PPOC MAGAZINE
FALL 2021
ACCREDITATION ISSUE - Margy Krause, Street Photography Accreditation - Tyler Singer, Ornithology Accreditation - Beth Alexander, Canine & Pet Portrait Accreditations
ALSO… - Horses Seen Differently for Unique Keepsakes! - The Value of Membership is Long Lasting - So You Want to Be a Dog Photographer?
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As a professional photographer, you’re keenly attuned to the finer points that make a standout shot such an unqualified success. Multiple factors come together to create a cohesive visual experience for both you and those who see your work. Sometimes there’s a bit of luck involved, but for the most part it’s the result of painstaking attention to detail. In your line of work, you’re also likely well acquainted with the Vistek name and all that it stands for. Many of you have made us your go-to retail source based on the reputation we’ve forged over the past 40-plus years. And you’ve probably noticed the steps we’ve taken in recent months to ensure that our level of service continues to meet the evolving demands of the professional community we’re committed to serving.
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As a new year approaches, we’re pleased to reveal one of the biggest changes of all: extensive renovations to our flagship store in downtown Toronto and our busy Calgary location, with an all-new interior design crafted to make the shopping environment even better, more open, streamlined and interactive than ever before. We’re thrilled to be launching an enhanced new photo and video retail experience, which – like the breadth of our product lines and depth of our sales team’s expertise – you just won’t find anywhere else. Check us out as soon as you can. We think you’ll appreciate the attention to detail we’ve put into all of this, too.
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T O R O N T O • MISSISSAUGA • OTTAWA • CALGARY • E D M O N T O N
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Message from the Chair Margy Krause Street Photography Accreditation
By Margy Krause
10 Horses Seen Differently for Unique Keepsakes! By Josée Talbot, MPA
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16 Taking the Show on the Road
Canine & Pet Portrait accreditations
By Beth Alexander
22 More Than a Wing and a Prayer:
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Ornithology Accreditation
By Terry Tinkess
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Those No Longer with Us
By Terry Tinkess
The Value of Membership is Long Lasting
By Terry Tinkess
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So You Want to Be a Dog Photographer?
By Holly Montgomery
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About the Cover
By Josée Talbot, MPA
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MESSAGE
from the Chair When I am asked to write these introductory messages, the Editor sends me a brief description of what the content of the magazine will be. This edition sounds like it will cover a wide range of items illustrating where we came from as an
Ross Outerbridge, MPA PPOC National Chair
organization and where we are now. In other words, learn from the past, evaluate the present and prepare for the future. This organization and each member can benefit. We will honour past members, Robert Lansdale and Evangelos Apostolides, both of whom were active, long time PPOC members and unfortunately recently passed away. They were both consummate professionals. These were well known, successful, active working photographers who photographed the Queen, various celebrities, dignitaries and important news events from around the world. They were also active PPOC members. Both were Regional PPOC presidents, founding members of PPOC as a national organization and were instrumental in the formation of PPOC, strongly influencing this organization and its path forward. Their stories are representative of where we came from. Michelle Valberg, a highly successful, world renowned wildlife and adventure photographer has been a PPOC member for 30 years and has a number of PPOC Accreditations. Her story and path to success will provide some newer
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perspectives on the value of membership in this organization. A more in-depth discussion of PPOC Accreditation – what it is, how to prepare for it, and why it is meaningful – will give some insight into where we are going. Organizations must grow and change. Maintaining high standards of professional imaging is the underpinning of the Accreditation process. Newer Accreditation categories, styles of photography and descriptions of each category that are more inclusive will be reflected in the stories of those that have gone through the Accreditation process, what they have learned and what it means to them as individual photographers. I am excited to see this edition of Gallerie this fall and hope you are as well.
Ross Outerbridge, MPA PPOC Chair
GALLERIE IS THE PREMIER MAGAZINE FOR PROFESSIONAL PHOTOGRAPHERS ACROSS CANADA. EACH ISSUE FEATURES AWARD-WINNING IMAGES, EDITORIAL INFORMATION, TECHNICAL AND FEATURE ARTICLES, ADVERTISING, AND MEMBER SERVICES. ALL PHOTOGRAPHERS ARE WELCOME TO VIEW THE DIGITAL VERSIONS ON OUR WEBSITE. GALLERIE is published three times annually; - Winter (online issue) - Summer (print and online) - Fall (online issue) SUBSCRIPTION All PPOC members receive the printed issue directly to their doorstep. Online issues are available to all photographers. To be added to our email mailing list please contact the PPOC office (info@ppoc.ca) indicating your province of residence. Additional printed copies of Gallerie are $6.95, plus postage. Please contact the PPOC Office. SUBMISSIONS Articles and member stories are welcome, please submit them to the editor for consideration. ADVERTISING One single advertising package will secure your ad space in all three issues for the year. Double Page Spread Full Page Outside Back Cover Full Page Inside Cover Advertising Supplement Full Page Half Page Quarter Page
$1575/year $1375/year $1125/year $1000/year $975/year $630/year $400/year
PPOC Trade members receive a 20% discount. To reserve your ad, contact the advertising manager. EDITOR Terry Tinkess e: editor@ppoc.ca DESIGNER AND COMPUTER GRAPHICS Josée Talbot, MPA p: 418-881-3998 e: josee@talbotphotoart.ca ADVERTISING MANAGER Brad Kelly, MPA e: ppoc.gallerie.magazine.ads@gmail.com
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MARGY KRAUSE
STREET PHOTOGRAPHY ACCREDITATION
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By Margy Krause IN APRIL, 2021, STREET PHOTOGRAPHY WAS ADDED AS A NEW CATEGORY FOR PROFESSIONAL ACCREDITATION WITH THE PPOC. AS A STORYTELLER, THIS CATEGORY INTRIGUED ME. I AM PLEASED TO SHARE MY JOURNEY TO BEING THE FIRST CANADIAN TO EARN THIS ACCREDITATION. Since my early years, I have been fascinated with photography. My parents frequently shot our family happenings with my Dad’s Zeiss and little vignettes with their 16mm film camera. The memories they captured, now converted to digital, are cherished by our family. Although my career was in accounting, sales, and investments, I took numerous photography courses over the years through Focal Point, Vancouver Photo Workshops, Langara College, and Creative Live in a wide variety of genres, including Street Photography. On holidays and workrelated trips with my partner, I travelled to many countries which afforded me opportunities to practice my photography. We bought a boat in New Zealand in 2015 and, over the next five years, we split our time between sailing in the South Pacific and skiing in Whistler. Spending time on a boat in the tropics was a delight and privilege for me as a photographer. A camera was always close at hand. Walking on deserted beaches, swimming with whales, kiteboarding on glassy tropical waters, scuba-diving at world class reefs, being welcomed into foreign cultures, and enduring “three-on-three-off” watches on multi-day passages were all part of our lifestyle. We yearn to return to the cruising life when borders reopen.
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With the deadline for the 2020 BC Image Salon approaching, I asked Paul to help me with selecting and editing some images. He generously spent hours of “Zoom” time mentoring me which was a great learning experience. To my amazement, the images were accepted, and I was awarded a Merit, Judge’s Choice, and Best Observer (Editorial). Bolstered by this unexpected success, I decided to submit for an accreditation. I looked through my library of images and, with Paul’s assistance, selected images in two categories for the February 2021 judging. I was successful in earning accreditation in the Travel Illustration and Marine categories.
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Not to say one cannot take good street photos in one’s hometown, but my travels have taken me to places where life is focussed on the necessities. Without trying to convey a social statement, I enjoy observing people, their activities and challenges. Mere survival through hardship, ingenuity, and creativity are the primary drivers but family relations, friendship, pleasure, kindness, and spirituality also play important roles. I am not trying to convey a social statement but capturing what otherwise might go unnoticed. You should be in a public place but that doesn’t need to be a street. One of my images was taken in a market, while another was shot through the windshield of a vehicle. If you are sharing a van, ask for the front seat and keep your lens cap off!
When Street Photography was added to the accreditation categories, I submitted images for the April judging. Paul and I again worked closely, guided by the PPOC’s category description, but also with the goal of meeting international Street Photography standards. The editing was primarily limited to cropping, burning, and dodging.
This image was taken from the front seat of a van on the highway between Hanoi and Halong Bay in Vietnam. Balancing a cow on a motorcycle was a feat. (image 1)
Street Photography, for me, is about “candidly” capturing a slice of humanity or a remarkable moment in daily life. My goal with taking a “street” image is to evoke an emotion like surprise, delight, admiration, humour, or trepidation, without making judgement.
A finely dressed young woman catches a ride in Hanoi, Vietnam. Her wonderfully detailed pink silk dress was such a contrast to the dingy street environment. Hats and masks were commonly worn as protection from the intense smog. (image 3)
Many of the images were taken as early as 2007, with basic DSLRs and inexpensive lenses. They were captured years before I knew about the PPOC or had any thought about earning a professional accreditation.
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These ten images, accepted for my Street Photography accreditation, portray a piece of my photographic world, my vision, and my need for storytelling.
The order, neatness, and colours struck me as these young monks lined up for their alms. The plaid and tartan-like weavings are a reminder of the country’s colonial rule. Myanmar. (image 2)
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When Covid hit, we made the decision to park the boat in New Zealand and remain in Whistler. To my good fortune, Paul Wright, MPA, was a neighbour and, coincidentally, a fellow Nikon user. During the early stages of the lockdowns, he mentioned that the PPOC was hosting webinars. Always keen to learn, I signed up for several presentations and decided to join the PPOC as an Observer (now referred to as an Aspiring Member).
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A young Buddhist monk reads to another at a monastery. I wondered what they might be studying. Luang Prabang, Laos. (image 4) A child balances in a wash basin to transport herself around a floating village occupied by Vietnamese refugees on Tonle Sap Lake near Siem Reap, Cambodia. (image 5) A market vendor negotiates with a customer. As I walked through the market, the contrasting colours of her blouse and the vegetables first stood out. As well, the application of her thanaka (makeup), the arrangement of the delicate flowers in her hair, and her nail polish showed such attention to personal care. Myanmar. (image 6)
I am very grateful to the many dedicated PPOC volunteers. Participating in the webinars, watching the online judging events, and preparing for Salon and accreditation have been very beneficial. Being a member has helped to elevate my craft and to raise my profile as a photographer. As an example, being listed with the Marine accreditation on the PPOC website resulted in a writer approaching me to take photos for a magazine article. Hopefully this story about my road to accreditation and sharing my images provide some guidance to others seeking the Street Photography accreditation.
With matching strides, brightly dressed young women wander the street selling snacks. The way they balanced the large platters on their heads was second nature, but, as one reached over to touch the other, I found the moment for the shot. Myanmar. (image 7)
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A boy plays a video game, probably on his break in a leather factory. The heaps of skins and the antique equipment contrasted with the new device technology in his hands. Mumbai, India. (image 8) The sidelight, rich colours, mirroring of the motion, and repetition of the structures were appealing. Myanmar. (image 9) A woman practices Tai Chi facing Turtle Tower on Hoan Kiem Lake in the smoggy Historical Centre of Hanoi, Vietnam. Many Hanoian exercise around the lake before sunrise to take advantage of the cooler temperatures. (image 10) image 8
Margaret Krause Margaret Krause is a photographer based in Whistler. She is a member of the PPOC and has been accredited in the Travel Illustration, Marine and Street Photography categories. In addition to sailing, she enjoys golfing, skiing and biking. For stories about her sailing adventures in the South Pacific, visit https://www.svwhistler.com For her photography website, visit https://margykrausephoto.com
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“Same As Dad”
HORSES SEEN DIFFERENTLY FOR UNIQUE KEEPSAKES!
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By Josée Talbot, MPA I HAVE BEEN AROUND HORSES FOR A VERY LONG TIME. I’VE BEEN RIDING HORSES FROM THE AGE OF 12, HOWEVER, PHOTOGRAPHY CAME MUCH LATER, WHEN I WAS STUDYING PRESENTATION DESIGN AT CÉGEP DE SAINTE-FOY. IT WAS THEN WITH COMPLETELY MANUAL FILM CAMERAS AND WE WERE DOING OUR DEVELOPMENT IN A DARKROOM. THEN CAME DIGITAL PHOTOGRAPHY IN 2007. IT IS OF COURSE HORSES THAT WERE MY FAVORITE SUBJECTS AT THAT TIME. On the other hand, there are a lot of equine photographers and it is sometimes a challenge to stand out. For my part, I like to photograph horses from different angles, so as to obtain unique and appreciated portraits. First of all, I work in natural light. I am not very comfortable with flashes, and so far I get the desired effect using reflectors. Surely one day, I will get started and work with lighting. I am particularly fond of working indoors, which allows dramatic lighting, chiaroscuro, that highlight certain parts of the body or the head and neck of the horse. I always take the time to familiarize myself with the animal I have to photograph. The more he trusts me, the better the session will go. It must be remembered that the horse is basically prey and that it can sometimes have strong reactions to things that may seem very trivial to us. Some horses are quite jaded and do not easily put their ears pointed forward, or have their eyes half closed. Each horse involves certain challenges. Knowing them well is a plus in my humble opinion. Know their reactions, their behavior, the best angles, etc.
TIPS TO GET THEIR ATTENTION For a portrait, you want to ideally have their ears pointed forward. To get the horse’s attention, the ideal is to have someone behind us, with a carrot that they will crack. Otherwise, a small aluminum plate with which to make noise or reflect sunlight. The assistant can also have an umbrella in hand and gently open it a few times. There are also smartphone apps that make neighing sounds. Some horses react strongly so you have to go sparingly, especially with stallions. Regardless of the trick used, avoid repeated use because in the long run, the horse will no longer care. The important thing is to be calm so as not to irritate them. In an ideal world, you will need 2 to 3 people to hold the horse, get its attention and make sure it does not step on the photographer! A 600 kilo beast that is afraid can hurt a lot!
INDOOR PHOTOGRAPHY FOR A DRAMATIC EFFECT For indoor images, I place myself in the indoor arena if there is one available. We open one of the doors to let in the light. The midday sun is ideal because it does not enter inside and therefore the light is more diffused and ideal for the desired effect. I position the horse near the door, enough so that it is lit but without creating unwanted shadows or overly lit areas. I also sit inside and try different angles. The ideal is not to force a pose. We let the horse move a little, the poses obtained will be all the more natural and it will be less stressful for the animal. I can also place myself outside and thus obtain a black background when shooting, but these kind of photos is used are lot. I prefer different and more artistic angles. Horse lovers really appreciate these kinds of images, even if it is not their own horse that is photographed.
THE TECHNICAL PART I work with a full frame camera which allows me to have less noise at high ISO. I am using a Canon EOS 6D and also a Canon 1Dx. As the horse moves very little, I can afford fairly slow shutter speed. For the aperture, I play between f / 2.8 and f / 5.6. I adjust the ISO accordingly to the available light. I always have someone holding a large reflector, usually on the gold side. I love warm tones!
“Calendau”
“The Soft Touch” (Véro and Call Me Silver)
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“Véronique and her horse, Benny”
Of course, in an indoor arena there are windows that create visual pollution. I try as much as possible to position myself in order to have as few alterations as possible. These are often inevitable. Darken the background, remove a fly or two or three, brighten the eyes, etc. I start everything in Adobe Lightroom by creating a virtual copy that I underexpose and use for the background. I then continue in Photoshop to finalize my image. Of course, I take my photos in RAW in order to have as much latitude as possible.
“Gabriella CR ”
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“Marquesa Do Luar”
“I Will Always Be There” (Call Me Silver)
“I Will Always Be There” was part of my first solo exhibit I did in 2018. This image got a lot of reactions from the visitors and sold 4 times!
Since I am quite short, I am using a foldable bench so I am more level with the horses I photograph. But, even if you are taller, it can give you some nice angles, try that! The results are truly magnificent, in my humble opinion! I got an Excellence at the 2021 National Image Competition with “Wesley”. This image was a finalist in the Animals Class and also selected to be part of the PPOC Loan Collection.
SALES TOOLS To show off my images and boost sales, I present them in fictional sets and post them on my Facebook page and Instagram account. My sales have increased considerably since doing this. I believe that seeing the images in a setting makes potential customers realize that it would be beautiful on their walls!
CONCLUSION Breaking standards, doing different things, defying the rules. All of these things make for original images that sell! To be honest, I never have the competitions in mind when I shoot. The important thing for me is to create reactions, emotions and, of course, to sell my images.
Josée Talbot, MPA
Photo credit: Vanessa Dubé-Caron
“Forest Castle”
I live in a small village in Lotbinière County, on the south shore of Quebec City. My passion for horses naturally led me to photograph them when I returned to photography in 2007. I have specialized in equine photography since then, having first been a horse show photographer for several years. I’ve been riding and showing horses since I was 12 y.o. Guess you could say I’ve been around them most of my life! I have been a member of the PPOC since 2014 and accredited in Equine, Fine Art and Botanical. I got my CPA in 2020 and my MPA in 2021. talbotphotoart.ca facebook.com/TalbotPhotoArt josee@talbotphotoart.ca 418-881-3998
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“Wesley”
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TAKING THE SHOW ON THE ROAD CANINE & PET PORTRAIT ACCREDITATIONS
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By Beth Alexander MY NAME IS BETH ALEXANDER. I AM A WIFE, MOTHER, COFFEE ADDICT, AND ANIMAL LOVER. ABOUT SIX YEARS AGO, I COMBINED MY TWO PASSIONS OF PHOTOGRAPHY AND ANIMALS AND BECAME A PET PHOTOGRAPHER IN EASTERN ONTARIO. I AM THE PROUD OWNER OF UNLEASH PET PHOTOGRAPHY, A MOBILE PET PHOTOGRAPHY SERVICE FOR PET OWNERS WHO WANT TIMELESS WALL ART OF THEIR CHERISHED PETS. MY GOAL IS ALWAYS TO CREATE BEAUTIFUL, NATURAL IMAGES THAT WILL NOT ONLY BE PROUDLY DISPLAYED IN MY CLIENTS’ HOMES, BUT ALSO BECOME ONE OF THEIR TREASURED KEEPSAKES FOR YEARS TO COME. After years of working outdoors and being at the mercy of Mother Nature, I decided to learn studio photography so I could work indoors and have control over my working environment. Working from home was not an option and finding a space to rent was proving to be a little more challenging than I had expected. I experimented with setting up sessions in my clients’ homes. This was not always ideal, but my clients liked the convenience of me coming to them, so the seed was planted and research on mobile photography services began. After several discussions with a friend and fellow Pet Industry business owner who enjoyed tremendous success running her mobile pet grooming service, I made my decision. I decided to invest in purchasing and converting a cargo trailer into a mobile studio instead of investing in a property. Little did I know that Mother Nature had one more trick up her sleeve before I could realize my dream, in the form of a global pandemic. The trailer had already been ordered from the U.S.A. when the world came to a halt. It wasn’t until things started to open back up that my trailer could be finished and sent back to Canada in June 2020.
That summer with the help of some amazing friends, my husband and I were able to convert my 160 square foot cargo trailer into a full-service photography studio with an office and client viewing area ready for the big launch of my mobile pet photography studio in August 2020. With my new mobile studio ready to go, I wanted to expand my photography skills and explore new ideas. I have always had a “can-do” attitude and thirst for knowledge. I am also a sucker for a good motivational quote and one of my favourites is “If not now, then when?” After years of photography classes, YouTube videos, online courses, and years of practicing my craft in animal shelters, I decided I needed a different source of knowledge.
In September 2020, I decided to join the Professional Photographers of Canada and immerse myself in everything the PPOC had to offer. The first challenge I wanted to accomplish was an accreditation, so I decided to go for two, (LOL go big or go home!) When you first join any group there is a big learning curve and it can be overwhelming. The first thing I learned which was very helpful, was that your region’s board members are the resource you want to tap into to help you navigate through your membership and ensure you’re taking full advantage of all that is available. Next is the Mentorship program, which pairs senior PPOC members with new members to help you navigate through your accreditation process by providing feedback on your images that you would like to submit for accreditation.
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I had heard many photographers around the world talking about how their photography associations had helped them grow as photographers. By participating in their association’s accreditation process and award competitions, they felt this really helped challenge and improve their own photography skills.
I had set my sights on the February 2021 Accreditation deadline and with the guidance of my mentor and my eastern Ontario branch members, I successfully earned National Accreditations in both Dog Portrait & Animal Portrait. I can honestly say it was the most challenging and humbling photography exercise I had ever done, but I gained so much from it. I can’t believe I learned so much just from that one experience. I look at my images differently now and I find myself assessing and evaluating everything about my work, which is exactly what I wanted out of my membership. I’d say that is a high return on my investment. Next up will be the Feline and Low-Key Portrait Accreditations. I look forward to the challenges these two categories will bring to me. I recently joined the Eastern Ontario Board of Directors as their Branch Secretary. As a new member, I find participating in the branch meetings and joining the many webinars available across the branches has really helped me learn so much more about the organization and its inner workings. More importantly, it helps to promote a stronger sense of community and the opportunity to network with other professionals and entrepreneurs in our field. Networking with my fellow photographers provides me with new photographic ideas and techniques. I have also found that listening to the experience of others gives me a new energy to improve myself. Minus the lockdowns and covid restrictions my business has been successfully running as a mobile studio since the August 2020 launch. It was the best decision I ever made. Being a business owner is not without its challenges, but I enjoy working through the challenges it brings and I look forward to whatever the future has in store for me and my little business.
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Thank you for giving me this opportunity to introduce myself. I look forward to being an active member of the Professional Photographers of Canada for many years to come.
Mobile Studio
Beth Alexander is a mother, a wife and the owner of Unleash Pet Photography. She is an Accredited Pet Photographer that services Eastern Ontario in her Mobile Studio. Her goal for Unleash Pet Photography is to spread joy and happiness through fun and natural pet photography, so that clients have a treasured keepsake to proudly display in their home and to be able to support local non-profit animal organizations through animal photography and events. She does not believe that the camera makes the photographer, it’s what the photographer does with the camera that matters. Her favourite lens is a “nifty-fifty” because it’s cheap and versatile. Web: unleashpetphotography.com Email: beth@unleashpetphotography.com
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Beth Alexander
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2022 ACCREDITATION DEADLINES Even though Covid-19 is preventing in-person accreditation judging from happening at this point, please remember that PPOC is still continuing to judge accreditations five times per year.
Next accreditation deadlines are:
- January 17, 2022, 5 pm EST - April 4, 2022, 5 pm EDT - June 20, 2022, 5 pm EDT - August 29, 2022, 5 pm EDT - October 17, 2022, 5 pm EDT
GET ACCREDITED!
https://www.ppoc.ca/members/member_accreditation.php You have to log into your account to see this page.
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THE FRONT LINE OF THE LENS REVOLUTION.
MORE THAN A WING AND A PRAYER: ORNITHOLOGY ACCREDITATION By Terry Tinkess THERE’S AN OLD SAYING THAT YOU LEARN MORE FROM FAILURE THAN FROM SUCCESS, BUT MOST PEOPLE WOULD ADMIT THAT SUCCESS FEELS MUCH BETTER!
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PPOC SASKATCHEWAN MEMBER TYLER SINGER WOULD PROBABLY AGREE WITH THAT ASSESSMENT. Between November of 2020 and July of this year he went from not even owning a DSLR camera to becoming a Nationally Accredited Ornithology photographer,“I started thinking that this year I’m going to do something different, something that I’ve had an interest in,” says Singer. “I thought, I’m not working right now, so I’m going to take up a hobby. I’ve always kind of had an interest in taking pictures, and I’ve never owned a nice camera. I thought that this was something that I could really be interested in, so I talked to my wife and decided that I was going to buy a DSLR camera.” Singer purchased a Canon 90D and a telephoto zoom lens. After making the initial investment he jumped right in and basically immersed himself with learning about nature and wildlife photography. “There’s been a lot of learning over the past year, and it wasn’t the easiest time to learn, because of the pandemic,” says Singer. “You can’t go out and meet people and talk with them in person, so there was a lot of online learning and getting out and doing things myself and making mistakes and figuring out what I had to do better. It helped keep me sane throughout this whole pandemic. It gave me something to do.” There are a variety of reasons people become drawn into photography. Some see it as a potential business, some enjoy being able to create something, while others try to capture a moment and create an emotional response. Singer fits into all these categories, but each in its own time.
“It interested me. I just kept thinking that I need something to do. There weren’t a lot of things we could do during the pandemic, so I needed something that I could just go out and do. I knew that I wanted to explore nature and explore nature photography. This was something that would allow me to go out, enjoy nature and soak it all in. At the same time, I could take these photos, and maybe share them with people and share that experience. Ultimately, that is what I want to do, to take those moments, because as a nature photographer we get to witness those moments that most people don’t get to see. If I’m able to be out there and capture those moments, and then share them with others, my hope is that maybe I can elicit some sort of emotional response from them. Sharing nature with people is something I really want to do. It is a way I can raise awareness and maybe do a little bit of conservancy as well.” Singer learned about the PPOC thanks to a relationship that reached back to his high school days.
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“I have a friend who I have been close with since High School, and his wife (Erin Ball) is a member of the PPOC,” says Singer. “She is local to Regina, and she saw me posting some things on Facebook and she said, “Hey, I think you’re pretty good actually. Have you ever heard of the PPOC?” She told me all about it, and some of the benefits, and it was right about the time of the conference last year.”
At Ball’s urging, Singer registered for Canadian Imaging 2021 to see what it was all about, and it made an impression on him. “Through the lectures and meeting people online, I determined this was a really great thing and I learned a lot. I decided that If I was going to go any further with photography, I should do this because it gives me a great opportunity to meet so many incredibly talented photographers and maybe it will give me something to shoot for.
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To meet them, to connect with them, to talk with them, and to learn from them, that is what I have been using it for right now.” One thing that Singer quickly discovered is the willingness of members to share their knowledge and experience. “You go on the Facebook group and have a question, pop it in there and you’re going to have multiple people trying to help you out,” says Singer. When I had my first accreditation for Ornithology, I asked if there was someone who could help me out with my submission. I’d just like a second set of eyes that could look at what I’m submitting, people maybe who had been successful with the Ornithology accreditation in the past. I had three or four people who right away said sure, I’ll totally help you out with that. Having someone look at it and tell you that they think it has a really good chance of being accepted made it a whole lot less stressful.”
Singer says he would not hesitate to recommend membership in the PPOC to anyone who wants to take their photography to another level. “It is the only place where you have the opportunity to meet so many great photographers that you wouldn’t otherwise have a chance to meet,” he says. “There is so much that you can learn from this, it isn’t just the technical side of things, there is the business side of things and so much more. There is just so much information that you wouldn’t otherwise have access to, and the people you can meet from all over the country. I think it was a great decision.”
Tyler Singer Tyler began his photographic journey in December of 2020. What began as a pandemic hobby quickly spiraled into an all-out addiction with every passing day that he would be out shooting. Tyler has a true passion for nature and conservation. With this in mind, he views every shot he takes as a way to share the beauty of nature with those who don’t have the privilege of being there in person. He hopes to evoke an emotional response that will bring people closer to nature through his work. As a nature photographer he truly believes that through sharing these amazing moments he will be able to raise awareness for the conservation and protection of nature. You can see his work here: facebook.com/Tyler-Singer-Nature-Wildlife-Photography
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The feedback has encouraged Singer to work on a second accreditation and he is also considering submitting to Salon.
THOSE NO LONGER WITH US By Terry Tinkess IT IS ALWAYS DIFFICULT TO WRITE AN ARTICLE ACKNOWLEDGING SOMEONE’S PASSING WHEN YOU DID NOT HAVE THE PLEASURE OF KNOWING THEM. I HAVE DISCOVERED, THOUGH, THAT SOMETIMES JUST THE ACKNOWLEDGMENT IS ENOUGH. THOSE THAT KNEW THEM HAVE THEIR OWN PERSONAL MEMORIES TO RELY ON, AND BY SHARING THEM, ALLOW OTHERS A GLIMPSE INTO THE LIFE OF THE PERSON THEY WERE.
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Bob Lansdale Bob was a well-known, passionate & artistic professional photographer and photojournalist (HLM MPA). He attended Ryerson (1950) and got his first job at Federal News Photo in 1953 where his photos would appear in the Telegram, Toronto Star & Star Weekly. He started his own business, Robert Lansdale Photography, along with his wife Margaret in 1969. He focused on commercial/ industrial photography, which allowed him to spend much time with his family over the 30 years until retirement in 1993. Bob with his wife Margaret (right) and the presenter, Ed Keeling, PPOC President from 1982-84 (left).
Bob (Robert) Lansdale passed away at Mississauga Trillium Hospital on Tuesday, July 13, 2021, at the age of 90. Since Jan 1997, Bob was the editor of the Photographic Canadiana Journal of the Photo Historical Society of Canada (www.PHSC.ca), a role he held for 24 years. He lived to surpass 100 published issues of his beloved journal.
In 1968 he became president of CAPPAC (PPOC/ PPO), becoming their chief archivist, which itself lead him directly to his new interest in photo-history and to his eventual involvement with the PHSC. His legacy will live on through the Robert Lansdale Photography archive at the University of Toronto and through the extensive curation of his life’s work via his son Robert. (https://www.canadianfilm.com/can_photogs/robert_ lansdale_bio.html)
Evangelos (Angie) Apostolides In1982, Angie and three partners started Beau Photo Supplies, which he became the sole owner of in 1999. A long-time supporter of the PPOC, Angie has been a friend and mentor to many photographers in the Vancouver area. Carol Polloni, the general manager of Beau Photo worked with Angie for 30 of the company’s 39 years. She speaks for many of those who knew him.
He served as president of the Professional Photographers of British Columbia for two years, was a founding board member of the Professional Photographers of Canada, was on the board of directors that established the photography program at Langara College, became a lifetime member of the Royal Photographic Society of Great Britain, was a member of the Professional Photographers of America where he earned a Master of Photography in 1972, and won numerous awards for his portrait work and his service to the photographic community. The Professional Photographers of B.C. awarded him Photographer of the Year in 1965.
It was obvious that photography was his passion. We all learned so much over the years about photography, business, customer service and how to be kind to others. Angie has given us those tools and the opportunity to proudly carry on his legacy for many years to come. He is and will continue to be missed dearly. I am lucky to have a few of his portrait photographs in my office including Louis Armstrong, Queen Elizabeth and one of Angie’s favourites, Bob Hope, which is very fitting. Angie, thanks for the memories!” We stand on the shoulders of those who came before us. Hopefully we can offer the same to those who come after.
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Evangelos (Angie) Apostolides passed away peacefully at his home in Vancouver on July 14, 2021. Angie immigrated to Canada in 1951 and settled in Vancouver. He worked for Campbell’s Studio before opening Atlas Studio with the help of his brother Basil. In 1962 he opened Evangelos Photography in the Hotel Vancouver and relocated to West Broadway in 1967.
“After having worked with Angie for over 30 years, I can honestly say he was one of the most generous, kind people that I have ever met. From the time I started, I saw how he would go out of his way to help a photographer in need – whether it was MacGyvering some sort of bracket to hold a flash or sourcing out the perfect item for a job. He was quick to share his knowledge with all – from students to pros, and especially the staff at Beau.
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THE VALUE OF MEMBERSHIP IS LONG LASTING FA L L 2 0 2 1 | G A L L E R I E M A G A Z I N E | 3 0
By Terry Tinkess THE NAME MICHELLE VALBERG HAS, FOR OVER THIRTY YEARS, BEEN SYNONYMOUS WITH IMAGES OF CANADA, ITS PEOPLE, WILDLIFE, AND THE NATURAL WORLD. HER WORK ADORNS THE WALLS OF NUMEROUS EMBASSIES AND GOVERNMENT INSTITUTIONS AND HAS EVEN FOUND ITS WAY ONTO CANADIAN POSTAGE STAMPS. SHE IS A NIKON AMBASSADOR, THE FIRST CANADIAN GEOGRAPHIC PHOTOGRAPHER IN RESIDENCE, A FELLOW OF THE ROYAL CANADIAN GEOGRAPHIC SOCIETY, AND THE EXPLORERS CLUB IN NEW YORK CITY. SHE IS A PUBLISHED AUTHOR, A PHILANTHROPIST, WIFE, AND A MOTHER. HER WORK IS VERY PERSONAL AND, IN MANY WAYS, DEFINES WHO SHE IS. She is also a Nationally Accredited member of the Professional Photographers of Canada, accredited in seven categories, to be exact. Her career has risen to a level many can only dream of, but it is interesting to note the role the PPOC has played in her success and that she remains a member even as her career continues to flourish. Valberg completed her formal education in Ottawa, and it was upon graduation that she first became aware of the PPOC. It was Jean Chartrand, who passed away earlier this year, who made the introduction. “Jean Chartrand, he was such an amazing guy,” says Valberg. “I was doing video when I graduated. I was very young; I was in university when I was 18, 17 when I started. I did Fine Arts (University
of Ottawa) and then I went to Algonquin, so when I graduated, I was very young, and a female in a male-dominated industry.” There were, Valberg adds, many established photographers in the area, Jean Chartrand being one of them. She decided to learn how to do video, and strategically place herself as a mid-range option. “There was no one in that in-between stage. Everyone was either very, very low end or high end, which nobody could afford to do. It was an amazing opportunity for me to go to weddings and see photographers at work, all kinds of photographers, good photographers, bad photographers, to see their different styles. It was a good opportunity to see how that would translate into my world. Jean was so caring, and he embraced me and said, “You have to join the PPOC and here’s why.”’ Valberg took his advice and found out what the PPOC had to offer. That was in 1991, and in 2021, she is still a member with Accreditations in Fashion, Fine Art /Photo Decor, Nature, Pictorial/ Scenic, Child Portrait, General Portrait, and Environmental Wedding. Not all Valberg’s influences came through the PPOC, there was a serendipitous meeting with two photographer brothers by the name of Karsh which also played a role. Malik, she says, was her friend, although it was Yousef who influenced her portrait photography.
She credits her interaction with Yousef Karsh as influencing her portrait photography through his way of interacting with his people and how he “brought out their soul.” “I’m as excited today to take somebody’s portrait as I was 30 years ago,” she says. An extremely busy schedule means that Valberg can’t participate as much as she would like in the activities of the PPOC. “I don’t participate enough, I know that,” she says, “but I just don’t have the time with all the travelling I do, and I know that is an excuse, but when I’m travelling, I can’t commit. It doesn’t mean I don’t see the value in being a member of the PPOC. First, it’s Canada, and second, it’s my Ontario Association and I think it is important to always show your support. No matter where you go, or how far you go, or where you are in your career, it is important to be involved.”
Karsh and me
“When I first met Yousef, he was speaking at my parents’ golf club. When he came in, everyone was saying “She’s a photographer, she’s a photographer.” I’m tall, and he’s short, so he comes over and looks up to me and says, “You’re a photographer, I hear?” I said yes and he asked me what I did, and I said pretty much everything, weddings, portraits. He asked if I made a living through photography, and I said yes, I do. He asked, “Solely by photography?” and I said yes, and he patted me on the cheek and said, “You’re a photographer.” That little bit of validation had an impact on Valberg, but so did being invited to visit him at his studio in the Chateau Laurier where she had the opportunity to talk with him about photography and observe.
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Ever a businessperson, the benefits, such as a discount on insurance and royalty-free music don’t go unnoticed but there is also the opportunity for continued learning by participating not only in the Accreditation process, but in Salons as well.
“I did submit a few prints, and sat through the judging, which, I’ll admit, was very frustrating to me, but it stuck. There is huge value in the judging and the critiquing. It’s just another valuable lesson.” The world today is very different than the one which Michelle Valberg brought her talent in photography to in 1991, but she is adamant that success is very much up to the individual, no matter who you are.
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“The choices were there thirty years ago,” she says. “It’s all about you, it’s not about the industry, you can make it anywhere, it’s about your commitment. You must live and breathe photography, it must be a part of you, and it’s a constant, changing evolution.
The future is there for anyone who believes they can do it. And remember, just because you have a good camera doesn’t mean you’re going to be a good photographer. It’s trial and error, knowing that you aren’t going to please everyone, which can be devastating. As a photographer, or any artist, for that matter, we question our work all the time. I think that is an important part for us, as creative people, that we do question ourselves because it makes us stronger. It is such a personal thing.”
For over 30 years Michelle Valberg has focused her camera on people, wildlife and landscapes with the intention of transforming simple beauty into a deeper reflection of humanity. Her thoughtful portrayals of the natural world aim to draw viewers toward the idea that we all need to be better stewards of our natural world. By developing a deeper awareness of the connection between people, animals, and the environment, Michelle believes that we can be inspired to take action in our local communities and beyond. Michelle is a Nikon Ambassador and the first Canadian Geographic Photographer-in-Residence. She is a fellow of the Royal Canadian Geographic Society and the prestigious Explorer’s Club in New York City. Michelle has self-published 4 books, her photographs hang in embassies around the world and she has been published in numerous international magazines. She was recently awarded the Julia Margaret Cameron Award for Women Photographers and top prize in the Big Animal International Photography Competition in the Terrestrial Category. “The natural world mirrors what we see in ourselves... our beauty, our simplicity, our complications, and our responsibilities. Nature is a part of us and reflects who we are. As a visual storyteller, it is my mission to educate, inspire, and immerse my viewers in the beauty and wonder of planet earth.” Michelle Valberg https://www.michellevalberg.com/
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Michelle Valberg
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1-888-643-PPOC (7762) info@ppoc.ca ppoc.ca
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SO YOU WANT TO BE A DOG PHOTOGRAPHER? FA L L 2 0 2 1 | G A L L E R I E M A G A Z I N E | 3 6
By Holly Montgomery THERE ARE A LOT OF CHALLENGES TO CONSIDER WHEN DECIDING TO PHOTOGRAPH DOGS. LIKE MANY CAREERS THAT INVOLVE ANIMALS, THE AVERAGE PERSON MIGHT ASSUME THAT YOU GET TO CUDDLE AND PLAY WITH DOGS ALL DAY. THAT ISN’T ALWAYS THE CASE.
GET READY TO LOOK REALLY FOOLISH IN PUBLIC
HERE ARE A HANDFUL OF THINGS TO CONTEMPLATE IF YOU’RE THINKING OF BECOMING A DOG PHOTOGRAPHER.
Many photographers in other genres are fairly lowkey, with their tidy, professional outfits and their designer camera bags.
ANTICIPATE GETTING WET, DIRTY, COLD AND POSSIBLY “STEPPING IN IT”
When a dog photographer walks onto the scene, they’re often seen sporting blue jeans or leggings, a t-shirt, and sensible shoes (You read the point above, right? No way we’re dressing up!).
When photographing dogs, it’s important to immerse yourself in the dog’s world! This means, getting low to the ground and allowing your subject to tower above you in order to transform them in their photograph into the majestic beast that they are. Depending on the time of the year and your location, this could mean rolling on your belly in the snow, sitting in the middle of a chilly river, covering yourself in wet sand or mud, or WORSE to get the shot. Sometimes after a cold, snowy session or a dip in the river it can take hours before my body temperature is back to normal again!
A dog photographer at work sticks out like a sore thumb at the park!
In addition to their casual attire, they often have a treat bag wrapped around their waist, and I myself wear a paracord “necklace” from which dangles an assortment of noise makers including one that‘s actually called a “rabbit in distress” call. When not in use, the animal calls make a lovely “jangly-clicky” sound when they knock together so you always know when I’m in the vicinity!
Photo of me with my necklace
Are you willing to do the same?
BE PREPARED FOR YOUR GEAR TO GET TRASHED If you’re protective of your gear, you’re not going to like this one. You’ll need to be on high alert if you want to prevent your camera bag or light stands from being used as a doggie toilet… because after it has happened once, you know every subsequent dog client is going to have to re-enact the nasty deed. You’ll never get the smell out. Never. Each dog will always find it and stake their claim on top of it. Dog photographers are also more likely to get their gear dirty, wet, and sandy, and of course, covered in slobber. During one session I even had a dog smash right into my camera and eyeglasses whilst trying to get an incredible action shot of a dog running toward me. I guess he forgot to hit the brakes?
YOU’LL NEED TO BECOME BARK-LINGUAL The most important aspect of becoming a dog photographer is learning to speak “dog”. Learning to understand what a dog is telling you is going to prevent you from being bitten, it’s going to increase the likelihood of getting great, natural shots, and it’s going to make the session more enjoyable for everyone. This point I cannot stress enough: If you want to become a dog photographer, study dog body language first. No exceptions.
YOU’LL NEVER PACK “LIGHT” AGAIN In addition to your camera body, lenses, and lighting gear, be prepared to pack along: • Water and poop bags (for the dog, not for you) • Noisemakers and treats • A long line to keep the dog safe and on-leash during your session (you’ll edit those out later) • Balls and toys • Dog-friendly mosquito spray • I’m sure I’ve forgotten something…
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And the thing about those noisemakers is, I’m not afraid to use them in public! And I’m not afraid to bring out the fart noises and kitty hissing sounds if I have to too!
GET READY FOR LOSS… A LOT OF LOSS AND HEARTACHE The hardest part of being a dog photographer is dealing with loss because dogs seldom outlive their owners, or their photographers. Be prepared to receive last minute calls to photograph dogs who are sick and are ready to move on to the next world. You’ll need to rearrange your schedule and bring tissues to your shoot because these sessions are not easy on anyone.
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And once the dog has crossed over the rainbow bridge, you’re going to feel that too. And in many cases, you’ll wind up doing a little counseling to grieving pet owners. This never gets easy. Every time I look at a photo of a dog that’s passed, I tear up and relive it all over again. Although it’s heartbreaking to lose a dog, it’s pretty amazing when you get those random emails years after a session, simply thanking you for capturing a dog’s legacy so well because the images have brought a pet owner so much comfort over the years and helped them to heal.
Every job has its challenges, and despite my tonguein-cheek look at some of a dog photographer’s biggest obstacles, there’s no subject I’d rather have in front of my lens than those of the tonguewagging and four-legged variety! There is no subject more challenging and it’s so rewarding to nail those shots that make the most wiggly, uncooperative dogs look like they’re competitive obedience title holders. You can use your talent to help a long-term shelter dog find a home, or you can simply make people smile by sharing beautiful photos of happy dogs online. Your doggie subjects will never make a “Chandler Bing” face when it’s time for their close-up and they won’t complain about their weight, ask you to remove their wrinkles, or make them look thinner either! And yes, don’t forget the puppy cuddles! There’s also that!
Holly Montgomery, CPP Holly is an award-winning, accredited dog photographer based in Calgary, Alberta. She is best known for her ability to create stunning images that capture a pup’s personality in a candid, respectful way. Additionally, as a pet food store owner (x2) she’s dedicated her career to helping pet parents understand and care for dogs of all ages and dispositions. PPOC Nationally Accredited Dog Photographer PPA Certified Professional Photographer Owner/Photographer at BrindleBerry Acres www.brindleberryacres.com bark@brindleberryacres.com FB: BrindleBerry Acres IG: brindleberryacres
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DO YOU STILL WANT TO BE A DOG PHOTOGRAPHER?
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New year. New look. Professionals like you have been beating a path to Vistek over the past 40-plus years because you know exactly what to expect: a five-star shopping environment stocked with familiar gear from the brands you trust, along with a sales team of imaging-industry pros you’ve gotten to know and who in turn know you and how best to meet your needs.
recommendations on special-order items that haven’t crossed their radar yet and helpful advice from knowledgeable staff on key points they might not have even considered before. Along with everything else, we take pride in delivering pleasant surprises. And as the year draws to a close, we’ve saved the best one for last: extensive renovations to our flagship store in downtown Toronto and our busy Calgary location designed to enhance the overall shopping experience in ways you never expected.
But photographers also come here for things they don’t always expect: brands they might not have heard of and won’t find anywhere else,
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At these locations, you can now walk onto an open-concept retail floor and see the full range of available gear at a glance, with more accessible product showcases and dedicated spaces that let you get up close and personal for a truly hands-on experience. In keeping with the times, our sales stations have also been outfitted with plexiglass barriers to help keep everyone healthy and safe. Be sure to drop by as soon as you can. We think you’ll be pleasantly surprised.
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ABOUT THE COVER
PROFESSIONAL PHOTOGRAPHERS OF CANADA (PPOC) is a diversified group of creative artists dedicated to the highest standards in professional imaging. We welcome photographers of all genres to join our community of dedicated professionals.
WESLEY By Josée Talbot, MPA I PHOTOGRAPHED THIS MAGNIFICENT HORSE AT A PRIVATE WORKSHOP I WAS GIVING IN AUGUST 2020. ALTHOUGH THE WEATHER WAS WONDERFUL, I WANTED TO WORK IN LOW LIGHT IN ORDER TO SHOW MY CLIENT HOW TO GET MORE ARTISTIC IMAGES WHICH ARE DIFFERENT FROM MORE TRADITIONAL EQUINE PORTRAITS. Wesley is an Appendix (Thoroughbred Quarter-Horse Cross) gelding. He has a really expressive head, special features and a very sweet look that I wanted to highlight. We were in the indoor arena, near a large open door to let in the light. We positioned the horse inside in front of the door and we were in front of him, inside too. One person was holding a reflector in order to unblock the shadows a bit (I rarely use a flash when photographing horses). We were just before noon so the light was high and avoided unwanted shadows on our subject. The horse was calm and the person holding Wesley was letting him move his head and neck, and at one point he turned and showed Wesley, before retouching us his best profile. The light was diffused and put him perfectly in value! I was delighted!
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When the day was over, I immediately looked at this image in Lightroom and made some basic adjustments to it. Then, in Photoshop, I removed some visual pollution, removed the leash and added a texture that I had created in one of my software (Topaz Impression). I kept the original color of the background because I found it to complement the warm, dark hues of Wesley’s coat color well. At the last National Image Competition in 2021, Wesley got a score of Excellence in the “Animals” class. My image was a finalist for Best in Class but it was another image that won the title, however it was an honor to be a finalist! It is also part of the PPOC Loan Collection for 2021. A great honor! This image represents the kind of images that I love to create!
Did you know you can become a member of Canada’s oldest and most recognized professional photography association for as little as $27 monthly (plus tax)? Aspiring membership will entitle you to discounted pricing on educational events, access to a peer network upon whose knowledge you can draw, preferred rates with many of our industry partners, critiques of your imagery, and will open the door for you to submit for Accreditation in your chosen photographic field(s). You can even sign up for a Mentor to help you get the most out of your PPOC membership! Once you’ve achieved your Accreditation, you’ll be able to upgrade to full “PPOC Accredited Photographer” membership status, and will be listed on our “Search for a Photographer” feature on our website. You can promote yourself using the PPOC Logo and will also be eligible to vie for prestigious awards in National Image Competition, and to work toward earning the designations of Craftsman of Photographic Arts (CPA), Master of Photographic Arts (MPA), and Service of Photographic Arts (SPA). Are you ready to take your photographic career to the next level? Become recognized as a member of PPOC, stand out from the crowd, and take advantage of the benefits of membership!
Wesley, final image
Josée Talbot, MPA
Photo credit: Vanessa Dubé-Caron
PPOC offers photographers a way to rise to professional status. Educational opportunities, networking, direct member benefits and the ability to earn awards and designations will assist in your potential for growth and economic improvement.
Create an Aspiring membership profile by following the links to join at www.ppoc.ca, and activate that membership with payment in full online, or by contacting us by phone at (888) 643-PPOC (7762) to set up a convenient monthly payment plan using your VISA or MasterCard.
I live in a small village in Lotbinière County, on the south shore of Quebec City. My passion for horses naturally led me to photograph them when I returned to photography in 2007. I have specialized in equine photography since then, having first been a horse show photographer for several years. I’ve been riding and showing horses since I was 12 y.o. Guess you could say I’ve been around them most of my life! I have been a member of the PPOC since 2014 and accredited in Equine, Fine Art and Botanical. I got my CPA in 2020 and my MPA in 2021.
Apply TODAY!
talbotphotoart.ca | facebook.com/TalbotPhotoArt josee@talbotphotoart.ca | 418-881-3998
MAILING ADDRESS: 209 Light St. Woodstock, ON N4S 6H6 Canada
https://ppoc.formstack.com/forms/ membership_application_web CONTACT 1-888-643-PPOC (7762) Phone: 519-537-2555 Info@ppoc.ca | www.ppoc.ca
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