EVENING & DAY EDITIONS [Catalogue] by PHILLIPS

Evening & Day Editions London, 12 September 2019

7. David Hockney

59. Nina Chanel Abney

Evening & Day Editions London, 12 September 2019

Auction & Viewing Location 30 Berkeley Square, London, W1J 6EX

Auction 12 September 2019 2pm (Lots 60–250) 6.30pm (lots 1–59)

Viewing 5–12 September Monday – Saturday, 10am–6pm Sunday, 12pm – 6pm

Sale Designation When sending in written bids or making enquiries please refer to this sale as UK030219 or Editions

Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@philips.com

Modern and Contemporary Editions Head of Editions, Europe Robert Kennan rkennan@phillips.com +44 20 7318 4075 Head of Sale, Specialist Rebecca Tooby-Desmond rtooby-desmond@phillips.com +44 20 7318 4079 Senior Specialist Anne Schneider-Wilson aschneider-wilson@phillips.com +44 20 7318 4042 Cataloguer Louisa Earl learl@phillips.com +44 20 7318 4069 Administrator Amelia Wooding awooding@phillips.com +44 20 7318 4077 Property Manager Surya Buck sbuck@phillips.com +44 7867 430097

Executives.

Senior Advisors.

Edward Dolman

David Norman

Hugues Jofre

Chief Executive Ofcer

Chairman, Americas

Senior Advisor to the CEO

+1 212 940 1241 edolman@phillips.com

+1 212 940 1280 dnorman@phillips.com

+44 207 901 7923 hjofre@phillips.com

Arnold Lehman

ÂŠ Brigitte Lacombe

Cheyenne Westphal

Jamie Niven

Global Chairwoman

Senior Advisor to the CEO

+44 20 7318 4044 cwestphal@phillips.com

+1 917 880 2532 jniven@phillips.com

+1 212 940 1385 alehman@phillips.com

Ken Yeh Senior International Specialist +1 212 940 1257 kyeh@phillips.com

Deputy Chairmen & Chairwomen. Svetlana Marich

Jean-Paul Engelen

Robert Manley

Jonathan Crockett

Peter Sumner

Worldwide Deputy Chairman

Deputy Chairman, Worldwide Co-Head of 20th Century & Contemporary Art

Deputy Chairman, Asia, Head of 20th Century & Contemporary Art, Asia

Deputy Chairman, Europe, Senior International Specialist, 20th Century & Contemporary Art

+1 212 940 1390 jpengelen@phillips.com

+1 212 940 1358 rmanley@phillips.com

Miety Heiden

Vanessa Hallett

Vivian Pfeifer

Marianne Hoet

Elizabeth Goldberg

Deputy Chairwoman, Head of Private Sales

Deputy Chairwoman, Americas, Worldwide Head of Photographs

Deputy Chairman, Americas, Head of Business Development, Americas

+1 212 940 1243 vhallett@phillips.com

+1 212 940 1392 vpfeifer@phillips.com

Deputy Chairwoman, Europe, Senior Specialist, 20th Century & Contemporary Art

Deputy Chairwoman, Americas, Senior International Specialist, American Art

+32 3257 3026 mhoet@phillips.com

+1 212 940 1239 egoldberg@phillips.com

+44 20 7318 4010 smarich@phillips.com

+44 20 7901 7943 mheiden@phillips.com

+852 2318 2023 jcrockett@phillips.com

+44 20 7318 4063 psumner@phillips.com

Our Team. Editions London. Robert Kennan

Rebecca Tooby-Desmond

Anne Schneider-Wilson

Head of Sale, Specialist

Senior Specialist

rtooby-desmond@ phillips.com +44 20 7318 4079

aschneider-wilson@ phillips.com +44 20 7318 4042

Cary Leibowitz

Kelly Troester

Jason Osborne

Worldwide Co-Head, Editions

Associate Specialist/ Cataloguer

cleibowitz@phillips.com +1 212 940 1222

ktroester@phillips.com +1 212 940 1221

josborne@phillips.com +1 212 940 1332

Head of Editions, Europe rkennan@phillips.com +44 20 7318 4075

New York.

Louisa Earl Cataloguer learl@phillips.com +44 20 7318 4069

Business Development. Europe.

Americas.

Guy Vesey

Vivian Pfeifer

Head of Business Development & Marketing, Europe

Deputy Chairman, Americas, Head of Business Development, Americas

+44 20 7901 7934 gvesey@phillips.com

+1 212 940 1392 vpfeifer@phillips.com

Client Advisory. Europe. Yassaman Ali Client Advisory Director +44 20 7318 4056 yali@phillips.com

Giulia Campaner Mendes

Layla Powell

Margherita Solaini

Client Advisory Manager

Associate Client Advisory Manager

Business Development Associate

+44 20 7318 4058 gcampaner@phillips.com

+44 20 7318 4043 lpowell@phillips.com

+39 02 83642 453 msolaini@phillips.com

Americas. Philae Knight

Jennifer Jones

Liz Grimm

Client Advisory Director

Director of Trusts, Estates & Valuations

Business Development Associate

+1 212 940 1272 jjones@phillips.com

+1 212 940 1342 egrimm@phillips.com

+1 212 940 1313 pknight@phillips.com

Asia. Jasmine Yan

Iori Endo

Client Advisory Director

Client Advisory Manager

+852 2318 2015 jasmineyan@phillips.com

+44 20 7318 4039 iendo@phillips.com

International Specialists & Regional Directors. Europe. Laurence Calmels

Clara Rivollet

Maria Cifuentes

Laurence Barret-Cavy

Regional Director, France

International Specialist, 20th Century & Contemporary Art, France

Specialist, 20th Century & Contemporary Art, France

+33 142 78 67 77 mcifuentes@phillips.com

+33 153 71 77 89 lbarret-cavy@phillips.com

+33 686 408 515 lcalmels@phillips.com

+33 6 42 09 97 39 crivollet@phillips.com

Carolina Lanfranchi

Maura Marvao

Kalista Fenina

Regional Director, Senior International Specialist, 20th Century & Contemporary Art, Italy

International Specialist, Consultant, 20th Century & Contemporary Art, Portugal and Spain

Specialist, 20th Century & Contemporary Art, Moscow

+39 338 924 1720 clanfranchi@phillips.com

+351 917 564 427 mmarvao@phillips.com

Dr. Nathalie Monbaron Regional Director, Geneva +41 22 317 81 83 nmonbaron@phillips.com

Dr. Alice Trier Specialist, 20th Century & Contemporary Art, Germany +49 173 25 111 69 atrier@phillips.com

+7 905 741 15 15 kfenina@phillips.com

Americas. CĂ˘ndida SodrĂŠ

Carol Ehlers

Lauren Peterson

Melyora de Koning

Blake Koh

Valentina Garcia

Regional Director, Consultant, Brazil

Regional Director, Specialist, Photographs, Chicago

Regional Representative, Chicago

Senior Specialist, 20th Century & Contemporary Art, Denver

Regional Director, Los Angeles

Specialist, Miami

+55 21 999 817 442 csodre@phillips.com

+1 310 922 2841 lauren.peterson @phillips.com

Cecilia Lafan

Maura Smith

Silvia Coxe Waltner

Regional Director, Consultant, Mexico

Regional Director, Palm Beach

Regional Director, Seattle

+52 1 55 5413 9468 clafan@phillips.com

+1 508 642 2579 maurasmith@phillips.com

+1 206 604 6695 scwaltner@phillips.com

Kyoko Hattori

Jane Yoon

Sujeong Shin

Wenjia Zhang

Alicia Zhang

Cindy Yen

Regional Director, Japan

International Specialist, 20th Century & Contemporary Art, Regional Director, Korea

Associate Regional Representative, Korea

Regional Director, Shanghai

Associate Regional Representative, Shanghai

+82 10 7305 0797 sshin@phillips.com

+86 13911651725 wenjiazhang@phillips.com

+86 139 1828 6589 aliciazhang@phillips.com

Senior Specialist, Watches & Jewellery, Taiwan

+1 917 657 7193 mdekoning@phillips.com

+1 323 383 3266 bkoh@phillips.com

+1 917 583 4983 vgarcia@phillips.com

+1 773 230 9192 cehlers@phillips.com

Asia.

+81 90 2245 6678 khattori@phillips.com

+82 10 7389 7714 jyy@phillips.com

Meiling Lee

Christine Fernando

Sandy Ma

International Specialist, Taiwan

Associate Regional Representative, Singapore

International Specialist, South East Asia

+886 908 876 669 mlee@phillips.com

+65 9128 6277 christinefernando @phillips.com

+852 2318 2025 sma@phillips.com

+886 2 2758 5505 cyen@phillips.com

Evening Editions Lots 1 – 59, 6.30pm

*The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

57. Jonas Wood

1. Salvador Dalí

1904-1989

Head of Dante, 1964 Patinated bronze, 18k gold-plated sterling silver and sodalite stone base. With incised signature, date ‘1964’ and numbered I/VI (there were also 3 artist’s proofs numbered EA 1 to 3, all on diferent bases), published by Alfred Wolkenberg, Editions Les Maîtres, Ltd., New York (with stamp and copyright date), with the collaboration of sculptor Christine Forani, who provided technical assistance with the execution of Dali’s concept, with original wooden travelling case, including a photo-certifcate for this edition number signed in ink by the artist and publisher on April 20, 1965. 40.6 x 17.8 x 19.7 cm (15 7/8 x 7 x 7 3/4 in.) Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Alfred Wolkenberg, publisher then by descent to the present owners Exhibited New York World’s Fair, Spanish Pavilion, 1965 (another example) Literature Robert and Nicholas Descharnes, The Hard and The Sof, p. 93, no. 223 Robert Descharnes, Dali L’Oeuvre et l’homme, p. 379 Karin v. Maur, Salvador Dali 1904-1989, no. 288

Letter from Dali to the publisher sending the certifcates for the edition.

Salvador Dalí with his Head of Dante, April 20, 1965. © Bettmann / CORBIS.

2. Manolo Valdés

b. 1942

Las Meninas, 2000 The complete set of ten etchings in colours, on Eskulan handmade paper, the full sheets, with accompanying book containing illustrations by the artist and the essay Dancing Notes on Las Meninas by Josep Palau I Sabre, the sheets loose (as issued) contained in the original printed and embossed paper-covered portfolio and original printed Plexiglas folder. All signed and numbered 82/100 in pencil (there were also 10 artist’s proofs and an edition of 20 in Roman numerals), the book signed and numbered by the author, published by Art of this Century, New York. all S. approx. 67.3 x 52.1 cm (26 1/2 x 20 1/2 in.) portfolio 70.5 x 54.9 x 7.6 cm (27.75 x 21 5/8 x 3 in.) Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Phillips New York, Evening Editions, October 26, 2011, lot 16 Acquired at the above sale by the present owner

3. Pablo Picasso

1881-1973

Quatre femmes nues et tête sculptée (Four Nude Women and a Carved Head), plate 82, from La Suite Vollard, 1934 Etching, on Montval paper watermarked Vollard, with full margins. Signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), numbered ‘347’ in the Henri Petiet inventory system lower lef corner, printed by Roger Lacourière, published by Ambroise Vollard, Paris, framed. I. 22.2 x 31.5 cm (8 3/4 x 12 3/8 in.) S. 33.9 x 44.2 cm (13 3/8 x 17 3/8 in.)

4. Pablo Picasso

1881-1973

Jeune femme au corsage à triangles (Young Woman with Triangle Bodice), 1947 Lithograph, on Arches paper, with full margins. Signed and annotated ‘Epreuve d’artiste’ in pencil (one of 5 artist’s proofs, the edition was 50), framed. I. 54 x 43 cm (21 1/4 x 16 7/8 in.) S. 66 x 50 cm (25 7/8 x 19 5/8 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Georges Bloch 456 Fernand Mourlot 105

Literature Georges Bloch 219 Brigitte Baer 424 Marlborough Fine Art, 2010, Celebrating the Muse: Women in Picasso’s Prints 1905-1968 (cover image)

5. Pablo Picasso

1881-1973

Portrait de Jacqueline au chapeau de paille multicolore (Portrait of Jacqueline in a Multicoloured Straw Hat), 1962 Linocut in colours, on Arches paper, with full margins. Signed and numbered 26/50 in pencil (there were also approximately 20 artist’s proofs), published by Galerie Louise Leiris, 1963, framed. I. 34.5 x 26.9 cm (13 5/8 x 10 5/8 in.) S. 63 x 44.4 cm (24 3/4 x 17 1/2 in.) Estimate £30,000-50,000 $37,400-62,400 €33,600-56,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Georges Bloch 1074 Brigitte Baer 1283

Property from a Private European Collection

6. Pablo Picasso

1881-1973

Portrait de Jacqueline au cheveux lisses (Portrait of Jacqueline with Smooth Hair), 1962 Linocut in colours, on Arches paper, with full margins. Signed and numbered 27/50 in pencil (there were approximately 20 artist’s proofs), published by Galerie Louise Leiris, Paris, 1963, unframed. I. 63.8 x 52.7 cm (25 1/8 x 20 3/4 in.) S. 75.2 x 62 cm (29 5/8 x 24 3/8 in.) Estimate £80,000-120,000 $99,800-150,000 €89,600-134,000 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Waddington Graphics, London Acquired from the above by the present owner in 1982 Exhibited Gothenburg, Thordén Wetterling Galleries, Picasso Linocuts, 1983 Literature Georges Bloch 1066 Brigitte Baer 1302

7. David Hockney

b. 1937

Artist and Model, 1973-74 Hard-ground, sof-ground and lif-ground etching, on Arches paper, with full margins. Signed, dated and numbered 76/100 in pencil (there were also 23 artist’s proofs), published by Petersburg Press, London, framed. I. 57.8 x 44.5 cm (22 3/4 x 17 1/2 in.) S. 75.9 x 54.6 cm (29 7/8 x 21 1/2 in.) Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Scottish Arts Council 160 Museum of Contemporary Art Tokyo 152

8. David Hockney

b. 1937

Lithographic Water Made of Lines and Crayon, 1978-80 Lithograph in colours, on TGL handmade paper, with full margins. Signed, dated and numbered 20/42 in pencil (there were also 12 artist’s proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), framed. I. 54.5 x 74 cm (21 1/2 x 29 1/8 in.) S. 74.3 x 86.5 cm (29 1/4 x 34 in.) Estimate £25,000-35,000 $31,200-43,700 €28,000-39,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Tyler Graphics 254 Museum of Contemporary Art Tokyo 211

9. David Hockney

b. 1937

Ten Palm Trees in the Mist, 1973 Lithograph in colours, on Arches Cover mouldmade paper, with full margins. Signed, dated and numbered 3/8 in red pencil, titled in green pencil (there were also 2 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 74.5 x 63.8 cm (29 3/8 x 25 1/8 in.) S. 91.6 x 73.8 cm (36 1/8 x 29 in.) Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Gemini G.E.L. 457 Museum of Contemporary Art Tokyo 122 Scottish Arts Council 131

10. David Hockney

b. 1937

Pool Made with Paper and Blue Ink for Book, from Paper Pools, 1980 Lithograph in colours, on Arches Cover mould-made paper, the full sheet, with the accompanying book Paper Pools and its card slipcase. Signed and numbered 20/1000 in pencil, the book signed in blue ink and stamp-numbered on the justifcation (there were also 100 artist’s proofs), published by Tyler Graphics, Ltd., Mt. Kisco, New York (with their blindstamp), framed. S. 26.6 x 22.9 cm (10 1/2 x 9 in.) book 27.5 x 23.5 x 1.5 cm (10 7/8 x 9 1/4 x 5/8 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Tyler Graphics 269 Museum of Contemporary Art Tokyo 234

11. David Hockney

b. 1937

My Mother, Los Angeles, Dec 1982, 1982 Photographic collage, on green card, the full sheet. Signed, titled, dated and numbered ‘#8’ in white ink, from the edition of 20, contained in the original wooden frame specifed by the artist. framed 136.5 x 101 x 4 cm (533/4 x 393/4 x 15/8 in.) Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 ♠ plus Buyers Premium and VAT, ARR applies*

12. David Hockney

b. 1937

Less Trees Near Warter, 2009 Inkjet printed computer drawing in colours, on wove paper fush-mounted to Alu Dibond support (as issued). Signed, dated and numbered 14/15 in pencil, published by the artist, framed. 237 x 106.4 cm (93 1/4 x 41 7/8 in.) Estimate £40,000-60,000 $49,900-74,900 €44,800-67,200 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Galerie Lelong, Paris Acquired from the above by the present owner in 2013

13. David Hockney

b. 1937

The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 31 May, No. 2, 2011, from The Arrival of Spring in 2011 (twenty eleven), 2011 iPad drawing in colours, on wove paper, with full margins. Signed, dated and numbered 9/25 in pencil, published by the artist, framed. I. 127.2 x 95.2 cm (50 1/8 x 37 1/2 in.) S. 140.2 x 105.5 cm (55 1/4 x 41 1/2 in.) Estimate £30,000-50,000 $37,400-62,400 €33,600-56,000 ♠ plus Buyers Premium and VAT, ARR applies*

14. Roy Lichtenstein

1923-1997

Refections on Girl, from Refections Series, 1990 Lithograph, screenprint and relief in colours with metallized PVC collage and embossing, on Somerset paper, with full margins. Signed, dated and numbered ‘AP 14/16’ in pencil (an artist’s proof, the edition was 68), published by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp), framed. I. 98.1 x 123.7 cm (38 5/8 x 48 3/4 in.) S. 114.5 x 139.3 cm (45 1/8 x 54 7/8 in.) Estimate £80,000-120,000 $99,800-150,000 €89,600-134,000 plus Buyer’s Premium and VAT*

Provenance Sotheby’s London, Old Master, Modern & Contemporary Prints, October 6, 2003, lot 274 Acquired from the above sale by the present owner Literature Mary Lee Corlett 245

15. Robert Rauschenberg

1925-2008

Signs, 1970 Screenprint in colours, on wove paper, with full margins. Signed, dated and numbered 1/250 in pencil, published by Castelli Graphics, New York, framed. I. 88.9 x 67.6 cm (35 x 26 5/8 in.) S. 108.3 x 86 cm (42 5/8 x 33 7/8 in.) Estimate £15,000-25,000 $18,700-31,200 €16,800-28,000 ‡ plus Buyer’s Premium and VAT*

Provenance Leo Castelli, New York B.C. Holland, Inc., Chicago, 1977 Private Collection, Chicago and Florida Literature Edward A. Foster 155

∆

16. Andy Warhol

1928-1987

Wild Raspberries, 1959 The complete set of 18 ofset lithographs, fve with handcolouring, one is a double plate, on laid paper, the full sheets, bound (as issued) in the original pink hand-coloured paper-covered cardboard cover, recipes by Suzie Frankfurt, with original fuchsia tissue overlays, inscribed ‘To Tom andy Warhols Mother’ in black paint on the cover. 44.8 x 29.2 x 1.3 cm (17 5/8 x 11 1/2 x 1/2 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 plus Buyer’s Premium and VAT*

Provenance Gif of the artist to Thomas Royal, New York Private Collection, New York Literature Frayda Feldman and Jörg Schellmann IV. 126-143

Property from a Private London Collection

17. Andy Warhol

1928-1987

Oyster Stew, from Campbell’s Soup II, 1969 Screenprint in colours, on wove paper, with full margins. Signed in black ball-point pen and stamp-numbered 66/250 on the reverse (there were also 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, framed. I. 80.9 x 48 cm (31 7/8 x 18 7/8 in.) S. 89 x 58.6 cm (35 x 23 1/8 in.) Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 plus Buyer’s Premium and VAT*

Provenance Dreweatts & Bloomsbury Auctions London, Modern & Contemporary Prints, December 3, 2014, lot 254 Acquired from the above sale by the present owner Literature Frayda Feldman and Jörg Schellmann 60

18. Andy Warhol

1928-1987

Flowers, 1970 Screenprint in colours, on wove paper, the full sheet. An unsigned proof (aside from the signed and numbered edition of 250 and 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, unframed. S. 91.2 x 91.2 cm (35 7/8 x 35 7/8 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 † plus Buyer’s Premium and VAT*

Provenance Collection of George C.P. Mulder, Amsterdam, The Netherlands Private Collection, The Netherlands Acquired from the above by the present owner, circa 2010 Literature Frayda Feldman and Jörg Schellmann 68

19. Andy Warhol

1928-1987

Flowers, 1970 Screenprint in colours, on wove paper, the full sheet. An unsigned proof (aside from the signed and numbered edition of 250 and 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, unframed S. 91.2 x 91.1 cm (35 7/8 x 35 7/8 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 † plus Buyer’s Premium and VAT*

20. Andy Warhol

1928-1987

Marilyn, 1967 Screenprint in colours, on wove paper, the full sheet. Signed in pencil and stamp-numbered 82/250 on the reverse (there were also 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, unframed. S. 91.4 x 91.5 cm (35 7/8 x 36 in.) Estimate £60,000-80,000 $74,900-99,800 €67,200-89,600 plus Buyer’s Premium and VAT*

Provenance Konrad Fischer Gallery, Germany Acquired from the above by the present owner Literature Frayda Feldman and Jörg Schellmann 29

Property from a Private European Collection

21. Andy Warhol

1928-1987

Marilyn, 1967 Screenprint in colours, on wove paper, the full sheet. Signed with initials, dated in pencil and stamp-numbered 45/250 on the reverse (there were also 26 artist’s proofs lettered A-Z), published by Factory Additions, New York, framed. S. 90.9 x 90.8 cm (35 3/4 x 35 3/4 in.) Estimate £60,000-80,000 $74,900-99,800 €67,200-89,600 plus Buyer’s Premium and VAT*

Provenance Artcurial, Paris, 1983 Private European Collection Sotheby’s London, Prints & Multiples, March 17, 2015, lot 213 Peter Harrington Books, London Acquired from the above by the present owner in 2015 Literature Frayda Feldman and Jörg Schellmann 30

22. Andy Warhol

1928-1987

Madonna & Self-Portrait with Skeleton Arm (afer Munch), 1984 Unique screenprint in colours, on Lenox Museum Board, the full sheet. From a small unpublished edition of unique colour variants, with the artist’s copyright inkstamp, Andy Warhol Art Authentication Board inkstamp and annotated ‘A199.984’ in pencil on the reverse, with the accompanying Certifcate of Authenticity issued by the Andy Warhol Art Authentication Board, printed by Rupert Jasen Smith, New York (with their blindstamp), framed. S. 81.3 x 101.6 cm (32 x 40 in.)

Provenance Kristof Freiherr Rudt Von Collemberg, Germany Private Collection, New York Private Collection, London Private Collection, Italy Literature see Frayda Feldman and Jörg Schellmann IIIA.62

Estimate £40,000-60,000 $49,900-74,900 €44,800-67,200 plus Buyer’s Premium and VAT*

23. Andy Warhol

1928-1987

Alexander the Great, 1982 Unique screenprint in colours, on Lenox Museum Board, the full sheet. Signed and numbered ‘TP 13/15’ in pencil (one of 15 unique colour variant trial proofs, there were a further 65 in Arabic numerals and 8 in Roman numerals, both on diferent sized papers, the regular edition was 25 and 5 artist’s proofs), published by Alexander lolas, New York, in co-operation with the Hellenic Heritage Foundation to coincide with the Search for Alexander exhibition at the Metropolitan Museum of Art, New York, 27 October 1982 to 3 January 1983, framed. S. 101.3 x 101.5 cm (39 7/8 x 39 7/8 in.) Estimate £40,000-60,000 $49,900-74,900 €44,800-67,200 ‡ plus Buyer’s Premium and VAT*

Provenance Christie’s New York, Prints & Multiples, April 19, 2017, lot 143 Literature see Frayda Feldman and Jörg Schellmann IIB. 291-292

24. Gerhard Richter

b. 1932

Quattro Colori (Four Colours), 2008 Lacquer in four unique colours on Alu-Dibond plate, mounted on wood, contained in original grey cardboard box. Signed and numbered ‘1’ in black felt-tip pen on the reverse, from the edition of 80 unique variants (there were also 15 dedicated copies), published by the Serpentine Gallery, London. 19.4 x 19.4 x 2 cm (7 5/8 x 7 5/8 x 0 3/4 in.) Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance The Serpentine Gallery, London Acquired from the above by the present owner

For each painting, four diferent colours were randomly selected from an array of twenty-fve. The edition was produced in conjunction with the exhibition 4900 Colours. Version II, which took place in 2008 at the Serpentine Gallery, London. The frst example of a painting made up of four squares and four colours was produced in 1974 and titled 4 Farben.

Literature see Hubertus Butin 138

25. Vik Muniz

b. 1961

Townscape Madrid, afer Gerhard Richter, from Pictures of Pigment, 2007 Chromogenic print. Signed in black ink and titled, dated and numbered 3/6 (printed) on a label afxed to the reverse, framed. 101.6 x 107.3 cm (40 x 42 1/4 in.) Estimate £12,000-18,000 $15,000-22,500 €13,400-20,200 ‡ plus Buyer’s Premium and VAT*

Literature Pedro Correa do Lago, p. 575

26. Sigmar Polke

1941-2010

Untitled [Mönchengladbach 1983], 1983 Acrylic gloss paint, resin and ink extensively applied over an ofset lithograph in colours, on light board, with full margins. Signed, dated and numbered 7/30 in blue ink, from the edition of 30 unique variants (there were also some artist’s proofs without overpainting), published by Museumsverein Mönchengladbach, Germany, framed. I. 63 x 90 cm (24 3/4 x 35 3/8 in.) S. 65 x 92 cm (25 5/8 x 36 1/4 in.) Estimate £25,000-35,000 $31,200-43,700 €28,000-39,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature see Jürgen Becker and Claus von der Osten 57

27. Sol LeWitt

1928-2007

Vanish, 1994 The complete set of 40 screenprints in black, on Fabriano paper, the full sheets, loose (as issued) contained in the original grey fabric-covered portfolio with embossed artist’s name. All signed in pencil on the front and numbered 12/28 in pencil on the reverse (there were also 8 artist’s proofs), published by Marco Noire Editore, Turin, Italy. all S. 45.5 x 33.5 cm (17 7/8 x 13 1/4 in.) portfolio 48.2 x 36.1 x 3.5 cm (18 7/8 x 14 1/4 x 1 3/8 in.) Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 plus Buyer’s Premium and VAT*

Literature Barbara Krakow 1994.07

28. Bridget Riley

b. 1931

Untitled (La Lune en Rodage - Carlo Belloli), 1965 Screenprint, on wove paper, with full margins. Signed, dated and numbered 8/200 in pencil (there were also 10 artist’s proofs), published by Editions Panderma, Basel, unframed. I. 29.5 x 29.3 cm (11 5/8 x 11 1/2 in.) S. 31.9 x 31.9 cm (12 1/2 x 12 1/2 in.) Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Karsten Schubert 6

29. Bridget Riley

b. 1931

30. Bridget Riley

b. 1931

Untitled (Fragment 2), 1965 Screenprint in black and white, on Plexiglas (on the reverse). Incised with signature and date, and numbered 9/75 in black ink on the reverse (there were also 4 artist’s proofs), published by Robert Fraser Gallery, London, framed. I. 68.6 x 66 cm (27 x 25 7/8 in.) overall 71.2 x 69.4 cm (28 x 27 3/8 in.)

Untitled (Fragment 7), 1965 Screenprint in black and white, on Plexiglas (on the reverse). Incised with signature and date, and numbered 8/75 in black ink on the reverse (there were also 5 artist’s proofs), published by Robert Fraser Gallery, London, framed. I. 48.3 x 96.5 cm (19 x 37 7/8 in.) overall 50.8 x 99.1 cm (20 x 39 in.)

Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 ♠

plus Buyers Premium and VAT, ARR applies*

Literature Karsten Schubert 5B

Provenance Sotheby’s New York, Important Prints & Multiples Including Property from the Collection of Catherine Woodard and Nelson Blitz, Jr., October 23, 2017, lot 116 Literature Karsten Schubert 5G

31. Sam Francis

1923-1994

Pasadena Box, 1963-64/66 The complete portfolio of 13 works including eight lithographs in colours on BFK Rives paper, one lithograph in colours on Shirikawa rice paper mounted to a silk scroll, three lithographs in colours on Kochi rice paper fushmounted to a folding whiteboard screen, a unique gouache painting on wove paper set into a Plexiglas frame, text and colophon, the full sheets, loose (as issued), all contained in the original white acrylic box with two drawers. An 8 Set, An Other Set - X, and panel 3 in An Other Set - Y (Triptych) all signed and numbered 95/100 in pencil, An 8 Set - 3 annotated ‘State II’ in pencil, the painting numbered ‘95’ in pencil on the reverse of the frame (there were also some artist’s proofs), published by the Pasadena Art Museum, Pasadena, California. box 42.8 x 42.4 x 62.5 cm (16 7/8 x 16 3/4 x 24 5/8 in.) Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 ‡ plus Buyer’s Premium and VAT*

Literature Connie Lembark L57-66 Including An 8 Set 1-8; An Other Set - X; and An Other Set Y (Triptych)

32. Eduardo Chillida

1924-2002

Zubi-Aundi (Bridge Over), 1989 Etching and aquatint, on Arches paper, the full sheet. Signed and numbered 19/50 in pencil (there were also 10 artist’s proofs in Roman numerals), published by GalerÍa Theo, Madrid, unframed. S. 159.5 x 122.5 cm (62 3/4 x 48 1/4 in.) Estimate £7,000-10,000 $8,700-12,500 €7,800-11,200 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance GalerÍa Theo, Madrid Private Collection, Madrid Literature Martin van der Koelen 89011

Property from a Private European Collection

33. Louise Bourgeois

1911-2010

Sainte Sébastienne, 1992 Drypoint, on smooth wove paper, with full margins. Signed and numbered 28/50 in pencil, version 2 (of 2) and state VII (of VII) (there were also 10 hors commerce impressions and 5 printer’s proofs), published by Peter Blum Edition, New York, framed. I. 98.5 x 78.2 cm (38 3/4 x 30 3/4 in.) S. 120 x 94.1 cm (47 1/4 x 37 in.) Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Peter Blum, New York Acquired directly from the above by the present owner in 1992 Literature Museum of Modern Art Cat. No. 504.2/VII

34. Yayoi Kusama

b. 1929

Pumpkin 2000 (Yellow), 2000 Screenprint in colours, on Colorplan paper, with full margins. Signed, titled, dated and numbered 107/200 in pencil (there were also 10 artist’s proofs), published by the Serpentine Gallery, London, framed. I. 29.9 x 35 cm (11 3/4 x 13 3/4 in.) S. 48.1 x 64 cm (18 7/8 x 25 1/4 in.)

Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 ‡ plus Buyer’s Premium and VAT*

Literature Yayoi Kusama 298 This work has been authenticated by the Kusama Studio

35. Yayoi Kusama

b. 1929

Pumpkin 2000 (Red), 2000 Screenprint in colours, on Colorplan paper, with full margins. Signed, titled, dated and numbered 79/100 in pencil (there were also 10 artist’s proofs), published by the Serpentine Gallery, London, framed. I. 30 x 35.1 cm (11 3/4 x 13 7/8 in.) S. 48.2 x 64.1 cm (18 7/8 x 25 1/4 in.)

Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 plus Buyer’s Premium and VAT*

Literature Yayoi Kusama 299 This work has been authenticated by the Kusama Studio

36. Damien Hirst

b. 1965

37. Damien Hirst

b. 1965

The Souls on Jacob’s Ladder Take Their Flight (Unique), 2007-2016 Unique etching in colours, on Velin Arches paper, with full margins. Signed and annotated ‘U.P.’ in pencil, from the series of 72 unique variants, published by The Paragon Press, London, framed. I. 93.5 x 85.9 cm (36 3/4 x 33 7/8 in.) S. 119.5 x 108.4 cm (47 x 42 5/8 in.)

3-Methylthymidine White, 2014 Screenprint in colours with diamond dust, on Somerset paper, the full sheet. Signed and numbered 35/100 in pencil on the reverse, published by Paul Stolper, London, framed. S. 83.8 x 68.5 cm (32 7/8 x 26 7/8 in.)

Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 ♠

plus Buyers Premium and VAT, ARR applies*

This work has been authenticated by the Hirst Authentication Committee

Literature see The Paragon Press 2006-2010, p. 82 This work has been authenticated by the Hirst Authentication Committee

Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 ♠

38. Damien Hirst

b. 1965

Fluoroiodobenzene, from 12 Woodcut Spots, 2010 Woodcut in colours, on wove paper, with full margins. Signed in pencil on the front and numbered 6/34 in pencil on the reverse (there were also 9 artist’s proofs), published by The Paragon Press, London, framed. I. 111 x 151.5 cm (43 3/4 x 59 5/8 in.) S. 124.3 x 162.2 cm (48 7/8 x 63 7/8 in.) Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 ♠ plus Buyers Premium and VAT, ARR applies*

39. Damien Hirst

b. 1965

Mickey, 2014 Screenprint in colours with glaze, on wove paper, with full margins. Signed and numbered 129/250 in pencil (there were also 10 artist’s proofs), published by Other Criteria, London (with their and the artist’s blindstamps), framed. I. 84 x 49 cm (33 1/8 x 19 1/4 in.) S. 87.5 x 70 cm (34 1/2 x 27 1/2 in.) Estimate £18,000-22,000 $22,500-27,400 €20,200-24,600 ♠ plus Buyers Premium and VAT, ARR applies*

This work has been authenticated by the Hirst Authentication Committee

40. Damien Hirst

b. 1965

The Wonder of You, 2015 The complete set of six polymer-gravure etchings in colours with lithographic overlay, on wove paper, the full sheets. All signed in pencil on the front and numbered 3/55 in pencil on the reverse (there were also 6 artist’s proofs), published by The Paragon Press, London, all unframed. all S. 92 x 67.1 cm (36 1/4 x 26 3/8 in.) Estimate £30,000-50,000 $37,400-62,400 €33,600-56,000 ♠ plus Buyers Premium and VAT, ARR applies*

Including: Your Smell, Your Taste, Your Heart, Your Feel, Your Touch, and Your Beauty This work has been authenticated by the Hirst Authentication Committee

41. Anish Kapoor

b. 1954

Shadow III, 2009 The complete set of nine etchings in colours, on Somerset Textured Sof White paper, the full sheets. All signed and numbered 13/39 in pencil on the reverse (there were also 9 artist’s proofs), published by The Paragon Press, London, all framed. all S. 72.4 x 96.5 cm (28 1/2 x 37 7/8 in.) Estimate £15,000-20,000 $18,600-24,700 €16,700-22,200 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Phillips London, Contemporary Art Day Sale, Feb 18, 2011, lot 239 Acquired at the above sale by the present owner Literature The Paragon Press 2006-2010, pp. 248-259

42. Jef Koons

b. 1955

Balloon Rabbit (Red); Balloon Monkey (Blue); and Balloon Swan (Yellow), 2017 Three porcelain multiples painted in chrome, all contained in the original Styrofoam-lined boxes with silver printed signature. All with printed signature, title, date and each numbered 361/999, 334/999 and 391/999 respectively on the underside, published by Bernardaud, Limoges, France (with their stamp on the underside). Rabbit 26.7 x 14 x 17.8 cm (10 1/2 x 5 1/2 x 7 in.) Monkey 24.8 x 21 x 41.9 cm (9 3/4 x 8 1/4 x 16 1/2 in.) Swan 24.8 x 15.2 x 20.3 cm (9 3/4 x 6 x 8 in.) Estimate £20,000-30,000 $24,700-37,100 €22,200-33,300 ‡ plus Buyers Premium and VAT*

43. Jef Koons

b. 1955

Balloon Dogs Presentation Set (Magenta, Orange, Yellow), 2015 The compete set of three porcelain multiples painted in chrome, all contained in the original Styrofoam-lined presentation box with silver printed signature, with the original plastic stands. All numbered 1493/2300 in gold ink on the underside, further numbered in black ink on the accompanying Bernardaud cards, one of 25 special sets of the three colours, manufactured by Bernardaud, Limoges and published by the Museum of Contemporary Art, Los Angeles. all 26.7 cm (10 1/2 in.) diameter box 28.5 x 88 x 29 cm (11 1/4 x 34 5/8 x 11 3/8 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 ‡ plus Buyer’s Premium and VAT*

44. Jef Koons

b. 1955

Dom Pérignon Balloon Venus (Magenta), 2013 Lacquered polyurethane resin in two parts, with Dom Pérignon Rosé Vintage 2003, and maintenance kit, contained in the original custom fight case. With impressed signature on the suede interior lining of the lower part, from the edition of 650 (there were also 40 artist’s proofs). 49 x 35.8 x 50.4 cm (19 1/4 x 14 1/8 x 19 7/8 in.) Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 plus Buyer’s Premium and VAT*

45. After Jean-Michel Basquiat

1960-1988

Per Capita, 1983/2001 Screenprint in colours, on wove paper, the full sheet. Numbered ‘H.C. 15/15’ in pencil on the front (an hors commerce copy, the edition was 85 and 15 artist’s proofs), signed and dated ‘11-19-01’ in pencil by Gerard Basquiat (Administrator of the Estate of Jean-Michel Basquiat) on the Estate stamp on the reverse, published by DeSanctis Carr Fine Art, Los Angeles, framed. S. 101.6 x 101.6 cm (40 x 40 in.) Estimate £25,000-35,000 $30,900-43,300 €27,800-38,900 ‡ plus Buyers Premium and VAT*

46. After Jean-Michel Basquiat

1960-1988

Hollywood Africans in front of the Chinese Theater with Footprints of Movie Stars, 1983/2015 Screenprint in colours, on museum board, the full sheet. Numbered 6/60 in pencil on the front, signed, dated ‘10/5/15’ and further numbered 6/60 in pencil by Lisane Basquiat and Jeanine Heriveaux (Administrators of the Estate of Jean-Michel Basquiat) on the Estate stamped label afxed to the reverse, published by Flatiron Editions, New York, framed. S. 96.5 x 214.8 cm (37 7/8 x 84 5/8 in.) Estimate £30,000-50,000 $37,400-62,400 €33,600-56,000 † plus Buyer’s Premium and VAT*

47. Keith Haring

1958-1990

Untitled (Pop Shop Quad IV), 1989/1995 Screenprint in colours, on wove paper, with full margins. Signed by Julia Gruen (Executor for the Keith Haring Estate), dated ‘11/1/95’ and numbered 75/75 in pencil on the estate stamp on the reverse (there were also 15 artist’s proofs), published by Martin Lawrence Limited Editions, New York, with an Iguana blindstamp, framed. I. overall 63.4 x 79.4 cm (24 7/8 x 31 1/4 in.) S. 68.6 x 83.6 cm (27 x 32 7/8 in.) Estimate £12,000-18,000 $15,000-22,500 €13,400-20,200 ‡ plus Buyer’s Premium and VAT*

Literature Klaus Littmann, p. 142

48. Keith Haring

1958-1990

Untitled (Pop Shop Quad VI), 1989/1997 Screenprint in colours, on wove paper, with full margins. Signed by Julia Gruen (Executor for the Keith Haring Estate), dated ‘10/6/97’ and numbered 3/75 in pencil on the estate stamp on the reverse, published by Martin Lawrence Limited Editions, New York, with an Iguana blindstamp, framed. I. overall 63.8 x 79 cm (25 1/8 x 31 1/8 in.) S. 68.7 x 83.8 cm (27 x 32 7/8 in.) Estimate £12,000-18,000 $15,000-22,500 €13,400-20,200 ‡ plus Buyer’s Premium and VAT*

Literature Klaus Littmann, p. 143

49. Julian Opie

b. 1958

Watching Suzanne (back) No.1-10, 2006 The complete set of ten screenprints, on white acrylic panels. All signed and numbered ‘AP 3/7’ in black ink on a label afxed to the reverse (an artist’s proof set, the edition was 25), published by Alan Cristea Gallery, London. all 83 x 56.5 x 3 cm (32 5/8 x 22 1/4 x 1 1/8 in.) Estimate £20,000-30,000 $25,000-37,400 €22,400-33,600 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Alan Cristea Gallery, London Acquired from the above by the present owner in 2009 Literature Alan Cristea Gallery 75-84

50. Julian Opie

b. 1958

Walking in Melbourne 1, from Walking in Melbourne series, 2018 Laser-cut black museum board mounted to white museum board (as issued). Signed in black ink and numbered 37/45 on the publisher’s label on the reverse of the frame (there were also 4 artist’s proofs of each), published by Alan Cristea Gallery, London, contained in a sprayed white frame specifed by the artist. framed 63.5 x 159.4 cm (25 x 62 3/4 in.) Estimate £8,000-12,000 $10,000-15,000 €9,000-13,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

51. Alighiero Boetti

1940-1994

Nove Quadrati (Nine Squares), 1979 The complete set of nine unique watercolours with graphite, on handmade paper, with margins. All signed and numbered 33/40 in pencil (there were also 5 artist’s proofs and some hors commerce sets), with the accompanying Certifcate of Authenticity issued by the Archivio Alighiero Boetti, created for Gallery Plura by Roberto Arioliall, Milan, all framed. all I. approx. 18 x 17.8 cm (7 1/8 x 7 in.) all S. approx. 18.5 x 18.5 cm (7 1/4 x 7 1/4 in.)

Literature Jean-Christophe Amman 1160 This work is registered in the Archives Alighiero Boetti under number 8843

Estimate £25,000-35,000 $31,200-43,700 €28,000-39,200 ♠ plus Buyers Premium and VAT, ARR applies*

52. Richard Prince

b. 1949

Heaven, 2006 The complete set of fve colour-coupler prints, on photographic paper, with full margins, the sheets loose (as issued) contained in the original blue fabric-covered portfolio with photographic title image. All signed and numbered 6/10 in black ball-point pen on the reverse, one signed upside-down, published by Galerie Sabine Knust, Munich. all I. 40.2 x 59 cm (15 7/8 x 23 1/4 in.) all S. 50.8 x 61 cm (20 x 24 in.) portfolio 57 x 68 x 3.5 cm (22 1/2 x 26 3/4 x 1 3/8 in.) Estimate ÂŁ15,000-18,000 $18,600-22,300 â&#x201A;Ź16,700-20,000 plus Buyers Premium and VAT*

53. Mel Bochner

b. 1940

Amazing, 2018 Monoprint with collage, engraving, embossing and oil paint in colours, on handmade and hand-dyed Twinrocker paper, the full sheet. Signed and dated in pencil, a unique colour variant, published by Two Palms Press, New York, framed. S. 158.3 x 118.3 cm (62 3/8 x 46 5/8 in.) Estimate £30,000-50,000 $37,400-62,400 €33,600-56,000 plus Buyer’s Premium and VAT*

Literature see Jordan D. Schnitzer Family Foundation and Philbrook Museum of Art, 2019, Tulsa, Amazing! Mel Bochner Prints (another variant used for the frontispiece)

54. Mel Bochner

b. 1940

The Joys of Yiddish, 2014 Screenprint on felt, mounted to aluminium with metal strainer on the reverse (as issued). Signed, dated and numbered 7/30 in black ink on a label afxed to the reverse (there were also 6 artist’s proofs), published by Two Palms Press, New York. 160 x 134 cm (62 7/8 x 52 3/4 in.) Estimate £8,000-12,000 $9,900-14,800 €8,900-13,300 ‡ plus Buyers Premium and VAT*

Literature see Jordan D. Schnitzer Family Foundation and Philbrook Museum of Art, Tulsa, 2019, Amazing! Mel Bochner Prints, cat. no. 127

Property from a Private European Collection

55. Banksy

b. 1975

Toxic Mary, 2004 Screenprint in colours, on wove paper, the full sheet. Signed, dated and numbered 58/150 in pencil (there was also an unsigned edition of 600), published by Pictures on Walls, London (with their blindstamp), with the accompanying Certifcate of Authenticity issued by Pest Control, framed. S. 69.7 x 49.9 cm (27 1/2 x 19 5/8 in.) Estimate £12,000-18,000 $15,000-22,500 €13,400-20,200 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Helium Foundation, London Acquired from the above by the present owner

56. Grayson Perry

b. 1960

Map of Nowhere, 2008 Etching, on Velin Arches paper, with full margins. Signed and annotated ‘AP’ in pencil on the reverse (one of 10 artist’s proofs, the edition was 68), published by The Paragon Press, London, contained in the original black painted wooden frame specifed by the artist. framed 162 x 120 cm (63 3/4 x 47 1/4 in.) Estimate £12,000-18,000 $15,000-22,500 €13,400-20,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature The Paragon Press 2006-2010, pp.184-185

57. Jonas Wood

b. 1977

Three Clippings, 2018 The complete set of three Mixografía® relief prints in colours with embossing, on handmade paper, the full sheets. All signed, dated and numbered 11/20 in pencil (there were also 5 artist’s proofs), published by Mixografía, Los Angeles, all unframed. all S. approx. 101.5 x 81 cm (39 7/8 x 31 7/8 in.) Estimate £40,000-60,000 $49,500-74,200 €44,500-66,700 plus Buyers Premium and VAT*

58. William Kentridge

b. 1955

Telephone Lady, 2000 Linocut, on Japanese Kozo paper, with full margins. Signed and numbered 13/25 in pencil (there was also an edition of 9 on canvas), published by David Krut, Johannesburg, framed. I. 205.5 x 100 cm (80 7/8 x 39 3/8 in.) S. 220.9 x 119.5 cm (86 7/8 x 47 in.) Estimate £10,000-15,000 $12,500-18,700 €11,200-16,800 plus Buyer’s Premium and VAT*

Literature David Krut, p. 97

59. Nina Chanel Abney

b. 1982

Two Years and Counting, 2018 Relief print in colours, on Hahnemühle paper, the full sheet. Signed, dated and numbered 34/35 in pencil (there were also 8 artist’s proofs), published by Pace Editions Inc., New York, framed. S. 167.5 x 100.2 cm (65 7/8 x 39 1/2 in.) Estimate £15,000-20,000 $18,700-25,000 €16,800-22,400 ‡ plus Buyer’s Premium and VAT*

Day Editions Lots 60 â&#x20AC;&#x201C; 250, 2pm

123. Carlos Cruz-Diez

60. Pablo Picasso

1881-1973

Petite Chouette (Little Owl), 1949 White earthenware turned pitcher, painted in colours with partial brushed glaze. From the edition of 200, with the d’Après Picasso and Madoura Plein Feu pottery stamps on the underside. 12 x 13 x 9 cm (4 3/4 x 5 1/8 x 3 1/2 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 83

61. Pablo Picasso

1881-1973

Yan Barbu (Bearded Yan), 1963 Red earthenware turned pitcher, with black engobe and partial engraving. Incised ‘EDITION PICASSO’, numbered 262/300 and annotated ‘V-104’, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside. 25.5 x 16 x 12 cm (10 x 6 1/4 x 4 3/4 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 513

62. Pablo Picasso

1881-1973

Petit pichet de hibou (Small Owl Pitcher), 1955 White earthenware turned pitcher, painted in colours with partial engraving and brushed glaze. From the edition of 500, inscribed ‘EDITION PICASSO’ and ‘MADOURA’ in black paint, with the Edition Picasso and Madoura Plein Feu pottery stamps on the underside. 10 1/4 x 5 3/8 x 6 1/4 in. (26 x 13.5 x 16 cm) Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 293

63. Pablo Picasso

1881-1973

Chouette femme (Owl Woman), 1951 White earthenware turned vase, with black engobe and partial brushed glaze. From the edition of 500, inscribed ‘EDiTiON PiCASSO’ in black paint, with the D’Après Picasso and Madoura Plein Feu pottery stamps on the underside. 31.5 x 15 x 21 cm (12 3/8 x 5 7/8 x 8 1/4 in.) Estimate £6,000-8,000 $7,400-9,900 €6,700-8,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 119

64. Pablo Picasso

1881-1973

Tête de chèvre de profl (Goat’s Head in Profle), 1950 White earthenware plate, painted in colours with partial brushed glaze. Numbered 185/200 and annotated ‘K. 113’ in black paint, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the underside. 25.1 cm (9 7/8 in.) diameter Estimate £4,000-6,000 $4,900-7,400 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 112 Georges Ramié 398

65. Pablo Picasso

1881-1973

Picador (Bullfghter), 1953 Red earthenware turned bowl, painted in black with coloured engobe and partial brushed glaze. Numbered 289/500 and incised ‘EDITION PICASSO’ and ‘MADOURA’ in black paint on the underside. 16.5 cm (6 1/2 in.) diameter Estimate £2,000-3,000 $2,500-3,700 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 211

66. Pablo Picasso

1881-1973

Joueur de fûte et chèvre (Flute Player and Goat), 1956 White earthenware plaque, painted in colours with partial brushed glaze. From the edition of 450, with the Madoura Plein Feu, Empreinte Originale de Picasso and Edition Picasso pottery stamps on the underside. 26 cm (10 1/4 in.) diameter Estimate £3,000-5,000 $3,700-6,200 €3,300-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 382

67. Pablo Picasso

1881-1973

Visage d’homme (Man’s Face); and Petite soleil (Little Sun), 1966; and 1968-69 Two red earthenware plaques, with painting in black. Visage d’homme incised with date on the front, and annotated ‘J148’ and numbered 477/500 on the reverse, Petite soleil annotated ‘J245’ and numbered 120/200 on the reverse, both incised ‘MADOURA’ and with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the reverse. Visage 16.2 x 10 x 2 cm (6 3/8 x 3 7/8 x 3/4 in.) Petite 10 x 16.2 x 2 cm (3 7/8 x 6 3/8 x 3/4 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 539 and 547

68. Pablo Picasso

1881-1973

Sauterelle sur une branche (Grasshopper on a Branch), 1955 White earthenware turned bowl, painted in colours with partial brushed glaze. From the edition of 100, with the Madoura Plein Feu and Empreinte Originale de Picasso pottery stamps on the underside. 18 cm (7 1/8 in.) diameter Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 258

69. Pablo Picasso

1881-1973

Losange à la danse (Dancers in Diamond); and Losange au visage (Face in Diamond), 1971 Two red earthenware tiles with embossing. Each numbered 65/500 and 199/500, and annotated ‘J.161’ and ‘J167’ respectively in black paint on the reverse, both with the Madoura Plein Feu and Poinçon Original de Picasso pottery stamps on the reverse. both 14.9 x 15 x 0.9 cm (5 7/8 x 5 7/8 x 3/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alain Ramié 619 and 627

70. Pablo Picasso

1881-1973

Jeune sculpteur Grec avec sa sculpture: un homme et un Éphèbe (Young Greek Sculptor with his Sculpture: A Man and an Ephebe), plate 52 from La Suite Vollard, 1933 Etching, on Montval paper watermarked Vollard, with full margins. Signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), published by Ambroise Vollard, Paris, framed. I. 26.7 x 19.4 cm (10 1/2 x 7 5/8 in.) S. 44.6 x 34 cm (17 1/2 x 13 3/8 in.) Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Georges Bloch 161 Brigitte Baer 314

71. Pablo Picasso

1881-1973

Les Trois amies (The Three Friends), 1927 Etching, on Japanese laid paper, with full margins. Stamped with the artist’s signature and inscribed ‘épreuve d’essai avant aciérage’ in pencil (one of 8 recorded proofs before steel-facing aside from the numbered edition of 150) printed by Louis Fort, published by Ambroise Vollard, Paris, framed. I. 41.8 x 29.9 cm (16 1/2 x 11 3/4 in.) S. 56.6 x 37.6 cm (22 1/4 x 14 3/4 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Marina Picasso inkstamp (Lugt 3698) Literature Georges Bloch 76 Brigitte Baer 117

72. Pablo Picasso

1881-1973

Sculpteur avec son modèle et sa sculpture (Sculptor with his Model and Sculpture), plate 45 from La Suite Vollard, 1933 Etching, on Montval paper watermarked Picasso, with full margins. Signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), published by Ambroise Vollard, Paris, framed. I. 26.7 x 19.4 cm (10 1/2 x 7 5/8 in.) S. 44.7 x 34.1 cm (17 5/8 x 13 3/8 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Georges Bloch 154 Brigitte Baer 307

73 . Pablo Picasso

1881-1973

L’Atelier, avec un hibou et un envoyé ofciel (The Studio, With an Owl and an Ofcial Envoy), plate 65 from the 347 Series, 1968 Etching, on Rives paper, with full margins. Signed and numbered 29/50 in pencil (there were also 17 artist’s proofs), published by Galerie Louise Leiris, Paris, 1969, framed. I. 32.3 x 40.1 cm (12 3/4 x 15 3/4 in.) S. 45.5 x 54.2 cm (17 7/8 x 21 3/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Georges Bloch 1545 Brigitte Baer 1561

74. Pablo Picasso

1881-1973

Raphaël et la Fornarina. IV: avec le Pape Tirant le Rideau (Raphael and the Fornarina IV: with the Pope Pulling Back the Curtain), plate 299 from the 347 Series, 1968 Etching, on Rives paper, with full margins. Signed and numbered 23/50 in pencil (there were also 17 artist’s proofs), published by Galerie Louise Leiris, Paris, 1969, framed. I. 23.2 x 33 cm (9 1/8 x 12 7/8 in.) S. 37.6 x 46.7 cm (14 3/4 x 18 3/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Georges Bloch 1779 Brigitte Baer 1796

75. After Pablo Picasso

1881-1973

Portrait imaginaire (Imaginary Portraits): two plates, 1969 Two ofset lithographs in colours, on Arches paper, the full sheets. Each numbered ‘A 42/250’ and ‘A 12/250’ respectively in pencil, from the American edition (there was also a French edition of 250 marked ‘F’), published by Harry N. Abrams, New York, both framed. both S. 66 x 50.2 cm (25 7/8 x 19 3/4 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

76. Henri Matisse

1869-1954

Catherinette, 1946 Lithograph, on Marais paper, with full margins, the sheet folded (as issued). Signed and numbered 54/200 in pencil, from the deluxe signed edition (the total edition was 1150, there were also 22 artist’s proofs), created for the gala program Sainte Catherine 1946 organised by the newspaper Ce Soir to beneft La Maison de la Midinette at the Palais de Chaillot, Paris, framed. I. 28 x 16 cm (11 x 6 1/4 in.) folded S. 32.4 x 24.8 cm (12 3/4 x 9 3/4 in.) unfolded S. 32.4 x 49.6 cm (12 3/4 x 19 1/2 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Claude Duthuit 618

77. Henri Matisse

1869-1954

Circé, from Ulysses, 1935 Etching, on Arches paper, with full margins. Signed, titled ‘The Circe Episode’ and numbered 144/150 in pencil (there were also 10 artist’s proofs), published by The Limited Editions Club, New York, framed. I. 27.6 x 21.6 cm (10 7/8 x 8 1/2 in.) S. 41.1 x 32 cm (16 1/8 x 12 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Claude Duthuit 237

78. Henri de Toulouse-Lautrec

1864-1901

La revue blanche, 1895 Lithograph in colours, on wove paper, the full sheet, linen-backed. Wittrock’s state C (of D), from the edition of unknown size, printed by Edward Ancourt, published by G. Charpentier and E. Fasquelle, Paris, administrative publishers for La revue blanche, Paris, framed. S. 127.1 x 92.3 cm (50 x 36 3/8 in.) Estimate £6,000-8,000 $7,400-9,900 €6,700-8,900 plus Buyers Premium and VAT*

Provenance Galerie Michael, Beverly Hills Private Collection, Sweden Literature Wolfgang Wittrock P16

79. Salvador Dalí

1864-1901

Aurélia, 1972 The compete set of four etchings with drypoint, on Richard de Bas Auvergne paper, with full margins, with title page and justifcation, the sheets loose (as issued) contained in the original fabric-covered portfolio with silver printed title and signature. All signed and annotated ‘EA’ in pencil (an artist’s proof set, the edition was 175 on Arches, 100 on Auvergne, 25 in Roman numerals on Japon nacre, and several proofs), co-published by Editions d’Art de Francony, Paris and Ateliers Rigal, Fontenay-aux-Roses, France. all I. 37.3 x 57.5 cm (14 5/8 x 22 5/8 in.) all S. 58.8 x 79.5 cm (23 1/8 x 31 1/4 in.) two vertical portfolio 83 x 62 x 2 cm (32 5/8 x 24 3/8 x 0 3/4 in.) Estimate £2,500-3,500 €2,800-3,900 $3,100-4,300 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Ralf Michler and Lutz Löpsinger 72-5 Including: Visage surréaliste; Le Colosse; Memorabilia (Le Guerrier); and L’ange de la Mélancholie

80. Salvador Dalí

1904-1989

Hommage à la médecine (Tribute to Medicine), Vesalius (Vesalius), 1973 Drypoint in red with pochoir in colours, with annotations in graphite, on Arches paper, with full margins. Signed in pencil (a working proof impression before the editions of 175 on Arches, 100 on Richard de Bas, and 25 in Roman numerals on Japanese paper), printed by Ateliers Rigal, Fontenay-aux-Roses, co-published by Editions Graphiques Internationales, Paris and Ärzte Sammlerkreis, Weiden, and inscribed ‘Épreuve faisant partie de liste collection’ by Denise Regal on the reverse, unframed. I. 58.5 x 39.5 cm (23 x 15 1/2 in.) S. 76 x 56.5 cm (29 7/8 x 22 1/4 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Atelier Rigal, Paris Private Collection, France Literature see Ralf Michler and Lutz W. Löpsinger 638

81. Salvador Dalí

1904-1989

Le Bestiaire de La Fontaine Dalinisé (La Fontaine’s Bestiary Dalinized), 1974 The complete set of 12 drypoints with pochoir in colours, on Japanese paper, with full margins, with colophon, the sheets loose (as issued) contained in the original brown velvet-covered portfolio with embossed artist’s name in gold. All signed and annotated ‘E.A.’ in pencil (an artist’s proof set, the edition was 250 on Japon, 250 on Arches, and 120 on Auvergne in Roman numerals), printed by Atelier Rigal, Paris, published by Mouret, Paris. all I. 58 x 40 cm (22 7/8 x 15 3/4 in.) all S. 77 x 57 cm (30 3/8 x 22 1/2 in.) fve horizontal portfolio 81.2 x 60.4 x 2.5 cm (31 7/8 x 23 3/4 x 7/8 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Atelier Rigal, Paris Private Collection, France Literature Ralf Michler and Lutz W. Löpsinger 653-664 Including Portrait of La Fontaine; The Elephant and Jupiter’s Monkey; The Horse that Wanted Revenge on the Stage; The Raven and the Fox; Plague-Stricken Animals; The Horse and the Wolf; The Sick Stag; The Stag Refected in the Water; The Monkey and the Leopard; The Coach and the Fly; The Lion’s Court; and The Oak and the Reed

82. Paul Delvaux

1897-1994

Le Bout du Monde (The End of the Earth), 1968 Lithograph in colours, on Arches paper, with full margins. Signed and annotated ‘E/A.’ in pencil (an artist’s proof, the edition was 75, there was also an edition of 50 printed in black only), with a Le Bateau-Lavoir, Paris blindstamp, framed. I. 52 x 74.7 cm (20 1/2 x 29 3/8 in.) S. 64.8 x 86.3 cm (25 1/2 x 33 7/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Mira Jacob 23

83. Paul Delvaux

1897-1994

La Voûte (The Vault), 1973 Lithograph in colours, on wove paper, with full margins. Signed and annotated ‘EA’ in pencil (an artist’s proof, the edition was 75), framed. I. 59.4 x 79.6 cm (23 3/8 x 31 3/8 in.) S. 71 x 92.8 cm (27 7/8 x 36 1/2 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Mira Jacob 68

84. Paul Delvaux

1897-1994

La Voyante (The Clairvoyant), 1974 Lithograph in colours, on Arches paper, with full margins. Signed and annotated ‘H/C.’ in pencil (an hors commerce impression, the edition was 75), with a Le Bateau-Lavoir, Paris blindstamp, framed. I. 79.5 x 59 cm (31 1/4 x 23 1/4 in.) S. 100 x 69 cm (39 3/8 x 27 1/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Mira Jacob 70

85. Paul Delvaux

1897-1994

Le Sommeil (Sleep), 1970 Lithograph in colours, on Arches paper, with full margins. Signed and annotated ‘H.C.’ in pencil (an hors commerce impression, the edition was 75, there was also an edition of 50 printed in black only), framed. I. 47.2 x 65.7 cm (18 5/8 x 25 7/8 in.) S. 60.8 x 90.5 cm (23 7/8 x 35 5/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Mira Jacob 45

86. Roberto Matta

1911-2002

Centre Noeuds (Centre Knots), 1974 The complete set of ten etching and aquatints in colours, on Arches paper, with full margins, with title page, colophon and poem by Antonin Artaud, the sheets loose (as issued), all contained in the original fabric-covered portfolio. All signed and numbered 53/125 in pencil, further stampnumbered on the colophon (there were also 15 hors commerce copies in Roman numerals), co-published by Editions Alexander Kahan, New York and Editions Georges Visat, Paris, lacking the suite on Japon nacré. all I. 35.5 x 26.7 cm (13 7/8 x 10 1/2 in.) all S. 60.5 x 44.5 cm (23 7/8 x 17 1/2 in.) portfolio 65.5 x 49 x 3 cm (25 3/4 x 19 1/4 x 1 1/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Germana Ferrari 88-97 Roland Sabatier 393-402

87. Roberto Matta

1911-2002

Les Voix (The Voices), 1964 The complete set of ten etching and aquatints with embossing in colours, on BFK Rives paper, and accompanying suite of ten etching and aquatints with embossing in colours, on Japon Imperial paper, all with full margins, with title page, text in French, and colophon, the sheets loose and set on Rives folded (as issued), all contained in the original black fabriccovered portfolio with gold lettered spine and slipcase. The accompanying suite all signed and numbered 15/24 in pencil, further signed by the artist and author in pencil and numbered ‘15’ (printed) on the colophon, from the total edition of 110 (there were also 15 hors commerce copies in Roman numerals), co-published by Editions Georges Visat and Le Point Cardinal, Paris. all I. various sizes, largest 28.4 x 22.2 cm (11 1/8 x 8 3/4 in.) all S. 32.8 x 25.4 cm (12 7/8 x 10 in.) slipcase 34.5 x 27 x 4 cm (13 5/8 x 10 5/8 x 1 5/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

88. Joan Miró

1893-1983

Solidarité (Solidarity), 1938 Etching, on Montval paper, with full margins. Signed and numbered 122/150 in pencil (there were also 15 hors commerce impressions in Roman numerals and some artist’s proofs), published by GLM, Paris, framed. I. 10 x 8 cm (3 7/8 x 3 1/8 in.) S. 22.6 x 16.3 cm (8 7/8 x 6 3/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Jacques Dupin 42

89. Joan Miró

1893-1983

Daphnis et Chloé, 1933 Drypoint, on Arches paper, with larger margins (Dupin calls for 32.5 x 42 cm). Signed, dated and numbered 12/100 in pencil (there was also an edition of 10 on Japon and several artist’s proofs in various sizes and on diferent papers), printed at the Atelier Lacourière, Paris, published by Tériade, Paris, framed. I. 26.4 x 32.3 cm (10 3/8 x 12 3/4 in.) S. 45.2 x 59.2 cm (17 3/4 x 23 1/4 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Jacques Dupin 9

90. Joan Miró

1893-1983

Oiseau migrateur (Migratory Bird): four plates, 1970 Four lithographs in colours, on Japon nacré paper, the full sheets. All signed and numbered IX/XV in pencil (each plate one of 15 impressions on Japon nacré, there were also 75 on Rives in Arabic numerals), published by Louis Broder, Paris, all framed. all S. approx. 65.9 x 51 cm (25 7/8 x 20 1/8 in.) Estimate £7,000-9,000 $8,700-11,100 €7,800-10,000 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Christie’s London, Old Master, Modern and Contemporary Prints, 2 Dec 2003, lot 216 Acquired at the above sale by the present owner Literature Fernand Mourlot 651, 653, 654 and 655

91. Joan Miró

1893-1983

Grans Rupestres II (Large Cave Paintings II), 1979 Etching in colours, on Arches paper, the full sheet. Signed and numbered 16/30 in pencil (there were also 15 hors commerce impressions in Roman numerals), published by Maeght, Barcelona, framed. S. 88.6 x 68.2 cm (34 7/8 x 26 7/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Jacques Dupin 1054

92. Joan Miró

1893-1983

El Merma (The Diminutive), 1978 Lithograph in colours, on Arches paper, with full margins. Signed, dated ‘23/V.78’, annotated ‘Bien afectueusement’ (afectionately) and numbered ‘HC XI/XXV’ in pencil (one of 25 hors commerce impressions, the edition was 75 and 20 artist’s proofs), authenticated by Rosa Maria Malet, director of the Fundació Joan Miró, Barcelona on the reverse and dated ‘11/X/2007’, published by Maeght, Barcelona, framed. I. 94.5 x 69.3 cm (37 1/4 x 27 1/4 in.) S. 96.4 x 75 cm (37 7/8 x 29 1/2 in.) Estimate £3,000-5,000 $3,700-6,200 €3,300-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Fernand Mourlot 1170

93. Joan Miró

1893-1983

Untitled, plate VI, from Les Voyants (The Clairvoyants), 1970 Lithograph in colours, on Rives paper, with full margins. Signed and numbered 64/75 in pencil, published by Louis Broder, Paris, framed. I. 64.4 x 49.2 cm (25 3/8 x 19 3/8 in.) S. 66 x 51 cm (25 7/8 x 20 1/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Fernand Mourlot 666

94. Joan Miró

1893-1983

Colpir sense nafrar 3 (To Strike without Sneezing 3), 1981 Lithograph in colours, on Guarro paper, the full sheet. Signed and numbered 40/50 in pencil (there were also 12 hors commerce impressions in Roman numerals), published by Ediciones Polígrafa, S.A., Barcelona, framed. S. 95.9 x 72.4 cm (37 3/4 x 28 1/2 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Fernand Mourlot 1248

95. Joan Miró

1893-1983

Lithograph for the International Plastic Arts Association, Unesco, 1971 Lithograph in colours, on Arches paper, the full sheet. Signed and numbered 27/75 in pencil, published by AIAP Unesco, Paris, to beneft Unesco’s programme to aid creative artists, framed. S. 75.7 x 56.6 cm (29 3/4 x 22 1/4 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Fernand Mourlot 834

96. Joan Miró

1893-1983

Joan Miró Lithographs II: one plate, 1975 Lithograph in colours, on Arches paper, with full margins. Signed and numbered XXXVI/LXXX in pencil (one of 80 impressions in Roman numerals aside from the deluxe book edition of 150), published by Maeght, Paris, unframed. I. 31 x 25.5 cm (12 1/4 x 10 in.) S. 45.4 x 36.7 cm (17 7/8 x 14 1/2 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Fernand Mourlot 1038 see Patrick Cramer books 198

97. Joan Miró

1893-1983

Le Lézard aux plumes d’or (The Lizard with Golden Feathers): one plate, 1971 Lithograph in colours, on Japon Kochi paper, with full margins. Signed and numbered XIX/XX in pencil (one of 20 impressions on Japon Kochi, the total edition was 195), published by Louis Broder, Paris, unframed. I. 33.3 x 48 cm (13 1/8 x 18 7/8 in.) S. 40.9 x 56 cm (16 1/8 x 22 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Galerie Orangerie Reinz, Cologne Sala Celini, Madrid Private Collection, Madrid Literature Fernand Mourlot 815 see Patrick Cramer books 148

98. Georges Braque

1882-1963

Thalassa II, 1959 Etching in colours, on Auvergne paper, with full margins. Signed and numbered 57/60 in pencil (there were also some artist’s proofs), published by Maeght, Paris, framed. I. 10.2 x 30.5 cm (4 x 12 in.) S. 36.6 x 47.1 cm (14 3/8 x 18 1/2 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Dora Vallier 140

99. Antoni Tàpies

1923-2012

Pied et trait rouge (Foot and Red Line); and Relief Sable, 1982 Two etching and aquatints in colours, one with carborundum, on Arches paper, with full margins. Both signed and each numbered 61/75 and 9/75 respectively in pencil (there were also some hors commerce impressions and some artist’s proofs of Pied et trait rouge), published by Galerie Lelong, Paris, both framed. both I. approx. 53.5 x 68 cm (21 1/8 x 26 3/4 in.) both S. 70.7 x 96.5 cm (27 7/8 x 37 7/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Mariuccia Galfetti 830 and 831

100. Jean Dubufet

1901-1985

Afche (Poster); and Texte de terre (Earth Text), 1973; and 1959 Two lithographs in colours, on Arches and Rives paper respectively, the full sheet and with margins. Afche signed with initials, dated and numbered 60/100 in pencil, published for the retrospective exhibition at the Grand Palais, Paris, 28 September to 20 December, 1973, Texte de terre signed, titled, dated and numbered 24/30 in pencil (there was also an edition of 21 on Arches with smaller margins for Champs de silence), published by the artist, both framed. Afche S. 69.6 x 52.4 cm (27 3/8 x 20 5/8 in.) Texte de terre I. 37.2 x 48.1 cm (14 5/8 x 18 7/8 in.) Texte de terre S. 50.3 x 65.5 cm (19 3/4 x 25 3/4 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Sophie Webel 1157 and 469

101. Manolo Valdés

b. 1942

Don Juan, 2007 The complete set of ten etchings in colours, on handmade Richard de Bas paper, the full sheets, with title page, text pages, and colophon, the sheets loose (as issued), all contained in the original printed portfolio with suede spine and Plexiglas slipcase. All signed and numbered III/XII in pencil, the colophon further signed in pencil and numbered (printed), one of 12 sets in Roman numerals (the edition was 120 and 10 artist’s proofs), published by Edouard and Julien Weiss, Paris. all S. approx. 75.4 x 55 cm (29 5/8 x 21 5/8 in.) portfolio 76.5 x 58 x 5.5 cm (30 1/8 x 22 7/8 x 2 1/8 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ♠ plus Buyers Premium and VAT, ARR applies*

102. Rufno Tamayo

1899-1991

Interior con Sandía (Interior with Watermelon), 1975 Etching in colours, on Guarro paper, the full sheet. Signed and numbered 57/75 in black crayon (there were also 10 artist’s proofs in Roman numerals), published by Ediciones Polígrafa, S.A., Barcelona, framed. S. 55.9 x 75 cm (22 x 29 1/2 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 180

103. Rufno Tamayo

1899-1991

Cabeza En Rojo (Head in Red), from Rufno Tamayo 15 Aguafuertes (15 Etchings), 1979 Etching in colours with carborundum, on Guarro paper, the full sheet. Signed and numbered ‘HC 13/15’ in white crayon (an hors commerce impression, the edition was 99 and 15 artist’s proofs), published by Ediciones Polígrafa, S.A., Barcelona, framed. S. 55.6 x 75.4 cm (21 7/8 x 29 5/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 257

104. Rufno Tamayo

1899-1991

Sandías (Watermelons), from Rufno Tamayo 15 Lithografías (15 Lithographs), 1973 Lithograph in colours, on Guarro paper, the full sheet. Signed and numbered ‘Pda IV/X’ in white pencil (one of 10 artist’s proofs, the edition was 75), published by Ediciones Polígrafa, S.A., Barcelona, framed. S. 76 x 56 cm (29 7/8 x 22 in.) Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 143

This lot is sold with no reserve

105. Rufno Tamayo

1899-1991

Hombre, Luna Y Estrellas (Man, Moon and Stars), 1950 Lithograph in colours, on Arches paper, with full margins. Signed and numbered 105/200 in pencil (there was also an edition of 60 in Roman numerals and 17 artist’s proofs), printed by Guilde Internationale de l’Amateur de Gravures, Paris, framed. I. 50.2 x 34 cm (19 3/4 x 13 3/8 in.) S. 50.7 x 38.1 cm (19 7/8 x 15 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 30

This lot is sold with no reserve

106. Rufno Tamayo

1899-1991

Cabeza en Verde (Head in Green), from Rufno Tamayo 15 lithografías (15 Lithographs), 1973 Lithograph in colours, on Guarro paper, the full sheet. Signed and numbered ‘HC 9/10’ in white crayon (an hors commerce impression, the edition was 75 in Arabic numerals and 10 artist’s proofs in Roman numerals), published by Ediciones Polígrafa, S.A., Barcelona, framed. S. 76 x 56 cm (29 7/8 x 22 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 142

This lot is sold with no reserve

107. Rufno Tamayo

1899-1991

La Negress (The Black Woman), from Mujeres, 1969 Lithograph in colours, on Japanese paper, with full margins. Signed and numbered III/XXV in pencil (one of 25 impressions in Roman numerals, there was also an edition of 150 on Rives), published by Touchstone Publishers, New York, framed. I. 69.5 x 53.5 cm (27 3/8 x 21 1/8 in.) S. 77 x 57 cm (30 3/8 x 22 1/2 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 109

This lot is sold with no reserve

108. Rufno Tamayo

1899-1991

Torso (Torso), from 15 Aguafuertes (15 Etchings), 1975 Etching in colours with carborundum, on Guarro paper, the full sheet. Signed and numbered 45/75 in in black crayon (there were also 10 artist’s proofs in Roman numerals), published by Ediciones Polígrafa, S.A., Barcelona, framed. S. 75.5 x 56.4 cm (29 3/4 x 22 1/4 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Literature Juan Carlos Pereda 176

109. Eduardo Chillida

1924-2002

Untitled (Menturatu), 1991 Aquatint, on textured wove paper, with full margins. Signed and numbered 42/50 in pencil, unframed. I. 24.5 x 28.5 cm (9 5/8 x 11 1/4 in.) S. 50.8 x 65.5 cm (20 x 25 3/4 in.) Estimate £1,200-1,800 $1,500-2,200 €1,300-2,000 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance GalerÍa Elviva González, Madrid Private Collection, Madrid

110. Eduardo Chillida

1924-2002

Aldikatu I, 1972 Etching, on Guarro paper, the full sheet. Signed and numbered 3/75 in pencil (there were also 4 artist’s proofs), published by Gustavo Gili, Barcelona, framed. S. 76.2 x 100.3 cm (30 x 39 1/2 in.) Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Martin van der Koelen 72009

111. Pierre Soulages

b. 1919

Lithographie No. 31, 1974 Lithograph in colours, on Arches paper, with full margins. Signed and numbered 74/95 in pencil, published by Galerie de France, Paris, unframed. I. 79.2 x 54.8 cm (31 1/8 x 21 5/8 in.) S. 88.5 x 62.4 cm (34 7/8 x 24 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Pierre Encrevé and Marie-Cecile Miessner 79

112. Robert Motherwell

1915-1991

Africa Suite: Africa 7, 1970 Screenprint in black and cream, on J.B. Green paper, with full margins. Signed with initials and numbered 28/150 in pencil, with the artist’s blindstamp (there were also an unrecorded number of artist’s proofs), published by Marlborough Graphics, Inc., New York, framed. I. 80 x 59.7 cm (31 1/2 x 23 1/2 in.) S. 102.5 x 72.5 cm (40 3/8 x 28 1/2 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ plus Buyer’s Premium and VAT*

Literature Siri Engberg and Joan Banach 75

This lot is sold with no reserve

113. Claes Oldenburg

b. 1929

Geometric Mouse Pyramid as an Image of the Electoral System, Doubled, 1976 Lithograph in colours, on Arches Cover paper, with full margins. Signed and numbered ‘A.P. 2/25’ in pencil (an artist’s proof, the edition was 50), published by Multiples, Inc., New York, framed. I. 64.5 x 57.7 cm (25 3/8 x 22 3/4 in.) S. 89.1 x 66.2 cm (35 1/8 x 26 1/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • plus Buyer’s Premium and VAT*

Literature Richard Axsom and David Platzker 156

114. Alexander Calder

1898-1976

Elephants, from Our Unfnished Revolution, 1975-76 Lithograph in colours, on Arches paper, the full sheet. Signed and numbered 73/175 in pencil (there was also an unsigned edition of 275), published by Alba Editions, Inc., New York, to aid the National Emergency Civil Liberties Committee, framed. S. 55.9 x 76 cm (22 x 29 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ‡ plus Buyer’s Premium and VAT*

115. Alexander Calder

1898-1976

Untitled (Balloons), 1968 Lithograph in colours, on wove paper, the full sheet. Signed and numbered 21/75 in pencil, framed. S. 109.6 x 75.4 cm (43 1/8 x 29 5/8 in.) Estimate £1,200-1,800 $1,500-2,200 €1,300-2,000 ‡ plus Buyer’s Premium and VAT*

116. Alexander Calder

1898-1976

Untitled (Loops on Yellow), circa 1975 Lithograph in colours, on wove paper, the full sheet. Signed and numbered 19/90 in pencil, framed. S. 78.5 x 58.4 cm (30 7/8 x 22 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ‡ plus Buyer’s Premium and VAT*

117. Anni Albers

1899-1994

Connections, 1925/1983 The complete set of nine screenprints in colours, on Cartiere Miliani of Fabriano Umbria Italia and Fabriano Cotton papers, with full margins, with an introduction From the Line to the Texture by the publisher, the sheets loose (as issued) contained in the original paper-covered cardboard portfolio with printed title. All signed, dated variously from 1925-1983, and numbered 46/125 in pencil, further numbered ‘46’ in pencil on the colophon, published by Fausta Squatriti, Milan, all unframed. all S. 70 x 49.2 cm (27 1/2 x 19 3/8 in.) portfolio 70.5 x 51 x 1 cm (27 3/4 x 20 1/8 x 3/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 † plus Buyer’s Premium and VAT*

Literature Nicholas Fox Weber and Brenda Danilowitz 71–79

118. Josef Albers

1888-1976

Formulation Articulation I & II, 1972 The complete set of 127 screenprints in colours, on 66 sheets of wove paper, folded (as issued), with full margins, with colophon, all contained in the original black linen-covered portfolio, with printed title. Signed and numbered ‘983’ from the edition of 1000 in black ink on the colophon, co-published by Harry N. Abrams, Inc., New York and Ives-Sillman, Inc., New Haven, all unframed. all I. various sizes all S. unfolded 38.2 x 101.6 cm (15 x 40 in.) portfolio 40 x 53 x 9 cm (15 3/4 x 20 7/8 x 3 1/2 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 † plus Buyer’s Premium and VAT*

Literature Brenda Danilowitz Appendix C

This lot is sold with no reserve

119. Josef Albers

1888-1976

Embossed Linear Construction 1-B, 1969 Embossed print, on Arches Watercolour paper, with full margins. Signed with initial ‘A’, dated, annotated ‘ELd 1-B’ and numbered 2/100 in pencil (there were also 10 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps and inkstamp on the reverse), framed. I. 20.5 x 46 cm (8 1/8 x 18 1/8 in.) S. 50.3 x 66.4 cm (19 3/4 x 26 1/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Literature Gemini G.E.L. 135 Brenda Danilowitz 186.2

120. Josef Albers

1888-1976

Interaction of Color, 1973 The complete set of 80 screenprints in colours, on wove paper, with full margins, some with cut-out overlays, the sheets loose and folded (as issued), with the accompanying bound text in German with title page, justifcation and table of contents, and bound commentary in German, all contained in the original white folding portfolio box with grey title on the spine and slipcase. From the unnumbered second edition, the total edition was 2000 (the 1963 edition was 50 numbered copies), published by Yale University Press, New Haven, Connecticut. all I. various sizes all unfolded S. 51 x 33 cm (201/8 x 127/8 in.) portfolio 14 x 27.5 x 37 cm (51/2 x 107/8 x 145/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ plus Buyer’s Premium and VAT*

121. Victor Vasarely

1906-1997

Kezdi, 1989-90 Wooden multiple hand-painted in acrylic. Signed in pencil and numbered 152/175 in black ink, published by Circle Fine Arts, Chicago. 66.4 x 64 x 7.8 cm (26 1/ 8 x 25 1/4 x 3 1/ 8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Lot 122 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Lot 123

122. Imi Knoebel

b. 1940

Rot Gelb Blau Weiss (Red Yellow Blue White), 1995 The complete set of six screenprints in colours, on Fabriano paper, with full margins. All signed with initials, dated and numbered variously from the edition of 40 and 4 artist’s proofs in pencil, published by Edition Domberger, Stuttgart, all unframed. all I. 102 x 102 cm (40 1/8 x 40 1/8 in.) all S. 125.5 x 125.5 cm (49 3/8 x 49 3/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ †

123. Carlos Cruz-Diez

1923-2019

Couleur Additive (Colour Addition), 1971 The complete set of eight screenprints in colours, on light-weight card paper, with full margins, with title page and colophon, all contained in the original white card portfolio box with printed design. All signed, dated ‘70’ and numbered 1/200 in pencil, the colophon further numbered ‘1’ in pencil, published by Éditions Denise René, Paris (with their blindstamp). all I. 60 x 60 cm (23 5/8 x 23 5/8 in.) all S. 75 x 75 cm (29 1/2 x 29 1/2 in.) portfolio 77.5 x 77.5 x 2 cm (30 1/2 x 30 1/2 x 0 3/4 in.)

plus Buyers Premium and VAT, ARR applies*

Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ♠ plus Buyers Premium and VAT, ARR applies*

124. Sol LeWitt

1928-2007

Forms Derived from a Cubic Rectangle: Plate #01, 1990 Etching and aquatint in colours, on Magnani paper, with full margins. Signed and numbered ‘PP 2/4’ in pencil (a printer’s proof, the edition was 20 and 8 artist’s proofs), published by Multiples, Inc., New York, framed. I. 37.8 x 53.2 cm (14 7/8 x 20 7/8 in.) S. 50.6 x 65.9 cm (19 7/8 x 25 7/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ plus Buyer’s Premium and VAT*

Literature Barbara Krakow Gallery 1990.13

125. Robert Mangold

b. 1937

A Red, from Three Aquatints, 1979 Aquatint in colours, on BFK Rives paper, with full margins. Signed, titled and numbered 3/50 in pencil (there were also 10 artist’s proofs), published by Parasol Press, New York, framed. I. 83.5 x 83.6 cm (32 7/8 x 32 7/8 in.) S. 103.5 x 104 cm (40 3/4 x 40 7/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ plus Buyer’s Premium and VAT*

Literature Senior + Shopmaker 1979. 01. 01 Amy Baker Sandback 14.01

126. Frank Stella

b. 1936

Empress of India I, from V Series, 1968 Lithograph with varnish in colours, on Lowell paper, with full margins. Signed, dated and numbered 19/100 in pencil (there were also 16 artist’s proofs in Roman numerals), published by Gemini G.E.L., Los Angeles (with their blindstamps and inkstamp on the reverse), framed. I. 28.2 x 81 cm (11 1/8 x 31 7/8 in.) S. 41.4 x 89.9 cm (16 1/4 x 35 3/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 plus Buyer’s Premium and VAT*

Literature Gemini G.E.L. 81 Richard Axsom and Leah Kolb 27 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

127. Brice Marden

b. 1938

Painting Study 2, 1974 Screenprint with wax and graphite, on ivory Dutch Etching paper, with full margins. Signed, dated and numbered 50/50 (there were also 12 artist’s proofs), co-published by Syria Studio and Multiples, Inc., New York (with the Syria Studio blindstamp, and the artist’s and Multiples, Inc.’s copyright inkstamp on the reverse), unframed. I. 24.3 x 17.1 cm (9 5/8 x 6 3/4 in.) S. 76 x 55.5 cm (29 7/8 x 21 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 plus Buyers Premium and VAT*

Literature Jeremy Lewison 27

128. Donald Judd

1928-1994

Untitled: one plate, 1974 Aquatint, on Etching paper, with full margins. Signed and numbered 7/70 in pencil (there were also 6 artist’s proofs), published by the artist, framed. I. 89.7 x 59.2 cm (35 3/8 x 23 1/4 in.) S. 106.6 x 75.1 cm (41 7/8 x 29 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ plus Buyer’s Premium and VAT*

Literature Jörg Schellmann 84

129. Agnes Martin

1912-2004

Paintings and Drawings 1974-1990, 1991 The complete set of 10 lithographs in colours, on frm transparency paper, with full margins, with text, the sheets loose (as issued) contained in the original grey card portfolio with printed uppers. From the edition of 2500 published by Nemela & Lenzen GmbH, Monchengladback and Stedelijk Museum, Amsterdam for Agnes Martin’s 1991 retrospective at the Stedelijk Museum. all I. approx. 23 x 23 cm (9 x 9 in.) all S. 30 x 30 cm (11 3/4 x 11 3/4 in.) portfolio 31 x 31 x 2 cm (12 1/4 x 12 1/4 x 0 3/4 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 plus Buyer’s Premium and VAT*

130. Roy Lichtenstein

1923-1997

Mirror #7, from Mirror Series, 1972 Lithograph and screenprint in colours, on Arjomari paper, with full margins. Signed, dated and numbered 68/80 in pencil (there were also 10 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. I. 75.9 x 44.2 cm (29 7/8 x 17 3/8 in.) S. 98.6 x 64.4 cm (38 7/8 x 25 3/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 plus Buyer’s Premium and VAT*

Literature Gemini G.E.L. 388 Mary Lee Corlett 112

131. Roy Lichtenstein

1923-1997

Brushstrokes, 1967 Screenprint in colours, on of-white wove paper, with full margins. Signed and numbered 154/300 in pencil (there were also an unknown number of artist’s proofs), published by Leo Castelli Gallery, New York, for the Pasadena Art Museum, California, framed. I. 55.6 x 76.9 cm (21 7/8 x 30 1/4 in.) S. 58.1 x 79.2 cm (22 7/8 x 31 1/8 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 plus Buyer’s Premium and VAT*

Literature Mary Lee Corlett 45

132. Andy Warhol

1928-1987

Mao (wallpaper), two panels, 1974 Two screenprints in colours, on wallpaper, the full sheets. Both from the unlimited edition (Feldman and Schellmann call for 100 signed copies), published by Factory Additions, New York for an Andy Warhol exhibition at the Musée Galliera, Paris, both unframed. one S. 157.5 x 75.2 cm (62 x 29 5/ 8 in.) one S. 155.6 x 75.2 cm (61 1/4 x 29 5/ 8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ‡ plus Buyer’s Premium and VAT*

Literature see Frayda Feldman and Jörg Schellmann 125A

133. Andy Warhol

1928-1987

Flash - November 22, 1963: one plate, 1968 Screenprint in colours, on wove paper, the full sheet. Signed in blue ball-point pen on the reverse, an unnumbered impression (the edition was 200, some numbered in Arabic numerals and 26 in Roman numerals, all numbered on the colophon of the complete sets), published by Racolin Press, Inc., Briarclif Manor, New York, framed. S. 53.2 x 53.3 cm (20 7/8 x 20 7/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ plus Buyer’s Premium and VAT*

Literature Frayda Feldman and Jörg Schellmann 36

Lot 134

Lot 135

134. Robert Indiana

1928-2018

Book of Love: two plates, 1996 Two screenprints in colours, on A.N.W. Crestwood Museum Edition paper, with full margins. Both signed, dated and each numbered ‘XLIV/L’ and 24/200 respectively in pencil (one of 50 artist’s proofs in Roman numerals; one from edition of 200 in Arabic numerals), published by American Image Editions, New York, both framed. both I. 46.2 x 45.5 cm (18 1/4 x 17 7/8 in.) both S. 60.1 x 50.5 cm (23 5/8 x 19 7/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡

135. Jim Dine

b. 1935

136. Jim Dine

b. 1935

Heart of BAM, 1996 Woodcut and collotype in colours, on heavy Rives paper, with full margins. Signed, dated and numbered 50/100 (there were also 20 artist’s proofs), published by Pace Editions, New York, as a contribution to the Brooklyn Academy of Music’s fundraising programme for BAM Art, framed. I. 47.3 x 44.6 cm (18 5/8 x 17 1/2 in.) S. 66 x 49.5 cm (25 7/8 x 19 1/2 in.)

Red Darkness, 1993 Woodcut in colours with hand-colouring in red acrylic and enamel paint, on Arches Cover white paper, with full margins. Signed, dated and numbered 11/30 in pencil (there were also 5 artist’s proofs), framed. I. 114.4 x 95.4 cm (45 x 37 1/2 in.) S. 139.6 x 108.5 cm (54 7/8 x 42 3/4 in.)

Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700

plus Buyer’s Premium and VAT*

Literature Elizabeth Carpenter 65

plus Buyer’s Premium and VAT*

Estimate £6,000-9,000 $7,500-11,200 €6,700-10,100

Literature Elizabeth Carpenter 109

Lot 136

137. Louise Bourgeois

1911-2010

Beautiful Night, from BAM portfolio, 2004 Lithograph in colours, on Somerset paper, the full sheet. Signed and numbered 40/50 in pencil (there were also 15 artist’s proofs), published by the Brooklyn Academy of Music, New York, framed. S. 53.2 x 70.4 cm (20 7/8 x 27 3/4 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Museum of Modern Art cat. no. 837

138. Susan Rothenberg

b. 1945

Untitled (Nos. 1-4), 1979 Four etching and aquatints, on Fabriano paper, with full margins. All signed, titled, dated and numbered 32/45 in pencil (there were also 12 artist’s proofs in Roman numerals), published by Parasol Press, Ltd., New York, all unframed. all I. various sizes, largest 60 x 44.6 cm (23 5/8 x 17 1/2 in.) all S. 75 x 55.5 cm (29 1/2 x 21 7/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ plus Buyer’s Premium and VAT*

Literature Rachel R. Maxwell 3–6

139. Jasper Johns

b. 1930

Untitled, 1981 Etching and aquatint, on Barcham Green paper watermarked J. Johns, with full margins. Signed, dated and numbered 24/25 in pencil (there were also 8 artist’s proofs), published by Petersburg Press, New York and London, framed. I. 8.2 x 5.8 cm (3 1/4 x 2 1/4 in.) S. 21.2 x 15.1 cm (8 3/8 x 5 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ‡ plus Buyer’s Premium and VAT*

Literature Universal Limited Art Editions 221

140. Jasper Johns

b. 1930

Untitled, from Harvey Gantt Portfolio, 1990 Lithograph in colours, on Arches 88 paper, with full margins. Signed, dated and numbered 159/250 in pencil (there were also 50 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), to beneft the U.S. Senate campaign of Harvey Gantt, framed. I. 15.3 x 12.3 cm (6 x 4 7/8 in.) S. 26.7 x 20.3 cm (10 1/2 x 7 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ‡ plus Buyer’s Premium and VAT*

Literature Gemini G.E.L. 1456 Universal Limited Art Editions 252

141. Gerald Laing

b. 1936

Baby, Baby Wild Things, 1968 The complete set of fve screenprints in colours, on wove paper, with full margins. All signed, titled, dated and numbered 105/200 in pencil, with the artist’s blindstamp, published by Richard Feigen, New York, all framed, lacking the original portfolio. all I. various sizes, largest approx. 76 x 51.3 cm (297/8 x 201/4 in.) all S. 89 x 58.5 cm (35 x 23 in.) Estimate £7,000-9,000 $8,700-11,200 €7,800-10,100 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Lyndsey Ingram and Rupert Halliwell 23-27 Including: Starlet, Stacy, Tracy, Sandra, and Francine

142. Allen Jones

b. 1937

Life Class, 1968 The complete set of 14 lithographs in colours, ofset, photo and hand-drawn, forming seven images, each of two abutting sheets with similarly divided title page, on J. Green Imperial waterleaf or BFK Rives papers, the full sheets, loose (as issued), contained in plastic sleeves hinged into the original red portfolio box. All top sheets signed ‘allen’ in pencil, all bottom sheets signed ‘jones’, dated and numbered 18/75 in pencil (there were also 15 artist’s proofs), co-published by Ars Moderna, Basel, and Editions Alecto, London, all unframed. all S. overall approximately 81.5 x 56.5 cm (32 1/8 x 22 1/4 in.) portfolio 51 x 60 x 3.8 cm (20 1/8 x 23 5/8 x 1 1/2 in.) Estimate £7,000-9,000 $8,700-11,200 €7,800-10,100 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Marco Livingstone and Richard Lloyd 48 a-g Editions Alecto, pp. 146-147

143. Joe Tilson

b. 1928

Signatures, 1987-88 The complete set of six etching and aquatints in colours with hand-applied gold or white-gold leaf, four with carborundum, one with photoengraving, on Khadi paper, the full sheets (three folded), loose (as issued), all contained in the original printed Velin Arches paper cover, portfolio folder with linen spine, and printed cloth-bound slipcase with gold leaf. All signed, dated and numbered ‘AP 4/10’ in pencil (an artist’s proof set, the edition was 40), published by Waddington Graphics, London. three S. approx. 57.5 x 39 cm (22 5/8 x 15 3/8 in.) three S. approx. 56 x 79 cm (22 x 31 1/8 in.) portfolio 62 x 43.5 x 6 cm (24 3/8 x 17 1/8 x 2 3/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

This lot is sold with no reserve

144. Tom Phillips

b. 1937

Dante’s Inferno, 1982 The complete set of nine screenprints in colours, and six additional screenprints, on Crispbrook handmade paper, with full margins. All signed and the complete set numbered 64/75 in pencil, the additional prints variously numbered out of 75 in pencil, published by Waddington Graphics, London (with their blindstamp), all unframed. all I. various sizes all S. 75.6 x 55 cm (29 3/4 x 21 5/8 in.) Estimate £200-300 $250-370 €220-340 • ♠ plus Buyers Premium and VAT, ARR applies*

Including Dante in his Study; Canto I: i: two plates; Canto I: iv; Canto II: two plates; Canto IV: two plates; Canto XII: two platesI; Canto XVII: two plates; Canto XXVIII; and Canto XXIX: two plates

145. Peter Blake

b. 1932

Sources Of Pop Art II, 2000 Screenprint in colours, on Somerset paper, with full margins. Signed and numbered 90/150 in pencil, published by CCA Galleries, London (with their blindstamp), unframed. I. 30.7 x 30.7 cm (12 1/8 x 12 1/8 in.) S. 48.2 x 47.3 cm (18 7/8 x 18 5/8 in.) Estimate £1,000-1,200 $1,200-1,500 €1,100-1,300 ♠ plus Buyers Premium and VAT, ARR applies*

146. Peter Howson

b. 1958

Underground, 1998 The complete set of 30 etchings with drypoint in colours, and one original drawing, on Somerset paper, with full margins, with title page and colophon, the sheets loose (as issued), all contained in the original blue fabriccovered portfolio. All signed with initial ‘H’, titled, dated and numbered ‘AP 2/5’ in pencil, further signed, dated and numbered on the colophon (an artist’s proof set, the edition was 35 including 25 sets in Arabic numerals and 10 boxed sets with one original drawing in Roman numerals), published by Flowers Graphics, London. all I. 30 x 25 cm (11 3/4 x 9 7/8 in.) all S. 50.2 x 45 cm (19 3/4 x 17 3/4 in.) portfolio 53 x 47.5 x 4.5 cm (20 7/8 x 18 3/4 x 1 3/4 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

Including All Saints; Angel; Arsenal; Baker Street; Barking; Bethnal Green; Caledonian Road; Camden Town; Chalk Farm; Cyprus; Dollis Hill; Ealing Common; East India; Epping; Essex Road; Finsbury Park; Gospel Oak; Hangar Lane; Holborn; Holland Park; Manor House; Mornington Crescent; Olympia; Prince Regent; Pudding Mill Lane; Royal Albert; Sloane Square; Shadwell; Stratford; and Vauxhall

147. David Hockney

b. 1937

An Etching and a Lithograph for Editions Alecto, 1972 Etching, aquatint and lithograph in colours, on J. Green waterleaf paper, with full margins. Signed, dated and numbered 22/100 in pencil (there were also 20 artist’s proofs), published by Editions Alecto, London (with their blindstamp), 1973, framed. I. 79.5 x 51 cm (31 1/4 x 20 1/8 in.) S. 91.1 x 63.6 cm (35 7/8 x 25 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Editions Alecto 474 Scottish Arts Council 129 Museum of Contemporary Art Tokyo 121

148. David Hockney

b. 1937

For John Constable, 1976 Etching, on Crispbrook handmade paper, with full margins. Signed, dated and numbered 33/100 in pencil (there were also 21 proofs), with the artist’s copyright blindstamp, published by Bernard Jacobson, London, framed. I. 27 x 34.5 cm (10 5/8 x 13 5/8 in.) S. 38.5 x 44.7 cm (15 1/8 x 17 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Scottish Arts Council 189 Museum of Contemporary Art Tokyo 175

149. David Hockney

b. 1937

Tree, 1968 Lithograph in colours, on BFK Rives paper, with full margins. Signed, dated and numbered 51/95 in pencil (there were also 22 artist’s proofs), published by Petersburg Press, London, framed. I. 56 x 42 cm (22 x 16 1/2 in.) S. 65.3 x 49.9 cm (25 3/4 x 19 5/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Scottish Arts Council 34 Museum of Contemporary Art Tokyo 61

Lot 150

150. David Hockney

b. 1937

Figures with Still Life; and A Picture of Ourselves, from The Blue Guitar, 1976-1977 Two prints, one etching with drypoint in colours and one etching with aquatint in colours, on Inveresk mould-made paper, with full margins. Both signed and numbered 32/200 in pencil (there were also 35 artist’s proofs), published by Petersburg Press, London and New York, both framed. both I. 42.5 x 34.5 cm (16 3/4 x 13 5/8 in.) both S. 52.3 x 45.6 cm (205/8 x 177/8 in.) one horizontal

151. David Hockney

b. 1937

Man Reading Stendhal, July 1986, 1986 Home-made print executed on an ofce colour copy machine, on Arches paper, the full sheet. Signed, dated and numbered 48/60 in pencil, published by the artist (with his blindstamp), framed. S. 35.5 x 21.6 cm (13 7/8 x 8 1/2 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠

Literature Museum of Contemporary Art Tokyo 302

plus Buyers Premium and VAT, ARR applies*

Literature Museum of Contemporary Art Tokyo 187 and 189 Scottish Arts Council 208 and 210

Lot 151

152. David Hockney

b. 1937

Brooke Hopper, from Friends, 1976 Lithograph, on Arches Cover buf paper, the full sheet. Signed, dated and numbered 48/92 in pencil (there were also 16 artist’s proofs), published by Gemini G.E.L., Los Angeles (with their blindstamps), framed. S. 96.7 x 71.2 cm (38 1/8 x 28 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Gemini G.E.L. 713 Scottish Arts Council 177 Museum of Contemporary Art Tokyo 166

153. David Hockney

b. 1937

Ann Seated in Director’s Chair, 1979 Lithograph, on grey BFK Rives mould-made paper, the full sheet. Inscribed ‘for Ann with love from David H’ and dated in pencil (a rare dedicated proof aside from the edition of 5 and 4 artist’s proofs), published by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp), 1980, framed. S. 76.1 x 111.8 cm (29 7/8 x 44 in.) Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Tyler Graphics 267 Museum of Contemporary Art Tokyo 228

154. David Hockney

b. 1937

Celia in a Polka Dot Skirt, 1980 Lithograph and screenprint, on Arches Cover paper, the full sheet. Signed, dated and numbered 89/100 in pencil (there were also 20 artist’s proofs), published by Gemini, G.E.L., Los Angeles (with their blindstamps), 1981, framed. S. 101.7 x 91.5 cm (40 x 36 in.)

Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Gemini G.E.L. 917 Museum of Contemporary Art Tokyo 238

155. Francis Bacon

1909-1992

Masque mortuaire de William Blake (afer Study of Portrait based on The Life Mask of William Blake, 1955), 1991 Lithograph in colours, on BFK Rives paper, with full margins. Signed and annotated ‘E.A.’ in pencil (an artist’s proof, the edition was 60), published by Michel Archimbaud for the Librairie Séguier, Paris, unframed. I. 60 x 50.2 cm (23 5/8 x 19 3/4 in.) S. 80 x 60 cm (31 1/2 x 23 5/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Bruno Sabatier 27 Alexandre Tacou 29

156. After Francis Bacon

1909-1992

Portrait of George Dyer Riding a Bicycle, 1966/2015 Diasec mounted giclée print in colours, on Alu Dibond support, the full sheet. With printed signature on a label afxed to the reverse and numbered 475/500 in black ink on the reverse, co-published by The Estate of Francis Bacon and Heni Productions, framed. 110 x 82 cm (43 1/4 x 32 1/4 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Heni Productions Q1B

157. Richard Hamilton

1922-2011

Self-Portrait with Yellow, 1998 Pigment transfer print in colours, on JPP mould-made paper, with full margins. Signed and numbered 10/20 in pencil (there were also 2 artist’s proofs), published by the artist, framed. I. 39.6 x 39.1 cm (15 5/8 x 15 3/8 in.) S. 66 x 57.6 cm (25 7/8 x 22 5/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Etienne Lullin 186

158. Richard Hamilton

1922-2011

Portrait of Dieter Roth, 1998 Iris digital print in colours, on Somerset paper, with full margins. Signed and annotated ‘Nigel’s proof’ in pencil (a dedicated proof aside from the edition of 30 in Arabic numerals and 20 in Roman numerals), the edition of 30 published by Kunstmuseum Winterthur, Switzerland, to mark their 150th anniversary, the edition of 20 published by the artist, framed. I. 39.9 x 40 cm (15 3/4 x 15 3/4 in.) S. 63 x 58 cm (24 3/4 x 22 7/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Etienne Lullin 184

159. Richard Hamilton

1922-2011

La Scala Milano, 1968 Photo-etching and screenprint in colours, on mould-made etching paper, with full margins. Signed and numbered 43/65 in pencil (there were also 5 artist’s proofs), published by Petersburg Press, London, framed. I. 25.4 x 37.1 cm (10 x 14 5/8 in.) S. 50.5 x 59.1 cm (19 7/8 x 23 1/4 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Etienne Lullin 71

160. Richard Hamilton

1922-2011

Lobby, 1984 Collotype and screenprint in colours, on Ivorex paper, with full margins. Signed and numbered 81/88 in pencil (there were also 9 artist’s proofs), published by Waddington Graphics, London (with their blindstamp), framed. I. 32.8 x 48 cm (12 7/8 x 18 7/8 in.) S. 42.8 x 58.1 cm (16 7/8 x 22 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Etienne Lullin 142

161. Howard Hodgkin

1932-2017

Nick’s Room, 1977 Lithograph in colours with hand-colouring in gouache, on Lexington handmade paper, the full sheet. Signed, dated (partially faded) and numbered 93/100 in pencil (there were also 16 artist’s proofs), published by Petersburg Press, New York, unframed. S. 52.5 x 61.7 cm (20 5/8 x 24 1/4 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Liesbeth Heenk 35

162. Howard Hodgkin

1932-2017

Moonlight, 1980 Lithograph in colours with hand-colouring, on two sheets of buf BFK Rives paper (as issued), the full sheets. Signed with initials, dated and numbered 43/100 in pencil (there were also 13 artist’s proofs), published by Bernard Jacobson Ltd, London, framed. S. 112 x 140.4 cm (44 1/8 x 55 1/4 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Liesbeth Heenk 61

163. Howard Hodgkin

1932-2017

Bleeding, 1981-82 Lithograph in colours using tusche washes, with handcolouring in gouache, on Velin Arches mould-made paper, the full sheet. Signed with initials, dated ‘81’ and numbered 65/100 in pencil (there were also 33 artist’s proofs), published by Bernard Jacobson Ltd., London, framed. S. 91.9 x 152 cm (36 1/8 x 59 7/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Liesbeth Heenk 67

164. Howard Hodgkin

1932-2017

A Furnished Room, 1977 Etching and aquatint in colours with hand-colouring in watercolour, on Arches mould-made paper, the full sheet. Signed, dated and numbered 76/100 in pencil (there were also 14 artist’s proofs), published by Petersburg Press, London, framed. S. 54.1 x 69.4 cm (21 1/4 x 27 3/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Liesbeth Heenk 33

165. Howard Hodgkin

1932-2017

A Storm, 1977 Lithograph in colours with hand-colouring in gouache, on Lexington handmade paper, the full sheet. Signed, dated and numbered 93/100 in pencil (there were also 14 artist’s proofs), published by Petersburg Press, New York, unframed. S. 52.4 x 61.4 cm (20 5/8 x 24 1/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Liesbeth Heenk 36

166. Howard Hodgkin

1932-2017

Here We Are in Croydon, 1979 Lithograph in colours with hand-colouring in watercolour and gouache, on Moulin d’Auvergne handmade paper, the full sheet. Signed, dated and numbered 40/100 in blue crayon (there were also 20 artist’s proofs), published by Petersburg Press, New York and London, framed. S. 57.5 x 76 cm (22 5/8 x 29 7/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Liesbeth Heenk 49

167. Terry Frost

1915-2003

Timberaine G, from Timberaine, 2000-01 The complete set of three woodcuts in colours, on Velin Arches Blanc paper, the full sheets. All signed and annotated ‘B.A.T’ in pencil on the reverse (the bon à tirer or ‘good to print’ set before the edition of 10 and 4 artist’s proofs), , published by The Paragon Press, London, all framed. each S. 105 x 50 cm (41 3/8 x 19 5/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature The Paragon Press 2001-2006, p. 22 (illustrated p. 31)

168. Bridget Riley

b. 1931

Afer Rajasthan, 2013 Screenprint in colours, on wove paper, with full margins. Signed, titled, dated numbered 31/75 in pencil (there were also 10 artist’s proofs), published by the artist, framed. I. 40.6 x 71 cm (15 7/8 x 27 7/8 in.) S. 58.5 x 94 cm (23 x 37 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ † plus Buyers Premium and VAT, ARR applies*

169. Bridget Riley

b. 1931

Wall Painting 1 (print), 2007 Screenprint in colours, on wove paper, with full margins. Signed, titled, dated and numbered 86/150 in pencil (there were also 10 artist’s proofs), published by the artist, framed. I. 39 x 73 cm (15 3/8 x 28 3/4 in.) S. 56 x 91.6 cm (22 x 36 1/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ † plus Buyers Premium and VAT, ARR applies*

Literature Karsten Schubert 66

170. Bridget Riley

b. 1931

About Lilac, 2007 Screenprint in colours, on wove paper, with full margins. Signed, titled, dated and numbered 43/75 in pencil (there were also 10 artist’s proofs), published by the artist, framed. I. 32.4 x 64.7 cm (12 3/4 x 25 1/2 in.) S. 49.2 x 80 cm (19 3/8 x 31 1/2 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ † plus Buyers Premium and VAT, ARR applies*

Literature Karsten Schubert 65

171. Bridget Riley

b. 1931

Composition With Circles 2, 2001 Screenprint, on wove paper, with full margins. Signed, titled, dated and numbered 27/30 in pencil (there were also 5 artist’s proofs), published by Dia Center for the Arts, New York, framed. I. 79.7 x 285.1 cm (31 3/8 x 112 1/4 in.) S. 100.4 x 303.8 cm (39 1/2 x 119 5/8 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ♠ † plus Buyers Premium and VAT, ARR applies*

Literature Karsten Schubert 46

172. Bridget Riley

b. 1931

Sonnet, 2016 Screenprint, on wove paper, with full margins. Signed, titled, dated and numbered 48/150 in pencil, published by Karsten Schubert, London, framed. I. 48.1 x 36 cm (18 7/8 x 14 1/8 in.) S. 69 x 55.6 cm (27 1/8 x 21 7/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ † plus Buyers Premium and VAT, ARR applies*

173. Bridget Riley

b. 1931

New Day, 1988/1992 Screenprint in colours afer the painting, on wove paper, with full margins. Signed in pencil, from the edition of 135, published by King Publishing, London, framed, not recorded in Schubert. I. 80 x 110.4 cm (31 1/2 x 43 1/2 in.) S. 94 x 134.5 cm (37 x 52 7/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

174. Grayson Perry b. 1960 The Island of Bad Art, 2013 Etching, on wove paper, with full margins. Signed and numbered 67/80 in pencil (there were also some artist’s proofs), printed by the Royal Academy Schools, London, framed. I. 42.3 x 59.3 cm (165/8 x 233/8 in.) S. 46.6 x 63.6 cm (183/8 x 25 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

175. Julian Opie

b. 1958

176. Julian Opie

b. 1958

Amelia, 2018 Lenticular acrylic panel comprised of four inkjet prints in colours, printed directly onto 20 lpi lenticular animating lenses, back mounted with card, contained (as issued) within an envelope in the accompanying exhibition catalogue with lenticular cover. Signed in black felt-tip pen and numbered 38/50 (printed) on the title page of the catalogue, published on the occasion of the exhibition Julian Opie at the National Gallery of Victoria, Melbourne. lenticular 27 x 15 cm (105/8 x 57/8 in.) book 29.1 x 25.8 x 2.7 cm (111/2 x 101/8 x 11/8 in.)

Still Lifes, 2001 The complete set of eight Lambda prints in colours, laminated to stretched Olive canvas with a gloss seal. All signed and numbered 20/40 in black felt-tip pen on the overlap (there were also 11 artist’s proofs), published by Alan Cristea Gallery, London. all 39 x 64.5 x 3.5 cm (153/8 x 253/8 x 13/8 in.)

Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠

Provenance Art Management Acquired from the above by the present owner in 2006

plus Buyers Premium and VAT, ARR applies*

Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Alan Cristea Gallery 25-32

Lot 176

Lots 177–180 have been authenticated by the Hirst Authentication Committee. 177. Damien Hirst

b. 1965

Savoy, 2018 Giclée print in colours, fush-mounted to aluminium with metal strainer on the reverse (as issued). Signed in pencil on a label afxed to the reverse and numbered 86/100 in black ink on the reverse (there were also 10 artist’s proofs), published by Heni Productions, London. 90 x 90 cm (35 3/8 x 35 3/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ ♠ plus Buyers Premium and VAT, ARR applies*

Literature Heni Productions H5-8

178. Damien Hirst

b. 1965

Andromeda, 2018 Giclée print in colours, fush-mounted to aluminium with metal strainer on the reverse (as issued). Signed in pencil on a label afxed to the reverse and numbered 56/75 in black ink on the reverse (there were also 5 artist’s proofs), published by Heni Productions, London. 92 x 126 cm (36 1/4 x 49 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Heni Productions H4-2

179. Damien Hirst

b. 1965

Untitled Gold Gif Spot, 2008 Screenprint in colours with gold glitter, on wove paper, with full margins. Signed, numbered 26/100 and dedicated ‘for Jess, Love xxx’ in pencil (there were also 10 artist’s proofs), published by Other Criteria, London, framed. I. 56.2 x 76.3 cm (22 1/8 x 30 in.) S. 75.6 x 95.2 cm (29 3/4 x 37 1/2 in.) Estimate £4,000-6,000 $4,900-7,400 €4,400-6,700 ♠ plus Buyers Premium and VAT, ARR applies*

180. Damien Hirst

b. 1965

Untitled Spot Print, 2007 Screenprint in colours with ultraviolet glaze, on wove paper, with full margins. Signed, numbered 51/500 and dedicated ‘for Jess’ in pencil, framed. I. 38 x 34 cm (14 7/8 x 13 3/8 in.) S. 57 x 50.8 cm (22 1/2 x 20 in.) Estimate £3,000-5,000 $3,700-6,200 €3,300-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Lots 181–183 have been authenticated by the Hirst Authentication Committee.

181. Damien Hirst

b. 1965

I Once Was What You Are You Will Be What I Am; and For the Love of God, Beyond Belief, 2006/07 Three etchings, on wove paper, with full margins. I Once Was What You Are You Will Be What I Am signed and dedicated ‘for Jess’ in pencil, one from a series of unpublished proofs printed as a Christmas present for Damien Hirst’s employees at his studio, For the Love of God, Beyond Belief numbered 133/300 in pencil on both sheets, one signed and dedicated ‘for Jess xxx’ in pencil, the other annotated ‘J.O.’ in pencil, two prints from a series gifed to Damien Hirst’s employee’s in 2007 who worked on Beyond Belief and For The Love of God, three prints in two frames. one I. 37.7 x 30.4 cm (14 7/8 x 11 7/8 in.) one S. 50 x 40.7 cm (19 5/8 x 16 in.) two I. 25.1 x 17.6 cm (9 7/8 x 6 7/8 in.) two S. approx. 34.2 x 26.2 cm (13 1/2 x 10 3/8 in.)

182. Damien Hirst

b. 1965

Science Xmas Butterfy Print, 2010 Foil block print in colours, on Arches 88 paper, with full margins. Signed, numbered 77/150 and dedicated ‘for Jess’ in pencil, stamped ‘Happy Christmas 2010’ in red ink, published by Other Criteria, London, framed. I. 47.5 x 42.6 cm (18 3/4 x 16 3/4 in.) S. 72.2 x 51.1 cm (28 3/8 x 20 1/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

183. Damien Hirst

b. 1965

To Lure, 2008 Etching in colours, on wove paper, with full margins. Signed and dedicated ‘for Jess’ in pencil, stamped ‘Happy Christmas 2008’ in red ink (a dedicated proof aside from the edition of 75 and 10 artist’s proofs), published by Other Criteria, London, framed. I. 24.8 x 29.8 cm (9 3/4 x 11 3/4 in.) S. 41.2 x 44.4 cm (16 1/4 x 17 1/2 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

184. Marc Quinn

b. 1964

Winter Garden, 2004 The complete set of eight pigment prints in colours with varnish, on Somerset Velvet Enhanced paper, the full sheets. All signed, dated and numbered 22/59 in pencil on the reverse (there were also 10 artist’s proofs), published by The Paragon Press, London, all framed. all S. 82 x 122.6 cm (32 1/4 x 48 1/4 in.) Estimate £7,000-9,000 $8,700-11,200 €7,800-10,100 ♠ plus Buyers Premium and VAT, ARR applies*

Literature The Paragon Press 2001-2006, pp. 116-127

185. David Shrigley

b. 1968

Fucking Ace, 2019 Linocut, on wove paper, the full sheet. Signed with initials, dated and numbered 6/125 in pencil, published by Schäfer Grafsk Værksted, Copenhagen, framed. S. 75.9 x 56 cm (29 7/8 x 22 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ♠ plus Buyers Premium and VAT, ARR applies*

186. Katherine Bernhardt

b. 1975

Cheeseburger Deluxe, 2016 Unique lithograph in colours, on Somerset Velvet paper, with full margins. Signed, titled, dated and numbered 52/100, from the edition of unique colour variants, published by Counter Editions, London, unframed. I. 69.7 x 96.7 cm (27 1/2 x 38 1/8 in.) S. 71.2 x 97.7 cm (28 x 38 1/2 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 plus Buyer’s Premium and VAT*

187. David Shrigley

b. 1968

I’m Sorry for Being Awful; Vibes; Shut Up; and Pretty Thoughts Inside Your Head, 2018 Four screenprints in colours, on Somerset paper, the full sheets. All signed with initials, dated and numbered 4/125 in pencil on the reverse (there were also 20 artist’s proofs for each), published by Counter Editions, London, all unframed. all S. 76 x 56 cm (29 7/8 x 22 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

188. Giuseppe Penone

b. 1947

Trentatré Erbe (Thirty-three Herbs), 1989 The complete set of 33 lithographs in colours, on light wove paper, the full sheets, with colophon, title page and original green fabric-covered portfolio boards with printed artist’s name and title. Signed and numbered 99/120 in pencil on one sheet, further signed, titled and dated in black ink on the title page (there were also 30 artist’s proofs in Roman numerals), published by Marco Noire Editore, Turin, Italy. all S. 42 x 29.8 cm (161/2 x 113/4 in.) portfolio boards 46.5 x 34.5 x 2.1 cm (181/4 x 135/8 x 7/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

189. Miquel Barceló

b. 1957

Lanzarote (Serie Pornografca): four plates, 2000 Four etching and aquatints in colours, on Arches paper, with full margins. All signed and each numbered 19/35, 16/35, 20/35, and 14/35 respectively in pencil (there were also 5 artist’s proofs), published by Linea, Lanzarote, all framed. all I. approx. 44 x 53.5 cm (17 3/ 8 x 21 1/ 8 in.) all S. approx. 65 x 75 cm (25 5/ 8 x 29 1/ 2 in.) Estimate £3,000-4,000 $3,700-5,000 €3,400-4,500 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Art Management Acquired from the above by the present owner in 2009 Including: Lanzarote 9, 10, 18 and 19

∆

190. Marcel Broodthaers

1924-1976

Citron - Citroen (Réclame pour la Mer du Nord) [Lemon - Citroen (Advertisement for the North Sea)], 1974 Ofset lithograph and screenprint in colours, on heavy wove paper, with full margins. Signed with initials, dated and annotated ‘E.A.’ in blue ink (an artist’s proof, the edition was 100), published by Seriaal, Amsterdam, framed. I. 96 x 61.5 cm (37 3/4 x 24 1/4 in.) S. 104.9 x 66.2 cm (41 1/4 x 26 1/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Norbert Nobis and Werner Meyer 19

191. Various Artists Siebdrucke (Screenprints): 13 plates, 1987 Thirteen screenprints in colours, on Arches, Rives, Fabriano and Bristol papers, the full sheets and with margins, with colophon, the sheets loose (as issued), all contained in the original portfolio with linen spine and printed title. Twelve signed and numbered 7/30 in pencil, eleven dated, the Förg’s and one Kosuth titled in pencil, each Kosuth annotated ‘PWT A’ and ‘PWT B’ in pencil (there were also 7 artist’s proofs in Roman numerals), published by Edition Artelier, Graz, Austria, lacking LeWitt Centered Cube Within A Blue Circle. all S. approx. 76 x 56 cm (297/8 x 22 in.) three horizontal portfolio 77.5 x 57.5 cm (30 1/2 x 22 5/8 in.) Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Literature Edition Artelier 1958-1998, p. 254 Barbara Krakow Gallery 1987.02 (LeWitt) Including: John M Armleder, Ernst Caramelle, Günther Förg, Joseph Kosuth, Sol LeWitt, and Heimo Zobernig

192. Michelangelo Pistoletto

b. 1933

Fiat-Ritmo, 1978 Screenprint in colours, on mirror-polished stainless steel with wooden strainer on the reverse. Signed and numbered 160/300 in black felt-tip pen on the reverse. 50 x 60.2 cm (19 5/8 x 23 3/4 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Galleria Tonelli, Milan Acquired from the above by the present owner

Lot 193

Lot 194

193. Christiane Baumgartner

b. 1967

194. Christiane Baumgartner

b. 1967

Trails I; and Trails II, 2008 The complete set of two woodcuts, in monochrome, on Kozo paper, with full margins. Both signed, titled, dated and numbered 2/6 in pencil (there was also 1 artist’s proof for each), published by Johan Deumens, Haarlem, both framed. both I. 89.3 x 120.1 cm (35 1/8 x 47 1/4 in.) both S. 110.5 x 140.5 cm (43 1/2 x 55 3/8 in.)

Manhattan Transfer, 2010 Woodcut in monochrome, on Kozo paper, with full margins. Signed, titled, dated and numbered 3/6 in pencil (there was also 1 artist’s proof), published by Johan Deumens, Haarlem, framed. I. 120 x 159.8 cm (47 1/4 x 62 7/8 in.) S. 141.6 x 179 cm (55 3/4 x 70 1/2 in.)

Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 ♠

plus Buyers Premium and VAT, ARR applies*

Provenance Alan Cristea Gallery, London Acquired from the above by the present owner in 2010

Literature Christine Baumgartner: Another Country, ‘exh. cat.’, David Museum, MA, 2018, p. 20

Literature Christine Baumgartner: Another Country, ‘exh. cat.’, David Museum, MA, 2018, p. 13

195. Nicolas Party

b. 1980

196. Nicolas Party

Untitled, 2016 Xerox print with unique hand-colouring in acrylic, on smooth wove paper, with full margins. Signed and numbered 39/50 in pencil (the edition included 10 colour variants), published by White Columns, New York, framed. I. 23.5 x 16 cm (9 1/4 x 6 1/4 in.) S. 29.7 x 21 cm (11 3/4 x 8 1/4 in.)

Flowers and a Few Colours, 2013 Screenprint in colours, on Somerset paper, with full margins. Signed and numbered 13/40 in pencil, published by Glasgow Print Studio, Glasgow, to celebrate their 40th anniversary with the exhibition 40/40, 24 August - 13 October, 2013, unframed. I. 85.5 x 68 cm (33 5/8 x 26 3/4 in.) S. 92 x 72.4 cm (36 1/4 x 28 1/2 in.)

Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700

plus Buyer’s Premium and VAT*

Lot 195

Lot 196

b. 1980

Lot 197

197. Nicolas Party

b. 1980

Dinner for 24 Animals, 2016 Four hand-painted and glazed ceramic plates, contained in the original green ‘malachite’ painted wooden case. Each plate signed, dated and annotated ‘Xavier Hufens dinner’ in blue paint on the underside, from the series of 24 produced for Xavier Hufens, Brussels. each plate 32 cm (12 5/8 in.) diameter case 39 x 38.5 x 25 cm (15 3/8 x 15 1/8 x 9 7/8 in.) Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 ‡ plus Buyer’s Premium and VAT*

198. Nicolas Party

b. 1980

Portrait, 2016 Mezzotint, on wove paper, with full margins. Signed and numbered 4/15 in pencil (there was also 1 artist’s proof), published by Glasgow Print Studio, Glasgow, framed. I. 16.5 x 14.6 cm (6 1/2 x 5 3/4 in.) S. 47.6 x 34.6 cm (18 3/4 x 13 5/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ‡ plus Buyers Premium and VAT*

Lot 198

199. Nicolas Party

b. 1980

Fruit; and Vegetable, 2016 Two mezzotints, on wove paper, with full margins. Each signed and numbered 2/15 and 4/15 respectively in pencil (there was also 1 artist’s proof for each), published by Glasgow Print Studio, Glasgow, both framed. both I. 13.6 x 9.6 cm (5 3/8 x 3 3/4 in.) both S. 47.5 x 34.5 cm (18 3/4 x 13 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,300 ‡ plus Buyers Premium and VAT*

Lot 199

200. Harold Ancart

b. 1980

Untitled (Fall), 2016 Unique screenprint in colours, on Satin Canson paper, with full margins. Signed, titled, dated and numbered 27/45 in pencil (the edition is 45 unique colour variants), co-published by ICA and Harold Ancart Studio, London and New York, unframed. I. 71.7 x 55.1 cm (28 1/4 x 21 3/4 in.) S. 76 x 56 cm (29 7/8 x 22 in.) Estimate £600-800 $750-1,000 €670-900 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Institute of Contemporary Arts, London Acquired from the above by the present owner

201. Marlene Dumas

b. 1953

The Supermodel, 1995 Lithograph in colours, on Lana Pur Fil paper, the full sheet. Signed, titled, dated and numbered 79/100 in pencil (there were also 20 artist’s proofs), published by the Institute of Contemporary Art, Philadelphia, framed. S. 66.2 x 51.7 cm (26 1/8 x 20 3/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ♠ plus Buyers Premium and VAT, ARR applies*

202. William Kentridge

b. 1955

Bird Catcher, 2006 Archival pigment print, on Gokung Korean Paper, with full margins. Signed and numbered 31/60 in pencil (there were also 12 artist’s proofs), published by Brooklyn Academy of Music, New York, framed. I. 142.2 x 101.6 cm (55 7/8 x 40 in.) S. 150.5 x 108 cm (59 1/4 x 42 1/2 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ‡ plus Buyers Premium and VAT*

This lot is sold with no reserve

203. Elizabeth Peyton

b. 1965

Thursday (Tony), 2000 Lithograph and screenprint in colours, on Somerset Velvet paper, the full sheet. Signed, titled, dated and numbered 76/300 in pencil, published by Counter Editions, London, framed. S. 49.7 x 63 cm (19 5/8 x 24 3/4 in.) Estimate £300-500 $370-620 €340-560 • plus Buyer’s Premium and VAT*

Lot 204 *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

204. Hernan Bas

b. 1978

They Can Bring the Curtain Down, 2010 The complete set of eight direct gravures, on Somerset Velvet paper, with full margins, the sheets loose (as issued) contained in the original paper portfolio with printed title. Signed with initials, dated and numbered ‘AP 10/10’ in pencil on the colophon (an artist’s proof set, the edition was 25), published by Graphicstudio, University of South Florida, Tampa (with their blindstamp). all I. 37 x 29 cm (14 5/8 x 11 3/8 in.) all S. 53.5 x 44.5 cm (21 1/8 x 17 1/2 in.) portfolio 54.5 x 45 x .5 cm (21 1/2 x 17 3/4 x 1/4 in.) Estimate £3,000-4,000 $3,700-4,900 €3,300-4,400 plus Buyers Premium and VAT*

This lot is sold with no reserve

205. Leo Gabin

b. 1980

Lot 205

Marching Band Does it Again, 2014 Archival inkjet print in colours, on wove paper, the full sheet. Signed and numbered 20/50 in blue ink on the accompanying Certifcate of Authenticity, published by Exhibition A, New York, unframed. S. 76 x 55.8 cm (29 7/8 x 21 7/8 in.) Estimate £200-400 $250-500 €220-450 • ♠ plus Buyers Premium and VAT, ARR applies*

206. Donald Baechler

b. 1956

Tree; Composition with Guitar; and Composition with Suitcase, 1988 Three stencilled handmade paper and woodcut prints in colours, the full sheets. All signed, dated and numbered 17/22 in pencil (there were also 7 artist’s proofs for each), published by Pace Editions, Inc., New York, all unframed. all S. approx. 87.5 x 87.5 cm (34 1/2 x 34 1/2 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ plus Buyer’s Premium and VAT*

Lot 206

207. Walton Ford

b. 1960

Swadeshi-cide (Indigenous), 1998 Etching in colours, on Somerset Satin paper, with full margins. Signed, dated and numbered 13/50 in pencil (there were also 12 artist’s proofs), published by Blue Heron Press, New York, framed. I. 91 x 60.6 cm (35 7/8 x 23 7/8 in.) S. 112.1 x 78.2 cm (44 1/8 x 30 3/4 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 plus Buyer’s Premium and VAT*

208. Walton Ford

b. 1960

La Historia Me Absolvera (History Will Absolve Me), 1999 Etching in colours, on Somerset Satin paper, with full margins. Signed, dated and numbered ‘A.P. 7’ in pencil (one of 12 artist’s proofs, the edition was 50), published by Blue Heron Press, New York, framed. I. 91 x 60.5 cm (35 7/8 x 23 7/8 in.) S. 112 x 78 cm (44 1/8 x 30 3/4 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 plus Buyer’s Premium and VAT*

209. Jonas Wood

b. 1977

Black and Grey Clipping, 2017 Etching and aquatint in colours, on Magnani Pescia paper, with full margins. Signed, dated and numbered 3/10 in pencil (there were also 3 artist’s proofs), published by WKS Editions, Los Angeles (with their blindstamp), framed. I. 22.7 x 15.2 cm (8 7/8 x 5 7/8 in.) S. 42 x 33.1 cm (16 1/2 x 13 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 plus Buyer’s Premium and VAT*

Literature Gagosian, New York, Jonas Wood: Prints, p.165

210. Jonas Wood

b. 1977

Untitled (from 8 Pots), 2017 Etching in colours, with Chine-collé, on White Satin Somerset paper, with full margins. Signed, dated and numbered 8/15 in pencil (there were also 3 artist’s proofs), published by WKS Editions, Los Angeles (with their blindstamp), framed. I. 22.8 x 20.3 cm (8 7/8 x 7 7/8 in.) S. 40.6 x 35.6 cm (15 7/8 x 14 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 plus Buyer’s Premium and VAT*

Literature Gagosian, New York, Jonas Wood: Prints, p.145

211. Christopher Wool

b. 1955

212. Christopher Wool

b. 1955

Untitled, 2007 Screenprint in colours, on BFK Rives paper, with full margins. Signed, dated and numbered 25/40 in pencil (there were also 5 artist’s proofs), published by Brand X Editions, New York, in co-operation with Luhring Augustine to beneft the Center for Curatorial Studies at Bard College, New York, framed. I. 58.3 x 45.3 cm (22 7/8 x 17 7/8 in.) S. 76.3 x 55.6 cm (30 x 21 7/8 in.)

Untitled (Sonic Youth), 2012 Screenprint, on Fabriano paper, with full margins. Signed, dated and numbered 18/45 in pencil (there were also 5 artist’s proofs), published by Brand X Editions, New York, unframed. I. 119.4 x 79.4 cm (47 x 31 1/4 in.) S. 139.7 x 99.4 cm (54 7/8 x 39 1/8 in.)

Estimate £3,000-5,000 $3,700-6,200 €3,300-5,600 †

plus Buyer’s Premium and VAT*

Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 ‡

plus Buyers Premium and VAT*

This lot is sold with no reserve

213. Harmony Korine

b. 1973

214. Korakrit Arunanondchai

b. 1986

Killa Klan 2, 2011 Archival inkjet print in colours, on stretched canvas. Signed and numbered 25/50 in black ink on the reverse, further signed by Laura Martin (Exhibition A, Inc. Co-Founder), dated and numbered in black ink on the accompanying Certifcate of Authenticity issued by Exhibition A, published by Exhibition A, New York. 51 x 40.8 x 3 cm (20 1/8 x 16 1/8 x 1 1/8 in.)

Untitled (Memories 1), 2014 Inkjet print in colours with gold leaf, on heavy paper board, the full sheet. Signed with initials, dated and numbered 27/30 in black ink on the reverse, published by the ICA, London, unframed. S. 61 x 45.7 cm (24 x 17 7/8 in.)

Estimate £200-400 $250-500 €220-450 •

plus Buyer’s Premium and VAT*

215. Rashid Johnson

b. 1977

I Love Music, 2012 Cast bronze multiple. Signed and numbered VII/X in black ink on the accompanying Certifcate of Authenticity issued by Parkett (one of 10 in Roman numerals, Parkett calls for 20 in Roman numerals, the edition was 35 in Arabic numerals), published by Parkett Editions, Zurich and New York. 24.8 x 19.7 cm (9 3/4 x 7 3/4 in.) Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 plus Buyer’s Premium and VAT*

Literature Parkett 90

Estimate £600-800 $750-1,000 €670-900

216. Ai Weiwei

b. 1957

Study of Perspective in Glass (Opaline White), 2018-19 Cast Murano glass multiple. Incised with signature and numbered 19/100 on the underside, further signed in black ink and numbered (printed) on the accompanying Certifcate of Authenticity, fabricated by Berengo Studio, Murano. 12.5 x 9 x 10 cm (4 7/8 x 3 1/2 x 3 7/8 in.) Estimate £4,000-6,000 $4,900-7,400 €4,400-6,700 ‡ plus Buyers Premium and VAT*

217. Jef Koons

b. 1955

Balloon Dog (Magenta), 2015 Porcelain multiple painted in chrome, contained in the original Styrofoam-lined presentation box with silver printed signature and original plastic stand. Numbered 0337/2300 in gold ink on the underside, further numbered in black ink on the accompanying Bernaudaud card, manufactured by Bernardaud, Limoges and published by the Museum of Contemporary Art, Los Angeles 26.5 cm (10 3/8 in.) diameter Estimate £4,000-6,000 $5,000-7,500 €4,500-6,700 plus Buyer’s Premium and VAT*

218. Jef Koons

b. 1955

Balloon Rabbit (Red), 2017 Porcelain multiple painted in chrome, contained in the original Styrofoam-lined presentation box with silver printed signature. With printed signature, title, date and numbered 754/999 on the underside, published by Bernardaud, Limoges, France (with their stamp on the underside). 26.7 x 14 x 17.8 cm (101/2 x 51/2 x 7 in.) Estimate ÂŁ8,000-12,000 $10,000-15,000 â&#x201A;Ź9,000-13,400 â&#x20AC;Ą plus Buyers Premium and VAT*

219. Jef Koons

b. 1955

GOAT: A Tribute to Muhammed Ali (Champ’s edition) book; with Radial Champs, 2004 The complete deluxe “Champ’s Edition” set, including Radial Champ comprised of a wooden stool, infatable dolphin and tyre foatie, air pump and lucite, accompanied by installation directions and original cardboard boxes, four gelatin silver prints signed in black felt-tip pen by Howard L. Bingham and Muhammad Ali, and large book of photographs and text. Signed by the artist and subject in black ink and stamp numbered ‘00201’ on the book’s title page, further numbered in black ink on the book’s seal from the edition of 10,000, published by Taschen, all contained in original boxes. all I. various sizes all S. 51.3 x 50.6 cm (20 1/4 x 19 7/8 in.) book 56 x 56 x 13.5 cm (22 x 22 x 5 3/8 in.) Radial Champs overall 175.3 x 170.2 cm. (69 x 67 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 plus Buyer’s Premium and VAT*

220. Helmut Newton

1920-2004

SUMO, 1999 Oversized book containing 400 duotone reproductions of photographs selected and edited by June Newton, with accompanying chrome stand designed by Philippe Starck, all contained in the original cardboard box. Signed in blue crayon and stamp-numbered ‘03725’ on the title page, the stand stamped ‘STARCK’ and ‘HELMUT NEWTON’, from the edition of 10,000, published by Taschen. book 71 x 52 x 8 cm (27 7/8 x 20 1/2 x 3 1/8 in.) stand 77.4 x 56 x 54.5 cm (30 1/2 x 22 x 21 1/2 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 plus Buyer’s Premium and VAT*

221. George Condo

b. 1957

Droopy Dog Abstraction, 2017 Screenprint in colours, on Coventry Rag paper, with full margins. Signed, dated and numbered ‘P.P. 3/15’ in pencil (a printer’s proof, the edition was 75), published by Art + Culture, Brooklyn, New York, framed. I. 38 x 35.4 cm (14 7/8 x 13 7/8 in.) S. 45.7 x 40.5 cm (17 7/8 x 15 7/8 in.) Estimate £6,000-8,000 $7,500-10,000 €6,700-9,000 ‡ plus Buyer’s Premium and VAT*

222. Kara Walker

b. 1969

Pocketwatch, scene No. 5, from The Emancipation Approximation, 1999-2000 Screenprint in black, on Somerset paper, with full margins. Signed, dated ‘2000’ and numbered ‘P.P. 1’ in pencil on the reverse (a printer’s proof, the edition was 25), published by Sikkema Jenkins Editions, New York, framed. I. 94 x 57 cm (37 x 22 1/2 in.) S. 111.7 x 86 cm (43 7/8 x 33 7/8 in.) Estimate £5,000-7,000 $6,200-8,700 €5,600-7,800 plus Buyer’s Premium and VAT*

Provenance Galerie Lelong, Paris Acquired directly from the above by the present owner

223. Jenny Holzer

b. 1950

AKA, 2006 The complete set of fve etchings, on Magnani Pescia paper, with full margins, with title page, the sheets loose (as issued) contained in the original black silk-covered portfolio. Signed and numbered 7/40 in pencil on one print, published by Brand X Projects, New York (with their blindstamp). all I. 48.7 x 37.4 cm (19 1/8 x 14 3/4 in.) all S. 75.6 x 56.3 cm (29 3/4 x 22 1/8 in.) portfolio 77.5 x 58 x 1.5 cm (30 1/2 x 22 7/8 x 0 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 ‡ plus Buyer’s Premium and VAT*

224. Peter Fischli and David Weiss b. 1952 and 1946-2012 How to Work Better, 1991 Screenprint in green, on wove paper, with full margins. Signed by both artists in pencil, an unnumbered impression (the edition was 36, there were also editions in other colours), published by the artists, framed. I. 45 x 21 cm (17 3/4 x 8 1/4 in.) S. 61.2 x 42 cm (24 1/8 x 16 1/2 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 † plus Buyer’s Premium and VAT*

225. Mel Bochner

b. 1940

Kick Against The Pricks, 2018 Screenprint in two colours, on Boutique Silk Fair Blue paper, the full sheet. Signed, dated and numbered 20/30 in pencil (there were also 5 artist’s proofs), published by Two Palms Press, Inc., New York, to beneft Downtown For Democracy, framed. S. 26.6 x 71.3 cm (10 1/2 x 28 1/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 plus Buyer’s Premium and VAT*

Literature Barbara Krakow Gallery 2018.01 Jordan D. Schnitzer Family Foundation and Philbrook Museum of Art, Tulsa, Amazing! Mel Bochner Prints, p. 258

226. Various Artists NATI - New Archive of Limited Edition Art No. 1, 2018 The complete set of 22 prints in various media and on various supports, the full sheets or with margins, with colophon and accompanying catalogue, the sheets loose (as issued) contained in six protective plastic envelopes within the original black portfolio box. Twenty prints signed and numbered 11/30, some titled and dated, in pencil or black ink on the front or reverse, further numbered 11/30 in black felt-tip pen on each envelope, published by Shaltai Editions, Moscow (most with their inkstamp on the reverse). all S. various sizes portfolio 73 x 53 x 10 cm (28 3/4 x 20 7/8 x 3 7/8 in.)

Estimate £5,000-8,000 $6,200-10,000 €5,600-9,000 plus Buyer’s Premium and VAT*

Including: Andrei Monastyrsky, Elena Elagina, Igor Makarevich, Victor Alimpiev, Irina Korina, Ivan Gorshkov

227. Vassilakis Takis

b. 1925

Signal No. 20 - Série 1, 1974 Floor-standing electric multiple comprised of metal casing with textured black fnish, blue Plexiglas light flter, metal rod support and beige painted metal base. Titled and dated on a label afxed to the underside, from the edition of unknown size, manufactured by Société Branger Lajoix, Peyrat-la-Nonière, France. 201 x 21 x 24.2 cm (79 1/8 x 8 1/4 x 9 1/2 in.) Estimate £2,500-3,500 $3,100-4,300 €2,800-3,900 ♠ plus Buyers Premium and VAT, ARR applies*

Provenance Arte Contacto, Caracas Acquired from the above by the present owner

228. RIMOWA x Daniel Arsham

b. 1980

229. Maurizio Cattelan

b. 1960

Eroded Attaché, 2019 Cast multiple, contained in a black satin lined aluminium RIMOWA briefcase, with accompanying Owner’s Manual and 5-year Rimowa Gurantee Certifcate. With printed signature and numbered 115/500 (printed) in the accompanying Owner’s Manual, co-published by Daniel Arsham Studio, New York, and Rimowa, Cologne. multiple 21.5 x 30 x 7.5 cm (8 1/2 x 11 3/4 x 2 7/8 in.) briefcase 13.5 x 45.5 x 37.5 cm (5 3/8 x 17 7/8 x 14 3/4 in.)

The 1:6 Scale Wrong Gallery, 2006 Multiple comprising wood, brass, steel, aluminum, resin, plastic, glass and electric lighting, with accompanying copy of the Wrong Gallery Times, all contained in the original cardboard box. Numbered 246/2500 in black ink on the base, with the printed Cattelan copyright, published by Cerealart Multiples, Philadelphia. 46.7 x 29.2 x 17.1 cm (18 3/8 x 11 1/2 x 6 3/4 in.)

Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400

plus Buyers Premium and VAT, ARR applies*

plus Buyer’s Premium and VAT*

Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 ♠

230. Invader

b. 1969

Sunset (Gold and Blue), 2018 Screenprint in colours with embossing, on wove paper, with full margins. Signed, dated and numbered 48/100 in pencil, with the artist’s blindstamp (there were also 8 artist’s proofs), published by Over The Infuence, Los Angeles, unframed. I. 32.8 x 33 cm (12 7/8 x 12 7/8 in.) S. 41.5 x 41.6 cm (16 3/8 x 16 3/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,300 ♠ plus Buyers Premium and VAT, ARR applies*

231. Stik

b. 1979

Lovers, 2011 Screenprint in colours, on Somerset Newsprint wove paper, with full margins. Inscribed with the artist’s emblem and numbered 20/50 in pencil (there were also 4 artist’s proofs), published by Squarity, London (with their and the artist’s blindstamps), with the accompanying Certifcate of Authenticity issued by Squarity, framed. I. 106.2 x 51 cm (41 3/4 x 20 1/8 in.) S. 112.2 x 55.9 cm (44 1/8 x 22 in.) Estimate £6,000-8,000 $7,400-9,900 €6,700-8,900 ♠ plus Buyers Premium and VAT, ARR applies*

232. Hiroshi Sugito and Yoshitomo Nara b. 1970 and b. 1959 Untitled, 2005 Lithograph in colours, on wove paper, with full margins. Signed by both artists, dated and numbered 46/100 in pencil, published by the artists, framed. I. 30 x 23 cm (11 3/4 x 9 in.) S. 42.5 x 33 cm (16 3/4 x 12 7/8 in.) Estimate £4,000-5,000 $5,000-6,200 €4,500-5,600 plus Buyer’s Premium and VAT*

233. KAWS

b. 1974

Small Lie (Brown); Small Lie (Black); and Small Lie (Grey), 2017 Three painted vinyl multiples, all contained in the original Medicom packaging. All with artist’s name, title, date and fabricator printed on the underside, from the limited edition, fabricated by Medicom Toy, Japan. all 27.5 x 12.9 x 12.2 cm (10 7/8 x 5 1/8 x 4 3/4 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 plus Buyer’s Premium and VAT*

This lot is sold with no reserve

234. Takashi Murakami

b. 1962

Signal; Skulls & Flowers Red; and This Merciless World, 2013-2015 Three ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 48/300, 49/300 and 49/300 respectively in silver and black ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 68.6 x 53 cm (27 x 20 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

235. Takashi Murakami

b. 1962

Cosmic Power; Flowerball: Koi/Red crowned Crane Vermilion; Flowerball: Bright Red; Space Show; Thinking Matter (Red); and Hold Me Tight, 2016-2017 Six ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 71 cm (27 7/8 in.) diameter Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

236. Takashi Murakami

b. 1962

We Are the Jocular Clan: 10 plates, 2018 Ten ofset lithographs in colours, on smooth wove paper, the full sheets. All signed and numbered variously from the edition of 300 in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 50 cm (19 5/8 in.) diameter Estimate £3,000-5,000 $3,700-6,200 €3,400-5,600 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

237. Virgil Abloh and Takashi Murakami b. 1980 and b. 1962 Kyoto Enso; and Hollow Man, 2018 Two screenprints in colours, on smooth wove paper, with full margins. Each signed by both artist’s, dated and numbered 139/300 and 239/300 respectively in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both I. 37.3 x 31.8 cm (14 5/8 x 12 1/2 in.) both S. 46.8 x 39.8 cm (18 3/8 x 15 5/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

238. Takashi Murakami

b. 1962

Blue Velvet; and Rose Velvet, 2016 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 65/300 and 69/300 respectively in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both S. 60 x 60 cm (23 5/8 x 23 5/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

239. Takashi Murakami

b. 1962

Anywhere Door (Dokodemo Door) in the Field of Flowers, 2019 Screenprint in colours with cold stamped gold and silver foil, on smooth wove paper, with full margins. Signed, dated and numbered 39/300 in pencil, further annotated ‘Fujiko F Fujio’ in Japanese in pencil, the inventor of Doraemon, published by Kaikai Kiki Co., Ltd., Tokyo, framed. I. 39.9 x 40 cm (15 3/4 x 15 3/4 in.) S. 50 x 50 cm (19 5/8 x 19 5/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

240. Takashi Murakami

b. 1962

An homage to Monopink 1960 A; An Homage to Yves Klein Multicolor C; and An homage to Monogold 1960 A, 2012 Three ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 134/300, 231/300 and 213/300 respectively in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 73.8 x 53 cm (29 x 20 7/8 in.) Estimate £1,500-2,000 $1,900-2,500 €1,700-2,200 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

241. Takashi Murakami

b. 1962

The Artist’s Agony and Ecstasy; and Self-Portrait of the Manifold Worries of a Manifoldly Distressed Artist, 2012 Two ofset lithographs in colours with sticker additions, on smooth wove paper, the full sheets. Each signed and numbered 104/300 and 83/300 respectively in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both S. 72 x 72 cm (28 3/8 x 28 3/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Lot 241

This lot is sold with no reserve

242. Takashi Murakami

This lot is sold with no reserve b. 1962

243. Takashi Murakami

2 Arhats Meditating Amid the Hellfre of the Mound of the Dead, 2013 Ofset lithograph in colours, on smooth wove paper, the full sheet. Signed and numbered 88/300 in silver ink, published by Kaikai Kiki, Co., Ltd., Tokyo, framed. S. 68 x 68 cm (26 3/4 x 26 3/4 in.)

b. 1962

Panda Family; and Panda Family Happiness, 2014; and 2016 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 168/300 and 99/300 respectively in silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, both framed. both S. 50 x 50 cm (19 5/8 x 19 5/8 in.)

Estimate £800-1,200 $1,000-1,500 €900-1,300 • plus Buyer’s Premium and VAT*

Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡

plus Buyer’s Premium and VAT*

Lot 242

Lot 243

This lot is sold with no reserve

244. Takashi Murakami

b. 1962

Hands Clasped, 2015 Ofset lithograph in colours, on smooth wove paper, the full sheet. Signed and numbered 73/300 in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, framed. S. 65.8 x 87.6 cm (25 7/8 x 34 1/2 in.) Estimate £500-700 $620-870 €560-780 • ‡ plus Buyer’s Premium and VAT*

Lot 244

This lot is sold with no reserve

245. Takashi Murakami

b. 1962

Homage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer); Homage to Francis Bacon (Study for Head of Isabel Rawsthorne and George Dyer); Homage to Francis Bacon (Study of Isabel Rawsthorne); and Homage to Francis Bacon (Study of George Dyer), 2016-2017 Four ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 34/300, 34/300, 91/300 and 96/300 respectively in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. two S. 50 x 50 cm (19 5/8 x 19 5/8 in.) two S. 68 x 68 cm (26 3/4 x 26 3/4 in.)

Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 • ‡ plus Buyer’s Premium and VAT*

Lot 245

This lot is sold with no reserve

246. Takashi Murakami

b. 1962

Doraemon in the Field of Flowers, 2019 Screenprint in colours, on smooth wove paper, with full margins. Signed, dated and numbered 172/300 in pencil, further annotated ‘Fujiko F Fujio’ in Japanese in pencil, the inventor of Doraemon, published by Kaikai Kiki Co., Ltd., Tokyo, framed. I. 47.8 x 37.3 cm (18 7/8 x 14 5/8 in.) S. 58.1 x 51 cm (22 7/8 x 20 1/8 in.) Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

247. Takashi Murakami

This lot is sold with no reserve

248. Takashi Murakami

b. 1962

Kaikai-chan; and Kiki-chan, from Kaikai & Kiki, 2018 Two sof vinyl multiples with hand-printing in colours, each contained in the original printed cardboard boxes. Both from the unnumbered edition of 100, published by Kaikai Kiki Co., Ltd., Tokyo (incised with the artist’s and publisher’s copyright stamp on the underside), for ComplexCon 2018 (with their inkstamp on the underside). Kaikai 23.9 cm (9 3/8 in.) height Kiki 20 cm (7 7/8 in.) height boxes 28 x 18.5 x 12.5 cm (11 x 7 1/4 x 4 7/8 in.)

ComplexCon: Mr. Dob (Red/Blue); and ComplexCon: Mr. Dob (Gold), 2016-17 Two vinyl multiples with handprinting in colours, each contained in the original silk-lined, printed cardboard boxes. Both signed and dated in black felt-tip pen on the reverse, Mr. Dob (Red/Blue) from the unnumbered edition of 750 and Mr. Dob (Gold) from the unnumbered edition of 250, manufactured by Bait x Switch Collectables, Diamond Bar, California. both 24 x 26 x 18 cm (91/2 x 101/4 x 71/8 in.)

Estimate £2,000-3,000 $2,500-3,700 €2,200-3,400 • ‡

Lot 247

Estimate £2,500-3,500 $3,100-4,400 €2,800-3,900 • ‡ plus Buyer’s Premium and VAT*

plus Buyer’s Premium and VAT*

This lot is sold with no reserve

249. Takashi Murakami

b. 1962

And Then x 6 (Blue: The Polke Method); And Then x 6 (Red Dots: The Superfat Method); and And then, and then and then and then and then / Yellow Jelly, 2006; 2012; and 2013 Three ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed and numbered 96/300, 125/300, and 130/300 respectively in black and silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed. all S. 50 x 50 cm (19 5/8 x 19 5/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

This lot is sold with no reserve

250. Mark Grotjahn and Takashi Murakami b. 1968 and b. 1962 Untitled (Scarlet Lake and Indigo Blue Butterfy 826); and Untitled (Canary Yellow and Black Butterfy 830), 2008-2010 Two ofset lithographs in colours, on smooth wove paper, the full sheets. Each signed by both artists (Mark Grotjahn in black ink and Takashi Murakami in silver ink) and numbered 114/300 and 123/300 respectively in silver ink, published by Kaikai Kiki, Co., Ltd., Tokyo, both framed. both S. 70 x 55.6 cm (27 1/2 x 21 7/8 in.) Estimate £1,000-1,500 $1,200-1,900 €1,100-1,700 • ‡ plus Buyer’s Premium and VAT*

Sale Information Evening & Day Editions

Sale Department

Auction and Viewing Location 30 Berkeley Square, London W1J 6EX

Head of Editions, Europe Robert Kennan +44 20 7318 4075 rkennan@phillips.com

Auctions 12 September 2019 Evening Auction Lots 1 – 59, 6.30pm Day Auction Lots 60 – 250, 2pm Viewing 5 – 12 September 2019 Monday – Saturday 10am – 6pm Sunday 12pm – 6pm Sale Designation In sending in written bids or making enquiries please refer to this sale as UK030219 or Editions. Absentee and Telephone Bids tel +44 20 7318 4045 fax +44 20 7318 4035 bidslondon@phillips.com

Head of Sale, Specialist Rebecca Tooby-Desmond +44 20 7318 4079 rtooby-desmond@phillips.com Senior Specialist Anne Schneider-Wilson +44 20 7318 4042 aschneider-wilson@phillips.com Cataloguer Louisa Earl +44 20 7318 4069 learl@phillips.com Administrator Amelia Wooding +44 20 7318 4077 awooding@phillips.com Property Manager Surya Buck +447867 430097 sbuck@phillips.com Photographers Jean Bourbon Matt Kroenig Kent Pell Charlie Sheldon Marta Zagozdzon Alex Braun

Front cover Lot 6, Pablo Picasso Grand tête (Portrait de Jacqueline au cheveux lisses), 1962 (detail) Linocut on paper 75.2 x 62 cm © Succession Picasso/DACS, London 2019.

Back cover Lot 33, Louise Bourgeois Sainte Sébastienne, 1992 (detail) Drypoint on paper 120 x 94.1 cm © The Easton Foundation/VAGA at ARS, NY and DACS, London 2019.

Auctioneers Henry Highley, Principal Auctioneer Susanna Brockman Adam Clay Hugues Joffre Rebecca Tooby-Desmond Catalogues London +44 20 7901 7927 New York +1 212 940 1240 catalogues@phillips.com £22/€25/$35 at the gallery Client Accounting Richard Addington, Head of Client Accounting +44 20 7901 7914 Jason King, Client Accounting, Director +44 20 7318 4086 Buyer Accounts Carolyn Whitehead +44 20 7318 4020 Seller Accounts Surbjit Kaur +44 20 7318 4072 Client Services 30 Berkeley Square, London W1J 6EX +44 20 7318 4010 Shipping Andrew Kitt +44 20 7318 4047 Kyle Buchanan +44 20 7318 4081 Rita Matos +44 20 7901 7906 Lucia Nuñez +44 20 7901 7920 Creative Services Ben Marcus, Creative Services Manager Moira Gil, Senior Graphic Designer Grace Neighbour, Graphic Designer

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UK Auction Buyer’s Guide The following pages are designed to offer you information on how to buy at auction at Phillips. Our staff will be happy to assist you. The Conditions of Sale and Authorship Warranty published on our website at https://phillips.com also govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship between Phillips, the seller and the buyer and describe the terms upon which items are bought at auction. A) Before The Auction

specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff are not professional restorers or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in the case of any lot of significant value, that you retain your own restorer or professional advisor to report to you on the property’s condition prior to bidding.

Catalogues & Catalogue Entries Our catalogues provide information on the lots for sale at the auction and are available on our website at www.phillips. com and in hard copy. Lot details can also be viewed on the Phillips App. If you would like to purchase a hard copy catalogue for a Phillips auction, please visit our website or contact us at catalogues@phillips.com.

Any prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips accepts no liability for the condition of the frame. If we sell any lot unframed, we will be pleased to refer the purchaser to a professional framer.

Catalogue entries may include the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive. In some cases we may not disclose the identity of previous owners where we are not authorised to do so. Please note that all dimensions of the property set out in the catalogue entry are approximate.

Symbols Used In The Catalogue You may see the following symbols referenced in the catalogue.

Pre-auction viewings are open to the public and free of charge. The dates and times are published on our website at https://phillips.com. Our specialists are available to give advice and condition reports at viewings or by appointment. Estimates Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success. However, many lots achieve prices below or above the pre-sale estimates. Pre-sale estimates do not include the buyer’s premium or VAT. Where ‘Estimate on Request’ appears, please contact the specialist department for further information. As estimates can be subject to revision we suggest contacting us closer to the time of the auction. Estimates in non-local currencies Although the sale is conducted in pounds sterling, the pre-sale estimates in the auction catalogues may also be printed in other currencies. These estimates are approximate and provided as a courtesy to our clients. The exchange rates used are those applying on the last practical date before printing the catalogue. The rates may have changed between the time of printing the catalogue and the auction. Condition Our catalogues include references to condition only in the descriptions of multiple works (e.g., prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips may provide condition reports. In preparing such reports, our

O Guaranteed Property Lots designated with the symbol O are the subject of a minimum price guarantee. In such cases Phillips has guaranteed to the seller of the lot that regardless of the outcome of the sale the seller shall receive no less than a minimum sum. This guarantee may be provided solely by Phillips or jointly with a third party. ♦ Third Party Guarantee Where Phillips has agreed to a minimum price guarantee it assumes the financial risk of a lot failing to sell or selling for less than the minimum price guarantee. Because the sums involved can be significant Phillips may choose to share the burden of that financial risk with a third party. The third party shares the risk by committing in advance of the sale, usually by way of a written bid, to buy the lot for an agreed amount whether or not there are competing bidders for the lot. If there are competing bidders third party guarantors may also bid above any written bid. In this way the thirdparty guarantor assumes the risk of the bidding not reaching the amount of the minimum price guarantee. In return for underwriting or sharing this risk Phillips will usually compensate the third party. The compensation may be in the form of a fixed fee or an amount calculated by reference to the hammer price of the lot. If the thirdparty guarantor is the successful bidder Phillips will report the purchase price net of any fees paid to the third-party guarantor. ∆ Property in which Phillips has an Ownership Interest Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest. No Reserve •Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate.

∑ Endangered Species Lots with this symbol have been identified at the time of cataloguing as containing endangered or other protected species of wildlife which may be subject to restrictions regarding export or import and which may require permits for export as well as import.

Calculating the Total Purchase Price If you are the successful bidder on a Lot, the total purchase price you pay is made up of the following elements:

Hammer Price

Buyer’s Premium

VAT on Buyer’s Premium and/or Hammer Price (If applicable)

Artist’s Resale Royalty (ARR) (If applicable)

The Hammer Price: This is the final, highest bid which the auctioneer accepts by bringing down the auctioneer’s hammer. Buyer’s Premium: This is the commission Phillips charges the successful highest bidder and buyer of the lot. The Buyer’s premium is calculated on the hammer price of the lot at the following rates on a cumulative basis: • 25% on the portion of the hammer price up to and including £300,000; and • 20% on the portion of the hammer price above £300,000 up to and including £3,000,000 and • 13.5% on the portion of the hammer price above £3,000,000. Where VAT is payable on the Buyer’s premium the VAT inclusive Buyer’s Premium rates are 30%, 24% and 16.2% respectively. VAT Most items we sell are sold under UK Auctioneer’s Margin Scheme rules. This means that VAT is charged at 20% on the buyer’s premium and will not be shown separately on the invoice. UK Auctioneer’s Margin Scheme lots have no VAT symbol. Where the lot has a †, ‡ or Ω symbol against it, VAT may be charged on a different basis. For full details, including how to claim VAT refunds, please see the VAT & Tax Guide in this Auction Buyer’s Guide and on our website ♠ Artist’s Resale Royalty (ARR) The laws in certain countries entitle qualifying artists or their estates to a royalty when the artist’s works are resold for a hammer price of EUR 1,000 or more. Lots subject to ARR are marked with the symbol ♠. The ARR is calculated as a percentage of the hammer price on a cumulative basis as follows and is payable as part of the purchase price: Portion of the Hammer Price (in EUROS) From 0 to 50,000 From 50,000.01 to 200,000 From 200,000.01 to 350,000 From 350,000.01 to 500,000 Exceeding 500,000

Royalty Rate 4% 3% 1% 0.5% 0.25%

The total charge for ARR on any single lot cannot exceed Euros 12,500. To calculate the ARR, we use the pounds

sterling/euro reference exchange rate quoted on the date of the auction by the European Central Bank. Example To illustrate how the purchase price is calculated, please see the below example: UK Auctioneer’s Margin Scheme lot Hammer Price: £350,000 Buyer’s Premium including VAT @20% £102,000: 25% of first £300,000 of the hammer price = £75,000 + 20% on the balance of £50,000 = £10,000 Total BP = £85,000 VAT @ 20% on the total BP of £85,000 = £17,000

Online Bidding If you cannot attend the auction in person, you may bid online on our online live bidding platform available on our website at https://phillips.com. The digital saleroom is optimized to run on Google Chrome, Firefox, Opera and Internet Explorer browsers. Clients who wish to run the platform on Safari will need to install Adobe FlashPlayer. Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking on ‘Register to Bid Live.’ The first time you register you will be required to create an account; thereafter you will only need to register for each sale. You must pre-register at least 24 hours before the start of the auction in order to be approved by our bid department. Please note that corporate firewalls may cause difficulties for online bidders.

B) At The Auction Bidding Bids may be executed during the auction in person, by paddle or by telephone or prior to the sale in writing by absentee bid. Proof of identity in the form of governmentissued identification will be required, as will an original signature and proof of address. We may also require that you furnish us with a bank reference. For individuals, acceptable forms of government issued photo identification include a passport or photo driving licence. For companies, acceptable forms of government issued identification include a certificate of incorporation or similar as well as proof of owners and directors. Undisclosed agreements between bidders to bid or abstain from bidding on lots are illegal. Please note that Phillips monitors its sales and bidding records to ensure that bidding is transparent and fair and will take appropriate action in the event of any suspected breach of this requirement. In Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips staff member immediately. At the end of the auction, please return your paddle to the registration desk. By Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multilingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least £500. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are unable to reach you by telephone.

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips will be happy to execute written bids on your behalf. A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment. UK£50 to UK£1,000 UK£1,000 to UK£2,000 UK£2,000 to UK£3,000 UK£3,000 to UK£5,000

by UK£50s by UK£100s by UK£200s by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800) UK£5,000 to UK£10,000 by UK£500s UK£10,000 to UK£20,000 by UK£1,000s UK£20,000 to UK£30,000 by UK£2,000s UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000 UK£50,000 to UK£100,000 by UK£5,000s UK£100,000 to UK£200,000 by UK£10,000s above UK£200,000 at the auctioneer’s discretion The auctioneer may vary the increments during the course of the auction at his or her own discretion. Conditions Of Sale The auction is governed by the Conditions of Sale and Authorship Warranty which are available on our website. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement. Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a

guarantee on the lot, Phillips will make an announcement in the saleroom that interested parties may bid on the lot. Consecutive And Responsive Bidding; The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders. No Reserve Lots If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. C) After The Auction Payment Payment is due immediately following the auction, unless other arrangements have been agreed with Phillips in writing in advance of the sale. Interest will be charged on late payment at the rate of 12% per annum. Payments must be made by the invoiced party in pounds sterling and may be sent by wire transfer directly to: Bank of Scotland, Gordon Street, Glasgow G1 3RS For the account of Phillips Auctioneers Ltd Account no. 00440780 Sort code: 80-54-01 SWIFT BIC: LOYDGB2LXXX IBAN: GB36BOFS 8054 0100 4407 80 Please reference the relevant invoice number. Alternatively, payment can be made: • For invoices of £30,000 or less by credit card. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). • It is our corporate policy not to make or accept single or multiple payments in cash in excess of £5,000 for all purchases in any calendar year. Title to each lot will not pass until the buyer has made full payment of the Purchase Price plus any applicable Artist Resale Royalty and all applicable taxes. Collection Once Phillips has received full and cleared payment of the total purchase price for the lot and any other amounts the buyer owes to Phillips, lots will be released for collection. To collect paid for lots buyers (or their authorised representatives) must provide proof of identity. Authorised Representatives should also bring a copy of a letter signed by the buyer authorising them to collect. Smaller items may be collected from our London gallery on the day of the auction. Please check with our staff when making payment.

Important Notices After the auction, lots will be transferred to offsite fine art storage facilities. The buyer information pack you will receive after the auction will confirm details of the storage facility where your lot is held for collection. Please contact us to make arrangements for collection. Storage Charges Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to you in the buyer information pack you will receive after the auction. Loss or Damage Buyers are reminded that Phillips accepts liability for loss or damage to lots for a maximum of seven (7) days following the auction. Transport and Shipping We will coordinate with shipping agents instructed by you in order to facilitate the packing, handling and shipping of property purchased at Phillips. Please refer to Paragraph 7 of the Conditions of Sale for more information. As a free service for buyers, Phillips will wrap purchased lots which are for hand carry only. We do not provide packing, handling or shipping services directly. Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent enquiries as to whether a licence is required to export the property from the United Kingdom or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licences or permits. The denial of any required licence or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a licence or certificate prior to exportation and additional licences or certificates upon importation to the US or to any country within or outside the European Union (EU). Please note that the ability to obtain an export licence or certificate does not ensure the ability to obtain an import licence or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licences or certificates as well as any other required documentation. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientific analysis regarding continent of origin and confirmation the object is more than 100 years old. We have not obtained a scientific analysis on any lot prior to sale and cannot indicate whether elephant ivory in a particular lot is African or Asian elephant. Buyers purchase

these lots at their own risk and will be responsible for the costs of obtaining any scientific analysis or other report required in connection with their proposed import of such property into the US. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identification and age of an object in order to demonstrate that the object qualifies as an antique. This will require the buyer to obtain an independent appraisal certifying the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualified independent appraiser prior to placing a bid on the lot. Please note that lots containing potentially regulated plant or animal material are marked as a convenience to our clients, but Phillips does not accept liability for errors or for failing to mark lots containing protected or regulated species. Privacy Our Privacy Policy is available at https://phillips.com or by emailing dataprotection@phillips.com and sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data; (iii) the lawful bases we rely on when processing your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. Phillips’ premises, sale, and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes. Phillips’ auctions will be filmed for simultaneous live broadcast on Phillips’ and third-party websites and applications.

Identification of Business or Trade Buyers As of January 2010, Her Majesty’s Revenue & Customs (“HMRC”) has made it an official requirement for auction houses to hold evidence of a buyer’s business status, due to the revised VAT rules regarding buyer’s premium for lots with symbols for businesses outside the UK. • Where the buyer is a non-EU business, Phillips requires evidence of the business status by means of the company identification, Certificate of Incorporation, Articles of Association or government-issued documents showing that the company exists. • Where the buyer is an EU VAT registered business, Phillips requires the business’s VAT registration number. These details can be scanned and emailed to us, or alternatively they can be faxed or mailed. If these requirements are not met, we will be unable to cancel/ refund any applicable VAT. Electrical and Mechanical Lots All lots with electrical and/or mechanical features are sold on the basis of their decorative value only and should not be assumed to be operative. It is essential that, prior to any intended use, the electrical system is verified and approved by a qualified electrician.

VAT & Tax Guide VAT Depending on the status of the lot, and your status as a buyer, VAT may be charged on the hammer price, the buyer’s premium or both. UK Auctioneer’s Margin Scheme Most items we sell are second-hand goods, so we sell them under UK Auctioneer’s Margin Scheme rules. Lots falling into this category have no VAT symbol and are treated as follows: No symbol

UK Auctioneer’s Margin Scheme sale

20% VAT charged on the buyer’s premium. (The invoiced buyer’s premium will include the VAT).

Special VAT Treatment If the Lot has one of the below symbols, the VAT treatment will be as follows: VAT Symbol

Basis

Treatment

Standard UK VAT rules

20% VAT charged on both the hammer price and buyer’s premium

Imported lot under Temporary Admission (Low rate)

5% import VAT on the hammer price and 20% VAT on the buyer’s premium

Imported lot under Temporary Admission (High rate)

20% import VAT on the hammer price and 20% VAT on the buyer’s premium

Lots sold outside the Auctioneer’s Margin Scheme If the buyer is a relevant business person in the EU (nonUK) or is a relevant business person in a non-EU country then no VAT will be charged on the buyer’s premium. This is subject to Phillips receiving evidence of the buyer’s VAT registration number in the relevant Member State (non-UK) or the buyer’s business status in a non-EU country such as the buyer’s Tax Registration Certificate. Should this evidence not be provided VAT will be charged on the buyer’s premium. Exports from the European Union The following types of VAT may be cancelled or refunded by Phillips on exports made within three months of the sale date if strict conditions are met: • The amount in lieu of VAT charged on the buyer’s premium for property sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol). • The VAT on the hammer price for property sold under normal VAT rules (i.e., with a † symbol). The following type of VAT may be cancelled or refunded by Phillips on exports made within 30 days of the payment date if strict conditions are met: • The import VAT charged on the hammer price and an amount in lieu of VAT on the buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a Ω symbol) under the Auctioneer’s Margin Scheme. In each of the above examples, where the appropriate conditions are satisfied, no VAT will be charged if, at or

before the time of invoicing, the buyer instructs Phillips to export the property from the EU. This will require acceptance of an export quotation provided by Phillips. If such instruction is received after payment, a refund of the VAT amount will be made. Where the buyer carries purchases from the EU personally or uses the services of a third party, Phillips will charge the VAT amount due as a deposit and refund it if the lot has been exported within the timelines specified below and either of the following conditions are met: • For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules, Phillips is provided with appropriate original documentary proof of export from the EU within three months of the date of sale. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department to facilitate this process. • For lots sold under temporary admission, Phillips is provided with the original correct paperwork duly completed and stamped by HMRC which shows the property has been exported from the EU via the UK within 30 days of the payment date. It is essential for shippers acting on behalf of buyers to collect copies of original import papers from our Shipping Department. HMRC insist that the correct customs procedures are followed and Phillips will not be able to issue any refunds where the export documents do not exactly comply with governmental regulations. Property subject to temporary admission must be transferred to another customs procedure immediately if any restoration or repair work is to be carried out. Buyers carrying their own property must obtain hand-carry papers from the Shipping Department, for which a charge of £20 (plus any applicable VAT) will be made. The VAT refund will be processed once the appropriate paperwork has been returned to Phillips. Phillips is not able to cancel or refund any VAT charged on sales made to UK or EU private residents unless the lot is subject to temporary admission and the property is exported from the EU within 30 days of the payment date. We can only process VAT refunds where the VAT to be refunded is £50 or more per shipment. There will be a processing fee of £20 (plus any applicable VAT). Buyers intending to export, repair, restore or alter lots under temporary admission should notify the Shipping Department before collection. Failure to do so may result in the import VAT becoming payable immediately and Phillips being unable to refund the VAT charged on deposit. VAT Refunds from HM Revenue & Customs Where VAT charged cannot be cancelled or refunded by Phillips, it may be possible to seek repayment from HMRC . Repayments in this manner are limited to businesses located outside the UK and may be considered for example for Import VAT charged on the hammer price for lots sold under temporary admission. If you are located in an EU member state other than the UK you will need to apply for a refund of UK VAT directly to your local tax authority. This is done via submission of an electronically based claim form which should be accessed through the website of your local tax authority. As a result,

your form may include VAT incurred in a number of member states. Time limits for claiming VAT refunds • If you are located in an EU member state other than the UK: Any claim must be made on a calendar year basis and submitted no later than 30 September in the following calendar year (e.g., for VAT incurred in the year 1 January to 31 December 2019 you should make a claim to your local tax authority no later than 30 September 2020). Once you have submitted the electronic form to your local tax authority it is their responsibility to ensure that payment is obtained from the relevant member states. This should be completed within four months. If this time limit is not adhered to you may receive interest on the unpaid amounts. • If you are located outside the EU you should apply for a refund of UK VAT directly to HMRC. Claim forms are available from the HMRC website. https://www.gov.uk. You should submit claims for VAT to HMRC no later than six months from the end of the 12-month period ending 30 June (e.g., claims for the period 1 July 2019 to 30 June 2020 should be made no later than 31 December 2020). Please note that refunds of VAT will only be made where VAT has been incurred for a business purpose. Any VAT incurred on articles bought for personal use will not be refunded. Sales and Use Taxes Buyers from outside the UK should note that local sales taxes or use taxes may become payable upon import of lots following purchase. Buyers should consult their own tax advisors.

Conditions of Sale The Conditions of Sale and Authorship Warranty set out below govern the relationship between bidders and buyers, on the one hand, and Phillips and sellers, on the other hand. All prospective buyers should read these Conditions of Sale, the UK Auction Buyer’s Guide, the Important Notices, VAT & Tax Guide and the Authorship Warranty carefully before bidding. 1 Introduction Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers and (c) supplements to this catalogue or other written material posted by Phillips in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction. By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty. These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips and the seller contract with the buyer. 2 Phillips as Agent Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips may own a lot directly, in which case we will act in a principal capacity as a consignor, or a company affiliated with Phillips may own a lot, in which case we will act as agent for that company, or Phillips or an affiliated company may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise. 3 Catalogue Descriptions and Condition of Property Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips in relation to each lot is partially dependent on information provided to us by the seller and Phillips is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller; (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips is available for inspection by prospective buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to

bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots. (d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips at our absolute discretion. Neither Phillips nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale. 4 Bidding at Auction (a) Phillips has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips. Proof of identity in the form of government issued identification will be required, as will an original signature and proof of address. We may also require that you furnish us with a bank reference. For individuals, acceptable forms of government issued photo identification include a passport or photo driving licence. For companies, acceptable forms of government issued identification include a certificate of incorporation as well as proof of owners and directors.

(b) As a convenience to bidders who cannot attend the auction in person, Phillips may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the Absentee Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and value added tax (VAT). The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence.

(c) Telephone bidders are required to submit bids on the Telephone Bid Form, a copy of which is printed in this catalogue or otherwise available from Phillips. Telephone bidding is available for lots whose low pre-sale estimate is at least £500. Phillips reserves the right to require written confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation.

(d) Bidders may participate in an auction by bidding online through Phillips’s online live bidding platform available on our website at www.phillips.com. To bid online, bidders must register online at least 24 hours before the start of the auction. Online bidding is subject to approval by Phillips’s bid department in our sole discretion. As noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to the auction any lot(s) on which they may bid, and condition reports are available upon request. Bidding in a live auction can progress quickly. To ensure that online bidders are not placed at a disadvantage when bidding against bidders in the room or on the telephone, the procedure for placing bids through Phillips’s online bidding platform is a one-step process. By clicking the bid button on the computer screen, a bidder submits a bid. Online bidders acknowledge and agree that bids so submitted are final and may not under any circumstances be amended or retracted. During a live auction, when bids other than online bids are placed, they will be displayed on the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or ‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s discretion. The next bidding increment is shown for the convenience of online bidders in the bid button. The bidding increment available to online bidders may vary from the next bid actually taken by the auctioneer, as the auctioneer may deviate from Phillips’s standard increments at any time at his or her discretion, but an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding increments are published in the Guide for Prospective Buyers. (e) When making a bid, whether in person, by absentee bid, on the telephone or online, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing with Phillips before the commencement of the auction that the bidder is acting as agent on behalf of an identified third party acceptable to Phillips and that we will only look to the principal for such payment. (f) By participating in the auction, whether in person, by absentee bid, on the telephone or online, each prospective buyer represents and warrants that any bids placed by such person, or on such person’s behalf, are not the product of any collusive or other anti-competitive agreement and are otherwise consistent with federal and state antitrust law. (g) Arranging absentee, telephone and online bids is a free service provided by Phillips to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to

execute such bids except where such failure is caused by our willful misconduct. 5 Conduct of the Auction (a) Unless otherwise indicated by the symbol •, each lot is offered subject to a reserve, which is the confidential minimum selling price agreed by Phillips with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. Phillips shall have no liability whatsoever for any such action taken by the auctioneer. If any dispute arises after the sale, our sale record is conclusive. The auctioneer may accept bids made by a company affiliated with Phillips provided that the bidder does not know the reserve placed on the lot. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. If a lot is offered without reserve, unless there are already competing absentee bids, the auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that level, the auctioneer will proceed backwards at his or her discretion until a bid is recognized and will then advance the bidding from that amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the auctioneer may deem such lot unsold. (d) The sale will be conducted in pounds sterling and payment is due in pounds sterling. For the benefit of international clients, pre-sale estimates in the auction catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate exchange rates. Accordingly, estimates in US dollars or euros should be treated only as a guide. If a currency converter is operated during the sale, it is done so as a courtesy to bidders, but Phillips accepts no responsibility for any errors in currency conversion calculation. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. (f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’, ‘returned to owner’ or ‘bought-in’. (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction.

6 Purchase Price and Payment (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium, plus any applicable value added tax (VAT) and any applicable resale royalty (the ‘Purchase Price’). The buyer’s premium is 25% of the hammer price up to and including £300,000, 20% of the portion of the hammer price above £300,000 up to and including £3,000,000 and 13.5% of the portion of the hammer price above £3,000,000. Phillips reserves the right to pay from our compensation an introductory commission to one or more third parties for assisting in the sale of property offered and sold at auction. (b) VAT is payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of VAT. (c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to pay to us an amount equal to the resale royalty provided for in those regulations and we undertake to the buyer to pay such amount to the artist’s collection agent. In circumstances where (i) we are on notice that the resale royalty is payable or (ii) we have not been able to ascertain the nationality of the artist, we will identify the lot with the symbol ♠ next to the lot number and will invoice the resale royalty to the buyer. If we subsequently determine that the nationality of the artist does not entitle him/her to the resale royalty on the lot, we will arrange a refund to the buyer of the amount of the royalty paid to us. If, after a sale in which we did not collect the resale royalty on a particular lot, we become aware that information provided to us prior to the auction concerning an artist’s nationality was incorrect and the artist is entitled to the resale royalty on the lot, the buyer shall pay the resale royalty to us upon receipt of an invoice. (d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in pounds sterling as follows: (i) Payments may be made by wire transfer to: Bank of Scotland, Gordon Street, Glasgow G1 3RS For the account of Phillips Auctioneers Ltd Account no. 00440780 Sort code: 80-54-01 SWIFT BIC: LOYDGB2LXXX IBAN: GB36BOFS 8054 0100 4407 80 Please reference the relevant invoice number. Alternatively, payment can be made: • For invoices of £30,000 or less by credit card. We accept American Express, Visa, MasterCard and UnionPay (UnionPay for in person transactions only). • It is our corporate policy not to make or accept single or multiple payments in cash in excess of £5,000 for all purchases in any calendar year. (e) Title in a purchased lot will not pass until Phillips has received the Purchase Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price.

7 Collection of Property (a) Phillips will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as we in our sole discretion shall require, including completing any antimoney laundering or anti-terrorism financing checks. As soon as a buyer has satisfied all of the foregoing conditions, he or she should contact us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased property. (b) The buyer must arrange for collection of a purchased lot within seven days of the date of the auction. After the auction, we will transfer all lots to our offsite fine art storage facilities. Details will be included in the buyer information packs sent to buyers after the auction. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from (i) the date of collection or (ii) seven days after the auction, whichever is the earlier. Until risk passes, Phillips will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property.

(c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or shipping services. We will coordinate with shipping agents instructed by the buyer, whether or not recommended by Phillips, in order to facilitate the packing, handling, insurance and shipping of property bought at Phillips. Any such instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. (d) Phillips will require presentation of government-issued identification prior to release of a lot to the buyer or the buyer’s authorized representative. 8 Failure to Collect Purchases (a) Lots will be held for collection from our offsite storage facilities for thirty (30) days after the auction free of charge. Storage charges and property release fees will apply after this 30-day period for any lots which have not been collected. Details of the applicable storage charges will be confirmed to buyers in the buyer information pack they will receive after the auction. Purchased lots will not be released to the buyer until the Purchase Price and all charges have been paid in full. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips or our affiliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction. 9 Remedies for Non-Payment (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment

of the Purchase Price for a lot in cleared funds within seven days of the auction, Phillips may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips‘s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips and instruct our affiliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice arrange the sale of such property and apply the proceeds to the amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips’s reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; (viii) set off the outstanding amount remaining unpaid by the buyer against any amounts which we or any of our affiliated companies may owe the buyer in any other transactions; (ix) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs; or (x) take such other action as we deem necessary or appropriate. (b) The buyer irrevocably authorizes Phillips to exercise a lien over the buyer’s property which is in our possession upon notification by any of our affiliated companies that the buyer is in default of payment. Phillips will notify the buyer of any such lien. The buyer also irrevocably authorizes Phillips, upon notification by any of our affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in our possession by actual or constructive delivery to our affiliated company as security for the payment of any outstanding amount due. Phillips will notify the buyer if the buyer’s property has been delivered to an affiliated company by way of pledge.

(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips to instruct any of our affiliated companies in possession of the buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third party instructed by Phillips to hold the property on our behalf as security for the payment of the Purchase Price and any other amount due and, no earlier than 30 days from the date of written notice to the buyer, to sell the property in such manner and for such consideration as can reasonably be obtained on a forced sale basis and to apply the proceeds to any amount owed to Phillips or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all salerelated expenses and any applicable taxes thereon.

10 Rescission by Phillips Phillips shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party. Upon notice of Phillips election to rescind the sale, the buyer will promptly return the lot to Phillips, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips and the seller with respect to such rescinded sale. 11 Export, Import and Endangered Species Licences and Permits Before bidding for any property, prospective buyers are advised to make their own enquiries as to whether a licence is required to export a lot from the United Kingdom or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. Please note that the US prohibits the importation of any item containing African elephant ivory. Asian elephant ivory may be imported in to the US only if accompanied by independent scientifc analysis of continent of origin and confrmation the object is more than 100 years old. With regard to any item containing endangered species other than elephant ivory, an importer into the US must provide documented evidence of the species identifcation and age of an object in order to demonstrate that the item qualifes as an antique. This will require the buyer to obtain an independent appraisal certify the species of endangered material on the object and certifying that the object is not less than 100 years of age. A prospective buyer planning to import an object containing endangered species into the US may not rely on Phillips cataloguing to establish the species of endangered material on the object or to establish the age of the object and must consult with a qualifed independent appraiser prior to placing a bid on the lot. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licences or permits. Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Phillips has marked in the catalogue lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to mark lots containing protected or regulated species. 12 Privacy (a) You acknowledge and understand that we may process your personal data (including potentially special category data) in accordance with our privacy policy from time to time as published at www.phillips.com or available by emailing dataprotection@phillips.com.

(b) Our privacy policy sets out: (i) the types of personal data we will or may collect and process; (ii) the purposes for which we will or may process your personal data (including for example the provision of auction, private sale and related services; the performance and enforcement of these terms and conditions; the carrying out of identity and credit checks; keeping you informed about upcoming auctions, exhibitions and special events; and generally where reasonably necessary in the management and operation of our business); (iii) the lawful bases on which we rely in undertaking our processing of your personal data; (iv) your rights in respect of our processing of your personal data; and (v) various other information as required by applicable laws. (c) Phillips premises and sale and exhibition venues are subject to CCTV video surveillance and recording for security, client service and bid monitoring purposes and will be filmed during the auction for simultaneous live broadcast on our and third party websites and applications. By remaining in these areas, you acknowledge that you may be photographed, filmed and recorded and grant your permission for your likeness and voice to be included in such recordings. If you do not wish to be photographed or filmed or appear in such recordings, please speak to a member of Phillips staff. Your communications with Phillips, including by telephone and online (e.g. telephone and on-line bidding) may also be recorded for security, client service and bid monitoring purposes. Where we record such information we will process it in accordance with our Privacy Policy available at www.phillips.com. 13 Limitation of Liability (a) Subject to sub-paragraph (e) below, the total liability of Phillips, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot.

(b) Except as otherwise provided in this Paragraph 13, none of Phillips, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips or any of our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips, our affiliated companies and the seller to the fullest extent permitted by law. (d) Subject to sub-paragraph (e) below, none of Phillips, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in sub-paragraph (a) above, whether such loss or damage is characterised as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law.

Authorship Warranty (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips or any of our affiliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions. 14 Copyright The copyright in all images, illustrations and written materials produced by or for Phillips relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips and, subject to the provisions of the Copyright, Designs and Patents Act 1988, such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it. 15 General (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements.

(b) Notices to Phillips shall be in writing and addressed to the department in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing to Phillips. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyer’s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part. (e) No term of these Conditions of Sale shall be enforceable under the Contracts (Rights of Third Parties) Act 1999 by anyone other than the buyer. 16 Law and Jurisdiction (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with English law. (b) For the benefit of Phillips, all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. All parties agree that Phillips shall retain the right to bring proceedings in any court other than the Courts of England. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission,

personal service, delivery by mail or in any other manner permitted by English law, the law of the place of service or the law of the jurisdiction where proceedings are instituted at the last address of the bidder or seller known to Phillips.

Phillips warrants the authorship of property in this auction catalogue described in headings in BOLD or CAPITALIZED type for a period of five years from date of sale by Phillips, subject to the exclusions and limitations set forth below. (a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iii) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; (iv) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use or likely in our reasonable opinion to have caused damage or loss in value to the lot or (v) property where there has been no material loss in value from the value of the lot had it been as described in the heading of the catalogue entry. (b) In any claim for breach of the Authorship Warranty, Phillips reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved in advance by Phillips. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips to the saleroom in which it was purchased in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. Phillips has discretion to waive any of the foregoing requirements set forth in this subparagraph (c) or subparagraph (b) above. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law or equity. This means that none of Phillips, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

30 Berkeley Square, London, W1J 6EX phillips.com +44 20 7318 4010 bidslondon@phillips.com Please return this form by email to bidslondon@phillips.com at least 24 hours before the sale. Please read carefully the information in the right column and note that it is important that you indicate whether you are applying to bid as an individual or on behalf of a company. Please select the type of bid you wish to make with this form (please select one):

In-person Absentee Bidding Telephone Bidding

Paddle Number

As a private individual On behalf of a company

• If you cannot attend the sale, we can execute bids confdentially on your behalf.

Sale Title

Sale Number First Name

Sale Date

Surname Account Number

Company (if applicable)

• For absentee bids, indicate your maximum limit for each lot, excluding the buyer’s premium and any applicable VAT. Your bid will be executed at the lowest price taking into account the reserve and other bidders. On no reserve lots, in the absence of other bids, your bid will be executed at approximately 50% of the low pre-sale estimate or at the amount specifed, if less than 50% of the low estimate.

Address

City

State/Country

• Your bid must be submitted in the currency of the sale and will be rounded down to the nearest amount consistent with the auctioneer’s bidding increments.

Post Code Phone

Mobile

Fax

• If we receive identical bids, the frst bid received will take precedence.

• Arranging absentee and telephone bids is a free service provided by us to prospective buyers. While we will exercise reasonable care in undertaking such activity, we cannot accept liability for errors relating to execution of your bids except in cases of wilful misconduct. Agreement to bid by telephone must be confrmed by you promptly in writing or by fax. Telephone bid lines may be recorded.

Phone number to call at the time of sale (for Phone Bidding only) 2.

Please complete the following section for telephone and absentee bids only Lot number

Brief description

In Consecutive Order

• Phillips charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including £300,000, 20% of the portion of the hammer price above £300,000 up to and including £3,000,000 and 13.5% of the portion of the hammer price above £3,000,000. • “Buy” or unlimited bids will not be accepted. Alternative bids can be placed by using the word “OR” between lot numbers.

VAT number (if applicable)

• Company Purchases: We require a copy of government-issued identifcation (such as the certifcate of incorporation) as well as proof of owners and directors to verify the status of the company. This should be accompanied by an ofcial document confrming the company’s EU VAT registration number, if applicable, which we are now required by HMRC to hold. • Conditions of Sale: All bids are placed and executed, and all lots are sold and purchased, subject to the Conditions of Sale available online at phillips.com,. Please read them carefully before placing a bid. Your attention is drawn to Paragraph 4 of the Conditions of Sale.

Please indicate in what capacity you will be bidding (please select one):

Title

• Private Purchases: Proof of identity in the form of government-issued identification and proof of address will be required.

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Andy Warhol’s Lenin

This selling exhibition brings together original works on canvas, collages and works on paper from the Archives of Galerie Klüser. Highlights will be on display in our Berkeley Square galleries during the September Editions public viewing. Highlights 5 September - 12 September 2019 Exhibition 26 September – 4 October 2019 30 Berkeley Square, London, W1J 6EX Monday to Saturday 10am–6pm Sunday 12pm–6pm Enquiries exhibitionsales@phillips.com +44 207 318 4010 Andy Warhol, Lenin, 1986/7.

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40. Damien Hirst *The amount of Buyer’s Premium, VAT and, if applicable, Artist’s Resale Right payable is dependent on the sale outcome. For full details see Calculating the Purchase Price in the Buyer’s Guide online or in this catalogue. Buyer’s Premium is payable at a maximum of 25%. VAT, where applicable, is payable at 20% on the Buyer’s Premium.

Editions & Works on Paper New York, 25 October 2019 Public viewing 17-25 October at 450 Park Avenue or at phillips.com

Joan Mitchell Sunfowers II, diptych, 1992 Lithograph in colors Estimate $30,000-50,000 ÂŠ Estate of Joan Mitchell

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Enquiries editions@phillips.com +1 212 940 1220

Index Abloh, V. and Murakami, T. 237

Hamilton, R. 157, 158, 159, 160

Oldenburg, C. 113

Abney, N.C. 59

Haring, K. 47, 48

Opie, J. 49, 50, 175, 176

Albers, A. 117

Hirst, D. 36, 37, 38, 39, 40, 177,

Albers, J. 118, 119, 120

178, 179, 180, 181, 182, 183

Party, N. 195, 196, 197, 198, 199

Ancart, H. 200

Hockney, D. 7, 8, 9, 10, 11, 12, 13,

Penone, G. 188

Arunanondchai, K. 214

147, 148, 149, 150, 151, 152, 153, 154

Perry, G. 56, 174

Hodgkin, H. 161, 162, 163, 164, 165, 166

Peyton, E. 203

Bacon, Afer F. 156

Holzer, J. 223

Phillips, T. 144

Bacon, F. 155

Howson, P. 146

Picasso, Afer P. 75

Banksy 55

Indiana, R. 134

63, 64, 65, 66, 67, 68, 69, 70, 71,

Barceló, M. 189

Invader 230

72, 73, 74

Picasso, P. 3, 4, 5, 6, 60, 61, 62,

Baechler, D. 206

Bas, H. 204

Pistoletto, M. 192

Basquiat, Afer J-M. 45, 46

Johns, J. 139, 140

Polke, S. 26

Baumgartner, C. 193, 194

Johnson, R. 215

Prince, R. 52

Bernhardt, K. 186

Jones, A. 142

Blake, P. 145

Judd, D. 128

Quinn, M. 184

Boetti, A. 51

Kapoor, A. 41

Rauschenberg, R. 15

Bourgeois, L. 33, 137

KAWS 233

Richter, G. 24

Braque, G. 98

Kentridge, W. 58, 202

Riley, B. 28, 29, 30, 168,

Broodthaers, M. 190

Knoebel, I. 122

169, 170, 171, 172, 173

Koons, J. 42, 43, 44, 217, 218, 219

RIMOWA x Arsham, D. 228

Calder, A. 114, 115, 116

Korine, H. 213

Rothenberg, S. 138

Cattelan, M. 229

Kusama, Y. 34, 35

Bochner, M. 53, 54, 225

Chillida, E. 32, 109, 110

Shrigley, D. 185, 187

Condo, G. 221

Laing, G. 141

Soulages, P. 111

Cruz-Diez, C. 123

LeWitt, S. 27, 124

Stella, F. 126

Lichtenstein, R. 14, 130, 131

Stik 231

Dalí, S. 1, 79, 80, 81

Sugito, H. and Nara, Y. 232

de Toulouse-Lautrec, H. 78

Mangold, R. 125

Delvaux, P. 82, 83, 84, 85

Marden, B. 127

Takis, V. 227

Dine, J. 135, 136

Martin, A. 129

Tamayo, R. 102, 103, 104,

Dubufet, J. 100

Matisse, H. 76, 77

105, 106, 107, 108

Dumas, M. 201

Matta, R. 86, 87

Tàpies, A. 99

Miró, J. 88, 89, 90, 91, 92,

Tilson, J. 143

Fischli, P. and Weiss, D. 224

93, 94, 95, 96, 97

Ford, W. 207, 208

Motherwell, R. 112

Valdés, M. 2, 101

Francis, S. 31

Muniz, V. 25

Various Artists 191, 226

Frost, T. 167

Murakami, T. 234, 235, 236, 237,

Vasarely, V. 121

238, 239, 240, 241, 242, 243, 244, Gabin, L. 205

245, 246, 247, 248, 249

Grotjahn, M. and Murakami, T. 250

Walker, K. 222 Warhol, A. 16, 17, 18, 19,

Newton, H. 220

20, 21, 22, 23, 132, 133 Weiwei, A. 216 Wood, J. 57, 209, 210 Wool, C.

211, 212

51. Alighiero Boetti

14. Roy Lichtenstein

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