PISSARRO TO HIRST: Works on paper 18 June – 8 July
PISSARRO TO HIRST Works on paper 18 June – 8 July 2015
Stern Pissarro Gallery 66 St. James’s Street, LONDON SW1A 1NE, UK Tel: +44 (0)20 7629 6662 Email: stern@pissarro.com www.pissarro.net
CAMILLE PISSARRO (1830-1903)
Vachère dans une Clairière Gouache sur papier cartonné (gouache on card) 25 x 21 cm (9 ⅞ x 8 ¼ inches) Signed and dated lower left, C. Pissarro 1890 Provenance Private Collection, France This work will be included in the forthcoming Catalogue critique des pastels et gouaches de Camille Pissarro being prepared by Joachim Pissarro and Claire Durand-Ruel-Snollaerts under the sponsorship of the Institute Wildenstein.
CAMILLE PISSARRO (1830-1903)
Entrance to a Village Charcoal on paper 26.7 x 43.2 cm (10 ½ x 17 inches) Signed with Estate stamp lower right, C.P. Executed circa 1860 Provenance Mme. Rodo Pissarro (daughter-in-law of Camille Pissarro) Arbit Blatas (acquired from the above) Estate of Arbit Blatas Regina Resnick This work is accompanied by a letter of authenticity from Christopher Lloyd and Dr. Joachim Pissarro dated 14 June 2001.
CAMILLE PISSARRO (1830-1903)
Route de Neaufles Watercolour and pencil on paper 12.7 x 17.8 cm (5 x 7 inches) Signed, inscribed and dated Oct ‘88
This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 30 October 2014.
CAMILLE PISSARRO (1830-1903)
Marché au Bétail Ink wash and pencil on paper 20.3 x 16 cm (8 x 6 ¼ inches) Signed with Estate stamp lower left, C.P. Executed circa 1880-1882 Provenance Sale, A. Bonin, Paris 26 June 1931, lot 51 Private collection, London This work will be accompanied by a letter of authenticity from Dr. Joachim Pissarro.
CAMILLE PISSARRO (1830-1903)
Study of Figures Watercolour, grey wash and pencil on paper 25.6 x 17.3 cm (10 ⅛ x 6 ž inches) Signed with initials lower right, C.P. Executed in the 1880s
This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 30 October 2014.
CAMILLE PISSARRO (1830-1903)
Country Landscape Pencil on paper 12.7 x 21.2 cm (5 x 8 Âź inches) Signed with Estate stamp lower right, C.P. Executed in Pontoise in the mid-1870s
Provenance Arbit Blatas Estate of Arbit Blatas Regina Resnick Private Collection, Florida This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 12 April 2005.
CAMILLE PISSARRO (1830-1903) Paysage avec Deux Personnages
Ink on paper 16.2 x 21.6 cm (6 â…œ x 8 ½ inches) Signed with Estate stamp lower left, C.P. Executed between 1855 and 1860 Provenance Estate of the artist Schoneman Galleries, Inc., New York Estate of Margo Schoneman Exhibited Pissarro Drawings: From the Collection of Mr. and Mrs. F.L. Schoneman, Norton Gallery & School of Art, West Palm Beach, Florida, December 5, 1976 to January 5, 1977 This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 14 January 2014.
CAMILLE PISSARRO (1830-1903)
Crystal Palace Pencil on paper 24.5 x 38.5 cm (9 ⅝ x 15 ⅛ inches) Inscribed lower left, Cristal Palace Executed circa 1870-71
Exhibited London, Stern Pissarro Gallery, Camille Pissarro – St. Thomas to Paris, November-December 2003, No. 9 This work is accompanied by a letter of authenticity from Christopher Lloyd and Dr. Joachim Pissarro dated 11 April 2001.
CAMILLE PISSARRO (1830-1903) Le Boulevard Graphite on blue paper 20.2 x 33.8 cm (8 x 13 Âź inches) Signed with Estate stamp lower left, C.P. Executed circa 1858-1860
Provenance Private Collection, California This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 30 October 2014.
CAMILLE PISSARRO (1830-1903)
Montmorency, Chemin de Pied Pencil on paper 21 x 32.5 cm (8 Ÿ x 12 ž inches) Signed with Estate stamp lower left, C.P. Executed circa 1858-1860
This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 14 March 2007.
CAMILLE PISSARRO (1830-1903)
Baigneuse Mettant ses Bas Ink on paper 13 x 17.5 cm (6 ⅛ x 7 ½ inches) Signed with Estate stamp lower right, C.P. Executed circa early 1890s (Verso: Woman Bathing)
This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 29 December 2010.
CAMILLE PISSARRO (1830-1903)
Femme Assise Charcoal on paper 22 x 27 cm (8 ⅝ x 10 ⅝ inches) Signed lower right, C.Pissarro Executed circa 1882 Provenance Notanda Gallery, Sydney Acquired by the family of the previous owner in Paris c. 1950 Private Collection, France This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 3 June 2007.
CAMILLE PISSARRO (1830-1903)
Paysannes Charcoal and pencil on paper 12.6 x 20.7 cm (5 x 8 â…› inches) Signed with Estate stamp on the reverse, C.P.
Provenance Private Collection, New York Hammer Galleries, New York Acquired at the above sale by Mr. Herbert McKay, 06 August 1971 Private Collection, USA (acquired at the above) This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 27 October 2014.
CAMILLE PISSARRO (1830-1903)
Study of a Man Pencil on paper 16 x 10 cm (6 ¼ x 7 ⅝ inches) Signed with initials lower right, C.P. Executed circa 1852-1854
Provenance Este Gallery, New York This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 22 May 2014.
CAMILLE PISSARRO (1830-1903)
Café Caracas Pencil on brown paper 26.8 x 19.7 cm (10 ½ x 7 ¾ inches) Signed with Estate stamp lower right, C.P. Executed in Venezuela circa 1852-1854 (Verso: Études de Personnages) Exhibited Tochigi, Utsunomiya Museum of Art, Camille Pissarro: Patriarche de la modernité, 24 March – 27 May 2012. The exhibition later travelled to Hyogo Prefectural Museum, 6 June – 19 August 2012 This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 24 January 2007.
CAMILLE PISSARRO (1830-1903)
A Hut in a Mountainous Landscape with a Plough and Figures Black lead on paper 20.3 x 26.8 cm (8 x 10 ½ inches) Executed in Venezuela circa 1853 (Verso: Study of a Tree, Woman Washing and Two Men in Profile) Exhibited Paris, Musée Marmottan Monet, Les Impressionnistes en privé. Cent chefs-d’œuvre de collections particulières, 13 February – 6 July 2014 Tochigi, Utsunomiya Museum of Art, Camille Pissarro : Patriarche de la modernité, 24 March – 27 May 2012. The exhibition later travelled to Hyogo Prefectural Museum, 6 June – 19 August 2012 This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 5 May 2006.
CAMILLE PISSARRO (1830-1903)
A Man in Profile Leaning to the Left, Studies of a Woman with a Vase on her Head Holding a Baby and a Child and a Woman in Profile Black lead, pen and ink on paper 20.3 x 26.8 cm (8 x 10 ½ inches) Executed in Venezuela circa 1853 (Verso: A Mountainous Landscape) Exhibited Tochigi, Utsunomiya Museum of Art, Camille Pissarro: Patriarche de la modernité, 24 March – 27 May 2012. The exhibition later travelled to Hyogo Prefectural Museum, 6 June – 19 August 2012 This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 5 May 2006.
PIERRE-AUGUSTE RENOIR (1841-1919)
Baigneuse de Dos S’Essuyant Pencil on paper 31.1 x 19.4 cm (12 ¼ x 7 ⅝ inches) Signed lower left, Renoir Executed circa 1890 Literature Guy-Patrice and Michel Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, Paris, 2009, vol. II, p. 521, no. 1532 (illustrated) Exhibited Paris, Galerie Bernheim-Jeune et Cie., De Renoir à Matisse, June-July 1986, p. 8, no. V, p. 9 (illustrated) New York, Achim Moeller Fine Art, Small Format and Sculpture, January-February 1992 New York, Achim Moeller Fine Art, The Whitehead Collection, Late 19th and 20th Century French Masters, A Collection in Progress, April-May 1997, p. 68, no. 46 (illustrated in colour) New York, Achim Moeller Fine Art, From Daumier to Matisse, French Masters Drawings from the John C. Whitehead Collection, April-May 2010, p. 42, no. 13, p. 43 (illustrated in colour)
PIERRE-AUGUSTE RENOIR (1841-1919)
Musiciens Charcoal on paper laid down on board 65.1 x 48.6 cm (25 ⅝ x 19 ⅛ inches) Signed lower right, Renoir Provenance Jean Davray, Paris M. Knoedler & Co, New York Acquired from the above and thence by descent to the previous owner Literature Ambroise Vollard, La Vie & l’Œuvre de Pierre-Auguste Renoir, Paris 1919, p. 16 (illustrated) Exhibited Toronto, Art Gallery of Ontario, 1994, no. 36
EDGAR DEGAS (1834-1917)
Femme Nue Assise Charcoal on paper 61 x 42 cm (24 x 16 ½ inches) Signed with Estate stamp lower left, Degas Provenance The artist’s studio sale, part. III; Galerie Georges Petit, Paris, 7-9 April 1919, lot 274 Edmond Céria (acquired at the above sale) Anon. sale, Christie’s, New York, 5 November 1982, lot 304 Literature Paul-André Lemoisne, Degas et son œuvre, Paris, 1946, vol. III, p. 698, no. 1200 Alan Wofsy, Degas’ Atelier at Auction, Paintings, Pastels and Drawings Sales III and IV – 1919, San Francisco, 1989, no. 274, p. 206 (illustrated) This work is accompanied by a letter of authenticity by Brame & Laurenceau, dated 28 June 2011.
FERNAND LÉGER (1881-1955)
Composition Mécanique Pen, ink and pencil on paper 27.1 x 21.2 cm (10 ¾ x 8 ¼ inches) Signed with initials and dated lower right, F.L. 1918 Provenance Galerie Louise Leiris, Paris Kunsthalle, Basel Saidenberg Gallery, New York B.C. Holland, Chicago Richard Grey Gallery, Chicago James Francis Trezza, New York Acquired by 2007 by the present owner Exhibited Paris, Galerie Louis Leiris, F. Léger, Dessins et gouaches 1909-1955, 1958, no. 11 (illustrated)
PABLO PICASSO (1881-1973)
Homme au Chapeau Melon Pencil on paper 32 x 20.5 cm (12 ⅝ x 8 ⅛ inches) Signed lower right, Picasso and inscribed with the artist’s address lower left Executed circa 1916 Provenance Galeria Leandro Navarro, Madrid Brame & Lorenceau, Paris Literature Anisabelle Beres et Michel Arveiller, Au Temps des Cubistes 1910-1920, Paris, 2006, pp. 462-463, number 189 (illustrated) Exhibited Analysing Cubism, Irish Museum of Modern Art, 19th February-26th May 2013 This work is accompanied by certificates of authenticity from Claude Ruiz Picasso and Maya Picasso.
PABLO PICASSO (1881-1973)
Guitare sur une Table Pastel and pencil on paper 32.5 x 25 cm (12 ž x 9 ⅞ inches) Signed and dated upper left, 5/5/21 Picasso
Provenance Collection Paul Chadouren Private Collection, France Private Collection, France Literature Christian Zervos, Pablo Picasso, Supplement to 1920 to 1922 years, Paris, 1975, volume XXX, no. 252, p. 80 (illustrated) This work is accompanied by a letter of authenticity from Claude Ruiz Picasso dated 10 April 2015.
PABLO PICASSO (1881-1973)
Le Bain Pencil on paper 47.8 x 58.8 cm (18 ¾ x 23 ⅛ inches) Signed, dated and numbered lower right, Picasso vendredi. 16.2.68 Provenance Waddington Galleries, Ltd., London Hirschl & Adler Galleries, Inc. New York (by 1988) James Goodman Gallery, Inc., New York Private Collection, USA (purchased from the above, March 1998) Literature Christian Zervos, Pablo Picasso, Paris, 1973, vol. 27, no. 231, pl. 91 (illustrated) The Picasso Project, ed., Picasso’s Paintings, Watercolors, drawings and Sculpture, The Sixties III, 1968-1969, San Francisco, 2003, p. 19, no. 68-061 (illustrated) Exhibited New York, Hirschl & Adler Galleries, Inc., Picasso, The Late Drawings, January-February, 1988, no. 19 (illustrated in color) Basel, Galeri Beyeler, Aquarelle, Gouachen, Zeichnungen, October-December, 1988, no. 92
HENRI MATISSE (1869-1954)
Femme Assise dans un Intérieur Pencil on paper 24.1 x 31.8 cm (9 ½ x 12 ½ inches) Signed lower right, Henri Matisse Executed 1928 Provenance Estate of the artist Galerie Gerald Cramer, Geneva (acquired from the above, 1957) Esther Robles Gallery, Los Angeles Acquired from the above by the family of the present owner This work is accompanied by a letter of authenticity from Madame Wanda de Guébriant.
HENRI MATISSE (1869-1954)
Tête de Femme, Col à Fleurs Pen and India ink on paper 52.9 x 40.6 cm (20 ⅞ x 16 inches) Signed and dated lower left, H. Matisse 7/42 Executed 1942 Provenance Pierre Matisse, New York (by descent from the artist) Thence by descent to Pierre-Noel Matisse, the artist’s grandson This work is accompanied by a letter of authenticity from Madame Wanda de Guébriant.
HENRI LE SIDANER (1862-1939)
Maison sur le Canal, Nemours India ink, pencil, pastel and crayon on board 18 x 22.5 cm (7 x 8 ⅞ inches) Signed lower right, Le Sidaner Executed 1903 Provenance Private Collection, Paris Literature Yann Farinaux-Le Sidaner, Le Sidaner. L'œuvre peint et gravé, Editions André Sauret, Paris, 1989, no. 919, p. 315 (illustrated) Musée Fournaise, Chatou, Henri le Sidaner - Le Secret des Lumières, 2006, p. 30 (illustrated) Yann Farinaux-Le Sidaner, Henri Le Sidaner Paysages intimes, Monelle Hayot, 2013, p.153 (illustrated) Exhibited Musée Fournaise, Chatou, Henri le Sidaner - Le Secret des Lumières, 29 April - 29 October 2006
MAURICE UTRILLO (1883-1955)
Château de Nangis (Seine-et-Marne) Gouache on paper 34 x 50 cm (13 ⅜ x 19 ⅝ inches) Signed lower right, Maurice, Utrillo, V, Inscribed lower left, Château de Nangis (Seine-et-Marne)
Provenance Galerie Moos, Switzerland Private Collection, Basel This work is accompanied by a certificate of authenticity from Jean Fabris and Cédric Paillier dated 17 January 2014.
HENRI MANGUIN (1874-1949)
Le Modèle Monique Pen and ink on paper 24.8 x 32 cm (9 ½ x 12 ⅝ inches) Signed with Estate stamp lower right, Manguin Executed circa 1938
Provenance Private Collection, UK
ALBERT MARQUET (1875-1947)
Baigneuse Allongée Chinese ink on paper 21 x 34 cm (8 ¼ x 13 ⅜ inches) Signed with initials Executed circa 1912
Exhibited ‘Albert Marquet, Voyages’, 14 April – 17 May 2008, no. 39, Connaught Brown Gallery, London This work is accompanied by a letter of authenticity from the Wildenstein Institute, Paris.
MAX LIEBERMANN (1847-1935)
Heimkehrender Abeiter Ink wash on paper 119 x 179 mm (4 他 x 7 inches) Signed lower left, M Liebermann
This work is accompanied by a letter of authenticity from Drs. Margaret Nouwen
s
MAX LIEBERMANN (1847-1935)
Gastzimmer – Dekorentwurf zum IV. Akt von Gerhart Hauptmanns Drama Gabriel Schillings Flucht Pastel and pencil on paper laid on board 31.3 x 49.8 cm (12 ⅜ x 19 ⅝ inches) Signed lower right, M. Liebermann Executed 1912 Literature Erich Hancke, Max Liebermann, Sein Leben und seine Werke, Berlin, 1914, p. 546 Matthias Eberle, Max Liebermann, Werkverzeichnis der Gemälde und Ölstudien, Munich, 1996, vol. 2, cat. No. 1912/9 Henning Rischbieter, ed., Bühne und bildende Kunst im XX Jahrhundert, Maler und Bildauer arbeiten für das Theater, Hannover, 1968, p. 287 Exhibited Kunsthalle Mannheim, Moderne Theaterkunst, 13. Ausstellung des Freien Bundes, January-February 1913 This work is accompanied by a letter of authenticity from Drs. Margaret Nouwen dated 5 March 2014.
OSSIP ZADKINE (1890-1967)
Untitled Gouache on paper 54.5 x 70 cm (21 ½ x 27 ½ inches) Signed and dated lower left, O.Zadkine 28
OSSIP ZADKINE (1890-1967)
The Three Graces Gouache on paper 62 x 44.5 cm (24 ⅜ x 17 ½ inches) Signed and dated lower right, O.Zadkine 28
HENRY MOORE (1898-1986)
Reclining Figure Pencil, crayon, chalk, watercolour on laid paper 26 x 19.7 cm (10 ¼ x 7 ¾ inches) Signed and dated lower right, Moore 75 Provenance James Kirkman Gallery, London Kasahara, Osaka Private Collection, Japan Private Collection, USA Literature Ann Garrould (ed.), Henry Moore: Complete Drawings 1950-76, vol. 4 (Much Hadham, 2003), no. AG 75.24, p. 317, plate XXIII (illustrated) Exhibited ‘Henry Moore: Drawings 1969-79’, Wildenstein, New York, 1979-80
ANDY WARHOL (1928-1987)
Untitled (Sleeping Boy) Ink on paper 42.5 x 35.5 cm (16 ¾ x 14 inches) Executed 1956 Provenance Private Collection, London 11 Duke Street, London Sale: Artcurial, Paris, 7 December 2010, lot 234 Acquired from the above sale by the present owner Exhibited Guggenheim Museum Bilbao, Andy Warhol: A Factory, 19 October 1999 – 3 September 2000
JOAN MIRÓ (1893-1983)
Sans Titre Crayon on paper 32.1 x 26.4 cm (12 ⅝ x 10 ⅜ inches) Dedicated and signed lower right Executed 1958 This work is accompanied by a certificate of authenticity by A.D.O.M. dated 11 March 2014.
FERNAND LÉGER (1881-1955)
Étude pour Gaz de France Mixed media and gouache on paper Sight size: 38.5 x 49 cm (15 ½ x 19 ⅛ inches) Sheet size: 52 x 76 cm (20 ½ x 29 ⅜ inches) Signed with initials and dated lower right, F.L. 1918
This work is accompanied by the following certificates of authenticity: 1. A photo certificate from Iris Hansma, Paris, October 4, 2012. 2. Written on the verso of the work is an authenticity statement by the artist’s widow, Nadia Léger. 3. On the reverse of the backing is a third authentication statement from the Fondazione Pagora di Legnano, 1 October 1972.
ANDRÉ LANSKOY (1902-1976)
Sans Titre Gouache on paper 50 x 65 cm (19 ¾ x 25 ⅝ inches) Signed lower right, Lanskoy This work is accompanied by a letter of authenticity from the artist.
FERNANDO BOTERO (b. 1932)
Society Lady Pastel and graphite 51 x 36 cm (20 ⅛ x 14 ⅛ inches) Signed lower right, Botero Executed 1984 Provenance Gift from the artist Private Collection, Wiesbaden Literature Fernando Botero – Bilder, Zeichnungen, Skulpturen, Munich, Prestel-Verlag, 1986, p. 83 (illustrated) Exhibited Fernando Botero – Bilder, Zeichnungen, Skulpturen, Munich, Hypo-Kulturstiftung, July-September 1986 Bremen, Kunsthalle, January-March 1987 Frankfurt am Main, Schirn Kunsthalle, March-May 1987
RICHARD SERRA (b. 1939)
Round Oilstick on paper 60.9 x 66 cm (24 x 26 inches) Signed with artist’s initials and dated lower right Executed 2001 Provenance Acquired directly from the artist by the present owner
DAMIEN HIRST (b. 1965)
Spin Mixed media on paper Diameter: 45.8 cm (18 inches) Signed with artist’s stamp and dated 2001 on the reverse
The following works have been offered on behalf of a private American collector
CAMILLE PISSARRO (1830-1903)
Chemin de Pasco, Montmorency Pencil on paper 27.6 x 48 cm (10 â…ž x 18 â…ž inches) Signed with Estate stamp lower left, C.P. Inscribed lower right Executed circa 1858
Provenance Stern Pissarro Gallery, London This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 24 January 2007.
CAMILLE PISSARRO (1830-1903)
Gardeuse de Vaches Black chalk on paper 27.2 x 46.2 cm (10 ž x 18 Ÿ inches) Signed with Estate stamp lower right, C.P. Executed circa 1886
Provenance Stern Pissarro Gallery, London This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 3 August 2004.
CAMILLE PISSARRO (1830-1903)
Paysage à Hébécourt Watercolour and pencil on paper 13 x 22 cm (5 ⅛ x 8 ⅝ inches) Signed lower right, C. Pissarro Inscribed lower left Executed 1890 This work will be accompanied by a letter of authenticity from Dr. Joachim Pissarro.
CAMILLE PISSARRO (1830-1903)
Éragny, le Soir Watercolour and pencil on paper 17.6 x 12.6 cm (6 ⅞ x 5 inches) Inscribed and dated lower right, Soir 13 oct 90 Éragny Executed 1890 This work will be accompanied by a letter of authenticity from Dr. Joachim Pissarro.
CAMILLE PISSARRO (1830-1903)
Le Pont Corneille à Rouen Black and coloured chalk on paper 8.5 x 13 cm (3 ⅜ x 5 ⅛ inches) Signed with Estate stamp lower right, C. P. Provenance Stern Pissarro Gallery, London Exhibited London, Bury Street Gallery, Master Drawings Presented by Adolphe Stein, 1981 (illustrated in catalogue no. 197) Oxford, Ashmolean Museum, For the Love of Drawing: Drawings from Oxfordshire, Private Collection, June – August, 2002 This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 25 September 2008.
CAMILLE PISSARRO (1830-1903) Étude, près de Nanterre Black chalk and highlights of white chalk on paper 23.3 x 30.5 cm (9 ⅛ x 12 inches) Signed with Estate stamp lower right, C. P.
Provenance Stern Pissarro Gallery, London This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 24 January 2007.
CAMILLE PISSARRO (1830-1903)
Terrain labouré, Éragny Watercolour and pencil on paper 22.7 x 29.4 cm (9 x 11 ⅝ inches) Signed lower left, C. Pissarro Inscribed and dated lower right Executed 1888
This work will be accompanied by a letter of authenticity from Dr. Joachim Pissarro.
CAMILLE PISSARRO (1830-1903)
Paysage de Bazincourt Watercolour on paper 21.4 x 26.8 cm (8 â…œ x 10 ½ inches) Signed, inscribed and dated lower left, C. Pissarro Executed 1890 Provenance Stern Pissarro Gallery, London This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro dated 3 October 2008.
PIERRE BONNARD (1867-1947)
Baigneuse Debout Crayon on paper 39 x 28.5 cm (15 Âź x 11 Âź inches) Signed lower right, Bonnard Provenance Marlborough Fine Art Collection of Denys Sutton, London Private Collection, Atlanta The authenticity of this work has been confirmed by Guy-Patrice and Michel Dauberville.
PIERRE BONNARD (1867-1947)
Paysage à Vernon Pencil and wax crayon on paper 31.1 x 23.6 cm (12 ¼ x 9 ¼ inches) Signed with Estate stamp lower right, PB Executed circa 1920 Provenance From the estate of the artist Private Collection, Atlanta Literature Gilles Genty and Pierrette Vernon, Bonnard inédits, Paris, 2003, no. 454, p. 170 The authenticity of this work has been confirmed by Guy-Patrice Dauberville.
PIERRE BONNARD (1867-1947)
Le Parc, Étude pour un Éventail Ink, India ink and pencil on paper 25.1 x 34 cm (9 ⅞ x 13 ⅜ inches) Signed with Estate stamp in centre, PB Executed circa 1891-1892 Provenance Collection of Lew and Edie Wasserman, Los Angeles Private Collection, Atlanta Exhibited Milan, Palazzo della permanente, Bale, Kunsthalle Pierre Bonnard, avril – juillet 1955, no. 56 The authenticity of this work has been confirmed by Guy-Patrice and Michel Dauberville.
PAUL SIGNAC (1863-1935) Voiliers au Sec à Saint-Tropez Watercolour, charcoal and pencil on paper 24.8 x 16.2 cm (9 ¾ x 6 ⅜ inches) Signed lower left, P. Signac
PAUL SIGNAC (1863-1935) Samois II, Bateaux sur la Rivière Watercolour and pencil on paper 14.9 x 23.1 cm (5 ⅞ x 9 ⅛ inches) Signed lower right, P. Signac Painted circa 1900
MAURICE UTRILLO (1883-1955) Maison à Montmartre Watercolour and gouache on paper 27 x 21 cm (10 ⅝ x 8 ¼ inches) Signed lower right, Maurice Utrillo
GEORGES ROUAULT (1871-1958) Fille (à la Cigarette) Watercolour, gouache and pastel on paper 27.6 x 22.9 cm (10 ⅞ x 9 inches) Painted circa 1906