International Fine and Decorative Arts. Saturday, February 13, 2021 at 10:00 AM. Live webcast. by PridhamsAuctions

International Fine and Decorative Arts Saturday, February 13th, 2021 10:00AM | Live online Pridhamâ&#x20AC;&#x2122;s Gallery, Ottawa

International Fine and Decorative Arts Saturday, February 13th, 2021 10:00AM Live (webcast) online Pridham’s Gallery, Ottawa Buyer’s premium 20% Pridham’s Auctions & Appraisals Gallery 2615 Lancaster Road, OTTAWA

Sale live (webcast) online on: LIVEAUCTIONEERS.COM HIBID.COM Details Toll free : 1-877-533-5877 Ottawa : 613-858-4278 Email : info@pridhams.ca Web : www.pridhams.ca

International Fine and Decorative Arts P

ridham’s Auctions and Appraisals is very pleased to offer our Spring 2021 International Fine and Decorative arts sale. This well curated sale crosses many collecting areas and represents some fine and rare examples from each area. Canadian and European fine art is well represented with first to market examples including a wonderful “Tubist” watercolour by French artist Fernand Leger. We have also included a lovely selection of Inuit sculpture interspersed with the Canadian art. Italian and French sculpture are in the limelight with a wonderful terracotta bust by Carpeaux along with a magnificently sensual marble sculpture by Italian master Giuseppe Gambogi. You will find a comprehensive selection of Georgian furniture just in time for the renaissance of the genre. Bronzes, porcelains, objets de vertu miniatures along with rare and unusual items are sure to please the most discriminating buyer. Enjoy the auction and thank you for putting you trust in Pridham’s, bringing you the best in Fine and Decorative arts.

Robin Andrew Pridham – President, Pridham’s Auctions & Appraisals; Auctioneer / Encanteur Josée Bonneville – Chief of Operations / Chef d’administration Ernest Cardillo Johnson, CADA Member – Consultant and Catalogue Author / Consultant et texte du catalogue Helen Rimmer – Design / Mise en page David Lesurf – Operations Associate / Associé

1 Homer R. WATSON, R.C.A. (1835-1956) Homer Ransford Watson, R.C.A., oil on canvas, countryside, signed B/L. 7.25” x 9.5”. Estimation 900-1,200 $

2 Mary R. HAMILTON, (1873-1954) Canadian Mary Riter Hamilton, watercolour, young girl in blue dress, signed B/L and dated Paris, 1901. Provenance: Montreal estate. Note: Mary Riter Hamilton has been dubbed “Canada’s first women artist”. For three years, starting in 1919, Hamilton painted the French battlefields of WW1. In 1926, she donated 226 of her battlefield paintings to the Canadian Public Archives. 23” x 19”. Estimation 1,200-1,600 $

3 Thomas H. BEAMENT, R.C.A., P.R.C.A. (1898-1984) Thomas Harold Beament, R.C.A., P.R.C.A., oil on board, “Snow in the Suburbs”, signed B/R and titled verso. 17.75” x 20.75”. Estimation 1,200-1,800 $

4 Stanley M. COSGROVE, R.C.A. (1911-2002) Stanley Morel Cosgrove, R.C.A., pastel, “Nu Couché” signed and dated ‘67 bottom right, Galerie Valentin label verso. 18.25” x 23.5”. Estimation 800-1,200 $

5 Horace CHAMPAGNE (b. 1937- ) Canadian Horace Champagne, “Réflections, Rue Sherbrooke Est & St-Denis”, signed B/R. Artist and gallery labels verso, dated 1988. Champagne who studied in Montreal, Ottawa and in the United States with Charles Movalli, Rocky Neck Mass., and Daniel Green in New York, is a member of the Pastel Society of France, the Pastel Society of Eastern Canada and the Pastel Society of America. 12” x 15”. Estimation 1,000-1,500 $

6 Palaya Quiatsuk (b. 1965-), Kinngait (Cape Dorset) Palaya Qiatsuk (1965-), male, Kinngait (Cape Dorset), Nunavut, Dancing Bear, c. late 1990s or early 2000s, signed in syllabics. A full-time carver, Palaya learned to carve from his father, the renowned printmaker and sculptor Lukta Qiatsuk (1928-2004). 14” height x 7” width x 10” depth. Estimation 700-1,000 $

7 Markusi Papigatok (b. 1976-), Kinngait (Cape Dorset) Markusi Papigatok (1976-), male, Kinngait (Cape Dorset), Nunavut, Shaman-Bird Transformation, c. late 1990s – early 2000s, signed in syllabics. Papigatok began carving when he was twelve, and has become a prolific artist of animals (especially bears) and transformation subjects. 8” height x 7” width” x 2.5” depth. Estimation 400-700 $

8 Jimmy Tarkirk (b.1936-), Salluit, Nunavik Jimmy Tarkirk (1936-), male, Salluit (Sugluk), Nunavik (Arctic Quebec), Walrus, c. 1970s, signed “JIMMY TARKIRK”. Tarkirk is the younger brother of the better-known artist Bobby Tarkirk, also from Salluit. 6.5” height x 12” width x 5” depth. Estimation 300-600 $

9 Carving of a Bird, Nunavut Probably Abraham Ukuqtunnuaq (Ohaktoonooak) (1944-), male, Taloyoak (Spence Bay), Nunavut, bird, c. late 1990s, antler, signed “ABE O”. A fairly well known carver represented in several exhibitions since the early 1980s. 13.5” height x 30” width x 7” depth. Estimation 400-700 $

10 Stylized Black Stone Owl A large stylized mottled black stone figure of an owl atop a stone base, unsigned, 20th Century. 18” height x 8” width x 5” depth. Estimation 200-300 $

11 Bronislaw (Bruno) BOBAK, C.M., R.C.A. (1923-2012) Bronislaw Josephus (Bruno) Bobak, C.M. (Member of the Canadian Order), R.C.A., oil on panel, goose hunting, signed B/R. Provenance: Gifted by the artist to current owner 5.5” x 8.5”. Estmation 700-900 $

12 Hutton MITCHELL (1872-1939) Canadian Hutton Mitchell, oil on board, cabin by the river, signed B/R. 9.75” x 13.5”. Estimation 500-700 $

13 Tom ROBERTS, R.C.A., O.S.A. (1909-1998)

Tom Roberts R.C.A., O.S.A., oil on board, “Birchwood’s Road in October”, signed B/R and titled verso. Galerie Walter Klinkhoff and Continental Galleries Inc. labels verso. 12” x 16”. Estimation 1,000-1,500 $

14 William WINTER, R.C.A., O.S.A. (1909-1996) William Winter, R.C.A., O.S.A., oil on board, “Country Road”, signed B/R and verso, dated 1987. Galerie Walter Klinkhoff label verso. William Winter, born in Winnipeg, studied under Group of Seven artists Frank Johnston and Lionel LeMoine Fitzgerald at the Winnipeg school of Art (1923-1929). Winter enjoyed a successful career as a commercial artist, but in 1955 left that career to become an independent artist, depositing his R.C.A. diploma painting with the National Gallery entitled “Street Scene”. This painting “Country Road” is emblematic of his love of children and their everyday carefree lives. 12” x 16”. Estimation 900-1,200 $

15 René RICHARD, O.C. (1895-1982) René Richard, O.C., oil on board, “Scène des alantours de Baie-St-Paul”, signed B/L, titled and signed verso. Galerie Valentin label verso. 23” x 29”. Estimation 4,000-6,000 $

16 Phillip H. H. SURREY, C.M., R.C.A. (1910-1990) Philip Henry Howard Surrey, C.M., R.C.A., pastel on paper, “Simone”, signed and dated ‘41 B/L. 23” x 15.75”. Estimation 1,200-1,800 $

17 Marcel C. BARBEAU, O.C., O.Q. (1925-2016)

Marcel Christian Barbeau, acrylic on canvas, “L’Odeur Du Grand Large 12”, signed and dated B/L ‘82, titled verso. Provenance: purchased directly from the artist. 10” x 12”. Estimation 1,500-2,000 $

18 Marcel C. BARBEAU, O.C., O.Q. (1925-2016) Marcel Christian Barbeau, O.C., O.Q., acrylic on canvas, “Reflets De Charlevoix - Saint Aunes, ‘97”, signed B/R and dated ‘97. Provenance: purchased directly from the artist. 13.5” x 17.5”. Estimation 3,500-4,500 $

19 Molly J. LAMB BOBAK, R.C.A. (1922-2014) Molly Joan Lamb (Spouse of Bruno Bobak), R.C.A., watercolour, “Summer Bouquet”, signed B/R. Galerie Francis Alexandre label verso. 23” x 16.5”. Estimation 1,000-2,000 $

20 John R. FOX, O.S.A., R.C.A. (1927-2008) John Richard Fox, O.S.A., R.C.A., acrylic on canvas, “Two Forms Meeting”, signed B/R. Galerie Agnès Lefort label verso. 50” x 35”. Estimation 3,000-5,000 $

21 Marcel C. BARBEAU, O.C., O.Q. (1925-2016) Marcel Christian Barbeau, O.C., O.Q., mixed media on paper, untitled, signed and dated ‘92 B/R. Provenance: purchased directly from artist. 8.75” x 11.75”. Estimation 1,500-2,000 $

22 William G. ROBERTS, R.C.A. (1904-1974) William Goodridge Roberts, R.C.A ., oil on board, “Still life - Flowers in vase”, signed B/R. Manuge Galleries Limited label verso. 12” x 16”. Estmation 3,000-5,000 $

23 Inuit Carving of a Harpoon Hunter, Cape Dorset An unidentified artist, probably Kinngait (Cape Dorset), ‘Harpoon Hunter’, c.1990s. 9” height x 3” width x 6” depth (without spear). Estimation 150-300 $

24 Thomasie Alikatuktuk (1953-2009), Pangnirtung Thomasie Alikatuktuk (1953-2009), male, Pangnirtung, Nunavut, Harp Seals, 1980, woven tapestry, 2/10. This tapestry was designed by Alikatuktuk and woven by Geela Akulukjuk (1952-), female, also Pangnirtung, in the Aubusson-style tapestry method practiced in the community since the early 1970s; number 2 in a limited edition of ten tapestries. 21” x 43”. Estmation 400-800 $

25 Joseph SAINT-CHARLES, A.R.C.A (1868-1956) Joseph Saint-Charles, A.R.C.A, oil on canvas, portrait, certification and signed by Saint-Charles’ daughter verso. 10” x 7.75”. Estimation 400-700 $

26 Vladimir HORIK (b.1939) Canadian Vladimir Horik, oil on masonite, autumn colours, signed and dated ‘81 B/L. 9.5” x 11.5”. Passionate about Charlevoix (Qc) bucolic landscapes, Horik was part of the first cohort to graduate from the Québec School of Fine Arts (1965). Estimation 500-700 $

27 Manly E. MACDONALD, R.C.A., O.S.A. (1889-1971) Manly Edward MacDonald, R.C.A. O.S.A., oil on canvas, “The Stream Autumn, North of Shannonville” (close to Tyendinaga, Mohawk Territory, possibly close to Salmon River). Signed B/R and titled verso. 19.75” x 23.75”. Estimation 3,500-4,500 $

28 Adam S. SCOTT, R.C.A. (1887-1980) Adam Sherriff Scott, R.C.A., oil on board, “After Sunset, Nova Scotia”, signed B/L. Continental Gallery label verso. 12.25” x 15.5”. Estimation 500-800 $

29 Joseph F. PLASKETT, C.M., R.C.A. (1918-2014) Joseph Francis Plaskett, C.M., R.C.A., pastel on paper, village on the bay, signed and dated “28/9/67” B/R.Plaskett studied with many prominent Canadian painters such as A.Y. Jackson, Jack Shadbolt, Lawren Harris and Jock Macdonald. He was a pupil of Hans Hofmann in New York and Provincetown in 1947 and 1948. Source: Wikipedia. 19.5” x 25.5”. Estimation 700-900 $

30 Herbert RAINE, R.C.A. (1875-1951) Herbert Raine, R.C.A., watercolour, “Grey Day, Metis Beach”, signed B/R, artist label verso with title and signature. 6” x 9”. Estimation 300-500 $

32 Goodridge ROBERTS, R.C.A. (1904-1974) Goodridge Roberts, R.C.A., oil on masonite, still life with oranges, signed B/R. 14.5” x 17.75”. Estimation 3,000-5,000 $

33 Tommy Tukpanie Sr. (1936-2013) Iqaluit, Frobisher Bay Tommy Tukpanie Sr. (1936-2013), male, Iqaluit (Frobisher Bay), Nunavut, Prowling Bear, c. early – mid 1980s, signed “TOMMY” and in syllabics. Tukpanie was a well-respected Iqaluit artist, best known for his depictions of polar bears; his work has been shown in several exhibitions including one solo show in 1992, and is represented in the collections of the Glenbow Museum, Calgary and the Dennos Museum in Traverse City, Michigan. 5.5” height x 11.5” width x 4” depth. Estimation 600-1,000 $

34 Inuit Carving, Two Figures, Nunavik (Arctic Qc) An unidentified Artist, Nunavik (Arctic Quebec). Two Figures (Man and Woman), c. 1970s, lengthy syllabic inscription. The work probably illustrates a legend or story, which is described in some detail in the syllabic inscription; unfortunately, it was not possible to distinguish an artist’s signature amongst the various syllabics; it is certainly the work of an accomplished and imaginative artist. 10” height x 8” width x 8” depth. Estimation 500-900 $

35 Inuit Carving, Swimming Sedna, Nunavut Sarah, artist details unknown, female, probably Pangnirtung, Nunavut, ‘Swimming Sedna’ (Sea Goddess), c. 1970s, signed “SARAH” and with disc number [E6-114]. The figure of the goddess is shown with the tail of a whale and dressed in a woman’s amautiq (parka). 6.5” height x 6” width x 15” length. Estimation 200-400 $

36 Gyta Eeseemailee (b. 1955) Pangnirtung, Nunavut Gyta Eeseemailee (1955-), male, Pangnirtung, Nunavut, Feeding Seals, c. early-mid 1980s, woven tapestry, 1/10. This tapestry was designed by Eeseemailee and woven by Jeannie Alivaktuk (1947-), female, also Pangnirtung, in the Aubusson-style tapestry method practiced in the community since the early 1970s; number 1 in a limited edition of ten tapestries. 19” x 43.2”. Estimation 400-800 $

37 Frederick S. COBURN, R.C.A. (1871-1960) Frederick Simpson Coburn, R.C.A., watercolour / mixed media, “Self Portrait” housed in a selfcarved frame. A rare and unusual work by the artist. Provenance: Purchased by Sieglinde Gemst from the Coburn Estate and sold to the current owner. 5” x 3.25”. Estimation 800-1,200 $

38 Goodridge ROBERTS, R.C.A. (1904-1974) Goodridge Roberts, R.C.A., oil on canvas, summer landscape, dated 1949, signed B/R. Partial Dominion Galleries label verso. 20.5” x 25.5”. Estimation 3,000-5,000 $

39 Louis TREMBLAY (b.1949) Québec, Canadian Louis Tremblay, oil on canvas, “Port au Persil”, signed B/R. Certificate of Authenticity from Galerie d’Art de la Baie verso, dated September 1986. 15.5” x 19.5”. Estimation 500-700 $

40 André DUFOUR (b. 1934) Québec, Canadian André Dufour, oil on Board, “Mon Préféré” (My favorite), signed B/R, titled and signed verso. 18” x 24”. Estimation 700-900 $

41 Pair of Canadian Side Chairs, Ca. 1820 A fine pair of early 19th century mahogany framed side chairs, both showing horizontal backrests inlaid with flame mahogany panels over double bar splats, leaf carved stiles and drop-in seats, raised on squared tapering supports braced by an H-shaped stretcher. Condition, split to 1 front support. Canadian, circa 1820. Height, 34.75” (seat height, 18”). Estimation 400-600 $

42 Canadian Renaissance Revival Table A very good 19th century Renaissance Revival oak library table attributed to Jacques & Hay, showing a curvilinear top inset with a black felt panel (later) over a carved frieze fitted with four small drawers, raised on a trestle base of four turned supports, braced by a turned and carved stretcher. Canadian, circa 1860. At their peak from approximately 1835-1885 Jacques & Hay of Toronto were the largest and most highly regarded furniture makers in Canada, with over 400 employees. Dimensions, 30.5” h x 57” w x 3`” d. Estimation 1,800-2,500 $

43 Georgian Bow-Fronted Writing Table An early 19th century Georgian bow-fronted writing table in mahogany, the conforming frieze fitted with three small drawers with later brass ring pulls, raised on four squared and tapering supports terminating to brass cup castors. Fissure to top, veneer loss. English, circa 1820. Dimensions, 29.75” h x 38” w x 20.5” d. Estimation 400-600 $

44 Vladimir HORIK (b.1939) Canadian Vladimir Horik, oil on masonite, Laurentide village, signed B/L. Passionate about Charlevoix (Qc) bucolic landscapes, Horik was part of the first cohort to graduate from the Québec School of Fine Arts (1965). 15.5” x 19.5”. Estimation 1,000-1,500 $

45 André DUFOUR (b. 1934) Québec, Canadian André Dufour, tempura / watercolour, snowy village, signed B/R and verso (with dedication to Diane), dated September 1983. 14” x 17”. Estimation 300-500 $

46 Joseph SAINT-CHARLES, A.R.C.A (1868-1956) Joseph Saint-Charles A.R.C.A, oil on board, portrait of a man with handlebar moustache. Certification of authenticity hand-written and signed by Saint-Charles’ daughter verso. 14.25” x 10”. Estimation 400-700 $

47 Henri Léopold MASSON, OSA, CGP, SPWC (1907-1996) Henri Léopold Masson, (member of OSA, CGP, SPWC), watercolour, two musicians, signed and dated 1952 B/L. 29.25” x 28.5”. Estimation 600-800 $

48 Peter Etril SNYDER (1944-2017) Canadian Peter Etril Snyder, acrylic on board, “Sunny Morning”, signed and dated 1983 B/L. Snyder was a Mennonite-raised Waterloo, Ontario born prolific artist. 12” x 16”. Estimation 500-700 $

49 Pierre BÉDARD, (b. 1960) Québec, Canadian Pierre Bédard, oil on board, “De Vieux Complices” (Old Accomplices), signed B/R along with artist label verso. Dated 1989. 10.5” x 13.5”. Estimation 300-500 $

50 André DUFOUR (b. 1934) Québec, Canadian André Dufour, oil on masonite, “Un bel été”, signed B/R. Titled and signed verso. 8” x 10”. Estimation 300-500 $

51 Pierre HUOT (b.1946) Québec, Canadian Pierre Huot, oil on canvas, lady with yellow hat, signed and dated B/L ‘76. 15.5” x 15.5”. Estimation 300-500 $

52 André DUFOUR (b. 1934) Québec, Canadian André Dufour, oil on Board, “Nature Morte”, signed B/R and artist label verso. Dated 1984. 7.5” x 9.5”. Estimation 300-500 $

53 Inuit Carving, Walrus & Seal, Cape Dorset An unidentified artist (possibly Mark [first name]), probably Kinngait (Cape Dorset), Walrus and Seal, c. 1970s, partial syllabic signature visible. 10” height x 15” width x 7” depth. Estimation 200-400 $

54 Christine Aaluk Sivanertok (b. 1938-) Repulse Bay Christine Aaluk Sivanertok (1938-), female, Naujaat (Repulse Bay), Nunavut, ‘Owl and Chick’, c. early 1970s. Signed in syllabics. A well-respected Repulse Bay artist who began carving in the early 1960s. Aaluk has been represented in a number of exhibitions; her works are illustrated in several publications including various Winnipeg Art Gallery catalogues and George Swinton’s ‘Sculpture of the Inuit’ (1972/92). 10” height x 5” width x 8” depth. Estimation 400-800 $

55 Nalenik Temela (1939-2003) Kimmirut, Lake Harbour Nalenik Temela (1939-2003), male, Kimmirut (Lake Harbour), Narwhal, 1979, dated and signed in syllabics. Nalenik was one of the most important Lake Harbour artists, prolific and represented in numerous exhibitions in Canada and internationally; his works can be found in several collections including the Winnipeg Art Gallery and the TD Bank Collection in Toronto. 12” height x 17” width x 4” depth. Estimation 400-700 $

56 Noo Pudlalik (1921-1981) Nunavut Noo Pudlalik (1921-1981), male, Kinngait (Cape Dorset), Nunavut, Hunter and Beluga, c. late 1960s or early 1970s, signed with disc number [E7-956]. 12.5” height x 10.5” width x 4” depth. Estimation 500-800 $

57 Inuit Carving, Two Faces, Arctic Bay Possibly Juda Taqtu (1937-), male, Arctic Bay, Two Faces, c. 1970s, syllabics read: “TA TU NA NU” (Taqtu / Nanuk?). Estimation 150-300 $

58 Eugenie Tautoonie Kabluitok (1914-1986) Nunavut Eugenie Tautoonie Kabluitok (1914-1986), female, Kangiqliniq (Rankin Inlet), Nunavut. Untitled, appliqué wall hanging, duffle, felt and thread, c. late 1970s. Early 1980s Tautoonie was a carver as well as a wall hanging artist, and a well-known storyteller; her works in different media have been exhibited several times, including in one solo show of her hangings in 1978. 29” x 66”. Estimation 300-600 $

59 Peter Etril SNYDER (1944-2017) Canadian Peter Etril Snyder, acrylic on board, “Hilltop Farm”, signed and dated ‘92 B/L. Snyder was a Mennonite-raised Waterloo (On) born prolific artist. 17.5” x 23.5”. Estimation 700-900 $

60 André DUFOUR (b. 1934) Québec, Canadian André Dufour, oil on canvas, “Fond de Cour, Rang Ste- Mathilde” (La Malbaie, Qc), signed B/L. Titled and signed verso. 17.5” x 23.5”. Estimation 700-900 $

61 Rita LETENDRE, C.M., O.Q, OOnt. (b. 1928) Rita Letendre (C.M., O.Q., OOnt.), serigraph 69 / 75, “Mist…”. Signed, titled, dated (in pencil) and stamped - all B/R. Letendre is a painter, muralist and printmaker associated with the “Automatistes and the Plasticiens”. The Plasticiens Movement appeared in Quebec (1955) post Automatistes; after Borduas published the Refus Global in 1948. Source: Wikipedia. 27.25” x 39”. Estimation 400-600 $

62 Raynald LECLERC (b. 1961) Québec, Canadian Raynald Leclerc, oil on canvas, Saint-Michel-deBellechasse, signed B/L. 19.5” x 23.5”. Estimation 600-900 $

63 Moser Giant Wine Tasting Glasses An exceptionally large and fine set of 5 ‘Giant’ format Bohemian glass wine tasting glasses by Moser, specifically made for Bordeaux, Burgundy, White Wine, Brandy and Sauternes. The largest (Sauternes) measuring 18” h. All bearing foil labels and acid etched marks. Czechoslovakia, circa 1970. Estimation 600-800 $

64 Gustavsberg Blue & White Porcelain Jardinière A large 19th century Gustavsberg blue and white porcelain jardinière, sided by lion’s mask handles and decorated overall in the Chinese taste with pagodas, flowering vines and exotic birds. Marks on underside for Gustavsberg Porcelain Factory. Dimensions: 10.75” h x 11.25 diameter (across the handles). Estimation 400-600 $

66 Mahogany Tea Table, English, Ca. 1835 A good William IV fold-over mahogany tea table, showing a ‘D’ shaped top lifting to a plain interior and rotating to support the top on the base, raised overall on a carved single column rising from a quatrafoil base on four massive lion’s paw supports with recessed brass castors, top faded. English, circa 1835. Dimensions, 29.5” h x 36” w x 18” deep (36” when opened). Estimation 250-350 $

67 Alfred de BREANSKI (1852-1928) English Alfred de Breanski, oil on canvas, titled verso “Early morning, Falcon Crag, Derwentwater”. Signed B/R “A. de Breanski”. 17.75” x 23.5”. Estimation 2,500-3,500 $

68 Memo VAGAGGINI (1892-1955) Italian Memo Vagaggini, oil on canvas, countryside, signed B/R, titled in Italian on artist label verso “Campagna Ficarra”. 23.5” x 29.5”. Estimation 2,500-3,500 $

69 Memo VAGAGGINI (1892-1955) Italian Memo Vagaggini, oil on board, “Marina a Castiglione della Pescaia”, signed B/L, artist label verso. 5.625” x 7.875”. Estimation 1,200-1,800 $

70 Hand Painted Porcelain Bowl, Late 19th Century A late 19th century example of ‘Hobby Porcelain Painting’ showing a large porcelain bowl decorated with hand painted motifs of flowering urns in a palette of tan and gilt against a cobalt field. The 19th century hobby of painting china porcelain blanks was popular with groups of middle class amateur women artists in both Britain and the USA from the early to late 19th century. Dimensions, 6.5” h x 13” diameter. Estimation 350-450 $

71 Federal Style Oval Framed & Gesso Mirror An early 20th century Federal style mahogany framed and gesso wall mirror, the oval frame surmounted by an eagle clutching arrows and acanthus leaf, flanked by acanthus shaped and gilded gesso pendants. Dimensions: 39” h x 28” w. Estimation 400-500 $

72 Limoges Porcelain Dinner Plates, Ca. 1900 A fine set of 11 early 20th century Limoges porcelain dinner plates, all showing a white central field rising to a matt and burnished gilt border with arabesque motifs and raised on a conforming gilded foot, red and green stamped marks verso, circa 1900. Diameter, 10.25â&#x20AC;?. Estimation 700-900 $

73 Limoges Porcelain Plates, Ca. 1900 A fine set of 9 early 20th century Limoges porcelain cabinet plates, all showing a white central field and cobalt blue border with an elaborate wavy rim, richly decorated with scrolling gilt detail, all with red stamped marks verso, circa 1900. Diameter, 9.75â&#x20AC;?. Estimation 600-800 $

74 Bronze of Young Woman, Late 19th Century A fine late 19th century patinated bronze of a young woman standing and holding a wheat sheaf and sickle, signed in back ‘Hivier’, raised upon a squared rouge royal marble base. Height, 9.5”. Estimation 400-600 $

75 Pair of Continental Glazed Earthenware Vases A decorative pair of early 20th century Continental ‘Sèvres-style’ glazed earthenware vases, both cobalt lidded bodies decorated overall with gilt detail and four painted panels of rural themes signed illegibly, mounted upon squared bases, faux Sèvres marks on underside of bases and rims, cracks to underside of one base. Height, 17”. Estimation 500-700 $

76 French Porcelain Inkwell, Late 19th Century A late 19th century French porcelain encrier, fitted with a recessed inkwell and pounce pot, decorated with a hand painted pastoral scene and pastel, and gilt accents. Dimensions: 2.75” h x 8” w x 8” d. Estimation 225-325 $

77 Wedgwood Porcelain Tableware A fine late 20th century Wedgwood porcelain part dinner service in the “Ascot” pattern, consisting of 10 dinner plates (10.75”), 8 luncheon plates (9”), 8 salad plates (8”) and 4 rimmed soup bowls (8”), all showing cream coloured fields with foliate molded, richly gilded rims. Estimation 700-900 $

78 Constant ARTS (1870-1951) Dutch Constant Arts, oil on canvas, family of resting ducklings, signed B/L. 12.5” x 16”. Estimation 600-900 $

79 Alfred de BREANSKI (1852-1928) English Alfred de Breanski, oil on canvas, “Invergary Castle, Loch Oich”, signed B/L. Titled and signed verso. 18” x 23”. Estimation 2,500-3,500 $

80 Edwin HAYES, RI (1819-1904) Irish Edwin Hayes, R.I., oil on canvas, “Mill Bay, Cornwall, 1882” (titled verso), signed B/L. 9.5” x 14”. Estimation 800-1,200 $

81 George III Tallcase Oak Clock, Ca. 1780 A late 18th century George III tallcase clock in oak, showing a domed hood surmounted by a broken pediment decorated with brass roundels, housing a working mechanism fronted by a white painted face with hand painted foliate and floral motifs (minor abrasions), blackened Roman numerals and pierced gilt metal sweep hands, raised on a shaped bracket base, minor veneer losses. splits. English, circa 1780. Dimensions: 84” h x 19.5” w x 9” d. Estimation 900-1,200 $

82 George IV Mahogany Linen Press, Ca. 1820 A good early 19th century George IV mahogany linen press in 3 parts, showing a shaped cornice over a superstructure with twin cupboard doors fronting an interior housing 5 tiers of sliding shelves, the base fitted with 2 short drawers over 2 full width drawers, all with cockbeaded detail and replaced ring pulls, raised on splayed ‘French’ feet. English, circa 1820. Dimensions: 85” h x 49” w x 21.5” deep. Estimation 1,200-1,500 $

83 Afghan Engsi Rug Afghan Engsi rug (6.2 x 8.2 feet), circa 1960, wool on wool. Good condition, few small low spots. Estimation 500-600 $

84 Persian Hamadan Rug Persian Hamadan rug (4.1 x 6.5 feet), circa 1960, wool on cotton. Complete, few low areas. Estimation 250-300 $

85 Hermenegildo BUSTOS (1832-1907) Mexican Hermenegildo Bustos, oil on canvas, native portrait, signed “Hermenegildo Bustos” verso. Provenance: Montreal Estate. José Hermenegildo de la Luz Bustos Hernández was a Mexican painter primarily known for his portraits. Born into a Catholic family who had descended from Indians attached to the Mission he grew up in a small town with varied interests. Following the Mexican Revolution, the nation’s cultural heritage was reassessed, and Bustos’ work gained more notice, eventually receiving significant attention in the book ‘Pintura Mexicana’ by Robert Montenegro. In 1940, he was profiled in the catalog for the exhibition “Twenty Centuries of Mexican Art” at the museum of Modern Art. His work has also appeared at exhibitions in Paris (1952), London (1953) and Tokyo (1955). In 1956, a portion of the municipality was renamed “Purisima de Bustos”, in his honour. The famous Mexican writer Octavio Pas wrote about Hermenegildo Bustos in 1985. 10” x 8.5”. Estimation 8,000-10,000 $ 43

86 Bronze Desk Set in the Form of Wild Boars A most interesting patinated bronze desk set, consisting of an inkstand in the form of two Wild Boars mounted to a naturalistically modeled base housing a lidded inkwell bearing the motto ‘Qui Invidet Minor Est’ (he who envies is inferior), together with an ink blotter fitted with a handle in the form of seated boar. No apparent maker or foundry marks, Continental. Dimensions, 5.25” x 13.25” x 6.75”. Estimation 700-900 $

87 Tin-Glazed Majolica Figure of Putto, Early 19th C. An early 19th century Baroque inspired Continental tin-glazed majolica figure of a putto, the rubenesque figure shown sitting atop a rectangular stepped platform raised upon four paw shaped supports. Repaired, fissures. Probably German, circa 1800. Dimensions, 16.75” h x 17” w x 11.75” d. Estimation 400-600 $

88 Jan-Baptist HUYSMANS (1826-1906) Belgian Jan-Baptist Huysmans, oil on board, “Jewish Girl, Algiers” titled verso. Signed and dated 1858 B/L. Unframed. 10.625” x 8.375”. Estimation 3,000-4,000 $

89 Graduated Papier Maché & Lacquered Trays A very fine pair of mid 19th century graduated papier mache and lacquered trays, both having scalloped rims and decorated overall with gilt foliate sprays, the central field decorated with hand-painted flower heads, exotic birds and structures with mother o’ pearl accents, set amongst a fantastic garden, minor surface wear. Dimensions, (a) 15.5” h x 19” wide, (b) 12’ h x 15.5” wide. Estimation 300-400 $

90 Blown Glass Spirit Decanters, Late 19th Century Two late 19th century blown glass spirit decanters, both showing squared bodies with faceted shoulders (minor chips) and canted edges, fitted with faceted stoppers. One measuring 9” high x 3.5” square. The other measuring, 9.5” high x 4” square Estimation 200-300 $

91 Blown Glass Decanters, 19th Century Two 19th century blown glass decanters of ovoid form rising from circular bases numbered #38 and #89, to elongated necks fitted with their respective dedicated stoppers bearing the same numbers. One measuring 14.25” high, the other 13.25”. Estimation 300-400 $

92 Gaston GIUTTON (1825-1891) French Gaston Giutton, a fine 19th century gilt patinated full length bronze listed as ‘L’Homme à L’Oiseau’, portraying a young man holding a dove. Standing upon a circular plinth base, signed in script. Height, 23.5”. Estimation 900-1,200 $

93 Henry S. MOORE O.M., C.H, (1898-1986) English Henry Spencer Moore O.M., C.H, lithograph in colours 35/40, “Reclining Woman II”. Numbered B/L and signed in graphite B/R. Dominion Gallery label verso. 16.5” x 20.125”. Estimation 2,500-3,500 $

94 Mahogany Banquet Table, English, Ca. 1860 A very good mid 19th century mahogany banquet table, the figured solid mahogany top opening to receive 3 leaves, raised overall on six robust supports with foliate carved detail on original brass cup castors, minor surface wear to top. English, circa 1860. Dimensions, 29” h x 53” w x 115” long, but will extends to 192”. Estimation 1,200-1,500 $

95 Large Indo Sarouk Rug A large Indo Sarouk rug (9.6 x 16 feet), circa 1920-30. Wool on cotton, good condition. Estimation 700-800 $

96 Gilt Bronze Figural Candelabras, Ca. 1870 A fine pair of Napoleon III patinated and parcel gilt bronze figural candelabra, cast in the form of a faun and maiden holding aloft cornucopia eschewing six foliate cast branches with gilded bobeches, (repair to one branch). France, circa 1870. Height, 26.5â&#x20AC;?. Estimation 1,500-2,000 $

97 Set of Eight Mahogany Framed Dining Chairs A good set of eight early 19th century mahogany framed dining chairs, all with drop-in seats and horizontal backrests over bar shaped splats, raised on sabre-leg supports. Some reinforced with metal brackets, restoration and losses to reverse of some backrests. English, circa 1830. Height, 34.5â&#x20AC;? (seat height 18.5â&#x20AC;?). Estimation 700-900 $

98 Belgian Persian Sarouk Rug Belgium Persian Sarouk design rug (8.2 x 11.6 feet), machine made, circa 1960. Wool on cotton, good condition, minor staining. Estimation 400-500 $

99 Turkish Bergama Kazak Rug Turkish Bergama Kazak rug (5.5 x 7 feet), circa 1970. Wool on wool, complete condition, few low areas. Estimation 400-500 $

100 Pakistan Boukara Rug Pakistan Boukara rug (6 x 9 feet), circa 1970. Wool on cotton, good condition. Estimation 400-500 $

101 Louis XV Oak Buffet Bas, Ca. 1760 A very handsome Louis XV Period ‘buffet bas’ in oak, showing a molded top with canted corners above a frieze fitted with 2 short drawers, over a pair of panelled cupboard doors fronting a shelved interior. Raised on stile supports flanking a wavy carved skirt, pegged construction throughout, replaced brasses and locks. France, circa 1760. Dimensions, 45.5” h x 61” w x 20” d. Estimation 1,800-2,200 $

102 Caucasian Armenian Lori Pambak Kazak Rug Caucasian Armenian Lori Pambak Kazak rug (6 x 7.9 feet), circa 1890. Wool on wool, missing ends, low and worn areas all over. Estimation 1,200-1,400 $

103 White Onyx Pedestal, Continental, Ca. 1890 A late 19th century white onyx pedestal showing a single turned column with orange and brown striations, rising up from a panelled base with ormolu mounts to a rotating squared plateau. Continental, circa 1890. Height, 40.5â&#x20AC;?. Estimation 250-350 $

104 Jean Baptiste CARPEAUX (1827-1875) French Jean Baptiste Carpeaux, a very fine 19th century red terracotta bust famously known as ‘Bacchante aux Roses’ (Bacchante with Roses). Signed and dated ‘JB Carpeaux, 1874’, together with impressed Carpeaux Property stamp and Atelier Dépôt Auteuil stamp. Carpeaux is recognized as being perhaps the greatest French sculptor of the 19th century, 2nd only to Rodin. His work often demonstrates an unbridled element of movement and expression as noted in this depiction of a drunken ‘bacchante’ - a female reveler or follower of Bacchus, Greek God of Wine. Height, 23.5”. Estimation 8,000-10,000 $

105 Georges ROUAULT (1871-1951) French Georges Rouault, aquatint in colours, “Douce Amère”, from “Cirque de L’Etoile Filante”, initialed in the plate B/L and dated 1934. Laid down. 12.5” x 8.5”. Estimation 1,500-2,500 $

106 Antoine BLANCHARD (1910-1988) French Antoine Blanchard, oil on canvas, “L’ Arc de Triumphe”, signed B/L and verso. Antoine Blanchard is the pseudonym under which the French painter Marcel Masson painted his immensely popular Parisian street scenes. He was born in a small village near the banks of the Loire River. 12.5” x 17.5”. Estimation 3,000-5,000 $

107 Joseph F. H. LÉGER (1881-1955) French Joseph Fernand Henri Léger, watercolour, “Composition à La Fleur, 1945”. Signed and dated B/R. Dominion Gallery and Galerie Agnès Lefort labels verso. In World War II, Léger lived in the United States. During his tenure in the US, Léger began making paintings in which freely arranged bands of color are juxtaposed with figures and objects outlined in black. Léger credited the neon lights of New York City as the source of this innovation: “I was struck by the neon advertisements flashing all over Broadway. You are there, you talk to someone, and all of a sudden he turns blue. Then the color fades—another one comes and turns him red or yellow”. The example offered here is enigmatic of that period and demonstrates the juxtaposition of colour and objects. 10.25” x 14.25”. Estimation 30,000-40,000 $

108 Emile Louis PICAULT (1833-1915) French Emile Louis Picault, a very good 19th century French figural bronze, titled GLOIRE ET FORTUNE on the front of the plinth base, exhibiting a fine dark brown patina overall, the modelled base inscribed ‘Per Laborum’ , signed in the mold E. PICAULT. Height, 31”. Estimation 1,800-2,400 $

109 Flow Blue Jardinière on Stand A very fine 19th century flow blue jardinière on stand, the globular body decorated overall with foliate motifs in a palette of grey, pale orange, tan and gilt over a cobalt blue field, sided by richly gilded handles in the form of humanistic masks and rising to a gilded rollover rim, raised upon its original matching columnar base. Overall height, 35.5”. Estimation 1,200-1,500 $

110 Copper Columnar Pedestal, France, Ca. 1900 A highly decorative early 20th century patinated copper columnar pedestal decorated with entwined gilt vinery, swagged garlands and humanistic masks, raised overall upon four foliate shaped gilt supports. France, circa 1900. Height to plateau, 45.5”, overall height 49”. Estimation 700-900 $ 56

111 Sir William BEECHEY, R.A. (1753-1839) English Sir William Beechey R.A., oil on canvas, “Mrs. Owens (Magniac)”, unsigned. Condition: laid down. Provenance: consigned by Florence Magniac and first offered in 1949 by Christie’s London; returned to Florence Magniac; then sold as Lot #34 by Christie, Manson and Woods, London, on November 22, 1963; sold as painted by Beechey. Appraised by Dominion Galleries, Montreal, August 15th, 1969. The sitter is reputably the sister of Hollingworth Magniac who was a merchant and connoisseur of Medieval art. He ran the firm Magniac and Co., later becoming Jardine, Matheson and Co., one of the largest trading houses in Asia in the 19th century. 29.5” x 24”. Estimation 5,000-7,000 $

112 Friedrich GORNIK (1877-1943) Austrian Friedrich Gornik, a finely patinated 20th century bronze inkstand sculpted in the form of a striding lion and lioness atop a naturalistic ground - a lidded compartment opening to access an inkwell, all fitted above a full length pen trough. Signed F. Gornik, Austria. Dimensions, 6” h x 14.5” w x 6” d. Estimation 800-1,000 $

113 Val St-Lambert Campana Shaped Vase A large green cut-to-clear glass vase of campana form by Val St-Lambert, the rim showing a richly decorated gilt band with ‘Greek Key’ motifs, signed on the underside in script. Condition noted, abrasions to one corner at base. Dimensions, 10.25” h x 7” diameter. Estimation 250-350 $

114 R. Lalique France ‘Coquilles’ Dish An early 20th century Lalique ‘Coquilles’ dish, the glass body formed as overlapping scallop shells radiating outwards, signed R. Lalique, France and numbered 3009 (designed in 1924). Diameter, 11.75”. Estimation 500-700 $

115 Heinrich Hermann SCHAFER (1815-1873) German Heinrich Hermann Schafer, oil on canvas, “South Transept, Toledo Cathedral, Spain”, signed B/R and verso. 26.75” x 19.75”. Estimation 700-900 $

116 Edouard F. W. RICHTER (1844-1913) French, German Edouard Fredric W. Richter, oil on canvas, lady in a blue robe in an interior, signed B/L. 18” x 14”. Estimation 900-1,200 $

117 Dwight C. HOLMES (1900-1986) American Dwight Clay Holmes, oil on masonite, foot hills, signed and dated ‘45 B/L. 11.5” x 15.5”. Estimation 400-600 $

118 William L. SONNTAG (1822-1900) American William Louis L. Sonntag, oil on canvas, Fishing on the Ohio river, unsigned. Born in Pittsburg, Sonntag painted in Cincinnati in his early years, perfecting his craft. After a stint throughout Europe, he moved to New York and became a member of the Hudson River School group where he perfected the Romanticism style popular with the group. His works are held by major Museums throughout the United States. 18.5â&#x20AC;? x 28â&#x20AC;?. Estimation 6,000-8,000 $

119 Daniel MACLISE (1806-1870) Irish Daniel Maclise, oil on canvas, “Young Lovers Held Captive (unknown historical scene)”. Inscribed “D. Maclise #26” in pen and ink to an old label on the stretcher. Provenance: Ex. Collection of Philip Shackleton’s sister, in the Shackleton family for over 60 years, Kingston, Ontario. Philip Shackleton wrote the definitive book, “The Furniture of Old Ontario.” Sub Sub-sequentially sold at auction, December 4, 2004 to present owner. According to David A. de Witt, former Bader Gallery Curator of European Art at the Agnes Etherington Art Centre Kingston, Ontario), the theme of this picture until this exhibition resisted deciphering. In the note to the catalogue, de Witt states, “[...] Its martial character and oriental setting evoke Torquato,Tasso’s famous epic poem, Jerusalem Liberate (1581). He continues, “Maclise was the foremost subject painter in England during the first half of the 19th century, and boasted wide reading, drawing from sources such as English and Continental European history, Shakespeare, legend and literature.” Although the title in the exhibition was Young Lovers Held Captive (unknown historical scene), the painting appears to depict a tranquil conversation between a stately couple, possibly even Charlemagne with one of his wives relating a story to his soldiers”. This work is contained within a frame from Balfour & Wessels, New York, New York (label verso). With 18th century gilt frame. 30” x 36”. Estimation 5,000-7,000 $

120 George IV Mahogany Breakfront, Ca. 1820 A fine early 19th century George IV five-part mahogany breakfront, showing an arched cornice atop a superstructure fitted with twin glazed doors over a base housing a single full width drawer and twin cupboard doors, flanked by twin full length sections similarly addressed with glazed panels and moldings fronting shelved interiors, over a column of small drawers on one side and a shelved interior on the opposing (warping), raised overall upon a plinth base. Original brasses and functioning locks. English, Circa 1820. Dimensions, 96” h x 71” w x 18.5” d. Estimation 4,000-6,000 $

121 Persian Hamadan Bibikabad Rug Persian Hamadan Bibikabad rug (4.6 x 6.5 feet). Wool on cotton, missing ends, low spots, one big visible paint stain. Estimation 200-300 $

122 Alfred Fontville DE BREANSKI (1877-1957) English Alfred Fontville de Breanski, oil on canvas, titled verso “Evening-Llyn Gerioneed, N. Wales” (Geirionydd), signed B/L “A. F. De Breanski”. 19.5” x 29.5”. Estimation 2,000-3,000 $

123 Bohemian Ruby Cut-to-Clear Glass Vase A very good late 19th century Bohemian ruby cut-to-clear glass vase rising from a domed foot, the flaring body decorated with elongated ruby panels interspersed by a gilt vermicule clear field, rising to a gilded crenelated rim, apparently unsigned. Height, 10.5”. Estimation 275-375 $

124 Silver Plated Telescopic Candlesticks, Mid 19th C. A pair of mid 19th century English silver plated telescopic candlesticks, both columns fitted with detachable drip pans and rising from gadroon decorated and weighted bases, areas of rubbing. Height, 8” to 10.5”. Estimation 100-200 $

125 E. KORDA (20th C) Canadian A mid-20th century patinated Brutalist bronze grouping of a couple embracing, signed E. Korda on outside of one leg, raised overall upon a squared Belgian black marble base. Height, 14”. Estimation 300-400 $ 64

126 Giorgio SZOLDATICZ (1873-1955) Italian Giorgio Szoldaticz, oil on canvas, still life with roses, signed and dated “Roma 1901” B/R. 22.75” x 31.75”. Estimation 2,500-3,500 $

127 Giuseppe GAMBOGI (1862-1928) Italian ‘Undine Rising’. A stunningly beautiful full length carved white marble figure of an Undine, signed G. Gambagi Firenze, for Giuseppe Gambogi (1862-1928), masterfully executed with exacting proportions and exuding a highly expressive, ethereal sense of movement. In mythology, Undines were female water spirits inhabiting the waters of the Mediterranean who could on ocassion take the form of mortals. This exceptional work was likely inspired by the 19th century romantic novel by Baron Heinrich Karl de la Motte titled ‘Undine’, in which a beautiful Undine assumes human form in order to marry a mortal, but when she discovers her lover to be found unfaithful she then rises from the depths to take away his life & soul. Repairs to fingers on one hand. Height, 58.5”. Estimation 25,000-35,000 $

128 Oliver BAKER (1856-1939) English A very good Art Nouveau pewter centrepiece designed by Oliver Baker (1856-1939) for Liberty & Co. ‘Tudric’ line. The concave bowl raised on four organically inspired hipped supports with trepid feet, impressed marks on underside, pitting to interior. Circa 1905. Dimensions, 4.5” high x 13” dia. Estimation 600-800 $

129 Gilt Bronze Bust of Hermes An early 19th century gilt bronze capital in the form of a bust of the Greek god Hermes, mounted to an associated turned onyx column. Height (with column), 6.5”. Estimation 200-300 $

130 Bohemian Amethyst Glass Vase, Moser, Ca. 1910 A fine and impressively large early 20th century Bohemian amethyst glass vase, the faceted body showing a gilded panel decorated with a running band of acid etched warrior figures of Amazons. Apparently unsigned but highly attributable to Ludwig Moser, Moser Glassworks Czech Republic, circa 1910. Height, 19.5”. Estimation 400-600 $

131 Alfred Fontville DE BREANSKI (1877-1957) English Alfred Fontville de Breanski, oil on canvas, illegally titled and “N. Wales” verso, along with a label for the Horner Galleries, Church Street, Sheffield. Signed B/L. 15.25” x 23.25”. Estimation 2,000-3,000 $

132 Thomas S. COOPER, C.V.O., RA (1803-1902) English Thomas Sidney Cooper, C.V.O., R.A., oil on canvas, cattle in the pasture, signed B/R. 15” x 22”. Estimation 2,000-3,000 $ 68

133 Renaissance Revival Credenza, American, Ca. 1870 A fine 19th century part ebonized Renaissance Revival amboyna credenza, the rectilinear shaped and cross banded top decorated with a gilt bronze molding and ebonized trim, over a conforming frieze housing a single drawer, overtop a cupboard door fronting a shelved interior flanked on either side by bow-fronted cupboard doors with shelved interiors, raised upon a conforming plinth base. American, Circa 1870. (No apparent signature, but very much in the manner of those produced by Pottier and Stymus, New York City). Dimensions, 39” h x 64” w x 23.5” d. Estimation 3,000-5,000 $

134 Mahogany Framed Armchair, American, Ca. 1780 A very elegant 18th century American Hepplewhite Period mahogany shield back armchair, featuring a pierced vasi-form shaped splat finely carved with bellflowers and acanthus leaf motifs, sided by armrests braced by backswept supports over a bowed front seat rail, fitted with a drop-in upholstered seat and raised on fluted tapering front supports and chamfered rear supports braced by an H shaped stretcher. Repairs to armrests. Probably Massachusetts, circa 1780. Height, 38” (seat height 18”). Estimation 700-900 $

135 Persian Kashan Rug Persian Kashan rug (10.2 x 13.4 feet), circa 1930. Wool on cotton, missing ends, low worn all over. Signed Kashan. Estimation 400-600 $

136 Persian Hamadan Rug Persian Hamadan rug (3.6 x 6.3 feet), circa 1960. Wool on cotton, good condition. Estimation 200-300 $

137 Scipione SIMONI (1853-1919) Italian Scipione Simoni, watercolour, signed and titled “Palombara” B/R. 14.5” x 20.5”. Estimation 700-900 $

138 Memo VAGAGGINI (1892-1955) Italian Memo Vagaggini, oil on canvas, “CalombroneLivorno”, signed B/R and artist label verso. 15.25” x 19.25”. Estimation 2,000-3,000 $

139 Hans R.-LAUTENSCHLAGER (1862-1933) Austrian Hans Ruzicka-Lautenschlager, oil on canvas, gathering in the square, signed and dated B/R. 22” x 30.75”. Estimation 1,000-1,500 $

140 Pair of Large Val St-Lambert Vases

A large and decorative pair of 20th century green cut-to-clear glass vases by Val StLambert, both faceted bodies signed on the underside in script. Dimensions, 8.25” h x 7.5” d. Estimation 300-400 $

141 Bronze Vase, Shepherdess with Goose & Tree

A most intriguing early 20th century organically inspired Austrian bronze vase, sculpted in the form of a young shepherdess and a goose, both individually cast and applied to a stylized tree trunk naturalistically modeled with funghi, exhibiting a fine patinated surface overall. Apparently unsigned. Height, 8”. Estimation 400-600 $

142 Continental Glass Vase with Neoclassical Figures

A fine early 20th century campagna-shaped and faceted Continental glass vase, showing a frosted panel decorated with a running band of acid etched and gilded neoclassical figures. Apparently unsigned. Dimensions, 10” h x 7” diameter. Estimation 250-350 $

143 Guido RENI (1575-1642) Italian Guido Reni, red chalk on brown paper, head of a young man facing left, signed B/C. Laid down. Provenance: purchased from Alister Mathews, Great Britain in 1965. Mathews was an antique dealer born in Watford, England on April 7th, 1907. During the 1920”s, he operated Grayhound Press, a private press through which he published his friend Monk Gibbon. From the early 1950’s until some time in the 1970’s, he operated as a dealer in prints and drawings, rare books and manuscripts. He sold Indian paintings to the British Museum in 1943, prints and drawings to the P&D from the 1950’s onwards. 12” x 9.75”. Estimation 6,000-9,000 $

144 Memo VAGAGGINI (1892-1955) Italian Memo Vagaggini, oil on board, “La Certosa, Firenze”. Signed B/L. Artist label verso. 5.5” x 7.625”. Estimation 1,200-1,800 $

145 Jean Leon H. GOUWELOOS (1868-1945) Belgian Jean Leon Henri Gouweloos, oil on canvas, still with figure, signed B/R. 26” x 21”. Estimation 800-1,200 $

146 Leszek PIASECKI (1928-1990) Polish Leszek Piasecki, oil on canvas, horse drawn sleigh in a snow storm, signed B/L. 23” x 35.5”. Estimation 700-900 $

147 Han SNEL (1925-1998) Dutch, Indonesian Han Snel, pastel on paper, “Bali 65”, signed B/L. 16.5” x 26.5”. Estimation 2,000-3,000 $

148 Sterling Silver Five-Piece Tea & Coffee Service An exceptional 19th century sterling silver 5-piece tea and coffee service, consisting of a kettle-onstand (replete with burner), coffee pot, teapot, creamer and sugar bowl, richly embossed overall with foliate motifs, minor bruising. Hallmarked London 1889, together with makers marks for Martin and Hall. Combined weight: 3,509 grams. Estimation 2,000-3,000 $

149 Tilting Mahogany Breakfast Table, Ca. 1835 A very good William IV tilt-top breakfast table in mahogany, showing a figured circular top affixed to a tilting mechanism atop a robust and richly carved column. Raised overall upon a quatra-foil base with lion’s paw feet on brass castors, top faded. Circa 1835. Dimensions, 28.5” high x 45” diameter. Estimation 700-900 $

150 Maurice ROUCHY (1898-1975) Belgian Maurice Rouchy, oil on canvas, “Wemmel, Coin du Village” (Belgium), signed B/R. 27.5” x 35.5”. Estimation 600-900 $

151 Georgian Tallcase Clock, English, Ca. 1770 An 18th century Georgian mahogany-stained oak tallcase clock, showing a domed hood with a broken-pediment, housing a working mechanism fronted by a white painted face with retailer marks for Bisley H. Munt - H’ West and Milford, blackened Roman numerals and pierced gilt metal sweep hands, surmounted by a hand painted view titled ‘Havorfordwest Castle’, all four spandrels decorated with hand painted heraldic crests and mottos. Raised overall upon a bracket shaped base. English, circa 1770. Dimensions, 89” h x 19.5” w, x 11”. Estimation 900-1,200 $

152 French Gilt Bronze Chenets, Ca. 1870 A very good pair of French gilt bronze chenets in the Louis XVI style, circa 1870. Height, 17.5”. Estimation 300-400 $

153 Gothic Style Grandfather Clock, Ca. 1930 An early 20th century Gothic inspired walnutstained oak grandfather clock, showing a peaked pediment decorated with a trio of turned finials above a circular brass dial with Arabic numerals and pierced sweep hands fronting a chain driven mechanism, above a full length glazed door raised on a plinth base on block feet. Circa 1930. Dimensions, 86” h x 22” w x 15” d. Estimation 400-600 $

154 Art Deco Chinese Rug Art Deco Chinese rug (6 x 8.5 feet), circa 1920. Wool on cotton, complete condition, low and worn spots. Estimation 400-600 $

155 Brass Repeating Carriage Clock, Ca. 1890 A good 19th century brass repeating carriage clock, the glass paneled case having a swing handle and stylized bamboo cast columns, fronted by a white enameled face (minor crazing) with blackened Roman numerals and sweep hands, together with retailer marks for Jackman and Son, Goldsmiths, Bath. The mechanism in working order with hour repeat on a coil gong chime. Circa 1890. Dimensions, 6.25” x 4.25” x 3.75”. Estimation 600-800 $

156 Renaissance Revival Walnut Corner Chair, Ca. 1900 An early 20th century Renaissance Revival carved corner chair in walnut, showing a tub-shaped back with twin vertical splats over a triangular drop-in seat, raised on four turned supports, repair to one arm-support. Continental, circa 1900. Height, 30” (seat height, 13”). Estimation 150-250 $

157 Art Deco Chinese Rug Art Deco Chinese rug (5.10 x 8.4 feet). Wool on cotton, low worn all over the rug, missing ends, old tinted areas. Estimation 300-400 $

158 Book - Jules Verne “Around the World in 80 Days” Jules Verne, book, “Around the World in Eighty Days.”, Sixth Edition, dated 1879. Illustrated. Sampson LCW, Marston, Searle & Rivington, London. Leather bound. Good condition, uncollated. Estimation 200-300 $

159 Book - Forster “A Passage to India”, Signed Forster (E.M.), book, First Edition, “A Passage to India”, number 11 of 200 copies, signed by the author. Title printed in red and black, printed spine label. Edward Arnold & Co., London 1924. Original cloth-backed boards, small stain to front board, very good overall condition. Uncollated. Estimation 1,000-1,500 $

160 Books - H. Cescinsky, English Furniture, 18th C. Herbert Cescinsky, Volume I & II, “English Furniture of the 18th Century”. Published by George Rutledge & Sons Ltd., Broadway House, London. Undated. Illustrated with drawings and photographs. Uncollated. Estimation 200-300 $

161 Sterling Silver Bread Basket, London, 1858 A very good and heavy 19th century sterling silver swing handled bread or cake basket, the foliate pierced body (minor loss), affixed to a foliate cast swing handle, raised overall on a spreading lobed foot. Hallmarked London 1858 together with makers marks for William Smiley. Dimensions, 4” high x 13.5” diameter. Weight: 1,212 grams. Estimation 1,200-1,500 $

162 Large Birks Sterling Tazza A large and heavy mid 20th century Birks sterling silver tazza, the foliate pierced body raised upon a speading circular foot. Date mark for 1940. Dimensions, 2.5” high x 12” diameter. Weight, 1119 grams. Estimation 400-600 $

163 Cylinder Music Box, Continental, Ca. 1880 A late 19th century cylinder music box, the faux grained case having a hinged lid decorated with hand painted floral detail, opening to an interior housing a crank operated music cylinder and comb (one tooth missing), together with stop and go levers, in working condition, playlist sheet missing. Swiss or Austrian, circa 1880. Dimensions, 4.25” h x 12.75” w x 6.75” d. Estimation 300-500 $

164 Chinese Silver Pomander A late 19th / early 20th century Chinese export silver pomander, the stippled silver body fitted with a detachable lid showing a foliate pierced jadeite panel. The underside bearing makers marks ‘CJ and Co.’. Dimensions, 1.5” h x 2.75” diameter. Estimation 250-350 $

165 Hand Tinted Silhouette Portrait, British, 19th C. An early 19th century British hand tinted silhouette portrait miniature set within an oval gilt fillet in an ebonized wooden frame, signed verso in script ‘Wm. Fredericks, Leeds’. William Fredericks of Leeds (active 1820 to 1840). Frame dimensions, 5.25” x 4.25”. Estimation 250-350 $

166 Paragon Porcelain Cabinet Plates A fine set of 9 hand painted Paragon porcelain cabinet plates, all centred by a large pink rose blossom bordered by gilt foliate motifs against a cobalt field, pattern marks on reverse #2789. Diameter, 10.5”. Estimation 400-600 $

167 Wedgwood Jasperware Porcelain Framed Plaque A fine 19th century Wedgwood Jasperware porcelain plaque showing six maidens, ‘The Dancing Hours’, modelled in white translucent porcelain applied over a ‘Wedgwood Blue’ porcelain lozenge, set within a fine part-ebonized fruitwood frame, impressed marks for Wedgwood verso. Frame dimensions, 7.5” h x 12” w, sight dimensions, 2.5” h x 7” w. Estimation 400-600 $

168 Silver Plated Napier Cocktail Shakers A pair of rare silver plated Napier cocktail shakers, the lids inscribed “King” and “Queen”, the bodies marked “George” and “Peggy”. Height, 6.5”. Estimation 250-350 $

169 Jasperware Plates, Candlesticks & Cigarette Box A grouping of 20th century Wedgwood jasperware porcelain, consisting of a pair of cabinet plates in dark blue porcelain decorated with neoclassical themes in translucent white porcelain, together with a pair of black jasperware porcelain candlesticks and cigarette box all with similar decoration, impressed marks for Wedgwood on reverse. Plate diameters, 8”, height of candlesticks, 4.25”. Estimation 300-400 $

170 Set of 12 Minton Painted Porcelain Cabinet Plates A fine set of 12 early 20th century Minton hand painted porcelain cabinet plates, all richly decorated depicting three various groupings of assorted stone fruit, each bearing artist signature for Joseph Colclough (working at Minton 1905-42 & 1945-52). Retailer marks for Birks on reverse. Diameters, 9”. Estimation 500-700 $

171 Georgian Three-Tiered Walnut Dumb Waiter, Ca.1800 An early 19th century Georgian three-tiered dumb waiter in walnut, showing 3 graduated circular shelves rotating on vasi-form columns, raised overall on 3 cabriole supports on pad feet. English, circa 1800. Dimensions, 38.5” h x 20” diameter (bottom tier). Estimation 500-700 $

172 Chinese Hand Carved Shell, 19th Century A fine 19th century Chinese hand carved nacre shell depicting a Dragon Dance celebration winding through a backdrop of villagers and structures, mounted on its original hand carved and pierced hardwood stand. Dimensions, 8” h x 9.5” w. CITES applies. Estimation 400-600 $

173 Sterling Silver Brandy Warmer, London, 1830 An early 19th century Georgian sterling silver brandy warmer fitted with a turned ebony handle, hallmarked London 1830, together with partly rubbed makers marks for Edward, Edward Jr., John and William Barnard. Length, 11.25”. Total weight, 375 grams. Estimation 400-500 $

174 Pair of Brass Andirons, Boston, Ca. 1830 A pair of early 19th century Federal Period ‘Beehive’ brass andirons. Boston (U.S.A.), circa 1830. Dimensions, 16” h x 9.5” w x 14.5” d. Estimation 350-450 $

175 Miniature Champlevé Ewer, Late 19th Century A fine late 19th century French gilt bronze and champlevé miniature ewer, the compressed globular body rising to a cylindrical neck, profusely decorated overall with an arabesque of multi-coloured enamels and gilt and an applied gilt handle in the form of a chimera. Height, 4.75”. Estimation 300-500 $

176 Dutch Silver Bread Basket An early 20th century Dutch silver (.835 fine) bread basket having a pierced body and undulating rim decorated with beaded detail, the underside bearing Dutch silver marks and date mark for 1925. Dimensions, 4” h x 12” w x 8” d. Weight, 448 grams. Estimation 250-350 $

177 Dutch Silver Bread Basket with Handles A very good and heavy early 20th century Dutch silver (.934 fine) bread basket showing an openwork lobe-shaped body with open handles, decorated with beaded detail and raised overall upon four robust ball and claw supports, impressed silver marks and date marks for 1911 on underside. Dimensions, 5.5” h x 16.5” w x 10.5” d. Weight: 1,128 grams. Estimation 600-800 $

178 Dutch Silver Oval Serving Tray An early 20th century Dutch silver (.833 fine) oval shaped serving tray, showing a pierced gallery with beaded rim and open handles. Marks on underside noting makers marks for C.P. Hart, THE HAGUE, and date mark for 1907. Dimensions, 2” h x 19” w x 10.5” d. Weight: 1,157 grams. Estimation 300-400 $

179 Pair of German Silver Candlesticks A pair of late 19th / early 20th century neoclassical inspired German silver (.800 fine) candlesticks, both showing squared bases decorated with floral garlands rising to tapering columns with iconic capitals, one column bruised. Impressed makers’ marks for Ludwig Neresheimer and Co., Hanau. Height, 11.5”. Weight: 1,051 grams. Estimation 400-600 $

180 Sterling Silver Quatrafoil Shaped Bowl An early 20th century sterling silver quatrafoil shaped bowl, the sides embossed overall with foliate motifs interspersed by neoclassical elements of flowering urns flanked by allegorical figures holding thyrsus. Marks on underside for Gorham, USA, sterling, together with date mark for 1926. Dimensions, 2.5” h x 11” w x 8.5” d. Weight: 462 grams. Estimation 275-375 $

181 Pair of Sterling Silver Tazzas A very good pair of sterling silver tazzas, both showing foliate cast and pierced bodies raised upon similarly stylized bases. One marked STERLING on the underside of the base, both bearing model numbers and reference to diameter of 9”, maker unknown. Dimensions, 4” h x 9” diameter. Combined weight: 955 grams. Estimation 400-600 $

182 Louis XV Cast Brass Candlesticks, Mid 18th Century A pair of mid 18th century Louis XV period cast brass candlesticks, both showing faceted and flaring columns rising from stepped octagonal bases. Height, 8.75”. Estimation 400-500 $

183 Silver Lidded Beaker, Germany, 19th Century A very good 19th century German silver (.800 fine) lidded beaker modeled in 17th century style, the cylindrical body embossed with fruiting blossoms and swags, the interior exhibiting a faint gold wash, raised overall on three ball shaped feet. The rim showing Tremolierstrich (scratch marks) and makers’ marks for Ludwig Neresheimer and Co., Hanau. Height, 5.5”. Weight: 149.6 grams. Estimation 275-375 $

184 Silver Circular Casket, German, Early 20th Century An early 20th century German silver (.800 fine) casket of circular form, richly decorated overall with romantic themes including floral motifs, classical trophies and putti, the conforming hinged lid opening to a gilt interior (wear to gilt). The underside showing town marks for Hanau, makers’ marks for Weinranck and Schmidt, and silver marks .800 fine. Dimensions, 2” h x 6.25” diameter. Weight: 478 grams. Estimation 400-600 $

185 Relief Carved Panel, Artemis with Attendants An 18th century relief carved panel depicting the Greek Goddess Artemis with her attendants, minor losses. Dimensions, 2.75” h x 2” w. CITES applies. Estimation 300-400 $

186 Sterling Silver Soup Ladle, King’s Pattern A very good and heavy William IV sterling silver soup ladle in the King’s pattern, hallmarked London 1835 together with maker’s marks for Mary Chawner. Length, 13.5” Weight: 294 grams. Estimation 200-300 $

187 Silver Stuffing Spoon & Silver Serving Spoon A stuffing spoon in the Fiddle pattern, monogrammed, inscription on underside, hallmarked London 1810 together with maker’s marks for Mary Elizabeth Sumner. Length, 12”. Weight: 134 grams. An 18th century George III sterling silver serving spoon in the Old English pattern, crested, hallmarked London 1793 together with makers’ marks for George Smith III and William Fern. Length, 12”. Weight: 103 grams. Estimation 200-300 $

188 Six Georgian Sterling Silver Tablespoons A grouping of six Georgian sterling silver tablespoons in the Old English pattern, comprised of two hallmarked London 1797, maker’s mark for George Smith V, weighing 123 grams. Two hallmarked London 1825, maker’s mark for William Sumnar, weighing 131 grams. Two hallmarked Edinburgh 1808, maker’s mark rubbed, weighing 130 grams. Estimation 300-400 $

189 Gilt Brass & Champlevé Mantle Clock, Late 19th C. A very good late 19th century gilt brass and champleve mantle clock, the bow fronted and glass panelled case sided by champleve inlaid columns beneath a champleve inlaid dome and frieze, housing a circular dial with a gilt chapter ring and black Arabic numerals within a conforming champleve surround, the signed Japy Frere 8 day dual train movement fitted with a mercury compensating pendulum, the strike mechanism signaling the half and full hour on a coiled gong, raised overall upon four adjustable supports. In working condition with an associated key. Minor flake to front glass panel. Height, 14”. Estimation 1,200-1,500 $

190 Quarter-Sawn Oak Sideboard, Late 19th Century A late 19th century stained quarter-sawn oak sideboard, showing a full length beveled mirror sided by carved gargoyle pilasters, the work surface sover a carved frieze fitted with twin drawers above a pair of panelled cupboard doors over a full width drawer, all with carved pulls, raised overall on gadrooned supports. Dimensions, 60.5” h x 62” w x 24.5” d. Estimation 500-700 $

191 Federal Period Bow Fronted Chest of Drawers An early 19th century American Federal Period bow fronted chest of drawers in cherry, showing 4 tiers of graduated full width drawers with original turned wooden pulls, raised on bracket supports flanking a carved apron. North Eastern Seaboard, possibly New England, circa 1820. Dimensions, 39.5” h x 43” w x 22.5” d. Estimation 700-900 $

192 Giltwood Picture Frame - Mirror A fine mid 19th century giltwood gallery picture frame with nameplate for Scottish artist J. Hart, now converted to a wall mirror. Dimensions 36” h x 53” w. Estimation 500-700 $

193 Six Georgian Sterling Silver Tablespoons A grouping of six 18th century Georgian sterling silver tablespoons, comprised of two in Old English pattern, hallmarked London 1741, maker’s marks partially rubbed for George Greenhill Jones, weighing 137 grams. Two in Old English pattern, hallmarked London 1763, maker’s marks for Thomas and William Chawner, weighing 104 grams, one in Old English pattern, hallmarked London 1769, makers’ marks for Thomas and William Chawner, weighing 66 grams. One in Old English pattern, hallmarked London 1795, maker’s marks for Stephan Adams, weighing 59 grams. Estimation 300-400 $

194 Sterling Silver Fish Servers, Sheffield, 1878 A very good pair of 19th century sterling silver fish servers, the monogrammed handles as well as the pierced and engraved knife blade and fork tines hallmarked Sheffield 1878 together with maker’s marks for Martin Hall and Co. Length of knife, 13”, overall weight: 336 grams. Estimation 250-350 $

195 Continental Silver Flatware Service A near complete Continental silver (.800 fine) flatware service for twelve (approx.), consisting of 12 dinner forks, 12 dinner knives, 12 tablespoons, 10 luncheon forks, 11 luncheon knives, 6 butter knives, 6 teaspoons, 6 dessert spoons together with soup ladle and carving knife and fork. 78 pieces in total. Weighable silver, 3793 grams. Estimation 600-800 $

196 Gilt Brass Fire Screen & Chenets An early 20th century Louis XV style gilt brass fire screen and matching chenets, the asymmetrical cartouche shaped screen raised on scrolled supports, the pair of chenets of similar design flanking the width of the fender. Screen height: 29”, chenets: 11.5” high x 63.5” wide, with fender. Estimation 300-400 $

197 Mahogany Chest of Drawers, Ca. 1870 A mid 19th century flat fronted mahogany chest of drawers, 2 short drawers over 3 tiers of full width drawers, all with replaced turned wooden pulls, raised on bracket feet. Circa 1870. Dimensions, 40.5” h x 43” wide x 20” d. Estimation 250-350 $

198 Mahogany Sofa Table, Ca. 1900 A late 19th century mahogany sofa table, the rectangular shaped top raised on a trestle base with pierced supports on brass castors braced by a turned stretcher. Circa 1900. Dimensions, 28” h x 41” w x 20” d. Estimation 250-350 $

100

199 Georgian Style Mahogany Sideboard, Ca. 1900 An early 20th century Georgian style mahogany sideboard showing a curvilinear shaped top over a frieze fitted with three drawers with lion’s mask backplates and ring pulls (one ring missing), raised overall on tapering squared supports terminating to spade feet, faded burn to top. Circa 1900. Dimensions, 31” h x 60” w x 24” d. Estimation 300-400 $

200 Sterling Silver Sauce Ladle, King’s Pattern A Victorian sterling silver sauce ladle in the King’s Pattern, hallmarked Glasgow 1838 together with makers marks for Peter Aitken 1st. Weight, 36 grams. Estimation 50-75 $

101

201 Set of Six Russian Silver Teaspoons, 19th Century A set of six late 19th century Russian silver (.875 fine) teaspoons, decorated with foliate motifs and stamped 84 zolotniks. Combined weight, 143 grams. Estimation 150-250 $

202 Sterling Silver Sugar Sifter in the Form of Shell An early 20th century sterling silver sugar sifter in the form of a nautilus shell with a gilt washed interior, hallmarked Birmingham 1912 together with makerâ&#x20AC;&#x2122;s marks for George Bowden & Sons. Weight, 32 grams. Estimation 100-200 $

102

203 Sterling Silver Salad Servers, Early 20th Century A pair of early 20th century sterling silver salad servers, both richly decorated with foliate motifs and bearing monograms, makerâ&#x20AC;&#x2122;s marks for R. Wallace & Sons, CT, USA. Combined weight, 171 grams. Estimation 200-300 $

204 Tobacco Rasp Carved in the Form of Woman A French 18th century hand carved tobacco rasp in the form of a woman holding a small dog, her hair in high chignon and wearing a revealing low cut bodice, the reverse showing a recessed thumb groove and an iron rasp. Restoration to base. Height, 8.5â&#x20AC;?. CITES applies. Estimation 1,200-1,500 $

103

205 Silver Snuff Box, Austria, 19th Century A 19th century Austrian silver (.812 fine) snuff box of oblong form, decorated with machineturned basket weave motifs within oval lozenges, the hinged lid opening to a gilded interior with Vienna town mark and date mark for 1867. Dimensions, 1” h x 3.25” w x 1.5” d. Weight: 81 grams. Estimation 250-350 $

206 Pair of Sterling Silver Shell-Shaped Bonbon Dishes A fine pair of early 20th century sterling silver bonbon dishes, both shell shaped bodies showing embossed and pierced decoration and raised on fluted ball supports, hallmarked Sheffield 1905 together with maker’s marks for Atkin Brothers. Dimensions, 9.5” long x 8” wide. Combined weight: 473 grams. Estimation 400-500 $

104

207 Sterling Silver Hot Water Jug A small lidded sterling silver hot water jug, the body decorated with dimpled and fluted decoration and a leather wrapped handle, monogrammed on one side, the lid fitted with a scrolled thumbpiece, makerâ&#x20AC;&#x2122;s marks for Howard & Co., New York. Height, 4.5â&#x20AC;?. Weight: 230 grams. Estimation 125-150 $

208 Large Hallmarked Silver Implements A large silver serving spoon, marks for Jonathan Hayne, George IV, London 1831, in excellent condition with nice crisp marks; along with a George III silver salad spoon with marks for Peter, Anne & William Bateman, dated 1805. Length, 12â&#x20AC;?. Estimation 150-200 $

105

209 Two Silver Pillboxes Two silver pillboxes, both of oval form - one having a hinged and embossed lid of a woman in profile, stamped 925 and weighing 10 grams, the other without decoration, stamped .800 on the reverse together with ‘Greggio’ in script, weighing: 13 grams. Estimation 75-100 $

210 Very Good Table-Top Humidor, Late 19th C. A very good late 19th century French ‘Boulle’ style cigar / cigarette table top humidor, the hinged top opening to a cedar lined compartment, areas of minor loss to the exterior. Dimensions, 3.5” x 10.75” x 6.25”. CITES applies. Estimation 400-600 $

106

211 Venetian Wall Mirror, Italy, Ca. 1920 A good Venetian wall mirror, hot worked decoration with gilt accents, fitted with a glass flower holder at the base supporting 10 hand blown flowers and leaves. Minor loss. Circa 1920. 30â&#x20AC;? h x 18â&#x20AC;? w. Estimation 200-400 $

212 Russian Silver & Cut Glass Comports A very good pair of early 20th century Russian silver (.875 fine) and cut glass comports, the ribbed circular glass inserts rising to crenulated rims (minor frits) and fitted within conforming silver bases decorated with neoclassical motifs and kylix handles, raised overall on a trio of columnar supports rising from stepped circular bases. Impressed silver marks noting 84 zolotniks together with marks for Riga. Height, 5.5â&#x20AC;?. Estimation 700-900 $

107

213 Indian Figures of Mughal Emperor & Wife Two 19th century carved Indian figures of a Mughal Emperor and his wife, both rendered in traditional attire, he clutching a sabre by his side she holding a stringed musical instrument, repairs to wifeâ&#x20AC;&#x2122;s feet. Height, 8.5â&#x20AC;?. CITES applies. Estimation 500-700 $

214 Russian Silver Cutlery A grouping of early 20th century Russian silver cutlery, consisting of 6 luncheon knives, 6 luncheon forks and 6 tablespoons, all monogrammed and bearing scratch weights, each stamped 84 zolotniks (.875 fine) and 2nd kokoshnik mark for 1908-26, together with town mark for Riga. Combined weight 660 grams (excluding knives). Estimation 300-400 $

108

215 Russian Silver & Cut Glass Spirit Jugs A very good pair of early 20th century Russian silver and cut glass spirit jugs, both showing finely cut glass bodies fitted with silver collars and handles decorated with running bands of vinery motifs, the spouts having gilt washed interiors. Both bearing impressed silver marks for 84 zolotnik (.875 fine) and 2nd koloshnik date marks for 1908-26. Height, 6â&#x20AC;?. Estimation 400-600 $

216 Dieppe Carving of an Organ Grinder A most intriguing 19th century Dieppe carving of an organ grinder, the figure shown standing on a modeled ground, dressed in tatters - a trio of rats hanging from a bag at his waist, rats on both shoulders and at his feet, raised overall upon a turned wooded socle. Minor losses and repair. Height, 6.5â&#x20AC;?. CITES applies. Estimation 300-500 $

109

217 Robb & Whittet - Sterling Silver Teapot A very good mid 19th century sterling silver teapot, partially decorated with embossed foliate and scroll motifs against a chiseled field, and with blank cartouches on both sides, raised overall on four scrolled and pierced supports. Hallmarked Edinburgh 1846, together with makers marks for Robb & Whittet. Height, 7”. Weight: 830 grams. Estimation 300-500 $

218 Dieppe Carved Aide-Mémoire A mid to late 19th century Dieppe carved aidemémoire, both front and back panels showing carved and pierced oval reserves affixed to a red silk lined interior (distressed). Dimensions, 3.75” h x 2.75” w. CITES applies. Estimation 300-400 $

110

219 Bisque Profile Portrait of Napoléon A 19th century French bisque porcelain profile portrait bust of Napoleon, set against a cobalt field within a part ebonized and gilded glazed porcelain roundel fitted with a wire loop, initialed on the reverse in pencil script ‘AE’ (modeller initials?), minor crazing. Diameter, 5.5”. Estimation 250-350 $

220 Chinese Pomander, 19th Century A 19th century Chinese pomander of compressed circular form, centred by a suspension loop and decorated overall with carved and pierced detail on both sides. Dimensions, 1” high x 2.75” diameter. CITES applies. Estimation 300-500 $

111

221 Affortunato GORY (1895-1925) French, Italian A very fine gilt bronze and carrera marble bust of a beautiful young woman, raised upon a waisted antica-verde marble base. Minor conservation noted to chin. Signed in the casting ‘A. Gory, Paris’, for Affortunato Gory (1895-1925) French / Italian. Weight, 36.6 pounds. Height, 20.5” high. Estimation 1,800-2,500 $

222 Rare Thonet Buffet, Vienna, Ca. 1914 A rare early 20th century 2 part buffet by Thonet, the mahogany-stained beech frame featuring a superstructure fitted with twin beveled glass cabinet doors with brass fillets, fronting a shelved interior, suspended above a mottled grey marble top, over a pair of bow-fronted cupboard doors fronting a shelved interior, raised overall on a plinth base with a planished brass kickplate. Thonet Factory label affixed to interior of right hand cupboard door. Vienna, circa 1914. (This and other like examples are not recorded in any of the company’s production catalogues, however illustrations similar to this design by Thonet are found in the collections at the Trebic Museum in the Czech Republic). Dimensions, 75” h x 40” w x 26.5” d. Estimation 5,000-7,000$

112

223 Bentwood Rocker, Ca. 1920 An early 20th century bentwood rocker in the manner of Thonet, the caned back and seat braced by a scrolled strapwork frame, surface wear to armrests and rocker bottoms. Circa 1920. Estimation 300-400 $

224 Silver Cigar Box, Austria, 1936 A good Austrian silver cigar box, the body in a highly decorative Bauhaus form, cedar lined with a dedication in German on the inside of the gilded lid, dated 1936. Austrian “toucan” touch mark and “800” to the base. 3.25 height x 8” width x 6.5” depth. Estimation 500-700 $

113

225 Pair of French Perfume Bottles A pair of glass perfume bottles fitted with cylindrical tops over glass stoppers, encased within a gilt metal framework centered by painted portrait miniatures, stamped FRANCE of the underside. Condition noted, one bottle has a small fissure at neck. Height, 5”. Estimation 300-500 $

226 Arts & Crafts Golden Oak Buffet, Ca.1870 A very good 19th century Arts & Crafts Period buffet in golden oak, the superstructure showing a small glazed cupboard door flanked by a pair of open shelves backed by foliate carved panels and anthropomorphic masks, the similarly carved base showing a top with a molded edge over 2 drawers, above a pair of cupboard doors fronting an open interior, raised overall on stile supports. English, circa 1870. Dimensions, 78” h x 60” w x 21” d. Estimation 50-700 $

114

227 Brass Carriage Clock, Late 19th Century A late 19th century brass carriage clock, the glass panelled case showing a pierced and gilded frieze and scroll-shaped carrying handle, the white enamel face with blackened Roman numerals and sweep hands, raised overall on columnar supports. The mechanism in working order and retaining its original key. Dimensions, 4.75” h x 3.25” w x 2.25” d. Estimation 300-400 $

228 Jules MOIGNIEZ (1835-1894) French Jules Moigniez, a very good gilt bronze animalier grouping, ‘Bull and Cow’ finely cast and gilded standing atop a naturalistically modelled ground, signed in script in the mold, ‘J. Moigniez’. Dimensions, 3.5” h x 4.75” w x 2” d. Estimation 400-600 $

115

229 Sterling Silver & Glass Pocket Flask A late 19th century sterling silver and glass pocket flask, the glass base fitted with a detachable sterling silver sleeve used as a cup with a gilt washed interior, the neck fitted with a sterling silver collar and screw cap, monogrammed. Hallmarked London 1880 together with maker’s marks for Jenner & Knewstub. Estimation 200-300 $

230 Georgian Oak Bottle Carrier, Early 19th Century An early 19th century Georgian bottle carrier in oak, showing a bamboo styled carrying handle and gallery terminating to roundels at both ends, the interior fitted to receive two bottles, minor losses to 1 roundel. Dimensions, 9.75” height x 14” width x 11” depth. Estimation 300-400 $

116

231 English Oak Case Tantalus, Early 20th Century An early 20th century English oak cased 3 bottle tantalus with applied silver plated mounts and carrying handles, fitted with 3 stoppered cut glass decanters fronted by two hinged panels opening to a fitted interior housing dram glasses, overtop a sprung drawer. Minor loss to bottom left corner. Retains functioning lock mechanism and key. Dimensions, 13” h x 14” w x 10.5” d. Estimation 500-700 $

232 Rare Pair of Belleek Tin Glazed Porcelain Tazzas A rare pair of Belleek 1st Mark (1863-1891) tin glazed porcelain tazzas, one fashioned as a scallop shell raised on dolphin-grotesque supports atop a tri-form base, measuring 4.5” high x 9.5” w x 10” d, the other formed as a circular shell and raised upon a base of similar design, measuring 5” h x 10” diameter. Estimation 700-900 $

117

233 George van der STRAETEN (1856-1928) Belgian A late 19th / early 20th century bronze bust of a young woman, exhibiting a light brown patina overall, signed verso in script ‘Van der Straeten’ for Belgian sculptor George van der Straeten (1856-1928) and stamped with foundry seal for ‘Sociétés des Bronze de Paris’, mounted atop a squared rouge royale marble base. Height, 9.25”. Estimation 400-600 $

234 Opaline Glass Trumpet Vase with Flowers A very fine early 20th century white opaline glass trumpet vase, decorated with a meandering flowering vine with hand painted enamel and gilt accents, rising from a gilt brass and weighted base. Probably Continental, circa 1900. Height, 14.75” Estimation 500-700 $

118

235 Burr Elm Tea Caddy, English, Early 19th Century An early 19th century English sarcophagus shaped tea caddy in burr elm, the hinged top opening to an interior fitted with twin lidded tea canisters flanking a replaced glass mixing bowl. Locking mechanism intact, warping to top, losses to moldings. Dimensions, 7” h x 12.75” w x 6.5” d. Estimation 300-500 $

236 Mahogany Tantalus, Late 19th Century A very handsome late 19th century Georgian inspired tantalus, the mahogany case constructed in the form of Georgian side cabinet with twin inlaid locking doors opening to an interior fitted for 3 decanters, raised on ‘French’ bracket feet, loss to trim on top left corner. Dimensions, 14.5” h x 16.75” w x 6” d. Estimation 300-500 $

119

237 Mother & Three Children, Watercolour, 18th C. A finely executed 18th century genre peasant scene depicting a mother tending to her three young children in a rural setting. Executed in watercolour (minor abrasions), set within an ebonized wood frame with gilt moldings (distressed), the following inscribed on the reverse of the panel and the parchment backing ‘Henriette de Finck (nee) Buggenhagen, December 18th 1764, Papitz’. CITES applies. Dimensions, 8” h x 6.75” w. Estimation 800-1,200 $

238 French Remembrance 14KT Gold Locket An extremely fine early 19th century French remembrance 14KT gold locket executed in watercolour and gilt piqué-work, depicting a cherub descending with a wreath to a woman holding an oval cartouche inscribed ‘Souvenir Précieux’, the reverse showing two pairs of monograms intricately worked in seed pearls over a panel of plaited hair, unsigned and set within an oval gilt metal locket. Circa 1810. Dimensions 2.25” x 1.75”. Estimation 600-800 $

120

239 Military Portrait Miniature, German, 18th Century An 18th century military portrait miniature, executed in watercolour depicting a German officer in a blue tunic, unsigned and mounted within an oval silvered locket (ill fitting). CITES applies. Dimensions, 1.5” x 1.25”. Estimation 200-300 $

240 Portrait Miniature, 14KT Gold, 18th Century An 18th century Continental portrait miniature, executed in watercolour depicting a gentleman with a greyish pallor and wearing a mauve tunic, unsigned and set within an oval 14KT gold brooch surrounded by grey seed pearls, the reverse inscribed “Peter Capper”, likely the sitter. Dimensions, 1.5” x 1.25”. Estimation 300-500 $

121

241 Portrait Miniature, 18KT Gold, 18th Century An 18th century Continental portrait miniature, executed in watercolour and gouache depicting a gentleman with a greyish/blue pallor and wearing a navy blue tunic, unsigned and set within an oval 18KT gold locket backed by mother of pearl. Likely Austrian or German. Dimensions, 1.5” x 1.25”. Estimation 300-500 $

242 Mourning Pendant, 14KT Gold, Mid 19th Century A very good mid 19th century cartouche shaped mourning 14KT gold pendant, showing a small oval reserve containing a section of plaited hair set against a cobalt enamel field bordered by scrolling gilt molding. The reverse with dedication for ‘Margaret Jeremie, Died Oct. 13th 1851, Aged 77’. Dimensions, 1.75” x 1.25”. Estimation 250-350 $

122

243 Heart Shaped 14KT Gold Mourning Bracelet A very good mid 19th century 14KT gold mourning bracelet, the black braided band coupled to a cobalt enamelled bar holding a heart-shaped locket with cobalt enamel, seed pearls and gilt scrollwork, the reverse showing a small section of plaited hair beneath a glass bezel. Repairs to braiding. Estimation 150-250 $

244 Portrait Miniature - Mourning Broach, Mid 19th C. A mid 19th century Continental portrait miniature mourning brooch, executed in watercolour depicting a woman with black ribboned hair and drop pearl earrings, illegibly signed with monogram lower right, set within a silver-gilt oval frame, the reverse with a pin and clasp and stamped .935 SM. Probably Austrian or German. Dimensions, 2â&#x20AC;? x 1.75â&#x20AC;?. Estimation 300-400 $

123

245 Watercolour Portrait Miniature, 19th Century A 19th century Continental portrait miniature, executed in watercolour depicting a beautiful young woman in a brown velvet gown, unsigned and set within a grained wooden frame decorated with contrasting light and dark woods. Impressed wax seal on paper backing verso. Dimensions, 6” x 5”. Estimation 350-450 $

246 Portrait Miniatures, 19th Century A grouping of three 19th century portrait miniatures, each executed in watercolour depicting a beautiful woman - one partially stained, all set within panelled frames with varying degrees of distress and loss. All measuring approximately CITES applies. 5.5” x 4.25”. Estimation 450-550 $

124

247 Cast Group of ‘Tolstoy At The Plough’, Russian An early 20th century Russian cast iron grouping of ‘Tolstoy At The Plough’, illegibly signed in the mold, the underside bearing KASLI foundry mark and date mark for 1909. Dimensions, 10” h x 20” w x 8” d. Estimation 900-1,200 $

248 Mahogany Worktable - Sewing Basket, Late 19th C. A late 19th century mahogany worktable, showing 2 short drawers over a full width drawer, all with later brass bail handles, above a pleated satin covered sewing basket, raised overall on squared and tapering supports braced by an X-frame stretcher, losses to veneer on rear supports. Dimensions, 33” h x 18” w x 17.5” d. Estimation 250-350 $

125

249 Two Drawer Mahogany Commode, Sweden, Ca. 1800 A 19th century Gustavian brass inlaid 2 drawer commode in mahogany, showing a brass bound top with canted corners, over 2 full width drawers with original brasses and locks, raised overall on tapering stile supports with brass inlay, losses to brass moldings, surface abrasions. Sweden, circa 1800. Dimensions, 30.5” h x 36” wide x 18” d. Estimation 400-600 $

250 Double Portrait Miniatures, Napoléon & Joséphine A late 19th century double portrait miniature panel, depicting Napoléon and Joséphine, (she signed Gerard, he signed illegibly), both executed in watercolour, the reverse distressed. CITES applies. Dimensions, 4.5” x 6.25”. Estimation 400-600 $

126

251 Hand Painted Pocket Snuffbox, Ca. 1850 A very good mid 19th century hand painted panelled pocket snuffbox with gilt metal mounts, the top decorated with a hand painted tavern interior with figures (signed illegibly bottom left), opening to a plain panelled interior. Minor splits. Continental, circa 1850. CITES applies. Dimensions, 3/4” h x 3” w x 2” d. Estimation 300-500 $

252 Cherub Watercolour on Oval Porcelain Panel A late 19th century hand painted image of a cherub, executed in watercolour on an oval porcelain panel, set within a conforming chip carved frame, unsigned. Minor split to frame. Dimensions, 4” x 3.25”. Estimation 200-300 $

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253 Portrait Miniatures, 19th Century A grouping of three 19th century portrait miniatures, each executed in watercolour depicting a beautiful young woman, the largest apparently unsigned (foundation warped), set within a rectangular penned frame (split and losses), one within a squared ebonized frame, apparently unsigned (foundation split), the third signed illegibly lower right, set within a squared penned frame with mother of pearl (warped and losses). CITES applies. Height of each respectively, 6.5” - 6.5” - 5.5”. Estimation 300-500 $

254 Tall Oak Chest of Drawers, Ca. 1780 A late 18th century George III tall chest of drawers in oak, showing 2 short drawers over 5 tiers of graduated full width drawers, all with cockbeaded detail and period brass bail handles (replaced), raised overall on ogee bracket supports. English, circa 1780. Dimensions, 59.5” h x 42” w x 20.5”. Estimation 500-700 $

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255 William IV Tallcase Clock, Scottish, Ca. 1835 A William IV Period century crossbanded mahogany tallcase clock, showing a domed hood with a trio of brass globular finials, housing a working mechanism fronted by a white painted face (blemished) decorated with naïve hand painted rustic views, blackened Roman numerals and pierced gilt metal sweep hands (one with loss, one loose), raised on a bracket shaped base, minor veneer losses. American, circa 1835. Dimensions, 88” h x 20” w x 9” d. Estimation 700-900 $

256 Sterling Toddy Ladle, English, Early 19th C. An early 19th century English sterling silver toddy ladle showing a reeded oval bowl with its interior centred by a monogram, affixed to a wrythen turned handle. Unmarked. Minor dent at tip. Length, 13.5”. Estimation 100-200 $

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257 Sterling Silver Christening Mug, London, 1865 A mid 19th century English sterling silver christening mug, showing a panelled body engraved overall with a gilded interior, inscribed with initials RMFL and ECH, and dated 1931 beneath the rim, the front monogrammed, raised overall on four scrolled supports. Hallmarked London 1865 together with makers marks for John Evans II. Minor bruising. Height, 4.5”. Weight: 184 grams. Estimation 200-300 $

258 Sterling Silver Serving Ladle & Spoon Two 19th century English sterling silver serving pieces, consisting of a soup ladle in the Old English pattern with monogrammed handle, hallmarked Sheffield 1895 with maker’s marks for Walker & Hall. Length 13.5”, weight: 240 grams. Together with a serving spoon in the Fiddle pattern, hallmarked London 1856 with maker’s marks for George William Adams, length 12”, weight: 141 grams. Estimation 300-400 $

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259 Snuff Box with Carved Plaster Portrait Bust A fine early 19th century snuff box, the top showing a carved plaster portrait bust of a gentleman, signed Julie Charpentier beneath the truncation, encased beneath a rock crystal bezel. Bezel cracked, distress to case. (Julie Charpentier 1770-1843, was a noted female French sculptor who exhibited works in plaster, stone and terracotta at the Louvre Salon from 1798 until 1824). Dimensions, 1.25” x 2.5” diameter. Estimation 300-400 $

260 Persian Miniature Watercolour, Polo Players An early 20th century signed Persian miniature painting of polo players, executed in watercolour on bone and set within a ‘Khatam Kari’ inlaid wood frame (losses), backed by an easel hardboard panel. Painting dimensions, 1.75” h x 7.75” w. Frame dimensions, 4.25” h x 10.25” w. Estimation 200-300 $ 131

261 Anglo-Indian Silver Tea Canister, 19th Century A good 19th century Anglo-Indian silver tea canister, beautiful overall repoussé work, the lid decorated with a Yali, the body showing four repeating panels of a Chimera, the base with an interlaced floral pattern, unmarked. 3.75” h x 2.625” w. Estimation 300-500 $

262 Anglo-Indian Silver Box, 19th Century A good 19th century Anglo-Indian silver box, overall chased decoration on a lobbed form, showing Yali on the lid and a large Chimera on the base. 1” h x 4.25” w x 3” d. Estimation 300-500 $

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263 Rosewood Tea Caddy - Jewellery Box An early 19th century Regency period rosewood tea caddy, now converted to a fabric lined jewellery box raised on compressed bun feet. Dimensions, 7” h x 12” w x 6.5” d. Estimation 250-350 $

264 Papier Maché Snuff Box, Mid 19th Century A mid 19th century Continental papier maché snuff box, the lid mounted with a hand painted panel of a young woman in a white gown (unsigned), opening to a plain interior, minor surface abrasions. Dimensions, 1” h x 3.5” w x 2.5” d. Estimation 400-500 $

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265 Very Good Austrian Silver Card Case A very good and heavy Austrian silver (.900 fine) card case decorated overall with machined ‘basket weave’ motifs, the top showing a pierced diamond-shaped cartouche, the interior with a faint gilt wash and impressed silver marks and date marks for 1872-1922. Dimensions, 3.25” w x 2” d. Weight: 126 grams Estimation 250-350 $

266 Georgian Hallmarked Silver Table Spoons Three George III hallmarked silver table spoons, marks for Peter & William Bateman, London, 1814. Monogrammed. Lenght, 8.75”. Estimation 150-200 $

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267 Georgian Sterling Hallmarked Silver Cream Jug A Georgian sterling silver cream jug decorated with bright-cut detail and fitted with a reeded loop handle, later monogrammed, hallmarked London 1800 together with partially rubbed makers marks for Charles Rawlings. Height, 4.25â&#x20AC;?, weight, 78 grams. Estimation 150-175 $

268 Sterling Silver Tea & Coffee Bachelor Service A very handsome 4 piece sterling silver tea and coffee bachelor service, all with partial gadrooned bodies and beaded rims, the monogrammed coffee pot and teapot fitted with ebonized fruitwood handles and finials, both bearing hallmarks for Birmingham 1897 together with makerâ&#x20AC;&#x2122;s marks for Samuel Walton Smith, the creamer and sugar bowl by the same maker but with date marks for 1895. Height of coffee pot, 7.25â&#x20AC;?. Combined weight: 1,434 grams.. Estimation 900-1,200 $

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269 German Silver & Cobalt Glass Sugar Basket A neoclassically inspired 19th century German silver (.750 fine) and cobalt glass sugar basket with kylix handles, the body decorated with embossed swags and palmettes, raised on a stepped circular foot. Impressed marks on footrim. Height, 7.5”. Weight: 260 grams. Estimation 250-350 $

270 Sewing Box with Hand Painted Flowers & Birds A fine mid 19th century papier maché and gold lacquered sewing box in the manner of Jennings & Betteridge, decorated overall with multicoloured hand painted flowerheads, gilt tracery and exotic birds, the hinged lid opening to a satin lined interior, repair to hinge, minor surface wear. Dimensions, 4.5” h x 4.5” w x 3.5” d. Estimation 200-300 $

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271 Pirkenhammer Imari Porcelain, 19th Century Five pieces of 19th century Pirkenhammer porcelain by Fischer & Mieg, consisting of a small mug, medium sized pitcher, water pitcher and basin (base of basin cracked) and slop pail, all showing gilt banded rims and handles, and decorated overall with scrolling foliate motifs in an imari palette of cobalt blue, tangerine and gilt. All bearing production marks on the underside for 1873-1918. Heights, pail: 10.5”, mug: 3.25”, pitcher: 8.75”, water pitcher: 13”, basin diameter: 17.75”. (stand is for display only). Estimation 600-800 $

272 Baroque Style Wall Mirror, Early 20th Century An early 20th century Baroque style gilded wall mirror, the rectangular plate within a robust framework of foliate carved scrolls, minor losses. Dimensions, 32” h x 26” w. Estimation 400-600 $

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273 Modern Display Cabinet A large and heavy modern display cabinet with four glass shelves and glass. 75” height x 60” width x 16” depth. Estimation 800-1,200 $

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BILINGUAL PRIDHAM’S TERMS & CONDITIONS OF SALE RÈGLEMENTS & CONDITIONS DE VENTE BILINGUES PRIDHAM’S 1. The term “Auctioneer” means Pridham’s Auctions & Appraisals (“Pridham’s “). | Le terme “Encanteur” signifie Pridham’s Auctions & Appraisals (“Pridham’s”). 2. Each lot is sold “AS IS” and “WHERE IS”. | Chaque item est vendu “TEL QUEL” et “OÙ IL EST”. 3. The descriptions are provided to help move along the process on auction day. No warranty regarding the descriptions, age or condition is made or implied. Additionally, under the Conditions of Sale applicable to the sale of any lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including and without limitation, its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an ‘as is’ basis, but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to a lot is merely an expression of opinion and should not be relied upon as an inducement to bid on the lot. Please contact us for a condition report. 1-877-533-5877 or info@pridhams.ca. Safe previews are available. | Les descriptions sont inclues pour faciliter le processus le jour de la vente. Aucune garantie en ce qui concerne les descriptions, l’âge et condition est offerte ou implicite. En outre, conformément aux conditions de vente applicables à la vente de tout lot, les soumissionnaires doivent s’assurer de chaque aspect de la qualité du lot, y compris et sans limitation, son auteur/e, son attribution, sa condition, sa provenance, son authenticité et origine. Les lots sont vendus “tels quels”, mais la condition réelle du lot peut ne pas être aussi bonne que celle indiquée par son apparence extérieure. En particulier, des pièces peuvent avoir été remplacées ou restaurées, et les lots peuvent ne pas être authentiques ou de qualité satisfaisante. Toute déclaration relative à un lot est simplement une expression d’opinion et ne devrait pas être invoquée comme une incitation à soumissionner sur le lot. S.V.P. contactez-nous pour un rapport de condition. 1-877-533-5877 ou info@pridhams.ca. Des expositions sécuritaires sont disponibles. 4. The Auctioneer does its very best to point out condition issues. You have to examine each piece carefully; sales will not be set aside on grounds of condition, or of real or imagined misdescription. The condition reports are not prepared by a professional conservator or engineer. | Pridham’s fait de son mieux pour vous informer de la condition d’un objet. Vous devez examiner chaque item soigneusement; les ventes ne seront pas mises de côté pour des raisons de condition, ou de descriptions erronées réelles ou imaginaires. Nos rapports de condition ne sont pas préparés par un conservateur professionnel ou un ingénieur. 5. The Auctioneer may accept and submit absentee, telephone and online bids, to be executed by an employee of the Auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. | Pridham’s peut accepter et soumettre des offres par absence, par téléphone ou en ligne, devant être exécutées par un employé de Pridham’s, conformément aux instructions des acheteurs éventuels qui ne peuvent pas être présents. 6. Registration: all bidders are required to submit full name, address, and a telephone number (sometimes a credit card number). Information is used pursuant to the “Canadian Personal Information Protection and Electronic Documents Act”. | Enregistrement: tous les soumissionnaires sont tenus de donner leur nom, adresse et un numéro de téléphone (et quelque fois, une carte de crédit). L’information est utilisée selon la “Loi canadienne sur la protection des renseignements personnels et les documents électroniques”. 7. There are applicable taxes except for out-of-country buyers who require shipping their purchases. | Il y a des taxes applicables sauf pour les soumissionnaires hors-Canada qui doivent faire livrer leur marchandise. 8. Unless exempted by law, the buyer must pay applicable taxes on the total purchase price. The buyer’s premium is added before the applicable taxes. Pridham’s does not divide a buyer’s invoice between two or more people on auction day. | À moins d’être exemptés, les soumissionnaires doivent payer les taxes appropriées sur le montant total. La prime de l’acheteur est ajoutée avant les taxes applicables. Pridham’s ne divise pas une facture entre 2 ou plusieurs personnes le jour de la vente. 9. Unless exempted by law, the buyer is required to pay HST on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of Canada. For items shipped out of the province, the buyer is required to PAY TAXES as per their provincial tax status, whether it is HST, GST and PST. Including for Quebec buyers, there is GST and QST. | À moins d’être exempté par la loi, l’acheteur est tenu de payer la TVH sur le prix d’achat total, y compris la prime de l’acheteur. Pour les acheteurs internationaux, les taxes ne sont pas applicables lorsque les achats sont expédiés hors du Canada. Pour les articles expédiés hors province, l’acheteur est tenu de payer les taxes selon le statut fiscal de sa province, que ce soit la TVH, TPS ou TVP. Incluant pour les acheteurs du Québec, nous chargeons TPS et TVQ.

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10. The Auctioneer has the right to withdraw or add to the items as listed in any printed catalogue or listing or promoted on the internet. | Pridham’s a le droit de retirer ou d’ajouter des items sur une liste ou dans un catalogue imprimé, ou annoncé sur l’internet. 11. The Auctioneer reserves the right to withdraw any lot from the sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. | L’Encanteur se réserve le droit de retirer tout lot de la vente, à n’importe quel moment, de diviser un ou plusieurs lots, et ce sans avis. 12. The Auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. | Pridham’s a le droit de refuser toute offre et d’avancer l’appel d’offres à son entière discrétion. Il se réserve le droit de ne pas accepter et de refuser toute offre. Sans limitation, toute offre qui n’est pas proportionnelle à la valeur de l’article offert ou qui est simplement une avance nominale ou fractionnaire par rapport à l’offre précédente ne peut être reconnue. 13. When the Auctioneer says “SOLD” it is a contractual agreement between the Auctioneer and the buyer. All auctions are also audiorecorded. | Lorsque l’Encanteur dit “VENDU” cela est tout comme un contrat entre l’acheteur et l’Encanteur. Les encans sont aussi enregistrés par audio. 14. The highest bidder accepted by the Auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders, the Auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The Auctioneer’s decision in all cases is final. | Le soumissionnaire le plus offrant accepté par Pridham’s pour tout lot sera l’acheteur, et cet acheteur assumera sans délai tous les risques et responsabilités du lot et devra se conformer aux autres Conditions de vente applicables. En cas de litige entre deux soumissionnaires, Pridham’s aura la discrétion absolue de désigner l’acheteur ou, à son gré, de retirer tout lot contesté de la vente ou de la proposer à la même vente ou à une autre vente ultérieure. La décision de l’Encanteur dans tous les cas est définitive. 15. The buyer shall pay an item in full and to the satisfaction of the Auctioneer; failing to do so may result in the cancellation of the sale, with or without re-offering the item for sale. | L’acheteur doit payer un item au complet et à la satisfaction de Pridham’s, à défaut de quoi, Pridham’s peut annuler la vente, avec ou sans offrir de nouveau l’article à vendre. 16. Payments have to be made in full by Visa, MasterCard (over the telephone) or e-transfer within 5 days after receiving their final invoice from Pridham’s (or Live Auctioneers). | Les paiements doivent être faits par Visa, MasterCard (par téléphone) ou e-Interac, 5 jours après avoir reçu une facture finale Pridham’s (ou Live Auctioneers). 17. Pridham’s is not responsible for any damages or injuries under any circumstances. | Pridham’s n’est pas responsable pour aucun dommage ou blessure et ce, en aucun cas. 18. If you are not able to pick-up your purchase at 2615 Lancaster Road, Ottawa, Pridham’s can deliver (smalls only, for free) your unpacked paid purchases, at the buyer’s risk to UPS. Pridham’s will share your information, not your credit card number, with UPS. Once your purchase is with UPS, you will liaise directly with them for packing, insuring, shipping, and payment. Please take note that UPS charges are commensurate with the amount of packing required, size, weight, destination, etc and NOT with the hammer price. Please ask for a shipping quote before the auction, if you are concerned, not after you buy an item. Sales will not be cancelled if shipping is too expensive. For larger items (ex. furniture), please call us (1-877-533-5877) to discuss a pick-up schedule (within 5 business days) or carrier shipping. A list of suggested shippers is available. We can not store furniture for weeks, please have a plan of action before buying large pieces, or a storage fee may apply. | Si vous n’êtes pas en mesure de ramasser vos achats le jour de la vente, Pridham’s peut les livrer les petits objets (seulement, gratuitement) non-emballés au risque de l’acheteur chez UPS, lorsque convenable pour Pridham’s. Pridham’s fournira à UPS les infos de l’acheteur, pas le numéro de carte de crédit. L’acheteur doit communiquer directement avec la représentante UPS (Nancy 1-450-319-1008, store360@theupsstore.ca) pour l’assurance, l’emballage, l’expédition, et votre paiement. Veuillez prendre note que les frais UPS sont proportionnels à la quantité d’emballage requis, la taille, le poids, etc. Veuillez demander une estimation pour un envoi avec la vente, si vous êtes inquiet, et non pas après la vente. Les achats ne seront pas cancellés si vous trouvez votre envoi trop dispendieux. Pour les plus grands objets (comme meubles), s.v.p. veuillez nous contacter pour discuter du ramassage (en 5 jours ouvrables) ou d’une livraison contractuelle. Nous pouvons vous suggérer un déménageur. Nous ne pouvons pas garder des meubles durant des semaines, un frais d’entreposage peut s’appliquer. 19. For buyers who abandon their prepared and packed purchase at UPS for whatever reason, a charge of CAN $45 will be applied to their credit card by Pridham’s. Nancy packs and spends time preparing your purchase, please follow through with your shipping and these Terms and Conditions. | Si vous abandonnez un achat préparé et emballé par UPS pour quelconque raison, une charge de 45$ CAN sera appliquée sur votre carte de crédit par Pridham’s. S.V.P. veuillez faire le suivi pour prendre possession de votre achat.

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20. The Auctioneer acts solely as agent for the seller and makes no representation as to any attribute of, title to, or restriction affecting the articles in the sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act. | L’Encanteur est un agent seulement pour le client et ne fait aucunes représentations en ce qui concerne l’attribution, le titre ou restriction affectant les articles dans une vente. Sans limitations, l’acheteur comprend que les items achetés peuvent être affectés par des provisions culturelles et d’exportation. 21. DISCLAIMER: Ivory, tortoise shell and other “animal” items are restricted from export out of Canada due to protection under the Convention on International Trade in Endangered Species (CITES). Pridham’s will not provide shipping or CITES application services. The successful buyer has to pick-up the item in person. Shall the buyer decide to take the item across a border after picking it up, the buyer takes full responsibility for obtaining proper exporting and importing documents from both countries: EXPORT IS AT THE BUYER’S RISK. Pridham’s supports the protection of our fauna and flora. | AVERTISSEMENT: L’ivoire, la coquille de tortue et d’autres objets de source animale ont un interdit d’exportation à l’extérieur du Canada en raison de la protection prévue par la Convention sur le commerce international des espèces de faune et de flore sauvages menacées d’extinction (CITES). Pridham’s n’offre pas de service d’expédition ni de service d’application pour CITES. L’acheteur doit ramasser l’article en personne. Si l’acheteur décide de croiser une frontière après avoir ramassé l’article, il ou elle assume pleine responsabilité d’obtenir les documents appropriés d’exportation et d’importation des deux pays. L’EXPORTATION EST AU RISQUE DE L’ACHETEUR. Pridham’s supporte la protection de notre faune et flore. Please do not hesitate to contact Pridham’s if you have questions, thank you. S.V.P. n’hésitez pas à contacter Pridham’s si vous avez des questions, merci. Toll Free / Sans Frais: 1-877-533-5877 www.pridhams.ca info@pridhams.ca

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