NEW NOW [Catalogue] by PHILLIPS

LONDON AUCTION, 12 DECEMBER 2019

Head of Sale Simon Tovey +44 20 7318 4084 stovey@phillips.com Cataloguer Louise Simpson +44 20 7901 7911 lsimpson@phillips.com Administrator Olivia Taylor +44 20 7318 4082 otaylor@phillips.com

Auction License: Phillips 2013224 This brochure is not an auction catalogue and is provided as a convenience. The sale of each lot is subject to Phillipsâ&#x20AC;&#x2122; Conditions of Sale and Authorship Warranty which, along with the catalogue for this auction and important sale information and notices, may be found online at phillips.com.

T H U R S D AY, 1 2 D E C E M B E R 2 0 1 9 A T 2 P M PHILLIPS 30 BERKELEY SQUARE W1J 6EX LONDON

1 . E D D I E M A RT I N E Z

2 . TS C H A BA L A L A S E L F

B. 197 7

B. 1990

Untitled signed with the artist’s initials and dated ‘EM.17’ lower lef; ink, oil, enamel paint and marker pen on paper; 56 x 76 cm (22 x 29 7/8 in.). Executed in 2017.

Princess hand-sewn cotton and tulle on cotton; 128.1 x 101.1 cm (50 3/8 x 39 3/4 in.). Executed in 2018, this work is number 29 from an edition of 30 plus 2 artist’s proofs.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500

plus Buyers Premium and VAT*

4. JA M I A N J U L I A N O -V I L L A N I

B. 1987

Some Like it Hot signed, titled and dated ‘JAMIAN JULIANOVILLANI 2013 SOME LIKE IT HOT’ on the overlap; acrylic on canvas; 76.2 x 66 cm (30 x 25 7/8 in.). Painted in 2013. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ‡ plus Buyers Premium and VAT*

5 . K AT H E R I N E B R A D F O R D

B. 1942

3. S H I O K U S A K A

B. 1972

(carved 54) incised with the artist’s monogram on the underside; porcelain; 24.5 x 15 x 15 cm (9 5/8 x 5 7/8 x 5 7/8 in.). Executed in 2014. Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 plus Buyers Premium and VAT*

6 . K AT H E R I N E B E R N H A R D T

B. 1975

Untitled signed and dated ‘K Bradford 2014’ on the reverse; acrylic on canvas; 51.2 x 40.3 cm (201/8 x 157/8 in.). Painted in 2014.

Cigarette signed and dated ‘Katherine Bernhardt 2015’ on the reverse; acrylic and enamel paint on canvas; 30.6 x 91.8 cm (12 x 36 1/8 in.). Executed in 2015.

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 ‡

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000

plus Buyers Premium and VAT*

7. E D D I E M A RT I N E Z

8. GEORGE CONDO

B. 197 7

Untitled signed with the artist’s initials and dated ‘EM 12’ lower lef; oil and enamel paint on panel; 122 x 91.3 cm (48 x 35 7/8 in.). Executed in 2012.

B. 1957

Untitled (Portrait) signed and dated ‘Condo 84’ lower right; further signed, inscribed and dated ‘tenerife and Africa Condo 84’ on the reverse; oil on canvas; 46 x 38.1 cm (18 1/8 x 15 in.). Painted in 1984.

Estimate £30,000-50,000 $38,500-64,100 €35,000-58,300

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 †

plus Buyers Premium and VAT*

9. TO M O O G O K I TA

B. 1969

So Tell Me Darlin’ signed, titled and dated ‘So Tell Me Darlin’ Tomoo Gokita 2011’ on the reverse; acrylic gouache on linen; 41.9 x 29.2 cm (16 1/2 x 11 1/2 in.). Painted in 2011. Estimate £18,000-22,000 $23,100-28,200 €21,000-25,700 ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

1 0. E L L A K R U G LYA N S K AYA

1 1 . H A R O L D A N CA RT

B. 1978

Untitled signed and dated ‘ELLA KRUGLYANSKAYA 2012’ on the reverse; oil and oilstick on linen; 76.2 x 58.6 cm (30 x 23 1/8 in.). Executed in 2012. Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500 plus Buyers Premium and VAT*

B. 1980

Untitled oilstick on paper, in artist’s frame; 35.7 x 44.2 cm (14 x 17 3/8 in.). Executed in 2014. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠ plus Buyers Premium and VAT, ARR applies*

12 . M AT H BA S S

B. 1981

Newz! signed with the artist’s initials and dated ‘MB 2015’ on the overlap; gouache on canvas; 122 x 61 cm (48 x 24 in.). Painted in 2015. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 † plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

1 3. E VA N H O L LOWAY

1 4 . K AW S

B. 1967

Untitled steel, plaster, paint and papier maché; 114 x 115.5 x 114 cm (44 7/8 x 45 1/2 x 44 7/8 in.). Executed in 2003. Estimate £30,000-40,000 $38,500-51,300 €35,000-46,700 plus Buyers Premium and VAT*

15 . B E R N A R D F R I Z E

B . 1 9 74

UNTITLED (CHUM), PACKAGE PAINTING SERIES signed and dated ‘KAWS ,, 2001’ on the reverse; acrylic on canvas in blister package with printed card; 59.5 x 48.8 x 7.5 cm (23 3/8 x 19 1/4 x 2 7/8 in.). Executed in 2001. Estimate £60,000-80,000 $77,000-103,000 €70,000-93,300

B. 1949

Racing signed and dated ‘2006 7-8 Bernard FRIZE’ on the overlap; acrylic and resin on canvas; 165.1 x 164.9 cm (65 x 64 7/8 in.). Executed in 2006. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

1 6. S E C U N D I N O H E R N Á N D E Z

B. 1975

1 7. K AT H A R I N A G R O S S E

B. 1961

18. P E T R A C O RT R I G H T

B. 1986

Untitled signed and dated ‘Secundino Hernández 2013’ on the reverse; oil on canvas; 170 x 170 cm (66 7/8 x 66 7/8 in.). Painted in 2003.

Untitled signed and dated ‘Katharina Grosse 2013’ on the reverse; acrylic on canvas; 179.7 x 149.9 cm (70 3/4 x 59 in.). Painted in 2013.

Mantle Micky Grey “manual easy cd” Manufactured Housing Institute Mao, 59; digital painting on aluminium; 149.9 x 199.4 cm (59 x 78 1/2 in.). Executed in 2014.

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ♠

Estimate £60,000-80,000 $77,000-103,000 €70,000-93,300 ‡ ♠

Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ‡

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

1 9. G E R H A R D R I C H T E R

2 0. G E R H A R D R I C H T E R

B. 1932

September signed and numbered ‘Richter 3/40’ on a label afxed to the reverse; digital inkjet print mounted between glass; image 52 x 71.5 cm (201/2 x 281/8 in.), glass 66 x 90 cm (257/8 x 353/8 in.). Executed in 2009, this work is number 3 from an edition of 40 plus 4 artist’s proofs and 9 unique colour variants, published by Joe Hage, London. Estimate £70,000-90,000 $89,800-115,000 €81,600-105,000 ♠

B. 1932

Frau mit Kind signed, numbered and dated ‘Richter 2005’ lower right; further numbered ‘20/32’ lower lef; ofset print; image 130 x 110.2 cm (51 1/8 x 43 3/8 in.) sheet 155.3 x 130.2 cm (61 1/8 x 51 1/4 in.). Executed in 2005, this work is number 20 from an edition of 32 plus 8 artist’s proofs, published by Heni Productions, London.

21 . W I L L I A M K E N T R I D G E

B. 1955

Drawing for Felix in Exile (Nandi’s Cry) signed and dated ‘KENTRIDGE ‘93’ lower lef; charcoal and pastel on paper; 108 x 136 cm (42 1/2 x 53 1/2 in.). Executed in 1993. Estimate £150,000-200,000 $192,000-257,000 €175,000-233,000 plus Buyers Premium and VAT*

Estimate £40,000-60,000 $51,300-77,000 €46,700-70,000 ♠

plus Buyers Premium and VAT, ARR applies*

22. C H R I STO

2 3. L U C T U YM A N S

B. 1935

Over the River (Project for Arkansas River, State of Colorado) signed and dated ‘1996 Christo’ lower right; further signed, inscribed and dated ‘© CHRiSTO 1996’ on the reverse; graphite, enamel paint, wax crayon, photograph by Wolfgang Volz, charcoal, topographic map and tape on board, in artist’s Plexi-box frame; 35.5 x 28 cm (137/8 x 11 in.). Executed in 1996, this work is registered in Christo’s archives.

B. 1958

24 . J O N A S WO O D

B. 197 7

Cross signed and signed with the artist’s initials ‘LT_Tuymans Luc’ on the reverse; oil on canvas; 60.1 x 69.9 cm (23 5/8 x 27 1/2 in.). Painted in 1987.

Studio Plant signed with the artist’s initials, titled and dated ‘JBRW 07 STUDIO PLANT’ on the reverse; oil and coloured pencil on canvas; 71.1 x 38.8 cm (27 7/8 x 15 1/4 in.). Executed in 2007.

Estimate £80,000-120,000 $103,000-154,000 €93,300-140,000 ♠

Estimate £80,000-120,000 $103,000-154,000 €93,300-140,000 ‡

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ♠ plus Buyers Premium and VAT, ARR applies*

25 . DA M I E N H I R ST

26. FIONA RAE

B. 1965

B. 1963

Beautiful If At First You Don’t Succeed Then Try, Try Again, One More Time, It’s Done Spinning Painting signed ‘Damien Hirst’ lower right; household gloss on vinyl mounted on canvas, in artist’s frame; 69.9 x 45.6 cm (27 1/2 x 17 7/8 in.). Executed in 2008.

Untitled (blue & green) signed, titled and dated ‘FIONA RAE Untitled (blue & green) 1993 Fiona Rae’ on the overlap; oil, acrylic and charcoal on canvas; 127.2 x 152.9 cm (50 1/8 x 60 1/4 in.). Painted in 1993.

Estimate £40,000-60,000 $51,300-77,000 €46,700-70,000 ♠ †

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠ †

plus Buyers Premium and VAT, ARR applies*

27. H E R N A N BA S

B. 1978

Wash Up (cave of enlightenment) signed with the artist’s initials and dated ‘HB 09’ lower right; further signed with the artist’s initials, titled and dated ‘Wash Up (cave of enlightenment) HB 2009’ on the reverse; oil on canvas laid on panel; 152.5 x 183 cm (60 x 72 in.). Painted in 2009. Estimate £30,000-50,000 $38,500-64,100 €35,000-58,300 plus Buyers Premium and VAT*

28 . F R A N Z AC K E R M A N N

B. 1963

ACRA - 50 miles signed and dated ‘Franz Ackermann 2011’ on the reverse; oil on canvas; 260 x 200 cm (102 3/8 x 78 3/4 in.). Painted in 2011. Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ♠ plus Buyers Premium and VAT, ARR applies*

2 9. TA L R

B. 1967

The Smiling signed, numbered and dated ‘TAL R 3/12 Tal R 23.06.07’ lower edge; silkscreen on mirror; 160 x 118.6 cm (62 7/8 x 46 3/4 in.). Executed in 2007, this work is number 3 from an edition of 12. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 ♠ † plus Buyers Premium and VAT, ARR applies*

30 . M I R A DA N CY

B. 1979

Call from Psyche signed, titled and dated ‘MIRA DANCY 2015 CALL FROM PSYCHE’ on the overlap; acrylic on canvas; 140.2 x 147.5 cm (551/ 4 x 581/8 in.). Painted in 2015. Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 plus Buyers Premium and VAT*

31. G I L B E RT & G E O R G E

B. 1943 AND B. 1942

Man signed ‘Gilbert + George’ lower right; each consecutively numbered ‘1-6’ on a label afxed to the reverse; c-print, in artist’s frame, in 6 parts; each 75.6 x 63.6 cm (29 3/4 x 25 in.), overall 151.2 x 190.8 cm (59 1/2 x 75 1/8 in.). Executed in 2011. Estimate £30,000-50,000 $38,500-64,100 €35,000-58,300 ‡ ♠

35. JOHN ARMLEDER

Untitled stamped by the Sam Francis Estate and facsimile signature stamp on the reverse, acrylic on canvas 73 x 59.8 cm (28 3/4 x 23 1/2 in.). Executed circa 1986.

plus Buyers Premium and VAT*

Estimate £70,000-90,000 $89,800-115,000 €81,600-105,000

33 . WA L E A D B E S H T Y

B. 1976

3 Sided Picture (CMB), November 21st, 2007, Los Angeles c-print; 136.2 x 126.1 cm (53 5/8 x 49 5/8 in.). Executed in 2007. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠ plus Buyers Premium and VAT, ARR applies*

Property from an Important Private European Collection

1 9 2 3 -1 9 9 4

Estimate £30,000-50,000 $38,500-64,100 €35,000-58,300

B. 1954

Untitled #180 colour c-print, in 2 parts; each 235 x 151 cm (92 1/2 x 59 1/2 in.), overall 235 x 302 cm (92 1/2 x 118 7/8 in.). Executed in 1987, this work is number 1 from an edition of 6.

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

34 . S A M F R A N C I S

3 2. C I N DY S H E R M A N

B. 1948

Levanzo signed, titled and dated ‘John Armleder 2008 LEVANZO’ on the overlap; acrylic, oil, enamel paint and glitter on canvas; 121 x 120.3 cm (47 5/8 x 47 3/8 in.). Executed in 2008. Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000

36 . JA S O N M A RT I N

B. 1970

Vegas signed, titled and dated ‘Jason Martin 2003 ‘Vegas’’ on the reverse; oil on aluminium; 200 x 200 cm (78 3/4 x 78 3/4 in.). Painted in 2003. Estimate £12,000-18,000 $15,400-23,100 €14,000-21,000 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT* This work is identified with the identification number of SFF.1224 in consideration for the forthcoming addendum to the Sam Francis: Catalogue Raisonné of Canvas and Panel Paintings. This information is subject to change as scholarship continues by the Sam Francis Foundation.

37. N E I L STO KO E

B. 1935

Two Figures Vertical Blind Red Chair and Green Floor signed and dated ‘N Stokoe 1983’ on the reverse; oil on canvas; 203.3 x 241.2 cm (80 x 94 7/8 in.). Painted in 1983. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠ plus Buyers Premium and VAT, ARR applies*

3 8 . A N DY D E N Z L E R

B. 1965

Undercover signed, numbered, titled and dated ‘#1962 Undercover Denzler 2010’ on the reverse; oil on canvas; 70 x 50.6 cm (27 1/2 x 19 7/8 in.). Painted in 2010. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300

39. J U L I A N O P I E

B. 1958

Yayoi relaxes in the gardens lenticular, in artist’s frame; 100.3 x 125.6 cm (39 1/2 x 49 1/2 in.). Executed in 2009, this work is number 2 from an edition of 4 plus 1 artist’s proof. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

4 0. J U L I A N O P I E

B. 1958

41. JULIAN OPIE

B. 1958

42 . G E RT A N D U W E TO B I A S

B. 1973/1973

Nantra, pool attendant signed ‘Julian Opie’ on the overlap; c-type print mounted on panel; 88.5 x 72.2 cm (34 7/8 x 28 3/8 in.). Executed in 2002.

This is Monique (focking). 13. signed ‘Julian Opie’ on the reverse; focking on painted wooden board; 85.1 x 51.1 cm (33 1/2 x 20 1/8 in.). Executed in 2004.

Untitled signed and dated ‘Gert and Uwe Tobias 2012’ on the reverse; acrylic on canvas; 50.3 x 40.2 cm (19 3/4 x 15 7/8 in.). Painted in 2012.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 ♠

plus Buyers Premium and VAT, ARR applies*

43. ENRIQUE MARTINEZ CELAYA B. 1964

4 4. A N DY D E N Z L E R

Black Moon Arising signed, titled, numbered and dated ‘#7 Black Moon Arising DENZLER 2006’ on the reverse; oil on canvas; 65.2 x 70.1 cm (25 5/8 x 27 5/8 in.). Painted in 2006.

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 ‡

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000

plus Buyers Premium and VAT*

46. A L I G H I E R O B O E T T I

4 7. M A R I A S E R E B R I A KOVA

1 9 4 0 -1 9 9 4

Segno e disegno signed, inscribed and dated ‘Alighiero e Boetti Kabul 1978’ on the turnover edge; embroidery on canvas laid on panel; 23.4 x 24.2 cm (91/4 x 91/2 in.). Executed in 1978, this work is accompanied by a certifcate of authenticity from the Archivio Alighiero Boetti, Rome, and is registered under no. 9117. Estimate £40,000-60,000 $51,300-77,000 €46,700-70,000 ♠

45 . A N DY D E N Z L E R

B. 1965

Liquid Sky signed, titled, numbered and dated ‘#5 liquid sky DENZLER 2006’ on the reverse; oil on canvas; 170.2 x 179.7 cm (67 x 70 3/4 in.). Painted in 2006. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

B .1 9 6 5

48. T H O M A S S C H E I B I T Z

B. 1968

Rowan Berry signed, titled and dated ‘M. Serebriakova 2007 “ROWan beRRY”’ on the reverse; acrylic on panel; 55.2 x 42.2 cm (21 3/4 x 16 5/8 in.). Painted in 2007.

DFW signed, titled and dated ‘DFW Scheibitz 09’ on the overlap; oil, acrylic and marker pen on canvas; 120.5 x 192 cm (47 1/2 x 75 5/8 in.). Executed in 2009.

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ‡

Estimate £12,000-18,000 $15,400-23,100 €14,000-21,000 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

Property from an Esteemed European Collection

plus Buyers Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

49. G R E G O R H I L D E B R A N D T

B . 1 9 74

Schatten werfen keine Schatten (Tocotronic) signed, titled and dated ‘2014 Gregor Hildebrandt “Schatten werfen keine Schatten (Tocotronic)”’ on the reverse; cassette tape, adhesive tape and acrylic paint on canvas; 192.5 x 129.1 cm (75 3/4 x 50 7/8 in.). Executed in 2014. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠ plus Buyers Premium and VAT, ARR applies*

5 0 . J U T TA KO E T H E R

B. 1958

Untitled signed and dated ‘J Koether 2005’ on the reverse; further signed with the artist’s initials, inscribed and numbered ‘8.79 JK NYC’ on the overlap; resin, acrylic, fabric, paper and plastic collage and mixed media on canvas; 59.9 x 60.3 cm (23 5/8 x 23 3/4 in.). Executed in 2005.

51 . S A R A H C R OW N E R

B . 1 9 74

Untitled signed and dated ‘Sarah Crowner 2010’ on the reverse; gouache on sewn canvas; 46.1 x 35.7 cm (18 1/8 x 14 in.). Executed in 2010. Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 plus Buyers Premium and VAT*

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

52 . K R I S M A RT I N

B. 1972

Mandi XXI information fapboard; 159.9 x 264 x 20 cm (62 7/8 x 103 7/8 x 7 7/8 in.). Executed in 2009, this work is number 1 from an edition of 5 plus 2 artist’s proofs. Estimate £12,000-18,000 $15,400-23,100 €14,000-21,000 ♠ † plus Buyers Premium and VAT, ARR applies*

5 3 . B R E N DA N LY N C H

B. 1985

54 . J UA N M U Ñ OZ

1 9 5 3 -2 0 0 1

All Nighter graphite and aluminium leaf on panel; 152.6 x 144.8 cm (60 1/8 x 57 in.). Executed in 2014.

Window with Knife steel and switchblade; 127.3 x 102.6 x 6.2 cm (50 1/8 x 40 3/8 x 2 1/2 in.). Executed in 1991.

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300

Estimate £25,000-35,000 $32,100-44,900 €29,200-40,800 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

55 . AYA N FA R A H

56. ALEX OLSON

B. 1978

57. T R AV E S S S M A L L E Y

B. 1986

RaRy signed, titled and dated ‘RaRy Ayan Farah 2014’ on the overlap; further signed, titled and dated ‘Ayan Farah 2014 RaRy’ on the stretcher; acrylic, fabric dye, alcohol and vinegar on cotton voile and fabric; 170.1 x 120 cm (667/8 x 471/ 4 in.). Executed in 2014.

Cloak signed and dated ‘Alex Olson 2014’ on the overlap; oil and modelling paste on canvas; 155.2 x 109.3 cm (61 1/8 x 43 in.). Executed in 2014.

Untitled digital print on vinyl; 244.2 x 177.9 cm (96 1/8 x 70 in.).

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300

plus Buyers Premium and VAT*

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠

plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-1,900 €1,200-1,700

plus Buyers Premium and VAT, ARR applies*

58 . I B R A H I M M A H A M A

5 9. J U L I A DAU LT

B. 1987

B. 197 7

Untitled signed and dated ‘Ibrahim Mahama 2014’ on the stretcher; jute coal sacks; 243.8 x 121.9 cm (95 7/8 x 47 7/8 in.). Executed in 2014.

Kissyface signed and dated ‘J. DAULT 2013’ on the overlap; oil on vinyl laid on acrylic on canvas; 61.5 x 46 cm (24 1/4 x 18 1/8 in.). Executed in 2013.

Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500 ‡

Estimate £3,000-4,000 $3,800-5,100 €3,500-4,700

plus Buyers Premium and VAT*

6 0 . H U G O M C C LO U D

B. 1980

dividere signed ‘HUGO McCLOUD’ on the reverse; aluminium foil, aluminium coating and oil on tar paper mounted on panel; 213.6 x 302 cm (84 1/8 x 118 7/8 in.). Executed in 2014. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ‡ plus Buyers Premium and VAT*

61. L U C I E N S M I T H

B. 1989

6 2 . H U G H S C OT T- D O U G L A S

A Simple Twist of Fate 1 acrylic on canvas; 91.5 x 61.1 cm (36 x 24 in.). Painted in 2012.

Untitled gesso on lasercut canvas; 193 x 141.8 cm (75 7/8 x 55 7/8 in.). Executed in 2012.

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

B. 1988

6 3. A DA M M C E W E N

B. 1965

Bomber Harris signed and dated ‘A. McEwen 2010’ on the stretcher; acrylic and chewing gum on canvas; 122 x 91.5 cm (48 x 36 in.). Executed in 2010. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠ plus Buyers Premium and VAT, ARR applies*

64 . M A R K H AG E N

B. 1972

To Be Titled (Additive Painting #116) signed and dated ‘MARK HAGEN 2013 MARK HAGEN 2013’ on the overlap; acrylic and iron oxide pigment on burlap laid on panel; 147.4 x 121.8 cm (58 x 47 7/8 in.). Executed in 2013. Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 plus Buyers Premium and VAT*

6 5 . B O R D E N CA PA L I N O

B. 1980

Mojito Mint signed with the artist’s initials, titled and dated ‘BC “Mojito Mint” 2014’ on the stretcher; thermal transfer, dehydrated carrot chips, pistachio shells, cofee, Ajax, pig ear, ram horn and nail polish on canvas; 220.8 x 157.5 cm (867/8 x 62 in.). Executed in 2014. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 plus Buyers Premium and VAT*

6 6. K A S P E R S O N N E

B . 1 9 74

TXC34 signed, signed with the artist’s initials, titled, inscribed and dated ‘KASPAR SONNE KS TXC34 (REPLACEMENT PIECE) 2016’ on the overlap; industrial paint and chemicals on canvas, in artist’s frame; 71.8 x 56.5 cm (28 1/4 x 22 1/4 in.). Executed in 2016. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 ♠ plus Buyers Premium and VAT, ARR applies*

67. P E T E R S U T H E R L A N D

68. ERIK LINDMAN

B. 1976

Bonfre 6 signed and dated ‘20 Peter Sutherland 14’ on the reverse; inkjet print on perforated vinyl and matte medium on OSB; 182.8 x 122.1 cm (71 7/8 x 48 1/8 in.). Executed in 2014. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500

B. 1985

Where There is Smoke, There is Strawberry Jam signed and dated ‘E Lindman 2011’ on the reverse; oil, satin collage and nails on cotton; 104.2 x 74 cm (41 x 29 1/8 in.). Executed in 2011. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

6 9. DAV I D O ST R OW S K I

B. 1981

F (Jung, Brutal, Gutaussehend) signed and dated ‘David Ostrowski. 12’ on the overlap; acrylic, lacquer, adhesive foil and cotton collage on canvas, in artist’s frame; 221 x 171.7 cm (87 x 67 5/8 in.). Executed in 2012. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ‡ ♠ plus Buyers Premium and VAT, ARR applies* © David Ostrowski. Courtesy Sprüth Magers.

7 0. G A RT H W E I S E R

B. 1979

Lotto #3 signed and dared ‘Garth Weiser 2010’ on the reverse; acrylic on canvas; 167.7 x 147.5 cm (66 x 58 1/8 in.). Painted in 2010. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

71 . G A RY H U M E

B. 1962

72. N I KO L A S G A M BA R O F F

B. 1979

Magnolia Door Eight signed, titled and dated ‘MAGNOLIA DOOR EIGHT HUME 89’ on the stretcher; household gloss on canvas; 254.5 x 162.9 cm (100 1/4 x 64 1/8 in.). Painted in 1989.

Untitled each signed and dated ‘N. Gambarof 2010’ on the reverse; acrylic on linen, in 2 parts; lef part 50.7 x 40.6 cm (19 7/8 x 15 7/8 in.), right part 50 x 40.1 cm (19 5/8 x 15 3/4 in.). Painted in 2010.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠

plus Buyers Premium and VAT, ARR applies*

73 . N I C K DA R M STA E D T E R

B. 1988

Rod signed, titled and dated ‘Nick D “ROD” 2013’ on the overlap; oxidised copper on canvas mounted on panel; 213.7 x 152.9 cm (84 1/8 x 60 1/4 in.). Executed in 2013. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

74 . N I C K DA R M STA E D T E R

B. 1988

Tropic of the Pink Panther signed with the artist’s initials and dated ‘NHD 2013’ on the overlap of the pink part; acrylic, oil and silkscreen on canvas, in 2 parts; pink part 61.3 x 122.1 cm (24 1/8 x 48 1/8 in.) silver part 122.5 x 122.1 cm (48 1/4 x 48 1/8 in.) overall 184 x 122.1 cm (72 1/2 x 48 1/8 in.). Executed in 2013.

75 . E T H A N C O O K

B. 1983

Untitled signed and dated ‘E. Cook 2013’ on the overlap; handwoven cotton canvas and canvas, in artist’s frame; 205 x 154 cm (80 3/4 x 60 5/8 in.). Executed in 2013. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 plus Buyers Premium and VAT*

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ‡ plus Buyers Premium and VAT*

78. T H O M A S Z I P P

76 . T H E B R U C E H I G H Q UA L I T Y F O U N DAT I O N S I N C E 2 0 0 1

77. T H E B R U C E H I G H Q UA L I T Y F O U N DAT I O N S I N C E 2 0 0 1

Hooverville signed and dated ‘The Bruce High Quality Foundation 2011’ on the overlap; further signed with the artist’s initials and numbered ‘BHQF_0337’ on the stretcher; silkscreen ink on canvas; 91.7 x 115.4 cm (36 1/8 x 45 3/8 in.). Executed in 2011.

The Gate signed, signed with the artist’s initials, numbered and dated ‘The Bruce High Quality Foundation 2012 BHQF_0393’ on the overlap; acrylic and silkscreen ink on canvas; 121.4 x 171.6 cm (47 3/4 x 67 1/2 in.). Executed in 2012.

Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500 ‡ plus Buyers Premium and VAT*

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ‡ plus Buyers Premium and VAT*

B. 1966

Stonehenge lef part signed, titled, inscribed and dated ‘Stonehenge (f)9 Thomas Zipp 05’ on a label afxed to the backing board; further titled ‘Stonehenge’ on the reverse right part signed, titled, inscribed and dated ‘Stonehenge (m) Thomas Zipp 05’ on a label afxed to the backing board; further signed, titled and dated ‘“Stonehenge” Thomas Zipp 05’ on the reverse; ink, gouache and tape on printed paper, in artist’s frames, in 2 parts; lef part 42.7 x 32.7 cm (16 3/4 x 12 7/8 in.) right part 32.7 x 26.7 cm (12 7/8 x 10 1/2 in.). Executed in 2005. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠ plus Buyers Premium and VAT, ARR applies*

7 9. S A M M OY E R

80 . CY P R I E N G A I L L A R D

B. 1983

B. 1980

Worry Rug 5 encaustic on Ikea rug, diptych; lef part 121.2 x 67.3 cm (47 3/4 x 26 1/2 in.) right part 125.5 x 73 cm (49 3/8 x 28 3/4 in.). Executed in 2009.

Gate EMPIRE FDV CO OAKLAND CALIF graphite frottage on paper; 149.9 x 149.9 cm (59 x 59 in.). Executed in 2013.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500

plus Buyers Premium and VAT, ARR applies*

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 • ♠

plus Buyers Premium and VAT*

81. PA R K E R I TO

B. 1986

The Agony and the Ecstasy vinyl over enamel on 3M Scotchlite; 162.8 x 116.9 cm (64 1/8 x 46 in.). Executed in 2014. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 • plus Buyers Premium and VAT*

8 2. H I R O S H I S U G I TO A N D R O S I L E N E L U D U V I C O B. 1970 AND B. 1969 For the bird signed, titled and dated ‘“for the bird” 2005 Rosilene Luduvico HIROSHI SUGITO’ on the reverse; oil on canvas; 221 x 358 cm (87 x 140 7/8 in.). Painted in 2005. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠

83. W I L L I A M DA N I E L S

B. 1976

The Forest on its Head II signed, titled and dated ‘“The Forest on its Head” (2) wadaniels 2007’ on the reverse; oil on panel; 34 x 25.7 cm (13 3/8 x 10 1/8 in.). Painted in 2007. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 • ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT, ARR applies* Property from an Important Private European Collection *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

84 . A L E X O L S O N

B. 1978

Untitled oil and modelling paste on gessoed paper; 43.2 x 35.5 cm (17 x 13 7/8 in.). Executed in 2014. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 • plus Buyers Premium and VAT*

87. J O H N BAU E R

B. 197 1

Faking It signed, titled, numbered and dated ‘#0817 FAKING IT John Bauer 2008’ on the overlap; further signed ‘John Bauer’ on the stretcher; oil and enamel on linen; 152.4 x 122 cm (60 x 48 in.). Executed in 2008. Estimate £2,000-3,000 $2,600-3,800 €2,3003,500 † plus Buyers Premium and VAT*

85. GREG BOGIN

86 . C H R I ST I A N R O S A

B. 1965

B. 1982

that’s all the time we have for today signed and dated ‘Greg Bogin 08’’ on the overlap; synthetic paint and urethane on canvas mounted on panel; 120.3 x 123.7 cm (47 3/8 x 48 3/4 in.). Executed in 2008.

LAST CALL signed and dated ‘Christian Rosa 2015’ on the overlap; oil, oil skin, charcoal, graphite and oilstick on canvas; 101.5 x 91.6 cm (39 7/8 x 36 1/8 in.). Executed in 2015.

Estimate £3,000-4,000 $3,800-5,100 €3,500-4,700

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

8 8 . F R E D R I K VÆ R S L E V

B. 1979

UNTITLED (CANOPY PAINTING) spray paint, corrosion protective spray, lacquer, white spirit, gravel and wooden shavings collage on stitched canvas, diptych; lef part 279.5 x 157.5 cm (110 x 62 in.) right part 267.5 x 157.7 cm (105 3/8 x 62 1/8 in.). Executed in 2013. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 • ♠ plus Buyers Premium and VAT, ARR applies*

89. TO BY Z I E G L E R

9 0 . M AG N U S P L E S S E N

B. 1972

B. 1965

Enter Desire oil on Scotchlite, in 3 parts; each 260 x 105 cm (102 3/8 x 41 3/8 in.) overall 260 x 325 cm (102 3/8 x 127 7/8 in.). Executed in 2005.

Frau mit Spruhfasche signed, titled and dated ‘Plessen, 2010 “Frau mit Spruhfasche’’ on the overlap; oil and charcoal on canvas; 183.2 x 209.7 cm (72 1/8 x 82 1/2 in.). Executed in 2010.

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ♠

Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ♠

plus Buyers Premium and VAT, ARR applies*

93. JONAS LUND 92 . G E RT A N D U W E TO B I A S

B. 1973/1973

Untitled signed, numbered and dated ‘Gert Tobias Uwe Tobias 1/2 2017’ on the reverse; coloured woodcut print on canvas; 90.4 x 85.5 cm (35 5/8 x 33 5/8 in.). Executed in 2017, this work is number 1 from an edition of 2. Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

9 1. O S CA R M U R I L LO

B. 1986

perhaps there‘re easier ways (I) OM/MM paper collage, tape, gravel, acrylic and mixed media collage on stitched linen; 235 x 323 cm (92 1/2 x 127 1/8 in.). Executed in 2012. Estimate £40,000-60,000 $51,300-77,000 €46,700-70,000 ♠ plus Buyers Premium and VAT, ARR applies*

B. 1984

Flip City 20 signed and titled ‘FLIP CITY 20 Jonas Lund’ on the stretcher; further numbered ‘20’ on the GPS tracker afxed to the stretcher; digital painting and gel medium on canvas with GPS tracker; 127.2 x 101.7 cm (50 1/8 x 40 in.). Executed in 2014, the buyer of this lot is obligated to register his/her ownership with the artist (Jonas Lund) at fip-city. net and agrees to the terms of ownership as stamped on the back of this work.

9 4. J O N A S L U N D

B. 1984

Under The Infuence #2 oil on canvas, in artist’s frame; 144 x 103.8 cm (56 3/4 x 40 7/8 in.). Painted in 2014. Estimate £3,000-4,000 $3,800-5,100 €3,500-4,700 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £3,000-4,000 $3,800-5,100 €3,500-4,700 ♠ plus Buyers Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

95. RYA N M C G I N N E S S

B. 1972

ODI ET AMO signed, titled and dated ‘“ODi ET AMO” RYAN McGiNNESS 2006’ on the reverse; acrylic on panel; 122 x 122 cm (48 x 48 in.). Executed in 2006. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000

9 6 . A N A L I A S A BA N

B. 1980

Erosian (Room) #2 laser-sculpted acrylic paint on canvas; 96.9 x 147.5 cm (38 1/8 x 58 1/8 in.). Executed in 2011. Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

98. L I S A R U YT E R

9 7. S A R A W I L L E T T

B. 1960

Lamentation signed ‘Sara Willett’ on the reverse; gouged acrylic on panel; 183.5 x 91.5 cm (72 1/4 x 36 in.). Executed in 2011. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠ plus Buyers Premium and VAT, ARR applies*

B. 1968

The Strange Door signed, titled and dated ‘Lisa Ruyter 2000 “THE STRANGE DOOR”’ on the overlap; acrylic on canvas; 122 x 183 cm (48 x 72 in.). Painted in 2000. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 plus Buyers Premium and VAT* Property from an Important Private European Collection

9 9. M AT T H E W B R A N D T

B. 1982

Gummy Bears 2 signed, titled, inscribed and dated ‘tASte teSt in Color, Gummy BeArS 2 2012 M Brandt’ on the reverse; silkscreen and gummy bears on paper; 103.5 x 76.4 cm (40 3/4 x 30 1/8 in.). Executed in 2012. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 plus Buyers Premium and VAT*

10 0 . BA R N A BY F U R N A S

B. 1973

Spook signed, titled, inscribed and dated ‘Barnaby Furnas SPOOK July 04, NYC’ on the overlap; further signed, titled, inscribed and dated ‘“SPOOK” JULY 04 NYC BARNABY FURNAS’ on the reverse; acrylic, urethane and graphite on linen; 157.8 x 176.4 cm (62 1/8 x 69 1/2 in.). Executed in 2004. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

101 . W I L L I A M G R O B

1 0 2. N O R B E RT S C H WO N T KOW S K I

B. 1992

1 9 4 9 -2 0 1 3

Slow Down signed, titled and dated ‘William g ‘Slow Down’ 2018 W GROB’ on the reverse; oil and acrylic on linen, in artist’s frame; 91.2 x 71.2 cm (35 7/8 x 28 in.). Painted in 2018.

10 3 . N A M J U N E PA I K

1 9 3 2 -2 0 0 6

Portrait of F. Bacon signed and dated ‘Schwontkowski 2009’ on the reverse; oil on canvas; 101 x 81.2 cm (39 3/4 x 31 7/8 in.). Painted in 2009.

Untitled signed and dated ‘Paik ‘94’ lower right; plaster, bejewelled photo frames and screenprint ink on canvas, in artist’s frame; 83.3 x 192.8 x 17.3 cm (32 3/4 x 75 7/8 x 6 3/4 in.). Executed in 1994.

Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ♠

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 ♠

Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

1 04 . A N TO N H E N N I N G

1 0 5 . G I L L I A N AY R E S

10 6 . R AYM O N D P E T T I B O N

B. 1964

1 9 3 0 -2 0 1 8

B. 1957

Blumenstilleben No. 120 signed with the artist’s initials and dated ‘AH 02’ centre right; further titled, numbered and dated ‘02 027 Blumenstilleben No. 120’ on the stretcher; oil on canvas; 94.2 x 63 cm (37 1/8 x 24 3/4 in.). Painted in 2002.

Untitled signed ‘AYReS’ lower centre; household paint on burlap; 283 x 184.5 cm (111 3/8 x 72 5/8 in.). Executed in August 1977.

No title (Model come to life...) signed and dated ‘Raymond Pettibon 91’ on the reverse; acrylic on canvas; 35.6 x 28 cm (14 x 11 in.). Painted in 1991.

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ♠

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

Please refer to phillips.com for full cataloguing.

1 07. JA M E S F R A N C O

108. MARCEL DZAMA

B. 1978

Bird #14 signed and dated ‘J Franco 2015’ on the reverse; acrylic on canvas; 101.6 x 76.2 cm (40 x 30 in.). Painted in 2015. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 plus Buyers Premium and VAT*

1 1 0. M AT T H I A S D O R N F E L D

B. 1960

O.T. (Profl) signed, titled and dated ‘M. Dornfeld O.T. (Profl) 2009’ on the reverse; oil on canvas; 80 x 60.2 cm (31 1/2 x 23 3/4 in.). Painted in 2009. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠ plus Buyers Premium and VAT, ARR applies*

B . 1 9 74

10 9. M A R C E L D Z A M A

B . 1 9 74

Soon to Change signed, titled and dated ‘2007 Marcel DZAMA SOON TO CHANGE’ on the stretcher; acrylic on canvas; 20.4 x 25.6 cm (8 x 10 1/8 in.). Painted in 2007.

Troubadours signed, titled and dated ‘MARCEL DZAMA 2003 TROUBADOURS’ on the stretcher; acrylic and paper collage on canvas; 40.7 x 50.7 cm (16 x 19 7/8 in.). Executed in 2003.

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500

Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800

plus Buyers Premium and VAT*

1 1 1 . K AT Y M O R A N

B. 1975

moonmen each signed and dated ‘Katy. Moran 2010’ on the overlap; acrylic, watercolour and paper collage on canvas, diptych; lef part 38.8 x 28.7 cm (15 1/4 x 11 1/4 in.) right part 46.2 x 38 cm (18 1/4 x 14 7/8 in.). Executed in 2010. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ♠ plus Buyers Premium and VAT, ARR applies*

11 2. A M A D O U S A N O G O

B. 197 7

Sans Tête signed and dated ‘A. Sanogo 2016’ lower right; acrylic on canvas; 160.5 x 150 cm (63 1/4 x 59 in.). Painted in 2016. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 plus Buyers Premium and VAT*

1 1 3. K E I T H T YS O N

114. DIRK SKREBER

B. 1969

Nature Painting signed, titled and dated ‘NATURe PAINTING K. Tyson 2005’ on the reverse; oil on aluminium; 61.1 x 61.1 cm (24 x 24 in.). Executed in 2005.

B. 1961

Ohne Titel oil on canvas; 219.7 x 380.5 cm (86 1/2 x 149 3/4 in.). Painted in 2003. Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 ♠

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠

plus Buyers Premium and VAT, ARR applies*

Property from an Important Private European Collection

11 5. DAV I D K I M W H I T TA K E R

B. 1964

Divine States (Place Fell) signed, signed with the artist’s initials, titled and dated ‘DIVINE STATES, (PLACE FELL,) Whittaker DKW 2011’ on the reverse; oil and acrylic on canvas, in artist’s frame; 100.1 x 100.1 cm (39 3/8 x 39 3/8 in.). Executed in 2011. Estimate £18,000-25,000 $23,100-32,100 €21,000-29,200 ♠ plus Buyers Premium and VAT, ARR applies*

1 1 6. R O M A N M I N I N

1 1 7. K E N N Y S C H A R F

B. 1981

B. 1958

11 8. P H I L I P P E PA S Q UA

B. 1965

Don Kihot printed with the artist’s signature ‘minin’ upper centre; further signed, titled and dated ‘Minin 2018 “Don Kihot”’ on the reverse; UV print on foam cardboard, in artist’s frame; 74.2 x 74.2 x 3.1 cm (29 1/4 x 29 1/4 x 1 1/4 in.). Executed in 2018, this work is number 5 from an edition of 8.

Heaven 11 signed, titled and dated ‘Heaven 11 Kenny Scharf ‘12’ on the reverse; oil, acrylic and silkscreen inks on canvas; 97.8 x 61 cm (38 1/2 x 24 in.). Executed in 2012.

Aveugle rouge signed, indistinctly inscribed and dated ‘... Philippe Pasqua 2007’ on the reverse; oil and ink on printed paper mounted on canvas, in artist’s frame; 240.5 x 160.5 cm (94 5/8 x 63 1/4 in.). Executed in 2007.

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ♠

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ‡

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

1 1 9. N I K I D E S A I N T P H A L L E

1 9 3 0 -2 0 0 2

The Lady with the Hat ceramic and glass mosaic panel, in artist’s frame; 150.6 x 135.2 cm (59 1/4 x 53 1/4 in.). Executed in 1988. Estimate £30,000-40,000 $38,500-51,300 €35,000-46,700 ♠ † plus Buyers Premium and VAT, ARR applies*

1 2 0. B E R N A R D AU B E RT I N

1 9 3 4 -2 0 1 5

Tableau Clous signed and dated ‘Bernard Aubertin 1969’ on the reverse; acrylic and nails on board; 30 x 30 cm (11 3/4 x 11 3/4 in.). Executed in 1969, this work is accompanied by a certifcate of authenticity from the Archivio Opere Bernard Aubertin, Brescia, March 2018. This work is registered under archive no. TCLR96 - 1000205823.

12 1. C É S A R

1 9 2 1 -1 9 9 8

Hommage à Morandi signed and dated ‘César 1977’ lower right; metal and enamel on panel; 70 x 60.8 cm (27 1/2 x 23 7/8 in.). Executed in 1977. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ♠ plus Buyers Premium and VAT, ARR applies*

1 22. M A R C E L LO LO G I U D I C E

B. 1957

Dalla Primavera di Botticelli glazed ceramic butterfies and painted sponge on wire mesh in acrylic case; 52.3 x 33.2 x 13.2 cm (20 5/8 x 13 1/8 x 5 1/4 in.). Estimate £3,000-4,000 $3,800-5,100 €3,500-4,700 ♠ plus Buyers Premium and VAT, ARR applies*

1 2 3. M AT T E O N E G R I

B. 1982

L’ego Mondrian- FRUITJOICE signed, signed with the artist’s stencil and dated ‘Negri 2017 Negri’ on the reverse; chromed and laquered iron; 52.3 x 52.3 x 16.5 cm (20 5/8 x 20 5/8 x 6 1/2 in.). Executed in 2017, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 ♠ plus Buyers Premium and VAT, ARR applies*

12 4. TA N O F E STA

1 9 3 8 -1 9 8 8

Alba signed ‘festa’ on the reverse; acrylic on canvas; 70.1 x 50.3 cm (27 5/8 x 19 3/4 in.). Executed in the 1980s, this work is accompanied by a certifcate of authenticity and is registered in the Studio Soligo-Archivio Storico Tano Festa. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠ plus Buyers Premium and VAT, ARR applies*

1 25 . G I O R G I O D E C H I R I C O

126. GIORGIO MORANDI

1 8 8 8 -1 9 7 8

1 8 9 0 -1 9 6 4

Cavalli davanti ad un castello signed ‘de Chirico’ lower right; charcoal on paper; 23.2 x 31.2 cm (9 1/8 x 12 1/4 in.). Executed in the early 1940s.

Natura morta signed and dated ‘Morandi 1956’ lower right; graphite on paper; 16.7 x 23.9 cm (6 5/8 x 9 3/8 in.). Executed in 1956.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠

plus Buyers Premium and VAT, ARR applies*

12 7. W I F R E D O L A M

1 9 0 2 -1 9 8 2

Senza Titolo signed and dated ‘Wifredo Lam 1973’ lower lef; oil pastel on paper laid on canvas; 24 x 34 cm (9 1/2 x 13 3/8 in.). Executed in 1973, this work is accompanied by a certifcate of authenticity signed by the artist. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 plus Buyers Premium and VAT*

1 28 . A N DY WA R H O L

1 2 9. A N DY WA R H O L

1 9 2 8 -1 9 8 7

Sam Sitting stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for The Visual Arts Inc., New York and numbered ‘SKN AR 421.006’ on the reverse; Indian ink and gold leaf on paper; 45.8 x 24.5 cm (18 x 9 5/8 in.). Executed circa 1955. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

1 9 2 8 -1 9 8 7

Hand with Flowers signed ‘andy Warhol’ lower right; further stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for The Visual Arts Inc., New York and numbered ‘PM20.0199’ on the reverse; handcoloured lithograph on paper; 35.9 x 25.4 cm (14 1/8 x 10 in.). Executed circa 1957. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500

13 0 . A N DY WA R H O L

1 9 2 8 -1 9 8 7

Christmas Invitation Design stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts Inc., New York and numbered ‘324.030’ on the reverse; ink, Dr. Martin’s Aniline Dye and tempera on paper; 72.8 x 57.5 cm (28 5/8 x 22 5/8 in.). Executed circa 1956. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 † plus Buyers Premium and VAT*

131 . R O B E RT C OT T I N G H A M

B. 1935

132. CHRISTO AND JEANNE-CLAUDE

13 3. C H R I STO

B . 1 9 3 5 A N D 1 9 3 5 -2 0 0 9

Otterlo Mastaba (Project for Rijksmuseum Kröller-Müller) signed, titled, inscribed and dated ‘Christo 1973 OTTERLO MASTABA (PROJECT FOR RIJKSMuseum KROLLER MULLER)’ lower edge; charcoal, gouache, pen and graphite on paper; 25.5 x 18 cm (10 x 7 1/8 in.). Executed in 1973, this work is accompanied by a certifcate of authenticity and is registered in Christo’s archives.

Wo signed ‘COTTINGHAM’ lower lef; further titled and dated ‘WO 1973’ on the reverse; gouache on card; image 26.5 x 26.5 cm (10 3/8 x 10 3/8 in.) sheet 50.5 x 56 cm (19 7/8 x 22 in.). Executed in 1973.

Wrapped Bottle and Cans signed and dated ‘Christo 1958-2001.’ lower right; further titled ‘Wrapped Bottle and cans’ upper right; paper collage, graphite, chalk and oil pastel on card; 20.3 x 20.3 cm (7 7/8 x 7 7/8 in.). Executed in 1958-2001, this work is accompanied by a certifcate of authenticity and is registered in Christo’s archives.

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

B. 1935

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 ♠ plus Buyers Premium and VAT, ARR applies* Please refer to phillips.com for full cataloguing.

1 34 . G E O R G E S VA L M I E R

1 8 8 5 –1 9 3 7

Main tenant des fraises signed ‘G. VALMIER.’ lower right; gouache and paper collage on paper; 25.2 x 29.4 cm (9 7/8 x 11 5/8 in.). Executed in 1930. Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500 ‡ plus Buyers Premium and VAT*

1 3 5. S A M F R A N C I S

1 9 2 3 -1 9 9 4

13 6 . S A M F R A N C I S

1 9 2 3 -1 9 9 4

Untitled Mandala stamped with the Sam Francis Estate logo and facsimile signature stamps ‘SF75-007 S171P LA SF75-007’ on the reverse; acrylic on paper; 32 x 24 cm (12 5/8 x 9 1/2 in.); Executed circa 1975.

Untitled stamped with the Sam Francis Estate logo and fascimile signature stamps ‘SF74-812 S1-133.12 Sam Francis’ on the reverse; acrylic on paper; 48.8 x 35 cm (19 1/4 x 13 3/4 in.); Executed circa 1974.

Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000

plus Buyers Premium and VAT*

This work is identifed with the interim identifcation number of SF75007 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.

This work is identifed with the interim identifcation number of SF74812 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.

1 37. CA L L U M I N N E S

13 8. A N D R É B U T Z E R

B. 1962

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠ †

Five Works: (i) Untitled; (ii) Untitled; (iii) Untitled; (iv) Untitled; (v) Untitled (i) numbered and dated ‘10-99’ lower right (ii) numbered and dated ‘5-99’ lower right (iii) numbered and dated ‘2-99’ lower right (iv) numbered and dated ‘8-99’ lower right (v) numbered and dated ‘13-99’ lower right; watercolour on paper; each 50.5 x 65.7 cm (19 7/8 x 25 7/8 in.). Executed in 1999.

1 39. FA B R I C E H Y B E R

plus Buyers Premium and VAT, ARR applies*

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ♠ plus Buyers Premium and VAT, ARR applies*

1 4 0. WA N G E C H I M U T U

B. 1961

Yeux signed, titled and dated ‘Hyber ... 2008 Yeux’ lower right; resin and glass on paper in Perspex box; 97.8 x 70.8 x 7 cm (38 1/2 x 27 7/8 x 2 3/4 in.). Executed in 2008. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

B. 1973

Tödliches Heim im All signed and dated ‘A. Butzer ‘07’ lower right; further titled ‘Tödliches Heim im All’ upper right; crayon, pen and graphite on paper; 21 x 29.7 cm (8 1/4 x 11 3/4 in.). Executed in 2007.

B. 1972

Two Works: (i) Untitled; (ii) Untitled each mixed media collage on card with envelope, in 2 parts; (i) card 30.4 x 22.7 cm (11 7/8 x 8 7/8 in.) envelope 33.1 x 25.3 cm (13 x 9 7/8 in.); (ii) card closed 6.5 x 12.7 cm (2 1/2 x 5 in.); envelope 24 x 14.2 cm (9 1/2 x 5 5/8 in.). Executed in 2001.

14 1. R AYM O N D P E T T I B O N

B. 1957

No title (What a dream...) signed, numbered and dated ‘Raymond Pettibon 91 RPF91-138’ on the reverse; ink on paper; 35.5 x 27.8 cm (13 7/8 x 10 7/8 in.). Executed in 1991. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 plus Buyers Premium and VAT*

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 plus Buyers Premium and VAT* Please refer to phillips.com for full cataloguing.

1 42. J O H N C U R R I N

B. 1962

Big Breasted Woman signed, titled and dated ‘Big Breasted Woman Currin ‘88’ on the reverse; ink on paper; 24.1 x 14.9 cm (9 1/2 x 5 7/8 in.). Executed in 1988. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300

1 4 3. C H R I S J O H A N S O N

B. 1968

Heads, Kill or be Killed gouache on paper; 45.7 x 61 cm (17 7/8 x 24 in.). Executed in 2004. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 plus Buyers Premium and VAT*

Property from an Important Private European Collection

B. 1979

plus Buyers Premium and VAT*

1 4 6 . M A R K U S S C H I N WA L D

B. 1973

Untitled signed with the artist’s initials, inscribed and dated ‘KH 08 DER KOMMT HEUT SICHER NICHT MEHR HER’ lower right; watercolour, coloured pencil and graphite on paper; 59.5 x 79.5 cm (23 3/8 x 31 1/4 in.). Executed in 2008.

Plamen signed, titled and dated ‘PLAMEN Markus Schinwald 2007’ on the reverse; pigment print; 100 x 70 cm (39 3/8 x 27 1/2 in.). Executed in 2007.

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ♠

plus Buyers Premium and VAT, ARR applies*

B. 1980

Le Saucier signed, titled and dated ‘La Saucier 2003 Mathew Cerletty’ on the reverse; coloured pencil and pastel on paper; image 101.9 x 126.8 cm (40 1/8 x 49 7/8 in.) sheet 111.6 x 142.2 cm (43 7/8 x 55 7/8 in.). Executed in 2003. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500

plus Buyers Premium and VAT*

145 . K AT I H E C K

14 4. M AT H E W C E R L E T T Y

Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ♠

14 7. K AT H A R I N A F R I TS C H

B. 1956

Serie Mensch, Frau und Skelett each signed, numbered and dated ‘2/16 Katharina Fritsch 1997’ on the reverse of the frame; silkscreen on paper, in 2 parts; each 101.5 x 52 cm (39 7/8 x 20 1/2 in.). Executed in 1997, this work is number 2 from an edition of 16. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 • ♠ plus Buyers Premium and VAT, ARR applies* Property from an Important Private European Collection

1 48 . M I C H A E L B E V I L AC Q UA

1 4 9. M AT H E W C E R L E T T Y

B. 1966

PINK EYE signed, titled and dated ‘Michael Bevilacqua 2008 “PINK EYE”’ on the reverse; acrylic and paper collage on paper; 119.2 x 88.5 cm (46 7/8 x 34 7/8 in.). Executed in 2008. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 plus Buyers Premium and VAT*

B. 1980

15 0 . TO N Y L E W I S

B. 1986

Kholer signed and dated ‘Mathew Cerletty 07’ on the reverse; graphite on paper; image 31.6 x 42.1 cm (12 1/2 x 16 5/8 in.) sheet 38.8 x 49.9 cm (15 1/4 x 19 5/8 in.). Executed in 2007.

Ioo signed and dated ‘TONY LEWIS ‘12’ on the reverse; pencil and graphite powder on 4 sheets of paper; 211 x 151 cm (83 1/8 x 59 1/2 in.). Executed in 2012.

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300

plus Buyers Premium and VAT*

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ‡

plus Buyers Premium and VAT*

1 51. TO N Y O U R S L E R

15 2. E R I K B U L ATOV

B. 1957

Eight works: (i) Monkey; (ii) Copy / Endocrin; (iii) Cold War; (iv) Untitled; (v) Bean; (vi) Gray Devil; (vii) Sexual Bounce Back; (viii) Screen each signed, titled and dated on the reverse; each mixed media on paper; (i) (iv) (v) (vi) (vii) (viii) 76.5 x 56.5 cm (30 1/8 x 22 1/4 in.) (ii) 76 x 56.7 cm (29 7/8 x 22 3/8 in.)

(iii) 76 x 56.5 cm (29 7/8 x 22 1/4 in.). (i) (iii) (iv) (v) (vi) (vii) Executed in 1999. (ii) (viii) Executed in 1998. Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 plus Buyers Premium and VAT*

B. 1933

Untitled signed and dated ‘E Bulatov 91’ lower right; coloured pencil on paper; 25 x 25 cm (9 7/8 x 9 7/8 in.). Executed in 1991. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

Property from an Important Private European Collection

1 53. F R E D E E R D E K E N S

B. 1951

1 5 4. A DA M M C E W E N

B. 1965

Memories of a Silent Conversation copper wire, in 5 parts; overall 19 x 120 x 6.8 cm (7 1/2 x 47 1/4 x 2 5/8 in.). Executed in 2012, this work is unique.

Untitled Text Msg (Ryan) matte black adhesive vinyl on wall; 63.5 x 63.5 cm (25 x 25 in.). Executed in 2007, this work is number 1 from an edition of 1 plus 1 artist’s proof.

Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500 ♠

Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ♠

plus Buyers Premium and VAT, ARR applies*

15 5. A L E XA N D E R S H I S H K I N H O K U S A I B. 1969 Storming. Fragment #2 numbered ‘27’ on the reverse; ink on plywood and wooden support; 48.2 x 86 x 22.5 cm (18 7/8 x 33 7/8 x 8 7/8 in.). Executed in 2017, this work is a fragment from Storming, an installation of 43 fat sculptures. Estimate £800-1,200 $1,000-1,500 €930-1,400 plus Buyers Premium and VAT*

1 56. R O N G O R C H OV

B. 1930

Untitled signed, numbered and dated ‘25 Ron Gorchov#25 © RON GORCHOV 1980’ on the reverse; watercolour on handmade paper; 70.8 x 60.1 x 17.5 cm (27 7/8 x 23 5/8 x 6 7/8 in.). Executed in 1980. Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 plus Buyers Premium and VAT*

1 5 7. T H E B R U C E H I G H Q UA L I T Y F O U N DAT I O N S I N C E 2 0 0 1 Notebooks drywall and marker pen, in 67 parts; smallest 14.5 x 11.2 cm (5 3/4 x 4 3/8 in.) largest 35.5 x 21.2 cm (13 7/8 x 8 3/8 in.) overall installation dimensions variable. Executed in 2009. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ‡ plus Buyers Premium and VAT*

15 8. N E I L B E LO U FA

B. 1985

Untitled steel, epoxy resin, cigarette butts and pigments; 95 x 101 x 5 cm (37 3/8 x 39 3/4 x 1 7/8 in.). Executed in 2015. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠ plus Buyers Premium and VAT, ARR applies*

1 59. VA S I LY K LY U K I N

1 6 0 . L AU R I E S I M M O N S

B. 1976

B. 1949

Genius Library engraved copper on black metal base; 36 x 25 x 23 cm (14 1/8 x 9 7/8 x 9 in.). Executed in 2017, this work is number 3 from an edition of 6.

Kaleidoscope Dollhouse abs plastic, acrylic and utensils; 59.5 x 56.7 x 81.5 cm (23 3/8 x 22 3/8 x 32 1/8 in.). Executed in 2000, this work is from an unknown edition size.

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200

plus Buyers Premium and VAT*

plus Buyers Premium and VAT* Property from an Important Private European Collection

16 1 . M AT C O L L I S H AW

B. 1966

Communion corian, acrylic, electrical circuitry, lights and steel; 41.4 x 39.1 x 8.3 cm (16 1/4 x 15 3/8 x 3 1/4 in.). Executed in 2010, this work is artist’s proof number 2 from an edition of 3 plus 2 artist’s proofs. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ♠ plus Buyers Premium and VAT, ARR applies* Property from an Important Private European Collection

1 62 . K E N D E L L G E E R S

163. TI M N O B LE A N D SUE WE BST E R

B. 1968

Profanation (Goya) neon tubing, steel, transformer and wiring; 172 x 111 x 10.6 cm (67 3/4 x 43 3/4 x 4 1/8 in.). Executed in 2008, this work is number 3 from an edition of 3.

B. 1966 AND B. 1967

16 4. J O R G E E I E L S O N

1924 - 2006

Chocolate narcissus silicone rubber on wooden plinth with light projector; overall 129 x 34 x 30 cm (50 3/4 x 13 3/8 x 11 3/4 in.). Executed in 2008.

Morte gravida knotted velvet and wooden sphere; 35 x 53 x 45 cm (13 3/4 x 20 7/8 x 17 3/4 in.). Executed in 2003, this work is registered in the Archivio Eielson, Saronno, under registration number JE0507.

plus Buyers Premium and VAT, ARR applies*

Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ♠

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000

Property from an Important Private European Collection

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 ♠

Property from an Important Private European Collection *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

1 65. A L E X H A RT L E Y

166. YUDI NOOR

B. 1963

B .1 9 7 1

16 7. H UA N G YA N

B. 1966

35 mm - I took my slides to the gallery MDF, aluminium, DuraClear and cellulose paint, in 10 parts; each 90 x 90 x 4 cm (35 3/8 x 35 3/8 x 1 5/8 in.) overall installation dimensions variable Executed in 1996.

Entering into Nothing Else neon light, transformer, teak wood, steel, plastic, tape, wire and zinc; 180 x 52 x 52 cm (70 7/8 x 20 1/2 x 20 1/2 in.). Executed in 2010.

Untitled (Torre) signed and dated ‘Yan [in Chinese] 2004’ on the underside; painted porcelain; 48.5 x 20 x 18 cm (19 1/8 x 7 7/8 x 7 1/8 in.). Executed in 2004.

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 ‡

Estimate £1,500-2,500 $1,900-3,200 €1,700-2,900 ‡

Estimate £2,000-3,000 $2,600-3,900 €2,300-3,500 • ♠

plus Buyers Premium and VAT*

Property from an Esteemed European Collection

plus Buyers Premium and VAT, ARR applies* Property from an Important Private European Collection

1 68. J I T E N T H U K R A L A N D S U M I R TAG R A B . 1 9 7 6 A N D B . 1 9 7 9 Immortalis XI signed, titled and dated ‘Jiten Thukral: Sumir Tagra THUKRAL & TAGRA IMMORTALIS XI FEBRUARY 2008’ on the reverse; fbreglass; 70 x 54 x 37 cm (27 1/2 x 21 1/4 x 14 5/8 in.). Executed in February 2008. Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000 † plus Buyers Premium and VAT*

1 6 9. L I U B O L I N

B. 1973

Red hand each signed, titled, numbered, consecutively numbered and dated ‘Liu Bolin [in Chinese] Red hand [in Chinese] 5/8-1-8 2008’ on the lef calf; coloured resin and fbreglass, in 8 parts; each 185 x 100 x 54 cm (72 7/8 x 39 3/8 x 21 1/4 in.). Executed in 2008, this work is number 5 from an edition of 8. Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ‡ plus Buyers Premium and VAT*

17 0 . R A J E S H R A M

B. 1978

Towards a New Tomorrow paper and paint on fbreglass, iron, painted wood, wood, rope and rubber; 203 x 69 x 152 cm (79 7/8 x 27 1/8 x 59 7/8 in.). Executed in 2009. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ‡ plus Buyers Premium and VAT* Property from an Esteemed European Collection

1 71. DA N I I L S H U M I K H I N

1 72 . LO U I S L E D E B U R

B. 1985

Friends incised with the artist’s signature, numbered and dated ‘SHUMIKHIN D. 2010 2/5’ on the base; bronze; 67 x 35 x 18 cm (26 3/8 x 13 3/4 x 7 1/8 in.). Executed in 2010, this work is number 2 from an edition of 5. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ‡ plus Buyers Premium and VAT*

B. 1989

Awakening each signed, numbered and dated ‘AWAKENING 2019 Edition 3/3 Louis Ledebur’ on the reverse; silver gelatin print on Ilford fbre glossy, in 4 parts; each 39.6 x 29.7 cm (15 5/8 x 11 3/4 in.). Executed in 2019, this work is number 3 from an edition of 3 plus 2 artist’s proofs. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 plus Buyers Premium and VAT*

1 73. E G O R Z I G U R A

B. 1984

AWAKENING (MINIATURE) numbered ‘15/50’ on the base of each fgure; bronze, in 2 parts; male 22.5 x 5.1 x 5.5 cm (8 7/8 x 2 x 2 1/8 in.) female 21.5 x 5 x 5.1 cm (8 1/2 x 1 7/8 x 2 in.). Executed in 2017, this work is number 15 from an edition of 50.

1 74 . Y U L I A L E B E D E VA

B. 1989

17 5. T I M PA R C H I KOV

B. 1983

Sakura Rain c-type photographic print on aluminium Dibondmount; 115 x 111 cm (45 1/4 x 43 3/4 in.). Executed in 2011, this work is number 3 from an edition of 5.

Burning News c-print mounted on Dibond; 125 x 185 cm (49 1/4 x 72 7/8 in.). Printed in 2018, this work is number 5 from an edition of 7 plus 2 artist’s proofs.

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200

Estimate £8,000-12,000 $10,300-15,400 €9,300-14,000

plus Buyers Premium and VAT*

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 ‡ plus Buyers Premium and VAT* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

1 76. A N D R E S S E R R A N O

B. 1950

Thinker signed, titled, numbered and dated ‘THINKER 1988 3/10 Andres Serrano’ on the reverse; Cibachrome print face-mounted to Plexiglas, in artist’s frame; 115 x 83 cm (45 1/4 x 32 5/8 in.). Executed in 1988, this work is number 3 from an edition of 10.

1 77. K A N G H Y U N G KO O

B. 1954

Pele signed ‘K. Hyungkoo’ lower lef; oil on canvas; 259.1 x 193 cm (102 x 75 7/8 in.). Painted in 1997. Estimate £25,000-35,000 $32,100-44,900 €29,200-40,800 ‡

17 8. X I AO H O N G

B. 1966

Intellectual Youth (Green) signed ‘Xiao Hong [in Chinese]’ lower right; oil on canvas; 170 x 150.2 cm (66 7/8 x 59 1/8 in.). Painted in 2007, this work is accompanied by a certifcate of authenticity. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ‡

plus Buyers Premium and VAT*

Estimate £12,000-18,000 $15,400-23,100 €14,000-21,000

plus Buyers Premium and VAT*

1 79. M C D E R M OT T A N D M C G O U G H B. 1952/1958

Fate is Written in the Face, 1967 signed, titled and dated ‘McDermott & McGough “FATE IS WRITTEN in the FACE” 1967. 2015’ on the reverse; oil on panel; diameter 61 cm (24 in.). Painted in 2015. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 † plus Buyers Premium and VAT*

1 8 0. R U S S E L L YO U N G

B. 1959

181 . DAV I D L AC H A P E L L E

B. 1963

Marilyn Crying signed, titled, inscribed, numbered and dated ‘Russell Young 2010 Marilyn Crying FV 1/2010 white + liquid amber’ on the reverse; acrylic, silkscreen, enamel and diamond dust on linen; 157.8 x 120.8 cm (62 1/8 x 47 1/2 in.). Executed in 2013.

Amanda as Liz -Orange signed ‘David LaChapelle’ on the artist’s label afxed to the backing board; c-print; 77 x 69 cm (30 3/8 x 27 1/8 in.). Executed in 2007, this work is number 1 from an edition of 7.

Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 ♠

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

Estimate £12,000-16,000 $15,400-20,500 €14,000-18,700 †

182. C I N DY S H E R M A N

B. 1954

Untitled signed and numbered ‘Cindy Sherman 5/24’ on the artist’s label afxed to the reverse; two colour transparencies in lightbox; 80 x 60 x 8.5 cm (31 1/2 x 23 5/8 x 3 3/8 in.). Executed in 1989, this work is number 5 from an edition of 24 plus 5 artist’s proofs, 2 Hors Commerce and 1 Bon à Tirer. Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 plus Buyers Premium and VAT*

1 8 3. C I N DY S H E R M A N

B. 1954

184 . V I K M U N I Z

B. 1961

Untitled #318 signed, numbered and dated ‘Cindy Sherman 3/6 1996’ on the backing board; Cibachrome print; 145.8 x 98.2 cm (57 3/8 x 38 5/8 in.). Executed in 1996, this work is number 3 from an edition of 6.

Newsboy, Afer Lewis Hine signed and dated ‘Vik Muniz 2008’ on a gallery label afxed to the reverse; c-print; 127 x 101.6 cm (50 x 40 in.). Executed in 2008, this work is number 2 from an edition of 6 plus 4 artist’s proofs.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500

plus Buyers Premium and VAT*

Property from an Important Private European Collection

187. G O N K A R G YATS O 1 85. B I L L H E N S O N

186. SHANNON EBNER

B. 1955

Untitled signed, titled and inscribed ‘UNTITLED IMAGE Bill Henson’ lower right; further numbered ‘JPC SH 63 N 15 4/5’ lower lef; archival pigment inkjet print; image 103.5 x 154.3 cm (40 3/4 x 60 3/4 in.) sheet 125.3 x 179 cm (49 3/8 x 70 1/2 in.). Executed in 1998 - 2000, this work is number 4 from an edition of 5. Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 • plus Buyers Premium and VAT*

B. 197 1

The Crooked Sign c-print; 164 x 121 cm (64 5/8 x 47 5/8 in.). Executed in 2006, this work is number 3 from an edition of 4 plus 2 artist’s proofs. Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300 plus Buyers Premium and VAT*

B. 1961

The Shambala of Modern Times signed, titled, numbered and dated ‘Gonkar [in Tibetan script] “Shambala of the modern times” 9/16 2009’ on the lower lef of the lower right panel and the lower right of lower lef panel; Giclée and silkscreen with gold and silver leaf on paper, quadriptych; each 95.5 x 105.7 cm (37 5/8 x 41 5/8 in.) overall 191 x 211.4 cm (75 1/4 x 83 1/4 in.). Executed in 2009, this work is number 9 from an edition of 16. Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

1 88. M I C K A L E N E T H O M A S

B. 197 1

Courbet 1 (Melody: Sitting) polaroid, in artist’s frame; 87.2 x 77.2 cm (34 3/8 x 30 3/8 in.). Executed in 2011. Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 ‡ plus Buyers Premium and VAT*

1 91. ST E R L I N G R U BY

B. 1972

1 8 9. N O B U YO S H I A R A K I

B. 1940

19 0 . N O B U YO S H I A R A K I

B. 1940

Two works: (i) Shiki-in (Color Eros); (ii) Shiki-in (Color Eros) each signed ‘Nobuyoshi ARAKI’ on the reverse; each acrylic and gelatin silver print on baryt paper; each 35.7 x 43.2 cm (14 x 17 in.). Each executed in 2005.

Two works: (i) Shiki-in (Color Eros); (ii) Shiki-in (Color Eros) each signed ‘Nobuyoshi ARAKI’ on the reverse; each acrylic and gelatin silver print on baryt paper; each 35.9 x 43.3 cm (14 1/8 x 17 in.). Each executed in 2005.

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 †

plus Buyers Premium and VAT*

19 2. C I N DY S H E R M A N

B. 1954

Physicalism, The Recombine 1- 6 Lambda print, in 6 parts; each 154.8 x 122.4 cm (60 7/8 x 48 1/4 in.). Executed in 2006, this work is artist’s proof number 1 from an edition of 3 plus 2 artist’s proofs.

Untitled #252 signed, numbered and dated ‘Cindy Sherman 2/6 1992’ on the backing board; colour c-print; 190.5 x 127 cm (75 x 50 in.). Executed in 1992, this work is number 2 from an edition of 6.

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ‡

Estimate £25,000-35,000 $32,100-44,900 €29,200-40,800

plus Buyers Premium and VAT*

plus Buyers Premium and VAT* Property from an Important Private European Collection

193. O R I G E R S H T

1 9 4 . DAV I D L AC H A P E L L E

B. 1967

B. 1963

19 5 . DAV I D L AC H A P E L L E

B. 1963

Time afer Time, Untitled No.12 signed ‘Gersht’ on the reverse; LVT print on aluminium; 37 x 27.7 cm (14 5/8 x 10 7/8 in.). Executed in 2007, this work is artist’s proof number 1 from an edition of 6 plus 2 artist’s proofs.

Springtime signed ‘David LaChapelle’ on the artist’s accompanying label; Chromogenic print on Dibond; 153.5 x 116.8 cm (60 3/8 x 45 7/8 in.). Executed in 2008 - 2011, this work is number 2 from an edition of 3.

America signed ‘David LaChapelle’ on the artist’s accompanying label; Chromogenic print on Dibond; 61.5 x 46 cm (24 1/4 x 18 1/8 in.). Executed in 2008 - 2011, this work is number 4 from an edition of 7.

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 ‡ ♠

Estimate £15,000-20,000 $19,200-25,700 €17,500-23,300 †

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 †

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

196. DA R R E N A L M O N D

1 9 7. L AU R I E S I M M O N S B. 197 1

B. 1949

Shan Shui Fullmoon signed ‘Almond.’ on the reverse; c-print; 121 x 121 cm (47 5/8 x 47 5/8 in.). Executed in 2008, this work is artist’s proof number 1 from an edition of 3 plus 2 artist’s proofs.

Tourism Pink Stonehenge signed, numbered and dated ‘Laurie Simmons 1984 AP 1/1’ on the reverse; Cibachrome print; 101.7 x 152.5 cm (40 x 60 in.). Executed in 1984, this work is artist’s proof number 1 from an edition of 1 plus 2 artist’s proofs.

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT* Property from an Important Private European Collection

19 8. M A R C Q U I N N

B. 1964

Untitled signed and inscribed ‘Marc Quinn A/P’ on the reverse; pigment print, spray paint and acrylic on watercolour paper; 82 x 122.3 cm (32 1/4 x 48 1/8 in.). Executed in 2010, this work is an artist’s proof and a unique variant aside from an edition of 59. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 ♠ plus Buyers Premium and VAT, ARR applies*

1 99. O L A F U R E L I A S S O N

B. 1967

The Igloo Series signed and dated ‘Olafur Eliasson 1999’ on a label afxed to the backing board of one of the photographs; colour photograph, in 9 parts; each 40 x 60 cm (15 3/4 x 23 5/8 in). overall 136.5 x 196.9 in. (346.7 x 500.1 cm). Executed in 1999, this work is number 1 from an edition of 6.

Estimate £10,000-15,000 $12,800-19,200 €11,700-17,500 ♠

200 . A N D R E A S G U R S KY

2 01 . A N D R E A S G U R S KY

B. 1955

plus Buyers Premium and VAT, ARR applies*

B. 1955

Dusseldorf, Rhein signed ‘Andreas Gursky’ on a label afxed to the reverse; c-print; image 21.5 x 26.2 cm (8 1/2 x 10 3/8 in.) sheet 24 x 30.6 cm (9 1/2 x 12 in.). Executed in 1985, this work is number 4 from an edition of 15.

Klausen Pass signed ‘Andreas Gursky’ on a label afxed to the reverse; c-print; image 21.5 x 27.5 cm (8 1/2 x 10 7/8 in.) sheet 24 x 30.5 cm (9 1/2 x 12 in.). Executed in 1984, this work is number 5 from an edition of 15.

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 ♠ †

plus Buyers Premium and VAT, ARR applies*

20 2. G E R H A R D R I C H T E R

B. 1932

Bagdad (P10) numbered ‘122/500’ and stamped Heni Productions 2014 on the reverse; Diasec-mounted chromogenic print on aluminium; 50 x 40 cm (19 5/8 x 15 3/4 in.). Executed in 2014, this facsimile object is number 122 from an edition of 500, published by Heni Productions, London. Estimate £3,000-5,000 $3,900-6,400 €3,500-5,800 ♠ plus Buyers Premium and VAT, ARR applies*

20 3. T I AG O F R A N C E Z

204. SEEN (RICHARD MIRANDO)

B. 1990

20 5 . S WO O N

B. 1961

We Dream Under a Diferent Sky (The Dependent Series) inscribed ‘Dreaming under a diferent sky’ and stamped ‘THE EMPTY BELLY’ on the reverse; oil on PVC; 69.4 x 72.3 cm (27 3/8 x 28 1/2 in.). Executed in 2015.

Untitled signed and dated ‘SEEN! 2019’ on the reverse; enamel paint on canvas; image 41.8 x 150.5 cm (16 1/2 x 59 1/4 in.) canvas 51.3 x 160 cm (20 1/4 x 62 7/8 in.). Painted in 2019.

Estimate £3,000-5,000 $3,900-6,400 €3,500-5,800 ♠

Estimate £1,000-2,000 $1,300-2,600 €1,200-2,300

B. 1978

Monica signed and dated ‘Swoon 10’ lower right; further signed and dated ‘Swoon 2010’ on the reverse; cofee stain, acrylic gouache and Linoleum block print on mylar; 214.3 x 128.5 cm (84 3/8 x 50 5/8 in.). Executed in 2010, this work is an unique variant from an edition of 12. Estimate £7,000-9,000 $9,000-11,500 €8,200-10,500 ‡

plus Buyers Premium and VAT*

plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT*

2 07. I N VA D E R

20 6. D * FAC E

B. 1978

Superman signed, stamped with the artist’s signature and inscribed ‘D’FACE...PART2 DFACE DFACE’ on the reverse; acrylic and paper collage on panel; 85.5 x 61.2 cm (33 5/8 x 24 1/8 in.). Executed in 2007. Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 ♠ plus Buyers Premium and VAT, ARR applies*

B. 1969

Alias LDN_59 incised with the artist’s symbol along the lower lef vertical edge; further stamped with the title, inscription and date ‘LOCATION QUEEN’S WALK / LONDON LDN-59 DATE OF INVASION FEBRUARY 3 2006 SCORE 10 POINTS’ on the reverse of the main Perspex element; painted ceramic tile in Perspex with Perspex base, in 2 parts; overall 19 x 16.1 x 8.4 cm (7 1/2 x 6 3/8 x 3 1/4 in.). Executed on 3 February 2006, this work is an accompanied with an ID card signed by the artist. Estimate £12,000-18,000 $15,400-23,100 €14,000-21,000 ♠ plus Buyers Premium and VAT, ARR applies*

20 8. K AW S

B . 1 9 74

Three works: (i) Small Lie (Brown); (ii) Small Lie (Black); (iii) Small Lie (Grey) (i-iii) printed with the artist’s name, date, fabricator and title ‘KAWS..17 SMALL LIE MEDICOM TOY CHINA’ on the underside; painted vinyl, in original Medicom packaging; (i-iii) 27.5 x 12.9 x 12.2 cm (10 7/8 x 5 1/8 x 4 3/4 in.). (i-iii) Executed in 2017, this work is from a limited edition fabricated by Medicom Toy, Japan. Estimate £1,000-1,500 $1,300-1,900 €1,200-1,700 plus Buyers Premium and VAT*

NO RESERVE

20 9. STA N L E Y CA S S E L M A N

2 1 0. J E F F KO O N S

B. 1963

IR-36-6 signed, titled and dated ‘STANLEY CASSELMAN “IR-36-6” 2013’ on the reverse; acrylic on canvas; 183.2 x 274.6 cm (72 1/8 x 108 1/8 in.). Painted in 2013.

B. 1955

Ж 21 1.

plus Buyers Premium and VAT*

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 • ‡

Estimate £25,000-35,000 $32,100-44,900 €29,200-40,800

plus Buyers Premium and VAT*

212 . R E N R O N G

B. 1960

2 13 . M I AO X I AO C H U N

B. 1964

Mao each signed, consecutively numbered and dated ‘Ren Rong [in Chinese] Ren Rong 2007.1.1 Reihe: [1-4] [1-8]/8’ on the reverse; oil on paper collage laid down on panel, in 8 parts; each 40 x 60 cm (15 3/4 x 23 5/8 in.) overall 160 x 120 cm (62 7/8 x 47 1/4 in.). Executed in 2007.

Carrying the Cross signed, numbered, inscribed and dated ‘B IV/ VIII H2O- Fountain of Youth (F) B IV/VIII H2OFountain of Youth (F) [In Chinese] MAOXIAOCHUN MAOXIAOCHUN [In Chinese] 2007’ lower edge of central sheet; digital print, in 3 parts; overall sheets 238 x 377.4 cm (93 3/4 x 148 5/8 in.). Executed in 2007, this work is number 4 from an edition of 12.

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 • ‡

Estimate £3,000-5,000 $3,800-6,400 €3,500-5,800 • ‡

plus Buyers Premium and VAT*

B. 1965

Two works: (i) My Lef Hand; (ii) My Lef Hand each signed and dated ‘Sheng Qui [in Chinese] Sheng Qui 2006’ on the reverse; (i) acrylic and paper collage on canvas (ii) acrylic on canvas; (i) 60.3 x 50.3 cm. (23 3/4 x 19 3/4 in.) (ii) 60 x 45 cm. (23 5/8 x 17 3/4 in.). Each executed in 2006.

Dom Pérignon Balloon Venus (Magenta) impressed with the artist’s signature and title ‘Dom Perignon BALLON VENUS by Jef Koons’ on the suede interior lining of the lower part; lacquered polyurethane resin in two parts, maintenance kit and original custom fight case; 48.8 x 35.8 x 50.3 cm (19 1/4 x 14 1/8 x 19 3/4 in.). Executed in 2013, this work is from an edition of 650 plus 40 artist’s proofs.

Estimate £20,000-30,000 $25,700-38,500 €23,300-35,000 ‡

SHENG QI

21 4. L I W E I

B. 1970

The baby leaves away from the Earth signed, numbered and dated ‘Li Wei. [in Chinese] 2003 & 3.5.[in Chinese] 2/8 Li Wei. 2003. 3.5. 2/8. [in Chinese]’ lower right; c-print; 175 x 175 cm (68 7/8 x 68 7/8 in.). Executed in 2003, this work is number 2 from an edition of 8 and is accompanied by a certifcate of authenticity. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 • ‡ plus Buyers Premium and VAT*

NO RESERVE

215. PA R K E R I TO

2 1 6 . PA R K E R I TO

B. 1986

The Most Infamous Girl in the History of the Internet oil on canvas; 162.7 x 117.1 cm (64 x 46 1/8 in.). Painted in 2014.

The Most Infamous Girl in the History of the Internet oil on canvas; 162.5 x 116.8 cm (63 7/8 x 45 7/8 in.). Painted in 2014.

Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 •

plus Buyers Premium and VAT*

21 7. S A M FA L L S

B. 1984

UNTITLED (LILY) signed and dated ‘S. Falls 2014’ on the overlap; archival pigment print and acrylic on fabric mounted on canvas, in artist’s frame; 167 x 146.6 cm (65 3/4 x 57 3/4 in.). Executed in 2014. Estimate £2,000-3,000 $2,600-3,800 €2,300-3,500 • plus Buyers Premium and VAT*

218. J O N R A F M A N

B. 1981

2 1 9. J O N R A F M A N

B. 1981

Guston Babys room archival pigment print on Hahnemühle paper fush-mounted on aluminium; 90 x 120.3 cm (35 3/8 x 47 3/8 in.). Executed in 2014.

Guston Car interior archival pigment print on Hahnemühle paper fush-mounted on aluminium; 91 x 121.7 cm (35 7/8 x 47 7/8 in.). Executed in 2014.

Estimate £3,000-4,000 $3,800-5,100 €3,500-4,700 •

plus Buyers Premium and VAT*

22 0. V E R N E DAW S O N

B. 1961

Notre Dame de Paris signed, titled and dated ‘Notre Dame de Paris Verne Dawson 2003’ on the reverse; oil on canvas; 208.5 x 208.5 cm (82 1/8 x 82 1/8 in.). Painted in 2002 - 2003. Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 • plus Buyers Premium and VAT*

NO RESERVE

22 1 . I N K A E S S E N H I G H

B. 1969

2 22 . H I R O S H I S U G I TO

B. 1970

Beauty Contest signed, titled and dated ‘Inka Essenhigh 1999 “Beauty Contest”’ on the reverse; enamel on canvas; 198.5 x 217 cm (78 1/8 x 85 3/8 in.). Painted in 1999.

The Blue Room signed, titled and dated ‘HIROSHI SUGITO 2003 “the blue room”’ on the reverse; acrylic and pigment on canvas; 222 x 358.5 cm (87 3/8 x 141 1/8 in.). Executed in 2003.

Estimate £5,000-7,000 $6,400-9,000 €5,800-8,200 •

Estimate £6,000-8,000 $7,700-10,300 €7,000-9,300 •

plus Buyers Premium and VAT*

223 . J U L I A JAC Q U E T T E

B. 1964

2 24 . M AT T S H E R I DA N S M I T H

B. 1980

White on White (Sixteen Wedding Dresses) III signed, titled and dated ‘JULIA JACQUETTE WHITE ON WHITE (SIXTEEN WEDDING DRESSES) III 2005’ on the reverse; oil on linen; 182.9 x 182.9 cm (72 x 72 in.). Painted in 2005.

PATTERN PORTRAIT (PILOT) signed with the artist’s initials and dated ‘MSS 2014’ on the overlap; acrylic gel transfer and paper on linen; 152 x 106 cm (59 7/8 x 41 3/4 in.). Executed in 2014.

Estimate £4,000-6,000 $5,100-7,700 €4,700-7,000 •

Estimate £1,000-1,500 $1,300-1,900 €1,200-1,700 •

plus Buyers Premium and VAT*

S A L E I N F O R M AT I O N

New Now Sale

New Now Department

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

Head of Sale Simon Tovey +44 207 318 4084 stovey@phillips.com

Auction 12 December 2019, 2pm Viewing 5 – 12 December 2019 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation In sending in written bids or making enquiries please refer to this sale as UK010819 or New Now Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 Susanna Brockman +44 20 7318 4041 Rebecca Gathercole +44 20 7901 7927 Anne Flick +44 20 7318 4089 bidslondon@phillips.com

Auctioneers Samuel Mansour Rebecca Tooby-Desmond Susanna Brockmann

Cataloguer Louise Simpson +44 20 7901 7911 lsimpson@phillips.com

Catalogues London +44 20 7901 7927 New York +1 212 940 1240 catalogues@phillips.com

Administrator Olivia Taylor +44 20 7318 4082 otaylor@phillips.com

Client Accounting Richard Addington, Head of Client Accounting +44 20 7901 7914

Property Manager James Ryan +44 7552 545357 jryan@phillips.com

Jason King, Client Accounting, Director +44 20 7318 4086

Photographers Jean Bourbon Alex Braun Charlie Sheldon Creative Services Ben Marcus, Creative Services Manager Moira Gil, Senior Graphic Designer Grace Neighbour, Graphic Designer

Buyer Accounts Heather Welham +44 20 7901 2982 Seller Accounts Surbjit Kaur +44 20 7318 4072 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Kyle Buchanan +44 20 7318 4081 Rita Matos +44 20 7901 7906 LucÍa Núñez +44 7901 7920

The New Now Team would like to thank: Gabriella McIlgorm, Marta Chadzynska, Agata Dusikova, Eliza Davis Beard, Clara Krzentowski, Margherita Solaini, Avery Semjen, Graham Wilson, Rebecca Cockell, Eleanor Stephenson and the London Operations Team.

Front cover William Kentridge, Drawing for Felix in Exile (Nandi’s Cry), 1993, lot 21. © Image courtesy of William Kentridge and Goodman Gallery. Back cover Katharina Grosse, Untitled, 2013, lot 17. © DACS 2019.

30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by email to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying to bid as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one):

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• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct. Agreement to bid by telephone must be confrmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

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Please indicate in what capacity you will be bidding (please select one):

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Maximum pound sterling price* Absentee Bids Only

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UK Auction Buyer’s Guide The following pages are designed to offer you information on how to buy at auction at Phillips. Our staff will be happy to assist you. The Conditions of Sale and Authorship Warranty published on our website at https://phillips.com also govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship between Phillips, the seller and the buyer and describe the terms upon which items are bought at auction. A) Before The Auction

specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding.

Catalogues & Catalogue Entries Our catalogues provide information on the lots for sale at the auction and are available on our website at www.phillips. com and in hard copy. Lot details can also be viewed on the Phillips App. If you would like to purchase a hard copy catalogue for a Phillips auction, please visit our website or contact us at catalogues@phillips.com.

Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer.

Catalogue entries may include the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive. In some cases we may not disclose the identity of previous owners where we are not authorised to do so. Please note that all dimensions of the property set out in the catalogue entry are approximate. Pre-auction viewings are open to the public and free of charge. The dates and times are published on our website at https://phillips.com. Our specialists are available to give advice and condition reports at viewings or by appointment. Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Pre-sale estimates do not include the buyer’s premium or VAT. Where ‘Estimate on Request’ appears, please contact the specialist department for further information. As estimates can be subject to revision we suggest contacting us closer to the time of the auction. Estimates in non-local currencies Although the sale is conducted in pounds sterling, the pre-sale estimates in the auction catalogues may also be printed in other currencies. These estimates are approximate and provided as a courtesy to our clients. The exchange rates used are those applying on the last practical date before printing the catalogue. The rates may have changed between the time of printing the catalogue and the auction. Condition Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our

Symbols Used In The Catalogue You may see the following symbols referenced in the catalogue. O Guaranteed Property Lots designated with the symbol O are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the financial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be significant Phillips may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the thirdparty guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee. In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the thirdparty guarantor is the successful bidder Phillips will report the purchase price net of any fees paid to the third-party guarantor. ∆ Property in which Phillips has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest. No Reserve •Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate.

∑ Endangered Species Lots with this symbol have been identified at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import. Ж Property Subject to US Import Tarifs

Lots with this symbol indicate that the Property may be subject to additional tariffs upon importation into the United States of America. See paragraph 12 of the Conditions of Sale. Calculating the Total Purchase Price If you are the successful bidder on a Lot, the total purchase price you pay is made up of the following elements:

Hammer Price

Buyer’s Premium

VAT on Buyer’s Premium and/or Hammer Price (If applicable)

Artist’s Resale Royalty (ARR) (If applicable)

The Hammer Price: This is the final, highest bid which the auctioneer accepts by bringing down the auctioneer’s hammer. Buyer’s Premium: This is the commission Phillips charges the successful highest bidder and buyer of the lot. The Buyer’s premium is calculated on the hammer price of the lot at the following rates on a cumulative basis: • 25% on the portion of the hammer price up to and including £300,000; and • 20% on the portion of the hammer price above £300,000 up to and including £3,000,000 and • 13.5% on the portion of the hammer price above £3,000,000. Where VAT is payable on the Buyer’s premium the VAT inclusive Buyer’s Premium rates are 30%, 24% and 16.2% respectively. VAT Most items we sell are sold under UK Auctioneer’s Margin Scheme rules. This means that VAT is charged at 20% on the buyer’s premium and will not be shown separately on the invoice. UK Auctioneer’s Margin Scheme lots have no VAT symbol. Where the lot has a †, ‡ or Ω symbol against it, VAT may be charged on a different basis. For full details, including how to claim VAT refunds, please see the VAT & Tax Guide in this Auction Buyer’s Guide and on our website ♠ Artist’s Resale Royalty (ARR) The laws in certain countries entitle qualifying artists or their estates to a royalty when the artist’s works are resold for a hammer price of EUR 1,000 or more. Lots subject to ARR are marked with the symbol ♠. The ARR is calculated as a percentage of the hammer price on a cumulative basis as follows and is payable as part of the purchase price: Portion of the Hammer Price (in EUROS) From 0 to 50,000 From 50,000.01 to 200,000

Royalty Rate 4% 3%

From 200,000.01 to 350,000 From 350,000.01 to 500,000 Exceeding 500,000

1% 0.5% 0.25%

The total charge for ARR on any single lot cannot exceed Euros 12,500. To calculate the ARR, we use the pounds sterling/euro reference exchange rate quoted on the date of the auction by the European Central Bank. Example To illustrate how the purchase price is calculated, please see the below example: UK Auctioneer’s Margin Scheme lot Hammer Price: £350,000 Buyer’s Premium including VAT @20% £102,000: 25% of first £300,000 of the hammer price = £75,000 + 20% on the balance of £50,000 = £10,000 Total BP = £85,000 VAT @ 20% on the total BP of £85,000 = £17,000

By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are unable to reach you by telephone. Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at https://phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The first time you register you will be required to create an account; thereafter you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate firewalls may cause difficulties for online bidders.

B) At The Auction Bidding Bids may be executed during the auction in person, by paddle or by telephone or prior to the sale in writing by absentee bid. Proof of identity in the form of governmentissued identification will be required, as will an original signature and proof of address. We may also require that you furnish us with a bank reference. For individuals, acceptable forms of government issued photo identification include a passport or photo driving licence. For companies, acceptable forms of government issued identification include a certificate of incorporation or similar as well as proof of owners and directors. Undisclosed agreements between bidders to bid or abstain from bidding on lots are illegal. Please note that Phillips monitors its sales and bidding records to ensure that bidding is transparent and fair and will take appropriate action in the event of any suspected breach of this requirement. In Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staff member immediately. At the end of the auction, please return your paddle to the registration desk. By Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multilingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least £500. Telephone bids may be recorded.

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment. UK£50 to UK£1,000 UK£1,000 to UK£2,000 UK£2,000 to UK£3,000 UK£3,000 to UK£5,000

by UK£50s by UK£100s by UK£200s by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800) UK£5,000 to UK£10,000 by UK£500s UK£10,000 to UK£20,000 by UK£1,000s UK£20,000 to UK£30,000 by UK£2,000s UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000 UK£50,000 to UK£100,000 by UK£5,000s UK£100,000 to UK£200,000 by UK£10,000s above UK£200,000 at the auctioneer’s discretion The auctioneer may vary the increments during the course of the auction at his or her own discretion. Conditions Of Sale The auction is governed by the Conditions of Sale and Authorship Warranty which are available on our website. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement.

Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot. Consecutive And Responsive Bidding; The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. No Reserve Lots If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. C) After The Auction Payment Payment is due immediately following the auction, unless other arrangements have been agreed with Phillips in writing in advance of the sale. Interest will be charged on late payment at the rate of 12% per annum. Payments must be made by the invoiced party in pounds sterling and may be sent by wire transfer directly to: Bank of Scotland, Gordon Street, Glasgow G1 3RS For the account of Phillips Auctioneers Ltd Account no. 00440780 Sort code: 80-54-01 SWIFT BIC: LOYDGB2LXXX IBAN: GB36BOFS 8054 0100 4407 80 Please reference the relevant invoice number. Alternatively, payment can be made: • For invoices of £30,000 or less by credit card. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). • It is our corporate policy not to make or accept single or multiple payments in cash in excess of £5,000 for all purchases in any calendar year. Title to each lot will not pass until the buyer has made full payment of the Purchase Price plus any applicable Artist Resale Royalty and all applicable taxes. Collection Once Phillips has received full and cleared payment of the total purchase price for the lot and any other amounts the buyer owes to Phillips, lots will be released for collection. To collect paid for lots buyers (or their authorised

Important Notices representatives) must provide proof of identity. Authorised Representatives should also bring a copy of a letter signed by the buyer authorising them to collect. Smaller items may be collected from our London gallery on the day of the auction. Please check with our staff when making payment. After the auction, lots will be transferred to offsite fine art storage facilities. The buyer information pack you will receive after the auction will confirm details of the storage facility where your lot is held for collection. Please contact us to make arrangements for collection. Storage Charges Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to you in the buyer information pack you will receive after the auction. Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven (7) days following the auction. Transport and Shipping We will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips. Please refer to Paragraph 7 of the Conditions of Sale for more information. As a free service for buyers, Phillips will wrap purchased lots which are for hand carry only. We do not provide packing, handling or shipping services directly. Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent enquiries as to whether a licence is required to export the property from the United Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licences or permits. The denial of any required licence or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a licence or certificate prior to exportation and additional licences or certificates upon importation to the US or to any country within or outside the European Union (EU). Please note that the ability to obtain an export licence or certificate does not ensure the ability to obtain an import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licences or certificates as well as any other required documentation. Please note that the US prohibits the importation of any item containing

African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis regarding continent of origin and confirmation the object is more than 100 years old. We have not obtained a scientific analysis on any lot prior to sale and cannot indicate whether elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any scientific analysis or other report required in connection with their proposed import of such property into the US. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the object qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species. Privacy Our Privacy Policy is available at https://phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. Phillips’ premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be filmed for simultaneous live broadcast on Phillips’ and third-party websites and applications.

Identification of Business or Trade Buyers As of January 2010, Her Majesty’s Revenue & Customs (“HMRC”) has made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding buyer’s premium for lots with symbols for businesses outside the UK. • Where the buyer is a non-EU business, Phillips requires evidence of the business status by means of the company identification, Certificate of Incorporation, Articles of Association or government-issued documents showing that the company exists. • Where the buyer is an EU VAT registered business, Phillips requires the business’s VAT registration number. These details can be scanned and emailed to us, or alternatively they can be faxed or mailed. If these requirements are not met, we will be unable to cancel/ refund any applicable VAT. Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verified and approved by a qualified electrician.

VAT & Tax Guide VAT Depending on the status of the lot, and your status as a buyer, VAT may be charged on the hammer price, the buyer’s premium or both. UK Auctioneer’s Margin Scheme Most items we sell are second-hand goods, so we sell them under UK Auctioneer’s Margin Scheme rules. Lots falling into this category have no VAT symbol and are treated as follows: No symbol

UK Auctioneer’s Margin Scheme sale

20% VAT charged on the buyer’s premium. (The invoiced buyer’s premium will include the VAT).

Special VAT Treatment If the Lot has one of the below symbols, the VAT treatment will be as follows: VAT Symbol

Basis

Treatment

Standard UK VAT rules

20% VAT charged on both the hammer price and buyer’s premium

Imported lot under Temporary Admission (Low rate)

5% import VAT on the hammer price and 20% VAT on the buyer’s premium

Imported lot under Temporary Admission (High rate)

20% import VAT on the hammer price and 20% VAT on the buyer’s premium

Lots sold outside the Auctioneer’s Margin Scheme If the buyer is a relevant business person in the EU (nonUK) or is a relevant business person in a non-EU country then no VAT will be charged on the buyer’s premium. This is subject to Phillips receiving evidence of the buyer’s VAT registration number in the relevant Member State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence not be provided VAT will be charged on the buyer’s premium. Exports from the European Union The following types of VAT may be cancelled or refunded by Phillips on exports made within three months of the sale date if strict conditions are met: • The amount in lieu of VAT charged on the buyer’s premium for property sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol). • The VAT on the hammer price for property sold under normal VAT rules (i.e., with a † symbol). The following type of VAT may be cancelled or refunded by Phillips on exports made within 30 days of the payment date if strict conditions are met: • The import VAT charged on the hammer price and an amount in lieu of VAT on the buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a Ω symbol) under the Auctioneer’s Margin Scheme. In each of the above examples, where the appropriate conditions are satisfied, no VAT will be charged if, at or

before the time of invoicing, the buyer instructs Phillips to export the property from the EU. This will require acceptance of an export quotation provided by Phillips. If such instruction is received after payment, a refund of the VAT amount will be made. Where the buyer carries purchases from the EU personally or uses the services of a third party, Phillips will charge the VAT amount due as a deposit and refund it if the lot has been exported within the timelines specified below and either of the following conditions are met: • For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules, Phillips is provided with appropriate original documentary proof of export from the EU within three months of the date of sale. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department to facilitate this process. • For lots sold under temporary admission, Phillips is provided with the original correct paperwork duly completed and stamped by HMRC which shows the property has been exported from the EU via the UK within 30 days of the payment date. It is essential for shippers acting on behalf of buyers to collect copies of original import papers from our Shipping Department. HMRC insist that the correct customs procedures are followed and Phillips will not be able to issue any refunds where the export documents do not exactly comply with governmental regulations. Property subject to temporary admission must be transferred to another customs procedure immediately if any restoration or repair work is to be carried out. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department, for which a charge of £20 (plus any applicable VAT) will be made. The VAT refund will be processed once the appropriate paperwork has been returned to Phillips. Phillips is not able to cancel or refund any VAT charged on sales made to UK or EU private residents unless the lot is subject to temporary admission and the property is exported from the EU within 30 days of the payment date. We can only process VAT refunds where the VAT to be refunded is £50 or more per shipment. There will be a processing fee of £20 (plus any applicable VAT). Buyers intending to export, repair, restore or alter lots under temporary admission should notify the Shipping Department before collection. Failure to do so may result in the import VAT becoming payable immediately and Phillips being unable to refund the VAT charged on deposit. VAT Refunds from HM Revenue & Customs Where VAT charged cannot be cancelled or refunded by Phillips, it may be possible to seek repayment from HMRC . Repayments in this manner are limited to businesses located outside the UK and may be considered for example for Import VAT charged on the hammer price for lots sold under temporary admission. If you are located in an EU member state other than the UK you will need to apply for a refund of UK VAT directly to your local tax authority. This is done via submission of an electronically based claim form which should be accessed through the website of your local tax authority. As a result,

your form may include VAT incurred in a number of member states. Time limits for claiming VAT refunds • If you are located in an EU member state other than the UK: Any claim must be made on a calendar year basis and submitted no later than 30 September in the following calendar year (e.g., for VAT incurred in the year 1 January to 31 December 2019 you should make a claim to your local tax authority no later than 30 September 2020). Once you have submitted the electronic form to your local tax authority it is their responsibility to ensure that payment is obtained from the relevant member states. This should be completed within four months. If this time limit is not adhered to you may receive interest on the unpaid amounts. • If you are located outside the EU you should apply for a refund of UK VAT directly to HMRC. Claim forms are available from the HMRC website. https://www.gov.uk. You should submit claims for VAT to HMRC no later than six months from the end of the 12-month period ending 30 June (e.g., claims for the period 1 July 2019 to 30 June 2020 should be made no later than 31 December 2020). Please note that refunds of VAT will only be made where VAT has been incurred for a business purpose. Any VAT incurred on articles bought for personal use will not be refunded. Sales and Use Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of lots following purchase. Buyers should consult their own tax advisors.

Conditions of Sale The Conditions of Sale and Authorship Warranty set out below govern the relationship between bidders and buyers, on the one hand, and Phillips and sellers, on the other hand. All prospective buyers should read these Conditions of Sale, the UK Auction Buyer’s Guide, the Important Notices, VAT & Tax Guide and the Authorship Warranty carefully before bidding. 1 Introduction Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers and (c) supplements to this catalogue or other written material posted by Phillips in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction. By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips and the seller contract with the buyer. 2 Phillips as Agent Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company affiliated with Phillips may own a lot, in which case we will act as agent for that company, or Phillips or an affiliated company may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips in relation to each lot is partially dependent on information provided to us by the seller and Phillips is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller; (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips is available for inspection by prospective buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to

bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips at our absolute discretion. Neither Phillips nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 Bidding at Auction (a) Phillips has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips. Proof of identity in the form of government issued identification will be required, as will an original signature and proof of address. We may also require that you furnish us with a bank reference. For individuals, acceptable forms of government issued photo identification include a passport or photo driving licence. For companies, acceptable forms of government issued identification include a certificate of incorporation as well as proof of owners and directors.

(b) As a convenience to bidders who cannot attend the auction in person, Phillips may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the Absentee Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and value added tax (VAT). The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence.

(c) Telephone bidders are required to submit bids on the Telephone Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Telephone bidding is available for lots whose low pre-sale estimate is at least £500. Phillips reserves the right to require written confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation.

(d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available on our website at www.phillips.com. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’s bid department in our sole discretion. As noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request. Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are final and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or ‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing with Phillips before the commencement of the auction that the bidder is acting as agent on behalf of an identified third party acceptable to Phillips and that we will only look to the principal for such payment. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal and state antitrust law. (g) Arranging absentee, telephone and online bids is a free service provided by Phillips to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to

execute such bids except where such failure is caused by our willful misconduct. 5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is offered subject to a reserve, which is the confidential minimum selling price agreed by Phillips with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises after the sale, our sale record is conclusive. The auctioneer may accept bids made by a company affiliated with Phillips provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in pounds sterling and payment is due in pounds sterling. For the benefit of international clients, pre-sale estimates in the auction catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate exchange rates. Accordingly, estimates in US dollars or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but Phillips accepts no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. (f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’, ‘returned to owner’ or ‘bought-in’. (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction.

6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium, plus any applicable value added tax (VAT) and any applicable resale royalty (the ‘Purchase Price’). The buyer’s premium is 25% of the hammer price up to and including £300,000, 20% of the portion of the hammer price above £300,000 up to and including £3,000,000 and 13.5% of the portion of the hammer price above £3,000,000. Phillips reserves the right to pay from our compensation an introductory commission to one or more third parties for assisting in the sale of property offered and sold at auction. (b) VAT is payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of VAT. (c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to pay to us an amount equal to the resale royalty provided for in those regulations and we undertake to the buyer to pay such amount to the artist’s collection agent. In circumstances where (i) we are on notice that the resale royalty is payable or (ii) we have not been able to ascertain the nationality of the artist, we will identify the lot with the symbol ♠ next to the lot number and will invoice the resale royalty to the buyer. If we subsequently determine that the nationality of the artist does not entitle him/her to the resale royalty on the lot, we will arrange a refund to the buyer of the amount of the royalty paid to us. If, after a sale in which we did not collect the resale royalty on a particular lot, we become aware that information provided to us prior to the auction concerning an artist’s nationality was incorrect and the artist is entitled to the resale royalty on the lot, the buyer shall pay the resale royalty to us upon receipt of an invoice. (d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in pounds sterling as follows: (i) Payments may be made by wire transfer to: Bank of Scotland, Gordon Street, Glasgow G1 3RS For the account of Phillips Auctioneers Ltd Account no. 00440780 Sort code: 80-54-01 SWIFT BIC: LOYDGB2LXXX IBAN: GB36BOFS 8054 0100 4407 80 Please reference the relevant invoice number. Alternatively, payment can be made: • For invoices of £30,000 or less by credit card. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). • It is our corporate policy not to make or accept single or multiple payments in cash in excess of £5,000 for all purchases in any calendar year. (e) Title in a purchased lot will not pass until Phillips has received the Purchase Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price.

7 Collection of Property (a) Phillips will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as we in our sole discretion shall require, including completing any antimoney laundering or anti-terrorism financing checks. As soon as a buyer has satisfied all of the foregoing conditions, he or she should contact us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased property. (b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. After the auction, we will transfer all lots to our offsite fine art storage facilities. Details will be included in the buyer information packs sent to buyers after the auction. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from (i) the date of collection or (ii) seven days after the auction, whichever is the earlier. Until risk passes, Phillips will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property.

(c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or shipping services. We will coordinate with shipping agents instructed by the buyer, whether or not recommended by Phillips, in order to facilitate the packing, handling, insurance and shipping of property bought at Phillips. Any such instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. (d) Phillips will require presentation of government-issued identification prior to release of a lot to the buyer or the buyer’s authorized representative. 8 Failure to Collect Purchases (a) Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to buyers in the buyer information pack they will receive after the auction. Purchased lots will not be released to the buyer until the Purchase Price and all charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or our affiliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction. 9 Remedies for Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment

of the Purchase Price for a lot in cleared funds within seven days of the auction, Phillips may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips‘s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips and instruct our affiliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice arrange the sale of such property and apply the proceeds to the amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set off the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our affiliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs; or (x) take such other action as we deem necessary or appropriate. (b) The buyer irrevocably authorizes Phillips to exercise a lien over the buyer’s property which is in our possession upon notification by any of our affiliated companies that the buyer is in default of payment. Phillips will notify the buyer of any such lien. The buyer also irrevocably authorizes Phillips, upon notification by any of our affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in our possession by actual or constructive delivery to our affiliated company as security for the payment of any outstanding amount due. Phillips will notify the buyer if the buyer’s property has been delivered to an affiliated company by way of pledge.

(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips to instruct any of our affiliated companies in possession of the buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third party instructed by Phillips to hold the property on our behalf as security for the payment of the Purchase Price and any other amount due and, no earlier than 30 days from the date of written notice to the buyer, to sell the property in such manner and for such consideration as can reasonably be obtained on a forced sale basis and to apply the proceeds to any amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all salerelated expenses and any applicable taxes thereon.

10 Rescission by Phillips Phillips shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party. Upon notice of Phillips election to rescind the sale, the buyer will promptly return the lot to Phillips, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips and the seller with respect to such rescinded sale. 11 Export, Import and Endangered Species Licences and Permits Before bidding for any property, prospective buyers are advised to make their own enquiries as to whether a licence is required to export a lot from the United Kingdom or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientifc analysis of continent of origin and confrmation the object is more than 100 years old. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identifcation and age of an object in order to demonstrate that the item qualifes as an antique. This will require the buyer to obtain an independent appraisal certify the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object containing endangered species into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualifed independent appraiser prior to placing a bid on the lot. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licences or permits. Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips has marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species. 12. US Import Tarifs Buyers intending to import property into the United States of America should note that US Customs may charge an additional import duty upon the importation of (i) products manufactured or created in mainland China and (ii) printed materials (including photographs, prints, lithographs, books and designs) printed in the UK or Germany.

Phillips will mark with a symbol Ж lots which may be subject to additional US import tarifs, where this is known to us. Please note, however, that any such markings are done by us only as a convenience to bidders. Phillips does not accept liability for errors including failing to mark lots accurately or for the absence of any marking. Buyers should note that they are responsible for all charges, duties and taxes related to the exportation and importation of lots shipped by them or shipped on their behalf by Phillips. Please contact the department organising the auction for further details. 13 Privacy (a) You acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with our privacy policy from time to time as published at www.phillips.com or available by emailing dataprotection@phillips.com. (b) Our privacy policy sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data (including for example the provision of auction, private sale and related services; the performance and enforcement of these terms and conditions; the carrying out of identity and credit checks; keeping you informed about upcoming auctions, exhibitions and special events; and generally where reasonably necessary in the management and operation of our business); (iii) the lawful bases on which we rely in undertaking our processing of your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. (c) Phillips premises and sale and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes and will be filmed during the auction for simultaneous live broadcast on our and third party websites and applications. By remaining in these areas, you acknowledge that you may be photographed, filmed and recorded and grant your permission for your likeness and voice to be included in such recordings. If you do not wish to be photographed or filmed or appear in such recordings, please speak to a member of Phillips staff. Your communications with Phillips, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy available at www.phillips.com. 14 Limitation of Liability (a) Subject to sub-paragraph (e) below, the total liability of Phillips, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot.

(b) Except as otherwise provided in this Paragraph 14, none of Phillips, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in

Authorship Warranty writing, in information provided to prospective buyers by Phillips or any of our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips, our affiliated companies and the seller to the fullest extent permitted by law. (d) Subject to sub-paragraph (e) below, none of Phillips, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in sub-paragraph (a) above, whether such loss or damage is characterised as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips or any of our affiliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions. 15 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and, subject to the provisions of the Copyright, Designs and Patents Act 1988, such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it. 16 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements.

(b) Notices to Phillips shall be in writing and addressed to the department in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing to Phillips. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part.

(e) No term of these Conditions of Sale shall be enforceable under the Contracts (Rights of Third Parties) Act 1999 by anyone other than the buyer. 17 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with English law. (b) For the benefit of Phillips, all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. All parties agree that Phillips shall retain the right to bring proceedings in any court other than the Courts of England. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission, personal service, delivery by mail or in any other manner permitted by English law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of the bidder or seller known to Phillips.

Phillips warrants the authorship of property in this auction catalogue described in headings in BOLD or CAPITALIZED type for a period of five years from date of sale by Phillips, subject to the exclusions and limitations set forth below. (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry. (b) In any claim for breach of the Authorship Warranty, Phillips reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips to the saleroom in which it was purchased in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. Phillips has discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

INDEX

Ackermann, F. 28

de Chirico, G. 125

Hume, G. 71

Morandi, G. 126

Sheng, Q. 211

Almond, D. 196

de Saint Phalle, N. 119

Hyber, F. 140

Moyer, S. 79

Sheridan Smith 224

Ancart, H. 11

Denzler, A. 38, 44, 45

Hyung Koo, H. 177

Muniz, V. 184

Sherman, C. 32, 182, 183, 192

Araki, N. 189, 190

Dornfeld, M. 110

Muñoz, J. 54

Shishkin-Hokusai, A. 155

Armleder, J. 35

Dzama, M. 108, 109

Innes, C. 137

Murillo, O. 91

Shumikhin, D. 171

Invader 207

Mutu, W. 139

Simmons, L. 160, 197

Aubertin, B. 120 Ayres, G. 105

Ebner, S. 186

Skreber, D. 114

Ito, P. 81, 215, 216

Eerdekens, F. 153

Negri, M. 123

Smalley, T. 57

Bas, H. 27

Eielson, J. 164

Jacquette, J. 223

Noble and Webster 163

Smith, L. 61

Bass, M. 12

Eliasson, O. 199

Johanson, C. 143

Noor, Y. 166

Sonne, K. 66

Bauer, J. 87

Essenhigh, I. 221

Juliano-Villani, J. 4 June Paik, N. 103

Beloufa, N. 158

Stokoe, N. 37 Olson, A. 56, 84

Sugito and Luduvico,

Opie, J. 39, 40, 41

H. and L. 82

Bernhardt, K. 6

Falls, S. 217

Beshty, W. 33

Farah, A. 55

KAWS 14, 208

Ostrowski, D. 69

Bevilacqua, M. 148

Festa, T. 124

Kentridge, W. 21

Oursler, T. 151

Boetti, A. 46

Francez, T. 203

Klyukin, V. 159

Bogin, G. 85

Francis, S. 34, 135, 136

Koether, J. 50

Parchikov, T. 175

Bolin, L. 169

Franco, J. 107

Koons, J. 210

Pasqua, P. 118

Bradford, K. 5

Fritsch, K. 147

Kruglyanskaya, E. 10

Pettibon, R. 106, 141

The Bruce High

Brandt, M. 99

Frize, B. 15

Kusaka, S. 3

Plessen, M. 90

Quality Foundation 76, 77, 157

Bulatov, E. 152

Furnas, B. 100

Sutherland, P. 67 Swoon 205

Thomas, M. 188 LaChapelle, D. 181, 194, 195

Butzer, A. 138

Sugito, H. 222

Quinn, M. 198

Thukral and Tagra, J. and S. 168

Gaillard, C. 80

Lam, W. 127

Capalino, B. 65

Gambarof, N. 72

Lebedeva, Y. 174

R, T. 29

Tobias, G. and U. 42, 92

Casselman, S. 209

Geers, K. 162

Ledebur, L. 172

Rae, F. 26

Tuymans, L. 23

Cerletty, M. 144, 149

Gersht, O. 193

Lewis, T. 150

Rafman, J. 218, 219

Tyson, K. 113

César 121

Gilbert & George 31

Li, W. 214

Ram, R. 170

Christo 22, 133

Gokita, T. 9

Lindman, E. 68

Ren, R. 212

Værslev, F. 88

Christo and

Gorchov, R. 156

Lo Giudice, M. 122

Richter, G. 19, 20, 202

Valmier, G. 134

Jeanne-Claude 132

Grob, W. 101

Lund, J. 93, 94

Rosa, C. 86

Collishaw, M. 161

Grosse, K. 17

Lynch, B. 53

Ruby, S. 191

Warhol, A. 128, 129, 130

Condo, G. 8

Gursky, A. 200, 201

Ruyter, L. 98

Weiser, G. 70

Cook, E. 75

Gyatso, G. 187

Whittaker, D. K. 115

Mahama, I. 58 Martin, J. 36

Saban, A. 96

Willett, S. 97

Cottingham, R. 131

Hagen, M. 64

Martin, K. 52

Sanogo, A. 112

Wood, J. 24

Crowner, S. 51

Hartley, A. 165

Martinez Celaya, E. 43

Scharf, K. 117

Currin, J. 142

Heck, K. 145

Martinez, E. 1, 7

Scheibitz, T. 48

Cortright, P. 18

Xiao, H. 178

Henning, A. 104

McCloud, H. 60

Schinwald, M. 146

D*face 206

Henson, B. 185

McDermott and McGough 179

Schwontkowski, N. 102

Young, R. 180

Dancy, M. 30

Hernández, S. 16

McEwen, A. 63, 154

Scott-Douglas, H. 62

Ziegler, T. 89

Daniels, W. 83

Hildebrandt, G. 49

McGinness, R. 95

SEEN 204

Zigura, E. 173

Darmstaedter, N. 73, 74

Hirst, D. 25

Miao, X. 213

Self, T. 2

Zipp, T. 78

Dault, J. 59

Holloway, E. 13

Minin, R. 116

Serebriakova, M. 47

Dawson, V. 220

Huang, Y. 167

Moran, K. 111

Serrano, A. 176

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