PLUI (9) ALL THAT AND A BAG OF CHIPS [ENG] by PLUI Magazine

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Editor's Note

Credits

Back To The 90’s

Come Back 90s: Grunge

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13 free spirit

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Footprints

The New 90’s

Ditto

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FREE SPIRIT

SEHNSUCHT

Jesus Doesn’t Want Me For A Sunbeam free spirit

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Internet Killed IT

Away

Nostalgia Or Me

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Life Isn’t A Spectator Sport; Let’s Play! free spirit

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So What If There’s No That Girl Is The Queen Tomorrow? There Wasn’t Of The Neighbourhood One Today; Calvin Klein FREE SPIRIT

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LUFTRA: Peace Beyond Beats

Fuck The Reasons FREE SPIRIT

SEhNSUCHT

muoti

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Lead

White Picket Fences Are No More

De-Javú`

TV Nostalgia

FREE SPIRIT

SEhNSUCHT

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Nothing Matters

The Sex & The City Girls Are Terrible Role Models

Yearbook

Stockist

FREE SPIRIT

SEhNSUCHT

credits: GENERAL DIRECTION Andrea Bolland Priscila Cano

EDITORS Andrea Guzmán Christian Malibrán Fabián Moreaux Jair Solís Marie Claire Aguirre Roberto Gaona

GUESTS

Abraham Magos Adriana Guzmán Mendoza Adriana Ortíz Amanda Shae Chris Álvarez Daniel Chaves Daniel Grisales Dano Santana Diana Arias Diana Rodríguez Ewout Rischen Fabian Alvarado Fede Sarandón Felipe Huertas Francesca Tretti Gigi Meneses Indira Vargas Kaitie Lindner Karla Calero Luis Diego S. Luis Obando Majo Chavarria Maria Marin Mau Muñoz Michelle Marcin Natassia Capra Sandra Ahumada Sebastián Gutiérrez Tanya Castro Tatiana Vigot Víctor Aguilar

BACK TO THE 90’S.

by: ROBERTO GAONA

What would you do if you had the opportunity to return to the 90’s right now? Would you? If I had the chance, I would do it without giving it much thought; I’d love seeing the beginning of artists such as: Natalie Portman, Britney Spears, Sarah Michelle Gellar, and co., to turn on the TV and being able to watch the latest episode of Dawson’s Creek or Felicity, and of course turning on my iMac G3 (yeah, the one that came in colours) to do my homework. Yeah, I would definitely go back to 90’s; but what’s the real reason I would do so? Well, firstly, there would be no social networks (a necessary evil) but at least people wouldn’t be uploading photos of their food, or updating us with their health issues (as in “I’ve a toothache”) to the net. We wouldn’t have to learn and see those things. Mobile phones would barely exist; although there were cellphones in the 90’s and people did buy them, they weren’t so popular because they were huge and they weighed a ton. Although, it seems we are going back to what cellphones were, first they were big, after they were smaller, then they went even smaller, and now they’re going back to huge (i.e: iPhone 6 Plus, and company). Anyway, what I’m trying to say is that technology has helped to lose our communication with people, so going back to the 90’s would definitely mean having much higher communication amongst us. Selfies would’t be so popular. Sure, there’s absolutely nothing wrong with taking self-portraits; the problem though is the excessive amount of photos we took of ourselves on a daily basis. It wouldn’t be such a big deal if we did it and leave them on our phones, but there’s plenty of people who update their social networks with at least one daily selfie, or people who change their profile pics daily, or even worse, people who still take photos of themselves in front of the mirror and make them their profile pics (God, please kill me!). Despite the fact that self-photos or selfies have always, really always, existed, it was harder to take your film camera and take your own photo because, ya know, you didn’t know how good or bad it was until developing your film. Another point that favours the 1990’s. In general, sure, it would be different, way different, but I’d personally like to go back to the 90’s. I’d go back to the 90’s to really experience what I like, because I don’t remember all of it; since I

was only a kid I don’t remember all of the events that happened during that time, a decade in which a lot of things we use, listen to, or see had their beginnings. I wouldn’t think going back twice. However, there are things I’d miss from the Millenium, and it isn’t Facebook or Twitter; I’d miss a set of experiences. All in all, I would recommend a couple things so that we all can live in peace: • Stop taking photos of your food. • Stop taking photos of yourself for everything. To be honest, most of us don’t give care about how your face looks at all times. • Stop updating your social networks to let the world know how hangover you are. It’s so cool you had such a great time at that party! But we don’t give a crap about how hangover you are, it was your damn decision. • Stop living for technology. Do NOT depend on it, it ain’t perfect, and it can make some really bad moves. • Stop obsessing with social networks. • Stop using apps like Foursquare. We don’t care how much you go out and where, and we don’t care if your dinner is «the most delicious dinner you’ve ever had». • START LIVING. Use technology less. Read more. Experience more! These are simply some advices, you can take them or leave them, it’s your decision. But this is why some of us would like to go back in time to a place before these somewhat nonsense trends, that are neither good nor bad, just inconsequential, were a thing.

Photographer: Sebastián Gutiérrez P. Models: Adriana Guzmán M. @Umodels Tatiana Vigot Styling & MUA: Adriana Guzmán M. Asistants: Daniel Chaves, Diana Arias, Luis Obando, Mau Muñoz.

FOOTPRINTS by: MARIE CLAIRE AGUIRRE I believe once we reach a certain age we tend to have nostalgia for our past. We remember old loves in the form of footprints. We find photos in which we see our favourite clothes (those we didn’t take off, not until they crumbled). We smell aromas that marked us and transport us immediately to those places they’re reminiscent of. We savour all them goodies we loved but they aren’t as they were, at least not anymore. We find, in boxes cast aside, the toys that cheered us at our worst and that now we don’t remember how to play with. We talk about movies that made us dream and ambition. And we smile; we smile for those bits of fun with friends who are no more. The past builds us, forging us to be who we want to be; without the past there would be no grounds to advance. And part of that past, of my youth, where I grew up are the 90s. The 90’s were a watershed for many people of my generation, considering I’m 30yo, really! Haha. I feel it was a time, a decade, in which we lived many events, many products were born, and items we couldn’t had imagined were created. We had that «wow» factor that drove us addicted to many experiences, things, people, and above all trends. Fashion has always been connected to social, cultural and economic spheres; it is a reflection of what society lives. That’s why the 90’s will always have that unique and special magic, because it allowed us to experience and enjoy some ingenuity that people is no longer allowed to have anymore. We punish, criticize and bully people who don’t fall within the canons of this decade; in the 90’s everything was fun and, of course, much more natural. Nowadays, we are bombed by so much information that all we do is copy and we are justified in that “it’s only inspiration” but as everything is already written, said, or done there’s nothing that motivates us to create, to be original, to discover who we truly are. Today in Y2K14 we should live our 90’s, be free, and flow with others so that we may inspire; retake those happy years that lead us to feel for the first time and let us fascinate.

THE NEW 90’S Photographer: Abraham MAGOS Model: Sandra AHUMADA Styling & Concept: Christian MALIBRÁN MUA: Tanya CASTRO Hair: Indira VARGAS Clothes: Loreins Tampico

DITTO. and low,  Rip open the sweet teeth.   Too sweet for your rling,  The pink package da stare, please. Drown me in your loudly.   The clock ticks too m last night,  Have headaches fro ver cure,  But you’re my hango hat a sight. Your smile baby, w d cigs.   Load up on coffee an off. We dine to laugh it ked so good,  The city never loo never stops. Fucked up lifestyle ke cloud.  Blow out your smo ly, as you like.   w o sl u o y le ha in l I’l gh from it.   I know we’re still hi n from the spike. Slowly coming dow earest bench.   Collapsing on the n te and blue.   You admire the whi daily routine,  Going off to their up in you. While I stay wrapped er ending.   New York nights nev g all lo mismo.   n ti ac n o o m d an n Su e dangerous.   I’m young and you’r e, and I’m ditto. m e v lo u o y e m ll Te

Kaitie Lindner

Clothes: Armani, Calvin Klein, Converse, Forever 21, H&M, VANS

JESUS DOESNT WANT ME FOR A SUNBEAM

Photographer: Dano SANTANA Model: Ewout RISCHEN @PARAGON Styling: Andrea BOLLAND & Priscila CANO Assistant: Roberto GAONA MUA: Michelle MARCIN

INTERNET KILLED IT

by: PRISCILA CANO

What happened to the decade in which the Internet was something innovative?

4G signal. Everyone paid attention to what was happening at the time. Waiting for a text message or a call from that person was more special than it is now, because now everyone is hooked on Remember that time in which you had no idea what was Whatsapp? technology, posting photos at all times, trying to make people Smartphones and tablets were something you didn’t imagine would believe that you’re having such an amazing time when, perhaps, in exist; everything we had as communication were phone calls and some cases, what you post isn’t as wonderful IRL as you’re trying text messages in which you spent all your credit just to talk to that to make everyone believe. someone special. Has technology make us liars? As time passes we’ve lost the essence of things, yeah, not long ago we received letters and send cards, and everything was more It’s very sad to think that many things that are posted daily are lies. personalized. Now, fortunately or unfortunately, the ease of things Posting things that one doesn’t really feel has become extremely has made us less creative; we prefer sending a message of 140 common in our generation, and will eventually be something usual, characters tops in a social network so our followers see it. but it will always be 100 times better what’s customized personally. What lessons did films give us during that time? Movies showed us a group of high-schoolers getting ready for prom doing a bunch of ridiculous things to score a date. There was a protocol that didn’t involved emojis of monkeys covering their eyes and faces with heart eyes.

I didn’t want to turn this into something gloomy so we should also remember that not everything is bad on the Internet, i.e: responses are obtained faster than ever, but it’s also easier to caught someone on a lie. THINK before posting something or it may be used against you. For the generation that was born in the 1990s, the Internet is a necessity that if we don’t use well can turn into something negative (same applies to social networks). However, it’s also good to disconnect ourselves, to log out from the Internet to live the kind of life people had two decades ago; without silly concernes as the battery of your smartphone dying...

Women got dressed without having to go see a tutorial on YouTube. They didn’t look for references on Pinterest either; their references were magazines or MTV. The VMA’s had a meaning, all Even though the Internet has killed some things, we can still rescue of us looked forward to Britney’s performance so we could talk the essence of that time; as living together and spending more time about it with your friends the next day. together hanging out without caring more about your notifications. When you went out with your friends, or boyfriend, or special friend, or however you called him/her, it was something special; no one was hooked up on their cellphone waiting for a WiFi or

NOSTALGIA OR ME by: JAIR SOLÍS Fashion Week is over: New York, London, Milano, and Paris. And we won’t talk about them until next year. What struck me; besides the amazing street style I could find in different websites, were the now famous front row. The front row, that coveted place only fashion editors, actors and top models have access to. Although it didn’t struck me for the many distinguished celebrities, but for the rest of the people attending the shows. What about them? I got a picture on my phone from a friend and laughed with the image, because in it appeared three rows of people sitting in front of the catwalk and all of them (except one) were capturing the moment with their cell phones.

OF FORGETFULNESS? If there’s anything we can’t file it is experience; experience is personal and unique. The subject who recalls an experience is because he has lived it, and remembering it becomes nostalgia. Dictionaries define nostalgia as pleasure and sadness caused by remembering something from the past and wishing you could experience it again. For psychology it is not a disease, but a feeling that we all experience. And it is true that we all have found ourselves being nostalgic remembering a movie, a song, a love. Nostalgia brings us to a memory, and sometimes that memory is technology; i.e, your phone or your camera’s memory.

With apps like Instagram we can build our identity and act on it; that which isn’t so nice or pretty we do it beautiful by applying filters. Instagram is full of salads, cats and objects (very diverse); Instagram undoubtedly works to exalt insignificance. And I see nothing wrong with apps and vintage filters helping us play with reality and beautifying it, making it our own. The tricky thing is to forget the experience and only through experience we can reconstruct and understand our past and our present. To find yourself nostalgic is Sure, technology offers many benefits to our daily life; it reduces to keep your memories fresh and to get away for a moment of the distances and makes information more accessible and faster. forgetfulness that afflicts the current generation. Among the many technological capabilities there’s the power to It is time to re-dignify the memories, to keep the phone away for a capture a moment and share it within milliseconds. Our phones are moment and experience life, because at the end of the day those packed with images and videos, and we better have them backed things you truly lived and felt are the only experiences technology up because otherwise they will be forgotten. Suppose you are in cant erase from your heart. the front row for Gucci’s latest catwalk and you record it all... then you lose your phone and you have no backup. It would be a good moment to bring up E. Rubiano who explains that “only what is recorded is recalled”1; by that, we could say we live in a society of amnesia that can only go back in time based on their files. We love photography because it freezes a special moment, however we are living to the rhythm of the Internet speed. No one remembers anymore that Joan Rivers died weeks ago or that Jennifer Lawrence, amongst others, was hacked; ARE WE THE GENERATION

A T ' N LIFE IS ; T R O P S R O T A T C E P S ! Y A L P S ' T E L

Photographer: Adriana ORTI Z Models: Amanda SHAE -PARAG ON Fede SARANDON -PARAGON Styling: Andrea BOLLAND - Pr iscila CANO Assistant: Roberto GAONA MUA: Michelle MARCIN Clothes: adidas, h&m, jordan, lids, nike, ray-ban, reEbok, topshop x adidas originals

SO WHAT IF THERE’S NO TOMORROW? THERE WASN’T ONE TODAY;

CALVIN KLEIN BY: ANDREA BOLLAND

There are countless events that defined the 90s; the Internet became public, the Walkman, Kurt Cobain killed himself, black holes were proven to exist, teens took over pop culture... In fashion, it was the Golden Era of American fashion. Cult 90’s label, Calvin Klein is the essence of the 1990s. Calvin Klein was the «bad boy» designer of the 90’s. Controversy always surrounded his ads and, it was that what, served as a rocket ship to stardom for many of the models and caused his jeans and underwear to become “must-have” sensations. His work just reaffirms that old cliché “SEX SELLS!” Calvin Klein DEFINED the 90s in America. Effortless, minimal, and sporty, the grunge movement, the heroin chic obsession, the legions of emaciated androgynous white girls clamouring to buy his products; he seduced everyone and changed the way in which people felt about basics. It was cool and controversial. For as many one person that bought his clothes, there were another two furious and out to end his career. His ads are some of the most controversial in the history of fashion. He was always on the edge of shocking and pushing the boundaries of acceptability; that was the brand’s key success. It was a Cultural Revolution that was started by a paid of underwear.

The commercial speaks of what the decade would become; low-fi, pale skin, casual vibe, basic and all natural. The commercial was supplemented by a series of sexy print ads; while most of them gave special attention to Marky Mark’s crotch, the ones featuring the two of them together have the pair apathetically intertwined and Kate’s vacant stare became a hallmark of the 90s youth. There exists in these ads an effortless sex appeal, a low maintenance, grungy, glamour. This was the beginning of Heroin Chic, a movement that glamorized pale skin, dark circles, emaciated bodies, angular bone structure and androgyny. Heroin Chic defined the quintessential Calvin Klein ad for the decade and ushered in a very different look for American youth. The aesthetic was, most probably, a response to the healthy vibe of models like: Cindy Crawford, Claudia Schiffer, and Heidi Klum. And knowing how fashion loves to bounce from one end of the spectrum to the other, Calvin Klein’s presentation of beauty hit the decade hard.

Of course, Heroin Chic took a lot off flack back then, and many in the public claimed that it glamorized drug use. Also, at that time AIDS was all over the news and the virus effectively made shooting up passé; which resulted in less demand and a more cheaper and more pure drug.So with the popularity of not only the fashion trend When the 1990s hit, Calvin Klein jeans were already strongly estab- but also movies like The Basketball Diaries (1995), Trainspotting lished. He spent the 70s and 80s building the brand and his design (1996), and Pulp Fiction (1994) the wealthy middle class started to philosophy has always remained consistent. He had established use the drug, but for snorting. Then, the public, of course, began himself as a marketing genius and despite accusation of exploitative, its outcry, blaming the fashion industry and this “nihilistic vision of shocking and suggestive campaigns, his product has always sold. beauty” for popularizing the highly dangerous drug. The controverHowever, the seemingly never-ending controversy that surrounds sy only added fuel to the fire and Calvin Klein’s subsequent 1993 the label was kick started in 1980 with a campaign featuring a 15 ad campaign for his Obsession perfume once again featuring Kate year old Brooke Shields. Directed and shot by fashion photography Moss asserted that the look was legend Richard Avedon, the commercial solidified Klein as a master going to stick around for a while. media manipulator, a man who understood how to achieve viral Pair this with the grunge trend success. The real campaign was always the meta-campaign, the going on in the music industry endless ripple effect of countless carriers of the CK media virus and later Vincent Gallo’s CK ads exclaiming “DID YOU SEE THAT NEW CALVIN KLEIN AD?” days and you’ve got yourself a major and even weeks after their first exposure. He knew exactly how to national trend. In the commercial get a rise out of people, evoking just the right mixture of outrage for the fragrance as Kate hauntingly and fascination. New York Magazine explains that the campaign whispers “obsession” it seems the “instantly encapsulated the m.o. of much Calvin Klein advertising public really listened. Their new to come: a certain coquettish, crotch-centricity and an overtly hot- obsessions were: Calvin Klein and Kate Moss. As for the ads, Bill and-bothered way of representing youthful splendour.” Clinton condemned it, anti-drug So fast-forward a decade, in 1992 a young Kate Moss was caught organisations denounced it, but snuggling up to teen dream heartthrob Marky Mark in nothing the public wanted more, more, but a pair of baggy jeans and some panties, emblazoned with the MORE! iconic Calvin Klein logo.

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Three years later, in 1995, Klein was courting controversy yet again, this time with his denim campaign; which was modelled after 1960s style porno castings. The shoot took place in a basement, wood panelling, purple shag carpet, and a paint-spattered ladder all contributed to the cringe inducing commercials. Young teen models stood in front of the camera as a slick and sleazy unseen voice comments, “You got a real nice look. How old are you? Are you strong? You think you could rip that shirt off of you? That’s a real nice body. You work out? I can tell.” Many called it soft porn and exploitative. However, Klein denied these claims, insisting that the intention behind the ads was to “convey the idea that glamour is an inner quality that can be found in regular people in the most ordinary setting; it is not something exclusive to movie stars and models.” But, once again, he knew what he was doing. The American Family Association jumped on the ads immediately; they labelled them kiddie porn. They began a massive letter campaign to, both, retailers and magazines threatening boycotts if the brand was supported. All of this ended up with the US Department of Justice launching an investigation to see if the ads really did constitute child pornography. With all the pressure Klein decided to pull the ads, but the controversy had already achieved its desired effect; Calvin Klein jeans were again the must-have item of the season. As one marketing director said, this controversy took Calvin Klein’s “coolness factor from a 10 to a 60,” and his “bad boy” reputation only enhanced his products on the eyes of young consumers. Meanwhile, Obsession had been a monster success and next he decided to tackle something entirely unique… again: a unisex fragrance. He had done this once before, in 1994 he launched CK One. CK One was about self-pleasure, self-adoration, abstinence instead of abandon. It was a coy coed locker room scent. It was the first mainstream unisex scent that enabled a homosexual doubling to invade a heterotopic bathroom: “one clear choice.” “Clarity, not clutter, in your mind, your world, and on your shelf.”

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But now, it was time for something new. This is one of the most difficult product to succeed with and Klein managed rakin’ cake with CK Be in 1997; it was one of the best selling new scents ever. Should the success be attributed to the fragrance itself or to the culturally spot on marketing that came along with it? Hard to say. The label described the scent as “raceless, genderless, ageless, and shared statement.” It was called “the new fragrance for people.” The ads, once again shot by Avedon, were like an amalgam of all the work that had been put into creating a unique aesthetic for the brand, it was Heroin Chic at its finest: waifish and disoriented models who were young, multicultural, and highly androgynous gathered into shot looking bored and gorgeous. The commercials showed Moss speaking into the camera talking about “one more bad habit you have to break.” The ad ends with a voiceover: Be hot. Be cool. Just BE. Calvin Klein had done it (again). He created a media virus, an answer to any question that Gen-X might have had: Just Be. Basic denim, a quiet unisex fragrance, and white underwear; and like that, his empire was built.

THAT GIRL , she IS THE QUEEN OF THE NEIGHBORHOOD

Photographer: Dano SANTANA Model: Kaitie LINDNER @GH management Styling: Andrea BOLLAND & Priscila CANO Assistant: Roberto GAONA MUA: Michelle MARCIN

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LUFTRA: noblemen.

peace beyond beats BY: ANDREA BOLLAND

Around 2010-2011, LUFTRA came across an art gallery that he describes, “being filled with immaculate, radiant, exuberant hues, outlined in black, it was like my heart exploded and expanded but connected.” He was at Romero Britto’s gallery in Miami, a place he left 20 completely inspired to take a swing at art. He also remembers being at a music/fashion boutique listening to dance music when a Venezuelan woman turned to him and said, “hey whatever you wanna do in life, do it, be happy and change the world,” gave him a hug, and left. However, it wasn’t until he was driving back to Georgia with his mother and younger brother when it hits him he wanna do art. “I wanna just paint, but it wasn’t so much “oh you should be a fine artist or a painter” it was more “oh, people don’t understand the calibre of my thoughts, the dialogue I attempt to share. Let me express myself here.” and it stuck.”

chapter in my creative timeline of building a quintessential story. This story is my story; my perception. My defeats, vices, issues, psychologically my hell but at the same time my heaven, my bliss, my honesty. Colorful Gloom is the perception of succumbing to reality that reality is dark, and negative; yet despite knowing that, finding the positive whether it be a small amount. Pulling that string, & opening it up. Overcoming trials & tribulations. I know that negative doesn’t exist without positive & positive can’t exist without negative. I express everything as an expansion of thoughts & feelings on every medium. I’m dealing with death in my art. Opting out of suicide is the topic in my painting “Hades”.

The very first painting he did is called “Interludes Of 30”. (A painting he had created on Microsoft Paint months before stepping into Britto’s gallery). “It was modern but very symbolic. It is about this girl that was an absent muse that I wasn’t involved with romantically. I just perceived her to be something beyond her perception of herself.” Around that time, he wasn’t LUFTRA, he was just Stefan, and he was painting.

Hades.

“Halos vs Thorns; CROWNS” is idea of about being crucified, or being idolized regardless of attention. In same breath, I want people to make their own theories. Get lost and found in my art themselves. Universally that’s what art is right? A creator being vulnerable enough on any medium, where it is a spectacle for people to relate. Colorful Gloom is the darker tone of that, I’m pretty much saying here are some of my vices, I just painted them in yellows & pinks, with an undertone of grays & blacks.”

Interludes Of 30.

About 9 - 10 paintings later, he messaged his friend, Omar “Animal Steele” Barnes, showing him his art. By this time, he was already writing on his art; and Omar suggested him watching Radiant Child and Exit Through The Gift Shop (Basquiat & Brainwash documentaries). Stefan learned about Basquiat through this documentary, “that was future tense learning something, like “oh this is cool, I won’t be the odd man out.” Currently, he is concluding his second, but first, collection (second in terms of story wise, but first in terms of establishing his name, or presenting a collection to society) to eventually have an exhibit for, titled “Colorful Gloom”. “This collection is the 2nd

Halos vs Thorns; CROWNS.

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painting on ceramics and making ceramics in Jamaica), his dad (rest in peace), his peers, Joah “Wa55up” McMahon, Valeria Acosta, and most importantly his brother Brandon. Conversations and women.

Untitled April

“Artful Yet Abstract” (his first collection) is the prologue of LUFTRA. Figuring himself out, learning hues, teaching himself techniques. “I wasn’t even LUFTRA when I started. I was just Stefan. LUFTRA was gonna be my graphic design title. I was gonna go by STFN (which is Stefan remove the vowels). Omar (who is my friend/ co-confidant; to some extent) said “No. Go by LUFTRA & let that be a symbol.”” He decided titling the collection Artful Yet Abstract around the time he had finished a painting about his dad, Untitled April. “It’s really about distortion & understanding the message in moments that seem difficult. Those “why?” statements we make. That’s why there is some writing in that collection. It was also me learning to accept situations, review life experiences, learning to be myself & appreciating myself. Lots of love, heartbreak & some worldly observations of my peers that we need to improve to be a better generation of people. People didn’t really understand the message or so much my art with that first collection, so I decided to not exhibit that collection. It’s all around my mom’s house. Kinda like when you were a kid & your parents put up your good grades & your “family (mom, dad, dog, me)” drawings on the fridge; it’s like that around the house. I’ll probably exhibit it eventually. Add more paintings to it, on other mediums. Who knows? I did create a poetry book (it’s out online; self-published. PDF format) as an interlude between Artful Yet Abstract & Colorful Gloom. That was definitely part of the plan. This might sound beyond ambitious, but I definitely wanted to do a short film, “King Ralph//A Colorful Gloom” narrated by Rick Ross. I wouldn’t be in it, but I’d be spoken of in that film. That’s just an interlude thought for Colorful Gloom.” His inspirations are drawn from Britto, Rothko, Haring, Joan Miro, De Kooning, Basquiat (who he considers an influence yet didn’t inspire him to start painting), Roberto Ferri, Malevich, Murakami, Graffiti art he used to see as a kid in Queens and Manhattan, Akira Toriyama, Katsuhiro Otomo, and NIGO. His family, his mom, his grandmother Sonia Pottinger (who he remembers seeing her

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“Life experiences have been influential in a major way. I know the back story on a lot of my art is dark, with a tone of death, pain & heartbreak. I believe convince myself to see betterment in all of it. No matter the situation. It’s therapeutic. Being able to express yourself in such a volume. That’s the origin of me painting. Which is organic. It’s all part of a wide range story. I guess one could say I am a brush poet perhaps, that this is a larger story. Long term. Hmmm. I am more intrigued at people’s own thoughts from my art, what they get from pieces. How they feel when they really look in a piece. HOW DO YOU FEEL ABOUT MY ART?”

D$CB_

Shimmer Amongst Heaven Somewhere before heaven, He came across a wounded goddess A wounded goddess in need of a friend . A wounded goddess where beauty an d a great heart collides. Pride and history prevented the wound ed goddess from acknowledging him at first. Fore' he wasnt a yet, Nor was he anyones hero. He definitely was far from the concep t of a God. No he was him, surpassing ideas and titles held to him. To him she was more than she. She was more than a woman. Beauty more than looks. Heart more than passion Brain more than thoughts. She inspired him far from any previo us. He perceived her to be a goddess He perceived her to be an art He perceived her to possess brillian ce within volumes. Yet she had no understanding of wh y he would hold her heart to such perfection. *Taken from LUFTRAâ&#x20AC;&#x2122;s self-published poemsâ&#x20AC;&#x2122; book.

Plethora Des Heroes King Ralph - Portrait

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Luftra; pt, ii. Do you believe in what you are doing? Of course. :) I love when my mind comes to a complete thought & being able to express it. Even if on the medium (have it be canvas or sheetrock), you see those incomplete, trials of mere honesty. I live for that. I battle myself in those moments because I never want it to feel like “oh this looks like Basquiat or this looks like Pollock’s” man FFFF out my face with that. That’s the only thing I kinda hate about it in art, assumptions in somebody’s mind is immediate fact. No sorry, facts are supported opinions. Opinions are based off assumptions. Then it gets deeper, & I’m like “C’mon. Did you even bother to genuinely get to know the depth of my art before you write me off, because of an assumption.” I… hate… that… so… much. I understand why, they do it because their are so many out there (nowness) that are doing art for the wrong reasons to population (perfectly imperfect theory), but it’s write to them because at least they are creating something & not contributing to the down fall of society. In the same breath, c’mon get to know my body of work from me too. At the same time, I want people to view my work & get lost in it. Find their own in it all. I have this painting I did in my first collection called “Sincere Wizards, Who Live In The Forest”. Literally it feels as those you are walking thru the darkness of the woods around twilight, walking deeper into the woods. Noticing red W ‘s on the trunk of the trees, and it is getting darker. You might even feel the beasts & creatures of the wild walking beside you trailing into the belly of the forest from a far. SCENE. I genuinely painted that from my mind. That comes from the imagination, the fascination of those fable stories growing up as a kid. Where The Wild Things Are, was my favorite book because of how it was drawn, but also how the words complimented the art. It’s references in my mind like that, that have had influence in my art. Even one of my latest paintings “ZKU” (which is about a demon.

Inspired by how African tribal art depicted demons or spirits, to be honest. Z-K-U. Stands for something. He’s a demon though. You can look at him in his eyes, his smile, that he is indeed evil.) gets hit with the Basquiat title because it seems like something that Basquiat would do. Which is cool, but get to know my definition of what it stands for before you hold me in a prison of perception. I know why they do it though, because they didn’t understand him, & he blew up too fast & they couldn’t control him. Not trying to make that mistake again, so they are trying too hard to defeat me and write me off as another Basquiat. Same speed when does the title become tiresome, and they- (I keep saying they, they as in the art world, art critics. Old farts, or titled farts who feel they know the sport because they are accepted in. They forgot how hard it was to get in, & their genuine mission to evolve the sport of art. Too each is own.) -- can be like “Oh that’s LUFTRA”. Maybe they look back & realize they’ve had the opportunity to stand beside something dope, & it’s too late. I’m not knocking on doors, asking if you would like some lemonade. I sound like Lex Luthor mixed with Magneto. (Superman/X-men reference) To resume the question yes I believe in what I’m doing. Beyond passionate for it. Did your heart bleed and your inners pulse from the loss you drew upon for your last piece? Oh yeah I tear from time to time, when I paint. It’s random though. Tears of happiness. Only because I wish certain people could have seen it, and certain people could appreciate it the way I appreciate it. Even to appreciate in a bigger sense of the conversation (which goes back to me saying how it’s more conversation pieces more than anything). I consistently push for that. I want it to really inspire that. It’s an endless quest. The “Hey, this is me. No really, this is me.” Let people become rather inquisitive as to who I am & why are these elements here. I can genuinely say my most genuine darker pieces haven’t been painted to a completion yet. They exist in my mind, and on some mediums like canvas but they aren’t near ready to even dig deep into. I paint alone because of emotion. I doubt I’ll ever paint with an assistant or with many people around me. I sometimes paint in silence. (other than the conversation with myself ) Which I believe one could look at as crazy. Whatever with them though. Were you able to smile upon the completion of your work, reminiscing on a wild lover, a dear friend? You know what I’ve probably only smiled for maybe three paintings, maybe one drawing. Because I finally got to express it or it’s a relief finally getting that out of my mind. Even a “Ah, now I can sleep.” Love hate relationship with my work. I’ve probably painted over so many

ZKU

Homme des Femmes.

pieces because of losing the thoughts completion from my mind transferring it to canvas; or this piece doesn’t fit on this canvas. I’ve had that happen before. Then 5 days later I’ll see Jeremy Scott wearing a painting I just posted on tumblr, & painted over. LOL my luck. Yeah a lot of the art has love references. Lots of love references. I might be just infatuated over somebody’s portal of who they could be. I see the better in people, the better than they see in themselves. I’m metaphorical though, so it’s a toss up. She might not even know I’m speaking about her, when I’ve been speaking about her to her for the longest time. I hope one day I can do a hardcover coffee table book that has everything in it. From the meanings of things, the breakdown explanations of everything. The poems. The clothing. The movie concepts. The metaphors. I’ll even dive into my LUFTRA hue translation. There are reasons I use infant pink or yellow or black. Why I write rich vs poor, why I write “poor kings & stale fruits”. It’s all connected & it’s all so metaphorically inclined that somewhere God is having an epic chin rub moment where he’s trying to figure out my art. All I can say here is shout out my mom, my grandmother Sonia Pottinger, Bianca B. & lastly but importantly Valerya A. (Not to conflict with my inspirations, just ending it there with kicks & giggles). Are you (looking/trying to) opening clenched minds, changing perspectives? The reconstruction of peoples thought process takes time, but yeah I am. I really also would love to push the envelop as a creative. I feel like as an artist, creative especially in this day & age your skill set should be way more vast then just the bare minimal. Which sucks but at the same time inspiration for me because I can’t really think of so many dope artists of my generation that have really pushed the envelop of art to an even further extent. This is saying: Hey I want the next kid, to come for me. To out shine me. I want him/her to be so dope. So wickedly amazing in his/her craft that they are

like, yeah we enjoyed what you did for us but out of competition out of betterment we taking over. I want that battle. KAWS is dope & the companion is dope, but I truly believe that status is always holding it’s head & covering it’s eyes because it knows that nobody is pushing the envelop. Nobody is inspiring more conversation. Schnabel was the last of the Mohicans. He transitioned into making some films (take what you want from his films), at least he tries. When was the last creative artist rockstar? Why aren’t there any?! Because it’s a prison of perception. I’m gonna break that mold. I feel it. That’s my purpose. Plus I’m gonna be the greatest of my generation. LUFTRA. I hope my kids generation will be more inspired to achieve it quicker (because I can’t even imagine where technology will be then) & way more vast. If it isn’t up to them, then damn I’m sure it’s up to somebody. Somebody out there is gonna be bigger than I aim to be, even then I pray I succeed my expectations, which isn’t much. I want a longer more influential reach though. Being able to change people’s lives & perception is probably the most beautiful thing ever. Whether it be health, income, education, relationships with family, relationships with people &/or girls, or even just to believe in yourself. That’s a beautiful thing. I don’t wanna change people’s mind because that’s not my purpose. I want to be add on content. Still think how you think, just let new ideas even if they touch your heart filter through your mind/heart & grow from it. Mortal by time, immortal by decision. I came up with that one day. (I was finishing “Indigo Metronome”) & it dawned upon me that that is what I was aiming to do. I just hadn’t titled it. That weighs something to me. Since when has the cheapening of work became something to applaud? Are you tempted, and challenged? The minimalistic people who don’t understand self worth, & self value don’t get it. When work gets cheapened, & I genuinely feel like it is cheapened (hence why I avoid doing prints right now) because people don’t really value people as extraordinary people unless population agrees on their dope. That’s what I give credit to Tumblr for. It’s a bunch of kids that love the nostalgia of time commas in life & they acknowledge then nowness along with they too are very openminded to possibilities. I’ve been tempted to cheapen my work before. Of course. The people who say they never have, are lying to themselves. Everybody wants to make dope shit & make money off of it. That’s the difference in business & hobbies. Especially when you realize that you have something about you that you can change your life. Not only change your life, but change others as well. I come from that culture, that environment. I am only challenged to succeed. Success is an infinite thing. So yes very challenged to keep at it. Even with my work, I feel as though, soon as it’s done. Move on to the next. I’ve already started my third collection; always keep moving. Keep working. I’m almost at 10,000 hours & that’s nothing. That’s minimal I keep moving forward.

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LEAD crave. I s t n e m o m These a re the ci g, y m n o g a r d Long face. r u o y e r u t ic p d An g for. n o l I s t n e m o These a re the m an ds, h Hot tea in my my core. o t p e e d g in h c r a e S d. e e n I s t n e m o These a re the m slowly, le Alone an d inha tease. a is u o y f o e A glimps love, I s t n e m o m These a re the ug hts, o h t g in t p m e t Silen t an d ug h. o n e m e h t t e g I don t fea r. I s t n e m o m e These a re th ry, o m e m e h t in To o deep here. u o y g in t n a w Only e. t a h I s t n e m o These a re the m sk why, a I k c a b g in k o Lo e. t a f in d e k c o l Crossed lovers, dread. I s t n e m o m These a re the y o u, e v o l t n o d I Preten ding . d a e l s a y v a e h Sinking hea rt;

Kaitie Lin dner

S E C N E F T E K IC P E IT H W ARE NO MORE,

LESTER BURNAM MADE SURE OF IT. BY: ANDREA GUZMÁN

Let me introduce you to Lester Burnam: a middle age, middle class, middle height, middle American. Lester is unhappy. Lester has a job, but he hates it, almost as much as he hates his wife (Carolyn) and daughter ( Jane). He absolutely cannot stand the mirror and the highlight of his day is watching his daughter’s best friend dance in a cheerleader outfit and masturbating in the shower afterwards. Lester Burnam lives in every suburban home in North America, and he’s had it up to here.

It’s such a normal scene, yet so full of undertones and secrets, ugliness and beauty, love and hate. Behind this beautiful dining room scene is an affair, a secret and deep teenage relationship and a man in love with his daughter’s best friend. Just by putting these three characters in front of us, it questions everything modern society has taught us: the perfect family, the shiny silverware and perfect garden, the big house with a Labrador lifestyle. In the end the question is too obvious: what the hell is the ‘American dream’?

American Beauty is considered one of Sam Mendes’ masterpieces and a great highlight in 90’s American cinema. It is better known as the ‘red-petals-over-the-naked-girl movie’, which makes it even more ironic. American Beauty is full of American ugliness and people seem to love that.

Dear Lester wants to understand it and he makes a quest of his own in which rule breaking is the new norm. He does everything he isn’t supposed to: he quits his job, starts working at a fast food restaurant, smokes pot at social events and seduces a teenager. Meanwhile, Carolyn and Jane’s lives are transformed by this sudden change in Lester and, without the whole social structure and peer pressure of keeping appearances, beautiful suburbia starts to look a little grimy. On the other hand Ricky, Jane’s new dealer/stalker boyfriend, has come to town to shed light into another side of the coin. Ricky’s upbringing was less than ideal, with a secretly closeted homophobic father and a sick almost invisible mother. No white picket fence for him. His fascination with Jane is only second to his fascination with something else: a video of a floating bag dancing in the wind.

Filmmaking in the nineties could go two ways: blockbustery/cheesy or indie/dark. Teen flicks and family comedies were the big favorites, and for the not-so-commercial film fanatics, one could always find a ‘Trainspottingesque’ Tarantino driven movie. They were all charming and intricate in their own way, but they both depicted separate worlds: the cotton candy bubblegum life or the brooding hooked-on-heroin one. American Beauty is so subtle in depicting both in the same place that it is borderline ridiculous and ironic, much like its main character and his messed up suburbia life. The movie is so iconic because it showcases the most awkward and To him, that is true beauty, and the irony grows when the universal ‘we-shouldn’t-talk-about-that’ parts of society, the ones everybody concepts of not only beauty but basically the true sense of life start knows exist but no one dares point out. to disappear. What is beautiful? Why do we consider certain things beautiful? Is it because society tells us to? What lies beyond the The beauty in it comes from many places, but starts at the white picket fence? fact of looking at it in the first place: FULL SHOT. THE BURNAM’S DINING ROOM. EVERYBODY HATES EACH OTHER. Lester’s journey is all about that and, by crossing his very own CL ASSICAL MUSIC PL AYING IN THE BACKGROUND. white picket fence, he finds a place he can never come back from: the world where nothing is dictated and real American Beauty lies. Life is not what it was before, not for him, Carolyn or Jane. Their white picket fence has disappeared.

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D E Photgrapher: Felipe Huertas Models: Diana Rodriguez @IMM Maria Marin @IMM Styling: Felipe Huertas Hair & MUA: Majo Chavarria Clothes: Daniela Camacho

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TV NOSTALGIA 197

By: Roberto Gaona

It Is clear that directors and producers of TV series are not satisfied with what we have today on TV; despite Emmy nominations and the Netflix boom. We always tend to go back in time and that is why the so-called spin-offs were created. Spin-offs are very popular today, but it all started 7 years ago when the Beverly Hill 90210 nostalgia was such that the producer decided to relaunch the series (which ended up being an inconsistent and unbelievable series). After one season, the series’ director changed the concept of the series completely and hence gave it life for an extra 4 seasons. Sure, the series didn’t mark a generation anymore, but the director’s dream of seeing “wha-would-have-been” was fullfilled. Following this path of nostalgia, in 2009 it was decided that relaunching Melrose Place was a good idea. However, it was a

complete failure because if the original series was bad, the reboot was worse. Anywa, Melrose Place’s reboot was cancelled at half of its transmission and we never heard from it ever again. Recently, there are rumours about rebooting Charmed, Full House, and, some say, Sabrina: The Teenage Witch which shouldn’t happen because the original series are good enough to not rework them, to let them be their only version; because despite of how much HD we have nowadays the new versions will never be as good as the originals. So please, stop trying! Speaking of nostalgia, let’s talk about series that haven’t been thought to be rebooted and which original series are glorious.

felicity In reality, this series is a tragedy. Nothing ever goes well for Felicity Porter. At graduation she asks her crush to sign her yearbook so he writes, “I wish I had gotten to know you”. After this, she decides she’s not going to Stanford and so she follows her high-school crush to New York. After a while in NY, Ben (her crush) realizes he is being stalked and he puts a barrier between them (although they end up going out). Felicity was always in love with two guys, but she dates them for really short periods. One of her best friends dies. Her parents hated that she went to NY on a rampage and they don’t support her, hence she 2 jobs so she can pay NYU. Her roommate is a goth wiccan. And as soon as she cut her hair, the ratings were long gone. BAD LUCK FELICITY.

STEP BY STEP Or, as I like to call it, the series nobody remembers. It was about a family, kinda like Cheaper by the Dozen, but here the kids were from different marriages. Cody, the cousin, used to live in a van parked in the garage, my guess is that he was always stoned as he never made sense. The parents were Suzanne Summers and Patrick Duffy. And the credits were situated in a fun fair. It was a good series but sadly people prefered Full House, and it was soon forgotten. Netflix, get it on your catalogue!

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CLARISSA EXPLAINS IT ALL Remember that time when you got home, turn on Nickelodeon on your TV, and everything you’d see was Melissa Joan Hart? Clarissa, was a smart, sarcastic, and realistic teen girl. Her brother, Ferguson, was hateful and, usually, he antagonized her oposing to her teen “revolutionary” ideas. Sam, that kid who seemed to not know what doors are and who is best known for entering her second-story bedroom with a ladder after a distinctive guitar chord plays, was her optimistic and upbeat best friend. Her problems were never really such a big deal but that’s what made her special. A normal teen girl who’s dealing with typical concerns such as, school boys, pimples, and an annoying little brother.

SABRINA: THE TEENAGE WITCH I’ve to say no more. A series that marked the 90’s (except the 7th season). When she’s 16 years old, Sabrina learns from her aunts, Hilda and Zelda, that she has powers and that she has to follow a set of rules in order to use them. As any teenager, she doesn’t believe them, and goes on to her first day of classes and transforms the “popular girl into a pineapple”. Salem, is an ex-con who tried to take over the world and now he’s following his sentence as a cat for 100 years. Zelda is the perfectionist and crazy scientific aunt while Hilda is, well the exact opposite (see that she went to clown school). Sabrina fixed her problems by poiting her finger at things, however she sometimes ended up getting her boyfriend pregnant or being addicted to pancakes. And how to forget Harvey, his boyfriend for long seasins and his friend for longer seasons. Her best friend changed from one season to the next one without any explanation. At first it was Jenny, then, for two seasons, it was Valerie (who also disappeared), and finally, Morgan and Roxy came along and were her best friends for the rest of the season, while the former two became forgotten.

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DAWSON'S CREEK More like Pacey’s Creek as he always had better luck than the main character. Dawson loved Sci-Fi cinema, especially Steven Spielberg’s. Joey, was her best friend from across Capeside’s lake; Pacey, his best friend. And Jen Lindley was a promiscuous girl from NY who lives with her extremely religious grandmother (who ends up being progay). Dawson’s Creek was the music, the characters, and the guilty pleasure you felt after watching it every night. Everyone live some quite normal lives, what was curious is the fact that no one had a “normal” family. Joey didn’t had a mum and her dad was in jail, Pacey didn’t had a mum either, and Jen was basically hated by her parents. Dawson was the only who had a typical family but, since the writers were pretty much against the idea of a happy family, they got divorced and then his dad died, COOL STUFF. Oh well, to be honest, everyone on Dawson’s Creek was very depressive for their age.

1990’s television marked generations with one or more TV series. Take the unforgettable series, Friends as an example that we all know and that we are all waiting for a reunion that won’t ever happen. In about 20 years we will see if 2010’s televesion marked any generation, in the meanwhile we’ll keep watching spin-offs.

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BY: ROBERTO GAONA

THE SEX & THE CITY GIRLS ARE TERRIBLE ROLE MODELS

A TV show that marked the late 1990’s. Carrie Bradshaw was a sex columnist at a New York’s newspaper. She has a complicated love life, and which seems she can’t free herself from. Carrie’s relationship with Mr. Big is a sick relationship. They break up and make up for about 8 years. He gets married to someone else, yet they keep going out. At their wedding day, he leaves her at the altar, but still they don’t care and keep on going with their sick relationship; just the first reason to as why they are terrible role models.

have a serious relationship. During the whole show, she has three serious relationships; and one of them was actually with a woman. Samantha only cares about having sex, no matter with whom, if they are married or not, or if their wives have just died.

Miranda is selfish. She always goes first, she sabotages her own relationships if she sees that the man she is dating is much less successful than her. She doesn’t want to have her son when she gets pregnant, and she hates him when he was born. All in all, she Second reason, Charlotte is the woman one might say is “perfect” is the most “stable”. but she doesn’t care about anything else than getting married and The four women in Sex & the City, date more than one man per having children no matter what. She is whimsical and marries her week. They spend their money in designer clothes despite barely first husband only one month after meeting each other, after his having money to pay their rent, especially Carrie. They have flings taxi almost ran her over. One could say that she isn’t the best role with married men, and, doesn’t matter what happen, they’re always model either. complaining about their relationships despite them probably being Thirdly, Samantha Jones is literally the worst influence of all of the best relationship they’ve ever had. them. She basically has sex everyday with a different man. Men Just simply don’t follow the advice of the Sex & the City women. go at midnight to her appartment looking for sex. Practically, You can get to destroy your life, get yourself into major debt, and Samantha is addicted to sex, except that the writers never tell you probably a couple STDs through promiscuity. that. “She is not the relationship kinda girl,” she almost never can

all quotes and images in here are excerpts from: tv shows, songs, concerts and movies

by: roberto gaona

1999-2000

- AUTOGRAPHS -

I know we didnt end up together but I still love you Joey. Best wishes Dawson Leery

? e m i t e r o m e n o y b Hit me ba e Br itney <3 Lov set us free ll T he power of three wi Love e g a P & er p i P e, b oe Ph

I know what you did last summer.. .

The hardest thing in this world is to Brenda, you’ve live in it. Be brave. always got every- Live. So thing you’ve wanted, Buff y w hat a re y one way or another. ou saying? I m not who And I’ve never said I think I am? anything. But this Yo ure not who I t a re? An d hink y o u time, I won’t allow it. m y father liv bo ok? es in a -Brandon Walsh , t hem t u o o h t i W . Sabrina S e t a f r u o e k a p ellman m f t ver veered of kes are wha

ta ne s i e w m f r i u o s p e a b h y are. er P e Ma w ? s ! o e h v d i l w r o r e a u b y o r w e o , p d s a p e i h u n b s a a d l b d u p e o n v x e w a E d our li f what r y e, or ha . v o s a t o l n i n w n i e l o n m a r f o u t c ’ n ne ople ould O e m o s course we w s change. So do ci t ies. Pe t he ones you love p m u P t n a o o s h t a e w s G to kno e g d i n r i t Af ter al , r e o n f a l m p o c a s ’ y But i t y luck . r o e g ! v e l e m r p ’ u o u i e o p y n f d a i r an d c n e r i eart. A h f r u t o y b w u n i a h o s s y are alwa rs. D - Carrie Brad M life’s t away. ough. g et a he lmet.” eric m atthew s

our

Carrie Bradshaw Goal: Become a writer

Leonardo DiCaprio Goal: Win the Oscar

Mrs. Doubtfire (aka, Daniel Hillard) Goal: Take care of my own children

Annie James & Hallie Parker Goal: Get my parents together

Dawson Leery Goal: Be a famous director

Cory & Topanga Mathews Goal: Have Mr. Feeny around all our life

Joey Potter Goal: Get out of fucking Capeside

Winona Ryder Goal: My entire life is a darkroom

Britney Jean Spears Goal: Be a pop superstar

Sabrina Spellman Goal: Get my witch’s license

Buffy Summers Goal: Defeat the forces of darkness

Brandon Walsh Goal: Be a heartbreaker

Brenda Walsh Goal: Become an actress

Backstreet Boys Goal: Be cute and popular

The Charmed Ones Goal: Kill every fucking demon in the world

The Spice Girls Goal: I won’t be hasty, I’ll give you a try

SCHOO

ing cute Annie be The spice girls in a video fiming

carrie, miranda, samantha & Charlotte

CORY, TOPANG

the olsen twins during an interview

THE READING T

sabrina, aunt hild a &, zelda & salem

backstreet boys

OL YEAR

GA, ERIC & SHAWN

DAWSON & JOEY WATCHING TV

G E VACUMIN

BRITNEY SPEARS at THE BABY ONE MORE TIME TOUR

BUFFY SUMMERS AT SCHOOL . WEIRD

TFIR MRS. DOUB

CHARMED ONES THE BOOK OF SHADOWS RIP PRUE WINONA RYDER BEING ANXIOUS. AS USUAL

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