Prestige 91 Best of the Best

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of the best

| P RO PE RT Y LUXURY ON THE ATLANTIC SEABOARD • BUBBLY FOR THE HOLIDAYS • DESERT ROAD TRIPPING ITALIAN FASHION AND CARS • IN CONVERSATION WITH CHAD LE CLOS ISSUE 91 – 6/2016

AFRICA’S PREMIER LUXURY LIFESTYLE MAGAZINE

NOBLE BY BIRTHRIGHT. FEROCIOUS BY BLOODLINE.

OPENCO/6194/E

THE FIRST EVER BMW M760Li xDRIVE.

Model M760Li

Max Output 448/5500 - 6500

Max Torque (Nm/rpm) 800/1550 - 5000

Consumption (I/100km) 12.8

CO2 Emissions (g/km) 294

Sheer Driving Pleasure

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CONTENTS

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Upfront Ed’s Letter – Page 8

Inside

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Black is Back – Omega recently revealed its new Seamaster Planet Ocean “Deep Black” collection at Lel Mirror Dor in Northcliff with brand ambassador Chad Le Clos to make the introduction. Chris Buchanan had a chat with SA’s swimming sensation – Page 10 The Midnight Hour – Christophe Claret watches have a natural aesthetic attraction but their biggest secret lies in innovation of complication and craftsmanship – Page 14 Coloured Balloons – Three new collections from Charles Greig Jewellers are centred on hot air balloons and the theme of Take Me Anywhere – Page 18 Inner Piece – Vivien Natasen explores the spiritual essence of Shamballa Jewellery with its founder, Mads Konerup – Page 22 Dress for Success – Dr John Demartini talks about first impressions and looking good brings confidence to you and your client – Page 30 Sound and Vision – Chris Buchanan travels to the nerve centre of Bang & Olufsen in a small town on the Danish North Sea coast – Page 34 Sea Forever – A Stefan Antonidesigned architectural masterpiece and a five-start resort lifestyle in Fresnaye on Cape Town’s Atlantic Seaboard – Page 40 Summer Breeze – Italian and South African fashion combine with an iconic Italian motoring legend and French champagne flair for the annual Prestige summer shoot – Page 44

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Getting Away from it all Enchanted Forest – A luxury lodge set in the dune forest of the Wild Coast transports you into the tranquility of the East with only the birds, insects and the crash of the sea to disturb you – Page 50 On a Straight Desert Highway – The Arabian Desert in the UAE is a two million square kilometre sea of sand, studded by the glittering cities of Dubai and Abu Dhabi. Between them appears to be little else than shifting sand, until you turn off the highway – Page 56 The Danish Girl – Chris Buchanan goes back to see an old friend and, despite a few improvements on the go, she seemed not to have aged at all and in fact looked younger and even more beautiful than he remembered – Page 62 Wear Sunscreen! – Vivien Natasen experiences the best open tops of Mercedes Benz – Page 68

Food and Wine

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Champagne Showers – As we head to the holidays, bubbly becomes the drink of choice as we reunite with family and friends and celebrate another year. Whether it’s a local MCC or something from the region of Champagne, celebrate in Prestige style! – Page 74 Under the Oak – The Macallan presents two new expressions to the SA market, Fine Oak 12 and 18, and brings back a favourite, Fine Oak 15 – Page 82 Treats from the Top Shelf – Patrick Leclezio recommends five fine whiskies for this festive season’s feasting – Page 84 Is Brandy Bouncing Back? – Patrick Leclezio reviews the recent exploits of South Africa’s signature spirit – Page 88 Gone! To the Lady in the Black Dress… – The 2017 Cape Wine Auction is now in its fourth iteration which will hopefully break new records and raise significant proceeds in support of the one thing that drives the wine industry – its people – Page 92 Geni-us in a bottle – Vivien and Carly Natasen sample Deetlefs Wine Estate’s magical potions – Page 96

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Getting Around SLick Lady – Vivien Natasen drives the facelifted Mercedes Benz SL roadster – Page 108 T-RX – The Lexus brand is steeped in its own history, and with our obsession with its Toyota mother brand in South Africa, one is always at pains to ensure that the Lexus brand stands head and shoulders against its German and British rivals – Page 114

By Hand – Andrew Leopold becomes a member of the Bentley lifestyle – Page 118 Shaken and stirred… – Aston Martin unveils the new DB11 in South Africa and Vivien Natasen attended an exclusive client reveal – Page 124

Final Say From the Publisher – Page 128 PRESTIGE: IN THE LAP OF LUXURY

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UPFRONT

Publisher Vivien Natasen +27 11 484 2833

ED'S

Editor Chris Buchanan chris@prestigemag.co.za Deputy publisher/brand ambassador Carly Bailey Natasen carly@prestigemag.co.za

GIVE AND TAKE

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s the sun sets on another year, a brief reflection on 2016 will show a year of the disruptors.

And not simply alternative philosophies that succeed against the norm but ones that do so against the popular stance and send shockwaves through the system.

Europe and the US, under the shadow of migrant and terrorism threats, have both shown to be at the end of liberalist stances and reverting to nationalist politics in a desperate attempt to preserve their traditional ways of life.

So, how then does the world go forward with its increasing globalisation when two major power blocks are adamant in their desire to block the natural phenomenon of societal integration?

I recently visited a winery in Stellenbosch that was a three-way partnership – one South African, two Americans – at a press junket during the year there was a Lebanese journalist married to a Frenchman and one of Denmark’s eminent designers has a Chinese wife who is totally integrated into Danish society.

While Prestige magazine is published out of South Africa and calls itself Africa’s Premier Luxury Lifestyle Publication, the content is global and we speak an international language in a sector that depends on freedom of movement, cross border co-operation and openness to globalisation. Without these fundamental notions there would be little scope to showcase the world of luxury and all for which it stands.

As you read this you are probably on your way to, or have just arrived from

Layout and Art Direction Daniel Jonathan info@danieljonathan.co.za Advertising Sales Carly Bailey Natasen carly@prestigemag.co.za

another country as a citizen of the world. You might be wearing Italian shoes, a Swiss watch, French perfume and using an American tablet to access social media which connects you to friends and family all over the globe.

Such is the life of a global citizen and one that needs to be preserved if our lives continue to be enriched.

Where luxury stands above the rest in a global context is its ability to give back to the communities that surround it and from where the people come who contribute to the making of the products.

As we reflect on the past year it’s worth consideration for those who will never drive the cars, taste the wine, experience the hospitality or wear the fine clothing and jewellery we have the privilege to encounter every day. It’s the season to be giving and it would be worth your while to see what initiatives like the Cape Wine Auction are achieving as they recognise the biggest asset in the making of wine is the people.

Most important is the fact that you don’t have to dedicate all of your time and resources into charitable causes, it’s as simple as reaching into your pocket and parting with some change, as small a gesture as it may seem, that might change the life of someone less fortunate. This is not about politics or nationalism or traditional values or preserving a way of life, it’s about humanity and respect and the acknowledgement of your fellow human being who makes their way in a global society that we hope still exercises compassion.

CHRIS

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Operations and Circulation Eugene Reuben eugene.reuben@neoafrica.com Digital Marc Rudman marc.rudman@neoafrica.com Contributors Keri Harvey, Patrick Leclezio, Andrew Leopold, Vivien and Carly Natasen Printing Paarl Media Kwazulu Natal Subscriptions: To subscribe please go to www.prestigemag.co.za click on the Subscribe tab and submit the form. An invoice with banking details will be sent to you. Your first issue of Prestige will be despatched as soon as payment is made. Costs: 6 Issues = R600 per annum excl VAT, other countries are subject to a postage surcharge and will be calculated accordingly.

Single copies of Prestige can be purchased for a nominal fee of R89.00.

PUBLISHED BY Neo Publishing (Pty) Ltd Tel +27 11 484 2833. Fax +27 11 484 2899 All rights reserved. Opinions expressed in this publication are not necessarily those of the publisher or any of its clients.

Information has been included in good faith and is believed to be correct at the time of going to print. While every effort is made to ensure the accuracy of the information and reports in this magazine, the publisher does not accept any responsibility, whatsoever, for any errors or omissions, or for any effects resulting therefrom. No part of this publication may be used, or reproduced in any form, without the written permission of the publisher. All copyright for material apearing in this magazine belongs to Neo Publishing and/or the individual contributors. © 2014

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is back

OMEGA RECENTLY REVEALED ITS NEW SEAMASTER PLANET OCEAN “DEEP BLACK” COLLECTION AT LEL MIRROR DOR IN NORTHCLIFF WITH BRAND AMBASSADOR CHAD LE CLOS TO MAKE THE INTRODUCTION. CHRIS BUCHANAN HAD A CHAT WITH SA’S SWIMMING SENSATION.

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had Le Clos is not happy with himself. His two silver medals at the Rio Olympics made him South Africa’s most decorated Olympian but left him with the most bitter of pills to swallow – his 4th place in the 200 butterfly of which he was the defending champion. He was just 20 years old when he stunned Michael Phelps and the world to take gold in the race in London in 2012 and he left an impression on all who watched with a humility that defines him as a sportsman.

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Just like opposition rugby teams fear the retribution of a wounded opponent determined to make amends for an underdone performance, so too should Messrs Phelps, Sakai and Kenderesi fear the determination of a young swimmer who has more than just talent in his armoury.

Leaving a legacy is high on Chad’s list of priorities and he believes in revolutionising swimming in a country where so many children grow up wary of water. With the Chad Le Clos Academy, he wants to encourage enjoyment and participation in swimming, at the same time educating kids about water issues and providing opportunities.

His introduction to the Seamaster Planet Ocean “Deep Black” was on the heels of a global roadshow of the collection. The first launch event took place in New York City and travelled to many global locations such as the

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Chad’s strongest support structure is a family who has been poolside throughout his career. He says it provided the grounding and foundation for him to succeed in a sport that gets lonely under the spotlight of scrutiny.

We’re all familiar with his father Bert’s celebration of the achievements in 2012 which brought home the difference between winning and losing when your family is at your side. 2016 had its challenges for the swimmer with both parents fighting health battles, but they came out and fought for their son and their sheer passion and enthusiasm buoyed the moment that he sees as a low point in his short career.

He says it’s hard to see as far ahead as 2020 and he’s focussing on world champs next year to start redeeming himself. Not that I believe he needs to do, but such is the man who sees his greatest rival, Michael Phelps, as his biggest influence and inspiration.

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With the Chad Le Clos Academy, he wants to encourage enjoyment and participation in swimming, at the same time educating kids about water issues and providing opportunities.

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Mexico City Aquarium, the Royal Yacht Club of Barcelona and a setting in Sydney, Australia that overlooked the iconic Sydney Opera House.

The “Deep Black” offers something for everyone, whether it’s on land or at sea. Not only designed as a divers’ timepiece, each watch has also been created for those who appreciate style.

The black ceramic cases are bold and sleek, delivering a dramatic look that instantly stands out. On top of this, the Master Chronometer calibres ensure the highest standard of precision in the Swiss watch industry.

After so much talk and expectation, the time has now come for the “Deep Black” to make its official OMEGA Boutique début. To choose between the red, blue, black or Sedna™ gold model, customers are encouraged to try each one on and get a feel for their favourite.

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the hour CHRISTOPHE CLARET WATCHES HAVE A NATURAL AESTHETIC ATTRACTION BUT THEIR BIGGEST SECRET LIES IN INNOVATION OF COMPLICATION AND CRAFTSMANSHIP.

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graduate of the Geneva Watchmaking School at the tender age of 19, Christophe Claret began his career as an antique watch restorer but soon after realised his true calling as a developer of complex calibers for a number of prestigious clients including Ulysse Nardin, Franck Muller, Jean Dunand and Harry Winston.

But it’s the watches that bear his own name that have defined this watchmaker as a real talent and sought after craftsman of oneof-a-kind creations commissioned by collectors.

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MARGUERITE At the heart of this watchmaking fable, two butterflies flit around a daisy to give the time. The darker tone, symbolising the female is perched on a daisy petal that rotates every hour. The lighter one, embodying the male, sits lightly atop a stem attached to the pistil and indicates the minutes.

In addition to the time indication, the dial presents a second display. One press of the pusher at 2 o’clock makes the numbers disappear to reveal the phrase “Il m’aime passionnément” (He loves me passionately). Releasing the pusher reverts to the hour display.

On the back, the wearer can indulge in the “He loves me, loves me not” game, the simplified version of daisy petals invented in the 18th century. In order to play the watch must be in a horizontal position and given one or two undulating movement s, an oscillating turns for a few seconds and stands still.

The ruby closest to the red lacquered heart provides the response “yes” or “no” in the centre.

These watches are made in different case, dial, hands, crown and strap configurations and each configuration is limited to 30 pieces.

KANTHAROS This is a blend of high horology expertise and high-tech precision. It’s a monopusher chronograph with striking mechanism and constant force device which asserts its own identity codes and reinvents the measurement of short times.

Its cathedral gong audibly chimes with each change of function of the self-winding chronograph.

The cathedral gong, an acknowledged champion in the field of chiming watches, is visible at 10 o’clock and equipped with a patented system that avoids the gongs bumping into each other. Kantharos is also equipped with a constant force device which reduces the watch’s variations in rate considerably – the energy delivered to the escapement remains constant from beginning to end of the power reserve.

Kantharos comes in five variants, all cases from titanium or a combination of white and red gold and titanium, and are a numbered series.

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SOPRANO The Soprano features and musically accurate four-note repeater striking Westminster Quarters on patented cathedral gongs, a sixty second tourbillon, and Charles X style bridges, all visible on the dial-free watch face.

The Soprano pays homage to the roots of the Manufacture which has innovated in striking complications, tourbillons and sapphire components. The four variants come in red gold and brown, white gold and black, white gold and slate blue, and white gold and anthracite and are limited to eight pieces.

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X-TREM-1 Christophe Claret’s X-TREM concept represents a major technical and aesthetic accomplishment - a flying tourbillon inclined at a 30° angle, mounted on a three dimensional curvex titanium mainplate and equipped with a retrograde hours and minutes display system that is radically different from existing watchmaking conventions.

Two tiny hollowed steel spheres, isolated within sapphire tubes are placed to the left and right side of the case and move in a manner with no mechanical connection, thanks to magnetic fields. The hand wound watch daws its energy from two barrels enabling the use of a high energy-consuming display mode without disturbing the rate of the tourbillon and that of the watch.

Six variants of this watch are available in white gold and slate blue titanium, red gold and black titanium, white gold and black titanium, white gold and anthracite titanium, white gold and damassé stainless steel, and red gold and damassé stainless steel and are limited to eight pieces.

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coloured

balloons

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THREE NEW COLLECTIONS FROM CHARLES GREIG JEWELLERS ARE CENTRED ON HOT AIR BALLOONS AND THE THEME OF TAKE ME ANYWHERE.

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tarry Night Midnight Blue consists of round, brilliant cut diamonds set in 18ct white gold in drop earrings, hoops and half hoops.

The Tanzanite collection combines white gold and platinum with tanzanite and diamonds in a selection of rings, pendants, necklaces and earrings.

The Ipanema Earrings are as colourful as the name Ipanema suggests through the combination of turquoise, tourmaline, serpentine, carnelian, jasper, garnet, terracotta, coral, cognac, citrine, hessonite, amethyst, calcite, freshwater pearl and onyx, set in silver gilt, 18ct yellow gold and 9ct rose gold.

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The Tanzanite collection combines white gold and platinum with tanzanite and diamonds in a selection of rings, pendants, necklaces and earrings.

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inner

piece VIVIEN NATASEN EXPLORES THE SPIRITUAL ESSENCE OF SHAMBALLA JEWELLERY WITH ITS FOUNDER, MADS KONERUP

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hatting with Mads Konerup, the founder of Shamballa Jewellery, is like being caught somewhere in the middle of the “Guru” and the “Harold and Kumar” movies, meant as a compliment. With a balanced view of life, he is able to extract ancient Tibetan Buddhist and Hindu philosophies of “being present” or in fact, “just being” which is probably the most appropriate term to apply.

Pretty much all religions and spiritual teachings refer to a mythical land embodying paradise. Whether one considers such a place to be physical or figurative, it represents an ideal that we all desire to find – that inner peace that we seek. Shamballa, when spelt in many different ways, as with most ancient texts, much is lost in translation into modern speak.

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Mads explains that Shamballa Jewellery was born in the mid-90’s when he opened a store with the same name basically selling yoga-inspired and spiritual based goods in the SoHo section of New York. The base product lines start with his bead bracelets with the range now extending to exquisite jewellery into several hundred thousand dollars that include precious metals and gems. When

the earlier fanfare around spiritualism faded around the time of 9/11, Konerup moved back to Copenhagen and focused on developing the brand to where it is now. With a plethora of famous personalities wearing his jewellery to world platform events, Konerup is now a recognised institution. He quipped in the interview that his jewellery is recognised enough that the counterfeiters copy them

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now, with several fakes floating around.

With me being of Indian descent, I am always intrigued with the sporadic waves of global attention on Indian and Buddhist spiritualism and values, even when the Indian people themselves lose sight of these teachings. We got into quite an intensive discussion around the effect of crystals, precious metals and gems included, on energy balancing.

In fact, as I brought up the things that I relate to, despite not being extremely religious, though I draw upon the values of religions across the world that I can relate to, it was evident to me Konerup was on similar wavelengths, drawing much inspiration from similar values.

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Konerup quipped in the interview that his jewellery is recognised enough that the counterfeiters copy them now, with several fakes floating around.

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Somehow, there is an awkward inner sentiment that the world is heading down a path of all the futurist movies – you know, the ones where a select few rule the ignorant rest, you know those movies and I will bet it sounds familiar to you. So, how about an awakening… we all have that inner voice saying to us that we should do something to change the world and I don’t thing that any one of us wants to be irrelevant.

Talisman Jewellery is again making a comeback for various reasons, one is that people are seeking out tools

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www.shamballajewels.com

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such as meditation to get away from the pervasiveness of technology and social media. Recent studies show that the average urban social media junkie looks at their phone screens at least 1000 times a day. Looking around at the people in restaurants, public transport etc, this is not unlikely. Also given the radio frequencies emitted from technology such as wi-fi, bluetooth, cell phone signals etc, our bodies (including chakras are taking a beating). Further, there a lot of negative energies around us caused by toxic people who are not present, in the forms of jealousy, hatred and so on. So talisman jewellery has a place for spiritual alignment.

One of the most striking pieces in the latest Shamballa collection is the amulet of the dancing Nataraja. This extremely religious symbol represents being present through the medium of music as one has to be truly in the moment to enjoy what the music has to offer.

I suppose there is an argument against commercialising religious symbols and artefacts however, this is not a new phenomenon in the history of the world, as if a person can make an honest living without denigrating another culture or bringing it into disrepute, who are we to judge that.

Shamballa is on its own path, as each and every one of us are. If one can find piece, solace and direction in a piece of jewellery then so be it. For where the world is today, it appears we as humanity need all the help we can get!

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EARMARKED AS A PINNACLE ON THE SOUTH AFRICAN SOCIAL CALENDAR, THE SA STYLE AWARDS ARE SO

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MUCH MORE THAN A CELEBRATION OF FASHION.

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tyle enters our world on so many levels yet it’s always considered a measure of sartorial sentiment. But, according the organisers of the SA Style Awards, it’s an identification of innate individual style, fashioned in to a source of inspiration for the youth; through exemplary personalities in an echelon of their own, across an array of industries.

It is dedicated to finding and celebrating South Africa’s trendsetters, who create a benchmark for excellence in their specific career paths. These awards are not best dressed or fashion awards, more about individuals who act as a source of inspiration guide for young people to realise that through hard work and determination, they too are able to fulfil their dreams. Identifying these individuals is an arduous process, and Founder and Publicist, Jillian Grogor has put together a prestigious panel of judges to skilfully make these selections.

Style – all who have it share one thing: originality Style is a way to say who you are, without having to speak.

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SA STYLE AWARDS WINNERS: 1. Most Innovative Style Manthe Ribane 2. Most Stylish Media Personality Azania Mosaka 3. Most Stylish Designer Interior or Fashion - Laduma Ngxokolo 4. Most Stylish Model - Jordan van der Vyver 5. The Most Stylish Business Personality - Vicky Crease 6. Most Stylish Couple - Petite Noir (Yannick Ilunga) & Drone Goddess (Rharha Nembhard) 7. Most Stylish Performing Artist in Film or TV - Nomzamo Mbatha 8. Most Stylish Performing Artist in Music - Ricky Rick 9. Most Stylish SA Icon - Gisele Wertheim Aymes 10. The Arts & Philanthropic Icon Award - Carolyn Steyn 11. The Next Big Thing - Ayanda Nhlapo, Taryn Louch

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BUSINESS

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dress for

success THERE WAS A MECHANICAL ENGINEER IN

JOHANNESBURG, RICHARD PEARCE, WHO PRACTICED

20 YEARS AGO AND THE FIRST THING HE BOUGHT AFTER GRADUATING WAS A PORSCHE. HE SAID THE FIRST IMPRESSION THE PORSCHE ESTABLISHED WITH POTENTIAL CLIENTS WAS ONE OF SUCCESS. CLOTHING DOES THE SAME THING AND, AS DR JOHN DEMARTINI EXPLAINS, FIRST IMPRESSIONS LAST…

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As I passed through my next four years of advanced professional schooling and attained my doctorate degree, I wore the best quality clothes and suits I could then afford. This decision and action further impacted the way I viewed myself and how others, including peers and patients viewed me too. I think I was the only student that wore a tie or a suit every day. I did not want to wait until the end of my professional training to dress like a professional. I wanted to prepare my mind along the way for the new role and fully own it. I wanted to exemplify the position from the beginning, which attracted many clinical opportunities to me, that others missed out on.

When I graduated with honours, became licensed and opened up my first practice, I chose to attend a Robert Pante´ Salon on professional image for achieving even greater success.

I learned a lot from Robert. He transformed the outer appearances and the inner self-images of the attendees to match their desired outcomes in life and I watched their achievements emerge within the months that followed, including my own. Our personal presentations impacted our outcomes and incomes.

At Robert’s suggestion I threw

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hen I was 23 years old and had just completed my degree and was about to enter professional school, I acquired a part-time job at a national department store in the men’s clothing department.

Before that time men’s fashion and suits were not exactly my thing, but the job opportunity was conveniently located and I was required to purchase and wear one of the suits and outfits I was selling.

The moment I put on the new suit and clothes I noticed a change in my behaviour, and the way other people responded to me. I found myself being more mature and professional in my behavior and I was in turn, treated with more intrigue and respect.

Because I was upgrading my image on the outside, it assisted me and other perceive my upgrade on the inside. It was quite remarkable – there was a distinct difference in the immediate responses I received. Until that time, I had little understanding about how a simple selection of clothes could impact a person’s life.

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out any clothing items that did not make me feel like a higher achieving professional. It was a liberating experience. Although I had fewer clothes, I had those that catalysed a different and more empowered me, and evoked a different and more inspiring response from others. I then hired a personal shopper to assist me in purchasing a higher standard and quality of clothes that matched my life mission, vision and long-term brand and intention. I could immediately tell the difference in the quality, fit and styling. It was remarkable and

inspiring to see, feel and receive the benefits of this difference. It was not an expense to me. It was an investment in my future.

It wasn’t long before I received an opportunity to have my first TV show, some great new publicity, an expansion in my practice volume and a different response from my patients, peers as well as social and professional networks. There was no way I was not going to take advantage of the power of the new look and feel. It was another simple key to the advancement and progression of my professional life and

Because I was upgrading my image on the outside, it assisted me and other perceive my upgrade on the inside. It was quite remarkable – there was a distinct difference in the immediate responses I received.

dreams.

Although there are seven areas of life we are able and desire to master and each serves and empowers us further along our life journey, quality clothes certainly impact our opportunities and achievements along the way.

Since that first encounter with that new department store suit and the many clothes investments since, I have made it part of my brand to dress well and to inspire others to live well and do the same.

When you are considering you next purchase of clothing, consider quality selections more than quantity purchases. A few masterpieces that awaken your “wow”, your uniqueness and your feelings of an elevated standard will rub off on your overall achievements and fulfillment in life.

Founder of the Demartini Institute, International best-selling author, educator and consultant

www.dr.demartini.com

Presented by Dr John Demartini: Human Behavioural Specialist, Educator, Author and Business Consultant

WORKSHOP

MASTER PLANNING FOR LIFE

Those Who Fail To Plan, Plan To Fail!

Monday - Wednesday 6 - 8 March 2017 Venue: Sandton Convention Centre, Johannesburg Time: 08h00 - 19h00 Daily For information on prices and group specials contact The Demartini institute: Info@DrDemartini.co.za or Call: 011 011 9093

Only 3% of the world’s population take the time to plan and 97% of the world’s wealth is in the hands of those who take the time to set their goals and MASTER PLAN their lives the way they want it. Through planning you get to create a fulfilled life, one filled with greater satisfaction and accomplishment. By not planning you remain in a vulnerable world of stressful reaction. Perhaps you’ve always meant to sit down and plan your life, but never got around to doing it. Or maybe you just don’t know where to begin. Now there is help. Master Planning for Life gives you the time, direction, guidance and incentive to develop the life you’ve dreamed of. You will walk away from this 3-day intensive workshop with your own inspiring business, financial, relationship, health, spiritual and mental success plan: Once you have completed this amazing program you will have your very own Master Planning for Life Volume that you can continue to develop and refine for the rest of your life. Give yourself permission to be extraordinary.

Take the time to define how you would love your life to be!

www.DrDemartini.com

w w w.aegirper formanceyachts.co.za | info@aegirper formanceyachts.co.za frederic@neoaegir.co.za +27 (0)21 554 1743 | john: 072 683 2660 | frederic: 072 244 1982 Head office: Cape Town – South Africa | Service points: France & Italy

Authorised Dealer

sound and vision FEATURE

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FROM A BARN ON A FARM IN A SMALL VILLAGE ON DENMARK’S NORTHERN REACHES, TO THE BENCHMARK IN HIGHEND LUXURY AUDIO AND HOME AUTOMATION, BANG & OLUFSEN IS NOT ONLY ABOUT ICONIC DESIGN STATUS, IT’S ABOUT PEOPLE AND CRAFTSMANSHIP AND A DEVELOPMENT PROCESS SO DETAILED, WHEN YOU PURCHASE A PRODUCT, YOU DO SO FOR LIFE. CHRIS BUCHANAN PAID A VISIT TO THE HEADQUARTERS IN STRUER, DENMARK.

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’ve mentioned before how a Bang & Olufsen BeoSystem 1200, belonging to cashed up friends of my folks, captivated me as a young boy and the overriding thing that made it stand out above the Pioneer system we owned was the innovation and beauty in the design. Jacob Jensen’s design was something to behold and the evolution of the BeoSystem saw sleek brushed aluminium concealing the working parts and controls to become a sculpture on a shelf and a design focal point. After

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Jacob Jensen retired David Lewis Design Studio was the company that took over and continues to do the majority of the product design for B&O who have always outsourced the design in consultation with their internal team. Torsten Valeur now heads the studio, an architect by profession who spent his years after graduating making fireworks for the Tivoli Garden in Copenhagen. His first design for B&O was the iconic curved BeoCom 2 telephone handset.

The relationship between engineers and designers has always been one of tension in a professional team, be it in acoustics or architecture. Engineers will accuse designers of impractical whim, while designers will accuse engineers of inflexibility and a lack of understanding of aesthetics. Geoff Martin is B&O’s Tonmeister and sound design specialist while Kresten Krab-Bjerre represents the designers as senior manager of sound concepts.

As Geoff explains, the process of making a loudspeaker usually starts with Kresten and the sound concept guys and designers who will then approach the acoustics guys and say, we need this to be a loudspeaker. It’s then up to the acoustic engineers to put the speaker components into the design ensuring acoustic integrity. Geoff says there are a number of considerations

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including enough volume of air behind the speakers and, if there are more than two speakers, that they are kept apart.

He says speakers are like children, they need to be separated, otherwise one of them is going to win.

The Cube is a specialist room at the The Farm, the headquarters of B&O, measuring 12mx12mx13m where the performance of the loudspeaker is measured and adjusted, electronically, to create the desired frequency responses and acoustic effect for the positioning of the product in the market. This is where it will ‘grow-up’ and become the prototype for the final product. It is then tweaked in listening rooms that are set up to most closely resemble the average living area, with its reflective surfaces, absorbent surfaces, bookshelves, pictures, windows and furniture. Once Geoff is happy with the loudspeaker’s performance in a typical environment, with all of the electronics, referred to as the ‘brain’, built into the unit, it’s ready for production.

But the latest and most ambitious of B&O’s loudspeakers to date, the BeoLab 90, was a little different. When you listen to music in your home, unless you’re sitting as though your head was in a clamp, perfectly positioned in the centre of the stereo sound, 80% of what you hear is actually the room reflecting

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Geoff says speakers are like children, they need to be separated, otherwise one of them is going to win.

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90 refers to the 90 years B&O had been in existence in 2015 when they were released to the market after three years of development, and do a Google search and you’ll find only sensational reviews from specialist publications raving about the performance of this loudspeaker.

Most of Bang & Olufsen’s development today is loudspeakers, either large units in the BeoLab range or the portable speakers in the BeoPlay range, including headphones. A few years ago there was development in sound sources such as turntables, tape players and CD players, but in this century it’s all MP3 and Bluetooth.

The company also develops high-end acoustics for luxury car manufacturers Aston Martin, Audi, BMW and Mercedes Benz and produces televisions that form the foundation of the BeoLink system with superior visual processors on top of LG screen technology.

While you might think BeoLink is a system to integrate your audio and video devices through the home, think again. Since the early eighties B&O has been developing BeoLink as a home automation system and today, if anything can be remotely controlled in your home, it can be linked to the system and controlled via the BeoVision TV and even remotely from the App, no matter the manufacturer of the appliance or system.

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the sound at you. The problem is that reflected sound gets to your ear later than direct sound, creating conflict in sound waves which either cancel each other out or multiply the effect. Geoff says with the BeoLab 90 they wanted to have the loudspeaker analyse the room and dampen the sound directed at reflective surfaces, much like noise cancelling headphones, to highlight the direct sound from the loudspeaker. This meant a total of 18 drivers – tweeters, mid-range and woofers – placed in specific volume boxes, pointing in specific directions, including an active amplifier for each driver, as well as the sophisticated processor. It was the engineers who could now set the challenge for the designers.

German based designers Frackenpohl Poulheim used the concept of hyperbolic paraboloids made from polished aluminium frames and acoustic material, to envelop the huge aluminium base cabinet on a curved, laminated wood plinth. They’re beautiful to behold but they’re enormous and are set up to measure and respond to the room from one location – these babies weigh 130kg and stand 1.25 metres – but the good news is that settings allow for specialist listening, group listening and general party listening, and they pump out 8 200 watts of power! The name BeoLab

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These babies weight 130kg and stand 1.25 metres – but the good news is that settings allow for specialist listening, group listening and general party listening, and they pump out 8 200 watts of power!

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Chris Buchanan was the guest of Bang and Olufsen in Struer and Copenhagen.

If you visit that part of the world you need to stay at Hotel Norre Vosborg – a restored manor house with a new contemporary design reflecting the old horse stables and large tranquil gardens in the countryside

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You can even plug in Alexa from Amazon or Apple’s Siri to accept voice activation commands.

And then we visited “The Torture Chamber”, a facility in a basement where mechanical engineer Peter Loff tries to break things. At the time we were there he was putting a R400 000 television set through its paces by freezing it at -20C and then heating it to 50C to see if condensation and temperature fluctuation affected performance. He’ll drop a set of headphones from chest height 100 times, and if something breaks engineers must fix it to prevent the problem. So too with packaging that’s dropped from a height onto the corner of the box, with the component inside, to see if you’ll still get a working TV if the shipping company drops it overboard.

The Farm in Struer is the centre of development, and head office of B&O, as well as the aluminium, processing and anodising plant. Ib Kongstad has been the senior technology specialist in anodising for many years and has mastered the craft of creating colour through the anodising process, a first, and refuses to retire until he’s mastered the challenge of a white anodised aluminium component. He says he’s close, and he says it with a broad smile on his face as if to say he will soon rest in retirement. Assembly of all B&O products takes place at a plant in the Czech Republic.

The Olufsen legacy still lives on in Struer and the old farm Quistrup Manor is occupied by Susanne Olufsen, the wife of founder Sven Olufen’s nephew. Her personal anecdotes of life through the years are testament to the legacy of a company that took HiFi to another dimension in the old days of gramophones and integrated sound systems, and continues to stand apart in terms of the quality and design of modern audio and video systems.

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A STEFAN ANTONIDESIGNED ARCHITECTURAL MASTERPIECE AND A FIVE-START RESORT LIFESTYLE IN FRESNAYE ON CAPE TOWN’S ATLANTIC SEABOARD.

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he home is set on a rare plot of 1479sqm with a level garden, very sought-after given that most plots are well below 900sqm and often stepped.

The four-bedroomed villa offers absolute luxury and fabulous sea views boasting double volume, spacious and open plan living areas with magnificent sea views throughout.

Finishes include state-of-the-art home automation, Gaggenau & Miele appliances, fireplaces and extras include a study, fitness centre, wet bar, sauna & tub and a swimming pool.

This Hollywood-style home is like living in your own exclusive boutique hotel with everything on hand, modern and automated.

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Fresnaye is one the top ten suburbs in the country and is located on Cape Town’s sought-after Atlantic Seaboard, now regarded as the premier real estate strip in the country.

According to the latest Lightstone data, the suburb boasts and average freehold sales price of R9.6m, but prices can range from well above R20m to as much as R150m.

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The Atlantic Seaboard is not just a sought-after residential area, but second home and investment area as well. It is also very popular for short- and long-term rentals with rates easily reaching R75,000 to R100,000 per month and even more for a top end home (based on a longterm rental).

Seeff’s Atlantic Seaboard agent Lance Cohen is the person to contact on 082 416 6103/021 434 9175, and tell him Chris Buchanan sent you – he might have a fond memory or two…..we schooled together.

As for the price, you’ll have to speak with him but the approximate asking price is R150m.

This Hollywood-style home is like living in your own exclusive boutique hotel with everything on hand, modern and automated.

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FASHION

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summer

BREEZE ITALIAN AND SOUTH AFRICAN FASHION COMBINE WITH AN ICONIC ITALIAN MOTORING LEGEND AND FRENCH CHAMPAGNE FLAIR FOR THE ANNUAL PRESTIGE SUMMER SHOOT.

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e paired the finest local gentlemen’s suits from Roi Kaskara with the sophisticated women’s collection of Luisa Spagnoli against the racy lines of the Ferrari 488 Spider in a summer setting on the villa lawns, with a touch of romance from Veuve Clicquot.

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Brands: Luisa Spagnoli

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Photographer: Richard Cook Location: Location Masters film location agency Models: Adré Müller, Gerjo Oosthuizen Hair and make-up: Hannes Greyling

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enchanted

forest A LUXURY LODGE SET IN THE DUNE FOREST OF THE WILD COAST

TRANSPORTS YOU INTO TRANQUILLITY OF THE EAST WITH ONLY

THE BIRDS, INSECTS AND THE CRASH OF THE SEA TO DISTURB YOU. CHRIS BUCHANAN SPENT A FEW DAYS IN THIS COASTAL PARADISE. PRESTIGE: IN THE LAP OF LUXURY

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intsa, or Chistsa as it’s now been renamed, is East London’s Hout Bay. It lies 25km north of East London and the residents preserve a fierce independence from their big city although they rely on its infrastructure to keep their existence. The Chintsa river divides it into Chintsa East and Chintsa West, the east side stretching north on a long arc of Wild Coast beach below forested coastal dunes.

Tim and Gail Davidson spent holidays here with their family from Johannesburg and decided to do what none of them had ever done before being business people in the big smoke, build a lodge into their forest and become hoteliers. Tim set up a workshop and, influenced by travel into South East Asia, designed seven private suites and a public area, taking the unobtrusive aesthetic of buildings in Thailand and knitting them into the dense forest to create Prana Lodge.

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the bush. Architecture is wide triangular trusses, set low with great volume indoors and the ability to open to the outside when the weather allows or close when the rain comes. All the wood, trusses, parquet floors, window and door frames and trimmings were manufactured in Tim’s workshop and he built the entire lodge.

The lodge sits landward of the dunes, sheltered from a robust south-easter that blows in the summer – until recently. An eighth suite, Diamond Villa (all the suites are named after gemstones), was built on the highest point on the land, atop the dune with views of the sea to the east and the connection with the forest

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I can immediately hear the environmentalists cussing at the thought of disturbing these delicate ecosystems but the Davidsons are not ruthless developers out to make a buck, they’ve been coming here for years and they care for the dunes far more than a bleeding heart who protests from an internet connection in an office.

Pathways meander through the growth, keeping the environment close with intrigue around every corner, the only sounds of birds and insects as you walk. Villas are placed into the forest with minimal impact and clearing, so you’re always under the canopy and completely isolated by the density of

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Dining takes place either outside with the tranquil garden and the forest as your companions, or inside the Balinese style dining room, intimate but spacious with high volume creating more space.

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to the west. This was my digs for two days, time spent in the huge main living area overlooking the beach and ocean, on the verandah to smell the sea air and in the separate lounge area beside the pool and outdoor shower to watch our cricketers come from behind and frighten the Baggy Greens.

The food I would say is some of the best you’ll find in the entire East London area and concentrates on small portions packed with ingredients sourced in the Chintsa enclave. Dining takes place either outside with the tranquil garden and the forest as your companions, or inside the Balinese style dining room, intimate but spacious with high volume creating more space.

Gail and her daughter Megan run the lodge and another recent addition is the Wellness Spa which is unique with its private outside showers and treatment rooms that seem almost naturally placed within the dune forest. Their approach has always been to use local people from the Chintsa area as staff in a programme of upliftment which has paid off and, as I said earlier, they had no experience when they opened doors in 2010, but the operations and professional attitudes of all staff indicate far more experience in hospitality. Prana Lodge is a worldclass luxury destination, enveloping you in a world that seems cocooned from the madness outside and surrounded by the

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Algy Kietsman’s – a local golf pro and friend. They laid out the course using a 4x4 and clearing the bush on almost impossible gradients and have created a course that local golf scribes describe as fantastic and that would turn a few heads among the recent Gauteng top courses.

They’ve now started selling stands in phase one which is adjacent to the

course and the only phase, unlike the Johannesburg developments, that will be situated on the course alongside one hole. Tim wants people to show genuine interest in developing primary residences on the estate so his initial offer is R500 000 for a 1000m2 stand and architecture in terms of materials and aesthetic will be controlled to keep uniformity. The 600m2 show house

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sanctuary of the trees.

But while Gail and Megan ensure your comfort at the lodge, Tim has been busy on the other side of the river transforming the undulating hills into Olivewood Private Estate and Gold Club.

The golf course was first to go in, and when asked if they acquired a signature from an international designer, Tim’s answer was the signatures are his and

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still under construction, is a magnificent building with the environment catered for from foundation up and which makes use of water collection in tanks, solar panels and a minimal impact on the existing ecosystem. The eventual multiphase development will offer different densities in terms of housing with the emphasis on quality of life, security and using the investment as a store of wealth. 200 work opportunities have been created through Olivewood from the local community in Chintsa and a lot more will surely be added as the phases gain momentum.

Chintsa also has its own craft brewery in the Emerald Val Brewing Company.

Chris Heaton began brewing his own kit beer but then took over the family farm in the area and scaled things up to now produce a pale ale, a gold ale, an amber ale and a dark ale. The beer is some of best craft we produce in SA and the food is reasonable with huge helpings to soak up the alcohol.

East London is not atop the list of desirable locations for Joburgers, but the luxury offerings in this small enclave to the north of the city are giving more reason to explore the destination and the uniqueness of this piece of Wild Coast.

www.pranalodge.co.za www.olivewoodestate.co.za www.emeraldvalebrewery.co.za

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on a straight DESERT HIGHWAY

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by: keri harvey pictures: keri harvey and supplied

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THE ARABIAN DESERT IN THE UAE IS A TWO MILLION SQUARE KILOMETRE SEA OF SAND, STUDDED BY THE GLITTERING CITIES OF DUBAI AND ABU DHABI. BETWEEN THEM APPEARS TO BE LITTLE ELSE THAN SHIFTING SAND, UNTIL YOU TURN OFF THE HIGHWAY.

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ubai is where the sand is red, claim traditional nomadic Bedouins.

They traversed the vast Arabian Desert navigating by the sun and stars – and the colour of the sand. Today, we’re using a GPS, though the sand in Dubai is still red. In this city of ‘est’ we’ve been up the world’s highest building, ridden the longest metro, shopped in the biggest mall and now we’re heading across the emirate of Dubai to Abu Dhabi on an immaculate highway crossing an ocean of sand. It is here in the deep desert that you’ll find the soul of Arabia, rare Bedouin art, falcons, salukis and rare wildlife. It’s an enticing offering that can also be enjoyed in luxury and splendour.

A 40-minute drive from Dubai city and you’re in the 225km² Dubai Desert Conservation Reserve - the first conservation area to be proclaimed in the United Arab Emirates. It was set aside specifically to conserve the rare Arabian oryx – ‘al maha’ in Arabic - which came dangerously close to extinction. As we drive into the reserve, a white line atop a sand dune in the distance is actually a herd of Arabian oryx, which is an enchanting welcome to the desert.

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There’s only one eco tourism lodge in the vast reserve – called Al Maha – which affords visitors the chance to see the endangered Arabian oryx, sand gazelle and other unique desert wildlife, while enjoying luxury accommodation that also showcases the Bedouin traditions of the area. Al Maha houses the biggest collection of Bedouin art and antiquities on the Arabian Peninsula. Over 2 000 historic and rare pieces of art, weaponry and other artefacts adorn the main lodge area, as well as the opulent Bedouin-inspired suites with tented ceilings. Each suite also has its own private plunge pool overlooking the desertscape, all the way to the blue hued Hajar mountains in the distance.

To the trained eye, the desert is full of life. While the fine-stoned gravel plains strewn with fossilised coral in parts of this area offer proof that this desert once lay beneath the ocean, now it’s a place for those well adapted to living in very hot conditions. The dhab lizard is one such creature and doesn’t drink a drop of water in its entire life, and is only seen when temperatures top 37°C. Proclaimed in the late 1990s and aggressively rehabilitated, the Dubai Desert Conservation Reserve is home to 38 mammal and reptile species native to the Arabian Peninsula. These include: Arabian hare, sand fox, Arabian red fox, Gordon’s wild cat, Arabian mountain gazelle and sand gazelle. It’s also home to the national tree of the UAE: the ghaf tree,

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which has roots tapping ground water at 30m.

A big reason guests visit Al Maha is for the ice white Arabian oryx and the decadence of the lodge with the same name. Similar to a small, white gemsbok, this oryx was on the brink of extinction in the late seventies; now there are about 350 living happily on the reserve. A slow drive through the dunes, guided by ranger Katherine Bacher, feels other worldly.

Endless sand in all directions, yet wildlife lives here. It’s not long before we see Arabian gazelle browsing on firebushes and then iconic Arabian oryx standing in the crest of a dune.

Back at Al Maha, built to resemble an opulent Bedouin encampment, guest activities also reflect the Bedouin traditions. Falconry displays and camel treks are offered, along with archery, horse-riding and desert excursions on foot or by 4x4 – all led by highly trained eco guides. Relaxing in-suite and watching rare wildlife walk past is just as appealing when the sun is high and hot.

Next morning we’re up early to drive a little further down the ribboning desert highway. Our destination is the fantastical Qasr al Sarab Desert Resort by Anantara, in the Empty Quarter of Abu Dhabi Emirate. En route we’re stopping in at the Emirates National Auto Museum, affectionately known as ‘the Rainbow Sheikh’s car museum’. It’s the private collection of Sheikh Hamdan. In all, there are 223 vehicles inside and 10 outside, along with a jumbo jet parked in deep sand behind the museum, plus a giant Jeep where the steering wheel is literally man sized, and a Mercedes on monstertruck wheels at the entrance. It’s a theme park for boys and men.

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Each suite also has its own private plunge pool overlooking the desertscape, all the way to the blue hued Hajar mountains in the distance.

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Back on the highway, where the speed limit of 120km/hour feels like crawling on the wide desert highway, we’re headed to the Liwa Oases in the vast Empty Quarter.

We turn off the highway about 200km from Abu Dhabi and head directly into the dunes which roll out voluptuously on either side of the road. This is a road trip par excellence for lovers of endless space.

The vastness and surreal beauty have us wide eyed as we drive and there’s no difficulty in believing that this is the largest uninterrupted sand sea on earth.

Through the entrance gate, Qasr Al Sarab Desert Resort by Anantara rises from the sand to resemble a majestic Kasbah city. It stands impressively, even in the vastness of the landscape. What lies within its wall is palatial luxury on a grand scale. Suites are magnificent, private and with endless desert views. Chauffeured golf carts transport you wherever you need to go in silence, be it to the spa or dinner in various enchanting locations - Bedouin tented restaurant surrounded by desert, or a decadent dinner around the pool. By day there are traditional desert-related activities to enjoy, or do nothing at all and laze alongside the pool. The Royal Pavilion

collection of private villas each has their own pool and epitomise bespoke luxury.

As the late afternoon light dances across the dunes and colours them in honey hues, we head deeper into the desert to watch falcons and salukis in action. Falcons are the traditional hunting partners for the Bedouin and their speed and agility are breathtaking. Saluki dogs are the equivalent on land, the whippets of the Arab world with hunting instincts, and the oldest known breed of domesticated dog. Both creatures are deeply revered by the Bedouin.

From Qasr Al Sarab we retrace the road back to the highway, passing camel farms en route. The animals walk in single file across the sand, seemingly on their way somewhere or nowhere. Our direction is to Jebel Dhanna and then on to the desert island of Sir Bani Yas, one of over 200 islands off the coast of Abu Dhabi. Our vehicle remains on the mainland as we transfer to the island by boat. We make the last boat transfer for the day before high winds whip up the Gulf waters.

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happening since 1971 and trees and grass are still irrigated with desalinated water.

There are Arabian oryx, mountain gazelle and sand gazelle here, living alongside black buck from India, reticulated giraffe from Kenya and Barbary sheep from Morocco, not forgetting cheetah too.

It’s an unusual conservation project to create a ‘united nations’ of wildlife on a desert island, but it does offer a unique opportunity for local Emerati people to see African wildlife. Possibly more unexpected is a Christian monastery site on the island dated to 600AD, which

was only discovered in 2001. It’s open to the public, to demonstrate respect and tolerance for other world religions.

A return boat transfer and a long drive through sand and past oil fields gets us into Abu Dhabi city by evening. It has been an auspicious road trip with unusual attractions and through an ever-changing landscape of undulating sand. The Arabian Desert is an open air theatre of light. And seeing its changing colours was enough reason to do the trip. Rare Bedouin artefacts, seeing salukis and falcons in action, and being privy to the Rainbow Sheikh’s incredible car collection, not forgetting viewing endangered and exotic wildlife on desert islands in the Arabian Sea all makes for a bucket list road trip, although we didn’t know this when we started.

Fine accommodation: Al Maha - www.luxurycollection.com/ almaha Qasr Al Sarab Desert Resort by Anantara in The Empty Quarter; Desert Islands Resort and Spa by Anantara on Sir Bani Yas island – Tel: +971 2 656 1177; email: crome@anantara.com; see: www. anantara.com

For general information see www.dubaitourism.ae; email: dtcm_sa@dubaitourism.ae Abu Dhabi Tourism & Culture Authority – see www.tcaabudhabi.ae and www.visitabudhabi.ae PRESTIGE: IN THE LAP OF LUXURY

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Other information:

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Jumeirah at Etihad Towers – also has Abu Dhabi’s highest vantage point – the Observation Deck at 300 – on floor 74 – Tel: +971 2 811 5555; email: reservations@jumeirah. com or see www.jumeirah.com

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THE

danish girl

CHRIS BUCHANAN WENT BACK TO SEE AN OLD FRIEND AND, DESPITE A FEW IMPROVEMENTS ON THE GO, SHE SEEMED NOT TO HAVE AGED AT ALL AND IN FACT LOOKED YOUNGER AND EVEN MORE BEAUTIFUL THAN HE REMEMBERED.

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ou cannot choose the weather when you visit a foreign city, neither can you choose whether they decide to renovate the place when you’re there. So revisiting Copenhagen, while laced with anticipation, was dampened by weather most foul and the expansion of the metro system with the City Circle Line (Cityringen) which will add 17 stations and eventually replace the inner city bus services to reduce congestion. A lot of the city will be a construction site for another three years but don’t let that deter you because this is a magical place filled with fantastic people whose blood runs thick with their Viking ancestry.

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It was 12 years since I had last walked the streets of this ancient fishing village that had become a cultural flag bearer for design and architecture and one of the finest examples of how people interact with and use their city. Much had changed and then so much stayed the same, particularly the inner city precinct stretching from Nyhavn to the Tivoli Garden. The green copper spires and towers still dominate this skyline of human scale devoid of any intrusion by modern commercial interests to put people in tall buildings. While medieval in its origin, the 17th and 18th century aesthetic dominates Copenhagen, from the townhouses that line the restored harbour at Nyhavn and along the canals of Christianshavn to the stone institutional structures, palaces and churches that stand over generous open squares.

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There were a number of additions to the architectural and urban design landscape I wanted to see for the first time, as well as visiting a favourite district that had changed face since the relocation of the Malmo ferry terminal.

It’s fair to say that Denmark is far more relaxed as far as the purchase and consumption of liquor than its Scandinavian neighbour Sweden. Some years ago Swedish liquor merchants required you to stand behind a counter and have the shop assistant serve you rather than choose it yourself from the shelf. So, many Swedes would catch ferries to Copenhagen from Malmo and recharge their crates of empties at bottle shops that lined the wharf on Havengade, without the humiliation of being told by a shop keeper that you’re buying too much. There were also many basement pubs along the wharf that did a fair trade when the ferries docked and crates were replenished and thirsty Swedes were waiting for their boat to depart. They were smokey and dark places filled with conversation and Scandinavian drinking culture where the weathered faced locals looked as if they had spent their lives on the sea.

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Sadly they’ve gone and the wharfside has been regenerated, as has this entire stretch of Havengade from Hyhavn to the Frederiksholms Canal, to make way for bistros and restaurants offering contemporary Danish cuisine along a generous promenade that used to be the offload area for the ferries. The old customs house building stands testament to this regeneration and its maritime inspired Art Deco façade now represents The Standard which houses

two restaurants and a jazz club. We dined at restaurant Almanak on a rainy autumn night, which seemed almost fitting with its contemporary Danish cuisine, buzzing atmosphere and the mottled view through the rain of the familiar apartments across the canal where the adaption of Peter Hoeg’s novel Miss Smilla’s Feeling for Snow was filmed.

Copenhagen is a city that has prioritised pedestrians and cyclists

providing generous lanes for those on bicycles and creating the world’s longest and oldest pedestrian street, Stroget, which forms the spine of the inner city. Until recently, if residents of Christianshavn across the main canal wished to cycle or walk into the city, they would have to cross the busy Knippelsbro bridge. Now a dedicated low-level cycle and pedestrian bridge, Inderhavnsbro, links its two islands of Zealand and Amager in a typically Scandinavian design that is elegant and undulating and boasts vistas across the water to the new Royal Danish Playhouse and the Copenhagen Opera House, two fine examples of contemporary architecture that exist on a human scale and embrace the water in an integrated and open language.

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neighbourhood which has always put a cloud of controversy over a remarkable example of peaceful defiance and creativity. It’s a must visit if you’re in the city, if only to see some of the alternative architecture and beautifully crafted bicycles of Christiania Cycles.

The city of Copenhagen is one which will enchant you, at the same time it will embrace you and draw you into its warmth, offering itself on all levels of interaction. It’s a multi-dimensional experience with a surprise around every corner and it combines its ancient history with its contemporary culture seamlessly.

Don’t rush around her in a morning, give yourself a few days to become absorbed and eventually infatuated with this beautiful Danish lady.

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The green copper spires and towers still dominate this skyline of human scale devoid of any intrusion by modern commercial interests to put people in tall buildings.

canals of Christianshavn, the lifestyle of Copenhagen translates into the gentle tap of boat sheets against the masts of the many occupied house boats, and the cafés that spill out onto the wharfs in front of the Dutch Renaissance houses that line them.

Heading into autumn, the days were not as extended as they are in summer but Copenhageners still revel in the twilight hours and spend as much time outdoors as the darkness of winter slowly puts them into hibernation.

This is also the home of Freetown Christiania, an autonomous enclave of about 850 residents who have lived outside of the law since 1971, after squatting in an old military area and living a hippie lifestyle of collectivism and anarchism. It began to attract hard drug dealers who piggy backed on the relaxed cannabis trade within the

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VIVIEN NATASEN EXPERIENCES THE BEST OPEN TOPS OF MERCEDES BENZ

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ary Schmich’s famous essay published in the Chicago Tribune that was further immortalised into music in Baz Luhrmann’s Everybody’s Free to Wear Sunscreen, is a true inspiration for convertible culture. The essence of the text is for people to enjoy a happier life and not to stress about things.

My medical practitioners go on ad nauseum that we are so lost in the rat race of everyday hustle and bustle that we forget to enjoy life. It’s time to move away from existing to living, which nowadays seems like the quest for the holy grail as work-life balance is skewed towards work as our mobile phones constantly interrupt whatever little personal lives we have left. For me personally, I had my first convertible in 1994 and have never looked back since, having always had one in my garage even today.

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In South Africa we are blessed with a climate that is substantially sunny most of the year, winter included.

In any event, many of the premium convertible models have technology that keeps one warm with the roof down on colder days. Having a convertible as a daily commute is more practical than you think, especially as they now have decent storage space, improved noise reduction and safety systems and handling that match their closed top siblings without any fear of greater risk of being topless.

Mercedes Benz chose to have an experiential activation of four open top vehicles, which models included the new C-Class cabriolet, the new S-Class cabriolet, supplemented by the recently released SLC roadster and the facelifted SL (covered separately in this issue).

Our odyssey took us to the picturesque Western Cape in the whalewatching area of Hermanus. With great weather, coupled with roads and passes that rival some of the best driving roads

in the world, the scene was set for a fantastic adventure.

On arrival, we were whisked off to a starting venue for the reveal of the C-Class cabriolet and the S-Class cabriolet.

Let’s deal with the C-Class cabriolet first. The C’s lines follow very similarly to the coupe’s with the prominent soft top unmistakably showing this vehicle as a convertible. I am always mindful to watch that convertibles lines look good with the roof up or down as some designers tend to design the vehicle as one or the other and they then end up looking ungainly in the other form. The C cabriolet though, is beautiful in both poises. Roof down is the way to travel as I would suspect most clients would elect as often as possible.

The interior is identical to its coupe sibling. The cockpit is cocooned and reasonably focused around the driver with a generous array of buttons and controls that are ergonomically positioned for convenience and accuracy.

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The model line-up is the C300, C43 AMG and the C63 AMG (with the 63 having a sport variant with more power). For obvious reasons the C63s is the veritable monster both in performance and in its aggressive stance. However, if you ask me the C43 is the pick of this bunch with its exciting drive, good performance and great looks. The car accelerates smoothly, with livelier exhaust and handling settings adapting to the selected modes i.e. a lot tighter and noisier in the sportier modes. The car feels balanced and with some good speeds getting in, it swallowed up the passes with ease, with no shortage of power when overtaking.

That night, Mercedes Benz pulled out all the stops on the entertainment with a bespoke unplugged performance by renowned South African band Prime Circle. With chilled versions of their famous tracks, dotted with personal life experience narratives by the band, I truly felt we had something special that evening.

The trip was rounded off with a track session at the magical L’ormarins race track, a private facility set against the backdrop of the mountains in Franschhoek, where we got to put the various AMG models through their paces. The track is just on 2.5 kilometres, though what it lacks in distance it makes up for in its setting

So, a short yet fulfilling jaunt into the beautiful Cape gave rise to an amazing trip with some great drives on some amazing roads.

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and in the handling turns that replicate the best of corners from some great tracks in the world. The car that surprised me the most around the track was the relatively diminutive SLC 43. Its short overhangs with shorter wheelbase make this car a nippy little runner with a putt-putt downshift noise popping out the exhaust giving this car the personality of a Jack Russell that ate a box of chocolates.

On the second day, I got in some time with the S500, S63 and S65 cabriolet models. Now that is a proper dilemma. They are all beautiful, with the S63 having the most aggressive stance. The car is in fact larger than its looks suggest, with great mastery from the designers to mask its larger dimensions. Everything about this car is beautiful. I was in fact fortunate to drive the S500 cabriolet in St Tropez

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For me personally, I had my first convertible in 1994 and have never looked back since, having always had one in my garage even today.

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earlier this year and fell in love with the S Cabriolet then, eagerly anticipating this South African launch. The S500 is powered by a V8 bi-turbo, albeit configured for comfort rather than sport with a muted voice box and less aggressive power. The S63 is targeted, like its coupe sibling for the younger owner seeking a thrill of performance and the soundtrack that everyone knows you are coming. The S65 on the other hand is for the owner that has arrived. Tremendous power on tap, in a body that feels heavier but it is for that loyal Mercedes Benz customer that loves that amazing V12 engine. The price tag on the top of the range sits at R3.5 million before one starts ticking the options boxes which places this car into the realms of other super car brands. The S63 priced at just under R3m is probably the best balanced in

the range. I loved taking this car with the roof down on the run from Betty’s Bay to Gordon’s and then again through the passes to Franschhoek.

Overall, over the two days my opinion is significantly divided – in fact a total hung jury. In terms of driver’s cars, balanced with all the other factors of comfort, ease of use, handling, looks and even price considered, I am truly caught between the C43 cabriolet and the S63 cabriolet.

So, a short yet fulfilling jaunt into the beautiful Cape gave rise to an amazing trip with some great drives on some amazing roads. I really enjoyed my time out from the rat race to experience this open top fun. Its times like this that jolts one into remembering sometimes to take the foot off the pedal in careers and business and just “wear sunscreen!”.

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showers

AS WE HEAD TO THE HOLIDAYS, BUBBLY BECOMES THE DRINK OF CHOICE AS WE REUNITE WITH FAMILY AND FRIENDS AND CELEBRATE ANOTHER YEAR. WHETHER IT’S A LOCAL MCC OR SOMETHING FROM THE REGION OF CHAMPAGNE, CELEBRATE IN PRESTIGE STYLE!

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MOËT & CHANDON CRACKERS Looking to make your party pop this holiday season? Moët & Chandon Crackers are a new festive and fun ritual. Take it, pop it, sip it!

Within each cracker is a stylish bottle of Mini Moët & Chandon (200ml), confetti and a crown. Now there’s absolutely no excuse not to celebrate the festive season in glamorous champagne style!

Moët & Chandon Crackers are also the perfect table decoration or stocking filler and an ideal way to share holiday #moetmoments with friends and family this year.

Crackers are packaged in a box of 12 and are available from leading liquor merchants nationwide while stock lasts, from R2999

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MOËT & CHANDON BURSTING BUBBLE BOTTLE AND GIFT BOX This is a limited edition for end-ofyear 2016, featuring Moët Impérial champagne, is the epitome of holiday spirit. With its fabulous, energetic decoration of bubbles, the bottle embodies the warmth, generosity and grandeur of the season. Bursting Bubbles is an homage to the fine bubbles of Moët & Chandon champagnes, with an explosion of effervescence decorated on the bottle.

The limited edition bottle is the perfect décor item for the festive table and the ideal accompaniment to glamorous new year celebrations.

Available from leading liquor merchants nationwide while stock lasts, from R519.95.

The Moët Impérial Gift Box and Moët Rosé Impérial Gift Box are also a key part of the Bursting Bubbles collection.

Each gift box features glorious 3D printed bubbles that shine with energy.

What’s more, this year is the very first time that a Moët Rosé Impérial gift box has been offered at the end-of-year season.

Moët & Chandon Bursting Bubble Box from R519.95 and Rosé Bursting Bubble Box from R649.95.

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DOM PÉRIGNON AND MICHAEL RIEDEL PRESENT VINTAGE 2006 Dom Pérignon, at its heart, is all about the Power of Creation, art of patience and intriguing transformations. Today Dom Pérignon’s Vintage 2006 has reached its First Plénitude. A moment in the life span of the wine when Dom Pérignon’s creator – Richard Geoffroy – finally decides the champagne is ready to face the world for the first time.

Renowned German artist Michael Riedel is too known for his affinity for transformation and the collaboration with Dom Pérignon sees a dramatic meeting of the minds where the ‘idea of transformation’ is expressed both visually, via Riedel’s distinctive limited edition box and labels, and instinctually through the rich flavor of the wines.

Riedel’s collaboration with Dom Pérignon saw him take the D and P in the Maison’s name to create a metaphor for the passage of time by creating a complex layering of the two letters across both the box and the bottle labels. The motif Riedel has created takes inspiration from the posters used as wallpaper during the artist’s spring exhibition at David Zwirner New York, and the text on the posters derives from a website selling fine art supplies.

Dom Pérignon Vintage 2006 by Michael Riedel is a limited edition collector’s bottle and limited quanities are available – R1999.95.

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NICOLAS FEUILLATTE PALMES D’OR BRUT VINTAGE 2004 The Champagne House flagship, the Nicolas Feuillatte Palmes d'Or Brut Vintage is one of the most recognised bottles of wine in the world with its distinctive dimples reminiscent of black pearls. Powerful and distinguished, Palmes d’Or Brut Vintage encompasses the elegance and finesse of Chardonnay combined with the full body of Pinot Noir. Always a vintage, only made in exceptional years, the Palmes d'Or Champagne Brut is aged for a minimum of 9 years in the cellar.

Bright and perfectly clear, revealing a wonderful shade of tarnished gold. Lovely graceful gossamer bubbles swirl in the glass forming a perfectly balanced string of pearls.

The Nicolas Feuillatte Palmes d’Or 2004, is available at fine wine retailers at approximately R1690.

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BOLLINGER ROSÉ Fresh as a Rose, Balanced as a Bollinger, a True Alchemy! It is a blend of the three Champagne varieties, 62% Pinot Noir, 24% Chardonnay, 14% Meunier, from 85% Grand or Premier Cru vineyards, symbolic of exceptional quality.

With its intimate and unusual flavours, the absolutely fabulous Bollinger Rosé can be served for afternoon tea, Bollinger-style. It is also perfect for a picnic on a summer afternoon, as a pre-dinner drink or served with crayfish, salmon, Japanese cuisine or not-so-spicy Asian cuisine and fruitbased desserts – R1150.

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BOLLINGER SPECIAL CUVÉE There really is a lot that’s special about Bollinger’s Brut Special Cuvée, an icon among non-vintage Champagnes. That’s why it has become the signature bottling of the Bollinger estate, one of the world’s most revered Champagne houses. It is a blend of the three Champagne varieties, 60% Pinot Noir, 25% Chardonnay and 15% Pinot Meunier, from mainly Grand or Premier Cru vineyards, symbolic of exceptional quality. It also includes ‘reserve’ wines from previous vintages to add flavour and weight to this sophisticated blend.

This really is an absolutely fabulous Champagne that can be served for afternoon tea, at a picnic, as a pre-dinner drink and is an ideal accompaniment to sushi, prawns and crayfish, good cured ham or sliced, seared beef fillet. Bollinger Special Cuvée, packaged in a new gift box, is available nationally for approximately R890.

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CARROL BOYES COLLECTION GOLD LABEL MÉTHODE CAP CLASSIQUE 2012 CHARDONNAY PINOT NOIR CAP CLASSIQUE Carrol Boyes is an iconic South African designer and her brand has deftly crafted a coveted and high-end product range of distinctive home and lifestyle items and now, with the finest wine making having become an art, Carrol Boyes signature artworks have been translated onto the labels of superb bottles of wine.

New to the Carrol Boyes Collection is the Gold Label 2012 Chardonnay Pinot Noir MĂŠthode Cap Classique. This union of art and wine making is becoming an essential element of well-stocked cellars around the world. Living is an art, so share, celebrate and collect these limited editions, presented with a vivid gold aluminium label, the Carrol Boyes MCC 2012 retails nationally for R200 at select grocers and fine wine retailers.

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KRONE RD 2001 The Krone RD (recently disgorged) 2001, a rare, limited release from an outstanding vintage, is a bold expression of complexity, vitality and finesse – a testament to 15 years’ graceful ageing on the yeast lees (sur lie) in the cool underground cellar at Twee Jonge Gezellen. This delayed disgorgement allows the Cap Classique to develop richness, power and concentration while, at the same time, retaining a youthful vibrancy and fruity expression despite the ageing. Such is the alchemy of nature, the mystery that unfolds only with time.

The Krone RD 2001 is available nationally at fine wine merchants, retailing between R300 and R350 per bottle.

KRONE “THE PHOENIX” PRESTIGE CUVÉE “The Phoenix” is an assemblage of the best of three vintages (2004, 2005 and 2006) and produced in unique bottles imported from France. A multi-vintage wine or Cap Classique is a purposeful blending of cuvées from different years to achieve a superior house style. The maturation for a minimum of ten years on the lees further enhances the complexity and creaminess of the wine.

Named after the legendary solar bird that is cyclically reborn or regenerated as a symbol of eternal life, The Phoenix Prestige Cuvée celebrates the renewed energy at the centuries-old Twee Jonge Gezellen, as the renovation of this historic property continues. The Phoenix is available nationally at ±R280 per bottle.

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STEENBERG 1682 BRUT CHARDONNAY Steenberg 1682 Brut Chardonnay indulges the senses with whiffs of buttery brioche and fresh green apples. This richly layered blanc de blancs is a luxurious MĂŠthode Cap Classique crafted in the time honoured French tradition of secondary bottle fermentation that gives rise to the fine mousse and opulent complexity. It is crisp on the palate with lemon zest acidity and a toasty, savoury character. With the mark of quality of the iconic Steenberg swan embossed on the bottle, this is a full-flavoured Cap Classique of considerable stature.

It makes the perfect gift, so watch out for the festive candy striped gift pack available exclusively at Makro at R134 while stocks last. The Steenberg 1682 Brut Chardonnay is available at selected fine dining restaurants and wine shops countrywide.

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THE MACALLAN PRESENTS TWO NEW EXPRESSIONS TO THE SA MARKET, FINE OAK 12 AND 18, AND BRINGS BACK A FAVOURITE, FINE OAK 15.

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he Macallan has launched the triple cask matured Fine Oak Range in South Africa. A firm favourite: Fine Oak 15 will be re-introduced, and two new expressions will also be introduced, the Fine Oak 12 year old and Fine Oak 18 year old.

The Fine Oak range is triple cask matured in a combination of European oak sherry casks, American oak sherry seasoned casks and American bourbon casks, delivering a more diverse yet subtle style of whisky, whilst maintaining The Macallan’s core DNA which is a focus on sherry seasoned oak casks, natural colour, and rich, fruity full bodied flavours and mouth feel.

To craft Fine Oak, The Macallan ships new oak from America across thousands of miles to Spain, where oak casks are crafted and sherry seasoned before traveling to the distillery on Speyside to mature for twelve years. These whiskies are then combined with those aged in the very best sherry seasoned European oak casks and American Bourbon casks.

This approach reveals the investment in time and commitment to mastery for which The Macallan has been known since 1824.

The Fine Oak range will sit alongside The Macallan 1824 Masters Series which is available in South Africa, including Rare Cask, Reflexion, No.6 and M, - which now offers The Macallan fan a wider choice of whiskies from the portfolio.

So, what makes the Fine Oak Range exceptional? The American oak casks are crafted from timber sourced in the woodlands of Ohio, Tennessee and Missouri and are logged by third generation woodsmen, who are personally selected by The Macallan’s own Master of Wood. Some of these casks will mature bourbon in humid Kentucky warehouses for three years, before the long journey to Scotland. Others will be transported to Jerez, in Spain, to be filled with sherry.

The addition of American oak bourbon seasoned barrels imparts aromas and flavours slightly drier and more oaky than the American oak sherry casks, with more pronounced aromas and flavours of coconut, but still with the lighter colour and sweetness associated with American oak.

The European oak sherry casks begin life in the dense, sustainable forests of Northern Spain and each cask is handcrafted in the cooperages of Jerez where they are fired to ensure the spirit penetrates deep into the wood. These casks will then be seasoned with sherry for a minimum of two years before being transported to The Macallan Distillery in Speyside for filling with new make spirit.

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treats from the top shelf PATRICK LECLEZIO RECOMMENDS FIVE FINE WHISKIES FOR THIS FESTIVE SEASON’S FEASTING.

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he end of another year looms, so reassuringly close now. We’re in the final straight, the finish line in sight and beckoning. There’s something about this period that’s exciting, in such a deep-seated sense that it’s more physiological than cerebral - a simmering exhilaration that gets you deep in the gut. It’s a time to devote undistracted quality time to friends and family, to step away from the frantic pace of modern life, and to reward yourself for some sustained hard toil. It’s that once a year culmination – and it should be fittingly anointed. If there is ever a time to spoil yourself then this is it. In whisky terms it’s the moment to let loose with the lucre, to drink something a little more special, to embrace some celebratory catalysts for sharing time with your favourite people. Here are my five picks to fire the flame of your festive season.

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IRISH - MIDLETON BARRY CROCKETT It’s only recently that Irish Distillers renewed the Single Pot Still style, beefing up what had been – given its spectacular attributes - a criminally sparse offering. The new range is still limited but it’s enough to get you on enthusiastically and to keep you riding indefinitely. Redbreast, the “Spots”, Power’s – these are heralds enough to convince us emphatically that this style is the equal of single malt, but for all their worth they are for the most part blunt instruments in comparison to the Barry Crockett, a whiskey of such subtlety and refinement as to leave you in awe. Using an uncommon combination of both ex-bourbon and new casks, the Midleton distillery has a created an uncommon whiskey indeed.

It’s something you’ll have to keep revisiting: sweet creaminess and autumn leaves, one moment, treacly honey, orchard fruitiness, and tangy candy the next, new twists layer after layer.

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UNPEATED SINGLE MALT – BRUICHLADDICH BLACK ART 1990 EDITION 04.1 Great whiskies can grow on you gradually, or they can announce themselves immediately. Black Art is unequivocally amongst the latter. I came upon an earlier edition some three to four years ago at a whisky show, with no prior knowledge of it whatsoever. There was no fuss. I thought it was just another release from a distillery known for its prolific experimentation. Until I tasted it. It rocked me where I stood. The universe suddenly came into focus – I kid you not. I felt like I had unearthed genius, if you’ll allow me to be a bit liberal. I’ve since sought it out at every opportunity. I’m a sceptic when it comes to NAS whiskies, but this one honours all the justifications that are spouted on the subject. There isn’t any indication of immaturity; the younger whiskies used in these vattings contribute to and complement the array within with no detraction whatsoever - and what an array it is!

The wood profile is top secret - we’re told that there’s American oak and French oak involved, but that could mean many things. The cascade of fruits, the hints of spice, the honey, toffee, chocolate and molasses, they all swell into a sensational deluge of flavour that’ll keep you riveted from Christmas Eve to New Year’s Day and well beyond.

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PEATED SINGLE MALT – BOWMORE 15YO DARKEST I first experienced the Darkest sitting at the magnificent bar at Bowmore (my first stop on the island) looking out over the bay under a brooding sky. Classic Islay.

It may have coloured my perceptions at the time: how could you not enjoy the place’s peated whiskies with that weight of geography and heritage and atmosphere weighing upon you? Well, after many further stops, with the passage of the years, and with a few other bites at the cherry since I’ll admit, the Darkest still lives large if not largest in my memory.

This is Islay as it should be – at least for my taste. The unmistakeable smokiness is there, but it knows its place: as an equal not an oppressor. The result is a rich and beautifully calibrated whisky - drifting, briny smoke with a balancing scale of raisins and dark, dried fruits, and butterscotch sweetness.

I can’t think of a better whisky with which to conclude the season’s typically banquetlike meals.

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BLENDED – JOHNNIE WALKER PLATINUM LABEL Johnnie Walker has its place and purpose, but on the whole I find its range of blends to be obvious, and somewhat overstated (appealing for many).

The Platinum is an exception. It’s bold and big, yes, but there’s also a depth to be plumbed.

Candied cherries, nutty granola, and vanilla dance amongst dark chocolate crumbles and sparks of citrus and spice, with a fine smokiness, the traditional Scotch signature, playing a mellow music in the background. There aren’t too many blended whiskies of this class and complexity on our local market – so I’d consider Platinum a get-in-the-festive-mood go-to: something to “session” as you clink crystal tumblers with old mates, and regale each other with the highlights of your year.

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SOUTH AFRICAN – THREE SHIPS 15YO PINOTAGE FINISH I’m referencing this one as local, but let there be no misconception – this is a whisky that stands down to no other. It is quite simply world class. I was lucky enough to delve into some Pinotage experiments at the distillery about two to three years ago, and both the concept and the liquids intrigued and encouraged me hugely.

They spoke of a day when “we” would make a truly South African whisky, so both in provenance and style, and a truly great one to boot. That day has now come. The whisky that has materialised is full and well balanced, with fruits, sweet spice, dusted nougat, and mineral loaminess appearing and then disappearing like well-choreographed actors on a stage. There’s peat smoke too, flitting around the edges of tongue and palate, clearly polished by a decade and half in wood, but still in burnished evidence. The whisky was finished in twelve Pinotage barrels for about two years, which makes it unusual in two senses: it’s the only mainstream (if not the only, period) release to have used this type of cask, and it’s one of a very few blended whiskies to have been either double matured or finished. You’ll note from the number of casks I mentioned that supply is finite; only 3500 bottles are available, so don’t dawdle.

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is brandy bouncing back?

PATRICK LECLEZIO REVIEWS THE RECENT EXPLOITS OF SOUTH AFRICA’S SIGNATURE SPIRIT.

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fter years of decline the popularity of local brandy sales has stabilised.

Ostensibly this is the product of fiscal policy, so to speak, but there’s cause for hope and optimism, and to believe in a real recovery beyond. Shepherded by the South African Brandy Foundation, and driven by the contributions of a group of talented producers and an influx of fresh brands, the drink has taken on a new lustre and a renewed purpose. There’s a mountain of good work that has been done, and is ongoing, in three areas in particular, and whilst only time will tell if it will be enough to revisit and exceed past glories, the fruits of this labour, deserving of a (pride of) place in any liquor cabinet, speak for themselves.

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BRANDY DEFINITIONS In a similar sense that you are a product of your DNA, so brandy is a product of its definitions, the rules that guide how it is to be made and matured. I’ve been critical of these in the past, having considered them weaker than those of its peers, whisky and cognac specifically.

Since then though significant, concerted progress has been made in this area.

Brandy has three classifications: blended brandy, vintage brandy and potstill brandy.

The judicious excision of a dubious 10% allowance for spirits that were neither matured nor potstilled from the makeups of the latter two has been a major stride in the right direction. Whether producers were exploiting it in the past or not, its removal happens to be coinciding with a bright era of excellence for potstills, and it gives us a measure of assurance that things should stay this way. I wouldn’t be giving a balanced view though if I didn’t admit that problems remain. The bar for blended brandy is staying comparatively low, stipulating a 30% minimum for

matured (3 years or more), potstilled content, in excess of which it seems (I can’t know definitively, but my enquiries suggest as much) few or no producers are venturing. And who can blame them in a price sensitive market – 3YO potstilled brandy being materially more expensive than the unmatured column-stilled wine spirit that makes up the balance. It’s a situation though that’s inimical to the true greatness to which this drink aspires and which it deserves. It means that on average, if you’ll forgive my crude analysis, the liquid in your typical blended brandy is less than a year old, and only one and half in a labelled 5YO. Younger potstill brandies are available, such as the hearty, robust Kingna 5YO, but these are mostly of this age and its vicinity, and sold at a premium price. My persisting conclusion is that a gap exists in the definitions, and in the market price-wise, for a fully matured, lighter style of young brandy. Perhaps this is partly what created space for the precipitous growth of VS cognacs…

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The industry is still young in marketing itself to the world, and in building and justifying stocks of mature enough liquid to go toe-to-toe with the big boys, but the momentum is gathering.

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Over the last three years, building on an already impressive award-winning track record, South African brandies have made a clean sweep at arguably the world’s two foremost competitions.

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CRAFT There’s one phenomenon that’s convincing me of brandy’s resurgence and of its potential to kick-on more than any other, and that’s the explosive proliferation in

the “craft” sector of the industry. There are now dozens of small producers who are putting out audacious, delicious, exceptional offerings, and who are weaving the magic of unique stories to be told, the adventure of new and flavoursome territories to be explored, and the romance of daring exploits to be tasted and experienced, into the tapestry of brandy’s landscape. The lure of its call is being dialled up exponentially.

I’ve already mentioned Kingna, made by a diesel-mechanic who discovered a passion and skill for brandy-making and consequently turned distiller, but there are so many others. The coconutty Sumasaré 5YO and the fragrant Boplaas 8YO both made immediate, this-is-special impressions on me, and more recently I discovered the Ladysmith 8YO, a journey of garden aromas, with pods of sweet spice, and rakings of orchard fruits and velvet custard scattered on palate and finish. The scene is replete with variety – different music each, but merging into a harmonious concerto. Volumes are small, but that’s not the point. This is the leading edge of the wedge, representing the wider product, and infusing it with an aura of amplified credibility, vigorous energy, and innovative thinking. We have the sweet, exciting privilege of being able to embrace this revolution in its infancy.

Long may it last.

If you are or were a brandy drinker or had considered giving it a go this is the time to take another look. Things are happening, and they merit your attention.

South African brandy has a new mantle, an evolved reputation that’s taken it from being referenced as “karate water” to the elegance of a dedicated drinks trolley, there by request, at the Test Kitchen.

It’s not for nothing. This new style has a substance of iron to it. I wouldn’t want to miss out and neither would you.

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AWARDS There must be acute despondency in the other brandy producing regions of the world. Over the last three years, building on an already impressive award-winning track record, South African brandies have made a clean sweep at arguably the world’s two foremost competitions, the International Wine and Spirits Competition and the International Spirits Challenge, taking the best-inclass “Trophy” prizes in each case.

This year’s winner at the latter, the KWV 15YO, perfectly epitomises the evolution of local brandy at the upper end of the spectrum.

It is rich, oh-so-rich, fullbodied, and complex, with notes of husk fruits, oak and spice, delivering on and exceeding expectations for a fine, luxury spirit.

The industry is still young in marketing itself to the world, and in building and justifying stocks of mature enough liquid to go toe-to-toe with the big boys, but the momentum is gathering.

It’s just a matter of time.

In the interim we local admirers can relish our well-priced access to the world’s most outstanding brandies.

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to the lady in the

THE 2017 CAPE WINE AUCTION IS NOW IN ITS FOURTH ITERATION WHICH WILL HOPEFULLY BREAK NEW RECORDS AND RAISE SIGNIFICANT PROCEEDS IN SUPPORT OF THE ONE THING THAT DRIVES THE WINE INDUSTRY – ITS PEOPLE. by: chris buchanan

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black dress…

vines and pick the grapes, are the soul of the industry. So it was important that a platform was laid on which to support education within the winelands from “cradle to career”.

The Cape Wine Auction first saw the light of day in 2014, raising over R7m for selected auction beneficiaries chosen for their education initiatives from infancy to adult. 2015 and 2016 ramped up the funds raised to R10.5m and R15m respectively to a total so far in excess of R33m (including non- auction donations) which is no mean feat in an economy where spending is under scrutiny and PRESTIGE: IN THE LAP OF LUXURY

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There is certainly an element of controversy around labour in the winelands that fuels perceptions of privilege and exploitation in an industry that fights for international market share and recognition, with miniscule margins and a reliance on labour, and which constitutes 1.2% of the South African GDP – about R40billion. The Cape Wine Auction’s Trustee philosophy cuts through any perceptions and as far as they are concerned, the people of the winelands, from the entrepreneurs to the winemakers, the tasting room and hospitality staff, and those who tend the

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sat with Mike Ratcliffe at the Dalla Cia Pane E Vino on a warm summer afternoon having had lunch with the Vilafonté team and we were talking informally and off the record about life and purpose and the things that get us up in the morning. The Sauvignon Blanc was cool and crisp in the shade and the conversation became passionate and robust and the subject of purpose led to a discussion on the perception of the wine community in the eyes of the South Africa people.

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that no money can buy. It’s a two day affair starting with The 2017 American Express Barrel Auction at the Pierneef Restaurant on La Motte allowing guests the opportunity to bid on once off, specially curated or limited wines, tasted directly from the barrel and presented by the winemaker.

The main event, The Cape Wine Auction sponsored by Nedbank Private wealth, is a luncheon the following day at Anthonij Rupert Wyne where the main players of South African wine and society will bid for their piece of luxury, at the same time, assuring the auction beneficiaries of another year improving

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education spending is particularly threatened. Funds are overseen by the Trustees of the Cape Wine Auction who include, Mike Ratcliffe, Ken KinseyQuick, Wendy Appelbaum, Raymond Ndlovu and Paul Kluver.

But for this considerable amount raised, the auction would need to be a little different from the norm and that’s where Mike’s marketing aptitude kicked in. This is not an auction of wine to fill the cellars of large retailers or hospitality vendors, this is an auction of wine and lifestyle experiences embracing food, art, culture and travel. The lots are curated as once off journeys and experiences

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the lives and providing an education foundation for the precious people of the winelands. There are surprises aplenty in the entertainment and the auction process, and lots this year include travel on the Venice Simplon Orient Express, diving for and sorting alluvial diamonds, personal tours through the Napa Valley, private dinners in Cognac in France and five days of the Tour de France as the guest of Distell and Team Dimension Data.

It all happens on the 10th and 11th of February 2017 and, as well as being a social occasion, it’s an opportunity for those who have a passion for our winemaking heritage to meet the people who drive this industry and to support this unique programme of investment in the people who play a role in getting the bottle to your table, and their children who will hopefully choose this industry as a career for themselves. But most important, it’s a celebration of 350 years of South African wine culture and the significant mark it makes in the world of wine.

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geni-us in a bottle VIVIEN AND CARLY NATASEN SAMPLE DEETLEFS WINE ESTATE’S MAGICAL POTIONS.

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s Prestige, we thrive on getting to know the story behind the story. Especially when the stories extend into centuries of history. Deetlefs wine estate is no different.

Usually boutique estates where their product are not generally available are met with a “huh?” when their name is mentioned. However, Deetlefs seems to be carving out a premium niche for themselves by aligning with premium complementary brands and only exclusive events.

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South African wine estates have quickly restored glory to our brands after the global onslaught of other countries such as Australian, Chilean and even New Zealand premium wines.

A significant amount of work had to be done to move our produce away from the cheap wine perception that growers had created in order to gain market share in previous decades. In recent times, with the development and implementation of newer varietals and focus on strengthening unique vines

in the country, certain estates have achieved recognition as standing above others in the resurgence of South African produce on the world stage. Deetlefs in one of those forerunners.

It sounds like a mouthful when you say it but a strong claim to fame is that Deetlefs is the second oldest estate in the country owned by one family through its history. However, when one considers the product then one understands that time is an asset. In 2022 Deetlefs turns 200 years old, and that is seven

In 2022 Deetlefs turns 200 years old, and that is seven generations of the family in the estate.

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generations of the family in the estate.

The estate focuses primarily on Chenin Blanc and Pinotage in various interesting styles, which also reflects in the only white MCC Brut made from a Pinotage. They have also built up a series of family collections with samples of their best and select acquired crops into collector’s series.

The highlight of the time we spent at Deetlefs, is the owner’s personalised approach to things. Kobus Deetlefs is hands on and can tell you the story behind each season’s output and relate anecdotes of what made things what they are. That kind of respect for the universe and the time it takes to do things comes from a genetic trait many of us are lacking today with the pervasive nature of our rapid, technology infused lives. There is a quiet calmness to the man that makes us want to spend time

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with him. In fact, what was supposed to have been a one hour walkabout and wine tasting turned into a three hour sampling session of the secret stock and new ideas for the operation. We got to also sample their “accidental” flagship of a 1974 Philippus Petrus Deetlefs Muscat d’ Alexandrie that reached the highest price ever for a South African wine at an auction in Rome in 2003 of €3,130 and is today seen as one of the most rare and unique wines in the world.

There are several pre-sale requests on the next batch of the Muscat, which we were fortunate, or should I say blessed, to have sampled.

The estate is quite a way out of Cape Town, through the Hugenot Tunnel, which is a good hour and half drive from the bustle of Cape Town CBD. However, it is well worth a visit if you are looking for off the wall wine tasting locations.

All that is left to say is well done to the Deetlefs team led by a passionate leader from the front line. Cheers to the next 100 years!

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smoke on the water

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he AM37 is the result of two years of research and development, challenging the status quo of the nautical world and combining the best in innovative technology and bespoke craftsmanship.The AM37 was a true team effort, bringing in the most experienced Aston Martin designers to style and create a truly unique product. Aston Martin’s master craftsmen who worked on cars such as One-77, Aston Martin Vulcan and the new DB11, provided their automotive experience, which was reinterpreted onto the boat with outstanding results.

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THE 37-FOOT ASTON MARTIN AM37 POWERBOAT MADE ITS WORLD DEBUT EARLIER IN 2016 AT THE MONACO YACHT SHOW , MARKING THE LUXURY BRITISH BRAND’S ENTRY INTO THE NAUTICAL WORLD. THE NEW DAYCRUISER IS OFFERED IN TWO VERSIONS WITH THE AM37S EXPECTED TO REACH SPEEDS OF 50 KNOTS.

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Aston Martin’s EVP & Chief Creative Officer, Marek Reichman and his design team collaborated closely with naval architect Mulder Design to ensure every element of the project was carefully considered. Sharing creative expertise and specialist skills, Quintessence Yachts engineered the Aston Martin design into an innovative powerboat for the yachting world.

Reichman commented: “AM37 is a

pure translation of the Aston Martin DNA into an entirely new maritime concept.

The powerboat reflects our values in terms of power, beauty and soul. The most important attribute for Aston Martin is the design language and proportion, we have transferred this DNA into AM37.

It was important to us when considering this project to make sure that the boat design was as beautiful and timeless as our cars, the AM37 is a striking boat

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Sharing creative expertise and specialist skills, Quintessence Yachts engineered the Aston Martin design into an innovative powerboat for the yachting world.

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with fantastic proportion and elegance.”

The AM37 is a day cruiser that can be transformed into an overnight berth by transforming the table into a comfortable bed. The cabin is well appointed with mood lighting and air-conditioning. With a refrigerator, microwave oven and coffee machine – and a lavatory on board, absolute comfort is guaranteed. Crafted from the finest leathers, elegantly laid out rear seating is available for up to eight people.

The exterior of AM37 features dynamic proportions in a design that is simple, yet immaculately executed.

The boat is set apart by the attention to detail in every element of its design.

The wraparound windscreen has been created from a single piece of sculpted glass fluidly draped over the AM37’s foredeck. With extreme double curvature it sets a new industry standard. Sliding deck technology allows owners to cover the cockpit of the boat completely at the touch of a button. The three lightweight carbon panels, operated by the AM37 key, fold under the aft deck when the cockpit is uncovered. An electrohydraulic carbon fibre bimini top is stowed under the engine hatch when not in use and, extending from the aft deck, a swim platform allows for easy access to the water.

At the helm, the AM37’s carbon fibre dashboard echoes styling elements from Aston Martin’s most advanced sports cars. It includes fine leather with

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functional features, such as the steering wheel, throttle handles and joystick in polished metals. The boat’s navigation, control monitor and entertainment systems are all integrated, with advanced multimedia functions.

CEO for Quintessence Yachts, Mariella Mengozzi said: “It’s been an exciting journey and we have relished partnering with Aston Martin on such a special project that blends craftsmanship with futuristic technology – the perfect mix for this unique powerboat. We took on the challenge to create a true revolution on the water and an extraordinary powerboat, and I’m delighted to present the AM37, a new way of experiencing life at sea.”

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The 37-foot model is available in two versions – the AM37 with an estimated top speed of 45 knots and a choice of two 370 hp Mercury diesel or two 430 hp Mercury petrol engines. And the AM37S version with an estimated 50 knots derived from its twin 520 hp Mercury petrol engines.

Katia Bassi, VP of AML & Managing Director of AM Brands commented, “We

are so proud to present the AM37, an exclusive powerboat for the yachting world. With this project Aston Martin, the icon of style and technological innovation, confirms its place as a top luxury brand. The Aston Martin Art of Living is a way of life that captures the very essence of the Aston Martin brand, and AM37 is a fine example of this philosophy.”

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It includes fine leather with functional features, such as the steering wheel, throttle handles and joystick in polished metals.

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Vehicle specifications may vary for the South African market.

Thrill instructor.

The new Mercedes-AMG GLE 63 CoupĂŠ S. Visit www.everyterrain.co.za

A Daimler Brand

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VIVIEN NATASEN DRIVES THE FACELIFTED MERCEDES BENZ SL ROADSTER.

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guess it is extremely appropriate to feature Mercedes Benz’s epitome of class in our Best of the Best. Whilst the SL500 is not the top of this model range, with the AMG versions of the SL63 and the mighty SL65, I feel that the real DNA of the brand is always reflected in the highest “normal” model in the range, the Grand Old Lady. With the first SL appearing in the 1950’s, there have been several iterations of this car from the 300SL through to the iconic Pagoda’s and ultimately the current model that was launched in 2013, hence the 2016 mid-cycle refresh.

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We were at a dinner recently where there was considerable debate around Mercedes versus its other German rivals. The one couple at the table had only the Munich-based rival brand in their home and no other marque. When asked about why, it was explained as growing up, his father had dreamed and aspired to getting into a Mercedes Benz and it was a bucket list thing, as many people of our generations dreamt of achieving, I would surmise, however, in those days the brand never targeted young owners as their products were

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focussed on those who had “arrived�.

Mercedes has made tremendous strides in changing that with the A-class or I dare say, even the Smart range of the group, that attracts young drivers into the brand all the way to some cars whose price tags stretch into super car prices. The jury is still out on whether the GTs is a worthy replacement to the iconic SLS with its famous gull-wing doors and I am pretty certain that debate alone has got the designers thinking of some special editions of cars to fill a niche gap at

The term SL or Sportlich-Leicht (Sports Lightweight) was coined in 1954 with the introduction of the grand touring car.

the top of the marque, hint-hint, Mr Wagener. Mercedes has done a lot in recent years to attract buyers from all walks of life into a lifestyle as opposed to just having a vehicle. That strategy has paid off as there are several loyal buyers of the brand who have been earned over, especially from the mid2000’s with some pretty decent cars over the last decade.

The term SL or Sportlich-Leicht (Sports Lightweight) was coined in 1954 with the introduction of the grand touring car. Several iconic SLs

were introduced over the years, notably the 190SL of the 1950’s and the SL’s of the 60’s Pagoda’s. The folding hard top versions came about in early 2000’s to ultimately the car that is around today. The face-lifted car that we now see is really a clean-up of the lines to harmonise the shape with other model ranges.

The revised front-end is really pretty and clearly draws inspiration from the 1954 car with bold head lamps and a well-rounded grilled a la 1954 roadster that won so many awards.

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The SL500 is a wonder to drive.

In comfort mode it cruises along swallowing up kilometres in its stride.

The SL500 is powered by a 4.7l V8 bi-turbo and is by no means a slouch, achieving the 0-100kph sprint in 4.6 seconds and an electronically governed top speed of 250kph. For the technical minded, the SL500 has 335 kW and 700 Nm of torque on tap and is mated with a 9-speed automatic transmission.

Fuel consumption is rated at 9.0 L/100km. The SL range starts with the SL 400 that’s powered by an uprated 3.0-litre biturbo V6 producing 270 kW

and 500 Nm of torque also through a 9-speed automatic transmission. On the SL400, acceleration is claimed to take 4.9 seconds. Fuel consumption on this model is claimed at 7.7 L/100 km.

On the interior side, the facia is lined with prominent air vent clusters, with a similar dash style of the GLE, etc. It seems to me that certain model line-ups lag a generation behind the cutting edge internals of the S-class, E-class and C-class, etc. Although, one does not feel

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making this car a wonder to drive and a reasonably practical tourer. The new models can be specified with Active Body Control which tilts the vehicle into bends allowing for even greater stability and control.

The magic unfolds with the dropping of the roof. The SL’s roof mechanism is mechanical art in operation with the intricate design of tucking away the large hard roof and a relatively short space of time given the complexity of the structure. With the roof down, there is enough storage for luggage for a weekend getaway. The mechanism now

has a handy convenience mechanism that allows for roof pieces to move a bit to insert luggage etc, without one having to contort too much.

The SL is a worthy grand tourer in the way grand tourers are meant to be. It is truly deserving of its iconic status which I am sure through the new models starting to emerge from Mercedes Benz, its major competition may start coming from within the Mercedes Benz brand itself with the GTC convertible and the S-class cabriolet. Customers have never been this spoilt for choice.

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that generation gap unless one is used to driving all their models.

The SL500 is a wonder to drive. In comfort mode it cruises along swallowing up kilometres in its stride. In the sportier modes, handling is superb and the car is well balanced on cornering with no shortage of thrust. The exhaust note, whilst considered muted against the AMG versions provides adequate evidence of the V8 under the hood PRESTIGE: IN THE LAP OF LUXURY

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THE LEXUS BRAND IS STEEPED IN ITS OWN HISTORY, AND WITH OUR OBSESSION WITH ITS TOYOTA MOTHER BRAND IN SOUTH AFRICA, ONE IS ALWAYS AT PAINS TO ENSURE THAT THE LEXUS BRAND STANDS HEAD AND SHOULDERS AGAINST ITS GERMAN AND BRITISH RIVALS. LEXUS HAS BEEN SUCCESSFUL IN ACHIEVING THAT DISTINCTION WHERE THE BRAND IS NOW SEEN AS A GENUINE COMPETITOR. by: Carly Bailey Natasen

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he RX series is competing in a heavily traded space with many marques now seeing the lucrative SUV market as a real money spinner. Products now from Jaguar (F-pace), Range Rover (Evoque), etc have entered to compete in the mid-sized SUV. However, it is an important Lexus model as almost one in five Lexus vehicles sold in SA are RX models.

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The design philosophy that drives Lexus is rooted in craftsmanship. When the brand emerged just over 25 years ago, in true Japanese form, Lexus researched the behaviour and needs of high net worth clients purchasing luxury vehicles. They presented a vehicle that drew from the reliability of their Toyota DNA but differentiated it enough as a luxury vehicle that attracted a significant base of customers in its short history to become a strong aspirational brand in the United States. Lexus has started to increasingly leverage this in other territories.

The 2016 RX model has very aggressive styling with sharp angles and an enormous grille, a grille that occupies two thirds of the front profile of the vehicle. The angular, jet-fighter look is deliberately exaggerated through most of the vehicle including the C-pillars, and sloped glass sections. It’s a welcome effect when one compares it to the manner in which most other manufacturers designs are starting to converge.

The RX range in South Africa has two main models the RX350 and the RX450h. The 350 is fitted with a 3.5l quad-cam engine pushing 221kW that achieves a claimed fuel consumption of 9.6 litres per 100 km in mixed cycle.

The RX450h has the same petrol engine but with the addition of two electric motors capable of sending 123kW to the front wheels and 50kW to the rear. The combined power of 230kW is handled through a CVT gearbox. Claimed fuel consumption on the hybrid is 5.7 litres per 100 km. The driver may select electric drive only which can be useful in certain circumstances.

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The RX series comes packed with tons of equipment that is standard when compared to most competitors, making the vehicle a great value for money proposition for a third vehicle or a “mom’s taxi”.

the focus on premium luxury, instead of “better-than-bakkie” utility. The controls, except for the finicky remote controller, are intuitively placed and easy to work. The RX series comes packed with tons of equipment that is standard when compared to most competitors, making the vehicle a great value for money proposition for a third vehicle or a “mom’s taxi”. The rear section has decent leg room with reclining adjustable seats.

In our drive of the RX350, we were very impressed with the quiet noise levels and the smooth ride, especially on gravel roads where many other vehicles lose composure. The vehicle is not as brisk and sporty as some of the

competition performance-wise as clearly comfort and ride quality are priorities of this vehicle.

The Lexus owners I know are very loyal to the brand, in fact many of them own more than one Lexus. Consequently, there is a strong element of brand retention which can only come from a quality product and consistent service.

Sometimes, that may be what it takes to grow in an emerging market where the mother company has got oodles of reach and reputation to be able to underpin a great product offering. The RX range is perfected suited to a discerning client with a penchant for being something different, backed by reliability and performance.

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ANDREW LEOPOLD BECOMES A MEMBER OF THE BENTLEY LIFESTYLE.

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ad one of Bentley’s engineers not mentioned to me between sips of tea that the Bentayga’s syrupy W12 has incorporated start/stop technology to conserve fuel, I am almost certain not to have noticed. I mention this tiny speck of familiar technology because while gliding through London’s congested streets, the engine’s 12-cylinders flutter back into life with silky finesse - a soothing characteristic that becomes synonymous with every mechanical nuance.

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Mosimanns in Belgravia London is our venue for lunch and upstairs Bentley ensures that its own private dining room is always perfectly prepared should one of their customers need a venue to entertain. The furniture is predictably inspired by the same techniques and tools that would later be demonstrated to us at the factory over in Crewe. Around the long table placed in the middle of the room are historic photos along the walls, complemented by an ornate collection of model cars and a stack of classily aged books documenting Bentley’s success in motorsport.

Outside anything less than a fluid arrival of five Bentleys would cause havoc to the traffic but our grand departure is worthy of filling the tabloids. Chauffeured to Bentley’s studio store, London’s seething cauldron is calmed by the Bentley’s stately drive. Not enough time however

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Chauffeured to Bentley’s studio store, London’s seething cauldron is calmed by the Bentley’s stately drive.

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to unbox the wireless headphones and watch the major networks sink their teeth into Trump’s presidential election. Bentley’s entertainment menu however is diverse with on-board Wi-Fi expanding the pre-loaded functions on the 10.2-inch tablets – detachable in the Bentayga where they form a stylish accessory to the home or office.

Westfield Mall in London is home to all the top clothing and electronic brands yet Bentley’s boutique shop juxtaposes our normal perception of selling cars. Over a cup of coffee, our eyes scan the walls which are dotted with Bentley clothing with the occasional whiff of sweet scented Bentley vanity products - a microcosm of Bentley’s main dealership at Crewe, but with one big difference – there are no cars here. The store’s purpose is to provide the first hook into the brand’s aspirational products but any interested customers will still receive

the same knowledgeable service helped by tangible samples of colours and veneers.

Not everyone has time or indeed the sharpness of mind to conceive their personalised Bentley which is why we opted to let Bentley’s Inspirator app track our facial expressions to a number of emotive images, decipher our sub conscious and display the Bentley of our intimate thoughts in a matter of minutes.

The application has notched up a number of awards in its first year but the real experience is parked downstairs where the cars sit in reserved corners of the shopping mall’s basement so customers can test drive them. Not only does this simplify cumbersome expensive showrooms, but it repositions the brand’s accessibility to a market without all the usual commitment strings attached.

Eager to get from London to Crewe

before that last bit of light slips behind the horizon, the Bentayga’s 6.0-litre W12 with twin turbo chargers distorts space with a comical sense of humour.

There are eight driving modes split down the middle between off and on-road; how often you’ll use all of them is probably a moot point but one that doesn’t dampen the outstanding achievement.

Bentley’s own chassis mode ‘B’ reforms chassis ride based on data downloaded from each sensor.

However, Bentayga is one of the few cars where driving modes don’t heavily add or subtract from the experience.

Comfort is never without sufficient levels of Sport and Sport isn’t bereft of ride comfort. Commanding a 0 to 100km/h of 4.0 seconds or racing to a top speed of 300km/h are basic requests, completely regardless of how you’ve chosen to set up your Bentayga.

The roads are narrow, the light

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is dimming and to add to the drama it is spitting with rain. Sub-optimal conditions for a 2.4-tonne SUV – or at least that’s been the lesson in the past. Permanent all-wheel drive and large 22-inch wheels can be optioned with Bentley’s electronic anti roll bars and optional air suspension. This, a combination that reduces body lean, doesn’t incur the usual drawbacks to comfort. Coupled to some extraordinary electronic wizardry to the steering input results in a staggering realisation that this performance SUV will, given the chance, carve up sand dunes or plough through wintery slush.

Next morning, departing from Rookery Hall a Flying Spur, Continental GT, Bentayga and Mulsanne sail in line astern framed by a pattern of golden, brown and green leaves which jump from their branches and float on a biting breeze before sticking to a coating of fresh dew droplets. Rookery Hall is a Bentley favourite, being close

their Crewe factory which we reach by a short chauffeured drive. The factory has undergone several transformations since building Rolls-Royce Merlin engines circa 1940. The original bones of that factory still stand impressively tall but models like the Bentayga have called for additional lines to be installed, pushing capacity to the very edge.

Our tour guide rarely pauses for breath and unloads a deluge of information to some glazed-eyed journalists. Abundantly clear is that Bentley still builds one-off creations by hand as its major contribution to the brand’s cachet.

Hopping across the moving production line, careful not to be sandwiched between a Continental GT and Mulsanne, the sound of sewing machines creates a louder buzz than the engine department. A lady politely demonstrates her technique of crossing a thread (blue in this case on

black leather) under and over through barely visible markings, resulting in a consistent stitch.

Continue to the wood shop and young apprentices will practice their sanding and polishing techniques, creating projects that will one day form part of their portfolio. Designs are mirror-matched for consistency and should anything pick up the slightest bit of damage the wood shop has a precious surplus sourced from the same tree, wherever in the world that might be. Leather is hung over bright light so that damaged pieces can be marked off and then a computer scans the most effective way to cut a dozen flawless hides.

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has arrived for the day; either to see their car being built or to be convinced by the hand-crafted allure that doggedly pays homage to traditional methods.

It’s not uncommon for people to carry their work with them to the lunch canteen, creating an environment where pride is a valued commodity that permeates everything they do.

Walter Owen Bentley could not have possibly predicted that his legacy would continue to thrive under the same roof over a century later. A car like the Bentayga has carved a new path for the marque… a giant chasm from those vintage Bentley anoraks and yet having been immersed in the Bentley lifestyle, watching the transparent, hands-on approach and meeting the talented men and women behind the masterpieces, Bentley’s first SUV has a bright future.

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AND STIRED‌ ASTON MARTIN UNVEILS THE NEW DB11 IN SOUTH AFRICA AND VIVIEN NATASEN ATTENDED AN EXCLUSIVE CLIENT REVEAL.

T

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he DB9, although one of the most celebrated and truly classic designs from the Aston Martin fold, was getting a bit long in the tooth. The DB10 moniker was reserved for a special edition vehicle that was used exclusively in the James Bond Spectre movie. So enter the DB11. The most important trait of the DB11 is the presence of the V12 engine. In today’s world of emission regulations, where its becoming almost socially unacceptable to have high engine capacity powertrains, it is applaudable that certain marques still find ways to comply, yet retain their DNA. The Aston Martin V12 has been iconic since 2001. This new power plant, built in a Ford factory, although Aston Martin will swear this it is their development, is a twin turbo 5.2 litre V12 mated to an 8-speed automatic transmission. The car itself is completely redeveloped in a new light-weight aluminium platform with enhanced build methods that dramatically reduce costs.

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Aston Martin claims that this car does the 0-100 sprint in 3.9 seconds. Thankfully, the presence of the turbochargers does not detract from the wonderful sound of the V12, though more important, have effectively prolonged the life of the V12 until future legislation makes such engines no longer viable.

Looks wise, the DB11 is beautiful to behold in the flesh. It is wonderfully pleasing that the designers were able to modernise the car whilst still keeping what we understand as the Aston Martin DNA intact. Some of these include the raked C-pillar and the prominent front grille. The DB11 has some interesting aerodynamic features, including “Aeroblades” which are vented air scoops to channel airflow from the sides of the cabin through a vented boot lip to create an “air spoiler” to reduce drag. The other prominent deviation is the bonnet lines that now break over the wheel with the wheel arches technically forming part of the bonnet itself.

Interior wise, it has been a while since I have seen such a plush leather interior on a vehicle, in fact, it is so

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Interior wise, it has been a while since I have seen such a plush leather interior on a vehicle, in fact, it is so plush that one would want to live in this car. this space with a modern, clean vehicle that can maintain respect in the market, even against most supercars without directly trying to compete.

With the Vantage also due to be replaced in the future, followed by a modernised top end car to replace the Vanquish and some strategic partners like Mercedes AMG (the future engine of the replacement Vantage) and some clever high end developments such as the Red Bull AM-RB001 hybrid, Aston Martin appears to have a bright future ahead. For now, the new DB11 is a proper Grand Tourer in the way Grand Tourers are meant to be!

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plush that one would want to live in this car. The cockpit is dominated by a massive centre console beautifully adorned with controls and switches, the quality of which are far superior to the DB9. The new infotainment system is also a vast improvement over that of the DB9.

The presence of the automatic transmission, along with the gearing, clearly shows that the intention of the DB11 is to target a conservative well-heeled client base. In fact, Aston Martin admits that DB buyers are more conservative than their Vanquish buyers. They have cleverly then filled

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LAST WORD

trumps I COMING UP

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IN 2017

hate to sound like I am boasting, but I called it, both on Trump and on Brexit.

Don’t get me wrong, I am the unluckiest gambler in the world, so bad that if I ever walk into a casino i expect to lose money, so gambling for me is an occasional pastime dependent on how long it takes to lose the money I set aside to lose.

But, I called it.

I have spent a bit of time travelling the United States in the past and have experienced first-hand the mindsets of extra-urban America. I am not talking of cosmopolitan cities on the east and west coast, I am talking about the parts in between. Given that many Americans have never understood or comprehended a world outside of their borders, and that these mindsets are tainted by what Hollywood portrays the rest of the world as, there is little guesswork or luck involved in predicting this one. So President-Elect Trump is either a super genius pretending to be an idiot or he has some seriously clever advisers and proponents backing him. Despite his numerous utterances that dropped jaws all over the world, the man is set in January to become the leader of one of the most powerful countries in the world.

Trump’s campaign is a lesson in product placement. Obviously, someone did research on the electoral colleges, understood what people want and presented an offering that served the people’s mindset where it counted. Yes we can bleat about Clinton winning the popular vote but it means nothing in the end – Donald trumped Clinton.

I am actually not sure if this is a bad thing. It is a clear message for

politicians that people are tired of promises, they want delivery; they want livelihoods and jobs; they want security.

America has spoken.

So from January 2017, the world will be a different place, and until then we shall all ponder, which Trump is going to show up for duty? The one making the wild statements or the man who will lead America in an inclusive, collaborative manner back to greatness.

In post-election speeches thus far, he is already taking a more statesman-like approach to the issues at hand, so there is some semblance of hope.

So 2017 is set to be a roller-coaster of note. With Trump at the helm of the US and Europe facing its own uncertainties and issues and hopes of many countries climbing out of recession, there is much to pray about.

For Africa (in fact all emerging markets) though it feels like our destinies are out of our hands. In fact, each blip on Europe or the US sends shock waves into emerging territories making us feel like a life raft being beaten around on stormy seas.

With our own issues of a factionalised ruling party, with strongly growing opposition (even though the ANC will not admit it), we are poised for our own perfect storm in 2017. The sad thing about it is that the leaders do not care. Do we have a Donald Trump in our midst? If The Apprentice is anything to go by then that is Tokyo Sexwale – who is probably due for a come-back.

Or maybe, Cyril Ramaphosa, who is the belle of the ball supported by business.

Whoever it is, someone is needed to step up to the plate and fill the gap that South Africans are seeing. The time is now!

Vivien Natasen

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