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CON TEN TS march/april

46

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I N SI D E R

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FROM THE EDITOR The future is

cautiously optimistic, writes Editor-in-Chief Piet Smedy INSIDER Former president Thabo Mbeki and Sir David Adjaye unveil a striking new landmark for learning in Joburg SHOPPING Bring home Pantone’s Colours of the Year, yellow and grey ARCHITECTURE Tadao Ando reimagines the Pinault Collection’s Bourse de Commerce in Paris ART The architectural facades of Cape Town by Kyle Jardine HOUSE & GARDEN MARCH/APRIL 2021

DE SIG N 27

DESIGN SOLUTIONS Table lamps,

32

pendants and sculptural standing lights are the perfect formmeets-function answer to interior illumination SHOWROOM The design-savvy kitchen appliances that make cleaning up a breeze DIRECTIONS A first look at Kelly Wearstler’s latest high-style offering

37

G A R DE N S 42

KNOW-HOW

The need-to-have gardening books, according to Franchesca Watson

78

WALKING ON AIR

With its muted colour palette and swathes of dreamy grasses, this Cape Town garden seems to drift down the slopes of Table Mountain

P H OTO G R A P H S : G R A E M E W Y L L I E , S U P P L I E D

8

Where long lunches turn into late dinners.

Take a seat at our new Camden dining table, crafted from reclaimed wood and black metal. Available at selected stores and online.

www.coricraft.co.za

CON TEN TS march/april

20

84 T H E EDI T

58

68

84

ESTATE OF GRACE His most

breathtaking project to date, designer Tristan du Plessis exclusively showcases a daring, monochrome marvel in Sandhurst SECOND NATURE A neglected farmhouse is carefully restored to make the most of its breathtaking views of the Franschhoek valley STILL WATER In Canada, on the shores of Lake Huron, acclaimed Cape Town firm SAOTA have designed a sustainable house with impressive volumes DOUBLE VISION This light-filled, airy Constantia family home perfectly blurs the lines between indoor and outdoor living

C ON CI ERG E

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TRAVEL Whether its luxury, culture

or adventure, Thailand’s siren call beckons travellers from around the world FOOD The newly opened Chefs Warehouse at Tintswalo Atlantic

ON THE COVER: Estate of Grace pg 46.

Photographed by Graeme Wyllie.

Interiors photographed by Elsa Young.

S UB SCR IB E To Condé Nast House & Garden and receive 12 ISSUES for only R585 0800 204 711 kznsubs@inl.co.za

P H O T O G R A P H S : G R E G C OX , H E I D I B E R T I S H , S U P P L I E D

46

Oubaai Golf Estate, Garden Route. Architect: Eddie da Silva Architects.

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...hand-crafted oak floors in beautiful spaces.

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PIET SMEDY

EDITOR-IN-CHIEF ART ART DIRECTOR THEA PHEIFFER GRAPHIC DESIGNER KEENAN JEPPE COPY SENIOR COPY EDITOR LISA ABDELLAH INTERIORS & GARDENS DECOR EDITOR GARDENS EDITOR DECOR ASSISTANT

EDWAIN STEENKAMP HEIDI BERTISH JANI ADELEY LANDMAN

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from the editor

W

ell, 2021 is certainly kicking off.

As I write this, the country’s lockdown – as is the case with many others – has been extended and intensified (nevermind that we went past begin and collected two new viral strains), the US Capitol has survived an attempted insurrection while Amanda Gorman reminded us all of the power of the human spirit to do good, and it’s the end of Kim and Kanye as we know it – and it’s barely January.

Yet, as the annus horribilis that was 2020 spills into the present, there is still optimism – albeit cautious – all around us. And so we decided, in this issue, to take a break from the ‘right now’ and look forward to the many great things coming our way this year.

In Joburg, former president Thabo Mbeki has teamed up with Ghanaian-British architect Sir David Adjaye on perhaps one of the most important new landmarks in the city: the Thabo Mbeki Presidential Library. With its unique granary-inspired structure, the library will become a much-needed beacon of hope and an agent for change not just for South Africa but the continent as a whole. Further afield, the work of architect Tadao Ando in Paris and designer Kelly Wearstler in the States sets the bar for creativity, ingenuity and progress ever higher.

The House & Garden team also keep the focus squarely on local design with impact, starting with Tristan du Plessis’ megawatt monochrome masterpiece in Sandhurst, which you’ll find on this month’s cover. Not to be outdone, Cape Town-based firm SAOTA once again rewrites the rules of domestic architecture while, in Franschhoek, 7 Koppies offers a bucolic escape from the chaotic unpredictability of our everyday lives.

There is no doubt that each of these projects faced – and overcame – difficult challenges; an inspiring reminder that there is nothing we cannot achieve if we only work together.

As always, stay safe.

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MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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INSIDER

Thought Leader The Thabo Mbeki Presidential Library, a collaboration between former president Thabo Mbeki and architect Sir David Adjaye, promises to be an exciting new symbol for the African renaissance

j

oburg has a brand new landmark – the Thabo Mbeki Presidential Library, a space of excellence, learning, research, discourse and cultural exchange predicated on the African perspective. Recently completed by Sir David Adjaye’s firm, Adjaye Associates, the new space will fulfil a multiplicity of functions, as a museum, temporary exhibition space, research centre, auditorium and women’s empowerment centre, among others. Providing infrastructure for the preservation and distribution of African history and knowledge, the library will become a new

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HOUSE & GARDEN MARCH/APRIL 2021

anchorage point and campus for local and international scholars. ‘This space presents an opportunity to realise the ambition of the dreams of former president Thabo Mbeki to advance and empower an African renaissance,’ says David. ‘The architecture of the library taps into the collective memory of the continent through a new historical centre for African consciousness in which education and sustenance are nurtured in the representation and intelligence of the continent.’

Conceptually, the new building makes visible the invisible knowledge of ancient

and contemporary African history through both form and programme.

Sited in Riviera, the library will harbour the knowledge of the land whilst acting as a space for connection in which the advancement of an African Renaissance becomes the premise of the structure.

Represented in design as a metaphor for knowledge-based nourishment, it references the structures of granaries — which allow for the extension of grain production and the systematisation of cycles of feeding, planting and harvesting once more.

The eight cylindrical granary-styled forms are made contemporary through the topping of domes with apertures that take into consideration the orientation of light within the site to create a distinct atmosphere for each of the programmes within. These chambers, connected through an ‘indoor den’ – a horizontal interstitial space that extends the length of the entire building – provide a new public space in service to the community.

Use of the locally sourced compressed mud in the form of a rammed earth facade, terrazzo flooring made from local stone and timber cladding from indigenous species collectively reduce the overall carbon footprint of the structure while

INSIDER photovoltaic solar panels on the rooftop absorb sunlight and generate electricity.

The architecture of the Thabo Mbeki Presidential Library brings together continental African thought and form as a powerful means of tapping into collective memory. This memory, embedded within the intelligence of the African consciousness, now sees a typology of learning and sustenance materialise into form. ‘My vision for the new presidential library aims to encompass both an African past and an African future. It will be a place where Africans uncover their history and identity,’ says the former president.

A ‘ place where we are empowered to script a brighter and more prosperous future.

Through this wonderful collaboration with Sir David Adjaye and his team, I believe this building will become the epicentre for an African renaissance.’

Adjaye Associates adjaye.com Q

BE LOW THE LIBRARY WILL ACT AS AN ANCHORAG E P O IN T A N D CA MPUS FO R LO CAL A N D IN TER N AT IO N AL S C HOL AR S

RI GH T AN D O P P OS I T E EACH OF T H E CONTEMPORARY DO M E- S H AP E D C HA MB ER S A R E CO N N EC TE D THR O UGH A N ‘ IN D O OR D E N’

MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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Yellow and grey inspire strength and optimism

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MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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MULTIFACETED OCCASIONAL TABLE, R6 995, WEYLANDTS

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HOUSE & GARDEN MARCH/APRIL 2021

•

•

•

ARCHITECTURE

ARTISTIC AWAKENING In Paris, architect Tadao Ando has reimagined the historic Bourse de Commerce as the new home of the Pinault Collection

20

HOUSE & GARDEN MARCH/APRIL 2021

ARCHITECTURE

A NINE-METRE HIGH, 30-METREWIDE CONCRETE CYLINDER AT THE BUILDING’S CENTRE CREATES A VOLUMINOUS EXHIBITION SPACE

MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

21

ARCHITECTURE

i

n a city where iconic landmarks outnumber Zara stores, it can be more than a little challenging for a tourist-strapped heritage site to find its je ne sais quoi.

For the Eiffel Tower, it’s turning into a disco ball after sunset, while, at the Louvre Museum, it’s the appeal of hours-long queues and more than one elbow in the side to see an ambivalent postage stamp. Who can forget the thrill of attempting to reach the Arc de Triomphe, where death by collision with a hurtling Citroën is a real and present danger.

Mercifully, for those looking to dial down the gauche and while away their Parisian afternoon on something more, well, Parisienne, there’s the newly reimagined Bourse de Commerce, home to the Pinault Collection.

With a history spanning over four centuries, the structure is no stranger to reinvention, having been originally built as an hôtel particulier for Catherine de’ Medici, and then later, under the ownership of the city, becoming a corn exchange and, even later, a stock exchange, before falling under the patronage of François Pinault.

The project, started in June 2017, was spearheaded by architect Tadao Ando (François and Tadao have previously collaborated on restoring Venice’s Punta della Dogana), NeM / Niney & Marca Architectes, and Pierre-Antoine Gatier. Key to Tadao’s design was inserting a nine-metre high, 30-metre-wide concrete cylinder into the building’s centre, accessed through four identical openings, creating a voluminous exhibition space, while the remaining historic components were faithfully restored. Today, the Bourse de Commerce comprises, amongst others, ten exhibition spaces, a 284-seater auditorium and a studio that will host video and sound installations.

The Pinault Collection, made up of over ten thousand works by nearly 380 artists – spanning paintings, sculptures, photographs, video, sound and performance pieces – focuses on ’60s to present and is Paris’s single largest contemporary collection presented by a private collector. The programme of around 15 projects per year will articulate these exhibitions in the modular spaces of the Bourse de Commerce, the first season of exhibitions and events titled ‘Opening’.

Tadao Ando tadao-ando.com Bourse de Commerce boursedecommerce.fr Q

22

HOUSE & GARDEN MARCH/APRIL 2021

THE BOURSE DE COMMERCE COMPRISES, AMONGST OTHERS, TEN EXHIBITION SPACES, A 284-SEAT AUDITORIUM AND A STUDIO IN THE BASEMENT THAT WILL HOST VIDEO AND SOUND INSTALLATIONS

With a history spanning over four centuries, the structure is no stranger to reinvention, having been originally built as an hôtel particulier for Catherine de’ Medici

CLOCKWISE, FROM TOP LEFT ADDERS STREET, INK ON PAPER, 2020; THE PINK LADY, INK ON PAPER, 2020; ARTIST KYLE JARDINE; SEA POINT, INK ON PAPER, 2020

Romancing the stone Heritage architecture gets a tender reimagining in the illustrations of Cape Town artist Kyle Jardine

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HOUSE & GARDEN MARCH/APRIL 2021

w

hich came first, the love of architecture or the love of illustration?

I would say the two collided at the right time. Art came first, as it is something I have done throughout my life, but I have always had a great appreciation and admiration for architecture – heritage buildings in particular – and the tales that they tell. My love of both illustration and architecture is what led me to capture some of my favourite scenes as a form of personal memory by reinterpreting the details and architectural language into my free-hand style.

What is it that you are trying to capture and express through your architectural illustrations?

My objective is usually to reinterpret and reimagine a scene that most people see as static and unchanging, to capture the character, personality and quirk of the building. My art journey is ever-evolving, so I am

ART

I N T E R V I E W: P I E T S M E DY; P H O T O G R A P H S : S U P P L I E D

continually influenced by my surroundings. This is conveyed through the use of uneven and unmeasured lines, disproportion and unexpected colour, the factors that ultimately make up my style.

Your illustrations seem to render landmarks in a way that can feel quite Wes Anderson-esque and fantastical.

I would not say that I set out to be whimsical or fantastical but I am very aware that that is often the way it turns out. Ultimately, I would say that happens quite organically. Combine my love of colour and quirk with zero attempt at symmetry with subject matter that relies on symmetry and uniformity, and something offbeat is bound to occur. I consider a perception by the viewer of any fantastical element of whimsy in my work to be the greatest compliment.

Is there a particular style of architecture that you feel speaks most directly to your aesthetic sensibilities?

Cape Town – my home base and the city that tends to be my main source of inspiration – overflows with architectural variation. I do

not look for any particular style of architecture, but rather anything decadent and decorative that allows me to indulge in playful detailing.

You have recently begun illustrating interiors. Tell us about that.

In 2020 I released a series of works titled Crowded in Colour, which were reimagined and overcrowded interior spaces filled with quirk and endless detail. Part of my love for illustrating interiors is my love of interior design as well.

Creatively, what are you looking forward to most this year?

Last year certainly brought up a lot for most of us to reflect on and consider; however, it also presented me with many exciting opportunities. I have an exciting collaboration with wallpaper company Robin Sprong launching this year. I was also fortunate to collaborate with Sanlam on an African art initiative and will showcase my all-blue-and-white Cape Town illustration in the coming months.

Kyle Jardine kylejardine.com Q

MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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Lights On

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Step out of the shadows and into the boldest indoor lighting yet

MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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The wow factor

P H OTO G R A P H S : S U P P L I E D

They may be small, but these lights pack a punch no matter the setting.

Clockwise, from top left: Mash. T Design Studio; Minotti from Limeline; Hertex Haus; &Tradition from Créma Design

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HOUSE & GARDEN MARCH/APRIL 2021

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Small table lamps can make a big impression, especially when introduced into more unusual settings, such as in an entryway or on a bookshelf. For the more traditional homemakers, remember that if you use a table lamp for specific tasks such as reading and other hobbies, opt for a bright 3 000K bulb, which has a warm yellow tone ideal for the evenings. eurolux.co.za

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Bright idea

P H OTO G R A P H S : S U P P L I E D

For a refreshing take on task lighting, abandon the side table altogether and lower pendant lights to the furniture. These from Carl Hansen & Søn illustrate just how striking this decorating idea can be. domum.co.za

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HOUSE & GARDEN MARCH/APRIL 2021

DESIGN SOLUTIONS

The MVPs

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When lights in a room feel dull and weak, that is probably due to an absence of light layering.

Consider using at least three independent light sources in a space to create a dimensional effect.

Moreover, try pendant lighting in kitchens as task lights, standing lamps in living areas as ambient lighting, and recessed lighting to accentuate architectural features in the home. radiant.co.za

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BODY OF WORK Appliances that streamline your life

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SHOWROOM

T E X T: E D WA I N S T E E N K A M P ; P H O T O G R A P H S : C A R L A E R A S M U S , S U P P L I E D

Floating appliances, such as the oven seen to the right of this kitchen, offer the homemaker functional amenities without obstructing precious space. If they are designed to be quiet, energy-efficient and timeless, so much the better.

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KITCHEN MADE

Aesthetic and appliances need not be considered separately.

Ask your design studio to advise on the best options so the space functions optimally without compromising on looks. valcucinesa.co.za

If a workspace is a hot commodity in your kitchen, invest in an island on which to use bulkier appliances that can be moved around (such as mixers and meat grinders). This one by Rossana is wonderfully roomy. eurocasa.co.za 34

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Invest in appliances that are built for the future. Choose products that turn food prep, cooking and baking into time- and energy-efficient activities. miele.co.za

Good lighting is essential in a kitchen. Task lights, such as this wall fixture from Gubi, are a great way to illuminate appliances positioned away from the main light source. cremadesign.co.za

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P H OTO G R A P H : RU B I B I L L

Appliances make life a lot simpler, but plan ahead to streamline things even further. Before you head out and buy the first dazzling kitchen helpers you see, consider the layout of your space and the way you use your kitchen every day. Appliances should not clutter your valuable work surfaces, but help to create an ergonomic and sensible experience in the kitchen.

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HERE’S HOW PHONE 0800 204 711 / 031 308 2022

SMS HGSUBS to 33258 EMAIL kznsubs@inl.co.za HOURS Monday - Friday: 6.30AM-6PM Saturday - Sunday: 7AM-10AM, Public Holidays: Closed DEBIT ORDER 0800 204 711 POST Choice of hand delivery or post this offer is valid for subscription orders received by 30 april 2021.

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DIRECTIONS

DESIGN

P H OTO G R A P H S : S U P P L I E D

KNOW-HOW AND DECOR DETAILS THAT MAKE THE LOOK

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THE INDIVIDUAL PIECES, THOUGH COMPLEMENTARY IN FORM, ARE LADEN WITH UNIQUE PERSONALITY BROUGHT FORTH BY NATURAL MATERIALS

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DIRECTIONS

IN WITH THE NEW Interior designer Kelly Wearstler takes us behind the scenes of her autumn collection

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F

irstly, congratulations on your autumn collection – it is absolutely beautiful! Would you share with us the significance of this collection in light of the past year? Where did you draw inspiration from? How was it all brought to life? And how does it speak to a world grappling with the new normal?

My new collection reflects a modern fusion of architectural and organic silhouettes. Purity of form is central to the narrative.

This is seen in the fluid curves of pieces such as the Verge Chair or the Ardent Bench, as well as the geometric lines in the Otto Side Table and the Rousseau Double Boom Arm Floor Lamp.

These complementary forms allow for the inherent spirit of the materials, which range from bronze to marble to ebonised oak, to distinguish each design as singular and generous with personality.

I have experienced first-hand how well-designed interiors can change lives. Good design can make someone happier, more confident, comfortable and organised. It can elevate everyday life experiences. It impacts your life and stimulates everything you do.

When a design is thoughtful and well-considered, you probably do not even notice it, because it supports a melding of form and function.

What are some of your favourite pieces from the collection, and why? Some were reimagined... Why did you decide to reinvigorate these particular pieces?

Natural materials and vintage pieces are infused into all of my projects. I love to ‘rescue’ and refabricate existing silhouettes and materials. I believe that there should be a sense of longevity and the luxurious, tactile and soulful sensibility of organic materials within every space, whether a residence or commercial setting.

Designing furniture and lighting is akin to creating individual pieces of sculpture, art that will bring a distinctive point of view into a space. The shape and structure, materiality, texture and colour are all highly considered to create a beautiful melding of form and function. It is one of my favourite things to do.

Your design aesthetic is distinct, which is no mean feat in these times. Was it a matter of natural evolution, or a clear vision from the beginning of your career?

I have always been drawn to design. My mother was a designer, and she took me to antique shows and auctions as a girl, educating my eye from a young age. Interior design combines so many of my passions – architecture, art history, sculpture, pattern, texture, light and movement.

Design is largely intuitive for me, and I am truly inspired by everything. Mother Nature, architecture, fashion, art, travel, photography and landscape design are all incredible influences.

Travelling – when I can – is another great source of inspiration.

I love discovering new cultures, new landscapes, and diving firsthand into history and nature.

My style is American with an inherently Californian, WestCoast aesthetic – natural materials, effortless luxury, indoor-outdoor elements. A sense of having no boundaries or restrictions on style.

Always something old and something new… My aesthetic has always been about mixology – the juxtaposition of contemporary and classic, masculine and feminine, raw and refined. And it is always evolving. I always say that design is like falling in love over and over again.

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DIRECTIONS DESIGNER KELLY WEARSTLER INFUSES HER COLLECTIONS WITH ‘RESCUED’ ITEMS AND REIMAGINED SILHOUETTES

I N T E R V I E W: E D WA I N S T E E N K A M P

That being said, I have always believed in staying authentic.

My goal is to remain consistent with my core philosophy of creating beauty through thoughtful design. I consider myself a designer of interiors, an expander of ideas, a creator of experiences. I want to tell a story that is adventurous and full of soul on every scale.

Speaking of visual language, your online presence is as magnificent as your work in design. As a designer though, have you always felt comfortable working in digital spaces (such as Instagram, or your MasterClass online course, for example)? Why do you think it is important to bring design to a larger audience that may not necessarily have access to it in other ways? And does working in these digital spaces in any way influence your work in the physical world?

I consider social media to be important because there is so much available online to get inspired by, and to discover. It brings an incredible diversity to what would otherwise be a limited scope of influence. Digital media has made interesting new and vintage design pieces more and more accessible. I also use social media to discover emerging artists and galleries from all over the world.

Additionally, I was so thrilled to be the first interior designer to teach a MasterClass – and in the company of such incredible talents in so many different fields. Teaching this class gave me such a rich opportunity to reflect on my career and share my knowledge and experiences with others, especially those who are outside of the design industry.

My hope with working in these digital spaces is to take the mystery out of interior design and share the fundamentals of creating spaces that allow for beauty and functionality to coexist.

For me, design is storytelling and every space has a unique and inspired narrative to tell. I want people to be inspired and take risks, not be afraid to follow their passions. Good design is such an important part of living a considered and intentional life.

What has the past year been like for you as a designer and businesswoman? What have some of your biggest challenges and successes looked like?

My interior projects are a collaborative effort. My clients are my greatest muse – each project is a reflection of their distinctive personalities. One of my favourite aspects of my work is learning to be a great listener and explore the tastes of my clients. I take into consideration what the programme is and what the client wants and run this through my filter. The best projects are inevitably the ones in which the client has a strong voice and distinctive point of view. I have been fortunate to have worked with incredible clients throughout my career. When projects are successfully articulated, there’s a natural progression that occurs and allows for growth.

We have been lucky at the studio to have been able to adapt well to this unpredictable year and are looking forward to further positive projects and collections through 2021 and beyond.

Lastly, what’s in store for you for the year ahead?

I launch new designs for my collections every year. We have new furniture silhouettes, fabrics, wallcoverings and lighting designs on the horizon. I am completing a few residential design projects and look forward to the opening of the new Downtown Los Angeles Proper hotel. kellywearstler.com Q

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KNOW-HOW

Landscape designer Franchesca Watson picks her most inspiring reads

My Cool Treehouse: An Inspirational Guide to Stylish Treehouses by Jane FieldLewis (Hardcover) Harper Collins Publishers Australia As soon as one is off the ground, one seems to enter a magical and whimsical dimension. This cute little book is full of inspiration for all sorts of treehouses, be they offices, play spaces or retreats – the only common link is that they are suspended above the ground. You will find ideas for styles and materials, and functional details, from reasonably conventional to downright wacky.

Planting Design for Dry Gardens: Beautiful, Resilient Groundcovers for Terraces, Paved Areas, Gravel and Other Alternatives to the Lawn by Olivier Filippi (Hardcover) Filbert Press This book by renowned nurseryman Olivier Filippi, based in the south of 42

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on the Japanese Shimizu Island, designed by Dan Pearson and Fumiaki Takano. The park was conceived by entrepreneur Mitsushige Hayashi as a means to preserve and prevent loss of natural habitats, educate and allow visitors to become engaged with the environment. Portions of ornamental gardens link the plants to native flora.

There is an art trail with several works by Yoko Ono, a kitchen garden and a productive goat farm. This book has been 20 years in the making.

Tokachi Millennium Forest: Pioneering a New Way of Gardening with Nature by Dan Pearson with Midori Shintani (Hardcover) Filbert Press Recently out (and I cannot wait to order my copy), this book details the making of the Tokachi Millennium Forest

The Secret Gardeners: Britain's Creatives Reveal Their Private Sanctuaries

by Victoria Summerley (Hardcover) Frances Lincoln I love books that link personalities with their gardens – after all, that is my job – to interpret and create outdoor spaces that make specific people happy. This book showcases the private gardens of British creatives -– people like Ozzy Osbourne, Andrew Lloyd Webber, Prue Leith and Anish Kapoor. Well-researched, there’s wonderful text explaining the owners’ inspirations and passions to go along with the images of gardens that the public rarely sees.

Franchesca Watson 082 808 1287 franchescawatson.com Q

P H OTO G R A P H S : S U P P L I E D

Summer Reads

France, deals with the whys and hows of replacing our ubiquitous lawns with ground covers. Lawns guzzle a disproportionate amount of our labour and water resources, and we need to question our addiction to them. The book shares his experience and lays out alternative options for more earth-friendly solutions.

THE EDIT

P H O T O G R A P H : E L S A YO U N G

SUPERB HOMES AND STYLISH GARDENS

NOBLE MATERIALS AND A RESTRAINED PALETTE INFORM THIS STRIKING JOBURG HOME

BY STUDIO A DESIGNER TRISTAN DU PLESSIS

Full story overleaf

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K i n g ’s Landing Award-winning designer Tristan du Plessis has created a highstyle citadel with unmatched views of the Joburg city skyline INTERVIEW PIET SMEDY PHOTOGRAPHS ELSA YOUNG

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THE OPEN LIVING AREA FEATURES A CUSTOM DINING TABLE DESIGNED IN COLLABORATION WITH OKHA, TRISTAN PLESSIS STUDIO X MARTIN DOLLER ‘METRON’ LIGHT IN SOLID BRASS AND ‘VERB’ CHAIRS FROM OKHA

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IN THE ENTERTAINMENT AREA, A CLUSTER OF MASSIMO CASTAGNA ‘BOLLE TELA’ PENDANT LIGHTS AND THE ‘AUDREY’ SOFA FROM

GALLOTTI & RADICE, AND GUILHERME TORRES ‘BOW’ TABLES FROM CLASSICON. NEXT TO THE SOFA IS A CUSTOM-MADE SIDETABLE BY OKHA

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LIGHTING DESIGN IS BOTH FUNCTIONAL AND SCULPTURAL, BECOMING THE ‘JEWELLERY OF THE HOME’

‘The home has the most incredible panoramic view of the Sandton skyline’ TRISTAN DU PLESSIS

Who was involved with the project?

This was a new construction developed by Nadia Mahmud from Millsite Developments who was heavily involved with the design and architecture from the outset as well as Philippe Angelo as the architect. I was the designer both for the developer and the end client.

What were the homeowners looking for?

I met them in 2018, when I received the brief to create the most tech-forward home in the country with a palette of only black or white and little to no other colours, though I managed to sneak in a few bronze accents along the way. The house was to be completely custom and tailored to the client’s specific needs; a home that could be a peaceful hideaway from the bustling Joburg lifestyle but could also transform into an impressive and glamorous house for hosting private events for friends. The home has the most incredible panoramic view of the Sandton skyline, one of the best I have seen in Joburg.

Take us through the layout.

The flow of the house is dynamic; the front door leads onto the open-plan, double-volume dining area, lounge and expansive outdoor areas for guest access whilst the homeowner’s private access is through a glass-encased car showroom and up an elevator to the other floors.

Materials are used with restraint, mainly marble, timber, steel and glass – what was the thinking behind this controlled palette?

At first, the brief was challenging, using only black and white, but I had to change my own narrative and focus on creating impact within the contrast and graphic nature of black on white, from the extraordinarily strong black-veined marble to the restrained linear slatted deep black wooden walls, the black elements sliced through the soft white spaces and created an unmistakably masculine feel in the space. I was able to convince the client to adorn the palette with a bronze tone as a subtle highlight in each room.

The architecture makes brilliant use of natural light. How was this aspect of the design approached?

With the Joburg climate and the incredible views that this house offers we aimed, as a team, to make the most of the natural light and the outside space. The front side of the home is encased in glass that folds away to blur the lines between indoor and outdoor space when needed, but also allows the house to engage the views and allow natural light in whether open or closed.

How do the interiors reflect the client’s needs from the home?

The client wanted a space that was minimal in terms of decor but still had drama and intrigue throughout. Practically, we built the home around his lifestyle, from the gym and wellness areas to the open-plan living areas in which to entertain, each element was chosen to suit a specific function and to be an extension of his personality. The interiors and architecture absolutely needed to speak the same language for this particular project, the home needed to have a distinct and ubiquitous visual identity.

Decorating a space with such large volumes can be tricky. How did you pull it off ?

There is a beautiful tension between large volumes and the placement of pieces within them. One wants to fill the space so that it does not feel empty but also still celebrates the volume.

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negative space around them, showing off the rug below. Both visually anchor the lounge while still showing off the space.

Form and structure, in terms of furniture pieces, also seems to echo the rectilinear architectural approach.

For the majority of the pieces, we followed the straight lines of the house, pulling the eye through the spaces in harmony with the architecture. However, I also added an organic, curved or softedged piece in each space to create depth and interest.

Lighting has also been brilliantly used to occupy space, both sculptural yet functional. How did you first conceive of this approach and what informed your lighting choices?

The decorative lighting in the home became the jewellery of the interior, effective as floating sculptural pieces throughout the day and adding glamour and warmth to the home as the sun sets. The reflections of these lights in all the glazing creates movement when walking through the home at night.

Which designers did you work with?

We worked with OKHA for a large portion of our custom pieces, I feel that their aesthetic is luxurious but not austere, which is completely in line with my design ethos. We also created a three-metre-long, custom solid brass, angular chandelier over the dining table in collaboration with Martin Doller. We finally mixed these custom pieces with more classic international pieces from Cassina, B&B Italia, Zaha Hadid, Classicon and Galotti & Radice.

Let’s talk about the art in the home – especially the gold-plated dinosaur skeleton.

Well, yes, there is a life-size, gold-plated velociraptor skeleton, commissioned by the client, by an artist named Goldfinger.

It sits proudly and somewhat aggressively in the front entrance and most definitely creates impact, intrigue and engagement as guests walk in.

Studio A studioa.co.za Q

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A NERO MARQUINA MARBLE BAR AND ‘FAYE’ CHAIRS FROM OKHA, AND A ‘MONDRIAN’ GLASS CEILING LAMP FROM VENICEM, TAKE CENTRE STAGE IN THE BAR

‘There is a beautiful tension between large volumes and the placement of pieces within them. One wants to fill the space so that it does not feel empty but also still celebrate the volume’ TRISTAN DU PLESSIS

ABOVE A LIFE-SIZE, GOLD-PLATED VELOCIRAPTOR SKELETON BY THE ARTIST GOLDFINGER PREVIOUS SPREAD, CLOCKWISE FROM TOP LEFT GLASS DOORS FOLD AWAY, BLURRING THE LINE BETWEEN INDOOR AND OUTDOOR; A PACO RUG IN THE LIVING ROOM; PIECES BY THE ARTIST KAWS ON A ‘BIJOU’ SIDETABLE

BY OKHA

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ABOVE: BOOKMATCH PANDA MARBLE IN WHITE ADORNS THE WALLS OF THE MASTER BATHROOM RIGHT: GABRIELE AND OSCAR BURATTI ‘ALYS’ BED IN BLACK LEATHER AND ZAHA HADID ‘MOON SYSTEM’ SOFA FROM B&B ITALIA, ‘IC LIGHTS’ LAMP AND TABLE LAMP FROM FLOS, AND A CLUSTER OF LEE BROOM ‘ECLIPSE’ LIGHTS FROM CRÉMA DESIGN

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DESIGN NOTES

‘TORO’ DINING CHAIR, POR OKHA

‘BIJOU’ SIDETABLE, POR, OKHA

‘REPOSE’ SOFA, POR, OKHA

SLEEP NINJA BY JUSTINE MALONE, PATINATED BRONZE, POR, SOUTHERN GUILD

‘BARNETT’ DINING CHAIR, POR, OKHA

ACHILLE & PIER GIACOMO CASTIGLIONI ‘TACCIA’ TABLE LAMP, POR, CRÉMA DESIGN MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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THE 25-METRE POOL AND BARN-LIKE OUTDOOR ARCHITECTURE OFFER RELIEF FROM THE SUMMER HEAT AND UNRULY WINELANDS WIND

second

NATU RE

A neglected Franschhoek valley farmhouse is reimagined with gracious spaces that capitalise on the breathtaking mountain views

TEXT EDWAIN STEENKAMP PHOTOGRAPHS JAMES MACDONALD

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NATURAL TEXTURES, MATERIALS AND COLOURS INFORM THE HOME’S INTERIOR DESIGN, MELDING SEAMLESSLY WITH THE GENEROUS LANDSCAPE VIEWS

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THE LIVING AREAS ARE FILLED WITH PIECES FROM MARC’S COMPANY LUMISOL, AS WELL AS HEIRLOOMS AND OBJETS COLLECTED DURING THE COUPLE’S TRAVELS

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w

hen Marc-Ludolf von Schmarsow and James Jayasundera first saw the house, known today as 7 Koppies, for sale in the Franschhoek valley while they were visiting South Africa on holiday, ownership seemed like a wild dream. In fact, neither of them spoke of it for a long while after returning home – that is, until a chance conversation sparked the decision of a lifetime.

‘Neither of us realised just how much the other was thinking about this property and its potential,’ says Marc. ‘Then one day it came up, and we knew it was something we both really wanted to invest in.’

But for all its manifold charms, the property also had a few challenges. The main house was dated and in need of attention, and the land was neglected. The vision was clear from the start: to create a small sanctuary they could call home one day.

Now, several years (and countless hours of construction and landscaping) later, the property is almost unrecognisable, having been transformed under the careful eye of Marc and the team at his Munich-based design practice, Lumisol.

The renovations took more than two years to complete, with Marc flying to South Africa every six weeks to assist local architect Jan Desseyn on the project. Today the house has five bedrooms, a spacious kitchen and large, open-plan living areas. A ‘ nd, of course,’ adds Marc, ‘we had to open up and enlarge the windows to allow for the breathtaking views that just beg to be admired.’

While the house underwent a complete reconfiguration, there is no lingering sense of the overhaul. Rather, it exudes the quiet grandeur and character of a home that was built – and lived in – over many generations. This is in large part due to Marc’s considered approach to the decor and finishes. While several pieces were sourced from Lumisol, including fabrics and light fixtures, Marc and James filled the house with heirlooms and other treasures collected during their world travels.

Arguably the real magic lies in the magnificent site and its uninterrupted views of the Simonsberg. For Marc and James, the 50-hectare grounds were every bit as important as the house.

‘Initially, we had no idea just how special the land was. We had thought of turning it all into farmland until we discovered wild, rare fynbos growing everywhere. We knew it had to be protected and enjoyed.’ Thanks to the talents of botanist Fiona Powrie and landscape designer Franchesca Watson, the gardens are not only majestic in their own right but meet the house in a way that allows for it to be truly experienced.

And it really is an experience. Marc and James drew on the work of late Sri Lankan architect Geoffrey Bawa, renowned for creating seamless indoor-outdoor living areas. James is Sri Lankan, and he and Marc spend a lot of time there. This brought to life the exterior, ‘barn-like structures’, which also serve a practical purpose. ‘The wind can be quite harsh here,’ says Marc, ‘but these structures offer shelter so that you can enjoy the outdoors in peace.’ The 25-metre pool is ideal (and, often, essential) for the sweltering Cape Winelands’ summers.

‘From the beginning, we wanted to create something reminiscent of our childhoods,’ says Marc – both he and James had spent time in Italy as young boys. A ‘ place that is not only home right now, but will evolve, as will we, and will one day become a home for us to grow old in.’ lumisol.com; 7koppies.co.za Q

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THE SPACIOUS KITCHEN IS IN THE HEART OF THE HOUSE. HERE, FRIENDS AND FAMILY CAN GATHER TO PREPARE FOOD SOURCED FROM THE KITCHEN GARDEN JUST OUTSIDE

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‘From the beginning, we wanted to create something reminiscent of our childhoods’ MARC-LUDOLF VON SCHMARSOW

MARC DESCRIBES THE GUIDING INSPIRATION FOR THIS PROJECT AS A MIXTURE OF INFLUENCES FROM THE ARTS-ANDCRAFTS AND CAPE

DUTCH STYLES. THE RESULT IS AN INTERIOR INFORMED BY PERSONALITY AND COLOUR, WITH AN UNDENIABLE SENSE OF HISTORY

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AS IS THE CASE IN EVERY ROOM, THE VIEWS TAKE CENTRE STAGE IN THE BEDROOM AND BRING THE PASTORAL, NATURAL ATMOSPHERE INDOORS

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WHILE MARC AIMED TO KEEP MOST ELEMENTS OF THE INTERIOR DESIGN RATHER NATURAL, ATTENTION WAS

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GIVEN TO SMALLER FEATURES SUCH AS FITTINGS, TAPS AND COUNTERTOPS, TO INSTIL A SENSE OF MODERN LUXURY

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DESIGN NOTES

WOODEN BEAD MIRROR, R 8 200, CÉCILE & BOYD

‘BIRD’S LIFE’ TABLE LAMP, R3 989, KARE DESIGN

WOODEN CANDLEHOLDER, R1 800, THE CROWN COLLECTION

An interior informed by personality, colour and history ‘CATHERINE’ CHAIR, R7 950, PEZULA INTERIORS

‘MADDEN’ BENCH, R5 495, BLOCK & CHISEL

T E X T: J A N I A D E L E Y L A N D M A N ; P H O T O G R A P H S : S U P P L I E D

‘JAMALI GARDEN’ CUSHION, R1 390, SHF

‘VALDAGNO’ RUG, R67 780, ROCHE BOBOIS

‘BURLINGTON’ VICTORIAN BASIN AND PEDESTAL, R4 295, VICTORIAN BATHROOMS

‘PINEAPPLE’ VASE, R3 199, KARE DESIGN MARCH/APRIL 2021 HOUSEANDGARDEN.CO.ZA

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THE HOUSE SCREENS THE LAKE FROM VIEW ON APPROACH, CREATING A DRAMATIC REVEAL ONCE YOU CROSS THE THRESHOLD

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S T I L L WAT E R S This sustainable home on Lake Huron near London, Ontario is anything but your traditional Canadian country cabin, extending the possibilities of a family lakeside retreat TEXT GRAHAM WOOD PHOTOGRAPHS ADAM LETCH

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THE STACKED RECTANGULAR BOXES INTERSECT TO DEFINE INDIVIDUAL LIVING SPACES

BACKLIT STAIRS LEAD TO THE PRIVATE UPPER LEVEL, WHICH HOUSES THE MASTER BEDROOM, A HOME OFFICE AND THE GYM

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THIS

summer house is set on the banks of Lake Huron in a small, remote Canadian town about an hour’s drive from London, Ontario. While the architectural context might be characterised as somewhat conservative ‘cabin country’, this house attempts to extend the possibilities of the traditional lakeside family retreat through a contemporary architectural approach, harnessing recent developments in design, technology and sustainability to connect meaningfully with its beautiful natural setting while exploring new ways of enhancing the lifestyle experience of the family summer getaway.

While the aesthetic approach that Cape Town-based architecture firm SAOTA took may seem a radical departure from the traditional regional vernacular, the architects have taken great care to keep the design unobtrusive and sensitive to its setting.

The site occupies a transitional space between lake and forest, rising 3.5 metres from road level and then dropping down to the water to create a grassy embankment. The house is set back on the property towards the street to preserve this natural bluff. On approach, it is largely concealed by the surrounding firs, appearing as a simple light-coloured stone box floating effortlessly between the trunks. The rear of the house, facing Lake Huron, dissolves into a two-storey wall of glass, inviting natural light deep into the interiors.

Conceptually, the design consists of a series of stacked rectangular boxes, one embedding the building into the ground plane, another suspended overhead, so the living level exists between the volumes.

An indoor/outdoor volume to the south anchors the building and maximises the site’s lakeside views while allowing the living spaces to occupy the foreground. A bank of bedrooms projects backwards above the garage.

The way in which the building is largely obscured from the street (and in turn screens views of the lake) helps to build suspense on

arrival, only to satisfy the sense of anticipation on entry via the large pivot door. From the threshold, a dramatic triple-volume atrium lets in natural light and draws the eye outwards towards the view.

Programmatically, in keeping with the client brief, the spaces are fluid, the levels easy to navigate and the layout simple and well structured, allowing for a casual atmosphere. The vast central volume is subtly contrasted with more intimate and contained volumes in the kitchen and other living spaces, for a varied and articulated spatial experience.

The upper level housing the master bedroom is devoted entirely to the owners’ private space, including an office and a gym. To the front of the house, a covered outdoor entertainment area flanks a swimming pool. A boardwalk and staircase descend to a refurbished cabin that predated the house and now plays host to a guest suite and additional outdoor entertainment area to facilitate long summer days enjoying the lake.

The client’s favourite room is the ‘engine room’ on the lowest floor, which houses all the building services infrastructure. A commercial-grade Building Automation System (BAS) controls and monitors the home, ensuring optimum performance at all times.

A 15kw solar array provides power, and excess is regularly fed back into the utility grid for credit and later use. The limited municipal infrastructure for stormwater and sewage resulted in an on-property underground stormwater system that can handle a 100-year storm, and an eco-flo septic system to deal with all sewage requirements.

The finishes, externally and internally, favour a ceramic, panelled system robust and hard-wearing enough to prove long-lasting in the extremes of the Canadian climate, which – together with the home’s energy efficiency and the general longevity of the project and its materials, components and fittings – contribute to its sustainability.

SAOTA saota.com 021 468 4400 Q

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THE BOARDWALK DESCENDS TO A REFURBISHED GUEST CABIN THAT PREDATES THE HOUSE

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While the aesthetic may seem a radical departure from the regional vernacular, the architects have taken great care to keep the design sensitive to its setting

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THE REAR OF THE HOUSE DISSOLVES INTO FULL-VOLUME WINDOWS, OFFERING LAKE VIEWS FROM ALMOST EVERY SPACE

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DESIGN NOTES

Create a family summer getaway that connects meaningfully with its natural setting

‘LONDON’ DINING TABLE, POR, OKHA ‘FLORENCE’ FLOOR LAMP, R1 695, ELEVENPAST

FOTAKIS ‘OPTION’ RUG IN INK RUN, R1 499, SUPERBALIST

T E X T: J A N I A D E L E Y L A N D M A N ; P H O T O G R A P H S : A DA M L E T C H

‘NYC ABSTRACT’ BENCH IN BLACK, R2 500, MR PRICE HOME LINEN DRAWER ‘HARMONY’ PURE COTTON THROW, R1 489, YUPPIECHEF

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GAUZY, PERENNIAL PLANTING ATTRACTS A HOST OF BIRDS AND BUTTERFLIES TO THE GARDEN, DRAWN BY THE MANY FLOWERS, SEED HEADS AND WATER

IN BRIEF Size 2 000 square metres Soil type Sandy loam with added compost to ameliorate builders’ activity Aspect North-facing X-factor Contemporary grass garden with planted private courtyard Design Franchesca Watson Installation Natural Earth Landscaping

Walking on Air

A boundless Cape garden, brimming with swaying drifts of textured planting and a dreamy colour palette, floats above the eastern slopes of Table Mountain TEXT & PHOTOGRAPHS HEIDI BERTISH

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OPPOSITE PURPLECOLOURED VERBENA RIGIDA FRAME A GRASSY GONGONI GRASS SPIRAL THIS PAGE PENNISETUM ‘TALL TAILS’ CATCHES THE SUNLIGHT, FILTERING VIEWS FROM A SECLUDED GARDEN ENCLAVE TOWARDS THE MAIN LAWN

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long the wide, tree-lined avenues of the Cape’s southern suburbs, just below the local botanical treasure that is Kirstenbosch Botanical Garden, lies a sweeping garden, so lightly planted with feathery grasses, tall spires, ornamental perennials and lacy umbels, that the experience of it is more like being surrounded by drifts of gently floating clouds, than in a domesticated, green space.

Key to its character is landscape designer Franchesca Watson’s response to the contemporary architecture of the house, and her intention to open it up to the spectacular views of Table Mountain. In line with her vision, the homeowner yearned to create a contemporary, romantic space reminiscent of the Highveld garden of his childhood home, and so, in many ways, it worked to incorporate a moving palette of grasses and plant varieties that shift and sway in the wind.

The architecture allowed the garden to generously wrap the building on all sides, presenting an opportunity for contained, gardened courtyards and private, green spaces that visually connect to the interiors through floor-to-ceiling windows.

These tranquil enclaves are detailed with a collection of wispy

grasses, delicate pelargoniums, penstemon spires, pink bergenia and carpeting Ajuga repens.

The garden pivots around the juxtaposition of intimate enclosure, open space and the seamless flow between the two. The main garden – designed around the idea of laid-back living, long lunches and outdoor summer entertaining – boasts an open lawn, fringed by willowy planting that doubles as a gauzy, planted screen to the swimming pool. Challenging level changes softened by gently curving lawned stairs edged in local sandstone make for easy transition between upper and lower areas. Pockets of purple Slender Vervain (Verbena rigida) and Fairy Lilies (Zephyranthes candida) planted into the stairs further dissolve the change in levels, drawing the eye across the lawn and over downy plantings of pennisetum ‘tall tails’, pink sage bush (Syncolostemon obermeyerae) and summer lilac (Buddleja davidii).

The result is that boundaries have melted away. A ‘ lthough highly detailed and manicured in areas, the garden has a touch of wildness,’ says Franchesca. ‘One seems to float out and away here.’

Franchesca Watson franchescawatson.com Natural Earth Landscaping 083 680 2382 Q

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Plant palettes Franchesca talks us through the rationale behind her free-flowing, textural planting.

‘The materials and colours of the house tend towards dark hues, against which all greens pop. To create the backdrop to the garden, I used what I call saturated greens in mid to dark hues, with non-reflective leaves, such as viburnums and bauhinias. Smaller plants, such as buddlejas, were then used closer to the home to bring in varying textures and foliage colour in lighter shades of green and grey – and even lilac-leafed Vitex trifolia ‘purpurea’ for splashes of purple. Flower colour is always a bonus, and here, there is an ongoing seasonal display, with blues and purples and fearless shots of bright reds, oranges and yellows. A feeling of endless space is created with bolder textures: think big flower heads of daylilies, planted close to the home, and drifts of finer textures, such as Salvia uliginosa, planted further away.’

TOP ROW, FROM LEFT SEA HOLLY, SILVERY-COLOURED LAMB’S EAR AND GRASSY, CLUMP-FORMING FAIRY LILIES; SELAGO CORYMBOSA; LAMB’S EAR MIDDLE ROW, FROM LEFT KNOWLTONIA VESCATORIA BERRIES; LEMON TREE; TRACHELIUM CAERULEUM LEFT VITEX TRIFOLIA ‘PURPUREA’

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Shooting the breeze A garden that moves appeals to the senses.

‘A plant palette that shifts and sways in a garden is one of my fascinations,’ says Franchesca of this garden boasting a multitude of plant varieties that spring to life in a gentle breeze. ‘The movement of certain plants in the wind can be beautiful. Think tall, willowy grasses, such as umbels and spikes.

The garden is protected from the wind closer to the house and catches the breeze a little further out, so it was the perfect opportunity to concentrate on plants that are happy in motion.

The lower corner of the garden was ideal for the grassy spiral walk of Aristida junciformis, which creates a dramatic spectacle when viewed from above.’ Water movement is always magical and adds a further dimension of sound. This garden has a simple, round pond, doubling as an informal seat, in the centre of which is a small bubbling spout that makes the very subtle sound of gently moving water. The effect is a modern take on an old idea and gives a great focal point to the plant-rich zone outside an indoor or outdoor conservatory space.

A RIOT OF GRASSES, NATURAL MATERIALS AND THE SIGHT AND SOUND OF MOVING WATER CREATE THE FEELING OF BEING ENVELOPED

BY NATURE

Double Vision

Interior designer Rory Macpherson and his wife, branding and marketing consultant Katrina, live, work and play between two time zones. Their voluminous Mother City home provides a lush, soft landing TEXT THOBEKA PHANYEKO PHOTOGRAPHS GREG COX

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THE FULLY GLAZED SOUTH WALL OPENS ONTO A 10-SEATER OUTDOOR DINING AREA, CREATING SEAMLESS INDOOROUTDOOR FLOW

Constantia is a wonderfully green, lush area in the foothills of Table Mountain.

It is a location that captured Rory and Katrina Macpherson’s attention when they first landed on South African soil, having just relocated from London. Their love story spans decades, the pair having met at school in southern Spain at the age of 11. ‘The memories of being in the heat, closer to nature and by the sea, always make us smile,’ says Rory.

Years later, they arrived in Cape Town as parents to two young children. ‘We felt we had to get that lifestyle back, without being too far from the vibrant city centre and the airport, which are both only 20 minutes away. Constantia is a naturally beautiful area, and there are amazing walks and runs on our doorstep. Our dogs, Chilli (who came with us from London) and Sabi (who we rescued during lockdown), love it too.’

When they bought the bungalow property, Rory and Katrina recognised the potential to do something different. ‘There is not much in the way of contemporary architecture and interior design in the vicinity. Our vision was to create a home in which we could live, work and play, and that we would want to stay in for at least five years,’ says Rory. ‘The first thing we felt the need to do was create more space and opportunity for light to flood in. Internally, we kept the main ground-floor footprint but took out all the internal walls, removed the ceiling, and added a second storey and a guest studio. We increased the footprint from 250 to 400 square metres and added a huge amount of volume,’ he says. ›They lifted the ceiling dramatically in the open-plan living-dining-kitchen area, and added windows and doors in glass. Ceiling heights throughout are lofty; 11 metres at one point, eight in the main living area and six in the couple’s bedroom.

‘We are both entrepreneurs running international businesses, so the work-from-home aspect was important to integrate into the renovation and design decisions. We converted the garage into a loft-style joint office for this.’

Having space to entertain and create memorable experiences was another important factor. ‘The wall on the south elevation in the living room is fully glazed with three-metre-tall glass doors that open onto a covered external dining table seating 10. With the doors open it has a wonderful feeling of being in nature, and the in-out flow we love. For warm summer days or pre- or post-dinner cocktails, we built a bar by the pool and called it “Chilli’s”, after our beloved dog.’

A climbing passion-fruit plant frames the bar. ‘You can pick your fruit and add it to your cocktail. I worked with two brilliant young artists, Almero Welgemoed and Kristiaan Agenbag, and invited them to paint a nature-inspired mural on the walls and surrounding the bar. They mirrored the banana trees and the ivy growing on the other side of the garden, using David Hockney’s pool as inspiration.’

The designer approaches each project as a new entity and has an intentionally fluid design process. He says he likes to spend time observing people and their habits before going on to conceptualise spaces and the living experience for them. ‘My greatest inspiration – other than my wife and design icons such as Charlotte Perriand and Gio Ponti – is nature,’ says Rory.

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Apart from the perfect location, what drew the couple to the house? ‘The first thing I remember about the plot were the three trees in front of the house: a palm, a Norfolk pine and a Pepper tree.

This totally unusual and charming combination immediately drew me to the property,’ says Rory. ‘The house itself was sweet but a little uninspiring in its “cottage style” but we could visualise what it could become.’ Rory says they wanted to create a unique home that would cater to them as a family and tick all their boxes. ‘We love the flow of open spaces, the idea of tropical living, and a sense of individuality through unexpected details.’

Some of the conversations they had about their vision included the external colour of the house, for which they ended up choosing a charcoal grey to make the greenery of the garden pop. ‘We plan to repaint the house a different colour every few years for a change in mood.’ They kept the three trees that had attracted them to the house, added local wild plants, and grow their own fruit and vegetables.

‘The design and build took nine months. We are a great team, and creating a home is a joint passion of ours, which I believe is reflected in the outcome. I am more passionate about and focused on the architecture and spatial planning, while Katrina loves to source and style the art, objects and accessories. We generally work on the larger furniture pieces together. It’s an intuitive organic experience, rather than based on boards, themes or trends.’

Of course, there are challenges to designing a space you own, rather than a client’s. ‘The brief is essentially limitless and never-ending, which makes editing ideas and retaining a sense of simplicity difficult,’ says Rory.

Aside from planning regulations, his first concern was those three trees, and how to work with them to build the orientation and the living experience of the house. ‘I wanted to make use of their natural shade while ensuring they didn’t block light in key areas.’

The house itself is constructed by the company Framecon, from a light, steel frame, which Rory says he loved working with but which presented its own set of hurdles. ‘There is little room for site adjustments so you have to trust your design and be very detailed in the information you provide the steel producers. But it’s a much more environmentally friendly way of building and involves a lot less site work, which appealed to me.’ Of the process, Rory says that most of the structure is prefabricated off-site and then quickly assembled when it arrives. ‘It is very exciting to watch it all go into place. Getting the structural design right for the exposed trusses in the main living room took a lot of back and forth and negotiation with the engineer. It is a big open space and we really wanted the height we have now, which is a 30-degree pitch. We also wanted scissor trusses, as we prefer the look.’

He describes the overall look and feel of the house as voluminous, tropical and characterful. ‘My wife and I have both grown up living in different parts of the world, including Spain, Italy, France and the Caribbean. Our combined style is therefore quite eclectic and colourful; a fusion and a collective of the places we have been and the memories we have created over the years.’

Play Associates play-associates.com Q

AN ECO- FRIENDLY, STEEL FRAME PRESENTED ITS OWN SET OF CHALLENGES, BUT PROVIDED THE HEIGHT AND PITCH THE OWNERS HAD ENVISIONED

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‘CHARACTERFUL’, ‘VOLUMINOUS’ AND ‘TROPICAL’ WERE THREE TOUCHSTONE WORDS DURING THE DESIGN

RORY PARTICULARLY LIKED SOURCING FROM LAURIE WIID VAN HEERDEN AND PEZULA INTERIORS

GETTING THE SCISSOR TRUSSES JUST RIGHT INVOLVED SOME BACK AND FORTH WITH THEIR STEEL ENGINEER

‘Our combined style is quite eclectic and colourful; a fusion and a collective of the places we have been and the memories we have created over the years’ RORY MACPHERSON

RORY AND KATRINA PLAN TO REPAINT THE HOUSE EVERY FEW YEARS, FOR A CHANGE IN MOOD

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DESIGN NOTES

‘JAKARTA’ LIGHTING, FROM R2 295, WEYLANDTS ‘PEACOCK CHAIR 2’, R12 075, EIGHT DEGREES SOUTH

T E X T: J A N I A D E L E Y L A N D M A N ; P H O T O G R A P H S : S U P P L I E D

‘BROMELIA ANANAS #4405’ ARTWORK, FROM R2 290, PEZULA INTERIORS

‘GEMIMA’ CORNER SOFA, R28 995, BLOCK & CHISEL PUNCH NEEDLE ‘PATTERN 3’ CUSHION, R765, KNUS

‘TWO TONE GLASS BELLY’ VASE, R180, MR PRICE HOME

SIXTH FLOOR ‘GARLIC GOURD’ BASKET IN NEUTRAL, R899, SUPERBALIST

DULUX ‘BLACK MICA’ PAINT, FROM R180 PER LITRE, BUILDERS WAREHOUSE

‘WILLOW’ GARDEN STOOL, R1 955, WEYLANDTS

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CONCIERGE INSPIRING CUISINE, TASTEFUL TRAVEL

Kayaking to the limestone sinkhole of Prasat Hin Pun Yod in Thailand

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the kingdom and I Whether it’s an adventure, wellness or the call of the big city, there’s a perfect escape for every traveller to Thailand TEXT PIET SMEDY PHOTOGRAPHS SUPPLIED

rom gilded shrines to towering glass skyscrapers, sprawling mangrove forests to mega metropolises, Thailand’s beguiling contradictions have captured the imaginations of intrepid explorers for centuries. A crucible of culture and commerce, to experience the country is to step back into history while at the same time living on the cutting edge of tomorrow.

There is an adventure waiting for every type of discerning traveller – from an electric culinary and nightlife scene for the urban globetrotter, to awe-inspiring temples and monuments to appease the culturalist, unspoiled forests and coastlines to beckon the adventurous spirit, and quiet sanctuaries where mindfulness and meditation offer an unrivalled escape from the world.

When the return to travel has become the ultimate luxury, Thailand offers a unique and unforgettable experience: a journey to paradise.

From bustling Bangkok to the historic capital, Ayutthaya,

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and, of course, the famous islands of the Gulf of Thailand, these high-design hotels offer luxury, comfort and style across Asia’s most exciting country. thailandsa.co.za TO STAY 137 Pillars Suites & Residences, Bangkok You’d be hard-pressed to find a more Instagram-ready hotel in the city, from the impossible views over the skyline from the rooftop infinity pool to the cocooning glamour of Nimitr, its blue-and-gold clad Michelin-star restaurant. Every detail of 137 Pillars Suites & Residences has been designed with luxury in mind, offering guests a sophisticated, urban experience in the heart of the capital. 137pillarsbangkok.com Thann Wellness Destination, Ayutthaya When the time comes to leave the city behind, Thann Wellness Destination offers a reprieve from the frenetic.

Here, visitors can rejuvenate thanks to the riverside spa’s many restorative activities, including healing massage and skincare treatments, yoga and

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Crystal waters welcome visitors to the tiny island of Ko Lan

TRAVEL Handmade umbrellas in Chiang Mai

The Great Buddha of Thailand, located in the Wat Muang temple in Ang Thong

cooking classes, to name a few. thannwellness.com

WHERE TO EAT

Taan Paradee Resort, Koh Samet No trip to Thailand is complete without a stay at one of the legendary islands, and Paradee Resort certainly lives up to its name: a paradise without equal. Booking a beachside villa is essential, as are days spent island hopping and evenings sipping cocktails at the hotel bar and restaurant. samedresorts.com

What They Say Named after the Thai ‘to have a meal’, Taan focuses on farm-to-table fare with an emphasis on small plates and big – often unexpected – flavours.

Located on the 25th floor of the Siam@Siam Design Hotel in the kingdom’s capital, dinner at Taan is as much a visual feast as a literal one.

What We Say The eight-course season-led menu is a tour de force of modern Thai cuisine, perfectly balancing the classics with ever-inventive takes on local ingredients. The view over Bangkok is matched only by the infallible service. Don’t skip the marinated fish roe – a local delicacy. taanbangkok.com

Jim Thompson House What They Say

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Boats docked on the famous coatline of Krabi

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TRAVEL The former home of ‘Thai silk king’ Jim Thompson (an architectural marvel in its own right – construction started in 1959 entirely from timber, not a single nail was used) is today a museum to his design achievements – and also home to one of the city’s most low-key, high-brow restaurants.

What We Say The feeling of calm at the Jim Thompson House restaurant, considering its location, is almost unimaginable. Take a short walk past the museum, past Thai weavers at their silk looms producing the fabric that built this legendary house, and step into the cool, airy eatery.

The menu focuses on traditional favourites. jimthompsonrestaurant.com

Blue Elephant What They Say A decade ago, acclaimed chef Nooror finally expanded her growing empire to her home country with the opening of Blue Elephant Bangkok and Phuket, in a sense completing her journey as an arbiter of Thai culinary sensibilities.

What We Say Of the two storied Blue Elephant outposts, Phuket offers a truly transporting experience. Housed in a restored governor’s house, in the Sino-Portuguese architectural tradition, in the island’s biggest town.

The kitchen specialises in traditional southern Thai fare with a modern edge. It also offers cooking classes to more scholastically included diners. blueelephant.com

WHERE TO SHOP

making it the perfect reprieve for weary shoppers. siwilaibkk.com

Siwilai What They Say The retail experience doesn’t get edgier than the multi-brand offering at Siwilai – roughly translated from Thai as ‘civilized’, its offering focuses on progressive, identity-based fashion and homeware.

A bridge between tradition and trends, Siwilai offers a high-luxe antidote to the frenetic pace of the capital.

What We Say Riffing on the idea of a ‘modern marketplace’, Siwilai brings the latest in Asian style to discerning consumers looking for a not-your-average offering of culture and couture for both the self and the home.

The space is kitted out in dim lighting and natural timber,

The Object Room What They Say Founded in Auckland in 2011, The Object Room owners Luke McCarthy and Timond Chu relocated to Bangkok six years later to establish one of the city’s most exciting retail spaces, which offers a mix of international and local Thai homeware design brands.

What We Say Minimalist white spaces, a global-meets-local aesthetic and friendly service are the hallmarks of The Object Room.

A must-visit on any trip to the country, the store’s selection of must-haves in decor is unmatched. theobjectroom.com Q

The ‘White Temple’ – Wat Rong Khun – in Chiang Rai

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A 5-star week in amazing Thailand YOU AND A PARTNER STAND THE CHANCE TO WIN A SIX-NIGHT, ALL EXPENSES PAID HOLIDAY TO THAILAND WITH HOUSE & GARDEN AND THE TOURISM AUTHORITY OF THAILAND VALUED AT OVER R100 000

Take in the iconic Bangkok skyline from your suite at 137 Pillars Suites & Residences

PROMOTION

Relax and recharge at THANN Wellness Destination in Ayutthaya

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e know it has been a long time since you have travelled, which is why House & Garden has teamed up with the Tourism Authority of Thailand to bring you the trip of a lifetime. You and a partner could experience the best that Thailand has to offer with a six-night, five-star experience that will take you from bustling Bangkok to the ancient city of Ayutthaya and, finally, the impossibly beautiful island of Koh Samet. Follow the competition entry instructions below for a shot at this incredible experience.

For more package information about visiting Thailand, visit Thompsons Holidays, South Africa’s longest-standing tour operator.

Thompsons Holidays thompsons.co.za

SO, HOW DO YOU ENTER? Follow @houseandgardensa and @amazingthailandsouthafrica on Instagram. Post a picture of you and your March/April 2021 issue of

Explore the idyllic island of Koh Samet from Samed Resorts Paradee Hotel

House & Garden, tag the person you would take with you, @houseandgardensa and @amazingthailandsouthafrica, and tell us what you are most excited about seeing in Thailand. Use the hashtag #HGxAmazingThailand at the end to complete your entry.

WHAT’S INCLUDED IN YOUR PRIZE? 2x economy-class air tickets ex Joburg or Cape Town 2x nights’ accommodation at 137 Pillars Suites & Residences, Bangkok, in a Sukhothai Suite, breakfast and Baan Borneo Club benefits included.

2x nights’ accommodation at THANN Wellness Destination, Ayutthaya, in a one-bedroom poolside villa. All meals and wellness activities included.

2x nights’ accommodation at Samed Resorts Paradee Hotel, Koh Samet, in a Garden Pool villa. Breakfast and shuttle speedboat included. Tourism Authority of Thailand thailandsa.co.za

T E R M S A N D C O N D I T I O N S : P R I Z E I S S U B J E C T T O AVA I L A B I L I T Y. T H I S V O U C H E R I S N O T T R A N S F E R A B L E T O PA R T I E S O T H E R T H A N T H E R E C I P I E N T/ S A N D I S N O N - R E D E E M A B L E F O R C A S H O R A N Y O T H E R S E R V I C E S . C O M P E T I T I O N P R I Z E , I N C L U D I N G F L I G H T S A N D A C C O M M O D AT I O N , W I L L O N LY B E R E D E E M A B L E O N C E T R AV E L T O T H A I L A N D I S F U L LY A N D F R E E LY O P E N . S PA T R E AT M E N T S A R E N O T I N C L U D E D I N A N Y O F T H E A C C O M M O D AT I O N . R I G H T O F A D M I S S I O N I S R E S E R V E D . P R I Z E W I N N E R S W I L L B E R E Q U I R E D T O A D H E R E T O A N Y A N D A L L C O V I D - 1 9 S C R E E N I N G A N D T E S T I N G R E Q U I R E M E N T S , A S W E L L A S A N Y O T H E R C O V I D - 1 9 R E L AT E D P R O T O C O L A S S E T B Y A U T H O R I T I E S I N T H E R E S P E C T I V E C O U N T R I E S O F T R AV E L . B Y A C C E P T I N G T H I S P R I Z E , C O M P E T I T I O N W I N N E R S ( A N D T H E I R C O M PA N I O N S ) A G R E E T O A C T I N A C C O R D A N C E W I T H W H AT W O U L D B E R E G A R D E D A S R E A S O N A B L E B E H AV I O U R E X P E C T E D F R O M G U E S T S AT A 5 - S TA R E S TA B L I S H M E N T A S W E L L A S A N Y A N D A L L R E G U L AT I O N S S E T O U T B Y T H E VA R I O U S P L A C E S O F A C C O M M O D AT I O N . G U E S T S W I L L B E H E L D L I A B L E F O R A N Y D A M A G E S C A U S E D B Y G R O S S N E G L I G E N C E . I N T H I S C A S E , T H E Y M AY B E R E Q U E S T E D T O L E AV E A N D T H E P R I Z E W O U L D B E F O R F E I T. E X T R A S S U C H A S P R E M I U M A L C O H O L B R A N D S , T R A N S F E R S , G R AT U I T I E S A N D A L L U N S P E C I F I E D I T E M S T H AT H AV E N O T B E E N S P E C I F I E D I N T H E P R I Z E L E T T E R W I L L B E F O R T H E W I N N E R S ’ P E R S O N A L A C C O U N T. F U R T H E R T S & C S W I L L B E P R O V I D E D T O T H E P R I Z E W I N N E R S U P O N C O M P E T I T I O N C L O S I N G .

‘It is one of the best dining rooms in South Africa, if not the entire world’ LIAM TOMLIN

INTO THE BLUE

The newest addition to the Chefs Warehouse family opened its doors last year in the unique oceanside location of Cape Town’s iconic fivestar, award-winning boutique hotel on Chapman’s Peak Drive TEXT SHANNON MANUEL PHOTOGRAPHS CLAIRE GUNNH

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ape Town’s iconic boutique hotel occupies a breathtaking location on the shoreline.

Sitting at the foot of Chapman’s Peak, the lodge is perched on a pebbled beach and enjoys panoramic views of picturesque Hout Bay. 100

‘When I first walked into this incredible space, I knew that a Chefs Warehouse at Tintswalo Atlantic was a no brainer. It is one of the best dining rooms in South Africa, if not the entire world,’ said Liam Tomlin.

‘It is a dream come true to have a Chefs Warehouse not only close to but right on the ocean, to complete our package of restaurants in the Cape Winelands and the city.’

General Manager Jami de Witt and Head Chef Braam Beyers head up the restaurant, guided by Liam Tomlin and Chef Patron Ivor Jones.

‘Since opening the response has been incredible. There has

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been much excitement to try the restaurant and visit the beautiful setting,’ says Jami.

The dining experience is laid-back fine dining, with personable and attentive tableside service. The menu at Tintswalo is the classic Chefs Warehouse tapas for two sharing experience, offering eight dishes served over four courses at a set price (R1 500) – bread included. A cheese course, oysters, caviar course and desserts are available at an additional charge. A vegetarian menu is also available.

‘I would describe the food as global contemporary tapas with a focus on seafood, game and seasonal vegetables.

The restaurant overlooks the ocean and surrounding mountains, which influences the design and feel of our menu. Each dish represents a certain culture or part of the world, using flavours and techniques relevant to that culture,’ says Braam.

Signature dishes include lemon pie from the dessert menu, and risotto, which changes regularly. All ingredients are locally sourced, using sustainable produce suppliers.

Tintswalo Atlantic’s existing restaurant area and deck was redesigned to incorporate the Chefs Warehouse signature and personality.

‘The furniture is minimalist and modern with a Scandinavian feel. We added dining tables and chairs by Houtlander to the dining room, changed the colour tones in the restaurant and placed beautiful art pieces by Claire Gunn,’ says Jami.

‘We wanted the food and views to be the focus so we toned down everything else so that those two could shine.

‘It is magical to watch the sunset on the deck, eating Chef Braam’s oysters with a glass of bubbles.’

Chefs Warehouse Tintswalo chefswarehouse.co.za Q

THE FURNITURE IS MINIMALIST, MODERN AND SCANDINAVIAN INSPIRED

CHEF BRAAM’S OYSTERS

LEMON PIE, A SIGNATURE DESSERT

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Resources

PUBLISHED BY CONDÉ NAST Chief Executive Officer Roger Lynch

@home home.co.za Anatomy Design anatomydesign.co.za Artisafire Clay Studio 082 468 2223 Ashley Furniture Homestore ashleyfurniture.com Belgotex belgotex.co.za Bestwood Flooring bestwood.co.za Block & Chisel blockandchisel.co.za Blu-Line blu-line.co.za Builders Warehouse builders.co.za Bulthaup domum.bulthaup.com Caesarstone caesarstone.co.za Carl Hansen & Søn carlhansen.com Cara Saven Wall Design carasaven.com Casarredo 011 786 6940 Cécile & Boyd cecileandboyds.com Cemcrete cemcrete.co.za Charles Greig charlesgreig.co.za Cielo cielo.co.za Coral & Hive 021 851 7665 Coricraft coricraft.co.za Créma Design 021 448 7775 de Gournay degournay.com Design Store designstore.co.za Dokter and Misses 011 403 1024 Domum domum.co.za Egg Designs eggdesigns.com Eight Degrees South eightdegreessouth.co.za Elevenpast 021 201 1211 Enza Home enzahome.com Eurocasa eurocasa.co.za Eurolux 021 528 8400 Everard Read Gallery everard-read.co.za Gaggenau gaggenau.com Game game.co.za Generation Design 011 325 5963 Glo Lighting 011 440 1781 Griffiths & Griffiths 011 444 5744

GSquared Architects gsquared.co.za Hansgrohe hansgrohe.co.za Haus by Hertex 021 914 3390 Herholdts Lighting herholdts.co.za Hertex hertex.co.za Home Fabrics homefabrics.co.za Italcotto italcotto.co.za Italtile italtile.co.za K. Light Import 021 552 4370 Kare Design kare-design.com Kipekee Studio kipekeestudio.co.za Knus knus.co Kohler africa.kohler.com La Grange Interiors 021 447 3508 Le Creuset lecreuset.co.za Lemon madebylemon.co.za Ligne Roset 010 823 2250 LIM lim.co.za Limeline 021 424 8682 Lite-glo liteglo.co.za Loot loot.co.za Louis Vuitton louisvuitton.com Lowry Fabrics lowry.co.za Mark Alexander markalexander.com Mash. T Design Studio mashtdesignstudio.co.za Mavromac & Gatehouse 011 444 1584 Miele miele.co.za Mobelli Furniture & Living mobelli.co.za Modern Gesture moderngesture.co.za Mungo mungo.co.za Mr Price Home mrphome.com Natuzzi natuzzi.com Nespresso nespresso.com Newport Lighting newport.co.za

Nguni Hides Online ngunihidesonline.co.za Oggie oggieflooring.com Okha 021 461 7233 Opia Design 072 903 5979 Patio Warehouse patiowarehouse.co.za Pezula Interiors 021 424 2661 Poliform SA poliform.it Private House Collection privatehouseco.co.za Radiant Lighting radiant.co.za Roche Bobois 021 286 0793 ROMO Fabrics romo.com Salon91 salon91.co.za Setamono Tableware setamonotableware.com Sevens sevens.co.za SHF shf.co.za Smac Gallery smacgallery.com St Leger & Viney stleger.co.za Studio 19 studio19.co Sofacompany.com 021 200 5904 Southern Guild 021 461 2856 Spazio Lighting 011 555 5555 Streamlight streamlight.co.za Superbalist superbalist.com Takealot takealot.com The Crown Collection 011 463 6060 The Dialogue Room thedialogueroom.co.za Tiletoria tiletoria.co.za Tonic Design 011 327 2028 True Design truedesign.co.za Valcucine South Africa valcucinesa.co.za Victorian Bathrooms 021 418 0855 Weylandts weylandts.co.za Womag 021 447 6161 Woolworths woolworths.co.za Yuppiechef yuppiechef.com Zara Home zarahome.com/za Zinc Textiles zinctextiles.com

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HOUSE & GARDEN MARCH/APRIL 2021

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Engineered wood, vinyl and laminate flooring from one of the longest standing laminate flooring importers. Finfloor has over 20 years of importing history. Flooring designed and developed to European standards but tested for the South African climate.

Solid engineered wood, Laminate & Vinyl tile flooring available from:

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Photographs may vary from the actual samples

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SAWLFA Member of SAWLFA