Ecclesiastical & Heritage World Issue No. 98 by DMMonline

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COVER STORY

CONTENTS ST SWITHUN’S OFFERS A WARM WELCOME, DESPITE THE RAIN The front cover of this issue features St Swithun’s Church in Cheswardine, Shropshire. One of a number of churches in that county to actively encourage tourists, the church can trace its antecedents back to the 12th century, although the fact it is dedicated to a Saxon saint points to an even longer history. Its heating system, however, is very much of the 21st century, having been installed at the end of last year by specialists from Mellor and Mottram of Stoke-on-Trent. It’s the latest in a long list of installations in churches and other historic buildings by the firm, as the story on page 6 reveals.

5 Reflections NEWS 9 Ghanaian ‘Crown Jewels’ to be returned on long-term loan 11 Research reveals extent of antisocial behaviour at heritage sites – could AI help? 13 Historic Olympic sauna gains listed status 15 Brighton Pavilion restoration takes a step forward

16 16 17 18

New £5m fund will bring heritage buildings back to life Faith workers struggle to make ends meet, survey finds Govt reveals plans to make retrofitting historic homes easier Coronation acts as backdrop to clock restoration

SOUND & AV SYSTEMS 20 New website showcases eco-friendly loudspeaker manufacturer 21 AV trade body publishes guidance on assistive listening 22 Streaming service brings the church to all 23 New AV system brings added life to services 24 Just to be clear: choose your speakers with care 27 First details announced of ISCVEx speakers 29 Trio of installations benefit from shared control systems 30 Keeping it simple is the watchword for St Ann’s new system ROOFING 31 Deadline looms for discontinuation of Grandfather Rights 32 Church celebrates as roofing work is set to begin 33 Grants help trio of Suffolk churches to embark on roof repairs FIRE DOORS 34 Fire doors: what are the ins and outs? 35 Keep fire in check and preserve our heritage INSURANCE MATTERS 36 Safeguarding sanctuary: how to control the cost of church security 37 Timely intervention by insurers helps repair storm damage IRONWORK & METALWORK 40 Cort ‘stole’ iron-making process from Jamaican slaves, paper avers 41 Careful conservation allows candelabra to shine again

Faith show looks to Milton Keynes for next episode

TRAINING 42 Commitment to training reaps rewards for Houghtons of York

DOORS & WINDOWS 43 Church renovation project transformed by Clement’s steel doors 44 Secondary glazing can offer churches a new window onto the world

ACCESS & LIGHTNING PROTECTION 47 Steeplejacks literally have time on their hands 49 Scottish church issues guidance on DIY work at height 49 ATLAS members learn about prefabricated access principles CHURCH CONSERVATION 50 Saltaire URC project wins top prize at the National Churches Awards NET ZERO 51 Diocese offers advice on the move to net zero 51 Sometimes, being a miser can be a good thing 52 Under-pew system points the way towards net zero BRICKS 55 Terra cotta is the thread running through building’s changing roles LIGHTING 56 Luceco lights up Luttrellstown Castle

A TO Z WEBSITE LISTINGS PAGE 18 | CHURCH & HERITAGE SUPPLIES FROM PAGE 57 Richard Shepherd – Business Development Manager Advertising enquiries: Tel: 07429 516265 Email: richard@dmmonline.co.uk All other enquiries: Tel: 0161 710 3880 Fax: 0161 710 3879 • 61 Lower Hillgate, Stockport, Cheshire SK1 3AW Copyright Ecclesiastical & Heritage World. All rights reserved. No part of this publication may be copied, reproduced or transmitted in any form without prior permission of Ecclesiastical & Heritage World. Views expressed in this magazine are not necessarily those of the publisher. Printed in the UK by The Magazine Printing Company Plc www.magprint.co.uk

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ANYONE WHO HAS VISITED Greece over the years will have been asked for their opinion on the repatriation of the Parthenon Marbles – usually firstly by the taxi driver on the way from the airport. Formerly known as the Elgin Marbles, the dubious way in which the Earl of Elgin acquired them has led to that epithet falling from favour. The issue of their return also led to a recent spat between our two governments. A more fruitful and friendly outcome has been achieved regarding the royal regalia of the Asantehene, or King of the Asante in Ghana. A sizeable collection will be returning to Africa on long-term loan, to the satisfaction of both parties. • A benefit for the British Empire of the artisanship of West Africa that has been less well known hitherto is the ‘theft’ of a process for making cheap iron from scrap – known as the Cort process. A paper by a researcher at UCL has found evidence that Cort acquired the details of the process from a cousin who brought it from Jamaica, to where slaves had brought it from Africa. Cort then filed patents for it and made a fortune from it. • One of the beneficiaries of the spoils of Empire was George IV, who was responsible for the Brighton Pavilion. A major programme to restore the complex as an arts centre is well underway, the latest phase being the reopening of the Corn Exchange and Studio Theatre. • Unfortunately, not everyone has the welfare of our built heritage at heart. Figures published by Ecclesiastical Insurance reveal graffiti and vandalism at churches and other historic buildings is on the rise. A chink of light has been offered by research from Canterbury Christ Church University suggesting that AI may be of help in pinpointing offenders from their ‘tags’. • The scourge of vandalism is just one of the many challenges facing faith workers across the UK. Many are facing increasing calls on their time in the post-COVID world, while themselves experiencing the same financial pressures. A third are considering quitting their roles, according to research by Unite the Union. • Faith workers from all branches of Christianity gathered together in the West Midlands for CRE Midlands in November. It was the first to be held at Cranmore Park in Solihull and was a significant success. The organisers are now turning their attention to the forthcoming CRE South in Milton Keynes this October. It follows the cancellation of the planned CRE North in Manchester this spring. Organisers have reluctantly decided to concentrate their own resources into one effort. • Ever present at all CRE events are the alchemists who create the atmosphere for worship at churches of all periods. Gone are the days of straining to hear music clearly or understand what was being said from the pulpit. Modern sound equipment is scientifically-designed and engineered to optimise clarity in all parts of a church. The same clarity and intelligibility is now also available to those with hearing difficulties, with the same pace of technological development being brought to bear. • The experience of worship in today’s world also has to be carried out in a comfortable environment. That means a high-quality heating system is a must. Our cover story features the latest installation from long-standing specialists Mellor and Mottram, St Swithun’s in Cheswardine, Shropshire. q

Chris Stokes

Editor, Ecclesiastical & Heritage World

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COVER STORY

ST SWITHUN’S OFFERS A WARM

St Swithun’s day if thou dost rain; For forty days it will remain St Swithun’s day if thou be fair; For forty days, ‘twill rain no more. [ THAT SHORT POEM is more often than not taken to mean

more than a month of rainy weather: particularly in the northern half of the country. So a church in Shropshire named after the venerated saint needs to ensure a warm welcome to parishioners and visitors alike. St Swithun’s in Cheswardine, near Market Drayton, has a long and distinguished history. Although the first recorded presence of a church at Cheswardine, a Saxon settlement, is in 1170, it is almost certain there had been a Saxon church there earlier, as St Swithun is a Saxon saint born around 800AD. Michael Hendry, who wrote an update to the church’s history in 2020, notes: “…if this had been the earliest church it would certainly not have been dedicated to a Saxon saint, since the Normans, after 1066, attempted to suppress Saxon influences. Thus, the first church was almost certainly of Saxon origin and probably built around 1000AD. Nothing remains of such a church.” The church in its present form was built in the 1890s to a design by John Loughborough Pearson of London. The rebuilt church was re-

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dedicated in 1889 by the Lord Bishop of Lichfield, Rt Rev Dr William Dalrymple Maclagan.

A warm welcome for all Largely because of its long history, St Swithun’s is a member of the Shropshire Churches Tourism Group – a small, voluntary group dedicated to encouraging visitors to Shropshire's wonderful churches and helping churches to welcome those crossing the doorstep – so a welcoming atmosphere is important. It was an important step forward, then, when a new heating system was installed into the church by Stoke-on-Trent specialists Mellor and Mottram. The chosen system is based on two Firebird Envirogreen oil-fired condensing boilers (pictured opposite page), which meet NOx reduction requirements and are HVO-ready. The pipework has been repositioned and a new circulation pump has been installed. In addition, the existing boiler room has been fully thermally insulated. To boost the heating capacity, two new BOSS Copperad fan convectors have been installed.

WELCOME, DESPITE THE RAIN The system was installed in December, in time for the church to celebrate Christmas in a comfortable environment.

A half-century of experience The installation is the latest in a long line of projects for Mellor and Mottram, who have been specialising in heating for ecclesiastical and heritage buildings for over 50 years. Founded in 1973, the firm soon specialised in the sector and current managing director Stuart Mottram – son of co-founder Roger Mottram – still travels the length and breadth of the country to assess the heating requirements of churches, cathedrals and even castles. A further string to their bow is the educational sector, which came together with the ecclesiastical world in a major project last year at Hereford Cathedral School, as reported in the last issue of Ecclesiastical and Heritage World.

Heating while you wait The process of obtaining a faculty for a new heating system can be a time-consuming experience. To fill the gap between a present system becoming unfit for purpose and a new system being approved, Mellor and Mottram have established a business hiring boilers to ecclesiastical sites. The service, boilerhireuk.co.uk, supplies trailer-mounted boilers for all manner of spaces and locations. They range from 70kW boilers ta a 2mW plant room. Boilers are currently installed at the Grade Two*-listed St Mary’s House next to Lichfield Cathedral and St Leonard’s Church in Malinslee, Telford (pictured below). The church was designed by Thomas Telford himself in 1805. Both buildings are eagerly awaiting the granting of faculties in order to begin installation of new systems. q

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GHANAIAN ‘CROWN JEWELS’ TO BE RETURNED ON LONG-TERM LOAN

A cast gold ornament, in the form of a bird, probably from a ceremonial hat (left); cast gold badges, worn by the Asantehene’s ‘soul washer’ as a badge of office (middle and right). Photos © Victoria and Albert Museum, London

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THE V&A, the British Museum and the Manhyia Palace Museum in Kumasi, Ghana have announced details of an important cultural collaboration. Items of gold and silver regalia associated with the Asante royal court – often described as the Asante Crown Jewels – will be displayed at the Palace Museum in Kumasi later this year as part of a long-term loan commitment by the V&A and the British Museum. Many of the items will be seen in Ghana for the first time in 150 years. The partnership follows an official visit to London by the Asantehene (King of Asante) Otumfuo Osei Tutu II in May last year, at which he met with the leadership of the partner organisations. The objects will be loaned, under separate agreements, to the Manhyia Palace Museum, which is located within the palace complex of the Asantehene in Kumasi. The collections will form part of an exhibition planned to celebrate the 2024 Silver Jubilee of His Royal Majesty, the Asantehene Osei Tutu II, as well as commemorating the 150th anniversary of the 1873-4 Anglo-Asante war and the 100th anniversary of the return of the Asantehene Prempeh I from exile in the Seychelles. The objects are of cultural, historical and spiritual significance to the Asante people. They are also indelibly linked to British colonial history in West Africa, with many of them looted from Kumasi during the Anglo-Asante wars. Some of them formed part of a British indemnity payment forcibly extracted from the Asantehene at the time, while many others were sold at auction and later dispersed among museums and private collectors worldwide, including the British Museum and the V&A. The V&A is lending 17 items in total. The collection includes all 13 pieces of Asante Royal regalia acquired by the museum at an auction in April 1874 of gold looted by the British army during the raid on and destruction of the royal palace on 4-6 February of that year. Also travelling to Kumasi are two further items of gold regalia bought by the V&A within a decade of the raid, a gold ring given to the V&A by a collector in 1921 and a gold ornament in the form of an eagle given by a military family in 1936. The 15 objects selected by the Manhyia Palace Museum from the British Museum include a small gold ornament in the form of a luteharp (sankuo): one of the cast gold objects presented in 1817 to British diplomat Thomas Bowdich during his trip to Kumasi to negotiate a trade treaty with the Asantehene Osei Bonsu. According to Bowdich, they were intended by the Asantehene as gifts for the British Museum and served as a means of representing the wealth and status of the Asante nation. The inclusion of the sankuo highlights the long-term connections between the British Museum and the Asantehenes, now nearly 200 years old.

V&A director Dr Tristram Hunt said: “150 years after the attack on Kumasi and looting of court regalia, the V&A is proud to be partnering with the Manhyia Palace Museum to display this important collection of Asante gold work. As part of our commitment to sharing collections with a colonial past, we are excited to see these items on public show, in Ghana, as part of Asantehene Otumfuo Osei Tutu II’s Silver Jubilee celebrations. We thank the Asantehene for his leadership, and look forward to further collaboration.” q

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RESEARCH REVEALS EXTENT OF ANTI-SOCIAL BEHAVIOUR AT HERITAGE SITES – COULD AI HELP? [RESEARCH COMMISSIONED by specialist heritage

insurer Ecclesiastical has revealed the extent of anti-social behaviour and vandalism suffered by heritage organisations over the past year. The survey of 500 heritage decision-makers found a third (32%) suffered anti-social behaviour – up 3% – and three in 10 (30%) reported experiencing verbal abuse towards staff and volunteers from visitors – up 4%. Meanwhile, a third (32%) of heritage sites were defaced by graffiti: up 9% on the previous year. In April vandals spray-painted graffiti on walls, flagstone floors and a historic fountain at Linlithgow Palace in Scotland. Overall, 90% of heritage organisations have experienced crime during the past 12 months, down slightly by 1% on the previous year. Crime is a top concern for heritage organisations: 57% are expecting an increase in crime over the next year and 69% are more concerned about crime than ever before. The majority (95%) of heritage organisations are taking proactive steps to prevent crime. The top security investments made during the past 12 months were CCTV (58%), security guards and patrols (47%) and alarms (44%). However, the research found heritage organisations are reviewing their crime and security risks less frequently, and 68% believe their organisation needs to do more to prevent crime. Faith Kitchen, customer segment director at Ecclesiastical Insurance, said: “As the UK’s leading insurer of Grade One-listed buildings, we’re passionate about protecting Britain’s heritage. Our research shows heritage organisations are a prime target for criminals and it is concerning to see that graffiti and anti-social behaviour has increased. “There are a number of measures heritage organisations can take to better secure property and assets, which would ideally be a combination of both physical and electronic protection. Reviewing perimeter security arrangements, ensuring entry points are well lit and secured can often offer a good first line of defence against unwanted visitors, while CCTV can act as a visual deterrent for those not wanting to be caught on camera.”

method of heritage crime prevention shows promise of being able to help link together offences of criminal damage against historic buildings, which will help identify offenders and prevent further damage. It will also be of potential use in identifying offences which are 'copy cat' in nature: the same tag or variations on this, but actually due to different offenders.” Mark Harrison commented: “This research presents and exciting opportunity to develop new and innovative approaches to prevent and investigate graffiti within the historic environment.” q

Artificial intelligence A significant role in deterring graffiti vandals from defacing churches and historic sites could be played by artificial intelligence, according to research by Professor Robin Bryant, Director of Criminal Justice Practice at Canterbury Christ Church University, funded by Historic England. Profosser Bryant is working alongside Mark Harrison, Head of Heritage Crime at Historic England, on a project which could see supervised machine learning identifying offenders’ tags and tracking their movements by matching graffiti in different areas. It could also help to analyse paints to establish where the spray cans were initially sourced by offenders. He has analysed crimes recorded over a four-year period in Kent and Medway and found 8% of all recorded crime and anti-social behaviour occurs within, at or close to a protected heritage site. “Our best estimates suggest that currently approximately one in five listed buildings and one in four places of worship in Kent and Medway experience some form of crime each year,” said Professor Bryant. “AI offers the possibility to link offences together to the same offenders. In classic policing terms, this is normally a very good start in terms of an investigation.” The research also found that one in 10 monuments are affected by crime, or it occurs nearby. Just over a half of registered parks or gardens have one or more crimes a year within them and for conservation areas the proportion is much larger, at closer to four in five. Listed buildings and places of worship most at risk are often on the fringes of urban environments rather than deep in the countryside and the transport network plays a significant part in offenders' targeting of churches. Professor Bryant continued: “We discovered that machine learning as a www.ecclesiasticalandheritageworld.co.uk

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HISTORIC OLYMPIC SAUNA GAINS LISTED STATUS [

A HIDDEN HISTORIC Finnish sauna in Aylesford, Kent has been listed at Grade Two by the Department for Culture, Media and Sport on the recommendation of Historic England. The wooden building is a unique relic of the 1948 Olympic Games in London. It was brought over by the Finnish Olympic team and gifted to the nation after the Games. It is thought to be the oldest surviving purpose-built sauna in England in continuous use, and possibly the earliest surviving Olympic sauna in the world. The modest prefabricated building was transported from Richmond Park in London to Kent in 1949 as a recreation and leisure facility for employees of the Reed paper mill in Aylesford. The mill already had ties to the region as it imported wood pulp from the Nordic countries to produce its paper, and Finnish athletes had spent time training at the mill’s sports facilities ahead of the Games. Inside the modest timber-panelled building is a dressing room, kitchen and wet room, alongside the sauna itself. Original features include hooks for clothes and towels and a ceramic foot basin beneath one of the showers. Most of the sauna room is occupied by a three-tiered wooden bench: that is an original fixture but some of the slats have been replaced over time. The sauna was originally heated by a wood fire but was later fitted with an electric heater. By 1957 the sauna had been relocated to a

nearby part of the Reed site, where it stands today in what is now called Cobdown Park. The sauna has been enjoyed and maintained by local users ever since and remained in frequent use until very recently. The electrics now need replacing and Cobdown Sauna Club is actively looking to secure the sauna’s future so that it can remain a place of rest, relaxation and community for years to come. Jukka Siukosaari, Finnish Ambassador to the UK, commented: “The listing of this Finnish sauna is excellent news, not only because of the

building’s unique architecture but also because of its significance to Finnish-British relations and our common sporting history. “The London 1948 Olympics athlete’s village sauna is likely the oldest surviving Olympic sauna to date. Preserving it will guarantee that future generations in the UK will get to learn about sauna as an institution and its significance to the Finnish culture. I especially want to thank the local community in Aylesford, who have looked after this special building for so many years.” q

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BRIGHTON PAVILION RESTORATION TAKES A STEP FORWARD

[BRIGHTON DOME AND FESTIVAL LTD – the charity behind the

operation of the city’s landmark Brighton Pavilion complex as an arts centre – has completed the restoration of the Grade One and Grade Two-listed Corn Exchange and Studio Theatre, which has been opened for live performances since November. The beautifully refurbished spaces have been designed by awardwinning architects Feilden Clegg Bradley Studios to conserve vital heritage features for future generations and improve facilities for artists and audiences alike. Improvements include increased audience capacity in the Corn Exchange, a new balcony seating area in the Studio Theatre, two new bars and a restaurant from award-winning, community-focused local company Redroaster. The refurbishment is the first phase of a regeneration project by Brighton & Hove City Council, in partnership with Brighton Dome and Festival and Brighton & Hove Museums, to cement the Royal Pavilion Estate as a landmark UK destination for heritage and the arts. The project has been realised with support from Arts Council England, The National Lottery Heritage Fund and Coast to Capital Local Enterprise Partnership, alongside trusts and foundations and many individual donors. Working with theatre experts and skilled craftspeople, the project makes major technical and operational improvements to the Corn Exchange and to the Studio Theatre, including a brand new foyer

space and café and better accessibility for performers and artists, while essential conservation work has peeled back the layers to restore hidden spaces and reveal them to the public. Brighton Dome’s rich history spans more than 200 years. Set in historic Regency gardens and adjoining the famous Royal Pavilion, the main Concert Hall and Corn Exchange were originally commissioned as a stable block and riding house by the Prince Regent in 1803 – a fact reflected in a stunning gilded sculpture set in the exterior of the building (pictured above right) – while the Studio Theatre was built as a supper room during architect Robert Atkinson’s Art Deco refurbishment of the venue in the 1930s. q

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NEW £5M FUND WILL BRING HERITAGE BUILDINGS BACK TO LIFE [

A DOZEN TOWNS AND CITIES across the UK – from Aberdeenshire to Cornwall – are to benefit from a new £5m fund empowering communities to breathe new life into their disused and at-risk historic buildings. The money will help social enterprises and charities in some of the country’s most deprived places take over dilapidated high street and town centre buildings and transform them into new community spaces, workplaces and homes. The funding includes support for organisations in Medway, where a Grade Two-listed former hospital mortuary will be turned into a new community space; in Derry/Londonderry, where work is focused on restoring a number of heritage buildings within the historic walled city; and Glasgow, where work will focus on revitalising the city’s rich heritage. The funding is being awarded as part of a new partnership between the National Lottery Heritage Fund and charity the Architectural Heritage Fund, to expand the Architectural Heritage Fund’s Heritage Development Trust model across the UK following the success of a pilot programme in England.

The programme has already supported seven Heritage Development Trusts to repair, restore and reuse at-risk buildings in their local areas, including not-for-profit Valley Heritage in Bacup, Lancashire. In 2022 Valley Heritage restored an empty Victorian bank building (pictured) into a new co-working space and housing for homeless young people. Meanwhile, in Sunderland, Tyne & Wear Building Preservation Trust has transformed a row of Georgian merchants’ houses once threatened with demolition into a vibrant music venue, coffee shop and bar. Research by Historic England has found almost half of retail buildings, one-third of offices and almost one in five industrial buildings in England and Wales are more than 100 years old. As many as 6,000 shops have become vacant in the past five years, according to the British Retail Consortium. The 12 new Heritage Development Trusts will also operate in areas such as Leicester, Luton and Haverfordwest. Each will receive funding of between £55,000 and £70,000 a year to acquire and redevelop a pipeline of local historic

buildings. The trusts can also apply for grants to support early project development and will be given guidance from consultants and mentors to develop their skills and knowledge alongside peer-to-peer support to expand their network of contacts. Matthew Mckeague, chief executive of the Architectural Heritage Fund, said: “Heritage has a lot to offer the future of the UK’s places and people. Bringing old buildings back into productive use will protect our country’s rich architectural past while creating important new homes, workplaces and community and cultural venues. We’ve already seen the many benefits this work can bring to communities across the country, including through the success of our first Heritage Development Trusts across England.” q

FAITH WORKERS STRUGGLE TO MAKE ENDS MEET, SURVEY FINDS [

ONE IN THREE church leaders say they want to step down from their roles within the next two years due to job-related stress, according to new research. Commissioned by trade union Unite the Union, the research reveals that three out of four of those surveyed regularly work beyond their contracted hours. They also face challenging situations, such as providing support to individuals suffering from acute mental illness. Key findings of the survey of nearly 1,000 faith workers who are

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members of Unite include: 23% are struggling to pay bills, 7% miss meals and 21% rely on friends and family for support. The survey also suggests that if religious bodies don’t take swift action to resolve the situation they may find themselves struggling to fill positions, with over a third of respondents looking to leave their roles within the next 12-24 months. Unite regional co-ordinating officer Sarah Cook, who represents faith workers, said: “All religious groups need to take a long hard look at whether they are providing the right conditions and support for their workers. Talking about caring for the poor and needy is one thing; taking action when their own are in need is another. “By the time you calculate hours worked, most of these faith workers are, in reality, receiving less than the minimum wage. Unite is now entirely focused on promoting and defending its members’ jobs, pay and conditions. That commitment applies equally to our faith workers. “In a society that relies upon faith workers to pick up the slack, the religious bodies they serve so devotedly need to set an example and dramatically improve their conditions.” In June, Church of England clergy who are members of Unite submitted a pay claim for the first time ever, seeking to significantly increase the level of the stipend they receive. The initial response from the church has not been encouraging and a further escalation in the campaign is now being developed. Unite surveyed 932 faith workers across Church of England, the Catholic Church, other Christian denominations and other religions in the UK. Rev Nicky Skipworth, who was on the Unite stand at CRE Midlands, told CRE’s organisers: “Being truly in the corner of faith workers means not only supporting individual members when things go wrong at work, but creating opportunities to speak up for them before that point. By doing so we gather vital, real-world information which might not otherwise reach those who have the power to effect change in our faith organisations.” q

GOVT REVEALS PLANS TO MAKE RETROFITTING HISTORIC HOMES EASIER

[THE GOVERNMENT has published

plans to remove barriers to improving energy efficiency in historic homes, while ensuring that the important historical and beautiful features of those homes are properly protected from the blight of ugly or inappropriate retrofitting. The plans form part of a review into the challenges households face when retrofitting in conservation areas and listed buildings. Currently, owners of homes built before 1919 face paying on average £428 a year more on energy bills if their home is not energy efficient. The review found that planning was a major issue faced by households, with frustration about the time it takes to get planning permission. The review has set out a series of commitments to drive energy efficiency and low carbon heating improvements to listed buildings and buildings in conservation areas across England, as part of the Government’s commitment to reach net zero by 2050. Minister for Arts and Heritage, Lord Parkinson of Whitley Bay, said: “People who own and live in historic homes are their custodians and want to take responsible action to protect them for the benefit of generations to come. That isn’t always as straightforward as it should be, so this review has looked at how we can make it easier, while continuing to protect our historic environment.” Commitments set out in the review to drive energy efficiency include:

• A consultation on a new national • development management policy • specially for historic buildings, ensuring • greater certainty and consistency in • decisions. • Consulting on the greater use of Listed • Building Consent Orders to support • building improvements, removing the • need to submit individual Listed Building • Consent Applications. • Developing clearer guidance for historic • homeowners on improving energy • efficiency and supporting the construction • industry to better deliver retrofitting • services. • Consulting on reforms to Energy • Performance Certificates to ensure they are accurate, reliable and • trustworthy. Duncan Wilson, chief executive of Historic England, commented: “Historic buildings can and must accommodate change if they are to play a crucial role in helping the UK to transition to net zero. This review demonstrates that heritage needn’t be a barrier and identifies opportunities to unlock the potential of historic buildings in England to contribute to meeting our net zero target.” The document, Adapting Historic Homes for Energy Efficiency: A Review of the Barriers, can be downloaded from www.gov.uk/ government/publications/adapting-historic-homes-for-energy-efficiencya-review-of-the-barriers. q

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CORONATION ACTS AS BACKDROP TO CLOCK RESTORATION

[HIGH ABOVE the western façade of St Mark’s Church in

Fairfield, Bromsgrove, a familiar landmark has been revitalised. The steel clock dial has undergone a thorough restoration by the team at Smith of Derby. Years of wind and rain had, over time, subtly compromised the dial’s stability. The traditional wooden plugs and slotted screws of its original attachment, weathered by the elements, could no longer secure it firmly. It fell to the team at Smith of Derby not only to secure the dial for the future, but also to restore its original glory. When complex projects manager Martin Butchers arrived at the site, the dial was already in the nave, having blown off the side of the church during high winds. The dial’s story itself intertwines with that of the community. Installed in 1953, the year of Queen Elizabeth II Coronation, it was a community-driven project. As a 1953 Bromsgrove Messenger report noted: “The Coronation Committee decided that a clock costing £10 be put in the wall of the church where all could see it.” And so the original timepiece came to be funded by the Fairfield community. The restoration process began with sympathetically abrading the dial back to bare metal. That was followed by a base coat and then two additional coats of black satin paint, which was then cured in an oven at 80ºC. Lastly, an application of gold leaf was made to the hands and the chapters of the dial. The Smith of Derby team replaced the previous electrical clock movement with the company’s latest T200 electric

movement; and refinements were made to the attachment method, securing the dial’s attachment to the wall for many years to come. However, the project extended beyond mere functionality. Recognising the significance of King Charles III Coronation, representatives of St Mark’s Church requested that the royal cyphers of both the new King and the late Queen Elizabeth II be added (picured above middle), as a tribute to Her Majesty and as an enduring legacy for the new monarch. “At Smith of Derby, we take great pride in our work,” reflected Martin Butchers, “restoring the dial at St Mark’s Church has been a pleasure and this careful work ensures the dial’s longevity and functionality for future generations.” The completion of the dial is a testament not just to the expertise of the restoration team, but also to the on-going dedication of the Fairfield community. Led by Mrs Margaret Must, who generously funded a portion of the project in memory of her husband Chris, fundraising continues to ensure the dial’s story continues. “The clock face overlooking the village is a shared community asset,” said Wyn Beynon, Priest in Charge at St Mark’s. “While situated on the church building, it was placed there by and for the villagers, originally funded through public subscription. We hope you will appreciate the skill of the craftsmen and the care taken to restore the face.” q • For further information visit the website at www.smithofderby.com, call 01332 345569 or contact Jane Betts at jane.betts@smithofderby.com

Ecclesiastical & Heritage World A TO Z WEBSITE LISTINGS Welcome to our brand new A to Z guide of the websites of some of the Ecclesiastical & Heritage sector’s leading players. The trades, crafts and artisanship involved in the supplying and upkeep of ecclesiastical and heritage buildings may seem arcane to the onlooker, but they are every bit a part of the modern world as any other. In the same way, putting those goods and services into the marketplace needs the same mix of technologies. Having drawn attention to yourself, the modern way to provide indepth information is online. This new section in the printed version of Ecclesiastical and Heritage World allows you to do just that. If you are one of our many online readers simply click on any of the web addresses listed below and you will be automatically directed to that particular website. • We will be expanding this section in future issues, so to take advantage of this opportunity contact micky@dmmonline.co.uk.

Janie Lightfoot Textiles LLP

Rupert Harris Conservation Ltd

www.janielightfoot.co.uk

www.rupertharris.com

Conservation and Restoration Studio • Specialist conservation of altar frontals, ecclesiastical vestments, rugs & other soft furnishings • Consultation for collection care • Installation of large textiles • Conservation framing

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Conservators of Fine Metalwork, Historic and Modern Sculpture • Sculpture & Monuments • Architectural Metalwork • Interior Objects • Modern & Contemporary Sculpture • Maintenance • Replication • Consultancy

FAITH SHOW LOOKS TO MILTON KEYNES FOR NEXT EPISODE [FOLLOWING A SUCCESSFUL

CRE Midlands at Cranmore Park in Solihull, the team behind CRE are now looking forward to the next show – CRE South at the Marshall Arena in Milton Keynes on 9-10 Oct. In all, 1,442 visitors came through the door over the two days of CRE Midlands, plus 469 exhibitor staff. The intentional nature of the visitors has never been stronger, organisers noted. CRE owner Steve Goddard explained: “Most of them made a beeline to the stands they had earmarked before the exhibition opened – probably because we sent out the 60-page exhibition handbook to some 8,000 potential visitors several weeks before the exhibition – making our visitors much more business-like.” The visit to Milton Keynes has been prioritised over the previouslyplanned CRE North, which was to have been held at Manchester’s BEC Arena in May. That show has now been cancelled. Said Steve: “Talking in depth to dozens of the 170 organisations represented, it is clear the current economic climate is still tough for many of them, post-pandemic. Consequently, many have wanted to come to both our exhibitions in 2024 but have had to make a choice between CRE North in Manchester and CRE South at the

Marshall Arena in Milton Keynes. “Because of this we have decided it makes sense to cancel CRE North 24 and put all our resources into making CRE South 24 a similar success to CRE Midlands 23. “It is disappointing to be unable to take the exhibition north again (where it is based!) but we feel this is the best option. We are in the process of informing all the organisations booked for Manchester and hope they will join us in Milton Keynes in October.” More than 150 organisations will be waiting to meet visitors at CRE South, offering everything from contactless card machines to customised keyboards; heating to seating; clergy clothing to communion wine. CRE provides a great context for networking and creative thinking. It really is a one-stop shop for church supplies, resources and ideas. The exhibition also features a packed talks programme, with dozens of presentations by national experts offering practical advice on a range of subjects – from fundraising to faith-sharing; holiday clubs to homelessness. q • Those interested in taking a stand at the Marshall Arena can contact James Batterbee on 0161 250 2306; email james@creonline.co.uk.

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NEW WEBSITE SHOWCASES ECO-FRIENDLY LOUDSPEAKER MANUFACTURER [RECLAIM AUDIO, a pioneer

in socially-conscious loudspeaker manufacturing, has launched a new website. The new site highlights the concept behind Reclaim Audio while also providing a platform for the world to meet its awardwinning product range. The website explains the company’s two-pronged approach to creating environmentally-friendly loudspeakers. First, they have partnered with a string of talented craftspeople and responsible local businesses to ensure that every loudspeaker component comes from within a 200-mile radius of the factory. The innovative ‘Where Is Your Loudspeaker From?’ section on the website highlights the local businesses within a 200-mile radius, each contributing to the eco-friendly creation of the loudspeakers. Secondly, where they can, they use materials that are destined for landfill, scrap or incineration. The loudspeaker housings are reclaimed wood from film and TV sets, museum exhibits and live events – ensuring a new life for the wood as a loudspeaker cabinet. That process meets the highest audio standards while championing environmental responsibility. The brackets that will attach the loudspeakers to the wall are made from offcuts destined for the scrapheap. The wadding they use inside their

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point source loudspeakers is also recycled, having formerly been exhibition carpets, and even the packaging they are sent out in is end-of-life fibres that have been turned into compostable packing material as they can’t be recycled any more. The new site also features a dedicated product page for each of the three point source loudspeakers the company has launched with: the double 5” full-range RA215, a single 8” full-range RA108 and single 12” RA112S sub for low frequency extension, as well as their award-winning GreenWaves GW4K solar-powered amplifier. There is also a section to keep up to date with the latest news and thoughts from Reclaim Audio. Visitors can also use that section to find out the shows where they will be displaying their sustainably-sourced and environmentally-responsible products. “Our new website encapsulates our commitment to sonic excellence, intertwined with social responsibility,” said Reclaim Audio founder Andrew Bishop. “We invite you to join us on this journey, dig into the stories behind our loudspeakers and be part of a community that cherishes sustainability without cutting corners on sound quality.” q • For more information visit www.reclaimaudio.com

AV TRADE BODY PUBLISHES GUIDANCE ON ASSISTIVE LISTENING [

IN A WORLD where technology is rapidly advancing it can be overwhelming to keep up with the latest innovations in assistive listening systems for the hearing impaired. That’s why ISCVE, the Institute of Sound, Communications & Visual Engineers, has taken the initiative to launch a new Assistive Listening Systems Guide and a Code of Practice. Hearing loss affects approximately 12 million people in the UK and is often termed the ‘hidden disability’ as it may not be immediately obvious. Even with hearing aids speech from more than about two metres away can be difficult to understand. An assistive listening system (ALS) can help make up for that shortfall by eliminating the acoustic space and its associated noise and reverberation and bringing the wanted speech or sound directly to the ear or hearing device of the listener. ISCVE’s comprehensive Assistive Listening Systems Guide is aimed at users, system designers and installation companies looking to improve their knowledge and understanding of assistive listening systems. With the Code of Practice, ISCVE aims to set a new standard for the industry and make it easier for those with hearing impairments to access clear and intelligible sound. The guide and the Code of Practice are available for free and can now be downloaded from the ISCVE website. Meticulously outlining the core principles of assistive listening technology, starting with an introductory section that explains the necessity and basic functioning of such systems, the guide and Code of Practice also delve into the technical aspects of assistive listening systems, discussing system types and their respective features – spanning developments from induction loop systems to infrared, FM, wi-fi and Bluetooth installations. The documents also provide a comprehensive exploration of common challenges and solutions associated with system design and installation. Key considerations for compliance with legal and regulatory standards are addressed, ensuring that users are equipped with knowledge to create accessible environments. Finally, the document offers practical advice on system maintenance and troubleshooting, ensuring longevity and optimal performance. The documents can be downloaded from iscve.org.uk/ standards/assistive-listening-guide-and-code-of-practice. q www.ecclesiasticalandheritageworld.co.uk

Never has the need for churches of all denominations to embrace emerging technology been so pressing. Here, we look at two examples of new systems recently installed by AV specialists Scanaudio.

STREAMING SERVICE BRINGS THE CHURCH TO ALL

[IN AN AGE when technology seamlessly

integrates with spirituality, St Elphege’s RC Church in Wallington, Surrey, has taken a significant step forward by partnering with Scanaudio to introduce a state-of-the-art web streaming service. The groundbreaking initiative aims to bridge the physical and digital realms of worship, allowing the congregation to connect with their faith, irrespective of physical presence. The centrepiece of the technological marvel is the Blackmagic Design ATEM Mini Pro video switcher and PTZ Optics Z Cam. The COVID-19 pandemic challenged faith communities worldwide, forcing them to rethink how they conduct religious services. In response to those challenges, St Elphege’s has embraced technology to ensure that the spiritual needs of its congregation are met, whether they are seated in the pews or joining the service from afar. The incorporation of the Blackmagic Design

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ATEM Mini Pro video switcher and PTZ Optics Z Cam has been a game-changer for the church's streaming capabilities. The cuttingedge devices offer a level of production quality that was once reserved for professional studios. The Blackmagic ATEM Mini Pro, in particular, has proven its worth by seamlessly switching between numerous camera angles, bringing the online congregation closer to the action within the church. One of the standout features of the PTZ Optics Z Cam is its pan, tilt and zoom capabilities. That allows viewers to feel like they are right there in the church, not missing a single moment of the service. Whether it’s the priest’s sermon or the choir's hymns, the Z Cam captures every detail with crystal clarity, ensuring a truly immersive online worship experience. Scanaudio’s expertise in integrating those technologies has transformed St Elphege’s into a hub for spiritual connection. The web streaming

service not only connects the local congregation but also extends its reach to those who may not have had the opportunity to attend in person. That inclusivity is an essential aspect of modern faith communities, fostering a sense of togetherness and unity. Moreover, Scanaudio’s commitment to ensuring user-friendly technology has made navigating the online service a breeze. The easyto-use interfaces of both the Blackmagic ATEM Mini Pro and PTZ Optics Z Cam allow church staff to focus on what they do best: delivering a heartfelt message to the faithful. As we celebrate this milestone in St Elphege’s RC Church’s journey, we also recognise that it's a testament to the adaptability and resilience of faith communities in the digital age. The fusion of tradition and innovation is essential for the growth and sustenance of religious congregations; and St Elphege’s has embraced this challenge with open arms. q

NEW AV SYSTEM BRINGS ADDED LIFE TO SERVICES

[IN AN ERA characterised by rapid technological

advancements it is imperative for places of worship to adapt and evolve to meet the changing needs of their congregations. Putnoe Heights Methodist Church in Bedford has taken a commendable step in that direction by partnering with Scanaudio to install the NEC PA703W projector and Kramer VP-440X video switcher – ushering in a new era of multimedia capabilities that promise to enhance the worship experience for all. The journey towards technological enhancement at Putnoe Heights has been nothing short of inspiring. With a vision to embrace technology without compromising on tradition, the church embarked on a path that would seamlessly merge the old and the new. That vision has now become a reality. The NEC PA703W projector is a testament to cutting-edge projection technology. Its stunning 4K resolution and remarkable brightness make it perfect for delivering crystal-clear visuals: ensuring that every sermon, scripture or hymn comes to life in vivid detail. The projector’s versatility allows an immersive worship experience, transcending the boundaries of tradition and enabling dynamic presentations that resonate with congregants. Complementing the NEC PA703W projector is the Kramer VP-440X video switcher – a powerhouse of connectivity and control. The ingenious device allows for two preview monitors, with local and remote inputs for a laptop PC and a local DVD player: providing the flexibility needed for today’s

multimedia-rich sermons and services. It’s a testament to the church’s commitment to inclusivity and accessibility, ensuring that no one misses out on the spiritual nourishment offered. When integrated with care and purpose, technology has the potential to foster a stronger sense of community within a congregation. The addition of preview monitors and versatile input options allows for a more engaging worship experience, accommodating different learning styles and preferences. Whether it’s displaying lyrics for hymns, sharing inspiring visuals or connecting with remote speakers, the possibilities are endless; and Putnoe Heights Methodist Church is fully prepared to explore them. Putnoe Heights Methodist Church’s investment in its state-of-theart audio-visual setup serves as a shining example to other places of worship seeking to evolve and adapt in the modern world. It demonstrates that embracing technology can enhance, rather than dilute, the spiritual journey. By investing in the NEC PA703W projector and Kramer VP-440X video switcher, the church paves the way for a more profound and meaningful connection between its congregation and the divine. As technology continues to advance, places of worship must adapt to remain relevant and accessible to all. Putnoe Heights’ investment in its cutting-edge audio-visual system is a beacon of hope and inspiration for others seeking to enhance their spiritual practices in the digital age. It is a testament to the power of faith, community and the boundless possibilities that technology offers to strengthen both. q www.ecclesiasticalandheritageworld.co.uk

JUST TO BE CLEAR: CHOOSE YOUR SPEAKERS WITH CARE [WHETHER YOU’RE a regular member of the congregation or

attending a wedding, funeral or some other religious ceremony, there’s nothing more frustrating than having to struggle to understand what is being said. That was brought into sharp focus recently at St Mary the Virgin, in Whitley Bay, North Tyneside – a local church struggling with exactly that sort of sound issue. Complaints of distortion and patchy coverage were common among the congregation, leading to an urgent need for an overhaul of their sound system. An inspection by experts from Blaydon Communications revealed that the church was equipped with excellent microphones and a professional grade mixing console. The amplifier, while not top-notch, was serviceable. The real culprit behind the poor sound quality was the array of loudspeakers. The main worship area of the church had 10 standard cabinet-type loudspeakers installed, which resulted in a cacophony of sounds that bounced around the space. That meant that the speech was reaching the congregation's ears at different times and angles, significantly degrading the sound quality.

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The team from Blaydon Communications reassured the church authorities that their microphones and mixers were more than adequate, thereby shifting the focus onto the speakers themselves. In acoustically challenging environments like churches, the choice of loudspeakers has a direct effect on the quality of the speech reproduction. It was determined that column loudspeakers would be the most effective acoustic solution, as they offer even sound dispersion across a wider area, so fewer can be installed without the coverage suffering. They benefit from being more directional than cabinet loudspeakers, which reduces the amount of sound getting to unwanted parts of the church and being reflected to the listener – thereby improving the intelligibility. Even though most column loudspeakers have those characteristics, there can still be a vast difference in quality between budget, entry-level products and true professional units. Considering the poor experience that the congregation had been receiving, it was an easy choice to opt for the professional route. The JBL CBT range were specified, and they did

not disappoint. A total of four columns were installed and the uplift in volume and clarity was magnificent. The slim and unobtrusive design of the speakers also addressed another critical aspect – aesthetics. The sleek speakers blended seamlessly with the church's interior, preserving its visual integrity. Paul Dougherty, managing director of Blaydon Communications, emphasised the uniqueness of each church's architectural and acoustic requirements. “In this instance column speakers were the ideal solution,” he explained, “and we are confident that the enhanced audio quality will significantly improve the experiences of visitors and service users at this beautiful community church. It was a pleasure to work in such a revered space, and we are delighted with the outcome, both audibly and visually.” This case study underscores the importance of choosing the right audio equipment for houses of worship. The correct sound system can transform a space, making every word and note of a service

clear and impactful. When considering an upgrade or installation, consulting with sound experts is crucial to ensure that the chosen solutions align with the unique characteristics of the space and meet the needs of its congregation. The journey of St Mary the Virgin’s church from muddled to magnificent sound is a testament to the power of the right audio technology in enhancing the worship experience. This case vividly illustrates how column speakers, when chosen and installed thoughtfully, can resolve complex acoustic challenges – turning a space of worship into a haven of clear, resonant sound. q

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FIRST DETAILS ANNOUNCED OF ISCVEx SPEAKERS

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THE Institute of Sound, Communications & Visual Engineers (ISCVE) has released details of the first of three presentations scheduled to take place at its annual conference and exhibition, ISCVEx 2024, on 20 March. For the Warren Barnett Lecture, taking place at 11:30 am, Dr Peter Mapp will be presenting Myths, Maths & Morphs – The science and fallacies of speech communication and PA systems design. In order to design speech reinforcement, VA and assistive listening systems it is necessary to have an understanding of the nature and characteristics of speech and the speech signal, the institute explains. In the lecture, Dr Peter Mapp – in his unique style – will take a sideways look at speech and the associated implications for systems design. Along the way he will question what we really mean by ‘signal to noise ratio’, the differences between speech quality and speech intelligibility, whether reflections are a good or a bad thing and whether noise and reverberation really are the same – only different. The ‘100 volt line fallacy’, what do ‘real time’ analysers really measure and the implications of using statistical and steady state measures and calculations will also come under scrutiny. If you have ever wondered what colour dBs are, or which is louder – 60 dBA or 60 dBC – then this is a talk you will not want to miss! ISCVEx 2024 will be taking place at Coombe Abbey on 19-20 March. The event provides the perfect platform for innovators, researchers and developers to showcase their latest products and services to the whole AV community. This year’s event will feature over 30 exhibitors and distributors, more thought-leading seminars, and inspiring talks spanning the entire spectrum of the professional audio, communications and visual industries.

Partners Listen Technologies will be also available on the stand with the next generation of the newly rebranded wi-fi streaming system ListenWIFI. q • For more information on ISCVEX 2024 and to register to attend, visit iscve.org.uk/iscvex-2024-register-to-visit-here.

The event kicks off with the ISCVEx Networking Dinner at Coombe Abbey on the eve of the exhibition. Starting at 7pm with pre-dinner drinks, guests can enjoy a fun dining experience and mingle with the good company of industry friends and colleagues. The ISCVEx Networking Dinner proves to be a great opportunity to network in an informal environment, socialise and get introduced to new business contacts. Another highlight of the show will be the demonstration by member company Ampetronic of the first Auracast-based assistive listening solution, developed by Ampetronic and Listen Technologies. They will also be showing the latest advancements in hearing loop technology and the Ampetronic flagship: the C Series networkable hearing loop driver range. www.ecclesiasticalandheritageworld.co.uk

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TRIO OF INSTALLATIONS BENEFIT FROM SHARED CONTROL SYSTEMS

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IN LATE 2022, Creative Audio-Visual Solutions (CAVS) were approached to provide system designs for three churches within the GGM Benefice (Gayton, Grimston and Great Massingham), comprising 10 churches in north west Norfolk. The brief was for each church – although very different in size and aesthetics – to have new audio-visual and streaming equipment controlled via a common interface, so that ministers and leaders could work within any church with a full understanding of the systems. As with any audio-visual system in churches, the challenge isn’t always just providing a high level of functionality, but to provide the technology within an accessible design, so that any user can operate it and be enthused to be involved within the AV team. Each church’s system is based on a Kramer SL240 Master Control, which provides a completely customisable front end for all parameters: adjusting audio levels, choosing visual source inputs and turning the projector/screens on/off, and selecting motorised camera presets for streaming – all from a single, straightforward iPad app. In addition, as virtually all equipment is network connected, any programming adjustments, fault-finding or access control is available from anywhere remotely.

St Andrew’s in Congham was the first church chosen for installation – as part of a larger re-ordering project – with an Electrovoice speaker system, Crown amplification and Allen & Heath Qu-PAC digital mixer and AHM digital processing: allowing for wireless system control and full speaker/room acoustic optimisation to ensure clarity, intelligibility and reduced likeliness of feedback. Sennheiser EW100 radio microphones with antenna distribution and charging stations provide ultimate reliability throughout the building. The streaming system features a PTZoptics remote camera, ATEM Mini Pro streaming mixer and compact preview monitor, with both direct streaming (YouTube) and Zoom connectivity. Infrastructure was installed for future projection integration. Next was St Nicholas’s in Gayton, which features a near-identical control system but with a different Electrovoice speaker design and multichannel Dynacord amplification for the larger congregation and pillars. Here, the projection system was installed featuring an arch-mounted Smart-Move winched screen and long-throw Epson laser 7,000 lumen projector for high-quality, high-definition presentations. Lastly, the system at St Botolph’s in Grimston required a slightly different speaker system – this time utilising JBL Control speakers for a larger congregation still and more reverberant

acoustics. Again, projection capability was installed with a Smart-Move arch screen and long-throw Epson laser projector.

For all the churches, new wi-fi/network infrastructure provides reliable, managed broadband and control access via EnGenius hardware for audio-visual, contactless donation systems and everyday church broadband requirements. Chris Sykes, the GGM Benefice special projects manager, was enthusiastic about the installations by CAVS. He wrote: “We strongly recommend Rob Alvis and Creative Audio-Visual Systems. Our brief for the three churches in our Benefice was that we wanted to have flexible, reliable, high-tech systems, which could be easily operated by non-technical people but which could also be operated, beneficially, by more experienced audio-visual technicians, with common control interfaces so that we could train one team so that any team member could easily operate any of the three systems. “We are also very pleased with the projection systems and PTZ streaming camera; importantly, they took great care with the installations and choice of cable routes etc, so that we have very tidy installations with minimal visual intrusion. “Other churches in our Deanery are very impressed with the work that Rob Alvis and his team have done for us in the Benefice and St John’s Church in Kings Lynn are now in the process of applying for a faculty for CAVS to fit a similar new AV system in their church.” q www.ecclesiasticalandheritageworld.co.uk

KEEPING IT SIMPLE IS THE WATCHWORD FOR ST ANN’S NEW SYSTEM

[DATING FROM THE 1890s, St Ann’s Church in the Welsh seaside

town of Rhyl now boasts thoroughly modern audio-visual systems – both in the church and the church hall – courtesy of Richard King Systems. The facilities now include upgraded sound systems, new audio loop systems, updated AV-projector systems and comprehensive wi-fi coverage. In the church, top quality microphones – both fixed and radio – combine with powerful signal processer control, amplification and loudspeakers to provide clear speech intelligibility in all the listening areas. As well as improving speech intelligibility, a key requirement for the audio refresh was that the installed system would be easy to operate for nontechnical people. For that reason, Richard Hughes of Richard King Systems chose to build the new solution around a Symetrix processor. Richard explained: “Often, we see churches of this size being fitted with a

traditional mixing desk, but the plethora of buttons, knobs and faders can look like the bridge of the Starship Enterprise and very intimidating for the average person. With a processer we can hide all of that complexity.” Although microphone mixing has been automated, it is sometimes desirable to mute or adjust the level of a particular microphone or sound input. To make that foolproof, a custom interface was created that only presents level and mute controls to the operator and runs on an off-theshelf Microsoft Surface tablet PC.

Comprehensive fine tuning for the loudspeakers installed in the church is also handled by the processer, with the sound from the differing set of cabinets being time aligned for optimum performance. The audio loop systems have been designed, installed, tested and certified in accordance with the recognised standard IEC 60118-4:2014, AMD1:2017 by the approved loop assessors at Richard King Systems. q

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DEADLINE LOOMS FOR DISCONTINUATION OF GRANDFATHER RIGHTS

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LEAD AND HARD METALS have been used in roof construction for centuries, due to their superb qualities, and in the hands of skilled workers can be moulded to almost any shape. Their uses are as popular now as ever, and combined with a resurgence of the UK construction industry there is a growing demand for skilled lead and hard metal workers; however, that has exposed an alarming skills gap – not only in the number of those working in lead and hard metal, but also in those taking on the responsibility for design and installation. General roofing and cladding contractors with little or no knowledge or experience of detailing have been attracted by the increasing demand for installers. But badly installed roofs will leak, damaging the reputation of both the product and a conscientious manufacturer. Some clients and main contractors are now recognising the long-term value of employing experienced and trained people and are continuing to nominate competent contractors in the formal documentation issued for a project. National Construction Training Services (NCTS) and Master Roofer UK (MRUK) have been working hard to continue to deliver courses and qualifications to help meet those demands, by delivering practical skills and design theory to suit the individual needs. Those courses can be combined with further on-site assessments to provide the candidate with nationally recognised formal qualifications leading to NVQ Level 3. Experienced workers without formal qualifications who want to obtain recognition of their skills can do so by obtaining an NVQ Level 2 or Level 3, through the On Site Assessment and Training (OSAT) programme. Those assessments are carried out on site, therefore reducing the amount of time the candidate has to spend off site. Previously, lead and hard metal workers were issued CSCS cards through industry accreditation, also known as Grandfather Rights, from employer recommendation rather than the achievement of a recognised qualification. CSCS closed that process to new applicants in 2010, but existing cardholders have been allowed to renew on the same basis. However, from 1 January 2020 all cards renewed under industry accreditation or Grandfather Rights will expire on 31 December 2024, and CSCS will stop issuing the cards from 30 June. Because of that, all candidates will have to prove their competency through the OSAT

process and work towards a formal qualification. By working closely with lead and hard metal workers the NCTS/ MRUK can offer advice on how best to achieve a formal qualification as the deadline approaches. q • For more information on your training requirements, contact National Construction Training Services (NCTS); tel 01992 801914; email training@ncts.org.uk.

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CHURCH CELEBRATES AS ROOFING WORK IS SET TO BEGIN [

THE ‘RAISE THE ROOF’ APPEAL at All Saints’ Church in Theydon Garnon, Essex has been boosted by a series of grants from a variety of sources. The grants bring the total raised to the £125,000 needed to begin restoration of the church roof, out of a total cost of £153,000. The church posted: “For nearly 750 years our Grade One-listed parish church of All Saints has been offering people a place for Christian worship. Today, the church faces a significant challenge as the church roof is over 100 years old and is showing significant wear and tear, with tiles damaged and slipping, allowing some ingress of rain water.” The church is known to millions, as it stands overlooking the conjunction of the M11 and Photo: Michael Chapman M25. It has been near to the main route to London for centuries, as the old Roman road passes within a few hundred yards to the east of the building and the medieval road to London passes to the west. Part of the nave dates from the 13th century and the tower is dated to 1520. The setting, apart from the motorways, is rural and the church is found down a quiet country lane that ends shortly beyond the church. Celebrating the reaching of the target, the parish site declared: “We now have raised £125,000 towards this project, with a recent boost of funding from a grant of £25,000 from the Rural England Prosperity

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Fund, £10,000 from the Friends of Essex Churches Trust and £3,250 from the Benefact Trust. We are also grateful for all of the significant fund raising activity and kind donations from everyone who has already contributed. “The PCC have now agreed to instruct Bakers Of Danbury to start the project at the end of March while fundraising efforts continue to raise the remaining £28,000 needed for the project.” q

GRANTS HELP TRIO OF SUFFOLK CHURCHES TO EMBARK ON ROOF REPAIRS

Photo: J Thomas

[THREE CHURCHES IN SUFFOLK are celebrating boosts to their

roof repair funds thanks to grants from a number of sources. In January the Suffolk Historic Churches Trust (SHCT) made grants of £33,500 as part of its latest round of awards. It included an award to All Saints in Gazeley (above left) for repairs to its roof. The earliest parts of All Saints’ date from the early 14th century and were probably a rebuilding of an earlier church on the same site. The church has been maintained, beautified and handed down through many generations, and is regularly used today. John Devaux, SHCT Grants Committee chairman, commented: “Building costs have risen rapidly and some work is urgent. An example is the re-tiling of the chancel roof of All Saints, Gazeley. At present water is seeping in and damaging a precious ceiling embellished with over one hundred medieval carvings. The collection has been described as ‘unique and of national importance’. It follows an award in the SHCT’s October round to enable the re-tiling of the nave roof and repairs to the tower at St Ethelbert’s in Herringswell (centre). The church is one of four in Suffolk dedicated to the Saxon Saint Ethelbert, King of East Anglia, and was possibly mentioned in the Domesday Book. A notable feature is the square tower. It is open inside and supported by two octagonal columns with flying buttresses. In 1869 a fire destroyed most of the thatched church. Fortunately, it was rebuilt almost immediately.

Photo: Weglinde

Photo: Robert Edwards

Meanwhile, a grant of £10,000 has been awarded to the Grade Two-listed St Mary’s Church in Withersfield, near Haverhill (right), to repair its damaged and leaky belltower and nave roof – ensuring it will be safe for people to access. The church is set in the centre of Withersfield and dates back to the 13th century, although only the door handle survives from that era. The majority of the church is in fact Victorian having had to be rebuilt due to poor structure. It is one of 24 listed buildings in the village of Withersfield. The award is a Wolfson Fabric Repair Grant from the Wolfson Foundation: part of a £496,625 urgent funding payment administered by the National Churches Trust. q

Martin-Brooks (Roofing Specialists) Ltd T: 0114 244 7720 E: mb@allroofing.co.uk W: www.martin-brooks.co.uk

Ross Street, Darnall, Sheffield, South Yorkshire S9 4PU

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FIRE DOORS: WHAT ARE THE INS AND OUTS? [

THE MAIN PIECE of legislation governing fire safety in churches and historic buildings is The Regulatory Reform (Fire Safety) Order 2005, which has been amended by the Fire Safety Act 2021. The 2005 Order emphasised the need for adequate fire safety measures in older buildings and those of special interest. There had already been a significant level of awareness that standards of fire compartmentation in heritage buildings may not have been adequate. In 1997 English Heritage produced a guide to Timber panelled doors and fire. According to the Fire Door Inspection Scheme (FDIS): “This detailed and practical document addresses the issue of fire separation performance of existing doors whilst recognising the important need to achieve improved levels of performance in accordance with the principles of minimum intervention and reversibility. “Those principles remain and the document, although 18 years old, is still used today as an excellent resource; but things have moved on since 1997. The fire door industry has invested heavily and achieved improvements in product performance so that, where upgrading

Fire Door Safety Inspection Services T: 07791 097 961 E: allan@fdsis.co.uk W: www.fdsis.co.uk

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works are required, access to dedicated high-performance products is widely available.” A more up-to-date document, Guide to the fire resistance of Historic timber panel doors, was published in 2021 by the Special Interest Group for Heritage Buildings of the Institution of Fire Engineers and Historic England, with the support of Ecclesiastical Insurance. In 2012 the Fire Door Inspection Scheme was launched to create a quality training and educational programme to improve an individual’s knowledge of fire door safety and to establish a leading independent fire door inspection scheme. Its main aim is to transform people’s knowledge about how fire doors work and the potential dangers of getting it wrong, to ensure fire doors installed in properties are fit for purpose and will keep occupants and buildings safe. The installation of specially made fire doors may not always be necessary in historic buildings. According to the London Fire Brigade: “Fire doors can greatly reduce the spread of fire, but it’s not always possible to fit them in historic buildings. In these cases we recommend you ensure that existing heritage doors are solid and fit well in their frames. There are many products available that allow an old historic door to be upgraded to make it more resistant to heat, flame and smoke. “It may be appropriate to employ a competent and qualified joiner to upgrade heritage doors. If this is not possible, products exist that could be utilised to upgrade timber heritage doors. Before they are used it’s important to make sure they have passed independent testing and certification by recognised bodies. “In some instances, it may not be necessary to upgrade or change heritage doors. This will depend on various factors including the location, the size of the room, the fire loading present and what hazard they are protecting.” q

KEEP FIRE IN CHECK AND PRESERVE OUR HERITAGE

Heritage and ecclesiastical buildings hold significant cultural, historical and religious value to societies across the globe. The structures are not only revered for their architectural grandeur, but also serve as a testament to the stories of our past. However, the preservation of such priceless treasures is threatened by one destructive force that knows no boundaries: fire. Here, Ian Thewlis, director of Acuity Compliance, explores the important role fire doors play in safeguarding those buildings, ensuring their continued existence for future generations to appreciate and cherish.

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THOUSANDS OF YEARS of human creativity, craftsmanship and devotion are embodied in heritage and ecclesiastical buildings. Such structures, often breathtaking in their design and symbolism, are revered as national treasures and symbols of cultural identity. From the awe-inspiring Gothic cathedrals of Europe to the majestic temples and palaces of Asia, these architectural wonders serve as a representation of our collective heritage and are vital to understanding our rich past.

The fire threat and its devastating consequences Fire poses a grave threat to heritage and ecclesiastical buildings, as witnessed countless times throughout history. These structures, often constructed from aged timber, stone and other combustible materials, are exceptionally vulnerable to the ravages of fire. The loss of those buildings not only extinguishes a piece of history, but also erases the cultural connections they hold and diminishes our identity as a society. Fire doors are not just mere elements of building infrastructure; they are guardians of invaluable heritage and ecclesiastical structures. With their ability to withstand fire and contain its spread, fire doors provide crucial protection against the rapid and destructive nature of such incidents. They act as a last line of defence, compartmentalising fire and creating escape routes for occupants while safeguarding the rest of the building. Fire doors play a pivotal role in preserving lives within heritage and ecclesiastical buildings. By providing designated evacuation routes, the doors facilitate quick and safe evacuation in the event of a fire outbreak. Not only do they save lives, but they also protect invaluable artifacts, artworks, documents and cultural relics housed within those buildings,

ensuring their continuity and accessibility for future generations.

Balancing preservation and safety Preserving the historical integrity of heritage and ecclesiastical buildings is a delicate task. Striking a balance between ensuring public safety and maintaining the authenticity of the structures is of utmost importance. Fire doors find that balance by seamlessly blending into the architectural design while providing fire-resistance. Their existence allows us to preserve our past without compromising the security and protection of present and future generations. Preserving heritage and ecclesiastical buildings poses numerous challenges, including retrofitting fire doors into existing structures while safeguarding their historical integrity. However, advancements in technology and innovation are allowing the development of fire-resistant materials that can meet both the aesthetic and safety requirements of those buildings. Thus, architects, conservationists and fire safety experts are collaborating with independent specialist companies like Acuity Compliance to overcome such challenges and preserve our cultural heritage. As keepers of our cultural legacies it is our duty to safeguard heritage and ecclesiastical buildings from the destructive forces of fire. Fire doors serve as crucial defenders, ensuring the on-going preservation of those national treasures while protecting lives and cultural artifacts. Through proper fire safety measures, proper inspections and consultation with fire door experts like Acuity Compliance, we can ensure the longevity of these remarkable buildings, allowing us to connect with the past, present and future generations. q www.ecclesiasticalandheritageworld.co.uk

SAFEGUARDING SANCTUARY:

HOW TO CONTROL THE COST OF CHURCH SECURITY Steve Holland, managing director of Somerset-based Ace Defence Ltd, has been installing church roof alarms for over 10 years. Here he offers some advice on reducing risk while keeping the costs in check.

[TALKING TO A COLLEAGUE from Ecclesiastical Insurance

recently, I learned that metal theft claims have fallen dramatically in recent years. That is in part due to the work of Ecclesiastical in promoting the installation of roof alarms. But with only a small

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proportion of vulnerable churches protected there is still work to be done. One of the issues is often the cost, but there are ways to save money and sources of funding that can help. Lead theft has been a concern for centuries, but other metals such as copper are also targets for thieves. News reports appear regularly, highlighting the impact that damage to church roofs can cause. Church Times reported on the theft of lead from the south aisle of St Andrew and St Mary, Pitminster near Taunton, in 2020. The Rector, Rev Jim Fallon, said: “It was heartbreaking. You could see daylight through the wooden roof-slats. There is a lot of water damage internally as it rained for two days afterwards.” The collateral damage of removing roof coverings is of no concern to the criminals, but is a key reason why the visual and audible warning of an alarm monitored around the clock is an important deterrent. By providing specific funding through their Roof Alarm Grants programme for systems that detect the presence of intruders on the roof, Benefact Trust recognises the unique vulnerability of historic church buildings. Their concern is such that you can apply for a roof alarm grant even if you have received funding for another project from Benefact Trust within the previous two years. Their grants cover up to 50% of the cost of the alarm, up to a maximum of £2,500. The government-funded Listed Places of Worship Grant Scheme (LPWGS) offers the opportunity to claim back the VAT on repairs and improvements. That scheme also covers ‘repairs as a result of metal theft where these expenses are not met by an insurance provider’. Ace Defence Ltd have supplied roof security to a significant 12thcentury church in Devon that was the subject of repeated attacks at the end of 2023. The installation of an alarm on the roof has meant that the intruders have been identified and warned off by sounding the alarm, or through guards attending the site. The total cost for providing peace of mind is not high and with support from Benefact Trust and the LPWGS the outlay from the individual parish can be kept to a reasonable level. With regular maintenance, and monitoring around the clock included in the package we offer, the on-going costs can be partially recouped in reduced insurance premiums if the installation is carried out by an insurer-approved contractor such as Ace Defence Ltd. q

TIMELY INTERVENTION BY INSURERS HELPS REPAIR STORM DAMAGE [IN FEBRUARY 2022, Storm Eunice caused widespread disruption and damage as 122mph winds

battered the country. St Thomas’s Church in Wells, Somerset attracted international attention when the spire of the 18th-century church fell to the ground, captured in dramatic footage which spread across the world. Thankfully, no one was hurt and the church’s insurers Ecclesiastical were able to visit and have the area made safe soon after. Sally Strachey Historic Conservation (SSHC) – stonemasons based in Wells – were appointed to carry out the restoration of the spire, which suffered significant damage as it fell to the ground. As soon as possible, SSHC’s director James Preston ascended to the top of the spire to make it safe while the restoration commenced. James started his career as an apprentice stonemason with SSHC over 20 years ago. He has won numerous competitions in those two decades and for the past 10 years he has been a national stonemasonry judge for CITB’s National SkillBuild competitions. The spire had to be pieced back together before a copy could be carved. That helped the team create an exact replica using traditional stone carving techniques. The original weathervane was also damaged by the fall and that needed to be straightened and restored. The new spire consists of separate pieces of stone with holes for metal rods to run through and hold the structure firmly together. Stainless steel tie-down rods will improve the strength of the spire. Between the spire and the weathervane there are more ornate pieces of stone which were handcarved by James over four days. As a specialist insurer, Ecclesiastical relies on skilled craftspeople who can sympathetically restore historic treasures. They fund apprenticeships in crafts such as stonemasonry so they never die out, ensuring there is continued support for heritage restoration projects. The installation of the spire took five days to complete. The heavy stones were individually lifted up by a cherry picker and carefully positioned into place. The whole project was completed within six months of the spire coming down and the church’s place in the skyline of Wells can once again be appreciated by the community and visitors to the city. Andrew Henner, property technical claims manager at Ecclesiastical, commented: “As a specialist insurer with a history of over 135 years of care and expertise for our church customers, we are uniquely familiar with the pressures churches face. “Like many other people, we saw the video clip of the spire coming down on the news and immediately got in touch with the church. Thankfully, no one was injured and the damage was minimal. It could have been a lot worse. “This is so often the moment of truth for customers and I’m delighted we’ve been able to work with contractors with the skills and knowledge to help restore St Thomas’s Church to its former glory.” Once the new spire was completed, Rev Claire Towns of St Thomas's Church gave it this blessing: "We’re now in August, six months since we lost the top of the spire. It’s going back up in the next few days. That is a wonderful thing physically, but also symbolically – the restored spire is a symbol of hope and of new life for the people of this parish and city. “We are hugely thankful to all those who have offered us prayers, encouragement and support in the past few months; and of course, we are thankful to our insurer, Ecclesiastical, for making this possible and for the personal care and skill of all those involved in the spire works.” q

• For further information visit ecclesiastical.com. www.ecclesiasticalandheritageworld.co.uk

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CORT ‘STOLE’ IRON-MAKING PROCESS FROM JAMAICAN SLAVES, PAPER AVERS [A KEY INNOVATION of the industrial

revolution, credited to Englishman Henry Cort, was in fact pioneered in Jamaica by Black metallurgists, the majority of whom were enslaved, according to a study by Dr Jenny Bulstrode of UCL’s Department of Science and Technology Studies. The innovation, widely known as the ‘Cort process’, enabled scrap and poor-quality iron to be converted into wrought iron on an industrial scale. Profits from the innovation helped transform Britain into a global A postcard of The Crystal Palace from 1905 economic power, enabling British industries to manufacture and export everything from iron railways, iron ships and iron engines to Cort’s patent. Many of those metal workers iron suspension bridges and iron factories. were enslaved people trafficked from West The method and its derivatives were even Africa and West Central Africa, home to some used to build the ‘iron palaces’: famous of the most important iron-working civilizations structures such as Crystal Palace, Kew Gardens in world history. and the archways at St Pancras Station. The owner of the Jamaican iron works, a The innovation was patented by Cort white enslaver called John Reeder, described in 1783-4, but in a paper entitled Black himself as ‘quite ignorant of such a business’, Metallurgists and the Making of the Industrial but how the Black metallurgists in his foundry Revolution, published in the journal History were ‘perfect in every branch of the Iron and Technology, Dr Bulstrode shows how it Manufactory’ and through their skill could turn was in use in a major iron works in Jamaica scrap and poor-quality metal into valuable run by Black metallurgists several years before wrought iron.

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Dr Bulstrode said: “The myth of Henry Cort needs to be revised. The so-called Cort process – one of the most important innovations in the making of the modern world – was developed by highly-skilled Black metallurgists, most of whom were enslaved, for their own purposes. Recognition of the debt the British industrial revolution owes to Black innovation is long overdue.” While the Jamaican iron works turned spectacular annual profits, Henry Cort was facing bankruptcy. A financier from the age of 16, Cort took over the Portsmouth iron works of one of his clients in 1775 and laid out substantial sums to secure a contract to supply the Royal Navy’s iron work. He had hoped to make an easy profit, but soon found that he had contracted to trade the Navy’s old scrap iron for new, with no way of working up the old, rusted metal without making a loss. Using shipping records and old newspapers, Dr Bulstrode’s research traces how Henry Cort learned of the Jamaican iron works from a visiting cousin, a West Indies ship’s master who regularly transported ‘prizes’ – vessels, cargo and equipment seized through military action – from Jamaica to England. q

CAREFUL CONSERVATION ALLOWS CANDELABRA TO SHINE AGAIN [THE Church of St Michael and All Angels

is in Skelbrooke, a small village to the north of Doncaster, beside the A1 trunk road. The church is listed Grade II by Historic England, with a chantry chapel recorded on the church site as early as 1338. Some elements of a medieval church survive, including some stone arches between the chancel and chantry chapel. They were bricked up during the reformation in 1549 and are some of the few early features to survive a serious fire that destroyed much of the church building in 1870. The Neville family, owners of the estate at the time, rebuilt the church in 1872, including the chantry chapel. Leicester architect Joseph Goddard was appointed and used much The candelabra top before conservation (left) and the brass candle ring after completion of the original stone. It was built by local The Historic Metalwork Conservation Company was approached by contractors Shillito and Morgan of nearby Campsall village. The only part not the churchwarden of St Michael and All Angels to provide a proposal and to be rebuilt was the tower, which was increased in height by six feet. cost to clean and repair the pair of candelabra. That was forwarded to The church was given an attractive Victorian interior, including a mosaic the Diocese of Sheffield Diocesan Advisory Committee for approval. Peter reredos and high-quality tiles laid on the floor of the chancel and the chapel. Meehan ACR was asked to undertake the works in the autumn of 2023. A number of windows were made: by Kempe for the south side of the chancel The candelabra were found to be in a poor general condition. The and nave; the east window and that in the north wall of the nave by Heaton, various components were loose fitting and there was evidence of previous Butler and Bayne; and a slightly later west window by Lowndes and Drury. repairs to the brass candlestick rings. The brasswork had some evidence On each side of the main altar is a large iron and brass candelabra of old lacquer that had degraded and most of the brass was heavily that may have come from Selby Abbey – which was badly damaged by a oxidised and tarnished. The painted ironwork, however, was in a good fire in 1906 – and were donated to the church about 10 years ago by a overall condition. local villager. The Victorian candelabra have many details that suggest they The candelabra were partially dismantled and transferred to a workshop may have been made at Francis Skidmore’s workshops in Coventry, as he for conservation treatment. The brass candle rings were completely produced a lot of decorative metalwork for churches in the later 19th century. dismantled to allow for thorough cleaning. Old lacquer, polish residues, The candelabra are over two metres high, with tubular iron uprights oxidation and tarnish layers were removed using a combination of supported on three iron feet with a decorative circular collar at low level. The techniques. A handheld steam cleaner was used to remove old patches of feet are fixed to a three-armed oak cross that forms the base. The ironwork lacquer and polish residues. is painted in dark red with decorative elements picked out in green, red and The brass was then cleaned and polished using Duraglit Brasso wadding yellow. At the base of each tube is a decorative, polished brass finial. and Autosol metal polish applied on a soft cloth. There were a small At the centre of each candelabra is some painted decorative scrollwork number of missing brass fixings and decorative flowers, which were with a pair of polished brass flowers fixed through the centre of each scroll, replaced with replica pieces in brass. connected to the top of the tubular upright by a polished brass piece. The painted iron stand and scrollwork pieces were carefully cleaned using Mounted on top of the scrollwork is a large, polished brass candle holder in very fine 3M Scotchbrite pads to remove dirt and minor paint oxidation the form of a ring of brass supporting six candle sconces. From the centre layers. The paint layers were consolidated using a 5% solution of Paraloid rises one further candle sconce. This brass ring is supported off a central B67 – an acrylic resin. The lower decorative brass pieces were protected brass piece, connected by large brass scrolls. with a coating of Incralac brass lacquer. It was decided to leave the candle rings unlacquered as they were likely to be damaged, resulting in unsightly patchy oxidation of the brass. The oak feet were cleaned using fine 3M Scotchbrite pads to remove dirt layers before they were protected with a coating of a linseed oil/beeswax mixture. The candelabra were returned to the church of St Michael and All Angels in time for their Christmas Carol Concert. They were reassembled in the church and placed back on each side of the altar. In order to prevent the buildup of wax on the conserved candelabra, the churchwarden decided to fit remotecontrolled electric candles. As the candelabra are so tall it also reduced the risk of accidental damage in the future while trying to remove and fit traditional wax candles. q The candelabra in situ after conservation www.ecclesiasticalandheritageworld.co.uk

COMMITMENT TO TRAINING REAPS REWARDS FOR HOUGHTONS OF YORK [HOUGHTONS OF YORK are a well-established family run business with a wealth of experience

specialising in high-quality architectural joinery and fine woodcarving for residential and commercial customers throughout the UK. With joinery workshops in Dunnington, York they directly employ a team of highly-skilled joiners, carpenters and woodcarvers who use traditional methods and materials while harnessing the benefits of new technology to produce a broad range of bespoke commissioned work. Due to the level of skill required to undertake the manufacture of the vast array of bespoke products required by clients, Houghtons of York have, over the years, undertaken to employ apprentices to ensure the continuity of highly-skilled craftspersons within their employ. Sponsored by CITB, the British Woodworking Federation (BWF) Apprentice of the Year Award celebrates the achievements of all apprentices within the woodworking sector, with the judges searching for a high quality of work that meets quality targets and standards. The five-star Langham Hotel in London was the venue for the 15th anniversary awards ceremony where Harrison Blackham (pictured), apprentice at Houghtons of York, won the BWF Apprentice of the Year Award. “Investing in skills and training to develop the potential of all employees is key to the long-term success of our business,” commented the owners of Houghtons of York, who went on to say: “Harrison is an outstanding, committed and hard working member of the team who has a natural talent for his chosen craft.” Harrison said: “I’m really excited to have been given this award. Working at Houghtons of York has been an incredible experience that has allowed me to develop my skills on a wide variety of bespoke joinery production and site installation work.” Helen Hewitt, chief executive of the BWF, commented: “It is always incredible to see new talent coming into the industry and taking such pride in the amazing projects that they have been working on alongside their studies. Apprentices are the future of our industry and it’s heartening to see that the future of our sector is in safe hands.” Houghtons of York have featured at the British Woodworking Federation Annual Awards over a number of years, having twice won the Technical Innovation & Excellence Award and reached the shortlisting on four other occasions. q • For further information visit www.houghtonsofyork.co.uk or call 01904 489193.

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CHURCH RENOVATION PROJECT TRANSFORMED BY CLEMENT’S STEEL DOORS

[CLEMENT WINDOWS GROUP has manufactured and installed

a large, bespoke, striking steel door screen and feature steel window for St Paul’s Church in Ireland Wood, Leeds. The steel screen incorporates a pair of double doors, providing light and airiness. Both the door set and the new steel window are made from Clement EB24 steel sections which include double glazed, argon-filled glass units. The fenestration is polyester powder painted RAL 7016 (Anthracite Grey) and features pull handles with satin stainless finish. Vicar Mark Harlow said of the project: “St Paul’s Church embarked on a major refurbishment of their 60-year-old building to make a warm and welcoming, adaptable space while keeping to the original architect’s ideas. A key part of the brief was to widen the entrance corridor and allow light into one end. This has all been more than achieved using Clement’s metal frame windows and doors. They have helped create an additional space for people to meet and mix. “The narrow profile of the frames has allowed maximum light and visual access between the spaces, while the rhythm of the glazing bars both modernises and blends with the architecture of the main worship space.”

Architect Tom Robbins, of Pearce Bottomley Architects, commented: “We have worked with Clement on a number of projects and have been very pleased with the service we have received and the quality of their products. They supplied the steel-framed glazed screen and feature window at St Paul’s Church and we couldn’t have been happier with the result. We also specify Clement’s conservation rooflights whenever we can, as we are of the opinion that they are the best on the market.” q • For further information call 01428 643393, email info@clementwg.co.uk or visit clementwindows.co.uk.

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SECONDARY GLAZING CAN OFFER CHURCHES A NEW WINDOW ONTO THE WORLD [

CHOOSING AN OLD, historic building to convert into a home can not only create an interesting property, but also give a building that might have been unused or even derelict a new lease of life and secure its future for generations to come. There are few spaces more atmospheric and unique as churches and chapels – and with reports of dwindling congregation numbers and population shifts, many are looking for a new purpose. Churches and chapels can offer quirky historic features, intriguing architecture and huge eye-catching stained glass windows as part of the package. Inside, they offer vast open-plan spaces, presenting themselves as a blank canvas – ripe for renovation and open to a huge variety of design options. You could install a mezzanine or first floor, partition spaces making smaller rooms downstairs, or even retain the open-plan feel if you prefer. However, the very things that make the building such a desirable purchase in the first place are often what can cause the biggest headaches when it comes to development and building work. Vast open-plan spaces are all well and good, but how to you heat and insulate them adequately? Immense stained glass windows are wondrous demonstrations of artistry and craftsmanship, but they come with draughts and damage, leading to heat loss and little insulation against noise. Ancient architecture is beautiful to look at, but stonework can crumble and be liable to damp. The huge stained glass window at All Saints Church Often the biggest culprits for making the building feel cold – and sometimes noisy – are the huge windows found in such premises. They are separate dwellings. Each dwelling has a stained glass window as a feature. among the features that are the most historically and culturally significant and “The windows stretch from floor to ceiling. They wanted to preserve the great care has to be taken to restore and protect them. original windows as a feature, but they also had to make sure it was a Secondary glazing can often be an answer to that, but it can so easily be comfortable place to live. done wrong, destroying the aesthetics and even damaging stonework. “The windows were cleaned up and refurbished. Then we had to Mitchell Reece, technical director of Storm Windows, which specialises in encapsulate the window as sympathetically as possible, so that the stained supplying and fitting bespoke secondary glazing, explained: “We have seen glass stood out; but it was protected at the same time and the building was an upsurge in the number of people trying to retain the use of churches.” kept much warmer. The finished result is lovely. They have really used the A recently-completed conversion saw All features of the church and done a very Saints’ Church in Hawkshurst, Kent, turned sympathetic conversion.” into apartments. Dating back to 1861 and Mitchell says the Storm team’s input designed by Sir George Gilbert Scott, the always goes much further than simply fitting church is a Grade Two-listed building. secondary glazing. He says his firm has a Over the years, it had fallen into disrepair duty of care to help in the preservation of and, despite some efforts to save it, it became the historic buildings that they are asked to an eyesore and was even considered for work on. demolition. But before that could happen, “At All Saints, there was some damaged developers stepped in and, seeing the stained glass and damaged lead that had potential for the building, drew up plans for a to be repaired,” he said. “We do have a major conversion. duty of care and we try to assess what we The church’s prominent arched and circular can and help protect the building for the windows, some having original stained glass future. We work a lot with conservation panes, were a focal point and getting rid of officers and heritage officers and we are them was not on the cards. But they were a trusted in this environment. massive contributor to heat loss. “The bulk of our work is in listed buildings Storm Windows were drafted in to help and we have a duty of care to do the right provide a solution and make sure the thing. We try to offer advice on the best resulting apartments offered warm and solutions. We are not just a sales team; we comfortable living spaces. play a big part in protecting the building for The team’s expertise came into its own as the future generations.” skilled craftsmen meticulously measured and The church is now made up of five luxury then made bespoke secondary glazing units apartments. Each of them retains much of the to fit and insulate the old windows. historic elegance of the original building, but Said Mitchell Reece: “The church itself without the cold, draughts and noise. wasn’t in use and a developer turned it into Of course, not all churches are available Installer Ollie at the top of the scaffolding working at residential dwellings. It has been split into five All Saints Church for conversion. Even so, the building still has

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The windows for Kingswood Meeting House being made in the Storm workshop (left) and two of the windows after installation to be made comfortable for the users who can often be very young – in the case of nursery groups, for instance – or elderly. Sympathetic repair and restoration are just as important in those instances as in residential conversions. The work to bring those buildings back up to a comfortable standard has to be done carefully in order to preserve their character. The building could be listed and there may be heritage and conservation issues to contend with. Said Mitchell Reece: “There are lots of conversions but we are also seeing more interest from churches themselves, wanting to keep the building in use. It can be costly to maintain them and make them usable, comfortable spaces.” Mitchell says installing secondary glazing can often be a big challenge in historic buildings, with the emphasis on protecting the existing windows and stonework, but providing glazing that gives adequate heat and noise insulation. “Churches are big voids to fill – there is a lot of thick stone and large windows that make them very cold places. In years gone past larger congregations might have helped them feel like warmer places. If they are converted or there are smaller groups of people, they can feel colder. “It’s very hard to heat them, so they often go down the route of underfloor heating, which helps. But then we can try to stop that heat escaping with secondary glazing. It’s an investment for the future.” Older buildings also present a challenge in the fact that each window can be unique in size and shape and fixing has to be done carefully and sensitively. Such challenges are ones that the team of experts at Storm, based in Halesowen in the West Midlands, have been able to take in their stride and have overcome many times. Kingswood Meeting House in Hollywood, Birmingham, was built in 1783 and recently underwent refurbishment. Storm were commissioned to fit 23 units at the building, which operates as a chapel and Sunday school. Nine of them were shaped-hinged head units – a bespoke system and a first for Storm – but it was another challenge they relished. Mitchell Reece said that, once again they were chosen after a successful restoration in a linked building. “Originally we added secondary glazing to the meeting room windows,” he explained. “In the main church they had underfloor heating, but they were struggling to retain the heat. They saw how well it worked in the meeting room, so they had us install secondary glazing in the church itself as well.” Looking ahead, the team is preparing to work on Bishop Hannington Memorial Church in Hove. Another historic building, it was built in the late 1930s and is Grade Two-listed. It was built in memory of James Hannington, who was killed on the orders of the king of Buganda, a kingdom within Uganda, who saw Christian missionaries as a threat to his reign. Said Mitchell: “This one is a more modern building, but the windows are very large and, where it is positioned, it bears the brunt of the weather. We have been asked to protect and insulate the windows.” Churches make up a large part of the workload for Storm, and it is an area the team is proud to get involved in, whether it is a full conversion or a renovation and restoration.

Mitchell says: “We are so fortunate that this is part of the job. Every day is different and every job is a challenge, but it is extremely rewarding. We are trusted to work with these properties. “We take great pride in what we do and we are helping to prolong the life and the use of these properties. We are making our mark and that is part of the journey of these historic properties.” Storm is a family-run company, with 20 years experience specialising in the manufacture and installation of bespoke secondary glazing. Its work includes many historic, period and listed properties across the UK, as well as churches and chapels. q • The team can be contacted on 01384 636365 or via email at sales@stormwindows.co.uk

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STEEPLEJACKS LITERALLY HAVE TIME ON THEIR HANDS [ NESTLING IN THE HEART of Burgess Hill, West Sussex

stands St John the Evangelist's Church: a Gothic Revival masterpiece built from local bricks. Consecrated in 1863, it proudly holds the title of the town’s first Church of England establishment. Over the years this architectural gem has not only embodied Gothic splendour, but has also witnessed the evolution of Burgess Hill's spiritual landscape – serving as a beacon of faith and a custodian of local history. Tarrant Group, driven by an unwavering commitment to preserving community heritage, embarked on a transformative mission for the church. Commencing on 25 October last year, the project focused on breathing new life into the venerable landmark: a cherished symbol deeply ingrained in the hearts of Burgess Hill residents. The meticulous restoration journey included a comprehensive refurbishment of the church’s clock mechanisms, each a piece of the town’s rich history. Temporarily halting the rhythmic cadence of the clocks, Tarrant Group’s team delicately extracted and refurbished all four timepieces with exacting precision. Throughout the intricate process the team prioritised minimal disruption to the church’s activities, showing respect for its profound spiritual significance. Collaboration with Burgess Hill Town Council played a crucial role, facilitating seamless co-ordination and alignment with the community’s expectations. The restoration effort aimed not only to rejuvenate a physical structure but also to revive a cultural touchstone, affirming Tarrant Group’s dedication to preserving Burgess Hill's historical legacy for generations to come. The council’s chief executive officer Steve Cridland praised the project's success. “Despite unforeseen challenges, Tarrant Group’s efficient communication, skilled team and commitment to excellence resulted in a revitalised steeple and a transformed landmark,” he declared. “The townsfolk, once again proud of their heritage, expressed their gratitude through social media, highlighting the project’s positive impact on Burgess Hill’s historical and cultural identity.” q

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G & S Steeplejacks Ltd

Over 30 years experience in the Design & Installation of Lightning Protection Systems. • Annual Testing • Surge Protection • Inspection & Maintenance • Height Safety Systems Churches, Schools, Hospitals, Universities, Colleges

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Horizon Specialist Contracting Ltd

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With over 30 years experience our in-house design team are trained and certified to the current British & European Standards BS EN 62305:2011 for Lightning Protection Systems and BS 7430:2011 for Earthing. • Lightning Protection Systems and Surge Protection Design • Testing and Inspection surveys • Steeplejack maintenance • Fall arrest safety systems

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North(Head office): 01461 800323 South: 01582 511036 N.E: 01914 661145 E: info@lightningconductor.co.uk W: www.lightningconductor.co.uk

SCOTTISH CHURCH ISSUES GUIDANCE ON DIY WORK AT HEIGHT [

WITH COST BEING an ever-increasing factor for churches old and new, there is a temptation to turn to well-meaning and partially skilled volunteers to carry out maintenance tasks – some of which should be left to skilled professionals with the correct equipment. The Church of Scotland has published guidance on who should embark on any work at height and in what circumstances. The guidance states: “Working at height remains one of the biggest causes of fatalities and serious injuries across the UK. The main causes include falls from ladders and through fragile surfaces. It is also the most significant commonly identified hazard in many Church of Scotland buildings and has resulted in a number of serious injuries and even fatalities. “Historic stairways, fixed and loose ladders and the lack of guardrails and unprotected edges at height will continue to be a significant hazard for many church buildings constructed before modern building regulations. The historic aesthetics of the buildings and any inherent hazards that are difficult to control need to be suitably risk assessed. “Any access at height into the roof spaces, clocktowers and spires should be restricted and closely monitored. Only contractors, employees and volunteers that are competent and have undergone specific working at height training should be permitted access to these areas with the relevant safety equipment and PPE required for the task. “In general, staff and volunteers should not be involved with any activities that require working at height. However, a complete blanket ban on all working at height activities is impracticable and disproportionate and we therefore recommend that low-risk work involving the use of small ladders and stepladders can be carried out safely as long as the principles discussed in this toolkit are considered and followed. “It is essential that charity trustees of congregations recognise the significant health and safety risks that working at height has for employees, volunteers, members of the public and contractors working in the church premises.” q

ATLAS MEMBERS LEARN ABOUT PREFABRICATED ACCESS PRINCIPLES [IN SEPTEMBER, the Prefabricated Access Suppliers’ and

Manufacturers’ Association (PASMA) was invited to a members’ meeting of ATLAS – the Association of Technical Lightning & Access Specialists – in Newcastle. PASMA was represented by Darren Verschuren of HSS. ATLAS members are involved in steeplejack and lightning protection work, so working at height is a daily occurrence for them. Darren updated the ATLAS members on the range of standard configuration towers available, the applicable standards, safe assembly methods and the training required to work with those structures. He also explained the steps needed to check the validity of an operative’s PASMA card and assess their training level and category. He ended the presentation by answering members’ questions and encouraging them to ensure their tower-using staff obtain PASMA training. q www.ecclesiasticalandheritageworld.co.uk

SALTAIRE URC PROJECT WINS TOP PRIZE AT THE NATIONAL CHURCHES AWARDS

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THE RESTORATION PROJECT at Saltaire United Reformed Church was named the winner of The King of Prussia Gold Medal at the National Churches Awards 2023, which took place at Mercers’ Hall in London on 6 November. The award celebrates innovative, high-quality conservation or repairs. The Grade One-listed church is an important building within the Saltaire UNESCO World Heritage Site, which attracts visitors from around the world. It was constructed in 1859 under the guidance of Sir Titus Salt and architects Lockwood and Mawson, and is a unique example of Italianate religious architecture.

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In February 2020 Storm Dennis caused the partial collapse of the ceiling near the tower. That exposed a troubling issue with water infiltration into the roof space and the church was closed to the public. West Yorkshire-based architects Arctic Associates Ltd were entrusted with investigating the root cause of the rainwater penetration with an examination of the tower. Cliveden Conservation was appointed as specialist principal contractor to carry out the external tower masonry repairs, leadworks and internal plastering repairs, including the redecoration of the ornate ceiling. The restoration of the tower encompassed the re-pointing of the stonework at the tower’s base and the installation of new lead coverings, further ensuring the preservation and integrity of the historic structure. The new lime plaster ceiling involved replacing riven oak laths on battens and casting moulds to replicate the intricate elements of the ceiling that had been damaged. Numerous paint samples were analysed to achieve an authentic colour match for the redecorated plaster ceiling. Saltaire URC welcomed back its congregation and visitors in December 2022. The restoration of the plaster ceiling and tower is testimony to exemplary traditional building conservation techniques. The Church Architecture Awards, which are part of the National Churches Awards and include The King of Prussia Gold Medal, are run by the National Churches Trust and the Ecclesiastical Architects and Surveyors Association. They honour excellence and creativity in church architecture. The Saltaire winning entry received positive comment from the judges: they liked the good interdisciplinary collaboration to achieve beautiful results and stated that the project was a remarkable piece of work. Russell Trudgen M Arch RIBA AABC, architectural director of Arctic Associates, received the award and certificate. He commented: “This was the first time Arctic have worked with Cliveden Conservation and it was a pleasure. The skill and attention to detail for all aspects of the repairs inside and out by their site operatives were a delight to witness. These guys are masters of conservation and brought their knowledge and expertise to this very special northern church.” David Bloxam, head of architectural projects at Cliveden Conservation, was thrilled that the project won such a prestigious award. “The work was extremely complicated and involved many different and interesting challenges,” he commented. “Large areas of the ceiling had been destroyed during the water damage and the work to replicate it set our master plasterers an interesting set of problems. “However, through careful recording of existing features, mould making and accurate re-running of original mouldings, we were able to restore the ceiling back to its former glory and, thanks to paint sampling, decorating it in its original 1850s colour scheme. It was a real team effort and we enjoyed the collaborative nature of the project, working closely with Arctic Associates and Saltaire URC.” q

DIOCESE OFFERS ADVICE ON THE MOVE TO NET ZERO [

IN DECEMBER LAST YEAR the Blackburn Diocese of the Church of England published updated advice and guidance to assist parishes to achieve net zero carbon by 2030. The general advice is of relevance to churches everywhere, although the assistance schemes are specific to the Church of England, and the Blackburn Diocese in particular. The document points out that church heating is the main cause of carbon output for most churches. It says: “From 1 July 2022, changes in legislation have made it easier for churches to install non-fossil fuel boilers and heating systems and more complex to install a heating system that uses gas or oil.” Some of the changes are: • All PCCs are now required to have due • regard to the net zero advice issued by the • Church Buildings Council before it • replaces a heating system or boiler. • PCCs will need to undertake a feasibility • study before a church heating system is • replaced to prove that it has considered • all options. • All gas or oil boilers now require a • faculty to install, regardless of whether it is • a straightforward swap.

The net zero guidance from the Church Buildings Council can be found at www.churchofengland.org/ resources/churchcare/net-zero-carbonchurch, from where a heating checklist can be accessed. It, too, has the start point that: “We know heating makes up over 80% of a church’s energy use on average, and so ‘decarbonising’ this heat is critical if we are to cut our carbon footprint. This means moving away from oil wherever we can, a shift towards electric heating powered by ‘green’ electricity, and other potential solutions such as district heating and a future move from gas to hydrogen.” The move towards net zero involves more than heating. As the document from Blackburn Diocese points out: “As good stewards of our church buildings, all PCCs should now consider the environmental impact of any changes to our buildings and churchyard.” It begins by explaining energy audits: “Energy audits are surveys of a church and buildings which examines a range of different ways that a PCC can improve its energy efficiency. After the audit, the PCC will be

Blackburn Cathedral (Photo: Tim Green)

presented with a report recommending ways it can reduce its energy usage and carbon output. This may be in the form of small changes, such as the use of timers or changing energy supplier, or larger improvements to heating or lighting. An energy audit can provide a useful starting point for PCCs who have a desire to reach net zero but do not know where to begin.” It goes on to list the advice and help that PCCs can get to install photovoltaic panels. The Blackburn Diocese document can be viewed at www.blackburn.anglican.org/ church-heating. q

SOMETIMES, BEING A MISER CAN BE A GOOD THING Green heating specialist Christopher Dunphy relates how his ChurchEcoMiser system helped one church save energy and money

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WHEN CHURCHWARDEN Nigel Sprat contacted me about St Mary’s Church in Fordingbridge, situated on the edge of the New Forest, I was delighted to be involved with the programme of upgrading at one of Hampshire’s finest churches. The church had been heated for the previous 20 or so years by a gas-fired warm air system, but it had come to the end of its life. The warm air system was not entirely suitable as it was giving rapid temperature differentials, which can be detrimental in a church as old as St Mary’s. Our ChurchEcoMiser system has now been installed and allows the church to be heated in five zones, giving much greater flexibility of operation and lower energy consumption. It also gives greater stability of humidity as well as better comfort levels. A brief history of the church underlines the importance of protecting the fabric of such an important building. A church on the site is mentioned in the Domesday Book of 1086. It was rebuilt by the Normans around 1150 and would then have been an open space internally. The north chapel and north and south aisles were added around 1230. Within another 100 years the clerestory had been

added, the tower raised – in modern times housing eight bells plus a Sanctus bell – and the north chapel extended. The chapel has a straight tie beam truss roof of chestnut that masquerades as a hammerbeam roof. Lands in Fordingbridge and the advowson of the church were granted to King's College, Cambridge in 1447 by Henry VI, after being given to the Crown by Humphrey, Duke of Buckingham. Externally the church has changed little since the 16th century, although originally the exterior flintwork would have been plastered as at one of its neighbours, St Mary in Breamore. Internally, the church looks much as it did after the 1840 renovation, except for the addition of the organ in 1887 and the reredos in 1920. The church was restored between 1901 and 1903 under the direction of Charles Ponting. The church once had a ‘three-decker’ pulpit, but that has been removed. In very recent years the Victorian pews were replaced by chairs to facilitate using the space much more flexibly. In 2000 a new window was commissioned. q • For more information visit www.churchecomiser.co.uk. www.ecclesiasticalandheritageworld.co.uk

UNDER-PEW SYSTEM POINTS THE WAY TOWARDS NET ZERO Holy Trinity Church in Leverstock Green, Hertfordshire, is a Victorian church constructed in 1849 of flint and chalk and standing on clay. It has a small extension to the west, the Trinity Room, which was constructed in 1974. It has recently had a new green heating system installed, as churchwarden Mike Heylin OBE relates.

[THE CHURCH OF ENGLAND has in place a net zero target for

churches and we wanted to do our part in that plan. So our team of past churchwardens pulled together and in January 2023, as part of our net zero target planning, we asked ESOS Energy to come in and do an assessment of our needs and the opportunity to start to progress towards our net zero target for the church. That was funded by the CofE Parish Buying Scheme (PBS) and subsidised by Total Gas and Power, the PBS principal energy suppliers. Shortly after that our fuel oil hot water central heating boiler system was condemned. Oh, joy of joys! I had just been appointed churchwarden: a great introduction, but again our team showed its strength by pulling together and everyone doing their bit. We asked BN Thermic (BNT) to look at the ESOS report and to give us a specification and quotation for an all-electric heating system for the church. That was delivered in June and under-pew heaters were the central proposition. We looked around for churches that had them installed and, although we could find a few, they were so new that no one appeared to have gone through a winter with the system. So we went ahead and asked BN Thermic for suggestions as to the installer. They came back with CLS Electrical Services, who we already knew as they had recently installed our new low-energy

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lighting system at Holy Trinity. They had done a great job with that and were nice people with whom to do business. CLS came in, checked the proposal from BNT and priced the supply and fix job for us. We applied to the DAC for the faculty, which was granted very speedily, and CLS started in the only time slot we could find in the church calendar: mid-October. CLS completed in less than two weeks with hardly any disruption to our church schedules and services and left us a nice clean church with installed heating – but only part of which was working, due to power supply issues. We needed a threephase electricity supply installed to complete the job. Fortunately, we had three phases at the church but only one phase had been connected. We had to wait until November for the simple task of installing new meters and connecting the power feed from the two previously unused phases. But once that was in we had a live system completed and running in time for the onset of cold weather. The under-pew system is in 12 zones, with an air curtain over the main door, radiant heaters in the chancel and suspended black heaters over the children and old persons sitting areas. The under-pews were installed to all the seating, including the choir and AV desk pews. The radiants are controlled locally at the chancel and the under-pew zones from behind the AV/sidesmen places.

It worked, and within days everyone was saying how snug the church felt, with a distinct increase in temperature compared with outside and seemingly more effective than the hot water radiator central heating had been. We had to experiment a bit with times allowed for warm up: the chancel is instantaneous, the overheads need about 10 minutes and we give the under-pews about 20 minutes. All are kept on during services. The chancel is controlled by those taking the service and the overheads are switched locally. The under-pews are controlled from the AV desk at the back of the church.

No energy is wasted when the church is empty, saving cost and carbon footprint; we have warmer parishioners and a more comfortable environment for worship than many can remember: all thanks to team work, ESOS Energy, BN Thermic and CLS Electrical. If you want to discuss under-pew heating for your church or look at an installed system, CLS has my contact details and can help you fix an appointment to come over and have a look and a chat about how well it works for us. q

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TERRA COTTA IS THE THREAD RUNNING THROUGH BUILDING’S CHANGING ROLES [

STEAMhouse, at Birmingham City University, is a hybrid building that promotes collaboration between students, start-ups and larger businesses. Architects Aukett Swanke began the design and briefing process for the transformation of the 19th-century former Belmont Works in January 2018. The Belmont Works’ industrial heritage was a key element of the rejuvenation. Rather than overwhelm the previous presence, the original building was carefully elevated by the new building, allowing Belmont Works to retain aesthetic dominance, with Hathern Terra Cotta being brought in to supply over 2,500 units as part of the rebuild. The involvement of Hathern Terra Cotta – now part of Michelmersh Brick – with the project had actually started in 1899, when Hathern Station Brick and Terra Cotta Company were approached to supply the initial terracotta. Over the next few decades it moved on from its genesis as the Eccles Rubber and Cycle Company headquarters and became a linen clothing factory for the Co-operative Society. Next, it produced factory-made pianos from 1931 before producing bedsteads from 1941 onwards, until it fell into disuse and was ultimately severely damaged by a fire in 2007.

Aukett Swanke's regeneration of the building as STEAMhouse restored and regenerated the locally-listed structure. David Maddocks, business development manager at Hathern Terra Cotta, was eager to express his pride in the work: “We're very proud to revisit STEAMhouse generations later and help rebuild the site for a whole new generation. Hathern Terra Cotta's work has been part of the DNA of the building for over 100 years and it's been insightful to see how our internal growth over the last century has enabled us to improve on our initial work. We look forward to seeing STEAMhouse grow as a monument to local ingenuity going forward.” Luke Wardle, terra cotta supervisor, expanded upon the scope of the work, noting that: “321 different patterns and 417 moulds were manufactured to create the 2,500 units required for the project, which was separated into a 10-phased programme. These consisted of a variety of different profiles for the various sections of the building, such as finials, pilaster blocks, voussoirs, balustrade copings and ashlar – to name but a few. A total of 2,100 cubic feet of clay was required for the manufacturing, processed using our mid-range light fire clay blend consisting of a mixture of fireclay and marls to match perfectly with the existing fascia.” Internally the multistorey innards reflect the grandeur of the outer façades, with wide-open areas assisting its occupants in their collaborative efforts. A community of networks and start-ups ensures that the university can enjoy a growth factor among those

who occupy STEAMhouse. To future-proof STEAMhouse, it was carefully designed to facilitate all its residents’ needs. Birmingham City University has ensured that STEAMhouse has access to state-of-the-art IT facilities, with a high-speed network servicing both businesses and building systems. To cater for a diverse range of requirements, STEAMhouse also provides a fully-accessible reception space, five lifts around the building and numerous toilet and shower rooms. Further ensuring accessibility, 40 cycle spaces were included in a secure area, as well as local car parking and a vehicular drop-off area. Special attention was paid to the building's environmental impact. The construction and refurbishment of the project paid careful attention to the measurement and reduction of carbon emissions during the manufacturing process. Unnecessary waste produced on site is minimised by a ‘reduce, reuse, recycle’ mentality, with an emphasis on good neighbourhood practices to ensure local negative impact is reduced and encourage the growth and proliferation of green areas. In addition to the targeted reduction of electricity, gas and water consumption, the project has achieved a Very Good BREEAM rating. STEAMhouse was finished on schedule and budget in January 2022, with the final touches completed in September 2022. Construction started in January 2020, shortly before the pandemic hit the UK; but with a carefully laid plan and timely actions, no delays were incurred due to COVID. Since its opening, STEAMhouse has won the coveted Victorian Society Conservation Award for Birmingham and the West Midlands and in October 2023 was announced the winner of Education Estates’ Project of the Year in the Universities category, among numerous other awards shortlists. q www.ecclesiasticalandheritageworld.co.uk

LUCECO LIGHTS UP LUTTRELLSTOWN CASTLE [

LUTTRELLSTOWN CASTLE RESORT near Dublin is a luxurious venue for elegant hospitality and entertainment, combining the original 15th century castle, 567 acres of parkland and a championship golf course with an alpine lodge-style clubhouse. It is the perfect location not only for golf, but also for weddings, garden parties, business meetings and conferences.

Multiple lighting needs With such multiple uses – outdoors and indoors – it is not surprising that the site has multiple needs in terms of lighting, and the plan to renew and upgrade the lighting had to cover a range of considerations. From aesthetic solutions to enhance the ambience of the castle and restaurant to safety and emergency lighting supporting maintenance and repair requirements, as well as the most stylish and practical means of illuminating the pathway to the castle, putting the Luttrellstown Castle Resort in its best light was always going to be a demanding multifaceted project. “And this variety of needs was not the only issue,” explained Mark Sherridan, facilities manager at the resort. “It was also vital that the new lighting was cost-effective to run and, above all, as kind as possible to the environment.”

Trusted expertise Clearly such a large project needed bespoke specification before any of the installation could begin. Given the level of detail and the extent of the work required, it was the Luceco Group which was chosen for the task. Mark continued: “We had worked directly with Luceco before and were aware of the expertise that was available upfront to ensure a fully-tailored report of product recommendations to achieve our desired outcomes.” LED specialists Luceco worked directly with the facilities manager over a couple of days to map out specifications for the project, after reviewing lighting requirements for the castle and restaurant, as well as the path and greenkeeper’s shed. With the castle being the jewel in the crown of the Luttrellstown estate, daytime and nighttime photos of the castle were studied to get a more comprehensive understanding of the impact of different lighting configurations and settings.

Working in partnership Once the specifications had been approved, Crystal Engineering, an installation partner working closely with Luceco, was then engaged to order and fulfil the installation. Working with installation partners is critical to Luceco’s success, enabling it to focus exclusively on the specification, while the partner company undertakes the installation.

Elegant energy efficiency Energy efficiency and improved aesthetics were both key objectives. Much of the original lighting consisted of old fluorescent tubing, which is expensive to run, bad for the environment and needs regular replacement – not to mention its notoriety for flickering, inconsistent illumination and limited colour options. Even some of the castle’s newer lighting was old and did little to create ambience. Luceco replaced all the interior lighting with LED. It also specified high bay lighting for the castle’s lamps and chandeliers and the British

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General Evolve range of sockets and switches in matte black, modernising the look while retaining the original opulence. The Evolve range was also used in Luttrellstown’s restaurant, adding a subtle elegance to the room. Exterior lighting was also upgraded to further improve aesthetics, with Kingfisher bollards installed in the driveway and around the golf course. The IP65-rated bollards come in 4000k neutral white with a 50k hour burn time and >70 CRI, with an IK08 rating to keep the light protected even in harsh weather. More LED efficient panel lighting and emergency lighting were added around the golf course, while Guardian solar floodlights were installed on roofs, combining an impressive aesthetic with enhanced safety and security. Finally, Luceco’s Elara Bay fittings were installed in the greenkeeper’s shed. Ahead of a large event, this facility is sometimes used at night, so maximising safety is the critical issue. The high-performing Elara Bay range comes in 4000k neutral white with a 100k hour burn time and >80 CRI, making it ideal for industrial lighting while providing optimal energy consumption.

Sustainable solution Mark Sherridan said: “We are so impressed with the outcome of this project. Luceco worked closely with us to tailor a wide range of lighting options and configurations. The result has helped us achieve the ambience we wanted, while maximising efficiency, practicality and sustainability.” Luceco’s account manager William Heather added: “This was a project with multiple requirements in terms of both the client’s objectives and the products required. By utilising Luceco’s specification skills, partner expertise and the company’s commitment to sustainable solutions, the Luttrellstown Castle Resort has been able to maximise its lighting efficiencies while achieving the greatest aesthetic effect.” q • For further information visit www.lucecoplc.com.

ANTIQUE FURNITURE RESTORATION

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LIGHTNING PROTECTION

Earthing Equipment Supplies Southern Ltd is a well-established, ATLAS accredited, company offering a wide range of lightning protection services. ATLAS is the UK governing body for lightning protection. 30 years trading. • BS EN 62305 2012 • System Installation • Upgrading • Remedial Work • Testing • Earthing • Materials Supply

• Free Lightning Protection Quotes • Free Lightning Protection Risk Assessment • Risk Assessment Calculations • Soil Resistivity Testing • Surge Arrester Quotes • Site Visits

T: 0118 976 0239 / 07768 566889

E: sales@earthingequip.com W: earthingequip.com

Lavender House, Church Lane, Arborfield, Nr Reading RG2 9JA

Igoe Up Height Services

Igoe Up employ fully qualiﬁed Steeplejacks and Rope Access Technicians to repair and maintain buildings with height. We use a variety of steeplejack access techniques to carry out high-level inspections, surveys, building maintenance and repair services. • Steeplejack and rope access services • Stone restoration services • Church maintenance • Drone surveys • Rooﬁng services

T: 01577 531307 / 07481 840581 E: Chris@igoe-up.com W: www.igoe-up.com 17 Dalhousie Gardens, Bonnyrigg EH19 2LP

G & S Steeplejacks Ltd

T: 01761 437796 M: 07974 184449 E: graham@gnssteeplejacks.co.uk W: www.gnssteeplejacks.co.uk Unit 3, Bath Business Park, Peasedown St John, Somerset BA2 8SF

Wiltshire Steeplejacks

and Lightning Conductor Engineers We specialise in: • Lightning protection systems • BS EN 62305 & BS 6651 • Earthing and resistivity testing • High maintenance work • Flagpoles • All rope access work • Full architectural surveys & cover meter surveys T: 01225 761330 M: 07973 397770 E: paul.silk@wiltshiresteeplejacks.co.uk W: www.wiltshiresteeplejacks.co.uk 44 Eastbourne Road, Trowbridge, Wiltshire BA14 7HW

LIGHTNING PROTECTION

Raiden Lightning Protection Services Ltd

We provide consultation, installation and aftercare of lightning protection systems, in accordance with the BSEN 62305 code of practice. A high quality, competitively priced, safe and well co-ordinated service. • Free design & risk assessment • Surge protection services • Aftercare & maintenance

T: 0161 302 8766 / 07487 787 854 E: ian.wimpeney@raidenlps.co.uk W: www.raidenlps.co.uk

Unit 2 Ind Estate, Marsland Street, Hazel Grove, Stockport, Cheshire SK7 4ER

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T: 01158 752686 M: 07581 266493 E: info@lightningstrikeltd.co.uk W: www.lightningstrikeltd.co.uk 452 Watnall Road, Hucknall NG15 6FQ

• Lightning Conductor Engineers • Steeplejacks • Flagpole Specialists • High Level Access

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LIVE STREAMING

Lightning Protection Services

North(Head office): 01461 800323 South: 01582 511036 N.E: 01914 661145 E: info@lightningconductor.co.uk W: www.lightningconductor.co.uk

Direct Strike Ltd

Lightning Protection and Earthing Solutions • Lightning Protection • Inspection & Maintenance • BSEN 62305:2011 • Consultancy & Design Services • Supply & Installation • Earthing Systems • Height Safety & Fall Arrest Systems • Surge Protection

Head Office: 01461 337951 Rep of Ireland: +353 45 913 129

E: enquiries@directstrike.co.uk W: www.directstrike.co.uk 18 Canberra Road, Gretna, Dumfriesshire, Scotland DG16 5DP

South West Lightning Protection T: 07807 334441 E: south@lightningconductor.org W: www.lightningconductor.org

Airport Business Centre, 10 Thornbury Road, Estover, Plymouth PL6 7PP

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