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Exploring Possibilities of School by Moving Outdoor Qualities Indoor instructed by Adwitya Dimas Satria Architecture Research 2 [2020-2021]
Publication Unit Architecture UPH
2 0 2 1
Exploring Possibilities of School by Moving Outdoor Qualities Indoor JENNIFER SIDHARTA
Publication Unit Architecture UPH
Diterbitkan oleh:
Boulevard 1100 Lippo Village Tangerang
All writings and printed materials in the Publication may only be reproduced with the permission of the editor. Opinions expressed in the article in this publication are those of the authors
Exploring Possibilities of School by Moving Outdoor Qualities Indoor
EDITOR Adwitya Dimas Satria Felicia Yosefanny Florentia Michelle Ananta William Ferdinand DESIGN COVER Felicia Yosefanny William Ferdinand GRAPHICS Jennifer Sidharta Text Jennifer Sidharta
Publication Unit Pelita Harapan architecture Jl M.H. Thamrin Boulevard Tangerang, 15811, Banten
co
nt
ents 7 i ntro duct i on 9 c ha pte r 1 : to pi c res ea rc h: p rox e m i c s 19 c ha pte r 2 : pro bl em i denti f i c a ti o n + s p e c u l a t i o n 29 c ha pte r 3 : s i te a na l y s i s 51 c ha pte r 4 : tec to ni c s + pro gr a m + m a s s i n g 79 c ha pte r 5 : des i g n 115 c ha pte r 6 : s truc tu re 123 c o nc l us i on 124 ref eren c e
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oduct
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Doe s arc hitecture i nf l uenc e educ a ti o n? Ho w d o e s a rc h i t e c t u re i n f l u e n c e e d u c a t i o n ? Th ese qu estio ns a re needed to be a s k ed i n ord e r t o d i s c ov e r a n d u n d e r s t a n d t h e relation be tw een a rc hi tec ture a nd educ a ti o n . Th e brief of thi s s tudi o wa s to c rea te a hi g h s c h o o l w i t h C OV ID - 1 9 p a n d e m i c a s a bac k grou nd, but s ti l l bei ng m i ndf ul o f the e ff e c t s p o s t - p a n d e m i c . Re t h i n k i n g l e a r n in g spac es. I n th is portf ol i o , I wi l l s ho w the pro c es s o f h ow I e x p l o re p o s s i b i l i t i e s of s c h ool b y mov in g outdo o r qua l i ti es i ndo o r.
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8
ch
ap
ter 1
to p ic re s e a rc h : p rox e mi c s In t his chapter, I wi l l expl a i n why I chos e m y re s e a rc h t o p i c , t h e n I w i l l s h a re t h e re sul ts of t h e res ea rch a nd s t ud i es I’ve comp i l e d , b o t h t h ro u g h a n a l y z i n g p re c e d e n t stu d ies, an d t hrogh da t a s .
9
hahaha
yes, right! hahaha wohooo!
suuuper coool!
Pro x em i c s as R e s earch Topic
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I c hoose prox em i c s a s m y res ea rc h to pi c . O n e of t h e re a s on s I’ m i n t e re s t e d t o s t u d y more about p ro x emi c s wa s bec a us e o f my p e r s on a l e x p e r i e n c e d u r i n g h i g h s c h o o l . Wh en I walk thro ugh the l o ng c o rri do rs , wi t h a n o t h e r p e r s on w a l k i n g t o w a rd s m e , alongside the no i s es , l a ughs , a nd c ha ts th a t c a n b e h e a rd f ro m t h e c l a s s e s . T h a t was a phe nom ena tha t ra i s ed m y c uri o s i ty t o l e a r n m ore a b ou t p ro x e m i c s i n s c h o o l . I s ou r pe rsona l bubbl es the s a m e o utdo or a n d i n d oor ? H o w d o w a l l s a n d c e i l in gs aff ec t our pers o na l s pa c e? Ho w c a n prox e m i c s a ff e c t s t u d e n t s a n d t e a c h e r s i n le ar nin g proc es s ?
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public (25ft ) social (12ft ) per sonal (4ft ) int imat e (1.5ft )
E d w ard T. H al l ’s P roxemics C lassificat ion
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prox emic s (n .) the bran c h of k no wl edge tha t dea l s wi th t h e a m ou n t o f s p a c e t h a t p e o p l e f e e l i t n ec e ssary to s et between thems el v es a nd o t h e r s . Oxf ord Dict io na r y the in te rrelated o bs erv a ti o ns a nd theo ri es o f m a n ’s u s e o f s p a c e a s a s p e c i a l i s e d e laboration o f c ul ture. Edward T Hal l , a nt hropol ogi s t Th ere are 4 sp a c es a c c o rdi ng to E dwa rd T. H a l l , i n t i m a t e s p a c e ( 0 - 0 . 5 m ) , p e r s on a l spac e (0 .5 - 1 m), s o c i a l s pa c e (1 - 4 m ), a n d p u b l i c s p a c e ( > 4 m ) . In t i m a t e s p a c e is a distan c e whi c h i ntens e f eel i ngs a re exp re s s e d : t e n d e r n e s s , c om f or t , l o v e , a n d strong anger. Pers o na l s pa c e i s c o nv ers a ti o n a l d i s t a n c e b e t w e e n c l os e f r i e n d s a n d f amily. Soc ial di s ta nc e i s where ma nda to ry re c og n i t i o n d i s t a n c e b e g i n s o r c on v e rsation al dista nc e between f ri ends a nd a c q u a i n t a n c e s . P u b l i c d i s t a n c e i s a f o r m a l one way c om muni c a ti o n e. g. l ec tures . I n t h i s t i m e o f s oc i a l d i s t a n c i n g , i t ’s b e s t f or pe ople to s ta y 1m a wa y f ro m ea c h o the r, i n t h a t s e n s e i t ’s t h e s oc i a l s p a c e . In n or mal c onditi o ns , pers o na l s pa c e v a ri es n ot o n l y f rom p e r s o n t o p e r s on b u t a l s o ac c ording to c o ntex t a nd c ul ture; a bs ent a p u b l i c h e a l t h c r i s i s l i k e t h e o n e t h a t c o n f ron ts u s now, wha t’s to o c l o s e f o r c o m f o rt i n To k y o m a y b e a n od d i n g a c q u a i n t a n c e in Naple s, whi l e the ri ght a mo unt o f s pa c e b e t w e e n t w o p e o p l e a t a c oc k t a i l p a r t y migh t be in appro pri a te a t a bus i nes s m eeti n g ( H a l l , T h e H i d d e n D i m e n s i on , 1 9 8 2 ) . Ac c ordin g to Ha l l , there i s no i s e pro x emi c s a s w e l l .
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1)
2)
Bry an Law s o n ’s S pat ial Defined Roles
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3)
Ac c ordin g to B ry a n L a ws o n’s bo o k , L a ngu a g e o f S p a c e , t h e re i s s p a t i a l d e f i n e d role s, 1) ‘c onfro nti ng’ ro l e. Thi s ty pe o f s i tu a t i on h a p p e n s w h e n s om e o n e n e e d s t o f oc us or is giv i ng tens i o n to wa rds the o ther. 2 ) ‘ C on s or t i n g ’ rol e ( c o n v e r s i n g & c o l laboratin g). Thi s ty pe o f s i tua ti o n ha ppens w h e n s o m e on e w a n t s t o s e e s om e t h i n g f rom the same pers pec ti v e, to k no w wha t ot h e r s a re s e e i n g . 3 ) ‘ C o - e x i s t i n g ’ rol e . Th is ty pe of s i tua ti o n ha ppens when s o meo n e w a n t s t o i g n ore e a c h ot h e r w i t h o u t ruden ess.
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ca s e s t u d i e s
aichi sangyo university
image 1
function
connectedness
communality
program
program + proxemics
barriers
flexibility of fucntion
visibility
proxemics
Stud y Cas es o n S chool’s P roxemics
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chuon chuon kim kindergarten
image 2
longrie one-room school
image 3
can roses school
image 4
F rom that poi nt, I then ga thered f o ur prec e d e n t s t o f i n d t h e f oc u s o f t h e t o p i c . A i c h i San gy o Un i v ers i ty i n J a pa n, Chuo n Chuo n Ki m Ki n d e rg a r t e n i n V i e t n a m , L o n g r i e One -Room S c ho o l i n Mi c hi ga n, a nd Ca n R os e s S c h o o l i n S p a i n h a d m y i n t e re s t . I was re ally c u ri o us to k no w a bo ut peo pl e’s p e r s o n a l b u b b l e s i n a v e r y w i d e a n d o p e n spac e lik e Aichi Sa ngy o a nd Ca n R o s es . O n t h e c on t r a r y, C h u on C h u o n Ki m Ki n dergarte n is a pri v a te k i nderga rten l o c a ted i n a s m a l l , e n c l os e d h o u s e . On e - R o o m S c hool is also v ery i nteres ti ng to me bec a u s e o f i t s s i z e a n d t h e e v e n t s t h a t c a n h appen in one ex a c t s pa c e/a rea . Af te r analy zin g the prec edents a nd s eei ng fro m t h e s t u d e n t ’s e x p e r i e n c e s , S t u d e n t s c an stan d & s i t a t pers o na l di s ta nc e (0. 6 - 1 . 6 m ) a t A i c h i , C h u o n a n d C a n Ros e s . Walls that are m a de f ro m gl a s s , gets m o re e x p os u re , a n d m a k e s s t u d e n t s f e e l f re e & n ot trappe d. B i gger c o m muna l s pa c es o ut d o o r s . C ou r t y a rd a s o p e n s p a c e s . Wh e n the c ommun a l s pa c es i s bi gger tha n the c l a s s e s , s t u d e n t s a l s o f e e l f re e & n o t trappe d. Sin c e the ro o m i n Chuo n Chuo n i s re l a t i v e l y s m a l l , i t m a k e s t h e s t u d e n t s n ot sc ared to ex pl o re. They enga ge better i n l e a r n i n g a s w e l l . P e r s on a l b u b b l e s d i f f e r indoors and o utdo o rs , s i nc e peo pl e a l l ow o t h e r s t o c o m e c l o s e r i n l a rg e r ro o m s , wh en th e c e il i ng i s hi gher, a nd ha v e hi gh h i g h v i s i b i l i t y, l i k e i n A i c h i a n d C h u o n Chu on . Students need 0. 6m di s ta nc e f o r th e m t o f e e l c o m f o r t a b l e w h i c h c a n re s u l t in good intera c ti o n. Cl o s er di s ta nc e betwee n t e a c h e r- s t u d e n t s & s t u d e n t s - s t u d e n t s resu lt in be tter i ntera c ti o n- enga gement. A ic h i Co n n e c t e d n e s s Co m m u n a lit y Ba r r ie r s F le x ib ilit y V isib ilit y
: : : : :
O O O O O
O O O O O
Ch u o n Co n n e c t e d n e s s Co m m u n a lit y Ba r r ie r s F le x ib ilit y V isib ilit y
: : : : :
O O O O O
O O O O
O O O O
Lo n grie C o n n e c te dn e ss C o m m u n a lity B a rrie rs F le xibility V isibility
: : : : :
O O O O O O O
C a n R o se s C o n n e c te dn e ss C o m m u n a lity B a rrie rs F le xibility V isibility
: : : : :
O O O O O
O O O O O O O
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ch
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p ro ble m id e n t i f i c a t i on + s p e c u l a t i on In t h is chapter, I wi l l s how how I i dent i f y my p ro b e l m s a l o n g s i d e m y s p e c u l a t i o n f o r a n ew learn ing s pa ce.
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St a t ement 1 : Proxem i c s o n P e d a g o g y Closer d ist a nce bet ween t ea cher s - s t uden t s & s t u d e n t s - s t u d e n t s h a v e a b e t t e r qua l i t y of i nt e r a c t i o n (Barth, Dunlap, Dane, Lochman, and Wells 2004; Burke and Sass 2013; Webb 1989).
St a t em ent 2 : C OVI D - 19 This pandemi c res t r i ct us t o be i n cl os e p ro x i m i t y / d i s t a n c e ( 2- 3m ) w i t h o t h e r s World Health Organization
Pro b l e m Id e n ti f i c at ion
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How to m a x i m i z e the qua l i ty o f i nt e r a c t i on d u r i n g & a f t e r c o v i d ?
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Theor i e s
O ut door s pa ces ma kes peopl e’s pers ona l bubbl e bi gger
Wa l l s a n d c e i l i n g s makes personal bubbles smaller
Cochran and Hale, 1984
Edward T. Hall
Conver s a t i ons a re more res pons i ve i n out door s t ha n i ndoor s
S t u d e n t s a re m o re engaged and attentive in outdoors
University of Manchester and Cardiff University.
Kuo, Browning, Penner, 2018
Sp ec ul ati o n + Id ea Diagr am
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W ha t i f O utdo o r Q ua l i ti e s a re M ov e d In d oor ?
23
24
Af te r f in din g o ut tha t o utdo o r hel ps i m pro v e i n t e r a c t i on i n s c h o o l s , a n d t h a t s t u den ts are mo re i nv o l v ed i n l ea r ni ng, a nd th a t l e d m e t o m y i d e a , Wh a t i f t h e o u t door quality i s m o v ed i ndo o rs ? F rom the prob l em s a nd i dea s tha t a ri s e, wh a t c a n I s e e n e x t ? Th ere is an in teres ti ng o utdo o r s c ena ri o f ro m S i m on U n w i n , i n h i s b ook E x e rc i s e s in Arc hitec ture. I n a depres s ed ba s e pl a ne, a p e r s o n c a n f e e l c a l m , re l a x p l a y i n g i n the water. The n o ne c a n us e a s l i ghtl y hi ghe r e l e v a t i o n , i n t h i s e x a m p l e , a roc k , a s a su pport / a pl a c e to res t o ne’s ti red ba c k . T h e n w h e n s o m e on e i s a t a h i g h e r e l e v a tion , wh ere he o r s he c a n be s een & get ev e r y on e ’s a t t e n t i on . T h e n w h e n s o m e on e is at an ev e n hi gher el ev a ti o n, where he ca n s e e e v e r y t h i n g , b u t n o t n e c e s s a r i l y e v ery on e c an s ee hi m. Fi na l l y, i n a c a v e en c l o s u re , w h e re s om e o n e c a n m a k e i t a s the ir h idin g p l a c e. Th ose ou tdoo r s c ena ri o s & qua l i ti es a re th e n t r a n s l a t e d i n t o s p a c e s w i t h d i ff e re n t le v els, an d tho s e qua l i ti es a re to be i m pl em e n t e d i n t o t h e s c h ool .
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si t t i ng on a rock p oo l spla shing
stand i ng at the hi g hest p oi nt of
i n t he wa t er (1)
a rock (2)
rela x
attenti on
aaaooo..! i am the king of the jungle
Ou td o o r Sc en ari os + Qualit ies ...feels good to relax in the water...
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finally resting my back and enjoying the view...
nestl ed i nto a si t t ing on a high b ra nch of a t ree (3)
cave to shel ter & survey (4)
taki ng b reaks
sur veila nce
wow... i can see everything from up here!
g e
oh! hi there!
feels good to be in my hiding place..
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9.
8.
8.
8.
8.
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8.
ch
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ter 3
s ite a n a lys is In t h is chapter, I wi l l s how why i choos e my s i t e , t h e s i t e a n a l y s i s , b o t h t h e n o n - p h y s ical an d phy si ca l a s pect s of t he s i t e, a nd ho w t h e s c h o o l w i l l re s p o n d t o t h e s i t e .
29
5.
6.
9.
10.
8.
1.
7. 4. 3. 2.
Si te Lo c ati o n & N eighbor hood C ont ext
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G a d in g M e d i t e ran n ia Hou sin g Comp le x J l. C a s a b la n c a IX No.5 , K e lap a Gad in g , North J aka rta , Indonesia - 6 . 1 6 2 7 5 6 , 1 0 6 .8 9 7 3 2 8 1 . G a d i n g Me d i te ran n ia Hou sin g Comp le x 2 . V illa G a d in g In d ah Hou sin g Comp le x 3 . R ic e Wa re h o use 4 . Ap a r t m e n t 5 . S h o p s & R e s tau ran ts
6. Office 7. Open Spa ce/ P a rk 8. Ma in Roa d 9. Seconda ry Roa d 10. H ousing Entra nce
31
Si te Im ag e s
32
33
9.
9.
7.
3.
1 5 0 0 sq m
2.
1.
4.
2.
6.
5. 3.
8.
4.
8. 8.
8.
8.
Si te Di m e n s i o n & P ropor t ion
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1. Site 2 . D e a d E n d R oad 3 . Wa l l B a r r i e r s
6. Rice Wa rehouse 7. Open Spa ce
4. Park 1
8. Ga ding Meditera nnia H ouse
5. Park 2
9. V illa Ga ding H ouse
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j an u ary
a p ri l
aug us t
d ec emb er
Co l l ec ti v e Data o f Non- P hysical A spect s on t he Sit e
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Af te r c hoosin g the s i te, we s ure need to a n a l y z e t h e s i t e . F i r s t , I a n a l y z e t h e n on -ph y sic al a s pec ts o f the s i te, the s unpa t h , s h a d ow s , r a i n , w i n d , a n d s o u n d . W i t h the av e rage tem pera ture bei ng 28 C i n th e s i t e . T h e h i g h e s t b e i n g 3 3 C a n d t h e lowest be ing 22. 5 C. Af te r an aly zing the no n- phy s i c a l a s pec ts o f t h e s i t e , I a m i n t e re s t e d w i t h t h e c o n stant v oic es I hea rd f ro m the pa rk . The s o un d s of b i rd s c h i r p i n g , k i d s p l a y i n g , p e ople joggin g, e tc . Tha t i s why I ’m i nteres ted t o a n a l y z e m ore on t h e v oi c e s a rou n d the site .
37
n o i s e a na l ys i s
si t e + t e ct on i cs
n o i s e a na l ys i s
si t e + t e ct on i cs
Vo i c e Anal y s i s
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w i nd ( 2 0 d b)
peo p l e ( 3 0 d b )
t rees ( 3 0 d b)
bi rd s ( 4 0 d b )
vehicles (50-60 db)
dog (70 db)
w i nd ( 2 0 d b)
peo p l e ( 3 0 d b )
t rees ( 3 0 d b)
bi rd s ( 4 0 d b )
vehicles (50-60 db)
dog (70 db)
no is e a n a lys i s
site + tectonics
7.00 am
9 .0 0 a m
1 2 .0 0 p m
2 .0 0 pm
<20d b
wi nd ( 20 d b )
p e o p l e ( 30 d b )
t re e s ( 30 d b )
30d b
5.00 pm
40d b
birds ( 4 0 d b)
7.00 pm
50d b
9.00 pm
60d b
v ehicles ( 5 0 - 6 0 d b)
70d b
dog ( 7 0 d b)
Th e datas matc h. There i s i ndeed a c o ns ta n t v oi c e s of t h e b i rd s f rom m o r n i n g u n t i l n igh t. I an aly z e the v o i c es a t 07. 00, 12. 00, 1 7 . 0 0 , a n d 2 1 . 0 0 . I a n a l y z e t h e v oi c e s o f win d (20 db), p eo pl e (30db), trees (30db), b i rd s ( 4 0 d b ) , v e h i c l e s ( 5 0 - 6 0 d b ) , a n d d og (7 0db). Alon gs i de thei r s o urc e po i nts .
39
p ub lic - p r iva t e
public s emi- pr iva t e pr iva t e s o lid - v o id
Pu b l i c -Pri v ate + Solid- Void
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Ne x t, to k n ow the s i te, a nd f o r the des i g n t o m a t c h w i t h t h e s i t e , I a n a l y z e t h e phy sic al aspec ts o f the s i te, the publ i c - pri v a t e , s ol i d - v oi d , v e h i c l e c i rc u l a t i on , p e destrian c irc u l a to n, v egeta ti o ns , a nd c o nto u r s a ro u n d t h e s i t e .
41
c i rc u l at i on - pedes t r i a n
450m (6 mi n s)
900m (10m ins) 1 k m ( 1 2 mi n s)
e n tl y u s e d pa th c i rc u l at i onf re- qu pedes trian
(m i n i m a l tra ve l ti m e ) m ode ra tl e y u s e d pa th (m e di u m tra ve l ti m e + e n tra n ce n e a r s h ops ) le a s t u s e d pa th (l on g tra ve l ti m e )
l ow peop l e t r a ffi c : no i nt erest poi nt & c or ner
m edi um peop l e t r a ffi c : jogging track but not as nice
h i gh pe de s tri a n tra ffi c m e di u m pe de s tri a n tra ffi c
low pe de s tri a n tra ffi c Veh i c l e + Ped es trian C ircualt ion
42
h igh pe ople traff ic: ent r an ce to th e n ice r park
c irc u l a t io n - v e h i c l e
450m ( 2m i n s )
900m ( 4m ins)
1 k m ( 4 mi n s )
ently used c i rc u la t i o nf re-qvu e hicle
path (minimal travel time) m o d e r a t l e y u s e d p a t h ( m e d i u m t r a v e l t i m e + l e s s t r a ff i c p a t h ) least used path (medium travel time)
l o w v ehi c l e t r aff i c : no i nt eres t p o i nt & c o r ner
h igh v e h ic le t r a ff ic : pu blic e n t r a n c e
m ed i um v ehi c l e t r aff i c : jogging track but not as nice
hi g h v e h i c l e t r a ff i c m e d i u m v e h i c l e t r a ff i c l o w v e h i c l e t r a ff i c
43
c on t o u r
reo l an tive ly vegetati
flat grou n d
Co nto u r + Veg eta t ion
44
Af te r an aly zing the s i te, i ts i nteres ti ng po i n t s , a s w e l l a s t h e i r u n p l e a s a n t p o i n t s , I am in te re ste d to us e my a na l y s i s o n the v o i c e s a rou n d t h e s i t e t o p l a y a p a r t f o r t h e sc h ool. I th ink i t wi l l be perf ec t, s i nc e my i d e a w a s a l s o m o v i n g ou t d o o r s i n d oor, I thin k mov in g the v o i c es o f the nei ghbo rho od i n t o t h e s c h o o l w i l l b e a g ood i d e a . S o f rom th ere, I c a m e o ut wi th m y s pec ul a t i o n , Wh a t i f . . .
45
46
W h a t i f w e e m b r a c e t h e v oi c e s a ro u n d u s ?
47
48
W h a t i f w e e m b r a c e t h e v oi c e s a ro u n d u s ?
49
d i re c t e d
d e c re a se d
i n c re a se d
Bjørn Kolbrek, Horn Theory
50
directed + incre ase d
in crease d
in crease d ve ry much
ch
ap
ter 4
te c to n ic s + p rog r a m + ma ss i n g In t h is chapter, I wi l l s how how I pi ck a nd t es t m y t e c t o n i c s , t h e t y p e o f s c h o o l I w a n t to imply, alongs i de t he progr a ms , a nd t he m a s s i n g t h a t re s p o n d s t o t h e s i t e .
51
s t u dy c a s es : a m p li fy i ng n o i se s / ca tch i n g n o i se s
Timber Funnel
The Megaphone
Ac oust ic Shel ls
Tes hima Art M us eum
25 c m
Stud y Cas e: Catc hing/ Amplifying Noises
52
s it e + t e ct on ics
s t u dy c a s es : a m p li fy i ng n o i se s / ca tch i n g n o i se s
Timber Funnel
s it e + t e ct on ics
The Megaphone
Ac oust ic Shel ls
Tes hima Art M us eum
25 c m
I look e d f or a prec edent s tudy where the i n s t a l l a t i o n / b u i l d i n g w a s c a t c h i n g n o i s e / amplif y ing the no i s es a ro und the nei ghb o r h ood . T h e re i s a Ti m b e r F u n n e l , T h e Megaph on e, where the 2 i ns ta l l a ti o ns us e t h e l i t e r a l s h a p e of a m e g a p h on e a n d are e nlarge d s o tha t the s o und a ro und them i s i n c re a s e d . T h e n t h e re i s t h e Te s h i m a Art Muse um a nd A c o us ti c Shel l s where they u s e a s h e l l s t r u c t u re w i t h v o i d s s o t h a t the soun d c an be c a ught, they a l s o us e c o n c re t e m a t e r i a l t o k e e p t h e s ou n d i n s i d e .
53
study: megaphone
si te + te cto n i cs
direct ed
d i rected + i ncreas ed
i ncreas ed
decreas ed
increas ed
i ncreas ed very m uch
Bjørn Kolbrek, Horn Theory
Stud y : Me g ap h o ne + Noise Reflect ion in Different Shapes o f R o o m
54
s t u d y : n oise ref l e c t i o n i n d i ff e re n t s hapes o f ro o m
site + tec tonic s
sp rea d
f oc u s e d
fo c used
wid e ly s p re a d / d iff u s e d
fo c used
f oc u s e d
Acoustic Reflection, Reflection of Sound
F rom th e c as e s tudi es , there a re 2 thi ngs / p oi n t s , m e g a p h on e s h a p e a n d s h e l l stru c tu re , so I di d a res ea rc h o n tho s e 2 po i n t s a g a i n . H e re t h e re a re m e g a p h o n e s sh ape s and its di ff erent a ff ec ts .
55
stu dy : shell s tru ctu re
site + tec tonic s
Types & For ms of Shell structure:
f o l de d pl a t e
facet ed folded p la te
do m e s
t r anslat ion shells
theconstructor.org
Stud y : S h e l l S tru ct ure
56
wra p p ed surfa ces
cylind rica l b a rrel va ults
F rom th ere, I c o nti nue to l ea r n a bo ut s hel l s t r u c t u re s . S h e l l s t r u c t u re s a re s e l f - s u p portin g stru c tures tha t c a nno t be s ta c k ed.
57
ound, materials, and its sensation
s i t e + te c
S ou n d re f l e c t i n g m at e r i al s:
granite
c l ay b r i c k
s mo o t h c o n c re t e
plaster
h e a v y, f i b rou s, c o l d
h ard, ro u gh , d r y
h a rd , fi n e , s mo o t h
ro u g h , l i g h t
m e t a l g l a ss
pl ast i c
wood
calm water
h e a v y, f i n e , s mo o t h
l i gh t , o p aqu e , sm o o t h
h e a v y, ro u g h , fi b ro u s
light, transparent, smooth
S h e l l s y s t e m m a t e r i al s:
t h i n c on c re t e
gl ass
steel
plastic
h a rd , f i n e , s m o o t h
h ard , o p aqu e , sm o o t h
h e a v y, fi n e , s mo o t h
l i g h t , o p a q u e , s mo o t h
living.com Stud y : S o un d , Ma t er ial, and it s Sensat ion he National Ribat University
58
Ne x t, I se arc h ed f o r s o und, ma teri a l a nd i ts s e n s a t i o n t o d e t e r m i n e t h e m a t e r i a l t o u se f or the scho o l . I f i rs t res ea rc hed wha t m a t e r i a l s a re g ood f o r s o u n d re f l e c t i n g , the n I took a l o o k a t the ma teri a l s us ed f o r s h e l l s t r u c t u re s . Wh e re i n t h e e n d c o n c rete bec ome s the bes t c ho i c e. I t’s ha rd, f i n e a n d s m o o t h .
59
60
S inc e I want to us e the s ha pe o f a mega p h o n e a s m y t e c t on i c s , I d i d a m i n i e x perime nt to s ee s o und l ev el s wi th mega ph o n e a n d c u r v e d s h e e t i n s t r u m e n t s . T h e in strumen ts I tri ed to ex peri m ent wi th here w e re c on c a v e , c u r v e d s h e e t s , m e g a phone , c y lind er, a nd c o nv ex . Fro m thi s ex p e r i m e n t , I c a n s e e t h a t t h e m e g a p h on e with walls an d c urv ed s heets wi tho ut wa l l s , t h e y b ot h s t i l l a m p l i f y s ou n d s . F ee l f ree to sc a n a nd wa tc h the v i deo f o r a d e t a i l e d p ro c e s s o f m y e x p e r i m e n t , f rom the me th ods, to o l s , a nd c o nc l us i o n.
61
Ensuring the neediest students are taught by the most effective teachers
prior knowledge
personalization
1:8 - 1:10 teacher:student ratio
educators
flexible learning areas
self-study is important individual area
student-directed learning
student
anytime / anywhere learning
gathering, presentation, display space must be bigger than classrooms
family
success criteria
Stud en t-Cen tered P edagogy + List of P rogr ams
62
peers
display & presentation
performance area
discussion & meeting
collaboration
group studies
group study
classroom 1
classroom 2
classroom 3
leisure & lunch area
outdoor learning self study
individual area
lobby
waiting area service
admin & teacher’s room
toilet
parking
75 st udent s 7 t ea c her s 3 st a ffs
63
morning
m o r n i n g br i e f t o g e t h e r e a c h w i t h t h e i r own g oa l s
subj c et s c l a sse s t og e t h e r ( p re s e n t a t i on , d i s p l a y )
bre a k
sel f - st udy / gro up s t u d y / p e r s on a l i z e d s t u d y wi t h a t e a c h e r
e v en i n g
lunch
subj c et s c l a sse s t og e t h e r ( p re s e n t a t i on , d i s p l a y )
sel f - st udy / gro up s t u d y / p e r s on a l i z e d s t u d y wi t h a t e a c h e r
a f t er n o o n
go a l s k a l a u bi sa s e l e s a i / t e rc a p a i
with the s tud ent - c en t e re d sc h o o l s, i t ’s a per so n a l i zed st udy, w h a t t h e y n or ma l l y d o i s t h e y g a t h e r i n t h e mor n i n g , t h e n as s ig ned with a se t o f t h i n gs t o do / go a l s, ea c h pe r so n a l l y, so on e w i t h a n ot h e r c ou l d b e d i ff e re n t .
example from Hellerup School
Stud en t-Cen tered Daily A ct ivit ies + P rogr ams
64
discussion area 30 people (100m2)
classroom 2 25 people (40m2)
collaboration 30 people (100m2)
leisure & lunch area 80 people (300m2)
p rivate
classroom 1 25 people (40m2)
individual area 30 people (100m2)
classroom 3 25 people (40m2)
group study 30 people (100m2)
outdoor learning 30 people (100m2)
display & presentation 70 people (250m2)
performance area 80 people (300m2)
waiting area 35 people (120m2)
admin & teacher 10 people (30m2)
lobby 30 people (100m2)
public
parking 15 spots (200m2)
65
6m
6m
6m
6m
a l t e r n a t i v e 1 . p e d e s t r i a n a n d v e h i c l e s c ro s s t r a ff i c
alter native 2. public-private idea is not well supported
a l t e r n a t i v e 1 . p e d e s t r i a n a n d v e h i c l e s c ro s s t r a ff i c
alter native 2. public-private idea is not well supported
6m 6m
6m 6m
a l t e r n a t i v e 3 . p e d e s t r i a n a n d v e h i c l e s c ro s s t r a ff i c
alter native 4. public-private idea is not well supported
a l t e r n a t i v e 3 . p e d e s t r i a n a n d v e h i c l e s c ro s s t r a ff i c
alter native 4. public-private idea is not well supported
Ci rc ul ati o n Aro un d t he School
66
P P P P P P P P P P
pedestrian - lewat situ karena closest travel time
P P P P
vehicle (car, motorbikes)
n arration/ e x pl a na ti o n here na rra ti o n/ ex pl a n a t i on h e re n a r r a t i o n / e x p l a n a t i o n h e re n arration/ e x pl a na ti o n here na rra ti o n/ ex pl a n a t i on h e re n a r r a t i o n / e x p l a n a t i o n h e re n arration/ e x pl a na ti o n here na rra ti o n/ ex pl a n a t i on h e re n a r r a t i o n / e x p l a n a t i o n h e re tion / ex plana ti o n here na rra ti o n/ ex pl a na ti o n h e re n a r r a t i on / e x p l a n a t i o n h e re n a rration/ e x plan a ti o n here na rra ti o n/ ex pl a n a t i on h e re n a r r a t i o n / e x p l a n a t i o n h e re e x plan ation h ere na rra ti o n/ ex pl a na ti o n here n a r r a t i o n / e x p l a n a t i o n h e re
67
class ro o m
class ro o m
di s c u s s meet
collab
o u t do o r learning
waiting a re a
1 . corner
Ci rc ul ati o n In s i d e t he School
68
class ro o m
class room
i n di v i dual
gro u p s t u dy
class room
d iscuss m eet
collab
out d oor lear ning
l e i s u re & cafeteria
class room
leisure & cafet er ia
di s pl a y & pre s e n t a t i o n
d isp lay & p resent at ion
pe r f o r m a n c e a re a
p er for mance area
teacher
a dm i n
wait ing area
lob b y
2. center
g rou st ud
t eacher
ad m
class ro o m
ind i v i dua l
up dy
mi n
class ro o m
di s c u s s meet
class ro o m
collab
o u t do o r learning
ind ivid ual
g roup st ud y
l e i s u re & c a f e t e r ia
di s pl a y & pre s e n t a t i o n
pe r f o r m a n c e a re a waiting a re a
l o bby
teacher
ad m in
lob b y
3. a l ternate
F or th e c irc ula ti o n i ns i de the s c ho o l , I tri ed 3 a l t e r n a t i v e s , i n t h e c o r n e r, t h e c e n t e r, an d also alte r na te. Fro m thes e 3 a l ter na ti v e s , I c h os e t h e on e w i t h t h e p a r a m e t e r wh ere my ide a needs v i s i bi l i ty a nd a l s o s up p o r t s b e t t e r c o m m u n i c a t i on . A f t e r c o m parin g the se 3 a l ter na ti v es , I thi nk thi s l a s t a l t e r n a t i v e h a s t h e m os t p ot e n t i a l t o b e dev e loped. By pl a c i ng the c i rc ul a ti o n a l ter n a t e l y, t h e i n t e r a c t i o n i n t h e s c h ool w i l l be v ery su ppo rted, the c o nnec tednes s , c o m m u n i c a t i on , a n d v i s i b i l i t y, l i k e m y i d e a , will be gre atl y hel ped. W here ev ery o ne ha s a g re a t e r o p p o r t u n i t y t o c ro s s p a t h s with f rie nds, tea c hers , c l a s s m a tes , s ta ff , et c . S o t h a t i t c a n p ro v ok e i n t e r a c t i on , i n addition to v erba l i ntera c ti o n, a s wel l a s th rou g h v i s u a l i n t e r a c t i on .
69
Mas s i n g Stud i e s
70
He re , I tried s ev era l ma s s i ng s tudi es us i ng d i ff e re n t s p a t i a l c h a r a c t e r s , t h e re a re bubble s, pipe s , mi ni ma l s urf a c es , a nd a l s o s h e e t s . A f t e r b e i n g d i s s e c t e d a g a i n , i n my opin ion , the o ne tha t ha v e the m o s t po t e n t i a l t o b e d e v e l op e d a re t h e s h e e t s , bec au se among a l l thi s , a pa rt f ro m pl a y i ng w i t h t h e l e v e l s w i l l b e i n t e re s t i n g , t h e sh ee ts hav e a wi der s urf a c e s o i t f eel s more f u n c t i o n a l , s i n c e t h e s c h ool i s a l s o stac k ed v ertica l l y, where I wa nt to ma k e the s p a c e i n t h e s c h o o l l e s s d e n s e d .
71
Fo r m F i nd i n g
72
Af te r dec iding to c o nti nue wi th the s heets , I d i d f or m f i n d i n g u s i n g p a p e r. H e re , I c ombine the s hel l s truc ture / s el f s uppo rt s t r u c t u re w i t h s u p p o r t . S o I s t a r t w i t h a n e v en orde r, th en I mo v ed the ends o f the p a p e r. T h e n I i m a g i n e d t h e p ot e n t i a l o f the spac es th a t were c rea ted. A t l a s t, I th i n k t h i s on e h a s t h e m os t p o t e n t i a l b e c au se th e openi ngs tha t a re c rea ted here s u i t s n i c e l y w i t h t h e p rog r a m s & a w a y t o respon d to the ga rden a nd the s o und s o urce f rom t h e g a rd e n on t h e r i g h t .
73
classroom 1
classroom 2
classroom 3
individual area
25 people
25 people
25 people
30 people
(40m2)
(40m2)
(40m2)
(100m2)
discussion area
collaboration
group study
30 people
30 people
30 people
(100m2)
(100m2)
(100m2)
leisure & lunch area
outdoor learning
80 people
30 people
(300m2)
(100m2)
display & presentation 70 people (250m2)
performance area 80 people (300m2)
lobby 30 people parking 15 spots (200m2)
G o o d Op e n i ng s a nd t he P rogr ams
74
waiting area
admin & teacher
35 people
10 people
(120m2)
(30m2)
(100m2)
S inc e the righ t s i de o f thi s i s a ga rden, the n l i k e t h e i n i t i a l p ro g r a m a r r a n g e m e n t , h ere, th e spac es tha t a re no i s es a c c epta bl e , a re op e n e d w i t h g ood c u r v e d s h e e t s / megaph on e, i n o rder to better c a pture s o u n d .
75
in div idu a l c l ass ro o m
cl ass ro o m
cl ass ro o m dis c u s s meet
o u tdoor l e a r n in g
c olla b
grou p s tu dy
le is u re & lu n c h a re a
di sp l ay & p re se n t at i o n
p e r fo r man ce are a
wai t i n g are a
H e i g h ts , E l ev ati o n, and it s Effect
76
t e ach e r
a dm in
lobby
F or th e diff erenc e i n l ev el s i n the s c ho o l , h e re , t h e h e i g h t of t h e l ob b y i s h i g h e r to mak e it mo re wel c o mi ng, then f o r the p e r f o r m a n c e a re a i t i s s e t l i k e a n a m p h i the ate r, th en pres enta ti o n & di s pl a y s pa c e i s a l s o a l i t t l e h i g h b e c a u s e i t n e e d s t o su pport a larger gro up. Then, o utdo o r l ea r n i n g , l e i s u re & l u n c h a re a s a re t h e h i g h e st be c ause t hey a re o utdo o r s pa c e, bes i d e s t h a t t h e a c t i v i t i e s h e re a re d e f i n i t e l y more ac tiv e, a nd a l s o bec a us e y o u wa nt to p u t s o m e t re e s . T h e n i t g e t s l ow e r a n d lower bec au se the s pa c e i s mo re pri v a te, t h e n a c c o m m o d a t e s s m a l l e r g ro u p s a n d also has le ss a c ti v i ty tha t needs to be a c ti v e / ‘ s t a n d i n g ’ , t e n d s t o s i t m o re o f t e n .
77
78
ch
ap
ter 5
d e s ign In t h is chapter, I wi l l s how t he f i na l des i gn, f ro m t h e s i t e m a p t o t h e f u r n i t u re s i n s i d e t he scho ol, t h e m a t er i a l s , a nd how i t wi l l i m p a c t t h e u s e r s .
79
in d ividu al are a c l a s s ro o m
c l a s s ro o m
c l a s s ro o m
small
g ro u p
l e i s u re & c a f e t e r i a
gat h e r in g
o u t do o r le ar n in g
d i s p l a y & p re s e n t a t i o n
p e r f o r m a n c e a re a
ad m in & t e ac h e r ’s w a i t i n g a re a
lobby
ro o m
1 . se ttin g & arran g ing the progra ms
3 . ad d in g & p osition ing a lter na te ra mps
5 . c re atin g v oid s for h igher vertica l visibility
D e s i g n Pro c es s
80
i nd i v i d u a l a rea +7.5
a s s ro o m
g ro u p
g a t he r i n g +6.5
outdoor l e a r ni n g +4
ta t io n +3
a rea
+2
a d m i n & t e a c h e r ’s l ob b y
ro o m 0
2 . ad d in g th e c u rved sheets
4 . c ov e rin g q u iet spa ces
6 . ad d in g support
81
4.
3.
1. 2.
Si te Map , Veg etation as Bar r ier s, & C irculat ion
82
Th e plan ts are us ed a s ba rri ers o n the 1s t F l oor s o t h a t t h e e n t r a n c e i s c l e a r on l y on 1 side , and tha t the tea c hers & s ta ff s c a n m oi n t o r w h o c o m e s i n t o t h e s c h o o l . 1. Pa rk i ng
3. L o b b y
2. Dro p - o ff
4. Wa i ti ng A rea
83
84
Th e ramps are pl a c ed a l ter na ti ng. B y do i ng t h a t , t h e c i rc u l a t i on of u s e r s a re b e t t e r f or in te rac tion s .
85
86
1s t Fl o o r 1. L o b b y
2. A d mi ni s tra ti o n & Tea c her’s R o o m 3. Wa i ti ng A rea
4. To i l et
87
88
2nd Fl o o r 1. Perfo r ma nc e A rea 2. To i l et
89
90
3rd Fl o o r 1. Di s p l a y & Pres enta ti o n A rea 2. To i l et
91
92
4th Fl o o r 1. Outd o o r L ea r ni ng A rea
2. L ei s ure & L unc h A rea 3. To i l et
93
94
5th Fl o o r 1. Sma l l Gro up Stud y, Di s c us s i o n & C o l l a b o ra ti o n A rea 2. To i l et
95
96
6th Fl o o r 1. C l a s s ro o ms
2. I nd i v i d ua l A rea 3. To i l et
97
Sc ho o l Ac ti v i ti es
98
Th e sc h ool ac ti v i ti es a re a s s een o n the l e f t . H a v i n g l o b b y, w a i t i n g a re a , a n d a d ministration ro o m o n the f i rs t f l o o r, where p a re n t s , d r i v e r s , s t u d e n t s c a n s i t a rou n d an d wait. Foll o wi ng perf o r ma nc e a rea o n t h e s e c on d f l oor, d i s p l a y & p re s e n t a t i o n on the th ird f l o o r, o utdo o r l ea r ni ng o n the f o u r t h f l o o r, s m a l l g rou p s t u d i e s o n t h e f if th f loor, an d l a s tl y c l a s s ro o ms a nd i ndi v i d u a l a re a on t h e s i x t h f l oor.
99
standing on a high branch of a tree
sitting in a rock pool splashing in the water
standing at the highest point of a rock
(1) surveilance
(2) relaxing
(3) attention
(1)
(2)
nestled into a cave to shelter & survey (4) taking breaks/ resting
(4)
(3)
(4 )
( 1)
(3 )
(1 )
( 2)
Bui l d i n g Se c ti o n + Voids + Ver t ical V isibilit y + O ut door S c ena ri o s I mp l emented i n the Sc ho o l
100
Th e v oids in t he f l o o r c rea tes a hi gher v ert i c a l v i s i b i l i t y, t o b a i t v i s u a l i n t e r a c t i on s amon gst sc h o o l us ers . The o utdo o r s c ena r i o s t h a t i s i m p l e m e n t e d c a n b e s e e n i n the diagrams. Si nc e the 4th f l o o r i s gra s s a n d t re e - p l a n t e d , t h e re f ore t h e f l o o r i s thic k e r than the o thers .
101
1s t Fl o o r - Lo b b y
102
I n the Lobby, where the f ro nt entra nc e ha s a h i g h e r c e i l i n g , t h e n g e t t i n g i n t o t h e stairs to the 2nd f l o o r o f the s c ho o l , the c e i l i n g i s l ow e re d .
103
2n d Fl o o r - Pe rf o r mance A rea
104
Going u pstairs , i n the perf o r m a nc e a rea , we c a n i m m e d i a t e l y s e e w h a t e v e r & w h o m e v er is pe rf or m i ng thei r ta l ents . Therf o re, a l l t e a c h e r s , s t u d e n t s , s t a ff s c a n s e e & h opef u lly be i ns pi red. The v o i ds i n the f l o or s c a n b e s e e n t oo.
105
3rd F l o o r - D i s p l a y & P resent at ion A rea
106
I n this f loor, u s ers c a n s ee the perf o r ma nc e b e l ow t h ro u g h t h e v oi d s o n t h e f l oor, the n f or the di s pl a y & pres enta ti o n a rea i ts e l f , t h e re a re n o b a r r i e r s b e t w e e n t h e m , so th at all tea c hers , s tudents f ro m a ny c l a s s c a n a l s o s e e / h e a r, w h i c h c a n p rov o k e in te re stin g di s c us s i o ns .
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4th F l o o r - Ou td oor Lear ning, Leisure & Lunch Area
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Th e ou tdoor a rea ha s the hi ghes t f l o o r to ce i l i n g , s i n c e i t ’s ou t d o o r a n d w i l l h ol d a more ac tiv e a c ti v i ti es f ro m us ers . I n thi s s ch o o l , t h e c ol u m n s a re ro u n d i n s t e a d of squares so th a t there a re no i mpres s i o n o f s h a r p e d g e s .
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5th F l o o r - Sm al l Group Discussion, St udy, Meet ing Area
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Th e 2 nd last f l o o r, the s ma l l gro up s tudy a re a , h a v e a l ow e re d c e i l i n g . A p a r t f ro m bein g more pri v a te, thi s a rea a c c o mmo da t e s ‘ s m a l l e r ’ g rou p s , a n d m o re s i t t i n g f rom use rs.
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6th F l o o r - Cl as s rooms & Individual Area
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On th e highe s t l ev el , the c ei l i ng i s c o ns i d e r a b l y v e r y l ow, b e c a u s e a s p re v i ou s ly disc usse d, tha t a pa rt f ro m bei ng m o re p r i v a t e , a n d a c c o m m o d a t i n g ‘ s m a l l e r ’ groups, more s i tti ng. There a re s ti l l v o i ds o n t h e f l oor f or a h i g h e r v e r t i c a l v i s i b i l i t y.
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s tru c tu re In t his chapter, I wi l l expl a i n i n det a i l how t h e s c h o o l i s g o i n g t o b e b u i l t , t h e m a t e r i als, t h e d ime ns i ons , t he j oi nt s det a i l s , a nd t h e c o m p o n e n t s f o r t h e s c h o o l b u i l d i n g .
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Stru c tu re S tud y Ca se: Her zog De Meuron P ar king
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F or th e stru c ture o f the s c ho o l , I s ee Herz o g d e M e u ron P a r k i n g a s m y s t u d y c a s e . Th is building us ed a rei nf o rc ed c o nc rete a nd a c ore s t r u c t u re i n t h e c e n t e r. S o, i d i d an d apply tha t to my bui l di ng a s wel l .
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co l umns: co ncret e 30 m
40 m
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20 m
Apart f rom c o l um ns a s s uppo rti ng s truc tu re , t h e c o n c re t e s t i ff n e r s / s h e a r w a l l s h ere, whic h i us e a s to i l et, i s a l s o a n i mpo r t a n t p a r t of t h e s t r u c t u re . T h e m a t e r i a l s an d dime nsions a re a s wri tten.
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J o i n ts + Co m p o n ent s
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As a c losin g f o r thi s po rtf o l i o , I , my s el f , re a l l y e n j o y e d t h i s p ro j e c t on Ex p l o r i n g Ne w Possibiliti es o f Sc ho o l by Mo v i ng O utd o o r Qu a l i t i e s In d oor. Th rough all the des i gn pro c es s , f ro m the re s e a rc h a n d p ro g re s s i n g t o t h e f i n a l design, all the wha t i f ’s , s pec ul a ti o ns , a nd i d e a s a re u s e d i n h op e t o c re a t e a p os sibility of a scho o l where s tudents , tea c hers , c a n h a v e b e t t e r i n t e r a c t i on s , t h a t w i l l e v en tu ally h el p i n l ea r ni ng a nd c a n ha v e a b i g g e r i m p a c t f o r t h e c om m u n i t y. S c h o o l in de ed play s a bi g ro l e i n s ha pi ng huma n b e i n g . T h i s s t u d i o h a s p e r s o n a l l y r a i s e d an aware ne ss o f ho w s c ho o l pl a nni ng & des i g n i s v e r y i m p o r t a n t , b e c a u s e a rc h i t e c ture play s qu i te a s i gni f i c a nt ro l e i n s c ho o l s , t o o .
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B a r t h , D . L . ( 2 0 14 ) . Classro o m e n viro n me n t in flu e nces on a ggression, peer rela t ions, a nd a ca d e m i c f o c u s . J ou r n al o f S c h o o l Psyc h o lo g y, 1 1 5 - 1 33. B u r ke , M . A . ( 2 01 3 ) . Classro o m p e e r e ffe c t s an d st udent a chievement. Journa l of La bor Economi cs , 5 1 – 8 2 . C h i n g , D . K . F o r m, S p ac e an d O rd e r C o c h r a n , C . D . ( 1 9 8 4 ) . Pe r so n al sp ac e re q u ire me nts in indoorversus outdoor loca t ions.Journa l o f P s y ch o l o g y, 12 1 - 1 2 3 . F is h e r, K . ( 2 0 0 5 ) . Lin k in g Pe d ag o g y an d S p ac e G a t t is , M . ( 2 0 1 8) . ‘ Re sp o n d in g t o n at u re : Nat u r al environments improve pa rent-child communica t io n . J o u r n a l o f En viro n me n t al Psyc h o lo g y. H a l l , E . T. ( 1 9 8 2 ). Th e Hid d e n Dime n sio n . L a w s o n , B . ( 2 0 01 ) . Th e Lan g u ag e o f S p ac e . M i n g K u o , M . B. ( 2 0 1 8 ) . Do Ex p e r ie n c e s W it h Nat u re P romote Lea rning? Converging Evidence of a C a u s e - a n d - E ffe c t Re lat io n sh ip . F ro n t ie r s in Psychology. U n w i n , S . ( 2 0 1 2 ) . Ex e rc ise s in A rc h it e c t u re . Lo n d on. We b b , N . ( 1 9 8 9 ) . Pe e r in t e r ac t io n an d le ar n in g in sma l l groups. Journa l of Educa t iona l Resea rch, 21–39.
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imag e 4 : A d r ià Go u la , Vora