johnen + Schöttle, Cologne Acquired from the above by the present owner L. Gorczyca, Slawomir Elsner, Essen, 2005, p. 65 (illustrated)

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208. Till Gerhard

b. 1971

Roggenmuhme signed with the artist’s initials, titled and dated ‘TG 2007 “ROGGENMUHME”’ on the reverse oil and spraypaint on canvas 229.9 x 200.1 cm (90 1/2 x 78 3/4 in.)

Executed in 2007.

Sold with no reserve Lots 198 – 216

This lot is sold with no reserve

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 • ♠ Provenance Stellan Holm Gallery, New York Private Collection, London

This lot is sold with no reserve

209. Stuart Semple

b. 1980

The Birthday Suit signed and dated ‘Stuart Semple ‘10’ on the reverse oil on canvas 75.7 x 75.4 cm (29 3/4 x 29 5/8 in.)

Painted in 2010.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ♠ Provenance The Sun’s Charity Art Auction, Victoria and Albert Museum, London 13 December 2010 Acquired at the above sale by the present owner

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This lot is sold with no reserve

210. Agnieszka Brzezanska

b. 1972

Untitled (Brown Abstract) acrylic on canvas 81.3 x 100 cm (32 x 39 3/8 in.)

Painted in 2005.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ‡ ♠ Provenance Broadway 1602, London Acquired from the above by the present owner

This lot is sold with no reserve

211. Francesco Vezzoli

b. 1971

Francesco by Francesco: Before & Ever Afer...With Love Bromoil gelatin silver prints, in artist’s frame 13.7 x 19.6 cm (5 3/8 x 7 3/4 in.)

Executed in 2002, this work is an artist’s proof from an edition of 6 plus 2 artist’s proofs.

Estimate £3,000-5,000 $3,900-6,600 €3,400-5,700 • ♠ Provenance Private Collection, Italy

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212. Paul Cowan

b. 1985

Untitled signed and dated ‘PAUL COWAN 2012’ on the overlap neon paint on canvas 102 x 81.8 cm (40 1/8 x 32 1/4 in.)

Painted in 2012.

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,400 •

Sold with no reserve Lots 198 – 216

This lot is sold with no reserve

Provenance Clifon Benevento, New York Acquired from the above by the present owner

This lot is sold with no reserve

213. Katy Grannan

b. 1969

Tim pigment print 72.4 x 90.5 cm (28 1/2 x 35 5/8 in.)

Executed in 2005, this work is number 1 from an edition of 6 plus 2 artist proofs.

Estimate £4,000-6,000 $5,300-7,900 €4,500-6,800 • Provenance Greenberg Van Doren Gallery, New York Acquired from the above by the present owner Exhibited San Francisco, Fraenkel Gallery, Katy Grannan, 5 January 2006 - 28 February 2006 (another example exhibited) Berlin, C/O, Stripped Bare - Der entblösste Körper/Fotografen aus der Sammlung Thomas Koerfer, 18 September 2007 - 9 December 2007 (another example exhibited) Literature Model American. Katy Grannan, New York, 2005 (another example illustrated on the cover)

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This lot is sold with no reserve

214. Garry Fabian Miller

b. 1957

Night Sea dye destruction print 47.5 x 59.5 cm (18 3/4 x 23 3/8 in.)

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ♠ Provenance Ingleby Gallery, Edinburgh Acquired from the above by the present owner

This lot is sold with no reserve

215. Andrew Sutherland

b. 1978

Untitled signed and dated ‘Andrew Sutherland ‘12-13’ on the reverse acrylic on canvas 122.2 x 178 cm (48 1/8 x 70 1/8 in.)

Painted in 2012 - 2013.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • † Provenance Edel Assanti Gallery, London Acquired from the above by the present owner

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216. Matthias Weischer

b. 1973

Two works: (i) Untitled; (ii) Untitled each graphite on paper each 18 x 24 cm (7 1/8 x 9 1/2 in.)

Each executed in 2004.

Estimate £1,000-2,000 $1,300-2,600 €1,100-2,300 • ♠

Sold with no reserve Lots 198 – 216

This lot is sold with no reserve

Provenance Galerie EIGEN+ART, Berlin Acquired from the above by the present owner

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30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by fax to +44 20 7318 4035 or email it to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying as an individual or on behalf of a company.

Please select the type of bid you wish to make with this form (please select one):

In-person Absentee Bidding Telephone Bidding

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• If you cannot attend the sale, we can execute bids confdentially on your behalf.

As a private individual On behalf of a company Sale Title

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• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including £100,000, 20% of the portion of the hammer price above £100,000 up to and including £1,800,000 and 12% of the portion of the hammer price above £1,800,000.

• “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

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• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable VAT. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specifed, if less than 50% of the low estimate.

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• Your bid must be submitted in the currency of the sale and will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

• If we receive identical bids, the frst bid received will take precedence.

Phone number to call at the time of sale (for Phone Bidding only) 1.

2.

Please complete the following section for telephone and absentee bids only Lot number

• Company Purchases: We require a copy of government-issued identifcation (such as the certifcate of incorporation) to verify the status of the company. This should be accompanied by an ofcial document confrming the company’s EU VAT registration number, if applicable, which we are now required by HMRC to hold.

• Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale printed in the catalogue. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

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• Private Purchases: Proof of identity in the form of government-issued identification will be required.

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In Consecutive Order

Maximum pound sterling price* Absentee Bids Only

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct.

Agreement to bid by telephone must be confrmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

• Please submit your bids to the Bid Department by fax at +44 20 7318 4035 or scan and email to bidslondon@phillips.com at least 24 hours before the sale. You will receive confrmation by email within one business day. To reach the Bid Department by phone please call +44 20 7318 4045.

• Absent prior payment arrangements, please provide a bank reference. Payment for lots can be made by cash (up to £5,000), credit card (up to £50,000) using Visa, American Express, Mastercard or Union Pay (for in person transactions only), UK debit cards, wire transfer, banker’s draf or personal cheque with identifcation, drawn on UK banks. Please note that credit cards are subject to a surcharge.

• Lots cannot be collected until payment has cleared and all charges have been paid.

• You will not have the right to cancel the sale of any lot purchased by you under the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013.

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* Excluding Buyer’s Premium and VAT

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By signing this form, you accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.

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• Phillips’s premises may be subject to video surveillance and recording. Telephone calls (e.g., telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy.

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Mel Bochner Blah Blah Blah, 2014 Monoprint in colours with collage, engraving and embossment Estimate £8,000–10,000 © Mel Bochner and Two Palms, NY

Editions Evening & Day Sales London, 25 January 2018 Phillips defnes the Editions category, with ten years of record-breaking sales that have set the standard for presenting museum-quality, original artist prints and multiples.

We welcome budding collectors and seasoned connoisseurs alike to join us in another decade of success.

Viewing 18-25 January Monday – Saturday 10am-6pm Sunday 12pm-6pm Enquiries +44 20 7318 4069 editionslondon@phillips.com

phillips.com

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Sale Information New Now Sale

Sale Department

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

Head of Sale Simon Tovey +44 207 318 4084 stovey@phillips.com

Auction 7 December 2017, 2pm Viewing 1 – 7 December 2017 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation In sending in written bids or making enquiries please refer to this sale as UK010817 or New Now Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 Susanna Brockman +44 20 7318 4041 Anne Flick +44 20 7901 7927 bidslondon@phillips.com

Cataloguers Charlotte Gibbs +44 20 7901 7993 cgibbs@phillips.com Lisa Stevenson +44 20 7318 4093 lstevenson@phillips.com Administrator Florencia Moscova +44 20 7318 4082 fmoscova@phillips.com Property Manager Ross Martin +44 20 7318 4057 rmartin@phillips.com Photographers Jean Bourbon Kent Pell Charlie Sheldon Marta Zagozdzon Creative Services Ify Anyanwu, Creative Services Manager Moira Gil, Graphic Designer

Auctioneers Rebecca Tooby-Desmond Susanna Brockmann Ross Thomas Catalogues London +44 20 7901 7927 New York +1 212 940 1240 catalogues@phillips.com £22/€25/$35 at the gallery Client Accounting Richard Addington, Head of Client Accounting +44 20 7901 7914 Jason King, Client Accounting, Director +44 20 7318 4086 Buyer Accounts Carolyn Whitehead +44 20 7318 4020 Seller Accounts Surbjit Kaur +44 20 7318 4072 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Kyle Buchanan +44 20 7318 4081 Lewis Thomas +44 20 7901 7920 Rita Matos +44 20 7901 7906

Front cover George Condo, Robot Girl, 2012, lot 13 © ARS, NY and DACS, London 2017 Back cover Sigmar Polke, Untitled, 1991, lot 9 © The Estate of Sigmar Polke, Cologne, DACS 2017

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Yoshitomo Nara b. 1959 Untited (Irgendwo Steinebergen als Tragbild) (detail) pencil and colored pencil on paper 12 x 9 in. (30.5 x 22.9 cm) Executed in 1997. Š Yoshitomo Nara

New Now New York, March 2018 Phillips presents our next New Now sale in New York, taking place in March 2018 and featuring this work

by Yoshitomo Nara Enquiries + 1 212 940 1200 contemporaryart@phillips.com

phillips.com

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UK Guide for Prospective Buyers Each Phillips auction is governed by the applicable Conditions of Sale and Authorship Warranty.

All prospective bidders should read these sections carefully.

They govern the purchasing agreement under which you buy at auction from Phillips. They may be also amended by saleroom addendum or auctioneer’s announcement during the auction.

The complete Conditions of Sale and Authorship Warranty applicable to this auction (Version 9/12/17) are found online at phillips.com, along with detailed information on each lot.

Estimates The auction estimates indicated for each lot in this catalogue do not include Buyer’s Premium (applicable on each lot), or VAT or Artist’s Resale Right (where such charges apply). Details of these charges are given below.

All Lots are Subject to ‘Buyer’s Premium’ In addition to the hammer (final bid) price, a buyer’s premium is due from all successful buyers. The buyer’s premium is a commission based on the hammer price payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including £180,000; 20% of the portion of the hammer price above £180,000 up to and including £3,000,000; and 12.5% of the portion of the hammer price above £3,000,000.

Condition and Condition Reports Phillips does not warrant or guarantee condition on any lot. Solely as a convenience to clients, Phillips may provide condition reports on many lots, which are also available online on the lot detail pages. If there is not a condition report available, that is not a representation that a lot is in perfect condition. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect all lots at our pre-sale exhibitions, and contact our staff with any questions.

Bidding at Auction You may bid in the auction in person, online, on the phone, or by placing an advance bid. The easiest way to register to bid is to go to our homepage at phillips.com, and Sign Up or Log In. When you want to register for an auction, click Register under Buy & Sell or on our sale pages. We recommend registering at least 24 hours prior to each sale to ensure you can bid. Good luck!

Some lots are sold under special conditions. Phillips uses the following symbols to designate these lots: O ◊ Guaranteed Property The seller of lots designated with the symbol O has been guaranteed a minimum price fnanced solely by Phillips. Where the guarantee is provided by a third party or jointly by us and a third party, the property will be denoted with the symbols O ◊.

When a third party has fnanced all or part of our fnancial interest in a lot, it assumes all or part of the risk that the lot will not be sold and will be remunerated via a fxed fee, a percentage of the hammer price or the buyer’s premium or some combination of the foregoing. The third party may bid on the

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guaranteed lot during the auction. If the third party is the successful bidder, the remuneration may be netted against the purchase price. Where Phillips has guaranteed a minimum price on every lot in the catalogue, Phillips will not designate each lot with the symbol(s) for the guaranteed property but will state our fnancial interest at the front of the catalogue. ∆ Property in Which Phillips Has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.

•No Reserve Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot will not exceed the low pre-sale estimate. ♠ Property Subject to the Artist’s Resale Right Lots marked with ♠ are subject to the Artist’s Resale Right calculated as a percentage of the hammer price (in EUR) and payable as part of the purchase price as follows: Royalty Rate: From 0 to 50,000 (4%) From 50,000.01 to 200,000 (3%) From 200,000.01 to 350,000 (1%) From 350,000.01 to 500,000 (0.5%) Exceeding 500,000 (0.25%) The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more, subject to a maximum royalty per lot of EUR 12,500. Calculation of the Artist’s Resale Right will be based on the pounds sterling/euro reference exchange rate quoted on the date of the sale by the European Central Bank. †, §, ‡, or Ω Property Subject to VAT Where there is no VAT symbol, Phillips is able to use the Auctioneer’s Margin Scheme and VAT will not normally be charged on the hammer price. An amount equivalent to VAT at 20% on the buyer’s premium will be included in the buyer’s premium. Property with a † symbol will be sold under normal UK VAT rules, and VAT will normally be charged at 20% on both the hammer price and buyer’s premium. Property with a § symbol and sold to buyers whose registered address is in the EU will be assumed to be remaining in the EU and will be treated as having no symbol (unless informed otherwise by a buyer). Property sold with a ‡ (5%) or Ω (20%) symbol has been imported from outside the EU to be sold at auction under temporary admission, and offered under the Auctioneer’s Margin Scheme at the respective % on the hammer price and an amount in lieu of VAT at 20% on the buyer’s premium. The foregoing is for summary purposes only. Please go to phillips.com/buy and specifically the VAT Guide, ‘VAT AND OTHER TAX INFORMATION FOR BUYERS’ for a more detailed description of the VAT symbols used in this Buyer’s Guide, as well as any VAT refunds that you may be qualified to receive.

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The Modern Form: Property from the Collection of Betty and Stanley Sheinbaum Henry Moore Helmet Head No. 4: Interior-Exterior incised with the artist’s signature and number ‘Moore 3/6’ on the reverse bronze with green patina and copper, on painted wood base sculpture 47 x 22.9 x 35.6 cm (18 1/2 x 9 x 14 in.) base 5.1 x 36.5 x 38.1 cm (2 x 14 3/8 x 15 in.) overall 52.1 x 36.5 x 38.1 cm (20 1/2 x 14 3/8 x 15 in.)

Executed in 1963, this work is number 3 from an edition of 6.

Sell with us.

Phillips presents our next 20th Century & Contemporary Art Day Sale in London, taking place in March 2018 and featuring this work by Henry Moore.

If you would like to sell a work of art through Phillips, please contact Head of Sale, Tamila Kerimova tkerimova@phillips.com

Reproduced by permission of The Henry Moore Foundation

phillips.com

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Index Aeppli, E. 155

Djurberg, N. 178

Karadi, K. 53

Rammellzee 111, 112

Agrimi, D. 118

Dodge, T. 25

Kintera, K. 151

Rhodes, D. 198, 200

Klein, Y. 167

Rhodes, S. G. 199

Aitken, D. 186 Aldrich, R. 4

Eckart, C. 169

Klibansky, J. 193

Richter, G. 191, 192

Al-Hadid, D. 71

Eisner, L. 61, 63

Knoebel, I. 6, 24

Rockman, A. 92

Allen, P. 206

Ekblad, I. 46, 145

Kosiré, D. 143

Rower, H. 197

Ancart, H. 3

Elmgreen & Dragset 15

Kounellis, J. 139

Rubert, G. 83

Anderson, H. 122, 123

Elsner, S. 207

Krisanamis, U. 195

Ruby, S. 21

Antufev, E. 184

Erró 108

Kristalova, K. 157

Ryman, W. 156

Armitage, K. 126

Essenhigh, I. 93 Lancaster, L. 78

Şaşmazer, Y. 152

Auerbach, F. 128, 129

Faibisovich, S. 97

Lerooy, T. 144

Schneider, G. 149, 158, 166

Avotiņš, J. 90

Fairey, S. 109, 110

Li, L. 89

Schwontkowski, N. 39, 40

Falls, S. 57

Lockhart, S. 181

Semple, S. 209

Baker, K. 31, 47

Feinstein, R. 138

Longly, G-H. 173

Shaw, G. 136

Balkenhol, S. 153

Fischer, U. 14

Lopez, A. 134, 135, 182

Shekhovtsov, S. 203

Bartlett, J. 132

Flood, M. 67

Lucas, S. 17, 125

Skreber, D. 42

Bedford, W. 86

Fonseca, C. 68

Lukasiewicz, M. 82

Smith, L. 54, 165

Beier, N. 150

Fritsch, K. 146

Lynch, B. 55

Steinbach, H. 16

Beloufa, N. 147

Frize, B. 27

Armleder, J. 33, 34

Bernhardt, K. 79

Steir, P. 94 Maloney, M. 176

Struchkova, N. 204 Sutherland, A. 215

Beshty, W. 49, 56

Galitsky, A. 105

McGinley, R. 187

Betbeze, A. 160

Gambarof, N. 69

McGinness, R. 72

Bilyk, N. 102

Gartner, M. 81

Meese, J. 41

Tadini, E. 119

Blalock, L. 48

Gerhard, T. 208

Miller, G. F. 214

Tal R. 45

Bleckner, R. 141

Gerrard, J. 28

Minin, R. 98, 99

Tcholaria, I. 106

Bobrow, A. 65

Gharem, A. 75

Minter, M. 183

Tharp, S. 137

Bochner, M. 22

Gilbert & George 124

Monet, A. 74

Trubkovich, K. 52

Boetti, A. 120

Graham, R. 180

Monk, J. 142, 159

Trushina, M. 205

Boyle, M. 174

Grannan, K. 213

Moran, K. 172

Turk, G. 38

Breuning, O. 179

Grek, D. 101

Morris, S. 80

Tyson, K. 70

Britto, R. 76

Grob, W. 113

Mull, C. 133

Brown, D. 154

Gumpinger, M. 201

Muniz, V. 190

Vanstone, P. 161

Brzezanska, A. 210

Gyatso, G. 168

Muntean/Rosenblum 177

Vezzoli, F. 211

Murakami, T. 23

Vierkant, A. 64

Murillo, O. 30

Vorontsova-Velyaminova, S. 202

Butzer, A. 8 Halley, P. 7 Campbell, S. 115

Henning, A. 87

Casselman, S. 196

Hilton, R. 127

Negri, M. 116

Wall, J. 32

Cattelan, M. 36

Hubbard, A. 43, 171

Noam, B. W. 114

Wang, L. 175

Cho, S. H. 37

Hubbard, T. and

Noble, P. 130

Warhol, A. 12, 140

Cofn, P. 148

Birchler, A. 189

Noble, T. and

Wateridge, J. 11

Combas, R. 107

Hughes, S. 1

Webster, S. 18

Weischer, M. 216

Condo, G. 13, 121

Hulusi, M. 77

Cook, E. 58, 59

Hütte, A. 185

Cowan, P. 212

Hylden, N. 50, 51

Weiwei, A. 35 Otero, A. 20

Welling, J. 188 Worst, J. 84

Pardi, G. 117

Crow, R. 73 Ito, P. 66

Penck, A. R. 5, 10

Xavier, L. 194

Pepperstein, P. 96

Da Corte, A. 2 Dahn, W. 95

Johnson, R. 19

Pinchuk, O. 162, 163

Zhang, J. 91

Darmstaedter, N. 60, 62

JR 29

Polke, S. 9

Zigura, E. 100

Pusenkof, G. 103

Zimmermann, P. 26

de Balincourt, J. 44 Denzler, A. 88

Kaino, G. 164

Deyak, M. 104

Kalenderian, R. 170

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Ziolkowski, J. J. 131 Quinn, G. 85

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1. Shara Hughes

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3. Korakrit Arunanondchai

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