Victor (Po-Hung) Huang Portfolio 2009-2017

Huang Po H u n g Po r t fo l i o 2009-2017

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RESIDENTIAL PPUBLIC AMENITIES DESIGN

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TA I C H U N G A B A N D O N E D B R E W E R Y R E N E WA L

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Installation & Photographs

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TA I P E I

C a t e g or y: Loc a ti on: Da te: Sta t u s:

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TO W E R

Pro fe si on al pr oj ec t Ban qi ao, Tai wa n 20 14 U n der Co n stru c ti on

Dir e c t or: We n -Yuan Peng Position : Pro ject D e si gner Du t ies: SD,DD,CD, 3D Modeling and Rendering, Presentation, Material Collocation, Project Coordinating with clients,vendors, and co n sul t an t ss.

P rojec t B rief : The compound residential building is located next to an enormous park. On the other side of the site, there are highways, roads, and street. The circulation around the site c o n s t a n t l y k e e p s t h e t r a f f i c b u s y. T h e r e f o r e , the facade should not only be related to the surroundings but also has to be aesthetic to t h e env ir o n me n t.

The project has been separated into 3 parts: The ar c hi t ecture, t he l ands c a p e, a nd th e offi c e space on the second level. These spaces are all connected with the same design element: The wave. The significant fluid feature on the facade responds to the green next to the building, the texture of the environment, residents from the neighborhood, and the n atu r al la n dscape of the s i te.

SITE

DESIGN EVOLUTION

SITE AND AREA The length and width are 27 meters and the total area is 694 square meters. Regulations stipulate that the adjacent room and the pavement should be retracted by 1 meter.

EXTRUSION The maximum development capacity of the simulation base. can build up to 15 floors.

DEFORMATION TOWARDS PARK Advance the structure toward the southwest, with the larger elevation facing the park and away from the adjacent room.

Site Park River School Main Road MRT Blue Line Recidential Area Commercial Area UPLIFT

FUNCTIONS

The ground floor is elevated to create a public space that is open to the park.

The function is divided into the following: lobby and public area, office, four residential units, and central core barrel

LANDSCAPE

FACADE

The first floor atrium, top roof garden and the ecogreen balcony design ,and the park below form a seamless consistent landscape.

Multi-layer faรงade are designed to reduce the impact of direct sunlight, and block the public's view to enhance the privacy of the residents.

FACADE STUDY

GRC頂部斜面瀉水

INAL OPTION

GRC相接處留6mm勾縫

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11F-15F PLAN

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RF PLAN

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3F-10F PLAN Typical Floors Level 3- Level 15 are the typical floors for residents with 4 different sizes, located at the vertical circulation and next to both sides of the core. Every room are designated with windows, which allows the users to embrace the scenery of the park. The primary beams are being arranged facing outside of the walls, which avoid the “ no beams over the beds� Feng Shui. Moreover, the squared arrangement allow the residents to have more room layout possibilities.

GF PLAN Landscape

1 Lift Lobby 2 Living Room 3 Dining Area 4 Kitchen 5 Reading Room 6 Toilet

7 Bedroom 8 Master Bedroom 9 Bathroom 10 Master Bathroom 11 Walk-in Closet 12 Balcony

In order to connect the park next to the site with the building, Instead of locating regular lobby/ amenity space on the ground level, I decided to lift the public space to the second level. On the ground level, i use transparent materials to create a visually open landscape to coherent the green space around the site.

1 Lift Lobby 2 Entrance 3 Security Room 4 Audio-Visual Room 5 Reading Room 6 Seating Area

7 Toilet 8 Storage 9 Courtyard 10 Outdoor BBQ Area 11 Dining Area 12 Clothes Dring Area

THE OFFICE B y p l a c i n g a c u r v e d wa l l i n t o t h i s rectangular floor layout, the fluid element continued its form from the facade to the interior space. The office is separated into several spaces to satisfied the need for the office space. The curved wall not only naturally creates a smooth traffic flow, and enhanced the mobility for the office space but also provides various space use: shelves, art display platform, storage space. The flow connected the rooms from the right to the left, and continues the same feature throughout the interior to the balcony, creates the consistent working space.

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2F PLAN 1 Lift Lobby 2 Reception 3 Lounge 4 Conference room 5 Print Room 6 Office

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7 Chairman's Office 8 Kitchen 9 Toilet 10 Material room 11 Data Room 12 Balcony

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RESIDENTIAL PUBLIC AMENITIES DESIGN

C a t e g or y: Loc a ti on: Da te: Sta t u s:

Pro fe si on al pr oj ec t Xi n zhuan g, Ta i w a n 20 14 Co mpl e te d

Dir e c t or: Idan Chi an g Position : Pro ject D e si gner Du t ies: SD, D D, CD, M ateri a l C ol l oc a ti on, Pro ject Co ord i na ti ng w i th c l i ents , ve n dors, an d cons ul ta nts s .

De c or : Fi o n Wu

P rojec t B rief : The project is focusing on the interior design of a condominium, which is designed by the well known Japanese architect Shin Takamatsu.

The mixture of the material is the key to complete the design for this high end interior s p ac e.

The most challenging part of this project is that, the client ordered the furnitures before t h e inter i o r de si gn i s c omp l eted. T h erefore, i n or d er to make sure t he i n teri or s p a c e c oh erent with the furnitures, the choice of the material shall ensure that the color and the texture matc hes t he desi gn ated furni tures .

SITE

GF DESIGN DIAGRAM

The scope of work includes the 1F and 2F. The floor to ceiling windows facilitate the room with natural daylight for the rooms facing the west and the north. The northern side of the building is next to the park, which brings a scenic view for the residents. By removing the wall between the current atrium and the border of the second level, the penetrate space is introduced to the building.

Open The space is divided into public and private area, which depending on the degree of openness.

Brightness

View

The Floor-to-ceiling windows on the west and north side brings light and shadow to the interior.

The park on the north side brings a greenery view to the interior.

Program

Wall & Entrance

COUNTER SOFA AREA RESTROOM ELEVATOR HALL SERVANT SPACES

Place a wall and set two entrence-exit in the space.

ORIGINAL PLAN

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Wall Function

Furniture

Light

Set different functions for the wall.

ART INSTALATION MAILBOX STORAGE SINK & WORKTOP

Place furniture in public areas.

The wall between the elevator hall and the floorto-ceiling windows combines the art of installation, allowing light to enter the space but still retain privacy.

MATERIAL

EXTERIOR TEXTURE Brown Wood

Extent

Contrast

Library Floor Mix

Black Marble

INTERIOR WOOD Dark Oak

Extent

Library Ceiling

MARBLE Italian Snake Travetine Lobby Floor

MARBLE Quebec Black

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METAL Black Titanium Sheet Lobby

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GLASS Black Titanium

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GLASS One-Way Glass

MARBLE Quebec Black Wall

BLACK Black Aluminum Sheet

WOOD Light Oak

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LIGHT METAL Gold Titanium Sheet Wall

Lobby

TRANSPARENT Clear Glass

Second Floor Corridor

REFLECTION Mirror Stainless Steel

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MODEL EVOLUTION

WALL

INTERLACE

CEILING

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Entrance Reception Lounge Lift Lobby Mailbox Art Installation Pantry Room Print Room Toilet Storage

The mailbox is considered an important terminal view for the lift lobby, it transformed from the recessed mailbox into the finalized exquisite furniture shape during several proposals. The finalized model is the integration of multi textures: the mix of titanium-plated metal, leather, and new technology: the residents are able to receive their mail by using the card key of their apartment, instead of using the usual keys to open their mailboxes.

THE MAILBOX

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2F DESIGN

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1 Lift Lobby 2 Corriodor 3 Reading Room 4 Meeting Area 5 Lounge Area

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C atego r y: L o c atio n : D ate: Tuto r:

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J O U R N E Y

M E M O R I A L FUNERAL HOME &

P A R K CEMETERY

A ca d e m i c P r o j e ct Ta i p ei , Ta i wa n 201 1 | Ba ch el o r T h esi s H su,C h u n -Y i

P ro ject B r ie f:

Pr oject A nimation:

T h e i s sue o f t he f u n e r a l sp a ce h a s b e en f o r g o t t en . F u n e r a l cu l t ur e i s one of t h e m os t a ncient a nd f or m a l c u l t u r e s i n Ta i w a n . D e s p i t e t h e p r o c e s s o f b u r i a l h a s b e e n a l t e r f r o m t i m e t o t i m e , t h e r i t u a l s a n d t h e memorial space has been long neglected. The proposed scheme is to seek for the solution to improved th e eff i ci e n cy o f t h e b u r i a l p r o cess, a n d t o ex p l o d e t he p ub l i c b u r i a l s pa ce f r om t h e us er s per s pect ive, t o i mp rov e d t h e b u r i a l sp a ce t o g i ve t h e d e cea se d t h e t he i r l a st j o ur n ey.

T h e p r o j e c t i s a l s o a i m i n g t o r a i s e t h e p u b l i c a w a r e n e s s t o t h e d e a t h t o p i c a n d t o a cc e p t d e a t h w i t h a p os i ti v e a t t i t ud e.

h t t p: //www.vim eo. com /864 630 4 6

SITE

The site is located at a hill in between Taipei and Keelung, more space is expected to be able to provide both cities for the cemetery space in the future. The site has total 226 hectares. Its location is also known as rare and treasurous location for Taiwanese feng shui, because its facing northern -east, with ocean on the left side, city on the right, you can also discover the mountain at the site.

DESIGN DIAGRAM

1 THE SITE 226 hectares

2 THE ENCOUNTER CEMETERY The two hidden curves of "Life" and "death" meet at the highest point of the base

3 TWO CHANNELS The curve evolves into channels hidden under the ground.

DESIGN EVOLUTION 4 AXIS

5 THE WAKE

The opposition of life and death, the base forms the two axes facing the ocean, and encircles the contour of the guard room.

A total of 17 rooms are the same design language but without repetition, which represents the uniqueness of each person's life. The purpose is to provide different functionality for a variety of family needs.

7 CEREMONY HALL

8 FUNERAL CHAPEL

A total of seven ceremonial halls of the same form, representing the ultimate death everyone ultimately will need to face.

10 ENTRANCE AND EXIT At the end of the corridor are the entrance and exit of the cemetery and the additional main service entrance.

6 THE OPPOSITION Located at the end of the "death" corridor, opposite to the wake, deep into the earth.

9 CREMATORIUM End of the "birth" destination.

11 CENTRAL COURTYARD The meeting place where life and death meet is nonexistent, and the excavated earth accumulates around the atrium.

12 BACK TO NATURE Planting a large number of trees to make up for the damage to the mountain environment when the public cemetery was previously developed.

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MEMORIAL PARK MASTER PLAN 5

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THE WAKE

Located at the life Axis In the traditional Taiwanese culture, Taiwanese believes that the soul will be stay in the world for 7 more days, therefore, the family would accompany the soul while it’s still on the earth, at the same time the family could arrange the burial ritual together.

Since most of the housing doesn’t have enough space to arrange the body fridge, the site provides the space for the mourner to be able to stay at the site for short term to keep the soul accompany.

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Entrance Corridor Living Room Coffin Bedroom Bathroom Kitchen Dining Room

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FUNERAL HOME PLAN

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B1F PLAN

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01 The Wake 02 Ceremony Hall 03 Funeral Chapel 04 Crematorium 05 Service Building 06 Courtyard

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Waiting Area Entrance Reception Storage Toilet Sitting Area Coffin Podium

At the opposite side of the death axis, the underground curved space is implying the

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death shall eventually returned to the earth.

The space is build in local red brick

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instead of using any religious symbolic signs, this also indicates that this ritual space is open to any religion.

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03 FUNERAL CHAPEL

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In the site, we also arranged a chapel

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where mourners who has religious need to pray and to hold the burial ritual.

The chapel is arranged between the main entrance and the wake room. The center wall of the pavilion is divided into three segments. The center part implies the trinias,where worships the god. The god locates at the center of the wall, which composed with two pieces of glass at the top and the bottom. The glasses individually implies gods from the above and the ground.

The ceiling of the church rises gradually from the entrance to bring out the ceremonial atmosphere of the main hall. Where massive light sheds on top of the altar guides the believers await for the re- born.

1 Entrance 2 Baptismal Water 3 Reception 4 Holy Room 5 Storage 6 Toilet 7 Nave 8 Podium 9 Coffin 10 Hearse Parking Area 11 Preparation Area 12 Corridor (to the 'life' axle)

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04 CREMATORIUM

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T h e o va l l ayo u t o f t h e c re m ato r i u m

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locates at the bottom part of the life

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ax i s , w h i c h i m p l i e s t h e s o u l w i l l b e release from the body. The smooth oval 5

corridor guides the mourners to the

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crematorium to send away the death.

After the ritual is finished, the mourners will finally arrive at the waiting room.

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with the reflection of the poplar trees blurs the view of the border of the interior and the exterior, the mourners will be waiting for the cinerary urn peacefully accompany with the view on the window.

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Entrance Coffin Lift Corridor Cremator Waiting Area Ashes Retrieval Room

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The service building seems to be isolated at the top point of the entire site. With its designated hill squared shape implies the ser vice building is a different space from the rest of the site, the natural rusting metal of the

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facade reveals the trace of time. The floating block is the office area, and the underground level provides information center and the merchandise store.

06 COURTYARD The rounded shape of the courtyard implies tolerance, harmony and eternity, which differ from the straight axis. The encounter point of the living and the death defines the pure land. The circle island in the middle of the pond is planted with trees.

The sky reflect on the pond peacefully, implies that life begins with nature, and will eventually goes return to the nature.

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1 Entrance 2 Parking Area 3 Lounge 4 Urn and Coffin Display Area 5 Reception 6 Toilet 7 Office 8 Manager office 9 Storage 10 Lounge 11 Conference Room 12 Corridor (to the courtyard)

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TA I C H U N G A B A N D O N E D B R E W E R Y R E N E WA L

Ca t e g or y: L oc a t i on: Da t e : Tut or:

Acade mi c pro j ec t Tai chun g, Tai wa n 20 10 | y ear 2 M orphi n g Li n

P rojec t B rief : The renewal site is one of the brewery that locates in a wine storage warehouse in an a b a n d o n e d b r e w e r y f a c t o r y i n Ta i c h u n g . T h e warehouse is well preserved, which includes t h e m ac h i n es, an d t he func ti on of s p a c e of th e old b rew ery. The go ve rn ment h a s a l s o p l a nned t h at this ware house wi l l bec ome a c ul tura l a nd c r e a t i v e c e n t e r. T h e r e f o r e , i n o r d e r t o r e m a i n t h e m e m o r y o f t h e o r i g i n a l b r e w e r y, m a n y o f t h e m ac hi n es are kept and th e entra nc e of th e brewery is enhance by creating an exhibitiond e s i g n t o c o n n e c t t h e b r e w e r y ’s h i s t o r y t o i t s f utu r e.

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Main Entrance Design Bazaar Liquor Store Theater Corridor Office

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EXHIBITION T H E M E CONCEPT

L4 FRUIT

DESIGN EVOLUTION 1

REBORN AND

RUSTY STEEL

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LEAF

FUTURE VISION OF BREWERY

WOOD GRILLE

ORIENGRAL CONCRETE

LINEAR EXHIBITION

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CURL UP

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L2 STALK TRANSFORMATION TO CREATIVE AND CULTURE SPACE

L1 ROOT HISTORY OF BREWERY

EXHABITION A R E A

EXPERIENCE Z O N E

EXHABITION A R E A EXPERIENCE Z O N E

FIT IN

DEVELOPE

First Level Plan V i s i to rs a re g u i d e d f ro m t h e e nt ra n c e o f t h e d i st i l l e r y to t h e ground floor of the exhibition hall through the lighting on the ground. The history of the winery and some of the implements are displayed here. The raised floor does not damage the original distillery floor, so that the viewer can see the original appearance.

Second Level Plan The second floor exhibition hall shows the current situation of the transformation from the old distillery into a cultural and creative park. One can enter the experience the transformation of the storage barrel and sense the symbiosis between man-made and nature.

Third and Fourth Level Plan Entering the third floor of the exhibition hall through a ladder hall, where the vision of the future development of the distillery will be broadcasted. Then visitors will be guided by the continuous modeling barrier wall to experience the process of distillery making, and enter the second observation of space, where the fermentation process take place.

Roof Plan The roof is reinforced to utilize the original ventilated round skylights which allows the natural light to fall during the day.

Part of the roof is re-structured, with double tempered glass and flowing water in between, allowing natural light to pass through the glass with water interlayer to fill the interior experience space that reflect the water ripples, creating a rich sense of space.

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Ca teg or y: L oc a ti on: D a te: Tu t or:

COURTYARD

S T R E E T

H O U S E

Acade mi c proj ec t Chi ay i , Tai wan 20 10 | year 2 Hu, Jun g-Chun

P rojec t B rief : S a n - H o - Yu a n , w h i c h i s a l s o k n o w n a s Quadrangle House. It is a traditional Taiwanese architecture. This traditional building composed with three one level, pitched roof rectangular blocks, which layout in a upside down ”U” shape. At the entrance (the o p e n i n g o f t h e “ U ” s h a p e) o f t h e Q u a d r a n g l e house, lies a courtyard greeting the visitors.

T h e c o u r t y a r d i s t h e s o u l o f S a n - H o - Yu a n .

Its high -function space allows families to have many events as: dinners, weddings, grain- sunning, card games and even raise livestock. Because of its uniqueness, S a n - H o - Yu a n b r i n g s t h e f a m i l y t o g e t h e r.

Since there aren’t sufficient space to building low level housing in the city, the urban dev elop men t te n d to buil d h i g h - ri s e bui l di ng s instead. Therefore, I decide to insert the i d e a o f S a n - H o - Yu a n i n t o t h i s c o n t e m p o r a r y housing, by connecting the floors with the vertical courtyard, which not only breaks the usual “level by level” space sequence, but also restored the connection of human and t h e n a t u r e , a n d t h e s p i r i t o f S a n - H o - Yu a n .

SITE

T h e s i t e i s a t t h e C h i a y i c i t y c e n t e r, w h e r e t h e residential block is composed with rectangular shape housing, all of the housing are 3 floors with an additional illegally built 4th level. The narrow site only has on side of the housing facing the street, the rest of the sides are next to the other bui l din g s.

PLATFORM

CONCRETE BRICK

STEEL PLATE

CITY FLOWER OF CHIAYI CITYBAUHINIA × BLAKEANA

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H-BEAMS

DESIGN EVOLUTION

TRADITIONAL

VERTICAL!

FIT INTO THE SITE

COURTYARD

VERTICAL PATH

EXPOSED CONCRETE

PLANTS

SAN-HO-YUAN

Manila Grass GF Garden Rooftop

WOOD GRILLE

BRICK

Aloe

2F Courtyard

Bamboo

East side of the building 3F Bedroom

Green Maple GF Garden

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2F PLAN

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01 Entrance 02 Garden 03 Front Door 04 Porch 05 Kitchen 06 Dining Area 07 Courtyard 08 Toilet 09 Grandparent Bedroom 10 Storage 11 Laundry Room 12 Bathroom 13 Master Bedroom 14 Balcony 15 Platform 16 Multifunctional Room 17 Children's Bedroom

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RF PLAN

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3F PLAN

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O T H E R

W O R K S

I N S TA L L AT I O N & P H OTO G R A P H Y

C a teg or y: Perso n al Work s Loc a t i on : Tai wan Da t e : 2009 -20 13 St a tus: Compl et ed

Projec t B rief : There are hundreds of forms of art, but compared to the two-dimensional graphics, I prefer the sense of space that can be directly presented by the installation art.

I c hos e c re ati ve works from my underg ra dua te work to professional pieces after graduation.

After creating a preliminary concept, I handm a d e t h e w o r k i n p r o g r e s s i o n . H o w e v e r, the production process created many possibilities. Because using hand made style often produce more unexpected r e s u l t s t h a n w h a t I ’d e n v i s i o n e d , w h i c h is something I find most interesting.

I N / E X I S T

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CHRISTMAS TREE The 4th Park Lane by CMP Group Original Chrismas Tree Competition - Frist Prize

The 25th hour in a day only encounter us on 12/25…

In German, it is a tradition that ev e r y k i d w i l l r e c e i v e 2 4 g i f t b o x e s a t t h e b e g i n n i n g o f D e c e m b e r. T h e kids will open one gift box day by d a y, a l l o f t h e g i f t b o x e s w i l l b e opened when Christmas arrived…

8000 recycled plastic cups assembles this installation, which is also called "chien pei c h a s h i h ”. I n C h i n e s e , " C h i e n pei" is a homonym, the literal translation is "a thousand c u p s ", i t a l s o m ea n s "hum bl e" in C h i n e s e . We h o p e t h a t ev e r y o n e who joins in this tea house will a ba n do n a l l t he bu r den s t o h ave a cup of tea. The plastic cups creates a pure cave space with multiple curve surfaces, the translucent material brings the tea room various hierarchy with the natural daylight and the artificial lighting at night time.

I n t h i s o v e r p a c k a g i n g universe, we often forget what the real world looks like.

A t t h e 25 t h h o u r, t h i s i s w h e n w e will finally reveal the last box, where holds our original faith.

Formasan Sika Deer lives in between the woods in the mountains. It is inseparable f r o m Ta i w a n ' s a n c e s t o r s , h i s t o r y a n d c u l t u r e . I n Ta i w a n , t h e mountain contains a variety of natural geographic landscape, the interlace of the stream and the woods creates a changeable natural environment.

In this project, we transform the circle of life into the natural element and energy in the woods on the feature of Formasan Sika D e e r. T h e m u l t i - l a y e r r h y t h m o n the deer reflects the shape of the mountain and the stream.

The sculpture uses the feature of the the soon be extinct Formasan Sika Deer, and the material of the sculpture uses the t r a d i t i o n a l Ta i w a n e s e a r t c r a f t .

These combination implies t h a t t h e Ta i w a n e s e a r t c r a f t w i l l refine into a newborn force in this rapid changing world, and combining these powers the new spirit will unite the new generation in this world.

2012

The pop up tea shop at the Ta i p e i Te a s t r e e t Yo n g K o n g Street. After several discussion w i t h t h e t e a s h o p o w n e r, w e decided to build an unique tea room, and collaborate with an tea tasting event. Our target is to attract teenagers to learn about tea tasting culture.

When two parallel universe meets, the hidden truth will be revealed.

RHYTHM OF LIFE

H U M B L E TEA HOUSE

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COHESION T O W E R There are only 2 principles in this project, it has to be built without any glue, and has to be at least 1 meter height.

The initial "T" shape module w a s t i e d u p 2 Po p s i c l e s t i c k s , a foldback clip, and a piece of wood with a rubber band.

Four "T" shape module creates a pyramid, and then a big unit is created with three pyramids. After building up the units vertically, the structure tower is finished.

T he m o s t fa s c i n a t ed t hi n g a b o u t this project is that, it's hard to predict what the result will look like during the process. It took endless attempts to test the material and the structure with various way to joint the structure to finally see what the tower will turn into.

The material I used in this project are the following: square wooden sticks, round logs, ABS plastic strips, foldback clip, rubber bands, screws, blinds n u t s , a n d o t her m et a l ha r dw ar e.

2009

P O - H U N G

H UA N G

p o h u n g 5 2 1 @ g m a i l . c o m