Conscious Sound by Panayiotis Kokoras

Panayiotis KOKORAS Conscious Sound for cl, pno, vln, vc

2014

Panayiotis KOKORAS Conscious Sound for amplified clarinet in Bb. piano, violin and cello

Conscious Sound Commissioned by Festival Mixture 2014 and composed for Ensemble Taller Sonoro

Duration approx.8’ minutes

Conscious Sound

Score

Clarinet in B b

Fricative q=80 ∑ i4 4

4 4

blow softly, gradualy move lips outwards

ferrule scratch

ferrule clang

≥ 4 ‰ .. Cello 4 â— F [sul A open] h

4 B b Cl.

iŒ

press down and tiny downbow slightly a "clang" sound should be produced

Ó œ ≈ ‰ ß Œ

‰

ferrule scratch ferrule click

˘ ferrule scratch . ¿ –vvvvvvvvvvvvv Œ –vvvvvvv È

Vln.

Vc.

π

∑

slide scratch

[A0 String]

the change from ferrule to hair È will produced a "click" sound ferrule

F f

slap

ferrule click ˘.È –vvvvvv¿ ‰ Ó

—. ‰ ..

˘ scratch äarco . ≈ –vvvvvvvvvvvvvv ¿ ≈ –vvvv— ® Œ

∑

scratch arco ˘ä ¿ — .. ≠ . ‰ ≈ –vvvvvvvvvvvvvvvvvvvvvvvvvv

move the bow towards fingerboard

∏

f F

p less, f more pressure

È arco clang ferrule click

∑

b œ ≈ ‰ p

ferrule click arco clang

˘ ¿

arco clang

click

ferrule scratch

–vvvvvvv–

release the bow pressure a "clang" sound will be produced

∑

–vvvvvvvIIIII vvv ‰ vv p ß °

blip reed

œ ‰ ‚vvv ß π

slow bow on the ferrule area "grainy" sound

ferrule clang

Violin

slap

press down and move slightly using the edge of the slide to scratch the warpping wire of the string. The sound should be a succession of "clang" sounds

∑

press down and tiny downbow slightly a "clang" sound should be produced

ä≥ 4 ≈ —III. ≈ . Œ 4 F [sul E open]

Ó.

∑

Panayiotis Kokoras

ä —vvvvvvvvvvvvvvvvvvvvv≠vvvvvvvvvvvv

move the bow towards fingerboard

‰ Œ

π

ferrule click ferrule clang

® ¿. —.®‰ ‰ —. —. ≈

F Œ

ferrule clang

— ‰ F

right after slap. move the lips at the edge of the mouthpiece and blow a focused air stream. Sounds like a succession of "clack" sounds

7 B b Cl.

iÓ

Ó.

‰ —IIII≈ Œ f

clack reed

‰.

Ó.

. ‚vvvvv Ó p

‰.

case scratch [lowest string]

noise reed

blip reed

scratch the cluster of strings with the highlighted angle

∑

press down the read and blow with strain sounds like noise from "pressure cooker"

‰

vvvvvvvv ‰

vvvvvv ––vvvvvvvv.vvvvvvvvvvvvvvvvvvvvvvvvvvvv P π

scratch arco ä ˘ ≈ —. ®≈ . —. ≈ —. ®‰ ≈ –vvvvvvvvvvvv ¿ – —IIIIIIIIIIIIIIIIIIIIIII≠

È arco clang ferrule click

Vln.

B b Cl.

–

∑

Vln.

Vc.

Ó. Ó

≠

scratch arco

‰

œ f

≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

[lowest string]

‰

˘ — ≈ .

scritchy arco

≈ ––vvvvvv P p

press down at the frog arco and move slowly. The sound should be a succession of "clang" sounds

œ ≈ ‰

Œ Œ

scritchy arco

Ó.

vvvvvvvvvvvvvvvvvv vvvvvv.vvvvvvvvvvvvvvvvvv

—.IIIIII ‰

case scratch

arco clang

π

very soft and slow bowing

slap

i ≠ .

‰

squeeze the hairs between the II & III strings and the wooden part of the bow - produce a scritchy crackly sound

∑

ä —

ferrule clang

Vc.

œ – Fp

––. ≈ ‰

F Œ

‰ bœ

Œ Œ

Ó ‰

scratch arco arco clang very soft and slow bowing

— ≈ – F

≠ . p

scratch arco

–

– P p

press down the read and blow with strain sounds like noise from "pressure cooker"

13 B b Cl.

iÓ

noise reed

≠ p

‰.

P p

≠

vvv––vvvvvvvvvvvvvvvvv Œ P

–.

–

‰

Œ Œ

––vvvvvvvvvv – vvvvvvv–

case scratch

very soft and slow bowing

–

[sul G open]

– vvvvvvvvvvvv – P

≈ – . – ‰ . vvvvvvvvvvvvvvvvv P

vvvvvvvvvv

very soft and slow bowing

–

vvvvvvvvvv

vvvvvvvvv ‰

– ‰.

–

– ‰.

–

blow softly, touch with bottom lip the edge of the reed, a syncopated pulse tone is produced

clack reed blip reed

i ‚ vvvIIIIIIvvvvvv‚ v vvvvv vv F

‰. Ó.

∑

≠≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvvvvvvvvvvvv P

Vc.

vvvvvvvvvvvvv

–

case scratch

Vln.

‰

vvvvvvvvvvvvvvvvvvv

≠

‚vvvvvvvvvvvvvvvvvv– P

vvvvvvvvvv≠≠vvvvvvvvvv

≠

Vc.

B b Cl.

–

––vvvv≠≠vv.. vvvvvvvvvvvv vvvvvvvvvvvvvvvv

case scratch

Vln.

blip reed

≠ vvvvvvvvvvvvvvvvvvvvv vvvvvvvv P

≠ .

‰ ∏

vvvvvvvvvvvvvvvvvvvvvvvvvvv

–

vvvvvvvvvvvvvvvvvv≠≠vvvvvvvvvvvv

– – vvvvvvvvvvvvvvvvvvv vvvvvvvv

∏

‰

blip reed

‰

‚vvvvvvvv·vv v vv v v F p

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvvvvvvvvvvvvvv ≠ vv≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

≠

vvvvvvvvvvvvvvvv

p ∑

– ‰

– vvvvvvvvvv ≠ vvvvvvvvvvvvvvvvvvvvvvvv≠ P Œ

≠ .

vvvvvvvvvvvvIIIIIvvvvvvvv

vvvv

4 19 B b Cl.

i v· . vvv vv vv v vv v vv vv —IIIIIIII‰ f

clack reed

Vln.

‰

Vc.

–

≈ — >— F

≥ . v® ‰ –vvvvvv

∑

≥ ≥ –vvvvvvvv–vvvvvvvvvvvvvvvv – –vvvvvvvvvvvvvvvv – vvvvvvvvvvvvvvvvvv ≠ P F

i · vvvvvvvvvvvvvv · vvvvvvvvvvvvvvvv P P

vvv≠vvvvvvvvvvvvvvvvvvvvv

π

Vln.

–

Vc.

≠

vvvvv

Ó ≥ – –vvvvvv – p π

‰

≠

–

≥ – –. – vvvv p π

≠

‰.

[sul E open]

· vvvvvvvvvvvv P

vvvvvvvvvvvvvv vvvvv v vvvvvvvvvvvv

blip reed

B b Cl.

‚v v ≈ ‰ P

vvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvv vvvvvvvvv vvvvvvvvvvvvvvvvvvvvv vvvvvv

π

π F

[A-1 String] vvvvvvvvvvvvvvvvvvvvvvvv

[A-1 String] [A-1 String]

‰

≠

case scratch

pluck the indicated strings with the crner of the case

case harp gliss

—III‰ .

buzz reed

≥ –v –vvvvvv p π

noise reed

– π

≠

–vvvvvvvvvvvvvvvvvvvv –vvvvvvvvvv ‰ P ≥–

≠vv.vvvvvvvv

π

accelerate the bow pressure following the wave

≥ ≈ –vvvvvvvvvv – p

vvvvvvv≠ P

π

≠

vvvvvvvvvvvv

vvvvvvv

vvvvv vvv vvv vvv vv v v v

5 25 B b Cl.

i–

vv≠vvvvvvvvvv

blip reed

‚vvvvvvvvvvvv ≠ P π

‰

–

Vc.

–

blip reed

‰.

‚v v vvvv‰ . p

≥ ≤–vvvvvvvvvvvvvvvv –vvvvvvvvv– vvvvvvvvvvvvvvvvvv≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvvv≠vvvvvv

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvv

≠

Vln.

noise reed

–

‰

π

≠ vvvvvvvvvvvvvvvv P

. ‚vvvIIIIIIIIIIIIIIII — vvvvvvv ≠vvvvvvvvv arco clang

‰

–

scratch arco

arco clang

Ó ‰ – vv

– – ‰ ‰ – vvvvvvvvvvvv

– – ‰ — . ≈ ‰ – vvvvvvvvvvv ‚ IIIIIIIIIII F P scratch arco

clack reed

28 B b Cl.

∑

œ ≈ . ≈ —IIIIII≈ . ‰ f

p f

∑

vv≠vvvvvvvvvvvvvvvvvvvvvv≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv≠ vvvvvvvv vv–vvvvvvvvv ‰ –vvvvv vvvvvvvvvvv Ó π P [low high strings]

[lowest string]

hold down the bow pressing string, release bow pressure slowly to create the pitchbending

Vln.

Vc.

∑

– – ‰ Œ –vvvvvvvvv – ‰ ‰ – vvvvvvvvvvv p π

ä. ¿‚

ä —–

arco clang scratch arco

click ferrule bend

≠ vvvvvvvvvvvvv P

≠

≠ vvvvvvvvvvvvv p

31 B b Cl.

∑

≠vvvvvvvvvvvvvvvvvvvv ≠ vvvvvvvvvvvvvvvvvvvvvv

case scratch [A-1 String] case strike

[mid low strings]

˘– –

π

≠ .

Vln.

‰

Vc.

π

‰

œ ‰ F

vvvvvv·vvvvvIIIIIII vvvvcase vvvvscratch vvvv¬vvvvvv case clang

ä -scratch arco — ≈ – ≠ .

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

– p

vvvvvvvvvvvv

arco clang

Œ – – – vvvvvvvvvvvv

Ó.

∑

noise reed

slap

– vvvvvvvvvvvvvvvvv – – ‰ Œ π

¬ arco clang

ä— –≈

∏

scratch arco

transition from noise to clack reed

34 B b Cl.

i ¬

˘– –

case strike

F Vln.

Vc.

clack reed

≠

–

.. Ó —. ‰

– ≈ œ ≈ ≠ F p

≠vv. vvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvvvvv¬vvvvvvvvvvvvvvvvvv vvvvvvvvvvvvvvvvvvvvvvvvvvv p

‰

œ ≈ f

case scratch [A-1 String]

arco clang

∑

scratch arco ≥ä . vvvvvvvv ¬ . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv – ‰ —R ≈ –vvvvvvvv P ƒ arco clang

ä -scratch arco — ≈ – ≠

≠ .

f P

ä – ‰ — ≈ – f p

arco clang

scratch arco

ä≥ — ≈ –vvvvvvvvvvvv ¬ . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

7 37 B b Cl.

i‰

—IIIIIII—

˘– –

case strike

bœ ‰ F

– ≠ . p

case strike ˘ ≠vvvvvvvvvvvvvvvvvvvv ¬ ˘– ‰ –– ≈ vvvvvvvvvvvvvvvvvvvvvvvvvvvv ˘ vvvvvvvvvvvvvvvvvv – ‰ –– Œ [lower string(s)] P F case scratch [A-1 String]

˘– ˘ – –– ˘– – 3

≥≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv¬vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvv

Vln.

noise reed

slap

‰ .. Ó

clack reed

vvvvvvvvv

ä≥ —‚

arco clang bend

w vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvœvvvvvvvvvv ‰ vvvvvvvvv

Vc.

–vvvvvvvvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv scratch arco

vvvvvvvvvvv

transition from noise to clack reed

40 B b Cl.

clack reed

the ff indicates air pressure but not tone should be produced

— IIIII‰ . ƒ f

˘– case clang ˘– ˘ – – ˘ – – — – ≈ – –– ≈ ‰ – ≈ ––r – ≈ ≈ ˘≈ –– IIIIIIIII—II ≈ ‰

Ó.

∑

use the plastic case to play harp glissandi

knock on the board

Vln.

Vc.

≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvvv – f

‰.

¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv– vv ≈ vvvvvvvvvvvv f

° ‰

‰

Œ ≥ – p

LH bend slap

[sul C open]

‰.

≠

≠IIIIIIIIIIIIIIIIIIIIIIIIIII ≠ π

use LH thumb to pull the IV string right down ourside the fingerborad and release it (percussive/ rattling/ pitchbended sound)

IIIIIIIIIIIIIII

∑

IIIIIIIIIIIIIII

blow softly, touch with bottom lip the edge of the reed, a syncopated pulse tone is produced

43 B b Cl.

Œ i3 4

4 ‚ ‰. ≈ ‚ .vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ‚ 4 p

blip reed

≠

IIIIIIIIIIIIIIIIII IIIIIIIIIIIIIII

case harp gliss

‰ œIIIIII ˙

IIIIII IIIIIIII

a very small upbow motion on the frog

5 ‰ ‚vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv 4 · ± IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII — p π

≤ ‰ –

3 Ó 4 [sul C open]

4 œ 4 ç

IIIIIIII

5 4

IIIII IIIIIIIIIIIIIIIIIIII

IIIIIIIIIIIIII

case clang case harp gliss

— —IIIIII—IIII—IIIIII—IIIIII—IIIIII — — IIIIIIIIIIIII

IIIIIIIIIIIIII

5 ¬vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv Œ 4 p

≥ œ – ≠ π

scratch arco LH bend slap

clack reed

blip reed

4 ≠ 4 p

3 . 4 ¬

Vc.

4 4

3 4

Vln.

scratch arco

5 ¬ 4

–

∏

D Ringing Pulses 46 B b Cl.

.. i3 4 — ‰ F 3 4

3 4

blip reed

œ ‰ f

‚vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv · ·. ∏

combine case clang with longitudinal scratch on the lowest string

— f Vln.

slap

—Á ƒ

˘–

case strike

∑

ä≥ — ≈ ‰

3 4

∑

[sul A open]

Œ ∑

∑

the bow will stop on the frog, the left hand thumb will pulldown and release the string

arco clang

Vc.

‰

≤ –

scratch arco

9 clack reed

49 B b Cl.

3 i4 · · ‚. — III 4 · 4vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv f 4 4 ∑

[mid low strings] [A-1 String]

neil scratch

‡vvvvv

∑

4 4 LH bend slap

4 œ 4 ç

Vc.

52 B b Cl.

vvvvv

˘–

case strike

‰

neil scratch

‡vvvvvvvvv

vvvv

string creating a ring like sound ≥ scratch arco the you may also use half hair bow ≥ ä r - ¬. 3 ¬. — — ≈ –vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv 4 f ∏

arco clang

Vln.

3 4

sharp longitudinal scratch of the strings with your nail

Ó.

bow lighlty and let the bow to jump on

r —

blip reed

Œ i4 —. ‚vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ·. 4 IIIIIIIIIIIII π

ä — ‰.

arco clang

clack reed

b ‚ IIIIIIIIIIII— f p

‰ ..

∑

3 4

∑

4 4

≠vvvvvvv

case scratch

∑

‰.

‡ – fl f

‰

case strike

vvvv

>––

neil scratch case strike

‰

vvvvvvv

[A-1 String]

Vln.

4vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬ ¬ ¬ 4

Vc.

≥ ¬ ¬vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ∏

4 4

∑

slow coll legno

bow lighlty and let the bow to jump on the string creating a ring like sound

10 slap

55 B b Cl.

i Ó

blip reed

slap

œ ‰ ‚vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ‚ ·. œ ≈ œ ≈ ·vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv p f π f case strike

case scratch ˘– ≈ –vvvvvv – vvvvvvvvvvvvvvvvvv. vvvvvvvvv ‡ ˘– ≈ –vvvvvvvv≠vvvvvvvvvvvvvvvvvvvvvvvv–vvvvvv ‡ ‡ vvv ≠ vvvvvvvvvvvvvvvvvvvvvvvv–vvvv ≈ vvvv– vvv ≈ vv–vvvv ≈ π f p f f neil scratch case strike case scratch

≥ ≥-scratch arco rä —— ‰ ¬ . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv¬vvvvvvvvvvvvvvvvvvvvvv Œ –vvvvvvv

arco clang

Vln.

arco ä—≥ ≥–- scratch ¬ vvvvv ≈ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

arco clang

r —

scratch arco scratch arco ≥ ≥ ä ≥ ≥ rä . vvvvv–vvvvvvvvvvvvvvvvvvvv ¬ – ‰ — — ≈ ≈ –vvvvv vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬ vvvvvvvvvvv — ≈ ≈ –-vvvv–vvvvvvvvvvvvvvv p f P arco clang

arco clang

Vc.

slap

B b Cl.

clack reed

. ivvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ‚ · ·. — ≈ # — I I ≈ œ ≈ ‚vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv · ƒ P F f

˘– ≈

blip reed

–vvvvvvvv≠vvvv . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv case scratch

vvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

vvvvvvvvvvvvvvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvv

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

arco clang scratch arco ≥ ≥ ≥ rä -vvvvvvv r —— ‰ – – ¬ vvvvvvv . vvvvvvv vvvvvvv vvvvvvv ‰ ≠ ≈ — — ≈ vvvvvvv vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv–vvvv – vvvvvvvvvvvvvvv– vvvv vvvvv â f F f arco clang

Vln.

scratch arco ≥ä ≥ ä ≥ ¬ – — vvvvvvvvvvvvvv vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv — ‰ ≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ƒ ƒ F arco clang

Vc.

arco clang

slow bow with some pressure from frog no effort to produce regular clang sounds

≥ ‰ œIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ±. f

B b Cl.

clack reed

Œ i± ± IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII f

lips should not touch the reed blow with narrow and mid strong air flow produce 3-6 clank sounds per beat

b ± . IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ƒ

– vvvvvvvvv≠vvv. vvvvvvvvvvvvvvvvvvvvv ‰ –vvvvvvvvv vvvvvvvvvvvv¬vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvvvvv vvvvvvvv ¬ . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv f ƒ slow bow with pressure from frog produce 4-5 clang sounds per beat

, ≥ ≥. ±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± – – IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± f ƒ arco clang

Vln.

slow bow with pressure from frog produce 4-5 clang sounds per beat

Vc.

–

IIIIIIIIIIIIIIIIIIIIIIIII

‰

≥ ± ±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ±

64 B b Cl.

b — ‰ ± . IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII b±

b±

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

place flat the case on the lowest strings and strick/rumble to create a texture with many attacks

¿ f

Vln.

Vc.

case tremolo

slow bow with pressure from frog produce 4-5 clang sounds per beat

, ≥ . ± ‰ – IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± ¬ IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIII Ï

—‰ ..

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

≥ ±.

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

12 67 B b Cl.

G Frozen

i5 4

3 4

5 4 ¿

–– >

case strike

on keyboard

˘– ––

Ó Œ

3 — ≈ ‰ Œ 5 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± — 4 4

Vc.

4 œœ 4 f

on the prepared last fifth of the keyboard

∑ slow bow with pressure from frog produce a continous fast sequence clang sounds with tonal variations

3 — ≈ ‰ Œ 5 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII — ± 4 4

Vln.

fast "clanck reed" sound with steady dynamic range

4 ±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 4 f

3 ‰ .. Ó 4 b ± — IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIb — Ï

clack reed

≥ coll legno clang 4 ±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 4 f slow bow with pressure from frog produce a continous fast sequence clang sounds with tonal variations

4 Ó 4

≥ —IIIIIIIIIIII

coll legno clang

± — ˙ — ‰ IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII i5 4 ± IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± — ƒ f

70 B b Cl.

i5 4 ∑

Vln.

Vc.

scratch Ó[midneil low strings]

‡vvvvvvv f

vvvv

∑

≤ ≥ ≤ 5 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± — —IIIIIIIIII±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ± —IIIIIIIIII 4 5IIIIIIIIIIIIIIIIIIIIIIIIII ± Ó. 4

± .IIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Ó

± .IIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Œ

13 73 B b Cl.

i± — . ≈ b ±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII — b± — IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ƒ f i Œ

vvv

≥ ±

∑

‡vvvvvvv

≤ —

± .IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Ó

±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII — Œ

—

Vc.

vvvv

≤ —

H Onset slap

3 ≈ ≈ 4 b œ ≈ ‰ — b± — b —IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ±. –. IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ƒ f Ï f Œ

i Œ

Vln.

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIII

Vln.

B b Cl.

‡vvvvvvvv

‡vvvvvvvvvvvvv Ó

˘– ‰ .

use the plastic case to play harp glissandi

r 3 — 4

œ ≈ ‰

‰

œ ≈

>––

‰

neil scratch

harp gliss ±IIIIIIIIIcase I

—IIIIIIIIII

IIIIIII IIIIIII IIIIIII IIIIIII IIIIII

case strike

>––

‰

LH mute the string at the top of the fingerboard to allow some rattling of the string on the fingerboard

pizz bartok — III ‰ III ≤ IIIIIIIIIIIIIII III III III III 3 œ ‰ œ ±. —IIIIIIIIII — — ±IIIIIIIIIIIIIIIIIIIIIIIIII ±IIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIII J 4 p [sul G mutefwith LH]

‰

‰.

LH mute the string at the top of the fingerboard to allow some rattling of the string on the fingerboard

Vc.

IIIIIIIIIIIIIIIIIIIIIIIIII

—IIIIIIIIIIIIIII±IIIIIIIIIIIIIII

IIIIIIIIIIIIIII IIIIIIIIIIIIIIIIII

3 œ ‰ œ 4 [sul C mute with LH] pizz bartok

‰

≈ œ

≈

14 79 B b Cl.

≈ œ Œ

i‰

4 4 >––

‰

≈n œ ≈ œ Œ

4 ‰. 4 #œ

>–– > –– ‰ Œ

slap

b —IIII‰

‰

≈ œ Œ

≈ œ ‰ b œ ≈ œ

>–– ‰

‰

>–– > ≈ >–– ‰ ––

‰

clack reed

–– >–– >

‰ ferrule click

‰.

Vln.

≈ œ

≈ œ ≈ Œ

≈ ‰4 œ ‰ Œ 4

‰

≈ œ œ

‰

≈ œ

≈ ‰

[sul E open]

ferrule click

Vc.

‰

≈ 4 œ ‰ Œ 4

≈ œ

≈ œ ≈ ‰

‰

≈ ¿

—III≈ œ ≈ — III≈ ‰

‰

—IIIII

>–– ä ––

‰

[sul A open]

82 B b Cl.

clack reed

i3 4 ≈ —III‰

‰ bœ

3 4 –– >

Vln.

3 œ 4

‰ ‰

>–– ‰

[sul G mute with LH]

>– –

Vc.

3 — 4

‰

>– –

≈ —IIIII ≈ ≈ œ ‰

4 ≈ —III≈# œ 4 b œ ≈ ‰ 4 4

‰

–– >

‰ ferrule click

arco clang

≈ ¿ ‰

——Œ

Œ ‰

Œ arco clang ferrule click

¿ ——‰

–– >

‰

neil scratch

‡ vvvvvvv ‰

— . ≈ — IIIIIIIIIIIIII

4 —®≈ ‰ —IIIIIIIIII 4

— ≈ ‰

‰

4 —≈ . ‰ —IIIIIIIIIIIII 4

——‰

—I I ≈ ‰

[sul E open]

arco clang

≈ —III‰

ferrule click

‰

[sul A open] [sul C mute with LH]

ferrule click arco clang

≈ ¿ —

‰

ferrule clang arco clang

—I I ≈ ‰

‰

≈ —I I

iII— ≈ .—IIIIII—IIIII ‰ ≈ —IIII ≈ ≈ œ ‰ f F

85 B b Cl.

blip reed tone

.. vv œ‰ œ‰ ‚ ‰ ‚vvvvvvvvvvvvvv ‚vvvvvvvvvvv > p Í P

— ‰ ≈ —III—II ≈ ‰ —III≈ ‰ —IIIIIIIIIIIII

hit with slide the frame of the piano

slide frame strike use the plastic case to play harp glissandi

±IIIIIIIIcase harp gliss IIIIIII

f Œ

Vln.

—.

Vc.

IIIIIII

slide hit

— —III Œ P

IIIIIII I I I I I

slide

ferrule click

‰ — IIIIII—IIIIIIIIIIII Œ

‰ ≈ ¿ Œ

≈ —II. IIIIII Œ

œ+‚

≈ Œ

hold down the bow pressing string, release bow pressure slowly to create the pitchbending

click ferrule bend ferrule clang

ä ≈ —II¿‚ Œ ƒ

pizz. arco bend

–. ‰ – Ó

‡ Œ

[D2 String] [low high strings]

IIIIIIIIII

>– ‰ ‰ . –

slide scratch

+ ä r ≈ ‚ –vvv¿‚ â f

click ferrule bend pizz. ferrule bend click ferrule bend ferrule scratch arco clang bend

≈ –r¿ œr—

click ferrule bend arco clang

— IIIIIIIIII ¿‚ –vvvvvvv Œ â ƒ

ferrule clang

≈ ‰

‰

click ferrule bend

x‚

pronounce 'p' close to tip, a clap sound will be produced

88 B b Cl.

iŒ

clap

‰ ‚vvvvvvvvvv‚ ≈ ‰ ‰ — — Œ f π

b— ‰

clack reed

≈ Œ

3 4 b —III≈ ‰

pizz whilst the slide touches the string hit the slide on the string D and slide as indicated

slide hit slide gliss

ä x‚

slide hit

‰ ‚ ≈ ‚ ‰ Ó

œ+‚ .

pizz. arco bend arco clang

Vc.

‰

slide scratch

x‚ –vv Œ vvv

– vv ˘¿ ≈ . œ+‚ . vvvv I Ivvvvvvvvvvvv ≠vvvv I I vvvvvvvv I I vvvvvvvv

click ferrule bend scratch arco

Vln.

3 4

—————Œ

ferrule click pizz. ferrule bend

pizz. arco bend click ferrule bend arco clang arco clang

ä + ¿‚ œIIIIIII œ‚

–IIIIIIIIII Œ

slide hit

x‚v v v x‚

‰

click ferrule bend ferrule scratch bend

–‚¥¥ x‚

3 4

scratch arco LH bend slap

[sul C open]

3 ˙. 4 ç

–

≈ ≈

pizz. ferrule bend + –III. IIIIIIIIIII–vvvv ‰ œ‚

a very small upbow motion on the frog

≤ ‰ –

–

r vv ¿ vvvvv

≈

vvv

x‚-

œ‰

vvvvv

x>‚

pizz.

slap

16 91 B b Cl.

iŒ

blip reed

Œ b —III≈ ‰

5 Œ 4 ‚vvvvvvvv P

clack reed

Gayageum Vibes J slap slap 4 ‰ ‚‚ ‰ Œ 4 bœ >vvvvvvvvvvvv F Í

blip reed tone

slap

≈ œ ‰ F

‰ >y Œ ƒ

slide frame strike

5 4

Vln.

œ+‚

Œ Œ

∑

Vc.

≠vvvvvvvv vvvvvvvv vv Ó [A-1 String] p

pizz.

· [D2 String] P °

arco clang

pizz. arco bend

4 Ó 4 pizz whilst the slide touches the string

case scratch

5 ˙· 4 [sul C open] ç

B b Cl.

blip reed tone

i ≈ ‚ . vvvvvvvvv Œ > Í

clap

b— ‰. F

slap blip reed tone

b ‚ . vvvvvvvv ≈ > Í

slap blip reed tone

slide gliss

P Vln.

scratch ≠vvvvvvslide vvvv

+ ˙·

vvvvvvv vvvvvvv vvvvvvv

‰.

+ ˙·

>¿ ƒ

œ‚

œ+‚

pizz. ferrule bend

[sul A open]

‰ ‚vvvvvvvvv ≈ ‰ > Fp

slap

≈ œ ‰ F

‰. bœ

slide frame strike

Ó.

pizz.

4 ˙· 4 ç

pizz. ferrule bend

LH slap ferrule bend

pronounce 'p' close to tip, a clap sound will be produced

œ‚

5 —IIIIvvvvvv — ±IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 4 Œ 4 4 P F π LH slap ferrule bend

slide gliss

° +œ

pizz.

œ·

pizz. slide gliss

press down the open string with the ferrrule of the bow

œ‚

ferrule bend

pizz. ferrule bend click ferrule bend

œ‚ x‚

[sul E open]

Vc.

œ+‚

scratch arco

–

œ+‚ œ+‚

pizz. ferrule bend

‰

17 slap blip reed tone

97 B b Cl.

iŒ

‰ ‚vvvvvvvŒ > Fp

pizz.

-‚ slide‚- gliss

‰ ‚ vvvvvv Ó > Fp

slap blip reed tone

‰ ‚vvvvvv Œ > v Fp

‰ ‚vvvvvvv Œ > Fp

blip reed

‰ ≈b ‚IIIII≈ ‚III≈ ‚IIII p

press down the open string with the ferrrule of the bow

pizz. ferrule bend ferrule bend

+ ‰ œ‚

œ‚ .

ä ‰ œ+‚ ¿‚ œ Pf

+ œ‚

pizz. ferrule bend click ferrule bend

Vc.

slap blip reed tone

≈ ¿ . Œ ƒ ä .pizz. slide gliss ä ‰ ‚ ‚ ‚ ä‚ ä‚ ä‚ ‚. ‚. ‚. ä‚ ‚. ‚. ä‚ ä‚ ä‚ . . . . ä ‚ ‚ ‚ ‚ ‚ ‚. ä‚ ä‚ . . . . ä ‚ ‚‚‚‚‚‚ ‚ 3 . ‚. p 3 â â

Vln.

slap blip reed tone

x‚

pizz. ferrule bend + ≥ scratch arco I I vvvvvvvvvvvvvv œ‚ ¬vvvvvv I Ivvvvvv Œ –vvvvvv≠vvvvvv I I vvvvvvvvvvvv

∏ F

pizz. ferrule bend click ferrule bend

ä œ+‚ ¿‚ œ

≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv–vvvvvvvvvvvvvv Œ scratch arco

P f

≠

œ+‚

pizz. arco bend

scratch arco

K 100 B b Cl.

clap

∑

i5 4

≥ scratch arco 5 ≠IIIIIIIvvvvvvvvvvvvvvvvvvvvvvvvvvvvII vvvvvv œ+‚ 4 P ∏P

‰

pizz. ferrule bend

Vln.

scratch arco

Vc.

5 ≠I I vvvvvvv Œ 4 p

blip reed

‚vvvvvvvv Œ

4 Ó 4 b — ≈ ‰ ‰ ‚vvvv p F

‰ . >¿ 4 >¿ 4

5 ∑ 4

blip reed

4 4

slide scratch

≈ Œ

≈ x‚ .

click ferrule bend

4 ˙+· 4 F

slide gliss ‰ ≈ ‚ ‚ . ≈ pizz.

pizz. ferrule bend

˘ + ¿ ‰ œ‚ ‚

ferrule click pizz. arco bend

clack reed

≈b —I I‰

pizz.

≈ ‚ . P

≥≠ . scratch arco

π

. ≈ ≈œ‚ . ¥¥ P

‰ œ+‚ p

press down the read and blow with strain sounds like noise from "pressure cooker"

noise reed

103 B b Cl.

i¬

>¿

Ó. ≠

Vln.

µµ¥ – — . F

‰ +œ J [sul E open] p

pizz.

œ‚

ferrule bend

>·

scratch arco ferrule click

– . ≈ ≠ vvvvvvvvvvvvvvvvvvvv– –vvvvvvvvv –vvvvvv ¿ vvvvvv – ——‰ –vvvvvvvvvvvvvvvvvvvvvv . vvvvvvvvv π P F p P π P clack reed

high band noise

–

Vc.

-‚

press down the open string with the ferrrule of the bow

‰

–

— .IIIII

blip reed

IIII

—.

3 vvvvvvvv . – ≈ ‰ 4 ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv P + + 3 — – vvv IIIII— .IIIIII ≈ œ‚ œ‚ 4 F p

– ‰

mid band noise

≠vvvvvvvvvv

≥ 5 ¬ 4 p

vvvvvvv vvvvvvv vvvvvv

-. ≈ ‚

pizz.

slide scratch

≥ –vvvvvvvIIIIIII – vvvvvvvvvvv – –IIIIIIII– vvvvv 5 – 4 p p

pizz. arco bend

noise reed

®‰ 5 ‚v 4 vvvvvvvvœvvvv ‰ ‰ b – – 5 4

arco clang

‚- .

vvvvvvvvvvvvvvvvvvvvvvvvvvv

3 4

Vln.

-‚

>¿

π

noise reed

i3 4 ¬.

‚- .

slide gliss

Ó.

scratch arco ≥≠vvvvvvv . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

vvvvvvvvvvvvvvvvvv–vvvvvvvvvvvvvvvvvvvvvvvvvv – . ≈ Œ

106 B b Cl.

–vvvvvvvvv Œ P

slide scratch

scratch arco arco clang bend

Vc.

-. ≈ ‚

pizz.

π

– . b —IIII¬

mid band noise

‰ ≈ œ >

clack reed

b —IIII ‰ ¬ . P

low band noise

slap

noise reed

clack reed

– vvvvvIIIII ≠ p

voiceless sssssssheeeeeeeeoooooooooooo



≥–

B b Cl.

i ¬. ¿

ƒ .

high band noise

-‚

∑

-·

Vc.

B b Cl.

blip reed

Œ i‰ b ‚ vvvIIIIII — IIII‰

‰

Vln.

Vc.

‰ –

‰.

‰

vvvvvv

scratch ≠vvvvvvslide vvv

vvvvvv

vÓ

scratch ≠vvvvvvslide vvvvvvvvvvvvvvv ≠ vvvvvvvvvvvvvvvvvv

¿ ƒ

vvvvvv

scratch arco arco clang

4vvvvvv≠ vvvvvvv 4 π

‚vv . vv vvv ≈

‰ b ‚ ≈ Œ vvv p

vvvvvvv

vvvv— – ≠ . vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv III vvvv p ∏ p π

voiceless sssssssheeeeeeeeoooooooooooo

 Œ

4 Ó. 4

π

112

scratch ≠vvvvvvslide vvv

vvvvvv

∏

4 ‚ Œ 4 vvvvvvvv 4 4

— ‰ –vvvvvvvv—I I≈ —II ≠

III

blip reed

Œ b —IIII≈ ‰

scratch arco

Vln.

clack reed

noise reed

109

b —IIII‰

≠vvvvvvvvvvvvvvvvvvvvvvvvv ˙vvvvvvvvvvvvvvvvvvv p

≈b — . ‰ Œ vvv v P

>¿ ‰ Œ ƒ

Ó vvvvvvvvvvvvvvvvvvvvvvvvvvv

vvvvvvvvvvvvvvvvvvvvvvvv ≠ vvv

‚ III ‰ . p

vvvvvvvvvvvvvvvvvvvvvvvvvvv Ó

ferrule clang click ferrule bend scratch arco

— vvvv≠vvvvvvvvvvvvvvvvvvvvvvvv Œ –vvv IIIIII ≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ∏ f p

ä ä ‰ — ¿.

˙.

‰ –vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬. π

vvvvvvvvvvvvvvvvvvvvv ‰ –

IIIIIIIIIIIIIIIII

≠

F f

–vvv≠vvvvvvvvvvvvvvvvvvvvvvvv

20 115 B b Cl.

Œ i‰ b —IIIIIII p

‰ ‚ ‰. vv vvv vv

‰ b‚ ‰. vvvvv vvv vvvvv vv

-‚

‚IIIIIII ‰ ≈‚ IIIIIII ≈ ≈- ‚ II‰ ‰ b ‚ IIIIIII Ó

pizz.

‰

‰ Œ

Vc.

≥ – vvvvvv ≠ vvvvv

118 B b Cl.

iŒ

–

ä x‚ . f

‰ ‚IIIIIIIIIIIII  ≈ ‚IIIIIII  ≈‚ III ≈ p

–vvvŒ

‰.

vvvv

vvvvvvvv

–vvvvvvvvvvvvvvvvvvvvvv ¬ vvvvvv

‰

press down the open string with the ferrrule of the bow

click ferrule bend scratch arco

ferrule scratch

Vln.

-‚ ·

pizz.

slide gliss

π

≠ .vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ‰ – vvvvv

>¿

+ ä œ ‚ x‚ .

π

pizz. ferrule bend click ferrule bend scratch arco l

. III ≈ Œ –vvvvvv

π

≥ ≠ P

– ‰

≥ – π

scratch arco

–

∏

M Hills

‰ b —vvvvv Œ

≈—vvv‰

‰ ‚ vvv vvv vv‰

pizz.

‰ Ó

Vln.

Vc.

≠ ¬

– vvvvvvv‰

ä ‰ x‚

ä ‰ ≈ x‚ .

click ferrule bend

‰ ≈ ‚

slide gliss

–vvvvv ‰

vvvvvvvvvvvvvvvv

scratch arco

-·pizz. ä

Œ scratch arco vvvvvvvvvvvvvv –vv ‰ ≈

click ferrule bend

x‚

F ‰ –

IIII II

π

–

∏

21 slap

i ‰ ≈ ‚ ‰ ‰ ‚vvvvvvv vvv IIIIIIIIII—II. ≈ ‰ . ‚vvvv. v vvvvv ≈ Œ v IIIII vvvvv vv vvvvvv vv I π F

121 B b Cl.

pizz.

-‚

pizz. slide gliss

‚p

[A-1 String]

≈ œ ≈ œ ‰ ‚vvvvvv vv vv

scratch ≠case IIIIIIIIIIIIIIIIIIIIIIIIIIIIII ≠ IIIIIIIIII

≠

IIIIIIIIIIIIIIIIIIIIIIIIIIIIII

π

scritchy arco

Vln.

≠vvvvvvvvvvvvvvvvvvvvv ‰ œ π p

124 B b Cl.

–

IIII II

Vc.

ivvvvv vv vv vvvv

≠

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

Vln.

Vc.

–.

≈ ‰ ‰ ≈ œ

≈ ‚ .

–

IIIIIIIIIIIIIIIIIIIIIII

˙.

blip reed

–

II II

you continue to blow but the reed should vibrate in a sort of unstable manner

vvvvvv vvvvv

≠

vvvvvvv

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

vvvvv vvvvv

≠

vvv

≠

vvv

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

IIII

≥ ≥ ≈ ‰ ‰ –vvvvvvvvvv– vvvvvvvvvvvvvvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvv œ vvvvvvvv —II –vvvvvvvvv fl P π ∏ arco clang scratch arco

scratch arco

–

II II II

–

II II

–

II II

–II II

22 noise reed

127 B b Cl.

i ¬. -

the tenuto articulation indicates 't' attach as you continou the 'noise reed' sound

low band noise

≠

–- –-

≠

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

Vln.

– ≈ ≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv vvvvvvv

Vc.

≠

mid band noise

≠

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

–

II II

–

i¬

high band noise

glass rotation

≠

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII

Vln.

Vc.

≠ vvvvvvvvvvvvvvvvvvvvvvvvvvvv ≠ .

˙w¸

place the glass with the opening on the strings (mid range triple strings) and rotate slowly with some pressure. A squicky sound should be produced.

° ∏ ·

bow very lightly in a circular motion on the area beggining of fingerboard

howl bow

‚

IIIIIIIIIIIIIIIIIIIIIIII

–

II II

N Shiny

130 B b Cl.

¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬ π

‰ Œ –

≠-

howl bow

bow very lightly in a circular motion on the area beggining of fingerboard

II II

23 133 B b Cl.

i¬

˙w¸

Vln.

Vc.

5 4

∑

136 B b Cl.

i¬

∑

5 4

˙w¸

Vln.

Vc.

5 4

·.

∑ * ·

·.

O 139

B b Cl.

4 4

Vln.

4 4

Vc.

142 B b Cl.

Ó.

∑

i4 4

Ó.

∑

· ·

∑

Vln.

Vc.

∑ ¬ ~~~~~~~~~~~~~~~~~~~~~~~~~

5 ‰ b— 4 b— ‰. Œ IIIIIIIIIIIIIIIII F Ï ¤€œ 5 4 Ï

∑

¿ Ï

≥ – vvvvvv 5 ±IIIIIIIIIIIIIIIIIIIIIIIIIvvvvvvvvvvvvvvvvvv 4 ƒ π arco clang

LH slap

use LH thumb to pull the IV string right down ourside the fingerborad and release it (percussive/ rattling/ pitchbended sound)

. ∑ 5 œ ‰ ¬≤ 4 Œ [sul C open]

~~~~~~~~~~~~~~~~~~~~~~~~ π

scratch arco

exargerate the return fo the tongue to the slap position

4 ‰ hhhhhhhhhhhhh h h h h œœœœœœœœœœœœœœ œ œ œ œ œ œ 4 P

∑

clack reed

4 4

∑

œ f

∑

4 ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv ¬ vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv 4 p scratch arco

[sul G open]

–

LH gliss from beggining to the end of fingerboard

+pizz. LHand Gliss Ó . 4 œ ¬≤ ‰ Œ ~~~~~~~~~~~~~~~~~~~~~¬~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 scratch arco π

i œ ‰.

145 B b Cl.

Ó.

¬IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII case scratch

[A-1 String]

* Vln.

Vc.

Vln.

Vc.

¬.

IIIIIIIIIIIIIIIIII

π

IIIIIIIIIIIIIIIIII

∏

Ó ∏

∑

IIIIIIIIIIIIIIIIII

. IIIIIIIIIIIIIIIIIIIIIIIIIIII – ≈ ˘–– ˘–– ≈ –IIIIIIII≠IIII IIIIIIIIIII

IIIIIIIIII

Ï ∏

> arco clang ¿ —‰ Œ ferrule click

∑

Ïf ƒ

LH slap

~~~~¬ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ¬

∑

œ Ï

∑

vvvvvv≠vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

148 B b Cl.

IIIIIIIIIIIIIIIIII

‰ ..

œ ‰. Œ

Ó. ¬≤ .

Ó ~~~~~~~~~~~~~~~ π

scratch arco

∑

¬ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

stop the bow on the frog produce a slap like sound and let the srting to rattle

œ ≈ ‰ Œ

∑