No 2
LUXURY D EL F R E G LA TY U D N O M O T N A H E P V O L N P A S S I O NDS LEGE
A celebration of time Toric Hémisphères Rétrograde
Manufactured entirely in Switzerland parmigiani.com
ASCONA Gioielli-Orologi Herschmann | BASEL Gübelin | BERN Gübelin | INTERLAKEN Kirchhofer KLOSTERS Maissen | LUGANO Gübelin | LUZERN Gübelin, Les Ambassadeurs | ST. GALLEN Labhart-Chronometrie ZERMATT Haute Horlogerie Schindler | ZUG Lohri | ZÜRICH Gübelin, Les Ambassadeurs
tamara comolli fine jewelry munich - lake tegernsee - sylt - southampton - palm beach - marbella - forte dei marmi
World Novelty ONE by Josko. Uncompromisingly symmetrical and only half as wide as usual windows and doors. www.josko.one
The new avant-garde family by
SHEER LUXURY IN 16 COLOURS MADE OF 100 % WOOL
WWW.OBJECT-CARPET.COM/MANUFAKTUR
PHOTO: GREG WILLIAMS
OLYMP.COM/SIGNATURE
GERARD BUTLER’S CHOICE
THE SHIRT YOU CAN WEAR LIKE NO OTHER.
EDI T OR’S L E T T ER
LUXURY IS NO LUXURY Dear reader, The Latin word for luxury, in its original form, means wastefulness and abundance, even demonstrating a way of life that stands out from ordinary social life because of its exclusive characteristics and often represents itself as a symbol of success and status. Completely outdated, from today’s point of view - one might think. Because there is no luxury anymore. Is it really like that? Or is it theoretically about how luxury is defined in the future? Luxury has long since established itself as a mass phenomenon under the name ‘new luxury’, thereby historicizing the classic concept of luxury as ‘old luxury’. Currently, the next big wave of change takes place in the sense of luxury, driven by the deeply human needs of the customer. “Luxury has always been defined in many ways and has never been purely material. Luxury is something that touches your senses, it can also be immaterial. A moment, for example, that can not be reproduced”, said Rolls-Royce CEO Torsten Müller-Ötvös in an interview. The right luxury at the right time? And if it were not for the dream of luxury - whatever every single person in his time may mean, flowing water, a diamond ring, a Rolls-Royce or just more free time - what then? Luxury, as long as it does not become commonplace, symbolizes the rebellion against the economic scarcity. More than a dangerous temptation, it acts as a creative impulse. Second Life & Sharing, Co-Creation & Customization, Digital Detox & Sustainability, Health & Mindfulness are transforming luxury markets substantially and radically. Noteworthy: the industry itself is not the driver of change. “It is the customers themselves who provoke start-ups and visionary entrepreneurs who have remained faithful to their ideals of sustainability and sensible consumption. And so become a role model”, as Petra-Anna Herhoffer of INLUX predicts. Status quo was yesterday, today is change. What does this mean for us? Especially great new opportunities! We now have the exciting opportunity to redefine what luxury is. Doesn’t luxury also mean taking responsibility for my actions, for other people. And aren’t other people like Peter Lürssen, Ruth Gombert, Hanan Mazouzi, Jean Nouvel - presented here in the issue, also taking responsibility? Even though they all create or create something that by far exceeds the concept of luxury in most people around the world? The new luxury - history in the making. You have to be strong, modest, friendly, respectful and empathetic. These are the values we must strive for. And so I accept this luxurious feeling, indulge in it to give you, dear readers, a wonderful magazine. Luxury is no longer just about what it costs - but what we make of it. With that in mind, be inspired by the latest edition of R 2M One.
Joachim Fischer 15
IMPRINT
R 2 M ONE
EDITION N o 2
CONTRIBUTING PHOTOGRAPHERS
PRINTING Druckhaus Waiblingen GmbH Albrecht-Villinger-Straße 10 71332 Waiblingen www.dhw.de
HEAD OF PRODUCTION Claudia De Feo / Johanna Appenzeller
Annabel’s Magazine, Biennale Di Venezia, Mathieu Bitton, Celebsfirst, Christie’s, Claudio Endres, Isla Sa Ferradura, Getty Images, Feng J, Klaus Jordan, Lenny Kravitz, Karl Lagerfeld(t), Louvre Abu Dhabi, Kiram Mazouzi, Hermann Nachbaur, Dom Perignon, Guillaume Plisson, Marc Ricconi, Rolls-Royce Motorcars, Oliver Reetz, Frank Riedinger, Christof R. Sage, J. Konrad Schmidt, Hanan Sobati, Wagner Preziosen, Wellendorff, Archive
EDITORIAL OFFICE
EDITORIAL - PRODUCTION
EDITOR IN CHIEF & CREATIVE DIRECTOR Joachim Fischer Joachim.fischer@premiummedia.net MANAGING DIRECTOR Martin Rebstock / Berthold Dörrich ART DIREC TOR
Benjamin Tafel . www.byben.de
Victoria Macmillan Bell
CONTRIBUTING WRITERS Maximilian Balázs, Berthold Dörrich, Amira Elraghy, Joachim Fischer, Cher Jacobs, Alejha Loren, Dr. Hans-Joachim Petersen, Alec Rustec, Clemens Ritter Von Wagner, Chris Rowlands, Ruben J. Stewart, Björn Springborum, Michaela Suska, Carsten Thomas
premiummedia GmbH Ein Unternehmen der KD Group Mörikestraße 15 . 70178 Stuttgart Germany
POST PRODUCTION - PREPRINT Vetter Mediendesign Margarete-von-Wrangell-Straße 2 65779 Kelkheim www.vetter-mediendesign.de
Tellingstoriesisanart.Wedothisinaveryemotionalway.Magazinesatpremiummediaareindividualpublicationsandtailored to the preferences and interests of their readers, exclusively. Thesubtledifferenceinpurchasingpowerandtherespective lifestyles of the readership is particularly taken into account
ADVERTISING PRICE LISTS · MEDIA FACTS Price lists of 2019 apply www.premiummedia.net
ADVERTISING - MEDIA SALES premiummedia GmbH Mörikestraße 15 . 70178 Stuttgart . Germany www.premiummedia.net
Momberg Media Bernd Momberg bm@momberg-media.de ph: +49 (0) 561 521 84 82 mobile: +49 (0) 172 566 18 81 Sage Press Barbara Sage mobile: +49 (0) 172 881 07 07 sage.press@t-online.de
SALES & DISTRIBUTION
Su Gazis info@premiummedia.net ph: +49 (0) 711 38 03 03 – 0
Gold Key Media Germany GmbH 69115 Heidelberg
Maximilian Balázs maximilian.balazs@premiummedia.net ph: +49 (0) 711 380303 – 450 mobile: +49 176 706 711 49
Joachim Fischer
here.Thechoiceoftopics,journalisticcompetenceandafine presentationarejustafewofthefeaturesandcharateristicsof thesemagazines–souniquethatyouwanttocollectthem.That isourclaim.R2MONEisafreemagazinewithapartialcirculation forGerman-speakingRolls-Roycedealers,membersoftheRolls-
V.I. S .D.P PUBLISHER premiummedia GmbH info@premiummedia.net www.premiummedia.net
Royce Enthusiast Club (RREC) and selected partners. © Stuttgart: September 2019
ART.-NR. PL19.0002
MOBILITY. LIFESTYLE. TRAVELLING. NR. 50 / EUR 9,80
INTERNATIONAL MEDIA SALES
LEG E NDARY
WHAT’S
NEXT
B
ÄUMS
50
IL
E
JU
STEIN HOTEL & LIVING MAGAZINE
AUSGA
B
No 2
Was kommt? Was bleibt!
ALTHOFF • Althoff Hotel Collection Magazine • 2 x a year
16
2
R M ONE
GO SIXT • Relax & Discover 4 x a year
RETROWELT • Magazine for Livestyle & Driving Culture • 4 x a year
LEGENDARY • Hotel Stein Salzburg Magazine • 2 x a year
SMAC • St. Moritz Automobil-Club Magazine • 2 x a year
Make it yours ! Stylish storage and shelving for every room in your office or home. USM adjusts to your collections, your interests and your life.
www.usm.com
USM U. Schaerer Sons Ltd 49 – 51 Central St London EC1V 8AB 020 7183 3470 info.uk@usm.com
CONTENT 46
CITY VIBES Phantom off duty. Today it‘s just me, a Rolls-Royce Phantom and the streets lit up by lanterns. Yeah!
24
PORTRAIT Reflections of the fashion tsar, who not only had fashion, but also petrol in his blood.
56
NIGHT OUT A glance at the only nightclub the Queen has ever visited – and how it looks today.
34
INSPIRATIONS Seeking mening? Balancing envirionment and dreams? Sustainability is the new luxury!
76
PASSION jewellery design – where Orient meets Occident.
66
LONDON‘S FINEST Brtish drinking culture doesn‘t stop at the pub door. Just don‘t blame us for the headache! 18
2
R M ONE
88
PERFECTION A symphony of diamonds and precious jewels
146
WILD SIDE Tradition – not folklore: On the hunt with the golden eagles.
114 TIDE
102
Running a family business in an exclusive world of its own.
BLACK BADGE When the night reaches its climax, the adventure only begins.
136
FAR-OUT A run with the woman behind the most extraordinary automobile club of the UAE.
STANDARDS
15 16 18 22
EDITORIAL IMPRINT CONTENT CONTRIBUTORS 19
CONTENT
158
INSIGHT Creativty beyond the genre: Dom Pérignon X Lenny Kravitz.
230
EVENT LOUNGE Experience the matchless.
168
TIME OFF Spotlight on the Mediterranean.
192
IMAGINE The Louvre goes Abu Dhabi. C
M
Y
CM
MY
CY
CMY
K
164
DELIGHTS Francis Ford Coppola. Think Godfather? Think wine!
222 RREC
Enthusiasts at close proximity with the lady.
202
ART NEWS A summer of exhibitions, openings and performances
20
2
R M ONE
CONTRIBUTORS
DR . HANS - JOACHIM PETERSEN
When speaking about remarkable exhibitions of contemporary artists, there is no way around Dr. Hans-Joachim Petersen. The historian, philosopher and art historian is the author of numerous essays in art magazines, was culture editor at the German television station ZDF and worked for Bertelsmann AG and ArtNet in New York. Since 2007 he has realized numerous exhibition projects of internationally renowned contemporary artists as a freelance curator in museums and galleries throughout Germany.
LENNY KRAVITZ
AMIR A ELRAGHY
He has many talents: as a legendary musician for decades, successful as an actor and designer, and beyond that, photography has long since become part of his creative personality. “I used to play with my dad’s Leica camera but had no idea how to use them, I was attracted to the camera and design.”
MARK RICCIONI
It was in the ‘Gentleman’s Tourer’ at the Geneva Motor Show, that automotive culture photographer, Mark Riccioni, had the idea to capture this exceptional car in an exceptional way. Riccioni went to work choosing the streets of London as the backdrop. He scoured the streets to find ‘locations that reflect the zeitgeist that informed the commissioning patron’s vision for his motor car.’
22
2
R M ONE
The Arab world is her speciality. Since her childhood, she has studied her mother’s magazine with utmost interest. The prospective classic career in any office was never really an option for her. As an editor of magazines like VOGUE, GQ and others, she has fulfilled a dream and made writing a profession. For us, she met with Hanan Mazouzi Sobati, founder of the Arabian Gazelles
FENG . J
She is the young, leading high end jewellery designer in China. After obtaining a Masters Degree in Jewellery Design at the University of the Arts, London, she worked for the jewellery department of Alexander McQueen in London and then moved on to Paris, to the legendary BJO Formation studying European jewellery craftsmanship. Feng.J has her atelier at Place Vendome in Paris where she produces her exquisite oneof-a-kind creations.
RUBEN J. STEWART
He defies all adversities. Whether off-road with the Rolls-Royce Cullinan to Iceland or at home in London: “The bar scene may seem scary at first glance - traditional places are my favorite because they integrate the guests.” No wonder our author was enthusiastic about the newly opened Annabels. We tour his personal selection of bars in London.
F R O M V I S I O N TO W O R L D V I E W Welcome on board a cruise ship fleet without compare – with small, individual ships and a high degree of personal freedom.
Find out more about our luxury and expedition cruises at www.the-world-ahead-of-us.com
24
2
R M ONE
S E N T I M E N TA L J O U R N E Y
t n e r e a diff
VIEW A review of Karl Lagerfeld on Rolls-Royce and floating over things by Joachim Fischer.
The fashion czar not only had Chanel in his blood, but also gasoline. T E X T : JOACHIM FISCHER P H O T O S : KARL LAGERFELD, GETTY IMAGES, ROLLS-ROYCE MOTORCARS
25
26
2
R M ONE
27
28
2
R M ONE
As an aesthete, the fashion czar Karl Lagerfeld, who died on February 19, 2019, naturally also had an opinion on the automobile. Karl Lagerfeld is one of those artists who, with their universal talent, passion and skill, has already earned the respect of experts in several areas. Apart from the world of fabrics and cutting patterns, Lagerfeld, known mainly as a fashion and costume designer, has long made a name for himself and was awarded the Culture Prize of the German Society for Photography in 1996 for his work as a photographer. The Chanel designer once revealed in an interview why he accepted the invitation to photograph a few Rolls-Royce models for an exclusive exhibition. The photo series was made in the summer in the southern French town of Ramatuelle and on the death of Karl Lagerfeld we extracted these photos from our archive. His exhibition was shown at RollsRoyce at Goodwood as part of the art series “Icons of Art”. The previous event with Karl Lagerfeld included exhibitions by John Zinsser, Marie-Jo Lafontaine and Isaac Julien. The series ended at Art Basel Miami. KARL LAGERFELD AT THE TIME:
“Each of my Rolls-Royce photos abstractly represents a concrete reality.”
“I see the world, fashion and automobiles through my camera lens. This allows me to maintain a critical distance to my work. This approach helps me in my perception of reality more than I ever thought possible. Each of my Rolls-Royce photos abstractly represents a concrete reality. The technical medium of photography is a welcome tool of my artistic work and creates my other perspective. “Here is an excerpt from a quote by Torsten Müller-Ötvös (CEO Rolls-Royce Motor Cars) on the exhibition with Karl Lagerfeld:” His inspiring work is from passion, innovation and attention to detail - these are exactly the values we at Rolls-Royce embrace in our work day after day. “Taken from the magazine ‘WWD’ the fashion designer explained his passion for Rolls-Royce: “I love beautiful cars - I like them as objects.”
29
nv ... C a r - e
y:
“ ing v i l t o n r i gh t f y o u’ r e
I C arlo ill e t n o i n M t h e d oor s w n ow, t c h e d . H e r e be sc r a i s yo u d r i ve i n P ar c ar wi t h a a n i c e r , wh o k e e ps c h a u f f e ue y e o n i t . an
„
“
FRENCH CARS BEGIN TO RATTLE AFTER THREE DAYS FRENCH CARS ARE TERRIBLE IN THIS RESPECT - AFTER A YEAR, EVERYTHING IS NOISY.
„
… CAR-COLOURS: There was the time before the war with the couturier Jean Patou, who had a white car with a black driver in the south of France and a black car with a white driver in the north of France - that was style - today it would be racism. A world without cars: That’s it, but it would have stunk much more with horse traffic.
”
… TRAFFIC WARDENS IN PARIS: DRIVING A CAR IS ALMOST A CAREER OF ITS OWN RIGHT NOW, I DON’T FEEL LIKE PARKING OR GETTING INTO TROUBLE WITH POLICEWOMEN. IN AUGUST, BECAUSE OF THE TOURISTS RUNNING AROUND, THE SPECIAL ONES ARRIVE IN THEIR NUMBERS, THEY ARE HARD AND BITTER.”
“
30
2
R M ONE
... Driving fast in the car:
“
“
... CARS FROM FRANCE:
”
Karl Lagerfeld on ...
I hate speed, I’m more of a connoisseur, I really want to see something when driving, for a quick trip you have the plane.
“
y n a e r e A r eu t hi m a g i n e c a r s yo g a b o u t? n i m a e r d
d e “ m a e f I dr
I a car, of d own i t . l u o w I ”
... CHROME ON THE CAR:
“
ON MY OWN ROLLS-ROYCE THERE IS NO ELEMENT OF CHROME. EVEN THE GRILLE IS PAINTED THE SAME COLOUR AS THE CAR - CHROME IS SO OLD FASHIONED. I HATE CHROME ON A CAR. ALL THE CARS THAT HAVE CHROME SEEM TOTALLY UNFASHIONABLE TO ME.
”
The photos I took are concrete abstractions unusual perspectives, shots of the shimmering surface and geometry of the cars. It revolves around the reflections of the trees and the sky on a car. The technical medium of photography enhances my artistic work and helps me to develop a different perspective. The exhibition “A Different View” was more about unusual objects. An interesting aspect; the cars were not provided by Rolls-Royce, Lagerfeld photographed his own Rolls-Royce. It was more of an idea, a point of view. Maybe abstract art and at the same time something very concrete. It was a game with lines, it was about a graphic effect. “I don’t want to sell Rolls-Royce with the pictures but play with their beauty, because obviously Rolls-Royce make very nice cars. And I do not say that out of courtesy. I would not say the same about French cars,” says Karl Lagerfeld. Why “A Different View”? Karl Lagerfeld in an interview: “Because you usually always look at a car so directly. My point of view stems from my personal aesthetics which are characterized by various artistic influences, which in turn are reflected in the technical details of a Rolls-Royce. The pictures are not just about technology, they are also about nature. Because the car was indeed created by people, so by nature. I also did a book about trees and the Eiffel Tower ...” In the end however, Lagerfeld was almost always seen climbing out of his favorite car brand, Rolls-Royce, for which he had great sympathy since his photo exhibition. And surely he would now have opted for the Cullinan, the current SUV from Rolls-Royce. For Lagerfeld said in his inimitable way: “I don’t want to ride at the same height as the others.”
Fashion czar Karl Lagerfeld raves for “beautiful cars” especially for examples of the luxury brand ‘Rolls-Royce’.
31
32
2
R M ONE
Bye bye
Karl Lagerfeld
33
I N S P IR AT I O N S
Sustainability
is the new LUXURY At this point we want to pick up a trend. Towards a new form of luxury. Consumption in which people actually seek meaning and balance with their surrounding society and environment. We think our choice combines both luxury and sustainability.
DUTTI LIGHTING The colorful prints of these exclusive lights are the result of drawings painted by Hope School students in the South African province of Eastern Cape. In addition to education and food, the school also provides the children with medical care, appreciation, love and security. With its own non-profit collection, Sois Blessed wants to make a continuous contribution to a perspective in the lives of these children. Motives behind the lighting range come directly from their pictures. 100% of the profits from the sale of the Sois Blessed x Hope School products go to the Hope School. And with this it’s possible to gradually develop and expand the school. Various color variants in two sizes. 34
2
R M ONE
SOIS BLESSED Is more than just a hip concept store in Munich, it‘s a place of encounter and inspiration. For special people and special products. The lingering, fascination and visual highlights of the lovingly furnished rooms give impulse and motivation to try new things whilst at the same time, helping others. First and foremost is Ruth Gombert, founder and CEO of SOIS BLESSED, whose non-profit collection puts luxury in a sustainable, integrated context of responsibility, appreciation and concrete support. Accordingly, in addition to products from their own non-profit collection, there is a wide selection of brands that you would otherwise nd yourself searching for; fashion by Kate Sylvester, lamps by Tom Kühne, jewellery by Alma Frieda and bags by Lili Radu and much more.
Design “WITH A NEW PURPOSE”
www.soisblessed.com
35
STORY TELLING ENVIRONMENTS
36
2
R M ONE
I N S P IR AT I O N S With materials from the children‘s drawings of Hope School, wallpapers were lovingly created. Each model becomes an energetic support for the South African institution which cares for the well-being of local children with a lot of heart and passion.
37
I N S P IR AT I O N S
WELL PROTECTED The term ‚sustainability‘ has emancipated itself from the conventional meaning. In the future, HAND MADE and LONGEVITY will have a significant impact on the entire industry. Future buyer groups will rate the term with completely different seriousness, transparency and depth than with previous generations. However, Ferruccio Vecchi fulfills these criteria, a traditional company that specializes in the manufacture of straw hats and has done so for a long time. A tradition in the production of special, handmade hats, the company is located in the so-called Hutviertel of Montappone and Massa Fermana, where you can also visit a small hat museum. www.ferrucciovecchi.com
CUSTOM-MADE BY HERMÈS Only available for special clients and takes months or even years to arrive.
38
2
R M ONE
BIRKIN BAG Because the demand for the Birkin Bag had been so great from the start, Hermès had to consider how to meet demand. As the changes needed to increase production would be detrimental to quality, the family decided to have the managers of the boutiques control demand. And so, the legendary waiting lists were created. We know no owner will want to part with it. A special example of sustainability. And of appreciation read here on page?
FOOTWEAR FROM THE FACTORY Quality footwear is not a matter of technics, but a matter of expectations. Of oneself, of the manufacture, of the design. All the models by Prime Shoes are goodyear welted in the traditional Goodyear processing. This method is still known only by a few factories. We are one of them.
W W W. P R I M E- S H O E S .C O M P R I M E S H O E S S TO R E S I N M U N I C H , D Ü S S E L D O R F A N D W E I Z ( AT )
I N S P IR AT I O N S
GREEN DESIGN In the high fashion sector, where animal-based materials are always trending, one often searches in vain for a sustainable answer. This is where it usually comes down to making the most extraordinary pieces from raw materials which allows for low-volume production and therefore makes this type of fashion unique and almost priceless. McCartney proves that things can be done differently, as well as paying attention to the functionality of her luxury fashion label and trying to practice a little more fair trade with each collection.
40
2
R M ONE
The Stella McCartney Falabella handbags are famous, but also produced in a fair and sustainable way.
HOTEL STEIN Salzburg
I N S P IR AT I O N S
520 WEST 28TH The Zaha Hadid 520 West 28th Street is not so much a museum, but a first-class home. Located directly on the fashionable High Line in New York, the building stands out like a painting as a visual highlight from the surroundings with rough edges. Like a serpentine road, the curves of the house snake elegantly up to the roof. The organic, round and open design is also reflected in the interior. The loft-like apartments extend over several floors. Oval windows flood the interior with natural light. Curved staircases lead from one floor to the next. Here, living becomes an experience. www.520w28.com
42
2
R M ONE
Architecture has to spread vitality and optimism; it has the ability to bring people closer together and shape their future. Environmental sustainability and social inequality are the key challenges of our generation and inclusive architecture provides solutions to these key challenges. Clients are no longer individual clients or very specific types of builders, we architects build for the community. Every building should have a public aspect, says the late architect Zaha Hadid. 43
I N S P IR AT I O N S
THE HANDMARK OF PERFECTION. The traditional brand OLYMP from the Swabian Bietigheim-Bissingen remains extremely successful to this day, because it elevated the Signature Collection into a higher price segment and with Swedish chief designer Michaela Mutka-Wasling, introduced a bolder design. The inspiration for the upcoming collection “The Californian Way of Life” was provided by brand ambassador Gerard Butler. In addition to cool white variants, there are also floral prints and some colorful accents. www.olymp.com
White shirts belong in every man’s wardrobe.
44
2
R M ONE
PERFUME AS AN ART
Playing with the Devil T HE NEW F R A G R AN C E
City Vibes
Phantom on duty T E X T : MAXIMILIAN BALÁZS P H O T O S : MARC RICCONI
46
2
R M ONE
E
Escapism. Engine on, head out. Lonely streets, beautiful landscapes, the sun reflected in the paint? Not today. Just me, a Rolls-Royce Phantom and the streets lit up by lanterns. I need to get out. Leaving familiar patterns, rediscovering inner peace through distraction and new impressions. Be happy! However, I threaten to fall back to the usual patterns of behavior on this Thursday evening. Maybe Netflix? No, first a coffee on my loggia - I can’t sleep yet. The view sweeps over the rooftops of the residential area towards the city centre. The weather is cool but dry. Maybe I venture out? I’m not a fan of walks but I definitely want to get out! Why not take the Phantom? Politicians would call it “useless reciprocity”. Useless? Are you kidding me? Are you serious when you say that! Is there a higher good than luck? At night, the streets of the city exude a very unique flair. Not just the streets but also life in the city itself. And so all alone in the streets, you perceive the impressions much more intensely. The weekend is still a day away and I won’t meet many people anyway, right? The decision is made. Sweater, jacket, shoes - check. Down in front of the house it stands: the Phantom. Gunmetal gray, chrome and a unique majesty that develops a special elegance under the glow of street lighting. The Spirit of Ecstasy invites you to today’s evening event. I take a seat, the curtain from the stage rises, the show can begin and share with us the drama of a culture.
47
“Luxury is deeply personal. It is characterized by cultural codes and the personal philosophy of the individual”, Torsten Müller Ötvös, CEO of Rolls-Royce Motor Cars. 48
2
R M ONE
YeaH! Here we go! Even the first metres are a pleasure for the senses. Driving yourself is not the first thought when you think of a Rolls-Royce but with the Phantom with short wheelbase, that’s the philosophy. The gentleman’s tourer epitomizes this spirit of being driven by the owner, indisputably pursuing a modern, urban aesthetic: a deeply personal vision that reveals a refreshing disrespect for the expected codes of automotive luxury. Long story short, the twelve-cylinder whispers emphatically, the four-wheel drive makes the British glider manoeuvre pleasantly around the corner and the journey continues towards the city centre. I drive past brightly lit petrol stations where groups of parking lights meet dusk. Shift change to city dwellers. The streets are empty and it feels like the paved areas belong only to the Phantom and me.
In time with the street lighting, metre by metre, I feel well and inner peace returns. Who needs curvy roads in nature? In the corner of my eye, I recognize figures in neon lights. Cities never sleep. That’s good for me because a small evening snack is a must . With a probability of 99 percent, you will find a small snack bar in the metropolis’ of this world at any time, even here. I park the Phantom on the curb and get out. At the fast food stand, lost existences of urban nightlife await and stare at me. Although their key question is the decision to take away or eat here, they know one thing perfectly: when tomorrow’s news reports again about global warming, melting polar caps or rising sea levels, this guy is guilty in his opulent British road cruiser.
49
This phantom indisputably pursues a modern, urban aesthetic: a deeply personal vision that reveals a refreshing disrespect for the expectations of automotive luxury.
50
2
R M ONE
51
52
2
R M ONE
Useless? Are you kidding me? At night the streets of the city exude a unique flair.
53
After the impromptu meal the journey continues and although the Phantom literally envelops and isolates you with its comfort, tonight I feel more directly in touch with the outside world than usual. Meanwhile, the impressive engine whispers a symphony in octane into my ear, as if it were the calm before the storm. Yes, John Cleese said, “Don’t mention the war,” yet the classic, illuminated cockpit instruments give me the feeling of sitting aboard one of the legendary British Lancaster bombers of the Royal Air Force, just lingering in the darkness ready to glide. After all, Rolls-Royce also supplied the engines for the aircraft which buzzed the coastlines of Dover with their penetrating sound. And almost as with flight, time passes by tonight. But before we go home, another stopover. I remember the beginning of the ride and how the first impression of the Phantom caught me in the light of the street lamps. But as so often, you get in quickly and drive off. Honestly, when was the last time you stood in front of your car and just looked at it? Lost in the beautiful design? A quiet corner is quickly found and the Phantom is parked. I open the door, get out and stand in front of the car. With my hands in my pocket, I breathe deeply and let this imposing apparition in gunmetal affect me. Again, the glow of the lights underlines the contours of the body. The love of detail of the Rolls-Royce deAm Hangelenk sign department and the mixture of classic style Tattoos, eine elements and state-of-the-art technology form a Golduhr, am perfect blend. A typical Phantom: the massive Finger goldene Ringe undfront dominates the look. The side view shows the upright front end which merges with the abgeblätterten Nagellack.coach doors into a flowing, tapering rear end. You can say what you want, just unmistakable. I enjoy the moment and let it pass. The time is no longer acknowleged - because how many days can you say that you are really happy? But today, today I can.
54
2
R M ONE
Rolls-Royce was inspired by the four-door standard wheelbase Phantom II Continental Saloons of the 1930s of the Gentleman‘s Tourer. It embodies the spirit of being driven by the owner himself.
55
NIGHT OUT
INSIDE THE LEGENDARY REVAMPED CLUB
ANNABEL’S
CLUB As one of the world’s most elegant clubs, Annabel’s has a global reputation that has been established over five decades. The club offers superb service, sophisiticated ambience, high quality cuisine and stylish entertainment. Its location in Mayfair puts you at the very centre of elegance and luxury.
T E X T : R U B E N J . S T E WA R T / P H O T O S : A N N A B E L ’ S M A G A Z I N E , C E L E B S F I R S T
56
2
R M ONE
57
Diana, Princess of Wales leaving Annabel’s Nightclub.
58
2
R M ONE
SITUATED IN THE HEART OF LONDON, ANNABEL’S IS KNOWN FOR ITS DECADENCE AND WORLD-CLASS PERFORMERS.
T
THE AFTER PARTY AT ANNABEL’S
I like to think back to it, the 20TH ANNIVERSARY. We piled down to Annabel’s to celebrate 20 years of merrymaking. First we threw a party in the basement at Vogue House to mark the event and which turned out to be the coolest party in town. Later the party moved on to Annabel’s itself, hosted by editor Melinda Stevens and her niece Poppy Delevingne, and bounced off the walls until 3am with friends and family including Chloe Delevingne, Sophie Ellis-Bextor, Jade Jagger, Jack Nicholson, Laura Bailey and Anya Hindmarch. The birthday-party theme was much in evidence - Annabel’s normally discreet entrance on Berkeley Square was dressed up with more bubblegum pink balloons than a hen do, Krispy Kreme piled pretty doughnuts deep and high and there was a showstopper-sensation of a holiday-themed cake by Georgia’s Cakes. There was even a magician Dynamo, who wowed the crowd with clever tricks and deft moves. More deft moves on the starlit dancefloor where brilliant Italian-Spanish-gypsy band Colomboloco whipped everyone into dervishes - warmed up just a little by the copious and excellent drinks thanks to Moët, Belvedere vodka, Jax Coco, Hennessy, Gin Mare, wine from Berry Bros & Rudd and naughty, naughty Ocho tequila. Not bad for a Monday night.
THIS IS THE ONLY NIGHTCLUB THAT THE QUEEN HAS VISITED.
In the year 2017, at a time when men are no longer expected to, say, wear a cape to the opera or plus fours on the golf course, it’s rare that many of us will encounter dress codes outside of a wedding invitation. However, one place they are still very much in force is in London’s members’ clubs. In fact, back when Soho House changed its dress code in 2011 to enforce a more relaxed atmosphere (discouraging men wearing suits and ties in their venues around the world), it made headlines.
Annabel’s in full swing in 1980, with Princess Michael of Kent (seated) in the crowd
59
Mr. Birley, who died in the same year aged 77, had named Annabel’s after his wife Lady Annabel Vane-Tempest-Stewart.
The latest members club to do this is Annabel’s, which opens a brand new outpost a few doors down from its historic original venue on London’s Berkeley Square later this year. Famously, this is the only nightclub that the Queen has visited (in 2003 - she ordered a gin martini, no lemon), so you would expect a naturally well-dressed clientele. However, to guarantee it, the club has employed author, It boy and the all-round sartorially superb Derek Blasberg to re-imagine the club’s formerly strict dress code for this new phase in Annabel’s history. But this is the new Annabel’s – a different club for a different age, as one former regular describes it – and the Latin American in question is its restaurant, headed by a chef fresh from the flame-licked hobs of Mexico City’s hottest contemporary restaurant, Pujol. 60
2
R M ONE
Opening this spring, Annabel’s is just two doors down from the original club on Berkeley Square but a world away from the place Mark Birley opened in 1963, named after his then wife and scooped out of the basement of the Clermont Club so its aristocratic clientele had somewhere to wet their whistle. This incarnation occupies an entire Palladian-style townhouse and garden and has been tricked out in a garden theme by Stockholm-born Martin Brudnizki, who is quite possibly the hardest-working man in interior design right now (he’s just completed the University Arms hotel in Cambridge and The Coral Room at The Bloomsbury). As for the decor, well, as Liberace might have said, Annabel’s just slipped out to put something more spectacular on. Flowers bloom on all sides, in murals and in silk across the ceiling of the ladies’ powder room; tigers, elephants, owls and parrots peek out of carpets and walls. There are two floor-to-ceiling chandeliers that once illuminated are straight from the Audrey Hepburn film ‚Paris When It Sizzles’. A winged unicorn has alighted on the
EACH NEW MEMBER MUST BE REFERRED BY INVITATION AND THEN A SPECIAL COMMITTEE DECIDES IF MEMBERSHIP STATUS IS GRANTED. Arguably one of the most elegant clubs in the world: Annabel’s.
stairs, a hot-air balloon above it just in case. In the basement, a Garden of Eden serpent uncoils on the nightclub wall and columns are clad as gilt-edged palm trees. It has all the texture and colour of a Victorian christmas card, whilst also conjuring up images of the leafy 18th-century grottoes of the Vauxhall Pleasure Gardens, where fashionable courtiers gathered for masquerades and after-dark dalliances - the bar in the Rose Room at Annabel’s. Right at the top of the house is the restaurant. No one really went to Annabel’s purely for the food. Although its founder was no slouch when it came to the menu, which in the 1960s was best read with a copy of Larousse Gastronomique to hand. Birley asked probably the foremost expert there was for advice: his friend Elizabeth David, who came back with detailed annotations such as ‘Don’t let’s have any more dishes with names like Scampis Frit and Cold Pea Soup (sounds like essence of London fog)’ and ‘I wonder what impression the menu makes on customers who come in half-sloshed at 1.30am?’ 61
62
2
R M ONE
In the past, Annabel’s has hosted esteemed visitors including Princess Diana, which explains why the club won’t allow any old member of the public to walk through its doors.
63
Bespoke wallpaper by de Gournay in the Elephant Room. Now guests will be able to order playful dishes of eel on corn cake, avocado with green-bean tahini and habanero ash, mussels dashed with guajillo chilli oil – whether they turn up half-sloshed at 1.30am or 1.30pm. Chef Jorge Dorbecker, known as Coko, grew up in central Mexico, a land of giant tamales and fermented cactus fruit. His menu will elevate street food to a social high – a clever choice now that London foodies are on nodding terms with authentic Mexicana at recent arrivals such as Ella Canta, Breddos and El Pastór. As for what to wear, while the original dress-code insisted on a jacket and tie, Annabel’s will now allow denim and trainers before 7pm. But not sports shoes ‘that look as if they’ve actually been used to play sports’. Or denim that is holey or deemed distressed. That would surely have been a step too far. If that’s a lot of information to take in in a short space of time and if you’re planning a visit after the club re-opens, we suggest you stick to Blasberg’s final piece of advice on what to wear: “if in doubt, never underestimate the power of a well tailored navy blue suit.”
64
2
R M ONE
IN ITS HEYDAY, THERE WAS JUST NOWHERE ELSE TO GO. ANNABEL’S WAS THE NIGHTCLUB OF CHOICE FOR ROYALS, ARISTOCRATS AND TYCOONS.
Annabel’s became synonymous with sophistication, exclusivity, daunting good taste and unapologetic snobbery.
65
NIGHT OUT
FOR THE FINEST COCKTAIL BARS IN LONDON 66
2
R M ONE
67
EVERY WEEK, WE SCOUR THE CITY TO FIND THE BEST BARS OUR CAPITAL HAS TO OFFER. WHETHER YOU‘RE A COCKTAIL KIND OF GUY OR A MAN WHO ENJOYS A DECENT DRAFT BEER, THERE‘S AN R2M ONE-WORTHY DRINKING SPOT TO SUIT EVERY TASTE. SOME PEOPLE MAY THINK THAT BRITISH DRINKING CULTURE STOPS AT THE PUB DOOR, BUT AFTER AN ARDUOUS AND ENTIRELY NECESSARY WEEK OF TESTING, WE’RE HERE TO PROVE THAT IT CERTAINLY DOESN’T. HERE‘S OUR PICK OF THE BEST BARS IN LONDON, JUST DON’T BLAME US FOR THE HEADACHE TOMORROW.
SEXY FISH If a sheik with a taste for chinoiserie fell out of an episode of Poirot and opened a restaurant, it would probably look a lot like Mayfair’s swanky Asian hotspot, Sexy Fish. It all happens in a beautiful, large room with an inordinate amount of marble, soft lighting, giant fish sculptures and an impressive wall of running water. So far, so sexy. Less sexy was waiting for half an hour for our cocktails to arrive. When they did they were a bit, well, disappointing. The Umami Martini looked incredible (and a piece of sashimi definitely beats an olive), but the excellently named Rice, Rice Baby was unpleasantly sweet. My advice? Stick with a good old glass of champagne. www.sexyfish.com
GONG BAR Experience the highest hotel bar in Europe, bringing unparalleled elegance to the city’s social scene. Elevated on Level 52, this is the perfect place for sunset cocktails and latenight drinks, featuring the dramatic backdrop of London’s skyline, with views to the west, north and east. The bar offers three distinct areas: the cocktail bar, the Champagne bar and the Sky Pool. The name GŎNG derives from ‘dougong’, a traditional Chinese architectural element of interlocking wooden brackets, featured in the bar’s distinctive design. www.gong-shangri-la.com
68
2
R M ONE
THE PARROT Idris Elba is the co-founder of this Aldwych bar attached to The Waldorf Hilton. And yet it’s neither the vibing hangout you’d expect from Big Driis nor a swanky hotel spot. We walked in via a celeb-appropriate carpet and velvet rope to find zero celebs – just curious hotel guests and a few friends supporting a covers band on stage (‘Isn’t She Lovely’ was very unlovely). Much has been done to make an oddly shaped place look like a tropical paradise – neon, palms and eponymous stuffed birds – but with passing buses visible through the windows, any illusion was shattered. Still, the bar and the stage looked pretty fine. www.theparrotldn.co.uk
THE LIBRARY BAR AT THE NED Do you like your martini shaken or stirred? I prefer mine trollied, actually. That’s what you get when you order the classic drink at this bar within plush City playground The Ned – a trolley rolled to your table. London already has a few trolley-bar hybrids, but the pair of wheeled wonders used here are undeniably adorable vehicles that come up to (low-slung) table height and are topped with vintage glassware and the odd elegantly placed book in-keeping with the theme. It’s like the Oliver Bonas gift section, but posher. www.thened.com/restaurants/ library-bar
DEVIL’S DARLING Question: is there really any need for yet another cocktail bar in Shoreditch? Of course, the answer is yes, particularly when we’re talking about The Devil’s Darling. It’s part of The Napoleon – a cool hotel with only one suite (yup, just one). Situated on the first floor, the bar – one of three – is a dimly lit, small room dominated by a huge painting of the French emperor’s coronation. Get a seat at the rather splendid green marble bar itself and you may be able to influence which vintage vinyl will next hit the turntable spinning at the end of it. www.napoleon-hotel.com/the-devils-darling
69
Lyaness (Formerly Dandelyan) The new cocktail bar at Sea Containers has some big boots to fill. Its predecessor, Dandelyan, was named The Best Bar in the World – so it came as a surprise when the man behind it, Ryan Chetiyawardana announced he’d be closing it and replacing it with a new bar and a new concept… Lyaness. How does it shape up? What should you expect? Time to dive in. www.lyaness.com
THE BLIND PIG Hidden above the restaurant, is the award-winning bar The Blind Pig, with a relaxed, speakeasy vibe, offering technical and creative cocktails, as well as fine wines and beers.
BLACK ROCK
OUT OF THE BLUE AT THE BERKELEY There’s a trend for cocktail menus to read more like the result of a creative writing workshop. Drinks are ‚brought to life’ via flowing narratives or descriptions of the fictional character who might drink it, but most punters just want to cut to the chase: what’s in it? Specifically, which spirit? If it’s gin, you’re in, but if it’s tequila forget it – that bad experience at university put you off for life … www.the-berkeley.co.uk
70
2
R M ONE
The Bar centre-piece is an 18ft, 185-year old oak tree trunk which also acts as an interactive cocktail ageing system, as well as that there is no bar. Black Rock also doesn‘t have a written down menu. Instead whiskies are organized in cabinets and categorized by flavour rather than region to help guests find a whisky that might be right for their palate, and if you see a whisky you know you like, then the whiskies that surround it will have similar flavours and you could end up with a new favourite whisky. However, if the proposition of choosing from 300+ whiskies is a little daunting, the staff is always at hand, ready with suggestions as to the whiskies that might be right for you. A must-visit for whisky aficionados and novices alike, Black Rock pushes boundaries while offering a novel, personal approach to service. www.blackrock.bar
www.socialeatinghouse.com
Rolls Royce (painting by Daniele Dondé from Cremona) Strass and resin, mixed media, art collection: 2019, 120 × 60 cm unframed, 127 × 65 cm framed – Price CHF 6,600
From a newcomer to an insider tip: Rolls Royce by Daniele Dondé Daniele Dondé was born in 1950 and grew up in a wealthy art collector family in Cremona. He inherited a huge collection of paintings. But, when he became an artist, he wanted more, and invented glamour art collection. Inspired by Frank Sinatra to do something involving Marilyn Monroe, Dondé developed his own style, and remains passionate about it to this day. He has created a number of masterpieces over the years. His works are inspired by the biggest names in the world of art – the likes of Alec Monopoly and Jackson Pollock. The people who buy his art are international names from the worlds of politics, show business and entertainment. In Germany, Austria and Switzerland, Daniele Dondé is represented by Renggli’s Gallery. Renggli’s Gallery Bahnhofstrasse 15, 8703 Erlenbach, Phone +41 43 817 85 45, Email art@rengglisgallery.ch www.rengglisgallery.ch
71
GAZELLE When it comes to drinks, champagne is the star of the show. A carefully chosen list of prestige cuvées and cult growers is complimented by six twists on the champagne cocktail with homemade ingredients. “I was always interested in what people were doing in the food world, trying to bridge that gap,” says Conigliaro, who has a track record of collaborating with chefs including Heston Blumenthal and Bruno Loubet. “Am I a bartender, a mixologist, a chef? I guess I’m more of a flavourist.“
AVIARY Aviary is an iconic rooftop bar and restaurant located on the 10th floor of The Montcalm Royal London House Hotel in Finsbury Square. Famous for its breathtaking view and opulent style. Whether it be cocktail sipping, dining from one of our carefully crafted menus or simply taking in the view, Aviary delivers quality with a touch of class. www.aviarylondon.com
BIRD OF SMITHFIELD
The cocktail menu at the Mekan Bar is unlike any other I have seen. Taking inspiration from the seven regions of Anatolia, with signature cocktail creations and unique blend of spirits, wines and anise-scented Turkish Raki – a trip to Rüya is worth your time for the drinks menu alone.
This bar is housed in an old Georgian town house and operates over an impressive 5 floors. The Birdcage is truly special for birthday, engagement, office and all kinds of parties for up to 60 people. Start with some scrumptious canapés and unique cocktails! The 2nd floor private room will wow your guests. A beautiful glass table with tweed chairs and chic Porta Romana lamps decorate the room. This handsome room can take up to 40 people (standing or seated). If you are just looking to have a few drinks with your colleagues or friends, then why not book an area in the main bar for up to 30 people. The gorgeous 1st floor restaurant is perfect for entertaining clients over lunch or dinner and can seat up to 52 people. Love a roof terrace? You‘re in luck. This summer the roof has been transformed into a beautiful SPRITZ GARDEN! Just a little reminder though, the roof terrace is available to all on a first come, first served basis.
www.ruyalondon.com
www.birdofsmithfield.com
The Mekan bar at Ruya
72
2
R M ONE
NO29 POWER STATION WEST Keeping in line with London‘s current obsession with all things velvet and colourful (thank you Tom Dixon at Dandelyan), the interiors at this all-day dining and drinking spot have been meticulously curated. Behind bespoke Crittall doors, beautiful turquoise velvet booths make for perfect private debriefs among groups and purple velvet sofas around the intimate downstairs bar will cater to many loved-up couples. Even as the cold weather draws in you can still sit out in the pretty white-wicker garden area out front – cosy tartan blankets line the cushioned benches. www.no29powerstationwest.co.uk/
SKETCH A magical forest. Chairs wearing ballet shoes. Hot pink sofas as far as the eye can see. If a restaurant had just one of these things, we’d be pretty intrigued right now. Sketch is the creation of restaurateur Mourad Mazouz and celebrated chef Pierre Gagnaire and every inch of it practically begs to be Instagrammed. For our money, the prettiest room at Sketch is The Glade. Redesigned last year, the room was re-imagined as a mythical forest, complete with a seriously fluffy carpet designed to look like a forest floor. www.sketch.london
MANETTA’S ‘Manetta’s, sir? Down the stairs and someone will show you.’ And so they did. I was led down a small corridor to a long thin room with subdued lighting, chestnut panelling and a convex mirror at both ends. Dark leather and velvet furniture was sprinkled with the occasional hotel guest and rose gold seemed to fill any other available space. www.flemings-mayfair.co.uk
73
LADIES & GENTLEMEN Well, it’s back in business now, though not in its original form. William Borrell, of the family that owns Vestal Vodka, has reopened the public loos as a cocktail bar. Ladies & Gentlemen makes the most of its unusual space: two moodily underlit rooms (one seriously tiny) at a V-shaped angle to each other, with a small bar at the point of the V. There are a few seats at the bar, but mostly it’s table service – delivered with a smile and loads of enthusiasm. The soundtrack is Manhattan cocktail-lounge material, mostly mainstream jazz vocalists such as Ella Fitzgerald when we were there. www.ladiesandgents.co
BUSSEY ROOFTOP BAR Perched atop the iconic Bussey Building, Bussey Rooftop Bar literally stands above the rest as the highest drinking hot spot in Peckham, offering delicious cocktails, seasonal bites and unrivalled 360 degree views of London’s dazzling skyline. Transforming into a colourful oasis for summer, Bussey Rooftop Bar offers a unique drinking and dining experience in the heart of South London. Their bar menu has been specially curated to satisfy your taste-buds and stir your imagination. Sit back and savour the spectacular views, whilst enjoying your favourite tipple. Join us for crafted cocktails, beers, spirits, fine wines and fizz. It sure does taste like summer… www.busseyrooftopbar.com
AMERICAN BAR AT THE SAVOY The American Bar is the longest surviving cocktail bar in London and one of the most renowned in the world. Serving classics with a twist, new and vintage creations and legendary bartender’s signature drinks - like Harry Craddock’s famous White Lady – the American Bar remains at the forefront of the industry, having been recently named World’s Best Bar at Tales of the Cocktail Spirited Awards 2018 and World’s 50 Best Bars 2017. The bar features a live pianist seven days a week, playing (of course) American Jazz. www.thesavoylondon.com 74
2
R M ONE
No plan?
The world is becoming more and more complex. Questions are becoming more and more challenging. Answers have to be provided more and more quickly. This is a situation that will not change. Quite the contrary. The unexpected is becoming possible. This is why a plan is required. This must show alternatives and options and offer reliable securities and freedoms. Even if you have a plan already, your situation in life will change again and your plan will need to be upgraded. This is why our Asset Planning Centre accompanies you through your entire life, in an independent and therefore personal and sustainable manner. VPZ is your logical partner for all situations in life: from asset planning and retirement planning through to tax planning.
www.vpz.ch
75
PASSION
Unusual colors, unusual shapes: Feng Ji’s jewellery is as breathtaking as nature itself
76
2
R M ONE
Polished to a high gloss
A new wave of young Chinese jewellery designers is redrawing Haute Joaillerie. Sitting at the top is Feng Ji, with her spectacular creations. T E X T : BJÖRN SPRINGBORUM / P H O T O S : FENG J.
77
Alexander McQueen discovered her talent Individuality, sensuality, extravagance, harmoniously united
F
eng Ji smiles, brushing a strand of her shimmering black hair behind her ear. “Deep in my heart, I’m still the little girl whose biggest wish was to play with sparkling gemstones.” And with this wish, the possibility of becoming an expert, she was certainly not alone. What makes her so special is that Feng Ji’s wish came true: her dream of a world of sparkling gems became actual reality. And that is as great a miracle as are her stunning, unique, avant-garde creations. They have long since become the stars worn by the stars. And Feng Ji herself does not wear any jewellery. “I prefer my pieces go to my customers”, she says softly.
78
2
R M ONE
Of course, such a success story doesn’t happen overnight. This is especially true for the Haute Joaillerie, which follows its own laws. For a young Chinese jewellery designer without a big name or experience there really isn’t any space. But she was not to be deterred by that. She studied at the China Academy of Art, then the University of Arts in London. In 2012 she was taken under the wing of Alexander McQueen. He felt her individuality, her sensual vein and her extravagant expression but nevertheless lost the young talent to the Parisian École Privée BJOP, where she was able to further refine her style.
Floral opulence or role models from fauna form the framework in which their precious stones, transformed, can shine.
79
Earrings as beautiful as dew drops on a cool spring morning
80
2
R M ONE
The perfect beauty of a flower is as gentle as it is overwhelming; in Feng Ji a timelessly beautiful work of art transformed.
81
82
2
R M ONE
World of a thousand colours A floral breeze in the Haute Joaillerie
All her efforts have long since paid off. Feng Ji’s style is like a floral breeze in the Haute Joaillerie, a brand new, exclusive approach even in this world of pure luxury. Only the very finest, purest stones come to her table. Rare pearls, big diamonds, beguiling emeralds in the most imaginative colors - her workplace is a fairytale kingdom of shades, reflections and the most precious sparkle in the world. “Today I can reflect my vision of perfect beauty in my pieces”, she says. And basically she only has one wish: “My creations are becoming more visible, little by little”. She has achieved much more: she is one of the leading young jewellery designers of the 21st century and is as highly regarded in Shanghai as she is in Paris. There, at the royal Place Vendôme, this Chinese lady goes to her studio in unconditional pursuit of excellence.
83
84
2
R M ONE
85
Orient kisses occident As magical as her story sounds, getting to this point was hard. Feng Ji has given up a lot and fought hard to be where she is today. She sees this position not only as a commitment to stay true to oneself but also to live up to her culture. The vibrant, vivid colors of a pink-orange Padparadscha sapphire, one of blue flowing from green tourmalines, shimmering moonstones or shining tsavorites reflect the Asian color world and are a little larger than we have come to expect from the west.
86
2
R M ONE
Her art comes above all else
“My pieces should stand out” is her comment. She doesn’t just manage the incredible stones but also their settings. This covers metal with a blue-green alloy, so that it works with the gem, she sometimes sets a diamond in six instead of the usual four brackets. That this is a wonderful achievement in her home country is one thing - that she can celebrate success around the world and make a name for herself in Paris in particular, changes the game even further. Feng Ji also has an explanation for this: she mixes her Chinese origin with a touch of western sensibility. Orient and Occident, united in brilliant harmony.
Both cultures, both ways of life and both perspectives found their way to her early on. Already at the age of five, she began using traditional Chinese painting - “but as my studies overseas began, I fell in love with European style and the European way of thinking.” That has brought her far. Their showrooms in Shanghai and Paris have pieces starting at $20,000, another in Beijing and a special training studio for young talent in Shenzhen should follow soon. Your business will grow, but not around every price, she stresses. “As an artist, above all, I want to have enough time to do my craft to move forward,” she says and smiles. But that has to wait a little longer, the plane to Shanghai is waiting.
87
JEWELLERY HISTORY
THE TRIP OF THE BLUE WITTELSBACHERS DIAMONDS THAT MADE HISTORY. T E X T : C L E M E N S R I T T E R V O N WA G N E R P H O T O S : WA G N E R P R E Z I O S E N
D
Diamonds are old. Very old. Between 1 and 3 billion years. However, the special properties of diamonds were only recognized over time. Therefore, it is not surprising that many of the most famous diamonds have an exciting history: Blue Hope Diamond, Dresden Green Diamond, Wittelsbach-Graff Diamond, Black Orlov, Cullinan and many others. Already in the previous magazine R 2M ONE, Clemes Ritter von Wagner reported on one of the diamonds mentioned above and for Rolls-Royce: the Cullinan Diamond. The godfather for the latest model of Rolls Royce stands out in addition to its spectacular size on its beautiful white stone quality. In the English crown jewels, the splendor of these stones unfolds. In addition to their beauty, their special value and their rarity, the marvelous aura of diamonds has contributed to the historical particularity of many of these gemstones. There are a number of diamonds that are ‘historical’ because of their size or the circumstances of their discovery and are considered as a record diamond. But many diamonds also have historical significance through their connection to history, important events or persons attained. Whenever stones have their own names, one can assume that there are also special stories about them. Closely connected with the history of two famous dynasties of the Danube area is the Blue Wittelsbacher. Its name derives from the gender 88
2
R M ONE
of the Bavarian royal family. Everyone knows that Bavaria has a blue and white flag with a diamond pattern. Since the Wittelsbacher once made the kings of Greece, the Greek flag is blue and white. Since it seems logical that a blue stone also bears this name, this is not a conventional sapphire but a ‘fancy colored diamond’. It is the second largest blue diamond after the HOPE and impresses with its special purity. Put simply, blue diamonds contain the element boron which gives the clean white carbon the blue tint. But now to the blue and white stories. I hereby invite you on a wonderful journey to the history of the ‘Blue Wittelsbacher’ diamond. Follow me in the footsteps of Baron Jean Baptiste Tavernier, who historically acquired this wonderfully clear 35.56 carat diamond on one of his trips to India. Only the Indian mines of Golconda produce stones of this quality. Also, the very skillful soft oval cut suggests conclusions about its Indian origin. However, this cannot be proved. The baron was a merchant and Louis XIV had already purchased several stones from him. He could not say no with this rarity. How he came from the Bourbons in the Spanish royal family, is also not very clear. But even then there was a peculiarity of the stone, it disappears again and again to emerge at another point very abruptly - that happens with increasing regularity to the present day. This stone was mentioned for the first time in 1666. It was part of the
dowry of Margarita Theresa, Infanta of Spain, who married the Emperor Leopold I. Such an exquisite piece was gladly passed on within the family of the Habsburgs until it came as a dowry of Maria Amalia, who married Karl Albrecht of Bavaria in the Wittelsbach house. It was already considered a special piece of jewellery at that time and in 1806, when Max Joseph was crowned the first king of Bavaria, it became a masterpiece in the Bavarian crown, fitting with his bright blue to the coat of arms of the Bavarians. It remained as the main stone in the royal insignia until the end of the Bavarian monarchy. It was last seen in public in this version in 1921 at the funeral of King Ludwig III. After that, its life becomes more nebulous once more. Due to the economically strained situation, the Bavarian state allowed it to be sold. It was then traded as the most precious treasure of Bavaria and sent by simple recorded delivery package to Christies to London. This can only have been done by a frugal bailiff, to whom such a trinket is rather alien. Somehow you can understand that too, because in the world economic crisis money had no value - and you cannot bite off stones. In London it came to auction on December 21, 1931 but found no buyer or lover. It returned to Bavaria as a loose stone and survived the turmoil of war with other gems of the Bavarian Kronschatz, unrecognized on a farm outside Munich. Finally, in 1951, the stone was sold
to a diamond dealer in Antwerp. The details of this deal are very opaque and the stone appeared 7 years later, without being awarded the ‘Blue Wittelsbacher’ tag, at the World’s Fair in Brussels. It was nameless and went through several hands until it was bought by the diamond trader Jozef Komkommer. The stone had suffered in the meantime and there was chipping on the Rondiste (edge of the stone). Nevertheless, it got its name back ‘Blue Wittelsbacher’ and landed in Hamburg with Renatus Wilm, who had gone from Berlin to Hamburg after the war with his jewelery business. He was a skilled businessman and thought that he could make a good deal in the economic miracle of 1964 by offering Bavaria a buy-back for DM 1.5 million. Even in times of the expiring economic miracle one rejected such an offer as exaggerated, one wanted to distance oneself also somewhat from the royal connection, particularly since such a stone would bring no yield. How badly the Bavarian bailiff misjudged! The department store boss (or should I say department store king?) Helmut Horten then bought the stone to give it to his 32 years-younger bride Heidi Jelinek for their Dusseldorf wedding. So the stone had arrived in the Rhenish lowlands to stay there for the next 40 years. As a party trick, the stone was not just shown around the Riviera. But Heidi Horten felt the royal gem was a burden, so she offered it to Christies for auction in 2008 to buy something or other from the current collections of jewellery brands with the proceeds. For the sum of 18.4 million euros, the gemstone merchant Lawrence Graff bought this historic gem. It was the highest karat prize ever! Lawrence Graff realized very early that colored diamonds are not only significantly rarer than white, but also anticipated their increasing value. He bought fancy colored diamonds for little money in the
1960s and built his empire in the 1990s with these once well-priced stones. His creations are true material battles based on luscious stones. It is therefore not surprising that he regarded the purchase of the blue Wittelsbacher as the highlight of his career. He (and I apologize for what I’m about to say)) cut down over 4 carats of this unique item. With his experience on reflection in precious stones, he gave this venerable stone a completely new look. The stone is now, almost flawless and much more colorful than it was 300 years ago. Critics say that the stone is now a ‘royal lollipop’ because it has lost its depth. As a good trader, he then put his ‘seal’ on the stone by giving it the name ‘The Wittelsbach-Graff Diamond’. I would have found it much more droll had he called it ‘Graff Wittelsbach’. But this joke unfortunately only works in German! He has sent the precious stone to a dynasty in the Gulf, where many a blue and a number of pink diamonds are suspected. Today, the stone is estimated at about 80 million euros. Thus, it is the most valuable stone Bayern has ever owned. If the Bavarian bailiff knew that! As I said, now it has disappeared again in an unknown safe - probably the diamond was purchased by the former Emir of Qatar, Hamad bin Khalifa. But I’m sure it will reappear in the future in a glorious blue setting, to be in one of many. For me, there are 2 things I would like to note: His royal innocence actually lost the stone when the Bavarian state did not buy it back in the 1960s. It has been common practice in history to divulge the Crown Treasury in hard times, but in good times, one remembers its tradition. It is not permissible to compare the revision of the diamond with an overpainting of a painting by Rembrandt. And accusing Lawrence Graff of having taken this story is unfair. In keeping with the spirit of the times, he has given an old stone a new façon and a new name: Wittelsbach-Graff. From the rocks of India, through the royal and imperial houses of Europe to the department store king until now, in new splendor in even newer palaces, the ‘Blue Wittelsbacher’ has experienced a lot, but still has its natural beauty.
D I A M O N D S A R E E XPER IEN C IN G A N IM PR E S S I V E FA S C IN AT I O N .
Diamond, amethyst, ruby, topaz, sapphire their colors, hardness, shine and seemingly infinite depths captivate us. And of course colored stones are solid investments, as you can easily read with the ‘Blue Wittelsbacher’. But who in the 1960s would have been willing to spend 1.5 million on a stone that is worth over 80 million today? Meanwhile, the world has changed, the diamond business has become a global business with huge fascination. Recognition that investing in diamonds worldwide has become increasingly popular over the last thirty years. After the golden sixties and during the oil crisis, many investors sought a safer and more profitable way to invest their money. Investing in diamonds is a preferred option. Although the banks offered good interest rates, not everyone was willing to trust them. Investment diamonds were a safe alternative. Diamonds lend themselves to keeping part of your acquired wealth with you. Of course, diamonds not only symbolize wealth and prosperity, they are also a sign of your devotion to your partner or family. Diamonds have long served as an emotional investment: a diamond ring to celebrate a wedding day, a diamond bracelet for a newborn child and more. Diamonds are not just the proverbial best friends of a woman. They have also experienced nice value increases in recent years and especially gems of the highest quality. www.wagner-preziosen.de
Clemens Ritter von Wagner had a passion for jewellery and refined pieces.
89
SYMPHONY OF FORM T
he house of A. Lange & Söhne is considered the Rolls-Royce among Germany’s watchmakers due to its turbulent history. Not solely but perhaps one of the reasons why, like Rolls-Royce, the watch manufacturer A. Lange & Söhne is an active partner at the Concours d’Elegance Villa d’Este. Here you can separate classic cars to three core characteristics, high craftsmanship, innovation and historical heritage. “And we also stand for exactly these three values - that’s the perfect match,” says CEO Wilhelm Schmid. Beautiful weather, beautiful women and beautiful cars and in addition, the winner receives a unique watch by A. Lange & Söhne. Molto Bene. www.alange-soehne.com
90
2
R M ONE
T
ONE OF NOT MANY.
o celebrate the collaboration between Vacheron Constantin and Abbey Road Studios, Benjamin Clementine recorded a song inspired by a poem by Oscar Wilde. This collaboration is in perfect harmony with Vacheron Constantin‘s new communication campaign: One of not Many. www.vacheron-constantin.com
JEWELS
R
elics (even those out of fashion) are from times gone by. So how do you manage to create new ones? You use the past, transfer that into the future and get the present! How so? An example; the legendary Newspaper-Print by Dior, now around 20 years old, and back in the men‘s collection on the Dior Saddle Bag, another icon of the house of Dior.
91
LEBENSGEFÜHL
BULGARI FUORI SALON Bulgari celebrates the 20th anniversary of B.Zero1, a jewellery collection designed in 1999. The development of the ring is told on a fascinating exploration path, a journey that starts from the origins of B.zero1. At the salon, Bulgari showed reissues reinterpreted by new colour combinations of gold, and ceramics by artists such as Anish Kapoor.
THE WATCH BOOK The reknowned wristwatch expert and historian, Gisbert L. Brunner allows us to share his extensive expertise. This exceptional brand is a major historical directory and fireworks picture rolled into one. www.teneues-buecher.de
92
2
R M ONE
PREZIOSEN As the term jewellery often cannot cover the scope, quality and breadth of an offer, the name WAGNER PREZIOSEN describes even more fittingly what jewellery enthusiasts expect in Berlin. Treasures and jewellery, such as selected antique jewellery and silver can be found here as well as modern avant-garde unique pieces. A separate series - Wagner Collection - which is being expanded piece by piece, is waiting to be discovered by Clemens Ritter von Wagner. This collection forms the bridge between historical pieces and contemporary creations.
DEDICATED to different eras of finest jewelry art
www.wagner-preziosen.de
93
94
2
R M ONE
The Softest Necklace
in the World A design classic that brings luxury to the fingertips by turning gold into silk against the skin. The Wellendorff rope has been enchanting wearers worldwide for over 40 years.
95
FROM LOVE.THE BEST.
Hard metal, soft as silk.
I
If you know that there are only three goldsmiths in the Wellendorff factory and probably all over the world who have the art, the understanding of materials and the deep knowledge of a gold thread of 18 carats, of making gold by hand, then you understand why the finest goldsmith’s art is internationally synonymous with the Wellendorff brand. The jewellery manufacturer from Pforzheim has just been listed among the top ten luxury brands in Germany - as the only jewellery brand amongst automotive, fashion and furniture brands. An award that we are especially proud of at Wellendorff. There are many reasons for this.
96
2
R M ONE
The manufacturer has concentrated on two pieces of jewellery and thus achieved real perfection. The softest necklace in the world and the most vibrant ring. Both pieces of jewellery now have cult status with the highest goldsmith’s art and also with the responsibility for some very personal love stories. A combination only the masterly produce, because when a great deal of love and passion is added to the quest for perfection and quality of the master goldsmith, great things are created, like the unique make a wish rings, turning as if in a fairytale itself. Or the silky soft Wellendorff string made from gossamer, 18 kt. gold thread. THE SOFTEST NECKLACE IN THE WORLD.
Since it’s creation, the silky-soft rope has fascinated wearers worldwide through the combination of contrasting components. Hard metal, soft as silk. A jewel that is unmistakable even with eyes closed. Each rope is worked with dedication by hand, each spiral precisely turned and each strand individually manufactured. This is goldsmithing par excellence. Goldsmithing, which requires a lot of time and rest. Time that Wellendorff likes to give to every single necklace so that it is perfect. Because time has something to do with luxury which is felt in this piece of jewellery from the family business right through to the fingertips.
FROM GENERATION TO GENERATION.
A family business that has been creating jewellery for the connoisseurs of this world for more than 125 years. Already run by the fourth generation of the family, the company still unites the passion for unique designs with the highest craftsmanship in its factory in the gold town of Pforzheim. That is the prerequisite for creating something very special, jewellery that will last for generations. Many thoughtful details, carefully selected materials and a family secret make them unique in the world. The principles of its founder, “Take only the best gold and diamonds, the best goldsmiths, the best tools, and you create the best jewellery for the finest jewellery lovers in the world”, this is the benchmark for every new creation. Love is the starting point and driving force of all creations in the Wellendorff family. Your claim for more than 125 years: For love. The best. A claim that one can feel - especially with the two jewellery icons of the house: the softest necklace in the world and the most vibrant ring in the world. ICONS OF THE HISTORY OF JEWELLERY, BORN OF LOVE.
The ring, which combines a variety of peculiarities and playfully revolves around itself like in a fairy tale. The 18-karat gold rope hugs the skin silky smooth, catapulting jewelry into a new dimension: the dimension of the sensation. Responsible for the emergence of the ‘queen of all necklaces’ is a very personal love story. Hanspeter Wellendorff made them as a gift for his wife Eva, who as a child often admired the heavy velvet curtains belonging to her grandmother with silk cords. She loved the feeling of sliding them through her hands and wished her husband could make a necklace that feels just as delicate. The research took more than two years, until the very first Wellendorff cord was created in 1977 and Eva’s dream became reality - softer and more tender on the skin than other jewelery.
The necklace lies against your neck with graceful lightness.
The combination of apparent opposites has fascinated wearers worldwide for over 40 years. Hard metal, soft as silk. A jewel that is unmistakable even with your eyes closed. Each rope is worked with dedication by hand, each spiral precisely turned and each strand individually manufactured. This is goldsmith art par excellence. Made in the gold town Pforzheim and always crowned with one of the most exclusive trademarks in the world – the brilliant – W by Wellendorff, a full-cut diamond set in 18ct gold.
97
The best of all worlds in 18-karat gold. 98
2
R M ONE
THE NECKLACE OF THE YEAR, NOW.
At first glance, a classic, round necklace and quite simply, wearable daily. However, the art of making this necklace is in the detail, in every parameter, the special skill and intuition of the Wellendorff jewellery goldsmith is anchored along with the love of the best. From 141 selected diamonds, 109 meters of the finest gold wire, 9 months of passionate development and 126 years of experience in jewellery, a symbol for life emerged: diamonds, sparkling brightly as memories of special moments of happiness and close together on the string. The middle point of the necklace, in which the three sunshine cords symbolically for yesterday, today and tomorrow, touch. Created with dedication and master craftsmanship which transforms the gold into silk and holds the diamond necklace in such a way that it silently clings to the silhouette of the wearer. Perfection in perfection. www.wellendorff.com
99
GOOD TO KNOW
STOCKS, GOLD OR BIRKIN BAGS?
A study on the purchasing behaviour of women showed that five percent of women – and this figure is rising strongly – already have resale values in mind before buying something new. T E X T : ALEJHA LOREN / P H O T O S : CHRISTIE‘S
100
2
R M ONE
A
n artificially low offer has always been a good recipe for arousing and increasing desire. During times in which many people invest their money either in things where one can live without or which can be sold quickly, this formula becomes a sure-fire success, so to speak. And now a new report is causing a sensation, which reveals that handbags are said to demonstrate a more stable increase in value than gold and stocks. In comparing stock shares, gold and Birkin bags, the result was; a Hermès bag is the best investment. With a return of an outstanding 14.2 per cent over the past 35 years, it makes the two traditional investments pale in comparison. The study also showed that the value of a Birkin is not affected by market uncertainties or stock market turbulence. Over the course of these many years, their value has never declined in real terms, and their return was always between 2.1 and 25 per cent. The only conclusion that can be drawn from this is that
FOR THE FIRST TIME EVER THERE’S AN AUCTION CATEGORY WITH HANDBAGS THAT’S PRIMARILY DETERMINED BY WOMEN
something as high-quality and luxurious as this handbag retains its value. And since women and handbags are almost inseparable, the investment in luxury bags for women seems to be a form of investment with a particularly low inhibition threshold. At the “Handbag Shop” on the Christie’s website, mainly buyers, sellers and collectors are active. This, too, is a novelty: “For the first time ever there’s an auction category with handbags that’s primarily determined by women,” says one auctioneer to Joachim Fischer, editor-in-chief of R 2M ONE. In addition, the clientele for handbags is much younger than usual. “This is also an exciting development for an auction house.” Reaching a young, female target group for the first time, which perhaps at some point will also develop an appetite for investments that traditionally concern old(er) men such as art, cars, watches or wine inevitably also means, for the auction trade, handbags are therefore of existential importance for many reasons.
101
102
2
R M ONE
BLACK BADGE
MIDNIGHT IN PARIS Les Voyageurs de l’impériale T E X T : CARSTEN THOMAS P H O T O S : J. KONRAD SCHMIDT, ROLLS-ROYCE MOTORCARS
103
104
2
R M ONE
Man and woman
nourish the legend of a mysterious story
T
The islands of light pass by faster as he continues to push the gas pedal. It’s like the streetlights don’t illuminate the night’s backdrop but instead darken as he moves further away from the city. Equally matt is the silver-colored double R on the steering wheel in the twilight of the interior, subtle and mysterious, from a darker mind. The Wraith Black Badge – the bad boy, as she named it when he had accompanied her to the dark Briton the night before to take her out. What if he was one too - she had thought just before boarding. Pulling the corners of his mouth up to a coquettish smile, she ignored his answer and dived into the black Wraith. The game continued as the Rolls circled the Arc de Triomphe like a shadow and then hit the side street to one of the hottest cocktail bars of the moment.
105
106
2
R M ONE
Her silent reserve lay like a barrier between him and the passenger seat. Her face, upon which the bright nightlife lighting glided past like ghosts, was expressionless. Not bored, he thought, more demanding. The big city was their territory, the night their playing field, on which bankers, yuppies and free spirits like puppets were ringing around them to win them over. He had long before reached the level where these daily thrills had given way to investors and clients’ sovereignty, the privilege of serenity that spurred on new projects inspired by curiosity. As a dancer she had been introduced to him a few days before at a rooftop party. The ease with which she had approached and greeted him with a light kiss on the cheek wasn’t shy, more, rather thought-provoking. The little black girl, snuggling around her waist, emphasized the strength of her dancing body. He quickly asked her for a date at the rooftop party. She had agreed.
Fear, failure, power, eroticism, passion and love
107
In the end,
everyone comes here for the same reason. To find the love.
108
2
R M ONE
The night before yesterday they had driven to the cocktail bar. Maybe he was mourning a gangsta rappers career for driving this battleship of bad attitude, she teased as she sipped her French 75 at the counter. He did not bet on her and turned the conversation to her dance career. At various ballet schools she had learned body awareness and expression but only in the city did she learn how it really works, not with professionals but with the people. By now she was the main dancer in a big variety show and her name was known on the scene. He watched as a few bar visitors with colorful cocktails passed them, studying their gentle movements, one hand gallantly on the glass, the other by the counter. He almost thought he was attending one of their variety performances. Skillfully, she knew how to make him feel like she was directing her date but at the same time he felt her gradually lead him to open up in her quiet, yet commmitted way. When he thinks of the shine of her glass on the shimmer of the dashboard of his Rolls, she noticed his surprise, the conversation thread and asked him if he had noticed the recumbent eight in the analog clock. The infinity, she breathed. He was surprised by her sense of details, which, as so often in life, gave something to the whole thing, indeed, even made it the whole thing. 109
110
2
R M ONE
LOVE
that will never end
111
It was past midnight when he noticed her bored demenour retreating further. More details came to light. She was a country girl, she said, from a village not far from the city of love she always wanted to live in. Now living in this city but at the same time feeling the urge to be free. He listened to the story but knew instinctively that the peak of the evening had been reached. They both knew it. The open question had been lying under the surface for some time. Finally, he offered to drive her home. It was this brief moment of limbo, her waiting gaze, that made him want to kiss her. Even as their lips touched softly, she made hers smile. But he was a rebel and had this black Rolls which would not fit with his rugged, rough darkness to Rolls Royce. Without waiting for his answer, she said goodbye and slipped away from his embrace out into the night. That was two days ago. The starry sky is now overhead, the Eiffel Tower in the rearview mirror is like a glowing triangle in the diminishing lights of the city while the dark Wraith breaks through the night like a secret ally to reach his destination. Two days since the kiss in the bar. Since then, the angel in black has never left his head. Yesterday’s workday had ap-
112
2
R M ONE
The peak of the evening had been reached
peared, dancing before him - a graceful figure who turned into an inaudible rhythm and clouded his mind. He had called her and asked when they would meet again. Theatre. This evening. Before that send food. He did not want to leave anything to chance. She immediately broke with his elaborate plan when she called him a few hours before their meeting and told him she now lived outside the city. A house, close to the villa of her parents in the countryside. Her drive for freedom had finally won, he thought as the road flew below him. It’s going to be tight, with the theater this evening. Time had flown by when he turned his Wraith into the driveway of her house. Already from afar he spied her silhouette. Self-confident, as he has come to know her since the first meeting, she is waiting for him. As soon as she has noticed him, he recognized her smile. Could he part with his beloved car to get in, she says, winking at him, then giving him the cold shoulder and going back to the door. Without a word, he gets out and follows her. The Wraith Black Badge lingers behind them, blurring seamlessly with the darkness, as if it has dissolved into it.
When night
falls in Paris
113
TIDE
TH E SEA A LWAY S M AKES A N I M P R ES S ION AN EVEN BETTER IMPRESSION WHEN LOOKING AT IT FROM A LÜRSSEN YACHT T E X T : JOACHIM FISCHER P H O T O S : OLIVER REETZ, GUILLAUME PLISSON, KLAUS JORDAN
114
2
R M ONE
115
Foto: Oliver Reetz
1. Friedrich Lürssen founded the company in 1875. 2. The LÜRSSEN DAIMLER becomes the sensation of the racing season with its 102 hp engine. In the Mediterranean off Monaco, it wins the unofficial world Championship of the Sea and then, later that same year, the Côte d’Azur Prize and the Grand Prix of Nations.
W
e still haven’t fully explored the depths of the sea, but one glimpse of the ocean is enough to make us want to set sail. And there are people who burst into tears when they see the sea. Of course, it is a part of the ocean’s allure that it causes even those of middling talent to wax poetic. Suddenly, heaven itself has come crashing to earth, submersing itself in the sea, such that they are no longer distinct, like that of a seascape by Gerhard Richter. The stuff of your dreams. A view of the sea leads you to mourn all those ships you’ve never sailed... as your mind wanders to a land of high metaphor. In the end, any declaration of love for the sea is a declaration of love for the metaphors of the sea. To immerse yourself in the sea means getting lost in thought and your own imagination. Or with a yacht built by Lürssen. And here we come back to the beginning: how it all started. Peter Lürssen is the fourth generation to run the family business with its more than 2,700 employees. Lürssen is considered to be one of the world’s most exquisite makers of bespoke luxury yachts. The shipyard founded almost 150 years ago started by building fishing and ferry boats, but today it is the world’s leading supplier of megayachts. From the beginning, the family of shipbuilders proved to be forward-looking and successful. As leisure boating became fashionable in 1880, founder Friedrich Lürssen sought to cooperate with engine designer Gottlieb Daimler. This resulted in the Rems, built in Bremen as the world’s first motor boat. It featured a 1.5 hp drive by Daimler. The result: mobility on land and water was driven forward by two ingenious inventors. Within a few years, Lürssen became the leading German maker of motorboats and, in 1896, delivered its thousandth boat since the company’s foundation. Racing against strong international competition, the so called “Lürssen-Daimler” raceboat won the “Champion of the Sea” title in Monaco in 1911, reaching the then incredible top speed of 35 knots equivalent to 65 km/h. At the same time, Lürssen opened another facility in Bremen-Vegesack, still the headquarters of the company, where I spoke with Peter Lürssen about the fascination of the sea and the fascination with ships.
116
2
R M ONE
Foto: Oliver Reetz
IT IS NOT UNCOMMON
for us to revive lost and forgotten handcrafting techniques on our yachts.
Peter Lürssen joined the company in 1987 and, in addition to his cousin Friedrich Lürssen, represents the fourth generation to helm the company.
Mr Lürssen, in preparation for our conversation, I once again noticed how differently one approaches the topic of a shipyard compared to, say, a factory. If the latter has lost its oil-smeared image over all these years, when one thinks of shipyards, the mind still conjures up images of workers more reminiscent of miners in their appearance. Upon closer examination, though, shipyards are so much more. Technology is being built here that could stand up to any autonomous driving technology with bespoke customisation that lends each ship a look and precision that is simply unique and exciting. Why do you think the public knows so little about shipyards?
As in many traditional industries, shipbuilding and also the working conditions at shipyards have changed fundamentally. When I started working at one of the yards after school, I remember it being incredibly loud, grubby and dusty. Today, shipyards are modern, state-of-the-art high-tech companies with a high degree of digitalisation. I studied in the US and worked for a while on yards in Japan, where I learned a lot about continuous improvement processes in production. After my return, we set about putting this knowledge into practice at our shipyard. Today, in-house continuous optimisation processes are in place that enable us to adapt to the changing market environment, to efficiently integrate new technologies, and thus effectively meet the ever-changing challenges in yacht building. However, much of this happens away from the public eye, and intentionally so. The reason behind this is the non-negotiable discretion required by the luxury segment, which we consistently adhere to for our clients’. Anyone who commissions such a product demands not only quality but above all trust, discretion, and reliability. These are attributes that we and our family business have lived by for more than 145 years.
At Rolls-Royce, customers expect an experience of depth and meaning. When these customers buy a luxury product, they want a product that fits their own story as much as possible. At Lürssen, is it the sheer size of the yachts you’re building that people find fascinating? What are the unique things about your shipyard that lead buyers to choose Lürssen? What’s special about the Lürssen experience?
Our clients are people who spend a significant amount of their private wealth to fulfil a dream. Their individual lifestyle is always an expression of their personal attitude towards life. Our goal is to help them express their individual lifestyle in a yacht. Hereby, we create unique pieces that reflect the personalities of our clients, their longings, desires, and feelings. My great-grandfather pursued the same goal, and it’s in our blood. Together with Gottlieb Daimler, for example, he built the world’s first motorboat in his father-in-law’s shed, and even back then, individuality, the joy of innovation, and a bit of daring were the driving forces of our entrepreneurial activities. To this day, when building our ships, we rely on well-balanced foundation of state-of-the-art technology and traditional craftsmanship. It’s not uncommon for us to revive many lost and forgotten intricate handcrafting techniques and trades on our yachts. No matter if we’re talking about multi-faceted fine cut crystal, decorative inlay panels, or stone reliefs, for us, traditional craftsmanship is much more than high-quality, durable workmanship. It also guarantees a unique design and an outstanding touch and feel. The interplay of all these different components coupled with the knowledge that each yacht we create is a one-of-a-kind product is ultimately the result of the joint effort of different trades and people and it is what distinguishes Lürssen to this day. 117
OUR CLIENTS WANT AS MUCH PRIVAC Y AS POSSIBLE .
The 85-metre yacht Solandge just before the launch
Being with your family up close, our yachts offer a discreet second residence to call home.
The eternal enthusiasm for the sea and endless horizons have always been a source of inspiration for great writers and painters. Is that the kind of yearning that leads your clients to take to the seas? Especially since you can readily cross the sea with a ship.
AS A FAMILY BUSINESS WITH A LONG SHIPBUILDING TRADITION, WE ARE CAREF UL NOT TO PU T OURSELVES IN THE FOREGROUND. It is not just a yearning for the sea. Rather, it is the freedom they can have at sea, the seclusion and undisturbed environment for themselves, their families, friends, and business partners. Of course, there are much less expensive ways to travel from A to B, from country to country than with your own yacht. And there are all sorts of exquisite destinations around the world where you can spend your (free) time. Why would you do that on a ship?
Many yacht owners are busy professionals who want to create a space for themselves and their families where they can move freely, independently, and without constraint. Our yachts offer a discreet second residence to call home. Here they can be with family up close, and everything you need is on hand. On a yacht, you can be completely undisturbed. We have clients who sometimes spend months on their ship. It’s not unlike a private island, but this one remains mobile while detached from time and space. If you draw a car, the result is usually similar to a Porsche 911 or a sleek sports coupe. For yachts, I imagine it would always lead to sketches in closely resembling form. Is this true? Is there a unique feature that makes the Lürssen design special? And what is it? Also considering the proportions and yacht lenghts?
I don’t think we can speak of a typical Lürssen design. As a family business with a long shipbuilding tradition, we are careful not to put ourselves in the foreground. Rather, we strive to be discreet, which is also in the interest of our clients, and to be extremely original. In this respect, you are more likely to recognise the design of one of the 118
2
R M ONE
world-renowned yacht designers with whom we cooperate to realise our clients’ wishes. The exterior, therefore, shows the signature lines of the designer. The average age of the Rolls Royce customer has dropped from 54 to 45. This means fewer customers with chauffeurs, but a younger clientele who want to experience a Rolls-Royce from behind the wheel. The yachts of Lürssen always require a crew. How important is it for owners to be able to steer their ships themselves? How have the wishes of the owners changed?
Our yachts are no longer steered by the owners - that is technically and legally no longer possible. Their value is now too high. The captain and the crew are so well trained that they could also control a large passenger ship at any time. The owners might sometimes drive a tender; some of which can be as long as 15 metres. And, yes, tendencies have changed. Our clients want as much privacy as possible. This ranges from private areas on the ship to separate lifts for the crew and owners, to their own wellness areas and home cinemas. In addition, the entertainment system and environmental protection play an increasingly important role, especially for the younger clientele.
WE
are careful not to put ourselves in the foreground.
119
Photos: Klaus Jordan
120
2
R M ONE
Photos: Guillaume Plisson
The 95-metre yacht Kismet was designed by two leading names in contemporary design – Espen Oeino International for the exterior and Reymond Langton Design for the interior. Lürssen is proud that Kismet won the Award for “Motor Yacht of above 75 metres” at the 2015 World Superyacht Awards 121
Each of the five guest suites onboard the 95 m yacht Kismet has its own style with a warm and luxurious atmosphere.
WE always start with an ordinary briefing.
Developments such as the trend towards sharing are changing many industries, especially the automotive industry. There are more people, including the wealthy, for which ownership itself is no longer necessarily important. Does that give you thoughts?
Of course. A company like Lürssen must also watch carefully as the markets change. With this in mind, we are in constant dialogue with our clients. In the past, it was important to be recognised in the harbour, but nowadays it’s the experiences that count, that is, the time spent together on the yacht. I am determined not to ask you for details about the yachts or your customers. Nevertheless, do allow me this: how should one imagine a typical Lürssen customer? And what makes a 100 metre yacht different, for example, from a 70 metre yacht?
At the beginning, we start with an ordinary briefing. For example, this will include questions about the number of family members, how many guests will be on board, will they need one or more pools, is a heliport or even a hanger necessary. Then the technology still needs to be taken into account, starting with the galley right through to the engine room. We take these answers and come up with a minimum size. After all the considerations, the length of a yacht is always the sum of all the individual requirements.
The Persian-influenced Spa on the lower deck features a sauna, a beautifully decorated hammam, a plunge pool and a spa bath. A massage room completes this unique oasis of peace.
122
2
R M ONE
123
Photos: Guillaume Plisson
Perched on the yacht’s highest level is a private observation platform with an open-air bed – ideal for sunbathing or stargazing.
Superyachting: an exclusive world of its own. The tender garage offers enough space for dinghies and more.
Photos: Guillaume Plisson The Owner pushed Lürssen to test its own boundaries engineering-wise and to create a yacht ahead of its time, while also being the ultimate entertainment vessel afloat for welcoming friends and family.
Almost nothing more luxurious. Mega yachts draw an enormous fascination.
In the world of these yachts, quality and exclusivity are required. It is about experiencing the most casual form of freedom.
Kismet is powered by 2 Caterpillar engines with 2,000 kW of power each and reaches a top speed of 17 knots. She has a range of 6,000 nautical miles.
I AM
fortunate enough to sit together with our clients in the most beautiful places in the world.
126
2
R M ONE
And, finally, we have two more personal questions. Which place would you most like to visit?
The South Pacific would interest me. We’ve been along the Amalfi coast and in Portofino several times with our children. I think I would like to visit this region again with my family. And, if I have more time, I would like to go to Central America for diving. What kind of people would you want coming on board your ship at the port in Monaco?
There’s no one in particular. I am fortunate enough to sit together with our clients in the most beautiful places in the world. These are usually fascinating personalities living extraordinary lifestyles with appropriate remarkable stories. To continue to meet with such interesting individuals is perfectly sufficient. At the end of the interview, I was invited by Peter Lürssen to take a look at the Lürssen shipyard and a yacht. Both were incredibly impressive and fuelled my enthusiasm for the water, the sea, and yachting. It was obvious to see where the enthusiasm that Peter Lürssen expressed in our conversation comes from.
Kismet
127
Photos: Guillaume Plisson
YA C H T I N G N E W S
YEARNING
for the sea
Deep blue as far as the eye can see. Above it the endless sky. You stand at the Rehling, feel the wind, the sun. Yachting in perfection.
FLY OR BE FLOWN Stepping off a helicopter after flying from yacht to shore is, needless to say, the very epitome of sophistication. Helicopter innovators Airbus are nothing short of the purveyors of this lifetime aspiration and know everything about creating the ultimate luxury machines for yacht owners and high flyers alike. www.airbus.com
Float high above the water like a superhero. 128
2
R M ONE
BREGUET AND RACE FOR WATER Swiss fine watchmaker Montres Breguet and Race for Water, a foundation to preserve water, held a conference in Lausanne, Switzerland. The two partners marked the first year of a collaboration and talked about the innovative solutions that can be adopted before plastic waste enters the marine environment. www.raceforwater.org
PHOTOGRAPHER The photographer J. Konrad Schmidt (BFF), working with LEICA, Samsung and ELLE, prefers to photograph women. These images taken recently on the deck of superyachts. More at www.jkonradschmidt.com
129
YA C H T I N G N E W S
CRUISING DESTINATIONS
BESPOKE YACHT CHARTER ANDIAMO is a fabulous Riva Aquariva 33 built by the legendary Riva Yachts of Italy. The yacht is based in the port of St Jean Cap Ferrat on the prestigious Cap Ferrat peninsula between Monaco and Nice. The Riva Aquariva is a fast, modern yacht that draws attention to the heritage of the historic Riva Yachts of the 1960s and 1970s. No other yachts are more synonymous with the glitz and glamor of the Cote d‘Azur than Riva Yachts. www.bespokeyachtcharter.com
130
2
R M ONE
With a super yacht, mega yacht or luxury charter yacht, the world is open to you - the most beautiful bays, the whitest beaches, turquoise waters, the most exciting coastal villages, exotic countries and which one has long dreamed of. The most popular luxury yacht charter destination in summer is the Mediterranean. The classic destination for luxury yacht charter holidays in winter is the Caribbean - Virgin Islands, Leeward Islands and Windward Islands are all fantastic destinations with dreamy scenery. Further north, luxury charter yachts cruise the Bahamas and Florida and in the summer it’s back to the Mediterranean again and so on!
PROTECTION OF THE SEAS Committed to the protection of the seas, OBJECT CARPET and the Healthy Seas initiative have become partners in sustainability. In terms of health and sustainability, OBJECT CARPET has been a pioneer for many years. The textile flooring company is a specialist in combining unique design with innovative production techniques and sustainable manufacturing methods. Now OBJECT CARPET has taken the next step and become a partner of the Healthy Seas initiative. Healthy Seas collects abandoned fishing nets from the sea which are then processed by Aquafil, the leading supplier of synthetic fibres and suppliers of OBJECT CARPET, into the unique ECONYL® yarn. Healthy Seas is an open initiative and always welcomes new partners who are committed to the circular economy, sustainability and engage in the protection of the seas. www.object-carpet.com
131
MONACO YACHT SHOW Every year you can marvel at the most stylish water toys in the world ... and acquire them. The scene is the fashionable port of the Principality of the Côte d‘Azur. White marquees line the quays in Monaco‘s Port Hercule harbour and the world‘s most beautiful yachts float side by side on the water. The Monaco Yacht Show has opened its doors. For four days in September, the harbour is a meeting place for the rich and the super-rich, designers, yachts, boat builders and suppliers. www.monacoyachtshow.com
DISCOVER THE DIFFERENCE Renowned for its professional yachting services, this company leverages its expertise to guide clients through every aspect of the yachting experience, including sale and purchase, charter, new construction, management, crew services and insurance. Burgess has an affinity for everything that is luxurious, exclusive and inspiring. Therefore, they have also partnered with Rolls-Royce, a brand that stands for the same level of excellence in their field. www.burgessyachts.com
132
2
R M ONE
1
NUMBER
Ranked No.1 in the superyacht ranking, Azzam is the longest private mega yacht in the world built by Lürssen Yachts, with a length of 180 meters. The owner is Sheikh Chalifa bin Zayid Al Nahyan, President of the United Arab Emirates. Designed by Nauta Yachts with the interior designed by Christophe Leoni. The yacht is divided over seven decks. The facilities include a helipad as well as a salon with an area of 520 m² which is fully equipped without supporting pillars. Two gas turbines combined with two diesel engines together have an output of 94,000 hp (69,137 kW) and propel the yacht with four water jets to a speed of over 30 knots. In addition but not included in the purchase price is a submarine and missile defense system - equipment which belongs to the yacht.
133
WINNING CAPSULE COLLECTION Not the wind, but the sail determines the direction.
134
2
R M ONE
With a collection inspired by the America‘s Cup and its brave participants, consisting of ready-to-wear, leather goods, shoes and accessories, Louis Vuitton brings its heritage and luxury to the world of sports. The collection includes attire for sailing, the beach and evenings out and is characterized by an interplay of graphic designs with strong, contrasting colors and the elegance, savoir faire and signature details of the house. www.americascup.com
The Elegant Nature Resort at lake Tegernsee Wellness meets culinary highlights in 5 restaurants Let‘s create your very own moments of happiness!
Althoff Seehotel Überfahrt | Überfahrtstraße 10 | 83700 Rottach-Egern +49 (0) 8022 669 0 | info@seehotel-ueberfahrt.com | www.seehotel-ueberfahrt.com
FAR-OU T
D
ubai’s All-Female Supercar Club
ME E T THE AR AB IAN G AZE L L ES It’s clear: the iconography created by the Gazelles has caught eyes across the region. Mazouzi founded Arabian Gazelles in 2016. Since then, it’s grown to more than 85 active members – a number that continues to swell across the region. The 43-year-old Algerian force hails from the labyrinthine streets of Algiers – when not driving the Gazelles forward, she’s also the mother of two teenagers, a self-made entrepreneur and a Formula 3000 racer. T E X T : AMIRA ELRAGHY P H O T O S : HANAN SOBATI/KIRAM MAZOUZI
137
R
Revving supercars across the Middle East, the Arabian Gazelles challenge gender norms for the better. And after all that, Foucault was right: “Power is everywhere, and comes from everywhere.” Right now, in the Arab world, that power comes with four wheels and a woman in the driver’s seat. And, in the case of Hanan Mazouzi, the founder of Arabian Gazelles, Dubai’s first female-only supercar club, it also comes with an abundance of horsepower. “They lifted the ban on driving in Saudi Arabia one year ago,” reflects Mazouzi one recent morning in Dubai. This isn’t a club for those flirting with the idea of a supercar passion. No, being an enthusiast, an aficionado – and, of course, an owner – is a prerequisite. Arabian Gazelles is anything but lip service. “Truth is, we women can drive and we can compete and we do have the same passion,” she says.
138
2
R M ONE
“Men actually still get shocked when they see women behind the wheel. But perceptions are changing – one guy at a time.” What was your plan when you first arrived in Dubai 20 years ago?
Not much. I studied business in Algeria in both Arabic and French. My parents were in Qatar back then but the best things were happening in Dubai. I arrived to do a short business course in English and I ended up spending my lifetime here. Explain the reaction from your male peers when you attended your first F1.
I used to drive in a supercar club with 99 per cent men – it was challenging. At my very first F1, all the guys couldn’t read my name properly so they thought I was a guy, too. The look they gave me wasn’t one of being impressed but was one of questioning: how did that happen? There’s driving, and there’s driving supercars – this is no longer only for men.
139
And were there any verbal interactions or comments?
What do you think of masculinity in the Middle East?
I remember when I was first seen behind the wheel presenting the [female-only] supercar club – I was told that it was a sexist idea, and that was surprising. I mean, why is Formula 1 only for men? Why are other hobbies only for men? Isn’t that sexist, too? Sometimes, I think it’s good to feel discriminated against.
I feel that masculinity or manhood doesn’t only stop with how a man looks or what he does, it’s how he supports the women in his life, his environment, and everywhere in-between. For me, a real man is one who refuses to put a barrier in front of women and how they live. It starts with the mother and how she nurtures her son to behave, how to look at manhood differently. I think masculinity is missing tolerance, acceptance and feminism.
Taking the road less travelled in a male-dominated society, how do you feel about it?
I didn’t start it to empower anyone, it was really only to share my passion. When you share your passion, you double your happiness. Some men didn’t want their wives to touch cars at all and I was surprised that these people were our close friends. It’s changing slowly now, and it feels great. I have that realisation when I sit with women I have converted, people who are really happy to have joined the club and shared my passion.
140
2
R M ONE
There must have been some challenging moments in establishing Arabian Gazelles.
My first media appearance was an eye-opener. I was getting ready for the interview on-set, and there was a guy sitting there getting ready for an interview as well. He turned and said, “I am a psychologist and in my practice women who are passionate about these kinds of sports are probably having problems with their marriage.”
M e e t the woman behind the exclusive all-female luxury car club in the UAE
141
M o s t of the Gazelles grew up around fast cars, and like to refer to themselves as “petrolheads.”
I calmly replied, “If there was a guy sitting here in my place setting up a supercar club, would you tell him the same? Would you think he has problems with his marriage because of his passion for supercars?” That was the moment when I realised that this was not going to be easy.
The Gazelles have been already registered as the first female-only supercar club in the KSA. Tell us more about it.
Was your family supportive about your passion for supercars? Was it something you grew up with?
What do you think about the car industry in the region?
My dad was very supportive. I’ve always wanted to be a pilot like him, and so the closest thing was really to drive a car. After a very long flight I remember he’d come back home and take me to empty parking lots to teach me how to drive. My mother would go crazy as I was only 12 years old back then but my dad would insist. He’d always tell her, “She wants to drive, so I’ll teach her how to.”
Yes, we’re opening in Saudi soon, we have registered the club already. It’s just too early to release and celebrate the club – that’s one step ahead.
It doesn’t have enough women in it – that’s my main thought. I want more women owning car manufacturing businesses, I want the sponsors to see the value in this club and to put money in it. I want business owners to listen to what women have to say.
143
C a r s that qualify for our club include Porsches, Lamborghinis, Bentleys, Mercedes-AMG GT Coupes, McLarens, Aston Martins, Maseratis, Bugattis and Rolls-Royces.
144
2
R M ONE
What’s next for the Arabian Gazelles?
Ideally, I want to connect all the women who have this passion all over the world, step by step. I receive a lot of requests from women around the world to become a member of the club. I’ve been asked for international membership, to create Gazelles around the world, like Gazelles of South Africa, Gazelles of USA, and so on. We, the Gazelles, want to be connected, and to eventually change the landscape of this hobby. What do you think of millennial-era feminism?
I dare say the media has portrayed a rigid understanding of feminism, so now most of this generation are saying, “That’s really not for me. I don’t believe in feminism but I do support all of the policies, like equal opportunity.”
What do you think Arab societies need the most at the moment?
Tolerance and more Arab role models in all walks of life. How do you imagine the future for women in the region?
All that I have done for the Gazelles so far was because of women. As more women throughout the Arab world start their own businesses, break down gender barriers and push through the glass ceiling, those pioneers will become an example for other women. They can inspire them to imagine what’s possible for an Arab woman. You can follow the Arabian Gazelles on Instagram @arabiangazelles
145
146
2
R M ONE
WILD SIDE
SWINGING ON EAGLES H ON THE HUNT WITH GOLDEN EAGLES
On the borders of Kazakhstan, Russia, Mongolia and China, the Altai Mountains offer every opportunity of experiencing the full force of untouched, wild nature. And to hunt with eagles.
erds of horses gallop across the countryside while flocks of sheep graze peacefully, rushing rivers and clear mountain lakes present visually stunning natural spectacles away from any civilization. As glaciated mountain ranges rise above a unique, mysterious landscape, the call for adventure in each of us seems to grow. The life in the steppe depicted in the pictures seems idyllic and original to the viewer but in reality it is hard and depriving. An ideal starting point for our story about the proud animals and the hunt for eagles in Mongolia. In almost all cultures of the world, the eagle is referred to as a wonderful creature, a symbol of purity, knowledge and power. Thus it is not surprising that tattoos featuring eagles have become a trend with numerous followers within the body art world. Dark guys with bodybuilder looks seem even more threatening. ‘Three Metre Wingspan’ - the idealized image of an eagle in the sky becomes the emblem for a scene that grows larger on the road, stretching the cross and going on a foray into ‘the city’ with frighteningly wide wings, metaphorically speaking. Within the tattoo world, eagle patterns also seem to elicit meanings such as power, victory, nobility, authority, freedom, resistance, sovereignty and destiny, to name but a few.
T E X T : CARSTEN THOMAS P H O T O S : FRANK RIEDINGER, CLAUDIO ENDRESS
147
THE EAGLE HUNT IS THE PERFECT SYMBIOSIS OF EAGLE , HORSE AND HUMAN.
In ancient Greece, eagles were admired as an expression of masculine power, so much so that the great Greek God Zeus, the father of God and men, according to mythological history, is known for his numerous affairs with mortal women. He is associated with the eagle, because sometimes he takes the form of this bird to ensnare said women. The eagle along with the ray of light were symbols of this supreme Greek deity. The Indians took this great bird as an indisputable symbol of spiritual power. His ability to fly over the mountains while the sun’s light bathed his feathers made him nicknamed the Ambassador of the Deities. The native tribes of the plains believed that the eagle on earth was the incarnation of the spirit of “thunderbird”, a mythological creature that controlled thunder and lightning during the storm. The art of eagle hunting also follows an ancient Kazakh and Mongolian tradition that dates back to well over 6,000 years ago, when people still migrated as nomads through the steppes and mountains and had only one aim in mind: survival. This survival instinct will probably have contributed to the miracle as well.
148
2
R M ONE
Thousands of years ago, mankind had not only tamed the king of the skies but also learned how to use it to hunt rabbits, foxes and wolves. The fact that the wolf itself is prey sounds strange at first. However, such an eagle is capable of killing a wolf. In the comparison of sizes between hunter and prey this is quite remarkable. During the eagle festival, a wolf is released in the evening, which is struck by several birds in front of the audience. The hunt for a wolf is a dangerous highlight of the Eagle Festival, because, as it happens from time to time, a golden eagle is killed by the wolf. This is all the more important when one realizes the importance of the golden eagle for people living in western Mongolia. With the eagle hunting ancestors as inhabitants of the mountain country, they were the originators of falconry in this world. Legends, narratives and proverbs describe them as heroes. 5000 year old stone drawings show how hunters went on horseback with an eagle in their arms, to hunt. At the end of the Middle Ages, a textbook on falconry and ornithology was published by Frederick II: De Arte Venandi Cum Avibus (The Skill of Hunting with Birds).
THE PROUD EAGLE FLOATS ONCE MORE THROUGH THE AIR.
149
TRADITION, NOT FOLKLORE: THE HUNTERS WEAR A UNIFORM THAT HAS BEEN PART OF THEIR HUNTING CULTURE FOR CENTURIES.
150
2
R M ONE
AT A YOUNG AGE , SONS AND THEIR FATHERS SET OUT TO ASSIST IN TRAINING THE BIRD OF PREY.
This was also strongly influenced by the exchange of experiences with Arab falconers and is considered the first work of modern ornithology. In March 2015, falconry was included in the national list of cultural heritage and recognized as such. Nowadays, Mongolia is the last place where this art still exists in the same way as it was practiced a thousand years ago. A highlight for many Mongols is therefore the annual Eagle Festival. The men take several day rides to to attend this meeting. The competitors want to prove how well they harmonize with their animal and hunt successfully. Elegantly, an eagle circles the Mongolian steppe. The mere sight of them gives rise to feelings of freedom, distance and adventure. Majestically and calmly the eagles sit on the fists of their owners, one would never assume that these predators live together in the same house with humans. What’s more, the birds of prey go hunting together with their humane hunting companions, helping entire families make a living. Rarely has a human entered into such a deep symbiotic relationship with an animal as the Mongols did with their famous golden eagles. Brutal and graceful, but have you ever set out with an eagle? Better, you leave it to the experts. The hunters from the Altai occupy a unique position with their hunting method of horse and golden eagle in their hands. Only the perfect interaction between horse, man and eagle ensures hunting success. Such a hunt is either done in packs, as we know from hunts with dogs, or as with stalking, by a single eagle. Often, prey animals are faster at short range but the hunting prey are more enduring, at least when the hunt
is done by experienced eagles. The hunters get up early in the morning to check on the weather - this has a significant impact on hunting success. The next step belongs to the birds. In the vestibule of the family hut, the hunters are looking for their feathered friends to look after them. After some preparation, the hunting party sets off, always as a group and always in step. Each of them carries his bird in his hand with a leather cover as he looks for prey on the ridge. For the men, the hunt itself means that they are now relying fully on their primal instincts. Only on your own, out in the merciless nature that punishes every failure harder, it requires absolute trust between horse, eagle and man. Some hunting tours take days, in which the men have to rely fully on the weather, environment, decreasing food rations and mental mood and all are factors that activate the urge to survive. This tension is eventually released when the crucial moment comes and one of the hunters spies his prey. Now, he pulls the leather hood off the head of his hunting animal. The eagle flashes his reddish eyes and casts a quick glance to the right and left. It takes seconds for the bird of prey to understand what its hunting peer wants him to do and with a croaking cry, the hunter releases him into the air. Sublimely, the bird spreads its wings and rises steeply, high over granite rocks, caves and mountain ridges. A golden eagle is able to spot its prey, such as a wolf, within two kilometers. So it does not take long for him to spot the prey the hunter had targeted. He swoops down on the animal to dig his claws into the flesh and hack away with his crooked, pointed beak. If the bird succeeds in killing the prey, the hunt is crowned a success.
152
2
R M ONE
THE LUXURY IN THE YURT CAMP
IS ENDLESS SPACE AND UNIQUE SILENCE.
153
INFINITE SPACES, SPECTACULAR LANDSCAPES AND ABSOLUTE FREEDOM.
154
2
R M ONE
An eagle hunter devotes his entire life to the training of his hunting mate. Sleepless nights with numerous exercises are part of the daily routine. In addition to the right attitude, this also includes feeding the eagle properly. A golden eagle kills unbelievable amounts of meat. For example, a daily amount of one kilo of fat marmot meet during the summer and in winter there is hare. However, it is crucial to allow food to the masters of the skies only every third day and in small portions as it is important to maintain balance. On the one hand, the eagle must remain strong, on the other hand, it must constantly be hungry. A rich eagle would not return to his master again. Regardless of all these points, it must be remembered that a bird of prey is a sensitive animal that places very high demands on a behavioral attitude. For the hunter, this means that he and no one else but him, is responsible for their wellbeing from the moment he takes charge of an eagle. Since hunters and golden eagles will only prey as a harmonious unit, humans must also show great courage and self-restraint in order to work together with the wild animal. At the same time, the hunters must also take care that their own offspring is not neglected.
155
THE ART OF EAGLE HUNTING IS ONE OF MANY K A ZAKH AND MONGOLIAN TRADITIONS.
156
2
R M ONE
THE EAGLE HUNT IS A FASCINATING AND TRUSTING CONNECTION BET WEEN BIRD OF PREY AND HUMAN. Already at the age of seven, sons and their fathers set off to assist in the training of the bird of prey. The father immediately transfers the hunt with the eagle to his son, so that he learns how to deal with his golden eagle in the future. The eagles are not livestock for the Mongols, they are valuable companions who have a massive influence on their daily lives. The hunters talk to their animals, pet them and treat them as equals. Despite all this friendship, the paths of the hunting team will eventually separate when, after about 10 to 14 years, the eagle is released, so he can look for a partner. Then the hunter sets off again to find a youngster in a nest. The eagle hunt plot seems to be a clichéd character drawing and works in sections like woodwork but with a strong meaning. And finally, our story scores with great landscape shots and authentic actors who take the viewer on a journey into another world.
157
158
2
R M ONE
INSIGHT
THE ART
OF CELEBRATION Dom Pérignon x Lenny Kravitz Not many CVs include Grammy Award-winning rock star and respected designer. Lenny Kravitz’s creativity spans genres from music to acting and photography. His own studio, Kravitz Design, creates remarkable interiors including luxury hotel suites and private residences in California and Brazil; he has designed a camera for Leica, a chandelier for Swarovski and a watch for Rolex. Now, in his role as creative director of Dom Pérignon, the category-defying musician is launching three designs, aimed at “elevating the ritual of drinking Dom Pérignon, that would bring people together”. T E X T : ALEC RUSTEC P H O T O S : L E N N Y K R AV I T Z , C O U R T E S Y D O M P E R I G N O N , L E N N Y K R AV I T Z S H O O T I N G B Y M AT H I E U B I T T O N
159
O
ver the years Dom Pérignon has always explored affinities with renowned creative talents. Last May the champagne house announced a compelling collaboration with singer and musician Lenny Kravitz. As Creative Director and photographer for the new Dom Pérignon advertising campaign, Lenny Kravitz has shot a series of photos that were unveiled in New York and then shown in the UK, Italy and Japan. Taken in his villa in Los Angeles, the photos are part of an international exhibition entitled “Assemblage” that was inaugurated in New York in September.
The artistic collaboration between Dom Pérignon and Lenny Kravitz is the story of a convergence of creativity that began in Hautvillers, a place central to the inspiration of Richard Geoffroy, the Maison’s Chef de Cave. It is also the story of the long friendship between the two. A true connoisseur of the Vintages, Lenny Kravitz has a longstanding relationship with Dom Pérignon and wanted to learn more about the people who make the exceptional champagne, their savoir-faire, and the terroir. A multitalented artist, Lenny Kravitz transcends the frontiers of disciplines, cultures and generations, whether in music, photography, design or cinema. 160
2
R M ONE
161
Dom Pérignon gave him complete creative freedom for the new campaign visual, which materializes a project that springs from his lifestyle. In a series of black and white photographs that revive the concept of art salons he captures the creative alchemy that emerges when exceptional talents come together from the worlds of cinema, fashion, dance and sports. Zoë Kravitz, Susan Sarandon, Benjamin Millepied, Alexander Wang and others join this unique gathering of talents for moments of celebration at his villa in Los Angeles. “Dom Pérignon is all about bringing people together. It is all about communication so that you can then have inspiration. You do not need an occasion. Life is the occasion,” says Lenny Kravitz. Alongside this online and print campaign Lenny Kravitz is joined by photographer and filmmaker Mathieu Bitton, who has shot a film retracing the inspiration that springs from these exceptional
162
2
R M ONE
meetings. In conjunction with the campaign, Lenny Kravitz captured unique moments to invite the public to discover the universe of Dom Pérignon in an international exhibition entitled “Assemblage”, inaugurated last September at the Skylight Modern in New York. Conceived as a transcription of memorable experiences, the photos will be featured in exhibitions around the world in 2019.
You’re an art director, photographer, and designer for Dom Pérignon: what brings it all together? Everything comes down to art, to connection, and to communication. The product speaks for itself, it’s legendary. What I want to communicate, is that sharing makes this product — like everything else — better. To transform something into a shared experience with other people, with friends, makes everything better, and it leaves you with something to take way.
We talked to the gently voiced icon about his love of photography and his art of champagne.
Finally, how would you describe Dom Pérignon? As a classic. This is something that’s been tried and proven. You expect a certain level of quality, of the highest level. It’s also a name and an idea. When people think of Dom Pérignon, they think of something very special. But it’s also something you’re opening for a reason. Now, I know people who pull it out because it’s Tuesday, and that’s wonderful. Tuesday is an occasion. Every day of life is an occasion, we’re not promised tomorrow! But it marks a time. And it’s an art form. I’ve learned how difficult it is, and what a disciplined art form it is to make this incredible champagne.
What’s your relationship with Dom Pérignon like? It’s wonderful! It’s wonderful. It started out, and still is, personal. This is not something thought out to make big business. I became good friends with Richard [Geoffroy, Dom Pérignon’s Chef de Cave]. I spent time there with him, we toured the cellars, and there was a lot of listening. We began to have these dinner parties, which had a lot of themes. One of my favorites was one called “The Seven Sensualities,” which paired seven different vintages with seven different courses. But we just spent time together over the years, and that was it.
“If you think this is just a party, then you are mistaken. If you think this is just a place, then you are misinformed. Because this isn’t just a place. It’s the place where it happens. Whatever ‘IT’ is,” says Kravitz, capturing moments of togetherness and sharing in a specific context.
163
DELIGHTS
Wine is sunlight, held together by water
WHEN MAN AND WINE GROW OLD. It may be that men are particularly stubborn about aging. Women are certainly more critical. Your aging process is considered obvious; looks are said to be fading. Men, on the other hand say that they ripen like wine and were, so to speak, more refined. And before they appear completely ruined, men are not considered old. Grey temples still emphasize a certain manliness(Gunter Sachs, Richard von Weizsäcker), wrinkles in the male face (Clint Eastwood, Keith Richards) are a sign of character - not fading. The legendary director Francis Ford Coppola proves that it’s not just legends that are created on stage but also excellent wines, arriving via Hollywood. Like his films, his winery is known for true classics. Thus, a touch of Hollywood is also found in its exclusive wine produce.
164
2
R M ONE
Listening to the name Francis Ford Coppola, one inevitably thinks of the world-famous cinema classic The Godfather, few think about wine. But the talents of world-famous Hollywood director Francis Ford Coppola are far-reaching. His winery in California is one of the best in the USA. The passion for viticulture is no coincidence. Coppola‘s grandfather has already produced his own wines in the basement of his New York apartment. Although the creations of Francis Ford Coppola do not have much in common with the products of his grandfather back then, the goal has remained the same: unique wine
creations shared with family and friends. Like his films, the wines of Francis Ford Coppola are true classics. These include for example, the red wine cuvee Diamond Collection Black Label Claret or the Diamond Collection Red Label Zinfandel. Counted especially among the top wines of Francis Ford Coppola’s estate is the Director‘s Cut Zinfandel. Wine lovers are therefore convinced that Francis Ford Coppola would have earned an Oscar not only for his films but also for his wines. www.francisfordcoppolawinery.com
THOSE WHO NO LONGER ENJOY drinking wine are missing a secret.
165
DELIGHTS
RISING STAR She is only 28 years old and already the best cook in the world: Daniela Soto-Innes. The Mexican was included in the list, The World‘s 50 Best Restaurants’ on Wednesday. The rising star of the international hospitality scene is chef at Cosme restaurant in Manhattan, which introduced her to innovative Mexican cuisine in the highly competitive New York dining scene.
THEY SEE ME ROLLIN’ They see me spend money. And for one of the most extraordinary champagne coolers, which can be adapted for about 42,000 euros to their Rolls-Royce. Too expensive? Well, after all, the box is made of aluminum and carbon fibre and with the most refined leather. Aside from that, the set includes the finest mother of pearl spoons to serve caviar, a caviar cooler and two large coolers for the bottles. Velvet LED lights. Unfortunately, you can only order this cooler as a Rolls-Royce owner.
166
2
R M ONE
Ditch the salt, get the caviar!
Imperial Caviar By AKI
aki-caviar.de instagram.com/aki_1925
TIME OFF
top SECRET THE PRIVATE ISLAND OF YOUR DREAMS THAT LEAVES NOTHING TO BE DESIRED T E X T : MICHAELA SUSKA P H O T O S : COURTESY OF ISLA SA FERRADURA
168
2
R M ONE
169
SPOTLIGHT ON THE MEDITERRANEAN
170
2
R M ONE
C
rystal-clear, turquoise-blue waters, pine-clad cliffs, the finest of sands - this is the Bay of St. Miquel on the north coast of Ibiza. A small, hidden Isthmus beach connects the mainland with one of the most exclusive retreats in the world. The private island of Isla Sa Ferradura on a 3.5-acre island is a hidden paradise in the Mediterranean, a luxurious Robinsonade for people who love the special and can afford it. The conversion work took four years until the property on Isla Sa Ferradura became a contemporary, modern home without any kitsch or flourish. Snow-white walls, straight lines, glass and an extravagant purism dominate the look of this luxurious villa. Located in the bay of Sant
Miquel on Ibiza’s north coast and connected to the mainland by a sandy isthmus, this rocky 3,5 hectare islet is the ultimate playground and party pad for hedonistic adults. Available to rent for up to 16 guests, the decadent all-white hacienda is surrounded by lush, landscaped gardens with a sleek infinity edge pool beside a palm-shaded terrace, and a second freeform lagoon-style pool down a winding path. In addition to eight opulent guests suites, contemporary lounges, and a home cinema in the main house, the island features a mysterious cave complex that houses a hot tub, sauna, spa and beauty centre. It’s crowning glory, however is the 750-square metre sea view roof terrace, where shady pergolas, two bars, a dance floor and DJ decks enable guests to create their own private concert or party, at any time of day or night.
A luxurious private island paradise with tropical gardens and stunning panoramic views.
171
172
2
R M ONE
173
174
2
R M ONE
A week’s stay on Isla Sa Ferradura starts at a quarter of a million dollars during low season.
175
176
2
R M ONE
ABOVE YOU ONLY HEAVEN
177
A rare gem, Isla Sa Ferradura is one of very few private islands available for rent in the Mediterranean. 178
2
R M ONE
ORIGINS
THE REVIEW
Rumour has it that this remote island was once a pirate hideout in the 17th century. Whilst this may be true, the villa residing on its highest point was originally built as a private home sometime in the late 1970s. Its location is truly unique, since an island-wide law now states that property construction cannot occur within 500m of the coastline. Following its recent ownership change, Isla Sa Ferradura has undergone a total refurbishment without changing the structures of the original 1970s-built hacienda.
Connected to the main island of Ibiza by a narrow, two-sided beach, this island hideaway is the perfect retreat for relaxation and pampering in a private sanctuary, where guests can create the perfect holiday suited to their needs. The property features two incredible swimming pools to enjoy, one of which is located in the stunning tropical gardens engulfed by the breath-taking landscape. So guests can choose to take a refreshing dip with an inviting green backdrop, or one with mesmerising views across the ocean. Not only does the island provide spectacular vistas, but the large rooftop terrace of 750 square meters is perfect for taking in the sea views, relaxing and socializing at one of the two bars. Additionally, there is a DJ mixing deck and a stage area for those up and coming DJs or for hosting lavish private events.
179
Under the directions of the Spanish architect Jaime Romano, the entire concept changed to that of an easy, modern and contemporary look and feel, giving this unique hideaway back its long-lost Balearic personality. The interior is dominated by cool Mediterranean chic, warm natural textures of a tempered colour palette, and complemented by carefully selected local objects d’art. For guests wishing to indulge in “me” time, there is a fully equipped gym on-site, incorporating a yoga area, as well as a Spa with a Jacuzzi, sauna, stream bath and oriental well-
180
2
R M ONE
ness area. Staff members ensure the ultimate in pampering and satisfaction for each guest. The Villa: A neutral colour scheme throughout and with typical Balearic style and decor gives the villa a real laid-back feel, with a cool Ibizan atmosphere creating a comfortable, contemporary home from home. With many outdoor terraces, chill out zones and al-fresco dining areas, as well as some semi open bathrooms, this six-bedroom villa really incorporates the natural surroundings and blends the interior and exterior almost seamlessly. Located in the
Bay of San Miguel in Ibiza, 14 miles north of Ibiza town, Isla Sa Ferradura is a 35,000 square metre private island with a modern, contemporary feel. It is the ultimate getaway for families and groups of friends or perhaps an extravagant corporate function. This stunning island has a real wow factor. It invites guests to revel in luxurious surroundings and take in the spectacular views whilst indulging in some serious R&R time. With on site staff to take care of every whim, guests can relax, socialize or party in the incredible grounds as their mood takes them.
WE LOVE The extraordinary views from the island
*
The landscaped verdant gardens
*
The feeling of privacy and ultimate relaxation
NEED TO KNOW Since the island is located in a nature reserve, a helicopter landing is not allowed.
*
Travel info: A 35 minute drive from Ibiza Airport (IBZ)
*
The property comes with six bedrooms, gym, yoga and massage room, spa, jacuzzi and boat shed. There are also two water features; one a 23-metre terrace-level swimming pool and the other a smaller lagoon pool set amidst a tropical garden.
*
AA 750 square foot rooftop terrace with two bars and a DJ area allows the party to kick on all night while providing spectacular ocean views. A staff of 22 are available at your beck and call 24 hours a day and will make sure your stay is unforgettable.
*
As you can imagine, renting this private island isn‘t cheap. A one week stay will set you back close to quarter of a million dollars during low season, and you‘d likely be up for nearly double that this Euro summer. If you‘ve got that sort of cash lying around, you can book a week or two at Isla Sa Ferradura through Nova Reisen www.novareisen.de ISLA SA FERRADURA Address: 07815 Puerto San Miguel, Ibiza, Islas Baleares, Spain
THE BEST FOR LAST 181
182
2
R M ONE
T R AV E L
PARADISE
ISLAND A place of longing above and under water Every human being has their own personal place of longing. A place to dream of, a place to travel to. T E X T : BERTHOLD DÖRRICH
183
WELCOME TO A PLACE BEYOND TIME The Nautilus Maldives
E
scaping from the pressures of life to a place where time has no meaning and conventions are set aside? Just following the lead of the natural rhythms of nature – sunset, the tides, the phases of the moon. Enjoying absolute freedom in a luxury environment that is second to none, yet of a distinct laid-back ‘modern bohemian’ lifestyle that doesn’t impose, doesn’t judge and doesn’t inhibit its guests. The recently opened ‘The Nautilus Maldives‘ – a privately-owned island in the heart of a UNESCO biosphere reserve – has been designed for a new generation of luxury travelers who expect more than just a great sun tan at the end of a holiday and are looking for transformative experiences and activities they can share with those who matter the most to them. “This philosophy has meant rethinking how a luxury resort is designed and run. Removing barriers so guests can feel the same levels of comfort and ease as when at home, along with the most spectacular features the Maldives has to offer”, The inspiration behind this island is a Maldivian entrepreneur with over 30-years’ experience in business and
184
2
R M ONE
resort ownership. Originally thinking about building his dream retreat on the tiny island, The Nautilus has grown to become his personal vision of what the last word in island luxury – in both the Maldives and worldwide – should be.. Accommodation at The Nautilus is called ‘houses and residences’. Each of the 26 houses is a suite, with separate living room and bedroom. Just 15 one and two-bedroom houses line the island’s beaches, hidden away among coconut trees, palms, and tropical greenery. Eleven one- and two-bedroom houses stand on stilts over the lagoon. Features include private pools, ocean views from every house, soft sandy beaches encircling dense tropical greenery, and a rich coral reef just metres from the island’s shores. Restaurants have a flexible approach to opening hours and food in a world where the menu is just a place to gather inspiration. Meals are designed for the guest, whenever they want to eat and the chef can cook favourite recipes or create specialities as desired. Be it gourmet treats from the poolside deli, infusions of Mediterranean and Middle Eastern cuisine
at the over-water signature restaurant, elegant simplicity with Japanese and Latin-American creations at the grill, or global delicacies at the all-day dining restaurant. Removing barriers also means giving room to a unique spirit of discovery and adventure, to create incredible excursions and adventures, taking guests where they want to be when they want to be there. Located in Baa Atoll, a UNESCO biosphere reserve, incredible marine life awaits discovery. Midnight swims in glowing phosphorescent waters alongside a marine biologist, swimming amongst whale sharks and manta rays, diving on iridescent coral reefs, deserted islands picnics or just cruising the ocean in a custom yacht are just some of the many adventures guests can look forward to. THE NAUTILUS MALDIVES Thiladhoo, Baa atoll 20066, Maldives www.thenautilusmaldives.com
185
INDULGE IN A PERSONAL PARADISE Shangri-La’s Le Touessrok Resort & Spa
186
2
R M ONE
C
alling it “a personal paradise”, Shangri-La’s “ iconic Le Touessrok Resort & Spa” is spectacularly located on the East cost of Mauritius. A private hideaway with immaculate beaches and crystal-clear tropical lagoons. Four kilometers of pristine white sand, spread across five beaches on the mainland and the resort’s private island, provide true tranquility and relaxation to the discerning traveler. All of the resort’s 203 rooms, suites an beach villas are located on the beachfront, offering direct beach access and uninterrupted views across the turquoise waters. Another level of privacy is provided through three exclusive beach villas, offering unrivalled privacy, as well as private infinity-pools and 24-hour butler service. Completely unique in Mauritius, Shangri-La’s Le Touessrok Resort & Spa boasts a secluded private island, Ilôt Mangénie, with bountiful pristine beaches and an idyllic beach club reserved exclusively for guests. Only accessible by a few minute speedboat trip from the resort, guests can roam the private island’s stretch of white sand surrounded by lush vegetation. The island offers a great settings, to relax, disconnect and day-dream. Guests wanting to celebrate in style can also hire Ilôt Mangénie exclusively for private parties set against a paradisiacal backdrop. Just a stone’s throw away, another island, Ile aux Cerfs, offers the ultimate golfing experience with an 18-hole golf course, surrounded by the sparkling turquoise lagoon. Designed by Bernhard Langer, the golf course has been named “one of the top 10 golf courses in the world”. What more to make an island holiday an unparalleled experience, answering all unspoken needs?
An inspiring culinary journey awaits guests across five dining venues and two bars, coupled with daily entertainment and live performances of the best local and international artists. The hotel’s spectacular CHI, The Spa further epitomises the resort’s privacy and personalised service due to its secluded location and bespoke wellness experiences. Set within a blissfully isolated area of the resort and enclosed by luscious tropical vegetation, the spa focuses on Ayurvedic, indigenous and holistic wellness. SHANGRI - LA’S LE TOUESSROK RESORT & SPA Trou d’Eau Douce, Mauritius www.shangri-la.com/mauritius
187
WHERE TRADITION MEETS LUXURY Intercontinental Bali Resort
188
2
R M ONE
N
estled in lush tropical gardens, alongside a stretch of prime white sand beach, InterContinental Bali Resort invites travellers to immerse in the ambiance of a tranquil Balinese village. Showcasing traditional Balinese architecture, seamlessly interwoven with modern conveniences, the resort embraces a 14 hectare tropical landscape that is a blend of indigenous flora, gentle waterways and stone statues reflecting the island’s artistic heritage. Located on the Jimbaran shores, just 15-minute from Bali International Airport, InterContinental Bali Resort is a perfect holiday destination, offering the white sand beaches, and uninterrupted yet stunning sunset views that Bali is renowned for. Throughout the property and the 417 guest rooms, local artwork creates an authentic atmosphere.
The unique combination of warm Balinese hospitality with InterContinental’s unique personalized services, such as luxury airport transfer service or 24- hour Butler Service, makes up for the ultimate luxury escape for those who are seeking an endless holiday experience. A superb choice of restaurant venues makes every dining experience an adventure in culinary excellence. With six swimming pools, Planet Trekkers children’s resort, a fitness centre and plenty of recreational activities, guests can easily keep themselves occupied throughout the day. A highlight of the InterContinental Bali Resort, Spa Ul-
uwatu, pursues an Asian approach to more personal health and beauty. The calm sea that surrounds the resort underscores the contemplative atmosphere of the spa and inspired the philosophy of “Health Through Water”. Spa Uluwatu is a dedicated healing and beauty facility for individual sessions, while the exclusive Villa Retreats promises indulging spa packages for couples. INTERCONTINENTAL BALI RESORT Jimbaran, Kabupaten Badung, Bali 80361, Indonesia www.bali.intercontinental.com
189
ANYTHING BUT CONVENTIONAL White Pearl Resorts
I
magine a tranquil blue ocean with an endless untouched beach, decorated with enchanting bush surroundings. Located in a protected marine reserve on an untouched stretch of beaches on the Lagoon Coast, White Pearl Resorts offers a host of unique adventure experiences, making it a bucket-list destination for discerning travellers, yearning to escape the obvious. But also a dream destination for honeymooners or romantic weddings. Easily accessible through international flight connections via Johannesburg and Maputo, White Pearl is the most accessible luxury resort in Mozambique. With one of the world’s most spectacular pinnacle reefs and warm waters teeming with rich and colorful sea life, guests can enjoy some of the best snorkeling and diving in South-East Africa. Kayaking, ocean safaris or horse-riding on the beach add to the tropical adventure spirit. Topped by a unique experience each year from July to November, when guests can head out to the ocean on boats to watch the majestic humpback whales on their annual migration. Rolling a bush and beach break into one, White Pearl Resorts also offers game drives at the adjacent Maputo Special Reserve, a spectacular wetlands and coastline biodiversity hotspot and the newest wildlife destination in Mozambique.
190
2
R M ONE
Those looking to get actively involved and give back can participate in White Pearl’s “Growing Pearls” program that offers the opportunity to meet and support the local community. On village tours guests learn about current and future social responsibility projects and leave their footprints in the heart of the community by donating funds towards local projects. Located on a hilltop, guests stay in one of 22 hilltop, ocean-facing stilted suites that have breathtaking views of vast stretches of shimmering private beachfront. Combining glamorous beach chic with natural elements, the villas are decorated in a fresh, ocean-inspired palette with stylish furnishings and finishes. Excellent levels of service mean guests are spoiled with personal butlers, private plunge pools and individual terraces for dining. Couples choose between private time at their villa pool and daybed, or several stylish guest areas – the Ibiza beach bar, pool decks, the reading room. The restaurant serves delicious Mozambican cuisine, such as fresh seafood and prawns. WHITE PEARL RESORTS Ponta Mamoli, Zitundo, Mozambique www.whitepearlresorts.com 191
IMAGINE
LOUVRE ABU DHABI See Humanity in a new light
192
2
R M ONE
The Louvre Abu Dhabi is the result of an unprecedented initiative that laid the groundwork for a new type of cultural collaboration of unparalleled scope between two countries, centered on the creation of a national institution. T E X T : DR. HANS-JOACHIM PETERSEN P H O T O S : LOUVRE ABU DHABI
193
194
2
R M ONE
A
ll climates like exceptions. Warmer when it’s cold. Cooler in the tropics. People do not resist thermal shock well. Nor do works of art. Such elementary observations have influenced Louvre Abu Dhabi. It wishes to create a welcoming world serenely combining light and shadow, reflection and calm. It wishes to belong to a country, to its history and to its geography without becoming a flat translation, the pleonasm that results in boredom and convention. It also aims at emphasising the fascination generated by rare encounters. Overview of the collection: a unique museum The museum is not, in any way, a copy of the French Louvre; it is an individual institution offering its own interpretation of a universal museum, reflecting its era and the local traditions of the country it lies in. Its collection, which includes loans from French institutions (rotated on a ten-year basis), as well as works from its own currently-developing compilation, is presented in an original manner. Its uniqueness is based on an overarching vision of artistic creation. Museums traditionally organize their collections by school, technique and materials, and while this approach highlights the unique characteristics of a series, it does nothing to show the influences, exchanges and circulation of ideas and know-how. The Louvre Abu Dhabi’s unique design exhibition explores the connections between civilizations and cultures that may at first appear to be markedly separated by time and geography. Visitors are guided through a chronological and theme-based display, traversing different periods and civilizations. The display picks out universal themes and common influences to illustrate the similarities that grow out of a shared human experience, beyond any geographical, historical, or cultural boundaries. The result is a truly universal museum. An Ambitious Project, Saadiyat Island and the Cultural District built on Saadiyat Island (the island of happiness), a natural 27-km² island a third of the size of Paris, houses a number of renowned cultural establishments: the Louvre Abu Dhabi, designed by architect Jean Nouvel; the Zayed
National Museum by Norman Foster and the Guggenheim Abu Dhabi by Frank Gehry. The Cultural District is part of a new urban complex just outside the historic Abu Dhabi city centre, with housing for 150,000 residents. All of these projects are intended to encourage new artistic expression, inherent to a rapidly growing region. The Louvre Abu Dhabi aims to complement the other Emirati museums and help transform the art and cultural scene in the Middle East. An all-encompassing collection, the Louvre Abu Dhabi’s collection began with a blank slate and is growing gradually, comprising ancient and contemporary works from different countries. The Louvre Abu Dhabi’s ambition is to
The Louvre Abu Dhabi is the first museum of its kind acquire high-quality works and build up a first-class collection worthy of international recognition. An acquisitions committee following the model of the Musée du Louvre’s own committee has been formed. The teams within TCA Abu Dhabi and Agence France-Muséums study proposals and follow acquisition practices. Works are chosen according to the strictest ethical considerations and their origins are closely scrutinized. The committee must endorse each acquisition. These exceptional works include a gold bracelet with lion figures made in Iran nearly 3,000 years ago, an Italian gold and garnet fibula (brooch) from the 5th century BC, a superb Virgin and Child by Bellini, paintings by Jordaens, Caillebotte, Manet, Gauguin, and Magritte, a paper collage by Picasso never seen in the public domain, and nine canvasses by the recently deceased American painter Cy Twombly. The collection not only includes pieces from the Middle East and the West but also works such as a Soninke/ Djennenke figure from Mali, a dancing Shiva from India, and an octagonal box from China, all bringing influences from other geographical regions.
195
196
2
R M ONE
The collection is multi-disciplinary and spans every medium. In addition to painting, sculpture, tapestry, goldwork, paper collage etc. the Louvre Abu Dhabi also features a photography collection and works from the decorative arts, such as a decanter by Christopher Dresser (Glasgow, 1834–Mulhouse, 1904). A museum at the crossroads of civilizations. the Louvre Abu Dhabi sets out to be the focal point of a dialogue between thes civilizations and cultures, symbolically continuing the age-old history of the Arabian Peninsula as a land of convergence and exchange. It is essential for it to convey this spirit of openness and intercultural dialogue. Abu Dhabi’s ambition is to create a platform for education and culture. The museum is located just a few hours from India, in the heart of the Middle East, in a capital of the modern world, it is truly at the crossroads of civilizations. Its own permanent collection is being developed for residents as well as regional and international visitors to admire a national art collection with something for everyone.
A museum that sheds light on the spirit of open cultures from all over the world
197
In the very first article of the intergovernmental agreement, the Louvre Abu Dhabi states its ambition to become a place that “fosters dialogue between East and West.” This dialogue, embodied by the relationships between works of art, sculptures and objects, invites visitors to explore shared influences and surprising connections between different cultures around the world. A Global Project, having opened its doors in 2017, the Louvre Abu Dhabi’s ambition is to continue to build its own collection and eventually become an independent player on the world museum scene. Louvre Abu Dhabi staff training draws on French expertise and continues to develop this based on a true skills-transfer approach. The intergovernmental agreement called on the French side, under the umbrella of Agence France-Muséums, to provide training and teaching support to staff with specific qualifications, including professionals in direct contact with the work (curators, documentary researchers, conservators and preventive conservation experts, artwork registrars, cultural interpretation officers and security and surveillance staff). The issues facing each field of expertise were discussed regularly between professionals. Multiple Emiratis were hosted for internships at the various French museums and institutions involved in the project. In cooperation with the curatorial team of the Louvre Abu Dhabi museum and Paris-Sorbonne University, Abu Dhabi and the École du Louvre offer a professional Master’s degree in History of Art and Museum Studies. With the Louvre Abu Dhabi being one of several museum projects in the UAE, there will be a need in the coming years for qualified staff trained in art history and museum professions, in order to maintain the scientific and intellectual quality of
198
2
R M ONE
these establishments. This unique context, with its specific requirements, was the reason the professional Master’s degree was created. A MASTERFUL ARCHITECTURAL DESIGN
Jean Nouvel, a Pritzker Architecture Prize winner selected to design the museum, was inspired by the special features of the Saadiyat site, a virgin lagoon island, between sand and sea, shade and light. His design offers visitors a high-impact architectural and museum experience that fosters dialogue between cultures. Jean Nouvel wanted his building to have a “form that matches its function as a
Inspired by ancient Egyptian engineering techniques sanctuary for the most valuable works of art”. The Louvre Abu Dhabi “museum city” covers nearly 64,000 m², with 6,000 m² devoted to the permanent collection and 2,000 m² for temporary exhibitions. A dome of 180 meters in diameter (the same size as the Louvre’s Cour Carrée) covers two thirds of the museum, providing shade and reducing energy consumption. Echoing the mosque, mausoleum, caravanserai and madrasa, its shape is not bound by any literal inspiration - resting on four points of contact and slightly low-slung, it is the embodiment of a completely contemporary style.
199
200
2
R M ONE
SAADIYAT.
That means luck in Arabic, so is the Louvre of Jean Nouvel on the “island of happiness”.
Pierced with openings to look like interwoven palm leaves, a traditional roofing material in the Emirates, the dome resembles silver lace. A geometric template of stars repeated in different sizes and at different angles in a complex arrangement forms eight distinct layers, four external and four internal. Sun filters through the dome like a delicate, protective rain of light, similar to a lattice mashrabiya, reflecting the constant interplay of light and shadow in the country. Below, Jean Nouvel has designed a complexity of
Jean Nouvel sought inspiration for the Louvre Abu Dhabi in traditional Arabic architectural culture buildings with harmonious proportions embraced by the sea. Freely inspired by buried cities and the prototypical oriental city, a large part of the museum complex is sheltered under the comfort of this shadow. This urban and geometric medina of rooms appears like a city neighborhood, with some thirty buildings visible along a promenade. Rising up
to heights of between 4–12 m, they each feature a different façade decorated with a variety of piercings, combining unique transitions and passages. The museum city creates a space that plays with the multiple connections between indoor and outdoor, ever-changing and poetic, to kindle curiosity and invite visitors to explore new routes and pathways, guided by the light. Inspired by the ancient Aflaj system of Arab engineering, a water channel runs through the museum, making the space into a refreshing oasis that encourages strolling along the waterside. So-called passive design strategies take advantage of the natural shape of the buildings and the properties of the materials selected to improve outdoor conditions. The museum’s roof is perforated to capture daylight without letting in too much sun; light-reflecting materials in pale colors are used to repel rather than absorb heat; reduced-flow plumbing and water facilities were selected to reduce the building’s demand for drinkable water. The museum design is a collaboration between traditional design and modern construction techniques. The tranquil environment encourages visitors to enjoy the ever-changing relationship between the sun and the dome and between sea, buildings and land. The complex engineering concept made Louvre Abu Dhabi one of the most innovative and challenging museum projects to be built in recent times.
201
THE ARTS
“ M AY YO U
LI V E I N I NTE R E STI N G TI M E S
”
Every two years, Venice is the center of the art world. The fragile lagoon city on the Adriatic opens its gardens, palaces, monasteries, churches and museums for an indulgence of exhibitions, performances and openings. T E X T : DR. HANS-JOACHIM PETERSEN / P H O T O S : BIENNALE DI VENEZIA
202
2
R M ONE
203
T
his year, the American curator Ralph Rugoff, director since 2006 of the Hayward Gallery in London, has put the 58th Biennale under the motto “May you live in interesting times” and wants to let art speak for itself. A total of 87 countries have sent artists to Venice, including Madagascar, Malaysia, Pakistan and Ghana for the first time. Since contemporary art has become a worldwide phenomenon, everyone wants to participate in the original competition of the Western Art Olympiad of 1895. Where formerly Auguste Rodin, Gustav Klimt and Max Liebermann wrestled for the Golden Lion of the Biennale, this year a female artist trio from Lithuania with the Opera performance “Sun & Sea” received the award for Best National Pavilion. Environment, climate, migration, feminism, political correctness and world politics are the themes of this largest art exhibition in the world. No wonder then that almost everywhere in the Giardini, the central area of the Biennale as well as in the Arsenale, the former shipyard of the Republic of Venice, once the richest city of the Silk Road, these phenomena are artistically implemented. As with the Lithuanian Pavilion where the idyll is deceptive, tourists here are on an artificial beach that three Lithuanians in the Arsenale have set up as a stage, singers who sing about the effect of climate change and species extinction - melancholy songs: “I cried so much when I learned that the coral will not exist anymore. “
204
2
R M ONE
The German pavilion is made by Hungarian-born artist Natascha Sadr Hagighian (Natascha Süder Happelmann) and represented by Galerie Johann König from Berlin, as a “anchorage centre” for refugees, which deals with Europe; who belongs to it and who doesn’t? With a stone made of papier-mâché on her head, the art professor, who juggles with changing identities, has passages by Rosa Luxemburg read at the opening with Federal Foreign Minister Heiko Maas, a symbolic substitute for real activism.
THESE ARE DIFFICULT TIMES, but we can still believe that resistance is possible.
On the other side of the canal, the radical-feminist performance artist Renate Bertlmann represents Austria with 312 impaled red glass roses from Murano in the elegant pavilion of Josef Hoffmann - she was the first woman to record a solo exhibition. The curator Felicitas Thun-Hohenstein has designed the solo wisely and balanced as a retrospective. The clever chief curator Rugoff shows that political correctness does not necessarily lead to good art. Here in the main pavilion, covered with spray mist by Lara Favaretto, he shows positions such as the blood robot “Cant’t help myself ” by Chinese artists Suan Yuan and Peng Yu, who try valiantly to inject a blood-like liquid with a wiper in a glass case in 32 movements to get traction. But he also shows paintings by George Condo, Henry Taylor and Julie Mehretu. Paintings are almost nowhere else to be seen.Swiss artist Christoph Büchel shocked
205
the 2015 Biennale by setting up a mosque in a secular church. Muslims came to prayer until the city of Venice closed the room for safety reasons. In 2019, the artist brings to Venice the ship that sank in April 2015 after a collision with a freighter off Lampedusa, drowning over 700 migrants. But at “Barca Nostra” the ghosts are different, because the wreck built in the Arsenale is not a memorial to the dead, but instead a backdrop for selfies, the artist’s attention and his commercial interests. The president of the Biennale di Venezia, Paolo Baratta “it encourages people to think, 206
2
R M ONE
it speaks to the conscience. That’s one of the main aims of the art.” That’s right! But this biennial exudes pessimism and apocalyptic behaviour. Some artists evade this symbolic bigotry and show art. Even Sisyphus would surely be a performance artist today. But some works at this year’s Biennale leave the viewer at a loss, like the French pavilion by Laure Provoust. The artist has dug an underground tunnel to the neighboring British Pavilion. Why? To keep in touch after Brexit? Reflecting on art and reality, these are the most beautiful moments at the Biennale.
To marvel at the decadence of the city in the sea in the glowing red sunset, even 124 years after its creation, it’s still up to date. My tip: In addition to the Biennale, you can also visit the exhibitions in the Fondazione Prada, the Guggenheim Museum, Museo Correr, Palazzo Grassi and in the new Ocean Space San Lorenzo.
La Biennale di Venezia from 11 May to 24 November 2019.
RALPH RUGOFF Curator of the 58th International Art Exhibition “La Biennale di Venezia”
207
F U L L O F PA S S I O N FO R B E AU T I F U L T H I N G S – PR OJ EC T S A N D O B J EC T S T H AT TO U CH A L L T H E S EN S E S .
LO U N G E W ITH LEO PA R D AND SNAKE T H E R E A R E O N LY A H A N D F U L O F A R T I S T S W H O S E WO R K O N E N E E D S TO H AV E S E E N , F E LT A N D E XP E R I E N C E D I N O R D E R TO G AU G E T H E S TAT E O F T H E A R T I S T I C A L LY LIBER AL CONSTITUTION OF THE C O N T E M P O R A RY WO R L D. T H E A R T I S T HERMANN IS ONE OF THESE . A N A N A LY S I S BY C H E R JAC O B S
208
2
R M ONE
209
TH E P U L S E OF ART – TH E P U L S E O F LI FE
N
ever before has contemporary art achieved such market success worldwide. Art has developed into a huge lifestyle phenomenon. Yet in essence, neither the making of art nor the creation of its value is easily explained. It is a phenomenon of mutual attraction and also repulsion that still exists at this level in the luxury sector. It also produces objects that function as a kind of substitute for money and makes the digitised flows of capital transparent. Art is pure projection. A work of art still has the power to catch our attention within seconds and can enduringly remind us of this fact. A work of art can thus appeal to the eye as well as the mind. It feeds the former and refreshes the latter. Perhaps an interesting analogy is that of Hermann, the farmer who lives and works in harmony with nature, or the artist that creates one-of-a-kind works. For him, there is no single criterion and no set of criteria that his art needs to fulfil. For him, a work of art may look like anything, or nothing we’ve ever seen before. The art world is currently in a phase of great vitality perhaps the old ways of engaging with art have largely fallen by the wayside. There’s plenty of talent, and nowadays there are good artists all over the world. Yet, there’s probably only a small number whose works one has to have seen in order to gauge the state of the artistic condition in contemporary society. One of these is Hermann (Hermann Nachbaur), an extremely inventive artist. When viewing his work, one feels that art has awakened to new life, freed from longstanding ideas about what’s allowed and what is not. “One must still have chaos in oneself to be able to give birth to a dancing star.” This great quote by Friedrich Nietzsche reduces it all to a common denominator: always driven by the search for something new, with a free spirit, a thirst for knowledge and full of passion for beautiful things – projects and objects that touch all the senses.
210
2
R M ONE
HERMANN IS AN E X T R E M E LY INVENTIVE ARTIST
The fact that Hermann’s works make such an immediate impression can be attributed to the fact that he draws on an unusually broad spectrum of influences and sources, and, more importantly, to the intelligence and taste with which he uses these. One of his works may be instilled with poetry, or replete with political statements, such as with Little Red Riding Hood, with its cartridge-reinforced crocodile throat, or art in the form of a piece of furniture, as we would sooner expect from a carpenter from his native region of the Allgäu. In his work “THE LOVERS OF POMPEII”, he realised his idea using the two lovers, based on Body Obsessed, placing the object in the hollow trunk of an olive tree: the sleeping lovers could be seen spooning and, depending on the viewing angle, reflected onto the surface in a mixture of the real and imaginary. The pulse of life. Hermann manages to transfer this feeling into an artwork. Welding, carpentry, painting – such small triumphs of craftsmanship seem to inspire him as much as harking back to art history. What was the key message, the essence of the works of the early giants of art history? Do things not again and again become other things on the way towards abstract form, or on the journey back? As a result of this transformation, the awareness grows that forms express us, assume and acquire our values and even our desires. Hermann translates these convictions into the artistic present, thus preserving a sense of that decision-making from moment to moment, whose goals also include an ever-to-be renewed sense of surprise. The fact that some things don’t quite go according to plan is part of the creative process. This way, everything he implements becomes unique.
hermann-art.work
211
SPECIAL A R T, SPECIAL A R TI S T
ART N E W S
Even this summer, it’s not the spectacular performances that push artists to their limits, it’s the quiet interventions, the works of art that seem as if they are part of everyday life and only for a limited time, just for a summer, in the showroom and brought to the stage.
Szczesny aux Baux-de-Provence
S
zczesny aux Baux-de-Provence, before the village is flooded by the daily stream of tourists in summer, it will have already experienced a very special, artistic capture. Stefan Szczesny, born in Munich and a citizen of the world with his long established residence in Saint Tropez, has come to make the stage for a quantitatively and qualitatively impressive art show. www.szczesny-online.com
ART NEWS
CASA BRUTALE T
he name irritates. But those who look at this concept of two young Greek architects soon understand the idea behind it and are fascinated. Like chopping a wedge into the landscape. Whoosh! With full force, very deep, so that nothing sticks out on the surface anymore. But it now gapes like an open wound in the monochrome desert landscape. One is irritated. Is this architecture? Or art? And is that nice? Yes, it’s nice. Disturbingly beautiful.
Casa Brutale: eccentric architecture made of concrete and glass
GUCCI EQUILIBRIUM
O
ne day before World Environment Day, June 5th, Gucci announced the launch of Gucci Equilibrium, an online platform which should promote their commitment to sustainability. This introduction is part of Gucci’s 10-year sustainability plan, which focuses on three pillars: environment, people and innovation. With Gucci Equilibrium, the luxury company ensures their employees continue to act respectfully to accommodate the planet’s finite resources and to place innovation and cutting-edge science in production. Gucci Equilibrium also explains how the brand is responsible for its actions and helps society motivate companies to use their own voice for increased sustainability.
www.gucci.com
214
2
R M ONE
THIS MAGAZINE WE MADE CONTAINS BRAND ADVERTISING IS ANOTHER AREA OF EXPERTISE WE OFFER.
The surprisingly versatile communication experts from Stuttgart. Besides making magazines, w e c a n d o m o r e , l i k e I M AG E A D S , f o r e x a m p l e . Sounds good? Just call Berthold Dörrich: + 4 9 7 1 1 - 3 8 0 3 0 3 4 9 0.
/ / w w w. b r a n d s o n s p e e d . c o m / / w w w. p r e m i u m m e d i a . n e t / / w w w. 8 8 8 p r o d u c t i o n s . d e
First comes the thinking, then the art
FROM HAVING TO BE
T
he artist Xaver Sedelmeier chooses ubiquitous things from simple materials and refines them by recycling. Through these precise transformations, the materials and objects gain a different approach: everyday objects become objects of metaphysics, critically charged which one does not use for their actual purpose, as they are a spell. Xaver Sedelmeier consistently continues his work on the dematerialisation of the everyday world. Even more than in previous series of works, these new works focus on an overdue change of values, from the useful to the actual, from having to being.
XAVER SEDELMEIER by Strzelski Gallery www.strzelski.de
216
2
R M ONE
WATCHMAKING WUNDERKIND
W
Ini Archibong strikes you immediately as a man who is firing on all cylinders. At just 35, his design CV would be the envy of someone in the game for a decade or longer. Having wound his own path through architecture, furniture and design, this week sees him unveil La Galop, his
a matte alligator strap, the watch offsets its luxurious materials with a playful quality in true La Montre Hermès style. Archibong’s own acid design test: “Take it back a hundred years, would it still work? And would it work in a hundred years’ time?” Only time will answer that one, though we feel this could just be the start of Archibong’s chapter with the House of Hermès.
first watch for Hermès. As we reveal exclusive images of the design, we snatch an audience with Archibong to get the inside details on this unique collaboration. “My earliest memories of creative expression were probably tagging”. Not the most predictable beginning to a design career that has led to designing for one of the world’s most revered luxury houses. Born and raised in California to academic Nigerian parents, Archibong was encouraged down a similarly high-achieving academic route and was on his way towards becoming an investment banker when he dropped out of college and started up a musical collective before switching gear again into architecture after the kind of fateful happenstance that gives art and design its romance. The result now arrives in the form of La Galop, a finely-tuned riff on the horse stirrup in reference to Hermès’ storied equestrian heritage which stretches back to the late 19th century. Though ostensibly designed for women, worn on Archibong’s own finely turned wrist, the piece represents a very modern expression of luxury. In steel or rose gold set with 150 diamonds and 217
ART NEWS
F
riday 21 June 2019 - Sunday 20 October 2019 FAP - Future Architecture Platform. MAO. Museum of Architecture and Design MAO is opening the renovated courtyard of the renaissance Fužine Castle – with the intervention by Julio Gotor Valcarcel – thus entering a vibrant summer season. MAXXI, the National Museum of 21st Century Arts, is the first Italian national institution devoted to contemporary creativity. www.maxxi.art
GOODWILL AMBASSADOR
S
tefan Szczesny, multifaceted artist from Munich, has become a cosmopolitan citizen in the course of his life between New York and the Caribbean. Internationally renowned, Mediterranean in his self-image and firmly established in Saint-Tropez for twenty years, the span of his material existence is as great as his varied artistic expression. In Szczesny’s gallery, Espace des Lices, in Saint-Tropez you can view selected works, medium-sized paintings and small sculptures. Stefan Szczesny Gallery 9, Bd. Louis Blanc 83390 Saint-Tropez www.szczesny-online.com
218
2
R M ONE
WE DON’T CREATE ANYTHING BESIDES MAGAZINES LIKE THIS ONE WE ARE ALSO EXPERTS IN ANNUAL REPORTS.
The surprisingly versatile communication experts from Stuttgart. Besides making magazines, we can do more, l i k e A N N UA L R E P O R T S , f o r e x a m p l e . O n r e q u e s t a l s o o n l i n e . Sounds good? Just call Berthold Dörrich: + 4 9 7 1 1 - 3 8 0 3 0 3 4 9 0.
/ / w w w. b r a n d s o n s p e e d . c o m / / w w w. p r e m i u m m e d i a . n e t / / w w w. 8 8 8 p r o d u c t i o n s . d e
ARTYCAPUCINES
A
rtyCapucines, the French luxury label has now brought the Swiss artist Urs Fischer on board. And that simply turns the classic bag into a tribute to the vegetable market. In addition to Urs Fischer, Louis Vuitton engaged the artists Alex Israel, Jonas Wood, Tschabalala Self, Sam Falls and Nicholas Hlobo to give the classic old bag something new. The iconic handbag is one of Vuitton’s bestsellers and is named after the Parisian street Rue des Capucines, on which the fashion house opened its shop doors for the first time in 1854. While the other artists went deep into the paint pot for the redesign, Fischer stayed faithful to the minimalist character of the simple bag and gave it simply a humerous twist with colourful fruit and vegetable pendants.
IMPRESSIONIST. EXPRESSIONIST. SURREALIST.
S
tefan Milev‘s photographs exude sensual poetry. He gives his pictures a transcendental subtle aura, which stands between photography and painting. Stefan Milev shows a high artistic identity when it comes to painting the relationship between the model and his personal way of using light. As a result, Milev‘s picturesque works unfold with an extraordinary, unique and multiplexed sense of the zeitgeist of photography. Milev, renowned as a pictorialist, continues the tradition of early 19th century art photography, such as Alvin Langdon Coburn and George Seeley. www.stefanmilev.com
220
2
R M ONE
THIS PREMIUM MAGAZINE WE DID FOR LUXURY CARS ARE AS FAMILIAR TO US AS IS PREMIUM LIFESTYLE.
The surprisingly versatile communication experts from Stuttgart. Besides making magazines for luxury cars, w e c a n d o m o r e , l i k e M AG A Z I N E S F O R LU X U R Y H OT E L S , for example. Sounds good? Just call Joachim Fischer: + 4 9 7 1 1 - 3 8 0 3 0 3 4 4 0.
/ / w w w. b r a n d s o n s p e e d . c o m / / w w w. p r e m i u m m e d i a . n e t / / w w w. 8 8 8 p r o d u c t i o n s . d e
ROLLS-ROYCE
ENTHUSIASTS’ CLUB WI T H T HE L ADY AT CLOSE PROXIMI T Y The international home for anyone, whether an owner or not, with an interest in the motor car and Rolls-Royce and Bentley products. T E X T : CHRIS ROWLANDS P H O T O S : ROLLS-ROYCE MOTORCARS
222
2
R M ONE
ROLLS-ROYCE ENTHUSIASTS’ CLUB
F
or some, Rolls-Royce owners are eccentric contemporaries or hedonistic upstarts (maybe both?). For others these Goodwood vehicles are outrageous icons of automobile megalomania similar to a Batmobile. For others still, the epitome of a luxury vision, this noble British brand has the right car for every whim and a long tradition of doing so, as seen for example with the Rolls-Royce Phantom V by John Lennon, a fairly radical execution - not only outwardly. Aren’t modern supercars gaudy? Roaring through Knightsbridge, brazen paint jobs startling the pigeons - such a far cry from the coach built class that used to convey so beautifully a custom finish. In the good old days, going bespoke meant commissioning something elegant from your local coachbuilder. Maybe a nice open-top body for your Bentley or some special leather for your Aston. Perhaps a ma-
roon-on-silver finish, if you were feeling bold. But a flamboyant amber wagon with a bed in the back? Absolutely not. And certainly not a Rolls-Royce. That’s like painting a moustache on a picture of the Queen or recoating Tower Bridge in lime green. How can a car project the stoic understatement of the British establishment when its shell is the colour of mustard? To take a Phantom V – a stately wagon once owned by both the monarch and her late mother – and cover it with swirls and floral emblems? That’s a willful undermining of what it means to be British. Even if we don’t quite know what it means to be British, we know it’s not a luxury car painted yellow and turned into a rolling mural. What does one do in the face of such a distasteful transformation? One takes an umbrella and gives it a good thwack on the bonnet. At least, that’s if you believe the account of this
distinctive Roller’s owner - some Liverpudlian bloke by the name of John Lennon. The songwriter reportedly loved to recount the tale of a London lady, so upset by what the Beatle had done to his Phantom that she took her umbrella to it which doesn’t seem much like cricket but then neither was the Rolls – at least, not in its final form. When Lennon, fresh from the band’s chart-topping success in the States, first decided to splash out on the exclusive motor in 1964, he went for a pretty subtle scheme: Valentine Black with black wheels and a black interior. Apparently he wanted a black grille as well but that was too far for Rolls, even for a Beatle. Perhaps for a Rolling Stone they’d have painted it. Shipped off to celebrated coachbuilder Mulliner Park Ward, the custom job took several months to complete – enough time for Lennon to pass his driving test and the band to release another album.
223
C OAT ED F IRS T W I T H A SH A DE OF NO T-S OMEL L OW Y EL L OW, A R T IS T S T E V E W E AV ER T HEN H A ND-F INISHED T HE P H A N T OM W I T H A C OMB O OF ROM A N Y SW IRL S, F L OR A L MO T IFS A ND A ZODI AC SIGN FOR GOOD ME AS URE.
224
2
R M ONE
ROLLS-ROYCE ENTHUSIASTS’ CLUB
When it was finished in June 1965, it was pretty extravagant. Besides the mammoth V8 engine and near-three-tonne kerb weight, the Phantom arrived with a cocktail cabinet, portable TV, fridge in the boot and some of the first tinted windows fitted to a British car (handy when adoring fans mob you on a daily basis). Lavish then, but not exactly lurid and hardly due a bashing by an umbrella. But that would soon change, after months of being ferried from club to studio by driver Les Anthony, in December 1965 the Rolls went in for a service which proved the perfect time to drop almost £2,000 (about £36,000 today) on upgrades. And we’re not talking new alloys. We’re talking a double bed instead of a back seat; a radio telephone that occupied most of the boot, built-in record and tape players; hidden loudspeakers that could startle wildlife and Surrey residents alike. All very rock‘n‘roll. Keith Richards pulled a similar loudspeaker trick with his Bentley and, in that finest British tradition, rather cheekily. But cheekiness rarely provokes the ire of a weatherproof implement. At the most, it wins you an affectionate clip round the ear. Lennon’s Phantom had to go further if it wanted to upset the status quo. Helpfully, an opportunity soon presented itself. Driven down to Andalusia for the shooting of How I Won The War – Lennon’s first big-screen flick without the other three – the Phantom’s paintwork took a pummelling on the sandy Spanish roads. So Lennon put in a call to another coachbuilder, JP Fallon, with a
simple request: “Won’t you please, please help me repaint my Rolls-Royce?” Or something like that. And so, in 1967, inspired by the psychedelic direction the band’s music was taking and quite clearly a gypsy caravan – Lennon tasked the firm with doing a radical number on his Roller. Coated first with a shade of notso-mellow yellow, artist Steve Weaver then hand-finished the Phantom with a combo of Romany swirls, floral motifs and a zodiac sign for good measure. Black on black? Try blue, green and red on yellow. Then, a day before the release of the groundbreaking Sgt Pepper’s, the ostentatious machine was finished. When it was shown to the world, tabloids slated it. The establishment was metaphorically sick in its own mouth. And Lennon loved it. Garish? Sure, but the Phantom was also everything Lennon wanted, extravagant, unique and disruptive, like the best art should be. Worthy of a well-aimed umbrella? After half a century, the jury’s still out but we’d take it over a flashy Knightsbridge machine any day.
225
GALLERY
STRIVE FOR PERFECTION LEGENDS OF AUTOMOTIVE LUXURY
LEGENDS OF AUTOMOTIVE LUXURY FOR THOSE WHO ONLY WANT THE VERY BEST IN A CAR, A ROLLS - ROYCE HAS ALWAYS BEEN THE FITTING MEANS OF TRANSPORT AND NOW, HERE, MORE THAN EVER, WITH THE FULL ROUNDING OFF OF THE CURRENT RANGE OF MODELS. AND FOR ANYONE WHO HAS EVER EXPERIENCED IT, WHETHER AS A GUEST OF THE SEVEN-STAR DUBAI HOTEL, THE BURJ AL ARAB, IN HONG KONG AT THE PENINSULA HOTEL OR ON A JOURNEY TO THE SELECT VIP EVENT, EVERY INCH TRAVELLED IS A PLEASURE. AND SO THE MODELS FROM ROLLS - ROYCE INVITE YOU TO DELVE INTO A WORLD OF PURE LUXURY. AN EXCLUSIVE INVITATION, FOR ONLY A SMALL GROUP OF SELECT GUESTS, THIS INVITATION GRANTS YOU ACCESS TO EXTRAORDINARILY LUXURIOUS VEHICLES AND TO EXPERIENCE OF THE WORLD OF TOTAL GLAMOUR THAT SURROUNDS THEM. www.rolls-roycemotorcars.com
226
2
R M ONE
JUMP IN AND DELVE INTO A WORLD OF NOBLENESS AND TRADITION
ROLLS-ROYCE PHANTOM VIII The Phantom, first presented in 1925, is the oldest continuously produced car in the world. Where mass producers switch out their models every few years, the luxury liner has shown incredible staying power and has gone through only seven generations. But similarly, as with Buckingham Palace, someone new will move in one day, in the Rolls-Royce factory at Goodwood, there has been a kind of Götterdämmerung. The eighth edition is now available. And with the Rolls- Royce Phantom VIII, as well, things are just as they were: anything but ordinary.
PHANTOM EXTENDED WHEELBASE The long wheelbase version of the new Phantom can also be ordered with the Privacy Suite providing a partition between the driver and the rear seats. For increased privacy, you can dim the pane of glass at the push of a button so the rear passengers are shielded from curious glimpses from those at the front. Of course, there is a whole host of luxury as well for the guests in the back seat, such as a fridge in the centre console with champagne glasses and an infotainment system with two 12” touchscreens. Since each Phantom Extended Wheelbase is custom designed, there is no price specified for this at Rolls-Royce.
CULLINAN Even if the thought of a Rolls-Royce on rough terrain makes you think happily of the desert journeys of Laurence of Arabia, with the RollsRoyce Cullinan, it’s less about adventure and more about the everyday. Where the Phantom and other models are used as vehicles for certain roles, the Cullinan is actually the first Rolls-Royce that one can use all the time and anywhere. But in spite of its full suitability for everyday use, no need to worry, for all its practicality, the hitherto accustomed luxury of a Rolls-Royce does not lag behind in this pièce de résistance of all SUVs.
TE S TA F O T AR
227
DAWN “A tingling on the skin that awakens the vital spirits for the day ahead” – when Torsten Müller-Ötvös explains why the convertible, of all things, is named after the morning twi¬light, the Rolls-Royce boss becomes a poet. And the convertible is truly soft on its feet, at least when the roof is down and then the car looks like an elegant coupé, no noise or whistling penetrating through the six layers of the soft top.
DAWN AERO COWLING Experience the ultimate in terms of free¬dom and fun while driving with the top down. The soft top of the Dawn Aero Cowl¬ing, the tonneau cover, reinforces the spirit¬ed character of the Dawn and transforms it into a genuine two-seater.
DAWN BLACK BADGE The boldest mode of expression for the indomitable. An irresistible invitation for the daring and non-conformists. For those who yearn for the more daring side of life. A trans¬formation of the most famous car brand in the world: discover the most exciting chapter yet in Rolls-Royce’s history and get in touch with Rolls-Royce today.
228
2
R M ONE
THE CARS WITH THE DOUBLE-R ON THE RADIATOR HAVE BEEN A BYWORD FOR LUXURY, RELIABILITY AND STYLE FOR 100 YEARS.
WRAITH The Wraith is the Coupé of the smaller Rolls-Royce Ghost series and known as the Rolls-Royce for people who like to drive themselves. Product Manager Phil Harnett describes the Wraith as the ultimate Gran Turismo and lauds it as the most dynamic Rolls-Royce built to date. No series car from the British has a more powerful engine. “This is our first ever true ‘driver’s car’,” says Harnett. At the most, Wraith owners only require a chauffeur for vehicle maintenance.
WRAITH BLACK BADGE
GHOST The traditionalists among Rolls-Royce owners do not like grandiose changes. Following this credo, Rolls-Royce has very subtly re-worked the successful Ghost model. On the exterior, the redesigned LED headlights, modified air inlets and the revised bonnet catch the eye. Inside, supreme luxury and comfort continue to dominate. The seats in the rear can even be inclined towards one another. Another interesting detail is the illuminated radiator mascot. The engine range starts with a 570-hp twelve-cylinder unit with 6.6 litres of displacement. A technical highlight is a satellite-based automatic transmission that pre-programs the gear changes depending on the route.
Rolls-Royce serves up the Wraith in a Black Badge version with a striking black grille in place of a chrome-plated one. In addition, there’s a silver-coloured double-R on a black background in the logo. And then, the most famous radiator mascot of all time slips into her little black number again. It fits even better somehow with her stage name: Spirit of Ecstasy. Even though the new carbon rims and the two black tailpipes rather grab ones attention, in the end, it’s the little details above all that make it a winner.
GHOST BLACK BADGE If money and restraint are not are a factor, then Rolls-Royce has just the thing on offer: the luxury Ghost Black Badge saloon – a sombre car for customers with a special urge for showmanship.
GHOST EXTENDED WHEELBASE If money and restraint are not are a factor, then Rolls-Royce has just the thing on offer: the luxury Ghost Black Badge saloon – a sombre car for customers with a special urge for showmanship.
229
E V E LOU N GE T
EVENT LOUNGE
Experience unforgettable moments
In exclusive circles, all those who come together here share their pleasure of something out of the ordinary with like-minded people. R2M ONE offers owners of a Rolls-Royce, friends of the brand and car enthusiasts different experiences, to share in a fascinating community, to experience unforgettable moments and to make road trips with like-minded people. It is about experiences that are not commonplace. Most of these ventures are designed exclusively for R2M ONE and at this level, won’t be accessible anywhere else. The experiences are as high-carat as the owners of a Rolls-Royce themselves. Rallies lead not only to exquisite cultural highlights, shard cruises and sailing trips but also access to premieres, club dinners or special rides on the ‘excursion’ program. Ensure you don’t miss a thing including personal invitations and last but not least, the R2M ONE magazine. Are you interested in art, culture and automotive events? Then please request more information from Claudia De Feo c/o R2M ONE claudia.defeo@premiummedia.net
230
2
R M ONE
231
2
1. MONACO YACHT SHOW 2019 Display categories here begin with Superyacht and continue to Megayacht and beyond. In 2019 more than 500 companies are expected to exhibit. There will be a wealth of innovations in addition to the classics. As in previous years, day passes will only be available on site. We offer a visit to the Monaco Yacht Show without stress, via private jet and can guarantee a relaxed arrival and departure. Save time. Take as much luggage as you wish. Come directly to your destination. Begin directly from the VIP terminal and enjoy your dream meal on board. WE TAKE CARE OF EVERYTHING. DAY TICKET 150 EUR (PER PERSON), HOSPITALITY EXPERIENCE - COST ON REQUEST, MONACO YACHT SHOW, PORT HERCULES, MONACO SEPTEMBER 28 - OCTOBER 1, 2019
2. CURATED SINGLE OWNER COLLECTION OF 130+ EXCEPTIONAL CARS OFFERED NEAR TO THE STUNNING BEACH RESORT OF COMPORTA, PORTUGAL RM Sotheby’s is honored to present the incredible Sáragga Collection, entirely without reserve, near Comporta, Portugal on 21 September 2019. Comprising of cars from discerning enthusiasts and collectors, the collection consists of over 130 cars and features many rare and highly covetable individual cars. Making for a true destination event, 232
2
R M ONE
3
7
4
8
the auction will be held at the property near the stunning beach resort region of Comporta, Portugal. The Sáragga Collection reflects the discerning and eclectic personal tastes of its owner, with many cars combining this with strong Portuguese provenance and history. As a life-long collector and passionate enthusiast for all things automotive, Mr. Sáragga started collecting over 30 years ago with a small group of rare Mercedes-Benz models. Now, the collection has grown to over 130 cars including pre-war greats, a number of exclusive Porsche models, American classics of all eras and some rare and diminutive microcar gems. 20 - 21 SEPTEMBER 2019 THE SÁRAGGA COLLECTION MONTEIRA, PORTUGAL 130+ EXCEPTIONAL CARS OFFERED ENTIRELY WITHOUT RESERVE RM | SOTHEBY’S
3. PORSCHE PARADISE: RM SOTHEBY’S PRESENTS THE TAJ MA GARAJ COLLECTION OFFERED ENTIRELY WITHOUT RESERVE
RM Sotheby’s is honored to announce that it will present the renowned Taj Ma Garaj Collection, comprising the cars, automobilia and collectibles of the late well-known collector, Mr. John Dixon, entirely without reserve. The Collection, to be offered in a single-day sale on 28 September on site in Dayton, Ohio, features more than 30 motor cars alongside more than 350 lots of memorabilia and collectibles.
EVENT LOUNGE
5
The late John Dixon’s love affair with Porsche began the day a 911 passed him while he was driving his muscle car on the freeway in high school and the rest is history. John purchased his first Porsche the following year and began seriously building his collection in the 1990s. Now, the Taj Ma Garaj is an eclectic Porsche paradise, featuring over 30 Porsche and Volkswagen motor cars along with more than 350 lots of memorabilia including sought-after Porsche material, rare literature, collectibles, engines and an assortment of arcade ephemera. 28 SEPTEMBER 2019 THE TAJ MA GARAJ COLLECTION TAJ MA GARAJ, DAYTON, OH, USA 30 MOTOR CARS AND 350 LOTS OF AUTOMOBILIA ENTIRELY WITHOUT RESERVE RM | SOTHEBY’S
4. GRAND BASEL 2019 takes Grand Basel further still with a special show, IAA Masterpieces by Grand Basel. Grand Basel will work together with the German Association of the Automotive Industry (VDA) and Motorworld Group to present an exquisite selection of top-of-the-range vehicles from the past, present and future at IAA Cars 2019 in Frankfurt. IAA Masterpieces by Grand Basel, located at Hall 3.1 of Frankfurt exhibition grounds, will show vehicles in the cultural context of art, design, architecture and lifestyle. Every automobile will be placed in its own frame creating an innovative, uniform exhibition concept that highlights the aesthetics of automotive beauty.
SEPTEMBER 12 – 22, 2019 IAA MASTERPIECES BY GRAND BASEL AT IAA CARS 2019, FRANKFURT
5. EUROMOTOR Euro Motor is a 3 day event being held from 29th November to 1st December 2019 at the ICS exhibition centre in Stuttgart, Germany. This event showcases products like mobility, exclusive eyewear, jewellery & watches, couture, sports & leisure, travels, interior & design, real estate and much more.
29 NOV-01 DECEMBER 2019 ICS EXHIBITION CENTRE, STUTTGART, GERMANY
6. RARE JOURNEY Connected to Scottish whisky maker Macallan, connoisseurs will be offered a unique opportunity to sample some of the brand’s best whiskys and travel in the most luxurious way possible - aboard a private jet. From New York, the journey begins on board a privately chartered Embraer Lineage 1000 with 12 passengers, hosted by Raquel Raies, the national brand ambassador of Macallan. The Macallan Master Series includes Macantan Rare Cask tasting, the Macallan Reflexion, the Macallan No. 6 and the rare Macallan M worth about $15,000. After landing, guests are taken to a 100-foot yacht on Hallandale Beach in Florida. On board the luxury yacht, guests can sample the Mac & Cheese - a fine group of whiskys - Double Cask 12 Year Old, Sherry Oak 12 Year Old and Triple Cask
Matured 15 Year Old, and will be served exquisite cheese of the region. MACALLAN ‘RARE JOURNEY’ IS PRICED AT ABOUT 42,000 EUR (PER PERSON 6,000 EUR) FOR 7 PEOPLE. FURTHER ADJUSTMENTS ARE POSSIBLE AT AN ADDITIONAL COST.
7. E V E L I N A A R T Rolls-Royce Motor Cars presents Evelina Art for Allergy X Dine on the Line for an exclusive evening of art, philanthropy and culinary experiences at the home of Rolls-Royce, Goodwood. £750 per person EVELINA ART FOR ALLERGY X DINE ON THE LINE SATURDAY 21 SEPTEMBER 2019 FOR MORE INFORMATION, PLEASE REGISTER YOUR INTEREST BELOW.
8. EXCEPTIONAL JOURNEY THE HOUSE OF ROLLS-ROYCE PRESENTS AN EXCEPTIONAL JOURNEY OF TASTE, SOUND AND VISION. A ONCE IN A LIFETIME MULTI-SENSORY EXPERIENCE, CHALLENGING THE UNDERSTANDING AND CONCEPT OF DINING AS WE KNOW IT. COMING SOON FOR MORE INFORMATION, PLEASE REGISTER YOUR INTEREST BELOW. www.rolls-roycemotorcars.com/en-GB/ house-of-rolls-royce/events/immersive-dinner.html
233
PREVIEW
N 3 o
SEASON START IN ASPEN Skiing in Colorado
PREPARE FOR THE WHITE SE ASON
OFF LIMITS The Nürburgring Nordschleife Race Track MONTEREY CAR WEEK Review Pebble Beach Concours d‘Elegance 2019
THROUGH THE SNOW Rolls-Royce Cullinan Powers Through The Snow
ART BASEL MIAMI BEACH Art Abounds
Don’t want to miss an issue of R 2M ONE? Get your copy from a Rolls-Royce dealer or send us an email at info@premiummedia.net
234
2
R M ONE
FASHION DAYS Rolls-Royce appealing beautiful
ASPEN Y E R E T MON AN CULLIN BASEL MIAMI
A tribute to the original creation requested by the Imperial Court in 1818 for Tsar Alexander I of Russia. Compiled of the finest eaux-de-vie maturing in the legendary founder‘s cellar it perpetually excites Cognac connoisseurs around the globe valueing the highest attainable quality standards. www.hennessy.com
SAFETY EXCELLENCE QUALITY AIRCRAFT MANAGEMENT EXECUTIVE CHARTER AIRCRAFT SALES & ACQUISITIONS DESIGN & COMPLETION GENEVA LUXEMBOURG MONACO MOSCOW LONDON PARIS MADRID VIENNA ISLE OF MAN BEIJING HANGZHOU HONG KONG GENEVA +41 22 939 3020 contact@globaljetconcept.com
G L O B A L J E T C O N C E P T. C O M