Prestige Magazine Issue 100

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FA S H I O N | DESIGN | J EW E L L E RY | T R AV E L | BU S I N E S S | P RO PE RT Y LUXURY DRIVING TOURS • QUOIN ROCK • TRIUMPH • TOURING ITALY • BVLGARI

ISSUE 100

AFRICA’S PREMIER LUXURY LIFESTYLE MAGAZINE

OGILVY SA 22703/E

Design your own future.

The new Audi A7 Sportback. Anticipate.

The A7 Sportback is the epitome of reinvention – maintaining the perfect balance of classic quattro features and new generation design.

With its distinctive HD Matrix light signature and unmistakable coupé-like silhouette, it is an ambassador of a new kind of luxury.

The optional panoramic glass sunroof, ambient lighting and HD touch displays allow a revolutionary interior experience of space and light.

The Audi A7 Sportback is what you’ve been waiting for.

Visit audi.co.za or contact your nearest Audi Dealer to find out more.

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CONTENTS

Up front 6 Ed’s Letter

INSIDE 8 Mix, Match & Stack

FOOD AND WINE 76 Quoin Rock 82 Scottish Buffet 86 Stirred, not shaken 88 The Evolution of Haute Cabriere

12 Top Watch 14 Alpine Eagle 18 Lange Tourbillon 1 22 Alpine Attack 26 NY Runway Reveals 34 Hemp: Fashionable Solution?

36 Prada Resort 2020

ART 92 Contemporary Connections 96 SA ART

GETTING AROUND 100 Nissan GT-R 102 Long live the Triumph

GETTING AWAY FROM IT ALL 46 Travel Beyond: Italy 50 Family Glamping 54 It’s a kind of magic 56 Island of new beginnings 64. Complimentary opposites, Demartini 68 One Note Prelude

112 Jaguar F-Type 116 Defender 120 LC 500 Coupe 124 GLEaming

FINAL SAY 128 Publisher’s Note

72 Slovene treats

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60 Elegance in Chiang Mai

108 Grandest of Tourers

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MORE THAN A FEELING RACING-INSPIRED ENGINEERING Through its nearly mile-long straightaway and twelve unforgiving corners, the Fuji Speedway in Japan is our proving ground for performance. And it is from this world-renowned racetrack, and the silhouettes of the curves themselves, that our F SPORT range takes its name. From the muscular exterior design and sports-focused interiors to the expressive mesh grille and exclusively-tuned handling, every part of an F SPORT vehicle works together to deliver a look and feel of absolute exhilaration. And with special performance enhancements to the brakes, stabiliser bars, suspension, clutch and chassis, every drive is guaranteed to be a thrilling driving experience.

lexus.co.za

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UPFRONT PUBLISHER Vivien Natasen EDITOR Carly Bailey Natasen carly@neoafrica.com +2760 091 0823 LAYOUT AND ART DIRECTOR Daniel Parker dan@danielparker.co.za ADVERTISING SALES Henry Wright henry@prestigemag.co.za

ED'S

OPERATIONS AND CIRCULATIONS prestige@neoafrica.com

Life is too short to be anything but happy

CONTRIBUTORS Carly Bailey Natasen, Vivien Natasen, Gillian Mclaren, Patrick Leclezio, Bianca Raath, JanéFourie, Jenna Berndt, Mart-Marie Du Toit PROOFREADING Jané Fourie, Lynette Botha Printing CTP Printers distribution Media Support Services

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ave you ever come to a point in your life where you just do not have enough energy to make time for things? I'm there. Actually, I've been there for a really long time. Wanting to find the answer to my dilemma, I started consuming contents related to that topic. In addition, I followed my curiosity by doing things that interested me. Being too lazy to make changes in your life is the worst excuse – and excuses take a lot of time – you have to create them, repeat them until you believe them and then use them in all the areas you'd otherwise be getting better at. So I stopped and made a change. Nobody wants to wake up with regrets. Nobody. That’s something I used to contemplate all the time.

Change is one thing we can roll into action – even though sometimes it’s inevitable from the start. What

Subscriptions: To subscribe please go to www.prestigemag.co.za click on the Subscribe tab and submit the form. An invoice with banking details will be sent to you. Your first issue of Prestige will be despatched as soon as payment is made.

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we can do is control how we deal with the changes we’re faced with in our daily lives. Everyone likes staying in his or her comfort zone. After all, they call it a “comfort” zone for a reason – even the term itself stirs up deep feelings of calm, relaxation and security.

Change comes in a variety of sizes, shapes and flavours. Change happens to us all – it’s simply a part of life. Without the discomfort of change we will stand stagnant, to our own detriment.

I believe that we should enter 2020 as a year of self-growth and meaningful change. As creators we have the power to give meaning and value to anything we want to manifest into our reality.

At Prestige Magazine, the door is ever changing. I promise it will continue opening up to something much better that will always lead to an adventure.

Carly Bailey Natasen

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PUBLISHED BY Neo Publishing (Pty) Ltd Tel +27 11 484 2833. Fax +27 11 484 2899 All rights reserved. Opinions expressed in this publication are not necessarily those of the publisher or any of its clients.

Information has been included in good faith and is believed to be correct at the time of going to print. While every effort is made to ensure the accuracy of the information and reports in this magazine, the publisher does not accept any responsibility, whatsoever, for any errors or omissions, or for any effects resulting therefrom. No part of this publication may be used, or reproduced in any form, without the written permission of the publisher. All copyright for material apearing in this magazine belongs to Neo Publishing and/or the individual contributors. © 2014

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JEWELLERY

MIX, MATCH AND

stack BVLGARI DEBUTS A COLLECTION OF NEW SIGNATURE BANGLES

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his spring, Bvlgari infuses its joyful and bold spirit into a new range of bracelets. Known for breaking the conventions of jewelry design, the Roman Maison set the bar for creative and cutting-edge jewels.

With its fresh bangle assortment, now Bvlgari invites women everywhere to play by their own rules, too, and express their personal style through their very own stack.

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Launching across the BVLGARI BVLGARI, B.zero1 and Viper collections, the new bangles boast slim, easy-towear profiles that blend seamlessly together. The result? The ultimate versatility: the bracelets can be mixed, matched and stacked in infinite combinations, providing endless styling options.

With no wrong way to stack, the new, covetable collection of bracelets lets the Bvlgari woman express her personality the Roman way—with fun and flair.

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For sophisticated glamour or urban edge, Viper and B.zero1 bangles elevate a daytime look. In contrast, the new multicolor design of the BVLGARI BVLGARI narrow wire bracelets emphasizes a playful and fresh aesthetic. Some days might call for an uplifting dash of colorful red carnelian, while other days, a wrist full of mixed metal, understated logo bracelets are the ideal style accent.

For the woman with daring fashion sensibility, the options are endless.

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WATCHES

Alpine EAGLE REBIRTH OF AN ICON

ontemporary, refined and assertive, the new Alpine Eagle sports chic timepiece collection is a state-of-the-art reinterpretation of the St. Moritz, the first watch created in 1980 by Karl-Friedrich Scheufele, now co-president of Chopard. Imagined and personally designed by him, Alpine Eagle is driven by his passion for the Alps and by the lofty power of the eagle that reigns supreme there. Crafted from an exclusive, ultraresistant and light-reflecting metal named Lucent Steel A223, it beats to the rhythm of a Chopard chronometer-certified movement. Bearing testament to Chopard’s ethical approach, Alpine Eagle gives the Maison an opportunity to reveal its new commitment to protecting the Alpine environment through the launch of the Eagle Wings Foundation - of which Karl-Friedrich Scheufele is founding member. Alpine Eagle is dedicated to contemporary eagles, the aspiring men who outperform in their daily lives and whose vision inspires and elevates. With foresight and determination, they act on the challenges of tomorrow and are innately aware of the importance of environmental issues.

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A GENTLEMEN STORY While vision is essential to running a family Maison, it is perseverance and determination that lead to success. Such was the path taken by Karl-Friedrich Scheufele in 1980, when he presented his very first watchmaking project. As a youthful 22-year-old employee in the family Manufacture at the time, he submitted an idea to his father for a watch to be named St. Moritz. A project with a resolutely coming of age dimension, within which a young man asserts himself, spreads his wings and takes flight.

The first sports watch from the Maison as well as the first timepiece made of steel in its workshops, the St. Moritz was profoundly innovative for Chopard, then a specialist in gold and diamond-set gold watches. It represented a real and carefully calculated risk. Karl-Friedrich Scheufele made it a success that was

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to become one of the Maison’s bestsellers for the next decade. Since then, he has become co-president of Chopard and taken on many other challenges. He was one of the first to sense the strength of the bonds between passionate enthusiasts of the automobile world and of watchmaking mechanics. It was he who set Chopard on the path of its now legendary partnership with the Mille Miglia race.

In 1996, he decided to restore Haute Horlogerie to the place it deserved by founding Chopard Manufacture in Fleurier. In the same pioneering mode, it was on the same site in Fleurier that Chopard’s co-president had premises built, complete with the Minergie label certification criteria, thereby paving the way for sustainable luxury.

With Alpine Eagle, history is repeating itself, since it was at the insistence of his son Karl-Fritz, secretly supported by his grandfather Karl, that Karl-Friedrich Scheufele looked into the updating of the St. Moritz. At first reluctant, he was won over by his son’s strength of conviction, just as he himself had been able to win his father’s support 40 years ago.

NATURE, THE PREMIER ARTISAN Drawing on his creative strength and his passion for the Alps, but also on Louis Sullivan’s principles of harmony which dictate that “form follows function”, Karl-Friedrich Scheufele has created a new collection: Alpine Eagle. Belonging to the select circle of watches with an integrated case and bracelet, this timepiece presents a design that is both refined and contemporary, featuring a wealth of references to the Alpine eagle and its biotope. Its rock-like textured dial evoke an eagle’s iris, its hands call to mind the raptor’s feathers and the cold glinting steel is reminiscent of glaciers.

The gently tapered Alpine Eagle bracelet comprises a single ingotshaped link, topped by a raised central cap. The case is distinguished by a protrusion protecting the crown engraved with a compass rose, an instrument that has helped adventurers find their way since ancient times.

Today, it becomes the emblem of contemporary eagles capable of choosing the right direction in the pursuit of their destiny.

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Belonging to the select circle of watches with an integrated case and bracelet, this timepiece presents a design that is both refined and contemporary slots are set at a tangent to the circle of the bezel, a sign of high-quality finishing and sophisticated aesthetic purpose. These screws also serve a technical function by guaranteeing the water resistance of the watch to 100 metres. All Alpine Eagle’s flat surfaces are satin-brushed, a finish carefully crafted to create light effects further enhanced by polished chamfers. The hours and minutes hands, like the hour-markers, are coated with SuperLumiNova® Grade X1 to enhance nocturnal legibility. Like the snow, torrents and rock of the Alps that

inspired Karl-Friedrich Scheufele and change their appearance according to the light conditions, Alpine Eagle constantly alternates between polished and matt finishes.

Issued from the time of its launch in ten references in steel, gold, bi-material or diamond-set gold, Alpine Eagle is a particularly rich collection, available in unisex models in two different 41 mm and 36 mm diameters.

LUCENT STEEL A223: AN ALCHEMIST’S QUEST To bring the Alpine Eagle purpose

to life, Chopard has created a new material that is as rich, precious and complex as gold, transforming the dream of Renaissance alchemists into glowing reality. Lucent Steel A223 is a steel resulting from a re-smelting process featuring three unique characteristics.

On the one hand, thanks to its hypoallergenic composition, Lucent Steel A223 has properties comparable to surgical steel, making it highly dermo-compatible. On the other hand, this alloy with its 223 Vickers’ strength is 50% more resistant to abrasion than conventional steels and has a unique hardness. Finally, with its superior homogeneous crystal structure, its purity enables it to reflect light in a unique way. Like diamond, whose brilliance depends on the lowest degree of impurities, this innovative steel has far less impurities than conventional steel, guaranteeing it brilliance and brightness comparable to that of gold.

The industrialisation of this new alloy, which required no less than four years of research and development to produce, was a real challenge to manufacture to extremely strict specifications, significantly increasing its manufacturing time as well as wear and tear on machining tools. Lucent Steel A223 is now a rare and extraordinarily precious metal, stemming from a very complex development and manufacturing process.

the making of its case and bracelet, whether in steel and/or gold.

EAGLE WINGS Karl-Friedrich Scheufele is a hiking and skiing enthusiast who finds inspiration and serenity in the high altitudes of Switzerland, which open his eyes, clear his mind and initiate action. Sensitive to Prince Sadruddin Aga Khan’s initiative, Karl-Friedrich Scheufele joined the Alp Action programme in the 2000s. Today, in unveiling his new Alpine Eagle collection, whose design bears the imprint of nature’s influence,

he sought to associate this collection with a new sustainable approach.

The co-president of Chopard has thus become founding member of the newly formed Eagle Wings Foundation.

This innovative and multidisciplinary environmental project – designed to raise awareness and galvanise the public with respect to the importance, beauty and fragility of Alpine biotopes – will offer a new vision of the Alps through the eyes of human beings, satellites as well as the eagle – the latter being especially renowned for its piercing gaze.

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A MANUFACTURE-MADE MOVEMENT True to Karl-Friedrich Scheufele’s deep commitment to fine watchmaking, the two movements with automatic winding embedded in the heart of Alpine Eagle watches have been developed in Chopard’s watchmaking workshops and chronometer-certified by the Swiss Official Chronometer Control – a rare event for watches in this category.

Alpine Eagle 41 mm thus welcomes the 01.01-C calibre with a 60-hour power reserve, while the 36 mm models host the 09.01-C calibre with a 42-hour power reserve – with the latter 8-ligne movement being one of the smallest to receive COSC certification.

Both are visible through a transparent sapphire crystal back.

Thanks to its vertically integrated production process, Chopard has produced and assembled all Alpine Eagle components in-house, from all the components of its movements to

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LANGE

TOURBILLON back to the belle époque in Paris.

Lange’s first centennial tourbillon – still in a pocket watch format – attracted global attention at the 1900 Paris Exposition.

In 2010, as part of the “165 Years – Homage to F.A. Lange” anniversary collection, the LANGE 1 TOURBILLON was one of the first three watches of the manufactory with a case in honey gold, a material used exclusively by Lange. When the LANGE 1 celebrated its 20th birthday in 2014, it was introduced as the fourth model of the HANDWERKSKUNST series in a limited edition of 20 platinum-cased watches with rare movement decorations and a black enamel dial.

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n the year 2000, the impressive LANGE 1 TOURBILLON had its debut as the world’s first wristwatch with the unusual combination of a tourbillon, an outsize date, a three-day movement and a power-reserve indicator. In a 25-watch limited edition in white gold, it now completes the tenpart special series that celebrates the 25th anniversary of the LANGE 1.

A watch for special occasions – this is how the LANGE 1 TOURBILLON was described when it was first presented.

A. Lange & Söhne saluted the transition from the 20th to the 21st century with it, continuing a tradition that dates

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They are endowed exclusively with proprietary movements that are lavishly decorated and twice assembled by hand.

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Like all ten special editions of the anniversary collection, the 2019 version of the LANGE 1 TOURBILLON is presented in silver and blue. The 38.5-millimetre white-gold case sets the stage for a solid-silver, argentĂŠcoloured dial that contrasts with the blued steel hands. The inscriptions are printed in blue, including the numerals of the outsize date.

Suspended between two diamond endstones, the one-minute tourbillon features a stop-seconds mechanism.

The patented system allows the balance inside the rotating tourbillon

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cage to be stopped instantaneously. It is clearly visible in a generous aperture in the dial and in the glass units disc of the outsize date.

The tourbillon cock, prominently integrated in the dial, is decorated with the black polishing technique. On the movement side, the tourbillon bridge and the intermediate-wheel cock are engraved by hand. The colour concept is echoed in the blue-filled recesses of the engraving. The unifying anniversary collection signature, a reliefed depiction of the outsize date, is located on the intermediate wheel cock.

decorated and twice assembled by hand.

With 63 manufacture calibres developed since 1994, A. Lange & Söhne has secured a top-tier position in the world of watchmaking. Brand icons such as the LANGE 1 with the first outsize date in a regularly produced wristwatch and the ZEITWERK with its precisely jumping numerals display rank among the company’s greatest successes.

Sophisticated complications such as the ZEITWERK MINUTE REPEATER, the TOURBOGRAPH PERPETUAL “Pour le Mérite” and the TRIPLE SPLIT reflect the manufactory’s determination to achieve ever new pinnacles in horological artistry.

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About A. Lange & Söhne Dresden watchmaker Ferdinand Adolph Lange laid the cornerstone of Saxony’s precision watchmaking industry when he established his manufactory in 1845. His precious pocket watches remain highly coveted among collectors all over the world. The company was expropriated after World War II, and the name A. Lange & Söhne nearly vanished. In 1990, Ferdinand Adolph Lange’s great-grandson Walter Lange had the courage to make a new start.

Today, Lange crafts only a few thousand wristwatches in gold or platinum per year. They are endowed exclusively with proprietary movements that are lavishly

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VEGABONDS

alpine attack TICKING OFF BUCKET-LIST LUXURY DRIVING EXPERIENCES IN EUROPE, ONE AT A TIME

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outh Africans are born petrolheads with a deep-rooted passion for super cars and pursuing new driving experiences. This culture has now expanded to chasing the passion beyond our borders.

Recently members of a South African car club partook in a driving tour in Germany. In fact, the primary intention was to drive the Nürburgring, with the rest of the trip configured around this activity.

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After negotiating with the major German marques, Audi Experience came up with a bespoke offering that suited the needs and wishes of all of the members, myself included. The timing was cleverly picked for early September too, when the roads are quieter but the weather is still comfortable, before the fall sets in.

The trip entailed flying into Munich, where we spent the leisurely afternoon sightseeing. The motor museums and installations, like Welt, were a highlight.

The next morning we were whisked off to Audi’s Neuberg driving experience track, for a day spent enjoying the R8 coupÊs. Neuberg is a world-class facility with no expense spared to entertain and train clients in the handling and use of their cars. The day began with simpler handling demonstrations on segments of the track and the skid pan, but evolved to full track laps. I have new-found respect for the R8 and the way these cars, in their various incarnations, have developed into everyday supercars.

The following day it was back to Munich International Airport, where Audi has another experience centre, and collected six beautiful identical yellow R8 Spyders, each kitted out with all the bells and whistles. These R8s are used

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Our trip was to journey up into the Austrian part of the Alps with large sections of autobahns intermingled with several mountain passes.

able to comfortably overtake for the duration of our journey.

Night-time saw us arrive at the inviting Interalpen-Hotel, which is located in the Tyrol mountains near Seefeld (at an altitude of 1 300m), a popular resort of choice for locals and foreigners alike. With a reputation for great food and even greater service, it was an idyllic resting spot after a long day on the roads.

The five-star family-owned hotel is bedecked in wood; the rooms are extremely spacious, larger than any room I have ever stayed in before, which makes sense when you think about the sheer size of ski gear and equipment.

The hotel has received several accolades for its culinary offering, which is no surprise with six dining areas and two bar areas to choose from.

The following morning we awoke after a blissful rest, ready for a further drive out to the top of the Alps to visit the Top Mountain Museum, which is home to an admirable collection of almost 1000 bikes and some really special cars. The museum collection, owned by twin brothers, is set to expand with the

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for the very unique driving experiences that Audi tailor-makes for owners as part of the Audi Experience programme. The team at Audi were extremely helpful in creating a one-of-a-kind experience for our Vega club members, which perfectly dovetailed with other elements of our itinerary.

Our trip was to journey up into the Austrian Central Alps, with large sections of autobahns intermingled with several mountain passes. We had chosen to do the rest of our trip in mid-October, which the Audi team was quick to point out was risky for that leg with strong chances of snowfall at that time, but we were lucky that the weather played along, enabling us to keep the rooftops down most of the time.

The open autobahns were also not busy at all given the time of the year, so we were able to cruise at well over 200 kph for many stretches. On the mountain passes, we engaged confidently thanks to the recent prep and training, which gave us a better feel for the cars’ capabilities.

The R8 felt like it was made for these mountains. I was never uneasy; with plenty of horsepower underfoot, we were

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I can safely say the R8s in the mountains are as sure footed as goats.

I was never uneasy.

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acquisition of additional pieces, which warrants building an entirely new wing.

The Timmelsjoch Road – that connects Austria to Italy – took our driving experience to the next level. On our way back we passed through the highest village in Austria and found some of the narrowest little pass roads ever – with great surfaces they made for some more amazing driving.

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shuttled to Nürburgring for our track experience, which we did with RSR racing. For those who don’t know, the “ring” somehow has become the proving ground for a manufacturer to demonstrate the mettle of their metal.

Record times have been posted over the years, where production cars are put through their paces on a 20.8km track called the Nordschleife, which has umpteen turns and changing surfaces.

More affectionately it is referred to as

‘Green Hell’ given its setting in the forest.

The Ring is effectively a toll road and anything from a Fiat Uno to a Caravelle could be on the track at the same time.

Our track experience day was disappointingly wet and we were advised (in other words, coerced) into downgrading our cars from the BMW M4 to BMW 120 xDrive and Golf Rs, as four-wheel drive traction was needed. The statement made by the instructor during the briefing was that in the wet there is 80% less grip and that the wet line is totally opposite the dry line – basically the paths that we take in the wet with the most grip are totally different to how we would drive in dry weather conditions. He was not kidding. The only benefit of the rain was that it deterred a lot of drivers and we had long stints of driving without encountering traffic. Still, as a driver, the Ring is one for the bucket list, and the Vega group got to tick it off! Personally, I’ll definitely be back for a dry stint.

Having driven most of the best roads in South Africa and now having organised and experienced the driving experience in Germany, I must say I am hooked.

If planned and done correctly it is a great value-for-money experience. Next year’s plan is through into Italy via the Alps, focused on museums and a track experience at Spa – I can’t wait!

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New york runway reveals 2020 FASHION TRENDS

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photos by: Patrick Leclezio

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t was a fashion first for South Africa when New York Fashion Week’s finest were showcased at the Cape Town Marriott Hotel Crystal Towers. A global influx of leading designers took to the catwalk at the inaugural New York Runway ZA. Red Carpet Creative Production, in collaboration with Runway Prestige New York, drew together the rich fashion cultures of the Big Apple and the Mother City under one roof. “A spectacular display of fashion luminaries,” remarks Red Carpet Creative CEO, Jade Allen.

“We are honoured to have had the opportunity of presenting this first-ever collaboration on African soil. A crosscontinental amalgamation of artistic expression, merging global fashionforward visionaries with varying style articulations.”

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The integrated design, optimal dimensions, comfortable style and carefully executed finishes of the BR 05 make it perfectly suited for urban life. Full of character, this instrument exudes strength and elegance.

The BR 05 is the latest jewel of masculinity from Bell & Ross.

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New BR 05 collection

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40mm

100m water-resistant

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A FASHIONABLE SOLUTION?

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IT’S THE WORD ON EVERYBODY’S LIPS AND THE LATEST TRENDING HASHTAG, BUT CAN HEMP BE THE SOLUTION TO FASHION’S ENVIRONMENTAL FOOTPRINT? by: Bianca Raath

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he fashion industry has been placed under severe scrutiny over the past few years for playing a major role in world pollution. Several documentaries, such as True Cost, River Blue and Alex James: Slowing Down Fast Fashion, delved into the ugly truth behind one of the world’s most profitable industries. The sudden interest in exposing the retailers behind these crimes led to movements forming, urging the fashion industry to change their ways. A few large retailers were up for the challenge, launching ‘going green’ campaigns and making promises to invest money in more environmentally friendly processes. However, the problem does not only lie in the way clothing is made, but what follows afterwards.

In July 2018, a luxury brand caused outrage when it burned up to £30 million worth of stock in an effort to protect the brand’s exclusivity. Co-founder and creative director of Fashion Revolution, Carry Somers, says landfills and burning of products is fashion’s “dirtiest open secret”. Research by the Ellen MacArthur foundation showed that global clothing production is increasing at a rapid rate. Clothing items are being worn less, discarded sooner and the demand for recycled items is declining. Boston Consulting Group’s latest report on Pulse of the Fashion Industry Update 2019 states: “The pace of sustainability progress in the fashion industry has slowed by a third in the past year and is not moving fast enough to counterbalance the harmful impact of the fashion industry’s rapid growth.” Bottom line: due to fast fashion, landfills are growing and not decomposing fast enough.

Hemp. A plant that has been falsely classified for years as an illegal drug, due to it being a strain of the Cannabis sativa plant species. It’s not only one of the fastest growing plants, but was one of the first plants to be spun into usable fibre, 10 000 years ago. The process of field-to-factory has proven to be more sustainable and environmentally friendly than synthetic fibres and a good alternative to cotton. Yet cotton is responsible for 26% of the worldwide fibre consumption, where hemp and linen only account for 5%. Hemp is one of the most durable natural fibres on the planet, with an extremely low environmental impact. On top of that, it is also highly biodegradable, due to the fact that it’s derived from plants and requires little processing.

Still, hemp has struggled over the years to find a foothold in the fashion industry. The fibre was viewed as forbidden in the United States since the 70s, but in 2018 the US opened its doors to hemp cultivation. Well-known brands and designers started flirting with hemp. A few brands immediately saw the value of hemp fibres and its ability to make clothes more durable and breathable.

Could hemp be the answer to fashion sustainability and, if so, why is it not used more often by retailers and designers? The main reason for hemp’s underutilisation in the fashion industry stems from the way it was discredited in the early 30s, due to its association with marijuana. By the time this fallacy was rectified, more profitable textile manufacturing was being used and the fashion industry was a slave to fast fashion.

Clothes made from hemp are extremely durable, meaning items last longer, leading to consumers making fewer purchases. Hemp therefore does not fit into today’s fast fashion model of continuous consumption. Apart from that, retailers found that the fibre has also proven to be somewhat difficult to work with, especially when trying to replicate the soft touch of cotton fabrics.

Nevertheless, a generation of new designers and brands is on the rise. Former Project Runway contestant, designer Korto Momolu, made her message clear – she sent a 26-piece hemp, jute, linen and cork collection down the runway at New York Fashion Week, proving that fashion has no boundaries when it comes to sustainability.

In March 2019, Levi Strauss & Co debuted a pair of jeans – in collaboration with the Outerknown label – that was made from a cotton-hemp blend, giving it a pure cotton feel. Designers worldwide are seeing the benefits of hemp as more and more research is being published, proving it’s not the enemy it’s been made out to be. Hemp certainly has a bright future in fashion, holding the potential of closing the fashion sustainability loop from fibre to fragment.

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ontext offers a reinterpretation of classics, a new perspective on a common language of clothing.

The Prada Resort 2020 collection presents an alternative viewpoint on the familiar, a seditious simplicity. A contrast with the increased complexity of the world, pulling back to the sincere, pure and true, the collection proposes an unexpected means of subversion, elegance as sedition.

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A language of hyper-classicism is recalibrated, forming a different syntax.

Clothes are paradigmatic - overcoats, brassbuttoned blazers, eased skirts, cable knit sweaters, utility suiting.

Outfits are composed of singular, honest fabric types: cotton poplins, drill and gabardine, faille, leather and suede. Patterns are modest pinstripes and checks, micropattern florals and embroideries of truly naĂŻf flowers. The palette is restrained, revolving around navy, pale blue, multichromatic brights, tonal hues. There are gestures to archetypes of elegance, real glamour.

Scarves are executed like boas of paillettes, and jewelry comprises drop earrings and sautoirs of baroque pearls.

The collection is focused on intimacy - on closeness, attention drawn to details, a sense of the handmade. These evoke the idea of the individual, its power and strength. Shifting contexts open ideas to reinterpretation, to suggestive dichotomies - rich and humble, youth versus heritage, urbanity against nature, uptown and downtown. The context of New York City imbues garments with specific cultural memory, offering a distinct perspective paradoxical to their universality.

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THE LUISA SPAGNOLI FALL/WINTER 2019-20 COLLECTION IS A JOURNEY FROM LONDON TO PARIS IN SEARCH OF INSPIRATION.

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etween these two cities, which have always been symbolic of metropolitan style, an eclectic and smart collection found its inspiration. The Fall/Winter 201920 collection presents a trip through the 70s that sees tartan – the iconic and traditional fabric of northern Europe – packed in the suitcases before setting out from the United Kingdom.

In different colours and uses, fabrics and techniques, Scottish tartan is a distinctive feature of the Luisa Spagnoli winter collection this year, offering outfits full of geometric vigour – from sweaters to blouse dresses; from skirts to coats.

Skirts, ultra-feminine for all occasions, are the star items this season. Whether it be mini or longuette, flared, tartan or patent leather, flowing thanks to pleats or in a boxy shape à la Mary Quant, this garment is the perfect solution for any wardrobe dilemma.

Knitwear, the maison’s pride and joy, takes on a new look – more informal and casual, thanks to the new volumes and knit pattern of the polo necks, gilets and long cardigans. The knitted mock polo neck with puffball sleeves is also ideal for a more playful look. The influence of Brit fashion can be easily glimpsed behind the diamond-shaped geometric pullovers with sequin details, matched with long skirts in boyish fabrics.

Winter is full of colour at Luisa Spagnoli, as women can express their joie de vivre with a wonderful palette including brilliant pink and violet, as well as the vitality of yellow, pumpkin orange and bright red. And so, every day is greeted with a lively and pure palette, occasionally matched up with neutral hues like camel, grey, black or sapphire blue. Creativity emerges in absolute liberty thanks to daring combinations of materials, colours and different weighted layers and cuts, playing with the feminine form with grace and witty sophistication.

The Luisa Spagnoli working woman conquers masculine fabrics like pinstripe, tweed and houndstooth for herself, thanks to the tailored effect that creates sartorial coats and trousers, and jackets with a feminine air in perfectly calibrated proportions, mixed with loose

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and flowing trousers. Tweed is cleverly adopted with the romantic bouclé suits, the “uniform” of chic French women that appears in the A-line dresses enriched with buttoned pockets.

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extra-long belted version, or in violet boiled wool matched up with corduroy velvet trousers. The version in black is ultra-chic in eco-friendly faux fur with a martingale belt at the back.

But it’s the patent leather, along with leather, that’s making a shock appearance in this season’s looks, such

as the fire-engine red puffer jackets and simple trench coats, which really hint at what’s to come in the next decade.

Thus, the collection bursts with metal-effect outfits, designed to amaze and charm – like the laminated silk shirts, the puffer jackets or the tops and jackets decorated with mini-

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sequins, which illuminate the city streets and nightlife.

When day fades into evening, light becomes key and velvet becomes the star, soft to the touch, gentle and warm. Silk-blend velvet, thanks to its wonderful sheen, is offered in the shades of cherry red, wine red, and elegant sapphire blue, in the widelegged trouser suits, the printed velvet devoré mini-dresses, and bon ton dresses with puffball sleeves. And there’s more – lots of embroidered tulle, taffeta, jacquard organza and lace in the evening dresses, ideal for a red carpet look or, when downplayed with a double-breasted black jacket, perfect to wear from morning to evening.

A key item in this collection is the hat, here a distinctive icon of style, sparkling with personality and energy.

The baker boy beret comes straight out of small Parisian boutique windows to complete the look with a touch of creative fantasy. Borrowed from the men’s wardrobe, this wide-brimmed cap gives an air of mystery in a game of dressing up as la garçonne. Subtle style accessories, the sequinned minibasques match the sparkly scarves in georgette from the tuxedo-style suits, for a high-society evening.

The collection’s extremely feminine character reaches its climax in the bags.

The Luisa bag, innovative in shape and refined in details, stands out for its original dual function – it can be worn over the shoulder, for practical and handy use, or carried as a handbag.

Designed in mini and maxi versions, it’s ideal for every moment of the day: while Luisa is perfect for a walk in the city or at work, Baby Luisa is a little treasure chest that looks great for the evenings. Another must-have item of the collection is Mati, a shoulder bag from the Perugia maison that excels in leather buffing, for results that are as smooth and impalpable as silk, with meticulous attention to detail.

“In designing the new collection, I imagined a journey through the 70s, starting from London and heading towards Paris, two cities which for me symbolise metropolitan style, eclectic and elegant. Next season’s Luisa Spagnoli looks for women, while remaining always feminine and modern, will play with a mixture of unusual fabrics and combinations, sometimes inspired by menswear, for a decidedly colourful winter!”

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Thule Revolve Collection

Keep the journey simple and arrive in style at your next destination.

The ThuleThule RevolveRevolve collection isCollection Keep the companion journey simple and arrive a dependable travel with unparalleled durability and destination. in style at your next effortless The navigation.

Thule Revolve collection is

a dependable travel companion with unparalleled durability and

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Designed for life on the gofor life Designed on the go

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ITALY HIDDEN GEMS FAR FROM THE MADDING CROWD.

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by: Jenna berndt

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FEAST AT A FAMILY TABLE Travel surveys show that 70% of travellers today want a cultural experience during their 2020 travels. And why wouldn’t you? Much of the joy of travel comes from experiencing another culture. Local cuisine is a delicious place to start and experiential, authentic travel is easy with a specialist travel company.

Teresa Richardson, Managing Director of the Travel Corporation in South Africa, the parent company of awardwinning guided holiday brand Trafalgar, says: “Culinary tourism is a big part of the experiential travel we crave today. Ten years ago, in the lemon groves of Sorrento,

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he fizz of Prosecco and a hint of salt from prosciutto still lingers on my taste buds. One never forgets that first taste of gelato each summer or watching the sunset over the Italian Riviera every evening. However, the real highlight that still lingers is that homecooked meal tucked away in Isola Tiberina, a tiny island in Rome’s Tiber River.

Even if it’s your umpteenth visit, there’s just something about Italy that’s hard to beat. Just don’t make the mistake of only ticking off the tourist icons along Italy’s welltrodden tourist paths. Here are some of the experiences you can’t miss on your 2020 Italian getaway:

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Italy, Trafalgar pioneered this type of experience with its first Be My Guest activity. Guests met the Esposito sisters and joined them for a Tuscan lunch in their home. It was a huge hit and the beginning of the immersive culinary travel trend that’s become so popular.”

Today, Be My Guest experiences feature on each Trafalgar itinerary, including the brand’s eight new trips and six new destinations introduced for 2020.

Even in bustling Rome, which welcomes a staggering four million tourists per year, authentic experiences aren’t hard to come by. Not far from tourist hotspot Capitoline Hill is the tiny island of Isola Tiberina. It is a calm oasis, and the only island in the Tiber River that runs through Rome.

Measuring a slim and trim 1620m2 (no larger than two football fields), Isola Tiberina is home to a handful of Roman residents.

Living on Isola Tiberina, Fabio welcomes Trafalgar guests for an exclusive culinary experience – into his apartment for drinks before a traditional dinner at a historical site. You’ll feast on Prosecco and Saltimbocca alla Romana (veal escalope topped with prosciutto and sage, sautéed in a white wine sauce, served with roast rosemary potatoes).

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Or, if you’re in the mood for pasta, try the Pasta all’ Amatriciana, a traditional dish made from tomatoes, pork cheek and pecorino cheese. And, of course, there’s plenty of the perfect sweet treat: homemade tiramisu.

TRAVEL BEYOND ROME FOR MORE MOUTHWATERING TREASURES. In the UNESCO World Heritage town of Alberobello, in the heel of Italy’s ‘boot’, Trafalgar visits the quirky trulli, which are conical white stone huts with thatched roofs. It’s the Italian equivalent of an African rondavel.

Here, make sure you lunch with a local.

“Signor Luciano is a sixthgeneration farmer from the Alberobello farm,” Richardson explains. “You’ll get to sample Pugliese cuisine, typical of southern Italy, with almonds, cherries, tomatoes, olive oil and almond juice fresh from the farm used in many of the dishes.”

Even Italy’s famous lakes offer off-the-beaten-path dining experiences for the discerning traveller. Try the island of Isola Madre in Lake Maggiore. Trafalgar guests have it all to themselves during a meal with Signor Telli at his family-run restaurant on the island. “The island really comes to life with Signor Telli’s tales of local pirates and princes,” comments Richardson.

CROSS BOUNDARIES It may seem strange to travel outside of the country when planning an Italian holiday, but you’ll discover even more Italian spirit just across the border.

Sicily features prominently on many 2020 travel trends watchlists, but is still relatively unknown. Situated near the toe of the Italian ‘boot,’ it is advisable to go now, while it’s still off the radar.

An hour from the Italian border, Nice, France, has been the playground of socialites and discerning travellers for centuries. Even though it’s in France, the area has strong Italian roots. Up until the late 1800s, Nice actually belonged to the House of Savoy, an Italian kingdom. You’ll find plenty of Italian influence in the architecture, especially in the Old Town.

Strolling through the city with a local guide is the best way to learn about the intriguing mix of French and Italian influences in modern-day Nice.

The brightly-painted buildings are an Instagrammer’s dream. And, if you can resist the call of the beach, head to the medieval hilltop town of Saint-Paulde-Vence, where cafés spill out onto sun-dappled cobblestone streets.

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DIVE INTO CULTURE WITH LOCAL GUIDES Back in Italy, the hilltop village of Dolceaqua beckons. The village is something of a hidden gem and is an enjoyable day-trip from the busy Ligurian coast.

Monet visited several times to paint the village’s bridge and castle, and you can walk across those same paths today. The area is famed for its olive oil and its Rossese wine.

Dive into culture visiting an Italian agriturismo in the village of Rocchetta Nervina and savour the local flavours of the destination.

Whether it’s distinctive regional delicacies or hidden gems you long to explore, La Dolce Vita, that sweet life, exists just off the beaten track in Italy.

The island really comes to life with Signor Telli’s tales of local pirates and princes

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glamping SET AGAINST THE BACKDROP OF THE MAGNIFICENT WATERBERG MOUNTAIN RANGE IN THE LIMPOPO PROVINCE, PRESTIGE SET OUT TO EXPERIENCE AN OUTSTANDING BIG FIVE SAFARI EXPERIENCE ON THE PRIVATE GAME RESERVE THAT IS HOME TO SAFARI PLAINS AND ITS LUXURY-STYLED TENTS.

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by: carly bailey natasen

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icking off a bucket list item without the hassles that true camping presents.

The idea of camping is terrifying, especially if you are not accustomed to it. Glamping (an amalgamation of glamorous and camping) combines the elements of a great safari with a luxurious setting, without giving up any creature comforts. Like little jewels placed along winding sand pathways, each of the gorgeous, tented suites commands a private space within the natural indigenous bushveld. Experiencing nature in safari-style tents offers great comfort and a luxurious ambience – luxury and nature has never felt so closely intertwined.

The design of the lodge reflects decades of experience.

With only twenty luxury tented suites, Safari Plains offers both seclusion and intimacy, and a real sense of escaping the city. Each tented suite features a signature wraparound deck with unimpeded bush views. Inside, all the amenities, such as sunken baths and oh-so-important air conditioning enable everyone to truly enjoy the camping experience, without the aggravations that we generally associate with it.

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Safari Plains opened in December 2018. “Our purpose in opening Safari Plains was to develop a luxury, familyfriendly safari destination within easy reach of Johannesburg and Pretoria,” explains Cindy Sheedy Walker, CEO of Extraordinary. The success of Safari Plains can be attributed both to its inspired location in the shadow of the Waterberg Mountains, and to the attention to detail that has gone into every aspect of its construction and operation. The family suites feature a second bedroom so that parents can have the peace of mind that comes with knowing that their kids are nearby, whilst still enjoying the privacy that is a hallmark of the Safari Plains experience.

Innovative features include an outdoor sala, connected to each luxury tent by a raised walkway. Ideal for midday snacks, a bottle of wine and a siesta. These private covered spaces (my favorite spot for the weekend) continue the theme of luxury in a bush setting which is found throughout the lodge.

There are various dining venues at Safari Plains and each sets the scene for a different theme. A tranquil ambience created with lanterns, the background sound of crickets and a canopy of stars makes the dining experience in the bush truly magical.

Safari Plains has also gained plaudits for its ‘safari chic’ interior design.

The bar, overlooked as it is by a mesmerising leopard portrait, has already attained iconic status.

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Innovative features include an outdoor sala, connected to each luxury tent by a raised walkway. Ideal for midday snacks, a bottle of wine and a siesta.

To book, or to receive more information, contact Extraordinary Reservations: 011 516 4367 res@extraordinary.co.za

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animals is another luxury that we got to experience. Peeping into mother nature’s more intimate moments, we sighted a baby giraffe nursing from its mother.

“It’s an honour to have been graded as a five-star property so early in our journey,” says Leon de Wit, General Manager of Safari Plains. “It means that we have some illustrious company and it’s a testament to the hard work that our team puts in every day.” With the five-star plaque proudly affixed to the wall, Safari Plains is well on its way to becoming a luxury safari destination of choice for people who appreciate the best of the bushveld.

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Surprising and delighting their guests with authentic bushveld hospitality and wildlife encounters, safaris at Safari Plains are conducted on a 12 000ha private game reserve, which is itself an extension of the game-rich Greater Mabula Private Game Reserve. Between exploring the surrounding bushveld on horseback, bush walks or open vehicle safaris, I opted for the latter – the knowledgeable driver-guides have lots of information to share. We were privileged enough to see four of the Big Five – the highlight being a mother rhino graciously strolling down a dirt road with her little one by her side. Close encounters with

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it's a kind of

MAGIC CONCEALED WITHIN THE EXPANSIVE BUSH OF THE EASTERN CAPE IS A MYSTICAL PLACE UNLIKE ANYTHING YOU’VE EVER EXPERIENCED BEFORE

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eep in the Karoo Noorsveld lies a sanctuary atop a hill. Sky above, earth below and wide-open plains as far as the eye can see.

Welcome to Sky Lodge, a literal oasis in the middle of nowhere.

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lodge is the type of place that strung-out city slickers, nature-obsessed twitchers and those accustomed to the finer things in life come to switch off and disconnect.

The air is different in this part of the world. It definitely has something to do with the sheer number of Spekboom dispersed throughout the 25 000-hectare private reserve.

Spekboom, one of many medicinal plants on the land, is a succulent that literally acts as a sponge for carbon

dioxide, able to absorb four to ten tons of CO2 from the atmosphere per hectare – ten times more effective than the Amazon rainforest. A reason to breathe deeply and sleep soundly, for sure. But the pure lavishness of the lodge has a lot to do with that too. With the accommodation personally imagined

by Slovakian owners Erik and Alexandra Kovacs, and interior design and décor hand-selected – and sourced throughout South Africa – by Alexandra herself, the

personal touch is visible throughout.

Earthy tones of brown and beige give the feeling of a connection to the surrounding nature, as do the textures of wood, wool and similar natural fibres.

Big fireplaces in each reception room keep guests cosy from the sometimesfrosty temperatures of the great outdoors, while the infinity swimming pool is the ideal place to cool off when the mercury rises, and the expansive deck makes star-gazing a visceral experience. Thanks to mostly clear skies and no intrusion of city lights, this location offers some of the best starry nights in the country.

A reason that Sky Lodge will soon introduce its astronomy hollow – a space that will protect from the elements and comfortably ensconce guests within, allowing them to lie back and marvel at the wonder of the night sky, no matter the weather.

The Sky Spa offers indulgent massages and a unique selection of additional pampering treatments,

while the jacuzzi is open 24/7, with uninterrupted views over the savannah.

The theme of luxury and comfort extend to each of the seven large suites, which are spacious, light-filled and equipped with all the modern amenities one would expect – from Nespresso machines to large flat-screen TVs (not that the latter is likely to be used much).

While the reserve is home to many animals that locals and foreigners alike wish to seek out – rhino, lion, giraffe, buffalo, elephant – it’s the rarer creatures that will attract more discerning guests. Birdlife is prolific, and there are over 45 exotic and unusual species, including the golden, arabian, scimitar and painted oryx. Those who wish to explore the grasslands by night may be fortunate enough to catch a glimpse of elusive animals like the aardvark, lynx, porcupine, black-back jackal and bateared fox.

However, Magic Hills does not wish to promote itself as a big five or safari

destination – animal encounters are a bonus. The reserve’s long-term plan is to rehabilitate the land (which was previously a hunting concession) and reintroduce endemic species; so while the offering may evolve as years go by, the priority now is restoring the reserve to the way nature intended.

Future plans also include three additional accommodation offerings, each with their own unique pull, and spaced far enough apart that privacy and exclusiveness is always guaranteed.

Working towards being completely offthe-grid within the next five years, the focus remains becoming less and less reliant on the precious environment.

Sky Lodge is the ultimate escape to somewhere unlike anywhere else – here it is about enjoying the serenity of your surrounds; it’s a place for those who desire more than a holiday, but rather a once-in-a-lifetime journey. You’re not drawn here to see the nature, but rather to become one with it.

In short, this is no ordinary safari – Magic Hills is a soul safari.

For more information or to book contact reservations@magichills.com or visit magichills.com [website will be live

by January 2020]

Getting there Sky Lodge, part of the Magic Hills Private Collection, is a leisurely 3-hour drive, or quick 30-minute flight, away from Port Elizabeth International Airport. The private reserve has its own airstrip, making arriving in comfort and style easy.

Book flights with Magic Hills’ airline partner, Absolute Aviation, via reservations@magichills.com

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ISLAND of new beginnings

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NEW ISLAND OASIS IDEAL BUSH ESCAPE FOR MODERNDAY ADVENTURERS

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he mighty Zambezi River has captured the hearts and minds of explorers for centuries.

Now modern-day explorers can experience the area’s many wonders from the shores of an exclusive island safari getaway. Fringed by thick bush, there’s a tiny island on the Zambezi River that opens onto a cluster of ancient baobab trees. It’s the ideal habitat for a pair of resident Pels fishing owls and herds of elephants, that often wander over from the mainland to rest in the shade of the magnificent baobab and marula trees.

Time stands still at Isibindi Africa Lodges’ newest addition, Tsowa Safari Island. In short, it’s the perfect bush escape for modern adventurers. Launched in August 2019, Tsowa Safari Island, is the group’s fourth property - the other three - Thonga Beach Lodge, Rhino Ridge and Kosi Forest Lodge, are on the east coast of Kwazulu-Natal.

Secluded on a previously undeveloped island in the middle of the Zambezi River, Tsowa, which means “new beginnings”, is situated within the 55 000ha Zambezi National Park. While the island is remote, it’s surprisingly accessible; just 40km upstream from Zimbabwe’s Victoria Falls, and an hour and 20-minute land transfer from Victoria Falls Airport. Turning off the main tar road, you’re treated to a 20-minute game drive to the river’s edge (we saw our first herd of elephants within 10 minutes of entering the park) and then a two-minute hop by boat to your Tsowa Island oasis.

The main camp with its six Livingstone-style stretch tents (12 beds), has been carefully positioned to blend into the bush and make the most of the stunning natural surroundings, whilst at the same time, minimising the impact on the environment. Surrounded by

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massive Jackalberry trees, the spacious living areas, overlook the Zambezi - two swimming pools offer relief and relaxation during the daylight hours, while the sunken firepit comes alive by night.

Watch the lazy river glide by or view the abundant wildlife from every vantage point. Large buffalo and hippo herds are regular callers at the river’s edge in the afternoon. We also saw a cornucopia of antelope, bird-life, crocodiles, flora and so many elephants.

Using the Island as our base, we explored a number of the area’s other attractions; morning game drives and guided walks in the Zambezi National Park; a visit to the magnificent Victoria Falls and day trips to Chobe National Park are all easy to arrange. The town of Victoria Falls has had a resurgence in recent times and a surprising number of good coffee shops and restaurants, make it close enough for an enjoyable day trip to the hustle and bustle of the tourist areas but far enough to be able to return to the peace tranquility of the island, at the end of the day. Closer to camp, sunset river cruises, canoeing, island walks, fishing and starlit dinners are all part of the amazing Tsowa experience. As with the explorers of old, you will be bewitched by the ‘Island of new beginnings’.

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ABOUT ISIBINDI AFRICA LODGES Isibindi Africa Lodges owns and operates four uniquely different exclusive lodges to celebrate the biodiversity and cultural heritage of the areas in which they are located - Kosi Forest Lodge and Thonga Beach Lodge, in the iSimangaliso Wetland Park; Rhino Ridge Safari Lodge, the only privately owned lodge in Africa’s oldest game reserve the Hluhluwe iMfolozi Park and Tsowa Safari Island, in the Zambezi National Park, Zimbabwe. In establishing these elegant lodges in picturesque surrounds, Isibindi has taken care to “tread gently on the earth” and to fully include local communities in their efforts to protect the wild, care for its people and educate, so that future generations can enjoy Africa’s wild and untamed splendour.

The Isibindi Foundation was established in 2019 to consolidate 23 years of conservation projects and to allow guests to be philanthropic travelers and to journey with purpose. The Foundation administers these funds and collaborates with communities and conservation authorities on all projects.

www.isibindi.co.za

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DURING A TRIP TO NORTHERN THAILAND, GILLIAN MCLAREN DISCOVERS 137 PILLARS HOUSE, AN IDYLLIC BASE FROM WHICH TO EXPLORE THE PICTURESQUE CITY OF CHIANG MAI AND ITS RURAL SURROUNDS. by: gillian Mclaren

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esigned in Lanna Kingdom style, the historic teak house – built by the British Borneo Company in 1889 as the residence of the company manager – is now part of a graceful Boutique Hotel. In a tasteful sitting room, the Parlour, intriguing books on Thai art, architecture, history and food are neatly placed on low tables, next to potted orchids. Wide open windows ensure a light breeze wafts through this lounge, making it a lovely spot for high tea, which is served on three-tiered stands. In the evenings, a pianist brings the grand piano to life, its beautiful sound reverberating through teak floors. Next to this appealing space is a well-stocked bar, which leads through to the Palette restaurant, featuring European cuisine.

137 pillars support the house in typical Thai fashion – hence the hotel’s name – and it is surrounded by tropical gardens.

The immaculate croquet lawn adds another colonial touch.

Outside this communal area, a wooden deck leads to the Dining Room restaurant, presenting Asian food. Tables are discreetly arranged, some behind blue netting, creating an intimate atmosphere.

TRAVEL

GILLIAN MCLAREN

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Surprise after surprise delight me and stimulate all my senses. Presentation is gorgeous and creative in the extreme

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Breakfast is served al fresco, or under red awnings, facing a canopy of venerable trees with waterlily-bedecked pools below. I delight in rising early, to be first at the breakfast buffet, to enjoy the artistic presentation. Although several food types are available, I choose Thai fare every time, in the process becoming fond of the piping hot dim sum, sticky rice, pork dishes and exotic Asian fruit.

Delectable cappuccino, served by a polite waiter, is presented with a cinnamon stick as a spoon, which lends a delicate fragrance to the coffee.

My favourite place is the 25-metrelong swimming pool, an oasis in dappled sunlight – large enough for me to have a decent training session – next to a seven-metre wall, covered by a green creeper. Sun loungers line the wooden deck, where fresh towels are provided.

After a morning walk crossing a bridge over the Ping River, to take photographs at the Chinese market and meet some of the local people, I plunge into the pool again to cool down after being active in the warmth and humidity. Coconut milk served in the shell refreshes me further.

Although there is much to see and do in Chiang Mai, I am lured back to my airconditioned suite to savour the amenities and feng shui decor, in black and white, with red accents. Indoor and outdoor showers, as well as a freestanding ball-and-claw bath poised on white tiles adorned with a blue pattern, form part of the aesthetic pleasures. The soap has a gentle jasmine and mint fragrance.

I laze on the balcony of this secondfloor haven, gazing at leafy palms, as I sip top-quality tea and sample the dragonfruit left in my bedroom by an unobtrusive housekeeper.

To my delight, I have my own butler – Pui-Panita Pimrat – an efficient and friendly Thai lady who spoils me by ironing my dresses, organising my dinner appointments, giving me information about places to visit, taking my sandal to a cobbler when it breaks and generally caring for me as a traveller. Pui arranges for my flights to be confirmed and for my luggage to be taken to my transport when I depart. All in all, I feel as if I have a personal assistant, who anticipates my needs, available 24 hours a day on her mobile phone.

Massage is an important part of Thai culture, so there are numerous therapists available on the streets for a foot or back massage, in addition to the many spas.

Not wanting to leave the luxury of 137

www.137pillarschiangmai.com Gillian’s trip was curated and hosted by the Tourism Authority of Thailand’s South African representative office. www.blog-thailandsa.co.za

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Recommended Tours from 137 Pillars House: • Historical Tales and Trails of the Teak • Wallah’s Tour • Temples and Old City Tour • Cooking Class and Local Market Tour • Araksa Tea Garden Tour • Lamphun Cultural Tour

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Pillars House, I opt for a 90-minute massage at their in-house spa that includes elements of a dry Thai massage, followed by hot stone treatment, then aromatherapy. I have to resist falling asleep, as it is blissfully relaxing, but I don’t want to miss out on all the details.

I am met with a welcome drink of iced Pandanus leaf juice and taken to a private room, where my feet are washed as I get comfortable. After my sublime experience, I have an indulgent time of recovery before my masseuse brings me lemongrass tea and fresh, chilled dates. In a soporific, sensual daze, I meander to my suite for iced mineral water and a nap.

Each evening, homemade biscuits are left in my bedroom, presented on a black ceramic stand, as part of the turndown service. Attention to detail defines the 137 Pillars House experience. Simple elegance and refined taste, combined with warm hospitality, are key elements of their philosophy.

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INSPIRATION

complementary

OPPOSITES

CAN WE EVER GET RID OF ONE SIDE OF LIFE? OR DOES LIFE EVENTUALLY AWAKEN US TO THE WISDOM THE BALANCE OF COMPLEMENTARY PAIRS?

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t has been known and stated for at least two and a half millennia that the impulsive desire to seek for that which is unavailable and the instinctual desire to avoid that which is unavoidable is the continuous source of human suffering. Like the search for monopoles within a magnet of any magnitude, our impulsive search for a one-sided reality or outcome will become a lesson in utter futility - for, freedom is equally and simultaneously paired with constraint and reward with the price of service. Equanimity within and equity without is Nature’s way of calling us to expanded greatness. But, to inwardly appreciate the necessity of all such complementary pairs of opposites is to liberate us from constraints of our Id and animal like behavior. From the ancient teachings of the Buddha to the more recent transcendental principles of Ralph Waldo Emerson, this compensatory message has been sustained in the minds and hearts of the wise men and women for centuries.

Just as our genetic code consists of complementary opposite strands of gendered DNA to carry out our embryonic development from our single cell beginnings to our many specialized cells today and just as our physical body demands an autonomic and metabolic balance of anabolism and catabolism as well as mitosis and apoptosis to continue to evolve, adapt and grow, so too, do our lives require the pairs of complementary opposites to continue to achieve and fulfill our most meaningful aims.

Within each of us is a yearning to make a difference and to contribute to the world in our own unique way while fulfilling some meaningful cause that inspires us to some level of greatness. In pursuit of this unique mission we repeatedly become confronted by various pairs of complementary opposites, living within us and existing around us, whether they be the pairs of support and challenge, ease and difficulty, pleasure and pain, or the labels of hero or villain, good or bad, and virtuous or vicious, each pair becomes our essential and constant companion along our journey of transformation and achievement.

When we live congruently with our most important values and highest priorities and are therefore purposeful, mindful and resilient, such complementary opposites are recognized and wisely viewed as our essential and synchronous companions. We embrace them whole heartedly and see them as our feedback loops to authenticity and continuous

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concentric expansion. When we are feeling impulsive and polarized we view these pairs as sources of frustration and angst.

We are constantly being lead to appreciate the complementary pairs within and around us.

From the pairs of opposites in business management of over-worker and underworker and the empowered and entitled employees to the pairs existing within family, social and economic dynamics, these complementary opposites reign true to our daily and living existence. Whether they be the nomadic wanderer and traveler and the homebound, the risking ambitious and the over cautious, or the extrovert and the introvert these pairs keep our journey inspiring and enlivening. Maximum growth and development occurs at the border of order and disorder and the boundary of

Of all relations, the most universal is that of contrast of opposition. Every condition of thought or of things – every idea and every situation in the world – leads irresistibly to its opposite, and then unites with it to form a higher or more complex whole….

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any such pair of opposites. The more we seek the one side within the pair the more the other finds and follows us. If we seek control we find ourselves in events that curiously overwhelm us. Just as we do not need to get rid of half of our lives to be fulfilled, so to we do not need to get rid of one side of life’s balanced equation to fulfill our most meaningful aims. Our purpose calls us beyond the pairs into greater and integrated actions more than reactions and wisdom more than illusive folly.

Maybe it is wise for us all to reflect deeply upon the synthesis and synchronicity of all complementary opposites that continuously provide us with our inspiring existence. Love has been considered just such an integrated pair and when we awaken to its presence within, we feel grateful for the day. Could the very message that our intuition is forever revealing to us be this essential balance and symmetry of nature. When we are up, our intuition attempts to awaken us to the downsides, when we are down, it nudges at us to look upward. When we listen PRESTIGE: IN THE LAP OF LUXURY

wisely it brings us to the truth of the center where we are neither proud, nor shamed, only inspired and our most authentic selves.

Yes, it is these many pairs of complementary opposites that turn ordinary individuals into managing leaders and our degrees of ignorance into profound wisdom. The admonition of the heart and the inner and outer balance that permeates and surrounds us is guiding us to our true and most profound awareness and achievements. It is the marriage of opposites that make the forces of conscious evolution work. Without them we would strive for the illusion of monopolar existences, which would split us up into dissociated parts that disempower our objectives. Our extreme bipolar conditions are due to such mono-polar addictions. By embracing the two side of life equally and at once we can transcend the prey seeking and predator avoiding animal nature that lies reactive within and enlighten our pathway with the resilient path of wholeness and stillness. All areas of our lives then become enriched by such states of being and doing.

“Of all relations, the most universal is that of contrast of opposition. Every condition of thought or of things – every idea and every situation in the world – leads irresistibly to its opposite, and then unites with it to form a higher or more complex whole…. The movement of evolution is a continuous development of oppositions and their merging and reconciliation…. Thesis, antithesis and synthesis constitute the formula and secret of all development and all reality.”

Will Durant It is wiser to embrace life for the true and balanced magnificence that it offers than to strive for a fantasy of what it idealistically should be. It is our unrealistic expectations that breed our depressions and it is our philias that bring about our phobias. Homeostasis is the great calling within. So, may we become fully aware of the freedom that our complementary pairs of opposites bring us and may we continually honor such evolving pairs from within ourselves and all others.

Dr. John Demartini Founder of the Demartini Institute, human behavioral specialist, educator, author www.drdemartini.com

SEMINAR

THE BREAKTHROUGH EXPERIENCE The Most Powerful Life-Solutions Seminar On The Planet!

Presented by Dr John Demartini: Human Behavioural Specialist, Educator, Author and Business Consultant The Breakthrough Experience is the program that can help you achieve more. But the Breakthrough Experience is definitely not for everyone. If you’re looking for the industry standard ‘Edutainment’ experience with 1000’s of people, fun, networking, dancing and hype, then this program will not be for you.

There is a catch however. It requires you to be accountable to actually do the work during the seminar to get the results. If you are seriously looking for a way to get more out of yourself, out of your business, or out of any area of your life, then The Breakthrough Experience presented by Dr John Demartini will give you the advantages you’ve been looking for.

For more information about the next Breakthrough Experience, go to: demartini.ink/bte-sa For information on prices and group specials contact The Demartini institute: Emile@DrDemartini.com or Call: 011 011 9093

www.DrDemartini.com

DI 1912 5870

The Breakthrough Experience is a serious life transforming education opportunity where you’ll learn a scientifically, reproducible process that you can use over and over again to create the most inspiring behavioural outcomes or achievements you would love.

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LOUIS XIII COGNAC PRESENTS

“ONE NOTE PRELUDE”

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A COMPOSITION AS A TRIBUTE TO THE SPECIFIC “G-SHARP” MUSICAL NOTE CREATED WHEN TOASTING WITH LOUIS XIII GLASSES. A MELODY WITH JUST ONE NOTE OFFERING MANY DIMENSIONS AND COMPLEXITY JUST LIKE ONE SINGLE DROP OF LOUIS XIII COGNAC.

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NE NOTE PRELUDE composition is a pioneering project that brings together a renowned Jazzcomposer and advanced robotics to create a performance. When two LOUIS XIII cognacglasses are clinked together to make a toast, they produce a very specific sound – a clear,extended G-sharp note. ONE NOTE PRELUDE composition explores the multi-faceted natureof this distinctive sound with a specially commissioned piece of music written by the ParisbasedIsraeli pianist Yaron Herman, who composed a onenote symphony using only G-sharp.

“The symphony has a complex simplicity. It’s just one note, but with many dimensions – andmany revelations. The idea that one note, like one drop of LOUIS XIII, can evolve over time andreveal itself was something that I found fascinating” says Yaron Herman.

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One note, as a drop, offering many dimensions and revelations “This offers a perfect parallel for the long-lasting flavour of a single drop of LOUIS XIII cognac, which lasts for up to one hour on the palate” adds Ludovic du Plessis, LOUIS XIII Global Executive Director. The one-of-a-kind piece written by Yaron Herman begins with a single piano note, which cleverly draws you in. The piano is then joined by a string quartet playing the same note, but at different octaves and using contrasting rhythms, the individual instruments adding texture, structure and harmony to the composition. A violin provides the main melody, while a second violin and a viola add colour and harmony. A cello adds a rhythmic bass line, bringing structure to the melody, which rises to a crescendo.

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Always thinking a century ahead ONE NOTE PRELUDE composition embraces future technology to recreate the perfect G-sharp sound thanks to a pair of specially choreographed robotic arms come together, in time with the music, to make a unique toast with two LOUIS XIII cognac glasses. The robots are going to give precisely the right angle and the right speed to make the toast, and to get that sound.

“Tasting LOUIS XIII cognac is all about the aromas, the depth of flavours, the texture and, of course, the sound. When you toast two glasses together you get this long, drawn-out note, which is part of the overall experience” says Ludovic du Plessis. “ONE NOTE PRELUDE composition not only pays tribute to the musical note, but also expresses the complexity that can be found in a single note, as an echo to the tasting of just on drop of LOUIS XIII Cognac.”

As of April 2020, the unique robots’ arms will be displayed in the LOUIS XIII Boutiques first in Singapore, Beijing and Xi’an then will travel the world.

PLEASE DRINK RESPONSIBLY

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International award reaffirms La Motte as leading wine tourism destination La Motte Wine Estate in Franschhoek has been appointed as the 2019 Drinks International Wine Tourism Awards Winner for Best Food and Wine Matching Experience for an unprecedented fifth time!

La Motte CEO Hein Koegelenberg with Cellarmaster Edmund Terblanche and Chef Eric Bulpitt

“Our wine and food experiences are developed with our guests in mind”, says La Motte CEO, Hein Koegelenberg. “While quality is at the essence of what we do, we are passionate about sharing our love for food and wine with our guests in a way that intrigues and entertains. We are delighted for the judging panel’s consistent confidence in our offering and we are truly honoured for such international acknowledgement.”

The La Motte Tasting Room and the estate’s Pierneef à La Motte restaurant offer a comprehensive Food and Wine Experience, introducing guests to food and wine in a host

The La Motte Wine & Food Tasting Experience

of innovative ways. From dedicated food and wine pairings to authentic South African heritage cuisine, the novel La Motte food and wine experience extends to the estate’s comprehensive tourism offering and is included in themed pairings and dinners, Classical Music concerts, educational walks such as the Historic or Sculpture walk, a guided mountainside hike, art experiences and the charming Farm Shop. Food and wine are also celebrated through seasonal events such as an interactive Harvest Experience during the pressing season and the popular Evening of Vintage Wine & Venison in winter, to name but a few.

The Drinks International Wine Tourism Awards aim at recognising estates that successfully implement wine tourism to support their focus of wine making.

Lunch in Pierneef à La Motte restaurant

The historic estate in the Franschhoek Wine Valley, acclaimed as South Africa’s culinary hotspot, has also received this exceptional recognition in 2013, 2015, 2016 and 2018.

To learn more about the La Motte wine and food experience, visit www.la-motte.com or contact the estate at +27 (0)21 876 8000 or email: info@la-motte.co.za

La Motte Wine Tasting Room and Maturation Cellar

Not for Sale to Persons Under the Age of 18. Enjoy Responsibly.

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DRAMATIC LANDSCAPES AND SUBLIME GASTRONOMIC EXPERIENCES ARE ON THE CARDS WHEN YOU VISIT SLOVENIA.

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by: Mart-Marié du Toit

he small country, officially known as the Republic of Slovenia, is bordered by Italy, Austria, Hungary and Croatia, with a small coastline bordering the Adriatic Sea. The mountainous terrain, biological diversity and dense river network make this successor state of former Yugoslavia one of the most beautiful countries to visit in Eastern Europe. Head there in winter for a skiing holiday unlike any you’ve experienced before or visit in PRESTIGE: IN THE LAP OF LUXURY

summer for an adventure-filled break in the unblemished beauty of their national park.

EAT For me, food is an essential part of travel and the main reason I pack my bags, and it is here where Slovenia really shines. Food is a big part of their culture, so to really understand Slovenians, you must experience their different regional dishes. Slovenia has 24 separate gastronomic regions, with over 170 distinguishable dishes that will cater to any palette. The Alpine flavours stand in direct contrast to the ones you’ll find

along the coast, while the foods along the Pannonian Plain and in the Karst region offer different techniques and flavours.

Slovene chefs are fast becoming known for their creative culinary genius.

They have some of the best ingredients at hand and combine them in such a way that you are left dreaming of the sensory experience long after you have returned home.

Leading the pack is Ana Roš from Hiša Franko. Pronounced Hi-sha Franko, the restaurant is located in the stunning surrounds of the Soča Valley and draws visitors from around the world. This self-

Ljubljana, world-renowned chef Janez Bratovž sources his ingredients from his garden and field and at the famous Ljubljana marketplace, which means his culinary creations will differ according to seasonal availability. He is known for being a perfectionist and his dishes are charmingly presented with bold, primal flavours and a combination of French, Mediterranean and nostalgic Slovene cuisines.

Another chef to keep in mind is Tomaž Kavčič from the Pri Lojzetu Restaurant at the Zemono Maner.

He uses the traditional ‘poor man’s ingredients’ of the Vipava Valley. Each of these chefs combines their creativity and local ingredients to create unique cuisine worthy of prestigious world titles and accolades. Kavčič’s playful approach to food makes every dish served at the beautiful baroque Zemono mansion near Ajdovščina a masterpiece.

In a country fast becoming known for their food, it is only fitting that their wine must be making an impression too. Central Europe as a whole has been lurking on the outskirts of the wine industry for some time, becoming quite popular in recent years with maturing vines and growing expertise. The three wine regions in Slovenia are each known for its individual wines and visitors should make it a priority to spend time in each of these regions to experience the wine culture of this 20 273m2 country.

Try the teran wines in the Primorska Region, the Rhein Riesling and Traminec in the Podravje Region and cviček in the Posavje Region. Their indigenous wines are part of the protected geographical indication and your next dinner party will be all the more interesting if you introduce your guests to refošk, rebula, teran and cviček.

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taught chef put Slovenia on the map after being named the world’s best female chef in 2017. The restaurant offers a six-course or eight-course tasting menu, each starting with homemade bread, local butter and Roš’s husband, Valtar Kramar’s own cheese lollipops. The rest of the locally sourced dishes could be anything form tripe cooked in wild duck jus, Roš’s signature cauliflower ravioli or ‘dirty’ cuttlefish with a sea salad. Alongside the expertly curated dishes, Kramar serves wine from his own extensive wine collection. You won’t leave hungry, just in awe of the flavours you experienced.

At the JB Restaurant in the capital of

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STAY Slovenia is no stranger to ultimate luxury experiences, and with the incredible scenery they have to offer, choosing your hotel might become difficult, as their offering of rooms-with-a-view is unparalleled.

The Otočec Castle Hotel is the only water castle in Slovenia, located on an island in the middle of the green River Krka, winding among the wine-growing hills of the Dolenjska region. The hotel is surrounded by the castle park, populated with indigenous trees and white swans.

A prestigious 18-hole golf course is also available and a definite must when visiting.

If you’re headed to the coast, stay in the charming town of Portoroz, where the Kempinski Palace Hotel will stun you with the world-class cuisine of the Slovenian Istria Peninsula. One of the most beautiful hotels in the Adriatic, it was opened in 1910 and still reflects the elegance of Austria-Hungary. This is where the Austrian Archduke Franz Ferdinand danced, and where film director Orson Welles and actress Sophia Loren stayed.

At Hotel Aleksander in Rogaška, a small town designed as an idyllic park and one of the most well-known spa centres in Europe, you’ll find the ultimate place for relaxation. Guests can book an apartment on the roof of the hotel with a 230m² terrace and a private Finnish sauna.

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Slovenia is no stranger to ultimate luxury experiences, and with the incredible scenery they have to offer, choosing your hotel might become difficult

PLAY The country is small enough for you to explore most of it, even on a short trip. Lake Bled is the popular Instagram hotspot, but head out a little further to the Triglav National Park for a secluded spot of beauty where magnificent views and green Alpine valleys will leave you breathless. This is Slovenia’s largest protected area and only national park.

The Triglav Mountain, at 2864m, is Slovenia’s highest mountain and encompasses the majority of the eastern part of the Julian Alps. Taking on the hiking trails and having a picnic is the best way to explore the park. Lake Bohinj is also a must-visit for photographers – you’ll spend days there!

A visit to the capital, Ljubljana, will show you the best that Slovenia has to offer. Designed by architect Jože Plečnik and known as the ‘town of a thousand events’, you’ll be amazed at everything there is to do in the city.

Visit the central market and Tivoli park and have lunch on the Ljubljanica river before visiting the National Museum or going on a wine tour. The city’s diverse cultural attractions can be explored on foot, as the inner city is restricted to pedestrian traffic only. The spectacular international influences may abound in the architecture and deliciously in the remarkable local cuisine, but Ljubljana is also brilliantly, defiantly itself, a modern

hub where the local farmers’ market stocks vegetables grown just a stroll away by old ladies in their allotments.

The student population makes for a vibey visit, and if you climb the tower of the castle on a clear day, you’ll be able to see a third of this minute country from the top.

Slovenia is nestled between the

well-known tourist-hubs of Italy, Hungary and Croatia, and absorbed its food and classical culture from its neighbours, serving up a melting pot of influences, flavours and experiences that you can enjoy in each region. The natural beauty, awe-inducing adventures and classy hotels to rest your head guarantee that this will be a trip to relish.

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FOOD & WINE

QUOIN ROCK – the new standard LUXURY, TRANQUILLITY AND WINE AT THE CAPE’S LATEST GRAND ESTATE. by: Henry wright

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rrive at Quoin Rock and the first thing that stands out is the scenery. The Gaiduk-familyowned wine estate on the slopes of Simonsberg boasts 360° views of the surrounding Stellenbosch landscapes.

Denis & Julia’s vision is clear – to be the most luxurious estate in South Africa – and, true to their vision, evidence abounds that demonstrates the best materials, the best service, the best design… in fact, the best of everything.

Witness the restaurant, Gåte, the latest fine dining option in the Winelands. It takes no prisoners – its particular goal is to bring the first Michelin star to South Africa and that seems entirely doable, judging by chef Nicole Loubser’s inventive, delicious cuisine.

The ex-JAN innovator has a brilliant eye for detail and understands the prevailing foodie-zeitgeist, so expect the unexpected, enjoy the humour and savour the tasteinvention.

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The restaurant, with its centralised bar and expansive patio, decorated with bespoke Pierre Cronje furniture, offers opulent views of the surrounding mountain and brilliant landscape. , The friendly staff, clad in leather aprons, bring a touch of European countryside elegance to the venue. A must-try is one of the Signature dishes: the Italy – Caffe Macchiato with Gate Cigar, and the Namibia – Game (oryx) meat with smoked potato purée and veggies. The combination will tantalise your taste buds and have you coming back for more.

Alongside the restaurant is a stateof-the-art winery, supplied by 36 hectares of vineyards spread across the 200-hectare property. Well renowned wines produced include their award winning Namysto Sauvignon Blanc, 2017 and their Shiraz/Cabernet Sauvignon, 2015.

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And finally, some would say, the pièce de résistance is Quoin Rock’s 5-star Manor House, located high on a nearby mountaintop and unlike anything else in the Cape, with its Versailles-like gardens and Cape Dutch grandeur. For the holiday of a lifetime, there is no better location nor another one that will provide you with your own chef.

New rules, new standards and ultimate luxury – the winelands has a new top dog disrupting the exclusivity game. Quoin Rock is taking the industry by storm and is a venue worthy of the bucket list. Quoin Rock made a remarkable impact on us.

The food is exceptional and the venue carries such beauty it demands a second and third visit. Well done to the Gaiduk family. And thank you for your vision and remarkable achievement.

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The Winery The Quoin Rock winemakers adhere to the premise that the greatest wines are those that most truly reflect their soil, climate and circumstance (commonly known to as terroir) and that it is the winemaker’s role to simply stand back and let the natural beauty of the grapes show through. They not only make great wine, they also grow it.

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A tranquil escape to the Cape Winelands in pure luxury with a commanding view of Table Mountain and the Simonsberg Mountain as a backdrop, the Manor House, situated at an elevation of 400m above sea level on Quoin Rock Wine Estate, offers guests complete privacy with tranquil, manicured gardens, a sauna and a swimming pool. Although it is situated in a scenic rural setting near the university town of Stellenbosch, all modern amenities are available.

The Venue Hall

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The venue offers high-end, luxurious décor finishes and light fixtures throughout, with sliding doors that open onto a spacious outdoor deck. It can seat up to 200 guests or host 300 guests for cocktail or buffet-style events. A stylish and luxurious floating cigar-lounge is perfectly positioned for enjoying the cape winelands’ epic sunsets. In-house catering is available and conferencing equipment and furniture can be hired on request.

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WHISKEY

SCENES FROM A

scottish buffet A FEW WHISKY HIGHLIGHTS FROM THE PAST FEW MONTHS by: Patrick Leclezio

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OLD STOCK If you’re even slightly familiar with whisky then you’ll know about maturation, and its importance. This is the process by which whisky is “aged” in casks, thereby acquiring the most part of its eventual flavour. Older whiskies aren’t necessarily better whiskies of course, but there’s something special about them. The individual flavour that they’ve cultivated is scarce. It can’t be replicated without the long passage of time, and even then maybe not at all. When a whisky reaches an epic milestone, like 50 years of age, or say 51, then it becomes a rare privilege to be able to experience it, one that should be seized with both hands.

These opportunities are usually few and far between. Whiskies of such ancient vintage are gut-wrenchingly expensive, out of reach for many, and albeit intriguing not worth the cost for others. Sadly, those who can afford it often make such purchases for investment or collection purposes, with the result being that many of the world’s oldest and most prized whiskies never get put to palate. They’re destined to sit encased in glass for eternity.

Cragellachie Single Malt, renowned for its popular 13YO and 17YO whiskies, has recently launched a crusade towards redressing this injustice…well maybe not a crusade, but a damned good initiative. The self-proclaimed “bad boy of Speyside” is going against the malt, so to speak, by taking a cask of 51 year old whisky and offering it to whisky lovers around the world…for free! In a world of cynical and rehashed marketing campaigns this is as sincere and creative as it gets – well done to them. Dubbed Bar 51, the South African leg of these events, a pop-up bar disseminating the epic tastings, took place in Joburg at the WhiskyBrother bar on 21 and 22 November, and in Cape Town at the Athletic Club & Social on 26 and 27 November. May the dram be with you and may it be a Craigellachie!

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BALANCED PEAT Does anyone remember the transition of Black Bottle from the former green glass to the current black glass version? The step-up in flavour, richness and quality was remarkable.

In particular the balance of the blend was spectacularly improved. This may not have been as pleasing to hard-core peat freaks as to the rest of us, but most I think will agree the mellowing of its trademark smoke with dark fruits and anise was a boon. There is little to be faulted in Port Charlotte’s

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Scottish Barley, but the brand’s latest exponent, a 10YO launched recently in South Africa, has followed a similar (if less pronounced) trajectory to Black Bottle. It still showcases the big peat, make no mistake, but it’s accorded more prominent roles to the other players, toffee, sweet oak, and vanilla in particular. The 10YO perpetuates Port Charlotte’s (and indeed Bruichladdich’s) infatuation with wine casks to great effect, especially with its extended maturation. Long may it continue.

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Whiskies of such ancient vintage are gut-wrenchingly expensive, out of reach for many, and albeit intriguing not worth the cost for others.

BIG SHERRY Glendronach has been on the local scene for a while, but it recently underwent a change of ownership, the reins assumed by industry giant Brown Forman. The upshot for us whisky lovers is that the brand now wields distribution clout that is considerably stronger. You’re significantly more likely to find its core range, comprising a 12, 18 and 21YO, in your preferred bars and liquor stores. If you’re partial to the traditional sweet, spicy Pedro Ximenez flavours in your whisky (and who wouldn’t be) then this is great news for you. Glendronach is noteworthy for employing the highest percentage of PX casks in the industry.

Caramba!

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SPIRITS

Shaken, not stirred TAKING YOUR MARTINI EDUCATION BEYOND BOND-LEVEL.

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by: Patrick Leclezio

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f you were to bring up the martini in arbitrary conversation, you’d likely get a response that alludes to James Bond. He’s almost come to own the drink and the drink him, such is the strength of their association.

And it’s not difficult to understand why Ian Fleming imbued his famous superspy with this predilection. They fit like hand in glove. They’re both suave and sophisticated, they’re both single-mindedly serious (with a certain dry wit), and they both get the job done, always. The Martini has played no small part in fashioning the 007 legend, and he in turn has transported the drink into today’s popular imagination.

force of Bond’s iconic prescription.

Shaking risks over-dilution, and introduces foamy agitation on what should be a static presentation. Some also say that it ‘bruises’ the gin, but what that means isn’t obviously discernible. That it’s still a drop-twogears surge of a drink is without question – this is a stiff injection of booze – but the balance has shifted somewhat to a greater appreciation of its other charms: it’s also cultivated, elegant and, if made properly, outright delicious.

On the topic of how this should be accomplished, you’ll find martini aficionados often pitted against one another in passionate disagreements, but whilst differences abound, there is widespread consensus on two vital elements: the botanical-loaded favours

The martini has persisted through the decades, with Bond’s help, for good reason: it is intrinsically exceptional, allowing it to weather fluctuations in popular tastes and impress itself on one generation after another of gin make a more interesting (and varying) base than vodka’s bland neutrality (Movie Bond prefers vodka, but Book Bond drinks both) and that it should be drunk deep-chilled i.e. stirred with lots of ice, and dispensed

The PRESTIGE Martini (makes two)

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We thank him for it, for keeping the flame alive. At one time, of course – for long stretches on either side of the Second World War, beginning with the roaring twenties – the martini was wildly popular of its own accord, the symbol of an unrestrained golden age of excess. It has ebbed since, but now, resurgent, is flowing again – perhaps though having evolved into a vehicle for discerning rather than uninhibited drinking.

In this new phase of its existence there seems to be real attention to quality. As an example, you’ll be hard-pressed to find any credible establishment that recommends a shaken Martini, despite the influential

in frozen glassware. The rest is down to personal preference, notably the ratio of vermouth to gin, which ranges from rinsing the ice in vermouth before discarding it, to the recent 50:50 trend. Noël Coward famously suggested that “a perfect martini should be made by filling a glass with gin, then waving it in the general direction of Italy”, but given that the best dry vermouths come from France rather than Italy, this ill-informed opinion should be treated with some scepticism – gin without vermouth is just gin, not a martini. The addition of bitters can be considered and dry sherry substituted for vermouth, although purists would sneer at both suggestions. Garnishes are essential and play a defining role; an expressed twist of lemon produces a completely different result to olives, and both to olive brine. In fact, such is their effect that the employment of another garnish, a cocktail onion, confers a distinct name to the drink: the Gibson. There’s much to be said for taking an open-minded position and evaluating all these options in the field.

The martini has persisted through the decades, with Bond’s help, for good reason: it is intrinsically exceptional, allowing it to weather fluctuations in popular tastes and impress itself on one generation after another. And once you’ve acquired a taste for it, you’ll be hooked for life.

Ice breaker, conversation flamer, party blaster – it ticks all the boxes. Go forth and stir.

125ml Inverroche Classic gin 25ml Dolin vermouth Stir well with ice and strain into chilled glasses Garnish each with three queen olives on a spear

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FOOD & WINE

A JOURNEY CELEBRATING GROWTH AND LIVING BEAUTIFULLY

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aute Cabrière, with its iconic setting on the scenic Franschhoek Pass, has been woven into the fabric of the wine loving world, both locally and abroad.

Today, 25 years since the von Arnim family launched the iconic Haute Cabrière cellar, the winery has transformed into an inviting space, rivalling the best on offer globally, for visitors to immerse themselves in the culture established by proprietor Achim von Arnim. This newly renovated facility makes Haute Cabrière the ultimate belle femme of the Franschhoek Valley.

The renovation journey was aimed at building on the past 25 years, and setting the scene for the next. “The project has been about honouring the legacy of our heritage, while celebrating the beauty of evolution. Even though the wines and the destination are ever changing, it will never lose its essence,” says Takuan von Arnim, Director of Wine and 2nd generation Cellar Master. “Every element of the

Barnard Interior and Design says: “We’ve retained the elegance and sophistication, which are synonymous with Haute Cabrière, but the interior design is much more on-trend now.

A key aspect was to bring more light into the indoor space – we achieved this with clever use of lighting and our choices in material and furniture.

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elegantly.

Says AD Muller, lead architect at A3D: “The whole ambience is lighter.

There’s a powerful sense of arrival, while the flow of the property guides guests through the different spaces and offerings. All of this is offset by an exquisite view of the landscape on one side, and the original Europeaninspired underground stone cellar on the other. A creative approach to décor has brought a fresh feel of modernity and an elegant style.”

Christiaan Barnard of Christiaan

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project was ultimately designed to allow and inspire our guests to create and celebrate their own beautiful food and wine experiences,” he continues.

The architect’s brief was to design a space that would keep creating a stylish and authentically meaningful experience for guests; one that could adapt and cater to a variety of needs, for both local and international visitors. The existing canvas of spectacular views and majestic stone arches ensured that the spirit of ‘living beautifully’ could be executed

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dinner… and all the in-betweens!

The brand-new deli and bakery with freshly baked artisanal fare, fresh produce from the vegetable garden and condiments from the menu are on offer, enabling guests to take the Haute Cabrière experience home.

Takuan von Arnim concludes that the journey, embarked upon 25 years ago, has really been about bringing to life the vision of creating an occasion for people to enjoy the art of life, in all its different forms: “We’re exceptionally proud of the result and look forward to welcoming our guests.”

not to detract from both the natural environment or the experiences guests would have.”

The most notable change at Haute Cabrière is the outdoor area, which has been transformed and encapsulated in glass, with an expansive infinity deck, allowing guests to enjoy the different spaces year-round, while guaranteeing a spectacular view.

The destination offering has also evolved from a traditional tasting room and restaurant to a space that allows visitors to tailor their experience every time. “We have been considering what we can offer to make visitors feel catered for and welcome and how to broaden our appeal,” says Nic van Wyk, Haute Cabriére’s Head of PRESTIGE: IN THE LAP OF LUXURY

Destination.

A strong desire to stay true to Achim von Arnim’s original vision of creating a wine portfolio that is accessible has been mirrored at the tasting room and restaurant by making the offering available for longer and with varying options.

“My inspiration has always been classically French, with an appreciation for the South African palate, which is a natural fit for Haute Cabrière,” says van Wyk. “I would describe the food as elegant yet comforting, and the menus offer dishes that would satisfy locals, yet impress international guests with something completely unique.”

Haute Cabrière now offers a food and wine element from breakfast to

Haute Cabrière is situated on the Franschhoek Pass (Lambrechts Road), Franschhoek. Wine tasting is open from Monday to Saturday from 10:00 to 19:30, offering Cellar Tours between 11:00 and 16:00.

Breakfast is available from Monday to Saturday from 08:00 to 11:00; tapas are served between 11:00 and 19:30; the bakery and deli are open from 08:00 to 16:00 and the à la carte menu is available from 12:00 to 19:30. Haute Cabrière is open on Sundays and closes at 15:30. For reservations and enquiries, call 021 876 8500, email restaurant@cabriere.co.za or visit www.cabriere.co.za

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CONTEMPORARY

connections “CONTEMPORARY ART, BY ITS VERY NATURE, ESTABLISHES CONNECTIONS – BOTH INTERNALLY AND EXTERNALLY – THAT TRANSCEND THE IMAGINARY BOUNDARIES WE CONSTRUCT, THAT POINT OUT THE LIMITATIONS OF OUR THINKING AND ASK US TO REACH BEYOND.” – CANDICE BERMAN

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by: Els van mourik

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erman Contemporary is a contemporary art gallery founded in 2017 by Candice Berman and established in Johannesburg. Candice opened her first gallery in 2013 in Bryanston, specialising in fine art by artists from South Africa. Five years later, she expanded her activities to the contemporary art scene, inaugurating her first gallery at Alice Lane in Johannesburg with an exhibition of works from emerging South African artists.

Over the last few months, Berman Contemporary has undergone a metamorphosis to become representative of South African contemporary art within a global context. Since the middle of 2019, the gallery has moved to a new space at Rand Steam centre, a building formerly known as Rand Steam Laundries and now a renovated heritage site. A new space, a cultural hub, easily accessible and with more possibilities for hosting a vibrant contemporary programme with art talks, performances, special events for collectors and curated exhibitions which seek to engage the viewer.

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An important aspect of Candice Berman’s vision is her commitment to not only representing artists, but also supporting their growth and development in various personal and professional facets. Candice has recently established a cooperative relationship with Els van Mourik, who is responsible for artist coaching through studio visits, the curatorial programme and Berman Contemporary’s participation in international art fairs. The gallery further aims to establish a synergistic network between South African artists and their global contemporaries, many of whom evidently want to engage with the current South African art scene – not only as observers, but as active analysts, experimenters and contributors.

The rich diversity of South African contemporary art presented by Berman Contemporary is an inspiration for art enthusiasts and collectors. Through studio visits, the gallery establishes connections to artists from all walks

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VOICES FROM THE eARTh, delved deeper into our relationship with the earth and the natural resources in South Africa. It encouraged people to look at what their beliefs are, where they originate, and how those beliefs have been shaped over the years in relation to environmental questions and climate changes. The contemporary art scene in Africa finds itself on the cutting edge of the art world and international collectors are determined to keep up with the new developments from the African continent.

It is a very exciting period for the artists living and working in Africa, and there are a significant number of talented artists whom we would like to present to a global audience.

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of life whose unique artistic processes celebrate their historical and cultural heritage and give voice to their complex societal realities, evoking an active and interpretative experience for the viewer. With a strong female energy and an approach that nurtures first and foremost, the gallery team hopes to break ground on new paradigms of seeing and experiencing contemporary art, which will enable us to move away from outdated perceptions of what artists of African origin are doing. These imposed limitations should and must be continually challenged and Berman Contemporary aims to be a driving force behind this shift.

The gallery’s most recent exhibition,

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SUPPORTING

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“IF WE CITIZENS, DO NOT SUPPORT OUR ARTISTS, THEN WE SACRIFICE OUR IMAGINATION ON THE ALTAR OF CRUDE REALITY AND WE END UP BELIEVING IN NOTHING AND HAVING WORTHLESS DREAMS.” – YAN MARTEL, LIFE OF PIE PRESTIGE: IN THE LAP OF LUXURY

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JEAN DU PLESSIS Johannesburg based artist, Jean du Plessis, works with large scale canvases and linear sculptural forms that express his free-flow creative process.

He is fascinated with the beauty that arises when things are damaged or decayed. Much like the status that South Africa often finds itself in. He celebrates the process of damage and transforms the damage in revealing the true life and essence of the beauty and honesty in material.

His work is intuitive. He embraces a visceral approach to making art that does not conform to normal rules, striving to capture emotions and define a new type of aesthetic, using different metals – stainless steel, solid brass and aluminium. All being done by hand work, himself. This may seem simple in appearance but a complicated process to achieve the end result.

His attraction to damage and decay can be simply explained in his own words: “It is about finding beauty in the imperfections in nature and in life, accepting the natural cycle of growth,

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hat is the notion that veered Karin Kleinsmith in following a path to promote and present South African artists. Given her background in the International Financial industry, which often includes Art Advisory, it was a natural transformation that she decided to focus full time on South African art.

“In my years of working with international clients and institutions, I realised there is a raising demand and interest in South African Art. On the other hand, I also realised that our Artists are not supported in an efficient manner that can put them on a global platform, even locally. This urged me to try to make a difference. Art evokes emotion. South Africa has a rich story to tell which each artist conveys in their unique manner.”

Karin focus on architects, interior decorators and private clients to fill our homes, hotels and restaurants with South African art that tells a story.

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This body of work is an invitation on a journey to the heart of this ancient mountain.

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decay and death, celebrating the cracks, crevices and marks that the passage of time leaves behind.”

JONATHAN FREEMANTLE The Alchemist Jonathan Freemantle was born in Cape Town in 1978. At 17, he was selected as one of the fivestudents from around the world to study at St Oswald’s Academy in London, an intensive 5 yeartraditional training/ apprenticeship in drawing, painting and sculpture and geometry.

Jonathan has since been involved in a number of projects. He has held solo exhibitions worldwide(London, Cape Town, Amsterdam & Edinburgh).

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His work has been featured in a variety of publications in mainland Europe, South Africa and in the UK. He wrote and illustrated a book, ‘Anatomy made simple for Artists’ published by Arcturus (UK) in 2004. His work is represented in collections worldwide including SAB Miller and the private collection of HRH the Prince of Wales.

Freemantle has spent the past 6 years on an extended investigation into the sacredness of mountains and has been working primarily with three ancient mountain terrains. This journey began in The Scottish Highlands, where the majestic Buachaille Etive Mòr (Der Heilige Berg) became his motif. Then followed a residency at

shape of a mountain made of time.

This body of work is an invitation on a journey to the heart of this ancient mountain. A quest to transcend me itself, to be present, to travel beyond the seduction of monolithic heights covered in shimmering green and red, past the desire of paradise and pleasure and our own inescapable curiosity of what lies beyond the paradise of purgatory and me. Beyond the oldest mountain itself.

Running parallel to Freemantle’s mountain paintings are his portraits.

He paints about two a year, and almost entirely from life. He is currently painting Richard De Marco, in Edinburgh.

In Karin’s words: “I want to bring South African Artists to the world.

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references the writings of Dante: The final environment of Purgatory is the Earthly Paradise on the mountain top.

Dante finds there no pastoral pleasure garden, or manicured rural landscape, but a ‘forest - alive with green, divine’.

In his own recount, Freemantle says, “In this arid and ancient terrain I found the most magical rivers, cutting through the landscape. The green heart. The breathing lung. An emerald snake twisting through a baked red pink mountain ridge”. The paintings become an allegory of me, an attempt at recapturing the fleeting moments experienced during the ascent and descent of the mountain with each piece an expression of momentary climaxes sometimes reserved for the summit.

His colours play on the relationship between this verdant green and the red ochre rock. Between this, visions of a paradise lost and found in the layered

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the Nirox Foundation in the Cradle of Humankind, north of Johannesburg.

Here, Freemantle began collecting rocks on the mountainous terrain and grinding them to make paint. This Alchemical process continued with his immersion into the ancient Magaliesberg mountain range with his most recent exhibition, ‘The Oldest Mountain’.

Freemantle’s explorations and navigations in and over the Magaliesberg mountain range, one of the ten oldest mountains in the world, has led to an instinctive process of alchemy in his work. This is a painting process that sees a confluence of Freemantle’s own time with that of the earths, a paradox through which the artist engages with the essence of this ancient place in our fleeting presence.

Within this pursuit of time Freemantle sees the rugged journey as a metaphorical ascent too and

A 50TH ANNIVERSARY PRESTIGE

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celebration

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THE 2020 NISSAN GT-R WILL COME IN TWO TRIM LEVELS IN THE SOUTH AFRICAN MARKET: GT-R PREMIUM AND GT-R BLACK EDITION. IN SELECT REGIONS, THERE WILL ALSO BE THE PURE, PRESTIGE AND NISMO MODELS, BUT IT IS THE 50TH ANNIVERSARY EDITION THAT TRULY CELEBRATES THE GT-R'S RICH HERITAGE.

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he special edition car will come in three heritage-era, two-tone exterior colour combinations meant to represent the GT-R's liveries from the Japan GP series – of which the original GT-R was born to dominate in. Retired since the GT-R "R34" model, Bayside (Wangan) Blue makes a return, complete with white racing stripes.

A four-coat, double-heat treatment process ensures a vivid blue with striking highlights and deep shadows. Blue accents on the wheel spokes are among several fine touches made to celebrate the GT-R's milestone. Pearl White with red stripes and Super Silver with white stripes round out the 50th Anniversary liveries.

Inside the 50th Anniversary Edition is a special grey interior colour scheme, which gives the cabin a sense of luxury, reminiscent of the atmosphere of the night sky after the twilight hour. Additional 50th anniversary features include unique steering wheel and shift knob trim, special seat embossing, an Alcantara® headliner with unique stitching, Alcantara-wrapped sunvisors, and more.

"The Nissan GT-R has been the icon of our company's driving performance for the past half century," said Shinichiro Irie, program design director for the GT-R. "We were highly motivated to ensure that the GT-R 50th Anniversary Edition stands out.

While the exterior and interior changes may seem subtle at first glance, they're still impactful, especially with the new paint schemes, keeping the car's lines and overall presence modern and edgy."

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Upgraded performance, born from racing While many believed that the refinement and performance of the GT-R's 550-horsepower 3.8-liter V6 24-valve twin-turbocharged engine – each handcrafted by its own takumi technician – were so high that there was no room for improvement, the car's engineers had a few tricks up their sleeves. Among them was incorporating new turbochargers, which help increase the engine's low rpm response due to an abradable seal, providing tighter clearances and a 5 percent increase in efficiency. Overall, they provide even sharper engine response in and out of corners, making the driving experience more rewarding and richer than ever before. The exhaust manifolds, inspired by racing technology, have optimised turbo flange attachment points, which allow for easier servicing and potential tuning, without touching the exhaust manifold.

GT-R features a revised 6-speed dual-clutch transmission with a refined "R mode," made for both road and track. It features more aggressive downshifts to better anticipate swift cornering exits, with gear selection happening during ABS engagement, resulting in reduced understeer and a more driver-intuitive feeling. The adaptive shift control is programmed to change shift schedules to fit the user's driving style, making it possible to drive according to the law on public roads, with full brute force available on the racetrack, without needing to manually change shift modes.

The GT-R's signature exhaust note is the product of a new titanium muffler, featuring titanium finishers with burnished blue tips. The electronically controlled suspension has been tuned to provide better cornering stability and a smoother ride. The steering is more linear and precise than ever, requiring minimal corrections at speeds of up to 300 kph (186 mph). A new brake booster increases the initial braking response by engaging with less pedal stroke, resulting in enhanced stopping power and feel.

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MOTORCYCLING

LONG LIVE THE LEGEND

triumph motorcycles REFINED BY OUR PAST, INSPIRED BY OUR NOW, DRIVEN BY WHAT’S NEXT.

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or too long motorcycles have carried a questionable rap, marred by men in bandanas, unruly beards & intrusive bellies. But, Triumph?

Step in a dapper man wearing his finest fitting suit, well-poised & deserving of the label: genteel. And our ladies? Our lady riders seem to epitomize a beautiful dichotomy of rebellion & sophistication.

Both, a perfect fit for our iconic, timeless & authentic brand.

For more than 100 years Triumph’s passion & innovation has shaped the evolution of motorcycles. Triumph has a truly unparalleled history of legends that include category defining motorcycles, racing icons & unbelievable speed wins. It is obvious why Triumph Motorcycles is one of the world’s most known & most loved motorcycle brands.

Here in South Africa, Triumph Motorcycles was re-introduced in September 2017 with a new CEO ready to take on the challenge of turning the Triumph brand image into one that is easily appreciated & relevant to the country’s diverse culture. Since its inception, the Triumph brand has gone from strength to strength introducing a wider range of models including the adventurous Tiger 1200 to the latest Bonneville Bobber TFC. Triumph Motorcycles is driven by bold design, original styling, purposeful engineering & a genuine passion for the ride. Each of the motorcycles created to ensure the perfect balance of power, handling & style that intimately involve the rider & assist in bringing out the best in their rider capability. More than that, Triumph’s goal is to completely shift the perception of motorcyclists & continue to introduce new men & women to the brand who are bold enough to embrace their individuality, curious enough to explore new places with the wind right against their skin & adventurous enough to visit new places both on & off tarred roads.

This begs the question: “Is there a Triumph out there for me?”

Of course. Triumph Motorcycles offers several categories that cater to all kinds of riders; speed demons, adventure lovers, composed tourers, daily commuters, cultured creatives & even those looking for unsurpassed exhilaration on our limited edition Daytona Moto2 765.

For the sake of not divulging too much here, you’re welcome to visit the Triumph Motorcycle site to find out more about some of the amazing machines we offer, that said, we can’t help but mention some of the favourites.

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THE BONNEVILLE BOBBER & BOBBER BLACK First up are the beautiful & brutal bobbed bonnies. These motorcycles are for anyone who loves all things classic, cool & unbelievably charming. These motorcycles truly encapsulate elegant engineering with an unparalleled hot rod ride & sound. The most intriguing aspect of this seemingly retro-ride? Its category-leading technology & capability with a 1200cc engine for more torque & a power you can feel right in the soles of your feet. The perfect touring companion. Booking your next adventure? Add these beauties to your list.

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THE BONNEVILLE FAMILY OF MODERN CLASSICS We couldn’t resist the urge to cheat a little on this one since there are 9 different motorcycles all considered to be a part of the Bonneville Family, but there is a reason; only the motorcycles that make use of the Bonneville twin-power engine are considered part of the family & although the engine has seen multiple improvements & precision innovations over the years, it is all part of the same family tree.

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THE ROCKET 3 Literally within a league of its own, the Rocket 3 is everything you should expect from a motorcycle and more. Combining magnificent style, incredible handling & a truly imposing muscular presence that offers sublime comfort & an incredibly smooth ride.

This motorcycle has an imposing poise that is enhanced by beautiful details that add an unparalleled level of finish & quality. Built with an amazing 2500cc engine that produces an incredible 221Nm of peak torque - the highest on any production motorcycle - you can see why it would be hard to turn this masterpiece down.

THE THRUXTON R Stripped down to its minimum, this machine still performs as its absolute maximum. It’s these qualities that make the Thruxton R the ultimate café racing masterpiece. This beautifully striking & imposing evolution of the iconic Thruxton racer is more refined than ever before with the highest quality finishes & detailing.

It’s no wonder the TFC sold out before the beauty had even been delivered on our showroom floor!

THE SCRAMBLER 1200 (AVAILABLE IN XE & XC MODELS.) 2019 has been the year of the Scrambler 1200 with it seeing its debut earlier in the year, only to create massive waves in the NORRA Mexican 1000 - one of the most dangerous & gruelling races in the world – 3 months later, where Ernie Vigil put both man & machine through its paces. The Scrambler 1200 XC is incredibly well-equipped & the top of the range XE are both designed for unrivalled style & incomparable capability; on the road & off. The first-of-its-kind dual-purpose XC delivers remarkably high performance & even higher specification 1200 XE is built to face even more extreme off-road challenges.

Ready to ride?

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Visit Triumph South Africa today & let us redefine motorcycling for you.

Afterall, we are much more than just motorcycle.

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Mercedes-Benz

AMG GT 4-door Coupé

TECH-LOADED AND A DREAM TO DRIVE, THIS NEW LAUNCH

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FROM MERCEDES PROVES ITS POWER IMPRESSIVELY

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t was only a matter of time before the race between the marques would intensify with a 4-door, 4-seater performance grand tourer, following Porsche’s success with the Panamera.

Mercedes AMG’s response to this segment is the GT 4-door, with other impending models from BMW soon to enter the fray. We recently got to test the Mercedes-Benz AMG GT 4-door in 63 and 53 – here’s what we thought…

The Mercedes GT 4-door draws its design from the Mercedes GT Coupé, although its underlying platform shares

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more with the E63s and possibly the CLS, given its 4-matic core. The powerplant is the now commonly used 4.0 litre biturbo, used in the AMG 63 model variants tweaked up to 470 kW / 900 Nm, propelling the car from 0-100 in a claimed 3.2 seconds.

The power is put down by the upgraded 4-matic+ system, which includes a rear-wheel steering system (standard on the 63 but optional on the 53). The fantastic 9-speed AMG Speedshift transmission helps with seamless gearshifts and maintaining a strong power curve.

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The 53 comes with a new 3.0 litre V6 pushing 320 kW and 520 Nm of torque, which achieves a claimed 0-100 time of 4.5 seconds, making it no slouch in the segment. The engine is the same as that of the recently launched CLS; it uses hybrid tech where an EQ boost (electric motor) is able to deliver an extra 16 kW and 250 Nm of torque. The electric motor is also used to power a compressor, which reduces lag and improves throttle response. The car in the flesh is imposing, taking its lines from the GT 2-door CoupĂŠ but stretched out to over 5 metres and weighing in at 2.1 tonnes. Achieving those performance figures is no mean feat given this bulk.

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The interior is unmistakably plush, and what you’d expect from Mercedes, with quality and trim levels that exude the brand in every way. The enormous screens that dominate the cockpit are easy to work with: the raised centre console is unique to the GT models, with a quirky gear lever that sits low.

The various gizmos and modes are now marked by mini LED screens next to each bottom, clearly emphasising that this car is loaded with technology.

Driving the 63 is the equivalent of treating a caged tiger like a house cat – it constantly begs to be driven hard and tempts the right foot with a growl the whole time, even in comfort modes. Its

poised and surefooted, even in the wet – I know this first-hand as I had tested the car over an extended rainy spell in South Africa. The 53 may seem more sedate but in the sport modes it also holds its own and feels faster than the published performance figures.

Tobias Moers, CEO of Mercedes-AMG GmbH had this to say: "The new AMG GT 4-Door Coupé blends the impressive race track dynamism of our two-door sports car with maximum suitability for everyday use. It has a unique way of embodying our brand core of Driving Performance and, with its systematic configuration, it will attract new customers to Mercedes-AMG”.

Driving the 63 is like trying to treat a caged tiger like a house cat, it constantly begs to be driven hard and tempts the right foot with a growl the whole time

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THE NEW

Jaguar

f-type F-TYPE EVOLVES INTO A PURER, MORE SCULPTED AND ASSERTIVE EXPRESSION OF THE DEFINITIVE JAGUAR SPORTS CAR PRESTIGE: IN THE LAP OF LUXURY

sports car, with purity, proportion and presence that’s unmistakably Jaguar: that was the challenge we set ourselves.

The new F-TYPE is more dramatic than ever, with even greater clarity of purpose in every line, surface and feature, and embodies true Jaguar design DNA. “State-of-the-art technologies together with luxurious materials and finishes deliver beauty with purpose in an interior which will delight driver and passenger alike even before the engine starts and the journey begins.

Jaguar has been making sports cars for more than 70 years, and that rich heritage has inspired the team to create something truly extraordinary.”

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with full manual control using either the SportShift gear selector or the steering wheel-mounted paddles.

The new F-TYPE also offers more driver-focused technology, including a reconfigurable, high-definition, 12.3inch TFT instrument cluster, Touch Pro infotainment system with Apple CarPlay and Android Auto as standard and software-over-the-air functionality so future software updates can be made at the customer’s convenience without having to visit a Retailer. Two superb Meridian sound systems also offer enhanced sound reproduction.

Julian Thomson, Design Director, Jaguar, said: “Design the most beautiful

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he new Jaguar F-TYPE looks more beautiful than ever and embodies Jaguar design DNA in its purest form.

The two-seat sports car offers a perfect balance of performance and driver reward with an even more muscular, assertive design and a cabin defined by rich, luxurious materials and beautiful details.

The range of powerful, responsive engines includes four-, six- and eight-cylinder options, all matched to eight-speed Quickshift transmissions

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F-TYPE’s award-winning design has evolved still further with a focus on even greater purity and discipline to the perfectly-sculpted form. Super-slim pixel LED headlights* with subtly updated signature ‘Calligraphy’ J daytime running lights, and sweeping direction indicators, blend perfectly into the ‘liquid metal’ surfacing of the new clamshell bonnet, exaggerating the car’s visual width and accentuating its assertive stance. The new front bumper and subtly enlarged grille deliver even more visual impact and presence.

The rear haunches enhance the F-TYPE’s inherently dramatic, purposeful form, while the new slender rear lights combine an unmistakable LED chicane signature, inspired by the Jaguar I-PACE all-electric Performance SUV, with subtle monogram pattern detailing and a fine ‘pinstripe’ beneath.

The interior combines traditional Jaguar craftsmanship with rich, contemporary materials such as Windsor Leather and satin-finish Noble Chrome. Beautiful details include monogram stitch patterns in the seats and door trims, Jaguar Leaper motifs in the headrests, and subtle ‘Jaguar Est.1935’ markings on the centre console finisher, glovebox release button surround, and seatbelt guides.

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The 12.3-inch reconfigurable HD TFT instrument cluster offers a choice of different displays, including full map mode but, as befits a true sports car, the default mode is characterised by the large central rev counter. This feature and the gearshift light subtly convey the F-TYPE’s driver-focused character and performance potential.

Even before the drive begins, the F-TYPE delights the driver with the visual theatre of flush, deployable door handles and deployable air vents. Pressing the start button brings the car to life with its hallmark exhaust flare as purposeful as ever.

All engines – 221kW turbocharged four-cylinder, 280kW supercharged V6 and 423kW V8 – feature active exhaust systems, which are switchable either as an option or as standard. Customers who choose the 423kW supercharged V8 benefit from the new Quiet Start function, which ensures a more subtle, refined sound – the electrically-actuated bypass valves in the rear silencer remain closed until they automatically open up under load. If desired, Quiet Start can be over-ridden by selecting Dynamic Mode or by pressing the switchable exhaust button before starting the engine.

The distinctive crackle and pop on

the overrun synonymous with F-TYPE, remains, the sounds meticulously tuned to suit the range of powerful four-,six-, and eight-cylinder engines. Highly efficient, close-coupled particulate filters reduce emissions.

Alan Volkaerts, Vehicle Line Director, Jaguar F-TYPE, said: “The new F-TYPE is the definitive Jaguar sports car and continues to set the benchmark for design purity, driver engagement and reward, and a truly visceral driving experience – it makes every journey extraordinary.

“Its timeless looks are more assertive than ever, technologies such as the high-definition virtual instrument cluster deepen the driver-focused feel of the interior, while the range of powertrains offers a breadth of choice unrivalled in the segment. Enthusiasts will appreciate the new F-TYPE R’s 423kW supercharged V8, enhanced chassis and intelligent all-wheel drive system, which deliver truly outstanding performance in all conditions while retaining its inherent tractability and usability.”

Raising the output of the all-wheel drive F-TYPE R’s supercharged V8 to 423kW and 700Nm (up from 405kW and 680Nm respectively) delivers truly outstanding performance in all weathers and in all conditions, while retaining its inherent tractability and day-to-day usability. Performance is exceptional: the benchmark sprint to 100km/h takes just

3.7 seconds, while maximum speed is an electronically-limited 300km/h.

The F-TYPE R’s increased power is matched to a comprehensively uprated chassis with new, wider, 20inch, 10-spoke wheels in Gloss Black with diamond-turned finish, and new adaptive dampers, springs, anti-roll bars and stiffer rear knuckles and ball joints, delivering even greater agility and responsiveness.

Taking all of the learning accrued from the development of the limitededition, 320km/h Jaguar XE SV Project 8, the Quickshift transmissions in the new F-TYPE R has been meticulously recalibrated for a more engaging driving experience.

The new F-TYPE R specifically offers even faster, crisper gear changes when the driver commands shifts manually via the steering wheel-mounted paddles or the SportShift gear selector. Both upshifts and downshifts are more immediate and give an even more connected and responsive feel.

Customers also have the choice of the exclusive F-TYPE First Edition. Based on the R-Dynamic models, the First Edition is offered for one model year only, and has refinements such as the Exterior Design Pack in contemporary Dorchester Grey and five-spoke, 20-inch wheels in Gloss Technical Grey with contrast Diamond-Turned finish, complementing the choice of Santorini Black, Eiger Grey

or Fuji White paint.

The interior features 12-way Windsor Leather seats in Ebony with Light Oyster stitching, or Mars with Flame Red stitching. Other highlights include the instrument cluster wrapped in Alcantara with Monogram embossing, aluminium gearshift paddles, an Engine Spin centre console finisher with First Edition branding, and an Ebony Suedecloth headliner.

The F-TYPE range will be introduced to sub-Sahara Africa next year and will consist of: F-TYPE R-Dynamic Coupé and Convertible: • 221kW 2.0-litre four-cylinder; Quickshift RWD 280kW 3.0-litre V6; Quickshift; RWD F-TYPE First Edition Coupé and Convertible: • 280kW 3.0-litre V6; Quickshift; AWD F-TYPE R Coupé and Convertible: • 423kW 5.0-litre V8; Quickshift AWD * Pixel LED headlights are exclusively available on the new F-TYPE R

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DEFENDER OVER SEVEN DECADES OF PIONEERING INNOVATION, LAND ROVER HAS BEEN AT THE FOREFRONT OF ALL-TERRAIN CAPABILITY AND ADVENTURE. THE NEW DEFENDER IS FIT FOR THE 21ST CENTURY, USING THE LATEST TECHNOLOGIES TO

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PROVIDE NEW LEVELS OF CONNECTIVITY, CAPABILITY AND CONVENIENCE.

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and Rover’s next-generation Electronic Vehicle Architecture, dubbed EVA 2.0, underpins the digital revolution, supporting Software-Over-The-Air (SOTA) updates that ensure new Defender will get better with age and enabling Land Rover’s fast and intuitive new Pivi Pro infotainment system.

New Defender will be available with a range of powertrains including advanced and efficient Ingenium petrol and diesel engines, all fitted with intelligent Stop/Start technology to minimise emissions.

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At South African launch, diesel power comes from a 177kW D240 engine, with sequential twin turbo technology providing 430Nm of torque to optimise performance and economy. The D240 delivers fuel economy of 7.7 l/100km and CO2 emissions of 204g/km (NEDC equivalent). Acceleration from 0-100km/ h comes in 9.1 seconds.

Petrol power comes from a powerful 3.0-litre P400 featuring mild hybrid electric vehicle (MHEV) technology with 294kW and 550Nm. The in-line six-cylinder Ingenium petrol features a conventional twin-scroll turbocharger and delivers 0-100km/h in 6.1 seconds and fuel consumption as low as 9.9l/100km with CO2 emissions of 226g/km (NEDC equivalent).

Both engines drive through a smooth and responsive eight-speed ZF automatic gearbox and twin-speed transmission, to provide a set of low-range ratios essential for towing or off-road driving when more control is required.

The introduction of increased engine options will follow later in 2020.

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LC 500

COUPE THE STUNNING LEXUS LC 500 CONVERTIBLE MAKES

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ITS GLOBAL DEBUT AT THE 2019 LOS ANGELES AUTO SHOW

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he muchanticipated convertible version of the Lexus LC 500 flagship coupe made its global debut today in Los Angeles.

The LC 500 Convertible will be on display at the 2019 Los Angeles Auto Show, which runs from 18 November to 1 December.

The LC line-up is representative of Lexus’ evolution towards becoming a luxury lifestyle brand, providing

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driving pleasure and excitement to enrich customers’ lifestyles. The new LC 500 Convertible joins the coupe as aspirational halo models for the entire Lexus line-up, providing unique driving experiences that stimulate the senses, and express ultimate beauty.

The exterior of the new LC artfully blends the coupe’s unique roof line with the character of a convertible, achieving beauty with the top open or closed. The interior design considers how details such as the vehicle’s tonneua cover and seating materials become part of the design impression when viewed from the outside.

The new model follows the coupe’s ‘Exhilarating Performance’ driving signature, providing a sense of unity with nature and an exhilarating driving experience that can only be enjoyed with a convertible.

The interior body structure has optimal placement and shape of braces to yield high dynamic performance faithful to the driver’s intentions. And thanks to the car’s robust and sensual sounding V8, the LC 500 Convertible accelerates in a pleasantly linear manner. To further enhance the driving experience, the LC 500 Convertible comes equipped with neck heaters and a transparent wind deflector – supporting the leading comfort and quiet that is Lexus’ DNA. The new LC 500 Convertible is scheduled to go on sale in 2020. The launch and introduction to the South African market is yet to be confirmed.

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WE COMPARE THE LATEST MERCEDES-BENZ GLE WITH ITS PREDECESSOR

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photos by: Stephen Segal

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ercedes-Benz introduced the M Class in 1997 to take on the ever-growing SUV segment. The highly successful ML, proven through its demand, created a base case for evolving the SUV from “modified commercial thinking” to an established vehicle segment of its own.

These days, close to 40% of vehicle sales in a category segment come from SUVs and it’s a hotly contested space.

Mercedes-Benz changed the ML badging to GLE a few years back, in line with creating consistency; the E refers to the E-class family (medium size) and the GL part refers to the SUV. Similarly, there are now GLA, GLC and GLSs for each of the segments. The only badge left intact is the G for the G Wagon, which has legendary status for the brand.

We put the outgoing model and the new one side by side recently to point out some of the most notable differences. It’s actually only when they are alongside one another that you see how the older model has in fact dated against the new one. Mercedes-Benz has perfectly understood that in such a highly-competitive environment, especially with its competitors having introduced new models and raised their game, that the new car had to be impressive in order to attract and retain market share.

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To show that they have brought their A-game, this fourth iteration has been completely redesigned from the ground up. In addition, Mercedes-Benz has thrown in never-been-used-before gadgetry (these innovations used to be reserved for the flagship S-Class), showing that the GLE represents a radical shift in thinking for the brand.

On the outside, the new vehicle is larger than the older model by 105mm, with most of that being within the wheelbase, leading to a much more spacious interior. The new platform boasts a 33% increase in rigidity. But it’s in the suspension that the magic happens – the e-active suspension is capable of managing far more rugged terrain than the previous model. Each spring can be independently managed by the system to handle traction. It even has a ‘rocking’ function to bounce the car out of situations where it may be bogged down in sand.

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Moving to the interior, the cabin is spacious and well thought through.

The new GLE is a far more luxurious offering than anything that came before – everything you see and touch has been reworked, including the front seats, which are firmer and more supportive. The materials used throughout, not least the optional wood and leather trims, are also of a significantly higher quality than the older model, giving it a distinctly more upmarket feel.

The multi-layered dashboard now has its own individual design with rectangular air vents as opposed to the round ‘turbine’ vents used by other recent Mercedes-Benz models. The upper section houses a large hoodless digital panel with two 12.3in high-definition displays; the instruments and infotainment features are controlled

by Mercedes-Benz's latest MBUX operating system with touch screen, and conversational speech and gesture control

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hybrid electrically-boosted gadgetry, allow for better performance while still improving economy. The coasting modes allow for even decoupling during long stints and the camera systems scan the road ahead to detect curves and prepare the vehicle for the turn, significantly improving its handling. Curve inclination control is also available as an option, which emulates a sports car-like lean into corners.

Having spent a lot of time with the new GLE since its international launch in Texas, I have to mention how quiet the car is compared to the outgoing model and its competitors, too.

Did Mercedes-Benz achieve what they set out to do with this vehicle? I think so!

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functions complementing small touchpad controllers within the horizontal spokes of the steering wheel, as well as a larger touchpad unit within the centre console.

New technology comes in the form of an optional head-up display unit boasting 720 x 240-pixel resolution across a screen area of 45cm by 15cm.

Also available is Active Stop and Go assist, a driving function that permits semi-autonomous driving in traffic jams, which is one of many driver assistant programs adopted by the new model. The integrated grab handles also provides a wide divide between the driver and front seat passenger, further adding to the sense of space.

On the road, the tech-packed features in the new GLE, especially with near-

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the end of a

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019 was a year of reckoning for many, and for me a year of betrayals and enlightenment.

I suppose the universe was not just giving me a wake-up call but an actual Braveheartstyle gutting.

I suppose complacency can set in when one is not in tune with oneself.

In this last decade, I have been through several ups and downs – successes and lessons in business.

Friends coming and going, getting married and now, getting divorced, but most of all celebrating the birth of my child, Enzo. It may sound clichéd, but a child changes your perspective on life and, your purpose. When decision-making, you need to consider the impact on a child, especially your own flesh and blood. I struggle to now comprehend how parents can abandon and neglect their own children, and have new-found respect for the personal sacrifices that parents make in the best interest of their children.

On a personal note, when one loves completely one would hope that trust, loyalty and faithfulness is reciprocated. No one person enters a marriage wanting to be a divorce statistic or a victim of a marriage for financial gain. My lesson was that this isn’t something that can be controlled, especially when the basic elements that make a marriage successful are not requited. I keep saying that, when

most vulnerable, the universe steps in to help me, and this time the help came from the strangest places. I am grateful that it did, as it unlocked a whole new perspective on who I am and who I am meant to be, which has given me a new purpose. Given the scale of evidence presented to me, highlighting the extent to which I was betrayed, my resilience and my ability to forgive was severely tested over these last six months.

I see that many people labelled 2019 as “#2019butdidyoudie” – it was that kind of year. I agree, what does not kill you really does make you stronger.

The world – politically, business-wise, environmentally, digitally – seems to be, more than ever, on the precipice of a new order.

Countries and people have never been further apart than we are now.

That ever-widening gap between the haves and the have-nots will result in some sort of uprising… and that will force change.

So, as we enter the new decade – we can now say that we have lived in the ‘20s – hope will always be there, and where desperation creeps in, that hope could turn into prayer or worse, into revolution. I keep saying to my team: certain things need to break completely before they can be fixed.

This year has taught me that that is so true.

Let us hope and pray that the “new” ‘20s are not a repeat of the tumultuous ‘20s of the previous century.

Vivien Natasen

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L A Z Y DAY S I N T H E P U R P L E B L A Z E Celebrating the Jacarandas Each year Four Season Hotel The Westcliffe invites you and your loved ones to celebrate this magnificent city we call home, in true South African style. From our Chefs at View and Flames creating culinary seasonal indulgences inspired by fresh local produce to enjoy with family and friends, to events that celebrate and showcase the best of South African and local artists with our Art on the Hill programs, at Four Seasons Hotel The Westcliff, we ensure that every experience is all about you.

We look forward to celebrating all of life’s special moments with you.

For more information, or to make a reservation, please email reservation.johannesburg@fourseasons.com or (011) 481 6000.

For accommodation, guests are invited to book at www.fourseasons.com/johannesburg/offers

The watercolour images were locally created especially for Four Seasons Hotel The Westcliff to celebrate the season by Anne Hofinghoff from Starlit Design

N 40° 45’ 31’’ W 73° 58’ 43’’.

Boutique Haute Horlogerie BOUT IQ UE HAUTE

H OR LO GERI E

Johannesburg: Hyde Park +27 11 325 4119 Cape Town: V&A Waterfront +27 21 418 1889