Panayiotis KOKORAS Shatter Cone for violin and electronics
2004
PANAYIOTIS KOKORAS Shatter Cone for violin and electronics
Score Duration 10:05 minutes
All Rights Reserved Rethimno 2004
Commissioned by MATA Festival to be performed by Mari Kimura
Shatter Cone for violin and electronics Panayiotis Kokoras
Bright, Vigorous q»¶™
Violin
trills are always played one semitone higher
∑
i4 4
5 4
|
|
short push & press bow to create an accent
C.III Ÿ~~~~ ≤. ä . ä ä ‚ ‚‚ b‚
p
ç
sul E
| |
Ÿ~~~~~~~~~~~~~~~ Œ ≈ ·≥ . b œ ‰ œ œ ‰ Ó
SP
AD G
|
|
-00:01 Electronics
© Ó.
@ 4
Vln.
œ
touch all the strings with 2nd finger on "fret" C.III and play the trill with 3rd finger on "fret" C.IV.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥~~~~~~~~~~ ≥ ≤ ‚ i4 ≈ Œ 4 b ‰·.. b œ ‰ œ ≈ œ ‰ . ‚ ‚ ‚ b · · œ ‰ œ ‰. œ ‰ œ ç P D A D GP SP
ST
C.II
|
|
00:15
Elec.
© 2004 Panayiotis A. KOKORAS, All RIghts Reserved
2
Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ ≤ ≥ ≤ ≥ ≤ ≥ ‚ ‚ ‚ 4 ‚ ‚ ‰· œ ≈ ≈ œ ‰ 4 ‚ ‚ n‚ ‚ D D G sul A F ß ST
7
Vln.
i5 4 ‰·. œ 00:25
|
ST
C.III
‰
|
b · .b œ sul G F
≈ ≈ œ ≈ Œ œ
@
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ ≥ Œ ‰ b œ ≈ i w w œ â Ó ß p | | SP
ST
10
. â
00:35
Elec.
Vln.
@
SP 13
i5 4
DA|
‰.
œ
00:45 Elec.
œ p
Elec.
Vln.
Ÿ~~~~~~~~~~~~~~~~~~~~ ≥ ≤
SP C.II
C.III
Ó.
Œ
4 4
≥Y .
ç
sul E
Œ
9 8 |
∑
≤
. â â
3
after plucking the first note play the notes in brackets with LH finger only (legato)
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ä äœ ä ä 3 i œ }œ œJ ≈œ(œ œ œ œ) 4 œ (œ œ œ œ œ )‰ b · 4 4 ·. # œ (œ œ œœ œ) A sul D sul G D | | sul G p F pizz.
16
Vln.
ä
arco ST flautando
6
6
00:57
Elec.
Vln.
@
19
i
Ó.
‰ ≈ œ ‰
œ
œ œ
œœ œ œ œ
œ
œ
œ
Œ
ST SP ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ä ≤ ≥
·.
|
b œ· . ≈ ‰
4 4
|
·
p
ß
01:06
Vln.
j œ œ
Elec.
@
reversed sound frog xSP
~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˘ 22 ≤ 2 œ Œ i 4 .. ‚‰ ·. ‚ | ß
Œ
≥
SP
4 # ¿œ 4
ƒ
sul A |
Ó
,Ÿ~~~~~~~~~~~~~~~~~~~~~ ·. f
01:15
Elec.
Œ
Œ
‰
œ
Œ
4
~~~~~~~~~~~ ≤ ¿œ · i
25
Vln.
f
sul G
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤ ≥ ≤ ≥ ≤ k‚ · ‚ ‚ ‚. ‚ ‚ ‚ }¿œ fl fl fl fl sul D ç ß çß
01:23
Elec.
Vln.
@
≈ ≈ ≈ œ Œ
Ó
œ
Œ
‰
œ
Œ
echo
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ä SP O ≥ ≤ ≥ > ‰ . Œ≤ ≈ b œ ‰ 28 — ≤ ≥ ä ä ‚ j‚ · œ . #œ i } ˙ k · œ ‰ b ‚ ‚ > A E A D A E f F ç çf open string tremolo with upward motion
|
|
01:33
Elec.
Vln.
@
Ó.
xSP SP ~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ ä ~~~~~~~~~~~~~~ ≥ ≤ — œ # ‚‰ · ‚ } ‚ . ˙ # · J ˙ } ‰ open string tremolo with upward motion
31
i
|
sul E
01:43 Elec.
≈ œ ‰
|
|
|
ß
3 4
F
5 4
ß
ä≥ œ
open string tremolo with downward motion
˘
˘ Ÿ~~~~~~~~~~ ≥ Ÿ~~~~~~~~~~~ 34 ≤ ≥˙ œ ≥ ≤ #· ‚ } ¿ ¿ k‚ x i4 4 Œ k‚ . ‚ A D A >A A }˙ sul E E D ß F ß ß F sul G ç
Vln.
xSP
ST
5
5
5
C.I
5
5
5
01:53
Elec.
Vln.
@
˘
≤ j sul D ‚
ST
SP
≥
double stop open string tremolo and gliss on D
ST
˘
˘
i ¿ Œ ‚ ¿ ¿ }˙ }˙ } rit. p p F
37
5
5
6
6
6
02:03
Elec.
Vln.
@
40
i
˙
sul G
02:13 Elec.
≤
‚
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤ k‚ k‚ ‚ k‚ ‚ k k· ‚ k ‚ k· . ST
SP C.I
E
P
A
E
A
E
A
E
5
6 ST SP SP ST Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ä ä
i·
43
Vln.
œ· ‰ .
‰ œ ≈
sul A
·.
Œ
02:23
Elec.
Vln.
@
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Streched, Roar
∑
46
i
grainy gesture
end of fredboard
E A D G
|
GDAE
≥
Œ
|
Y
pegs
|
Y
P
Y
|
Y
|
|
|
|
‰ Œ |
|
≤Y
02:33
Elec.
Vln.
@
~~~~~~~~~~~~~~~~~~~~ C.I
49 E A D G
œ
|
≥
kY
fi
damper the resonating string(s) with LH's little finger
fi
fi
‰ œ ‰ œ ≈ ≈ œ ‰ |
‰
|
|
fi fi
fi
≈ œ ‰ œ ‰ .
Ó
Ó
|
|
|
kY
02:43 Elec.
fi
œ ≈ œ ≈ Œ
|
Π|
Π|
Y
7 52
end of fredboard
E A D G
Vln.
3 ‰ |
4
Y≤
Y |
f
GDAE
pegs
,
|
Y
Y
≥
C.V
5 Y 4 Y |
|
Y
|
Y
|
4 4
|
f
|
∑
|
|
|
02:53
Elec.
Vln.
@
55 E A D G
Y≤ 3 ‰ Y |
4
GDAE
|
F
,
|
Y
Y
≥
4 4 Y |
f
|
Y
|
Y
|
Y
Ó.
|
|
|
|
03:03
Elec.
Vln.
@
58 E A D G
3 ‰ 4
GDAE
|
Y≤
f
03:12 Elec.
Y |
Y
|
Y
,
≥
4 4 Y |
ƒ
|
Y
Y
|
Y
|
Y
|
|
|
Y
|
Y
8
∑
61
i
Vln.
∑
Œ
E A
Y≤ .. Y
03:21
Elec.
Vln.
@
—Ô E 3 ‰ .. Œ AD
xSP 64
i5 4 Y D
G
¿¿œœ
[Ord]
4
ç
G
[xSP]
03:31
@
Ÿ~~~~~~~~~≤~~~~~ ≥ ≥ œ ‰. 3 · 4 ‚ 4 4 8 C.II
C.III
[xSP] bridge
≥ ‚
8
ß
D
C.IV
≤
67 [Ord] fboard E A D G
Œ
Œ
œ
œ
‰
œ
≤
8 8
œ
‰
œ
Œ
œ œ œ œ
Ÿ~~~~~~~~ Ÿ~~ ~~~ ≤ j ≥ ≥ D œ ‚ ‚ 8 ‚ ‚ ‚ ‰ â ß ç SP
xSP
ßf
03:41 Elec.
Œ
œ
Elec.
Vln.
C.I Ÿ~~~~~~~~~~~ ≤ ≥ 8≤ ≤ ≥ œ ‰ . ‰ 8 4 8 ‚ . ‚ 8 8 88 88 84 8 8 â 6 ßf
angled bowing C.III
Œ
Œ
œ
œ
œ
œ
L fi
9
L
Distorted, Aggressive
fboard
70[Ord] E A D G
3 4
Vln.
|
8 8 8
|
ƒ
[xSP]
bridge
fi
2 8 ≈ ‰ Œ 8 8. 4 fl ç
|
j
8
j8 8
4 ≈ 8 4 8 |
8
|
|
|
8
subito P
çƒ
03:50
Elec.
Vln.
@
73 E A D G
L fi
Ÿ~~~~~~ ≥ 88 8 8 . . 8 ≈ 8 . 8 ‰ ‚ ‚ ‰ Œ 5 8 4 8 8â . 8. D ç ƒ |
|
|
|
xSP
|
|
|
≥
8 8 8 ‰ J 8
|
3 4
|
> >> ƒ
|
888 |
|
|
8 â8 8. 8
03:58
Vln.
@
76 E A D G
4 4
L
|
8
ƒ 04:09
Elec.
Œ
œ
Elec.
all strings open
|
8 |
|
8
|
|
8
Œ
Œ
Œ
C.I , Ÿ~~~~
|
|
L
Ÿ~~~~~~ Ÿ~~~~~
C.I
j 88 8 8 8 ‚ ‚ ‚ 8. 8j 3 8 4 8 8 8 ƒ pç ß |
3
|
|
3
|
≥
|
10 79 [Ord] E A D G
4 4
Vln.
[xSP] bridge
|
ƒ
L fi‰ . L fi‰ L fi≈L fi‰
L fi Lfi 8 8 8 8 8 8 8 8 8 8 8 8 J 8 888 8 88 8j 8j J 88 8 8 J J 8 J 8j J J
L8 fi
fboard
Ÿ~~
Ÿ~~
C.III
3
|
|
|
|
|
|
|
|
|
|
ç
04:18
Elec.
Vln.
@
ST Ÿ~~~~~~~~~~
≥ i·
xSP
82
ç
sul D
œ k ‰
pizz.
≈ œ . œ D G F
RH pizz
Œ
arco
≤ ‰ 8 2 8 ≈ ‰ Œ ord.
xSP
4
sul A
ç
04:28
œ œ œ Œ 3
Elec.
Vln.
@
œ
Ÿ~~~~~~~~~~ ä ≥ 85 # ‚# ‚‚ . # œ ‰ . 4 i 4 . # ‚ E A ç D SP C.IV
04:36 Elec.
‰
‰
œ
ST
j œ
œ
Œ
xSP
≤
88
G
≥
88 . Á
ç
Ó
ST
Œ
∑
|
Pulsatory, Delicate
∑
i3 4
Vln.
‰
col legno
88
sul E
11
‚ # ‚ }
touch with col legno on the fingerboard (harmonic like)
P
LH pizz
Œ
4 4
‚ LH pizz
Œ
Ó
04:46
Vln.
Œ
Elec.
@
hold D# and hammer on note E with 2nd finger; play trill by hammering note E with 2nd finger
iÓ
91
col legno tratto
Ÿ~~~~~~~~~~
‰ .}# œj œ # œ â sul G P
|
|
œ
‰.
Œ
œ
col legno pitch shifting [C.X]
|
, C.II
touch with col legno on the fingerboard (harmonic like)
[Ord]
C.V
5 ‚ ‚ ‚ ‚ œ œ 4 # · œ } |
â
|
|
|
|
P A
|
3
|
|
,
LH pizz
04:55
Elec.
Vln.
@
Œ
œ
œ
Œ
Œ
‰ œ œ œ Œ
col legno tratto
>3 i3 4 ‚‚‚ Jsul D LH pizz p [C.II]
94
sul A
>3 > 3 > 3> 3 3 4 ‚ ‚ ‚ ‚J ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 4 ‚ ‚ ‚ J
rit.
œ
release finger - open strings
≤ # ‚ j ‚ ‚ J A [C.IX]
05:06
Elec.
‰ œ
Œ
Ó
E
12
bow col legno across the string in order to control the pitch (guitar slide like), and move simultaneously up and down bow col legno tratto in order to create a sustained grainy like sound
97
i
Vln.
≈ # ‚j. p ≥ }· > C.IV
sul A only
C.I
LH pizz
|
j ‚ J >
· >
≥j j 3 b ‚ }œ· œ œ œ ‰ J > sul E [C.X]
touch by col legno at the C.X "fret" with the very edge of the bow and slide towards the bridge
|
05:14
Elec.
Vln.
@
ST Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ sim... 6 ä > 100 b}œ· ≤˙ ≥ ≤ . ‰ ‰ ˙ b œ‚ · bœ ‚ b ‚ ‚ ‚ ‚ b ‚‚ ‚ ‚ ‚‚ ‚ ‚ i J sul A π F π | | arco
[SP]
light bowing
05:24
Vln.
Œ
Elec.
@
i‚
103
>
≥ ¿· .‰ .
05:34 Elec.
Œ
‰ œœÓ
, ≥ ‚ ‚‚‚‚# ‚‚‚‚# ‚‚‚æ‚ 6
6
P
}· æ
≈ œ ‰
Ó
π
open string tremolo with downward motion
106
i
Vln.
≤ ‚
13
open string tremolo with upward motion
col legno pitch shifting
col legno tratto
Ÿ~~~~~~~~~~~~~~~~~~~~ ~~~~~~ ≥ ≤ sim... ‰ œ ≈ Œ 3 }˙œ œ ‚ ‚ b ˙œ œœ 4 · . } p P πG D [C.XVII]
[C.XXV]
[C.IX]
[C.IX]
sim...
sul A
05:44
Elec.
Vln.
@
œ
œ
œ
œ
œ
≈ ‰
Œ
arco ~~~~~~~~~~~~~~~~~~~~~~~~~~ ˘ ≤ ST sim...
xSP Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 109 ≥ ≥ ≈ œ œ œ j œ bœ i }· ‚ ‚ ‚ œ ‚ bœ ‚ œ ‚ . ·. fl fl sul D F P ß
05:53
Elec.
Vln.
@
‰
œ
~~~~~ ST
112
i4 4 ‚
Œ
Œ
˙
˙
≤
C.XXV
xSP
SP
Œ
≥œ œ œ ‚ ‚ ‚ ‚ ‚ ‚ œ ‚ }· m‚ ‚ ‚ ‚ ‚ ‚ # œ œ œœ # œ œ œ E | f ƒ
06:00 Elec.
≈ œ ‰ Œ
Ó
Ó
Œ
œœ‰
œ
Œ
bow position
3 4 |
F
subito
14
Ÿ~~ sim... ˘ ˘ ˘ ≥ 3 4 œœœœœœœœœœœ œ œœœœœœœ ·} sul G p CLT
≤ [C.XI]
col legno pitch shifting
∑
115
i
Vln.
4 Ó 4
06:10
Vln.
Ó
Elec.
@
~~~~~~~~~~~~~~~~ D œ i ˙. œ ‰. 3 G fl
œ ≈ œ ≈ fl fl
‰ œ Œ
col legno pitch shifting
≤ LH pizz ≥ œ œ œ œ œ4 4œœ œ œ œ œ œ œ œ P
[C.II]
1, 2
118
[C.IX]
œ sul A
06:18
Vln.
œ œ œ
Elec.
@
æ i5 · 4 ·
SP
G
06:26
œ
Œ
[C.IX] —— CLT / xSP sim... ‰ @ 4 3 4}·œ œ œœæ 4
D G
Elec.
œ
col legno pitch shifting
arco
121
‰
∑
P
œ ‰ Œ
SP
p
D G
Ó
—— æ
15
Screaming, Sharp col legno pitch shifting C.XXIV 124
i
sim...
C.V
}˙ œ œ œ
Vln.
|
|
|
|
|
P
Œ
@‚ ‚ ‚ @ @ @ xSP
SP arco tip |
4 ·æ 4
sul D
sul G
06:36
sul A
F
Elec.
@
127
}·
SP
‚@ ‚@ ‚æ
iæ
Vln.
sul D
æ
≤ O — — — — > . ‚! œ! @J @ @ @ @ ! œ E A D A sul G D f xSP tip
≥ O —
open string tremolo with downward motion 3
çf
O—— J O }˙
06:45
Elec.
Vln.
@
ord.
end up to fingerboard 6
130
i
06:55 Elec.
œ
‰
tip
j‚ œæ œ DA P
Œ
Ó
> > > . O— . æ œ œ œ æ œ œ œ@ E A! @ ! ! @ ! D f ç çç
xSP
6
O — O— O—
>œ æ !!@ ç
O — O—
>œ >œ !!!!
çç
16
O —
O— O—
@ @ @ @ @ @ 3 4 æ A k œ kœ D
iæ ƒ
133
Vln.
sweep/ gliss fingers from SP area to bottom of fingerboard [nut] whilst you change strings [SP]
¿
¿
[nut]
G
≥ O O ≤ O — — ± ç @ æ ! œ! @ ¿œ >œ ¿œ ¿‚ D A E ç [nut] tip
[SP]
frog
D G
07:05
Elec.
Vln.
@
open string tremolo with upward motion
xSP
O — . O—
>œ 4 i 4 !œ @
136
æ
E A
ç
Ÿ~~ 3 6 ≥O ≤O ≥O ≤ — — — — >œ >œ æ # ‚ }˙‚ >œ !!@ @ !!!!@ E ç çç
07:13
@
¿± }
xSP
139
6 ß ß
¿
O —
æ
sul A
iæ
f
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ ≤ ≥ ≥ ≤ k‚ ‚ ‚ n œk ‚ ‚ ·. ‚ n œ k‚ > > ç ç
07:23 Elec.
≥ >œ >œ
Elec.
Vln.
>O≤ —
Ó
A
‰ ≈ œ Œ
~~~~~~~~~~~~~~~~~~~~ 142 ≤ ≥ ‚ i5 4 n >œ k‚ . · . ç xSP
Vln.
4 4
≥
O —
17
O— @
>œ æ !!@ ç
O± >œ >œ æ 3 !!!! 4 ç ç
07:33
Elec.
Vln.
@
iæ
xSP
145
j œ
·æ
sul D
4 4
O —≥
ß
sul G
07:43
Elec.
Vln.
@
148
i
ST xSP ... ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≥ ≤ ≤ ≥
n œ k‚ . · .
> ßf
07:52
Elec.
Ÿ~~~~~~~~~~~~~~~~~~~~~~ ≤ 3 up to fingerboard end 3 O — ≥ ≤ J }œ œ ‚. · >k P ßf open string tremolo with downward motion 6
·
·
π
18
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤ ‚ ‚ #‚ #‚ # ‚ # ‚ A E > # ‚# ‚ ‚ ‚ n œ@ A D G G D F
xSP C.I
∑
151
i3 4
Vln.
Ó
08:02
Elec.
Vln.
@
154
i4 4
ST ≤ xSP Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O up to fingerboard end — [SP] ≥ ≤ ≥ ≤ |
}œ
|
|
F
08:10
@
i
≥ ˙.
xSP light bowing
157
‚ π 08:20
Elec.
k·
·
P
Elec.
Vln.
œ
∑
∑
19
Resonant, Feedback
iŒ
feedback bowing
160
Vln.
sul G
08:30
˙. p
xSP
‰
¿. ≈
Œ
ord.
w
F psubito
F
Elec.
Vln.
Ó w
ST
@
C
xSP
163
˘
G
˘
i ‰. ‰. ¿œ ¿œ psubito 08:40
j jl. v. œ œ œ
xSP
ord.
F
w
œ
Œ
o
sul E
p
subito
Elec.
B
Vln.
@
j œ œ ˙. iJ subito p
166
l. v.
fi
‰ œ ≈ .
ord.
œ
˙
psubito
08:50 Elec.
E
œ œ 3˙ J J 4
r ≤ œ œ. J π F subito xSP
20
169
i
Vln.
Œ
˙.
fi
fi
œ ‰.
Psubito p
‰ œ ≈
p
4 4
subito
xSP
ST
˘ ¿.· . ß
#œ
A
E
˙
œ
Ó
œ
œ œ
08:59
Elec.
Vln.
@
j œ œ ˙. i J xSP
172
fi
‰ œ ≈ ‰ .
09:08
≥œ
œ œ œ J J p
P
E A
œoœ
˙o
fi fi
‰ œ ≈ œ ‰ . œ
œ
p
œ
P
Elec.
@
gradually lift up the finger
o . ‚o . ‚o . ‚o . o o o o o o ‚ œ ‚ ‚ ‚ ‚ ‚ ‚ œ œ œ œ w iœ œ œ œ œ œ
E 175
A P
09:18 Elec.
œ
psubito
p
subito
Vln.
fi
Œ
ord.
SP
rit.
ord.
SP
‰.
œ ‰ œ ≈
21
Œ
i˙ sul A P
178
Vln.
j # o‚ . o‚ # œ ≈ œ ≈ ≈œ œ ‰ R
j o‚ # o‚ . o‚ ‰ œ ‰œ # œ ≈ ≈œ œ ‰ R
# ·o .
‚o
}· .
œ
.
œ
09:28
Elec.
Vln.
@
181
i
xSP
ord.
œ ‰. Œ
œ
l. v.
#·
·
p
09:38
Elec.
Vln.
@
ST
‰. i# œœ œ
184
p
subito
œ œ ≈ Ó F
l. v.
≤
Ó.
k
sul G
09:48 Elec.
Œ
œ ≈ ‰ Ó
π
Ó
œ
‰
Œ
22
187
Vln.
i3 4
—Ô
hit the indicated open strings with the middle arco side of bow (not collegno) creating a percussive slap sound
‰.
ç
Ó
muffle the resonated strings by taping them with LH fingers
5 ¿ ¿¿ ≈∑ 4 ¿ ¿
¿ ¿ ßF
09:58 Elec.
Ó
Ó.
FINE 10' 05''