the SCENE SD August 2024 by Local Umbrella Media

photo by Chris Borsos

CONCERTS

CALIFORNIA CENTER FOR THE ARTS, ESCONDIDO

AUGUST

SEPTEMBER 8 23 22 4 20

OCTOBER

THE SIX STRING SOCIETY AND CCAE PRESENT: TAIMANE 7:00 PM

AUGUST LYRICAL GROOVE 7:30 PM SAMARA JOY 7:30 PM SAN DIEGO - TIJUANA JAZZ FESTIVAL 7:30 PM BLACK VIOLIN 6:30 PM

AUGUST 3

Music Makers House Concerts

Harmony Grove Village, Escondido

.Join us for an unforgettable evening with Justin Froese and Brianna Grace on August 3rd from 6 PM to 9 PM! Enjoy a night of exceptional music, hors d'oeuvres, and wine—all for just $20. Don’t miss this chance to experience their incredible performances. Tickets are available at https://shorturl.at/NyBZa.

AUGUST 10

Convoy

The Music Box, Little Italy

A terrific double bill featuring reunited rockers Convoy and one of country music’s fastest rising stars, Kimmi Bitter and the Westside Twang. Convoy scored a hit in 2001 with their song, “Caught Up In You,” while Bitter is currently riding high with her tune, “Aquamarine,” which took home “Song of the Year” honors at the 2024 San Diego Music Awards.

TOP CONCERTS

AUGUST 7

Paul Collins

Gonzo! Ramen, Carlsbad

Powerpop legend, Paul Collins brings his high energy, catchy as heck, rock and roll to Carlsbad. Collins legend is built on his 1979 debut album, and he continues to pen solid tunes cut from the same cloth. The biggest cheers will be for classics such as “Rock ‘n’ Roll Girl” and “Don’t Wait Up For Me,” but die-hard fans will love it all.

SPOTLIGHT SPOTLIGHT SPOTLIGHT

AUGUST 10

Fuzz Huzzi

Ramona Mainstage, Ramona

AUGUST 23

Lost 80’s Live

Humphrey’s Concerts by the Bay

A veritable who’s who of 1980’s new wave music will take part in the Lost 80’s Live tour, including A Flock of Seagulls, Wang Chung, The English Beat, Missing Persons, The Vapors, The Escape Club, Stacey Q, Animotion, Musical Youth, Dramarama and Boys Don't Cry. With so many artists on hand, short sets will be the order of the day, concentrating on their hits.

Long running rock quartet, Fuzz Huzzi celebrates the release of their latest album, Waiting on the Sun, with a show at the Ramona Mainstage. The first single from the album, “The Price I Pay,” matches frontman Allen Camp’s introspective lyrics with a hard driving beat, for a stadium ready sound. Opening up will be DAB and Birds Kill Bugs.

Returns To San Diego!

The Tiki Oasis returns to San Diego on July 31 through August 4 at the newly refurbished Town & Country Resort in Mission Valley. Tiki Oasis is the world’s original and largest Tiki event and returning for its 24th year. The event is one big Tiki-themed party with live music, fashion shows, Tiki disc jockeys, art exhibits, educational seminars, and a bustling Tiki Marketplace where you can purchase all things Tiki! Everybody is dressed in their best Tiki attire and the top mixologists serve up fruity tropical cocktails all day. Whether you’re cruising the grounds or chilling at the pool, this party is ground zero for all Tiki aficionados and the event of the summer in San Diego.

Tiki music is performed on the main stage located outside near the pool, and serves as the social hub of the event. Original Beach Boy Al Jardine and his Endless Summer Band will headline the show Saturday night along with a plethora of surf, rockabilly and Hawaiian music bands. Other acts include: Deke & the Whippersnappers, The Double Whammy, El Vez & the Trailer Park Casanovas, The Scimitars, Surfer Joe, and Big Sandy & His Fly-Rite Boys. The event will also feature a luau, glamour photography and even a special Midnight Burlesque performance to cap off the night. The hotel has been sold out for some time, but day passes can be purchased for anyone wanting to immerse themselves in Tiki culture for the day.

The Tiki Marketplace is free and open to the public on Saturday and Sunday. Here you can purchase the best in Tiki art, apparel, and décor, so if you have a Tiki Hut in your back yard, this is the place to grab some authentic swag. The Tiki Oasis happens at Town and Country Resort, which recently underwent 70 million-dollar renovation and has been reimagined into a retro paradise inspired by the classic hotels of Las Vegas and Palm Springs in the 60s. Tiki Oasis is all-inclusive and everyone is welcome to join the fun. They have made a concerted effort to ensure all the attendees feel valued, safe, and free to be their most authentic selves. They are committed to creating a culture of inclusion and respect, as reflected in Tiki Oasis’ Diversity & Inclusion Council.

So come on down to the Tiki Oasis, the hottest spot in San Diego for the summer! For tix and info go to: www.TikiOasis.com

By Bart Mendoza

| theSCENESD

FIERCE & KIND SPIRITS

By Vince Meehan

Fierce & Kind is a relatively new spirits brand here in San Diego called Fierce & Kind. Started by Basem Harb and Cyndi Smith, this company is currently securing a foothold in the local spirits scene. A very prominent pillar in Harb and Smith’s business model is to give back to the community, a model that has been a success with companies like Ben & Jerry's, Patagonia and other socially conscious firms. Currently, they create two types of bourbon and a vodka, but future plans include branching out to expand their portfolio.

Harb reflects on the beginning of his unique spirit brand. “Fierce and Kind started during the pandemic – a very hard time for everybody – and it is a marriage of two of our passions. Whiskey being one of our passions of course, and also philanthropic work – wanting to help people. So Fierce & Kind Spirits gives 25% of its profits to the Fierce & Kind Equity Foundation which helps underserved communities build entrepreneurship and economic equity.”

The bourbon has a very cedar and slightly smoky nuance to it that finishes into a subtle vanilla note. It drinks well solo, but also serves as a fantastic base for some of the old-fashioned type classic cocktails that are enjoying a resurgence in San Diego.

Fierce & Kind also celebrated National Pride Month by creating a special batch of bourbon and vodka with colorful labels honoring the LGBTQ movement. Smith described the relationship that has developed with this limited edition. “25% of the profits from these bottles will go to the San Diego LGBTQ Community Center, and we’re working with them on a couple of different projects as well. Smith added that they also are proud to be supporting a series of events and educational programs that support women entrepreneurs in San Diego, and also several programs that help give incarcerated people business training so they can get jobs when they are released.

Another fun event they’ve put together is the Bourbon & Blues concert series. The first concert was held at The Jazz Lounge in the college area, and was a free event for industry bartenders, mixoligists, and food & beverage directors. Harb says the event was a lot of fun and featured a performance by San Diego stars Whitney Shay and Robin Heinkel. “We believe in all things communal, so what brings people together?” asked Harb. “Well, great bourbon brings people together! Great spirits and great music brings people together. So wanting to do more of that, we started the Fierce & Kind Bourbon & Blues Sessions. It’s a music series that brings together two of our favorite things – we love bourbon and we love the blues!” Herb added that future proceeds from the series will go towards a non-profit that caters to bar staff. He says the next concert will be in the north county and expects the shows to be quarterly.

Currently, Fierce & Kind is being widely supported by some of the high-profile bottle shops around San Diego. “We love our independent bottle shops in San Diego! Harb offered. “We love it when people go to Bottle House in South Park, or Ray’s Liquor in North Park or Heights Market in Normal Heights, but we’re also available in national retail like Total Wine & More, Bevmo, and we have some future announcements coming up very soon concerning large grocery stores!”

www.FierceNKind.com

VINNIEPALOOZA VINNIEPALOOZA IS A SUCCESS! IS A SUCCESS!

By Vince Meehan

Fundraiser Concert Raises Awareness and Funds for San Diego Coastkeeper

The Vinniepalooza fundraiser concert held on June 22 at Deano’s pub in La Mesa was a huge success, raising funds and awareness for San Diego Coastkeeper. Three bands played for the event, including The Vaquitos, Revelation 69, and the Discount Cadavers. Free prizes were raffled off from sponsors, including the Birch Aquarium at Scripps and the USS Midway. The Vaquitos started off the event with their set of blues-based rock followed by the first round of raffles.

Next up was Revelation 69 who wowed the crowd with their unique brand of high-energy Hollywood rock. Singer/Guitarist John Hernandez turned up the heat with his blistering guitar licks and powerhouse vocals. After another round of raffles, the Discount Cadavers hit the stage with their CBGB’s brand of old-school punk that has been making a resurgence in San Diego lately.

Dean Velasco, the owner of Deano’s Pub, graciously donated a grand prize basket to help the cause. Velasco bought the venue two years ago, and it became so popular that he recently opened Deano’s East in Lakeside. Deano’s Pub features live music on the weekends and karaoke and trivia during the week.

San Diego Coastkeeper’s Melanie Croce then took the microphone to educate the guests about the mission of San Diego Coastkeeper. They are currently pressuring the federal government through a lawsuit to repair the South Bay Sewage Treatment Plant, which has fallen into such a state of disrepair that it does not function anymore. Instead, sewage and chemicals are pumped out into the sea, contaminating the beaches and causing prolonged closures.

Vinniepalooza is an event hosted by Strike A Chord, a group of musicians who donate performances for local nonprofits and foundations. The event was such a success that plans are already underway for the next Vinniepalooza in November! Stay tuned!

EARTH, WIND & FIRE AND CHICAGO HEART & SOUL TOUR HITS SAN DIEGO

By Florentino Buenaventura

San Diego music fans are in for a treat this summer as two of American music history’s most iconic bands, Earth, Wind & Fire and Chicago, perform together in Chula Vista. Get your dancing shoes ready as the Heart & Soul Tour 2024 brings its magic to North Island Credit Union Amphitheatre on August 31 @ 7:30 pm, promising unforgettable hits, dazzling performances, and a musical celebration.

Earth, Wind & Fire, known for blending funk, R&B, soul, and jazz, has captivated audiences since 1969. Timeless hits like "September," "Shining Star," and "Boogie Wonderland," cemented the band’s place in music history. Their intricate horn arrangements, dynamic rhythms, and soulful vocals earned them numerous awards, including multiple Grammys, Rock and Roll Hall of Fame induction and Kennedy Center Honors. Their renowned high energy performances include intricate choreography and vibrant stage presence, making them a must-see live act.

Chicago, formed in 1967, made a significant impact with their signature sound combining rock with a full horn section. Known for hits such as "25 or 6 to 4," "If You Leave Me Now," and "Saturday in the Park," Chicago sold over 100 million records worldwide. Their blend of rock, pop, and jazz elements made them one of the best-selling groups. With a career spanning more than five decades, Chicago consistently pushed musical boundaries, blending genres and exploring new sounds.

The collaboration between Earth, Wind & Fire and Chicago is a match made in musical heaven as both bands have a history of pushing boundaries and creating innovative sounds. The Heart & Soul Tour 2024 celebrates their collective legacy, offering fans the chance to experience the best of both worlds in one spectacular show.

Myron McKinley, Keyboardist and Musical Director for Earth, Wind & Fire, shared his excitement, saying, "Touring with Chicago has been an amazing experience. The chemistry between our bands creates a powerful musical synergy that truly captivates our audiences." This sentiment is echoed by Chicago's Walfredo Reyes Jr., who added, "This tour is the perfect example of how to be on stage and off stage. 'On stage', being the best musicians you can possibly be, and 'Off stage' being the best humans you can possibly be. It’s a beautiful collaboration of two legendary bands."

According to Philip Bailey, one of the lead vocalists of Earth, Wind & Fire, "The energy and the enthusiasm that we get from playing with Chicago is incredible. It's a mutual admiration society." This sentiment is echoed by Chicago's Robert Lamm, who said, "Touring with Earth, Wind & Fire feels like a family reunion. We share a deep respect for each other’s music and history."

9 | theSCENESD

photo by Chris Borsos

Concert-goers can expect a night filled with back-to-back hits, elaborate stage productions, and infectious energy. The setlist includes a mix of fan favorites, ensuring something for everyone. From Earth, Wind & Fire’s funky grooves to Chicago’s rock anthems and love songs, the concert promises a high-energy experience that will have the audience dancing and singing along all night.

In addition to the incredible music, fans can look forward to stunning visual effects and choreography that enhance the overall concert experience. Both bands are known for their elaborate stage setups, making their live performances a feast for the senses. The Heart & Soul Tour 2024 is a multi-sensory experience, blending sight and sound into a seamless and thrilling show.

San Diego’s vibrant music scene is the perfect stop for the Heart & Soul Tour 2024. The city's fans eagerly awaited live concerts and this show is a summer highlight. As the date approaches, anticipation continues to build for what promises to be an unforgettable night of music.

Local fans expressed their excitement on social media, many reminiscing about past concerts, anticipating the upcoming show. One fan tweeted, “I can’t believe Earth, Wind & Fire and Chicago are coming to San Diego! This is going to be epic!” Another fan commented, “These two bands defined my youth. Seeing them together is a dream come true.”

San Diego fans are encouraged to secure their tickets soon, as this highly-anticipated show is expected to sell out quickly. Don’t miss the chance to witness two of the greatest bands in music history come together for a night of incredible performances and timeless hits. The Heart & Soul Tour 2024 is more than just a concert; it’s a celebration of music, legacy, and the power of live performance.

As the summer concert season heats up, Earth, Wind & Fire and Chicago's joint performance stands out as a marquee event. Be sure to mark your calendars and prepare for a night of musical magic. The Heart & Soul Tour 2024 promises to be an unforgettable experience, a testament to the enduring appeal and influence of these legendary bands

photo by Chris Borsos

Singer-songwriter Garrison Bailey is working on her next album, Blue Suede Funk, at Studio2fity. Legendary guitarist Wayne Riker is amongst the guests contributing.

Tamar Berk’s highly anticipated new album, Good Times For A Change, is out on September 6. She’ll have a special show celebrating its release on September 28 in Chicago, when she opens for Material Issue at Lincoln Hall.

Director Roddy Bogowa’s acclaimed 2023 documentary, Have You Got It Yet? The Story of Syd Barrett and Pink Floyd, is being released this month on to theatres nationwide, as well as on DVD. Bogowa, who completed his Master of Fine Arts at UCSD in 1989, was in two popular groups of the era, The Fan Club and The Odds. The latter released a highly collectable single, “World Crisis,” in 1983.

grampadrew’s Flim Flam Revue will be celebrating 10 years with aFestival in Idyllwild over Labor Day Weekend. Taking place August 31 & September 1 in the Rustic Theatre Back-lot. The event doubles as founder Drew Douglas’s birthday celebration.

Manual Scan has begun tracking a new EP for Pacific Records, with guitarist Kevin Ring producing.

BABY BUSHKA

After seven years, acclaimed Kate Bush tribute group, Baby Bushka, is calling it quits, with a final U.S. show at the Music Box on September 15, followed by a 14-date farewell tour of Ireland and England.

Indie rock trio, Cat 22, is performing at touring music festival, International Pop Overthrow in Los Angeles on August 3, at The Redwood Bar. For frontman Scott Samuels (also in Oasiz), it will be the second of three IPO appearances this year, following a spot in Chicago (April 27), which saw him reunite with his 1970’s teen band, Phaze, and score some network TV coverage. His next appearance with Cat 22, featuring Donna Daly and Mel Hintz, is set for IPO San Diego on August 17.

On June 12 Mojo Nixon was posthumously honored with a display at the Rock ‘n’ Roll Hall of Fame in Cleveland, OH. In attendance were many of his musical friends, including members of Joan Jett & the Blackhearts, The Pogues, Jason, The Scorchers, and The Georgia Satellites.

SWAMI & THE BED NAILS

Swami and the Bed of Nails will soon head out on a two-week tour of England, Ireland and Scotland, opening up on September 17 in Bristol, and wrapping things up on September 28 in London.

Acclaimed songwriter David Howard is calling it quits as a live performer with a performance at Folk Heritage on August 2. He will continue to write and record. “My reasons for closing the curtain are many,” Howard said. “I’m happy to speak to them in private. I‘ve always loved performing, and there was a time when it was the “ prime directive”; but that time is long past. I will give everything I’ve got at the Folk Heritage concert. I’m not giving up music, but I’m not chasing after it either.”

Celtic inspired group, Kick Up The Dust, heads out on a tour of France from July 21 – 30. Singer Chloe Lou will be joining the band on this road trip.

Re-issue label, Numero Group, has re-issued Clikatat Ikatowi’s 1993 demos as, S/T Demo Cassette. The albums seven tracks have been remixed and remastered from the original analog tapes, with the release only available in the digital format or as a limited-edition cassette.

CHRISTOPHER LEYVA

Falling Doves, featuring Christopher Leyva, start the third leg of their 2024 Double Vision World Tour on September 7, in Manchester, England, with South America set for October and New Zealand in December. The band recently completed two

weeks of dates in Japan, performing in support of Sake breweries.

A new British compilation due out August, Keb Darge Presents The Best Of Ace Sixties Garage Punk, features the 1965 single, “They Can’t Hurt Me,” by Carlsbad based garage rockers, The Lyrics.

SAN DIEGO MUSIC NEWS

PIERCE THE VEIL

Congrats to Pierce The Veil, who scored sales awards from the RIAA earlier this month for three singles from their 2012 album, Collide with the Sky: “A Match Into Water” (Platinum), “King For A Day” (2X Platinum), and “Bulls In The Bronx” (Gold)

Guitarist Micheal Schenker’s new album, My Years with UFO, includes a rerecorded version of UFO’s 1975 classic, “Shoot Shoot,” featuring Stephen Pearcy of Ratt.

The Schizophonics will be opening for Me First “ The Gimme Gimmes on their upcoming “Infest the West” tour. Dates kick off on August 14 in Sacramento, wrapping up on September 7 in Monterey, with a stop in San

Diego on August 28 at the Observatory. The band Still Animals will be opening each date.

Congrats to guitarist Johnny VernazzaHis 1976 (#3) single with the Elvin Bishop Group, “Fooled Around and Fell In Love,” scored a Silver Single this month in the U.K, via the BPI.

By Bart Mendoza

Singer Sandi King is seemingly everywhere these days, one of the area’s busiest musicians!

By Bart Mendoza

Now, after more than a decade as a key part of the area ’ s music community, King has released her first solo single, 'Frozen Heart.'

FROZEN HEART

Currently based in El Cajon, King has been a San Diegan since the age of three. 'My mom grew up here,' she recalled. 'Originally my parents moved us back to San Diego in ’85 when I was 3 years old, and I grew up in Santee. After high school I moved around to Las Vegas, Orange County, San Francisco, and LA. I decided to move back to San Diego in 2012 and try to make a go at music full time. I haven’t looked back since.

It’s a rare week that doesn’t see King on at least a couple of stages and doing studio work. 'My musical projects are many,' she said in a bit of understatement. For starters, there’s the King Taylor Project with her husband, Joshua Taylor. 'I am also in his solo project, Joshua Taylor and the Unscene, as well as a side project we do with our friend and drummer Tony Econom called Side Street.' In addition to those, King regularly performs with several other original acts, including Jeff Berkley and the Banned, Jonny Tarr, and Astra Kelly. She has also done quite a bit of session work. Most recently, King can be heard on Josh Weinstein’s new album, Mind the Gap, and she is a guest vocalist on Wayne Riker’s latest release, Alphabetical Blues Bash: Vol. 2.

First Solo Recording

Though she had an idea for a solo project, it was band leader Jonny Tarr that prompted her first solo recording. 'Frozen Heart' was a birthday gift 'ticket' for one fully recorded and produced song to release under my own name so I could begin to establish a presence as Sandi King the solo artist,' said King. The track features Miles Clowminzer (drums), Tristan FaulkWebster (theremin), and Keli Ross-Ma’u (steel pan).

'Everything else is fully Jonny Tarr, including the backing vocals to my lead vocal,' King said. 'Jonny fully produced his last album, The Rules, and wanted to start producing for other people. He and I had a few quick brainstorming sessions about the concept and lyrics for the song and he ran with it!

Collaboration with Jonny Tarr

Was it different working with Tarr as a producer rather than band mate?

'Working with Jonny Tarr is a dream,' King said. 'He is, first and foremost, one of my best friends. Secondly, I am just a fan of his music. Working in his band is always a good time surrounded by great musicians, and working with him as a producer is an extension of that. He works quickly, so you gotta keep up, and he just has ideas nonstop, so you have to be able to flow with him. His instincts and musical sensibilities jive really well with mine so that made the whole process really smooth.'

Tribute Album in the Works

With her single, 'Frozen Heart,' now out, King plans to follow it up with a special tribute album. 'My initial idea for a solo release was to record a tribute album to my dad, Ron King, who passed in early 2021. He was a wicked trumpet player and the main reason I have music in my life, professionally and in my heart. I grew up with jazz around the house and when I was ten years old started singing with the big band he was playing in.' King plans to release a tribute album of jazz standards, to be called, Departure, 'but reimagined by myself and the incredible musicians I will have on this record,' King said.

'I plan to record at Satellite Studio with Jeff Berkeley sometime in the next few months and the core band will include Joshua Taylor, Josh Weinstein, Tony Econom, Harley Magsino, and Jonny Tarr.'

With a decade of music making in San Diego behind her, what’s King’s favorite thing about being a musician? 'Community and Expression,' she said. 'I am constantly blown away by the community of musicians around me, and I delight in the career I have built for myself being a part of so many amazing artists’ projects. I truly do get the biggest thrill from a support roll, be it backing vocals or behind the scenes, which I do a whole lot of for other artists. Which is why it is a big deal for me to step out and take the spotlight for a bit. I enjoy that part as well, but this community really is what keeps me going so strong. And for the expression of oneself, music is unmatched. The ability to share with people something so personal, yet so globally understood as straight up expression is something special that I don’t take for granted for a moment in this life.' www.kingtaylorproject.com

Upcoming plans for King include more live shows and more recordings. 'I am focusing on getting the tribute album to my pops rolling behind the scenes with the band,' she said. 'And, there are rumblings of making more tunes with Jonny so don’t be surprised to see more of this as well!'

Upcoming events for King include a gig with The King Taylor Project at Lou Lou’s on September 7, as well as a solo date on September 14 at the 3rd annual RevellFest, in Jamul.

Inciting a Musical Renaissance Musical Renaissance Musical Renaissance

shines as a visionary akin to the enigmatic recording artist Prince, forging a unique path through a tapestry of modern sounds. His compositions, blending genres and influences, weave tales of love, joy, and the intricate nuances of existence. Much like the character from, and mystical allure of the iconic Nat King Cole classic "Nature Boy," Nash's artistry beckons listeners on a soul-stirring journey. His music resonates with an ethereal quality that captivates and transforms, echoing the wisdom of troubadours from eras past.

Here is my interview with him; I hope you're as inspired by his musical soul as I am!

Let’s start with the Elephant in the room, you've often been compared to Prince. How do you feel about that, and how has he influenced your music and performance style?

Kahlil Nash: At first, I didn't like the comparison because those are big shoes to fill and can offend a lot of diehard Prince fans. But it's been eight years, and nothing’s changed, so I’ve learned to appreciate it. Prince taught me to just be me. He was fearless in his self-expression and influenced decades of music through his unique sound. We just so happen to be similar. When I started listening to Prince at 16 years old, it made me go “finally, someone like me!” Prince and I grew up listening to all kinds of music, so our influences are all over the place.

You started performing at a very young age. Can you share a defining moment from your early years that solidified your passion for music?

Nash: There’s a Black History Month event in San Diego, spearheaded by Dajahn Blevins, called The Kuumba Fest that celebrates black community, art, culture, and heritage. That’s where I got my start on stage. It gave me confidence to hear people from my community cheer me on at such a young age and set a great tone for my determination in pursuing the arts.

Your father is DJ Jam, and your uncle is the reggae icon Johnny Nash. How have their careers and legacies influenced your own path in music?

Nash: I’ve always been told to find my own path. I’ve been given the tools, but it’s been up to me to do something with them. I didn’t know Johnny until I was about 10, and my dad provided me with any of the equipment I’d need to be able to make my own music. I spent a lot of my time going down the rabbit hole of YouTube videos to learn how to produce and engineer my ideas. I had a mentor, Francesca Valle, who would help me when I would need guidance on what to learn next and helped me prepare for my first solo gig at Hard Rock Cafe.

You've performed at various notable venues and events, from the NAMM Yamaha Mainstage to San Diego Pride. Which performance stands out the most to you, and why?

Nash: I think my favorite would have to be the first time I played the Yamaha Mainstage. Playing the biggest music convention for music industry professionals was very affirming for me as an artist and a guitarist. Performing at NAMM led to PRS Guitars reaching out and giving me the opportunity to endorse their guitars. It was also the first time playing live with my backing band, which was an incredible experience.

Singing background vocals for Grammy winner Andra Day is a significant achievement. What was that experience like, and what did you learn from it?

Nash: It was an incredible experience that I almost didn’t get to be a part of. I was in a choral ensemble in high school, and there were 18 students, but only 7 were chosen. One of the students that was originally chosen couldn’t go, so I was lucky enough to be next in line. Each of us had our parts for her song ‘Rise Up’ written out on sheet music, and we would practice them with our teacher during class. Then we practiced it with Andra during sound check the day of and performed it in front of thousands of people. The experience taught me that I could handle the pressure of singing for a major artist in front of thousands of people. It was also a fun experience to be backstage. There were games all around; we decided to play connect four (I won), and they even had an amazing ceviche bar.

Your second EP, "Transcendence," recorded during the COVID-19 lockdown, won the 2021 San Diego Music Award. How did the challenges of the lockdown shape this EP, and what does this recognition mean to you?

Nash: The biggest challenge was promoting the EP because it was 100% just through social media promotion during the pandemic. I had a virtual release concert out of the music studio in Tribal Streetwear, run by DJ Artistic, but I wasn’t able to go out and do shows to promote the EP like I was used to. Because of the roadblocks in promoting the EP, the recognition from my city carried even more weight because I wasn’t able to connect with them face to face. The music truly spoke for itself.

What recording artists today would you like to work with, and how would you see that collaboration working?

Nash: There are so many artists that come to mind, but what I look for are musicians and artists that are kind and have mutual values and morals because it would set the foundation for a more successful collaboration and, in turn, a more successful song or project.

Your fans are eager for new music. Can you give us any hints about what you're working on next and when we might expect to hear new releases?

Nash: I’m constantly working on new music. I’m currently going through and finding the best singles to put out and will be releasing music in the next few months.

If you could encapsulate your entire musical journey into a time capsule for future generations to discover, what three items would you include and why?

Nash: I would include my outfit from Bayfest San Diego because it was my first major festival performance, opening for Damian Marley and other great reggae acts; One of my PRS guitars because back in 2022, they endorsed me after seeing me play on the main stage at NAMM which was a big accomplishment and goal of mine; Lastly, I would put my sequin glove in the time capsule because my very first experience on a stage was singing Michael Jackson songs at a local black history month event called the Kuumba Fest that happens annually.

If you could blend two seemingly unrelated genres of music together into a new genre, what would they be and what do you think the result would sound like?

Nash: I would mix folk and R&B which don’t quite match but I love the way in which folk music tells stories. They give specifics like what they’re wearing, the smell in the air, down to just the specific state that the world around them is existing in a very present manor. I chose RnB to go along with it because of the specific way it omits soulful expression and evokes emotions from listeners that moves people in a way other musical styles usually don’t. I grew up in church and seeing the way the music would move people to the point of shouting, waving their hands, and stomping their feet was something I knew I wanted to accomplish when I performed for audiences.

Beyond Music: Besides music, what other art forms or creative outlets inspire you and how do they influence your musical compositions?

Nash: I grew up a musical theater kid so I would say theater has influenced my showmanship and taught me how to be on stage in front of an audience; All styles of dance inspire me and influence my music because it makes me ask myself “can people dance to this?”

Collaborative Chemistry: What qualities do you look for in a musical collaborator, and how important is personal chemistry versus technical skill in creating memorable music?

Nash: I look for someone I have a solid relationship with because I think that’s where the best music comes from. The people you have the best connection with and understand on an interpersonal level can be the difference between an okay song and a classic. With that being said, I wanna collaborate with new people that can bring something different out of me, something that’s different from my norm.

Future Soundscapes: Looking ahead, how do you envision the evolution of your music and artistic style over the next five years? What new directions or experiments are you excited to explore?

Nash: I’m excited to do more upbeat and rock music. My very first EP was a soft rock project and I originally solely played rock music so it’d be nice to jump into that landscape over the next few years. I wanna have more energetic songs in a live context because it makes shows just that much more exciting.

Last question, if I were an alien from another planet, how would you describe your musical sound to me, and how would you want it to make me feel about the people of Earth?

Nash: I would say it’s smooth, sometimes rocky, but always trying to set a positive atmosphere to everyone that listens. I want to spread a message of love and peace, acceptance and harmony to all that listen.

The Melodic Rock Music Festival Returns!

ByBartMendoza

For fans of rock music’s melodic side, there is possibly no bigger annual event than the International Pop Overthrow Festival (IPO), returning to the Black Cat Bar this year on August 17. Founded by David Bash, established in 1998 the event travels the world, taking place in ten cities around the globe, including Chicago, Liverpool, Copenhagen, and Stockholm.

What inspired Bash to start IPO?

'By 1997 I had been writing CD reviews for several pop music fanzines for a few years and had gotten to know several bands from all over the U.S. and the world,' he said. 'Many of them expressed a desire to play in Los Angeles, so in December of 1997 I decided to put on a music festival which would bring melodic rock/power pop bands from all over the world under one umbrella, and galvanize International pop scene, in effect to “overthrow” what was being played on mainstream radio, which at the time was stuff like Korn and Limp Bizkit, which I despised.' The first IPO took place in Los Angeles and was a success. 'Beyond everyone’s expectations,' he said.

The event remained a Los Angeles exclusive until 2001, when some bands made it very clear that it was time for me to take IPO on the road.'

How difficult is it to coordinate everything worldwide? 'It wasn’t easy when I started, because I didn’t really know what I was doing,' Bash said. 'But eventually I got it down to a system, which works pretty efficiently and without prohibitive effort. It really takes lots of e-mails and social media posts, which I can do from anywhere. Thank God for technology; without it, the festival would have been impossible!' He travels around three months of the year, 'our schedules are very efficient, bundling two or three cities at a time,' he said.

How was San Diego chosen as the site for IPO? 'It’s so close to my home base of Los Angeles, that it really was a no-brainer,' Bash remarked. 'Over the years several bands from San Diego had played IPO in LA, so in 2007 I decided to bring the festival to San Diego, so that these artists could play in their home base.' He notes not everything has gone according to plan. 'We’ve had some bad luck with venues being sold or closing, and so we’ve missed a few years there. And of course there was also COVID, but I think we’ve found a home at Black Cat Bar, where we’ll be doing IPO San Diego for our third straight year.

That year IPO debuted in New York, the following year it was expanded to Chicago, then in 2003, Liverpool was added, at The World Famous Cavern Club. 'In late May we celebrated our 20th year in Liverpool, and I was honored with a brick on the Cavern Wall of Fame, which will likely be the biggest thrill I’ll ever have in my life!,' Bash said. 'I think I’m the only nonmusician/non-Cavern DJ on the wall!

Coordinating dozens of artists on a global scale isn’t easy. Impressively, IPO is run by just two people. 'This may sound weird, but I’m proud that the organization is just me and my wonderful wife, Rina Bardfield,' Bash said. 'She’s been of invaluable help to me in organizing things, finding bands, keeping our website updated, etc. When she goes with me to the IPOs, and unfortunately, she’s unable to go to all of them, she also runs our merchandise table. When she can’t go, either I or different friends run the merch table, and occasionally friends will lend backline gear, which is of immense help and is greatly appreciated.'

While IPO is now an institution for music fans, it remains a labor of love. What motivates Bash to keep going? 'I love it! I get to pick all the bands who play the festival, so I know that I’m going to like or love what I see at every show. Plus, the travel is great; I’ve gotten to spend time in some amazing cities, and as a record collector that has been particularly fruitful, especially in Copenhagen and Stockholm, where the record shops are incredible!

With nearly 30 years of successful festivals behind him, what is Bash’s favorite thing about IPO? 'Knowing that I’m making people, both musicians and fans, happy, by bringing good, melodic music to the people,' he said. 'When a band tells me that they had a wonderful time playing the festival, that they met so many cool bands and made new fans, that it’s something they’ll never forget…well…that’s what it’s all about!

www.internationalpopoverthrow.com

By Vince Meehan

Lake Murray resident Mercedes Carvajal is the powerhouse singer for the new San Diego band called Door 13. The band formed last year, and has recorded songs as well as performed live at large shows to an extensive fan base. The music is definitely hard rock, but Carvajal resists labeling it Heavy Metal. “I’ve been calling it Heavy Rev!” she said with a laugh. “Because it revs you up and it’s heavy, but I wouldn’t call it metal.”

Door 13 is a four-piece band with Carvajal as singer, Alec Peterson on guitar, Gus “Gusto” Kendrick on bass, and Bernal Santur on drums. All four musicians are well established in the local San Diego music scene, and bring a level of professionalism to the band, which is evident in their songs.

The band’s chemistry made the songwriting an effortless endeavor, which is evident in the recordings. “I’m so excited about it!” gushed Carvajal. “Usually when you compose, you write out a chart – chorus, bridge, eight bars until the solo, etc.– but it’s not like that for this band! Once we got in the room, it was like magic! Oh my god, it was like we had been playing forever with each other. And this is what happens when you have seasoned musicians, right? They can do that!”

The band’s first live performance was last summer at the Full Circle Saloon in Santee, which was packed with original music fans. This has led to more and more shows including a New Year’s Eve show at the Navajo Inn, which is within shouting distance of Carvajal’s home. Two weeks later, they were once again playing for a room full of rock fans at The Music Box in Little Italy. The band hit the stage after a powerful performance from the band Revelation 69, another popular local heavy original rock band. Revelation 69 is known for it’s tuned down guitar licks and catchy vocal hooks. Singer/guitarist John Hernandez has a powerful rustic tenor voice which soars atop the tight and driving rhythm section.

Door 13 played a driving style of rock, which seems to throb with pent up energy due to Gusto’s unique style of bass. Then Carvajal unleashes a tiger with the sheer power of her vocals. And just when you think she’s hit the top, she takes it two steps higher –which doesn’t seem possible – and blows the lid off the venue. The band sounds great and looks great as well. They’ve taken the time and effort to wear stylish stage clothes which gives them a very polished a professional image.

Bassist Gusto plays a work of art on stage with his custom six-string bass that features fanned frets that lean forward at the top of the neck, and slant back at the bottom. He and drummer Cunningham are not just tight as a rhythm section, they are precise, which provides a stable platform for guitarist Peterson to soar and intertwine with Carvajal’s vocals. Peterson has clearly studied classic guitarists from the 90s, and utilizes their augmented chord phrasings that create a lot of tense drama in the music. These songs could easily be featured in a movie soundtrack, especially if the plot was a futuristic Game of Thrones.

Peterson also likes to lay back and provide ambient voicing over the rhythm at times so he can kick it into high gear for the chorus. This creates a well-structured performance that stands out in San Diego. His guitar tone is bright and steady with no tuned down sludge. Carvajal also is a master of structure and knows when to be subtle, and when to attack. Her voicing runs the gamut of sexy ooh and ahs, all the way up to demonic challenges at the drop of a dime. She sings with a vocal hurricane that fills the room, and backing vocals are not necessary.

The band looks extremely confident onstage, and that gives their performance a very professional vibe. Clearly, each musician knows exactly what to do, and they know exactly how to do it. What’s not so clear is how to promote new music in this modern digital age. And that’s something that the band is currently working on.

Door 13 is definitely utilizing social media by continually posting content to promote the band. But promoting the music is a different animal and there is no clear-cut way of doing that. Most artists have to decide on a strategy and then sit back and see how it plays out. Door 13 is currently in that situation and will have to see how things play out depending on what they do.

“It’s different launching in this day and age – new music – because there’s obviously a lot out there, and there’s a million million great bands,” Carvajal noted. “So you really have to do your own branding and marketing, it’s not like the old days where a label would hear your music and say, ‘Okay, we’re going to develop you. Come on up here in live in Los Angeles for 90 days and let’s put out a demo and see what you can do.’ Now, it’s very independent and everybody can put out music without spending an outrageous amount of money or waiting for a label to invest in you which they don’t do anymore anyway.”

So the question is: How do you release music in 2024? Does it make sense to release and album as has been done for so many years? Or do you simply release singles as you record them? Door 13 has chosen to do the latter, and is about to release their new single titled Now. The goal is to release the track, then follow up with tons of social media video posts. This feeds the content beast for a few months until a new single is released. And this conforms to the tested SEO model that ensures optimal algorithm reach to achieve a higher profile with likes and follows. As for the live shows, Door 13 will keep with the model that has served them well in 2023. They will continue to play shows in different venues to ensure that all San Diego will be able to attend a show in their area. But even that model has its challenges in today’s San Diego music scene.

“It’s so hard these days in San Diego because everybody is doing covers!” noted Carvajal. “So there is no real – I hate to say it but – I want to play with other original acts and I only know five original acts in this town right now. But I know 200 cover bands! So for us we have to kind of strategically look at how we’re not going to get funneled into the music scene in San Diego – the rock music scene – that is all cover bands. How are we going to stand apart from that? Because people will go out and listen to the Stones or whatever, but the reality is they’re going out to hang out with their friends. But they’re not going out and buying a cover band CD y’know? So our thought was that if we can very organically do this is: first, put out a single – get the music out there – then do online content, then we can do more live shows and see what happens.

The current onslaught of cover and tribute bands clogs up the scheduling of most venues in San Diego, especially on the weekends. But through past networking, the musicians of Door 13 have been able to book shows at places like the Full Circle Saloon, Navajo Live, and even the Music Box Downtown. And just like that, original music gains a bigger foothold in San Diego. This gives original rock bands an opportunity to showcase their stage show which is now just as important as promoting a band’s own material because without that, the music may not be heard. And Carvajal clearly sees that as a mission that needs to be strengthened at all costs.

“Our music is so amazing that I think people will say, ‘Okay I love that music, I wanna go see them,’ as opposed to saying, ‘Oh my friends are in a band and they look cool so I’m going to go see if they’re good or not.’

So our biggest thing is to build a local following and figure out how we’re going to stand out from the 200 cover bands in San Diego.”

Mercedes Carvajal and co-writer Larry Mitchell at the 2023 San Diego Music Awards.

Matthew Phillips

/ Twilight In The Park

By Bart Mendoza

Earlier this year, alt pop singer-songwriter Matthew Phillips took home a San Diego Music Award for “Best Pop Artist.” The win kicked off a year that’s seen him release new music, headline the Belly Up and attract a growing fanbase. On August 29 Phillips plays his biggest gig yet, when he performs at the Balboa Park Spreckels Organ Pavilion, as part of the Twilight In The Park concert series. The free, all ages show takes place from 6:30 – 7:30 p.m., with the occasion being filmed for Phillips next music video, “Together Forever.” “It’s an honor to have been asked to perform at this historical concert venue and monument,” Phillips said

A native San Diegan, currently based in Chula Vista, Phillips has been performing since high school. “At my first real gig, I sang 'Amazing Grace' in front of about 1000 people and got a standing ovation,” he recalled. “It was my parents first time ever hearing me sing. You can hear my dad make a few remarks in the video footage of the day, like 'where did that come from, he can really sing.' It was a special moment as I was so nervous.”

“He cites Prince and Sting as his earliest musical inspirations, however, “Eric Clapton was my biggest inspiration on the guitar and the way I solo,” he said. Phillips' sound is also inspired by Coldplay, The Chainsmokers, Porter Robinson, Illenium, Said the Sky, Dashboard Confessional, Paramore “and quite a few more,” he said. “There is a quote I love, 'Failure to perfectly imitate your inspiration is the first step to finding your own artistic voice.'

Award-Winning Alt Pop Singer-Songwriter Shines in San Diego

The “pop” category is actually a pretty big umbrella. How does Phillips describe his sound? “I have always considered my music to be alternative or adult contemporary,” he said. “I recently heard Tim Pyles refer to me as Alt-Pop. As of late, my producer Joel Piper and I have been incorporating a lot of pop/rock/dance elements in our sound design. Vocal chops, 808 hits, & synths. Those elements come from Electronic Dance Music (EDM). So, it's a bit of a mix genre wise. I would describe my sound as future progressive rock incorporating synth leads, electronic elements, lyrics that make the listener feel heard and want to sing aloud our anthems; paired with guitar solos that evoke an emotional response.”

How

did it feel to win an

SDMA?

“It was a big honor to be nominated let alone take home the win,” Phillips said. “Hearing our song 'Till Its Over' playing while Reese Morin (bassist) and I walked up on stage was a moment I'll never forget. I keep the award in my studio right between my speakers. I put it there as a reminder to keep working, keeping pushing and to never give up. It's a testament to the years of work and those who have never given up on me.”

While his life in music doesn’t allow a lot of free time, Phillips does enjoy mountain biking, while helping the local outdoor community at the same time. “The music industry is extremely stressful and being able to step out of that into nature and ride my bike is rejuvenating,” he said.

"During covid we couldn't tour, play shows or really work so I created a mountain bike crew named 619 MTB, with a mission statement to give back to the trails we use. We clean the trails from overgrowth, trash, and were recognized by the Chula Vista City Council as the Sustainability Champions of the year. We were also recognized by Mayor Salas for our volunteer work repairing bikes for underprivileged youth and encouraging them to ride bikes.”

Phillips' recent successes come after more than a decade of dedicated hard labor at his craft. What’s motivated him to keep going? “I love music more than anything.,” he said. “I don't want to be doing anything else. I truly feel like I was born to do this and with the stories that are shared with me, the overwhelming support, and seeing others being inspired by the vibrations we create motivates me to keep going and never stop.” Upcoming plans include more singles, heading towards an eventual album, and potentially, some roadwork.

“I can't announce any touring just yet, but yes. There will be touring,” he said good naturedly. For now, Phillips is happy to just keep working on new songs. “I love seeing how music brings people together,” he said. “It really is the universal language. Music makes me feel something when I listen to it, and being able to be that person to others is a gift that I am very thankful for.”

Performing at Balboa Park Spreckels Organ Pavilion, August 29

NEW AND UPCOMING ALBUMS & EP’s

Garrison Bailey – “Turn Around” (feat. Sue Palmer & Wayne Riker)

Kristina Bennett – “Dragonfly”

Bloodstone The Street Preacher – “Whateva” & “Run-A-Round”

Lisa Dee – “He Ain’t Just A Cowboy”

The Gravities – “Find a Lil Time”

Sara Jade - “Singin' Woman” (feat. Jessie Lark & Elizabeth Bowersox)

Jewel – “Goddess of Love”

Chloe Lou & The Liddells – “Graceful Ways”

Manganista – “Experiencing the Fascinating Evolution” (Box Set)

Obsidian Hearts – “A Cons Quest”

Thee Sacred Souls – “Lucid Girl”

Wearejackstrong – “Out of This”

NEW AND UPCOMING VIDEOS

Garrison Bailey featuring John Gann - “Hey Pretty Lady”

Tamar Berk – “Good Impression”

Mrs. Henry – “Everybody Wants Peace and Love”

NEW AND UPCOMING SINGLES

Atomic Surfers – Anger Issues

Garrison Bailey – Blue Suede Funk

Kristina Bennett – Shakti

Tamar Berk – Good Times For A Change (September 6)

The Inks – A Child at Sea

Clikatat Ikatowi - S/T Demo Cassette

Jewel - The Portal: A Meditative Journey

Mrs. Henry – Keep On Rising

Dave Preston & The Grown Ups – Way Out West

RMthePoet - Like We Always Do

Sea Monks with Johnny Sapphire – New Dreams

Sorry It’s Over – tbd

Swami And The Bed Of Nails - All Of This Awaits You

Thee Sacred Souls – Got A Story To Tell (October 4)

Tzimani - We Stand and Fight

Well Well Well – Summer Heat

Various Artists - Keb Darge Presents The Best Of Ace Sixties

Garage Punk (featuring The Lyrics)

Smoke + Mirrors Sound System – “Drive” (The Cars cover) & “Signed, Sealed, Delivered” (Stevie Wonder cover)

Tamar Berk

Bennett

By Bart Mendoza

Thee Sacred Souls

Kristina

Hosted by Tim Pyles and Graham Stevens

The Casbah has been the home of great music for decades, and now it’s also the base for a new podcast, SoundCheck Flix, “where movies meet music backstage.” Hosted by two long time Casbah employees, Tim Pyles and Graham Stevens, each episode finds the pair discussing a favorite film. It’s a really fun listen.

Where Did the Idea for SCF Come From?

“Boring soundchecks!” said Stevens good naturedly. “One thing I’ve learned in 15 years of working at the Casbah is that load ins can be incredibly dull. LOTS of down time. Inevitably, the patio discussions would turn to a film someone had recently seen and BANG, we’re off and runnin.’ Then I started touring with bands and witnessed firsthand how much they consume movies on the bus, back at the hotel and in the green room. They’re experts! That’s when the idea hit me. The same old, tired music pod would not do for the Casbah. Better to choose a fun, different angle and let their personality shine thru a film.”

Meet the Crew

The show is staffed by a small crew. In addition to Stevens, many people already know Tim Pyles from his many years on local San Diego radio. He is our main host. The rest of us are rookies. I’m the co-host and producer. Eric Lucero is our awesome sound engineer and co-producer. Orion Ferguson is our video guy. We also have Emilie Schumacher as our talented social media guru.

By Bart Mendoza

Living Musical Dreams with Heidi Tann

An Inspirational Journey Through Music and Culture

By Florentino Buenaventura

A Global Performer with Filipino Roots

Navigating the music business today presents both exciting opportunities and unique challenges for artists like Heidi Tann. With a rich history of performances across the globe, including a memorable event for the Prince of Malaysia in Hong Kong and an impactful debut in America alongside top Filipino talents of the late 90s, Heidi's journey is a testament to her resilience and versatility.

Heidi's Filipino American heritage plays a significant role in her music, infusing it with a blend of influences and styles. Growing up surrounded by musically inclined family members, she was inspired by her Uncle Romy, who taught her to sing standards, and her mother, who played vinyl albums like Frank Sinatra. These early experiences instilled a deep love for jazz, R&B, and other genres, shaping her unique musical identity. “Filipinos are very talented people,” Heidi says. “I was always around people who listened to jazz and R&B, which greatly influenced my music.”

Blending Genres with Authenticity

The current landscape demands adaptability, and Heidi has embraced this with her latest album, "Here is Where We Meet." Guided by Grammy and Emmynominated producer Rex Salas, the album blends jazz, ballads, R&B, and funk, reflecting Heidi's multicultural influences and personal authenticity. Salas emphasized the importance of humility, coachability, and hard work, advising that reputation in the music industry is paramount and that authenticity is key. The creative process was organic, evolving from the single "Missing You" into a full-fledged album that resonates with diverse audiences. “Rex told me to be humble, coachable, and hardworking,” Heidi recalls. “At the end of the day, he said your music is about your expression, so just be yourself and just be authentic.”

Adapting and Staying Authentic

Heidi's approach to music, rooted in instinct and extensive research, has helped her maintain a cohesive sound while exploring various genres. "When you travel, you adapt to the culture’s music taste while injecting your own authentic approach to every performance," she explains. This philosophy has allowed her to connect with audiences around the world, bringing a unique flavor to every performance. “You learn the music from each culture while bringing in your own flavor,” she says.

Passion and Work Ethic

Staying motivated and inspired is crucial for any artist, and for Heidi, it's her deep passion for music that keeps her creativity flowing. "Your creativity won’t always come to you naturally, but work ethic is important in working through those blocks," she says. This dedication is evident in her willingness to experiment with different genres and collaborate with other artists, such as Nils and Grammy-winning producer Pete Tokar on her cover of "Baby Come Back."

Healing Through Music

Fan feedback has been particularly touching for Heidi, especially when people share how her music has helped them through personal struggles. "A lot of people tell me that they’re going through personal struggles like depression, but when they learn about my story, they feel inspired," she shares. his connection with her audience underscores the power of music to heal and unite.

ªNever give up on what you love¢ and music heals the soul and connects people together regardless of our differences§ª · Heidi Tann

Her advice to aspiring musicians reflects her own journey: "Never give up on what you love, and music heals the soul and connects people together regardless of our differences."

Summer Smooth Jazz & R&B Night

Date: August 25, 2024

Featuring international Billboard smooth jazz artist NILS, UK and US charttopper Joe Leavy, awardwinning songwriter and guitarist Michael Garvin, and Heidi Tann.

ALL BLACKS COME TO SAN DIEGO

By Vince Meehan

New Zealand’s national team rugby team called the All Blacks came to San Diego on July 19 for a very rare appearance at Snapdragon Stadium in Mission Valley. The All Blacks are one of rugby’s most notorious teams due to both their fierce play as well as the Haka war dance performed by the team before each bout. True to their name, they wear all black on the pitch and San Diego fans came out by the thousands dressed in their black jerseys and other swag.

The New Zealand team played against the Fiji national team in a game that seemed to be fairly even in the first period. The All Blacks scored two tries first and then Fiji answered back with a try of their own much to the joy of the Fiji contingent in the stadium.

But the All Blacks proved to be the sturdier team and ran away with the game in the second half finally winning the game 47 to 5. Snapdragon stadium was completely full by game time signaling that San Diego is now a major rugby town.

The game of rugby has been around for a long time, but has just recently taken a foothold in San Diego due to the fairly new San Diego Legion professional rugby team. Luckily for us, the Legion is a winner and has provided excitement for local rugby fans since 2017. They even went to the league finals last year – the Major League Rugby version of the superbowl – but lost to their arch-rivals the New England Free Jacks. The Legion vow to bring the title home this year! Rugby is here to stay!

"Experience the thrill of world-class rugby right here in San Diego!"

Five Seadragons At Birch

juvenileWeedySeadragons are swimming into the spotlight, making their public debut in Seadragons & Seahorses at Birch Aquarium at Scripps Institution of Oceanography at UC San Diego. These are some of the dozens that hatched at Birch Aquarium last March, marking a phenomenal success in the aquarium’s seadragon conservation efforts.

“This moment is years in the making,” said Leslee Matsushige, Associate Curator. “Everything we were hoping to happen, happened. These seadragons show that the design of our display works!”

In 2012, Matsushige ventured to Australia to study seadragons in the wild, observing their behaviors and habitat. She then utilized her findings to help build a seadragon display at the aquarium designed to provide an optimal environment for them to mate and breed.

By Vince Meehan

Much like human fingerprints are one-of-a-kind, seadragons exhibit distinctive characteristics. Different combinations of unique facial features, patterns and appendage shapes help the aquarium’s seadragon care team tell one seadragon from another.

Seadragons have distinct spot patterns along the dorsal area between their head and paired dorsal appendages. This unique pattern helps the seadragon care team identify one seadragon from another.

Identifying each individual helps keep better track of the overall animal health and genetic diversity of the population as well as streamlines record-keeping processes. Once photographed, the juveniles were carefully transported into the seadragon display in Seadragons & Seahorses, where guests can now see themforthefirsttime.

“It’s an exciting time to move some of our juveniles on display and we’re excited to see them continue to