Fine Art & Decorative Objects - April 1, 2023 @ 10 AM - Pridam's Auctions

Fine Art & Decorative Objects

Saturday, April 1, 2023 10:00AM

Live In-Person and Online

Pridham’s Gallery, Ottawa

Fine Art & Decorative Objects

Saturday, April 1, 2023 at 10:00 AM

Live In-Person and Online

Pridham’s Gallery, Ottawa

Previews:

Thursday, March 30th from 11am to 4pm

Friday, March 31st from 11am to 4pm

Toll Free: 1-877-533-5877

Buyer’s premium 20%

Pridham’s Auctions & Appraisals Gallery

2615 Lancaster Road, OTTAWA

Sale live (webcast) online on:

LIVEAUCTIONEERS.COM

HIBID.COM

Toll free : 1-877-533-5877

Email : info@pridhams.ca

Web : www.pridhams.ca

Fine Art & Decorative Objects

Pridham’s Spring fine art sale will bring to market exceptional examples of fine and decorative arts to include but not limited to the following: Canadian, American and European art with examples by Bruno Côté, F.M. Bell-Smith, Frederick Coburn, John Young Johnstone, Molly Lamb Bobak, Herbert Palmer, Jack Humphrey, Rolland Gissing, John Hammond, Randolf Parker, K. Aivazovsky, Vahram, Peter Beard, L. Van Der Stoffe, B. Lindholm, I. Levitan, G. Munthe, A. Pollentine and John Barker to name a few, rare miniature flowers by Beatrice Hindley, exceptional bracket clock by Perkins & Spencer, K. Fujita glass box, Daum glass, Steuben sculptures, silver by Tiffany & Co., Gerald Benny with royal sypher, Russian stirrup cup, and many other fine Georgian period silver examples, Doulton Burslem “Morrisian”, exceptional Royal Vienna, Sèvres, Baccarat, a very fine Patek Philippe 18k pocket watch in pristine condition, a fine pair of Tiffany & Co. cufflinks along with excellent examples of diamonds, emeralds, sapphires and rubies, very good examples of Inuit stone carvings, a selection of antique and semi antique Turkish and Persian carpets and rugs, along with many other exceptional, high quality works. A sale not to be missed.

Robin Andrew Pridham – President, Pridham’s Auctions & Appraisals; Auctioneer / Encanteur

Josée Bonneville – Chief of Operations / Chef d’administration

François Guenet – Director of Operations / Directeur des opérations

Cassia Jager – Gallery Coordinator & Social Media / Coordinatrice & Réseaux sociaux

Bianca Buyson – Receptionist / Réceptioniste

Ernest Johnson – Catalogue Author / Texte du catalogue

Andrew Rashotte – Photographer / Photographe

Helen Rimmer – Design / Mise en page

FREDERIC MARLETT BELL-SMITH (1846-1923) Canadian

Waterloo Place, Guard’s Monument, London, watercolour on card, 7 1/2 x 4 1/2 inches, signed.

Estimation 1,000-1,500 $

JOHN HAMMOND (1843-1939) Canadian

Sunrise, oil on board, 6 1/4 x 8 1/4 inches, signed and titled verso.

Estimation 600-900 $

FREDERIC MARLETT BELL-SMITH (1846-1923) Canadian

St. Paul’s Cathedral, London, watercolour on card, 7 1/2 x 4 1/2 inches, signed.

Estimation 1,000-1,500 $

INUIT CARVING BY SEEPEE IPEELIE (1940-2000)

Muskox, green mottled black stone, syllabics, dated 1985, Frobisher Bay, Iqaluit, 7 x 9 x 4 inches.

Estimation 800-1,200 $

TWO ARGILITE TOTEM STYLE SCULPTURES

Two totem style carvings, argillite, condition noted to higher (repaired), 9 & 10 inches high.

Estimation 1,200-1,500 $

6

Mug of Daisies, oil on board, 11 x 7 inches, signed, verso signed and titled, and titled on the Kastel Gallery label and the Galerie Colbert label.

Estimation 2,000-3,000 $

MOLLY JOAN LAMB BOBAK, C.M., R.C.A. (1922-2014)

RITA BRIANSKY (b. 1925) Canadian

Waiting at the bus stop, oil on canvas, 36 x 40 inches, signed.

Estimation 1,500-2,500 $

ALLEN SAPP (1929-2015) Canadian

Going to make a sleigh, acrylic on canvas, 20 x 16 inches, signed, verso titled on the artist’s label and dated 1970. Provenance, Continental Galleries, Montreal.

Estimation 2,000-3,000 $

INUIT CARVING BY SEEPEE IPEELIE (1940-2000)

Large Muskox, green mottled black stone, syllabics, dated 1985, Frobisher Bay, Iqaluit, re-attached tip to one antler, 9 1/4 x 13 x 5 1/2 inches.

Estimation 1,000-1,500 $

INUIT CARVING OF A HUNTER

Unidentified artist, bent over hunter, mottled grey stone with a black base, 9 1/4 x 7 x 5 inches.

Estimation 400-600 $

WILLIAM F.G. GODFREY (1884-1971)

Canadian

“York Street Toronto south of Queen C.1930”, oil on board, 18 x 23 inches, signed and dated 1927. Provenance, from the artist through to his grandson, the current owner. Note: It is rare to have an oil painting by this artist as he was best known for his wood cuts. The early Toronto Street scene represented in vivid colour makes this a rare example of Godfrey’s work.

Estimation 800-1,200 $

FREDERICK S. COBURN (1871-1960)

Canadian

Mountain landscape, oil on board, 10 x 13 inches, signed.

Estimation 3,000-5,000 $

INUIT CARVING OF TWO WALRUSES

Unidentified artist, a large & impressive group consisting of 2 Walruses, one resting on top of the other, marbled green stone, lacking 3 tusks, remnant paper label. Measuring, 12” high x 19” wide x 6 1/2” deep.

Estimation 1,500-2,500 $

INUIT CARVING OF A MUSKOX

Unidentified artist, a large and impressive Muskox, green marbled black stone, paper label, condition noted to feet (minor loss), 12 x 13 x 6 inches.

Estimation 800-1,200 $

HERBERT S. PALMER, O.S.A., R.C.A. (1881-1970)

The red oak tree, oil on canvas, 16 X 20 inches, signed, partial artist’s label verso dated 1936, condition noted (pinhole repair middle left). Provenance, Montreal Collection.

Estimation 2,000-3,000 $

16

PETER E. SNYDER (b. 1944 - ) Canadian

Gathering maple sap, oil on board, 24 x 18 inches, signed and dated 1977.

Estimation 500-700 $

HENRY METZGER (1876-1949) Canadian

Portrait of a tribal chief, oil on canvas, 20 x 16 inches, unsigned. Provenance: acquired directly from the artist, early 20th century, thence by descent through the family. Note condition.

Estimation 2,500-3,500 $ 18

INUIT CARVING OF A SWIMMING NARWHAL

Unidentified artist, swimming narwhal, polished marbled grey stone, affixed to wooden base, has Plexiglass cover, 6 x 20 x 9 inches.

Estimation 3,000-5,000 $

INUIT CARVING OF A MUSKOX

Muskox, black stone, paper label, signed in syllabics, artist number (faint), “Barnabus” on paper label, 6 x 7 x 4 inches.

Estimation 300-400 $

20

ROLAND GISSING (1895-1967) Canadian

Rockies landscape, oil on canvas, 16 x 20 inches, signed.

Estimation 800-1,200 $

WILLIAM ARMSTRONG, R.C.A. (1822-1914)

Canadian

Portrait of a native man with pipe, watercolour on paper laid on card, 8 1/2 x 7 1/4 inches.

Estimation 1,500-2,000 $

22

CATHERINE YOUNG BATES (b. 1934)

Canadian

Beside water at the edge of field, oil on canvas, 40 x 30 inches, signed, verso signed and titled and titled on the Montreal Museum of Fine Arts Art Sales and Rentals label.

Estimation 1,000-1,500 $

HORACE CHAMPAGNE (b.1937- ) Canadian

Artist’s Country, Baie St-Paul, 1985, pastel on paper, 18 x 24 inches, signed, verso titled on the artist’s label and the Continental Galleries label.

Estimation 2,500-3,500 $

23A

DAVID IKUTAAQ (1929-1984)

Man with Pipe, black stone, Baker Lake, syllabics, 4 3/4 x 3 inches.

Estimation 300-500 $

24

INUIT CARVING OF A POLAR BEAR

Unidentified artist, Polar bear, dark grey mottled stone, syllabics, 5 x 11 1/2 x 6 1/2 inches.

Estimation 200-300 $

INUIT CARVING OF A GOOSE & OWL BY JOSHUA SHEEQ

A large piece depicting a goose resting on an owl, green-grey stone, paper label, Povungnituk, 10 1/2 x 7 1/2 x 5 1/2 inches.

Estimation 1,000-1,500 $

STEUBEN ‘INUIT FISHER’ SCULPTURE BY J. A. HOUSTON

USA, circa 1970, designed by James Archibald Houston of Corning New York, the rhodium plated sterling silver figure of an Inuit fisherman spear fishing through a partially frosted snow covered diorama, etched signature for Steuben on underside, measuring 6.25” high, fitted within its original velvet & satin lined leather presentation case. Condition noted, there is one tiny fleck at the base. Measuring 6.5” high x 9.75” wide x 11.75” deep.

Estimation 2,000-3,000 $

JOHN YOUNG JOHNSTONE (1887-1930) Canadian

Summer Marsh, oil on canvas, 10 x 18 inches, signed, verso titled on the Galerie d’art Vincent label, certified as an authentic work by J. Russell Harper and with a Kastel Gallery stamp.

Estimation 2,500-3,500 $

28

STEUBEN ‘ICE HUNTER’ SCULPTURE BY J. A. HOUSTON

USA, circa 1970, designed by James Archibald Houston of Corning New York, the rhodium plated sterling silver figure of an Inuit hunter in a kayak paddling through an opening in a partially frosted iceberg diorama, etched signature for Steuben on underside. Condition noted, micro scratches to base. Measuring 6” high, fitted within its original velvet & satin lined leather presentation case, measuring 6.5” high x 9.5” wide x 9.5” deep.

Estimation 2,000-3,000 $

RANDOLPH T. PARKER (b. 1954 - ) Canadian

Emerald Waters, oil on canvas, 16 x 20 inches, signed, verso signed, titled and dated 2006. Provenance, Masters Gallery, Calgary.

Estimation 2,000-3,000 $

30

MOLLY JOAN LAMB BOBAK, C.M., R.C.A. (1922-2014)

Trees, graphite on paper, 24 x 34 inches, signed, titled on the Roberts Gallery label verso.

Estimation 2,500-3,500 $

31

STEUBEN ‘ICE BEAR’ SCULPTURE BY JAMES A. HOUSTON

USA, circa 1970, designed by James Archibald Houston of Corning New York, the rhodium plated sterling silver figure of a polar bear shown poised atop an iceberg, the underside of the base showing surface wear, measuring 5” high, fitted within its original velvet & satin lined leather presentation case. Condition noted, pin head size nick at base. Measuring 6.5” high x 9.5” wide x 9.5” deep.

Estimation 2,000-3,000 $

32

JACK WELDON HUMPHREY (1901-1967) Canadian

Falls Pool, Perry Point, oil on canvas, 48 x 36 inches, signed, verso titled on the Walter Klinkhoff Gallery label.

Estimation 5,000-7,000 $

JOHN RICHARD FOX (1927-2008) Canadian

Nude, charcoal on paper, 30 x 21 1/2 inches, signed, verso titled on the Walter Klinkhoff Gallery label.

Estimation 400-600 $

34

HORACE CHAMPAGNE (b. 1937) Canadian

“Restaurant Parmesan en Hiver”, pastel, 16 x 20 inches, signed, Wallack Galleries label and artist label verso, dated April 1990. (Château Frontenac in the background)

Estimation 2,000-3,000 $

INUIT CARVING BY CHARLIE KITTOSIK

Owl stretching a wing, Belcher Islands, paper labels, October 1974, 4 1/2 x 10 1/2 x 8 inches.

Estimation 400-600 $

36

INUIT CARVING BY JOSIE NULUKIE (1931-1980)

Walrus, polished black stone, Port Harrison, Inukjuak, signed in syllabics, artist number, 7 x 10 x 5 inches.

Estimation 300-400 $

36A

ADAM ALORUT (1980-2020)

Woman combing her hair & holding a mirror (broken tip, requires re-attachment), mirror with her facial reflection, Ottawa based artist (from Iqaluit, Nunavut) marbled light green stone, 10 x 8 x 7 inches.

Estimation 600-900 $

SERGE BRUNONI (1938-2020) Canadian

“Trois-Rivières vue sur le Séminaire St-Joseph”, oil on canvas, 24 x 30 inches, signed, titled, and signed on the canvas verso, Kastel Gallery stamp on the stretcher verso.

Estimation 3,000-5,000 $

RALPH W. BURTON (1905-1983) Canadian

Spring in Lanark Country, oil on board, 10 1/2 x 13 1/2 inches, signed. Verso painted with another spring landscape.

Estimation 800-1,200 $

39

FLEURIMOND CONSTANTINEAU (1905-1981) Canadian

Maisons, rue St-Paul, Montreal, 1962, oil on board, 12 x 15 3/4 inches, signed, verso signed and titled.

Estimation 700-900 $

40

JOHN COOK (1918-1984) Canadian

“South End Halifax”, oil on canvas, 20 x 24 inches, signed and titled verso on the canvas. Provenance: Owner purchased at auction, Lot. 59, Crowther & Brayley Ltd in 2016.

Estimation 800-1,200 $

BRUNO CÔTÉ (1940-2010) Canadian

“L’ile”, oil on masonite, 20 x 24 inches, signed front & verso, Galerie D’Art Vincent label verso.

Estimation 3,000-5,000 $

42

HENRI LÉOPOLD MASSON (1907-1996) Canadian

“Spring mood near Gatineau, Québec”, oil on canvas, 22 x 28 inches, signed and dared 1974, The Art Emporium label verso.

Estimation 1,500-2,000 $

INUIT CARVING BY LUCASSIE QITTUSUK (1908-1978)

Drummer, dark grey stone, paper hang tag, artist number, Belcher Islands, Sanikiluaq, 5 1/2 x 4 x 2 inches.

Estimation 400-600 $

44

PAIR OF REGENCY GLASS DECANTERS

England, circa 1820, both showing mallet shaped bodies with diamond cut & panelled decoration, fitted with fluted stoppers, measuring 9.75” high.

Estimation 350-450 $

PAIR OF EMPIRE BRASS CANDLESTICKS

Circa 1820, France, both showing reeded columns rising from circular bases to nozzles fitted with bobèches, measuring 11” high.

Estimation 400-600 $

46

ALFRED POLLENTINE (1836-1890) British

Grand Canal, Venice, oil on canvas laid on canvas, 12 x 20 inches, signed.

Estimation 1,000-1,500 $

47

ALFRED POLLENTINE (1836-1890) British

The Doge’s Palace, Venice, oil on canvas laid on canvas, 12 x 20 inches, signed.

Estimation 1,000-1,500 $

BEATRICE ELIZABETH HINDLEY (1882-1973) British

A stunning collection of twenty-one hand-wrought miniature metal flowers, each formed & soldered by hand, handpainted and set within a naturalistically modelled ground, then ‘potted’ in their original hand-made & hand-painted ceramic pots. The plants, some of which - but not necessarily illustrated in order are: Tulips, Tulip Tree, Narcissus, Freesia, Anemone, Saxifrage, Primula, Hyacinth, Bulbs, Gentian, Auricula, Winter Aconite, etc. All 21 plants are mounted within their original dedicated three tiered & glass encased stage. The tallest miniature ‘Tulip Tree’ measures a mere 5” high. In addition to the miniatures themselves, an original 1927 Leicester Galleries catalogue referencing an exhibition of Ms. Hindley’s work titled ‘MINIATURE PLANTS by BEATRICE HINDLEY’ is included in the purchase, as well as other related material, photos, etc. All 21 miniatures remain in very good overall condition, the ‘Tulip Tree’ with minor losses, but have been retained, a few pots with minor cracks, the stage exhibiting minor surface wear, portions of loss to molding. Dimensions of stage, 11.5” high x 16” wide x 12” deep. Note: Ms. Hindley is quoted here, taken in part from a magazine article as saying...”Each plant is made entirely by hand. No two are alike either in their bowls or in their detail. I design and paint a suitable bowl to every plant”. “My plants are extremely strong, though they look so fragile. They are made of metal, and each joint is separately soldered. They are based upon hours of study in gardens and at Kew (Gardens)”. Provenance: Princess Patricia Ramsay to her close personal friend, Enid Strathearn Hendrie Owen, to an Owen Family Member (current owner).

Estimation 10,000-15,000 $

ARTHUR MEADOWS (1843-1907) British

Dinant on the Meuse, oil on canvas, 24 x 18 inches, signed, verso signed, titled, dated 1902.

Estimation 1,500-2,000 $

LUIS GRANER Y ARRUFI (1863-1929) Spanish

Girl with paper lantern, oil on canvas, 21 x 17 inches, signed, verso with export stamp from Chile. Condition noted, crease in from the frame on all 4 sides.

Estimation 3,000-4,000 $

JAN JACOBSZ VAN DER STOFFE (1611-1682) Dutch

L’Attaque (The Attack), oil on board, 18 x 25 1/2 inches, signed. Note: old split in panel, professionally restored. Provenance: Norwegian Family (fled Norway in 1943), Ottawa.

Estimation 3,000-5,000 $ 52

GUNNAR-FREDRICK BERNDTSON (1854-1895) Finland

“Capten Alexander von Knorring”, graphite on paper, 7 1/2 x 6 inches, signed and dedicated.

Estimation 500-700 $

HUGO BACKMANSSON (1860-1953)

Finnish Tangiers, oil on canvas, 14 x 10 3/4 inches, signed, titled.

Estimation 400-600 $

54

HUGO BACKMANSSON (1860-1953)

Finnish

Rabat, oil on canvas, 13 x 16 inches, signed, titled.

Estimation 500-800 $

55

BERNDT ADOLF LINDHOLM (1841-1914)

Finnish

Landscape, oil on board, 6 x 9 1/4 inches, signed and dated ‘92, verso, signed and dated 1892 and inscribed in Finnish.

Estimation 2,000-3,000 $

BRONZE IN THE MANNER OF FERNANDO BOTERO

The verdigris patinated bronze figure of a Rubenesque woman standing on one leg, modelled in the manner of Columbian artist Fernando Botero, impressed Monogram EA & edition number I / II to the interior of left leg. Height, 7”.

Estimation 300-400 $

57

KYOHEI FUJITA (1921-2004) Japanese

A late 20th century glass Kazaribako (ornamental box), the thickly walled glass body showing a mottled lavender interior, fitted with a conforming domed lid, the exterior decorated overall with hand applied gold & silver metal leaf and red & white enamels, the underside bearing the artist’s etched signature. Dimensions, 5.75” high x 5” square. Original bill of sale included from the Glass Art Gallery, Toronto, dated 1983. The artist’s work was included in an exhibition held at the Metropolitan Museum of Art, New York City, titled ‘One of a Kind - The Studio Craft Movement’.

Estimation 2,500-3,500 $

58

PETER BEARD (1938-2020) American

Foot ‘n Mouth, Lake Rudolf, polaroid, 4 1/8 x 5 3/4 inches, signed, titled, inscribed 4191 Nairobi, with books as shown. Provenance: The Time is Always Now Gallery, New York.

Estimation 8,000-12,000 $

59

GERHARD P.F. VILHELM MUNTHE (1849-1929)

Norwegian

Evening calm, oil on canvas, 16 x 12 inches, signed and dated ‘20.

Estimation 1,500-2,500 $

I. KONSTANTINOVICH AIVAZOVSKY (1817-1900) Russian

Shipwrecked sailors after the storm, oil on board, 8 x 10 inches, signed.

Estimation 20,000-30,000 $

61

BERNDT ADOLF LINDHOLM (1841-1914) Finnish

Landscape, oil on board, 6 x 9 1/4 inches, signed and dated ‘92, verso, signed and dated 1892 and inscribed in Finnish.

Estimation 2,000-3,000 $

62

ISAAK LLYICH LEVITAN (1860-1900) Russian

“Road to Kiev”, oil on panel, 10 x 14.5 inches, signed.

Estimation 1,500-3,000 $

F. JACOBUS VAN ROSSUM (1856-1917)

Dutch

Milkmaid on a path, watercolour on paper, 9 x 12 1/2 inches, signed.

Estimation 500-800 $

64

LOUIS METTLING (1847-1904) French

The Tinker, oil on board, 12 x 16 inches, signed.

Estimation 1,000-2,000 $

HENRY SAINT-CLAIR (1899-1990) French

Paris street scene, oil on board, 26 1/2 x 29 inches, signed.

Estimation 800-1,200 $

19TH CENTURY FIGURAL ORMOLU DOUBLE SALT CELLAR

France, circa 1870, showing a finely cast & richly gilded figure shouldering twin open salts in the form of woven baskets, standing upon a naturalistically modelled ground atop a turned antica-verde marble base, measuring 8.25” high.

Estimation 350-450 $

67

HENRY SAINT-CLAIR (1899-1990) French

Pink umbrella, mixed media / paper, 16 x 16 inches, initialed, “The Gallery, Nantucket” label verso.

Estimation 500-700 $

68

HENRY SAINT-CLAIR (1899-1990) French

Going this way, mixed media / paper, 16 x 16 inches, initialed, “The Gallery, Nantucket” label verso.

Estimation 500-700 $

69

HENRY SAINT-CLAIR (1899-1990) French

At the beach, mixed media / paper, 16 x 16 inches, initialed, “The Gallery, Nantucket” label verso.

Estimation 500-700 $

ALBERT CUYP (1620-1691) Dutch

Graceful barnyard, large oil on canvas, 35 x 50 1/2 inches, relined, Iegor Montreal label verso, Lot P-607. Provenance, Westmount Collection. Note: Albert Cuyp’s graceful barnyard work is likely one of the last grand paintings of his life. Once Cuyp married in 1658, his artistic career gradually came to a halt. In the early 1650s, Cuyp transitioned away from landscape painting and created many large-scale works that focused on foreground figures. Here, Cuyp depicts various large scale barnyard duck & birds which are highlighted by his masterful use of the full chromatic scale of twilight colours. The application of light brown and straw yellow tones, which Cuyp learned early on in his career from the prolific Dutch painter Jan van Goyen, give the subjects an added depth and luminosity that sets Cuyp’s work apart from his contemporaries. Thanks to Pridham’s gallery coordinator, we now have natural light (taken outside) photos.

Estimation 8,000-12,000 $

A ray of light, oil on canvas, 24 x 35 inches, signed. Condition noted, 2 old repairs to canvas, original frame heavily distressed.

Estimation 1,000-1,500 $ 72

19TH C. BRONZE PANTHER BY JOHN MACALLAN SWAN (RA)

The figure of a crouching panther poised atop a rocky mound by British Royal Academy artist John Macallan (1847-1910), signed in script in the mold together with foundry mark & dated 1892, exhibiting a medium brown patina overall, measuring 9.5” high x 9.75” wide.

Estimation 2,000-3,000 $

JOHN BARKER (1811-1886) British

GEORGE STANFIELD WALTERS (1838-1924) British

Sailing boats in an English harbour, watercolour on paper, 20 x 30 inches, signed.

Estimation 500-800 $

74 JAMES HARRINGTON (b. 1929) American

Garden encounter, oil on canvas, 13 1/2 x 17 1/2 inches, signed, “The Gallery at Four Indian street” label verso.

Estimation 800-1,200 $

LEONARD T. FOUJITA (1886-1968) French/Japanese

Jeunne fille avec un chat, lithograph on paper, 1956, 15 x 13 inches, signed and editioned 54 / 100.

Estimation 500-800 $

76

EARLY 20TH CENTURY BRONZE OF A SEAFARER

The ruggedly cast figure of a bare-footed seafaring man seated upon a mooring post, by Finnish artist John Munsterhjelm (1879-1925), signed in script on the base along with Helsinki, Finland. Exhibiting a dark brown patina overall with traces of verdigris, measuring 10.5” high.

Estimation 500-700 $

ALEXEI PETROVICH BOGOLYUBOV (1824-1896) Russian

Leaving the harbour, oil on canvas, 11 1/4 x 17 1/2 inches, signed. Note: “Leaving the Harbour,” as we have titled it, demonstrates Bogolyubov transitional shift from Romanticism to Realism. Bogolyubov began his artistic career studying under Maxim Vorobiev at the Saint Petersburg Academy of Arts. Vorobiev’s dedication to the romantic style heavily influenced Bogolyubov’s early works. However, once Bogolyubov graduated he spent many years travelling across Europe, working in Italy, Germany, and France. In Paris, he connected with Jean-Baptiste-Camille Corot and Charles-François Daubigny, members of the Barbizon School. Bogolyubov’s work began to embrace the ways of the Barbizon School - painting the world as they saw it - without the emotive melodrama found in the predominant romantic style of the time. In “Leaving the Harbour” the visibility of the brush strokes in the sky and water point to the Barbizon Schools influence, whereas the scene itself still contains elements of Romanticism love for melodrama. The choice to depict sailors traversing choppy waters as they make their way to their ship leads the viewer to contemplate the dangers of the seas. The rough waters and subdued colour palette hint to future tumultuous storms the sailors may have to face on their journey. Despite these suggestions, the use of a softer more realistic lighting, compared to the drastic contrast of light and shadow found in romantic pieces, points to Bogolyubov’s newfound appreciation of realism. Together, these various stylistic influences make “Leaving the Harbour” an exemplary work of Bogolyubov’s transition from Romanticism to Realism. The stylistic shift he made abroad deeply affected his return to Russia. Instead of following the ways of his Russian predecessors, his works lost all traces of Romanticism and were replaced with a staunch realism that led him to work with a group of younger Russian artists, The Wanderers, in the latter part of his career. Provenance, Bertie Bruun (Norwegian), worked at a Finnish embassy during the second world war, assembled a significant art collection during this period from reputable galleries. Brunn, a successful businessman, eventually immigrated to Canada with the collection being passed down in the family, to current owners (Ottawa).

Estimation 15,000-20,000 $

78

JOHN LEWIS BROWN (1829-1890) British

Cavalry manoeuvres, oil on board, 11 1/2 x 8 inches, signed.

Estimation 800-1,200 $

79

19TH CENTURY EUROPEAN SCHOOL

Merrymaking scene, oil on canvas, 16 1/2 x 21 inches, signed indistinctly Della. John Reeves canvas, maker’s stamp for circa 1850.

Estimation 500-700 $

80

PAL FRIED (1893-1976) Hungarian

Prima Ballerina, oil on canvas, 24 x 30 inches, signed, verso titled and numbered 38756 / 250.

Estimation 700-900 $

81

CARL MÜLLER-BAUMGARTEN (1879-1946) German

Gathering the hay, oil on board, 7 x 14 inches, signed.

Estimation 300-400 $

82

BOGDAN MOLEA (b. 1958) Romanian

Five Ballerinas, large oil on canvas, 6 x 8 feet, signed and dated 1999, unframed, not stretched, disassembled stretcher on hand.

Estimation 2,000-3,000 $

83

VAHRAM DAVIDIAN (b. 1961) Armenian

“The Red Summer”, oil on canvas, 35 x 51 inches, signed, titled and dated 2007 verso, Noah’s Ark Gallery certificate included.

Estimation 10,000-15,000 $

RUTH A.M. MILLES (1873-1941) Swedish

“Yvonne”, an early 20th century patinated bronze of a young girl shown standing on a molded base, titled & signed in the mold, stamped FRANCE twice, no visible foundry marks, measuring 10” high.

Estimation 600-800 $

NAPOLEON III PART EBONIZED COIFFEUSE

France, circa 1870, the curvilinear shaped & hinged top showing a foliate marquetry cartouche surrounded by diaper-work parquetry motifs & gilt bronze mounts, the bird’s eye maple lined interior fitted with twin lidded compartments and a dressing mirror, the conforming frieze fitted with a single drawer and raised overall on four toupie supports braced by an X shaped stretcher, minor distress to inlay & moldings, interior elements missing. Dimensions, 28.75” high x 27” wide x 16.5” deep.

Estimation 900-1,200 $

86

An antique Caucasian Kuba wool carpet, all wool vegetable dyes, late 19th century. Condition, very good overall condition, with some wear and separation in places at the edges. 10’1/4” x 5’7/8” (123 x 70.5 inches).

87

England, circa 1870, both fitted with brèche violette marble tops raised on 4 carved supports decorated with swags & lions’ head capitals terminating to paw feet, rubbing & losses to gilding. Dimensions, 24” high x 19.5” diameter.

Estimation 1,500-3,000 $ 88

Estimation 700-900 $

KAZAK RUNNER

A very good early 20th century finely made wool Kazak runner, very good condition, 9’11” x 2’5”.

Estimation 700-900 $

PAIR OF 19TH CENTURY GILTWOOD PLANT STANDS

CAUCASIAN KUBA CARPET

FINE 19TH CENTURY STERLING TEA / COFFEE SERVICE

Hallmarked Edinburgh Scotland, consisting of a coffee pot, teapot, cream jug & sugar bowl, all showing richly chased & embossed decoration & blank cartouches - the cream jug & sugar bowl exhibiting finely gilded interiors. All bearing Edinburgh hallmark & maker’s marks for James Howden & Co., the teapot, sugar bowl & creamer with date marks for 1838, the coffee pot with date mark for 1837. Height of coffee pot 12.25”. Combined weight, 2505 grams (80.53 troy ounces).

Estimation 2,500-3,500 $

90 LIMOGES PORCELAIN

Twelve very good Limoges porcelain dinner plates, each showing a beautiful classical gilt border. Very fine quality. Measuring, 10 1/2 inches in diameter.

Estimation 500-700 $

SÈVRES STYLE GILT BRONZE LIDDED URN

A large and impressive Sèvres style gilt bronze lidded urn. The ground of Bleu-de-Roi showing 2 hand-painted panels, one of a bird amongst berries & flowers, and the other of mother with children in a court yard. Signed A. Deloubout, each panel framed in elaborate gilt decoration. The mark to the lid shows a date letter of 1755. An old label fitted to the underside of the lid describes provenance as “Formally in the Countess of Harborough’s Collection, Stanley Lodge, Exmouth”. Measuring 24” high x 13” wide.

Estimation 1,000-1,500 $

91

18TH C. HEPPLEWHITE SERPENTINE CHEST OF DRAWERS

England, circa 1780, the finely figured serpentine shaped mahogany case fitted with 4 tiers of graduated full width drawers with solid drawer fronts, all retaining original locks & later brass ring pulls, raised overall on splayed French feet and exhibiting a fine old patina & a French polished finish overall, measuring 37.75” h x 22.75” d x 39” w.

Estimation 2,000-3,000 $

92

19TH CENTURY BRITISH SCHOOL

Portrait of a gentleman, circa 1830, pastel on paper, 10 1/2 x 8 1/2 inches.

Estimation 500-800 $

94

PAIR OF 18TH CENTURY SILVER CANDELABRA

England, both with flaring columns & tulip shaped nozzles rising from pitch-filled weighted sterling silver bases, both bearing Sheffield Hallmarks with partially rubbed maker’s marks for John Fenton & Co., one with date mark for 1791, the other for 1792. Both fitted with detachable twin branches in ‘Old Sheffield Plate’. (Pitch detached in one base). Height of candlesticks, 11.5”, height fitted with branches,16” high.

Estimation 900-1,200 $

93

19TH CENTURY BRITISH SCHOOL

Portrait of a lady, circa 1830, pastel on paper, 10 1/2 x 8 1/2 inches.

Estimation 400-600 $

GEORGE III STERLING SILVER TEAPOT

Hallmarked London 1783, with maker’s marks for John Wakelin & William Taylor, the oval shaped body decorated with bright-cut detail and an oval cartouche, fitted with a cylindrical spout, hinged lid & carved fruitwood knop & handle. Height, 5.25”. Overall weight, 572 grams.

Estimation 500-700 $ 96

18TH C. GEORGE III STERLING SILVER SAUCE BOAT

Hallmarked London 1764, maker’s marks rubbed but likely for William Cripps, decorated in the Rococo manner with flower heads, exotic landscapes & birds of paradise, monogrammed, the underside of the pedestal foot bearing scratch weight, 2 tears to the body at the handle join (each side). Length, 7.5”, weight, 325 grams.

Estimation 400-600 $

TURKISH CARPET

A very good Konya region Turkish carpet, wool on wool, 7’4” x 4’7”.

Estimation 500-700 $ 98

KILIM TURKISH CARPET

A good Kaysehri region Kilim Turkish carpet, all wool, “Tree of Life“ design, (40 years old in 1989), 7’2” x 3’10”.

Estimation 300-500 $

TWO GEORGIAN STERLING SILVER IMPLEMENTS

Consisting of a pair of asparagus tongs with bright cut decoration, date & town marks rubbed, maker’s marks WB, BADA medallion attached, repairs noted, together with a nutmeg grater, hallmarked London 1814, with maker’s marks for Thomas Phipps, Edward Robinson & James Phipps. Combined weight, 168 grams.

Estimation 500-700 $

100

THREE GEORGIAN STERLING SILVER SERVING SPOONS

All in the “Onslow” pattern, consisting of a monogrammed serving spoon with a shell-shaped bowl bearing a London hallmark but with rubbed maker’s mark & date mark, measuring 10.5” long, together with a rat-tail stuffing spoon, hallmarked London 1736 with maker’s mark for Robert Ross, measuring 11.5” long, and lastly a dessert spoon with a shell-shaped bowl, measuring 6.75” long. Combined weight, 237 grams.

Estimation 300-500 $

GROUP OF FIVE STERLING SILVER LADLES

England, all in the “Onslow” pattern, consisting of a pair of sauce ladles with gilt washed shellshaped bowls, hallmarked London 1775 and maker’s marks for George Burrows, measuring 7” long, two 18th century sugar sifting ladles with pierced bowls - one gilded, rubbed hallmarks, one measuring 6.75” long, and one small sifting ladle with a writhen stem, hallmarked Birmingham 1905, measuring 4.5” long, Combined weight, 191 grams.

Estimation 300-500 $

102

THREE GEORGIAN STERLING SILVER CREAM JUGS

Consisting of 1 oval bellied form with a loop handle & monogram, hallmarked London 1810 with partially rubbed maker’s marks for Andrew Field, measuring 4.5” high, 1 of lobed bellied form with a reeded angular handle & monogram, repaired, rubbed hallmarks, measuring 4.25” high, together with 1 of compressed oval form raised on ball supports, dented, hallmarked London 1818, maker’s marks rubbed but likely William Bennett, measuring 6” long. Combined weight, 433 grams.

Estimation 350-450 $

TWO PAIR STERLING SILVER SERVING PIECES

England, consisting of a pair of Victorian sauce ladles hallmarked London 1840 with maker’s marks for Samuel Hayne & Dudley Carter, measuring 7.25” long, together with a pair of Georgian ice cream shovels with family crests, hallmarked London 1798 with maker’s marks for Richard Crossley, measuring 8.75” long. Combined weight, 393 grams.

Estimation 600-800 $

104

THREE GEORGE III STERLING SILVER SERVING PIECES

Consisting of a pudding trowel with a pierced & engraved blade affixed to a turned fruitwood handle, void of hallmarks due to early repairs as observed on the underside of the blade, measuring 13” long, together with a soup ladle in the “Old English” pattern with a monogrammed handle, hallmarked London 1805 with maker’s marks for William Eley 1st & William Fearn, measuring 13”, and lastly a stuffing spoon in the “Fiddle” pattern hallmarked London 1831 with maker’s marks for William Brown, measuring 12.25” long. Combined weight (including pudding trowel wooden handle), 488 grams.

Estimation 400-600 $

MATTHEW BOULTON OLD SHEFFIELD PLATE CANDELABRA

England, circa 1825, showing flaring columns with applied acanthus leaf decoration, rising up from circular bases bearing impressed marks for Matthew Boulton, terminating to detachable twin branches with campagna shaped nozzles & detachable bobèches over foliate decorated drip pans, two bobèches repaired. Height as candlesticks, 9.75” high, height as candelabra, 16.25”.

Estimation 1,500-2,000 $

106

KERMAN RUNNER

A good vintage Kerman runner with an overall floral design, 12’10” x 2’6”.

Estimation 400-600 $

TWO EDWARDIAN STERLING SILVER SALVERS

One hallmarked Chester 1908 with maker’s marks for Barker Brothers, showing a foliate engraved surface with a rocaille border, the underside bearing Canadian retailer marks for G. SEIFERT & SONS, MONTREAL, raised upon 4 rocaille supports, measuring 1” high x 9.25” diameter, together with a larger salver hallmarked Sheffield 1903 with maker’s marks for Walker & Hall, showing a plain surface centred by a blank foliate engraved cartouche and a rocaille border, raised on 3 pierced rocaille supports, measuring 1.25” high x 12.75” diameter. Combined weight, 1156 grams.

Estimation 1,200-1,500 $

108

TWO SCOTTISH GEORGIAN STERLING SERVING PIECES

Consisting of a soup ladle in the “Fiddle” pattern, hallmarked Edinburgh 1817 with maker’s marks for Luke F. Newlands, measuring 14” long, together with a fish slice in the “Fiddle” pattern, hallmarked Edinburgh 1804 with maker’s marks for Robert Gray & Son, measuring 11” long. Combined weight, 317 grams.

Estimation 350-450 $

VICTORIAN STERLING SILVER FISH KNIFE & FORK

Both hallmarked London 1853 with maker’s marks for George William Adams, in the “Old English” pattern with monogram, the blade & tines with foliate engraved detail, the knife measuring 12.75” long, the fork 10.25” long. Combined weight, 243 grams.

Estimation 250-350 $ 110

19TH C. ANGLO COLONIAL LIDDED SILVER SAUCEPAN

India, circa 1840, the saucepan with a straining spout and fitted with a turned hardwood handle, and lid with a turned hardwood finial, both monogrammed, the underside of the pan stamped with maker’s marks for George Gordon & Co., working 1821-1848 in Madras. Dimensions, 3” high (at the finial) x 10.75” long, overall weight (including handle) 276 grams.

Estimation 500-700 $

IMPORTANT PAIR OF CANADIAN STERLING SILVER TONGS

Montreal, circa 1790, sugar tongs decorated with bright-cut detail & monogrammed, the interior stamped with maker’s marks MA MONTREAL, for Montreal silversmith Michael Arnoldi (working 1794-1807), measuring 6.1/8” long, weighing 42 grams. Works by Michael Arnoldi are held in Quebec City at the Musée du Québec and at the Archbishop’s palace; in Montreal by the Religious Hospitallers of St Joseph; in Ottawa in the Henry Birks Collection of Silver at the National Gallery of Canada; and in 2 churches in the province of Quebec: SainteFamille (Boucherville) and Sainte-Geneviève (Berthierville). Ref: Dictionary of Canadian Biography.

Estimation 600-800 $

112

VERY GOOD GEORGIAN STERLING SILVER CRUET SET

Hallmarked London 1820, the stand & 4 silver lids bearing London hallmarks with date letter for 1820 and maker’s marks for Joseph Angell 1st, the stand fitted with a foliate inspired carrying handle & gallery housing eight cut glass condiment jars - 4 with sterling lids and 4 with cut glass ‘mushroom’ stoppers. The base showing gadroon decoration and raised overall upon 4 lion’s paw supports. Some bottles with minor losses & flakes. Dimensions of stand, 8.75” high x 8.25” wide x 6.5” deep. Silver weight, not including lids, 690 grams.

Estimation 1,200-1,500 $

THREE PAIRS OF SILVER GRAPE SCISSORS

One pair in sterling silver by Gorham circa 1950, one pair in silver-gilt bearing London hallmarks & date mark for 1894, the third pair with silver handles only (unmarked), origin unknown. The longest pair measuring 7”. Combined weight, 314 grams.

Estimation 275-375 $

114

ART DECO STERLING SILVER PORRINGER & QUAICH

England, both bearing Edinburgh hallmarks with maker’s marks & retailer marks for Brooks & Sons, Edinburgh, the porringer bearing date mark for 1921, measuring 2” high x 7” wide across the handles, the quaich bearing date mark for 1923, measuring 1.25” high x 4” wide across the handles. Combined weight, 293 grams.

Estimation 300-350 $

20TH CENTURY BIRKS STERLING SILVER ROSE BOWL

Canada, the circular body rising from a conforming reeded foot to a reeded rim, bearing Birks maker’s marks & retailer mark together with date mark for 1948, measuring 4.25” high x 8” diameter. Weight, 510 grams.

Estimation 300-400 $

GEORGE V STERLING SILVER TABLE TOP CIGAR HUMIDOR

England, bearing London hallmarks with date mark for 1931 and maker’s marks for William Comyns & Sons Ltd., the rectangular base with a hinged & monogrammed lid opening to a wood lined interior, the underside with a black leather panel, measuring 2.75” high x 8” wide x 4” deep. Weight, 721 grams.

Estimation 325-425 $

PAINTED KPM (BERLIN ROYAL PORCELAIN) PORTRAIT

Germany, circa 1870, a finely detailed handpainted portrait of a stately gentleman attired in a black tunic, signed lower right in script ‘Fr. Till, Dresden’ (for Franz Till). The reverse bearing impressed factory marks KPM, scepter mark and cypher marks H / 237 158. Framed within what appears to be its original ebonized wood frame & velvet fillet. Dimensions, 9.25” high x 6.3/8” wide (sight), framed dimensions, 13” high x 10.5” wide. Provenance, the reverse showing remnants of a paper gallery label for ‘HANNA WORKS OF ART’, along with a location reference to The Whitney Building. Records show that several Detroit art galleries were owned either solely or in part by the Hanna family. Records for John Hanna Galleries show they operated from 1885 until 1962. There is little biographical information about the artist Franz Till, other than he is known to have executed several works for KPM (Berlin Royal Porcelain Factory) during the second half of the 19th century.

Estimation 400-600 $

VERY GOOD GERMAN BAROQUE STANDING SALT

German, nicely cast with grotesque figures and heraldic beasts on each of the 3 sides, and a crested shield on one (stork with snake), base hallmarked with multiple marks, probably by J.D. Schleissner & Söhne of Hanau, Germany. The firm was the pre-eminent producer of antique style silverware in the late 19th century, exhibiting in the 1893 Chicago Columbian Exposition and the 1904 St Louis international exposition. Measuring, 4” high and 598 grams.

Estimation 600-800 $

TURKISH YAHYALI CARPET

A Turkish Yahyali, all wool carpet, hand-spun, vegetable dye carpet (40 years old in 1988), 7’4” x 3’11”.

Estimation 600-900 $

120

PAIR OF 19TH C. OLD SHEFFIELD PLATE WINE SLIDES

England, circa 1820, the swelled bodies fitted with turned wooden bases centred by sterling silver roundels with partially rubbed hallmarks, with date letter for 1821, overall wear noted.

Dimensions, 2” high x 6.25” diameter.

Estimation 250-350 $

STERLING SILVER FLATWARE SERVICE BY

MAPPIN & WEBB

All bearing Sheffield hallmarks with date letter for 1928 and maker’s marks for Mappin & Webb, consisting of a total of 185 pieces, comprised of 11 (6”) cake forks, 7 (6.5” ) salad forks, 7 (8.25”) dinner forks, 16 (7.25”) luncheon forks, 6 fruit forks, 8 fruit knives, 8 (9.25”) luncheon knives, 8 (9.5”) dinner knives, 6 fruit forks with gilded tines, 6 fish knives with gilded blades, 6 butter spreaders, 16 (7”) dessert spoons, 9 (8.5”) tablespoons, 24 (5.5”) tea spoons, 17 (4.75”) coffee spoons, 10 (4.5”) demi-tasse spoons, 8 (5”) bouillon spoons, 7 (6”) cream soup spoons, and 1 (7.25”) serving fork. Combined weight (excluding the weighted silver knife handles), 5044 grams or 162.16 troy ounces.

Estimation 3,500-4,500 $

TURKISH KILIM RUG

A large and beautiful antique Turkish Kilim rug, traditional two-piece rug hand-sewn through the MIDDLE (separation of seam), 14’ x 5’2”.

Estimation 800-1,200 $

SPODE PORCELAIN

“Spode Copelands China, England” porcelain consisting of eighteen dinner plates (9 1/2 inches dia.), 2 square bowls (8 1/2 inches dia.), along with another oblong serving bowl ( 8 1/2 inches dia.), each hand- decorated and accented with a fanciful gilt border, fine quality.

Estimation 300-500 $

TWO PORTRAIT MINIATURES

Continental, 19th century, one of a young woman in a green gown next to a stringed instrument, oil on porcelain, signed Ulbrich lower right for Johann Pius Ulbrich (1801-1880), labels verso, measuring 3.5/8” high x 2.7/8” wide, set within a later frame measuring 6.5” high x 5.5” wide, together with a portrait of a young woman in a frilled gown, oil on vellum signed with monogram KS lower right, measuring 3.25” high x 2.5” wide (sight), set within a frame measuring 5.5” high x 4.75” wide.

Estimation 400-600 $

TWO PORTRAIT MINIATURES

One late 19th century portrait of young woman in period attire with bouffant hair & garlands (circa 1900) , oil on porcelain, apparently unsigned, measuring 3.1/8” high x 2.3/8” wide (sight) set within an oval easel frame decorated with faux stones measuring 3.5” high x 3.25” wide, together with a late 18th / early 19th century portrait of a noblewoman in classical attire front an open landscape, watercolour, apparently unsigned, measuring 3.25” high x 2.25” wide (sight), set within an ormolu filigree frame measuring 4.75” high x 4.25” wide.

Estimation 400-600 $

126

TWO PORTRAIT MINIATURES

A late 19th century Continental portrait of young peasant woman, oil on porcelain, apparently unsigned, measuring 3.25” high x 2.5” wide (sight) set within a molded ormolu frame measuring 4.75” high x 4” wide, together with an early 19th century portrait of a gentleman in a navy tunic, oil, watercolour & gouache, apparently unsigned, measuring 2.75” high x 2.25” wide (sight) set within an oval copper frame measuring 3.25” high x 2.75” wide.

Estimation 400-600 $

18K GOLD PATEK PHILIPPE & CIE POCKET WATCH

France, 1899, the 18 carat yellow gold case with a monogrammed back, housing a white enamelled face with a register for 12 hours & 60 minutes, blackened Arabic numerals & pierced gilt hands, fronting a 70 jewelled mechanism with a keyless lever escapement & compensated balance, with registration number #104772. Retaining its original fitted case, as well as certificate of origin / warranty dated May 24th 1899. Measuring 1.75” diameter. In excellent running order at the time of cataloguing.

Estimation 7,000-9,000 $

TIFFANY & CO. 18K GOLD & LAPIS CUFFLINKS

In the “Acorn” pattern, in 18kt yellow gold with 4 lapis lazuli cabochons, by Jean Schlumberger, signed “Tiffany & Co 18K” & “Schlumberger”, measuring 1.375” long and 13.8 grams total weight.

Estimation 1,000-1,500 $

129

14K GOLD & DIAMOND CUFFLINKS & STUDS

A set of Birks14K yellow gold & diamond cufflinks and a pair of matching shirt studs, the bezel set diamonds forming the source for the ray pattern engraved on the surface, total weight 16.9 grams.

Estimation 700-900 $

130

PAIR OF GOLD CUFFLINKS

A pair of dome-form cufflinks, textured as loose weave, unmarked but testing for at least 14kt gold, weight 12.6 grams.

Estimation 400-600 $

GOLD CUFFLINKS & GOLD TIE BAR

A pair of round cufflinks in 10kt yellow gold (4.5 grams), the other pair in 14kt yellow gold backs & mother of pearl fronts centred by diamonds in a caliber cut garnet border, together with a textured 14kt yellow gold tie bar (6 grams).

Estimation 400-600 $

132

TWO PAIRS OF CUFFLINKS

A pair of 14kt yellow gold oval cufflinks, textured as fabric with chamfered edges (weight 13.8 grams), together with a pair of gold-tone red enamelled cufflinks with rampant lions by Sporrong of Sweden.

Estimation 400-500 $

TIFFANY & CO. STERLING SILVER FLATWARE

A near complete lunch & dinner flatware service for twelve in the “Windham” pattern (circa 1923) consisting of 123 pieces, some bearing monograms, maker’s marks for Tiffany & Co. & date mark used 1907-1947. Comprised of 15 (10”) dinner knives, 9 (9.5”) luncheon knives, 12 (7.75”) dinner forks, 12 (7”) luncheons forks, 11 (6.75’) salad / dessert forks with gilded tines, 12 (5.3/8”) boullion spoons, 12 (5.78”) orange / fruit spoons, 12 (5.75”) teaspoons, 12 (7.1/8”) tablespoons, 12 (6.1/8”) seafood forks, 1 (9.25) serving spoon, 1 (7”) condiment ladle, 1 (7.5”) sauce ladle. Total combined weight (not including the silver handled knives), of 5218 grams or 167.76 troy ounces.

Estimation 3,500-4,500 $

134

SHIBAYAMA BEAKER

Japan Meiji Period (1868-1912), the flaring body decorated with motifs of songbirds & waterfowl against a treed landscape in enamels, gilt & mother of pearl, areas of loss & rubbing, measuring 6.3/8” high x 3.5” diameter.

Estimation 350-450 $

GEORGE V STERLING SILVER TEAPOT ON STAND

Hallmarked London with date letter for 1931 and maker’s marks for Charles Stuart Harris & Sons Ltd., showing a baluster shaped body fitted with a swing handle and richly decorated in the Rococo manner with embossed & engraved motifs of flower heads & leafy scrolls, mounted to its pierced & cast hallmarked base housing its original hallmarked burner, raised overall on a trio of cabriole supports atop shell-shaped feet. Height to finial, 11”, height to handle positioned up, 14.5”. Combined weight, 2332 grams or 74.97 troy ounces.

Estimation 2,000-2,500 $

136

PAIR OF REGENCY HURRICANE GIRONDOLES

English, circa 1825, both showing baluster shaped columns rising from cupped bases to drip pans hung with prisms & fitted with cut glass hurricane shades (one later), minor frits & losses, measuring 24.5” high.

Estimation 1,200-1,500 $

LARGE GEORGIAN GLASS CENTREPIECE

English, circa 1830, the large rummer-shaped bowl atop a short stem rising from a spreading circular foot. Dimensions, 9” high x 9.75” diameter.

Estimation 300-400 $

138

20TH CENTURY BRUTALIST BRONZE

German, circa 1950, composed of 2 figures sharing a kiss, exhibiting a dark brown patina, stamped H. Noack Berlin, for Hermann Noack Foundry established in 1897 in Berlin. Measuring, 6 3/4” high.

Estimation 500-700 $

139

VERY GOOD ART DECO DAUM GLASS CENTRE BOWL

France, circa 1920, the swelled body showing a mottled yellow & brown field with swirling teal striations rising to a peaked rim, signed in the body Daum Nancy together with the Cross of Lorraine, the underside showing a ground pontil mark. Dimensions, 5.75” high x 9.5” diameter.

Estimation 2,500-3,500 $

140

EIGHT STERLING SILVER UNDERPLATES

Reed & Barton USA, all of circular form with dished centres, monograms and maker’s marks on the reverse, 4 measuring 11” diameter - 2 with date mark for 1955, the remaining 4 measuring 6.5” diameter with date marks for 1955, all with surface wear. Combined weight of 3067 grams or 98.60 troy ounces.

Estimation 2,500-3,500 $

TWO AMERICAN STERLING SILVER SALVERS

Both American 20th century, one with a plain surface and Chippendale style rim, the underside with maker’s marks for Gorham & date mark for 1954, pattern name “Chippendale”, measuring 12” diameter, the 2nd of plain form with a dished centre & monogram, the reverse with maker’s marks for Kirk & Son, measuring 12” diameter. Combined weight, 1566 grams or 50.34 troy ounces.

Estimation 1,500-1,800 $

142

LENOX FOR S&G GUMP CO. PORCELAIN

Eight Lenox dinner plates with a blue & gilt floral rim, retailed by S&G Gump Co., San Francisco. Measuring 10 1/2 inches diameter.

Estimation 200-300 $

143

UNUSUAL TIFFANY & CO. STERLING SILVER ENTRÉE DISH

New York, circa 1950, the octagonal sided base with a petal border and monogrammed centre, receiving a pierced gilt brass mazarine over a perforated removable silver plated insert, all with corresponding Tiffany & Co. maker’s marks, pattern marks #18867 & date marks (used 19071947). Measuring 2” high x 11.5” diameter. Silver weight, 863 grams.

Estimation 900-1,200 $

144

MINTON’S FOR TIFFANY & CO. PORCELAIN

Eleven Minton’s demi-tasse & saucer for Tiffany & Co. NY in the “Imperial” pattern.

Estimation 300-500 $

145

CAULDON FOR WILLIAM WISE & SON N.Y. PORCELAIN

Twelve very good Cauldon Ltd. porcelain dinner plates, each showing a thick band of classical gilt decoration, marked to the verso “Cauldon Ltd, England, Brown, Westhead, Moore & Co.”, along with retailer’s mark for “William Wise & Son, Brooklyn, NY”. Very fine. Measuring, 10 1/4 inch diameter.

Estimation 500-700 $

PAIR OF CHINESE FAMILLE JAUNE PORCELAIN VASES

Chinese Republic Period, circa 1940, both showing yellow enamelled baluster shaped bodies decorated overall with hand-painted flowering vines and twin panels of river views, rising to high shoulders flanked by auspicious beasts in vermilion & gilt, their undersides with red character marks. Measuring 8” high.

Estimation 400-600 $ 147

19TH C. CHINESE FAMILLE ROSE PORCELAIN BASIN

Qing period, the deep welled interior decorated with hand-painted enamels of flowering vines & fowl, rising to a flattened rim decorated with a running band of enamelled flower blossoms & scrolls. Condition noted, minor flake to rim. Dimensions, 4.25” high x 14.25” diameter.

Estimation 300-500 $

147A

LAVENDER JADE CARVING OF GUANYIN

Chinese, early 20th century, the flatback figure of Guanyin shown with a meditative expression & hair in high chignon framed against an oval stele, attired in flowing robes while holding a lotus blossom in one hand, to her right a child is shown standing on one leg atop a lotus blossom, measuring 13.5” high.

Estimation 3,000-4,000 $

148

PAIR OF GEORGE III STYLE DRUM BASE GIRONDOLES

English, circa 1900, both showing cylindrical cobalt glass panels decorated with gilt painted allegorical figures of hope, charity & faith, rising from ormolu mounted bases to cut columns with a glass knop beneath cut glass drip pans & urn shaped nozzles strung with pear & circular shaped drops. Rubbing to ormolu & gilt figures, one glass panel cracked. Height, 12.5”.

Estimation 1,200-1,500 $

GEORGE III ANGLO IRISH CUT GLASS CENTERPIECE

England, circa 1790, the navette shaped body with diamond shaped panels over a laurel leaf cut band, rising to a van dyke castellated rim, raised upon a short cylindrical stem atop a cupped ‘lemon squeezer’ molded base. Measuring 9” high x 16” wide x 8.5” deep.

Estimation 500-700 $

150

TWO PIECES OF GEORGIAN CUT GLASS HOLLOWARE

English, circa 1800, consisting of a footed bowl with bevel cut spears intersected by cross-hatched motifs, raised on a hollow knop stem atop a molded stepped base, chips to base, measuring 7.75” high x 6.75” diameter, together with a celery vase with a ribbed octagonal sided body rising to a saw tooth rim, raised on a short stem atop a circular spreading foot with radial cuts, chips to base, measuring 6.5” high x 4” diameter.

Estimation 300-500 $

TWO 19TH CENTURY CUT GLASS SERVING PIECES

England, circa 1850, consisting of a large serving dish of oval form with a welled interior, rising to a flattened rim with a bevelled petal shaped edge, the underside centred by a starburst cut motif, minor chips, measuring 1.75” high x 17.75” across the handles, together with a small leaf-shaped bowl with a welled interior rising to a bevelled petal shaped edge and stem shaped handle, the underside centred by a pin wheel cut motif, minor chips, measuring 1.75” high x 11” long at the handle.

Estimation 300-400 $

152

PAIR OF GEORGIAN CUT GLASS DECANTERS

England, circa 1790, both of tapering form engraved with swags of sprouting grains, rising to scallop cut necks fitted with flattened faceted stoppers, measuring 11.75” high.

Estimation 400-600 $

TWO ENGLISH PORCELAIN SERVING PIECES

Circa 1870, consisting of a large oval shaped platter centred by a family crest of a greyhound beneath a (Gaelic?) motto, rising to a burgundy rim decorated with hand-painted floral panels - unmarked purportedly Grainger Worcester, measuring 2” high x 16.5” wide x 14.5” deep, together with an octagonal shaped rectangular platter decorated with hand-painted floral sprays rising to a canted rim with foliate sprays & tangerine panels, unmarked, measuring 2” high x 15” wide x 9.25” deep.

Estimation 400-600 $

154

ASSORTMENT OF CANTON ENAMELLED PORCELAIN

Chinese, 19th & 20th century, 22 pieces in total, all with hand-painted views depicting courtly figures in garden settings, consisting of an oval platter measuring 11.25” wide x 9.75” deep, bowl measuring 3.5” high x 8.25” diameter, 1 plate measuring 9.5” diameter, 1 plate measuring 9.75” diameter, 1 dish measuring 8.25” diameter, 5 dishes measuring 8.5” diameter, 8 dishes measuring 7.25” diameter, 4 small dishes measuring 6.25” diameter. Some with minor frits, flakes & rubbing.

Estimation 350-450 $

THREE BRITISH STERLING SILVER SERVING PIECES

Consisting of a George II sterling silver toddy ladle with a turned fruitwood handle, bearing London hallmarks with date letter for 1745 and obscured maker’s marks, possibly for David Clayton, measuring 14” long, together with a Georgian sterling silver soup ladle in the “Fiddle” pattern bearing Edinburgh hallmarks with date letter for 1820 & maker’s marks for Charles Dalgleish, measuring 13.75” long, lastly a pair of Victorian sterling silver asparagus tongs bearing London hallmarks with date letter for 1839 & maker’s marks for Mary Chawner, measuring 10.5” long. Combined weight (including toddy ladle wood handle) 518 grams or 16.65 troy ounces.

Estimation 400-600 $

156

TWO PIECES OF 19TH C. CHINESE ENAMELLED PORCELAIN

Guangxu Period (1875-1908), consisting of a moon shaped & triple necked bud vase decorated overall with hand-painted enamels in lavender, turquoise & green, the underside with iron red Guangxu character marks, measuring 5” high x 3.75” wide, together with a celadon porcelain bowl decorated with auspicious symbols in hand-painted enamels of pastel turquoise, pink & yellow, rising to a scalloped rim, the underside with iron red Guangxu character marks, minor areas of loss to enamel, measuring 2.75” high x 8.25” wide x 5.75” deep, raised upon a shaped wood stand.

Estimation 600-800 $

TURKISH CARPET

A semi-antique large Turkish all wool flat weave floor cover, 11’6” x 5’.7”.

Estimation 700-900 $

158

LOUIS PHILIPPE CHERRYWOOD COMMODE

France, circa 1835, the grey marble top (scratching) above a cavetto shaped & flush mounted drawer, over three-tiers of full width drawers with original lock mechanisms & keys (middle lock seized), raised on bracket shaped feet, minor splits to sides, measuring 36.75” high x 44.5” wide x 21.5” deep.

Estimation 900-1,200 $

159

RARE DOULTON BURSLEM ‘MORRISIAN’ UMBRELLA STAND

England, circa 1905, showing copper glazed organic motifs of rooted trees rising to leafy branches, intersecting panels decorated in the ‘Eastern Figures’ pattern beneath a sepia toned Holbein glaze, minor flake to back. After a work by early 20th century American artist William H. Bradley, whose work was very much influenced by designs created by British artist Aubrey Beardsley. The underside bearing Doulton factory marks and Morrrisian pattern marks.

Dimensions, 24.25” high x 15” wide x 10” deep.

Estimation 1,500-2,500 $

160

PERSIAN KERMAN CARPET

An antique Persian Kerman carpet, beautiful overall floral pattern, does show some low spots, repairs, but in overall very good condition, 12’2” x 9’5”.

Estimation 800-1,200 $

VERY FINE 19TH C. ROYAL VIENNA PORCELAIN

Austria, dated 1883, depicting a finely painted 3/4 portrait of Napoléon 1st in ceremonial attire, set against a taupe field & signed Wagner lower right, the rim showing gilded swags & garlands interspersed by 5 oval portraits against a white field that depict Joséphine, The Duc de Reichstadt, Marie Louise, Caroline Bonaparte & Roi de Rome, all titled on the reverse along with Vienna factory mark & dated Dec. 6 / 83, and model #6461. Measuring 10” diameter.

Estimation 1,200-1,500 $

162

FINE 19TH CENTURY ROYAL VIENNA CABINET PLATE

Austria, circa 1890, showing a welled centre with gilded motifs against a white field, rising to a yellow band and a white border decorated with gilded vinery & reserves of hand-painted allegorical maidens & mythological masks, the reverse showing Vienna factory mark. Measuring 9.3/8” diameter.

Estimation 300-500 $

EXCEPTIONAL 18TH CENTURY ENGLISH BRACKET CLOCK

London, circa 1770, made for the Spanish market by London clockmakers Perkins & Spencer (working 1765-1775), showing a finely crafted mahogany bell top case profusely decorated with running bands of oak leaf marquetry motifs against green stained fruitwood panels, the sides fitted with original carrying handles and fret-carved baffles, the arched & glazed door fronting an enamelled face with Roman numerals & pierced gilt hands, surmounted by a strike / silent feature and a calendar dial, raised overall upon bronze bracket feet. The mechanism showing a signed backplate housing a triple fusée eight-day movement with an eight-bell chime sounding on the quarter, half & full hour, as well as an hour repeat. Keys intact and in working condition at the time of cataloguing, minor areas of conservation & loss to the enamelled face. Dimensions, 28.75” high x 15” wide x 9.5” deep.

Estimation 9,000-12,000 $

FINE RUSSIAN SILVER STIRRUP CUP

Late 19th / early 20th century, finely cast in the form of a ram’s head with finely chased features and ruby eyes, bearing marks denoting .875 silver fineness and marks for St. Petersburg, maker’s marks rubbed, with a gilded interior, measuring 2.75” high, silver weight, 296 grams.

Estimation 300-500 $

165

VERY GOOD GEORGE III STERLING SILVER GOBLET

Hallmarked London 1811, the bowl decorated with a running band of fruiting grape vines and engraved with later dedication & date, the interior showing a gilded surface. Raised upon a short stem rising from a circular spreading foot decorated with petal shaped motifs, together with London hallmarks with date letter for 1811 and maker’s marks for Rebecca Emes & Edward Barnard the 1st. Height, 5.5”. Weight, 286 grams.

Estimation 600-800 $

166

DIAMOND STICK PIN

A diamond stick pin featuring 7 very clear diamonds (tested) fashioned as a flower, the central stone measures approx. 4 mm wide, on an unmarked gold pin with gold filled end.

Estimation 300-500 $

167

GOLD NECKLACE WITH CANADIAN DIAMONDS

An 18kt white gold 18-inch chain with centrepiece set with .38 ct Canadian brilliant cut natural diamond (VS-2, F colour) laser inscribed with iconic polar bear mark, and 27 smaller diamonds. With 2009 appraisal for $4500 replacement value.

Estimation 2,000-3,000 $

168

GOLD RING WITH LARGE EMERALD & DIAMONDS

A large 18kt white and yellow gold emerald & diamond ring, the claw set with a faceted emerald that measures approximately 13.89 x 11.84 x 7.61 mm, and has an estimated weight of 6.75cts. This emerald (Type III SI clarity) has a bright yellowish green colour. Bezel set on the shoulders are 2 brilliant cut diamonds measuring approximately 4.78mm in diameter and have an estimated weight of approximately .47cts each. The diamonds are SI2-I2 in clarity and H-I in colour. Total weight of the ring is 14.30 grams.

Estimation 8,000-12,000 $

GOLD RING WITH LARGE TANZANITE & DIAMONDS

A large 14kt gold fancy tanzanite with diamond oval cluster design ring, the central tanzanite (approx. 8 carats) is surrounded by eighteen marquis & brilliant cut diamonds totaling 1.2 carats. Total weight 8.8 grams, ring size 6 1/2. With 2005 appraisal for $15,000 replacement value.

Estimation 7,000-10,000 $

18K GOLD CHAIN WITH DIAMOND PENDANT

An 18kt white gold diamond flower design pendant with over 1 carat of prong-set diamonds, comes with its 18kt white gold chain (18-inch). Estimated replacement value of $4,500.

Estimation 2,000-4,000 $

19TH CENTURY EBONIZED PORTICO CLOCK

France, circa 1840, the case decorated with brass inlays & painted enamel motifs, showing 4 turned & brass strung columns supporting an ormolu mounted clock face with an enamelled dial & blackened Roman numerals, signed illegibly at bottom. The eight-day movement striking on the half & full hour, driven by a richly cast ormolu pendulum. Key intact and in working condition at the time of cataloguing, minor losses to case. Dimensions, 19” high x 9.5” wide x 5.25” deep.

Estimation 500-700 $

172

20TH C. STERLING SILVER PILLBOX BY GERALD BENNEY

The circular case fitted with a conforming lid decorated with the British Royal Cypher for Her Majesty Queen Elizabeth II against a cross - hatched field, the underside bearing impressed London hallmarks with date letter for 1988 and maker’s marks for highly regarded London silversmith Gerald Benney (1930-2008). Benney is widely recognized as having been one of the most influential & highly regarded silversmiths of the 20th century, having held no less that 4 Royal Warrants at the same period in time. In 1995, he received the prestigious award of being made a Commander of the British Empire for his services to art. His work was greatly influenced by Scandinavian designs, especially those by Georg Jensen.

Estimation 2,000-3,000 $

173

18K GOLD & DIAMOND BRACELET

An 18kt white gold & diamond bracelet set with approximately 1 carat of calibre set baguette diamonds. Total weight 25.5 grams. Estimated replacement value of $6,000.

Estimation 3,000-5,000 $

18K GOLD RING WITH RUBIES & DIAMONDS

An 18kt gold ring set with 2 rows of calibre channel set rubies flanked by 3 rows of round-cut diamonds, and backed by open heart grillwork on the interior of the ring. Ring size 7 and 9 grams total weight.

Estimation 2,000-4,000 $

175

14K GOLD RUBY RING WITH DIAMONDS

A 14kt white gold ruby ring (approx. 6 mm diameter) surrounded by twelve brilliant cut diamonds, ring size 7 and 6.7 grams total weight.

Estimation 2,000-4,000 $

14K GOLD TOPAZ RING WITH DIAMONDS

A 14kt yellow gold blue topaz ring with 2 sprays of baguette diamonds flanking the rectangular central stone measuring approx. 8 x 6 mm. Ring size 6 1/2 and 4.6 grams total weight.

Estimation 1,000-2,000 $

176A

EMERALD & DIAMOND RING

An emerald and diamond ring stamped 18kt, yellow gold and flash plated white gold weighing 10.6 grams. The ring is set with 1 oval emerald measuring 9.0mm x 7.00mm and weighing approximately 1.70ct., also set with 8 round diamonds weighing approximately 0.03ct each and 16 round diamonds weighing approximately 0.02ct each of “SI2-I2” clarity and “G-H” colour.

Estimation 3,000-4,000 $

DIAMOND DINNER RING

A diamond dinner ring stamped 18kt. white gold weighing 7.55 grams. The ring is set with 1 brilliant cut diamond weighing approximately 0.75ct of “VS2” clarity “F” colour, 29 tapered baguette cut diamonds weighing approximately 0.56ct and 25 round brilliant cut diamonds weighing approximately 0.025ct each of “VS2SI1” clarity and “F-G” colour.

Estimation 4,000-6,000 $

VERY FINE EARLY 20TH C. PLATES FOR TIFFANY & CO.

USA, circa 1900, all showing richly gilded rims surrounding a finely detailed hand-painted game fish in a naturalistic setting, each signed with artist’s signature for E.A. De Lan (working 18961915), the reverse of each plate bearing factory marks for Lenox Porcelain and retail marks for Tiffany & Co., all in excellent overall condition, measuring 9.1/8” diameter.

Estimation 1,000-1,200 $

178

EIGHT MINIATURE SATSUMA VASES

Japan, late 19th / early 20th century, all decorated with figural & geometric designs in enamel & gilt, consisting of a pair of rouleau shaped vases measuring 5” high, 2 hexagonal sided vases measuring 4.75” high and 5.25” high, one baluster shaped vase measuring 5.25” high, one bottle shaped vase with applied handles measuring 5.5” high with Kyoto marks, and 2 finely painted & very small rouleau vases measuring 2.3/8” high, both with character marks.

Estimation 300-400 $

179

France, circa 1930, showing 3 frosted branches centred by a tapering spire, all fitted with detachable nozzles & drip pans strung with prisms, raised upon a molded & frosted dolphin grotesque atop a clear cupped circular base, (minor chip to base) no apparent mark. Measuring 19.25” high.

Estimation 500-700 $

180

REPUBLIC PERIOD FAMILLE VERTE PORCELAIN CHARGER

China, circa 1930, the central field decorated with 2 cockerels surrounded by tigers and other auspicious symbols, minor frit to rim, measuring 15” diameter.

Estimation 500-700 $

BACCARAT GLASS CANDELABRUM

SIX PIECES OF ASSORTED CANTON PORCELAIN

China, circa 1900, all decorated with figural, floral & fauna elements in enamel, consisting of a lidded urn shaped teapot measuring 8” high, a lidded cylindrical teapot with a fiber wrapped swinghandle measuring 5.5’ high, a small bowl with a sawtooth rim measuring 2” high x 7.75” diameter, an ovoid shaped vase measuring 5” high, a dish measuring 9.75” diameter, together with a small baluster shaped vase measuring 3.25” high.

Estimation 350-450 $

182

LATE QING PERIOD CARVED FIGURE OF A MONK

China, circa 1900, showing a robed Daoist monk with a seemingly bemused visage, seated upon a pierced base, measuring 5.5” high.

Estimation 500-700 $

QING PERIOD BRONZE FIGURE OF GUANYIN

China, 19th century / possibly earlier, the bronze figure of Guanyin - Bodhisattva Goddess of Compassion, Kindness & Mercy, shown wearing a cowled robe decorated overall with auspicious sixpointed celestial star incised motifs. Her hair worn in high chignon above her face showing a serene expression, her right hand held in a blessing gesture while supporting a vessel containing the Elixir of Compassion in her left hand. Raised upon a conforming lotus-shaped base inscribed with characters verso, the interior of the base showing an impressed spherical seal and exhibiting a fine old patina overall. Height, 11.75”.

Estimation 2,000-3,000 $

184

TWELVE GERMAN SILVER-GILT ART NOUVEAU FISH KNIVES

Germany, circa 1900, all twelve with richly gilded & finely cast handles & blades, with chiseled details and engraved with scrolled & stippled motifs, all bearing impressed silver marks denoting .800 silver fineness, maker’s marks for Koch & Bergfeld, and retail marks for Gebruder Somme. Each measuring 7” long, with a combined silver weight of 435 grams or 13.98 troy ounces. Koch & Bergfeld of Bremen have been in production since 1829 and are recognized worldwide as one of the leading manufacturers of luxury silverware throughout Europe. They are referenced in ‘Art Nouveau & Art Deco Silver’ by Annelies Krekle-Aalberse.

Estimation 900-1,200 $

14K GOLD SAPPHIRE RING WITH DIAMONDS

A 14kt yellow gold ring with 1.70ct sapphire surrounded by .30ct of diamonds. Ring size 7 total weight 3.3 grams. With USGL appraisal card for $8,884 replacement value.

Estimation 4,000-5,000 $ 186

14K GOLD RUBY RING WITH DIAMONDS

14kt yellow gold ring with a 1.64ct ruby surrounded by .36 cts of diamonds. Ring size 10, total weight 6.5 grams. With USGL appraisal card for $5,162 replacement value.

Estimation 2,500-3,500 $

187

ASSORTMENT OF BRITISH STERLING SILVER FLATWARE

England, all with London hallmarks with various makers’ marks & late 18th century date marks, monograms & bright-cut decoration, consisting of 12 dinner forks, 12 dessert spoons, 6 tablespoons, 6 coffee spoons, 1 serving spoon and 1 sauce ladle. Combined weight, 1738 grams.

Estimation 1,200-1,500 $

187A

PERSIAN ARDEBIL CARPET

A Persian Ardebil wool carpet showing a strong geometric design with blue tones on a pink ground, 6’9” x 4’6”.

Estimation 300-400 $

19TH CENTURY MAHOGANY BUTLER’S TRAY ON STAND

England, circa 1840, the removable gallery tray showing dovetailed construction and having shaped open handles, resting upon its X frame folding base, measuring 34.25” high x 28” wide x 17.25” deep.

Estimation 350-450 $

189

GROUPING OF GEORGIAN STERLING SILVER

England, consisting of an octagonal sided teapot stand centred by a family crest and raised on 4 reeded supports, hallmarked London with date mark for 1830, maker’s marks partially rubbed, together with 10 matching tablespoons in the “Old English & Thread” pattern, all with family crests and London hallmarks, date marks for 1811 and maker’s marks for William Eley 1st, William Fearn & William Chawner. Combined weight, 915 grams.

Estimation 600-800 $

190

STERLING BABY RATTLE

English, sterling Mr. Punch form baby rattle with mother of pearl teether, bells and ribbon ring. Birmingham hallmarks for 1973 by C & N. Measuring, 3.75” long.

Estimation 200-400 $

ASSORTMENT OF BRITISH STERLING SILVER TABLEWARE

Consisting of 2 cream jugs, one open salt with a cobalt glass liner, 6 coffee spoons, 5 teaspoons, 2 rocaille inspired nut dishes, and a cased set of 6 coffee spoons, all with differing late 19th & early 20th century hallmarks. Combined silver weight, 482 grams.

Estimation 300-400 $

192

14K GOLD GEMSTONE BRACELET

A 14kt yellow gold multi-gemstone tennis bracelet made up of amethyst, blue topaz, citrine and garnet stones. Measuring 8” long and 7.5 grams total weight.

Estimation 200-400 $

DAVID YURMAN 18K GOLD RING

An 18kt yellow gold ring centred by a large cushion cut tourmaline with small diamond set leaves at the corners on a twisted, split band. Marked D.Y. 750. Size approx. 7.75, total weight 11.5 grams.

Estimation 600-800 $

194

THREE LACE BACK SILVER TREFID SPOONS

England, consisting of a pair of Britannia silver .950 fine tablespoons, hallmarked London 1911 with maker’s marks for Thomas Bradbury & Sons, together with a sterling silver serving spoon, hallmarked London 1939 with maker’s marks for Goldsmiths & Silversmiths Co. Ltd., measuring 10.5” long, all 3 with trefid shaped handles & lace back bowls, with a combined weight 257 grams.

Estimation 300-400 $

19TH C. CANADIAN STERLING SILVER TABLE SPOONS

Montreal, Canada, bearing early Birks factory marks (used 1879-1897), all in the “Fiddle” pattern with monograms, measuring 8.75” long. Combined weight, 814 grams.

Estimation 600-800 $

196

TWELVE VICTORIAN STERLING SILVER DESSERT SPOONS

England, bearing Sheffield hallmarks with date mark for 1840 & Edinburgh hallmarks with date marks for 1846, all in the “Fiddle” pattern with monograms, measuring 7” long. Combined weight, 522 grams.

Estimation 350-450 $

14K GOLD AMETHYST BROOCH

A finely engraved 14kt yellow gold oval brooch with a large central amethyst (measuring approx. 17 x 13 mm). Brooch overall measuring, 1.5” x 1” weighing 7.3 grams total.

Estimation 300-500 $

198

GOLD LEAF-FORM RING

A yellow gold leaf-form ring with one central stone surrounded by 10 small diamonds, ring size 7 3/4. Unmarked but tests as 14kt and 7.8 grams.

Estimation 400-500 $

199

GOLD PENDANT & NECKLACE

An unmarked gold spinning pendant with a black intaglio of a Greek or Roman soldier on one side, and an initial cypher on the reverse, testing for 10kt gold, together with a 30-inch string of black onyx beads, separated by small gold colour beads, measuring 1 1/4 x 3/4 inches.

Estimation 200-400 $

200

VICTORIAN NECKLACE

A Victorian two-strand necklace with red foiled paste stones set in unmarked silver, measuring 15 inches.

Estimation 100-200 $

14K GOLD SAPPHIRE PENDANT

A 14kt white gold (unmarked but tested) sapphire pendant with sixteen marquise & round cut prong set stones. Pendant measuring 1” long and 2.5 grams.

Estimation 500-800 $

202

VICTORIAN MOURNING BROOCH

A Victorian mourning brooch in black enamelled 14kt yellow gold (unmarked but tested), the raised black enamelled central boss set with a pearl and 6 tiny diamonds surrounded by a ground of black enamelled leaves, applied gold work, and a beaded edge. Reverse with memento compartment (hair not present) and name of deceased and 1861 date. Measuring 1.5” diameter and 17.6 grams total.

Estimation 500-700 $

203

18K GOLD POCKET WATCH

An 18kt yellow gold key-wind pocket watch with white enamelled face and Roman numerals, the back engraved with buildings surrounded by scrollwork, “Échappement à CYLINDRE

QUATRE (four) Rubis”. Watch running at time of cataloging and is marked 18K inside back cover. Diameter, approx. 1.5” in fitted case with 2 keys. Total weight (including movement) 44.6 grams.

Estimation 300-500 $

204

FIVE PIECES OF 19TH C. CANADIAN SILVER FLATWARE

Consisting of 4 dessert spoons measuring 6.7/8” long, bearing early Birks Montreal factory marks (used 1879 - 1897), together with a dinner fork measuring 7.7/8” long, bearing maker’s mark for Richard Kestell Oliver (working 18431860) Toronto, all in the “Fiddle” pattern with monograms. Combined weight, 228 grams.

Estimation 300-500 $

SEVEN PIECES OF GEORGIAN STERLING SILVER FLATWARE

Consisting of 5 Irish dinner forks with Dublin hallmarks, 3 with date mark for 1825, maker’s marks for Thomas Farnett and retailer marks for W. PETER, 2 with date mark for 1808 and maker’s marks for John Pittar, all in the “Fiddle” pattern with monograms or family crests, measuring 8.5/8” long, together with 2 18th century tablespoons with London hallmarks, one with date mark for 1804 and maker’s marks for Peter, Anne & William Bateman, the other with rubbed maker’s mark & date mark, both in the “Old English” pattern with family crests, measuring 8.5” long & 8.75” long respectively. Combined weight, 558 grams.

Estimation 350-450 $

206

MIXED GROUP OF BRITISH STERLING SILVER FLATWARE

Consisting of 10 Victorian teaspoons hallmarked Glasgow with date mark for 1877, in the “Old English” pattern with beaded detail & monograms, 7 Georgian teaspoons hallmarked London with various date marks & maker’s marks in the “Fiddle” pattern with monograms, 2 Georgian teaspoons (town mark rubbed but likely London) in the “Old English” pattern with monograms, one Georgian teaspoon (town mark rubbed but likely London) in the “Old English” pattern with bright cut decoration & monogram, and one Victorian teaspoon hallmarked London in the “Fiddle” pattern with monogram. Combined weight, 386 grams.

Estimation 250-350 $

207

GEORGIAN SILVER BUTTONS

A matching set of 6 Georgian silver buttons, all with an engraved spray of lilies, 2 x 7/8” hallmarked London 1797 by Jos. Hardy, and 4 slightly smaller at 3/4” made in 1804 by J.A. Together with a modern pair of sterling cufflinks engraved to match the buttons. Total weight 44.1 grams.

Estimation 400-600 $

208

GEORGIAN STERLING SILVER SUGAR NIPS & BASKET

England, all with various town marks, date marks, (some rubbed), some with makers marks, (one finger ring split), the longest measuring 5.5”, together with an associated swing handled & pierced sugar basket frame (minus its liner), measuring 5.25” high (handle up). Combined weight, 189 grams.

Estimation 300-400 $

FOUR GEORGIAN STERLING SILVER SUGAR TONGS

England, all with various town marks, date marks & makers marks, (some rubbed), all decorated with bright-cut detail, some with monograms, the longest measuring 7” long. Combined weight, 144 grams.

Estimation 250-350 $

210

FOUR GEORGIAN STERLING SILVER SUGAR TONGS

English with various town marks, date marks & makers marks, (some rubbed), all decorated with bright-cut detail, some with monograms, the longest measuring 5.75” long. Combined weight, 143 grams.

Estimation 250-350 $

211

KILIM TURKISH CARPET

A Yahyali region Kilim Turkish carpet, all wool, hand-spun, vegetable dye (50 years old in 1988), 6’6” x 3’11”.

Estimation 400-600 $

212

INUIT CARVING BY BILLY GAUTHIER (b. 1978)

A small Inuit portrait (head), dark green stone, signed, drawing, dated 2007, 4 x 3 x 2 inches.

Estimation 200-300 $

INUIT CARVING BY ADAMIE SHARKY

Seal hunter, dark grey & mottled stone & bone, syllabics, signed, 3 1/2 x 6 x 2 inches.

Estimation 200-300 $

214

TURKISH WALL HANGING

A Turkish wall hanging with sumac and jijim designs on hand-woven goat wool, made by a bride with wedding wishes, 5’9” x 4’5”.

Estimation 300-500 $

215

TURKISH NOMAD BAG

An antique Turkish Nomad bag, woven wool with front sumac design, red and navy stripped back (approx. 70 years old in 1988), 4’7” x 3’4”.

Estimation 200-400 $

216

INUIT CARVING BY CHARLIE INUKPUK (b. 1941)

Basking seal, dark grey stone, paper label, syllabics, artist number, Port Harrison, Inukjuak, 4 x 10 x 4 inches.

Estimation 300-400 $

KURDISH NOMAD RUG

A Kurdish Nomad rug, all wool, hand-spun, vegetable dye, “Tree of life” medallion design (40 years old in 1989), 6’7” x 4’3”.

Estimation 400-700 $ 218

TURKISH CUSHION COVER

A Turkish Yahyali yastik (open), mohair, all wool, vegetable dye cushion cover (40 years old in 1989), 5’4” x 3’7”.

Estimation 200-300 $

219

INUIT CARVING BY B. NAKOOLAK (b. 1946)

Walrus, dark green-grey marbled stone, lacking tusks, signed, syllabics, Coral Harbour, Sallit, 9 x 17 x 6 inches.

Estimation 200-400 $

220

TURKISH HERKE CARPET

A Turkish wool on wool Herke (Nomad) carpet, “Chest and hands on hip” design (30 years old in 1989), 5’7”x 3’4”.

Estimation 400-500 $

TURKISH NOMAD SAVAK CARPET

A Turkish Nomad Savak carpet, all wool, handspun, vegetable dye (70 years old in 1989), 5’10” x 3’5”.

Estimation 250-350 $

222

INUIT CARVING BY B. NAKOOLAK (b. 1946)

Basking Walrus, dark green mottled stone, Coral Harbour, Sallit, 9 1/2 x 17 x 4 1/2 inches.

Estimation 200-400 $

223

WOOL ON WOOL MAT

A wool-on-wool mat with natural dyes, 4’6” x 3’.

Estimation 150-250 $

224

TURKISH SIVAS CARPET

A Turkish Sivas all wool carpet, hand-spun, vegetable dye (55 years old in 1988).

Estimation 300-400 $

INUIT CARVING OF A WALRUS

Unidentified artist, large Walrus, grey marbled stone, dated 1975, signed in syllabics, 7 1/2 x 12 1/2 x 6 inches.

Estimation 500-600 $

226

TURKISH DOSEMEALTI CARPET

A Turkish Dosemealti all wool carpet, hand spun, vegetable dye, 6’7” x 3’ 7”.

Estimation 300-400 $

227

INUIT CARVING BY PINNIE NUKTIALUK (1930-1969)

Owl with owlet, grey stone, syllabics, artist number, 4 1/2 x 6 x 3 inches.

Estimation 200-400 $

228

CARVED JADEITE GOLD NECKLACE

A 14kt yellow gold chain (26 inches long) set with 5 carved pieces of jadeite, along with 3 hat pins.

Estimation 200-400 $

14K GOLD SAPPHIRE RING WITH DIAMONDS

A 14kt gold (unmarked but tested) sapphire ring with 3 rows of channel-set diamonds flanking the oval deep blue central stone (approx. 5 mm in diameter), ring size 7 and 8.9 grams total weight.

Estimation 200-400 $

230 CORAL NECKLACE

A necklace with graduated natural coral and silver beads, strung on a 16-inch unmarked silver chain.

Estimation 100-200 $

231

TWO GEORGIAN STERLING SILVER FISH SLICES

One in the “Fiddle” pattern with monogram, hallmarked London 1810 with maker’s marks for William Eley 1st, William Fearn & William Chawner, measuring 11.75” long , the 2nd in the “Old English” pattern with monogram, hallmarked London 1835 with maker’s marks for John James Whiting, measuring 12.25” long. Combined weight, 262 grams.

Estimation 350-450 $

232

THREE PAIRS OF GOLD EARRINGS

One pair of drop-earrings with English hallmarks for 9kt, (weight 2.2 grams), a pair of Italian twotextured gold hoops marked 14kt (weight 1.7 grams), and the third pair in two-textured gold (unmarked but testing as 14kt) set with diamonds (tested) and omega backs (weight 4.6 grams).

Estimation 200-400 $

TEN GEORGIAN STERLING SILVER DESSERT FORKS

England, consisting of 6 bearing London hallmarks with date mark for 1837, 2 with date mark for 1816, and 2 with date mark for 1828, all in the “Fiddle” pattern & monogrammed, measuring 6.7/8” long. Combined weight, 450 grams.

Estimation 350-450 $

BILINGUAL PRIDHAM’S TERMS & CONDITIONS OF SALE

Please

RÈGLEMENTS & CONDITIONS DE

PRIDHAM’S BILINGUES

1. The term “Auctioneer” means Pridham’s Auction House Inc. (“ Pridham’s “). | Le terme “Encanteur” signifie Pridham’s Auction House Inc. (“ Pridham’s “).

2. Each lot is sold “AS IS” and “WHERE IS”. Sales are final. | Chaque item est vendu “TEL QUEL” et “OÙ IL EST”. Les ventes sont finales.

3. The descriptions are provided to help move along the process on auction day. No warranty regarding the descriptions, age or condition is made or implied. Additionally, under the Conditions of Sale applicable to the sale of any lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including and without limitation, its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an ‘as is’ basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to a lot is merely an expression of opinion of the seller or Pridham’s and should not be relied upon as an inducement to bid on the lot. Please contact us for a condition report. 1-877-533-5877 or info@pridhams.ca NO LATER than: March 31st at 5:00pm. After that time, we can not guarantee phone calls & emails will be answered due to the live webcast demands.

Les descriptions sont inclues pour faciliter le processus le jour de la vente. Aucune garantie en ce qui concerne les descriptions, l’âge et condition est offerte ou implicite. En outre, conformément aux conditions de vente applicables à la vente de tout lot, les acheteurs doivent s’assurer de chaque aspect de la qualité du lot, y compris et sans limitation, son auteur, son attribution, sa condition, sa provenance, son authenticité et origine. Les lots sont vendus “tel quel”, mais la condition réelle du lot peut ne pas être aussi bonne que celle indiquée par son apparence extérieure. En particulier, des pièces peuvent avoir été remplacées ou restaurées, et les lots peuvent ne pas être authentiques ou de qualité satisfaisante. Toute déclaration relative à un lot est simplement une expression d’opinion du vendeur ou de Pridham’s et ne devrait pas être invoquée comme une incitation à soumissionner sur le lot. S.V.P. contactez-nous pour un rapport de condition. 1-877533-5877 ou info@pridhams.ca, au plus tard le 31 mars à 17h. Nous ne pouvons pas garantir un retour d’appel ou courriel après cette date vu les besoins technologiques du webcast.

4. The Auctioneer does its very best to point out condition issues. You have to examine each piece carefully; sales will not be set aside on grounds of condition, or of real or imagined misdescription. The condition reports are not prepared by a professional conservator or engineer. | Pridham’s fait de son mieux pour vous informer de la condition d’un objet. Vous devez examiner chaque item soigneusement; les ventes ne seront pas mises de côté pour des raisons de condition, ou de descriptions erronées réelles ou imaginaires. Nos rapports de condition ne sont pas préparés par un conservateur professionnel ou un ingénieur.

5. The Auctioneer may accept and submit absentee, telephone and online bids, to be executed by an employee of the Auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. | Pridham’s peut accepter et soumettre des offres par absence, par téléphone ou en ligne, devant être exécutées par un employé de Pridham’s, conformément aux instructions des acheteurs éventuels qui ne peuvent pas être présents.

6. Registration: all bidders are required to submit full name, address and a telephone number. Information is used pursuant to the “Canadian Personal Information Protection and Electronic Documents Act”. A credit card on file is required for telephone/absentee bidding. | Enregistrement: tous les clients sont tenus de donner leur nom, adresse et un numéro de téléphone. L’information est utilisée selon la “Loi canadienne sur la protection des renseignements personnels et les documents électroniques”. Une carte de crédit au dossier est nécessaire pour l’enregistrement d’une mise téléphonique ou par absence.

7. There are applicable taxes except for out-of-country buyers who require shipping their purchases. | Il y a des taxes applicables sauf pour les acheteurs hors Canada qui doivent faire livrer leur marchandise.

8. Unless exempted by law, the buyer must pay applicable taxes on the total purchase price. The buyer’s premium is added before the applicable taxes. Pridham’s does not divide a buyer’s invoice between two or more people on auction day. | À moins d’être exemptés, les acheteurs doivent payer les taxes appropriées sur le montant total. La prime de l’acheteur est ajoutée avant les taxes applicables. Pridham’s ne divise pas une facture entre deux ou plusieurs personnes le jour de la vente.

9. Unless exempted by law, the buyer is required to pay HST on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of Canada. For items shipped out of the province, the buyer is required to PAY TAXES as per their provincial tax status, whether it is HST, GST and PST. Includes Quebec buyers, there is GST AND QST. À moins d’être exempté par la loi, l’acheteur est tenu de payer la TVH sur le prix d’achat total, y compris la prime de l’acheteur. Pour les acheteurs internationaux, les taxes ne sont pas applicables lorsque les achats sont expédiés hors du Canada. Pour les articles expédiés hors province, l’acheteur est tenu de payer les taxes selon le statut fiscal de sa province, que ce soit la TVH, TPS ou TVP. Incluant les acheteurs du Québec, il y a une TPS et TVQ.

take the time to read, thank you.

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S.V.P. veuillez prendre le temps de lire, merci.

10. The Auctioneer has the right to withdraw or add to the items as listed in any printed catalogue or listing or promoted on the internet. | Pridham’s a le droit de retirer ou d’ajouter des items sur une liste ou dans un catalogue imprimé, ou annoncé sur l’internet.

11. The Auctioneer reserves the right to withdraw any lot from the sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. | L’Encanteur se réserve le droit de retirer tout lot de la vente, à n’importe quel moment, de diviser un ou plusieurs lots, et ce sans avis.

12. The Auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. | Pridham’s a le droit de refuser toute offre et d’avancer l’appel d’offres à son entière discrétion. Il se réserve le droit de ne pas accepter et de refuser toute offre. Sans limitation, toute offre qui n’est pas proportionnelle à la valeur de l’article offert ou qui est simplement une avance nominale ou fractionnaire par rapport à l’offre précédente ne peut être reconnue.

13. When the Auctioneer says “sold” it is a contractual agreement between the Auctioneer and the buyer. All auctions are also audiorecorded. | Lorsque l’Encanteur dit “vendu” cela est tout comme un contrat entre l’acheteur et l’Encanteur. Les encans sont aussi enregistrés par audio.

14. The highest bidder accepted by the Auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders, the Auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The Auctioneer’s decision in all cases is final. | Le soumissionnaire le plus offrant accepté par Pridham’s pour tout lot sera l’acheteur et cet acheteur assumera sans délai tous les risques et responsabilités du lot et devra se conformer aux autres Conditions de vente applicables. En cas de litige entre deux soumissionnaires, Pridham’s aura la discrétion absolue de désigner l’acheteur ou, à son gré, de retirer tout lot contesté de la vente ou de la proposer à la même vente ou à une autre vente ultérieure. La décision de l’Encanteur dans tous les cas est définitive.

15. The buyer shall pay an item in full and to the satisfaction of the Auctioneer; failing to do so may result in the cancellation of the sale, with or without re-offering the item for sale. | L’acheteur doit payer un item au complet et à la satisfaction de Pridham’s, à défaut de quoi, Pridham’s peut annuler la vente, avec ou sans offrir de nouveau l’article à vendre.

16. Payments have to be made in full by Visa, MasterCard (over the telephone, or online with our MONERIS PAGE), or e-transfer within 5 days after receiving their final invoice from Pridham’s (or Live Auctioneers). American Express and cheques are not accepted. | Paiements doivent être faits par VISA, MasterCard (par téléphone ou avec notre lien en ligne MONERIS), ou Interac 5 jours après avoir reçu une facture finale Pridham’s (ou Live Auctioneers). American Express et chèques ne sont pas acceptés.

17. Pridham’s is not responsible for any damages or injuries under any circumstances. | Pridham’s n’est pas responsable pour aucun dommage ou blessure et ce, en aucun cas.

18. If you are not able to pick-up your purchase at 2615 Lancaster Road Ottawa, Pridham’s can deliver (smalls only, and art, for free) your unpacked paid purchases, at the buyer’s risk to UPS #112 (St Laurent Blvd, Ottawa, store112@theupsstore.ca). Pridham’s will share your information, not your credit card number, with UPS. Once your purchase is with UPS, you will liaise directly with them for packing, insuring, shipping, and payment. Please take note that UPS charges are with the amount of packing required, size, weight, destination, etc and NOT with the hammer price. Please ask for a shipping QUOTE before the auction (until FRIDAY NOON BEFORE THE SALE), if you are concerned. Sales will not be cancelled due to shipping costs.

EMAIL ADIL FOR A SHIPPING QUOTE: store112@theupsstore.ca

If you prefer to use another carrier (not UPS), please take note that Pridham’s does not pack and insure - but we would be pleased to liaise with the shipper of your choice.

For larger items (ex. furniture), please call us (1-877-533-5877) to discuss a pick-up schedule (within 5 business days) or carrier shipping. A list of suggested shippers is available. We can not store furniture for weeks, please have a plan of action before buying large pieces, or a storage fee may apply.

***UPS shipping must be paid by you no more than 5 business days after receiving the UPS SHIPPING AUTHORIZATION. UPS can not store your purchase, fees may apply. Thank you very much. We appreciate your cooperation.

Si vous n’êtes pas en mesure de ramasser vos achats, Pridham’s peut les livrer les petits objets (seulement, gratuitement) non-emballés au risque de l’acheteur chez UPS #112, lorsque convenable pour Pridham’s. Pridham’s fournira à UPS les infos de l’acheteur, pas le numéro de carte de crédit. L’acheteur communiquera directement avec UPS pour l’assurance, l’emballage, l’expédition, et paiement. Veuillez prendre note que les frais UPS sont proportionnels à la quantité d’emballage requis, la taille, le poids, etc. Veuillez demander une estimation pour un envoi avec la vente (AU PLUS TARD, VENDREDI MIDI AVANT LA VENTE), et non pas après la vente. Les achats ne seront pas cancellés si vous trouvez votre envoi trop dispendieux.

COURRIEL- ESTIMATION: store112@theupsstore.ca

Si vous désirez utiliser une autre compagnie (que UPS), s.v.p. laissez-nous savoir. Il nous fera plaisir de coordonner le tout pour vous. Veuillez prendre note que Pridham’s ne fait pas l’emballage et n’assume pas les assurances.

Pour les plus grands objets (comme meubles), s.v.p. veuillez nous contacter pour discuter du ramassage (en 5 jours ouvrables) ou d’une livraison contractuelle. Nous pouvons vous suggérer un déménageur. Nous ne pouvons pas garder des meubles durant des semaines, un frais d’entreposage peut s’appliquer.

**Vous n’avez pas plus que 5 jours pour payer UPS après avoir reçu votre formulaire. Le magasin ne peut pas entreproser vos achats plus longtemps, ou des frais peuvent s’appliquer. Merci beaucoup pour votre collaboration.

19. The Auctioneer acts solely as agent for the seller and makes no representation as to any attribute of, title to, or restriction affecting the articles in the sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act. | L’Encanteur est un agent seulement pour le client et ne fait aucunes représentations en ce qui concerne l’attribution, le titre ou restriction affectant les articles dans une vente. Sans limitations, l’acheteur comprend que les items achetés peuvent être affectés par des provisions culturelles et d’exportation.

20. DISCLAIMER: Ivory, tortoise shell and other “animal” items, including Rosewood, are restricted from export out of Canada due to protection under CITES (Convention on International Trade in Endangered Species). Pridham’s will not provide shipping or CITES application service. The successful buyer has to pick-up the item in person. Shall the buyer decide to take the item across a border after picking it up, the buyer takes full responsibility for obtaining proper exporting and importing documents from both countries: EXPORT IS AT THE BUYER’S RISK. Pridham’s supports the protection of all wildlife. | AVERTISSEMENT: L’ivoire, la coquille de tortue et d’autres objets de source animale (et même le Bois de rose) ont un interdit d’exportation à l’extérieur du Canada en raison de la protection prévue par la CITES (Convention sur le commerce international des espèces de faune et de flore sauvages menacées d’extinction). Pridham’s n’offrira pas de service d’expédition ni de service d’application pour CITES. L’acheteur doit ramasser l’article en personne. Si l’acheteur décide de croiser une frontière après avoir ramassé l’article, l’acheteur assume pleine responsabilité d’obtenir les documents appropriés d’exportation et d’importation des deux pays.

L’EXPORTATION EST AU RISQUE DE L’ACHETEUR. Pridham’s supporte la protection de tous les animaux sauvages.

Please do not hesitate to contact Pridham’s if you have questions, thank you. S.V.P. n’hésitez pas à contacter Pridham’s si vous avez des questions, merci. Toll Free / Sans Frais: 1-877-533-5877 info@pridhams.ca