EVENING & DAY EDITIONS [catalogue] by PHILLIPS

Editions Evening & Day Sales London / 21 January 2021

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Editions London 21 January 2021

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43.

Andy Warhol

Mickey Mouse, from Myths

Estimate ÂŁ70,000-90,000

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Screenprint in colours with diamond dust, on Lenox Museum Board, the full sheet. S. 96.5 x 96.6 cm (37 7/8 x 38 in.)

Evening & Day

Editions London / 21 January 2021

Auction & Viewing Location 30 Berkeley Square, London, W1J 6EX

Modern and Contemporary Editions Department editionslondon@phillips.com

Auctions Evening Sale Thursday, 21 January, 6pm (lots 1–92) Day Sale Thursday, 21 January, 12pm (lots 93–272) Please register to bid online, absentee or by phone. Viewing 14–21 January Monday–Saturday 10am–6pm Sunday 12pm–6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as UK030121 or Evening & Day Editions.

Head of Editions, Europe Robert Kennan +44 20 7318 4075 rkennan@phillips.com Head of Sale, Specialist Rebecca Tooby-Desmond +44 20 7318 4079 rtooby-desmond@phillips.com Senior Specialist Anne Schneider-Wilson +44 20 7318 4042 aschneider-wilson@phillips.com Cataloguer Louisa Earl +44 20 7318 4069 learl@phillips.com

Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com

Administrator Adam Rutledge +44 20 7318 4077 arutledge@phillips.com Property Manager Surya Buck +44 7867 430097 sbuck@phillips.com

Our Team Editions London

Robert Kennan

Rebecca Tooby-Desmond

Anne Schneider-Wilson

Specialist, Head of Sale

Senior Specialist

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+44 20 7318 4042 aschneider-wilson@phillips.com

Cary Leibowitz

Kelly Troester

Sarah Browne

Jason Osborne

Worldwide Co-Head, Editions

Associate Specialist

Associate Specialist/Cataloguer

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Head of Editions, Europe +44 20 7318 4075 rkennan@phillips.com

Louisa Earl Cataloguer +44 20 7318 4069 learl@phillips.com

New York

Executives Edward Dolman

David Norman

Jamie Niven

Chief Executive Ofcer

Chairman, Americas

Senior Advisor to the CEO

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Cheyenne Westphal

Jonathan Crockett

Hugues Jofre

Global Chairwoman

Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Senior Advisor to the CEO

ÂŠ Brigitte Lacombe

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Deputy Chairmen & Chairwomen

Svetlana Marich

Jean-Paul Engelen

Robert Manley

Peter Sumner

Miety Heiden

Worldwide Deputy Chairman

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Head of Private Sales

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Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Elizabeth Goldberg

Deputy Chairwoman, Americas, Worldwide Head of Photographs

Deputy Chairman, Americas, Head of Business Development, Americas

Deputy Chairwoman, Europe, Senior Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Americas, Senior International Specialist, American Art

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Business Development

Americas Vivian Pfeifer Deputy Chairman, Americas, Head of Business Development, Americas +1 212 940 1392 vpfeifer@phillips.com

Client Advisory

Europe Giulia Campaner Mendes Client Advisor +44 20 7318 4058 gcampaner@phillips.com

Laurent Taevernier Client Liaison Coordinator +32 32 573026 ltaevernier@phillips.com

Americas Philae Knight Client Advisory Director +1 212 940 1313 pknight@phillips.com

Asia

Middle East & South Asia

Iori Endo

Yassaman Ali

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Client Advisory Director

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Trusts, Estates & Valuations

Americas Jennifer Jones

Laura Wenger

Senior Vice President, Director of Trusts, Estates & Valuations

Associate Vice President Account Manager Trusts, Estates & Valuations

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International Specialists & Regional Directors

Europe Laurence Calmels

Nathalie Zaquin-Boulakia

Clara Rivollet

Laurence Barret-Cavy

Elie Massaoutis

Thibault Stockmann

Regional Director, France

Senior International Specialist, 20th Century & Contemporary Art

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

Head of Design, France, Senior International Specialist

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International Specialist, 20th Century & Contemporary Art, France

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Dr. Nathalie Monbaron

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Dr. Alice Trier

Tobias Sirtl

Carolina Lanfranchi

Margherita Solaini

Maura Marvao

Regional Director, Geneva

Specialist, 20th Century & Contemporary Art, Germany

Associate Specialist, 20th Century & Contemporary Art, Italy

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International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Kalista Fenina

Kirsten MacDonald

Lori Spector

Specialist, 20th Century & Contemporary Art, Moscow

Regional Director, Scandinavia

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Americas CĂ˘ndida SodrĂŠ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

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Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

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Kyoko Hattori

Jane Yoon

Yeonah Lim

Wenjia Zhang

Alicia Zhang

Yolanda Zeng

Regional Director, Japan

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Our team is comprised of experts from auction houses, museums, galleries and other leading arts institutions. In addition to auctions in our New York, London, Hong Kong and Geneva salerooms, Phillips holds private sales and curated selling exhibitions across all of our categories around the world. Our range of services includes appraisals for private clients, advisors, attorneys and other key fduciaries, and our dedicated Trusts, Estates & Valuations team provides complimentary reviews of collections.

Evening Editions January 21, 6pm / lots 1â&#x20AC;&#x201C;92

Property of a Distinguished Private Collector

1. Albrecht Dürer

1471-1528

Knight, Death and the Devil (B. 98; M. 74), 1513 Engraving, on laid paper, trimmed to the platemark, with thread margins in places. With the artist’s monogram and date in the plate, a fne silvery impression, Meder B/C of G, printing with good contrasts, without watermark as cited by Meder for this classifcation, framed. S. 24.4 x 18.9 cm (9 5/8 x 7 7/ 16 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 ‡ plus Buyers Premium and VAT*

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Royalty payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 26%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

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Property of a Distinguished Private Collector

2. Diego Rivera

1887-1959

El Sueño (La Noche de los pobres) (The Dream (The Night of the Poor)), 1932 Lithograph, on wove paper, with wide margins (lower edge of sheet unevenly trimmed). Signed, dated and numbered ‘No. 48’ in pencil, from the edition of 100 (there were also some artist’s proofs), published by Weyhe Gallery, New York, framed. I. 41.6 x 30.2 cm (16 3/8 x 11 7/8 in.) S. 52.1 x 39.1 cm (20 1/2 x 15 3/8 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ‡ plus Buyers Premium and VAT*

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Property of a Distinguished Private Collector

3. Pablo Picasso

1881-1973

Tête de femme No. 5 (Head of a Woman No. 5): Portrait de Dora Maar (Bl. 1337; Ba. 653), 1939-42 Aquatint and drypoint in colours, on Montval paper watermarked Vollard, with full margins. One of six impressions pulled without allowing the colours to dry between each run, from the total unsigned edition of 105 (the edition was 80 and 25 artist’s proofs), printed by Lacourière, published by Vollard, Paris, framed. I. 30 x 23.8 cm (11 3/4 x 9 3/8 in.) S. 44.5 x 34 cm (17 1/2 x 13 3/8 in.) Estimate £30,000-50,000 $40,300-67,200 €33,300-55,400 ♠ plus Buyers Premium and VAT, ARR applies*

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Property of a Distinguished Private Collector

4. Pablo Picasso

1881-1973

Tête de femme No. 3 (Head of a Woman No. 3): Portrait de Dora Maar (Bl. 1339; Ba. 651), 1939-42 Aquatint and scraper in colours, on Montval paper watermarked Picasso, with full margins. From the total unsigned edition of 105 (the edition was 80 and 25 artist’s proofs), printed by Lacourière, published by Vollard, Paris, framed. I. 30 x 23.7 cm (11 3/4 x 9 3/8 in.) S. 44.5 x 33.8 cm (17 1/2 x 13 1/4 in.) Estimate £25,000-35,000 $33,600-47,000 €27,700-38,800 ♠ plus Buyers Premium and VAT, ARR applies*

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5. Pablo Picasso

1881-1973

Femme assise en tailleur: Geneviève Laporte (Seated Woman in a Suit: Geneviève Laporte) (Bl. 1837; Ba. 888; C. 147), 1951 Etching and drypoint, on Japon nacré paper, with full margins. Signed and numbered 156/180 in pencil (there were also 12 artist’s proofs), published by G. Gili, Barcelona, the frontspiece for Recordant el Doctor Reventós, 1969, framed. I. 14.5 x 10 cm (5 3/4 x 3 7/8 in.) S. 30.8 x 23.2 cm (12 1/8 x 9 1/8 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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6. Joan Miró

1893-1983

Gaudí XXI (D. 1080), 1979 Etching and aquatint in colours with paper collage, on Arches paper, the full sheet. Signed and numbered 44/50 in white pencil (there were also 15 in Roman numerals), published by Maeght, Barcelona, framed. S. 115.8 x 71.2 cm (45 5/8 x 28 in.) scan for more on this lot

Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ♠ plus Buyers Premium and VAT, ARR applies*

7. Joan Miró

1893-1983

Gaudí XX (D. 1079), 1979 Etching and aquatint in colours with paper collage, on shaped Arches paper, the full sheet. Signed in white pencil and numbered 28/50 in pencil (there were also 15 in Roman numerals), published by Maeght, Barcelona, framed. S. approx. 95 x 78 cm (37 3/8 x 30 3/4 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ♠ plus Buyers Premium and VAT, ARR applies*

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8. Joan Miró

1893-1983

L’Oiseau Mongol (Mongolian Bird) (D. 513), 1969 Etching and aquatint in colours with carborundum, on Arches paper, the full sheet. Signed and numbered 3/75 in white pencil (there were also some hors commerce impressions), published by Maeght, Paris, framed. S. 104.5 x 70.4 cm (41 1/8 x 27 3/4 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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9. Marcel Duchamp

1887-1968

Nu déscendant un escalier No. 2 (Nude Descending a Staircase No. 2) (S. 458), 1937 Pochoir-coloured reproduction, on wove paper, with full margins. Signed and dated in blue ink on the French 5-centime revenue stamp, from the small unnumbered edition, created for the artist’s La Boîte-en-Valise, Paris, 1941, framed. I. 32.1 x 19.7 cm (12 5/8 x 7 3/4 in.) S. 35.2 x 20 cm (13 7/8 x 7 7/8 in.) Estimate £40,000-60,000 $53,100-79,600 €43,900-65,800 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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10. Marcel Duchamp and Francis Picabia

1887-1968 and 1879-1953

L’Équilibre (The Balance) (S. 559), 1958 Drypoint on celluloid, on Auvergne handmade paper, with full margins, the sheet loose, folded (as issued) contained in the original artist’s booklet with poem by Francis Picabia and printed wrappers. The drypoint signed by Marcel Duchamp in black ink, the booklet initialled by Pierre-André Benoit and numbered 14/40 in pencil on the end page (there were also 4 in Roman numerals that each included a suite of 3 signed etchings), published by Pierre-André Benoit, Alés, France. I. 10.9 x 5.6 cm (4 1/4 x 2 1/4 in.) folded S. 17.3 x 11.7 cm (6 3/4 x 4 5/8 in.) booklet 18 x 12.5 cm (7 1/8 x 4 7/8 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ plus Buyers Premium and VAT, ARR applies*

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Property of a Distinguished Private Collector

11. Jasper Johns

b. 1930

Flag I (U.L.A.E. 4), 1960 Lithograph, on Arches paper, with full margins. Signed, dated and numbered 6/23 in pencil (there were also 6 artist’s proofs), published by Universal Limited Art Editions, West Islip, New York (with their blindstamp), framed. I. 43.8 x 67.3 cm (17 1/4 x 26 1/2 in.) S. 56.5 x 76.2 cm (22 1/4 x 30 in.) Estimate £50,000-70,000 $67,200-94,100 €55,400-77,600 ‡ plus Buyers Premium and VAT*

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Property of a Distinguished Private Collector

12. Donald Judd

1928-1994

Untitled (S. 26), 1961-78 Woodcut in cadmium red with hand-colouring in maroon gouache, on ofset paper, with full margins. Signed, dated and numbered ‘5’ in pencil, one of 10 impressions with hand-colouring, numbers 1-10 from the total edition of 25 (there were also 3 artist’s proofs), published by Edition der Galerie Heiner Friedrich, Munich, framed. I. 25.7 x 42.9 cm (10 1/8 x 16 7/8 in.) S. 44.1 x 59.1 cm (17 3/8 x 23 1/4 in.) Estimate £35,000-45,000 $47,000-60,500 €38,800-49,900 ‡ plus Buyers Premium and VAT*

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Property of a Distinguished Private Collector

13. Robert Motherwell

1915-1991

Untitled (E. & B. 528), 1991 Unique lithograph and screenprint with linocut in colours, on Somerset paper, with full margins. Signed and annotated ‘ok to print’ in pencil, one of two bon à tirer (good to print) proofs for an intended edition, unrealised at the time of the artist’s death, framed. I. 114.6 x 76.2 cm (45 1/8 x 30 in.) S. 136.8 x 96.5 cm (53 7/8 x 38 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 ‡ plus Buyers Premium and VAT*

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Property of a Distinguished Private Collector

14. Robert Motherwell

1915-1991

Untitled (E. & B. 527), 1991 Unique lithograph and screenprint with linocut in colours, on Somerset paper, with full margins. Signed and annotated ‘ok to print’ in pencil, the bon à tirer (good to print) proof for an intended edition, unrealised at the time of the artist’s death, framed. I. 71.1 x 57.2 cm (28 x 22 1/2 in.) S. 87.6 x 72.4 cm (34 1/2 x 28 1/2 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ‡ plus Buyers Premium and VAT*

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15. Frank Stella

b. 1936

York Factory II (Gemini G.E.L. 567), 1974 Screenprint in colours, on black Arches Cover paper, with full margins. Signed, dated and numbered ‘A.P. VIII’ in pencil (one of 20 artist’s proofs, the edition was 100), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 34.3 x 102.5 cm (13 1/2 x 40 3/8 in.) S. 46.9 x 112.8 cm (18 1/2 x 44 3/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ‡ plus Buyers Premium and VAT*

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16. David Hockney

b. 1937

Panama Hat (S.A.C. 127; M.C.A.T. 119), 1972 Etching and aquatint, on Crispbrook handmade paper, the full sheet. Signed, dated and numbered III/L in pencil (one of 50 artist’s proofs, Scottish Arts Council calls for 60 proofs in Roman numerals and 15 proofs in Arabic numerals, the edition was 125), co-published by Brooke Alexander, Inc., New York, and Petersburg Press, London, framed. S. 41.6 x 33.7 cm (16 3/8 x 13 1/4 in.) Estimate £12,000-18,000 $16,100-24,200 €13,300-20,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

17. David Hockney

b. 1937

Black Tulips (T.G. 258; M.C.A.T. 236), 1980 Lithograph, on cream BFK Rives paper, the full sheet. Signed, dated and numbered 6/100 in pencil (there were also 20 artist’s proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), framed. S. 112.8 x 76.4 cm (44 3/8 x 30 1/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

18. David Hockney

b. 1937

Flowers Made of Paper and Black Ink (S.A.C. 120; M.C.A.T. 114), 1971 Lithograph, on Hodgkinson handmade paper, the full sheet. Signed, titled, dated and numbered 30/50 in pencil (there were also 11 artist’s proofs), published by Petersburg Press, London, framed. S. 99.5 x 95.4 cm (39 1/8 x 37 1/2 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

19. David Hockney

b. 1937

Two Vases of Cut Flowers and a Liriope Plant (Gemini G.E.L. 915; M.C.A.T. 232), 1979-81 Lithograph, on Japanese Toyoshi 80 paper, the full sheet. Signed, dated and numbered 42/98 in red pencil (all faded) (there were also 20 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. S. 106.5 x 150.3 cm (41 7/8 x 59 1/8 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

20. David Hockney

b. 1937

Potted Dafodils (T.G. 259; M.C.A.T. 237), 1980 Lithograph, on cream BFK Rives paper, the full sheet. Signed, dated and numbered 38/98 in pencil (there were also 18 artist’s proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), framed. S. 112.7 x 76.3 cm (44 3/8 x 30 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

21. David Hockney

b. 1937

Sunfower I (M.C.A.T. 347), 1995 Etching and aquatint, on Arches watercolour paper, with full margins. Signed, dated and numbered 26/80 in pencil (there were also 15 artist’s proofs in Roman numerals), with the artist’s blindstamp, co-published by the artist and Lococo Mulder Inc., St. Louis, Missouri, framed. I. 46.5 x 38.6 cm (18 1/4 x 15 1/4 in.) S. 69 x 56.9 cm (27 1/8 x 22 3/8 in.) Estimate £2,500-3,500 $3,400-4,700 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

22. David Hockney

b. 1937

Sunfower II (M.C.A.T. 348), 1995 Etching and aquatint, on Arches watercolour paper, with full margins. Signed, dated and numbered 66/80 in pencil (there were also 15 artist’s proofs in Roman numerals), with the artist’s blindstamp, co-published by the artist and Lococo Mulder Inc., St. Louis, Missouri, framed. I. 46.5 x 38.5 cm (18 1/4 x 15 1/8 in.) S. 68.8 x 57 cm (27 1/8 x 22 1/2 in.) Estimate £2,500-3,500 $3,400-4,700 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private UK Collection

23. David Hockney

b. 1937

The Drooping Plant (M.C.A.T. 311), 1986 Home-made print executed on an ofce colour copy machine, on Arches paper, the full sheet. Signed, dated and numbered 35/46 in pencil, published by the artist (with his blindstamp), framed. S. 27.8 x 21.5 cm (10 7/8 x 8 1/2 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

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24. David Hockney

b. 1937

Pool Made with Paper and Blue Ink for Book, from Paper Pools (T.G. 269; M.C.A.T. 234), 1980 Lithograph in colours, on Arches Cover paper, the full sheet. Signed, dated and numbered 372/1000 in pencil (there were also 100 artist’s proofs), published by Tyler Graphics, Ltd., Mt. Kisco, New York (with their blindstamp), lacking the accompanying book, framed. S. 26.6 x 23 cm (10 1/2 x 9 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ♠ plus Buyers Premium and VAT, ARR applies*

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25. David Hockney

b. 1937

Untitled No. 11, from The Yosemite Suite, 2010 iPad drawing in colours, printed on wove paper, with full margins. Signed, dated and numbered 25/25 in pencil, published by the artist (with his blindstamp), framed. I. 81.5 x 61.1 cm (32 1/8 x 24 in.) S. 94.3 x 71.2 cm (37 1/8 x 28 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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26. David Hockney

b. 1937

Untitled No. 2, from The Yosemite Suite, 2010 iPad drawing in colours, printed on wove paper, with full margins. Signed, dated and numbered 25/25 in pencil, published by the artist (with his blindstamp), framed. I. 81.5 x 61 cm (32 1/8 x 24 in.) S. 94.2 x 71.2 cm (37 1/8 x 28 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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27. Patrick Caulfeld

1936-2005

Les Desmoiselles d’Avignon vues de derrière (The Young Ladies of Avignon Seen from Behind) (C. 90), 1999 Screenprint in colours, on wove paper, with full margins. Signed and numbered 45/65 in pencil (there were also 14 artist’s proofs), published by Alan Cristea Gallery, London (with their blindstamp), framed. I. 106 x 92 cm (41 3/4 x 36 1/4 in.) S. 130 x 112 cm (51 1/8 x 44 1/8 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ♠ plus Buyers Premium and VAT, ARR applies*

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28. Francis Bacon

1909-1992

Deuxième version du triptyque, 1944 (Second Version of the Triptych, 1944) (S. 24; T. 25), 1989 The complete set of three lithographs in colours, on Arches Infnity paper, with full margins. All signed and annotated ‘H.C.’ in pencil (an hors commerce set, the edition was 60 and 8 artist’s proofs), published by Michel Archimbaud for the Librarie Séguier for IRCAM Centre Pompidou, Paris, all framed. all I. 62.2 x 46.4 cm (24 1/2 x 18 1/4 in.) all S. 75.2 x 55.9 cm (29 5/8 x 22 in.) Estimate £12,000-18,000 $16,100-24,200 €13,300-20,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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Property from an Important Private Collection

29. Roy Lichtenstein

1923-1997

Reverie, from 11 Pop Artists, Volume II (C. 38), 1965 Screenprint in colours, on smooth wove paper, with full margins. Signed and numbered 63/200 in pencil (there were also 50 copies in Roman numerals and approximately 5 artist’s proofs), published by Original Editions, New York, framed. I. 69 x 58.5 cm (27 1/8 x 23 in.) S. 76.3 x 61.4 cm (30 x 24 1/8 in.) Estimate £80,000-120,000 $108,000-161,000 €88,700-133,000 plus Buyers Premium and VAT*

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30. Roy Lichtenstein

1923-1997

Les Nymphéas (The Nymphs) (C. 280), 1993 Linocut, woodcut, lithograph and screenprint in colours, on Arches Cover paper, with full margins. Signed, dated and numbered 66/100 in pencil (there were also 25 artist’s proofs), co-published by the artist and Éditions de la Tempête, Paris, for the beneft of Médecins du Monde, framed. I. 66.7 x 91 cm (26 1/4 x 35 7/8 in.) S. 78.6 x 102.5 cm (30 7/8 x 40 3/8 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 plus Buyers Premium and VAT*

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Property from a Private German Collection

31. Yves Klein

1928-1962

Monochrome, from Edition Original 1, 1962-64 IKB pigment, gold leaf and pink pigment, each contained between synthetic foil sleeves, mounted to support card (as issued). One of 30 unnumbered artist’s proofs (the edition was 100), published by Hofaus Presse, Dusseldorf, 1964 (with their label on the reverse), unframed. each sleeve 9.1 x 9.1 cm (3 5/8 x 3 5/8 in.) support card 41 x 36.6 cm (16 1/8 x 14 3/8 in.) Estimate £7,000-9,000 $9,400-12,100 €7,800-10,000 ♠ plus Buyers Premium and VAT, ARR applies*

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Property from a Private German Collection

32. Martial Raysse

b. 1936

Untitled, from Edition Original 1, 1963 Screenprint in colours, with feather powder puf, on light card collage, mounted to support card (as issued). Signed in blue ink on a label afxed to the reverse, one of 30 unnumbered artist’s proofs (the edition was 100), published by Hofaus Presse, Dusseldorf, 1964, unframed. collage 30.1 x 17.1 cm (11 7/8 x 6 3/4 in.) support card 41.1 x 36.5 cm (16 1/8 x 14 3/8 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ plus Buyers Premium and VAT, ARR applies*

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33. Allen Jones

b. 1937

A New Perspective on Floors (Ll. 36a-f; E.A. 520-525), 1966 The complete portfolio comprising six lithographs in colours, on Arches paper, the full sheets and with margins, with colophon and screenprinted title page, the lithographs loose (as issued), fve contained in the original green cloth-covered portfolio box with printed title, one contained in the original specially designed Perspex frame accompanying the portfolio. All signed, dated and numbered 19/20 in pencil, the title page dated ‘67’ in pencil (the colophon calls for 10 artist’s proofs, with only 2 to 3 realised), published by Editions Alecto, London, fve unframed. all S. 76.6 x 56.5 cm (30 1/8 x 22 1/4 in.) portfolio 78.5 x 58.2 cm (30 7/8 x 22 7/8 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ♠ plus Buyers Premium and VAT, ARR applies*

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34. Allen Jones

b. 1937

A Fleet of Buses (Ll. 37a-e; E.A. 514-518), 1966 The complete set of fve lithographs in colours, on shaped Arches paper, the full sheets, with the original yellow rexine-covered portfolio box. All signed, dated and numbered 19/20 in pencil (the colophon calls for 10 artist’s proofs, with only 3 realised), published by Editions Alecto, London, lacking the title page, all framed. all S. 63.7 x 56.8 cm (25 1/8 x 22 3/8 in.) portfolio 59 x 56 x 4 cm (23 1/4 x 22 x 1 5/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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35. Allen Jones

b. 1937

Life Class (Ll. 48a-g; E.A. 533-540), 1968 The complete set of 14 lithographs in colours, ofset, photo and hand-drawn, forming seven images, each of two abutting sheets with similarly divided title page, on J. Green Imperial waterleaf or BFK Rives papers, the full sheets, with the original red portfolio box and slipcase. All top sheets signed ‘allen’ in pencil, all bottom sheets signed ‘jones’, dated and annotated ‘artist’s proof’ in pencil (one of 15 artist’s proof sets, the edition was 75), co-published by Ars Moderna, Basel, and Editions Alecto, London, the 14 prints in seven frames. all S. overall approx. 81.5 x 56.5 cm (32 1/8 x 22 1/4 in.) portfolio 51 x 60 x 3.8 cm (20 1/8 x 23 5/8 x 1 1/2 in.) Estimate £12,000-18,000 $16,100-24,200 €13,300-20,000 ♠ plus Buyers Premium and VAT, ARR applies*

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Property of a Distinguished Private Collector

36. Robert Longo

b. 1953

Edmund, 1985 Lithograph, on Arches paper, with full margins. Signed, dated and numbered ‘AP 2/10’ in pencil (an artist’s proof, the edition was 38), published by Brooke Alexander, Inc., New York, framed. I. 160 x 78.7 cm (63 x 31 in.) S. 172.7 x 99.1 cm (68 x 39 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 ‡ plus Buyers Premium and VAT*

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37. Andy Warhol

1928-1987

Mick Jagger (F & S. 146), 1975 Screenprint in colours, on Arches Aquarelle (Rough) paper, the full sheet. An unsigned proof, with the Estate of Andy Warhol inkstamp, and with initials ‘VF’ and annotated ‘EXTRA OUT OF EDITION’ in pencil on the reverse (the signed edition was 250 and 50 artist’s proofs), published by Seabird Editions, London, framed. S. 111.4 x 73.6 cm (43 7/8 x 28 7/8 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 plus Buyers Premium and VAT*

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38. Andy Warhol

1928-1987

Love (F & S. 310-312), 1983 The complete set of three screenprints in colours, on BFK Rives paper, the full sheets. All signed and numbered 75/100 in pencil (there were also 10 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Form K. K., Tokyo, all framed. all S. 65.8 x 50 cm (25 7/8 x 19 5/8 in.) Estimate £30,000-50,000 $40,300-67,200 €33,300-55,400 plus Buyers Premium and VAT*

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39. Andy Warhol

1928-1987

Love (F & S. 312), 1983 Unique screenprint in colours, on black wove paper, with full margins. With the Estate of Andy Warhol and the Visual Arts Foundation inkstamps, and with initials ‘VF’ and traces of ‘UP’ number in pencil on the reverse, a trial proof, presumably unique in this colourway and paper type (the edition was 100 and 10 artist’s proofs), published by Form K. K., Tokyo, framed. I. 66.7 x 51.6 cm (26 1/4 x 20 3/8 in.) S. 76.6 x 56.8 cm (30 1/8 x 22 3/8 in.) Estimate £12,000-18,000 $16,100-24,200 €13,300-20,000 plus Buyers Premium and VAT*

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40. Andy Warhol

1928-1987

Love (F & S. 310), 1983 Unique screenprint in colours, on black wove paper, with full margins. With the Estate of Andy Warhol and the Visual Arts Foundation inkstamps, and with initials ‘VF’ and traces of ‘UP’ number in pencil on the reverse, a trial proof, presumably unique in this colourway and on this paper (the edition was 100 and 10 artist’s proofs), published by Form K. K., Tokyo, framed. I. 66.5 x 36 cm (26 1/8 x 14 1/8 in.) S. 76.7 x 56.4 cm (30 1/4 x 22 1/4 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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Property from a Private London Collection

41. Andy Warhol

1928-1987

Queen Elizabeth II of the United Kingdom, from Reigning Queens (Royal Edition) (F & S. 337A), 1985 Screenprint in colours with diamond dust, on Lenox Museum Board, the full sheet. Signed and numbered ‘R 23/30’ in pencil (there were also 5 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by George C.P. Mulder, Amsterdam, framed. S. 100.2 x 80.2 cm (39 1/2 x 31 5/8 in.) Estimate £100,000-150,000 $134,000-202,000 €111,000-166,000 plus Buyers Premium and VAT*

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42. Andy Warhol

1928-1987

Queen Beatrix of the Netherlands, from Reigning Queens (F & S. 339), 1985 Screenprint in colours, on Lenox Museum Board, the full sheet. Signed and numbered 29/40 in pencil (there were also 10 artist’s proofs), published by George C.P. Mulder, Amsterdam, framed. S. 100.1 x 80.1 cm (39 3/8 x 31 1/2 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 plus Buyers Premium and VAT*

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Property from a Private German Collection

43. Andy Warhol

1928-1987

Mickey Mouse, from Myths (F & S. 265), 1981 Screenprint in colours with diamond dust, on Lenox Museum Board, the full sheet. Signed and numbered 130/200 in pencil (there were also 30 artist’s proofs), published by Ronald Feldman Fine Arts, Inc., New York (with their and the artist’s copyright inkstamp on the reverse), framed. S. 96.5 x 96.6 cm (37 7/8 x 38 in.) Estimate £70,000-90,000 $94,100-121,000 €77,600-99,800 plus Buyers Premium and VAT*

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44. Andy Warhol

1928-1987

$ (4) (F & S. 281-282), 1982 Unique screenprint in colours, on Lenox Museum Board, the full sheet. Signed and numbered 24/35 in pencil, from the series of unique colour variants (there were also 10 artist’s proofs), published by the artist (with traces of his attenuated copyright inkstamp verso), New York, framed. S. 101.7 x 81 cm (40 x 31 7/8 in.) Estimate £50,000-70,000 $67,200-94,100 €55,400-77,600 ‡ plus Buyers Premium and VAT*

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Property from a Private UK Collection

45. Andy Warhol

1928-1987

Giant Panda, from Endangered Species (F & S. 295), 1983 Screenprint in colours, on Lenox Museum Board, the full sheet. Signed and numbered ‘AP 24/30’ in pencil (an artist’s proof, the edition was 150), published by Ronald Feldman Fine Arts, Inc., New York (with their and the artist’s copyright inkstamp on the reverse), framed. S. 96.5 x 96.4 cm (37 7/8 x 37 7/8 in.) Estimate £30,000-50,000 $40,300-67,200 €33,300-55,400 plus Buyers Premium and VAT*

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Property from a Private Dutch Collection

46. Andy Warhol

1928-1987

Flowers (F & S. 67), 1970 Screenprint in colours, on wove paper, the full sheet. An unsigned proof (aside from the signed and numbered edition of 250 and 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, unframed. S. 91.3 x 91.4 cm (35 7/8 x 35 7/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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Property from a Private Dutch Collection

47. Andy Warhol

1928-1987

Flowers (F & S. 70), 1970 Screenprint in colours, on wove paper, the full sheet. An unsigned proof (aside from the signed and numbered edition of 250 and 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, unframed. S. 91.5 x 91.5 cm (36 x 36 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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48. Andy Warhol

1928-1987

Flowers (F & S. 72), 1970 Screenprint in colours, on wove paper, the full sheet. An unsigned proof (aside from the signed and numbered edition of 250 and 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, unframed. S. 91.5 x 91.5 cm (36 x 36 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 † plus Buyers Premium and VAT*

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49. Andy Warhol

1928-1987

Saint Apollonia (F & S. II.330-333), 1984 Unique screenprint in colours, on Essex Ofset Kid Finish paper, with full margins. Signed and numbered ‘TP XI/XX’ in pencil (one of 20 colour variant trial proofs in Roman numerals, the edition was 250 and 35 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Dr. Frank Braun, Dusseldorf, framed. I. 77.4 x 57 cm (30 1/2 x 22 1/2 in.) S. 88.8 x 58.4 cm (34 7/8 x 22 7/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 plus Buyers Premium and VAT*

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50. Andy Warhol

1928-1987

Saint Apollonia (F & S. II.330-333), 1984 Unique screenprint in colours, on Essex Ofset Kid Finish paper, with full margins. Signed and numbered ‘TP III/XX’ in pencil (one of 20 colour variant trial proofs in Roman numerals, the edition was 250 and 35 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Dr. Frank Braun, Dusseldorf, framed. I. 77.2 x 57 cm (30 3/8 x 22 1/2 in.) S. 88.8 x 58.5 cm (34 7/8 x 23 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 plus Buyers Premium and VAT*

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51. Andy Warhol

1928-1987

Candy Box (Closed and Open) (F & S. IIIA. 45), circa 1983 Unique screenprint, on Lenox Museum Board, with full margins. With the Estate of Andy Warhol and the Visual Arts Foundation inkstamps, and with the number ‘UP30.21’ and initials ‘T.J.H.’ in pencil on the reverse, from a small series of unique works created as holiday gifs (there was no published edition), printed by Rupert Jasen Smith, New York, framed. I. 35.6 x 65.8 cm (14 x 25 7/8 in.) S. 56.1 x 102.2 cm (22 1/8 x 40 1/4 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 plus Buyers Premium and VAT*

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52. Banksy

b. 1974

Barcode, 2004 Screenprint, on wove paper, with full margins. Numbered 16/600 in pencil, an unsigned impression (there was also a signed edition of 150), published by Pictures on Walls, London, with the accompanying Certifcate of Authenticity issued by Pest Control, framed I. 26.5 x 35.5 cm (10 3/8 x 13 7/8 in.) S. 49.3 x 69.5 cm (19 3/8 x 27 3/8 in.) Estimate £50,000-70,000 $67,200-94,100 €55,400-77,600 ♠ plus Buyers Premium and VAT, ARR applies*

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53. Banksy

b. 1974

Donuts (Strawberry), 2009 Screenprint in colours, on Arches 88 paper, with full margins. Signed and numbered 21/299 in pink pencil, published by Pictures on Walls, London (with their blindstamp), with the accompanying Certifcate of Authenticity issued by Pest Control, framed. I. 34 x 58.6 cm (13 3/8 x 23 1/8 in.) S. 55.9 x 76 cm (22 x 29 7/8 in.) Estimate £40,000-60,000 $53,100-79,600 €43,900-65,800 ♠ plus Buyers Premium and VAT, ARR applies*

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54. Banksy

b. 1974

Donuts (Chocolate), 2009 Screenprint in colours, on Arches 88 paper, with full margins. Signed and numbered 166/299 in brown pencil, published by Pictures on Walls, London (with their blindstamp), with the accompanying Certifcate of Authenticity issued by Pest Control, unframed. I. 34 x 58.5 cm (13 3/8 x 23 in.) S. 55.9 x 76 cm (22 x 29 7/8 in.) Estimate £30,000-50,000 $40,300-67,200 €33,300-55,400 ♠ plus Buyers Premium and VAT, ARR applies*

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55. Banksy

b. 1974

Napalm, 2004 Screenprint in colours, on wove paper, with full margins. Signed, dated, numbered 7/27 and annotated ‘A/P’ in pencil (one of 27 artist’s proofs in orange, there were also 27 artist’s proofs in rainbow, the standard unsigned edition was 500, the standard signed edition was 150), published by Pictures on Walls, London, with the accompanying Certifcate of Authenticity issued by Pest Control, framed. I. 37.2 x 58.7 cm (14 5/8 x 23 1/8 in.) S. 40.9 x 69.9 cm (16 1/8 x 27 1/2 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 ♠ plus Buyers Premium and VAT, ARR applies*

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56. Chris Levine

b. 1972

Banksy (3D), 2019 Archival inkjet print with embossing and rubber stamp, on archival paper, the full sheet. Signed and numbered 7/33 in pencil, further signed and numbered in black ink on the accompanying Certifcate of Authenticity (there were also 4 artist’s proofs), published by the artist, unframed. S. 63.9 x 45.1 cm (25 1/8 x 17 3/4 in.) Estimate £7,000-10,000 $9,400-13,400 €7,800-11,100 plus Buyers Premium and VAT*

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57. Keith Haring

1958-1990

Art Attack on AIDS, 1988 Screenprint, on oak veneer plywood. Signed, dated, numbered ‘AP 6/10’ and dedicated ‘For Jason’ in black felt-tip pen (an artist’s proof, the edition was 20, not in Littman). 76.2 x 76.2 x 5 cm (30 x 30 x 1 7/ 8 in.) Estimate £18,000-22,000 $24,200-29,600 €20,000-24,400 plus Buyers Premium and VAT*

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58. After Jean-Michel Basquiat

1960-1988

Flexible, 1984/2016 Screenprint in colours, on heavy wove paper, with full margins. Numbered 55/85 in pencil on the front, signed and dated ‘5/13/16’ by Lisane Basquiat and Jeanine Heriveaux in pencil (The artist’s sisters and Administrators of the Estate of Jean-Michel Basquiat) on a Certifcate of Authenticity afxed to the reverse, published by Flatiron Editions, New York, framed. I. 148.2 x 111.5 cm (58 3/8 x 43 7/8 in.) S. 153 x 115.7 cm (60 1/4 x 45 1/2 in.) Estimate £40,000-60,000 $53,800-80,700 €44,400-66,500 plus Buyers Premium and VAT*

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59. George Condo

b. 1957

Droopy Dog Abstraction, 2017 Screenprint in colours, on Coventry Rag paper, with full margins. Signed, dated and numbered 62/75 in pencil (there were also 15 printer’s proofs), published by Art + Culture, Brooklyn, New York, unframed. I. 38.2 x 35.5 cm (15 x 13 7/8 in.) S. 45.8 x 40.6 cm (18 x 15 7/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 plus Buyers Premium and VAT*

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60. Kerry James Marshall

b. 1955

Untitled (MAN), 2017 Woodcut in brown and black, on wove paper, with full margins. Signed, titled, dated and numbered 15/15 in pencil (there were also 3 artist’s proofs), published by Ludion Publishers, Brussels, framed. I. 61 x 46 cm (24 x 18 1/8 in.) S. 76.2 x 57 cm (30 x 22 1/2 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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61. Richard Prince

b. 1949

Jesus, 2001-2002 The complete set of 14 Chromogenic prints, on wove paper, bound (as issued), contained in the original black cloth-covered porfolio. Signed, titled, dated and numbered 6/11 in black ink on the reverse of the last print. bound 11 x 9 x 1 cm (4 3/8 x 3 1/2 x 3/8 in.) portfolio 30.5 x 22.9 x 2.5 cm (12 x 9 x 7/8 in.) Estimate £6,000-9,000 $8,100-12,100 €6,700-10,000 ‡ plus Buyers Premium and VAT*

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62. Martin Kippenberger

1953-1997

Gute Rückentwicklung kennt keine Ausreden (Good Reverse Development Knows No Excuses), 1987 The complete set of 24 screenprints in colours, on light and smooth wove paper, one on transparent paper, one printed on both sides, the full sheets. 23 prints signed, one print unsigned, all dated, and 23 prints numbered 15/25 in black or blue ball-point pen, all unframed. smallest S. 60 x 40 cm (23 5/8 x 15 3/4 in.) largest S. 100 x 70 cm (39 3/8 x 27 1/2 in.), one horizontal Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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63. Christopher Wool

b. 1955

Untitled, 2002 Screenprint, on Japanese paper, with full margins. Signed, dated and numbered 46/80 in pencil, published by Brand X Editions, New York, unframed. I. 127.3 x 88.5 cm (50 1/8 x 34 7/8 in.) S. 136.5 x 97.4 cm (53 3/4 x 38 3/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 † plus Buyers Premium and VAT*

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64. Christopher Wool

b. 1955

Portfolio of Eleven Color Laser Copies, 1990 The complete portfolio of 11 colour laser copies, on smooth wove paper, with full margins, the sheets loose (as issued) all contained in the original charcoal fabric-covered portfolio. Signed and numbered 1/25 in black ink on the frontispiece of the portfolio (there were also 7 artist’s proofs), published by Museum Boijmans Van Beuningen, Rotterdam, all unframed. all I. approx. 34.8 x 26.6 cm (13 3/4 x 10 1/2 in.) all S. 36.3 x 28.1 cm (14 1/4 x 11 1/8 in.) portfolio 37.7 x 29.2 cm (14 7/8 x 11 1/2 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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65. Gerhard Richter

b. 1932

Quattro Colori (Four Colours) (B. 138), 2008 Lacquer in four unique colours on Alu-Dibond plate, mounted on wood. Signed and numbered ‘22’ in black felt-tip pen on the reverse, from the edition of 80 unique variants (there were also 15 dedicated copies), published by the Serpentine Gallery, London, lacking the original grey cardboard box, framed. 19.4 x 19.4 x 2 cm (7 5/8 x 7 5/8 x 3/4 in.) Estimate £30,000-40,000 $40,300-53,800 €33,300-44,400 ♠ plus Buyers Premium and VAT, ARR applies*

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66. Gerhard Richter

b. 1932

Seven Two Four (B. 33b), 2008 Chromogenic print, fush-mounted to Alu-Dibond support. Signed and numbered 29/32 in black felt-tip pen on the reverse (there were also 8 artist’s proofs), published by Joe Hage, London, contained in a pale wooden frame specifed by the artist. S. 73 x 100 cm (28 3/4 x 39 3/8 in.) framed 86.5 x 112.5 cm (34 x 44 1/4 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 ♠ plus Buyers Premium and VAT, ARR applies*

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67. Louise Bourgeois

1911-2010

I Said Yes With My Eyes (MoMA. 1000), 2004 Unique sof-ground etching with hand-additions in watercolour, gouache, and coloured pencil, on handmade Dieu Donné paper, the full sheet fush-mounted to another sheet of handmade Dieu Donné paper (as issued). Signed in pencil on the front, numbered 10/12 and annotated ‘Study’ in pencil on the reverse, from the series of unique colour variants, published by Osiris, New York, framed. I. 43.2 x 45.7 cm (17 x 18 in.) S. 65.1 x 54.6 cm (25 5/8 x 21 1/2 in.) Estimate £25,000-35,000 $33,600-47,000 €27,700-38,800 ‡ ♠ plus Buyers Premium and VAT, ARR applies* *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Royalty payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 26%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

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Property of a Distinguished Private Collector

68. Kiki Smith

b. 1954

Come Away From Her (Afer Lewis Carroll), 2003 Etching and aquatint with drypoint, sanding and hand-colouring in watercolour, on Lavis Fidelis En Tout Cas paper, with full margins. Signed, dated and numbered ‘PP 5/5’ in pencil (a printer’s proof, the edition was 28), published by Universal Limited Art Editions, West Islip, New York (with their blindstamp), framed. I. 115.9 x 176.8 cm (45 5/8 x 69 5/8 in.) S. 128.3 x 187.3 cm (50 1/2 x 73 3/4 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ‡ plus Buyers Premium and VAT*

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Property of a Distinguished Private Collector

69. Peter Doig

b. 1959

Almost Grown, 2001 Etching and aquatint, on wove paper, with full margins. Signed and numbered 7/28 in pencil (there were also 8 artist’s proofs), published by The Paragon Press, London, framed. I. 68.4 x 81.3 cm (26 7/8 x 32 in.) S. 93.5 x 103.7 cm (36 3/4 x 40 7/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ♠ plus Buyers Premium and VAT, ARR applies*

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Property of a Distinguished Private Collector

70. Peter Doig

b. 1959

Pinto, from 100 Years Ago, 2000-01 Photo-etching in colours, on Hahnemühle paper, with full margins. Signed and numbered 20/46 in pencil (there were also 6 artist’s proofs), published by The Paragon Press, London, framed. I. 87.4 x 132 cm (34 3/8 x 51 7/8 in.) S. 111.3 x 153.6 cm (43 7/8 x 60 1/2 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ plus Buyers Premium and VAT, ARR applies*

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71. Luc Tuymans

b. 1958

The Temple, 1996 The complete set of eight etching and aquatints in colours, on BFK Rives paper, with full margins. All signed, dated and numbered 14/35 in pencil (there were also 10 artist’s proofs), published by Peter Blum Edition, New York, lacking the title page and portfolio, all framed. all I. 51.6 x 37.2 cm (20 3/8 x 14 5/8 in.) all S. 80.2 x 60.8 cm (31 5/8 x 23 7/8 in.) Estimate £12,000-18,000 $16,100-24,200 €13,300-20,000 ♠ plus Buyers Premium and VAT, ARR applies*

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72. Anish Kapoor

b. 1954

Green Shadow, 2011 The complete set of four etchings in colours, on Hahnemühle paper, the full sheets. All signed and numbered 9/39 in pencil on the reverse (there were also 9 artist’s proofs), published by The Paragon Press, London, with their accompanying Certifcate of Authenticity, all unframed. all S. 72.6 x 96.6 cm (28 5/8 x 38 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ♠ † plus Buyers Premium and VAT, ARR applies*

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Property of a Distinguished Private Collector

73. Grayson Perry

b. 1960

Map of an Englishman, 2004 Etching from four plates, printed on one sheet of Rives paper, with full margins. Signed, dated and numbered 36/50 in pencil on the reverse (there were also 10 artist’s proofs), published by The Paragon Press, London, contained in the original artist’s specifed frame. I. 111 x 149 cm (43 3/4 x 58 5/8 in.) S. 112.2 x 150.3 cm (44 1/8 x 59 1/8 in.) framed 120 x 160 cm (47 1/4 x 62 7/8 in.) Estimate £50,000-70,000 $67,200-94,100 €55,400-77,600 ♠ plus Buyers Premium and VAT, ARR applies*

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74. Grayson Perry

b. 1960

Animal Spirit (large), 2016 Woodcut from six blocks, printed on one sheet of Fabriano Artistico paper, the full sheet. Signed in pencil on the front, and numbered ‘5’ in pencil on a label afxed to the reverse of the frame, from the edition of 21, published by Paragon | Contemporary Editions Ltd., London, contained in the original artist’s specifed frame. S. 194 x 242.5 cm (76 3/8 x 95 1/2 in.) framed 203.5 x 252.5 cm (80 1/8 x 99 3/8 in.) Estimate £30,000-50,000 $40,300-67,200 €33,300-55,400 ♠ † plus Buyers Premium and VAT, ARR applies*

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75. Damien Hirst

b. 1965

New Beginnings, 2011 The complete set of six polymer gravure block prints in colours (pink faded), on Zerkall paper, the full sheets. All signed in pencil on the front and numbered 38/55 in pencil on the reverse (there were also 26 artist’s proofs), published by The Paragon Press, London, all framed. all S. 66.2 x 49 cm (26 1/8 x 19 1/4 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ♠ plus Buyers Premium and VAT, ARR applies*

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Property sold to beneft Demelza Hospice Care for Children

76. Damien Hirst

b. 1965

Mantra, 2011 Screenprint in colours with diamond dust, on Somerset paper, with full margins. Signed and numbered 18/50 in pencil, with the artist’s blindstamp, published by Other Criteria, London, framed. I. 139.3 cm (54 7/8 in.) diameter S. 152.5 x 151.2 cm (60 x 59 1/2 in.) Estimate £30,000-50,000 $40,300-67,200 €33,300-55,400 ♠ plus Buyers Premium and VAT, ARR applies*

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77. Damien Hirst

b. 1965

Sanctum (Unique), 2009 Unique photogravure etching in colours, on Velin Arches paper, with full margins. Signed and annotated ‘U.P.’ in pencil, from the series of 100 unique variants, published by The Paragon Press, London, unframed. I. 99.6 x 99.6 cm (39 1/4 x 39 1/4 in.) S. 119.3 x 116 cm (46 7/8 x 45 5/8 in.) Estimate £12,000-18,000 $16,100-24,200 €13,300-20,000 ♠ plus Buyers Premium and VAT, ARR applies*

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78. Damien Hirst

b. 1965

Love, Love, 2005 Unique diptych, comprised of butterfies and household gloss on canvas. Numbered 29/40 (printed) on a label afxed to the reverse of the frame, from the series of unique variants, published by White Cube, London, framed together. overall 15.2 x 30.4 cm (5 7/8 x 11 7/8 in.) Estimate £15,000-20,000 $20,200-26,900 €16,600-22,200 ♠ plus Buyers Premium and VAT, ARR applies*

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79. Damien Hirst

b. 1965

Truth, from The Aspects (H6-5), 2019 Giclée print in colours, fush-mounted to aluminium with metal strainer on the reverse (as issued). Signed in pencil on a label afxed to the reverse and numbered 8/50 in black ink on the reverse (there were also 10 artist’s proofs), published by Heni Productions, London. 100 x 100 cm (39 3/8 x 39 3/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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80. Damien Hirst

b. 1965

Mannitol, 2016 Woodcut in colours, on Somerset paper, the full sheet. Signed in pencil on the front, and numbered 24/55 in pencil on the reverse (there were also 20 artist’s proofs), published by The Paragon Press, London, framed. S. 66.5 x 66.5 cm (26 1/8 x 26 1/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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81. Damien Hirst

b. 1965

Oleoylsarcosine, 2008 Unique etching and aquatint in colours, on Hahnemühle paper, with full margins. Signed in pencil, from the series of 100 unique variants (there were also 20 artist’s proofs), published by The Paragon Press, London, framed. I. 74.3 x 54.5 cm (29 1/4 x 21 1/2 in.) S. 85 x 62.4 cm (33 1/2 x 24 5/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ♠ † plus Buyers Premium and VAT, ARR applies*

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82. Damien Hirst

b. 1965

Big Love, 2010 Screenprint in colours with diamond dust, on heavy wove paper, with full margins. Signed and numbered 44/50 in pencil, published by Other Criteria, London (with their blindstamp), framed. I. 136.4 x 136.4 cm (53 3/4 x 53 3/4 in.) S. 154.5 x 151 cm (60 7/8 x 59 1/2 in.) Estimate £25,000-35,000 $33,600-47,000 €27,700-38,800 ♠ plus Buyers Premium and VAT, ARR applies*

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83. Jef Koons

b. 1955

Balloon Swan (Yellow); Balloon Monkey (Blue); and Balloon Rabbit (Red), 2017 Three porcelain multiples painted in chrome, all contained in the original Styrofoam-lined boxes with silver printed signature. All with printed signature, title, date and all numbered 622/999 on the underside, published by Bernardaud, Limoges, France (with their stamp on the underside). Swan 24.8 x 15.2 x 20.3 cm (9 3/4 x 6 x 8 in.) Monkey 24.8 x 21 x 41.9 cm (9 3/4 x 8 1/4 x 16 1/2 in.) Rabbit 26.7 x 14 x 17.8 cm (10 1/2 x 5 1/2 x 7 in.) Estimate £20,000-30,000 $26,900-40,300 €22,200-33,300 Ω plus Buyers Premium and VAT*

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84. Donald Sultan

b. 1951

Blue Poppies, 2015 Powder-coated aluminium on polished aluminium base, contained in the original foam-lined white cardboard box. Incised with artist’s initials, title, date and stamp-numbered 8/25 on the underside, published by Lococo Fine Art, St. Louis, Missouri. 61 x 63.3 x 8.8 cm (24 x 24 7/8 x 3 1/2 in.) Estimate £7,000-10,000 $9,400-13,400 €7,800-11,100 Ω plus Buyers Premium and VAT*

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85. Jonas Wood

b. 1977

Three Clippings: one plate, 2018 Mixografía® relief print in colours with embossing, on handmade paper, the full sheet. Signed, dated and numbered 6/20 in pencil (there were also 5 artist’s proofs), published by Mixografía, Los Angeles, unframed. S. 101.5 x 74 cm (39 7/8 x 29 1/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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86. Jonas Wood

b. 1977

Three Clippings: one plate, 2018 Mixografía® relief print in colours with embossing, on handmade paper, the full sheet. Signed, dated and numbered 6/20 in pencil (there were also 5 artist’s proofs), published by Mixografía, Los Angeles, unframed. S. 101.5 x 86.2 cm (39 7/8 x 33 7/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 plus Buyers Premium and VAT*

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87. Julian Opie

b. 1958

Walking in Melbourne 5, from Walking in Melbourne series, 2018 Laser-cut museum board relief print, the full sheet. Signed in black ink and numbered 41/45 (printed) on a label afxed to the reverse of the frame (there were also 5 artist’s proofs), published by Alan Cristea Gallery, London, contained in the sprayed white frame specifed by the artist. framed 63.5 x 160 cm (25 x 63 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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88. Harland Miller

b. 1964

High on Hope, 2019 Screenprint in colours, on Somerset paper, with full margins. Signed and numbered 56/75 in pencil, published by Counter Editions, London, unframed. I. 67 x 44.8 cm (26 3/8 x 17 5/8 in.) S. 76 x 60 cm (29 7/8 x 23 5/8 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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89. Harland Miller

b. 1964

In Shadows I Boogie, 2019 Etching with relief printing in colours, on wove paper, the full sheet. Signed in white pencil on the front, numbered 46/75 in pencil on the reverse, co-published by Manifold Editions and White Cube, London, framed. S. 148.5 x 89.4 cm (58 1/2 x 35 1/4 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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90. Harland Miller

b. 1964

Thought Afer Filthy Thought, 2019 Etching with relief printing in colours, on wove paper, the full sheet. Signed in white pencil on the front, and numbered 46/75 in pencil on the reverse, co-published by Manifold Editions and White Cube, London, framed. S. 149 x 89.4 cm (58 5/8 x 35 1/4 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ♠ plus Buyers Premium and VAT, ARR applies*

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91. Harland Miller

b. 1964

Health and Safety is Killing Bondage, 2015 Screenprint in colours with gold leaf, on wove paper, the full sheet. Signed and numbered 28/50 in pencil, published by Other Criteria, London, framed. S. 79.7 x 63.3 cm (31 3/8 x 24 7/8 in.) Estimate £10,000-15,000 $13,400-20,200 €11,100-16,600 ♠ plus Buyers Premium and VAT, ARR applies*

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92. Harland Miller

b. 1964

On Me Not In Me, 2015 Screenprint in colours with gold leaf, on wove paper, the full sheet. Signed and numbered 5/50 in pencil, published by Other Criteria, London, framed. S. 79.7 x 63.3 cm (31 3/8 x 24 7/8 in.) Estimate £7,000-10,000 $9,400-13,400 €7,800-11,100 ♠ plus Buyers Premium and VAT, ARR applies*

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Day Editions January 21, 12pm / lots 93â&#x20AC;&#x201C;272

93. Jean Cocteau

1889-1963

94. Jean Cocteau

1889-1963

Le Joueur de pipeau (The Pipe Player) (G. 77), 1963

Iphigénie (Iphigenia) (G. 289), 1958

Red earthenware round plate painted in coloured enamels. Signed in black enamel on the front, numbered 3/35 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 32 cm (12 5/8 in.) diameter

Red earthenware turned vase painted in coloured enamels with crayon d’oxyde additions. Signed in black enamel at the base, numbered 36/50 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 26.5 x 15 x 14 cm (10 3/8 x 5 7/8 x 5 1/2 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ †

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠

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95. Jean Cocteau

1889-1963

Visage ovale (Oval Face) (G. 240), 1958 Red earthenware oval dish with crayon d’oxyde additions. Signed, dated and annotated ‘Villefranche’ in crayon d’oxyde on the front, numbered 7/15 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 26 x 37 cm (10 1/4 x 14 5/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ † plus Buyers Premium and VAT, ARR applies*

96. Jean Cocteau

1889-1963

Faune séducteur aux cornes blanches (Seductive Faun with White Horns) (G. 57), 1952 Red earthenware round plate painted in coloured enamels with crayon d’oxyde additions. Signed and dated in crayon d’oxyde on the front, numbered 23/30 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 31.5 cm (12 3/8 in.) diameter Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ † plus Buyers Premium and VAT, ARR applies*

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97. Jean Cocteau

1889-1963

98. Jean Cocteau

1889-1963

Faune aux raisins (Faun with Grapes) (G. 139), 1962

La Machine infernale (The Infernal Machine) (G. 197), 1957

White earthenware round dish painted in coloured enamels. Signed in black enamel on the front, numbered 9/15 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 37 cm (14 5/8 in.) diameter

White earthenware round dish painted in coloured enamels. Signed and titled in black enamel on the front, numbered 12/20 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 32 cm (12 5/8 in.) diameter

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

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This lot is sold with no reserve

99. Jean Cocteau

1889-1963

Nérée (Nereus) (G. 232), 1962 White earthenware round dish painted in coloured enamels. Signed and dated in black enamel on the front, numbered 8/50 and inscribed ‘Edition originale de Jean Cocteau Atelier Madeline-Jolly’ in black enamel on the underside. 28 cm (11 in.) diameter Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

100. Henri Matisse

1869-1954

La Vie et la mort de Richard Winslow (The Life and Death of Richard Winslow) (Frontispiece de Henri Matisse) (D. 18), 1947 Lithograph, on wove paper, with full margins, the sheet bound (as issued) contained as the frontispiece in the complete volume La vie et la mort de Richard Winslow. The lithograph signed in pencil, stamp-numbered ‘33’ on the justifcation page, from the edition of 35, further signed in pencil on the spine of the volume (there were also 5 in Roman numerals), published by Éditions du Bélier, Paris. 19.4 x 14.3 x 2.9 cm (7 5/8 x 5 5/8 x 1 1/8 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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101. Marc Chagall

1887-1985

La Grand bouquet (The Large Bouquet) (M. 384), 1963 Lithograph in colours, on BFK Rives paper, with full margins. Signed and numbered 18/50 in pencil (there were also 25 artist’s proofs in Roman numerals), unframed. I. 68 x 50.5 cm (26 3/4 x 19 7/8 in.) S. 80 x 58.8 cm (31 1/2 x 23 1/8 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ † plus Buyers Premium and VAT, ARR applies*

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102. Marc Chagall

1887-1985

103. Marc Chagall

1887-1985

Le Chevalet feuri (The Flowering Easel) (M. 1039), 1984

L’Artiste à la palette (The Artist with a Palette), 1968

Lithograph in colours, on Arches paper, with full margins. Stamp-signed in black ink and numbered 3/50 in pencil, with the Lithographie originale Atelier Marc Chagall blindstamp, framed. I. 32.6 x 25.4 cm (12 7/8 x 10 in.) S. 55 x 43.1 cm (21 5/8 x 16 7/8 in.)

Etching, on wove paper, with full margins. Signed and numbered 13/50 in pencil, framed. I. 30 x 22.2 cm (11 3/4 x 8 3/4 in.) S. 45.9 x 35.8 cm (18 1/8 x 14 1/8 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ‡ ♠

plus Buyers Premium and VAT, ARR applies*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ♠ †

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104. After Marc Chagall

1887-1985

105. After Marc Chagall

1887-1985

Le Cheval rouge (The Red Horse), circa 1965

The Praying Jew (Rabbi of Vitebsk), 1937

Collotype in colours, on wove paper, with full margins. Signed and numbered 194/300 in pencil, published by Guy Spitzer, Paris (with their blindstamp), unframed. I. 43.7 x 53.3 cm (17 1/4 x 20 7/8 in.) S. 54.6 x 70.3 cm (21 1/2 x 27 5/8 in.)

Etching and aquatint in colours, with Chine-collé to wove paper, with full margins. Signed and annotated ‘Epreuve d’artiste’ in pencil (an artist’s proof, the edition was 100), published by Éditions Apollo, Paris, framed. I. 49.8 x 38.4 cm (19 5/8 x 15 1/8 in.) S. 56.1 x 45.1 cm (22 1/8 x 17 3/4 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠ † plus Buyers Premium and VAT, ARR applies*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ♠ † plus Buyers Premium and VAT, ARR applies*

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106. After Pablo Picasso

1881-1973

Portrait imaginaire (Imaginary Portraits): six plates, 1969 Six ofset lithographs in colours, on Arches paper, the full sheets. All annotated ‘F’ and numbered variously from the edition of 250 in pencil, from the French edition (there was also an American edition of 250 marked ‘A’), published by Harry N. Abrams, New York, all framed. all S. approx. 66.1 x 50.2 cm (26 x 19 3/4 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 • ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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107. Pablo Picasso

1881-1973

La Fête de la patronne, avec un amour ithyphallique. Degas au nez rouge (The Patron Saint’s Day, with Phallic Love. Degas with the Red Nose), plate 114 from Séries 156 (Bl. 1970; Ba. 1979), 1971 Etching, on BFK Rives paper, with full margins. Stamp-signed in black ink and numbered 22/50 in pencil (there were also 15 artist’s proofs in Roman numerals), published by Galerie Louise Leiris, Paris, 1978, framed. I. 36.7 x 49.2 cm (14 1/2 x 19 3/8 in.) S. 50.4 x 65 cm (19 7/8 x 25 5/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ‡ ♠

108. Pablo Picasso

1881-1973

Repos. Deux flles bavardant (Rest. Two Nudes Chatting), plate 99 from Séries 156 (Bl. 1955; Ba. 1964), 1971 Etching, on BFK Rives paper, with full margins. Stamp-signed in black ink and numbered 28/50 in pencil (there were also 15 artist’s proofs in Roman numerals), published by Galerie Louise Leiris, Paris, 1978, framed. I. 36.8 x 49.4 cm (14 1/2 x 19 1/2 in.) S. 50.5 x 65.7 cm (19 7/8 x 25 7/8 in.) Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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109. Joan Miró

1893-1983

Untitled, plate 22 from Ubu aux Baléares (Ubu in the Balearic Islands) (M. 787; C. 146), 1971 Lithograph in colours, on Arches paper, with full margins. Signed and numbered 16/120 in pencil (there were also 6 hors commerce impressions in Roman numerals), published by Tériade, Paris, unframed. I. 48 x 60.8 cm (18 7/8 x 23 7/8 in.) S. 50.6 x 66.1 cm (19 7/8 x 26 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ †

110. Joan Miró

1893-1983

Hommage à Picasso (Homage to Picasso) (D. 565), 1972 Etching and aquatint in colours, on Arches paper, the full sheet. Signed and numbered 76/90 in pencil (there were also 30 in Roman numerals), co-published by Propyläen-Verlag, Berlin and Pantheon Press, Rome, unframed. S. 57 x 76.2 cm (22 1/2 x 30 in.) Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠ † plus Buyers Premium and VAT, ARR applies*

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111. Joan Miró

1893-1983

Untitled, plate V from El Pi de Formentor (The Pine of Formentor) (D. 942; C. 217), 1976 Etching and aquatint in colours, on Guarro paper watermarked Sala Gaspar, with full margins. Signed and annotated ‘H.C.’ in pencil (an hors commerce impression, the edition was 50), published by Sala Gaspar, Barcelona (with their blindstamp), framed. I. 88.3 x 74.2 cm (34 3/4 x 29 1/4 in.) S. 104.5 x 90 cm (41 1/8 x 35 3/8 in.) Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

112. Joan Miró

1893-1983

Anti-Platon (Anti-Plato) (D. 312, 317, 325-6 and 334-5; C. 77), 1962 Six etching and aquatints, on Japon nacré paper, with full margins, with accompanying justifcation page. The etchings unsigned, the justifcation signed by the artist and Yves Bonnefoy in pencil and stamp-numbered ‘15’ (one of 15 on Japon nacré paper, the total edition was 125 including Auvergne, Richard de Bas and Rives papers), published by Maeght, Paris, all unframed. all I. various sizes all S. 33 x 26 cm (12 7/8 x 10 1/4 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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113. Joan Miró

1893-1983

Le Penseur (The Thinker) (M. 182), 1958 Lithograph, on Arches paper, with full margins. Signed and numbered 86/100 in pencil, published by Maeght, Paris, framed. I. 56 x 39.7 cm (22 x 15 5/8 in.) S. 65.6 x 50 cm (25 7/8 x 19 5/8 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ‡ ♠

114. Joan Miró

1893-1983

Untitled, plate V from Llibre dels sis Sentits (Book of the Six Senses) (D. 1169; C. 252), 1981 Etching and aquatint in colours, on Guarro paper watermarked Sala Gaspar, with full margins. Signed and numbered 7/50 in pencil (there were also 14 hors commerce impressions), published by Sala Gaspar, Barcelona, framed. I. 72 x 54.3 cm (28 3/8 x 21 3/8 in.) S. 90.2 x 69.5 cm (35 1/2 x 27 3/8 in.)

plus Buyers Premium and VAT, ARR applies*

Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

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115. Joan Miró

1893-1983

116. Alexander Calder

1898-1976

Untitled, plate 12 from Maravillas con variaciones acrósticas en el jardín de Miró (Wonders with Acrostic Variations in Miró’s Garden) (M. 1056; C. 211), 1975

La Fleur (The Flower), 1975

Lithograph in colours, on Arches paper, with full margins. Signed and numbered 32/75 in pencil (the total book edition was 315), published by Ediciones Polígrafa, Barcelona, unframed. I. 49 x 34 cm (19 1/4 x 13 3/8 in.) S. 75 x 53 cm (29 1/2 x 20 7/8 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700

Lithograph in colours, on Arches paper, the full sheet. Signed and numbered 11/90 in pencil, unframed. S. 58.1 x 77.6 cm (22 7/8 x 30 1/2 in.)

plus Buyers Premium and VAT*

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

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117. Victor Vasarely

1906-1997

Granat négatif (Negative Pomegranate), 1967 Wooden relief multiple painted in colours. Signed in black ink and stamp-numbered 8/50 on the label afxed to the reverse, published by Éditions Denise René, Paris. 38.1 x 35.6 cm (15 x 14 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ‡ ♠

118. Victor Vasarely

1906-1997

Topaze blanche négatif; and Topaze blanche positif (Negative White Topaz; and Positive White Topaz), 1967 Two wooden relief multiples painted in colours. Both signed in black ink and each stamp-numbered 2/50 and 13/50 respectively on the labels afxed to the reverse, published by Éditions Denise René, Paris. both 14 x 14 x 1 cm (5 1/2 x 5 1/2 x 3/8 in.)

plus Buyers Premium and VAT, ARR applies*

Estimate £2,500-3,500 $3,400-4,700 €2,800-3,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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119. Dan Flavin

1933-1996

Guggenheim Tondo, 1992 Double-sided mezzotint in purple and green (one on each side), on handmade paper, the full sheet rolled and fastened with a single stitch (as issued). Signed, dated and numbered 12/25 in pencil on the green side, published by the Guggenheim Museum, New York. 12 x 47.5 x 16 cm (4 3/4 x 18 3/4 x 6 1/4 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 † plus Buyers Premium and VAT*

120. Jasper Johns

b. 1930

Untitled (U.L.A.E. 13), 1977 Screenprint in colours, on Patapar printing parchment, with full margins (larger lower margin). From the edition of 3000, the catalogue cover for Jasper Johns/Screenprints, published by Brooke Alexander Gallery, Inc., New York, framed. I. 23 x 23.2 cm (9 x 9 1/8 in.) S. 32 x 25.5 cm (12 5/8 x 10 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡ plus Buyers Premium and VAT*

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121. Sol LeWitt

1928-2007

Brushstrokes in Diferent Colors in Two Directions, Plate #03 (K. 1993.08), 1993 Etching in colours, on BFK Rives paper, the full sheet. Signed and numbered 16/35 in pencil (there were also 10 artist’s proofs), published by Riverhouse Editions, Chicago, Illinois (with their blindstamp), unframed. S. 119.5 x 75 cm (47 x 29 1/2 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 † plus Buyers Premium and VAT*

122. Anni Albers

1899-1994

Connections (W & D. 71-79), 1925/1983 The complete set of nine screenprints in colours, on Cartiere Miliani of Fabriano Umbria Italia and Fabriano Cotton papers, with full margins, with an introduction From the Line to the Texture by the publisher, the sheets loose (as issued) all contained in the original paper-covered cardboard portfolio with printed title. All signed, dated variously from 1925-1983, and numbered 105/125 in pencil, further numbered ‘105’ in pencil on the colophon, published by Fausta Squatriti, Milan, all unframed. all I. various; all S. 70 x 49.2 cm (27 1/2 x 19 3/8 in.) portfolio 70.5 x 51 x 1 cm (27 3/4 x 20 1/8 x 3/8 in.) Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 † plus Buyers Premium and VAT*

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123. Robert Indiana

1928-2018

American Dream No. 5 (The Golden Five) (S. 113), 1980 The complete set of fve screenprints in colours, on Fabriano paper, with full margins. All signed, four with initials, dated and numbered 65/100 in pencil, and one titled in pencil (there were also 40 artist’s proofs), co-published by Prestige Art, Ltd., New York, and Edition Domberger, Stuttgart (with their blindstamp), all unframed. all I. 61.1 x 61 cm (24 x 24 in.) all S. 68 x 68 cm (26 3/4 x 26 3/4 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 ‡ plus Buyers Premium and VAT*

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124. Robert Indiana

1928-2018

125. Robert Indiana

1928-2018

Book of Love: one plate, 1996

Chosen Love, 1995

Screenprint in colours, on A.N.W. Crestwood Museum Edition paper, with full margins. Signed, dated and numbered 132/200 in pencil (there were also 50 artist’s proofs), published by American Image Editions, New York, framed. I. 46.1 x 45.6 cm (18 1/8 x 17 7/8 in.) S. 61 x 50.6 cm (24 x 19 7/8 in.)

Skein dyed, hand carved and hand tufed archival New Zealand woollen rug, with natural latex backing. Signed and numbered 119/175 in black ink on a fabric label afxed to the reverse, with a further sheared signature in the lower right corner, handcrafed by Master Contemporary Original Artist Rugs, New York. 246 x 244 cm (96 7/8 x 96 1/8 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 plus Buyers Premium and VAT*

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 plus Buyers Premium and VAT*

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126. Andy Warhol

1928-1987

127. Andy Warhol

1928-1987

Fish (F & S. IIIA.39), 1983

Electric Chair (F & S. 76), 1971

Unique screenprint in colours, on wallpaper, with full margins. With the Estate of Andy Warhol and the Visual Arts Foundation inkstamps, and with the number ‘UP 88.76’ and the initials ‘T.J.H.’ in pencil on the reverse (there was no published edition), created as a backdrop for the exhibition Paintings for Children at Bruno Bischoferger Gallery, Zurich, 1984. I. 97 x 70 cm (38 1/4 x 27 1/2 in.) S. 106.2 x 76.3 cm (41 3/4 x 30 in.)

Screenprint in colours, on wove paper, the full sheet. Signed and dated in black ball-point pen and stamp-numbered 061/250 on the reverse (there were also 50 artist’s proofs in Roman numerals), published by Bruno Bischoferger, Zurich (with their inkstamp on the reverse), framed. S. 90.2 x 121.9 cm (35 1/2 x 47 7/8 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 plus Buyers Premium and VAT*

Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 plus Buyers Premium and VAT* scan for more on this lot

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128. Andy Warhol

1928-1987

129. Andy Warhol

1928-1987

Committee 2000 (F & S. 289), 1982

Magazine and History (F & S. II.304A), 1983

Screenprint in colours, on Lenox Museum Board, the full sheet. Signed and numbered 1676/2000 in pencil (there were also 200 artist’s proofs), with the artist’s copyright inkstamp on the reverse, published by Committee 2000, Munich, Germany, framed. S. 76.7 x 51.1 cm (30 1/4 x 20 1/8 in.)

Screenprint and ofset lithograph in colours, on Rives paper, the full sheet. An unsigned impression (the edition was 500 and 8 hors commerce impressions), published by Burda Verlag, Munich, as a corporate gif, framed. S. 85.3 x 70 cm (33 5/8 x 27 1/2 in.)

Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ‡

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500

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130. Lucian Freud

1922-2011

Portrait Head (F. 61), 2001 Etching, on Somerset Textured paper, with full margins. Signed with initials and numbered 45/46 in pencil (there were also 12 artist’s proofs), published by Matthew Marks Gallery, New York, framed. I. 59.7 x 45.7 cm (23 1/2 x 18 in.) S. 72.4 x 57.2 cm (28 1/2 x 22 1/2 in.) Estimate £8,000-12,000 $10,800-16,100 €8,900-13,300 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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131. Lucian Freud

1922-2011

Esther (H. 43; F. 55), 1991 Etching, on Somerset Satin White paper, with full margins. Signed with initials and numbered 23/25 in pencil (there were also 10 artist’s proofs), co-published by James Kirkman, London and Brooke Alexander, New York, framed. I. 21.6 x 20.3 cm (8 1/2 x 8 in.) S. 43.2 x 39.1 cm (17 x 15 3/8 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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132. Lucian Freud

1922-2011

Head of a Woman (H. 10), 1982 Etching, on wove paper, with full margins. Signed with initials and dedicated ‘Judy from L.F.’ in pencil (a proof aside the edition of 25 and 10 artist’s proofs in Roman numerals), published by Thames and Hudson, London, originally issued with the deluxe edition (100 copies) of Lawrence Gowing’s book, Lucian Freud, unframed. I. 12.4 x 12.4 cm (4 7/8 x 4 7/8 in.) S. 27.1 x 22 cm (10 5/8 x 8 5/8 in.) Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

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133. Lucian Freud

1922-2011

The Painter’s Mother (fnal version) (H. 20; F. 22), 1982 Etching, on wove paper, with full margins. Signed with initials and dedicated ‘JA from L.F’ in pencil (a proof aside the edition of 25 and 10 artist’s proofs in Roman numerals), published by Thames and Hudson, London, originally issued with the deluxe edition (100 copies) of Lawrence Gowing’s book, Lucian Freud, unframed. I. 17.8 x 15.2 cm (7 x 5 7/8 in.) S. 30.4 x 25.3 cm (11 7/8 x 9 7/8 in.) Estimate £7,000-10,000 $9,400-13,400 €7,800-11,100 ♠ plus Buyers Premium and VAT, ARR applies*

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134. Christo and Jeanne-Claude

135. Richard Hamilton

1922-2011

1935-2020 and 1935-2009

The annunciation, 2005

Package on a Table, Project (S. 142), 1989

Digital inkjet print in colours, on Somerset paper, with full margins. Signed, titled and numbered 6/60 in pencil (there were also 6 artist’s proofs), published by Alan Cristea Gallery, London, framed. I. 44.1 x 44 cm (17 3/8 x 17 3/8 in.) S. 68.2 x 59.4 cm (26 7/8 x 23 3/8 in.)

Lithograph and screenprint in colours, with collage of fabric, twine, staples and pencil additions, on Rag paper mounted to 2-ply grey cardboard (as issued), the full sheet. Signed and numbered 48/100 in black wax crayon (there were also 25 artist’s proofs in Roman numerals), published by Polígrafa, Barcelona, unframed. S. 81.1 x 60.6 cm (31 7/8 x 23 7/8 in.)

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠ † plus Buyers Premium and VAT, ARR applies*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

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This lot is sold with no reserve

136. Richard Hamilton

This lot is sold with no reserve 1922-2011

137. Richard Hamilton

1922-2011

Richard Hamilton Prints 1939-83 (Exhibition poster), 1984

Derek Jarman (L. 181), 1996-97

Ofset lithograph in colours, on light smooth wove paper, the full sheet. Signed in pencil, the edition size unknown (not in Lullin), published by Waddington Graphics, London, framed. S. 84.2 x 60.1 cm (33 1/8 x 23 5/8 in.)

Pigment transfer print in colours, on JPP mouldmade paper, with full margins. Signed, titled and numbered 22/40 in pencil (there were also 4 artist’s proofs), published by the artist to beneft the Elton John Aids Foundation, London, framed. I. 39.7 x 39.3 cm (15 5/8 x 15 1/2 in.) S. 61.1 x 57.4 cm (24 x 22 5/8 in.)

Estimate £300-500 $400-670 €330-550 • ♠ † plus Buyers Premium and VAT, ARR applies*

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ♠ plus Buyers Premium and VAT, ARR applies*

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138. Henry Moore

1898-1986

139. William Scott

1913-1989

Four Ideas for Sculpture (C. 649), 1982

Arran (A. 12), 1990

Lithograph in colours, on BFK Rives paper, with full margins. Signed and numbered XII/XV in pencil (one of 15 artist’s proofs, the edition was 50), published by Raymond Spencer Company Ltd for The Henry Moore Foundation, Much Hadham, 1984, framed. I. 23.5 x 30.7 cm (9 1/4 x 12 1/8 in.) S. 45.5 x 56.5 cm (17 7/8 x 22 1/4 in.)

Lithograph in colours, on Crispbrook handmade paper, with full margins. Signed and numbered 40/50 in pencil, published by Johanna Schiessel Abstracta-Verlag, Freiburg, framed. I. 51.5 x 64.6 cm (20 1/4 x 25 3/8 in.) S. 58 x 80.4 cm (22 7/8 x 31 5/8 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ‡ ♠

plus Buyers Premium and VAT*

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

plus Buyers Premium and VAT, ARR applies*

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140. Allen Jones

b. 1937

141. David Hockney

b. 1937

Come Dancing, from Sheet Music, 2003

Hockney’s Alphabet, 1991

Screenprint in colours, on wove paper, the full sheet. Signed, dated and numbered 19/45 in pencil (there were also 11 artist’s proofs), published by Alan Cristea Gallery, London, framed. S. 104.2 x 83.6 cm (41 x 32 7/8 in.)

The complete set of 26 lithographs in colours, on wove paper, with full margins, with full text and title page, text edits by Stephen Spender, the sheets bound (as issued) in quarter vellum with handmade Fabriano Roma paper boards, housed in the original grey slip case. Signed by the artist and most contributors in ink and numbered ‘112’ in black ink on the justifcation page, from the edition of 250 (there was also an edition of 26 lettered A-Z and an edition of 24 in Roman numerals), published by Faber & Faber, London. portfolio 34 x 25.4 x 2.9 cm (13 3/8 x 10 x 1 1/8 in.)

Estimate £800-1,200 $1,100-1,600 €890-1,300 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡ ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

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142. David Hockney

b. 1937

Illustrations for Six Fairytales from the Brothers Grimm (S.A.C. 70-108; M.C.A.T. 67-105), 1969 The complete set of 45 etchings, including 39 bound and six loose (as issued), on Hodgkinson handmade paper watermarked ‘DH / PP’, the full sheets and with full margins, all contained in the original dark blue leather-bound book and folder, within the matching slipcase. The book signed and numbered ‘Ed. D. 1/100’ in pencil on the justifcation (one of four editions annotated ‘A-D’, there were also 15 artist’s proofs), the six loose etchings all signed in pencil on the front, and titled and numbered in black ink on the reverse, published by Petersburg Press, London in association with Kasmin Gallery, New York, 1970, the six loose prints unframed. all I. various sizes all S. approx. 45 x 31 cm (17 3/4 x 12 1/4 in.) slipcase 47.7 x 32.4 x 4.7 cm (18 3/4 x 12 3/4 x 1 7/8 in.) Estimate £7,000-10,000 $9,300-13,300 €7,700-11,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

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143. David Hockney

b. 1937

Little Stanley Sleeping, 1987 Ofset print in colours, on shaped smooth wove paper fush-mounted to foamboard, the full sheet, with hanging string. Signed and dedicated ‘Dearest Ann, here is a framed picture of little Stanley sleeping, to hang up straight way, - or it can be thrown away. Much much love David xxxx’, with an ‘instructions for hanging’ drawing in black ink on the reverse, unframed. 25.5 x 30.4 cm (10 x 11 7/8 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ plus Buyers Premium and VAT, ARR applies*

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144. David Hockney

b. 1937

145. David Hockney

b. 1937

A Bigger Book, Art Edition A, 2010/2016

A Bigger Book, Art Edition D, 2010/2016

iPad drawing in colours, printed on archival paper, with full margins, with the illustrated 680-page chronology book numbered ‘0121’, original print portfolio and adjustable book stand designed by Marc Newson, contained in the original cardboard box with label stamp-numbered ‘0121’. iPad drawing signed, dated and numbered 121/250 in pencil, the book signed in black ink on the title page (one of four editions of 250 lettered A-D, there was also an edition of 10,000 without an iPad drawing), co-published by the artist (with their blindstamp) and Taschen, Berlin, the iPad drawing framed. I. 43.8 x 33 cm (17 1/4 x 13 in.) S. 55.9 x 43.2 cm (22 x 17 in.) book. 71.1 x 50.8 x 8.6 cm (28 x 20 x 3 3/8 in.)

iPad drawing in colours, printed on archival paper, with full margins, with the illustrated 680-page chronology book numbered ‘0860’, original print portfolio and adjustable book stand designed by Marc Newson, contained in the original cardboard box with label stamp-numbered ‘0860’. iPad drawing signed, dated and numbered 110/250 in pencil, the book signed in black ink on the title page (one of four editions of 250 lettered A-D, there was also an edition of 10,000 without an iPad drawing), co-published by the artist (with their blindstamp) and Taschen, Berlin, the iPad drawing unframed. I. 43.8 x 33 cm (17 1/4 x 13 in.) S. 55.9 x 43.2 cm (22 x 17 in.) book. 71.1 x 50.8 x 8.6 cm (28 x 20 x 3 3/8 in.)

Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 ♠

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146. Michael Craig-Martin

b. 1941

Intimate Relations, 2001 The complete set of three screenprints in colours, on wove paper, with full margins. All signed, dated and numbered 49/50 in pencil (there were also 11 artist’s proofs), published by Alan Cristea Gallery, London, all framed. all I. 97 x 81 cm (38 1/4 x 31 7/8 in.) all S. 102.1 x 99 cm (40 1/4 x 38 7/8 in.) Estimate £5,000-8,000 $6,700-10,800 €5,500-8,900 ♠ †

147. Patrick Caulfeld Found Objects (C. 10), 1968

Screenprint in colours, on wove paper, the full sheet. Signed and numbered 54/75 in pencil (there were also 10 artist’s proofs), published by Leslie Waddington Prints, London, framed. S. 71.2 x 93.6 cm (28 x 36 7/8 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

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1936-2005

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148. Howard Hodgkin

1932-2017

149. Howard Hodgkin

1932-2017

Night Palm (H. 86), 1990-91

Monsoon (H. 79), 1987-88

Intaglio print in colours with carborundum and hand-colouring in egg tempera, on Arches paper, the full sheet. Signed with initials, dated and numbered ‘AP 7/15’ in pencil (an artist’s proof, the edition was 55), published by Waddington Graphics, London, unframed. S. 149.5 x 120.5 cm (58 7/8 x 47 1/2 in.)

Lithograph in colours with pochoir hand-colouring in watercolour and gouache, on Arches paper, the full sheet. Signed with initials, dated and numbered ‘AP 9’ in pencil (one of 11 artist’s proofs, the edition was 85), published by Waddington Graphics, London, unframed. S. 107.6 x 134.8 cm (42 3/8 x 53 1/8 in.)

Estimate £5,000-7,000 $3,300-5,500 €9,400-13,400 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £3,000-4,000 $5,400-8,100 €5,400-8,100 ♠ plus Buyers Premium and VAT, ARR applies*

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150. Howard Hodgkin

1932-2017

151. Howard Hodgkin

1932-2017

Venice, Night, from Venetian Views (H. 96), 1995

In an Empty Room (H. 84), 1990-91

Etching and aquatint in colours with carborundum and hand-colouring in acrylic, on two sheets of Arches paper, the full sheets. Signed with initials, dated and numbered ‘AP 8/10’ in pencil on one sheet (an artist’s proof, the edition was 30), published by Alan Cristea Gallery, London, unframed. overall S. 159 x 196 cm (62 5/8 x 77 1/8 in.)

Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠

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152. Howard Hodgkin

1932-2017

153. Bridget Riley

b. 1931

Moroccan Door (H. 82), 1990-91

Two Blues (S. 52; T & G. 52), 2003

Intaglio print in colours with carborundum and hand-colouring in egg tempera, on Du Chene handmade paper, the full sheet. Signed with initials, dated and numbered ‘AP 7/15’ in pencil (an artist’s proof, the edition was 55), published by Waddington Graphics, London, unframed. S. 76 x 112 cm (29 7/8 x 44 1/8 in.)

Screenprint in colours, on wove paper, with full margins. Signed, titled, dated and numbered 220/250 in pencil (there were also 20 artist’s proofs), published by the artist, framed. I. 38.7 x 38.2 cm (15 1/4 x 15 in.) S. 54.7 x 53.5 cm (21 1/2 x 21 1/8 in.)

Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠ plus Buyers Premium and VAT, ARR applies*

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154. Bridget Riley

b. 1931

155. Bridget Riley

b. 1931

Rose Horizontal (T & G. 91), 2018

Sideways (S. 76; T & G. 76), 2010

Screenprint in colours, on Fabriano paper, with full margins. Signed, titled, dated and numbered 4/75 in pencil (there were also 10 artist’s proofs), published by the artist, framed. I. 47.9 x 82.4 cm (18 7/8 x 32 1/2 in.) S. 64.3 x 98 cm (25 3/8 x 38 5/8 in.)

Screenprint in colours, on Fabriano paper, with full margins. Signed, titled, dated and numbered 81/250 in pencil (there were also 25 artist’s proofs), published by the artist, framed. I. 28.9 x 17.2 cm (11 3/8 x 6 3/4 in.) S. 46.2 x 32.5 cm (18 1/4 x 12 3/4 in.)

Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 ♠

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠

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156. Damien Hirst

b. 1965

Beautiful, Galactic, Exploding Screenprint (Spin), 2001 Screenprint in colours, on wove paper, with full margins. Signed in black ink and numbered 77/500 in pencil (there were also an unknown number of artist’s proofs), published by Eyestorm, London, unframed. I. 92 cm (36 1/4 in.) diameter S. 105.5 x 101.4 cm (41 1/2 x 39 7/8 in.) Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

157. Damien Hirst

b. 1965

Beautiful Exotic Stretching Etchy Spinning Void Etching, from Stützmappe (Support Portfolio), 1995 Drypoint in colours, on Somerset paper, with full margins. Signed and numbered 26/50 in pencil (there were also 13 artist’s proofs in Roman numerals), co-published by Contemporary Fine Arts, Berlin and Niels Borg Jensen, Copenhagen, framed. I. 24.9 x 19.9 cm (9 3/4 x 7 7/8 in.) S. 44 x 38.1 cm (17 3/8 x 15 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

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158. Damien Hirst

b. 1965

159. Damien Hirst

b. 1965

Beans & Chips, from The Last Supper, 1999

Sandwich, from The Last Supper, 1999

Screenprint in colours, on Somerset paper with full margins. Signed in pencil, from the edition of 150 (there were also 25 artist’s proofs), published by The Paragon Press, London, framed. I. 122 x 98.7 cm (48 x 38 7/8 in.) S. 153.8 x 101.6 cm (60 1/2 x 40 in.)

Screenprint in colours, on Somerset paper, with full margins. Signed in pencil, from the edition of 150 (there were also 25 artist’s proofs), published by The Paragon Press, London, framed. I. 150.3 x 76 cm (59 1/8 x 29 7/8 in.) S. 154 x 101.7 cm (60 5/8 x 40 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

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160. Damien Hirst

b. 1965

161. Damien Hirst

b. 1965

Sausages, from The Last Supper, 1999

Amniotic Fluid, from 40 Woodcut Spots, 2011

Screenprint in colours, on Somerset paper, with full margins. Signed in pencil, from the edition of 150 (there were also 25 artist’s proofs), published by The Paragon Press, London, framed. I. 71.2 x 99.1 cm (28 x 39 in.) S. 154 x 101.7 cm (60 5/8 x 40 in.)

Woodcut in colours, on Somerset Textured paper, the full sheet. Signed in pencil on the front and numbered 4/55 in pencil on the reverse (there were also 15 artist’s proofs), published by The Paragon Press, London, framed. S. 31 x 31 cm (12 1/4 x 12 1/4 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

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162. Damien Hirst

b. 1965

163. Gavin Turk

b. 1967

Equilin, from 40 Woodcut Spots, 2011

Relic (Cave), 1995

Screenprint in colours on acrylic. Signed, dated and numbered ‘084’ in black felt-tip pen on the reverse, from the edition of 130. 48 cm (18 7/8 in.) diameter

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

plus Buyers Premium and VAT, ARR applies*

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

plus Buyers Premium and VAT, ARR applies*

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164. Damien Hirst

b. 1965

165. Damien Hirst

b. 1965

Renewal, 2009

Regeneration, 2009

Etching and aquatint in colours, on wove paper, with full margins. Signed and numbered ‘PP 1/2’ in pencil (a printer’s proof, the edition was 45), published by Other Criteria, London, unframed. I. 30 x 25 cm (11 3/4 x 9 7/8 in.) S. 47.5 x 39.4 cm (18 3/4 x 15 1/2 in.)

Etching and aquatint in colours, on wove paper, with full margins. Signed and numbered ‘PP 1/2’ in pencil (a printer’s proof, the edition was 45), published by Other Criteria, London, unframed. I. 29.8 x 24.9 cm (11 3/4 x 9 3/4 in.) S. 47.5 x 39.3 cm (18 3/4 x 15 1/2 in.)

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠

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166. Damien Hirst

b. 1965

The Souls III - Hazy Gold/Fuschia Pink/Silver Gloss, 2010 Foil block print in colours, on Arches 88 archival paper, with full margins. Signed and numbered 2/15 in pencil (there were also 5 artist’s proofs), co-published by Other Criteria and Paul Stolper, London, framed. I. 34 x 36.5 cm (13 3/8 x 14 3/8 in.) S. 72.1 x 50.1 cm (28 3/8 x 19 3/4 in.)

167. Damien Hirst

b. 1965

For the Love of God, 2009 Screenprint in colours with glaze, on wove paper, the full sheet. Signed and numbered 321/1700 in white pencil, published by White Cube Editions, London, unframed. S. 32.6 x 24 cm (12 7/8 x 9 1/2 in.) Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠ plus Buyers Premium and VAT, ARR applies*

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168. Rachel Whiteread

b. 1963

169. Gilbert & George

b. 1943 and b. 1942

House, from Stützmappe (Support Portfolio), 1995

Deth Kult, 2009

Photogravure etching, on Somerset paper, with full margins. Signed with initials and numbered 26/50 in pencil (there were also 13 artist’s proofs in Roman numerals), co-published by Contemporary Fine Arts, Berlin and Niels Borg Jensen, Copenhagen, framed. I. 25.8 x 17.2 cm (10 1/8 x 6 3/4 in.) S. 38.3 x 27 cm (15 1/8 x 10 5/8 in.)

Chromogenic print, on semi-matte paper fushmounted to card (as issued), with full margins. Signed and numbered ‘18’ in black felt-tip pen, from the edition of 100, published by White Cube Editions, London, framed. I. 85.3 x 60 cm (33 5/8 x 23 5/8 in.) S. 88.3 x 63 cm (34 3/4 x 24 3/4 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠

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170. Antony Gormley

b. 1950

171. Idris Khan

b. 1978

Domain, 2000

Toscanini...The Last Performance, 2008

Etching and aquatint, on wove paper, with full margins. Signed, dated and numbered 58/110 in pencil, published by the Clore Dufeld Foundation for their Artworks Awards programme, framed. I. 75.7 x 60.6 cm (29 3/4 x 23 7/8 in.) S. 91.2 x 77 cm (35 7/8 x 30 3/8 in.)

Lithograph in colours, on Arches paper, the full sheet. Signed, dated and numbered 34/60 in pencil (there were also approximately 6 artist’s proofs), published by Edition Copenhagen, Denmark, unframed. S. 81.3 x 59.5 cm (32 x 23 3/8 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT, ARR applies*

172. Chris Ofli

b. 1968

(Detail), from Stützmappe (Support Portfolio), 1995 Etching, on Somerset paper, the full sheet. Signed and numbered 26/50 in pencil on the reverse (there were also 13 artist’s proofs in Roman numerals), co-published by Contemporary Fine Arts, Berlin and Niels Borg Jensen, Copenhagen, framed. S. 41.4 x 49.5 cm (16 1/4 x 19 1/2 in.) Estimate £500-700 $670-940 €550-780 ♠ plus Buyers Premium and VAT, ARR applies*

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173. Grayson Perry

b. 1960

174. Various Artists

Piggy Bank, 2017

Turps Banana, 2011

White ceramic piggy bank painted in blue and glazed, with rubber stopper. With artist’s logo on the underside, from the edition of unknown size, published by The Serpentine Galleries, London, lacking original card box. 9 x 21 x 9 cm (3 1/2 x 8 1/4 x 3 1/2 in.)

The complete set of four digital prints in colours with screenprinted glaze, on wove paper, with full margins. Three signed in pencil, the Hirst signed in black ink, all numbered 18/75 in pencil (there were also 10 artist’s proofs), published by Turps Banana, London (with their blindstamp), all unframed. all I. various sizes largest S. 59.1 x 42 cm (23 1/4 x 16 1/2 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

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175. Various Artists

176. Mark Wallinger

b. 1959

Cubitt Portfolio, 1999-2000

A Real Work of Art, 1993

The complete portfolio comprising 20 works in various media, predominantly in colours, on various papers, the full sheets and with margins, with justifcation and list of works, the sheets loose (as issued) all contained in the original green linencovered solander box. All signed, some dated and all numbered 3/100 in pencil or ink on the front or reverse (there were also 20 artist’s proofs), published by Cubitt House, London, all unframed. smallest S. 10.8 x 8.6 cm (4 1/4 x 3 3/8 in.) most S. 21.1 x 26 cm (8 1/4 x 10 1/4 in.), various orientations, Sadotti folded portfolio 28.3 x 24.5 x 4.8 cm (11 1/8 x 9 5/8 x 1 7/8 in.)

Die-cast metal statuette painted in colours, on a wooden base with metal plaque. Numbered ‘29’ in white paint on the saddle blanket, from the edition of 50. 12.2 x 13 x 7.3 cm (4 3/4 x 5 1/8 x 2 7/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

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177. Tracey Emin and Sarah Lucas

b. 1963 and b. 1962

The Shop, 1993 A group of seven works including a Sarah Lucas self-portrait mobile with four suspended cut-out photographs, a mug with three collaged photographs of Sarah Lucas, a whistle, a miniature knitted blanket with embroidered edges, a pair of walnuts, a pair of framed photographs of the artists, and seven printed and hand-drawn cards. The whistle signed by both artists, titled ‘fuck my old bill’ and dated in blue ink on a label afxed to the key chain, the miniature blanket titled ‘Rothko comfort blanket for private views and other state occasions’ in blue ink on the attached label, the pair of walnuts signed by both artists in black ink on the attached yellow ribbon, the framed portraits each with labels from ‘The Shop’ on the reverse, and most cards with labels from ‘The Shop’ on the reverse, all created for The Shop, Bethnal Green. all various sizes Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

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178. Tracey Emin

b. 1963

179. Sarah Lucas

b. 1962

Exploration of the Soul, 1994

The Fag Show, 2000

The complete artist’s book including two photographs and one lithograph, contained in the original linen slipcover with appliqué ‘TE’ in blue felt. Signed and inscribed ‘I want this to be the truth’ in blue ink, and numbered 2/200 in pencil on the frontispiece, published by the artist. book 19.6 x 20.2 cm (7 3/4 x 7 7/8 in.)

Chromogenic print, on Kodak paper, the full sheet. Numbered 6/100 (printed) on a label afxed to the reverse of the frame (there were also 10 artist’s proofs), published by Sadie Coles, London, framed. S. 50.7 x 50.7 cm (19 7/8 x 19 7/8 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT, ARR applies*

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180. Tracey Emin

b. 1963

181. Tracey Emin

b. 1963

In My Mind II, 2014

More of You, 2014

Polymer gravure etching, on cream wove paper, with full margins. Signed, titled, dated and numbered 98/100 in pencil, published on the occasion of the exhibition The Last Great Adventure is You at White Cube, Bermondsey, unframed. I. 26.8 x 20 cm (10 1/2 x 7 7/8 in.) S. 36.8 x 29.1 cm (14 1/2 x 11 1/2 in.)

Lithograph in colours, on Somerset paper, the full sheet. Signed, titled, dated and numbered 57/100 in pencil (there were also 20 artist’s proofs), published by Counter Editions, London, unframed. S. 90.3 x 70.2 cm (35 1/2 x 27 5/8 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

plus Buyers Premium and VAT, ARR applies*

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182. Rebecca Warren

b. 1965

183. Rebecca Warren

b. 1965

Croccini, 2014

Waterfall, 2017

Bronze. Signed in black ink and numbered 6/45 (printed) on the accompanying Certifcate of Authenticity (there were also 15 artist’s proofs), published by Counter Editions, London. 17 x 12.5 x 6.5 cm (6 3/4 x 4 7/8 x 2 1/2 in.)

Bronze. Signed in black ink and numbered 27/45 (printed) on the accompanying Certifcate of Authenticity (there were also 16 artist’s proofs), published by Counter Editions, London. 24 x 11 x 11 cm (9 1/2 x 4 3/8 x 4 3/8 in.)

Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ♠

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠

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184. Tony Cragg

b. 1949

185. Julian Opie

b. 1958

Bust, 2017

Crow Walking, 2018

Tin multiple, on Plexiglas base. Signed in black ink on the accompanying Certifcate of Authenticity, from the unnumbered edition of 75, published by the Yorkshire Sculpture Park, West Bretton. 16 x 6.5 x 6.5 cm (6 1/4 x 2 1/2 x 2 1/2 in.)

Continuous computer animation on LCD screen, with all electrical components and mounting hardware, all contained in the original cardboard box with gallery label. Signed in black felt-tip pen and numbered 6/20 (printed) on a label afxed to the reverse (there were also 5 artist’s proofs), published by Alan Cristea Gallery, London. 32.5 x 33.5 x 15 cm (12 3/4 x 13 1/4 x 5 7/8 in.)

Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

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186. Julian Opie

b. 1958

187. Julian Opie

b. 1958

188. Julian Opie

b. 1958

Luc and Ludivine Get Married (7) (C. 113), 2007

Luc and Ludivine Get Married (15) (C. 121), 2007

Luc and Ludivine Get Married (16) (C. 122), 2007

The pair of laser-cut Somerset Velvet black paper silhouettes, dry-mounted onto Clairefontaine Mayo paper (as issued), the full sheets. Signed in black felt-tip pen and numbered 8/10 (printed) on a label afxed to the reverse of one frame (there was also 1 artist’s proof for the pair), published by Alan Cristea Gallery, London, in original oval black wood frames, glazed with vacuum formed polycarbonate, ftted with a top fxing screw ring as specifed by the artist. each 48.7 x 40 x 7 cm (19 1/8 x 15 3/4 x 2 3/4 in.)

The pair of laser-cut Somerset Velvet black paper silhouettes, dry-mounted onto Clairefontaine Mayo paper (as issued), the full sheets. Signed in black felt-tip pen and numbered 7/10 (printed) on a label afxed to the reverse of one frame (there was also 1 artist’s proof for the pair), published by Alan Cristea Gallery, London, in original oval black wood frames, glazed with vacuum formed polycarbonate, ftted with a top fxing screw ring as specifed by the artist. each 48.7 x 40 x 7 cm (19 1/8 x 15 3/4 x 2 3/4 in.)

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠ †

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189. Gerhard Richter

b. 1932

Flow (P15), 2013/2016 Chromogenic print, fush-mounted to aluminium with metal strainer on the reverse (as issued). This facsimile object is unsigned and numbered 285/500 in black ink on the reverse (there were also 2 artist’s proofs), published by Heni Productions, London. 100 x 200 cm (39 3/8 x 78 3/4 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ † plus Buyers Premium and VAT, ARR applies*

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190. Gerhard Richter

b. 1932

Flow (P16), 2013/2016 Chromogenic print, fush-mounted to aluminium with metal strainer on the reverse (as issued). This facsimile object is unsigned and numbered 285/500 in black ink on the reverse (there were also 2 artist’s proofs), published by Heni Productions, London. 100 x 200 cm (39 3/8 x 78 3/4 in.) Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 ♠ † plus Buyers Premium and VAT, ARR applies*

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191. Zao Wou-Ki

1920-2013

192. Hans Bellmer

1902-1975

Untitled (A. 150), 1963

Les Mystères du confessionnal (The Mysteries of the Confessional), 1973

Lithograph in colours, on Rives paper, with full margins. Signed, dated and numbered 96/125 in pencil (Ågerup calls for an edition of 95), published by L’Oeuvre Gravée, Zurich (with their blindstamp), framed. I. 51.8 x 39.6 cm (20 3/8 x 15 5/8 in.) S. 65.3 x 50.4 cm (25 3/4 x 19 7/8 in.)

The complete set of nine engravings, on Auvergne paper, with full margins, with title page, justifcation, and accompanying text, all contained in the original purple cloth-covered portfolio with gold printed artist’s name. All engravings signed and numbered ‘XIX/XX’ in pencil, further numbered (printed) on the justifcation (one of 20 artist’s proofs, the total edition was 150, there was also an unsigned edition of 149), published by Éditions Art & Valeur, Paris. all I. 22.9 x 20.3 cm (9 x 8 in.) all S. 55.9 x 38.1 cm (22 x 15 in.) portfolio 61 x 43.2 x 5.1 cm (24 x 17 x 2 in.)

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 plus Buyers Premium and VAT*

Estimate £1,200-1,800 $1,600-2,400 €1,300-2,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies* scan for more on this lot

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193. George Condo

b. 1957

194. Agnes Martin

1912-2004

Untitled, 1989

Paintings and Drawings 1974-1990, 1991

Four etchings, on Hahnemühle paper, with full margins. All signed and numbered 14/55 in pencil, published by Pace Prints, New York, all framed. all I. 11.8 x 9 cm (4 5/8 x 3 1/2 in.) all S. 32.5 x 25.2 cm (12 3/4 x 9 7/8 in.)

The complete set of 10 lithographs in colours, on frm transparency paper, with full margins, with text, the sheets loose (as issued) all contained in the original grey card portfolio with printed uppers. From the edition of 2500 co-published by Nemela & Lenzen GmbH, Monchengladbach and Stedelijk Museum, Amsterdam for Agnes Martin’s 1991 retrospective at the Stedelijk Museum. all I. approx. 23 x 23 cm (9 x 9 in.) all S. 30 x 30 cm (11 3/4 x 11 3/4 in.) portfolio 31 x 31 x 2 cm (12 1/4 x 12 1/4 x 0 3/4 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 plus Buyers Premium and VAT*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 † plus Buyers Premium and VAT*

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195. Robert Longo

b. 1953

Untitled IV, from Men in the Cities, 1990 Lithograph, on Arches paper, with full margins. Signed, dated, titled ‘IV’ and numbered 43/48 in pencil (there were also 12 artist’s proofs), published by Seibu Department Stores Ltd., Tokyo, framed. I. 85 x 50 cm (33 1/2 x 19 5/8 in.) S. 101.6 x 66 cm (40 x 25 7/8 in.) Estimate £6,000-8,000 $8,000-10,600 €6,600-8,800 ‡ plus Buyers Premium and VAT*

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196. Robert Longo

b. 1953

Untitled I, from Men in the Cities, 1990 Lithograph, on Arches paper with embossing, with full margins. Signed, dated, titled ‘I’ and numbered 43/48 in pencil (there were also 12 artist’s proofs), published by Seibu Department Stores Ltd., Tokyo, framed. overall I. 36.5 x 78 cm (14 3/8 x 30 3/4 in.) S. 66 x 101.4 cm (25 7/8 x 39 7/8 in.) Estimate £3,000-5,000 $4,000-6,600 €3,300-5,500 ‡ plus Buyers Premium and VAT*

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197. Robert Longo

b. 1953

198. Robert Longo

b. 1953

Serpent’s Tongue, 2005

Torso VI, 1986

Archival pigment print, on wove paper, with full margins. Signed, dated and numbered 9/30 in pencil, published by Adamson Editions, Washington D.C., framed. I. 51.5 x 34.2 cm (20 1/4 x 13 1/2 in.) S. 60 x 41.8 cm (23 5/8 x 16 1/2 in.)

Monotype in colours, on wove paper, with full margins, with yellow screenprinted Plexiglas. Signed, dated and annotated ‘PV’ in pencil, framed. I. 68.4 x 50 cm (26 7/8 x 19 5/8 in.) S. 80.6 x 60.3 cm (31 3/4 x 23 3/4 in.)

Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700

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199. Donald Baechler

b. 1956

Coney Island, 1994 The complete set of six screenprints in colours, two with focking and one with sand, on Willmann 2-ply museum board, the full sheets, with colophon. All signed, dated and numbered 42/75 in pencil on the front, all annotated consecutively from I to VI in pencil on the reverse (there were also 10 artist’s proofs), published by Lococo-Mulder, Saint Louis, Missouri (with their and the artist’s copyright inkstamp on the reverse), all unframed. all S. 74 x 74 cm (29 1/8 x 29 1/8 in.)

200. Tom Wesselmann

Monica Sitting Elbows on Knees, from BAM Photography Portfolio III, 1991 Lithograph, on wove paper, with full margins. Signed and numbered 69/75 in pencil (there were also 16 artist’s proofs), published by Parasol Press, Ltd., New York, framed. I. 93.8 x 69 cm (36 7/8 x 27 1/8 in.) S. 115.5 x 96.5 cm (45 1/2 x 37 7/8 in.) Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 plus Buyers Premium and VAT*

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 plus Buyers Premium and VAT*

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1931-2004

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201. Alex Katz

b. 1927

Red House, 2016 Archival pigment print in colours, on Crane Museo Max paper, the full sheet. Signed and numbered 38/70 in pencil, published by Lococo Fine Art, St. Louis, Missouri (with their inkstamp on the reverse), unframed. S. 87.3 x 91.7 cm (34 3/8 x 36 1/8 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 plus Buyers Premium and VAT*

202. Alex Katz

b. 1927

Boy with Branch I (M. 77), 1975 Aquatint in colours, on Arches Cover paper, the full sheet. Signed and numbered 58/90 in pencil (Maravell calls for an edition of 100, there were also 9 artist’s proofs), co-published by Bo Alveryd, Kavlinge, Sweden, and Marlborough Graphics, New York, unframed. S. 61.1 x 102.5 cm (24 x 40 3/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 plus Buyers Premium and VAT*

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Property of a Distinguished Private Collector

203. Francis Ruyter

b. 1968

Where The Sidewalk Ends, 2011 Woodcut in colours, on Japanese Unryu-shi paper, with full margins. Signed, dated and numbered 1/40 in pencil (there were also 5 artist’s proofs), published Alan Cristea Gallery, London, framed. I. 80 x 141 cm (31 1/2 x 55 1/2 in.) S. 97.8 x 159.4 cm (38 1/2 x 62 3/4 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ‡ plus Buyers Premium and VAT*

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204. James Rosenquist

1933-2017

Brazil, 2013 Pigment print in colours, on Japanese watercolour paper, with full margins. Signed and numbered 2/50 in black felt-tip pen, published on the occasion of the FIFA World Cup, Brazil, 2014, unframed. I. 60 x 189.3 cm (23 5/8 x 74 1/2 in.) S. 73.5 x 199.2 cm (28 7/8 x 78 3/8 in.) Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 † plus Buyers Premium and VAT*

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205. Lawrence Weiner

b. 1942

Swimming in a Vast Whirlpool, 2008 Lithograph in colours, on Arches paper, with full margins. Signed with initials, dated and numbered ‘IX/X EA’ in pencil (one of 10 artist’s proofs, the edition was 50), published by Edition Copenhagen, Denmark, unframed. I. 61 x 39 cm (24 x 15 3/8 in.) S. 76.2 x 56.5 cm (30 x 22 1/4 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 plus Buyers Premium and VAT*

206. John Giorno and Tom Slaughter b. 1936 and 1955-2014

Whatever Window is Your Pleasure, 1991 The complete set of ten screenprints in colours, on heavy wove paper, the full sheets, with title page. Five prints signed by Tom Slaughter and fve prints signed by John Giorno, all dated and numbered 55/75 in pencil, published by George Mulder Fine Arts, New York, all unframed. all S. 111.7 x 76.2 cm (43 7/8 x 30 in.) Estimate £2,500-3,500 $3,400-4,700 €2,800-3,900 plus Buyers Premium and VAT*

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207. Jonas Wood

b. 1977

208. Jonas Wood

b. 1977

Three Clippings: one plate, 2018

Bromeliad, 2020

Mixografía® relief print in colours with embossing, on handmade paper, the full sheet. Signed, dated and numbered 6/20 in pencil (there were also 5 artist’s proofs), published by Mixografía, Los Angeles, unframed. S. 101.6 x 81 cm (40 x 31 7/8 in.)

Screenprint in colours, on rising museum board, with full margins. Signed, dated and numbered 180/200 in pencil, published by WKS Editions, Los Angeles (with their blindstamp), on the occasion of the 2020 LA Art Book Fair, unframed. I. 59 x 50.3 cm (23 1/4 x 19 3/4 in.) S. 71.2 x 58.6 cm (28 x 23 1/8 in.)

Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200

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209. Jonas Wood

b. 1977

Untitled, 2009 Lithograph with screenprint in colours, on Coventry vellum paper, the full sheet. Signed, dated and numbered 40/50 in blue pencil (there were also 13 artist’s proofs), published by Cirrus Editions, Los Angeles (with their blindstamp), framed. S. 102 x 76.4 cm (40 1/8 x 30 1/8 in.) Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 plus Buyers Premium and VAT*

210. Jonas Wood

b. 1977

Untitled, from White Columns Print Portfolio, 2015 Screenprint in colours, on white Coventry Rag paper, with full margins. Signed, dated and numbered 61/100 in pencil (there were also 26 artist’s proofs), published by Wood Kusaka Studios, Los Angeles, for White Columns, New York, framed. I. 58 x 47.8 cm (22 7/8 x 18 7/8 in.) S. 61.1 x 50.9 cm (24 x 20 in.) Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 plus Buyers Premium and VAT*

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211. John Baldessari

1931-2020

Woman with Pillow, from BAM Photography Portfolio II (H. 133), 2003 Lithograph, on Somerset Velvet paper, with full margins. Signed, dated and numbered 7/40 in pencil (there were also 12 artist’s proofs), published by Serge Sorokko Editions, San Francisco, 2004, framed. I. 45.8 x 50.6 cm (18 x 19 7/8 in.) S. 61.4 x 76.2 cm (24 1/8 x 30 in.)

212. Brian Calvin

b. 1969

Lineup, 2020 Archival pigment print in colours, on wove paper, with full margins. Signed, titled and numbered 7/30 in pencil (there were also 5 artist’s proofs), published by Almine Rech Editions, London, unframed. I. 40.2 x 60.1 cm (15 7/8 x 23 5/8 in.) S. 50.2 x 70.2 cm (19 3/4 x 27 5/8 in.) Estimate £500-700 $670-940 €550-780 plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 plus Buyers Premium and VAT*

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213. Derrick Adams

b. 1970

Self Portrait on Float, 2019 Woodcut in colours with gold leaf and collage, on heavy wove paper, the full sheet. Signed, dated and numbered 44/50 in pencil, published by Tandem Press, Madison, Wisconsin, unframed. S. 101.6 x 101.7 cm (40 x 40 in.) Estimate ÂŁ6,000-8,000 $8,100-10,800 â&#x201A;Ź6,700-8,900 plus Buyers Premium and VAT*

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214. Christopher Wool

b. 1955

215. Cai Guo-Qiang

b. 1957

Four Short Stories, 2004

Foreplay, 2006

The complete set of four inkjet prints in colours, on wove paper, with full margins, with title sheet on copy paper. All signed, dated and numbered 7/65 in pencil, published by the artist for the Camden Art Centre, London, all framed. all I. 39 x 31.1 cm (15 3/8 x 12 1/4 in.) all S. 48.4 x 33 cm (19 x 12 7/8 in.)

Gunpowder, on light card, the full sheet, folded (as issued), contained in the original printed envelope. Numbered 157 (stamped in red ink) on the end page, from the edition of 200, published by Deutsche Guggenheim, Berlin, as the front cover of the catalogue accompanying the exhibition Head On. folded S. 13.1 x 13.2 cm (5 1/8 x 5 1/4 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200

plus Buyers Premium and VAT*

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216. Tomas Ruf

b. 1958

Sterne (Stars): one plate (S. 17), 1990 Grano-lithograph, on Ikonorex paper, with full margins. Signed and numbered 8/40 in pencil on the reverse (there were also 8 artist’s proofs), published by Edition Schellmann, Munich and New York, framed. I. 67.7 x 45 cm (26 5/8 x 17 3/4 in.) S. 89.6 x 65 cm (35 1/4 x 25 5/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

217. Tomas Ruf

b. 1958

C-Print (for Parkett No. 28), 1991 Chromogenic print, on Fujicolour photographic paper, with full margins, with accompanying transparent wrapper screenprinted on the front and reverse, the sheet loose (as issued) contained in the original grey card portfolio. Signed, dated and numbered 33/50 in pencil on the reverse (there were also 10 artist’s proofs in Roman numerals), published by Parkett Editions, New York and Zurich, unframed. I. 38 x 37.8 cm (14 7/8 x 14 7/8 in.) S. 49.9 x 49.9 cm (19 5/8 x 19 5/8 in.)

plus Buyers Premium and VAT, ARR applies*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

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218. John Armleder

b. 1948

219. John Armleder

b. 1948

Corolles, 2008

Spirale Blanche (White Spiral), 2008

Lithograph in colours, on Arches paper, the full sheet. Signed, titled, dated and numbered 29/45 in pencil on the reverse (there were also 5 artist’s proofs), co-published by World House Editions, Middlebury, Connecticut, and Edition Copenhagen, Denmark, unframed. S. 100.2 x 69 cm (39 1/2 x 27 1/8 in.)

The complete set of 10 lithographs in colours, on Arches paper, the full sheets and with margins, with colophon, the sheets loose (as issued) all contained in the original blue linen-covered portfolio with embossed artist’s name and title. All signed, dated and numbered 29/40 in pencil on the reverse (there were also 3 artist’s proofs in Roman numerals), co-published by World House Editions, Middlebury, Connecticut and Edition Copenhagen, Denmark, all unframed. all S. approx. 76.4 x 56.5 cm (30 1/8 x 22 1/4 in.) portfolio 79.5 x 59 x 2 cm (31 1/4 x 23 1/4 x 0 3/4 in.)

Estimate £500-700 $670-940 €550-780 plus Buyers Premium and VAT*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 plus Buyers Premium and VAT*

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220. John Armleder

b. 1948

221. Ugo Rondinone

b. 1964

Lampe (Lamp), 2008

Poems, 2006

The complete set of three lithographs in colours, on Arches paper, with full margins, with colophon, the sheets loose (as issued) all contained in the original black linen-covered portfolio with embossed artist’s name and title. All signed, dated and numbered 29/45 in pencil on the reverse (there were also 5 artist’s proofs), co-published by World House Editions, Middlebury, Connecticut and Edition Copenhagen, Denmark, all unframed. all I. 31.7 x 25 cm (12 1/2 x 9 7/8 in.) all S. 100.5 x 69 cm (39 5/8 x 27 1/8 in.) portfolio 102.5 x 71 cm (40 3/8 x 27 7/8 in.)

The complete set of 10 woodcuts in colours, on Arches paper, with full margins. All signed, titled, dated and numbered 31/33 in pencil on the reverse (there were also 6 artist’s proofs), copublished by World House Editions, Middlebury, Connecticut and Edition Copenhagen, Denmark, lacking colophon and portfolio, all framed. all I. 69 x 50.2 cm (27 1/8 x 19 3/4 in.) all S. 76.8 x 57.3 cm (301/4 x 221/2 in.), one horizontal Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 plus Buyers Premium and VAT* scan for more on this lot

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222. Richard Long

b. 1945

223. Mark Francis

b. 1962

Walking and Sleeping, 2003

Untitled Nos. 1-4, 2008

The complete book comprised of 11 ofset lithographs and 22 pages of accompanying text, with original mud drawing, on handmade paper, the full sheets and with margins, the sheets mounted to a linen concertina and hand-sewn with hemp, the book wrapped in natural canvas, contained in the original wooden box within a grey painted wooden traveling case. Signed and numbered 6/58 in pencil on the frst page (only numbers 1 - 16 include the original mud drawing, there were also 2 artist’s proofs), published by Ivorypress, Madrid. book 39 x 54 x 8 cm (15 3/8 x 21 1/4 x 3 1/8 in.) travelling case 24.5 x 70 x 55 cm (95/8 x 271/2 x 215/8 in.)

Four lithographs in colours, on Arches paper, the full sheets. All signed, three with initials, dated and numbered 49/70 in pencil (there were also 6 artist’s proofs), co-published by World House Editions, Middlebury, Connecticut and Edition Copenhagen, Denmark, all unframed. all S. 42.8 x 30.5 cm (16 7/8 x 12 in.) Estimate £800-1,200 $1,100-1,600 €890-1,300 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ♠ plus Buyers Premium and VAT, ARR applies*

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224. Mark Francis

b. 1962

225. Sanya Kantarovsky

b. 1982

Untitled Nos. 5, 6, 8 and 9, 2008

Proximity II, 2016

Four lithographs in colours, on Arches paper, the full sheets. All signed with initials and dated in pencil, plates 5-6 numbered 49/70 and plates 8-9 numbered 19/25 in pencil (there were also 6 artist’s proofs for plates 5-6), co-published by World House Editions, Middlebury, Connecticut and Edition Copenhagen, Denmark, all unframed. all S. 42.8 x 30.5 cm (16 7/8 x 12 in.)

Woodcut in colours, on BFK Rives paper, with full margins. Signed, dated and numbered 30/30 in pencil, published by 10 Grand Press, New York (with their blindstamp), unframed. I. 60.8 x 45.7 cm (23 7/8 x 17 7/8 in.) S. 76.5 x 56.5 cm (30 1/8 x 22 1/4 in.)

Estimate £800-1,200 $1,100-1,600 €890-1,300 ♠

plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡

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226. Glenn Brown

b. 1966

227. Cindy Sherman

b. 1954

Untitled, 2004

Untitled (Self-Portrait with Sun Tan), 2003

Giclée print in colours, on Superdry Satin paper, reverse mounted to Plexiglas (as issued), with full margins. Signed and numbered 139/200 in black ink on the reverse (there were no recorded artist’s proofs), published by The Serpentine Gallery, London, framed. I. 57.2 x 37.2 cm (22 1/2 x 14 5/8 in.) S. 73.6 x 53.3 cm (28 7/8 x 20 7/8 in.)

Chromogenic print, on photo paper, with full margins. Signed, dated and numbered 146/350 in black ink on the reverse, published by The Serpentine Gallery, on the occasion of their 2003 Cindy Sherman retrospective, framed. I. 66 x 40.3 cm (25 7/8 x 15 7/8 in.) S. 76.6 x 50.9 cm (30 1/8 x 20 in.)

Estimate £800-1,200 $1,100-1,600 €890-1,300 • ♠

Estimate £2,500-3,500 $3,400-4,700 €2,800-3,900 plus Buyers Premium and VAT*

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228. Genieve Figgis

b. 1972

229. Te Connor Brothers

b. 1975 and b. 1978

Adam & Eve, 2019

I Drink to Make Other People More Interesting, 2020

Giclée print in colours, on Hahnemühle paper, with full margins. Signed, dated and numbered 131/150 in pencil (there were also 25 artist’s proofs), published by the Irish Museum of Modern Arts, Dublin, on the occasion of the exhibition Desire: A Revision from the 20th Century to the Digital Age, unframed. I. 67.6 x 54.1 cm (26 5/8 x 21 1/4 in.) S. 70.1 x 56.5 cm (27 5/8 x 22 1/4 in.)

Unique giclée print in colours with screenprinted varnish and hand-additions in acrylic and oil, on archival paper, with full margins. Signed and dated in pencil, published by the artists, framed. I. 116 x 76.5 cm (45 5/8 x 30 1/8 in.) S. 130.2 x 90.4 cm (51 1/4 x 35 5/8 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

plus Buyers Premium and VAT, ARR applies*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠

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230. David Shrigley

b. 1968

231. David Shrigley

b. 1968

Fucking Ace, 2018

I Cannot Live Without You, 2019

Screenprint in colours, on Somerset paper, with full margins. Signed with initials, dated and numbered 118/125 in pencil on the reverse, published by Jealous Gallery, London, with their Certifcate of Authenticity, unframed. I. 72.2 x 54.3 cm (28 3/8 x 21 3/8 in.) S. 76.2 x 56.1 cm (30 x 22 1/8 in.)

Screenprint in colours, on wove paper, the full sheet. Signed with initials, dated and numbered 110/125 in pencil on the reverse, published by Jealous Gallery, London, unframed. S. 75.1 x 55 cm (29 5/8 x 21 5/8 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

plus Buyers Premium and VAT, ARR applies*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠

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232. David Shrigley

b. 1968

233. David Shrigley

b. 1968

Untitled (How Are You Feeling?), 2006

Shits, 2019

Screenprint, on wove paper, with full margins. Signed with initials, dated and numbered 87/100 in pencil (there were also 5 artist’s proofs), published by Schäfer Grafk, Copenhagen, framed. I. 58.5 x 83 cm (23 x 32 5/8 in.) S. 59.7 x 84.2 cm (23 1/2 x 33 1/8 in.)

Hand-painted acrylic, on Fabriano Artistico paper, the full sheet. Signed with initials, dated and numbered 50/125 in pencil on the reverse, from the series of unique variants, published by Counter Editions, London, unframed. S. 75.5 x 56.2 cm (29 3/4 x 22 1/8 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 ♠

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 ♠

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234. KAWS

b. 1974

235. Jef Koons

b. 1955

COMPANIONSHIP IN THE AGE OF LONELINESS, 2019

Puppy Vase, 1998

Screenprint, on Arches Aquarelle paper, with full margins, the sheet loose (as issued) contained within the original grey Wibalin Buckram-bound presentation box with accompanying limited edition exhibition catalogue. The print signed, dated and numbered 325/750 in pencil, further signed and dated in black ink and numbered (printed) on the title page of the exhibition catalogue, published by the National Gallery of Victoria, Melbourne, on the occasion of the exhibition KAWS: Companionship in the Age of Loneliness. I. 27.5 x 28 cm (10 7/8 x 11 in.) S. 38.6 x 30.2 cm (15 1/4 x 11 7/8 in.)

Glazed white ceramic vase. With incised signature, date and stamp-numbered 984/3000 on the underside, published by Art of this Century, New York and Paris (with their stamp). 45 x 40 x 20 cm (17 3/4 x 15 3/4 x 7 7/8 in.) Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 plus Buyers Premium and VAT*

Estimate £2,500-3,500 $3,400-4,700 €2,800-3,900 plus Buyers Premium and VAT*

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236. Jef Koons

b. 1955

237. Jef Koons

b. 1955

238. Jef Koons

b. 1955

Balloon Dog (Yellow), 2015

Balloon Dog (Red), 1995

Balloon Dog (Blue), 2002

Porcelain multiple painted in chrome, contained in the original Styrofoamlined presentation box with silver printed signature and original plastic stand. Numbered 0841/2300 in gold ink on the underside, published by the Museum of Contemporary Art, Los Angeles. 26.7 cm (10 1/2 in.) diameter

Porcelain multiple painted in chrome, contained in the original Styrofoam-lined cardboard box with printed artist’s name and original plastic stand. Numbered 1449/2300 in gold ink on the underside, published by the Museum of Contemporary Art, Los Angeles. 26.7 cm (10 1/2 in.) diameter

Porcelain multiple painted in chrome. Numbered 1877/2300 in black ink on a label afxed to the underside, published by the Museum of Contemporary Art, Los Angeles, lacking original box and plastic stand. 26.5 cm (10 3/8 in.) diameter

Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 Ω

Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 Ω

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Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700

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239. Ai Weiwei

b. 1957

240. Ai Weiwei

b. 1957

Artist’s Hand, 2017

Study of Perspective in Glass (Opaline White), 2018-19

Cast urethane resin multiple with electroplated rhodium, contained in the original cardboard presentation box. With incised signature on the underside, from the edition of 1000, published by the Public Art Fund, USA in collaboration with eBay for Charity to beneft the exhibition Ai Weiwei: Good Fences Make Good Neighbors, New York, 2018. 12.5 x 9.5 x 10.8 cm (4 7/8 x 3 3/4 x 4 1/4 in.)

Cast Murano glass multiple, contained in the original suede-lined grey cloth-covered box. With incised signature and numbered 73/100 on the underside, further signed in black ink and numbered (printed) on the accompanying Certifcate of Authenticity, fabricated by Berengo Studio, Murano. 12.5 x 9 x 10 cm (4 7/8 x 3 1/2 x 3 7/8 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300

plus Buyers Premium and VAT*

Estimate £6,000-8,000 $8,100-10,800 €6,700-8,900 Ω

plus Buyers Premium and VAT*

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241. Ayako Rokkaku

b. 1982

Hayaumare March, 2017 The complete set of four screenprints in colours, on corrugated cardboard, the full sheets, with colophon, all contained in the original light blue paper-covered portfolio with printed title. All signed, dated and numbered 4/66 in pencil, co-published by Gallery Target & contrarede, Tokyo (with their inkstamps on the reverse), all unframed. all S. 44.5 x 59.5 cm (17 1/2 x 23 3/8 in.), one vertical portfolio 62 x 46.5 x 4.5 cm (24 3/8 x 18 1/4 x 1 3/4 in.) Estimate £7,000-10,000 $9,400-13,400 €7,800-11,100 ‡ plus Buyers Premium and VAT*

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242. Daniel Arsham

b. 1980

This lot is sold with no reserve

243. Daniel Arsham

b. 1980

244. Daniel Arsham

b. 1980

Eroded Brillo Box, 2020

Future Relic 06 (Polaroid), 2016

Eroded 911 Turbo (Porsche), 2020

Cast resin multiple, contained in the original foam-lined presentation box. Numbered 129/500 (printed) on the holographic label afxed to the box, published by Daniel Arsham Studio, New York. multiple 29.2 x 29.5 x 23.4 cm (11 1/2 x 11 5/8 x 9 1/4 in.) box 34.5 x 36 x 29 cm (13 5/8 x 14 1/8 x 11 3/8 in.)

Cast multiple in plaster and crushed glass, contained in the original foam-lined presentation box. Numbered 347/500 (printed) on a label afxed to the box, published by Daniel Arsham Studio, New York. multiple 14.6 x 12.7 x 14 cm (5.75 x 5 x 5.5 in.) box 22 x 22 x 22 in. (55.9 x 55.9 x 55.9 cm)

Cast multiple in selenite with quartz specimens, contained in the original foamlined presentation box. Numbered 254/500 (printed) on the holographic label afxed to the box, published by Daniel Arsham Studio, New York. multiple 7.6 x 12.7 x 30.5 cm (3 x 5 x 12 in.) box 17.8 x 30.5 x 40.6 cm (7 x 12 x 16 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 Ω •

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 Ω •

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 Ω

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245. Daniel Arsham

b. 1980

This lot is sold with no reserve

246. Daniel Arsham

b. 1980

This lot is sold with no reserve

247. Daniel Arsham

b. 1980

Future Relic 03 (Clock), 2015

Crystal Relic 002 (Game Console), 2020

Cracked Bear (Pink), 2019

Cast multiple in plaster and crushed glass, contained in the original foam-lined presentation box. Numbered 153/400 (printed) on a label afxed to the box, published by Daniel Arsham Studio, New York. multiple 14 x 12.7 x 6.4 cm (5.5 x 5 x 2.5 in.) box 15 x 26 x 21 cm (5 7/8 x 10 1/4 x 8 1/4 in.)

Cast resin multiple in two parts, contained in the original foam-lined presentation box. Numbered 164/500 (printed) on the holographic label afxed to the inside of the box, with the accompanying metal authenticity card, published by Daniel Arsham Studio, New York. console 14.8 x 8.8 x 3.3 cm (57/8 x 31/2 x 11/ 4 in.) box 14.8 x 29 x 24 cm (5 7/8 x 11 3/8 x 9 1/2 in.)

Cast multiple in plaster with fabric and pigment, contained in the original presentation box. Printed ‘Artist Proof’ on the holographic label afxed to the box (the edition was 500), published by Daniel Arsham Studio, New York. multiple 24.4 x 22.6 x 18.6 cm (95/8 x 87/8 x 73/8 in.) box 34 x 30.5 x 28 cm (13 3/8 x 12 x 11 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 •

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 Ω •

plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 Ω • plus Buyers Premium and VAT*

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248. Beverly Semmes

b. 1958

HOLE/POT/DOT, 2005 The complete set of three lithographs in colours, on Arches paper (in four, one and three parts respectively), with full margins, with colophon, the sheets loose (as issued) all contained in the original linen-covered portfolio with printed artist’s name and title. One sheet in each part signed, dated and numbered 30/33 in pencil (there were also 6 artist’s proofs), co-published by World House Editions, Middlebury, Connecticut and Edition Copenhagen, Denmark, all unframed. all S. 121 x 80.6 cm (47 5/8 x 31 3/4 in.) largest overall S. 242 x 161.2 cm (95 1/4 x 63 1/2 in.) portfolio 123 x 81.5 cm (48 3/8 x 32 1/8 in.)

249. Yayoi Kusama

b. 1929

Morning Is Here E (K. 336), 2004 Screenprint in colours, on Arches paper, with full margins. Signed, titled in Japanese, dated and numbered 79/95 in pencil (there were also 13 artist’s proofs), published by TOKI-NOWASUREMONO/Takeda Bijyutsu, Tokyo, framed. I. 16 x 23 cm (6 1/4 x 9 in.) S. 24 x 31 cm (9 1/2 x 12 1/4 in.) Estimate £3,000-5,000 $4,000-6,700 €3,300-5,500 ‡ plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • plus Buyers Premium and VAT* scan for more on this lot

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250. Yayoi Kusama

b. 1929

This lot is sold with no reserve

251. Yayoi Kusama

b. 1929

Dots Obsession, 2011

Pumpkin (Yellow); and Pumpkin (Red), 2013

Mirror with printed dots and artist’s name, in a pink painted wooden sub-frame, with the accompanying catalogue raisonné Yayoi Kusama: Prints 1979-2011, all contained in the original printed card box. Signed and numbered 88/300 in silver ink, titled and dated (printed) on the reverse of the frame, published by Abe Publishing Ltd., Japan. mirror 32.8 x 25.1 x 3.3 cm (12 7/8 x 9 7/8 x 1 1/4 in.) box 36.4 x 27 x 5 cm (14 3/8 x 10 5/8 x 1 7/8 in.)

The pair of cast resin multiples painted in colours, contained in the original printed paper-covered boxes. Each with the artist’s copyright inkstamp on the underside, published by Benesse Holdings, Inc., Naoshima, Japan. both 10 x 9 x 9 cm (3 7/8 x 3 1/2 x 3 1/2 in.) Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • plus Buyers Premium and VAT*

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,600 • ‡ plus Buyers Premium and VAT*

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252. Mr.

b. 1969

This lot is sold with no reserve

253. Mr.

b. 1969

Kowloon in Hong Kong – Walking, 2020

The Season When the Ramune Heat Has Passed, 2020

Archival pigment print and screenprint in colours, on wove paper, with full margins. Signed, dated and numbered 88/100 in pencil, framed. I. 57.9 x 46.5 cm (22 3/4 x 18 1/4 in.) S. 70 x 58.5 cm (27 1/2 x 23 in.)

Archival pigment print and screenprint in colours, on wove paper, with full margins. Signed, dated and numbered 61/100 in pencil, framed. I. 57.9 x 43.2 cm (22 3/4 x 17 in.) S. 70 x 55.5 cm (27 1/2 x 21 7/8 in.)

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡

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254. Liu Ye

b. 1964

255. Liu Ye

b. 1964

Girl with Mondrian, 2001

Little Girl With Balloons, 2001

Lithograph in colours, on BFK Rives paper, the full sheet. Signed in Pinyin and Chinese, dated and numbered 2/50 in pencil, unframed. S. 80.7 x 60.8 cm (31 3/4 x 23 7/8 in.)

Lithograph in colours, on BFK Rives paper, the full sheet. Signed in Pinyin and Chinese, dated and numbered 15/50 in pencil, unframed. S. 80.4 x 62 cm (31 5/8 x 24 3/8 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200

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256. MADSAKI

b. 1974

Mona Lisa 3P (inspired by Leonardo Da Vinci), 2019 Ofset lithograph in colours, on smooth wove paper, the full sheet. Signed, dated and numbered 198/300 in black felt-tip pen, co-published by the artist and Kaikai Kiki Co., Ltd., Tokyo, framed. S. 80 x 54.4 cm (31 1/2 x 21 3/8 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ‡ plus Buyers Premium and VAT*

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257. MADSAKI

b. 1974

Kung Fu Hustle II (Inspired by Stephen Chow); You Wanna Take Me To A Kung Fu Movie?; and Straight Outta Zamunda, 2020 Three ofset lithographs in colours, on smooth wove paper, the full sheets. All signed, dated and each numbered 233/300, 181/300 and 191/300 respectively in black felt-tip pen, co-published by the artist and Kaikai Kiki Co., Ltd., Tokyo, all framed. one S. 53.6 x 75 cm (21 1/8 x 29 1/2 in.) two S. 70 x 70 cm (27 1/2 x 27 1/2 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ‡ plus Buyers Premium and VAT*

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258. Takashi Murakami & MADSAKI b. 1962 and b. 1974

MADSAKI Flowers Red A-C, 2017 The complete set of three screenprints in colours, on wove paper, with full margins. All signed by Murakami, dated and numbered variously from the edition of 100 in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all I. 37.4 x 30 cm (14 3/4 x 11 3/4 in.) all S. 47 x 38 cm (18 1/2 x 14 7/8 in.) Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 • ‡

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259. MADSAKI

b. 1974

White Flag 2P; Three Flags 3P; and Two Flags 2P, 2018 Three ofset lithographs in colours, on smooth wove paper, the full sheets. All signed, dated and numbered 249/300 in black felt-tip pen, co-published by the artist and Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. various sizes, largest 50 x 77.2 cm (19 5/8 x 30 3/8 in.), one vertical Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ‡ plus Buyers Premium and VAT*

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260. Mr Doodle

b. 1994

Heartland, 2020 Screenprint in colours, on wove paper, with full margins. Signed, dated and numbered 100/300 in pencil, published by the artist, unframed. I. 45 x 87 cm (17 3/4 x 34 1/4 in.) S. 48.1 x 90.1 cm (18 7/8 x 35 1/2 in.) Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 ♠

261. Takashi Murakami

b. 1962

Jellyfsh Eyes × e-ma Flower Stand Happy Rainbow, 2013 Fabricated plastic fower with one hundred candy cases, on a painted metal stand with fve wheels. Titled in Japanese (printed) on the front, and numbered 13/30 (printed) on a metal plaque afxed to the reverse, published by Kaikai Kiki Co., Ltd., Tokyo. 163.5 x 142.5 x 74 cm (64 3/8 x 56 1/8 x 29 1/8 in.)

plus Buyers Premium and VAT, ARR applies*

Estimate £4,000-6,000 $5,300-8,000 €4,400-6,600 Ω plus Buyers Premium and VAT*

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262. Takashi Murakami

b. 1962

263. Takashi Murakami

b. 1962

Plush Flowerball, 2008

Kaikai-chan; and Kiki-chan, from Kaikai & Kiki, 2018

Polyester and cotton spherical multiple in colours with acrylic boa and polyurethane. Numbered 024/200 (printed) on a tag afxed to the work and stamp-numbered on the accompanying Certifcate of Authenticity (there were also 5 artist’s proofs), published by Kaikai Kiki Ltd., Tokyo. 40 cm (15 3/4 in.) diameter

The pair of sof vinyl multiples with hand-printing in colours, each contained in the original printed cardboard boxes. Both from the unnumbered edition of unknown size, published by Kaikai Kiki Co., Ltd., Tokyo (incised with the artist’s and publisher’s copyright stamp on the underside), for cherry Fukuoka Edition (with their inkstamp on the underside). Kaikai 23.9 cm (9 3/8 in.) height Kiki 20 cm (7 7/8 in.) height boxes 28 x 18.5 x 12.5 cm (11 x 7 1/4 x 4 7/8 in.)

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 plus Buyers Premium and VAT*

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 • Ω plus Buyers Premium and VAT, ARR applies*

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264. Takashi Murakami

This lot is sold with no reserve b. 1962

265. Takashi Murakami

b. 1962

Doraemon: Hip Hip Hurrah!; and M. Fujiko, F. Fujio and Doraemon Are In The Field of Flowers, 2019/20

Atop a Ball of Flowers, a Panda Cub Sits Properly; and Atop a Ball of Flowers, a Panda Cub Sleeps Soundly, 2020

Two screenprints in colours, on wove paper, with full margins. Both signed and each numbered 72/300 and 93/300 respectively in pencil, both further signed ‘Fujiko F Fujio’ (printed) in Japanese, the inventor of Doraemon, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both I. 48 x 37.5 cm (18 7/8 x 14 3/4 in.) both S. 58.2 x 51 cm (22 7/8 x 20 1/8 in.)

Two screenprints in colours, on wove paper, with full margins. Both signed, dated and each numbered 29/100 and 49/100 respectively in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both I. various sizes both S. 50.2 x 50.1 cm (19 3/4 x 19 3/4 in.)

Estimate £4,000-6,000 $5,400-8,100 €4,400-6,700 • ‡

Estimate £2,000-3,000 $2,700-4,000 €2,200-3,300 • ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

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266. Takashi Murakami

b. 1962

Multicolour Double Face: Yellow; and Rainbow Smiley, 2020 Two screenprints in colours, on wove paper, with full margins. Both signed, dated and each numbered 78/100 and 71/100 respectively in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. one I. 45.2 x 55 cm (17 3/4 x 21 5/8 in.) one S. 50 x 60 cm (19 5/8 x 23 5/8 in.) one I. 45 x 45 cm (17 3/4 x 17 3/4 in.) one S. 50 x 50 cm (19 5/8 x 19 5/8 in.)

267. Takashi Murakami

b. 1962

268. Takashi Murakami

Pinky Chan; and Sea Breeze Chan, 2020

Ohana-Chan: Soul to Soul, 2020

Two screenprints in colours, on wove paper, with full margins. Both signed, dated and each numbered 54/100 and 13/100 respectively in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both I. 45 x 45 cm (17 3/4 x 17 3/4 in.) both S. 50 x 50 cm (19 5/8 x 19 5/8 in.)

Screenprint in colours, on wove paper, with full margins. Signed, dated and numbered 10/100 in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, framed. I. 45 x 45 cm (17 3/4 x 17 3/4 in.) S. 50.1 x 50.2 cm (19 3/4 x 19 3/4 in.)

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ‡

Estimate £1,000-1,500 $1,300-2,000 €1,100-1,700 • ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

Estimate £1,500-2,000 $2,000-2,700 €1,700-2,200 • ‡ plus Buyers Premium and VAT*

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b. 1962

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This lot is sold with no reserve

269. Takashi Murakami

This lot is sold with no reserve b. 1962

270. Takashi Murakami

b. 1962

We Are the Square Jocular Clan, 2018

That Sounds Good, I Hope You Can Do That, 2019

Ten ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 47.6 x 47.6 cm (18 3/4 x 18 3/4 in.)

Screenprint in colours with cold stamped gold and silver foil, on wove paper, with full margins. Signed, dated and numbered 190/300 in pencil, further signed ‘Fujiko F Fujio’ (printed) in Japanese, the inventor of Doraemon, published by Kaikai Kiki Co., Ltd., Tokyo, framed. I. 46.4 x 94 cm (18 1/4 x 37 in.) S. 56.6 x 104.2 cm (22 1/4 x 41 in.)

Estimate £5,000-7,000 $6,700-9,400 €5,500-7,800 • ‡ plus Buyers Premium and VAT*

Estimate £3,000-5,000 $4,000-6,600 €3,300-5,500 • ‡ plus Buyers Premium and VAT*

scan for more on this lot

This lot is sold with no reserve

271. Takashi Murakami

This lot is sold with no reserve b. 1962

August Joy; December Remembrance; May Shower; October Story; and July Night, 2019 Five screenprints in colours, on smooth wove paper, with full margins. All signed, dated and numbered variously from the editions of 100 in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all I. 37.3 x 30 cm (14 5/8 x 11 3/4 in.) all S. 46.8 x 38.1 cm (18 3/8 x 15 in.) Estimate £4,000-6,000 $5,300-8,000 €4,400-6,600 • ‡

272. Takashi Murakami ∞∞∞ (Infnity), 2020

Archival pigment print in colours, on wove paper, with full margins. Signed, dated and numbered 61/100 in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, framed. I. 56.9 x 43.9 cm (22 3/8 x 17 1/4 in.) S. 70.1 x 57.2 cm (27 5/8 x 22 1/2 in.) Estimate £1,500-2,000 $2,000-2,700 €1,600-2,200 • ‡ plus Buyers Premium and VAT*

plus Buyers Premium and VAT*

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b. 1962

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Index Adams, D. 213

Hamilton, R. 135, 136, 137

Ofli, C. 172

Albers, A. 122

Haring, K. 57

Opie, J. 87, 185, 186, 187, 188

Armleder, J. 218, 219, 220

Hirst, D. 57, 75, 76, 77, 78, 79, 80, 81, 82, 156,

Arsham, D. 242, 243, 244, 245, 246, 247

157, 158, 159, 160, 161, 162, 164, 165, 166, 167

Perry, G. 73, 74, 173

Hockney, D. 16, 17, 18, 19, 20, 21, 22, 23,

Picasso, Afer P. 106

Bacon, F. 28

24, 25, 26, 141, 142, 143, 144, 145

Picasso, P. 3, 4, 5, 107, 108

Baechler, D. 199

Hodgkin, H. 148, 149, 150, 151, 152

Prince, R. 61

Indiana, R. 123, 124, 125

Raysse, M. 32

Baldessari, J. 211 Bansky 52, 53, 54, 55 Basquiat, Afer J. 58

Richter, G. 65, 66, 189, 190

Bellmer, H. 192

Johns, J. 11, 120

Riley, B. 153, 154, 155

Bourgeois, L. 67

Jones, A. 33, 34, 35, 140

Rivera, D. 2

Brown, G. 226

Judd, D. 12

Rokkaku, A. 241

Calder, A. 116

Kantarovsky, S. 225

Rosenquist, J. 204

Calvin, B. 212

Kapoor, A. 72

Ruf, T. 216, 217

Caulfeld, P. 27, 147

Katz, A. 201, 202

Ruyter, L. 203

Chagall, Afer M. 104, 105

KAWS 234

Chagall, M. 101, 102, 103

Khan, I. 171

Scott, W. 139

Christo & Jean-Claude 134

Kippenberger, M. 62

Semmes, B. 248

Cocteau, J. 93, 94, 95, 96, 97, 98, 99

Klein, Y. 31

Sherman, C. 227

Condo, G. 59, 193

Koons, J. 83, 235, 236, 237, 238

Shrigley, D. 230, 231, 232, 233

Cragg, T. 184

Kusama, Y. 249, 250, 251

Smith, K. 68

Rondinone, U. 221

Craig-Martin, M. 146

Stella, F. 15 Levine, C. 56

Sultan, D. 84

Doig, P. 69, 70

LeWitt, S. 121

Duchamp, M. 9, 10

Lichtenstein, R. 29, 30

The Connor Brothers 229

Dürer, A. 1

Long, R. 222

Turk, G. 163

Longo, R. 36, 195, 196, 197, 198

Tuymans, L. 71

Emin, T. 178, 180, 181

Lucas, S. 179

Emin, T. and Lucas, S. 177

Various Artists 174, 175 MADSAKI and Murakami, T. 258

Vasarely, V. 117, 118

Figgis, G. 228

MADSAKI. 256, 257, 259

Flavin, D. 119

Marshall, K. J. 60

Wallinger, M. 176

Francis, M. 223, 224

Martin, A. 194

Warhol, A. 37, 38, 39, 40, 41, 42, 43, 44,

Freud, L. 130, 131, 132, 133

Matisse, H. 100

45, 46, 47, 48, 49, 50, 51, 126, 127, 128, 129

Miller, H. 88, 89, 90, 91, 92

Warren, R. 182, 183

Gilbert & George 169

Miró, J. 6, 7, 8, 109, 110, 111, 112, 113, 114, 115

Weiner, L. 205

Giorno, J. and Slaughter, T. 206

Moore, H. 138

Weiwei, A. 239, 240

Gormley, A. 170

Motherwell, R. 13, 14

Wesselmann, T. 200

Guo-Qiang, C. 215

Mr. 252, 253

Whiteread, R. 168

Mr Doodle 260

Wood, J. 85, 86, 207, 208, 209, 210

Murakami, T. 261, 262, 263, 264, 265,

Wool, C. 63, 64, 214

266, 267, 268, 269, 270, 271, 272

Wou-Ki, Z. 191 Ye, L. 254, 255

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Editions London 21 January 2021

43.

Andy Warhol

Mickey Mouse, from Myths) Estimate ££70,000-90,000

Screenprint in colours with diamond dust, on Lenox Museum Board, the full sheet. S. 96.5 x 96.6 cm (37 7/8 x 38 in.)

UK Auction Buyer’s Guide The following pages are designed to offer you information on how to buy at auction at Phillips. Our staff will be happy to assist you. The Conditions of Sale and Authorship Warranty published on our website at https://phillips.com also govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship between Phillips, the seller and the buyer and describe the terms upon which items are bought at auction. A) Before The Auction Catalogues & Catalogue Entries Our catalogues provide information on the lots for sale at the auction and are available on our website at www.phillips. com and in hard copy. Lot details can also be viewed on the Phillips App. If you would like to purchase a hard copy catalogue for a Phillips auction, please visit our website or contact us at catalogues@phillips.com. Catalogue entries may include the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive. In some cases we may not disclose the identity of previous owners where we are not authorised to do so. Please note that all dimensions of the property set out in the catalogue entry are approximate. Pre-auction viewings are open to the public and free of charge. The dates and times are published on our website at https://phillips.com. Our specialists are available to give advice and condition reports at viewings or by appointment. Estimates Pre-sale Estimates are intended as a guide for prospective buyers. Any bid within the high and low Estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale Estimates. Pre-sale Estimates do not include the buyer’s premium or VAT. Where ‘Estimate on Request’ appears, please contact the specialist department for further information. As Estimates can be subject to revision we suggest contacting us closer to the time of the auction. Estimates in non-local currencies Although the sale is conducted in pounds sterling, the pre-sale Estimates in the auction catalogues may also be printed in other currencies. These Estimates are approximate and provided as a courtesy to our clients. The exchange rates used are those applying on the last practical date before printing the catalogue. The rates may have changed between the time of printing the catalogue and the auction. Condition Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections.

Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our specialists assess the condition in a manner appropriate to the Estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding. Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer. Symbols Used In The Catalogue You may see the following symbols referenced in the catalogue. O Guaranteed Property Lots designated with the symbol O are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the financial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be significant Phillips may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the third-party guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee. In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the third-party guarantor is the successful bidder Phillips will report the purchase price net of any fees paid to the third-party guarantor. Disclosure of financial interest by third parties Phillips requires third party guarantors to disclose their financial interest in the lot to anyone whom they are advising. If you are contemplating bidding on a lot which is the subject of a third party guarantee and you are being advised by someone or if you have asked someone to bid on your behalf you should always ask them to confirm whether or not they have a financial interest in the lot. ∆ Property in which Phillips has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.

• No Reserve

Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low Estimate and will not exceed the low pre-sale Estimate.

∑ Endangered Species Lots with this symbol have been identified at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import. Ж Property Subject to US Import Tarifs

Lots with this symbol indicate that the Property may be subject to additional tariffs upon importation into the United States of America. See paragraph 12 of the Conditions of Sale. Calculating the Total Purchase Price If you are the successful bidder on a Lot, the total purchase price you pay is made up of the following elements:

Hammer Price

Buyer’s Premium

VAT on Buyer’s Premium and/or Hammer Price (If applicable)

Artist’s Resale Royalty (ARR) (If applicable)

The Hammer Price: This is the final, highest bid which the auctioneer accepts by bringing down the auctioneer’s hammer. Buyer’s Premium: This is the commission Phillips charges the successful highest bidder and buyer of the lot. The Buyer’s premium is calculated on the hammer price of the lot at the following rates on a cumulative basis: • 26% on the portion of the hammer price up to and including £450,000; and • 21% on the portion of the hammer price above £450,000 up to and including £4,500,000 and • 14.5% on the portion of the hammer price above £4,500,000. Where VAT is payable on the Buyer’s premium the VAT inclusive Buyer’s Premium rates are 31.2%, 25.2 % and 17.4% respectively. VAT Most items we sell are sold under UK Auctioneer’s Margin Scheme rules. This means that VAT is charged at 20% on the buyer’s premium and will not be shown separately on the invoice. UK Auctioneer’s Margin Scheme lots have no VAT symbol. Where the lot has a †, ‡ or Ω symbol against it, VAT may be charged on a different basis. For full details, including how to claim VAT refunds, please see the VAT & Tax Guide in this Auction Buyer’s Guide and on our website ♠ Artist’s Resale Royalty (ARR) The laws in certain countries entitle qualifying artists or their estates to a royalty when the artist’s works are resold for a hammer price of EUR 1,000 or more. Lots

subject to ARR are marked with the symbol ♠. The ARR is calculated as a percentage of the hammer price on a cumulative basis as follows and is payable as part of the purchase price: Portion of the Hammer Price (in EUROS) From 0 to 50,000 From 50,000.01 to 200,000 From 200,000.01 to 350,000 From 350,000.01 to 500,000 Exceeding 500,000

Royalty Rate 4% 3% 1% 0.5% 0.25%

The total charge for ARR on any single lot cannot exceed Euros 12,500. To calculate the ARR, we use the pounds sterling/euro reference exchange rate quoted on the date of the auction by the European Central Bank. Example To illustrate how the purchase price is calculated, please see the below example: UK Auctioneer’s Margin Scheme lot Hammer Price: £500,000 Buyer’s Premium including VAT @20% £153,000: Calculated as follows: 26% of first £450,000 of the hammer price = £117,000 + 21% on the balance of £50,000 = £10,500 Total BP = £127,500 VAT @ 20% on the total BP of £127,500 = £25,500

immediately. At the end of the auction, please return your paddle to the registration desk.

The auctioneer may vary the increments during the course of the auction at his or her own discretion.

By Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multilingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale Estimate is at least £500. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are unable to reach you by telephone.

Conditions Of Sale The auction is governed by the Conditions of Sale and Authorship Warranty which are available on our website. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement.

Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at https://phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The first time you register you will be required to create an account; thereafter you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate firewalls may cause difficulties for online bidders.

B) At The Auction Bidding Bids may be executed during the auction in person, by paddle or by telephone or prior to the sale in writing by absentee bid. Proof of identity in the form of governmentissued identification will be required, as will an original signature and recent proof of address. We may also require that you furnish us with a bank reference. For individuals, acceptable forms of government issued photo identification include a passport or photo driving licence. For companies, acceptable forms of government issued identification include a certificate of incorporation or similar as well as proof of owners (including ultimate beneficial owner) and directors. Undisclosed agreements between bidders to bid or abstain from bidding on lots are illegal. Please note that Phillips monitors its sales and bidding records to ensure that bidding is transparent and fair and will take appropriate action in the event of any suspected breach of this requirement. In Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staff member

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. Bidding Increments Bidding generally opens below the low Estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment. UK£50 to UK£1,000 UK£1,000 to UK£2,000 UK£2,000 to UK£3,000 UK£3,000 to UK£5,000

by UK£50s by UK£100s by UK£200s by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800) UK£5,000 to UK£10,000 by UK£500s UK£10,000 to UK£20,000 by UK£1,000s UK£20,000 to UK£30,000 by UK£2,000s UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000 UK£50,000 to UK£100,000 by UK£5,000s UK£100,000 to UK£200,000 by UK£10,000s above UK£200,000 at the auctioneer’s discretion

Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot. Consecutive And Responsive Bidding; The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. No Reserve Lots If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale Estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale Estimate or at the amount of the bid if it is less than 50% of the low pre-sale Estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. C) After The Auction Payment Payment is due immediately following the auction, unless other arrangements have been agreed with Phillips in writing in advance of the sale. Interest will be charged on late payment at the rate of 12% per annum. Payments must be made by the invoiced party in pounds sterling and may be sent by wire transfer. Our account details are available on our website. Please reference the relevant invoice number when making payment. Alternatively, payment can be made by credit card, for invoices of £30,000 or less per auction. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). Title to each lot will not pass until the buyer has made full payment of the Purchase Price plus any applicable Artist Resale Royalty and all applicable taxes. Collection Once Phillips has received full and cleared payment of the total purchase price for the lot and any other amounts the buyer owes to Phillips, lots will be released for collection. To collect paid for lots buyers (or their authorised representatives) must provide proof of identity.

Authorised Representatives should also bring a copy of a letter signed by the buyer authorising them to collect. Smaller items may be collected from our London gallery on the day of the auction. Please check with our staff when making payment. After the auction, lots will be transferred to offsite fine art storage facilities. The buyer information pack you will receive after the auction will confirm details of the storage facility where your lot is held for collection. Please contact us to make arrangements for collection. Storage Charges Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to you in the buyer information pack you will receive after the auction. Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven (7) days following the auction. Transport and Shipping We will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips. Please refer to Paragraph 7 of the Conditions of Sale for more information. As a free service for buyers, Phillips will wrap purchased lots which are for hand carry only. We do not provide packing, handling or shipping services directly. Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent enquiries as to whether a licence is required to export the property from the United Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licences or permits. The denial of any required licence or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot.

imported in to the US only if accompanied by independent scientific analysis regarding continent of origin and confirmation the object is more than 100 years old. We have not obtained a scientific analysis on any lot prior to sale and cannot indicate whether elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any scientific analysis or other report required in connection with their proposed import of such property into the US. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the object qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species. Privacy Our Privacy Policy is available at https://phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. Phillips’ premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be filmed for simultaneous live broadcast on Phillips’ and third-party websites and applications.

Important Notices Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a licence or certificate prior to exportation and additional licences or certificates upon importation to the US or to any country within or outside the European Union (EU). Please note that the ability to obtain an export licence or certificate does not ensure the ability to obtain an import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licences or certificates as well as any other required documentation. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be

Identification of Business or Trade Buyers As of January 2010, Her Majesty’s Revenue & Customs (“HMRC”) has made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding buyer’s premium for lots with symbols for businesses outside the UK. Phillips requires evidence of the business status by means of the company identification, Certificate of Incorporation, Articles of Association or government-issued documents showing that the company exists. Upholstered furniture Lots of upholstered furniture manufactured in 1950 or after may not comply with the levels of fire resistance for domestic upholstered furniture under the Furniture and Furnishings (Fire) (Safety) Regulations 1988 (as amended )

(the “Regulations”). These items are sold as decorative works of art and should not be used in your home as domestic furniture, unless they are reupholstered, re-stuffed or recovered (as appropriate) with materials complying with the Regulations. Please speak to a specialist before the sale for information on whether the lots have been recently upholstered. Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verified and approved by a qualified electrician.

VAT & Tax Guide VAT Depending on the status of the lot, and your status as a buyer, VAT may be charged on the hammer price, the buyer’s premium or both. UK Auctioneer’s Margin Scheme Most items we sell are second-hand goods, so we sell them under UK Auctioneer’s Margin Scheme rules. Lots falling into this category have no VAT symbol and are treated as follows: No symbol

UK Auctioneer’s Margin Scheme sale

20% VAT charged on the buyer’s premium. (The invoiced buyer’s premium will include the VAT).

Special VAT Treatment If the Lot has one of the below symbols, the VAT treatment will be as follows: VAT Symbol

†

‡

Basis Standard UK VAT rules

Imported lot under Temporary Admission (Low rate)

Imported lot under Temporary Admission (High rate)

Treatment 20% VAT charged on both the hammer price and buyer’s premium 5% import VAT on the hammer price and 20% VAT on the buyer’s premium 20% import VAT on the hammer price and 20% VAT on the buyer’s premium

Sales and Use Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of lots following purchase. Buyers should consult their own tax advisors.

Please note this VAT and Tax Guide will be reviewed and updated to take account of new rules which may be in efect as of 1 January 2021, following the end of the Brexit Transition Period. The updated Guide will be published on our website at https://www.phillips.com/buysell/buy

UK Conditions of Sale The Conditions of Sale and Authorship Warranty set out below govern the relationship between bidders and buyers, on the one hand, and Phillips Auctioneers Limited (registered in England with company number 04228373) ("Phillips") and sellers, on the other hand. All prospective buyers should read these Conditions of Sale, the UK Auction Buyer’s Guide, the Important Notices, VAT & Tax Guide and the Authorship Warranty carefully before bidding. 1 Introduction Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers and Important Notices, and (c) supplements to this catalogue or other written material posted by Phillips in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction. By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips and the seller contract with the buyer. 2 Phillips as Agent Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company affiliated with Phillips may own a lot, in which case we will act as agent for that company, or Phillips or an affiliated company may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips in relation to each lot is partially dependent on information provided to us by the seller, and Phillips is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips is available for inspection by prospective buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent

appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale Estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips. Any pre-sale Estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips at our absolute discretion. Neither Phillips nor any of our affiliated companies shall be liable for any difference between the pre-sale Estimates for any lot and the actual price achieved at auction or upon resale. 4 Bidding at Auction (a) Phillips has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips. (b) As a convenience to bidders who cannot attend the auction in person, Phillips may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the ‘Absentee Bid Form’, a copy of which is printed in this catalogue or otherwise available from Phillips. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and value added tax (VAT). The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (c) Telephone bidders are required to submit bids on the ‘Telephone Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Telephone bidding is available for lots whose low pre-sale Estimate is at least £500. Phillips reserves the right to require written confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation.

(d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available on our website at www.phillips.com. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’s bid department in our sole discretion. As noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request. Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are final and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or ‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal, state or other antitrust law. (g) Arranging absentee, telephone and online bids is a free service provided by Phillips to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to execute such bids except where such failure is caused by our willful misconduct. (h) Employees of Phillips and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures. 5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is offered subject to a reserve, which is the confidential minimum selling price agreed by Phillips with the seller. The reserve will not exceed the low pre-sale Estimate at the time of the auction.

(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises after the sale, our sale record is conclusive. The auctioneer may accept bids made by a company affiliated with Phillips provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale Estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale Estimate or at the amount of the bid if it is less than 50% of the low pre-sale Estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in pounds sterling and payment is due in pounds sterling. For the benefit of international clients, pre-sale Estimates in the auction catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate exchange rates. Accordingly, Estimates in US dollars or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but Phillips accepts no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. (f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’, ‘returned to owner’ or ‘bought-in’. (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction. 6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium, plus any applicable value added tax (VAT) and any applicable resale royalty (the ‘Purchase Price’). The buyer’s premium is 26% of the hammer price up to and including £450,000, 21% of the portion of the hammer price above £450,000 up to and including £4,500,000 and 14.5% of the portion of the hammer price above £4,500,000. Phillips reserves the

right to pay from our compensation an introductory commission to one or more third parties for assisting in the sale of property offered and sold at auction. (b) VAT is payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of VAT. (c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to pay to us an amount equal to the resale royalty provided for in those regulations and we undertake to the buyer to pay such amount to the artist’s collection agent. In circumstances where (i) we are on notice that the resale royalty is payable or (ii) we have not been able to ascertain the nationality of the artist, we will identify the lot with the symbol ♠ next to the lot number and will invoice the resale royalty to the buyer. If we subsequently determine that the nationality of the artist does not entitle him/her to the resale royalty on the lot, we will arrange a refund to the buyer of the amount of the royalty paid to us. If, after a sale in which we did not collect the resale royalty on a particular lot, we become aware that information provided to us prior to the auction concerning an artist’s nationality was incorrect and the artist is entitled to the resale royalty on the lot, the buyer shall pay the resale royalty to us upon receipt of an invoice. (d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in pounds sterling as follows: (i) Payments may be made by wire transfer. Our account details are available on our website. Please reference the relevant invoice number when making payment. Alternatively, payment can be made by credit card for invoices of £30,000 or less per auction. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). (e) Title in a purchased lot will not pass until Phillips has received the Purchase Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price. 7 Collection of Property (a) Phillips will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as we in our sole discretion shall require, including providing information and documentation we require to satisfy our customer due diligence and verification checks for Know Your Customer compliance purposes and completing any anti-money laundering or anti-terrorism financing and sanctions checks. As soon as a buyer has satisfied all of the above conditions, he or she should contact us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased property.

(b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. After the auction, we will transfer all lots to offsite fine art storage facilities. Details will be included in the buyer information packs sent to buyers after the auction. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from (i) the date of collection or (ii) seven days after the auction, whichever is the earlier. Until risk passes, Phillips will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property. (c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or shipping services. We will coordinate with shipping agents instructed by the buyer, whether or not recommended by Phillips, in order to facilitate the packing, handling, insurance and shipping of property bought at Phillips. Any such instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Property will be collected by the buyer at the point it is released by Phillips in the sale location to the buyer or to a third-party shipper acting for the buyer. The buyer is responsible for paying any import duties and local taxes payable to import the Property to its final destination. (d) Phillips will require presentation of government-issued identification prior to release of a lot to the buyer or the buyer’s authorized representative. 8 Failure to Collect Purchases (a) Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to buyers in the buyer information pack they will receive after the auction. Purchased lots will not be released to the buyer until the Purchase Price and all charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips, upon notice, to arrange a resale of the item by auction or private sale, with Estimates and a reserve set at Phillips’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or our affiliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction. 9 Remedies For Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within seven days of the auction, Phillips may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips‘s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv)

charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips and instruct our affiliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice arrange the sale of such property and apply the proceeds to the amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with Estimates and a reserve set at Phillips’s reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set off the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our affiliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs; or (x) take such other action as we deem necessary or appropriate. (b) The buyer irrevocably authorizes Phillips to exercise a lien over the buyer’s property which is in our possession upon notification by any of our affiliated companies that the buyer is in default of payment. Phillips will notify the buyer of any such lien. The buyer also irrevocably authorizes Phillips, upon notification by any of our affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in our possession by actual or constructive delivery to our affiliated company as security for the payment of any outstanding amount due. Phillips will notify the buyer if the buyer’s property has been delivered to an affiliated company by way of pledge. (c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips to instruct any of our affiliated companies in possession of the buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third party instructed by Phillips to hold the property on our behalf as security for the payment of the Purchase Price and any other amount due and, no earlier than 30 days from the date of written notice to the buyer, to sell the property in such manner and for such consideration as can reasonably be obtained on a forced sale basis and to apply the proceeds to any amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon. 10 Rescission by Phillips Phillips shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party.

Upon notice of Phillips election to rescind the sale, the buyer will promptly return the lot to Phillips, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 14 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips and the seller with respect to such rescinded sale. 11 Export, Import and Endangered Species Licences and Permits Before bidding for any property, prospective buyers are advised to make their own enquiries as to whether a licence is required to export a lot from the United Kingdom or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis of continent of origin and confirmation the object is more than 100 years old. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the item qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object containing endangered species into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licences or permits. Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips has marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species. 12. US Imports Customs Tariffs Buyers intending to import property into the United States of America should note that US Customs may charge an additional import duty upon the importation of (i) products manufactured or created in mainland China and (ii) printed materials (including photographs, prints, lithographs, books and designs) printed in the UK or Germany. Phillips will mark with a symbol lots which may be subject to additional US import tariffs, where this is known to us. Please note, however, that any such markings are done by us only as a convenience to bidders.

Phillips does not accept liability for errors including failing to mark lots accurately or for the absence of any marking. Export, Import, Sales and/or Use Taxes Buyers should note that they are responsible for all charges, duties and taxes related to the exportation and importation of lots shipped by them or shipped on their behalf, including any applicable Sales and/or Use Taxes which may be due on importing the property to the United States. Please contact the department organising the auction for further details. 13 Personal Data (a) You acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with our Privacy Policy as published at www.phillips.com or available by emailing dataprotection@ phillips.com. (b) Our Privacy Policy sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data (including for example the provision of auction, private sale and related services; the performance and enforcement of these terms and conditions; the carrying out of identity and credit checks; keeping you informed about upcoming auctions, exhibitions and special events; and generally where reasonably necessary in the management and operation of our business); (iii) the lawful bases on which we rely in undertaking our processing of your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. (c) Phillips premises and sale and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes and will be filmed during the auction for simultaneous live broadcast on our and third party websites and applications. By remaining in these areas, you acknowledge that you may be photographed, filmed and recorded and grant your permission for your likeness and voice to be included in such recordings. If you do not wish to be photographed or filmed or appear in such recordings, please speak to a member of Phillips staff. Your communications with Phillips, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy available at www.phillips.com. 14 Limitation of Liability (a) Subject to sub-paragraph (e) below, the total liability of Phillips, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot. (b) Except as otherwise provided in this Paragraph 14, none of Phillips, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips or any of our affiliated companies or

Authorship Warranty (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips, our affiliated companies and the seller to the fullest extent permitted by law. (d) Subject to sub-paragraph (e) below, none of Phillips, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in sub-paragraph (a) above, whether such loss or damage is characterised as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips or any of our affiliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions. 15 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and, subject to the provisions of the Copyright, Designs and Patents Act 1988, such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it. 16 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements. (b) Notices to Phillips shall be in writing and addressed to the department in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing to Phillips. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part.

(e) No term of these Conditions of Sale shall be enforceable under the Contracts (Rights of Third Parties) Act 1999 by anyone other than the buyer. 17 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with English law. (b) For the benefit of Phillips, all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. All parties agree that Phillips shall retain the right to bring proceedings in any court other than the Courts of England. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by personal service, delivery by mail or in any other manner permitted by English law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of the bidder or seller known to Phillips.

Phillips warrants the authorship of property in this auction catalogue described in headings in BOLD or CAPITALIZED type for a period of five years from date of sale by Phillips, subject to the exclusions and limitations set forth below. (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot; or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry. (b) In any claim for breach of the Authorship Warranty, Phillips reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips to the saleroom in which it was purchased in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. Phillips has discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by email to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying to bid as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one):

In-person Absentee Bidding Telephone Bidding

Paddle Number

As a private individual On behalf of a company

Title

Sale Number First Name

Sale Date

Surname Account Number

Company (if applicable)

• Company Purchases: If you are buying under a business entity, we require a copy of government-issued identifcation (such as the certifcate of incorporation) as well as proof of owners (including ultimate benefcial owners) and directors to verify the status of the company. This should be accompanied by an ofcial document confrming the company’s EU VAT registration number, if applicable, which we are now required by HMRC to hold. • Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale available online at phillips.com,. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

Sale Title

• Private Purchases: Proof of identity in the form of government-issued identification and recent proof of address will be required.

VAT number (if applicable)

• If you cannot attend the sale, we can execute bids confdentially on your behalf. • Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 26% of the hammer price up to and including £450,000, 21% of the portion of the hammer price above £450,000 up to and including £4,500,000 and 14.5% of the portion of the hammer price above £4,500,000. • “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

Address

City

• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable VAT. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale Estimate or at the amount specifed, if less than 50% of the low Estimate.

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• Your bid must be submitted in the currency of the sale and may be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

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• If we receive identical bids, the frst bid received will take precedence.

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct. Agreement to bid by telephone must be confrmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

Please complete the following section for telephone and absentee bids only Lot number

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Maximum pound sterling price* Absentee Bids Only

• Please submit your bids to the Bid Department by email to bidslondon@phillips.com or by fax at +44 20 7318 4035 at least 24 hours before the sale. You will receive confrmation by email within one business day. To reach the Bid Department by phone please call +44 20 7318 4045. • Absent prior payment arrangements, please provide a bank reference. Payment for lots can be made by wire transfer, credit card (up to £30,000 per auction) using Visa, American Express, Mastercard or Union Pay (for in person transactions only) and UK debit cards. • Lots cannot be collected until payment has cleared and all charges have been paid. • You will not have the right to cancel the sale of any lot purchased by you under the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013. • By signing this Bid Form, you acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with Phillips’s Privacy Policy as published at www.phillips.com or available by emailing dataprotection@phillips.com. • Phillip’s premises and sale and exhibition venues may be subject to video surveillance and recording. Telephone calls (e.g. telephone bidding) may also be recorded. We may process that information in accordance with our Privacy Policy.

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By ticking this box, you confrm your registration/bid(s) as above and accept the Conditions of Sale of Phillips as stated in our catalogues and on our website. *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Royalty payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 26%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

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Editions

Beuys 100 London / June 2021

Sell With Us In June 2021, Phillips Editions will present a themed auction to celebrate Joseph Beuysâ&#x20AC;&#x2122; 100th birthday. Contact us today to consign your prints, multiples, photographs and original artworks by Joseph Beuys and his circle. Accepting consignments now! Enquiries editionslondon@phillips.com +44 207 318 4077

Joseph Beuys, Sled, 1969 Wooden sled, felt, belts, fashlight, fat, rope, and oil paint (brown cross) ÂŠ DACS 2020.

Sale Information Auction and Viewing Location 30 Berkeley Square, London W1J 6EX Auctions Evening Sale Thursday, 21 January, 6pm (lots 1–92) Day Sale Thursday, 21 January, 12pm (lots 93–272) Viewing 14–21 January Monday–Saturday 10am–6pm Sunday 12pm–6pm Sale Designation When sending in written bids or making enquiries please refer to this sale as UK030121 or Evening & Day Editions. Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com

Sale Department Head of Editions, Europe Robert Kennan +44 20 7318 4075 rkennan@phillips.com Head of Sale, Specialist Rebecca Tooby-Desmond +44 20 7318 4079 rtooby-desmond@phillips.com Senior Specialist Anne Schneider-Wilson +44 20 7318 4042 aschneider-wilson@phillips.com Cataloguer Louisa Earl +44 20 7318 4069 learl@phillips.com Administrator Adam Rutledge +44 20 7318 4077 arutledge@phillips.com Property Manager Surya Buck +447867 430097 sbuck@phillips.com Photographers Jean Bourbon Matt Kroenig Kent Pell Charlie Sheldon Alex Braun

Front cover Lot 43, Andy Warhol Mickey Mouse, from Myths, 1981 © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by DACS, London 2020 / Artists Rights Society (ARS), New York / Ronald Feldman Gallery, New York Back cover Lot 4, Pablo Picasso Tête de femme No. 3 (Head of a Woman No. 3): Portrait de Dora Maar, 1939-42 © Succession Picasso / DACS, London, 2020

Auctioneers Henry Highley, Principal Auctioneer Rebecca Tooby-Desmond Susanna Brockman Adam Clay Catalogues London +44 20 7901 7927 New York +1 212 940 1240 catalogues@phillips.com £22/€25/$35 at the gallery Client Accounting Richard Addington, Head of Client Accounting +44 20 7901 7914 Jason King, Client Accounting, Director +44 20 7318 4086 Buyer Accounts Heather Welham +44 20 7901 2982 Seller Accounts Surbjit Kaur +44 20 7318 4072 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Annaliese Clark +44 20 7318 4081 Rita Matos +44 20 7901 7906 Lucia Nuñez +44 20 7901 7920 Creative Services Chris Ward, Creative Services Manager Grace Neighbour, Graphic Designer Steven Rubbins, Senior Graphic Designer

Editions

Works on Paper New York / April 2021

Andy Warhol, Marilyn, 1967 Estimate $250,000 - 350,000 Price Achieved $315,000/£240,786/€266,490 © 2020 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York

Donald Judd, Untitled, 1991-1994 Estimate $50,000 - 70,000 Price Achieved $81,900/£62,604/€69,287 World Auction Record for this Set Donald Judd Art © 2020 Judd Foundation / Artists Rights Society (ARS), New York

Buy & Sell With Us In 2020 the Editions Department has continued to remain a global leader in the market: • Over $20 million in sales • 96% of lots sold • Over 50 auction records set

Auction April 2021, New York Enquiries editions@phillips.com phillips.com

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