Impressionist | Modern | Contemporary THE GALLERY COLLECTION
front cover (detail)
Paysannes assises causant
Oil on canvas
60.4 × 73 cm (23¾ × 28¾ inches)
Signed and dated lower right, C. Pissarro 81
illustrated on page 55
Oil on panel
27 × 21.3 cm (10₅⁄₈ × 8³⁄₈ inches)
Signed on the reverse, Picasso
Executed in 1908
Provenance
Galerie Kahnweiler, Paris
Roger Dutilleul, Paris
Galerie Louise Leiris, Paris
Eugene and Dorothy Prakapas, New York, acquired from the above in November 2000
Thence by descent
Literature
Françoise Cachin, Tout l’œuvre peint de Picasso, 1907-1916, Milan, 1972, no. 169, pp. 95-96 (illustrated p. 95)
Pierre Daix and Joan Rosselet, Picasso: The Cubist Years 1907–1916, A Catalogue Raisonné of the Paintings and Related Works, London, 1979, no. 208, p. 229 (illustrated; titled Cup and Fruit)
Christian Zervos, Pablo Picasso. Œuvres de 1906 à 1912, vol. 2, Paris, 1986, no. 100, pp. 48, 175 (illustrated p. 48)
Josep Palau i Fabre, Picasso Cubism (1907–1917), New York, 1990, no. 295, pp. 107, 499 (illustrated p. 107; titled Cup and Tuber; dated 1909)
Oil on canvas
73.4 × 60 cm (28₇⁄₈ × 23₅⁄₈ inches)
Signed and dated lower right, Survage 24
Exhibited
Troyes, Musée d'Art Moderne et Le Cateau-Cambrésis, Musée Matisse, Survage: Les Années Héroïques, January-June 1993, p. 95 (illustrated in colour; titled, Village à l'Oiseau)
This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.
Nature Morte à la Bouteille de Porto
Oil on canvas
100 × 65.1 cm (39₃⁄₈ × 255 ⁄ 8 inches)
Signed and dated lower right, Hayden 1921
This work is accompanied by a certificate of authenticity from Laurence Le Cieux.
Nature morte au citron
Oil on canvas
60 × 80.5 cm (23₅⁄₈ × 31¾ inches)
Signed lower right, Hayden
Signed and dated on the reverse, H. Hayden / III-1920
Provenance
Jacques de Mons, Paris
Sotheby’s New York, May 1998
Private collection, Israel
This work is accompanied by a certificate of authenticity from Laurence Le Cieux and will be included in the forthcoming catalogue raisonné.
Oil on canvas
132.1 × 91.4 cm (52 × 36 inches)
Signed and dated lower right, Alb Gleizes 1924-1934
Provenance
Maurice Gremeret Collection, Champdôtre, acquired directly from the artist circa 1950-1951
Henri Gremeret Collection, Menton (by descent from the above)
Ansley Graham 19th & 20th Century Art, Los Angeles
Feingarten Galleries, Los Angeles, acquired from the above on June 30, 1981
Gail Feingarten Oppenheimer Collection, Beverly Hill, acquired from the above
Private collection, USA (by descent from the above)
Exhibited
Roslyn Harbor, Nassau County Museum of Art, European Art Between the World Wars, 9th May -1st August 2004
Roslyn Harbor, Nassau County Museum of Art, Picasso and the School of Paris, 19th November 2006 - 4th February 2007
Literature
B. Adams, Rustic Cubism, Anne Dangar and the Art Colony at MolySabata, Chicago, 2004, illustrated p. 72
D. Robbins, P. Georgel & A. Varichon, Albert Gleizes catalogue raisonné, vol. II., Paris, 1998, illustrated p. 469
This work is accompanied by a certificate of authenticity by Anne Varichon.
Watercolour and gouache on paper
13 × 17 cm (5₁⁄₈ × 6¾ inches)
Signed lower right, G. VALMIER
Executed circa 1926
Provenance
Artur Ramon, Barcelona
Private collection, Europe, acquired from the above
Literature
Denise Bazetoux, Georges Valmier, Catalogue raisonné, Paris, 1993, no. 320, p. 109, illustrated (incorrectly mentioned as not signed)
Watercolour on paper
35 × 35 cm (13¾ × 13¾ inches)
Initialled SD, dated 23 and inscribed 476 lower right
Provenance
Galerie Ardelt, Wiesbaden
Private collection, Milan
This work is accompanied by a photo-certificate issued by Jean Louis Delaunay and Richard Riss, with n. SD 30 476.
Mixed media on cardboard
64 × 50 cm (25¼ × 19¾ inches)
Signed lower centre, Ismael de la Serna
Provenance Private collection, Paris
Still Life with Violin
Oil on canvas
81 × 65 cm (31₇⁄₈ × 25₅⁄₈ inches)
Signed lower centre, La Serna
Executed circa 1930
Provenance
Private collection, Spain
Oil on panel
22.5 × 25 cm (8₇⁄₈ × 9 ₇⁄₈ inches)
Signed lower left, G. Braque
Executed in 1947
Provenance
Perls Galleries, New York
Fujikawa Galleries, Osaka, Japan
Private collection, Spain
Literature
N. S. Mangin, Catalogue de l’Œuvre de Georges Braque: Peintures 1924-1927, p. 116 (illustrated)
Oil on canvas
33 × 66 cm (13 × 26 inches)
Signed lower left, Marcoussis
Executed in 1925
Provenance
Alice Halicka, Paris (Madame Louis Marcoussis, by descent)
Blanche Fabry Tézé, New York
Stern Pissarro Gallery, London
Private collection, Austria, acquired from the above
Exhibited
Paris, Galerie Pierre, Peintures, gouaches et fixés de Louis Marcoussis, April-May 1925, no. 20
This work is accompanied by a certificate of authenticity from Alice Marcoussis (née Halicka), the artist's wife, dated July 3rd, 1973.
Wax crayon and felt-tip pen on paper
23 × 40 cm (9 × 15¾ inches)
Signed Picasso and dated twice 23.2.68 upper centre
Provenance
Sala Gaspar, Barcelona
Private collection, Spain, by descent
Literature
Sala Gaspar, Picasso: paintings, drawings, prints, Barcelona, 1968 (illustrated on the cover)
The authenticity of this work has been confirmed by the Comité Picasso.
Gouache and wax crayon on paper
66 × 50.3 cm (26 × 19¾ inches)
Signed Miró, dated VI/69, inscribed esquisse, and numbered 7 lower right
Executed in 1969
Provenance
Louis Broder, Paris, thence by descent
Private collection, Paris, acquired from the above
This work is accompanied by a certificate of authenticity from ADOM.
Oil and cement on canvas
61.4 × 46.4 cm (24¹⁄₈ × 18¼ inches)
Signed lower right, Adler
Executed in 1948
Provenance
Galerie Charles Lienhard, Zürich, 1959
Gimpel Fils Gallery, London
Denham Gallery, UK
Exhibited
John Denham Gallery, Jankel Adler, June 9thJune 23rd 1996
Literature
Annemarie Heibel, Jankel Adler (1895-1949), Werkverzeichnis der Gemälde, vol. 2, 2016, p. 501, no. WV407 (illustrated in colour)
Watercolour on paper
41.8 × 29.6 cm (16½ × 11₅⁄₈ inches)
Signed and dated lower right, Marino 1952
Provenance
Private collection, Sweden
Skajs Antikhandel, Stockholm
Private collection, acquired from the above
The work is accompanied by a certificate of authenticity from the Fondazione Marino Marini.
Ink and gouache on paper
26 × 35 cm (10¼ × 13¾ inches)
Signed and dated lower right, Herbin 1943 and titled lower left, “nuit, voile no 4”
Provenance
Private collection, France
Private collection, Germany
This work is accompanied by a certificate of authenticity from Laurent Claisse.
Oil on wood
130 × 162 cm (51¹⁄₈ × 63¾ inches)
Titled, signed and dated lower right
Executed in 1955
Provenance
Galerie Denise René, Paris
Galerie Melki, Paris
Private collection, Germany
Exhibited
Galerie Denise René, Paris, 1955, no. 11
Société Auxiliaire des Expositions du Palais des Beaux-Arts, Brussels, 1956 (label), no. 71
Kunstverein Freiburg, 1958
Galerie Denise René, Paris, 1960, no. 7
Arhus Kunst Galleri, Copenhagen, 1962, no. 52
Galerie Denise René, Paris, 1972
Museo de Arte Contemporaneo de Caracas, Venezuela, 1978, no. 41
Musée Municipal, Cambria, 1980, no. 91
Galerie Melki, Paris, 1987
Albright-Knox Art Gallery, New York
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Lausanne, 1993, no. 990, (illustrated)
Oil on canvas
100 × 81.3 cm (39³⁄₈ × 32 inches)
Signed and dated lower right, Survage 62
Provenance
Estate of the artist
Private collection, New York, acquired from the above, 1968
Exhibited Paris, Galerie Lucie Weill, Survage, 5th March6th April 1963, no. 8
This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.
Oil on canvas
100 × 81 cm (39³⁄₈ × 31₇⁄₈ inches)
Signed and dated lower left, herbin 1945
Provenance
Private collection, Stockholm
Galerie des Etats-Unis, S.Stoliar, Cannes
Sotheby's London, 2002
Dorval Gallery, Lille
Private collection, France
Exhibited Cannes, Galerie des Etats-Unis, 1965, no. 29
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Paris, 1993, no. 846, (illustrated in black and white p. 429)
Gouache on paper
45.1 × 55.6 cm (17¾ × 21₇⁄₈ inches)
Signed lower centre, Jean Dufy Executed circa 1948-1950
Provenance
Galerie Käte Perls, Paris/New York (titled Cirques)
Christie’s New York, 26th February 1990 (titled Le Cirque) Private collection, Germany
Literature
Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated)
Oil on canvas
60 × 81 cm (23 ₅⁄₈ × 31₇⁄₈ inches)
Signed and dated lower right, Raoul Dufy 1934
Provenance
Dr. Alexandre Roudinesco, Paris, commissioned from the artist Parke-Bernet Galleries, Inc., New York, 1968, consigned by the above Evelyn Sharp, New York, acquired from the above Sotheby’s New York, 1997, consigned by the above Private collection, California, acquired from the above
Exhibited
Basel, Kunsthalle, Vlaminck, R. Dufy, Rouault, 14 May - 12 June 1938, no. 76
Paris, Galerie Charpentier, Chevaux et cavaliers, 1948, no. 53 Paris, Musée national d’art moderne, Raoul Dufy, 1953, no. 72, pl. XX, illustrated London, The Tate Gallery, Raoul Dufy, 1954, no. 68 Paris, Galerie Bernheim-Jeune-Dauberville, Chefs d’oeuvre de Raoul Dufy, 1959, no. 31, fig. 13, illustrated
New York, The Solomon R. Guggenheim Museum, The Evelyn Sharp Collection, 1978, no. 19, p. 43 (illustrated in colour)
Literature
Marcel Brion, Raoul Dufy: Paintings and Watercolours, London 1958, no. 57, p. 111 (illustrated)
Maurice Lafaille, Raoul Dufy: Catalogue raisonné de l’oeuvre peint, vol. IV, Geneva 1977, no. 1585, p. 150 (illustrated)
Oil on canvas
55 × 46 cm (21₅⁄₈ × 18¹⁄₈ inches)
Signed lower right, Jean Dufy 29
Executed in 1929
Provenance
Private collection, Austria
Oil on canvas
55 × 46 cm (21₅⁄₈ × 18¹⁄₈ inches)
Signed upper right, Kisling
Executed circa 1948
Provenance
Galerie Drouant-David, Paris
Private collection
This work is accompanied by a certificate of authenticity signed by Jean Kisling. It will be included in the forthcoming Catalogue Raisonné de l’Œuvre de Moise Kisling vol.4 currently being prepared by Marc Ottavi.
Oil on masonite
89 × 116 cm (35 × 45½ inches)
Signed upper right, De La Serna; titled on the reverse
Executed circa 1942
Provenance
Sothebys New York, 28th September 1994
Private collection, New York
Literature
C.R. Aguilera, Ismael de la Serna, Barcelona and Paris, 1977, p. 153, no. 209 (illustrated)
Oil and crayon on canvas
22 × 16 cm (8₅⁄₈ × 6¼ inches)
Signed lower right, Kisling
Executed circa 1935
Provenance
Galerie Drouant-David, Paris
Galerie Marcel Bernheim, Paris
Private collection, Tel Aviv
Thence by descent
Literature Jean Dutourd, Kisling 1891-1953, vol. III, Landshut, 1995, no. 90, p. 384 (illustrated)
This work is accompanied by a certificate of authenticity signed by Jean Kisling. It will be included in the forthcoming Catalogue Raisonné de l’Œuvre de Moise Kisling vol.4 currently being prepared by Marc Ottavi.
Oil on canvas
92.5 × 72.7 cm (36³⁄₈ × 28₅⁄₈ inches)
Signed lower right, Kisling
Executed in 1921
Literature
Jean Kisling, Kisling 1891-1953, vol. III, 1995, p. 322, no.71 (illustrated)
The authenticity of the work was confirmed by Marc Ottavi and will be included in the forthcoming catalogue raisonné Tome IV.
Oil on canvas
60 × 73 cm (23₅⁄₈ × 28¾ inches)
Signed lower right, Kisling
Executed in 1919
Full provenance, exhibition list and literature available on demand.
Exhibited
Tokyo Metropolitan Teien Art Museum, Kisling, Grande Figure de l'Ecole de Paris, 20 April - 7 July 2019, later travalled to Okazaki City
Museum, Japan, 27 July - 16 September 2019; Akita Museum of Art, Japan, 22 September - 17 November 2019; Okuda Genso Sayume Art Museum, Japan, 22 February - 25 October 2020
Literature Jean Kisling, Kisling 1891-1953, vol. II, 1982, p.265, no.38 (illustrated)
Watercolour, brush and pen and India ink on paper
40.5 × 49.5 cm (16 × 19½ inches)
Signed and dated lower right, P. DELVAUX 2-28
Executed in February 1928
Provenance
The artist’s family, Belgium
Thence by descent
Exhibited
Huy, L’Église Saint-Mengold & Château à l’Horloge à Huy, Le Pays
Mosan de Paul Delvaux, April - September 1997
Literature
Huy, Musée Communal, Le Pays Mosan de Paul Delvaux, 1997, no. 32, p. 178 (illustrated p. 66; with incorrect dimensions)
This work is accompanied by a certificate of authenticity from the Fondation Paul Delvaux.
Pen, Indian ink and wash on paper
35 × 43.5 cm (13¾ × 7¹⁄₈ inches)
Signed and dated lower right, P. Delvaux 1955
Inscribed on the reverse
Provenance
Christie’s London, 2010
Private collection, London, acquired from the above
Watercolour and pencil on paper
65.15 × 50.2 cm (25¾ × 19¾ inches)
Signed lower left, Marc Chagall
Executed in 1948-1949
Provenance
Private Collection, New York
Hammer Galleries, New York
Private collection, USA, acquired from the above
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache and pastel on paper
33.2 × 25.1 cm (13¹⁄₈ × 9₇⁄₈ inches)
Stamped lower left, Chagall
Executed circa 1954
Provenance
Estate of the artist
Thence by descent
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, tempera, India ink, pastel and graphite on paper
75.8 × 56 cm (29 ₇⁄₈ × 22 inches)
Signed and dated lower right, Chagall 1980
Provenance
Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, watercolour, pastel and coloured wax crayons on paper
65 × 50.7 cm (25₅⁄₈ × 20 inches)
Signed lower left, Marc Chagall
Executed in 1950
Provenance
Private collection, USA, circa 1985
Thence by descent
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Esquisse pour "Commedia dell'arte" (pour le foyer du théâtre de Francfort)
India ink, pen and pencil on paper
26.2 × 36.2 cm (14¼ × 10¼ inches)
Signed and dated upper right, 1958 Marc Chagall, signed again towards the centre, Marc Inscribed centre left, Vence and centre right, Vitebsk
Provenance
Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache on paper laid down on board
58.2 × 47 cm (22₇⁄₈ × 18½ inches)
Signed and dated lower left, Chagall Marc 1950-3
Provenance Estate of the artist
Private collection, acquired from the above in the 1980s Thence by descent
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, India ink and pastel on paper
61 × 48 cm (24 × 18₇⁄₈ inches)
Stamped lower left, Marc Chagall
Executed in November 1971, in Washington
Provenance
Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, pastel, graphite and coloured pencils on paper
52.8 × 33.5 cm (20¾ × 13¼ inches)
Stamped lower right, Marc Chagall
Executed circa 1977-1978
Provenance Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, watercolour and crayon on paper
60.5 × 48.6 cm (23 ₇⁄₈ × 19¹⁄₈ inches)
Signed lower right, Chagall Marc
Executed circa 1938-39
Provenance
Private collection, Switzerland
Thence by descent
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, pastel, ink and collage on paper
50.9 × 32.8 cm (20 × 12₇⁄₈ in)
Stamped Chagall lower right Executed in 1966
Provenance Estate of the artist Private collection, UK
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Indian ink, gouache, coloured pencil, pastel and pencil on paper
36.5 × 27.2 cm (14³⁄₈ × 10¾ inches)
Signed with Estate stamp lower left, Chagall
Executed in 1971
Provenance
Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, pastel, Indian ink and pencil on paper
35.5 × 26.9 cm (14 × 10 ₅⁄₈ inches)
Signed with Estate stamp lower right, Chagall
Executed in 1965
Provenance
Estate of the artist
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Indian ink on paper
35.6 × 26.9 cm (14 × 10 ₅⁄₈ inches)
Signed with Estate stamp lower left, Marc Chagall
Executed in 1958-59
Provenance
Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986
Exhibited
Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die
Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 4th February – 22nd April 1990, no. 100, p. 127 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 40-41 (illustrated)
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache and crayon on Japon paper
56.7 × 76.8 cm (22³⁄₈ × 30¼ inches)
Signed lower right, Chagall Marc
Executed in 1969
Provenance
A Centro Arte Internazionale, Milan
Private collection, Italy
Stern Pissarro Gallery, London
Private collection, Florida, acquired from the above
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, tempera, pastel, coloured crayon and Chinese ink on paper
76.1 × 56.4 cm (30 × 22¼ inches)
Signed with Estate stamp lower left, Marc Chagall
Executed circa 1976
Provenance Estate of the artist
Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida
This work is accompanied by a certificate of authenticity from the Comité Chagall.
Gouache, tempera, pastel and Chinese ink on paper
76.1 × 56.9 cm (30 × 22³⁄₈ inches)
Signed with Estate stamp lower left, Marc Chagall
Executed circa 1978
Provenance Estate of the artist Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida This work is accompanied by a certificate of authenticity from the Comité Chagall.
Oil on canvas
92 × 65 cm (36¼ × 25₅⁄₈ inches)
Signed lower left, Cassigneul
Executed in 1968
Provenance
Private collection, Japan
This work is accompanied by a certificate of authenticity signed by the artist.
Aude
Oil on canvas
50 × 61 cm (19¾ × 24 inches)
Signed lower right, CASSIGNEUL
Executed in 2015
Provenance
Studio of the artist
This work is accompanied by a certificate of authenticity signed by the artist.
Oil on canvas
130 × 97 cm (51¹⁄₈ × 38¼ inches)
Signed lower left, CASSIGNEUL
Executed in 2017
Provenance
Studio of the artist
This work is accompanied by a certificate of authenticity signed by the artist.
Oil on canvas
55 × 46 cm (21₅⁄₈ × 18¹⁄₈ inches)
Signed lower left, CASSIGNEUL.
Executed in 1973
Provenance
Galerie Tamenaga, Japan
Private collection, Japan
This work is accompanied by a certificate of authenticity signed by the artist.
Oil on canvas
89 × 116 cm (35 × 45₅⁄₈ inches)
Signed lower right, Nadal
Signed, titled and dated on the reverse
Executed in 1992
Provenance
The Bruton St Gallery, London
The Collection of Jerome and Bridget Dobson, Atlanta, GA
Exhibited
The Bruton St Gallery, London, Nadal, 18 October - 12 November 1994
Literature Anton Bilton, Carlos Nadal, 1994, p.85 (illustrated)
Chevauchée Maritime
Oil on canvas
60 × 92 cm (23₅⁄₈ × 36¼ inches)
Signed lower right, André Brasilier
Executed in 2014
Provenance
Opera Gallery, Paris
Private collection, France, acquired from the above in 2015
This work is accompanied by a certificate of authenticity from the artist’s studio.
Oil on canvas
60.4 × 73 cm (23¾ × 28¾ inches)
Signed and dated lower right, C. Pissarro 81
Provenance
Galerie Durand-Ruel, Paris, acquired in July 1886
Durand-Ruel Galleries, New York
Mr and Mrs Byron de Witt Miller, USA, acquired from the above in April 1947
A New England Institution, bequeathed from the above Christie’s, New York, 1991
Private collection, Switzerland, purchased at the above sale
Private collection, thence by descent
Exhibited
New York, Durand-Ruel Galleries, Paintings by Camille Pissarro. Views of Rouen, 1897, no. 22
New York, Durand-Ruel Galleries, Paintings by Camille Pissarro, 1903, no. 10
New York, Durand-Ruel Galleries, Exhibition of Paintings by Camille Pissarro in Retrospect, 1933. no. 20
Literature
Ludovic-Rodo Pissarro & Lionello Venturi, Camille Pissarro. Son artson oeuvre, Paris, 1939. vol. I, no. 536, p. 156; vol. II, illustrated pl. 109
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro. Catalogue critique des peintures, Paris, 2005, vol. II, no. 650, illustrated in colour p. 433
Berck, groupe de pêcheuses assises sur la grève
Oil on paper laid down on panel 19 × 31.1 cm (7½ × 12¼ inches)
Signed and dated lower left, 75. - E. Boudin and inscribed lower right, Berck
Literature
Robert Schmit, Eugène Boudin (1824-1898), Premier supplément, Paris, 1984, no. 3711, illustrated p. 25
L'Anse des Pilotes, après-midi, temps ensoleillé, Le Havre
Oil on canvas
46 × 55 cm (18¹⁄₈ × 21₅⁄₈ inches)
Signed and dated lower left, C. Pissarro. 1903
Full provenance, exhibition and literature available on demand.
Literature
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, Paris, 2005, vol. III, p. 910, no. 1505 (illustrated in colour)
Exhibited
Atlanta, High Museum of Art, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, October 2014 - January 2015
Tête de vieux paysan
Tempera and pastel on paper
53 × 44 cm (20 ₇⁄₈ × 17³⁄₈ inches)
Stamped lower right, C.P.
Executed circa 1879
Full provenance available on demand.
Literature L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 1327, p. 265; vol. II, no. 1327, pl. 260
La servante assise dans le jardin d'Eragny
Oil on canvas
60 × 75 cm (23₅⁄₈ × 29½ inches)
Signed C. Pissarro, dated 84 and dedicated à l'ami Nunes lower right
Full provenance available on demand.
Exhibited
Oxford, Ashmolean Museum of Art and Archaeology, 2012 (on loan)
Literature
Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro son art - son oeuvre, Paris, 1939, vol. I, no. 655; vol. II, no. 655, pl. 135, illustrated Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, vol. III, Paris, 2005, no. 770, p. 510, illustrated in colour
Oil on canvas
33 × 41 cm (13 × 16¹⁄₈ inches)
Signed lower right, C. Pissarro 97
Provenance
Galerie Durand-Ruel, Paris, acquired directly from the artist, 3rd February 1897, titled Près la Gare de St. Lazare, les Omnibus, no. 4072
Oscar Schmitz, Dresden & Zürich, acquired from the above, 15th February 1900 (the present work was one of the fiftyseven artworks deposited at the Kunsthaus, Zürich on 20th October 1931)
Estate of Oscar Schmitz [Edward A. Schmitz], by 1933 (the painting remained in the care of the Kunsthaus, Zürich, after which the Schmitz Estate transferred the collection to the Kunstmuseum, Basel on 22nd February 1934)
Wildenstein & Co., Paris, acquired from the above by 1936 (amongst sixty-two other French works from the collection)
Mme Henri Goldet, Paris, acquired from the above, November 1936
Bertrand Vernes, Paris, by descent from the above, 1973
Private collection, London, by descent from the above, 2014
Private collection, Switzerland, acquired from the above
Exhibited
Zürich, Kunsthaus, Sammlung Oscar Schmitz (Dresden-Zürich): Französische Impressionisten aus Verschiedenem Besitz, 1932, p. 11, no. 56 (titled Près de la gare de Saint-Lazare)
Zürich, Kunsthaus, Französische Maler des XIX Jahrhunderts, 1933, p. 9, no. 27 (titled Beim Bahnhof Saint-Lazare)
Paris, Wildenstein & Co., La Collection Oscar Schmitz: Chefs-d’Œuvre de la Peinture Française du XIXe Siècle, 1936, pp. 106-07 & 142, no. 48 (illustrated)
Paris, Galerie André Weil, Exposition Pissarro, 1950, no. 44 (titled La Place du Havre à Paris, Effet de Pluie)
Literature
P. Fechter, ‘Die Sammlung Schmitz’, in Kunst und Künstler, 1910, p. 21 (titled Die Rue la Pépinière im Regen)
K. Scheffler, ‘Die Sammlung Oskar Schmitz in Dresden’, in Kunst und Künstler, 1920-21, p. 186 (titled Rue de la Pépinière, incorrectly dated 1893)
M. Dormoy, ‘La Collection Schmitz à Dresde’, in L’Amour de l’Art 7, October 1926, p. 342 (titled Place du Havre sous la Pluie)
The Oscar Schmitz Collection, 1936, pp. 106-07, no. 48 (titled The Place du Havre, illustrated)
L. R. Pissarro & L. Venturi, Camille Pissarro, Son Art - Son Œuvre, vol. I, Paris, 1939, no. 982; vol. II, Paris, 1939, pl. 198 (titled La Place du Havre, Paris, Effet de Pluie)
L. Pissarro & J. Rewald, Camille Pissarro: Letters to His Son Lucien, New York, 1943, pp. 306-07
J. Bailly-Herzberg, Correspondance de Camille Pissarro, vol. IV, Paris, 1991, pp. 318-19, 321-22 & 324, nos. 1362, 1365 & 1367
K. Adler, ‘Camille Pissarro. City and Country in the 1890s', in Studies on Camille Pissarro, London & New York, 1987, pp. 99-100
R. R. Bretell & J. Pissarro, The Impressionist and the City, Pissarro’s Series Paintings, New Haven & London, 1992, pp. 51 & 57, no. 42 (titled Place du Havre, Paris: Rain Effect, illustrated)
J. Rewald, Camille Pissarro: Letters to His Son Lucien, Boston, 2002, pp. 306-07
J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. III, Paris, 2005, p. 726, no. 1156 (illustrated)
Oil on canvas
32.4 × 40.9 cm (12¾ × 16¹⁄₈ inches)
Signed and dated lower right, C. Pissarro 1872
Full provenance and exhibition available on demand.
Literature
A. Tabarant, Pissarro, Paris, 1924, pl. 13
L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 161, p. 102; vol. II, no. 161, pl. 32
G. Jedlicka, Pissarro, Bern, 1950, pl. 8
T. Natanson, Pissarro, Lausanne, 1950, pl. 8
R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, 1990, referenced on p. 158
J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 218, no. 274 (illustrated)
Oil on canvas
46.1 × 55.7 cm (18¹⁄₈ × 21₇⁄₈ inches)
Signed and dated lower left, Sisley 90
Full provenance, exhibition and literature available on demand.
Literature François Daulte, Alfred Sisley, Catalogue Raisonné de L'Œuvre Peint, Lausanne, 1959, no. 727 (illustrated)
This work is accompanied by a letter of authenticity from the Comité Sisley and will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte.
Oil on canvas
19.4 × 32.2 cm (7₅⁄₈ × 12₅⁄₈ inches)
Signed lower right, Renoir
Executed circa 1890
Provenance
Galeries Nunes & Fiquet, Paris
André and Olga Wormser, Paris, acquired from the above through Jules Strauss, Paris circa 1920-25
Private collection, France
Thence by descent
This work is accompanied by letter from the Wildenstein-Plattner Institute confirming the work will be included in the forthcoming Renoir digital catalogue raisonné.
Oil on canvas
28 × 45.7 cm (11 × 18 inches)
Signed lower left, Renoir
Executed circa 1910-1911
Provenance
Mme Chavan, Lausanne
Sotheby’s London, 2nd December 1981
Sotheby’s London, 4th February 2004
Richard Green, London
Private collection, acquired from the above in August 2004
Stern Pissarro Gallery, London
Private collection, London, acquired from the above
Literature A.Vollard, Pierre-Auguste Renoir, Tableaux, pastels et dessins, Paris, 1918
G-P. Dauberville and M. Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 19031910, vol 4, no. 2930
This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.
PIERRE-AUGUSTE RENOIR (1841 – 1919)
Oil on canvas
26.1 × 19 cm (10¼ × 7½ inches)
Signed upper right, Renoir
Executed in 1908
Full provenance available on demand.
Literature
Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1903-10, Paris, 2012, vol. IV, no. 3347 (illustrated p. 393)
This work will be included in the forthcoming Pierre-Auguste Renoir digital catalogue raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
Oil on canvas
46 × 56 cm (18¹⁄₈ × 22 inches)
Signed lower left, Renoir
Executed circa 1905
Full provenance available on demand.
Literature
Julius Meier-Graefe, Renoir, Leipzig, 1929, p 300, no. 307
Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1903-1910, Vol. 4, Éditions Bernheim-Jeune, Paris, no. 3066 (illustrated p.222 as 'Vendanges (Cagnes)')
This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.
Oil on canvas
54 × 65 cm (21¼ × 25₅⁄₈ inches)
Signed with monogram and dated lower left, LP 1926
Provenance
Leicester Galleries, London
Lee Malone, New York, acquired from the above in 1964
Private collection, St. Petersburg, Florida, by descent from the above
Exhibited
(Possibly) Leicester Galleries, London, Aquatints and Etchings by Alfred Hartley, R.E. Chelsea Cheyne Figures by Gwendolen Parnell, Paintings and Watercolours by Lucien Pissarro, June-July 1927, no. 24
Leicester Galleries, London, Exhibition of Landscape Paintings by Lucien Pissarro, 1853-1944, February-March 1963, no. 10
Literature
A. Thorold, A Catalogue of the Oil Paintings of Lucien Pissarro, London, 1983, pp. 186-187, no. 420, illustrated in black and white (incorrectly listed as belonging to the Museum of Fine Arts, Springfield, Massachusetts)
Vue de la Côte Normande
Oil on canvas
58 × 69 cm (22 ₇⁄₈ × 27¹⁄₈ inches)
Signed and dated lower right, E. Schuffenecker 90
This work is accompanied by a certificate of authenticity from Mrs Jill Elyse Grossvogel.
Oil on canvas
96.2 × 76.2 cm (37 ₇⁄₈ × 30 inches)
Signed lower right, Lebasque
Executed in 1912
Full provenance available on demand.
Literature
D. Bazetoux, Henri Lebasque: Catalogue raisonné, vol. I, Paris, 2008, no. 559, p. 169 (illustrated; with incorrect dimensions)
Paysage de neige
Oil on canvas
54.5 × 65.5 cm (21½ × 25¾ inches)
Signed and dated lower left, G. Loiseau 1911
Provenance
Galerie Rämi, Zurich
Private collection, Switzerland
This work is accompanied by a photo certificate from Didier Imbert.
Oil on canvas
65 × 81.2 cm (25₅⁄₈ × 32 inches)
Signed lower left, G Loiseau Executed in 1898
Provenance
Wally Findlay Galleries, Palm Beach Private collection, USA, acquired from the above in April 1975
This work is accompanied by a photo certificate from Didier Imbert.
Oil on canvas
33 × 41 cm (13 × 16¹⁄₈ inches)
Signed lower right, Herbin
Executed in 1906
Provenance
Private collection, France
Literature
Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Paris, 1993, no. 89, p. 294
Bourg-Saint-Andéol. Le Pont
Watercolour and graphite on paper
28.2 × 46.5 cm (11¹⁄₈ × 18¼ inches)
Signed lower right, Signac
Executed circa 1927
Provenance
Private collection, France
This work is accompanied by a certificate of authenticity from Marina Ferretti.
Watercolour and graphite on paper
27.8 × 43 cm (11 × 16 ₇⁄₈ inches)
Signed, titled and dated lower left, Concarneau 6 Juin 1929
Provenance
Private collection, France
This work is accompanied by a certificate of authenticity from Marina Ferretti.
Watercolour on paper
29 × 41 cm (11³⁄₈ × 16₁⁄₈ inches)
Signed P. Signac and annoted La Rochelle lower right
Executed circa 1921
This work is accompanied by a certificate of authenticity from Marina Ferretti.
Oil on canvas
68.5 × 96 cm (27 × 37¾ inches)
Signed lower right, Henri Martin
Executed circa 1909-10
Provenance
Jacques Martin-Ferrières, Paris (son of the artist)
Private Collection, France, acquired from the above
Christie's, New York, 2018
Private collection, acquired from the above
This work is accompanied by a certificate from Madame Marie-Anne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné currently being prepared.
Oil on canvas
64.8 × 45.7 cm (25½ × 18 inches)
Signed lower right, Henri Martin
Full provenance available on demand.
This work is accompanied by a certificate from Madame Marie-Anne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné currently being prepared.
Oil on canvas
117 × 95 cm (46 × 37³⁄₈ inches)
Signed lower right, Henri Martin
Full provenance available on demand.
Exhibited
Probably: Galerie Georges Petit, Paris, circa 1920-1926
(inscribed on Robinot Frères shipping label verso)
Exhibition of French Contemporary Painting, Leicester Galleries, London, July-August 1927
Literature
The Studio: An Illustrated Magazine of Fine and Applied Art, Vol. 95, London Offices of The Studio, London, 1928, pp. 39 (illustrated), 46 (as ‘The Church of La Bastide’ Leicester Galleries)
This work is accompanied by a certificate from Madame MarieAnne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné currently being prepared.
Oil on canvas
46 × 61 cm (17 ₇⁄₈ × 24 inches)
Signed lower right, A Guillaumin
Executed circa 1874
Provenance
E. Blot Collection, Paris
Galerie Brame & Lorenceau, Paris
Chateau de Villers-Helon, France
Private collection, UK
Stern Pissarro Gallery, London
Private collection, UK, acquired from the above
Literature
G. Serret & D. Fabiani, Armand Guillaumin 1841 - 1927, catalogue raisonné de l'oeuvre peint, Paris, 1971, no. 27 (illustrated n.p.)
Oil on canvas
60 × 82 cm (23₅⁄₈ × 32¼ inches)
Signed and dated lower left, G. Cariot 1929
Provenance
Private collection, France
The authenticity of this work has been confirmed by Tess and Norbert Saffar and will be included in the online catalogue raisonné of Gustave Cariot currently in preparation.
1934)
Oil on canvas
60 × 80 cm (23½ × 31½ inches)
Signed lower right, Isaac Israels
Provenance
Kunsthandel Fr. Buffa, Amsterdam, 1915
Exhibited
Buffa, Amsterdam, Issac Israels: Bern, Fribourg, London, 1915, illus., no. 18
Oil on panel
73 × 42 cm (28¾ × 16½ inches)
Signed and dated lower left, M.Liebermann 84
Provenance
Private collection
Christie’s London, 2004 (consigned by the above)
Private collection, acquired from the above
This work is registered in the Max Liebermann Archive, Berlin.
EPSTEIN (1892 – 1944)
Oil on canvas
55 × 81 cm (21₅⁄₈ × 31₇⁄₈ inches)
Signed lower left, H Epstein
Provenance
Private collection, Israel
Oil on canvas
54 × 65 cm (21¼ × 25₅⁄₈ inches)
Signed and dated lower right, Kikoïne 1951
Provenance
Private collection, France
Exhibited
Galerie Romanet, Paris, May - June 1957, no. 39
Château Musée de Cagnes-sur-Mer, April - June 1962, no. 12
Galerie Jacques Chalom, Paris, March - April 1963
Literature J. Cassou, Kikoïne, Lausanne, 1973, no. 393 (illustrated p. 296)
Oil on canvas
73.1 × 92 cm (28¾ × 36¹⁄₈ inches)
Signed lower right, Pascin
Executed in 1927, Boulevard de Clichy, Paris
Provenance
Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928
Pierre Blum, Paris, acquired from the above in1952
Perls Galleries, New York, no. 13565
Private collection, Osaka
Sotheby’s, New York, 14th May 1998
Peter Findlay Gallery Inc., New York
Private collection, USA, acquired from the above in June 2011
Literature
Luis Seoane, Pascin, Editorial Poseidon, Buenos Aires, 1944, 1st ed., no. 25, p. 64 (illustrated and titled Mujer Desnuda Tendida) Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)
Oil on cradled panel
51.3 × 76.2 cm (20¼ × 30 inches)
Signed lower right, Maurice. Utrillo. V.
Executed circa 1918
Provenance
Galerie Marcel Bernheim, Paris
Weill Collection, Zürich
Galerie Römer, Zürich, no. 53
Private collection, Zürich, acquired from the above in 1963, until at least 1982
Private collection, thence by descent
Exhibited
Bern, Kunstmuseum, Maurice Utrillo, 19th January - 17th March 1963, no. 67 (illustrated)
Literature
Paul Pétridès, L'Œuvre Complet de Maurice Utrillo, Paris, 1962, vol. II, no. 739, p.226 (illustrated n.p.)
This work is accompanied by a certificate of authenticity from the Comité Utrillo.
Oil on canvas
64 × 51.5 cm (25¼ × 20¼ inches)
Signed lower right, Vlaminck
Executed in 1914-15
This work is accompanied by a certificate from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné as well as a certificate from the “Vlaminck Archives” issued by Madame Godelieve de Vlaminck, in collaboration with Madame Pascale Krausz.
Oil on canvas
64.8 × 81 cm (25½ × 31₇⁄₈ inches)
Signed lower left, Vlaminck
Provenance
Christie's, New York, 2005
Private collection, USA, acquired from the above
Christie's, New York, 2013
Stern Pissarro Gallery, London, acquired from the above
Private collection, UK, acquired from the above
This work is accompanied by a letter from the Wildenstein Institute dated 21st March 2005 stating that it will be included in the forthcoming Catalogue Raisonné de l'oeuvre de Maurice de Vlaminck being prepared the Wildenstein Institute.
Pastel on paper
50 × 70 cm (19¾ × 27½ inches)
Signed lower left
Executed in 1911
Provenance
Private collection, Israel
Oil on canvas
20.3 × 26 cm (8 × 10¼ inches)
Signed, dated twice and titled on the reverse Executed in 1972
Provenance
Sidney Janis Gallery, New York
Private collection, USA, acquired from the above
Exhibited
Paris, Galerie Des 4 Mouvements, Tom Wesselmann: Peintures, 7 March - 31 March 1974, no. 13 (illustrated)
This work is registered under number 72-9 in the archive of the Tom Wesselmann Estate, New York.
Water-soluble wax pastel, ink and red thread on paper
20 × 39.5 cm (5½ × 7 ₇⁄₈ inches)
Signed lower left
Provenance
Kenji Taki Gallery, Nagoya, Japan
Exhibited
Kenji Taki Gallery, Lost exhibitions - Where should I put my feelings, 6 November - 5 December 2020
Gouache and pigment on paper
120.7 × 151.8 cm (47½ × 59¾ inches)
Signed and dated on the reverse, Anish Kapoor 2007
Provenance
Regen Projects, Los Angeles
Private collection, USA, acquired from the above
Exhibited
Los Angeles, Regen Projects, Anish Kapoor: Drawings, January-February 2009
YAYOI KUSAMA (b. 1929)
Ink, pastel, felt pen on paper
55 × 39.8 cm (21₅⁄₈ × 15 ₅⁄₈ inches)
Signed, titled and dated lower left, Yayoi Kusama 1975
This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
Spray paint on cardboard
50.8 × 65.2 cm (20 × 25 ₅⁄₈ inches)
Signed and dated lower left, Yayoi Kusama 1978
Signed and dated again on the reverse
Provenance
Ota Fine Arts, Tokyo
Private collection, Japan, acquired from the above
This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
Oil and varnish on paper
55.5 × 55 cm (21₇⁄₈ × 21₅⁄₈ inches)
Signed and dated on the reverse, Anish Kapoor 1989
Provenance
Lisson Gallery, London
Sotheby's London, 6 February 2009
Private collection, London, acquired at the above sale
Exhibited
London, Tate Gallery, Anish Kapoor Drawings, 3 October - 10 February 1991, no. 72, p. 58 (illustrated)
YAYOI KUSAMA (b. 1929)
Gouache and pastel on paper
27.7 × 20.3 cm (10 ₇⁄₈ × 8 inches)
Signed, titled and dated 1952 on the reverse
This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.
DAVID HOCKNEY (b. 1937)
Pencil and coloured crayon on paper
35.5 × 28 cm (14 × 11 inches)
Titled, monogrammed and dated lower right Stage. DH. 64. Executed in 1964
Untitled Oil on canvas
Diptych 122 × 122 cm (48 × 48 inches) each 61 × 61cm (24 × 24 inches)
Signed and dated on the stretcher, Anish Kapoor 2000
Provenance Galleria Massimo Minini, Brescia, acquired from the above
COETZEE
Oil, ping pong balls and mixed media on canvas
100 × 80.5 cm (39₃⁄₈ × 31¾ inches)
Signed and dated on the verso, Milan. 1960. October
Acrylic and paper collage on paper
57.2 × 81.3 cm (22½ × 32 inches)
Stamped on the reverse with Sam Francis Estate logo
Executed in 1990
Provenance
Private collection, Netherlands
Private collection, USA
Exhibited
St. Paul de Vence, Guy Pieters Gallery, Sam Francis, July - August 2003 (illustrated in colour)
Amsterdam, Museum Jan Van Der Togt, Sam Francis Remembering, November 2004 - January 2005, pp. 138-139 (illustrated in colour)
This work has been registered in the archives of the Sam Francis Foundation under identification number SF90-5PRS.
Acrylic on canvas
147.3 × 104 cm (58 × 41 inches)
Signed lower left, Paul Jenkins
Signed, titled and dated 1984 on the reverse
Acrylic on canvas
76 × 101.5 cm (29 ₇⁄₈ × 40 inches)
Signed, titled and dated 1970 on the reverse
Provenance
Gallerie Iris Wazzau, Davos, Switzerland
Private collection, Cologne, Germany
Acrylic, felt and pencil on cardboard
50 × 65 cm (19¾ × 25₅⁄₈ inches)
Signed lower right, Tàpies
Executed in 1978
Provenance
Galeria Joan Prats, Barcelona
Private collection, Basel
Private collection
Literature
Anna Agustí, Tàpies. Obra Completa vol. 4. 1976-1981, Poligrafa S.A., Barcelona, 1995, p. 158, n. 3401.
Wo Alu und Honig Fließen
Fire gouache with aluminium on cardboard
99 × 64 cm (39 × 25¼ inches)
Signed and dated lower right, O Piene 72 and titled lower left
Gouache on paper
57 × 77 cm (22½ × 30¼ inches)
Signed, dated and dedicated lower right, à Marie Paule et Jean Leymarie Calder 69
Provenance
Studio of the artist, Saché, France
Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Private collection, thence by descent
This work is registered in the archives of the Calder Foundation, New York, under application number A28172.
Charcoal with pencil and colour pen on paper
31 × 24.5 cm (12¼ × 9₅ ⁄₈ inches)
Signed and date lower left, Estève 60
Provenance
Private collection, Germany
This work is registered in the archives of Mrs Monique Prudhomme-Estève under D.556 - 1960.
Acrylic on canvas
61 × 50 cm (24 × 19¾ inches)
Signed lower left, Paul Jenkins
Executed in 1998-2001
Literature
Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated)
Acrylic on canvas
97.2 × 130.2 cm (38¼ × 51¼ inches)
Signed lower right, Paul Jenkins
Signed, titled and dated 1993 on the reverse
Provenance
Private collection, New York, acquired directly from the artist
Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape
35.5 × 56 cm (14 × 22 inches)
Signed and dated lower left and inscribed on the reverse, Christo 1998
Provenance
Private collection, Germany
This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.
Bronze with black patina
66.4 × 57.1 × 35.6 cm (26¹⁄₈ × 22½ × 14 inches)
Signed, dated and inscribed, CHADWICK 73 660 2/6
Executed in 1973
Edition 2 of 6
Full provenance, exhibition list and literature available on demand.
Literature
D. Farr and E. Chadwick, Lynn Chadwick: Sculptor, With a Complete Illustrated Catalogue 1947-2003, Lund Humphries, 2014, no. 660, illustrated p. 296 (another example illustrated)
Pencil, fabric, twine, charcoal, map, and wax crayon on board
71.1 × 55.9 cm (28 × 22 inches)
Signed centre right, Christo 1979
Provenance Alice M. Kaplan Collection Private collection, New York
This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.
Pencil, wax crayon, charcoal, enamel paint, pastel with fabric and map collage, in two parts
28 × 71 cm (11 × 28 inches); 56 × 71 cm (22 × 28 inches)
Signed and dated upper right, Christo 1983
Provenance
Private collection, Madrid, acquired directly from the artist’s studio in 1984
This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.
Acrylic on paper laid down on canvas
89.7 × 49.5 cm (35¼ × 19½ inches)
Signed with initial lower right, R and titled, AC (Abstract Composition) N Executed in 1972
Provenance
Christie's, London, 1st July 1999
Galerie Roche, Bremen, Germany Kaspar Gallery, Toronto, Canada Private collection, Italy
Exhibited
Zürich, Galerie Maeght, Riopelle, peintures acryliques, gouaches, sculptures, cat. no. 39, 1972 (reproduction error)
Literature
Yseult Riopelle and Tanguy Riopelle, Jean-Paul Riopelle, Tome 5, 1972 – 1979, Catalogue Raisonné, cat. no. 1972.027P.1972, p. 305, illustrated in colour
Oil on canvas
81 × 54 cm (31₇⁄₈ × 21¼ inches)
Signed lower right, LANSKOY
Provenance
Private collection, Germany
This work is accompanied by a certificate of authenticity issued and signed by the artist, as well as a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy.
Oil on canvas
73 × 60 cm (28¾ × 23₅⁄₈ inches)
Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse
Oil on canvas
80.2 × 55.3 cm (31₅⁄₈ × 21¾ inches)
Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse
PAUL JENKINS (1923
Acrylic on canvas
91.44 × 50.8 cm (36 × 20 inches)
Signed lower left, Jenkins
Signed, titled and dated 1964 on the reverse
Provenance
Private collection, USA
Acrylic on canvas
76 × 100 cm (29 ₇⁄₈ × 39³⁄₈ inches)
Signed lower centre, Paul Jenkins
Signed, titled and dated on the reverse
Executed in 1963-64
Provenance
Kenmore Galleries, Philadelphia
Dr. Theodore A. Feinstein collection
Sotheby's New York, 24th February 1995
Crozier Fine Arts, New York
Private collection, New York
Acrylic on paper
127 × 95 cm (50 × 37³⁄₈ inches)
Signed in Japanese and English lower right, inscribed and dated 1992 on the reverse
Provenance
Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998
Dr Giorgio Tosetti, Italy, acquired from the above
Exhibited Paris, Galerie Chozo Yoshii, Hommage à André MalrauxLes voix du Silence, September - November 1997
Literature
G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)
Aggregation 03-S139C
Mixed media on Korean mulberry paper
100 × 80 cm (39³⁄₈ × 31½ inches)
Signed, titled and dated 2003 on the reverse
Provenance
Private collection, Korea
Ten glazed porcelain vessels
Largest 9.2 cm in height by 19.9 cm in diameter (3₅⁄₈ × 7 ₇⁄₈ inches)
Impressed with the artist's seal on the underside of each vessel
Executed in 2004
Provenance
Private collection, United Kingdom, acquired directly from the artist
Exhibited
Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102-103 (illustrated)
Polyurethane foam
30 × 31 × 16 cm (11¾ × 12¼ × 6¼ inches)
Executed in 1968
Provenance
Studio of the Artist, Paris
Alina Eshkol (Helman), cousin of the artist, acquired directly from the above in the 1970s, Israel Private collection Israel, thence by descent
This work is registered in the archives of the Galerie Loevenbruck.
Mixed media and collage on paper
92 × 63 cm (36¼ × 24¾ inches)
Signed upper left, M Tamir
Provenance
Private collection, Switzerland
CASSIGNEUL JEAN-PIERRE 48, 49, 50, 51
CHADWICK LYNN 113
CHAGALL MARC 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47
CHRISTO 112, 114, 115 COETZEE
11, 26
KISLING MOÏSE 25, 27, 28, 29
KUSAMA YAYOI 96, 97, 99
KWANG-YOUNG CHUN 123
GLEIZES
HERBIN
IMAI
18, 19, 21, 73
118, 119, 122
JENKINS PAUL 104, 105, 110,111, 120, 121
KAPOOR ANISH 95, 98, 101 KIKOÏNE MICHEL 85
PISSARRO CAMILLE 55, 57, 58, 59, 60, 61, 62
