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Perspective of hyperbolic loom, illustrating how the algortihmic keypoints create attractive patterns.

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Axonometric view of Hyperbolic Loom Construction

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Model highlighting the parabolic nature of the yarn

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This precedent looks at the idea of kinetic Architecture and how it can create an extra dimension in spatial design. eg. The double layering of the translucent fabric creates a moire effect as the two layers move

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Plan & Elevation illustrating the possible mechanics of the wall, which is operated by a grid of motorized node points which move the arms horizontally

Sketches exploring the mechanics of the structure and how it can be translated into a kinetic roof system

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These diagrams show how the keypoints can create multiple algorithmic shapes using simple reference nodes

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Double skin concept. A new roof wraps over the existing and newly constructed spaces

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East Elevation Stair & Ramp

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The ramps and staircases are clearly marked in blue and provide the dynamic circulation around the building

Concept diagram illustrating how these many array of ramps and staircases in the zone between ceiling and roof allow for chance performances to occur.

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The timber decking is designed as a complex series of surfaces that gently curve and fold into a navigable, inhabitable architectural topography

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The ribbed frame structure allows for a folding of complex planes.

Section of the folding topography

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View of the exterior decking creating a a continuation of the existing topography

Axonometric view of the Primary Rib Frame which allows for the complex landscaping to occur

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The complex formwork which was required in order to create the curved planes

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The Gina car which moves using electric and hydraulic motors, stands for, “Geometry and functions In ‘N’ Adaptations”

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Front view of the wrapped reichstag

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For two weeks, the building was shrouded with silvery fabric, shaped by the blue ropes, highlighting the features and proportions of the imposing structure

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The horizontal elements conform with tensegrity principles where these compression members are caught within a net of tension

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This precedent looks at the Multi functional possibilities of a theatre space. We will be looking at programme and spatial organisation patterns which are possible within this space

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Funding

Collaboration Network

Main Clients

Local Community Dance Institutions

Leicester City Council: :RUNLQJ LQ FROODERUDWLRQ ZLWK WKH 6KDXQ %XUGHQ VFKRRO RI ,ULVK 'DQFLQJ ORFDO FRXQFLO WKH DLP LV WR EULQJ GDQFH WR ORFDO FRPPXQLWLHV *UDFH 6FKRRO RI 'DQFH 3ROHVLH /HLFHVWHU 3ROLVK )RON 'DQFH

Curve Theatre: 7KH WKHDWUH SURYLGHV VXSSRUW WR WKH ORFDO SXEOLF WKURXJK WKH $QQH (OL]DEHWK 7KHDWUH $UWV $UWLVW DQG &RPPXQLW\ (QJDJHPHQW 3URJUDPPH SURIHVVLRQDO VXSSRUW IURP WKH (VVHQWLDO 5HMXYHQDWLRQ &XUYH·V $UWLVWLF 3URGXFLQJ 7HFKQLFDO &RPPXQLFDWLRQV DQG 'HYHORSPHQW 7HDPV Nupur Arts: 1XSXU $UWV LV D FRPPXQLW\ GDQFH RUJDQLVDWLRQ ZKLFK SURPRWHV ,QGLDQ GDQFH WR WKH ORFDO FRPPXQLWLHV ZLWKLQ /HLFHVWHUVKLUH ´2XU PDLQ DLP LV WR UHJHQHUDWH UHQHZ WUDLQ DQG VXVWDLQ \RXQJ GDQFH DUWLVWV IURP %ULWLVK EDVHG $VLDQ &RPPXQLWLHV DV ZHOO DV WR LQYROYH D EURDG UDQJH RI SHRSOH IURP DOO EDFNJURXQGV µ People Dancing: $ FKDULW\ SURPRWLQJ GDQFH WR ORFDO FRPPXQLWLHV ´:H EHOLHYH GDQFH FDQ FKDQJH OLYHV DQG WUDQVIRUP FRPPXQLWLHV 2XU YLVLRQ LV RI D ZRUOG ZKHUH GDQFH LV D SDUW RI HYHU\RQH·V OLIH DQG RXU PLVVLRQ LV WR PDNH GDQFH LPSRUWDQW WR DOO LQGLYLGXDOV FRPPXQLWLHV DQG VRFLHW\ E\ SURPRWLQJ H[FHOOHQW GDQFH SUDFWLFH 3HRSOH 'DQFLQJ ZRUNV ZLWK DQG RQ EHKDOI RI DUWLVWV RUJDQLVDWLRQV DQG WHDFKHUV LQYROYHG LQ OHDGLQJ GHOLYHULQJ RU VXSSRUWLQJ FRPPXQLW\ DQG SDUWLFLSDWRU\ GDQFH µ Peepul Enterprise: $ FRPPXQLW\ FHQWUH SURPRWLQJ ORFDO HQJDJHPHQW WKURXJK WKH $UWV 7KH FHQWUH SURYLGHV VWDJH IDFLOLWLHV DV ZHOO DV GDQFH VWXGLRV K14THS | Diploma Thesis Studio | Page 129


6

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ÀFHV FRXOG DOVR EH XVHG WR DWWUDFW ORFDO EXVLQHVVHV LQWR WKH FRPPXQLWLHV )OH[LELOLW\ ZLOO EH UHTXLUHG LQ RUGHU WR SURYLGH VSDFHV ZKLFK HQJDJH ZLWK PXOWLSOH FOLHQWV 7KH EULHI ZLOO DOVR EH H[SORULQJ ZD\V LQ ZKLFK WR HQKDQFH QHWZRUNLQJ EHWZHHQ YDULRXV VLWHV ZLWK WKH XVH RI FRPPXQLW\ EXVVHV HWF &DOFXODWLRQ RI VSDFHV DUH GHWHUPLQHG IURP WKH UHVHDUFK RI WKH SUHFHGHQWV VWXG\ DV ZHOO DV WKH WKHDWUH VL]HV IRU YHQXHV VXFK DV WKH 7KHDWUH UR\DO LQ %XU\ VW HGPXQGV

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Theatre Space Analysis

PROGRAMME ROOMS

/DUJH 7KHDWUH ,QWHUPHGLDWH 7KHDWUH

P P2

'DQFH 5HKHDUVDO 6SDFHV 3URIHVVLRQDO 'DQFH 5HKHDUVDO 6SDFHV ,QWHUPHGLDWH 'DQFH 5HKHDUVDO 6SDFHV +DSSHQLQJV

P2 P2 P2

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'LJLWDO 'DQFH &HQWUH :RUNVKRSV 0XVLF 5RRP &DIH 6WXGLRV 2IÀFHV

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DESCRIPTION

P SS 2 P SS

7UDGLWLRQDO OD\RXW ZLWK IURQW 6WDJH %DFNVWDJH (QYLURQPHQWDO ,QIRUPDO 7KHDWUH

P2 SS P2 SS Various

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2

P2 P2

P2 SS 40

0XOWL XVH IRU DOO VKRZV 3UH VKRZ VSDFH IRU GDQFHUV

P P P2 P2 P2

20 120 Various

&RQVLVWV RI ,7 (TXLSPHQW 0HHWLQJ URRPV 6HW 'HVLJQ &RVWXPH 'HVLJQ )RU $ 9 &KRLU 5HKHDUVDO )RU GDQFH VSHFWDWRUV QDWXUH UHVHUYH YLVLWRUV 6SDFHV IRU ORFDO $UWLVWV VPDOO EXVLQHVVHV

P2 P2 P2 P2

7LFNHWLQJ $GPLQ 2IÀFHV &ORDN 5RRP : &·V %XLOGLQJ &RQWURO 5RRP

Total Gross Area Total Net Area (+20% Circulation)

2500m2 3000m2

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“Community Centre Spaces”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·W EH VHHQ DV EHLQJ H[FOXVLYH WR GDQFH UHVHDUFK DQG FRVWXPH PDNLQJ 0DQ\ RI WKHVH WRROV VXFK DV FRPSXWHUV DQG WH[WLOHV WRROV FDQ DOVR EH XVHG IRU FRPPXQLW\ SURJUDPPHV VXFK DV $GXOW 6NLOOV OHDUQLQJ FRXUVHV DQG FRPPXQLW\ PHHWLQJV

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“Theatre Spaces” 7KH VWUDWHJ\ IRU WKH FRPPXQLW\ GDQFH WKHDWUH VSDFHV LV WR FUHDWH DQ DOWHUQDWLYH WR WKH FHQWUDOLVHG WKHDWUH VSDFHV VXFK DV WKH FXUYH WKHDWUH ,Q DGGLWLRQ WR FUHDWLQJ PRUH VSDFHV IRU WKH ORFDO FRPPXQLW\ WKH ORFDO WKHDWUH ZLOO DOVR DFW DV DQ H[SHULPHQWDO WKHDWUH 5LFKDUG 6FKHFKQHU WDONV DERXW DQ (QYLURQPHQWDO WKHDWUH ZKHUH KH GHÀQHV D WKHDWUH DV D VSDFH IRU SXEOLF KDSSHQLQJV +H JUDGHV WKHDWUH VSDFHV IURP ´LPSXUH OLIHµ WR ´3XUH $UW µ 7KLV SURJUDPPH ZLOO H[SORUH WKH W\SHV RI WKHDWUH VSDFHV ZKLFK DUH SURGXFHG IURP SXEOLF HYHQW VSDFHV WR DQ RUWKRGR[ WKHDWUH

K14THS | Diploma Thesis Studio | Page 135


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“Experimental Theatre Spaces” 7KH SURJUDPPH ZLOO DOVR EH H[SORULQJ P\ UHVHDUFK LQWR GDQFH DQG LWV UHODWLRQVKLS WR GLJLWDO DUW 7KH $UFKLWHFWXUH ZLOO H[SORUH KRZ WKH XVHV RI WHFKQRORJ\ VXFK DV PRWLRQ FDSWXUH DQG GLJLWDO KRORJUDPV FDQ LQÁXHQFH WKH W\SHV RI GDQFH VSDFHV ZKLFK DUH SURGXFHG

K14THS | Diploma Thesis Studio | Page 137


7

CONCLUSION

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

/RFDO FRPPXQLW\ FHQWUHV KDYH WKH SRWHQWLDO WR HQJDJH JUHDWHU ZLWK WKH SXEOLF 7KLV )LQDOO\ ZH ZLOO DOVR FRQWLQXH WR VSHFXODWH WKH SURSHUWLHV ZKLFK JLYH WKHVH KDUPRQLF UHTXLUHV IDFLOLWLHV DQG SURJUDPPHV ZKLFK LQÁ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ÀQJ 'RFXPHQW


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