Comparitive Analysis Objective
To Study and compare letter forms of 3 typefaces of the same classification
Classification
Humanist Sans Serif
Typefaces
Gill Sans MT, Frutiger, Humanist 777
Areas of Analysis
Basic characteristics: List of distinctive characters Comparison between Glyphs Differences in selected characters Ratio of x height and Cap Height Ratio of x height and Ascender Height Ratio of M width and Height Ratio of O width and Height Notes on: Joints Ending Terminals Angle of stress Difference in thickness of strokes Shape of brackets Other characteristics In a paragraph of text count the number of characters in given space for the same type size and line space
Gill Sans Eric Gill |1968-76 Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890
Gill was commissioned to develop his design into a full metal type family by Stanley Morison, an influential Monotype executive and historian of printing. Morison hoped that it could be a competitor to a wave of German sans-serif fonts in a new “geometric” style, which included Erbar, Futura and Kabel families, which were being launched to considerable attention in Germany during the latter 1920s. Gill Sans was released in 1928 by Monotype, initially as a set of titling capitals that was quickly followed by a lower-case. Gill’s aim was to blend the influences of Johnston, classic serif typefaces and Roman inscriptions to create a design that looked both cleanly modern and classical at the same time. Marketed by Monotype as a design of “classic simplicity and real beauty”, it was intended as a display typeface that could be used for posters and advertisements, as well as for the text of documents that need to be clearly legible at small sizes or from a distance, such as book blurbs, timetables and price lists. Designed before setting documents entirely in sans-serif text was common, its standard weight is noticeably bolder than most modern body text fonts.
Other Fonts by Eric Gill Perpetua Joanna
Frutiger Adrian Frutiger |1971 Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890
In 1970, Frutiger was asked to design signage at the new Charles de Gaulle Airport in the Roissy suburb of Paris. The “way-finding-signage� commission brief required a typeface both legible from afar and from an angle. Frutiger decided to adapt Concorde using legibility research as a guide, and titled the new design Roissy.[25][26] In 1974, the Mergenthaler Linotype Company commissioned Frutiger to develop a print version of Roissy with improvements such as better spacing, which was released for public use under the name of Frutiger in 1976. Extremely legible at a distance or at small size, Frutiger became hugely influential on the development of future humanist sans-serif typefaces
Other Fonts by Adrian Frutiger Univers Avenir
Humanist
777
Adrian Frutiger |1968-76 Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890
Bitstream is known among type enthusiasts and professionals alike as being one of the companies that lead the way towards the democratization of type. For centuries, the type world had been the exclusive domain of skilled typographers who worked large, cumbersome presses. With the birth of digital type though, came a revolution in the industry that enabled Bitstream, one of the first digital type foundries, to help grow the desktop publishing industry. Frutiger was also released by Bitstream under the name Humanist 777 and by Fontsite as FrontPage.
Other Fonts by Adrian Frutiger Frutiger Next Frutiger Serif
Size comparison 55pt Gill Sans MT regular
55pt Frutiger Regular
55pt Humanist Regular
Comparison of X height to cap height
xX
8.7mm
13.225mm
xX
9.9mm
13.6mm
xX
9.75mm
13.47mm
Comparison of x height to Ascender height
xb
8.7mm
13.225mm
xb
9.9mm
13.6mm
xb
9.75mm
13.47mm
Comparison of the width to height ratio of letter forms M & O
14.25mm
14mm
O 13mm
13.55 mm
13.5mm
13.25mm
O
0.928
M
1.066
14.8mm
13.57mm
12.3mm
1.050
M
1.096
14.45mm
O
0.871
12.2mm
14mm
M
0.928
Comparison on Anatomy
O O O Angle of stress
Terminals
Joints
Ending
Difference in thickness of strokes
Typeface comparison Font: Gill Sans MT Weight: Regular Text size: 12pt Leading: 14.4pt Size of Text block: W- 136.525mm H- 52.808mm Lines: 10 Word count: 110 Character count: 784
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Font: Frutiger Weight: Roman 55 Text size: 12pt Leading: 14.4pt Size of Text block: 136.525mm 52.808 Lines: 10 Word count: 100 Character count: 665
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Font: Humanist Weight: Regular Text size: 12pt Leading: 14.4pt Size of Text block: 136.525mm 52.808 Lines: 10 Word count: 101 Character count: 698
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Conclusion Gill Sans and Frutiger both were created as display type, with Gill Sans being Marketed by Monotype in its early days as a design of "classic simplicity and real beauty", it was intended as a display typeface that could be used for posters and advertisements, as well as for the text of documents that need to be clearly legible at small sizes or from a distance. And Frutiger was created as a part of the signage system for Charles de Gaulle airport and is designed to look modern and legible at various angles, sizes, and distances. Ascenders and descenders are very prominent, and apertures are wide to easily distinguish letters from one another. Humanist 777 on the other hand was an adaptation of Frutiger edited and released for public use by the open source community, and is still credited to Adrian Frutiger. Some of the noticeable changes in Humanist 777 and Frutiger are The contrast between thick and thin strokes are more evident in Humanist 777 The crotch in the letters are deeper than Frutiger The tittle on the lowercase i and j are smaller when compared to Frutiger The angles of the w are narrower in Humanist 777 The cross bar of the upper case T in Frutiger is wider when compared to Humanist 777 The End on the top of G has a different angle in Frutiger and Humanist And overall Humanist seems to be a slightly condensed version of humanist. Gill Sans and Frutiger While both have been developed as display fonts the objective and significance are varied, gill sans was developed as a font to be used in print, such as posters and advertising material. Frutiger was developed as a font to be used in a signage system. Gill was developed with the view of having a font that would become a competitor to the German geometric fonts, the main objective behind Frutiger was to make a font that would maximize readability.