Panayiotis KOKORAS Paranormal for three amplified snare drums
2003
Panayiotis KOKORAS Paranormal A holophonic approach
for three amplified snare drums
Score Duration approx. 07:30 minutes
All Rights Reserved Katerini, 2003
to Sungji Hong
Paranormal "a holophonic approach" for three amplified snare drums
q»¶™ Tremble
snares on LH jazz rake
Snare Drum 1
ã4 4
Panayiotis Kokoras
Tremble the brush with some press on top of the drum head
&.
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
¥¥¥¥¥
Snare Drum 2
&
P
> ¿ & ã4 4
snares on LH jazz rake
Snare Drum 3
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
P
p
snares off LH jazz rake
ã4 4
}&
}7 Hit with flat brush and sweep
ç
}&
Œ
7 7 77 7 Ó P7
}&
}&
P
A
7. ã
ã Ó.
4
S.Dr. 1
S.Dr. 2
ã
S.Dr. 3
ã} &.
¥¥
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
¥¥¥¥¥¥
P
∑
> &¿
∑
ç ‰ x .x } & f p
}& ©2003 Panayiotis A. Kokoras, All Rights Reserved
2
7
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã
&}.
}&
p
&
ãæ P
&æ
p
P
S.Dr. 1
ã
S.Dr. 2
ã& æ
S.Dr. 3
ãÓ
j x
∑
>
7¿
ß
&.
¥¥
& æ
&æ
Ó
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
æ F
&
P
¥¥¥¥¥¥¥¥
p
&
}7
Œ
¥¥ ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ ¥
&æ
B 10
¥
¥¥¥¥¥¥¥¥
p
ã Á7 ‰ . Œ ß
æ
}&
change gradually
7æ }7
&æ.
&
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
¥¥¥¥¥
¥¥¥
¥
p
} &.
P
} &.
}7
¥ ¥¥¥ ¥¥¥
p
¥
3
S.Dr. 1
S.Dr. 2
S.Dr. 3
}
}&
ã&
13
ä ä ä ä ä ä ä ä
& ã}
¥¥¥
¥¥¥ ¥
¥¥¥
}
ã&
} &
}&
P
}&
}&
¥¥¥¥¥¥¥¥¥ ¥¥¥¥¥ ¥¥¥¥¥¥¥¥¥¥ ¥¥¥¥¥ ¥¥¥¥¥ ¥¥
P
S.Dr. 1
& } ã5 4 .
S.Dr. 2
¥ ¥¥ ¥
ã5 & 4} R.H.
S.Dr. 3
ã5 4
}&
} &
Ó
}&
} &
P
bars 18-23 create a kind of diminuendo
C 16
¥¥¥
¥¥¥¥¥
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
Wavy ¥¥ ¥¥
¥¥ ¥¥
¿&7 . 3} 4> L.H. ß
RH dreadlock
} & æ
¥ ¥¥ ¥
Œ
Œ
Œ
&. 3} 4 f
} &.
} &. Œ
&
p Œ
RH jazz rake
}7
Hold on the brush from the wires vertical down to the drumhead and sweep by pressing
}7
3 &. 4} R.H.
F
}& . &.
L.H.
4
} &
19
S.Dr. 1
ã6 4
S.Dr. 2
} & ã6 4 Œ Œ &.
S.Dr. 3
ƒ
&
ã6 4
}&
& 4} 4 f
} & Œ
4 4
} &
4} & 4
} &
}&
} &
F
} &
} 7 Œ
P
} &
Ó
p
D Reduce gradually the part of brushwires that
L.H. hit the drumhead until you hit only the rim
& ã}
LH jazz rake
22
S.Dr. 1
S.Dr. 2
S.Dr. 3
P
ã&
& ã}
P
6& & 4}
Ó. 6 7Á 4 6 6 6 6 Œ Œ Œ 77 4 ß F high / tip
6 7Á‰ Œ 4 F
R.H. change to dreadlock
&.
7Á‰ 4 4
ç
&
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
F
r 7 77 7Á‰ ‰ 4 ¿7 4 Œ Ó F ß ç 3
6Ó 4
Increase volume from mixer (for sound engineer)
6
6
¥¥¥¥¥
5
E 㠌
25
6
S.Dr. 1
5 Ó. 4
Ó
S.Dr. 2
S.Dr. 3
ã ã
&& } 4 4 |
}
to reduce the amplitue, slide away of the mic position of the SD's rim
RH dreadlock
Ó
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
‰ 7
|
}
Metallic, Sweepy
¥
F
}& }„ 7 4 4
F
Ó
low / frog
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ ¥¥ ¥ ¥¥¥ ¥¥¥ ¥¥ ¥
LH change to dreadlock
}&
5 4∑
R.H. change to dreadlock
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
}&
∑
5 4
¥¥
move the dreadlock's wires lightly and as close as possible to the rim in order to produce the swepping effect
4 4
&
P
}&
}&
}
}
}&
& }
28¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 1
ã
high / tip
S.Dr. 2
ã
S.Dr. 3
ã
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
f
}&
6
31
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã ã
}&
}& f
LH change to dreadlock
}
}.
}&
}&
ã
&. }
ã6 4 Ó
S.Dr. 2
ã6 4
S.Dr. 3
ã6 4
Œ
}.
Ó
&
Œ 7
F
} &.
}&&
4 4
f
& }
| high / tip
low / frog
&
Ó
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ ¥¥¥ ¥¥¥ ¥¥¥
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
∑
Œ
¥¥¥¥¥¥¥¥¥¥
}&
F
¥¥¥¥¥¥¥¥¥¥¥¥
middle
low / frog
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
34
S.Dr. 1
}&
}
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
4 4 & F f | 4 4
}&
F
Ó
} &
P
7
37
S.Dr. 1
ã
S.Dr. 2
ã
}& F
G
} &
}&
}
}
}&
}&
low / frog
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 3
ã
F
}&
}
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
F
} &
H
to reduce the amplitue, slide away of the mic position of the SD's rim
}&
}&
40¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 1
ã ã
}
}
high/ tip
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 2
S.Dr. 3
ã
}&
∑
}
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
P ≤
&
P
back n forth
8
I 43
S.Dr. 1
ã3 4
∑
4 4 |
}.
&
4 4
}„
4 4
&>¿
low / frog
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 2
S.Dr. 3
ã3 4 ã3 4
} &≥.
& }
F
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
Œ
æ
ß
gradually change from scrached to bouncy, the drlck should jump off rim middle
} „ „ „ „ „ „ „ „ æ
|
f
}& p
46
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã ã
}&
} &
}& p
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
}@ . Ó
ãŒ
Œ>
¿7
Œ
& .≤
≥
ß
Œ
&.≤
back n forth
}&
Balance volume from mixer
}& middle
}
Ó
P high
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
F
&≤
P
≥
9
J j
¿7
49
S.Dr. 1
ã6 4} &.
&¿
j
4 4} &. ß
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 2
S.Dr. 3
ã6 4
S.Dr. 2
&}. ≥
ã6 4 &≤.
ã
≥
ã ≤ } &. P
ã
}„ & ≤
¥¥¥¥¥
ßP
≤
3 4
&¿ .
ß Œ
3 4} 7
≥
4 4
≤
¿& 4 ≤ 4} &
ß Œ
4 4} &≥
ß
&≥
ß P
3 4 }.
F
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
&¿ ≤
ßP
Œ
5 4} 7
∑ ∑
5 4
≥
&¿ .
&¿
j
¿7
middle
& ‰ 7¿ 7¿ } 4 4Ó ßP ≥
≤
&≥ 4 ≤ ≥ 7¿ 4 }&
j
∑
low / frog
S.Dr. 3
}7
P
52
S.Dr. 1
≤
}&
Œ
¿7
sudden stop towards the handle of the dreadlock, leave the wires to flactuate on rim, no movement
≤
5 4
7¿ ≤ }7 } &.
ß
ç
l. v.
10
55
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã4 4 ã4 4 ã4 4
K Lilting
&¿
¿. & ≈7 }
change both hands to rock rake
Ó
ß
&¿ä
ß
change both hands to jazz rake
Œ
Ó
ß
&¿ ≤
Ó
ß
ß
¿3. ¿3}&&¿
Ó
change both hands to rock rake
7¿
ß ß
7¿7¿ ≈Ó 6
6
¿7. ¿7 ‰7¿ 7¿ }7 }7. ¿7}& &. }
¿& Ó. ß
ß ßß
ß
L Ó & ¿ ≈7¿ . ã5 4Œ Ó. ß F
S.Dr. 1
S.Dr. 2
S.Dr. 3
Ó. . ¿ & 6 5 ¿7 4 Œ Œ Œ ‰ 7¿ ‰ 7¿ ≈7¿ . 4 6 ß f F
Œ
58
frog
6
j ¿>. } 7 7¿ 7 7¿} 7 Ó ã5
4
ßß
¿7äää f
6
>7¿ Ó . ‰. 7 5 4 Œ ‰ 7¿
6
6 4
ß
tip
tip
6
7¿
> ‰ ‰ 7¿ Ó
tip
7 7 Œ Œ ¿ Œ 7 Œ 6 ã5 4 ¿7 ‰ . ¿7 4 f f ß 6
Œ
¿& . 7¿ } & 7. }7 } ß ß
5
5
5
5
5
5
f 7 6
5 4
7
7
p
6
6
6
7
7
7
11
¿7 ã3 4 f
Œ
61
S.Dr. 1
S.Dr. 2
S.Dr. 3
6
6
7 7¿> 7
oo
play with the fingers of both hands near the adge
¿&æ
Ó
‰ . 7 4 7Á‰ . Ó . 4 ß
7Á ≈ ‰ Œ ã3 4 ß ã3 4
4 æ 4 &¿ P
4} 7 4
ß
7
snares off
∑
Ó.
snares off
∑
M hit the rim, for the accented notes hit the same time near the adge (like rimshot)
Œ
64
ã 7¿¿7 7 ¿7¿7¿77¿ ¿77¿ ¿77¿¿7¿7 > > > >> P 7
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã ã
frog
7¿
ß &¿
ß
Œ
7
tip
7
|
} &7¿@ .
6
F
P ß
¿7 ‰ . P 5
F
6
6
5
Ó
Œ
2Ó 4 |
frog
7@
7¿
≈7¿
> ¿ & 2
Œ
tip
Œ
Œ Œ
7¿
4
ß
ß frog
tip
7 7 2 ¿7 4 >7¿ ¿7 ¿7¿7 7¿7¿ 5
12
Œ ã4 4 ‰ 7¿ 7¿ ‰ P
3 11 Œ 4 >¿7¿7 F
67
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã4 4 ã4 4
S.Dr. 2
7>¿
ß
.Œ ã5 4 7¿ ‰ P
S.Dr. 3
ã5 4 ã5 4
Œ
7
ß
Œ . ‰ 7¿ F 6
Ó. 7¿ P 6
6
6
7
7
7
Œ
6
7
7
7
12 3 ‰ . 7¿ 4 7¿ Ó > 6
Œ ¿7 P> 7
tip
7
6
Œ
7¿
7
4 4 ¿7 ß
‰ . 7¿ ≈7¿‰ . 7¿ 4 ‰ j 4 ¿ Œ ¿7 . ¿77¿> > > ¿ >7¿7 7 > frog
3 7 Œ ¿77¿ ¿7¿77¿7¿ 7¿7¿ 7¿7¿ 4 ¿77¿ 7¿ > > > > > > P 7
70
S.Dr. 1
3Œ 4
Ó ¿7 >P
frog
tip
frog
7 Ó 4 7 4 7¿
4 Ó. 4
¿7
3 6 6 6 4 ‰. Ó. 4 7¿ 4 7¿ P 3 4
∑
4 6 6 6 Œ 4 7¿
13
N 73
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã
Ó. ‰
ã
7¿
Œ
ß
Œ
ã ¿ 7> ß
˘
snares on
Ó
snares on
˘
7¿
ß
11
11
∑ Ó
∑
Œ ≈ ‰ ¿7 ääääääääääääääääääääääääääääääääää >7¿ ß f 11
Œ
11
ß
tip
frog
snares on
¿7 ääääääääääääää 11
>&¿
11
f
∑
O as fast as possible 76
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã
∑
j
3 ¿7 7 ≈ Œ 4 ƒ>
ã
∑
. & 3 @
ã
∑
3 &. 4
4
f
6
strumming
Œ
4 4
∑
4 4
∑
7Á≈ ‰ Œ 4} 4 ß
Ó
strumming
14
P Scratchy
˘
dampered
ã7
≈≈Ó
79
S.Dr. 1
F
S.Dr. 2
f |
5
5
㠌 7 F
7
7
7
7
ã ¿&
5
5
5
5
|
Œ Œ 7
Ó Œ 5 7R
strumming
> ƒ
3
Ó
ß
as fast as possible
&
Ó press vertically
as fast as possible
S.Dr. 3
7¿ ≈ ‰ Œ
7
æ f
3
7 7 ‰ Œ ‰ ≈Œ
7
5
5
5
5
play with the fingers of both hands near the adge
4 7Á‰ . Ó . 4 ß
82
S.Dr. 1
ã3 4 &.
S.Dr. 2
& ã3 4
S.Dr. 3
Œ ≈Œ
ã3 4 5
Œ
5 Ó. 4
∑
4 4
&
4 æ 4 ƒ
&æ P
5 ‰ . 7 ‰ . Œ 4 f 6
as fast as possible
5 4
7 Œ
6
6
&.
p
6
15
Q LH change to dreadlock
ã4 7æ 4}
85
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã4 4
Ó
7
Ó.
7 &
f
&
}&
&
as fast as possible
ƒ as fast as possible
æ
}7Á≈‰ Œ ã4 4 ß
88
S.Dr. 1
Œ
oo
& f
7
7
&
ãæ
p o c o a p o c o r i t.
S.Dr. 2
S.Dr. 3
ã
Œ
}&
ãæ ƒ
p
p o c o a p o c o r i t.
Ó
p o c o a p o c o r i t.
16
3 ã5 4 4
91
S.Dr. 1
P
Ó
∑ press vertically
S.Dr. 2
ã5 4
S.Dr. 3
ã5 4
∑
3 &. 4
3 4
} &. f
F
Œ
Œ
Ó.
j 7
R RH rock rake
94
S.Dr. 1
S.Dr. 2
S.Dr. 3
&
ã4 4 æ6 P
}7Á≈‰ Œ ã4 4 }& ã4 4Ó p
}& change both hands to dreadlock
LH dreadlock
} &.
Ó
Œ
&
}&
Œ
&.
p Ó
∑
7
Œ
≥
7 ‰ 7 }
∑
17
S }7
97
S.Dr. 1
ã3 4&
&. }
frog
S.Dr. 2
S.Dr. 3
ã3 4
LH fingers RH rock rake
} &.
4 }7Á ‰ . Ó 4
ƒ
sudden stop towards the handle of the dreadlock, leave the wires to flactuate on rim, no movement
∑
ß
µ 7 ã3 4 f
}7Á≈ Œ
&.
F
4 4
7
π
&¿
ß
4} 4&
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
p
place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced
ã} & p
} &
100
S.Dr. 1
S.Dr. 2
ã&
S.Dr. 3
ã} &
¥¥¥¥¥¥¥¥¥
& }
& }
¥¥¥¥¥¥¥¥¥¥
P
¥¥¥¥¥ ¥¥¥¥¥
} &
} &
& }
}7
P
} &
Œ
Ó Ó
18
T
Granular
ã3 &. 4} p
} &.
103
S.Dr. 1
S.Dr. 2
ã3 4
S.Dr. 3
ã3 4
S.Dr. 1
ã} &
S.Dr. 2
ã
RH jazz rake LH fingers
place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced
∑
&
∑
Ó
∑
7
7 }& . 4} 4µ P
}7 ∑
7
p
}&
} &.
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
∑
place the wires densely on the drumbed and squeeze them with your fingertips, a crackly and granular sound will be produced
RH rock rake LH fingers
ã Ó.
& 4} 4 P
}&
106
S.Dr. 3
4} 4&
}&
19
109
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã} &
}& .
ã&
¥¥¥¥ ¥¥¥¥¥ ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
¥¥¥¥¥
P
¥¥¥
p
} &.
¥ ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
}&
¥¥¥¥¥¥¥¥¥¥
P
ã} & p
}7
¥¥¥
¥¥¥¥¥¥¥¥¥
Ó
}&
}&
U ã} & p
112
S.Dr. 1
¥
¥¥¥¥ ¥¥¥¥¥¥¥
S.Dr. 2
ãŒ
S.Dr. 3
ã} &
‰ 7 } & p
¥¥¥¥¥¥¥¥¥¥¥¥ ¥¥¥¥¥¥¥
¥¥¥ ¥¥
P
} & }& .
¥¥¥ ¥¥¥¥¥ ¥¥¥¥¥
}&
¥ ¥¥ ¥¥
Ó
¥ ¥¥ ¥
}&
P
}7
¥¥¥
¥¥¥
p
¥
} &.
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
20
115
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã
∑
}&
&
p
P
& ã}
}&
ã} & p
}&
∑
}&
V Tremble
ã} & p
118
S.Dr. 1
S.Dr. 2
ã Ó.
S.Dr. 3
ã} &
}&
}&
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
}&
& ‰ 7 } p }&
¥¥ ¥¥¥¥¥¥¥¥ ¥¥¥¥¥¥¥¥ ¥¥¥¥¥¥¥¥
P
¥¥¥¥¥¥¥¥¥¥¥¥
}&
¥¥
P
∑
21
W }&
ã} &
121
S.Dr. 1
S.Dr. 2
}&
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
& } &. ã } P place the brush angled to the drumhead
¥¥
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
S.Dr. 3
ãÓ
124
&
p
place the brush angled to the drumhead and move back n forth from the centre to the adge of the drumhead
Œ
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
and move back n forth from the centre to the adge of the drumhead
}&
S.Dr. 1
ã
∑
S.Dr. 2
& ã}
}&
S.Dr. 3
& ã}
}&
Ó
&
p
}&
∑
∑
}& ∑
22
X ãÓ
127
S.Dr. 1
S.Dr. 2
S.Dr. 3
ã ã
}&
&
p
∑
wave with your fingertips
}&
U ∑
}&
U ∑
&
p
Ó wave with your fingertips
U
}&
FINE