Gallery Collection Catalogue 2024

T H E G A L L E RY C O L L E C T I O N Impressionist | Modern | Contemporar y Stern Pissarro Galler y

front cover (detail)

RAOUL DUFY (1877 – 1953)

Le Cirque Oil on canvas 60 × 81 cm (23₅⁄₈ × 31₇⁄₈ inches) Signed and dated lower right, Raoul Dufy 1934 illustrated on page 67

T H E G A L L E RY C O L L E C T I O N PART I Impressionist & Modern

Stern Pissarro Galler y 6 6 ST. J A M E S ’ S ST R E E T, LO N D O N SW 1 A 1 N E , U K TEL: +44 (0)20 7629 6662 EMAIL: STERN@PISSARRO.COM w w w. p i s s a r ro . a r t

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P I E R R E - AU G U ST E R E N O I R (1841 – 1919)

Tête de Femme Blonde Oil on canvas 26.1 × 19 cm (10¼ × 7½ inches) Signed upper right, Renoir Executed in 1908 Full provenance available on demand.

Literature Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1903-10, Paris, 2012, vol. IV, no. 3347 (illustrated p. 393) This work will be included in the forthcoming Pierre-Auguste Renoir digital catalogue raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc. 3

P I E R R E - AU G U ST E R E N O I R (1841 – 1919)

Vue prise des Collettes, Cagnes Oil on canvas 28 × 45.7 cm (11 × 18 inches) Signed lower left, Renoir Executed circa 1910-1911 Literature A.Vollard, Pierre-Auguste Renoir, Tableaux, pastels et dessins, Paris, 1918 G-P. Dauberville and M. Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, 1903-1910, vol 4, no. 2930

Full provenance available on demand.

This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.

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P I E R R E - AU G U ST E R E N O I R (1841 – 1919)

La Cueillette des fruits Oil on canvas 46 × 56 cm (18¹⁄₈ × 22 inches) Signed lower left, Renoir Executed circa 1905 Literature Julius Meier-Graefe, Renoir, Leipzig, 1929, p 300, no. 307 Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1903-1910, Vol. 4, Éditions Bernheim-Jeune, Paris, no. 3066 (illustrated p.222 as 'Vendanges (Cagnes)')

Full provenance available on demand.

This work is accompanied by a letter of authenticity from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of François Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.

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C L AU D E - É M I L E S C H U F F E N E C K E R (1851 – 1934)

Vue de la Côte Normande Oil on canvas 58 × 69 cm (22 ₇⁄₈ × 27¹⁄₈ inches) Signed and dated lower right, E. Schuffenecker 90 This work is accompanied by a certificate of authenticity from Mrs Jill Elyse Grossvogel.

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A L F R E D S I S L E Y (1839 – 1899)

Bords du Loing Oil on canvas 46.1 × 55.7 cm (18¹⁄₈ × 21₇⁄₈ inches) Signed and dated lower left, Sisley 90 Literature François Daulte, Alfred Sisley, Catalogue Raisonné de L'Œuvre Peint, Lausanne, 1959, no. 727 (illustrated)

Full provenance, exhibition and literature available on demand.

This work is accompanied by a letter of authenticity from the Comité Sisley and will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte.

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P I E R R E - AU G U ST E R E N O I R (1841 – 1919)

Paysage Oil on canvas 20 × 35 cm (7 ₇⁄₈ × 13¾ inches) Signed lower right, Renoir Executed in 1916 Provenance Renoir Estate Ohana Gallery, London Arild Wahlstrøm, Oslo Thence by descent

Literature Bernheim-Jeune, ed., L'Atelier de Renoir, Paris, 1931, vol. II, no. 574 (illustrated, pl. 181) Guy-Patrice and Michel Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, 1911-19, 1er supplément, Tome V, 2014 Éditions Bernheim-Jeune, Paris, no. 3814 (illustrated p.120) 8

P I E R R E - AU G U ST E R E N O I R (1841 – 1919)

Paysage Oil on canvas 21.3 × 30.3 cm (8³⁄₈ × 11¹⁄₈ inches) Signed lower left, Renoir.

Executed in 1910 -12 Provenance Henry Lévy, Strasbourg Hélène Lucie Léby, by descent Bertrand-Charles Leary, by descent Private collection, Paris, by descent from the above This work is accompanied by letter from the Wildenstein-Plattner Institute confirming the work will be included in the forthcoming Renoir digital catalogue raisonné.

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E U G È N E B O U D I N (1824 – 1898)

Dunkerque, le vieux bassin Oil on canvas 46 × 65.2 cm (18¹⁄₈ × 25₅⁄₈ inches) Signed, dated and inscribed lower left, Dunkerque. E. Boudin. 89 Provenance Galeries Durand-Ruel, Paris, acquired from the artist on the 26th June 1891 Watson Art Galleries, Montréal, acquired from the above Parke-Bernet, New York, 13th May 1970 Private collection, France, acquired circa 2000 Thence by descent 10

Exhibited Paris, Galeries Durand-Ruel, Exposition de tableaux par Boudin, December 1926 - January 1927, no. 2

Literature Robert Schmit, Catalogue Raisonné de l'Oeuvre peint d'Eugène Boudin, 1824-1898, vol. 3, Imprimerie Union, Paris, 1973, illustrated p. 8, no. 2562

CA M I L L E P I SS A R R O (1830 – 1903)

Bords de l’Oise, Environs de Pontoise Oil on canvas 32.4 × 40.9 cm (12¾ × 16¹⁄₈ inches) Signed and dated lower right, C. Pissarro 1872 Literature A. Tabarant, Pissarro, Paris, 1924, pl. 13 L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 161, p. 102; vol. II, no. 161, pl. 32 G. Jedlicka, Pissarro, Bern, 1950, pl. 8 T. Natanson, Pissarro, Lausanne, 1950, pl. 8

R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, 1990, referenced on p. 158 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 218, no. 274 (illustrated)

Full provenance and exhibition available on demand.

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CA M I L L E P I SS A R R O (1830 – 1903)

La Place du Havre, Effet de Pluie Oil on canvas 33 × 41 cm (13 × 16¹⁄₈ inches) Signed lower right, C. Pissarro 97 Literature J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. III, Paris, 2005, p. 726, no. 1156 (illustrated)

Full provenance, exhibition and literature available on demand.

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CA M I L L E P I SS A R R O (1830 – 1903)

L'Anse des Pilotes, après-midi, temps ensoleillé, Le Havre Oil on canvas 46 × 55 cm (18¹⁄₈ × 21₅⁄₈ inches) Signed and dated lower left, C. Pissarro. 1903 Literature Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro: Catalogue critique des peintures, Paris, 2005, vol. III, p. 910, no. 1505 (illustrated in colour)

Exhibited Atlanta, High Museum of Art, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, October 2014 - January 2015

Full provenance, exhibition and literature available on demand.

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A R M A N D G U I L L A U M I N (1841 – 1927)

La Seine à Paris Oil on canvas 46 × 61 cm (17 ₇⁄₈ × 24 inches) Signed lower right, A Guillaumin Executed circa 1874 Provenance E. Blot Collection, Paris Galerie Brame & Lorenceau, Paris Chateau de Villers-Helon, France Private collection, UK Stern Pissarro Gallery, London Private collection, UK

Literature G. Serret & D. Fabiani, Armand Guillaumin 1841 - 1927, catalogue raisonné de l'oeuvre peint, Paris, 1971, no. 27 (illustrated n.p.)

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H E N R I M A RT I N (1860 – 1943)

Vue de la Salute à Venise Oil on canvas 76.2 × 66 cm (30 × 26 inches) Signed lower left, Henri Martin.

Executed circa 1910 This work is accompanied by a certificate of authenticity by Marie-Anne Destrebecq-Martin confirming its inclusion in the forthcoming catalogue raisonné.

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PAU L S I G N AC (1863 – 1935)

Bourg-Saint-Andéol. Le Pont Watercolour and graphite on paper 28.2 × 46.5 cm (11¹⁄₈ × 18¼ inches) Signed lower right, Signac Executed circa 1927 Provenance Private collection, France This work is accompanied by a certificate of authenticity from Marina Ferretti.

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PAU L S I G N A C (1863 – 1935)

Concarneau Watercolour and graphite on paper 27.8 × 43 cm (11 × 16 ₇⁄₈ inches) Signed, titled and dated lower left, Concarneau 6 Juin 1929 Provenance Private collection, France This work is accompanied by a certificate of authenticity from Marina Ferretti.

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H E N R I M AT I SS E (1859 – 1964)

Le Turban Pen and India ink on paper 52.7 × 40 cm (20¾ × 15¾ inches) Signed and dated lower right, Henri Matisse 2/44 Executed in February 1944 Exhibited Montreal, Waddington Galleries, Henri Matisse Paintings, Drawings, Lithographs, Mimosa Rug, 3 April -1 May 1976, no. 15, n.p. (illustrated) London, Victor Waddington, Henri Matisse Paintings, Drawings, Colour Crayons, 9 June -18 July 1976, no. 15, n.p. (illustrated) The authenticity of this work has been confirmed by Georges Matisse.

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E D GA R D E GAS (1834 – 1917)

Trois danseuses Pastel and charcoal on buff-coloured wove paper 43.8 × 58.4 cm (17¼ × 23 inches) Signed lower right, Degas and inscribed upper right, vue de dessus Executed in 1880 Exhibited Los Angeles, County Museum, Edgar Hilarie Germain Degas, March 1958, no. 38, p. 46 (illustrated) Omaha, Joslyn Art Museum; Williamstown, Massachusetts, Sterling and Francine Clark Art Institute; The Baltimore Museum of Art, Degas and the Little Dancer, 7 February, 1998 - 3 January 1999, no. 32, pp. 141, 174 (illustrated, p. 141; titled Study of Three Dancers)

Literature Paul Lafond, Degas, vol. II, Paris, 1919, no. 36 (illustrated) Henri Rivière, Les Dessins de Degas, Paris, 1924, no. 9, pp. 4, 95 (illustrated, p. 95) Paul-André Lemoisne, Degas et son oeuvre, vol. II, Paris, 1946, no.

579, pp. 326–327 (illustrated, p. 327) Lillian Browse, Degas Dancers, London, 1949, pl. 93, pp. 175, 369 (illustrated, p. 175) Jaromír Pečírka, Edgar Degas: pastels, lavis, gouaches, esquisses, Prague, 1963, no. 52, n.p. (illustrated, dated 1885-88) Degas: The Dancers, exhibition catalogue, The National Gallery of Art, Washington, D.C., 1984, fig. 3.5, p. 77 (illustrated, dated circa 1878-1880)

Full provenance available on demand.

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G U STAV E LO I S E A U (1865 – 1935)

Paysage d'Automne à Nesle la Vallée Oil on canvas 65 × 81.2 cm (25₅⁄₈ × 32 inches) Signed lower left, G Loiseau Executed in 1898 Provenance Wally Findlay Galleries, Palm Beach Private collection, USA, acquired from the above in April 1975 This work is accompanied by a photo certificate from Didier Imbert.

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G U STAV E LO I S E A U (1865 – 1935)

Detail

Paysage de neige Oil on canvas 54.5 × 65.5 cm (21½ × 25¾ inches) Signed and dated lower left, G. Loiseau 1911 Provenance Galerie Rämi, Zurich Private collection, Switzerland This work is accompanied by a photo certificate from Didier Imbert.

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I S A AC I S RA Ë LS (1865 – 1934)

Seamstress at the Paquin Studio Pastel on paper mounted on board 34 × 46 cm (13³⁄₈ × 18¹⁄₈ inches) Signed lower right, Isaac Israels Executed circa 1905 Provenance Private collection, London 22

E U G È N E B O U D I N (1824 – 1898)

Berck, groupe de pêcheuses assises sur la grève Oil on paper laid down on panel 19 × 31.1 cm (7½ × 12¼ inches) Signed and dated lower left, 75. - E. Boudin and inscribed lower right, Berck Literature Robert Schmit, Eugène Boudin (1824-1898), Premier supplément, Paris, 1984, no. 3711, illustrated p. 25 23

A R M A N D G U I L L A U M I N (1841 – 1927)

Bords de la Creuse, Crozant Pastel on paper 50 × 61.5 cm (19¾ × 24¼ inches) Signed lower right, Guillaumin Titled and dated Aout 1915 on the reverse Provenance Christie's New York, 1994 Private collection, France This work is accompanied by a certificate of authenticity from the Comité Guillaumin and will be included in the forthcoming Catalogue Raisonné Volume II in preparation by the Comité Guillaumin.

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CA M I L L E P I SS A R R O (1830 – 1903)

Femme et enfant près d’un puit Pastel and charcoal on paper 43.5 × 31 cm (17¼ × 12¼ inches) Signed lower left, C.Pissarro Executed circa 1875 This work is accompanied by an original Attestation of Inclusion from the Wildenstein Institute, and it will be included in the forthcoming Camille Pissarro Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute.

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M A U R I C E D E V L A M I N C K (1876 – 1958)

Les Toits rouges Gouache, watercolour and brush and ink on paper laid down on board 46 × 55 cm (18¹⁄₈ × 21³⁄₈ inches) Signed lower right, Vlaminck Executed circa 1950 Provenance (Possibly) Galerie Le Centaure, Brussels Galerie Georges Giroux, Brussels, 1955 Georges & Jacqueline Herbin, France, and thence by descent Private collection, France This work will be included in the forthcoming Maurice de Vlaminck Digital Database, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc. 26

M AU R I C E D E V L A M I N C K (1876 – 1958)

La Route Oil on canvas 64.8 × 81 cm (25½ × 31₇⁄₈ inches) Signed lower left, Vlaminck Provenance Christie's, New York, 2005 Private collection, USA, acquired from the above Christie's, New York, 2013 Stern Pissarro Gallery, London, acquired from the above Private collection, UK, acquired from the above This work is accompanied by a letter from the Wildenstein Institute dated 21st March 2005 stating that it will be included in the forthcoming Catalogue Raisonné de l'oeuvre de Maurice de Vlaminck being prepared the Wildenstein Institute.

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M O Ï S E K I S L I N G (1891 – 1953)

Paysage de Provence Oil on canvas 92.5 × 72.7 cm (36³⁄₈ × 28₅⁄₈ inches) Signed lower right, Kisling Executed in 1921 Literature Jean Kisling, Kisling 1891-1953, vol. III, 1995, p. 322, no.71 (illustrated) The authenticity of the work was confirmed by Marc Ottavi and will be included in the forthcoming catalogue raisonné Tome IV. 28

M AU R I C E D E V L A M I N C K (1876 – 1958)

Le Guéridon au Vase de Fleurs Oil on canvas 64 × 51.5 cm (25¼ × 20¼ inches) Signed lower right, Vlaminck Executed in 1914-15 This work is accompanied by a certificate from the Wildenstein Institute confirming its inclusion in the forthcoming catalogue raisonné as well as a certificate from the “Vlaminck Archives” issued by Madame Godelieve de Vlaminck, in collaboration with Madame Pascale Krausz.

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A R M A N D G U I L L A U M I N (1841 – 1927)

Madame Guillaumin et sa fille à Pontcharra, la Courrerie Oil on canvas 81 × 65 cm (31₇⁄₈ × 25₅⁄₈ inches) Signed lower left, Guillaumin.

Executed circa 1901 The work is accompanied by a certificate from Mr Dominique Fabiani and a certificate from the Comite Guillaumin.

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H E N R I L E B AS Q U E (1865 – 1937)

Femmes et Enfants dans un Jardin en Été Oil on canvas 96.2 × 76.2 cm (37 ₇⁄₈ × 30 inches) Signed lower right, Lebasque Executed in 1912 Literature D. Bazetoux, Henri Lebasque: Catalogue raisonné, vol. I, Paris, 2008, no. 559, p. 169 (illustrated; with incorrect dimensions)

Full provenance available on demand.

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I S A AC I S RA Ë LS (1865 – 1934)

Fontaine St. Anne, Fribourg (Switzerland) Oil on canvas 60 × 80 cm (23½ × 31½ inches) Signed lower right, Isaac Israels Provenance Kunsthandel Fr. Buffa, Amsterdam, 1915

Exhibited Buffa, Amsterdam, Issac Israels: Bern, Fribourg, London, 1915, illus., no. 18 32

M AU R I C E U T R I L LO (1883 – 1955)

Place Jean-Baptise-Clément Oil on cradled panel 51.3 × 76.2 cm (20¼ × 30 inches) Signed lower right, Maurice. Utrillo. V. Executed circa 1918 Provenance Galerie Marcel Bernheim, Paris Weill Collection, Zürich Galerie Römer, Zürich, no. 53 Private collection, Zürich, acquired from the above in 1963, until at least 1982 Private collection, thence by descent

Exhibited Bern, Kunstmuseum, Maurice Utrillo, 19th January - 17th March 1963, no. 67 (illustrated)

Literature Paul Pétridès, L'Œuvre Complet de Maurice Utrillo, Paris, 1962, vol. II, no. 739, p.226 (illustrated n.p.)

This work is accompanied by a certificate of authenticity from the Comité Utrillo.

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I SM A E L D E L A S E R N A (1898 – 1968)

Jeune Fille à l'Accordéon Oil on masonite 89 × 116 cm (35 × 45½ inches) Signed upper right, De La Serna; titled on the reverse Executed circa 1942 Provenance Sothebys New York, 28th September 1994 Private collection, New York

Literature C.R. Aguilera, Ismael de la Serna, Barcelona and Paris, 1977, p. 153, no. 209 (illustrated) 34

J U L E S PAS C I N (1885 – 1930)

Rebecca Couchée Oil on canvas 73.1 × 92 cm (28¾ × 36¹⁄₈ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris

Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above in June 2011

Provenance

Literature

Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above in1952 Perls Galleries, New York, no. 13565 Private collection, Osaka

Luis Seoane, Pascin, Editorial Poseidon, Buenos Aires, 1944, 1st ed., no. 25, p. 64 (illustrated and titled Mujer Desnuda Tendida) Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)

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G E O R G E S B RA Q U E (1882 – 1963)

Théière et Citron Oil on panel 22.5 × 25 cm (8₇⁄₈ × 9₇⁄₈ inches) Signed lower left, G. Braque Executed in 1947 Provenance Perls Galleries, New York Fujikawa Galleries, Osaka, Japan Private collection, Spain

Literature N. S. Mangin, Catalogue de l’Œuvre de Georges Braque: Peintures 1924-1927, p. 116 (illustrated) 36

LO U I S M A R CO U SS I S (1878 – 1941)

La Seine et la Tour Eiffel, vue d'un Balcon Oil on canvas 33 × 66 cm (13 × 26 inches) Signed lower left, Marcoussis Executed in 1925 Provenance Alice Halicka, Paris (Madame Louis Marcoussis, by descent) Blanche Fabry Tézé, New York Stern Pissarro Gallery, London Private collection, Austria, acquired from the above

Exhibited Paris, Galerie Pierre, Peintures, gouaches et fixés de Louis Marcoussis, April-May 1925, no. 20 This work is accompanied by a certificate of authenticity from Alice Marcoussis (née Halicka), the artist's wife, dated July 3rd, 1973.

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G E O R G E S V A L M I E R (1885 –1937)

Nature morte sur une table ronde Gouache on paper mounted on cardboard 14 × 17 cm (5½ × 6¾ inches) Signed and date lower right, G. VALMIER 1927 Provenance Amaury and Flore de La Moussaye, Paris Private collection, Europe

Literature D. Bazetoux, Georges Valmier. Catalogue Raisonné, Editions Noème, Paris, 1993, p. 152, no. 521 (illustrated in black and white) 38

H E N R I H AY D E N (1883 – 1970)

Nature Morte à la Bouteille de Porto Oil on canvas 100 × 65.1 cm (39₃⁄₈ × 255 ⁄ 8 inches) Signed and dated lower right, Hayden 1921 This work is accompanied by a certificate of authenticity from Laurence Le Cieux.

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A U G U ST E H E R B I N (1882 – 1960)

Composition cubiste Colour pencil and pencil on paper 16.5 × 12.7 cm (6½ × 5 inches) Signed lower right, herbin Executed in 1918 This work is accompanied by a certificate of authenticity from Laurent Claisse.

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I SM A E L D E L A S E R N A (1898 – 1968)

Still Life with Violin Oil on canvas 81 × 65 cm (31₇⁄₈ × 25₅⁄₈ inches) Signed lower centre, La Serna Executed circa 1930 Provenance Private collection, Spain 41

A U G U ST E H E R B I N (1882 – 1960)

Nuit, Voile n. 4 Ink and gouache on paper 26 × 35 cm (10¼ × 13¾ inches) Signed and dated lower right, Herbin 1943 and titled lower left, “nuit, voile no 4” Provenance Private collection, France Private collection, Germany This work is accompanied by a certificate of authenticity from Laurent Claisse.

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AU G U ST E H E R B I N (1882 – 1960)

Réalité spirituelle 34 × 26 cm (13³⁄₈ × 10¼ inches) Gouache on cardboard Signed and dated lower right, herbin 40 Executed in 1940 This work is accompanied by a certificate of authenticity from Laurent Claisse.

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A U G U ST E H E R B I N (1882 – 1960)

VENUS I Oil on canvas 100 × 81 cm (39³⁄₈ × 31₇⁄₈ inches) Signed and dated lower left, vénus - herbin 1945 Exhibited Provenance Private collection, Stockholm Galerie des Etats-Unis, S.Stoliar, Cannes Sotheby's London, 2002 Dorval Gallery, Lille Private collection, France 44

Cannes, Galerie des Etats-Unis, 1965, no. 29

Literature Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Paris, 1993, no. 846, (illustrated in black and white p. 429)

AU G U ST E H E R B I N (1882 – 1960)

Printemps Oil on wood 130 × 162 cm (51¹⁄₈ × 63¾ inches) Titled, signed and dated lower right Executed in 1955 Provenance Galerie Denise René, Paris Galerie Melki, Paris Private collection, Germany

Kunstverein Freiburg, 1958 Galerie Denise René, Paris, 1960, no. 7 Arhus Kunst Galleri, Copenhagen, 1962, no. 52 Galerie Denise René, Paris, 1972 Museo de Arte Contemporaneo de Caracas, Venezuela, 1978, no. 41 Musée Municipal, Cambria, 1980, no. 91 Galerie Melki, Paris, 1987 Albright-Knox Art Gallery, New York

Exhibition Galerie Denise René, Paris, 1955, no. 11 Société Auxiliaire des Expositions du Palais des Beaux-Arts, Brussels, 1956 (label), no. 71

Literature Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Lausanne, 1993, no. 990, (illustrated) 45

L É O P O L D S U RV A G E (1879 – 1968)

Porteuse

46

Oil on canvas 100 × 81.3 cm (39³⁄₈ × 32 inches) Signed and dated lower right, Survage 62

Exhibited

Provenance

Paris, Galerie Lucie Weill, Survage, 5th March 6th April 1963, no. 8

Estate of the artist Private collection, New York, acquired from the above, 1968

This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

L É O P O L D S U RV A G E (1879 – 1968)

Ville Oil on canvas 73.4 × 60 cm (28₇⁄₈ × 23₅⁄₈ inches) Signed and dated lower right, Survage 24 Exhibited Troyes, Musée d'Art Moderne et Le Cateau-Cambrésis, Musée Matisse, Survage: Les Années Héroïques, January-June 1993, p. 95 (illustrated in colour; titled, Village à l'Oiseau) This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

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J A N K E L A D L E R (1895 – 1949)

Birds

48

Oil and cement on canvas 61.4 × 46.4 cm (24¹⁄₈ × 18¼ inches) Signed lower right, Adler Executed in 1948

Exhibited

Provenance

Literature

Galerie Charles Lienhard, Zürich, 1959 Gimpel Fils Gallery, London Denham Gallery, UK

Annemarie Heibel, Jankel Adler (1895-1949), Werkverzeichnis der Gemälde, vol. 2, 2016, p. 501, no. WV407 (illustrated in colour)

John Denham Gallery, Jankel Adler, June 9th - June 23rd 1996

M A R I N O M A R I N I (1901 – 1980)

Cavallo e Cavaliere Watercolour on paper 41.8 × 29.6 cm (16½ × 11₅⁄₈ inches) Signed and dated lower right, Marino 1952 Provenance Private collection, Sweden Skajs Antikhandel, Stockholm Private collection, acquired from the above

The work is accompanied by a certificate of authenticity from the Fondazione Marino Marini.

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M A R C C H AGA L L (1887 – 1985)

Fête au Village Gouache and crayon on Japon paper 56.7 × 76.8 cm (22³⁄₈ × 30¼ inches) Signed lower right, Chagall Marc Executed in 1969 Provenance A Centro Arte Internazionale, Milan Private collection, Italy Stern Pissarro Gallery, London Private collection, Florida, acquired from the above This work is accompanied by a certificate of authenticity from the Comité Chagall.

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M A R C C H A GA L L (1887 – 1985)

Deux Profils Verts au Cirque Gouache, pastel, ink and collage on paper 50.9 × 32.8 cm (20 × 12₇⁄₈ in) Stamped Chagall lower right Executed in 1966 This work is accompanied by a certificate of authenticity from the Comité Chagall.

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M A R C C H AGA L L (1887 – 1985)

Repos du clown avec le bouc vert Gouache, India ink and pastel on paper 61 × 48 cm (24 × 18₇⁄₈ inches) Stamped lower left, Marc Chagall Executed in November 1971, in Washington Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

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M A R C C H A GA L L (1887 – 1985)

Célébration du couple à Saint-Paul Gouache, pastel, graphite and coloured pencils on paper 52.8 × 33.5 cm (20¾ × 13¼ inches) Stamped lower right, Marc Chagall Executed circa 1977-1978 Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

53

M A R C C H AGA L L (1887 – 1985)

Couple Allongé au Grand Bouquet Gouache, tempera, pastel and Chinese ink on paper 76.1 × 56.9 cm (30 × 22³⁄₈ inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1978 Provenance Estate of the artist Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida 54

This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A GA L L (1887 – 1985)

Peintre au Chevalet au Bouc Jaune Gouache, tempera, pastel, coloured crayon and Chinese ink on paper 76.1 × 56.4 cm (30 × 22¼ inches) Signed with Estate stamp lower left, Marc Chagall Executed circa 1976 Provenance Estate of the artist Stern Pissarro Gallery, London, acquired directly from the above Private collection, Florida

This work is accompanied by a certificate of authenticity from the Comité Chagall.

55

M A R C C H AGA L L (1887 – 1985)

Esquisse pour "Commedia dell'arte" (pour le foyer du théâtre de Francfort) India ink, pen and pencil on paper 26.2 × 36.2 cm (14¼ × 10¼ inches) Signed and dated upper right, 1958 Marc Chagall, signed again towards the centre, Marc Inscribed centre left, Vence and centre right, Vitebsk Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

56

M A R C C H A GA L L (1887 – 1985)

La Cuillerée Gouache and pencil on paper 21 × 16 cm (8¼ × 6¼ inches) Signed lower right, Chagall and inscribed on the reverse Executed in 1912 Provenance Braswell Galleries, Norwalk Private collection, New York, acquired from the above This work is accompanied by a certificate of authenticity from the Comité Chagall.

57

M A R C C H AGA L L (1887 – 1985)

Portrait de Vava Oil on panel 27 × 18 cm (10₅⁄₈ × 7¹⁄₈ inches) Stamped lower left, Chagall Executed in 1966 Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

58

M A R C C H A GA L L (1887 – 1985)

Résonances de Vitebsk pour la famille Gouache, tempera, India ink, pastel and graphite on paper 75.8 × 56 cm (29 ₇⁄₈ × 22 inches) Signed and dated lower right, Chagall 1980 Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

59

M A R C C H AGA L L (1887 – 1985)

Rêve Nocturne de Deux Clowns en Rouge Indian ink, gouache, coloured pencil, pastel and pencil on paper 36.5 × 27.2 cm (14³⁄₈ × 10¾ inches) Signed with Estate stamp lower left, Chagall Executed in 1971 Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

60

M A R C C H A GA L L (1887 – 1985)

Le Peintre devant “Le Soleil Rouge” Gouache, pastel, Indian ink and pencil on paper 35.5 × 26.9 cm (14 × 10 ₅⁄₈ inches) Signed with Estate stamp lower right, Chagall Executed in 1965 Provenance Estate of the artist This work is accompanied by a certificate of authenticity from the Comité Chagall.

61

M A R C C H AGA L L (1887 – 1985)

Jonas Indian ink on paper 35.6 × 26.9 cm (14 × 10 ₅⁄₈ inches) Signed with Estate stamp lower left, Marc Chagall Executed in 1958-59 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: 62

Gouachen, Aquarelle, Pastelle und Zeichungen, 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 4th February – 22nd April 1990, no. 100, p. 127 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 40-41 (illustrated) This work is accompanied by a certificate of authenticity from the Comité Chagall.

M A R C C H A GA L L (1887 – 1985)

Corbeille au Soleil (Gordes) Gouache, watercolour and crayon on paper 60.5 × 48.6 cm (23 ₇⁄₈ × 19¹⁄₈ inches) Signed lower right, Chagall Marc Executed circa 1938-39 Provenance Private collection, Switzerland Thence by descent This work is accompanied by a certificate of authenticity from the Comité Chagall.

63

PAU L D E LV A U X (1897 – 1994)

Les Deux Femmes India ink and wash on paper 31 × 38 cm (12¼ × 15 inches) Signed lower right, P. DELVAUX Provenance Galerie Isy Brachot, Paris Kristina Paulson François and Georges François, acquired from the above Private collection, Sweden, by descent This work is accompanied by a certificate of authenticity from the Paul Delvaux Foundation.

64

J E A N - P I E R R E CASS I G N E U L (b.1935)

Le Bijou Japonais Oil on canvas 92 × 65 cm (36¼ × 25₅⁄₈ inches) Signed lower left, Cassigneul.

Executed in 1965 This work is accompanied by a certificate of authenticity signed by the artist.

65

J E A N D U F Y (1888 – 1964)

Parade Mexicaine Gouache on paper 45.1 × 55.6 cm (17¾ × 21₇⁄₈ inches) Signed lower centre, Jean Dufy Executed circa 1948-1950 Provenance Galerie Käte Perls, Paris/New York (titled Cirques) Christie’s New York, 26th February 1990 (titled Le Cirque) Private collection, Germany

Literature Jacques Bailly, Jean Dufy Catalogue Raisonné de l’OEuvre, vol.1, Paris 2002, no J.473, p. 261 (illustrated) 66

RAO U L D U F Y (1877 – 1953)

Le Cirque Oil on canvas 60 × 81 cm (23 ₅⁄₈ × 31₇⁄₈ inches) Signed and dated lower right, Raoul Dufy 1934 Provenance Dr. Alexandre Roudinesco, Paris, commissioned from the artist Parke-Bernet Galleries, Inc., New York, 1968, consigned by the above Evelyn Sharp, New York, acquired from the above Sotheby’s New York, 1997, consigned by the above Private collection, California, acquired from the above

Exhibited Basel, Kunsthalle, Vlaminck, R. Dufy, Rouault, 14 May - 12 June 1938, no. 76

Paris, Galerie Charpentier, Chevaux et cavaliers, 1948, no. 53 Paris, Musée national d’art moderne, Raoul Dufy, 1953, no. 72, pl. XX, illustrated London, The Tate Gallery, Raoul Dufy, 1954, no. 68 Paris, Galerie Bernheim-Jeune-Dauberville, Chefs d’oeuvre de Raoul Dufy, 1959, no. 31, fig. 13, illustrated New York, The Solomon R. Guggenheim Museum, The Evelyn Sharp Collection, 1978, no. 19, p. 43 (illustrated in colour)

Literature Marcel Brion, Raoul Dufy: Paintings and Watercolours, London 1958, no. 57, p. 111 (illustrated) Maurice Lafaille, Raoul Dufy: Catalogue raisonné de l’oeuvre peint, vol.

IV, Geneva 1977, no. 1585, p. 150 (illustrated) 67

J E A N D U F Y (1888 – 1964)

Place de la Concorde Gouache and watercolour on paper 48.6 × 63.2 cm (19¹⁄₈ × 24₇⁄₈ inches) Signed lower right, Jean Dufy Executed circa 1955 This work is accompanied by a certificate of authenticity issued by Jacques Bailly and will be included in the forthcoming Catalogue Raisonné vol.3.

68

A N D R É B RAS I L I E R (b. 1929)

Soir d'hiver en Tardenois Oil on canvas 54 × 81 cm (21¼ × 31₇⁄₈ inches) Signed lower right, André Brasilier This work is accompanied by a certificate of authenticity issued by the artist's studio.

69

G U STAV E CA R I OT (1872 – 1950)

Chemin sous bois – Vallée du Walluf – Taunus Oil on canvas 53.3 × 66 cm (21 × 26 inches) Signed, titled and dated 1919 lower right 70

M O Ï S E K I S L I N G (1891 – 1953)

Le Port de Sanary Oil on canvas 60 × 73 cm (23₅⁄₈ × 28¾ inches) Signed lower right, Kisling Executed in 1919 Full provenance, exhibition list and literature available on demand.

Japan, 27 July - 16 September 2019; Akita Museum of Art, Japan, 22 September - 17 November 2019; Okuda Genso Sayume Art Museum, Japan, 22 February - 25 October 2020

Exhibited Tokyo Metropolitan Teien Art Museum, Kisling, Grande Figure de l'Ecole de Paris, 20 April - 7 July 2019, later travalled to Okazaki City Museum,

Literature Jean Kisling, Kisling 1891-1953, vol. II, 1982, p.265, no.38 (illustrated) 71

L É O N G I S C H I A (1903 – 1991)

Composition Oil on canvas 73 × 54 cm (28¾ × 21¼ inches) Signed and dated lower right, GISCHIA 49 72

PART II Post-War & Contemporary

73

74

A N N A W E YA N T (b.1995)

Charlotte Oil on panel 45.7 × 45.7 cm (18 × 18 inches) Signed and dated 2019 on the reverse Provenance 56 Henry, New York Private collection, Hong Kong, acquired from the above 75

A N I S H K A P O O R (b. 1954)

Untitled Oil on canvas Diptych 122 × 122 cm (48 × 48 inches) each 61 × 61cm (24 × 24 inches) Signed and dated on the stretcher, Anish Kapoor 2000 Provenance Galleria Massimo Minini, Brescia, acquired from the above 76

77

A L I N A S Z A P O CZ N I KO W (1926 – 1973)

Ventre-coussin (Belly cushion) Polyurethane foam 30 × 31 × 16 cm (11¾ × 12¼ × 6¼ inches) Executed in 1968 Provenance Studio of the Artist, Paris Alina Eshkol (Helman), cousin of the artist, acquired directly from the above in the 1970s, Israel Private collection Israel, thence by descent This work is registered in the archives of the Galerie Loevenbruck.

78

A N I S H K A P O O R (b. 1954)

Untitled Gouache and pigment on paper 120.7 × 151.8 cm (47½ × 59¾ inches) Signed and dated on the reverse, Anish Kapoor 2007 Provenance Regen Projects, Los Angeles Private collection, USA, acquired from the above

Exhibited Los Angeles, Regen Projects, Anish Kapoor: Drawings, January-February 2009 79

C H I H A R U S H I OTA (b.1972)

Connected to the Universe Water-soluble wax pastel, ink and red thread on paper 20 × 39.5 cm (5½ × 7 ₇⁄₈ inches) Signed lower left Provenance Kenji Taki Gallery, Nagoya, Japan

Exhibited Kenji Taki Gallery, Lost exhibitions - Where should I put my feelings, 6 November - 5 December 2020 80

G E O R G E S M AT H I E U (1921 – 2012)

Matin Ink on paper 56.3 × 76.6 cm (22¹⁄₈ × 30¹⁄₈ inches) Signed and dated lower right, Mathieu 63 Provenance Dominion Gallery, Montreal Private collection, Canada, acquired from the above This work is accompanied by a certificate of authenticity from the Comité Georges Mathieu.

81

V I C TO R V AS A R E LY (1906 – 1997)

LLA Acrylic on canvas 123 × 67 cm (48³⁄₈ × 26¹⁄₈ inches) Signed lower right and dated 1968-73 This work is accompanied by a certificate of authenticity from Pierre Vasarely.

82

DAVID HOCKNEY (b. 1937)

Stage Mixed media on paper 35.5 × 28 cm (14 × 11 inches) Titled, monogrammed and dated lower right Stage. DH. 64.

Executed in 1964 83

V I C TO R V AS A R E LY (1906 – 1997)

Le Jongleur Acrylic on canvas 137.5 × 80.5 cm (54¹⁄₈ × 31¾ inches) Signed lower centre, vasarely.

Executed circa 1985 This work is accompanied by a certificate of authenticity from Pierre Vasarely.

84

YAYO I KU S A M A (b. 1929)

Dress (A) Acrylic, collage and fabric on canvas 22.8 × 16 cm (9 × 6¼ inches) Signed, titled and dated 1996 on the reverse This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

85

YAYO I KU S A M A (b. 1929)

Far End of Silver Clouds Spray paint on cardboard 50.8 × 65.2 cm (20 × 25₅⁄₈ inches) Signed and dated lower left, Yayoi Kusama 1978 Signed and dated again on the reverse Provenance Ota Fine Arts, Tokyo Private collection, Japan, acquired from the above This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

86

YAYO I KU S A M A (b. 1929)

Red River Inside my Eyelids Ink, pastel, felt pen on paper 55 × 39.8 cm (21₅⁄₈ × 15 ₅⁄₈ inches) Signed, titled and dated lower left, Yayoi Kusama 1975 This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

87

YAYO I KU S A M A (b. 1929)

Fire (3) Gouache and pastel on paper 27.7 × 20.3 cm (10 ₇⁄₈ × 8 inches) Signed, titled and dated 1952 on the reverse This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

88

YAYO I KU S A M A (b. 1929)

Dots-Obsession Acrylic on canvas 41 × 32 cm (16¹⁄₈ × 12 ₅⁄₈ inches) Signed, titled and dated 2005 on the reverse This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo.

89

LY N N C H A D W I C K (1914 – 2003)

Winged Figures Version II Bronze with black patina 66.4 × 57.1 × 35.6 cm (26¹⁄₈ × 22½ × 14 inches) Signed, dated and inscribed, CHADWICK 73 660 2/6 Executed in 1973 Edition 2 of 6 Full provenance, exhibition list and literature available on demand.

Literature D. Farr and E. Chadwick, Lynn Chadwick: Sculptor, With a Complete Illustrated Catalogue 1947-2003, Lund Humphries, 2014, no. 660, illustrated p. 296 (another example illustrated) 90

91

PAU L J E N K I N S (1923 – 2012)

Phenomena Spectrum Guardian Acrylic on canvas 76 × 101.5 cm (29 ₇⁄₈ × 40 inches) Signed, titled and dated 1970 on the reverse Provenance Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany 92

A N I S H K A P O O R (b. 1954)

Untitled Oil and varnish on paper 55.5 × 55 cm (21₇⁄₈ × 21₅⁄₈ inches) Signed and dated on the reverse, Anish Kapoor 1989 Provenance Lisson Gallery, London Sotheby's London, 6 February 2009 Private collection, London, acquired at the above sale

Exhibited London, Tate Gallery, Anish Kapoor Drawings, 3 October - 10 February 1991, no. 72, p. 58 (illustrated) 93

C H R I STO (1935 – 2020)

The Gates (Project for Central Park New York City) Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 × 56 cm (14 × 22 inches) Signed and dated lower left and inscribed on the reverse, Christo 1998 Provenance Private collection, Germany This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

94

C H R I STO (1935 – 2020)

The Gates (Project for Central Park, New York City) Pencil, wax crayon, charcoal, enamel paint, pastel with fabric and map collage, in two parts 28 × 71 cm (11 × 28 inches); 56 × 71 cm (22 × 28 inches) Signed and dated upper right, Christo 1983 Provenance Private collection, Madrid, acquired directly from the artist’s studio in 1984 This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

95

C H R I STO (1935 – 2020)

Running Fence (Project for Sonoma and Marin County State of California) Charcoal, pencil, coloured pen, staples, photograph, glue and fabric collage on card laid on board 29 × 40.4 cm (11½ × 15 ₇⁄₈ inches) Signed, titled, dated 1974 and dedicated For Paul Wember Provenance Paul Wember Collection, Germany, gifted from the artist Sotheby's, Paris, Contemporary Art, 28th May 2009 Private collection London, acquired from the above This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

96

C H R I STO (1935 – 2020)

Wrapped Reichstag (Project for Berlin) Pencil, fabric, twine, charcoal, map, and wax crayon on board 71.1 × 55.9 cm (28 × 22 inches) Signed centre right, Christo 1979 Provenance Alice M. Kaplan Collection Private collection, New York This work is accompanied by a certificate of authenticity signed by Jonathan Henery on behalf of the Estate of Christo V. Javacheff.

97

PAU L J E N K I N S (1923 – 2012)

Phenomena Prism Mirror Acrylic on canvas 147.3 × 104 cm (58 × 41 inches) Signed lower left, Paul Jenkins Signed, titled and dated 1984 on the reverse 98

A L E X A N D E R CA L D E R (1898 – 1976)

Composition Gouache on paper 57 × 77 cm (22½ × 30¼ inches) Signed, dated and dedicated lower right, à Marie Paule et Jean Leymarie Calder 69 Provenance Studio of the artist, Saché, France Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Private collection, thence by descent This work is registered in the archives of the Calder Foundation, New York, under application number A28172.

99

A N D R É L A N S KOY (1902 – 1976)

Composition Oil on canvas 81 × 54 cm (31₇⁄₈ × 21¼ inches) Signed lower right, LANSKOY Provenance Private collection, Germany 100

This work is accompanied by a certificate of authenticity issued and signed by the artist, as well as a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy.

J E A N - PAU L R I O P E L L E (1923 – 2002)

Territoire Oil on canvas 114.3 × 162.6 cm (45 × 64 inches) Signed lower right, Riopelle Executed in 1967 Provenance Pierre Matisse Gallery, New York Acquavella Galleries, New York Private collection, New York

Exhibited

Literature

New York, Acquavella Galleries, Riopelle/Miró: Color, October - December 2015, p. 39, illustrated in colour Robert Bernier et al., Riopelle, des Visions d'Amérique, Montréal, 1997, p. 117, illustrated

Yseult Riopelle and Tanguy Riopelle, Jean-Paul Riopelle, Tome 4, 1966 – 1971, Catalogue Raisonné, cat. no. 1967.017H.1967, p. 137, illustrated in colour 101

B E R N A R D AU B E RT I N (1934 – 2015)

Dessin de Feu Circulaire Burnt matches on panel 50 × 50 cm (19¾ × 19¾ inches) Signed and dated Bernard Aubertin 2009 on the reverse This work is accompanied by a certificate of authenticity issued by Archivio Opere Bernard Aubertin.

102

A N TO N I TÀ P I E S (1923 – 2012)

Serie “U no és ningú” No. 21 Acrylic, felt and pencil on cardboard 50 × 65 cm (19¾ × 25₅⁄₈ inches) Signed lower right, Tàpies Executed in 1978 Provenance Galeria Joan Prats, Barcelona Private collection, Basel Private collection

Literature Anna Agustí, Tàpies. Obra Completa vol. 4. 1976-1981, Poligrafa S.A., Barcelona, 1995, p. 158, n. 3401.

103

PAU L J E N K I N S (1923 – 2012)

Phenomena Entreat the Caves Acrylic on canvas 61 × 50 cm (24 × 19¾ inches) Signed lower left, Paul Jenkins Executed in 1998-2001 Literature Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated) 104

OT TO P I E N E (1928 – 2014)

Wo Alu und Honig Fließen Fire gouache with aluminium on cardboard 99 × 64 cm (39 × 25¼ inches) Signed and dated lower right, O Piene 72 and titled lower left 105

PAU L J E N K I N S (1923 – 2012)

Phenomenon East of The River Acrylic on canvas 97.2 × 130.2 cm (38¼ × 51¼ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist 106

S A M F RA N C I S (1923 – 1994)

Composition Acrylic and paper collage on paper 57.2 × 81.3 cm (22½ × 32 inches) Stamped on the reverse with Sam Francis Estate logo Executed in 1990 Provenance Private collection, Netherlands Private collection, USA

Exhibited St. Paul de Vence, Guy Pieters Gallery, Sam Francis, July - August 2003 (illustrated in colour) Amsterdam, Museum Jan Van Der Togt, Sam Francis Remembering, November 2004 - January 2005, pp. 138-139 (illustrated in colour) This work has been registered in the archives of the Sam Francis Foundation under identification number SF90-5PRS. 107

PAU L J E N K I N S (1923 – 2012)

Phenomena Quoth Acrylic on canvas 76 × 100 cm (29 ₇⁄₈ × 39³⁄₈ inches) Signed lower centre, Paul Jenkins Signed, titled and dated on the reverse Executed in 1963-64 Provenance Kenmore Galleries, Philadelphia Dr. Theodore A. Feinstein collection Sotheby's New York, 24th February 1995 Crozier Fine Arts, New York Private collection, New York 108

PAU L J E N K I N S (1923 – 2012)

Phenomena Tong Grimace Acrylic on canvas 76 × 100 cm (29 ₇⁄₈ × 39³⁄₈ inches) Signed lower right, Paul Jenkins Signed and titled twice on the reverse Executed in 1964 Provenance Martha Jackson Gallery, New York Sotheby's New York, 29th September 1994 Private collection, New York 109

TO S H I M I TS U I M A I (1928 – 2002)

Vagues “Wave” Acrylic on paper 127 × 95 cm (50 × 37³⁄₈ inches) Signed in Japanese and English lower right, inscribed and dated 1992 on the reverse

Exhibited Paris, Galerie Chozo Yoshii, Hommage à André Malraux Les voix du Silence, September - November 1997

Provenance Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998 Dr Giorgio Tosetti, Italy, acquired from the above 110

Literature G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)

C H U N K WA N G -YO U N G (b.1944)

Aggregation 03-S139C Mixed media on Korean mulberry paper 100 × 80 cm (39³⁄₈ × 31½ inches) Signed, titled and dated 2003 on the reverse Provenance Private collection, Korea 111

PAU L J E N K I N S (1923 – 2012)

Phenomena High Born Acrylic on canvas 91.44 × 50.8 cm (36 × 20 inches) Signed lower left, Jenkins Signed, titled and dated 1964 on the reverse Provenance Private collection, USA 112

J I M D I N E (b. 1935)

A Smaller Fortress Oil on board 91.5 × 122.2 cm (36 × 48¹⁄₈ inches) Titled, signed and dated on the reverse A Smaller Fortress, Jim Dine 1981 Provenance Private collection, Japan The Market Auction, Tokyo, 25th October 2007 Private collection, Hong Kong The studio of the artist has confirmed this work is listed in the artist’s inventory records.

113

TO S H I M I TS U I M A I (1928 – 2002)

Soleil Fendu Oil on canvas 73 × 60 cm (28¾ × 23₅⁄₈ inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse 114

TO S H I M I TS U I M A I (1928 – 2002)

Red Composition Oil on canvas 80.2 × 55.3 cm (31₅⁄₈ × 21¾ inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse 115

N O R M A N B L U H M (1921 – 1999)

Jocasta Acrylic on cardboard laid down on wood 59 × 89 cm (23¼ × 35 inches) Signed and dated, bluhm 73 Provenance Martha Jackson Gallery, New York, archive no. 15408 Galleria d’Arte Rinaldo Rotta, Genoa Private collection, Europe

Exhibited Milan, Norman Bluhm, Galleria Il Cerchio and Galleria Rinaldo Rotta, 1974 Venice, Norman Bluhm, Circolo Artistico Palazzo delle Prigioni Vecchie, 19th July – 22nd August 1974 This work is accompanied by a photo-certificate from Galleria d’Arte Rinaldo Rotta, Genoa.

116

C H R I STO CO E T Z E E (1929 – 2000)

Composition Oil, ping pong balls and mixed media on canvas 100 × 80.5 cm (39₃⁄₈ × 31¾ inches) Signed and dated on the verso, Milan. 1960. October 117

E D M U N D D E WA A L (b. 1964)

Colourfield Ten glazed porcelain vessels Largest 9.2 cm in height by 19.9 cm in diameter (3₅⁄₈ × 7 ₇⁄₈ inches) Impressed with the artist's seal on the underside of each vessel Executed in 2004 Provenance Private collection, United Kingdom, acquired directly from the artist

Exhibited Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102-103 (illustrated) 118

INDEX ADLER JANKEL

48

JENKINS PAUL

AUBERTIN BERNARD

102

KAPOOR ANISH

76, 79, 93

BLUHM NORMAN

116

KISLING MOÏSE

28, 71

BOUDIN EUGÈNE

10, 23

KUSAMA YAYOI

85, 86, 87, 88, 89

BRAQUE GEORGES

36

KWANG-YOUNG CHUN

111

BRASILIER ANDRÉ

69

LANSKOY ANDRÉ

100

CALDER ALEXANDER

99

LEBASQUE HENRI

31

CARIOT GUSTAVE

70

LOISEAU GUSTAVE

20, 21

CASSIGNEUL JEAN-PIERRE

65

CHADWICK LYNN

90

CHAGALL MARC

50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63

CHRISTO

94, 95, 96, 97

COETZEE CHRISTO

117

DE LA SERNA ISMAEL

34, 41

DE VLAMINCK MAURICE

26, 27, 29

DE WAAL EDMUND

118

DEGAS EDGAR

19

DELVAUX PAUL

64

DINE JIM

113

DUFY JEAN

66, 68

92, 98, 104, 106, 108, 109, 112

MARCOUSSIS LOUIS

37

MARINI MARINO

49

MARTIN HENRI

15

MATHIEU GEORGES

81

MATISSE HENRI

18

PASCIN JULES

35

PIENE OTTO

105

RENOIR PIERRE-AUGUSTE

3, 4, 5, 8, 9

PISSARRO CAMILLE

11, 12, 13, 25

RIOPELLE JEAN-PAUL

101

SCHUFFENECKER CLAUDE-ÉMILE

6

SHIOTA CHIHARU

80

DUFY RAOUL

67

SIGNAC PAUL

16, 17

FRANCIS SAM

107

SISLEY ALFRED

7

GISCHIA LÉON

72

SURVAGE LÉOPOLD

GUILLAUMIN ARMAND HAYDEN HENRI

14, 24, 30 39

46, 47

SZAPOCZNIKOW ALINA

78

TÀPIES ANTONI

103

HERBIN AUGUSTE

40, 42, 43, 44, 45

UTRILLO MAURICE

33

HOCKNEY DAVID

83

VALMIER GEORGES

38

IMAI TOSHIMITSU

110, 114, 115

VASARELY VICTOR

82, 84

ISRAËLS ISAAC

22, 32

WEYANT ANNA

75 119

Stern Pissarro Gallery www.pissarro.art