Saturday,DecorativeInternationalFineandArtsSeptember24,202210:00AMIn-personandliveonlinePridham’sGallery,Ottawa
DecorativeFineInternationalandArts Saturday, September 24, 2022 10:00AM Live on site and online (webcast) Pridham’s Gallery, Ottawa Buyer’s premium 23% Pridham’s Auctions & Appraisals Gallery 2615 Lancaster Road, OTTAWA Sale live (webcast) online WebEmailOttawaTollHIBID.COMLIVEAUCTIONEERS.COMon:free:1-877-366-6150:613-366-6150:info@pridhams.ca:www.pridhams.ca PRIDHAM’S Au c tions & Appraisals OT TA WA ’S FINE ART AU C TION HOUSE
Josée Bonneville – Chief of Operations / Chef d’administration
Auctions and Appraisals is pleased to present our Fall International Fine & Decorative Arts auction. This sale is filled with fine and rare objects and includes an exceptional collection of Canadian, French & Japanese bronzes; fine Canadian, American & European paintings; Canadian, English & European silver; fine Chinese & Asian objects; exceptional porcelains, time pieces, including two Rolex watches, fine jewelry, period furniture and rugs.
Helen Rimmer – Catalogue Design / Mise en page du catalogue 137
Pridham’s
Ernest Cardillo Johnson – Catalogue Author / Texte du catalogue
Cassia Jager – Gallery Coordinator & Social Media / Coordinatrice & Réseaux sociaux
4
Bianca Buyson, Assistant Coordinator / Assistante coordinatrice
PRIDHAM’S Au c tions & Appraisals OT TA WA ’S FINE ART AU C TION HOUSE
Robin Andrew Pridham – President, Pridham’s Auctions & Appraisals; Auctioneer / Encanteur
International Fine and Decorative Arts
Andrew Rashotte – Photographer / Photographe
François Guenet– Director of Operations / Directeur des opérations
5
Estimation 1,200-1,800 $
E. MACDONALD, ARCA, OSA, OIP (1889-1971)
Manly Edward MacDonald, A.R.C.A., O.S.A., O.I.P., Canadian, (untitled) three schooners in harbour, oil on canvas, signed lower right, 19.5” h x 25.5” w.
Albert Rousseau, “Rue Stewart, Québec”, oil on board, signed lower right, titled verso in red crayon, 19.5” h x 23.5” w. Provenance: Ottawa Collection.
Estimation 1,000-1,500 $
MANLY1
ARMAND2
TATOSSIAN, RCA (1948-2012)
Armand Tatossian, R.C.A., “Tracks”, oil on canvas, signed lower left, St. Laurent Art Centre Ottawa label verso, 19.5” h x 23.5” w. Provenance: Kingston Area Collection.
ALBERT3
Estimation 3,000-5,000 $
ROUSSEAU (1908-1982)
CANADIAN
W. HUMPHREY, CGP (1901-1967) CANADIAN
Hilton MacDonald Hassell, R.C.A., O.S.A. , “Lake Fringe, Madawaska”, oil on board, signed lower right, artist’s label dated 1979 verso, and Manuge Galleries Limited (Halifax, Nova Scotia) label verso, 13.5” h x 9.5” w.
JACK5
HILTON4
Jack Weldon Humphrey, C.G.P., ships in the harbour, watercolour, signed & dated 1936 lower right, 10” h x 14” w.
6
M. HASSELL, RCA, OSA (1910-1980) CANADIAN
Estimation 1,000-1,500 $
Estimation 700-900 $
7 CARL6
CARL7
A pair of Carl Poul Petersen sterling silver dwarf candlesticks rising from stepped circular based decorated with applied berry clusters, both with impressed maker’s marks. Canadian, mid 20th century. Measuring 3.5” high, weighing 339 grams.
Estimation 300-500 $
POUL PETERSEN STERLING SILENT BUTLER
POUL PETERSEN STERLING CANDLESTICKS
Estimation 300-500 $
A Carl Poul Petersen sterling silver silent butler, the hinged lid decorated with applied stylized berries, fitted with a turned & ebonized wood handle, the underside with impressed maker’s marks. Canadian mid 20th century. Measuring 2.5” high x 10.5” long.
8
Estimation 600-800 $
POUL PETERSEN STERLING BOWL
CARL8
POUL PETERSEN STERLING SALAD SERVERS
Carl Poul Petersen sterling salad servers, both showing a planished surface terminating to flattened handles with ‘Blossom’ pattern motifs, maker’s marks on reverse. Canadian, 20th century. Both measuring 10.5” long, combined weight of 254 grams.
CARL9
Estimation 300-500 $
A Carl Poul Petersen sterling bowl, the circular bowl showing a subtle planished surface with flattened handles over applied ‘Pea Pod’ pattern elements, the underside with impressed makers marks. Canadian, mid 20th century. Measuring 2.75” high x 10.25” wide across the handles, weighing 505 grams.
GISSING, ASA (1895-1967) CANADIAN
Estimation 1,200-1,500 $
Estimation 900-1,200 $
MOON PHASE MANTEL CLOCK
ROLAND11
Roland Gissing, A.S.A. (Albert Society of Artists), “Bow Valley”, oil on board, signed lower right, artist’s label verso, 11.5” h x 15.75” w.
9
ANTIQUE10
An antique moon phase mantel clock, the eightday movement stamped JUNGHANS striking on the half & full hour, housed within an 18th century ‘bell top’ style case in burl walnut showing a brass carrying handle, pineapple shaped finials & caryatid mounts, the glazed door fronting a moon phase mechanism over a steel chapter ring with Roman numerals, raised overall upon scrolled brass supports. In running condition at time of cataloguing, but requires servicing, key intact. German, early 20th century. Dimensions, 18.75” h x 12” w x 9” d. Note: In 1903 Junghans were the largest clock making firm in the world.
Estimation 600-900 $
10
Tom Roberts, O.S.A., R.C.A., “Rattlesnake Road in October”, oil on board, signed lower left, Wallack Galleries Ottawa label verso, 13.5” h x 19.5” w.
Estimation 1,000-1,500 $
TOM12 ROBERTS, OSA, RCA (1909-1998) CANADIAN
CHARLES13 E. DEBELLE, ARCA (1873-1939) CANADIAN
Charles Ernest DeBelle, A.R.C.A, Three young girls, pastel on paper, signed with monogram lower right, 10.5” h x 8.5” w.
CARL15
Estimation 1,200-1,500 $
GOODRIDGE ROBERTS, OC, RCA (1904-1974) CANADIAN
William Goodridge Roberts, O.C., R.C.A., “Road in Sunlight”, watercolour, signed in pencil lower left, labels verso: Art Association of Montreal, 55th Spring Exhibition (1938), along with W. Scott & Sons, Fine Art Dealers, Montreal, 14” h x 17.5” w.
11 W.14
POUL PETERSEN STERLING
COMPORT
Estimation 1,500-2,000 $
A large Carl Poul Petersen sterling silver comport rising from four ‘Pea Pod’ shaped supports to a petal shaped bowl decorated with a subtle planished surface and a stylized ‘Pea Pod’ pattern handle, the underside with impressed maker’s marks. Canadian, mid 20th century. Measuring 9.25” high, weight 744 grams.
POUL PETERSEN STERLING LIDDED BOWL
CARL17
Carl Poul Petersen salad servers, the bowl & tines showing a planished surface with reeded handles terminating to applied ‘Bell Flower’ pattern fini als, maker’s marks on reverse. Canadian, mid 20th century. Both measuring 8.5” long, combined weight of 164 grams.
A Carl Poul Petersen sterling silver lidded bowl, the circular bowl fitted with a conforming lid decorated with applied ‘Blossom Corn Flower’ pattern elements, impressed maker’s marks on reverse. Canadian mid 20th century. Measuring 3.5” high x 5.5” diameter, weighing 307 grams.
CARL16
Estimation 250-350 $
Estimation 350-550 $
12
POUL PETERSEN STERLING SALAD SERVERS
A Victorian oak mantel clock, the triple-fusée eight-day movement stamped W & H SCH (for Winterhalder & Hofmeier Schwarzenbach), striking on the quarter, half & full hour on five coil gongs with an hour repeat, fitted within an oak case showing a Palladian shaped pediment with composite style capitals, over a glazed door fronting a face with gilt brass spandrels & appliqués, featuring ‘fast / slow’ & ‘chime / silent’ features over a silvered chapter ring with Roman numerals, the case sided by pierced & carved sound frets and a single back door, raised overall upon a stepped plinth base on pad feet. In working condition at the time of cataloguing, but requires servicing, no key. English, mid 19th century. Dimensions, 16.5” high x 12.25” wide x 7.75” deep. (Winterhalder & Hofmeier were in operation from 1810 until 1937, and were considered to be the finest clockmakers of the Victorian period).
CARL19
13
Estimation 2,500-3,500 $
POUL PETERSEN STERLING CASTOR
OAK MANTEL CLOCK
VICTORIAN18
Estimation 275-375 $
A Carl Poul Petersen sterling castor, the vasi-form body fitted with a perforated top, raised on a trio of ‘Pea Pod’ pattern supports, maker’s marks on underside. Canadian, mid 20th century. Measuring 6.5” high, weighing 167 grams.
14
A Carl Poul Petersen sterling dish, the lobed & petal shaped body showing a subtle planished sur face, the sides decorated with applied ‘Bell Flow er’ pattern elements, maker’s marks on underside. Canadian, mid 20th century. Measuring 1.25” h x 7.5” w x 6.25” d, weighing 180 grams.
CARL20
CENTURY BRASS BOUND MAHOGANY CAMPAIGN CHEST
A brass bound mahogany campaign chest, the case in two parts fitted with carrying handles, housing two short drawers over three tiers of full width drawers, all with original recessed brass pulls & functioning locks, the drawer bottoms & backs bearing maker / retailer marks for J & W Lowndes, 18 Haymarket Street, raised overall on turned supports. English, circa 1860. Dimensions, 43.75” h x 36” w x 18.75” d.
Note: The trade directories of the period list two companies, J & W Lowndes at 18 Haymarket, and W & J Lowndes & Co. at 7 Watling Street. Lowndes described themselves as having a Military and Camp Equipage Warehouse, selling canteens, trunks, etc. for wholesale, retail and for exportation.
19TH21
Estimation 2,500-3,500 $
Estimation 350-450 $
POUL PETERSEN STERLING DISH
A Turkoman Bokhara rug, mid / late 20th century, showing three rows of traditional gul designs in black, white & orange outlined in black against a ruby field, the multi banded borders with sunburst motifs and latch-hook motif ends, measuring 72” x 49”.
Estimation 600-800 $
PEREPIDIL RUG
A Caucasian Perepidil rug, mid / late 20th century, showing multi-coloured geometric motifs in shades of russet, tan & green against a royal blue field surrounded by a running band of flower head designs, within a broad border of contrasting angular motifs, measuring 68” x 45”.
15
TURKOMAN23
Estimation 500-700 $
BOKHARA RUG
CAUCASIAN22
PERSIAN24
25AFTER
A Persian Tabriz carpet, last quarter 20th century, decorated overall with vertical & horizontal panels of geometric & foliate motifs in shades of tan, russet, navy & ivory, all within a broad border of repeating flower head designs, measuring 87” x 56”.
Estimation 1,200-1,500 $
16
A late 19th / early 20th century equestrian bronze mounted atop a naturalistic ground, med brown patina, signed in the mold I. BONHEUR, measuring 13.5” h x 12.5” w x 4.25” d.
ISIDORE JULES BONHEUR (1827-1901) FRENCH
Estimation 700-900 $
TABRIZ CARPET
Thomas Keith Roberts, R.C.A., “Church at Belledune”, oil on board, signed lower left, titled & dated 1981 verso, 15.5” h x 23.5” w.
ALBERT28
CANADIAN
Albert Rousseau, fall in the village, oil on canvas, signed lower right, 24” h x 30” w.
17
Estimation 1,500-2,000 $
ROUSSEAU (1908-1982)
Hilton MacDonald Hassell, R.C.A., O.S.A., “Rue St. Stanislas, Québec”, oil on board, signed lower left & titled verso, 19.5” h x 25.5” w.
M. HASSELL, RCA, OSA (1910-1980) CANADIAN
HILTON27
Estimation 2,000-3,000 $
THOMAS26
Estimation 1,500-2,500 $
K. ROBERTS, RCA (1909-1998)
JOSEPH30
William Arthur Winter, R.C.A., “The White Coat”, oil on board, signed lower right, Roberts Gallery Limited label verso, 11.75” h x 23.5” w.
Joseph Francis Plaskett O.C., R.C.A., “Plant and Venice 1952”, oil on board, signed & dated lower right. Titled, dated & signed verso, 23.5” h x 17.5” w.
18
Estimation 1,000-1,500 $
WILLIAM29
A. WINTER, RCA (1909-1996) CANADIAN
Estimation 1,500-2,000 $
F. PLASKETT, OC, RCA (1918-2014) CANADIAN
ARMAND31
RICHARD, RCA (1895-1982)
Armand Tatossian, R.C.A., September colours, oil on canvas, signed lower left, 23.5” h x 29.5” w. Provenance: Toronto Collection.
RENÉ32
Estimation 1,000-1,500 $
Estimation 1,200-1,800 $
19
René Richard, R.C.A., “Portrait de trappeur”, charcoal on paper, signed lower left, 20.25” h x 17.5” w. Provenance: Quebec Collection.
TATOSSIAN, RCA (1948-2012)
POUL PETERSEN STERLING SERVING PIECES
Carl Poul Petersen sterling serving pieces, consisting of one medium size serving fork measuring 8.5” long, one small serving fork measuring 7.25” long, together with a pie lifter measuring 9.25” long, all showing a planished surface with flattened handles terminating to ‘Blossom’ pattern motifs, impressed maker’s marks on reverse. Canadian, mid 20th century. Combined weight of 227 grams.
CARL33
Estimation 700-900 $
A Carl Poul Petersen sterling salver of welled circular form with a planished surface rising to a lobed border. Canadian, mid 20th century. Measuring 14” diameter, weight 828 grams.
POUL PETERSEN STERLING SALVER
20
CARL34
Estimation 350-450 $
POUL PETERSEN STERLING SALVER
Estimation 250-350 $
POUL PETERSEN LIFTER & COMPORT
CARL35
21
A Carl Poul Petersen pie lifter showing a spade-shaped blade affixed to a reeded handle terminating to a ‘Pea Pod’ pattern element, measuring 9.25” long, together with a small footed comport decorated with applied ‘Pea Pod’ pattern elements measuring 2.75” high x 5” diameter, both with maker’s marks on the reverse. Canadian, mid 20th century. Combined weight of 258 grams.
A Carl Poul Petersen sterling salver of welled circular form with a planished surface rising to a lobed border, the central field bearing the heraldic crest & motto for the Hudson’s Bay Company ‘PRO PELLE CUTEM’ (translated ‘A Pelt for a Skin’), the reverse inscribed with a dedication dated 1955, and bearing maker’s marks. Canadian, mid 20th century. Measuring 15.25” diameter, weight 1,329 grams.
CARL36
Estimation 1,800-2,500 $
GEORGE37
JENSEN STERLING SERVERS
CARL38
22
Carl Poul Petersen sterling serving pieces, the bowl & tines showing a planished surface with reeded handles terminating to applied ‘Bell Flower pattern finials, maker’s marks on reverse. Canadian, mid 20th century. Both measuring 8.5” long, combined weight of 161 grams.
Estimation 250-350 $
POUL PETERSEN STERLING SERVERS
Estimation 275-375 $
George Jensen sterling serving pieces, consisting of a serving spoon & fork in the ‘Fuschia’ pattern, measuring 7” long, maker’s marks on reverse. Danish, circa 1930. Combined weight of 97 grams.
A William IV mahogany server, showing an arched splashboard backing an open shelf above a flattened frieze fitted with twin flush mounted drawers, surmounting two tiers of open shelves braced by reeded columns, raised overall on reeded legs on flattened feet. English, circa 1835. Dimensions, 44.5” h x 48.5” w x 20.75” d.
IV MAHOGANY SERVER
Estimation 2,000-3,000 $
Estimation 700-900 $
CARL39
A Carl Poul Petersen sterling pitcher, Canadian early / mid 20th century, a very robust sterling silver water pitcher of baluster form, richly embossed with Rococo motifs of frolicking putti, foliate scrolls & flower heads, affixed with an applied scrolled handle & raised overall upon four lion’s paw supports, the underside with impressed sterling & maker’s marks. Height, 11.25”. Weight 1,157 grams. Note: This highly ornate example by Petersen is an extreme departure from the organic, timeless designs he is best known for, which strongly suggests that this is most likely a commissioned work, possibly for a service purchased by a client from Birks in Montreal during the early 1930’s, where Petersen had worked as a silversmith after he first arrived in Canada from Denmark.
WILLIAM40
23
POUL PETERSEN STERLING PITCHER
Estimation 1,400-1,800 $
Herbert Sidney Palmer, O.S.A., R.C.A., big red oak, oil on canvas, signed lower right, partial artist’s label verso dated 1936, condition noted: pinhole repair middle left, 15.5” h x 19.5” w. Provenance: Important Montreal Collection.
MEIMEH CARPET
Estimation 2,000-3,000 $
A Persian Meimeh carpet, late 20th century, showing diagonally arranged diamond-shaped motifs of flower heads & fruiting trees in shades of white, yellow & navy, against a reddish field centred by a navy diamond shaped medallion, all within a broad border of similar motifs, measuring 146” x 89”.
S. PALMER, OSA, RCA (1881-1970) CANADIAN
PERSIAN41
HERBERT42
24
Horace Champagne, “Gilmore Street, Ottawa, Ontario-corner Salisbury Place”, pastel on paper, signed lower right, signed & dated 1981 verso, 11.75” h x 14.75” w.
Ralph Wallace Burton, “Rock and Birch near Perth, Ontario”, oil on board, signed lower right. Signed, titled & dated 1975 verso, 10” h x 13” w.
Estimation 900-1,200 $
HORACE44
CHAMPAGNE (1937 - ) CANADIAN
RALPH43
Estimation 1,000-1,500 $
25
W. BURTON (1905-1983) CANADIAN
FRANKLIN45
26
BROWNELL, RCA, OSA (1857-1946)
Franklin Brownell, R.C.A., O.S.A., “Autumn in the Gatineau” oil on panel, signed lower right, Walter Klinkhoff gallery label verso, circa 1921, 13.25” h x 17.25” w. Provenance: Important Ottawa Collection.
Estimation 1,000-1,500 $
HORACE46 CHAMPAGNE (1937 - ) CANADIAN
Estimation 1,500-2,000 $
Horace Champagne, “Waverly Street, Ottawa, Ontario”, pastel on paper, dated 1981, signed lower left, signed & dated 1981 verso, 11.75” h x 14.75” w.
BROWNELL, RCA, OSA (1857-1946)
Estimation 3,500-4,500 $
FRANKLIN47
27
A Carl Poul Petersen sterling silver tea & coffee service, consisting of a sterling silver teapot & coffee pot with ebonized wood handles, cream jug & sugar bowl, all showing a subtle planished surface and embossed ‘Blossom Pattern’ motifs, the teapot measuring 9.5” high, combined silver weight (including the wooden handles) 2,001 grams, together with a matching Carl Poul Petersen silver plated tea tray. Canadian, circa 1940. Measuring 27.5” x 15”. Provenance: Important Montreal Collection.
Estimation 2,000-3,000 $
Franklin Brownell, R.C.A., O.S.A. , “Picnic in the woods”, oil on canvas, signed lower middle right, Galerie Walter Klinkhoff Inc. 2007 Retrospective Exposition label verso, 11.5” h x 17.5” w. Provenance: Important Ottawa Collection.
POUL PETERSEN STERLING TEA & COFFEE SERVICE
CARL48
ARMAND50
Armand Tatossian, R.C.A., “Cathédrale MarieLa-Reine du Monde, Mtl, Québec”, (Cathédrale Marie-Reine-Du-Monde), oil on canvas, signed lower right, titled & signed verso, 30” h x 40” w.
TATOSSIAN, RCA (1948-2012) CANADIAN
Estimation 2,500-3,500 $
FRANKLIN49
Estimation 3,000-4,000 $
Peleg Franklin Brownell, R.C.A., O.S.A., “Boy Fishing”, oil on panel, signed lower right, Galerie D’Art Vincent label verso, circa 1900, 9.75” h x 9.5” w. Provenance: Eric J. Streemer to Galerie D’Art Vincent, to an important Ottawa Collector.
28
BROWNELL, RCA, OSA (1857-1946) CANADIAN
Estimation 4,000-6,000 $
ELIZABETH II STERLING COVERED CUP
BRITISH52
Estimation 900-1,200 $
29
ROYAL FAMILY PHOTOGRAPHS
British Royal Family photographs, both by W. & D. Downey - known as the Queen’s photographers, taken at their studio at 61 Ebury Street, London, one of Prince Arthur - Duke of Connaught, 3rd son of Queen Victoria and first member of the British Royal Family to become Governor General of Canada, together with that of his wife Princess Louise Margaret, the Duchess of Connaught. Both bearing their respective Royal signatures & dated May 1915, both set within sterling silver frames with easel backs, surmounted by their respective Royal Ciphers, bearing London hallmarks for 1904 & 1912 with maker’s marks for William Comyns & Sons. Dimensions, 12.5” h x 7.5” w. Provenance: Princess Patricia Ramsay to her close personal friend, Enid Strathearn Hendrie Owen, to an Owen Family Member (current owner).
A Queen Elizabeth II sterling covered cup, the goblet-shaped body sided by open handles and fitted with a conforming lid featuring a crown-shaped finial, the bowl engraved with the Canadian Coat of Arms on one side, the opposing side decorated with the applied British Royal Cipher for Queen Elizabeth II, raised upon a robust single column engraved with Fleur-de-Lys motifs atop a convex shaped base. The underside hallmarked Sheffield with Coronation mark & date mark for 1953 & maker’s marks KM (?), together with retailer marks for Mappin & Webb Montreal. The lid also bearing date marks & maker’s marks. Height, 14”, weight, 2,178 grams, mounted upon a turned mahogany plinth, overall height of 17”. Provenance: Retired Mappins Executive.
QUEEN51
30
Beatrice Hindley (1882-1973) British, a stunning collection of 21 hand-wrought miniature metal flowers, each painstakingly formed & soldered by hand, hand- painted and set within a naturalistically modelled ground, then ‘potted’ in their original hand-made & hand-painted ceramic pots. The plants, some of which - but not necessarily illustrated in order are: Tulips, Tulip Tree, Narcissus, Freesia, Anemone, Saxifrage, Primula, Hyacinth, Bulbs, Gentian, Auricula, Winter Aconite, etc. All 21 plants are mounted within their original dedicated three tiered & glass encased stage. The tallest miniature ‘Tulip Tree’ measures a mere 5” high. In addition to the miniatures themselves, an original 1927 Leicester Galleries catalogue referencing an exhibition of Ms. Hindley’s work titled ‘MINIATURE PLANTS by BEATRICE HINDLEY’ is included in the purchase, as well as other related material, photos, etc. All 21 miniatures remain in very good overall condition, the ‘Tulip Tree’ with minor losses, but have been retained, a few pots with minor cracks, the stage exhibiting minor surface wear, portions of loss to molding. Dimensions of stage, 11.5” high x 16” wide x 12” deep. Note: Ms. Hindley is quoted here, taken in part from a magazine article as saying...”Each plant is made entirely by hand. No two are alike either in their bowls or in their detail. I design and paint a suitable bowl to every plant”. “My plants are extremely strong, though they look so fragile. They are made of metal, and each joint is separately soldered. They are based upon hours of study in gardens and at Kew (Gardens)”. Provenance: Princess Patricia Ramsay to her close personal friend, Enid Strathearn Hendrie Owen, to an Owen Family Member (current owner). Estimation 15,000-20,000 $
BEATRICE53
HINDLEY MINIATURE FLOWERS
C. BIELÉR, CM, RCA (1886-1989)
CLAUDE55
CANADIAN
A. SIMARD, RCA (1943-2014)
Claude Alphonse Simard, R.C.A., “Bouquet au matin”, acrylic on canvas, signed lower left & verso. Titled, dated 1997 & Galerie Walter Klinkhoff Inc. label verso, 24” h x 20” w.
31
CANADIAN
ANDRÉ54
Estimation 3,000-4,500 $
André Charles Bielér, C.M., R.C.A., “Les Deux”, oil on panel, signed lower right, Wallack Galleries Ottawa & artist’s label dated 1981 verso, 8.5” h x 11.5” w.
Estimation 2,000-3,000 $
32
Frank Shirley Panabaker, country road, oil on board, signed lower left, 19.5” h x 25.75” w.
56ALFRED
PELLAN, CC, OQ, RCA (1906-1998) CANADIAN
Estimation 2,000-3,000 $
Alfred Pellan, C.C., O.Q., R.C.A., “The pupil”, from the artist’s book “Delirium Concerto” (1982) , etching / aquatint, numbered 63 / 80 lower left, signed & dated 82 lower right in graphite, 25” h x 18.5” w.
Estimation 1,500-2,400 $
FRANK57 S. PANABAKER (1904-1992) CANADIAN
33
Estimation 1,200-1,800 $
WILLARD59
Jeanne Leblanc Rhéaume, oil on canvas, (untitled) pines on a hillside, signed lower right, 19.5” h x 24.5” w.
MITCHELL (1881-1955)
CANADIAN
CANADIAN
L. RHÉAUME (1915-2000)
Estimation 300-500 $
Willard Mitchell, watercolour, ‘Mount Eisenhower’, signed lower right, titled & dated 1946 verso, set within the artist’s hand-carved original frame, image size 4” h x 5” w, frame dimensions 8.5” h x 9.5” w.
JEANNE58
34
Estimation 300-500 $
Willard Mitchell, watercolour, ‘Make Friends with a Brook’, signed lower left, titled & dated 1947 verso, set within the artist’s hand-carved original frame, image size 4.75” h x 4” w, frame dimensions 9.5/8” h x 8.5/8” w.
MITCHELL (1881-1955) CANADIAN
Willard Mitchell, watercolour, ‘Skiing on the Slopes at Montebello P.Q.’ signed lower left, titled & dated 1947 verso, set within the artist’s handcarved original frame, image size 4” h x 5” w, frame dimensions 8.5” h x 9.5” w.
Estimation 300-500 $
WILLARD61 MITCHELL (1881-1955) CANADIAN
WILLARD60
35
Willard Mitchell, two watercolours, both set within the artist’s hand-carved original frames, ‘Two Little old Houses’, signed lower right, titled verso, image size 4” h x 5” w, frame dimensions 4.75” h x 5.75”w., together with ‘Saguenay River’ signed lower right, titled verso, dimensions 2.25” h x 3.25” w (sight), frame dimensions 3” h x 4” w.
WILLARD63
Willard Mitchell, two watercolours, both set within the artist’s hand-carved original frames, ‘Manoir Richelieu Hotel’ signed lower left, image size 2.25” h x 3.25” w (sight) , framed dimensions 3” h x 4” w, together with ‘Cape Trinity Rock’ signed lower right, titled & dated 1949 verso, image size 3.1/8” h x 2.1/8” w (sight), frame dimensions 4”h x 3” w.
MITCHELL (1881-1955) CANADIAN
WILLARD62
Estimation 300-500 $
Estimation 300-500 $
MITCHELL (1881-1955) CANADIAN
A Persian Tabriz carpet, last quarter 20th century, decorated overall with multi-coloured foliate mo tifs, centred by a cobalt diamond shaped medal lion within a large crimson cartouche, the broad border with foliate & floral motifs, measuring 167” x 118”.
Willard Mitchell, two watercolours, both set within the artist’s hand-carved original frames, ‘Logging’, signed lower left, titled & dated 1941 verso, image size 2.25” h x 3.25” w (sight), frame dimensions 3” h x 4” w., together with ‘Bonsecour Church’ signed lower right, image size 3.25” h x 2.25” w (sight), frame dimensions 4” h x 3” w.
WILLARD64
36
PERSIAN65
Estimation 300-500 $
TABRIZ CARPET
MITCHELL (1881-1955) CANADIAN
Estimation 2,500-3,500 $
AFTER67
A late 19th / early 20th century bronze of a hound, green / black patina, modelled on a naturalistic ground, signed in the mold Barye with foundry marks for Alfred Daubrée, measuring 6.75” h x 11.5” w x 4.25” d. Note: Alfred Daubrée(1810-1855) was both a French sculptor & maker of bronzes working at 21 rue St-Dizier, Nancy. He later moved to a shop at 85 rue Montmartre in Paris and in 1855 he opened his own atelier for art bronzes. He was well thought of regarding the quality of his work and executed bronzes for Antoine-Louis Barye in 1850, later handling works for Charles Cumberworth, Léopold Kamf, and Louis Menessier, as well as many works for Christophe Fratin. Fratin’s work was sometimes marked DAUBRÉE and A. DAUBRÉE EDITEUR, though these markings were rarely applied to Barye’s bronzes.
ANTOINE LOUIS BARYE (1796-1875) FRENCH
Estimation 300-500 $
37
BELUCH MAT
A Persian Beluch mat, late 19th / early 20th century, showing three small diamond shaped medallions with latch hook elements, against a russet field with a blue undulating band within a border of repeating flower head motifs, overall wear & low spots, measuring 49” x 29.5”.
Estimation 900-1,200 $
PERSIAN66
Estimation 1,000-1,500 $
Jwan Petowitsch Orloff, Troika with a white horse, oil on panel, signed lower left, 6” h x 12” w.
Estimation 1,000-1,500 $
38
P. ORLOFF (1815-1861) RUSSIAN
P. ORLOFF (1815-1861) RUSSIAN
JWAN69
JWAN68
Jwan Petowitsch Orloff, Troika and brown dog, oil on panel, signed lower right, 6” h x 12” w.
LOUIS70
Alexander Reich-Staffelstein, (untitled) boats moored at night, oil on canvas, signed lower right, 21.5” h x 28.75” w.
Louis Apol, (untitled) hauling firewood, oil on panel, 7” h x 10.5” w. Note: A prominent representative of the Hague School, Louis Apol specialized in winter landscapes. His winter scenes often included structures like fences or bridges to remind viewers of humanities presence within the natural world. In this painting, Apol uses loose brush strokes to depict a man hauling firewood through a snowy lane. The piece is illuminated by the soft light of a late winter afternoon. Like his counterparts in the Barbizon School, Apol worked to paint the natural scenes around him as they really were, demonstrating the shift from romanticism to realism at the turn of the century. Apol made a significant contribution to the work of the Hague School and many of his pieces can now be found in The Rijksmuseum Amsterdam and the Gemeentemuseum Den Haag.
Estimation 2,000-3,000 $
ALEXANDER71
Estimation 700-900 $
APOL (1850-1936) DUTCH
39
REICH-STAFFELSTEIN (1878-1952) GERMAN
Estimation 700-900 $
ALEXANDER73
TILEMANN-PETERSEN (1874-1926) DANISH
CHRISTIAN72
40
Estimation 2,000-3,000 $
Christian Tilemann-Petersen, Interior of the Hermitage palace (Copenhagen), oil on canvas, signed & dated 1909 lower left, 24” h x 20” w.
G. ORLOV (1868-XX) RUSSIAN
Alexander Grigoriev Orlov, (untitled) crows nesting, oil on canvas, signed lower right, affixed plaque reads: “Painted by Prof. A. Orlov of the Petrograd Academy 1845-1899”, 36.5” h x 29.5” w.
James Burrell Smith, (untitled) bridge over a waterfall, oil on canvas, signed lower left & dated 1894, set within a good gallery frame, condition: small hole top middle, 35.25” h x 27.5” w.
B. SMITH (1822-1897) BRITISH
Estimation 1,500-2,500 $
41
CALVERT (1828-1913) BRITISH AUSTRALIAN
JAMES74
Estimation 1,000-1,500 $
SAMUEL75
Samuel Calvert, (untitled) rowing out, oil on canvas, signed and dated 1879 lower right, condition noted: two small repairs lower middle, 26.25” h x 36.5” w.
FRENCH
A bronze grouping of a pointer & setter flushing out a partridge, modelled atop a rocky ground, light brown patina, signed & dated in the mold P.J. MÊNE 1847, measuring 9” h x 16” w x 7” d. Setter’s tail repaired.
FRENCH OS DE MOUTON SIDE CHAIRS
JULES MÊNE (1810-1871)
Estimation 1,500-2,000 $
SEVEN77
Seven French “Os de mouton” side chairs, four chairs being 18th century, the other three early 20th century, the walnut frames showing pegged construction with ‘os de mouton’ (sheep’s bone) front supports & shaped rear supports braced by both a front & central curvilinear shaped stretcher, the peaked backs & seats upholstered in later floral ‘gros-point’ fabric, frame conservation & restoration noted, i.e., corner blocks, seat rails, seats re-webbed. Dimensions, 43.5” high x 20.5” wide (seat height 19”).
42 PIERRE76
Estimation 1,400-1,800 $
A George III sterling tea tray, hallmarked London 1790 with makers marks for John Crouch 1st & Thomas Hannam, of oval form with open handles, banded with engraved foliate motifs surrounding a central field engraved with a family crest & motto ‘FIDE LITER’ (translated, ‘Upright & Faithful’), dimensions 22” long x 14.75” wide, weight 2,195 grams.
Estimation 500-700 $
III STERLING TEA TRAY
III STERLING GRAVY BOAT
Estimation 2,000-3,000 $
43
GEORGE79
GEORGE78
A George III sterling gravy board, hallmarked London 1761 with maker’s marks for Walter Brind, of bellied form with Rococo embossed decoration and foliate scrolled handle, raised on cabriole supports atop pad feet, measuring 5” high, weight 360 grams.
Estimation 500-700 $
OF PATINATED SPELTER FIGURES
PAIR81
SILVER TABLEWARE
A pair of patinated spelter figures, both stand ing atop circular bases mounted upon ebonized wooden plinths, titled A. DURER (for German artist Albrecht Durer) & GOLTZIUS (for Dutch artist Hendrick Goltzius). Continental late 19th / early 20th century. Both measuring 19” high.
44
CONTINENTAL80
19th Century continental silver tableware consisting of a pair of neoclassical inspired Dutch silver (.835 fine) open salts with cobalt glass liners, impressed exterior marks, the bases cast with swags & rams heads (loss to one swag, one liner with chipped base), measuring 2” high & combined weight of 138 grams, together with a neoclassical inspired German silver (.812 fine) open condiment container with cobalt glass liner, the base cast with winged atlantes, torches & swags, marks on underside. Measuring 3.5” x 7.75” w x 3” d, weight 217 grams.
Estimation 400-600 $
45
GERMAN84
Estimation 300-450 $
Estimation 1,200-1,500 $
STERLING WINE EWER
BRASS DOUBLE INKWELL
VICTORIAN82
A sterling silver clad & etched glass wine ewer, the ovoid shaped body decorated with etched foliate motifs, encased within a conforming sterling base decorated with embossed & pierced bacchanal themes of putti, mounted with a pierced silver handle & collar, the glass stopper having a finial in the form of a putto holding a wine goblet. The underside stamped with German sterling marks, and partially rubbed British import marks. German, late 19th / early 20th century. Measuring 10” h x 8” w x 5” d.
A late 19th century Victorian brass double inkwell, apparently unmarked but possibly by Bradley & Hubbard, the base formed with double pen recesses centred by a lidded stamp box, flanked on either side by twin cranberry glass lidded inkwells (one with rim frits), raised overall upon four foliate cast supports, some vert de gris, dimensions 5.25” h x 13.5” l x 7.25” d.
46
PERSIAN86
Estimation 1,200-1,500 $
A Persian Heriz carpet, last quarter 20th century, showing a large crim son diamond shaped medallion & ivory spandrels within a broad border of flower head motifs, measuring 132” x 102”.
Estimation 900-1,200 $
85PERSIAN SARAB RUNNER
HERIZ CARPET
A Persian Sarab runner, last quarter 20th century, showing four inter-con necting diamond shaped medallions with latch hook elements, against an ivory field with zig-zag borders, measuring 158” x 35”.
47 FANNY87
Estimation 4,000-6,000 $
Fanny Churberg, haystacks, oil on panel, signed lower right, “Belongs to Professor Edelfelt” written verso, 6” h x 9.5” w. Note: As the first Finnish painter to study in Paris, Churberg’s work differed sharply from that of her Finnish contemporaries, who were staunch followers of the conventions of the Dusseldorf school of painting. Her use of colour and fast brush technique demonstrates her enthusiasm for the Finnish countryside. Here, we see her passion for the landscape displayed in the bright yellows of the haystacks contrasting with the intense greens in the grass and warm blues in the sky. Churberg’s work was included in the Clark Museum’s 2018 Exhibit Women in Paris, 18501900.
CHURBERG (1845-1892) FINNISH
48
GERMAN
Albert Muller-Lingke, (untitled) boy with red umbrella, signed lower left, unframed, relined, 30” h x 23.75” w.
ETHEL88 MAGAFAN (1916-1993) AMERICAN
Estimation 2,000-3,000 $
ALBERT89 MULLER-LINGKE
Ethel Magafan, thrashing, egg tempura with Sgraffito technique, signed lower right, 8” h x 25.75” w. Note: Daughter of a Greek immigrant father and a Polish immigrant mother, Ethel Magafan grew up in Colorado. Her works are listed in the following museums: Metropolitan Museum of Art, Whitney Museum of American Art, Museum of Modern Art, National Academy of Design, Brooklyn Museum of Art; Woodstock Artists Association and Museum, Woodstock, New York; Munson-Williams-Proctor Institute, Utica, New York; Schenectady Museum, New York; State University of New York, Albany; Ulster County Community College, New York; The Newark Museum, New Jersey; Portland Museum, Maine; Farnsworth Art Museum, Rockland, Maine; Provincetown Art Association and Museum, Massachusetts; Smithsonian American Art Museum, United States Department of the Interior, and Howard University, all in Washington, DC; Delaware Art Museum, Wilmington; Norfolk Museum, Virginia; Boca Raton Museum of Art, Florida; Columbia Museum of Art, South Carolina; Weatherspoon Art Museum, University of North Carolina, Greensboro; Knoxville Museum of Art, Tennessee; Butler Institute of American Art, Youngstown, Ohio; Canton Museum of Art, Ohio; Ball State University Art Gallery, Muncie, Indiana; Snite Museum of Art, Notre Dame University, Indiana; Southern Illinois University Museum, Carbondale; Des Moines Art Center, Iowa; Springville Museum of Art, Missouri; Oklahoma Museum of Art, Oklahoma City; Fred J. Jones Jr. Museum of Art, Norman, Oklahoma; Wichita Art Museum, Kansas; Museum of Texas Tech University, Lubbock; Autry Museum of the American West, Los Angeles; Frederick R. Weisman Museum of Art, Malibu, California; Sangre de Cristo Arts Center, Pueblo, Colorado; Colorado Springs Fine Arts Center; Denver Art Museum; Denver Public Library Western Art Collection; Kirkland Museum of Fine & Decorative Art, Denver; and Rotron Europa N.V., Breda, Holland. Estimation 2,000-3,000 $ (1844-1930)
Estimation 1,500-2,000 $
FRANÇOIS90
GALL (1912-1987) FRENCH
RALPH91
49
TODD (1856-1932) BRITISH
Ralph Todd, (untitled) peaceful moment, watercolour, signed lower right, Frank Jarman Limited Fine Art Dealers Ottawa label verso, 16.5” h x 13” w.
François Gall, (untitled) pink blouse, signed lower left, 10” h x 8” w.
Estimation 1,500-2,000 $
Estimation 2,500-3,500 $
A late 19th century bronze of a standing stag, mounted atop a naturalistic rocky mound, measuring 19.25” h x 19” w x 8” d. This is largest of the three models cast by Susse Frère, known as the ‘Grand Original’ which is the largest of the three models, signed in the mold BARYE together with foundry marks in script ‘Susse Frères Éditeur, Paris’, as well as an impressed foundry seal on the far right side.
A George III mahogany bracket clock, the double fusée eight-day movement striking on the full & half hour, the back plate signed in script Robert Wood - London, the white painted dial with Roman numerals and signed Rob. Wood, London. Set within a figured mahogany & satinwood strung case with an arched pediment, flanked by reeded columns with brass capitals and sided by later brass carrying handles, and ‘fish scale’ pierced brass frets fronting distressed red silk baffles, the back fitted with single door having an old mirrored plate, door frame stamped W. W. twice. Raised overall upon a molded plinth base atop brass pad feet, missing carrying handle on top, repair to top and minor distress to front, minor conservation to interior of case. Key intact together with old bill of sale, in working condition at time of cataloguing. English, circa 1800. Measuring 17.25” high x 13.5” wide x 7.5”. Note: Robert Wood is recorded as a clockmaker of good repute, working in London from 1789-1811.
ANTOINE LOUIS BARYE (1796-1875) FRENCH
Estimation 3,500-4,500 $
GEORGE93
50 AFTER92
III MAHOGANY BRACKET CLOCK
51
FRENCH94
GEORGIAN95
A Georgian sterling cruet set, the frame hallmarked London 1804 with maker’s marks for John Emes, housing eight cut glass condiment bottles - two with hinged sterling silver spouts & handles, one with a sterling silver domed lid fitted for a small spoon (all three with rubbed marks), together with five small glass bottles with assorted stoppers - one with a small gilded spoon for cayenne pepper (losses to rim) , and two associated bottles with differing facetsone resting improperly in the frame. The frame measuring 9.25” h x 8.5” w x 6.75” d, the underside of the frame fitted with a conforming wood panel, thereby making it difficult to determine silver weight.
A Sèvres style porcelain inkwell, the rectangular porcelain body decorated with hand-painted gilt motifs & applied ormolu mounts, housing a recessed stamp box and twin lidded inkwells (one reservoir missing) sided by twin pen recesses, fitted with gilt bronze handles & raised on gilt bronze mounts stamped AB, the underside with printed ‘Sèvres’ style factory marks centred by letters AB. France, late 19th century. Dimensions 5.5” h x 12” w x 6” d.
STERLING CRUET SET
SÈVRES STYLE PORCELAIN INKWELL
Estimation 650-850 $
Estimation 500-700 $
Estimation 1,000-1,500 $
Anton Karlinsky, “At the Churchyard”, oil on canvas, signed lower right & dated 96, 16” h x 20” w.
ANTON96 KARLINSKY (1872-1945) AUSTRIAN
52
AXEL97
Axel Haartman, “Kimito Roonnudd”, oil on panel, signed, titled & dated 1949 lower right, 13.25” h x 17.25” w.
Estimation 1,000-1,500 $
HAARTMAN (1877-1969) FINNISH
53
C. EHRIG (1892-1973)
AMERICAN
WILLIAM98
Estimation 800-1,200 $
JULIUS99
RIETER (1830-1897) SWISS
Estimation 1,000-1,500 $
Julius Rieter, (untitled) Lake Lucerne, oil on canvas, signed & dated 1876 lower right, 18” h x 25.25” w.
William Columbus Ehrig, (untitled) coastal mountains, oil on canvas, signed lower right, 24” h x 29” w.
SAFF (1856-1934) SWEDISH
54
Eric Saaf, (untitled) Barge in the canal, oil on canvas, signed lower right, 11.75” h x 15” w.
Estimation 1,200-1,800 $
ERIC100
L. BROWN (1829-1890) FRENCH
John Lewis Brown, (untitled) The battlefield, oil on panel, signed lower left, 11.5” h x 8”.
Estimation 2,000-3,000 $
JOHN101
55
RARE103
A rare 18th century Chinese Atlas titled ‘ Nouvel Atlas de la Chine, de la Tartarie Chinoise et du Thibet’ (translated: New Maps of China, Inner Mongolia & Tibet) is considered to be the most comprehensive 18th century European atlas of China and the first to include Tibet. This edition was published in the Hague by Henri Scheurleer in 1737, with maps executed by the royal cartographer Jean-Baptiste Bourguignon D’Anville (1697-1782), under the reign of Louis XV. Originally containing 42 engraved maps including 3 folding & 10 double page, there now remains a total of 40 maps, including 2 folding & 7 double page. Condition notes: calfskin covers, hinges & spine completely debrided, distressed paper-board panels exposed, paste down remains, page edges distressed, tears, foxing, repairs. Sold as is; please contact Pridham’s for a more detailed condition report. To request a picture of each page by wetransfer.com, please contact Pridham’s.
18TH CENTURY CHINESE ATLAS
A large format bronze of a roaring tiger, exhibiting fine musculature & natural markings, fine black / green patina, signed with impressed characters on underside. Japan, Meiji Period (1868-1912). Measuring 17.5” high x 32” long. Estimation 3,000-4,000 $
MEIJI PERIOD BRONZE TIGER
Estimation 3,000-5,000 $
JAPANESE102
56
A 14th century Persian Safavid vase, the baluster shaped & glazed craquelure body decorated front & back with a central trefoil shaped cartouche in cobalt blue surrounded by geometric & foliate Islamic motifs, rising to a rollover rim. Dimensions, 9.25” high x 8” diameter. Provenance: Previously from a private Montreal collection amassed during the first quarter of the 20th century.
CENTURY PERSIAN SAFAVID VASE
14TH104
A Renaissance carving of a Saint, the gessoed & polychromed limewood figure of a Bishop carved in near full-round, shown standing wearing a blue robe & gilded mitre, losses noted as illustrated. Germany or Netherlands, circa 1500. Dimensions, 57” h x 17” w x 15” d. Provenance: A prominent Montreal collection.
Estimation 6,000-8,000 $
Estimation 900-1,200 $
CARVING OF A SAINT
RENAISSANCE105
57 BRITISH106
VICTORIAN STERLING SALVER
A British Victorian sterling salver, hallmarked London 1860 with maker’s marks for Alexander Hewart and retailer marks for Elkington, of circular form with a shell & scroll border, the central field engraved & inscribed with a dedication from the Sergeants of the 35th British Regiment, raised overall on a trio of scrolled supports, measuring 1.5” high x 14” diameter, weight 1,392 grams.
GEORGE107
Estimation 1,000-1,500 $
Estimation 3,500-4,500 $
VI STERLING
TEA & COFFEE SERVICE
A George VI sterling tea & coffee service, hallmarked Birmingham 1945 with maker’s marks for Barker Brothers Ltd., a superior sixpiece tea & coffee service consisting of a kettleon-stand retaining its original burner, coffee pot, teapot, slop bowl, cream jug & sugar bowl, profusely decorated overall with engraved foliate & geometric motifs, height of coffee pot 9”. Combined silver weight 5,645 grams.
58 ALEXEI108
Alexei Petrovich Bogolyubov, Imperial Academy of Arts, oil on canvas,(untitled) leaving the harbour, signed lower right, 11.25” h x 17.5” w. Note: “Leaving the Harbour,” as we have titled it, demonstrates Bogolyubov transitional shift from Romanticism to Realism. Bogolyubov began his artistic career studying under Maxim Vorobiev at the Saint Petersburg Academy of Arts. Vorobiev’s dedication to the romantic style heavily influenced Bogolyubov’s early works. However, once Bogolyubov graduated he spent many years travelling across Europe, working in Italy, Germany, and France. In Paris, he connected with Camille Corot and Charles-Francois Daubigny, members of the Barbizon School. Bogolyubov’s work began to embrace the ways of the Barbizon School—painting the world as they saw it—without the emotive melodrama found in the predominant romantic style of the time. In “Leaving the Harbour” the visibility of the brush strokes in the sky and water point to the Barbizon Schools influence, whereas the scene itself still contains elements of Romanticisms love for melodrama. The choice to depict sailors traversing choppy waters as they make their way to their ship leads the viewer to contemplate the dangers of the seas. The rough waters and subdued colour palette hint to future tumultuous storms the sailors may have to face on their journey. Despite these suggestions, the use of a softer more realistic lighting, compared to the drastic contrast of light and shadow found in romantic pieces, points to Bogolyubov’s newfound appreciation of realism. Together, these various stylistic influences make “Leaving the Harbour” an exemplary work of Bogolyubov’s transition from Romanticism to Realism. The stylistic shift he made abroad deeply affected his return to Russia. Instead of following the ways of his Russian predecessors, his works lost all traces of Romanticism and were replaced with a staunch realism that led him to work with a group of younger Russian artists, The Wanderers, in the latter part of his career. Estimation 20,000-30,000 $
P. BOGOLYUBOV (1824-1896) RUSSIAN
(19TH-20THROWLANDCENTURY) BRITISH
Estimation 600-900 $
GEORGE109
WILLIAM110
MORLAND (1764-1804) BRITISH
William Rowland, “A Summer’s Day”, oil on panel, signed lower right, The Fine Art Galleries T. Eaton Co. label verso (with original invoice), 8.25” h x 11.25” w.
59
George Morland, (untitled) taking a break, oil on panel, red wax seal affixed verso, signed within the boat lower right, 14” h x 20” w.
Estimation 2,000-3,000 $
HENRY111
AFTER112 PIERRE JULES MÊNE (1810-1871) FRENCH
S. MOORE (1898-1996) BRITISH
60
Estimation 1,000-1,500 $
Henry Spencer Moore, reclining figure, lithograph in colours on rag paper, numbered 51/65, signed & dated 67 in graphite lower left, mirrored lithographic signature lower right, 11.75” h x 12” w.
Estimation 1,500-2,500 $
A late 19th / early 20th century bronze grouping of two stags battling, mounted atop a naturalistic rocky mound, black / green patina, signed in the mold P.J. MÊNE, measuring 11.5” h x 23” w x 9.75” d.
CARVED113
CENTENNIAL GEORGE III STYLE ARMCHAIRS
Four centennial George III style armchairs, all four mahogany frames showing carved crest-rails over pierced & ribbon carved splats, sided by armrests terminating to carved eagles-head grips, fitted with drop in seats and raised on carved cabriole front supports with ball & claw feet, and rear stile supports terminating to snake shaped feet. Repair to one splat, minor loss to one splat. The undersides bearing plaques with London maker / retailer marks for S&H JEWELL, 131-2 HIGH HOLBORN, LONDON. English, circa 1870. (S&H Jewell Cabinetmakers were first established in 1830).
FOUR114
61
HORN SNUFF MULL, 19TH CENTURY
A carved horn snuff mull, the grained body having a plated cap retaining its original cork seal affixed to a hinged silver-plated collar, the tip of the mull featuring a hand carved hound’s face inset with bone eyes. A very small indentation to the body. Scottish, circa 1840. Length, 4.25”.
Estimation 1,200-1,800 $
Estimation 500-700 $
AESTHETIC116
62
Estimation 1,800-2,500 $
Estimation 900-1,200 $
An Aesthetic Movement sterling coffee pot, the planished gourd-shaped body decorated with organic elements & insect motifs, mounted with a hinged lid and open handle, the underside bearing marks for New York makers Dominick & Haff (working 1868-1928), together with sterling marks & date mark for 1883. American, late 19th century. Height 11”, weight 691 grams.
MOVEMENT STERLING COFFEE POT
HERIZ CARPET
A Persian Heriz carpet, last quarter 20th century, centred by a large navy & russet diamond shaped medallion & ivory spandrels within a broad border of flower head motifs, measuring 132” x 102”.
PERSIAN115
A pair of 19th century silver candelabra, both bearing impressed maker’s marks for Polish silversmith Rudolf Baumann (working 1830-50) together with town marks for Poznan & silver marks likely for .800 fine, constructed in sections showing writhen turned columns supporting twin branches formed as hippocampi, surmounted by a central nozzle atop a leafy support (one repaired), raised overall on foliate embossed stepped bases, dents & bruising, monogrammed. Height 24”, combined weight 2,890 grams.
CENTURY POLISH SILVER CANDELABRA
Estimation 3,000-5,000 $
BOWENITE117
19TH118
& SILVER CASKET
A bowenite and silver casket, India early / mid 19th century, the rectangular case constructed of panels of bowenite bound with silver mounts & bail handles, the top fitted with pierced silver hinges and a silver bail handle, mounted to the base with recessed pins and raised overall on applied bracket supports, cracks to top, sides & back, measuring 4.75” h x 11” w x 7” d.
Estimation 900-1,200 $
63
Rafal Malczewski, (untitled) view of the mountains, signed lower left, 13” h x 20.5” w.
MALCZEWSKI (1892-1965) POLISH CANADIAN
64
MALCZEWSKI (1892-1965) POLISH CANADIAN
RAFAL121
MALCZEWSKI (1892-1965) POLISH CANADIAN
Rafal Malczewski, (untitled) Polish village, signed with description lower right, dated 1943, 13” h x 20.5” w.
Estimation 2,500-3,500 $
Rafal Malczewski, (untitled) heavy snow in Canada, signed lower left & dated XII(Dec). 42. Canada, 13” h x 20.5” w.
Estimation 3,000-4,000 $
Estimation 2,000-3,000 $
RAFAL119
RAFAL120
Estimation 400-600 $
Six William IV sterling tablespoons - four hallmarked London 1832 with maker’s marks for Jonathan Hayne, plus two hallmarked London 1834 with maker’s marks rubbed. All in the ‘Kings’ pattern with engraved crests & mottos ‘FIDELITER’ (translated, ‘Upright & Faithful’), measuring 9” long, combined weight 624 grams.
CHATELAINE
Estimation 400-600 $
SILVER124
Six small silver side plates of circular form with lobed rims, stamped with marks for .800 fine. Italy, mid 20th century. Measuring 8” diameter, combined weight 1,110 grams.
65
ITALIAN123
IV STERLING FLATWARE
SILVER SIDE PLATES
A silver chatelaine, late 19th / early 20th century, comprised of various sterling silver articles including cased scissors, scent bottle, mechanical pencil, vesta case etc., some bearing British hallmarks with other stamped sterling, some with monograms, all strung on silver chains affixed to an unmarked pierced silver plated clasp. Length, 14.5”.
Estimation 400-600 $
WILLIAM122
CENTURY DIEPPE CARVED FIGURE
SILVER FIGURAL COMPORT
66
A Dieppe finely carved figure of The Goose Man Fountain in Nuremberg Germany, the standing figure shown holding a brace of geese atop a naturalistic ground raised overall atop a stepped socle. Germany, circa 1860. Overall height 7”. Note: The Goose Man Fountain was designed & created in 1550-60 by German artist & sculptor Pankraz Labenwolk (1492-1563), and was originally located in the town’s Gänsemarkt ‘Goose Market’. CITES rules may apply.
19TH125
PORTUGUESE126
A Portuguese silver figural comport bearing city mark for Porto, date mark for post 1938 & silver mark for (.833 fine), the lobed bowl engraved with foliate motifs rising to a scalloped rim with gadroon & shell motifs, raised upon a column in the form of a putto standing atop a footed base on four scrolled supports, dimensions, 14.5” high x 10.25” diameter, weight, 2,584 grams (83 troy ounces).
Estimation 2,800-3,800 $
Estimation 1,200-1,500 $
67 19TH127
PERSIAN128
CENTURY DUTCH SECRÉTAIRE
TURKOMAN TEKKE RUG
Estimation 500-700 $
A good Dutch secrétaire, the mahogany case pro fusely inlaid overall with foliate motifs, showing a single full width drawer over a fall front panel opening to a baize-lined writing surface together with pigeon-hole compartments & small drawers, the base showing twin cupboard doors fronting a shelved interior. Holland, circa 1840. Dimensions, 93” h x 56” w x 19” d.
Estimation 2,000-3,000 $
A Persian Turkoman Tekke rug, mid 20th century, showing three rows of repeating geometric gulls in ivory, black & orange against a dark crimson field, bordered with traditional motifs & patterned ends, measuring 75” x 53”.
CENTURY SERPENTINE CHEST OF DRAWERS
Estimation 3,000-4,000 $
18TH130
A serpentine chest of drawers, the richly figured mahogany case showing a serpentine shaped top above four tiers of conforming drawers with highly figured fronts, original locks & later brass ring pulls, raised overall on splayed ‘French’ bracket feet spanning an undulating skirt. English, Hepplewhite period, circa 1780.
68
Estimation 400-600 $
PERSIAN129
Measuring 37.75” h x 22.75” d x 39” w.
TURKOMAN TEKKE RUG
A Persian Turkoman Tekke rug, early / mid 20th century, showing two rows of traditional Tekke gul designs in cobalt, tan & white outlined in white, against a crimson field with traditional borders and zig-zag design ends, measuring 57” x 31”.
Estimation 500-700 $
18TH132
CENTURY GEORGIAN CHEST ON CHEST
A Turkoman Bokhara rug, mid 20th century, showing five rows of traditional Tekke gul designs in cobalt & tan outlined in white against a crimson field, the borders with sunburst motifs & latch hook ends, measuring 60” x 37”.
69
TURKOMAN131
Estimation 2,400-3,400 $
BOKHARA RUG
A Georgian chest on chest, the restored walnut case, showing two short drawers over three tiers of graduated full drawers, surmounting a base fitted with three tiers of graduated full width draw ers, all with figured drawer fronts, later brasses & locks, raised overall on bracket supports, one bail handle missing. English, circa 1760. Dimensions, 64.5” h x 43.5” x 24.75” d.
Persian Silk Tabriz Mat, last quarter 20th century, extremely finely knotted silk on silk, showing an ivory central medallion within an a red octagonal cartouche, decorated overall with flowering vines in blue, green & tan within a border of flower heads & vinery, measuring 53” x 32”.
Estimation 700-900 $
TABRIZ CARPET
PERSIAN134
70
PERSIAN135
SILK PRAYER RUG
Estimation 1,500-2,000 $
A Persian silk prayer rug, mid / late 20th century, extremely finely knotted silk on silk, showing a tan Mihrab supporting a hanging lamp (inferring the way to enlightenment), flanked by columns & centered by a flowering urn (Tree of Life) all within a broad indigo border with repeating palmette motifs, measuring 77” long x 53” wide.
Estimation $
PERSIAN133
SILK TABRIZ MAT
A Persian Tabriz carpet, last quarter 20th century, decorated overall with foliate sprays & vinery in shades of tan, russet & black against an ivory field and centred by a petal-shaped cartouche, all within a border of repeating petal shaped motifs, measuring 87” x 54”.
STERLING FLATWARE
BIRKS136
A Napoléon III gilt bronze mantel clock, mid / late 19th century, the eight-day movement striking on the full & half hour signed Raingo Frères A. Paris, the white enamel dial showing Roman numerals and also signed Raingo Frères A. Paris, set beneath the patinated bronze figure of a recumbent classical maiden, raised overall upon a finely cast gilt bronze base signed H. Picard for Henri Picard (1840-1890). Dimensions, 13.75” high x 20.75” wide x 7.75” deep. In working condition when catalogued but requires minor adjustment. (The firm of Raingo Frères was established in 1823 and exhibited at some of the most prestigious exhibitions during the late 19th century, winning the Gold Medal at the 1889 Paris Exposition Universelle).
Birks sterling flatware consisting of twenty two pieces in the ‘Queens’ pattern comprised of nine luncheon forks (7” long), nine salad / cake forks (6.25” long), one coffee spoon (5.25” long), one cream soup spoon (6.5” long), one luncheon knife (8.75” long), one butter spreader (6.7/8” long), maker’s marks on underside. Canadian, early / mid 20th century. Weighable silver, 950 grams.
Estimation 500-700 $
III GILT BRONZE MANTEL CLOCK
NAPOLÉON137
71
Estimation 2,500-3,500 $
72 RAOUL138 HYNCKES (1893-1973) DUTCH Raoul Hynckes, “Gebroken Pot”, oil on canvas, signed lower right, labeled verso with title and owners’ name, 23.25” h x 33” w. Provenance: Van Leeuwen Family, Ottawa. Estimation 8,000-11,000 $
Estimation 4,000-6,000 $
GANDOLFI (1734-1802) ITALIAN
73
GAETANO139
Gaetano Gandolfi, (double sided), seated nude man recto, nude man with staff verso, graphite on watermarked paper, watermark GS under an anchor within a circle surmounted by a star, heavy frame, 17” h x 12” w. Provenance: Important Montreal Collection. Note: Gaetano Gandolfi was born to a family of artists outside of Bologna in 1734. Gaetano was one of the most prominent artists in his family, along with his brother Ubaldo. Gaetano studied under Felice Torelli and Ercole Lelli at the Accademia Clementina in Bologna. In this double-sided graphite on watermarked paper, Gandolfi demonstrates his allegiance to Lelli’s methods of anatomical figural studies. Lelli, unlike other teachers of his time, taught using wax models and prints which explain the precise nature of Gateano’s figural drawings. Together, the Gandolfi brothers made up the predominant artistic influence in late eighteenth-century Bologna, and because of their prolific output and their activity as teachers, reverberations of their strong stylistic identity were evident throughout North Italy.
P. SCHOTEL (1890-1958) DUTCH
74
Anthonie Pieter Schotel, (untitled) heading out, oil on canvas, signed lower left, 31.25” h x 39” w Provenance: Van Leeuwen Family, Ottawa.
Estimation 3,000-5,000 $
ANTHONIE140
75
ALBERT141
CUYP (1620-1691) DUTCH
Albert Cuyp, (untitled) graceful barnyard, large oil on canvas, signed lower right, 35” h x 50.5” w. Provenance: Prominent Montreal gentleman. Note: Albert Cuyp’s graceful barnyard work is likely one of the last grand paintings of his life. Once Cuyp married in 1658, his artistic career gradually came to a halt. In the early 1650s, Cuyp transitioned away from landscape painting and created many large-scale works that focused on foreground figures. Here, Cuyp depicts various large scale barnyard duck & birds which are highlighted by his masterful use of the full chromatic scale of twilight colours. The application of light brown and straw yellow tones, which Cuyp learned early on in his career from the prolific Dutch painter Jan van Goyen, give the subjects an added depth and luminosity that sets Cuyp’s work apart from his contemporaries.
Estimation 12,000-15,000 $
76
Estimation 4,500-6,500 $
HENRI142
Henri Flaud, auto-portrait, oil on canvas, signed lower right. French, late 19th century. 35.75” h x 28.25” w. Note: Henri Flaud was a painter from Yonne in Bourgogne. Provenance: Owner bought this painting from his granddaughter.
FLAUD (19TH CENTURY) FRENCH
CENTURY FRENCH FAUTEUIL DE BUREAU
SCHOOL PAINTING, FRENCH, 18TH CENTURY
18TH144
EUROPEAN143
European school, (untitled) picnic in the forest, early artist board, remnants of wax seal, unsigned. French, 18th century, 9.5” h x 15.5” w.
77
A fauteuil de bureau, the leather upholstered walnut frame showing a gondola shaped back with cascading armrests and carved grips, over a leather upholstered seat raised on four supports fronted by a median leg, all decorated with foliate & honeysuckle carved motifs terminating to foliate carved feet, repairs to supports. French, mid / late 18th century. Measuring 36.5” high (seat height 19”) x 26.5” wide x 26” deep.
Estimation 2,000-3,000 $
Estimation 1,000-1,500 $
OF FRENCH GILTWOOD FAUTEUILS
PARCEL GILT BRONZE MANTEL CLOCK
EMPIRE145
78
A pair of Louis XVI style giltwood fauteuils. France, circa 1900. Photos & measurements will be posted as soon as possible.
Estimation 900-1,200 $
Estimation 800-1,000 $
PAIR146
An Empire parcel gilt bronze mantel clock, having an eight- day movement with Brocot silk suspension pendulum, striking on the full & half hour, the back plate stamped HC 1558, encased within a patinated bronze case surmounted by a gilded urn finial above the dial with traces of Roman numerals within a gilt guilloche surround, the case further decorated with gilt bronze appliqués & moldings, raised overall upon gilded front supports & block rear supports. Areas of rubbing to gilt, missing numerals & key, not in running condition. French, circa 1800. Dimensions, 15.75” high x 7” wide x 4” deep.
Estimation 1,200-1,500 $
Estimation 3,000-5,000 $
79 ART147
FRANÇOIS148
DECO TERRACOTTA FIGURE
François Gall, (untitled) ballerinas in yellow dresses, oil on canvas, signed lower right, 21” h x 15” w.
An Art Deco terracotta figure, the moulded & patinated terracotta figure of an outstretched & backward reclining nude young woman atop a molded oval plinth base, signed in script JANLI, stamped on the reverse TERRE CUITE D’ART, minor surface abrasions. French, circa 1930. Measuring 15.75” high x 29” wide x 6.75” deep. Note: ‘Janli’ was a pseudonym used by French Art Deco sculptor Jean Lemoine.
GALL (1912-1987) FRENCH
A Victorian sterling ‘Amada’ claret jug, hallmarked London 1892 with maker’s marks for Martin, Hall & Company, the globular body richly decorated with embossed foliate motifs & applied relief-cast winged figures, fronted by a leopard head in high relief, the neck embossed with classical motifs of acanthus leaves & honeysuckle pendants, rising to a spout fitted with a hinged lever-activated lid affixed to the handle. Height, 14.25”. Weight 1,352 grams.
BOUSSARD (1915-1989) FRENCH
80
JACQUES149
VICTORIAN150
Estimation 800-1,200 $
Jacques Boussard, (untitled) the chair, oil on board, signed lower right, unframed, 25.5” h x 19.75” w.
STERLING ‘AMADA’ CLARET JUG
Estimation 1,800-2,500 $
David Andersen sterling serving utensils consisting of eleven pieces in the ‘Floriform’ pattern, comprised of a pie-lifter (9.25”), serving fork (8.75”), fish server (9.5”), serving spoon (7.25”), sauce ladle (6.25”), three pickle forks (5.5”), condiment spoon (5”), and petit-four server (5.5”). All with maker’s marks & sterling marks. Norway, circa 1925 - to present. Combined weight 631 grams.
Estimation 500-700 $
LEBLANC (20TH CENTURY) FRENCH
Estimation 700-900 $
DAVID153
ANDERSEN STERLING SERVING UTENSILS
SIBEL152
Estimation 1,500-1,800 $
A Lalique France glass ‘Mésanges’ centre bowl, the moulded mésanges pattern bowl showing a faceted body rising to a rim decorated with a frosted band of chickadees moulded in low relief, the underside signed with etched script signature ‘LALIQUE FRANCE’, circa 1930. Measuring 3.75” h x 10” diameter.
LALIQUE151
GLASS ‘MÉSANGES’ CENTRE BOWL
81
Sibel Leblanc, (untitled) a beautiful day, oil on canvas, signed lower right, 17.75” h x 21.25” w.
REGENCY PERIOD MARQUETRY CHAIRS c. 1890
A Regency period Dutch marquetry games table, the folding table profusely decorated with flowers and bows, the decoration extending to the tapered legs, the top opening to reveal a felt pad supported by two gate legs, allowing the entire table to fold to about 4 inches in diameter. Measuring 29.75” h x 41.5” diameter (open). C.1790
Estimation 800-1,200 $
Estimation 600-900 $
Four Regency period shield back marquetry chairs, two fauteuil and two side chairs, each mahogany chair beautifully decorated showing pineapples, urns and bellflower, the decoration extending to the legs, that terminate with spade feet. Measuring 38” h (top or rail) x 20” (seat at widest) x 18” floor to seat. C.1810
FOUR153A
82
REGENCY153B PERIOD DUTCH MARQUETRY TABLE c. 1790
Estimation 400-500 $
FRENCH156
French School, (untitled) colourful sails, oil on canvas, unsigned, circa 1950, 25.5” h x 32” w.
Estimation 600-900 $
Estimation 500-700 $
Paul Auguste Perrelet, (untitled) deux petits enfants à la plage, oil on canvas, signed lower right, 12.25” h x 15.5” w.
83
AUGUSTE PERRELET (1872-1965) FRENCH
SCHOOL, OIL ON CANVAS, SAILS, CIRCA 1950
GEORG154
JENSEN STERLING UNDER PLATE
A Georg Jensen sterling under plate of circular form with a welled centre & recessed rim, the underside with maker’s marks, silver marks & designer marks for Harald Nielsen (working 1926-55). Danish, mid 20th century. Measuring 11” diameter, weight 536 grams.
PAUL155
LALIQUE157
A Lalique France glass ‘Royat’ vase, the moulded pattern body decorated with alternating clear & frosted panels rising to a rim with protruding notched elements, the underside signed in partial stencil etched script ‘LALIQUE FRANCE’. Circa 1936. Measuring 6.25” h x 8” diameter.
Estimation 350-450 $
LALIQUE158
FRANCE GLASS
A Lalique France glass ‘Bagatelle’ vase, the moulded pattern body decorated with frosted chickadees in recessed roundels surrounded by foliate motifs rising up to a clear rim, the underside with etched signature ‘LALIQUE FRANCE’. Circa 1939. Measuring 6.75” h x 4.3/8” diameter.
‘ROYAT’ VASE
84
Estimation 900-1,200 $
FRANCE GLASS ‘BAGATELLE’ VASE
NORWEGIAN160
85 MAX159
Estimation 900-1,200 $
Estimation 400-600 $
SILVER UTENSILS
MOREAU (1902-1992) BELGIAN
Max Moreau, (untitled) Café Express Paris, oil on canvas, signed lower left, 19.5” h x 23.5” w.
Two groups of silverware, early / mid 20th century, consisting of seven sterling items in assorted patterns by various makers, comprised of three butter spreaders, sugar tongs, sauce ladle & hors d’oeuvre lifter, together with a British sterling sugar sifter hallmarked Birmingham 1893, with a combined silver weight of 159 grams, together with six (.800 fine) items in assorted patterns by various makers, comprised of a sugar shovel, cream scoop, pie lifter, pickle fork, sauce ladle & condiment spoon, with a combined silver weight of 183 grams
‘VOLUTES’ BOWL & PLATE
Estimation 1,200-1,500 $
R. Lalique France glass ‘Volutes’ bowl & plate, circa 1934- 1947, the moulded opalescent bodies decorated with swirling lines of roundels, the reverse with a hobnail-like surface, the bowl measuring 3.25” h x 8” diameter, the plate measuring 11” diameter, both with stencil etched signatures ‘R LALIQUE FRANCE’.
A Lalique France glass ‘Elizabeth’ bowl, the moulded pattern body decorated with protruding frosted motifs of chickadees against a field of leafy vines, raised on a short stem atop a squared base, signed in etched script on the underside ‘LALIQUE FRANCE’. Circa 1978. Measuring 5.25” h x 5.25” diameter.
R.162LALIQUE
86
LALIQUE161
‘ELIZABETH’GLASSBOWL
Estimation 250-350 $
FRANCE GLASS
87
A Murano glass tusk sculpture, the naturalistically modelled glass tusk exhibiting ‘ivory like’ striations and having a matte surface overall, one end fitted with a silver cap bearing marks for Venezia & silver marks denoting (.800 fine), the front inscribed & signed in script ‘Murano 2000, Alberto Dona - Paolo Barbiero, No. 1’. The reference to ‘No.1’, along with the fact that no other examples of this design were discovered at the time of cataloguing strongly suggests that this was quite likely an experimental piece, thereby being it relatively quite rare. Italian, mid 20th century. Length, 37” (minus base).
CENTURY MODERN MURANO GLASS FIXTURE
MURANO163
Estimation 700-900 $
A mid century modern four-tier Murano glass light fixture, each triangular shaped drop with concave form hung from a plated fixture, condition: some drops replaced, circa 1960, measuring 11.5” (longest drop) x 14” diameter.
Estimation 3,000-5,000 $
GLASS TUSK SCULPTURE
MID164
Estimation 300-500 $
Estimation 600-800 $
CARTIER167
Dimensions 3.75” h x 2.7/8” w.
BAROVIER166
Estimation 400-600 $
& TOSO MURANO GLASS VASE
88
A Tiffany & Co. silver (.925) cigarette box with date mark for 1907-1947, the lid bearing inscription, “To Colonel Owen, Wishing you & Mrs Owen every luck through life, (signed) David Lloyd George, November 3, 1923” (David Lloyd George, 1st Earl Lloyd-George of Dwyfor, OM, PC, was Prime Minister of the United Kingdom from 1916 to 1922), opening to a cedar lined interior, the underside bearing impressed silver & maker’s marks, early 20th century. Measuring 2” h x 6.25” w x 4” d. Overall weight, 488 grams.
PARIS TRAVELLING ALARM CLOCK
A Cartier Paris travelling alarm clock, the tankstyle enamelled & gilt metal case housing a battery operated Swiss quartz movement, fronted by a white enamelled face with blackened Roman numerals and marked CARTIER PARIS, SWISS MADE, the back fitted with a folding easel foot, minor surface wear, un-tested at time of cataloguing. Late 20th century.
TIFFANY165
& CO. SILVER CIGARETTE BOX
A Barovier & Toso Murano glass vase, the flaring red & gold striated ‘cordonato d’oro’ body rising from a lobe shaped base to a scalloped rim, sided by gold flecked petal & blossom shaped elements (minor losses noted), the underside retaining its original paper label. Italian, mid 20th century. Measuring 9.5” h x 9” w x 4.75” d.
89 ROLEX168
Estimation 12,000-15,000 $
OYSTER PERPETUAL MILGAUSS WATCH
A Rolex Oyster perpetual Milgauss, the green crystal (introduced in 2007) is made of a virtually scratchproof synthetic sapphire, the orange second hand shaped like a lightning bolt, with the Z blue dial - exclusive electric blue that is only available on this Rolex model. This masterpiece is in excellent condition with the original bracelet. Serial numbers: 771T9775 and 16400, verified by Rolex Ottawa dealership.
90 MEN’S169
OYSTER PERPETUAL DATE SUBMARINER WATCH
A gentleman’s Rolex Oyster Perpetual Date Submariner watch, silvered dial with diamond dot hour markers and sapphire quarter hour makers, date aperture at three with 2.5x cyclops lens. Stainless steel case fitted to a yellow gold and stainless steel link Oyster bracelet with Oysterlock clasp. 40 mm, bracelet signed. Excellent condition. Provenance: An Ottawa gentleman. Serial numbers: y605865 & 16613, verified by Rolex Ottawa dealership.
Estimation 10,000-12,000 $
91 JEAN170
MURANO171
Estimation 900-1,200 $
Estimation 400-600 $
A Murano Seguso Torchon glass frame, the rope moulded glass frame showing a reeded bronze fillet, the reverse retaining its original factory foil label SEGUSO MURANO with production number, the reverse fitted with a hinged brass easel foot stamped ‘Seguso Vetri d’Arte Murano’, and backed by a wooden panel with remnants of old paper labels. Italian, mid 20th century. Measuring 8.75” high x 6.5” wide.
A Jean Marais ceramic ‘Aigle’ vase, the stylized eagle-shaped terracotta body decorated overall with a matte silver / brown tin glazed surface, signed on the tail feathers in script ‘Jean Marais’ for French actor, director, sculptor & photographer, Jean-Alfred Villain-Marais (19131998). France, circa 1970. Height, 13.25”.
SEGUSO TORCHON GLASS FRAME
MARAIS CERAMIC ‘AIGLE’ VASE
Estimation 5,000-7,000 $
92 CARLO172
A Carlo Parlati sculpture, ‘Venus Rising from the Sea’, depicting the sea goddess bearing a sea shell upon her head, sculpted with fine features & long trailing tresses, raised upon a mound of pyrite crystals atop an abalone panelled onyx base, signed PARLATI for Carlo Parlati. Naples, Italy, mid / late 20th century. Measuring 6” high (width of base is 3.25” at its largest, and 2.25 at the narrowest.). Note: Examples of the artist’s work are on permanent display at the Museo Liverino in Torre del Greco, Naples.
PARLATI (1934-2003) ITALIAN
STYLE GOLD BROOCH WITH GEMSTONES
PORTRAIT175
SHELL CAMEO BROOCH
A good portrait shell cameo brooch carved in high relief set in a 10kt yellow gold frame, weighing 8.3 grams.
A good portrait shell cameo brooch stamped 14kt yellow gold weighing 13.0 grams, carved in high relief, accented by a 3.11mm pearl set in the centre of a bell flower.
Estimation 450-600$
Estimation 1,400-1,800 $
SHELL CAMEO BROOCH
MODERN173
A diamond, ruby and sapphire brooch stamped 18kt yellow gold weighing 8.3 grams. The modern stylized brooch is set with five diamonds measuring approximately 2.27mm, five rubies measuring approximately 2.09mm, and five sapphires measuring approximately 2.25mm.
Estimation 350-550 $
PORTRAIT174
93
A very good pendant / brooch layered agate portrait cameo, high relief of a classical figure with a 14kt yellow gold frame decorated with a key stone design, weighing 18.3 grams, signed by the artist.
GOLD177
Estimation 2,000-3,000 $
RELIEF PENDANTCAMEO BROOCH
Estimation 600-900 $
A seven-inch long gold link bracelet in 14kt yellow gold “Birks”, weighing 27.3 grams. The bracelet is claw set with eleven round rubies each measuring approximately 2.74mm.
94
HIGH176
LINK BRACELET WITH RUBIES
Estimation 3,000-5,000$
Estimation 1,200-1,600 $
95
& DIAMOND WHITE GOLD BRACELET
OF CITRINE & DIAMOND DROP EARRINGS
A pair of citrine and diamond drop earrings in 14kt yellow and white gold weighing 7.5 grams. Set with the following stones: two pear shaped madera citrines measuring approximately 16.3mm x 11.06mm, two marquise shaped diamonds weighing approximately 0.08ct, two marquise shaped diamonds weighing approximately 0.05ct each, and twelve round diamonds weighing approximately 0.04ct each.
PAIR178
SAPPHIRE179
A sapphire and diamond bracelet stamped 18kt white gold weighing 15.3 grams. Four sections are set with four oval sapphires measuring approximately 4.0mm x 6.0mm. Each sapphire section accented by five round diamonds, 2 x 0.02ct and 3 x 0.03ct weighing approximately 0.50ct in total. Five segments are set with tapered baguette cut diamonds measuring approximately 1.20mm x 1.89mm to 1.80mm x 2.40mm weighing approximately 1.0ct in total.
SAPPHIRE180
Estimation 4,500-6,500 $
96
A sapphire and diamond necklace stamped 18kt white gold weighing 30.9 grams, the seven sections are set with oval sapphires measuring approximately 4.88mm x 6.50mm, and six measuring approximately 3.9mm x 5.9mm. Each sapphire section accented by five round brilliant cut diamonds; 2 x 0.02ct and 3 x 0.03 ct, having a total approximate weight of 0.80ct. Eight segments are set with tapered baguette cut diamonds measuring approximately 1.20mm x 1.89mm to 1.80mm x 2.40mm weighing approximately 1.60ct total.
& DIAMOND WHITE GOLD NECKLACE
A man made gold inget (nugget) pendant in 14kt yellow gold weighing 9.2 grams, set with one round diamond weighing approximately 0.035ct.
Estimation 500-700 $
97 GOLD181
PLATINUM182
A bar pin brooch stamped 18kt yellow gold weighing 8.1 grams, the brooch is bezel set with one round citrine measuring approximately 12.3mm.
An Art Deco jabot pin in platinum weighing 4.0 grams, the pin is set with two round diamonds weighing approximately 0.11ct each of “SI1-2” clarity and “G” colour, twelve calibre cut paste sapphires, and fourteen round S/C diamonds weighing approximately 0.155 ct in total.
Estimation 1,500-2,000 $
BAR PIN BROOCH
INGET PENDANT
GOLD183
Estimation 800-1,200 $
JABOT PIN WITH GEMSTONES
Estimation 300-400 $
A layered agate portrait cameo stick pin in 14kt yellow gold weighing 3.4 grams.
CHAIN WITH MADERA CITRINE PENDANT
GOLD186
One diamond ring in 14kt/18kt yellow and white gold weighing 4.3 grams. The ring is set with one round diamond weighing approximately 0.25ct of “SI1” clarity, and “H-I” colour.
Estimation 600-900$
Estimation 400-550 $
DIAMOND RING
AGATE PORTRAIT CAMEO
98
LAYERED184
A citrine necklace stamped 9kt yellow gold suspended on a 16.5 inch link chain in 14kt yellow gold weighing 5.0 grams in total. Set with one oval madera citrine measuring approximately 13.92mm x 9.8mm.
GOLD185
99 GOLD187
Estimation 10,000-15,000 $
EMERALD & DIAMOND RING
An 18k white and yellow gold emerald and diamond ring. Claw Set with a faceted emerald that measures approximately 13.89 x 11.84 x 7.61 mm, and has an estimated weight of 6.75cts. This emerald is type III SI clarity and has a bright yellowish green colour. Bezel set on the shoulders are two brilliant cut diamonds measuring approximately 4.78mm in diameter and have an estimated weight of approximately .47cts each. The diamonds are SI2-I2 in clarity and H-I in colour. Total weight of the ring is 14.30 grams.
100
LINK BRACELET
An opal and diamond ring cast in 14kt white gold, weighing 15.3 grams. The ring is set with one freeform triangular opal measuring approximately 14.19mm x 10.3mm x 21.19mm x 12.42mm, surrounded by round brilliant cut diamonds of “VS2” clarity and “H-I” colour, weighing approximately as follows: 5 x 0.06ct., 10 x 0.05ct., and 14 x 0.025ct., total approximate weight, 1.15ct.
Estimation 3,500-4,5000 $
GOLD189
A seven-inch long gold link bracelet in 14kt yellow gold weighing 25.0 grams, each link is set with one seed pearl, twelve pearls in total, with a safety chain.
Estimation 1,500-2,500 $
OPAL188 & DIAMOND RING
Estimation 500-700 $
A silver articulating dragonfly brooch with enamel decoration, stamped silver.
An iridescent scarab brooch set with gemstone eyes, stamped with a clover on the end of the clasp, set within gold wash filigree, measuring 1.75” long x .75” wide.
SCARAB190
101
BROOCH
SILVER191
BROOCHDRAGONFLY
Estimation 200-300 $
Salvador Dali, “Divine Comedy Purgatory Canto 24”, lithograph in colours, numbered 33 / 1000 in pencil lower left, signed in the plate lower right, circa 1965, 13” h x 10.25” w.
A Baume & Mercier Swiss wrist watch for Tiffany & Co., Serial no. 4411891 (65433), with a secondary bracelet, Tiff box and B&M booklet.
102
BAUME192 & MERCIER SWISS WRIST WATCH
Estimation 400-600 $
Estimation 500-700 $
DALI (1904-1989) SPANISH
SALVADOR193
SALVADOR194
Salvador Dali, “The Divine Comedy of Dante - Purgatory Canto 10”, lithograph in colours, numbered 33 / 1000 in pencil lower left, signed in the plate lower middle, circa 1965, 13” h x 10.25”
103
DALI (1904-1989) SPANISH
Estimation 500-700 $
DALI (1904-1989) SPANISH
SALVADOR195
Estimation 500-700 $
Salvador Dali, “Hell Canto 32, from The Divine Comedy of Dante”, lithograph in colours, numbered 33 / 1000 in pencil lower left, signed in the plate lower middle, circa 1965, 13” h x 10.25” w.
104
DALI (1904-1989) SPANISH
Estimation 500-700 $
DALI (1904-1989) SPANISH
Salvador Dali, “Purgatory Canto 12 from The Divine Comedy of Dante”, lithograph in colours, numbered 33 / 1000 in pencil lower left, signed in the plate lower middle, circa 1965, 13” h x 10.25” w.
Salvador Dali, “Purgatory Canto 4 from “The Divine Comedy of Dante”, lithograph in colours, numbered 33 / 1000 in pencil lower left, signed in the plate lower middle, circa 1965, 13” h x 10.25” w.
Estimation 500-700 $
SALVADOR196
SALVADOR197
PAIR SILVER PLATED ENTRÉE DISHES
PLATED SERVING TRAY
A Canadian silver plated serving tray, the rectangular shaped body engraved with foliate & scroll motifs terminating to open handles, raised on four leafy supports, factory marks on underside. By Z. Auerbach & Co., early / mid 20th century. Measuring 2.75” high x 27” w x 9.5” d.
Estimation 250-350 $
A silver plated soup tureen & ladle, the bellied body embossed with foliate detail and sided by open handles, the matching lid engraved with a heraldic crest and fitted for the associated ladle, raised overall upon a stepped foot, the underside with factory plate marks for Elkington & Co. British early 20th century. Measuring 10” h x 15.75” w x 9.5” d.
A near pair silver plated entrée dishes, early 20th century, both bodies with domed lids engraved with foliate detail & raised on lion’s paw feet, factory marks on underside, one measuring 7.75” h x 13.25” w x 10.25’ deep (by Z. Auerbach & Co.) the other measuring 7” h x 13.5” w x 10.5” d (by Birks).
Estimation 500-700 $
SILVER199
105 NEAR198
PLATED SOUP TUREEN & LADLE
SILVER200
Estimation 400-600 $
A Portuguese silver fruit bowl, mid 20th century, bearing city mark for Porto, and silver mark for .833 fine, the scalloped interior rising to a richly embossed rim of foliate & scroll motifs, raised upon a circular foot, measuring 2.75” high x 11” diameter. Weighing 393 grams.
106
Estimation 400-600 $
MINERAL SPECIMEN
PORTUGUESE202
NATURAL201
SILVER FRUIT BOWL
A natural mineral specimen, possibly Muscovite mica, mid / late 20th century, braced & mounted upon a brass plinth base, measuring 15” h x 9” w x 5” d. Provenance: Brownstein Family of Montreal.
Estimation 400-600 $
CENTURY GEORGE III STERLING COFFEE URN
Estimation 1,800-2,500 $
PORCELAIN DESSERT SERVICE
Estimation 700-900 $
VICTORIAN204
107 18TH203
A Victorian porcelain dessert service consisting of twelve plates measuring 9.25” diameter, together with two pairs of comports raised on dolphin grotesques, one pair measuring 5.25” high, the 2nd pair measuring 7” high, all with turquoise & enamelled borders highlighted with gilt, the central fields decorated with various hand-painted topographical views (Warwick Castle, Tantallon Castle, Approach to Killarney, Ross Castle Killarney, Cromarty Bay, Oakhampton Castle, Lock Lomond, Buttermere, Kilchurn Castle, Loch Leven, Sugar Loaf Mountain, The Clyde, Hawthornden, Dartmouth Castle). A few areas of minor rubbing, the reverse of each surface titled in painted script together with pattern #1855. British, circa 1890.
An 18th century George III sterling coffee urn, hallmarked London 1783 (maker’s marks rubbed), the lidded urn-shaped body engraved with neoclassical motifs of swags of honeysuckles surrounding a monogrammed cartouche, sided by reeded kylix handles with acanthus leaf mounts & fronted by a reeded spigot, raised upon a squared base atop four ball shaped feet, the underside & lid with stamped hallmarks. Height, 14.5”. Weight 1,248 grams (40 troy ounces).
V IRISH STERLING SALTS
Note: Ludwig Sturm (1844-1926) was a well known porcelain painter working in Berlin, then became the Painting Supervisor at Meissen in 1880, and then later Artistic Director in 1898.
108
PORCELAIN PORTRAITS
Two Dresden porcelain portraits, both handpainted portraits of young women portrayed in partial profile, framed within a carved gilt-painted wood frame, the reverse showing open lozenges stating numbers #2655 & #2656, dated 1885 and signed L. Sturm. Germany, mid 19th century. Plaque dimensions 4.75” h x 3.75” w (sight), frame dimensions 9.75” h x 12.75” w.
Estimation 600-800 $
Estimation 500-700 $
GEORGE205
A set of four George V Irish sterling salts, hallmarked Dublin 1916 with maker’s marks for West & Son, all of substantial bellied form & raised on applied lions’ mask supports atop twin paw feet, replete with their original matching spoons, fitted within their satin & velvet lined presentation case (distressed exterior). Combined weight of 474 grams.
DRESDEN206
Estimation 1,200-1,400 $
PERSIAN208
OF EARLY 19TH CENTURY ARMCHAIRS
A Persian Tabriz carpet, last quarter 20th century, decorated overall with flowering vines against a cobalt field centred by a petal-shaped tan medallion, the broad border with repeating flower heads & vinery, both measuring 140” x 98”. (one of two identical rugs)
A pair of early 19th century armchairs, both diminutive beechwood frames showing oval backs & carved openwork splats, sided by outswept armrests over caned seats, raised on outswept front supports & rear stile supports, decorated overall with hand-painted floral & foliate detail, areas of restoration noted, wormholes. Continental, circa 1800. Dimensions, 35.5” high (seat height 14.5”) x 24.5” wide x 18” deep.
TABRIZ CARPET
109 PAIR207
Estimation 1,500-2,000 $
KERMAN CARPET
TABRIZ CARPET
Estimation 1,500-2,000 $
INDO210
An Indo Kerman carpet, mid 20th century, showing a multi-coloured diamond shaped medallion within an ivory cartouche, surrounded by foliate & floral motifs in pastel shades of mint green, rose & pink, all within a broad border of flowerheads & vinery, measuring 138” x 123”.
110
A Persian Tabriz carpet, last quarter 20th century, decorated overall with flowering vines against a cobalt field centred by a petal-shaped tan medallion, the broad border with repeating flower heads & vinery, both measuring 140” x 98”. (one of two identical rugs)
Estimation 1,200-1,800 $
PERSIAN209
AYNSLEY212
An Arts & Crafts picture frame, the silvered castmetal frame depicting a fox attempting to rob a bird’s nest with the mother bird descending from above, fronting a bevelled glass panel backed with an adjustable hinged easel mount. English, circa 1890. Measuring 18.5” h x 10.5” w.
111 ARTS211
Estimation 350-450 $
Aynsley porcelain part dinner service, English circa 1987 (discontinued), consisting of 81 pieces in the ‘Empress White’ pattern, including 12 dinner plates (10.5”), 12 luncheon plates (8.25”), 11 side plates (6.3/8”), 12 tea cups & 12 saucers, 11 bouillon cups and 12 bouillon saucers. English, circa 1987 (discontinued).
& CRAFTS PICTURE FRAME
PORCELAIN PART DINNER SERVICE
Estimation 900-1,200 $
CARVED CURIO CABINET
112
A Japanese lacquer inro, Meiji Period (18681912), the mixed metal brown lacquered ‘urushi’ wood case constructed in five segments, with natural material ojime & netsuke signed. CITES rules may apply.
JAPANESE214
Estimation 2,000-3,000 $
Estimation 1,000-1,500 $
LACQUER INRO
An Oriental carved curio cabinet, Japanese Taisho Period (1912-1926), the carved & pierced pediment of a dragon above a series of staggered open shelves, decorated overall with relief carved elements of flora & fauna, the base fitted with three small drawers and raised overall upon four robust, carved supports. Dimensions, 93” h x 56” w x 19” d.
ORIENTAL213
Estimation 800-1,200 $
JAPANESE215
ENAMELLED PORCELAIN VASE
Four cinnabar boxes, Chinese early / mid Republic Period (1912-1949), all of rectangular form with detachable lids, one with an oval cartouche measuring 2.25” h x 6” w x 4” d, one with a rectangular cartouche measuring 2” h x 5.5” w x 3.75” d, one with a carved figure of Guanyin measuring 1.75” h x 5.5” w x 3.75” d., and one with a pierced translucent medallion measuring 1.75” h x 4” w x 2.75” d.
113
Estimation 500-700 $
FOUR216
CINNABAR BOXES
A Japanese enameled porcelain vase, early / mid 20th century, the ovoid shaped body with an egg yolk yellow enamelled field, decorated overall with hand-painted celestial motifs together with a panorama vignette of villagers making offerings to Shoki The Demon Queller, the vases base & shoulders decorated with painted palmette motifs, the underside with green character marks. Measuring 12” high.
PAIR217
114
Estimation 500-700 $
Estimation 500-700 $
OF CHINESE CINNABAR PLATES
BLANC-DE-CHINE218 PORCELAIN BUDDHA
A Blanc-de-Chine porcelain Buddha, Chinese Republic Period (1912-1949), depicting Buddha seated in the lotus position upon a lotus petal shaped base, his left hand held up in Karana Mudra (to expel demons), while holding a conical vessel in his right hand, impressed marks on reverse for Dehua, interior firing cracks. Measuring 12.5” high.
A pair of Chinese Cinnabar plates, Chinese Republic Period (1912-1949), both showing stratified garden vignettes with figures & structures, rising to petal-shaped borders with brass trim, the reverse showing brass lozenges with embossed characters, minor losses. Measuring 9” diameter.
SOAPSTONE CARVING
CHINESE219
Estimation 3,500-4,500 $
A Chinese soapstone carving, Chinese Republic Period (1912-1949), depicting an old fisherman standing upon a rocky mound while holding a carp, mounted atop a carved contrasting brown soapstone base, measuring 9.5” high (12.25” including base).
A lavender jade carving of Guanyin, Chinese early 20th century, the flatback figure of Guanyin shown with a meditative expression & hair in high chignon framed against an oval stele, attired in flowing robes while holding a lotus blossom in one hand, to her right a child is shown standing on one leg atop a lotus blossom, measuring 13.5” high.
LAVENDER220
JADE CARVING OF GUANYIN
115
Estimation 200-300 $
A large format Chinese white jade belt hook, early / mid Republic Period (1912-1949), the hook carved in the form of a stylized chilong striding towards the carved head of a large chilong, the reverse carved with a large oval button, measuring 2” high x 7.5” long. This piece has been examined under a specialized microscope used to determine the authenticity of jade.
VERMILLION221
A large uncarved section of vermillion branch coral, measuring 8” high x 8” wide.
116
Estimate: 4,500-5,500 $
CHINESE222
Estimation 500-700 $
BRANCH CORAL
WHITE JADE BELT HOOK
A Chinese serpentine Qilin, late Republic Period (1912-1949), shown standing atop a conforming & finely carved & pierced wooden base, dimensions 5.5” high x 5” wide, (7.25” high including base).
CHINESE224
Estimation 400-600 $
SERPENTINE QILIN
CHINESE223
SERPENTINE VESSEL
A Chinese serpentine vessel, mid to late Republic Period (1912-1949), carved in the form of a recumbent ram with a hollowed body fitted with an oval shaped jade stopper, measuring 4” high x 5.75” wide.
Estimation 400-600 $
117
CHINESE225
Estimation 500-700 $
SERPENTINE FIGURE OF GUANYIN
CENTURY CERAMIC FOO DOG
18TH226
A ceramic food dog, Chinese Qing Period, shown standing atop a moulded squared plinth base, losses & cracks, measuring 9.5” h x 7” w x 3.25” d.
Estimation 500-700 $
A Chinese serpentine figure of Guanyin, late Republic Period (1912-1949), the carved translucent figure of Guanyin shown standing while holding lotus blossoms in both hands, mounted atop a carved & pierced wooden base, measuring 10.25” high (including base).
118
119 GILT227
Estimation 500-700 $
Estimation 600-900 $
A lot of three netsukes, Japanese Meiji Period (1868-1912), consisting of a rat resting upon a domed mound (1.25” high) atop a wood base, a ‘woven’ basket of flower blossoms (1.75” high) atop a wood base, and a demon mask with inked highlights (2” long), all signed with characters.
THREE228
NETSUKES
A gilt bronze head of Buddha, Thailand, possibly late Ayutthaya Period (1351-1767), the head of Buddha shown wearing a jewelled crown rising to a tiered & pointed ushnisha, the face with a meditative expression, showing gently arching brows over almond shaped eyes, together with a linear nose & bow shaped mouth, remnants of gilt detail, loss of one ear lobe, losses to back of head. Raised overall upon a later stepped base. Measuring 6.75” high.
BRONZE HEAD OF BUDDHA
Estimation 500-700 $
120
CHINESE230
PAIR229
A pair of Chinese white jadeite pendants, mid / late Republic Period (1912-1949), both carved in the shape of textured lizards atop oval mounds, one with dark green inclusions, both drilled with holes for a suspension ring, measuring 1/4” h x 3” w x 1.5” d.
WHITE JADEITE PENDANT
Estimation 400-600 $
A Chinese white jadeite pendant, mid 20th century, carved in the form of a fish amongst rockery, fastened with an 18kt gold suspension ring, length 2.25” (minus loop).
OF CHINESE WHITE JADEITE PENDANTS
121
BUDDHA PENDANT
A Chinese white jadeite carving, mid 20th century, the stone with russet inclusions, carved in the form of a rat & it’s young feeding on trailing lotus blossoms, measuring 1.25” high x 3” long x 2.5” wide.
A carved Buddha pendant, Oriental late 20th century, the figure of a seated Buddha carved in pink natural material, clad with a 22kt gold mount & suspension ring, measuring 1.25” high.
Estimation 600-900 $
CHINESE232
Estimation 400-600 $
WHITE JADEITE CARVING
CARVED231
A lot of two Chinese snuff bottles, early to mid Republic Period (1912-1949), one carved in rhodonite of flattened vasi-form fitted with a gilt bronze cabochon stoppered spoon measuring 3” high, the other carved in bloodstone of oval form fitted with a red stone cabochon stoppered spoon, measuring 2.25” high.
OF CHINESE PORCELAIN SNUFF BOTTLES
TWO234
PAIR233
Estimation 500-700 $
A pair of Chinese porcelain snuff bottles, early to mid Republic Period (1912-1949), both bodies of ovoid form with a crackle glazed surface and fitted with cabochon stoppered spoons, measuring 2.5” high.
122
Estimation 400-600 $
CHINESE SNUFF BOTTLES
Estimation 500-700 $
Estimation 400-600 $
123 TWO235
MINIATURE236
A lot of two Chinese snuff bottles, mid to late Republic Period (1912-1949), one in yellow enamel of moon flask form, decorated with characters on one side and a hand-painted portrait on the opposing, fitted with a cabochon stoppered spoon, measuring 3” high, the other of carved agate with russet toned fan-tail carved goldfish and similarly addressed stoppered spoon, measuring 2.75” high.
A miniature crackle ginger jar, Chinese Qing Period, possibly Kangxi (1662-1722), the ovoid shaped crackle glazed body decorated with images of ‘playing boys’ in cobalt blue and retaining its cup shaped lid, the underside bearing double circle Kangxi marks in cobalt, measuring 3” high.
CHINESE SNUFF BOTTLES
GINGER JAR
CRACKLE GLAZE
A Chinese serpentine carving of a boy riding a carp, late Republic Period (1912-1949), showing a young boy holding a lotus flower while straddling a large carp, measuring 5.25” high x 9.25” long x 3.75” deep.
CHINESE237
Estimation 500-700 $
JADE PLAQUE / PENDANT
SERPENTINE CARVING, BOY RIDING A CARP
Estimation 350-450 $
CHINESE238
A Chinese jade plaque - pendant, early / mid Republic Period (1912-1949), the carved translucent jade plaque / pendant showing russet & black inclusions, depicting a chilong, measuring 2.75” diameter.
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SLAVIC240
125
Estimation 700-900 $
A Slavic icon of Mother Of God, early 20th century, depicting the Holy Mother with her head encircled by a gilded aureole flanked by the letters MP & OY for “meto theou” (the Greek abbreviation for Mother Of God), hand-painted & gilded on gesso over a wood panel, substantial losses to paint & gesso at bottom of panel, the splits, retaining its original embossed brass oklad, the reverse showing two shponki (staves), the panel measuring 17.5” h x 15” w, the oklad measuring 17.75” h x 15.5” w.
ICON OF CHRIST PANTOCRATOR
SLAVIC239
ICON OF MOTHER OF GOD
Estimation 700-900 $
A Slavic Icon of Christ Pantocrator, early 20th century, depicting Christ in a blessing gesture, the aureole denoting “The One Who Is” flanked by the letters IC & XC (the Greek abbreviation for Jesus Christ), hand-painted on gesso over a wood panel, minor surface wear & paint loss, retaining its original embossed brass oklad, the reverse showing two shponki (staves), the panel measuring 17.5” h x 15” w, the oklad measuring 17.75” x 15.5”.
Two Russian icons of the Christ The Pantocrator, one being early 20th century, depicting Christ in blessing gesture flanked above by angels holding an image of the Christ, hand-painted on gesso over a wood panel, surface wear and structural losses at bottom, the reverse showing an earlier auction label for Jackson’s Auctions, Dec.17th 1995, Lot #276. Measuring 11” h x 9” w, the 2nd being mid 20th century, showing the Christ in blessing gesture flanked by Saints on either side, handpainted on gesso over a wood panel, areas of paint loss, the reverse showing two shponki (staves), the panel measuring 12.25” h x 10.5” w.
126 TWO241
Estimation 600-800 $
RUSSIAN242
Estimation 500-700 $
ICON OF ST. NICHOLAS
A Russian icon of St. Nicholas, early 20th century, depicting Saint Nicholas - Miracle Worker, flanked above by images of The Christ & The Holy Mother, hand-painted & gilded on gesso over a wood panel, minor surface wear, the reverse showing Russian script, measuring 14.25” h x 12” w.
RUSSIAN ICONS OF CHRIST THE PANTOCRATOR
Estimation 600-800 $
127
ICON OF THE ASCENSION OF CHRIST
CARVED244
A carved figure of Mary Magdalene, Mexico mid 20th century, the carved wooden figure with detachable hands, shown standing upon a silvered rocky mount, her robes richly decorated with gilt & silvered accents, a sterling silver crucifix around her neck bearing impressed marks for MEXICO .925, minor cracks to base, lacking jar. Measuring 18” high.
RUSSIAN243
A Russian icon of the ascension of Christ, early / mid 20th century, depicting Christ ascending from the grave, surrounded by his disciples and other religious deities, hand-painted & gilded on gesso over a wood panel, minor surface wear, the reverse showing two shponki (staves), the panel measuring 12.25” h x 10.5” w.
Estimation 700-900 $
FIGURE OF MARY MAGDALENE
CARVED246
A bronze of Saint Michael, the winged archangel shown killing Satan, areas of verdigris, signed in the mould A Santo(?). Continental, early 20th century. Measuring 10.75” high.
Estimation 400-600 $
Estimation 900-1,000 $
BRONZE245
128
FIGURE OF THE VIRGIN OF QUITO
OF SAINT MICHAEL ARCHANGEL
A carved figure of the Virgin of Quito, also known as the Apocalyptic Woman in combination with the Holy Mother, the carved & hand-painted figure shown standing upon the head of a snake (Satan) atop a carved base in the form of celestial clouds, her robes richly decorated with silver & gilt detail and fitted with detachable silvered wings, cracks to base & right hand, minor surface wear. Possibly Spanish or Portuguese, early / mid 20th century. Height, 22.5”.
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| À moins d’être exempté par la loi, l’acheteur est tenu de payer la TVH sur le prix d’achat total, y compris la prime de l’acheteur. Pour les acheteurs internationaux, les taxes ne sont pas applicables lorsque les achats sont expédiés hors du Canada. Pour les articles expédiés hors province, l’acheteur est tenu de payer les taxes selon le statut fiscal de sa province, que ce soit la TVH, TPS ou TVP. Incluant pour les acheteurs du Québec, nous chargeons TPS et TVQ.
4. The Auctioneer does its very best to point out condition issues. You have to examine each piece carefully; sales will not be set aside on grounds of condition, or of real or imagined misdescription. The condition reports are not prepared by a professional conservator or engineer. | Pridham’s fait de son mieux pour vous informer de la condition d’un objet. Vous devez examiner chaque item soigneusement; les ventes ne seront pas mises de côté pour des raisons de condition, ou de descriptions erronées réelles ou imaginaires. Nos rapports de condition ne sont pas préparés par un conservateur professionnel ou un ingénieur.
5. The Auctioneer may accept and submit absentee, telephone and online bids, to be executed by an employee of the Auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. | Pridham’s peut accepter et soumettre des offres par absence, par téléphone ou en ligne, devant être exécutées par un employé de Pridham’s, conformément aux instructions des acheteurs éventuels qui ne peuvent pas être présents.
8. Unless exempted by law, the buyer must pay applicable taxes on the total purchase price. The buyer’s premium is added before the applicable taxes. Pridham’s does not divide a buyer’s invoice between two or more people on auction day. | À moins d’être exemptés, les soumissionnaires doivent payer les taxes appropriées sur le montant total. La prime de l’acheteur est ajoutée avant les taxes applicables. Pridham’s ne divise pas une facture entre 2 ou plusieurs personnes le jour de la vente.
9. Unless exempted by law, the buyer is required to pay HST on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of Canada. For items shipped out of the province, the buyer is required to PAY TAXES as per their provincial tax status, whether it is HST, GST and PST. Including for Quebec buyers, there is GST and QST.
3. The descriptions are provided to help move along the process on auction day. No warranty regarding the descriptions, age or condition is made or implied. Additionally, under the Conditions of Sale applicable to the sale of any lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including and without limitation, its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an ‘as is’ basis, but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to a lot is merely an expression of opinion and should not be relied upon as an inducement to bid on the lot. Please contact us for a condition report. 1-877-533-5877 or info@pridhams.ca. | Les descriptions sont inclues pour faciliter le processus le jour de la vente. Aucune garantie en ce qui concerne les descriptions, l’âge et condition est offerte ou implicite. En outre, conformément aux conditions de vente applicables à la vente de tout lot, les soumissionnaires doivent s’assurer de chaque aspect de la qualité du lot, y compris et sans limitation, son auteur/e, son attribution, sa condition, sa provenance, son authenticité et origine. Les lots sont vendus “tels quels”, mais la condition réelle du lot peut ne pas être aussi bonne que celle indiquée par son apparence extérieure. En particulier, des pièces peuvent avoir été remplacées ou restaurées, et les lots peuvent ne pas être authentiques ou de qualité satisfaisante. Toute déclaration relative à un lot est simplement une expression d’opinion et ne devrait pas être invoquée comme une incitation à soumissionner sur le lot. S.V.P. contactez-nous pour un rapport de condition. 1-877-533-5877 ou info@pridhams.ca.
1. The term “Auctioneer” means Pridham’s Auctions & Appraisals (“Pridham’s “). | Le terme “Encanteur” signifie Pridham’s Auctions & Appraisals (“Pridham’s”).
2. Each lot is sold “AS IS” and “WHERE IS”. | Chaque item est vendu “TEL QUEL” et “OÙ IL EST”.
7. There are applicable taxes except for out-of-country buyers who require shipping their purchases. | Il y a des taxes applicables sauf pour les soumissionnaires hors-Canada qui doivent faire livrer leur marchandise.
BILINGUAL PRIDHAM’S TERMS & CONDITIONS OF SALE
RÈGLEMENTS & CONDITIONS DE VENTE BILINGUES PRIDHAM’S
6. Registration: all bidders are required to submit full name, address, and a telephone number (sometimes a credit card number). Information is used pursuant to the “Canadian Personal Information Protection and Electronic Documents Act”. | Enregistrement: tous les soumissionnaires sont tenus de donner leur nom, adresse et un numéro de téléphone (et quelque fois, une carte de crédit). L’information est utilisée selon la “Loi canadienne sur la protection des renseignements personnels et les documents électroniques”.
14. The highest bidder accepted by the Auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders, the Auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The Auctioneer’s decision in all cases is final. | Le soumissionnaire le plus offrant accepté par Pridham’s pour tout lot sera l’acheteur, et cet acheteur assumera sans délai tous les risques et responsabilités du lot et devra se conformer aux autres Conditions de vente applicables. En cas de litige entre deux soumissionnaires, Pridham’s aura la discrétion absolue de désigner l’acheteur ou, à son gré, de retirer tout lot contesté de la vente ou de la proposer à la même vente ou à une autre vente ultérieure. La décision de l’Encanteur dans tous les cas est définitive.
10. The Auctioneer has the right to withdraw or add to the items as listed in any printed catalogue or listing or promoted on the internet. | Pridham’s a le droit de retirer ou d’ajouter des items sur une liste ou dans un catalogue imprimé, ou annoncé sur l’internet.
12. The Auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. | Pridham’s a le droit de refuser toute offre et d’avancer l’appel d’offres à son entière discrétion. Il se réserve le droit de ne pas accepter et de refuser toute offre. Sans limitation, toute offre qui n’est pas proportionnelle à la valeur de l’article offert ou qui est simplement une avance nominale ou fractionnaire par rapport à l’offre précédente ne peut être reconnue.
19. For buyers who abandon their prepared and packed purchase at UPS for whatever reason, a charge of CAN $45 will be applied to their credit card by Pridham’s. Nancy packs and spends time preparing your purchase, please follow through with your shipping and these Terms and Conditions. | Si vous abandonnez un achat préparé et emballé par UPS pour quelconque raison, une charge de 45$ CAN sera appliquée sur votre carte de crédit par Pridham’s. S.V.P. veuillez faire le suivi pour prendre possession de votre achat.
11. The Auctioneer reserves the right to withdraw any lot from the sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. | L’Encanteur se réserve le droit de retirer tout lot de la vente, à n’importe quel moment, de diviser un ou plusieurs lots, et ce sans avis.
16. Payments have to be made in full by Visa, MasterCard (over the telephone) or e-transfer within 5 days after receiving their final invoice from Pridham’s (or Live Auctioneers). | Les paiements doivent être faits par Visa, MasterCard (par téléphone) ou e-Interac, 5 jours après avoir reçu une facture finale Pridham’s (ou Live Auctioneers).
13. When the Auctioneer says “SOLD” it is a contractual agreement between the Auctioneer and the buyer. All auctions are also audiorecorded. | Lorsque l’Encanteur dit “VENDU” cela est tout comme un contrat entre l’acheteur et l’Encanteur. Les encans sont aussi enregistrés par audio.
18. If you are not able to pick-up your purchase at 2615 Lancaster Road, Ottawa, Pridham’s can deliver (smalls only, for free) your unpacked paid purchases, at the buyer’s risk to UPS. Pridham’s will share your information, not your credit card number, with UPS. Once your purchase is with UPS, you will liaise directly with them for packing, insuring, shipping, and payment. Please take note that UPS charges are commensurate with the amount of packing required, size, weight, destination, etc and NOT with the hammer price. Please ask for a shipping quote before the auction, if you are concerned, not after you buy an item. Sales will not be cancelled if shipping is too expensive. For larger items (ex. furniture), please call us (1-877-533-5877) to discuss a pick-up schedule (within 5 business days) or carrier shipping. A list of suggested shippers is available. We can not store furniture for weeks, please have a plan of action before buying large pieces, or a storage fee may apply. | Si vous n’êtes pas en mesure de ramasser vos achats le jour de la vente, Pridham’s peut les livrer les petits objets (seulement, gratuitement) non-emballés au risque de l’acheteur chez UPS, lorsque convenable pour Pridham’s. Pridham’s fournira à UPS les infos de l’acheteur, pas le numéro de carte de crédit. L’acheteur doit communiquer directement avec la représentante UPS (Nancy 1-450-319-1008, store360@theupsstore.ca) pour l’assurance, l’emballage, l’expédition, et votre paiement. Veuillez prendre note que les frais UPS sont proportionnels à la quantité d’emballage requis, la taille, le poids, etc. Veuillez demander une estimation pour un envoi avec la vente, si vous êtes inquiet, et non pas après la vente. Les achats ne seront pas cancellés si vous trouvez votre envoi trop dispendieux. Pour les plus grands objets (comme meubles), s.v.p. veuillez nous contacter pour discuter du ramassage (en 5 jours ouvrables) ou d’une livraison contractuelle. Nous pouvons vous suggérer un déménageur. Nous ne pouvons pas garder des meubles durant des semaines, un frais d’entreposage peut s’appliquer.
15. The buyer shall pay an item in full and to the satisfaction of the Auctioneer; failing to do so may result in the cancellation of the sale, with or without re-offering the item for sale. | L’acheteur doit payer un item au complet et à la satisfaction de Pridham’s, à défaut de quoi, Pridham’s peut annuler la vente, avec ou sans offrir de nouveau l’article à vendre.
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17. Pridham’s is not responsible for any damages or injuries under any circumstances. | Pridham’s n’est pas responsable pour aucun dommage ou blessure et ce, en aucun cas.
L’EXPORTATION EST AU RISQUE DE L’ACHETEUR. Pridham’s supporte la protection de notre faune et flore.
Please do not hesitate to contact Pridham’s if you have questions, thank you. S.V.P. n’hésitez pas à contacter Pridham’s si vous avez des questions, merci.
Toll Free / Sans Frais: 1-877-533-5877 info@pridhams.cawww.pridhams.ca
20. The Auctioneer acts solely as agent for the seller and makes no representation as to any attribute of, title to, or restriction affecting the articles in the sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act. | L’Encanteur est un agent seulement pour le client et ne fait aucunes représentations en ce qui concerne l’attribution, le titre ou restriction affectant les articles dans une vente. Sans limitations, l’acheteur comprend que les items achetés peuvent être affectés par des provisions culturelles et d’exportation.
PRIDHAM’S Au c tions & Appraisals OT TA WA ’S FINE ART AU C TION HOUSE
21. DISCLAIMER: Ivory, tortoise shell and other “animal” items are restricted from export out of Canada due to protection under the Convention on International Trade in Endangered Species (CITES). Pridham’s will not provide shipping or CITES application services. The successful buyer has to pick-up the item in person. Shall the buyer decide to take the item across a border after picking it up, the buyer takes full responsibility for obtaining proper exporting and importing documents from both countries: EXPORT IS AT THE BUYER’S RISK. Pridham’s supports the protection of our fauna and flora. | AVERTISSEMENT: L’ivoire, la coquille de tortue et d’autres objets de source animale ont un interdit d’exportation à l’extérieur du Canada en raison de la protection prévue par la Convention sur le commerce international des espèces de faune et de flore sauvages menacées d’extinction (CITES). Pridham’s n’offre pas de service d’expédition ni de service d’application pour CITES. L’acheteur doit ramasser l’article en personne. Si l’acheteur décide de croiser une frontière après avoir ramassé l’article, il ou elle assume pleine responsabilité d’obtenir les documents appropriés d’exportation et d’importation des deux pays.
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