麗色簡約─古瓷與宣爐精華 A Special Selection of Chinese Ceramics and Bronze Censers by Ravenel International Art Group

麗色簡約 - 古瓷與宣爐珍品 A SPECIAL SELECTION OF CHINESE CERAMICS AND BRONZE CENSERS

AUTUMN AUCTION 23 NOVEMBER, 2014 HONG KONG

I N T E R N A T I O N A L

A R T

G R O U P

IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the rules and regulations set out by Ravenel Auction Hong Kong Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1. Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a security deposit are required. 2. Security deposit in the amount of HK $100,000. 3. The security deposit must be transferred to Ravenel's specified Bank account prior to 18th Nov 2014, details as follow: Beneficiary's Name: Ravenel Auction Hong Kong Limited Beneficiary Bank's Name: Â The Hongkong and Shanghai Banking Corporation Limited Beneficiary Bank Address: 1 Queen's Road Central, Hong Kong SWIFT Code: HSBCHKHHHKH Beneficiary's Account No:Â 808-347959-292 (HKD) The bank should be notified that the transfer must be exactly the amount of security deposit. The payer will be responsible for any associated bank service fees. 4. After the 18th Nov 2014, parties interested in obtaining a paddle number must submit a cash security deposit during the Hong Kong previews (From 21th to 22th, Nov 2014) or two hours prior to the commencement of the auction on the day thereof. (23th Nov 2014) Acceptance will cease half an hour prior to the commencement of the auction. (No other forms of payment will be accepted) 5. Telephone/written/ internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the security deposit transferred to Ravenel's specified Bank account before the 18th Nov 2014. 6. If the security deposit has been transferred prior to the 18th Nov 2014, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her paddle number. 7. If the payment of the security deposit is made on the day of the auction, the payer may obtain his/her paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification. 8. Return of the Security Deposit: (1) Completed Transaction: For successful bidder with a security deposit made through wire transfer, the hammer price and buyer's premium will be deducted from the security deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. For bidders with security deposit made by Cash, the hammer price and buyer's premium will be deducted from the security deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (2) Nil Transaction: For individuals with a security deposit transferred by wire, the security deposit will be returned within 14 business days through means of a wire transfer. Cash security deposit will be returned to individuals on the same day after the auction. 9. Successful bidder must settle the payment (hammer price with buyer's premium) prior to receiving the lot(s) on site. If the price exceeds the amount of the security deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment in HKD. (2) A credit or China UnionPay payment: The credit payment must not exceed HK$500,000. The holder of the credit card or China UnionPay must be the s uccessful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted. 10. Ravenel Auction Hong Kong Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.

Contact Person HONG KONG Vivi He vivihe@ravenel.com +852 2889 0859 ext.711 TAIPEI Masa Chen masachen@ravenel.com +886 2708 9868 ext.687

給予買家的重要通知

本拍賣會依據「羅芙奧香港拍賣有限公司拍賣規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.

有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納保證金。

保證金 : 港幣拾萬元。

保證金需於 2014 年 11 月 18 日以前完成匯款至本公司指定帳號如下 : Beneficiary's Name: Ravenel Auction Hong Kong Limited Beneficiary Bank's Name: The Hongkong and Shanghai Banking Corporation Limited Beneficiary Bank Address: 1 Queen's Road Central, Hong Kong SWIFT Code: HSBCHKHHHKH Beneficiary's Account No: 808-347959-292 (HKD) 匯款時請指示銀行本公司需實收保證金全額 , 銀行手續費請匯款人負擔。

4. 2014 年 11 月 18 日之後，若欲參與競投領取牌號者需於香港拍賣預展期間 (2014 年 11 月 21 日至 22 日 ) 或拍賣當日（2014 年 11 月 23 日）拍賣開始前 2 小時以港幣現鈔支付 ( 恕不接受除現金之外之其他繳納方式 )，收款將於拍賣前半小時截止。 5. 電話書面網路競投 : 競投者如不能出席拍賣會，可透過電話書面網路方式進行競投。登記申請手續以及保證金之繳納亦需在 2014 年 11 月 18 日以前完成匯款至本公司指定帳號。 6.

如於 2014 年 11 月 18 日以前完成保證金匯款，請提供我方可證明已匯款的證明文件。確認收到保證金匯款後，我們將與競投者聯繫並與之確認其競標牌號。

7. 拍賣當天已繳納保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以確認身份。 8. 保證金退還方式 : (1) 有成交 : 保證金以「匯款」方式完成者 , 扣除應支付予本公司之款項 ( 包含落槌價、佣金及其他費用 ) 後 , 若有餘額需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。保證金以「現金」方式完成者 , 扣除應支付予本公司之款項 ( 包含落槌價、佣金及其他費用 ) 後 , 若有餘額需退還，本公司將於拍賣當日以現金退還給買家。 (2) 未成交 : 保證金以「匯款」方式完成者 , 本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。保證金以「現金」方式完成者 , 本公司將於拍賣當日以現金退還給買家。 9. 若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價與佣金 ) 金額超過保證金金額時，買方得以下列方式結清帳款 : (1) 港幣現鈔。 (2) 信用卡與銀聯卡 : 刷卡上限為港幣伍拾萬元。信用卡與銀聯卡持有人必需是買家本人 , 本公司不接受他人之信用卡。 10. 羅芙奧香港拍賣有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含保證金）保留全部的決定權。

諮詢香港何

瑩

vivihe@ravenel.com +852 2889 0859 ext.711

台北陳砥翰 masachen@ravenel.com +886 2708 9868 ext.687

RAVENEL AUTUMN AUCTION 2014 HONG KONG A Special Selection of Chinese Ceramics And Bronze Censers

羅芙奧香港 2014 秋季拍賣會麗色簡約 - 古瓷與宣爐珍品

AUCTION

拍賣日期 / 地點

Sunday, 23 Nov 2014, 3:00pm Grand Hyatt Hong Kong (Grand Ballroom) 1 Harbour Road, Wanchai, Hong Kong

2014年11月23日（日）下午 3:00

PREVIEWS

預展日期 / 地點

Taipei

台北

香港君悅酒店 (宴會大禮堂) 香港灣仔港灣道1號

Saturday, 15 November 2014, 10:00am - 7:00pm Sunday, 16 November 2014, 10:00am - 7:00pm Fubon National Conference Centre B2, No.108, Sec. 1, Dunhua South Road, Taipei, Taiwan

2014年11月15日（六）上午10:00至下午7:00 2014年11月16日（日）上午10:00至下午7:00 富邦人壽大樓國際會議中心台北市敦化南路一段108號B2

Hong Kong

香港 2014年11月21日（五）下午2:00至下午7:00 2014年11月22日（六）上午10:00至下午7:00 香港君悅酒店 M 樓茶園香港灣仔港灣道1號

Friday, 21 November 2014, 2:00pm - 7:00pm Saturday, 22 November 2014, 10:00am - 7:00pm Grand Hyatt Hong Kong (Tiffin) 1 Harbour Road, Wanchai, Hong Kong

As requested by the Buyer, we are delighted to offer the condition reports of all the auction items, provided, however, such items will be sold “as is”. In addition, the Buyer is requested to take note of the transaction agreement and the explanations of the provisions regarding the notice of noguarantee. This auction catalogue: HK$ 300 per copy |

Arthur WANG 王鎮華

Chairman 董事長

Clara KUO 郭倩如

Vice Chairman 副董事長

Lorries CHANG 張增偉

C.E.O. 執行長

陳啟正 James Chen 古文物部總監 Head of Chinese Works of Art Department

陳砥翰 Masa Chen

張淳茹 Sabrina Chang

專家

營運部協理 Senior Manager

Specialist

Operation Department

林恒如 Nina Lin 行政助理 Assistant

何瑩 Vivi He 業務發展部總監 Head of Business Development Department

簡詩蕙 Raze Kan 營運部主任 Operation Supervisor Operation Department

RAVENEL STAFF AND SERVICES FOR THIS SALE

CONSULTANTS

CATALOGUE SUBSCRIPTION

COLLECTION AND SHIPPING

Head of Chinese Works of Art Dept James Chen

Taiwan

Nina Lin Tel: +886 2 2708 9868 ext.388 Email: ninalin@ravenel.com

Hong Kong, International

Raze Kan Tel: +852 2889 0859 ext.732 Email: razekan@ravenel.com

Beijing

China

Walter Zhu Tel: +86 10 8587 8099 ext. 23 Email: yizhu@ravenel.com

Jason Dong Tel: +86 10 8587 8099 ext.22 Email: jasondong@ravenel.com

Tel: +886 2 2708 9868 ext. 381 Email: jameschen@ravenel.com Specialist Masa Chen Tel: +886 2 2708 9868 ext. 687 Email: masachen@ravenel.com

PHONE BIDS AND WRITTEN BIDS Taiwan Masa Chen Tel: +886 2 2708 9868 ext. 687 Email: masachen@ravenel.com

Hong Kong, International Vivi He Tel: +852 2889 0859 ext. 711 Email: vivihe@ravenel.com

Beijing Walter Zhu Tel: +86 10 8587 8099 ext. 23 Email: yizhu@ravenel.com

Shanghai Echo Yang Tel: +86 21 2411 9575 Email: echoyang@ravenel.com Remarks: If you are unable to attend the auction in person, you may tender the bid by phone or you may use the absentee bid forms attached at the back of the auction catalogue to tender your bid. It is also possible to bid online for selected lots. Please refer to ravenel.com for more information. In view of the limited phone line services at the auction, please inform us 24 hours prior to the auction for arrangements. Particularly for those of you who need foreign language assistance of the bidding.

ONLINE BIDS Register at LiveAuctioneers www.liveauctioneers.com/sign-up

Shanghai Echo Yang Tel: +86 21 2411 9575 Email: echoyang@ravenel.com The catalogues are available for subscription. For details of subscription, please refer to the explanations of the catalogue or contact the above persons.

Remarks: All the items auctioned may be collected upon receipt of payments. The Buyers are requested to arrange for collection as soon as possible to facilitate warehouse inventory circulation and centralize management. We accept personal and corporate checks, however collection may be made only when such checks are honored. We apologize for no acceptance of traveler’s checks. Other items may be collected at the Ravenel Ltd. The business hours are 9:30 am to 6:30 pm, Monday to Friday. Our professional administration department may make recommendations of arrangement or the most appropriate transportation for you. Ravenel is glad to provide you with the condition report of any of the items at the auction, however, the buyers must note that all the items at the auction are sold “as is”. Please refer to the Transaction Agreement at the back of the catalogue. Please refer to the “Transaction Agreement to the Buyers”.

羅芙奧香港 2014 秋季拍賣會服務部門及連絡人

諮詢專家

目錄訂閱

取貨及運輸事宜

陳啟正電話：+886 2 2708 9868 轉 381 電子信箱：jameschen@ravenel.com

台灣

林恆如電話：+886 2 2708 9868 轉388 電子信箱：ninalin@ravenel.com

香港．國際

簡詩蕙電話：+852 2889 0859 轉 732 電子信箱：razekan@ravenel.com

北京

中國

朱毅電話：+86 10 8587 8099 轉23 電子信箱：yizhu@ravenel.com

董戈電話：+86 10 8587 8099 轉22 電子信箱：jasondong@ravenel.com

陳砥翰電話：+886 2 2708 9868 轉 687 電子信箱：masachen@ravenel.com

電話書面競標聯絡人台灣陳砥翰電話：+886 2 2708 9868 轉 687 電子信箱：masachen@ravenel.com

上海香港．國際何瑩電話：+852 2889 0859 轉 711 電子信箱：vivihe@ravenel.com

北京朱毅電話：+86 10 8587 8099 轉23 電子信箱：yizhu@ravenel.com

上海楊琴電話：+86 21 2411 9575 電子信箱：echoyang@ravenel.com 註一：如您無法親臨拍賣現場，可以電話投標方式競標；亦可利用附在此目錄後面之委託競投表格；或可參與網上競投，詳情請洽羅芙奧官方網頁。註二：鑑於拍賣現場電話有限，欲以電話投標方式競標的投標者，請於拍賣前24小時通知我們為您安排，尤其對需用外國語言服務之投標者。

網上競投請前往 LiveAuctioneers 註冊 www.liveauctioneers.com/sign-up

楊琴電話：+86 21 2411 9575 電子信箱：echoyang@ravenel.com 本目錄開放各界訂閱，詳細訂閱辦法，請參照目錄之說明或請洽上述聯絡人。

註一：所有拍品在貨款結清後，即可取貨；買家請儘早通知安排取貨事宜，以利倉庫存貨流通和集中安排辦理，本公司接受個人及公司支票付款，惟需在兌現後始能提貨。恕不接受旅行支票付款。其他各項貨品可在羅芙奧辦公室提領，上班時間為週一至週五上午9:30至下午6:30。註二：我們的專業行政部門可為您建議或安排最適當的運輸方式。羅芙奧樂意提供您本次拍賣當中任何一項拍品的狀況報告書，惟準買家需注意拍品均是以「當時認定」之狀況賣出，相關細項請參照目錄後之業務規則。請參照買家需注意事項。

目次 / Contents 2

給予買家的重要通知

IMPORTANT NOTICE TO BUYERS 4

羅芙奧秋季拍賣會

SALE INFORMATION 6

羅芙奧之服務

RAVENEL SERVICES 10

麗色簡約 - 古瓷與宣爐珍品

A SPECIAL SELECTION OF CHINESE CERAMICS AND BRONZE CENSERS

111

業務規則

TRANSACTION AGREEMENT 117

委託競投表格

ABSENTEE BID FORM 119

中國歷代年表

CHRONOLOGY

9001 A YELLOW GLAZED EARTHEN BOWL

An earthen bowl is an appliance for ladling rice. From the Liao

Liao Dynasty D: 21 cm

Dynasty, this earthen bowl features a yellow-brown color that is very

PROVENANCE: Collection of Hayashibara Museum of Art

Due to years of erosion, the inner walls show faint signs of mottle.

HK$ 28,000-40,000 NT$ 110,000-157,000 US$ 3,600-5,200

the coarse pretense. With a light yellow base, the middle abdominal

遼黃釉缽

缽是盛飯的用具。這件遼代的缽，採用了近似唐三彩中的黃褐色。

來源：日本林原美術館舊藏

similar to the Sancai style. The circular mouth is slightly introverted. There is a tiny dent near the inside rim of the bowl. The outer wall manifests a glossy exterior, bringing a hint of meticulousness within is coated with a large amount of yellow-brown, seemingly like ink that is not yet dry.

圓形的碗口微微內斂。內壁因歲月的侵蝕，略顯斑駁，在靠近缽沿的內側，有一處微細的破損痕跡。外壁則呈現光滑的樣貌，在疏豪中帶著幾分細緻。以淺黃為底色，在中腹施以大片的黃褐釉，看似猶有未乾的墨跡。

9002 A HENAN TEMMOKU GLAZED & WHITE RIMMED BOWL

The base of this ceramic bowl from the Northern Song Dynasty

D: 11.4 cm Northern Song Dynasty

an abdomen that gradually closes downwards. A distinctive white

PROVENANCE: A Private Japanese Collection

glossy black luster, while the bottom of the outer wall resembles a

HK$ 38,000-50,000 NT$ 149,000-196,000 US$ 4,900-6,400

white enables the bowl to exude Zen sensations. The scattered and

utilizes a black glaze. It features a pie mouth, an arc surface, and trim runs along the mouth of the bowl. The inner wall exhibits a white peony. Seemingly intentional, yet ostensibly unintentional, it is filled with a simple elegance. The black base supplemented with mottled traces along the bottom brim with the trials of age. 這件北宋時期的瓷碗以黑釉為底。碗口敞開，通體呈現圓弧型，由

北宋黑釉白覆輪碗來源：日本藏家舊藏

腹部漸漸向足圈收斂。碗口有一道層次分明的白色滾邊。內壁呈現油亮的黑色，外壁飾以白色花型，似一朵牡丹，倒扣在泥碗上。看似有意，又像無心，充滿了樸拙的雅意。而這種以黑為母，以白為子的手法，也充滿了禪味。而散落在圈足的斑駁痕跡更充滿了歲月的洗鍊。

9003 A CIZHOU YAO TORTOISESHELL GLAZED BOWL WITH PHOENIX DESIGN

From the Southern Song Dynasty, this tortoiseshell glazed bowl is evenly rounded with an abdominal that gradually closes downwards.

D: 11 cm Southern Song Dynasty

The outer wall features a pleasant brown color. A white ring circles

PROVENANCE: A Private Japanese Collection

spots imbue the bowl with even greater antique sensations. The

HK$ 38,000-50,000 NT$ 149,000-196,000 US$ 4,900-6,400 南宋吉州窯貼花鳳紋碗來源：日本藏家舊藏

the bottom base, making the tone unusually soft. The mottled white inner wall of the bowl is not entirely brown. Instead, brown spots cleverly mingle alongside decorations of phoenixes and flowers. Although there may be no complicated illustrations, the bowl exudes the lifelike charm of flowers and birds. In a static state, it is filled with a lively energy. It is quite a rare work. Birds and flowers represent harmony and tranquility. From this work, it is not hard to see the Southern Song Dynasty people’s desire for a stable life during a turbulent era. 這件南宋的貼花鳳紋碗，是規則的圓形，由碗口逐漸向足圈收斂。外壁呈現出漂亮的棕色。足圈處以白色環繞，使得色調異常柔和。加上斑駁的白點，更顯得古色古香。內壁不是一成不變的棕色，而是巧妙地佈滿棕色斑點，再貼上鳳鳥和花朵。雖然沒有繁複的畫工，卻栩栩如生的勾勒出花、鳥的神韻。在靜態中，有著活潑的機趣。是件不可多得的作品。花鳥圖代表著和諧、安寧，從這件作品中，不難看出南宋人在動盪不安的時代中，對安穩生活的渴求。

9004 A BROWN BOWL WITH BLACK GLAZED

From the Song Dynasty, this pottery bowl is composed of three

Song Dynasty D: 10 cm

different shades. The bottom is the original mud-brown color. The

PROVENANCE: Christie's Collection of James E. Breece Ⅲ

brown near the bottom. A yellow-brown trace runs along the rim

HK$ 75,000-100,000 NT$ 294,000-392,000 US$ 9,700-12,900

outer body is mainly black glaze, while the color gradually fades to of the bowl, leaving an elegant brightness among the monotonous shade of black. The rust on the inner walls contains subtle flowershaped formations, much like honeysuckle drops on black satin. These match the seemingly leaf-shaped erosions on the outer wall. This bowl exudes an elegant sense of magnificence through simplicity.

宋黑釉褐彩碗

這件宋代的瓷碗，由三種色調組成。足圈

來源： 1. 佳士得 2. James E. Breece Ⅲ 舊藏

是泥胚的原色，碗體以黑釉為主，近底足處，逐漸淡化成灰褐色。碗口那道黃褐色的紋邊將單調的黑色襯托得明亮而典雅，實在是神來之筆。內壁的銹斑，巧妙的形成花朵狀，像似銀花灑落在黑色的綢緞上。與外壁形似落葉的蝕痕相映成趣。這只彩碗散發著高雅的品味，樸實中不失華麗。

9005 A BLACK GLAZED FLASK

From the Song Dynasty, this black glazed flask features beautiful

Song Dynasty H: 27 cm

and smooth lines. The open mouth gradually converges to the neck.

PROVENANCE: The Collection of George de Menasce Spink & Son The Label of Oriental Ceramic Society, Spink & Son and Mostra D'Arte Cinese

then converges from the mid-abdominal to the bottom as if made in

HK$ 140,000-280,000 NT$ 549,000-1,098,000 US$ 18,000-36,100

there are no other blemishes.

宋黑釉長頸瓶來源： 1. George de Menasce 舊藏 2. Spink & Son 附Oriental Ceramic Society, Spink & Son and Mostra D'Arte Cinese標籤

The body cleverly extends outwards from one-third of the body, and one stroke. The rim that runs along the mouth echoes the features of the bottom, making the flask appear even more stunning and elegant. In particular, the glossy black color faintly exudes a mysterious atmosphere. Besides some slight mottles at the bottom,

這件宋代的黑釉長頸瓶呈現出優美而流暢的線條。瓶口敞開，逐漸向頸部收斂。在瓶身約莫三分之一處巧妙的舒展開來，自中腹寬處再度向足圈緩緩收斂，感覺一氣呵成。繞著瓶口的那圈口沿與足圈遙相呼應，使得瓶身顯得秀麗典雅。尤其那黑亮的色澤隱約散發出一種神秘的氣息。這件作品除了足圈處略顯斑駁之外，沒有其它瑕疵。

9006 A CIZHOU YAO BLACK GLAZED CANISTER WITH ETCHED FLOWERS

Cizhou Yao is a fairly representative northern kiln style from the

Jin Dynasty H: 8.5 cm

flower decorations were very prevalent. After ornamentations were

HK$ 36,000-50,000 NT$ 141,000-196,000 US$ 4,600-6,400 金磁州窯黑釉剔花小罐

Song and Yuan Dynasties. In the Jin and Yuan Dynasties, etched carved upon an object, outside portions were removed. This flower canister is mainly black glaze. Large petals and leaves are etched onto the canister, which features a contrast of black and white with simple lines. White lines pass through the area under the neck and abdominal, setting off a grand and gorgeous ambiance among the flowers. The short and broad body exhibits a vigorous momentum. 磁州窯是宋-元時代頗具代表性的北方窯場。金-元時期盛行剔花裝飾，在器物上刻好紋飾後，將紋飾外的部分剔除。這件剔花罐以黑釉為主，在罐上刻以大型的花瓣與枝葉，黑白分明，線條簡練。頸下及腹下各有白色的線條穿過，將器皿上的花朵襯托得氣派而華麗。而低矮圓闊的體型，自有一種雄渾的氣勢。

9007 A CIZHOU YAO WARE IRON RUST HEART-SHAPED JAR WITH LID Song or Jin Dynasty H: 11 cm PROVENANCE: A Private Asian Collection

HK$ 95,000-120,000 NT$ 373,000- 471,000 US$ 12,200-15,500

This heart-shaped jar has a black glaze base, with a glossy and smooth exterior. The body of the jar is shaped like a pear, with a small mouth and plump abdominal. There is a small circular stool underneath the jar, and the bottom is not colored. Reddish-brown spots dot the abdominal, while similarly colored lines beneath the spots appear like flowing clouds. The smooth rust that runs along the rim serves as a type of decoration. The small lid is covered with iron marks. The whole work is shaped like a chicken heart. Exquisitely detailed, the jar is both beautiful and practical. This is indeed a representative work from the period of the Song and Jin dynasties.

宋或金磁州窯鐵鏽斑雞心蓋罐來源：亞洲藏家舊藏

這件雞心蓋罐以黑釉為底，色澤溫潤油亮。罐身呈現梨型，口小且垂腹。腹下有足圈，底部沒有施釉。腹上有幾團赭色繡斑，鏽斑下有兩道形似流雲的同色紋路。罐口處繞以一道平整的銹斑做為裝飾。小巧的罐蓋佈滿了鐵元素的印記。整件器物形似雞心，玲瓏細緻，兼具了美感與實用性，是典型的宋、金時期的代表作。

9008 A CIZHOU YAO WARE BLACK GLAZED BOTTLE WITH STRING LINES

This black glazed bottle has a long body, short neck, and plump

Song Dynasty H: 24 cm

Three parallel lines run along the intersection of the abdominal and

PROVENANCE: A Private Asian Collection

With a black body, there is no glaze on the bottom of the bottle,

HK$ 240,000-380,000 NT$ 941,000-1,490,000 US$ 30,900-49,000

by exuding a sense of nobility and elegance.

abdominal, which manifests an upright and heavy temperament. neck, while two parallel lines flow through the lower abdominal. resulting in a tan color. The bottle is perfectly complete. Those three areas that contain lines play an important role in its ornamentation

這件黑釉弦紋瓶，頸短體長，腹部鼓出，顯現出端凝而厚重的氣質。上腹與肩頸交會處各有三道平行的弦紋環繞。下腹亦有兩道弦

宋磁州窯黑釉弦紋瓶來源：亞洲藏家舊藏

紋點綴。通體施黑釉，只有腹下自足圈處，因為沒有施釉而呈現泥灰色。整個瓶身十分完整，而那三處白色弦紋也恰到好處地發揮了修飾的功能，將這件寶瓶襯托得高尚而典雅。

附:檢測報告

9009 A DING BLACK GLAZED BOWL

Black Ding porcelain ceramics always feature an excellent quality.

Song Dynasty D: 13 cm

Due to their limited quantity as compared to white Ding porcelain

PROVENANCE: A Private Asian Collection

inside and out makes it even more precious. The body is black as

HK$ 750,000-1,000,000 NT$ 2,941,000-3,922,000 US$ 96,600-128,900

thin glaze along the rim is of a brownish-yellow color, adding a

宋定窯黑釉碗來源：亞洲藏家舊藏

ceramics, they are very valuable. The black glaze on both the paint, and the people can see the light reflecting off the bowl. The mouth is open, and the body gradually converges downwards. The dash of elegance. There is no glaze near the stool on the bottom. The interior of the stool has a couple of small blemishes. We can speculate that these are due to kiln transformation. The entire bowl is very well-preserved with no traces of damage or wear. 定窯所出產的黑色瓷器品質極佳，但是數量卻遠少於白瓷，因此十分珍貴。這件釉碗因為內壁及外部都施上黑釉，尤其更加珍貴。它通體色黑如漆，光可鑒人。碗口敞開，逐漸向下收斂。口沿的薄釉微微呈現醬黃色，更添增了幾許雅致。近足圈處，沒有施釉。足圈的內部有一兩處細微的斑駁，推測是窯變加上歲月的變遷所導致。整個瓷碗保存得相當完整，看不到碰撞或磨損的痕跡。

9010 A CIZHOU BROWN GLAZED GLOBULAR JAR WITH PROTRUDING VERTICAL CONTOURS Jin Dynasty H: 20.5 cm PROVENANCE: A Private Asian Collection

HK$ 1,800,000-2,600,000 NT$ 7,059,000-10,196,000 US$ 232,000-335,100 金磁州窯褐釉出筋嘟嚕瓶來源：亞洲藏家舊藏

附:檢測報告

During the Jin Dynasty, globular jars were prevalent in the northern areas of China primarily as wine vessels. Their Chinese name, “du lu”, was inspired by the sound of wine being poured. This globular jar has a short neck and abundant shoulders. The mouth features a flat inner rim that gradually merges into the neck. Its plump body exudes a rustic charm reminiscent of the people from the grasslands of China. Glazed in brown, the jar’s protruding vertical contours typical of Jin Dynasty pottery were created by molding vertical lines around the body. These contours accentuates the brownish tones of the glaze, imbuing the piece with even greater three dimensional qualities. This is truly a rare masterpiece. Comparison: From the collection of Hong Kong collector, Hu Hui-Chun, Black Glaze Jar with Protruding Vertical Contours can be used as a stylistic reference for the vertical contour craftsmanship of its era. See: Black Beauty - Black Glaze Porcelain Treasures of Ancient China , Beijing: Wenwu Publishing House, 2012, p. 174. 嘟嚕瓶盛行於金元時期的北方地區，主要作用是盛酒。「嘟嚕」應是倒酒時所發出的聲響。這件嘟嚕瓶短頸、豐肩。瓶口有內沿，口沿下漸收。腹部鼓出，造型渾圓飽滿，充滿了草原民族的粗豪率性。以黑釉為底，採用金代獨有的出筋手法，在黑彩上刻劃出筋脈，讓褐色紋飾凸出而立體。是件不可多得的好作品。比對：香港收藏家胡惠春氏藏有一件金〈黑釉出筋梅瓶〉，可作為同時代出筋工藝的風格參考。詳見：《玄色之美──中國歷代黑釉瓷器珍品》，北京：文物出版社， 2012年，頁174。

9011 A DING SHALLOW BOWL WITH FLOWER PATTERNS Jin Dynasty D: 15 cm

HK$ 75,000-100,000 NT$ 294,000-392,000 US$ 9,700-12,900 金定窯劃花折腹盤

Shallow bowls were a popular type of ceramic ware during the

折腹盤是宋、金時期流行的器形之一。這件折腹盤大敞口，小足

Song and Jin dynasties. This particular bowl features a large flat

圈。器腹下有明顯的彎折，折棱驟然收束，是典型的折腹盤。內底

bottom and small round base. Its curved body abruptly ends at

以劃花的工法刻劃出細緻的花瓣及枝葉，清氣脫俗。盤底的外部有

the base, which is a classical style for such bowls. Delicate carvings

少許刮痕，足圈處有窯變的結晶。整件器皿的內外都施上白釉，看

of flowers and twigs are featured on the inside, imbuing it with a

起來淡雅而溫潤，非常值得珍藏。

refined temperament. A few scratches are visible on the bottom, and the hardened remains of some excess glaze remain on the base. The entire piece is coated in a white glaze, giving it an elegant and gentle appearance. This is a worthy item for any serious collection.

9012 A DING SHALLOW BOWL WITH FLORAL DECORATION Song Dynasty D: 19.6 cm PROVENANCE: A Private Asian Collection

HK$ 550,000-850,000 NT$ 2,157,000-3,333,000 US$ 70,900-109,500 宋定窯刻花折腹盤來源：亞洲藏家舊藏

附:檢測報告

This shallow bowl features a round base and subtle flower carvings. At the center of the plate are flower carvings, which extend outward into leaf patterns. Carvings of curled grass are featured on the inner wall of the bowl, making this piece even more attractive. Gorgeous and bold in style, this item is not only defined by its practicality but also by its ornamental value. Coated in a luscious white layer of glaze, this item appears lofty and refined. Comparison: The Palace Museum in Beijing has collected a similarly styled Ding Sunflower Petal Plate in its collection that can be used as a reference. See: Edited by Li Hui-Bing, Song Porcelains (I) , Hong Kong: The Commercial Press, 1996, p. 82. 這件刻花盤淺腹、圈足，盤口微呈花瓣狀。盤心刻劃花卉，枝葉自然地伸展，腹壁上有捲草圖樣，將花卉襯托得更佳清麗動人。造型美觀大方，兼具實用性與觀賞價值。搭配晶瑩溫潤的白色釉面，更顯得高雅脫俗。比對：北京故宮博物院藏有風格雷同的金〈定窯劃花葵瓣口盤〉可資參考，詳見：李輝柄主編，《兩宋瓷器》(上)，香港：商務印書館，1996 年，頁82。

9013 A WHITE DING SHALLOW BOWL WITH PEONY PATTERN LID Northern Song Dynasty D: 12 cm PROVENANCE: A Private Japanese Collection

HK$ 75,000-100,000 NT$ 294,000-392,000 US$ 9,700-12,900 北宋定窯白釉牡丹紋蓋盒來源：日本藏家舊藏

This flower decorated shallow bowl and lid are glazed in pristine white. The squat bowl and rounded lid fit together perfectly. At the center of the lid, patterns of two lush peony flowers are surrounded by foliage. The peony decorations are a symbol of vitality and longevity. Both the bowl and lid are coated in white glaze. Twelve flower petals are carved around the base of the bowl to form the luxurious pattern of a peony that appears to blossom from the base, striking a gorgeous contrast between the bowl and lid. Along the seams where the lid and bowl meet, there are a few grooves that make opening the lid more convenient. 此件印花蓋盒通體潔白，盒身呈現圓餅狀，與圓蓋以子母的樣式合口。蓋面中心雕有兩朵纏枝牡丹，花形豐滿，枝葉繁茂。蓋壁外圍飾有頭尾相連的牡丹花，代表生生不息，福壽綿延。盒身內外施上白釉，外壁有十二片花瓣環繞足圈，別出心裁的形成一朵氣派華貴的牡丹，與蓋面上的紋飾遙相輝映，顯得貴氣逼人。盒蓋的口沿刻有幾處凹槽以便於開啟。

9014 A JADE WHITE GLAZED FLOWER-SHAPED BOWL Northern Song or Earlier D: 18 cm

HK$ 48,000-75,000 NT$ 188,000-294,000 US$ 6,200-9,700 北宋或更早青白釉花口碗

This bowl features a body with petal-shaped contours that extend from a round base. The piece resembles a blooming flower. Yet, nothing about it appears ostentatious. Horizontal lines are carved along the sides, forming an interesting contrast with the vertical contours. Jade white transitions into light brown towards the lower half of the bowl. The bottom of the base is a bit mottled. Pristine white of the bowl’s interior appears crisp and refreshing, providing a soothing effect. 敞開的口沿微呈花瓣狀，逐漸向足圈收斂，使得碗型近似怒放的花朵，然而卻未沾染一絲俗氣。外壁有縱向的刻紋，與橫向的紋理相映成趣。上腹呈現青白色，中下腹則逐漸暈開呈青褐色。足圈內圍有少許斑駁。碗內呈現乾淨的青白色，望之讓人身心清涼，煩惱止息。

9015 A SMALL DING BOWL WITH FLOWER PATTERNS Song Dynasty D: 10 cm PROVENANCE: A Private Asian Collection

HK$ 260,000-400,000 NT$ 1,020,000-1,569,000 US$ 33,500-51,500 宋定窯刻花小碗來源：亞洲藏家舊藏

This small bowl decorated with flower patterns is covered in a

這件刻花小碗通體淨白，內壁光滑細膩，質感極佳。碗內刻有一朵

white glaze. Its interior appears lush and refined with an excellent

盛開的花卉，枝葉自然的伸張。花形碩大，畫風活潑、大膽，卻更

texture. The pattern of a blooming flower is carved inside the bowl

顯得清麗而婉約。碗口敞開，向足圈收束。外壁有因為窯變而產生

with leaves extending outward. Although depicted in a bold and

的結晶顆粒。仿若美人頰上的幾粒素痘，不損豐華。底部近足圈處

vivacious fashion, the flower appears elegant and graceful. The

無釉。此碗精巧細緻，值得觀賞把玩。

mouth of the bowl curls outward to the rim, while its body in the shape of a perfect parabola sits on top of a round base. Crystallized glaze is visible on the bowl’s exterior. However, a few freckles does not diminish true beauty. The outer rim of the base is not glazed. This delicate and refined bowl offers a visual feast.

9016 A PAIR OF DING BOWLS WITH WATERFOWL AND GARDEN LANDSCAPE CARVINGS Jin Dynasty D: 18.5 cm D: 12 cm PROVENANCE: Collection of Hayashibora Museum of Art

HK$ 180,000-300,000 NT$ 706,000-1,176,000 US$ 23,200-38,700 金定窯水禽紋盤暨開光山水庭園紋盤組件來源：日本林原美術館舊藏

One bowl features an unglazed rim, shallow body, and carvings depicting a traditional Chinese garden landscape. Lines radiate outward from the center pattern, decorating the outer edges. Minor blemishes are visible on its base. With a distinctive surface, the other bowl features the carving of waterfowls surrounded by water ripples at its center. Six similar patterns that open outward encircle the center. Its only imperfection lies in traces of corrosion at the base and a crack along the outer wall. 山水庭園紋盤，芒口，淺腹，盤中心刻有庭園山水，外繞一輪開光。盤底足圈內有磨損的痕跡。水禽紋盤的特色在蓋面。蓋面的圓心繪有一隻禽鳥穿過花葉，蕩漾於水波之間。外有六組扇形的開光。內繪同款水禽圖。靠近蓋沿的地方有一圈相連不絕的紋邊飾。造型繁而不亂，美觀大方。美中不足的是盤底足圈部分有一小處腐蝕的痕跡，外壁也有一道裂痕。

9017 A DING BOWL WITH PEONY AND PHOENIX CARVINGS

With grooves along the edges of its mouth, this bowl resembles a

Jin Dynasty D: 20 cm

are carvings of two peonies. Along the bowl’s inner wall, there is a

PROVENANCE: A Private Japanese Collection

clearly discernable, radiating an aura of wealth and good fortune.

HK$ 75,000-100,000 NT$ 294,000-392,000 US$ 9,700-12,900

outer walls of the bowl. Small brown indentations are also visible on

金定窯印花鳳凰牡丹紋碗

口敞開作花瓣形，逐漸向足圈收斂。碗內的圓底應有兩朵纏枝牡

來源：日本藏家舊藏

flower. The body gradually curves into the round base. Inside, there carving of a phoenix soaring amongst clouds. The bird’s features are Surrounding the phoenix are decorations of elaborate patterns, imbuing the work with a vibrant flair. Horizontal lines decorate the the outer wall, which might have been produced during the kilning process.

丹。腹壁上印有一隻昂首舉翅的鸞鳳，悠遊在祥雲繚繞的天際。身上的翎毛清晰可辨，呈現出富貴吉祥的氣勢。鳳凰的外圍飾有一圈曲帶紋邊飾，更顯得花團錦簇。碗的外壁有數道弦紋，但有不少細小的褐色坑洞，疑是窯室環境所致。

9018 A XING KILN WHITE-GLAZED EWER Five Dynasties H: 30 cm PROVENANCE: A Private Asian Collection

HK$ 260,000-380,000 NT$ 1,020,000-1,490,000 US$ 33,500-49,000 五代邢窯白釉執壺來源：亞洲藏家舊藏

This ewer with its round mouth and long neck resembles a trumpet. A subtle line divides the neck and shoulder. The long body slowly curves into the base, whose thick round form provides the ewer with ample stability. A short spout elegantly extends out from its shoulder. The ewer has a semi-circular handle positioned directly opposite to the spout and connected to the shoulder and neck. The handle features some artistic carvings that imbue a graceful quality for this otherwise plain ewer. White glaze gives the piece a nice sheen. This Xing Ewer perfectly echoes the phrase, “Xing porcelain resembles silver or snow,” from The Classic of Tea. 圓型的壺口與長頸，形似喇叭。肩腹之間隱約有一條界線。腹部逐漸向下收斂。底部有厚大足圈，發揮了平衡的作用。肩部自然地向前伸出短流。後側有半環狀的柄，與肩、頸相連。上頭雕有精巧的飾物，使得樸素的瓷壺變得優美雋雅。器表上的白釉散發出晶瑩的光澤。印證了陸羽《茶經》所說的話，邢瓷類銀似雪。

9019 A XING KILN FIGURE OF A SITTING LION Tang or Five Dynasties H: 11 cm PROVENANCE: A Private Japanese Collection

HK$ 280,000-480,000 NT$ 1,098,000-1,882,000 US$ 36,100-61,900 唐或五代邢窯白釉坐獅來源：日本藏家舊藏

Sitting lion figure with head tilted upward, mouth open, and tongue showing. Although the beast appears to be in a resting position, its gaze remains vigilant. The lion’s back is smooth and shiny. Contours of its mane are clearly discernable. One ear is pointing upwards, while the other is pointing downwards. Tail-tuft curves into two directions. With a strong physique and sharp claws, the figure fully portrays a lion’s might. The rock it is sitting on has a convex curvature. The figure is kept in pristine condition. Except for the bottom, this entire piece is coated in a white glaze. 坐獅昂首蹲坐在岩石上，張口吐舌，看似在休息，卻仍有戒備的神色。獅背光潔如雪，頸部的鬃毛清楚可見。一耳豎起，一耳垂下。兩撥尾巴自然地曲捲著。肢體強壯，腳爪銳利，成功的刻劃出獅子的勇健威猛。腳下的岩石凹凸有致。整件作品保存得非常完整。通體施上白釉，只有底部露出胎色。

9020 A DING WHITE GLAZED PILLOW WITH BROWN PEONY Jin Dynasty L: 21 cm

HK$ 500,000-850,000 NT$ 1,961,000-3,330,000 US$ 64,400-109,500 金定窯白釉剔花褐彩牡丹紋枕

This bean-shaped pillow has a high front, low rear, and slight concave middle. This pillow is a classic Ding ware, and can often be seen in major museums around the world. It is engraved with a peony, which represents wealth. From the crafting method, we can probably guess that brown was painted on the embryo. After sketching out the decoration, the outer parts were removed, thus manifesting the three dimensional effect of a brown peony on white ground. The sides are engraved with curly grass patterns, which seem quite bold. Only the upper side and bottom of the pillow are there a few traces of cracks, manifesting the passage of time. Comparison: The Palace Museum in Beijing has a similarly styled gold Ding White Glaze Floral Pillow in its collection that can be used as a reference. See: Edited by Li Hui-Bing, Song Porcelains (I) , Hong Kong: The Commercial Press, 1996, p. 98-99. 這件豆型枕前高後低，中間微凹，是典型的定窯作品，在世界各大博物館中不難見到。枕面上剔刻了代表富貴的牡丹花。從工法看來，應是在胎泥上塗上褐彩，勾勒出紋飾後再剔除紋飾外的部分，因而呈現白地褐花的立體效果。側面剔滿了捲草紋，看來粗獷豪放。唯枕側上方及底部有數道窯裂的痕跡。顯示了年代的久遠。比對：北京故宮博物院藏有風格雷同的金〈定窯白釉刻花枕〉可資佐證，詳見：李輝柄主編，《兩宋瓷器》(上)，香港：商務印書館，1996 年，頁98-99。

9021 A DING WHITE GLAZED LOTUS PETAL DESIGN JAR

With a short neck and broad shoulders, the body sharply converges

Song Dynasty H: 18.5 cm

between the shoulders and abdominal. Two lotus petals are carved

PROVENANCE: A Private Japanese Collection

of the petals, highlighting three-dimensional qualities. The flower is

HK$ 190,000-320,000 NT$ 745,000-1,255,000 US$ 24,500-41,200

side of the jar. The entire body is coated in a pure white glaze that

from the shoulders to the bottom. A circular ridge line is located on the abdominal section. There are also ridgelines on the middle boosted up by the leaves, forming a delicate and clean lotus under the shoulders. There are traces of kiln transformation on the inner imbues it with elegant yet generous qualities. 短頸折肩，肩下驟然向足圈收束。肩腹之間有道圓型的棱線。腹部

宋定窯白釉蓮瓣紋罐來源：日本藏家舊藏

雕著兩輪蓮花瓣。花瓣中央也有棱線，凸顯了它的立體感。花下有葉片托住。使得整個紋罐自肩下形似一朵微妙香潔的蓮花。通體釉色潔白，雅緻而不失大器。

9022 A LONGQUAN GREEN GLAZED PLATE WITH PETAL PATTERNS Yuan Dynasty D: 37 cm PROVENANCE: A Private Japanese Collection

HK$ 75,000-95,000 NT$ 294,000-373,000 US$ 9,700-12,200 元龍泉窯青釉筋瓣紋大盤來源：日本藏家舊藏

Longquan kilns are known for their firing of celadon glazes for thick porcelain ware. The green glaze is commonly tinged with yellow. The body of this plate exhibits a beautiful leek-green color. A circle of glaze is scraped off on the bottom, revealing a faint reddishbrown color. This further highlights the leek-green of the glaze. This contrasting approach between glazed and unglazed sections is a unique decorative process of the Yuan Dynasty. The interior bottom of this plate is engraved with a bright and symmetrical floral pattern. The inner abdominal features a petal pattern that are neatly arranged, fully exerting the aesthetics of the plate. There is only a slight trace of corrosion in the interior. 龍泉窯以燒製青瓷而聞名，胎體較厚，釉色青中泛黃。這件印花大盤，通體呈現美麗的蔥綠色。外底足圈處刮去一大圈釉，露出淡淡的赭紅色，更彰顯出青釉的蔥綠。這種對比式的露胎手法，是元代最具特色的裝飾工藝。這件印花盤內面的圓底滿飾朵花，圖案明朗而對稱。內腹有凸起的筋紋，整齊的排列著，將美感充分的發揮出來。唯盤內有一處蝕痕。

9023 A ALONGQUAN CELADON LONGEVITY BOTTLE WITH INSCRIPTIONS AND TWO EARLOBES Early Ming Dynasty H: 18 cm

HK$ 95,000-120,000 NT$ 373,000-471,000 US$ 12,200-15,500 明早期龍泉窯青釉開光福壽銘雙耳垂環瓶

The flower-shaped bottom gradually slims downwards. The slim and long neck is engraved with a pattern of pattern of banana leaves, implying the meaning of “living a long life like evergreen pines and cypresses”. There is a heart-shaped protruding border under the neck, and a circular moon within that symbolizes hope and light. Symmetrical ears are situated on both sides of the shoulders. There are protruding floral patterns on top of the ears, and rings hanging from the bottom of the ears. The fluent pear-shaped bottle has a protruding abdominal. There are two sets of flower-shaped borders located on the front and back of the abdominal walls, which are engraved with the words for “blessing” and “longevity, respectively. There is a set of peonies on the outside of the inscriptions, much like a new core that was just spit out. The rounded lower abdominal has a circular bottom that leans outwards. The glaze is scraped off a circle on the bottom. A square-like pattern runs along the rim above the bottom. The whole work exudes an elegant green gloss, manifesting a beautiful nobility amidst a calmness. 瓶口呈花形，口沿下漸收。細長的頸部雕有芭蕉葉的紋飾，隱有松柏長青的寓意。頸下有心形的開光，當中有一輪圓日，意味著希望與光明。肩頸兩側拉出對稱的雙耳。耳上有凸起的飾花，耳下掛著環璫。瓶腹呈現流暢的梨形。下腹鼓出。腹壁的前、後方各有兩組花形的開光，分別雕上「福」、「壽」兩字。銘文外有一對牡丹，像似剛剛吐出新蕊。渾圓的腹下有外撇的足圈，底部括去一圈釉。足圈外圍滾了一圈回字形的紋邊。整件器物散發著淡雅的青色光澤，在沉穩中顯現華麗的貴氣。

9024 A YAOZHOU CELADON GLAZED AND CARVED BOWL WITH FLOWER DESIGNS

People from the Tang Dynasty period loved peonies. And, this

Song Dynasty or Earlier D: 12 cm

the bowl is not just a normal arc, but cleverly shaped like a flower

PROVENANCE: A Private Japanese Collection

inner walls are designed with peony patterns in the form of lucky

HK$ 75,000-100,000 NT$ 294,000-392,000 US$ 9,700-12,900

mouth, there is a copper-colored design that reveals the elegance of

porcelain bowl takes the form of a blooming peony. The mouth of petal. Its body is jade white, yet also exudes a faint green luster. The clouds, which represent blessings for wealth and good fortune. The outer wall subtly recalls sensations of natural ripples. Near the bowl’s nobility. This rare masterpiece is simply extraordinary. 唐人最喜歡牡丹，而這件瓷器看來就像一朵盛開的牡丹花。它的碗

北宋或更早耀州窯劃花牡丹紋花口碗來源：日本藏家舊藏

口不是尋常的圓弧型，而是別具巧思地以花瓣的模樣呈現。通體淨白如玉，而又隱隱透著淡淡的青光。內壁繪有吉祥雲狀的牡丹花紋。象徵著人們對富貴吉祥的希求和祝福。外壁隱約現出自然的波紋，靠近碗口有一道銅色的彩繪，在高雅中透著貴氣，是件百年難見的精品。

9025 A MOLDED YAOZHOU CUP

Yaozhou ceramics reached their peak during the Song Dynasty.

Song Dynasty D: 13 cm

In the late Northern Song Dynasty, engraved flowers were a main

HK$ 110,000-180,000 NT$ 431,000-706,000 US$ 14,200-23,200 宋耀州窯印花「瓶花」盞

decorative technique. Carved impressions would be printed on the surface of the object before being glazed and fired. The carvings on the inner walls of this flower cup is very distinct. Through the thin layer of glaze, we can clearly see the relief-like floral scrolls. The layout is complete and appealing with the lively ambiance of blossoming spring flowers. Green glaze is applied to the interior and exterior of this vase, except for the bottom which reveals an unglazed section. There are a couple of protruding objects on the bottom, as well as blemishes that resulted from kiln transformation. 耀州瓷器的發展在宋代達到高峰。北宋晚期，印花成為主要的裝飾手法。將刻好紋飾的印模，印在胚體的器面上，再上釉入窯燒製。這件瓶花盞內壁的刻紋非常明顯，透過薄薄的釉層，可以清晰的看到如同浮雕般的纏枝花卉。構圖的佈局端整而妍麗，充滿著春花開滿枝頭的喧鬧氣息。花盞的內外都施上青釉，只有足圈處露胎。近圈足處有乳凸物，以及因窯變所產生的色斑。

9026 A YAOZHOU LOTUS PETAL BOWL

The bowl features a round and circular mount, and a body that

Song Dynasty D: 14.5 cm

gradually slims downwards. There are no decorations on the inner

PROVENANCE: A Private Japanese Collection

There is a slight circular concave in the middle of the bowl. The

HK$ 120,000-200,000 NT$ 471,000-784,000 US$ 15,500-25,800

yellow-green colors. The abdominal walls faintly reveal lotus petals.

宋耀州窯蓮瓣碗來源：日本藏家舊藏

walls of the bowl, and the interior exudes a smooth yellow-green. circular stool on the bottom and the rim of the bowl are yellowishbrown, forming a harmonious and gentle visual effect with the Not only do they beautify the exterior of the bowl, but they also strengthen its overall artistic quality. The lotus remains untainted even when growing in mud, which represents a noble character deeply loved by literati. 圓形碗口敞開，逐漸向圈足收斂。碗的內壁沒有任何紋飾，呈現光滑的黃綠色。碗中心有一圈微凹的圓底。足圈的外圍及碗口的邊緣呈黃褐色，與碗身的黃綠色，在視覺上形成了一種和諧與柔美的效果。而腹壁上若隱若現的蓮花瓣，不但美化了碗的外觀，同時強化了它的藝術性。蓮花出淤泥而不染，代表了高潔的品格，深受文人雅士的喜愛。

9027 A YAOZHOU KILN PORCELAIN FLASK

Most Yaozhou porcelain is green permeated with yellow tinges.

Song Dynasty H: 28.5 cm

Since this flask is yellow with a faint hint of green, it is considered a

PROVENANCE: A Private Asian Collection

circular holes on the bottom. The slim neck and slightly open mouth

HK$ 380,000-500,000 NT$ 1,490,000-1,961,000 US$ 49,000-64,400

and the shoulders contain simple decorations. The lower abdominal

宋耀州窯長頸瓶

耀州所出的瓷器大都是綠中泛黃，這件長頸瓶卻是在黃色中隱隱透

來源：亞洲藏家舊藏

relatively rare work. It is unglazed on the bottom, and there are two cleverly form a trumpet shape. The lines of the body are smooth and graceful. There are several lines that surround the abdominal wall, contains slightly more complicated decorations of curly leaves, letting the work exude a sense of elegance.

著綠，算是比較罕見的作品。它的底部沒有上釉，足圈上有兩個圓形的小孔。細長的頸部與微微敞開的瓶口，巧妙地形成喇叭狀。瓶身的線條優美流暢。腹壁有數道弦紋環繞，肩上有簡單的紋飾。下腹則有較繁複的捲葉邊紋飾，使得整件作品散發出高雅的品味。

附:檢測報告

9028 A JINGDEZHEN PALE GLAZED BOWL WITH PLAYFUL CHILDREN PATTERN

In the Song Dynasty, lively and fun-filled images of children playing

Song Dynasty D: 13 cm

lively interaction between figures, depicting scenes of a peaceful

PROVENANCE: A Private European Collection

pearl-like luster, inspiring feelings of serenity and happiness.

HK$ 120,000-200,000 NT$ 471,000-784,000 US$ 15,500-25,800

形態有趣。旨在表達天真的童趣。這只嬰戲紋盞，人物鮮活，表徵

宋景德鎮窯青白釉嬰戲紋花口盞來源：歐洲藏家舊藏

were used to depict the innocence of youth. This bowl features a nation. The body is glazed with a greenish white that exudes a

宋代的嬰戲圖大都以人物為主，描繪兒童的戲耍活動，畫面熱鬧，國泰平安的太平景色。通體施上青白釉，散發出珍珠般的光澤，予人一種安祥和樂的感覺。

9029 A JINGDEZHEN GREENISH-WHITE GLAZED FLOWER BOWL

This bowl faintly emits a greenish tinge amongst a pure white,

Song Dynasty D: 22.5 cm

mouth is carved like a flower, and gradually slims downwards. The

PROVENANCE: A Private Japanese Collection

glance, it looks like a peony in full bloom that surrounds a circle.

HK$ 160,000-220,000 NT$ 627,000-863,000 US$ 20,600-28,400

the craftsman knows! There is a small pattern that surrounds the

宋景德鎮窯青白釉劃花花口碗來源：日本藏家舊藏

leaving people with the impression of a silent comfort. The open interior of the bowl is engraved with an interesting pattern. At first At another glance, it looks like a moon that shines from within the clouds. Is it a flower in a mirror or a moon in a lake? Perhaps only main decoration, and the space near the rim is left blank. There are no decorations on the exterior of the bowl. The original, unglazed appearance is shown on the bottom, and there are traces of erosion. 這件碗在淨白中透著淡淡的青光，予人一種恬靜舒適的感覺。敞開的碗口雕成花形，向圈足漸漸收束。碗的內面刻劃了一幅饒有意趣的圖案。乍看圖中心像是一朵盛開的牡丹，外圍環花似錦。再看則又似一輪圓月，在雲氣中散發光明。究竟是鏡中花還是水中月？也許自有知音微笑點頭吧！主題紋飾的外圍有一圈紋邊。近碗口處留白。碗的外壁沒有任何紋飾，足圈內圍露胎，且有墊燒痕。

9030 A LONGQUAN CELADON CENSER IN THE FORM OF A LI-TRIPOD Song Dynasty D: 12.5 cm PROVENANCE: A Private Japanese Collection

HK$ 280,000-400,000 NT$ 1,098,000-1,569,000 US$ 36,100-51,500 宋代龍泉窯粉青鬲式爐來源：日本藏家舊藏

This censer in the form of a li-tripod and covered in green glaze almost resembles a bronze ritual vessel. It has a flat rim mouth, straight short neck, and round body. The body is support by a tripod base. The glaze is lush and pristine, which brings the matte green tones to life. Two cracks are visible at the mouth. Three holes are featured on the bottom of the censer. The lid is made of white silver metal and is decorated with hollowed-out carvings of plum blossom and bamboo leafs. Delicate and gorgeous, this piece is extraordinary. Signs of oxidation are visible on the lib, probably an effect of being exposed to smoke over the years. 這件鬲式爐形似青銅禮器。口呈圓形，寬沿折口，頸部短而直。腹部扁圓。腹下有三足。色澤純淨光潤，呈現出粉嫩的青色。口沿處有兩道蝕痕。爐底有三個器孔。爐蓋以純銀打製而成，蓋面呈現銀褐色，用鏤空手法雕出花卉和枝葉，中有梅花數朵，竹葉也清晰可見。看起來精巧華麗，不似尋常人家所有。蓋的內面有氧化的痕跡，應是煙燻加上歲月的作用。

9031 A LONGQUAN CELADON PLATE WITH GRAPE PATTERNS Early Ming Dynasty D: 46.5 cm PROVENANCE: A Private Japanese Collection

HK$ 950,000-1,500,000 NT$ 3,725,000-5,882,000 US$ 122,400-193,300 明早期龍泉窯梅子青釉葡萄紋大盤來源：日本藏家舊藏

This large green plate exudes a dignified aura. The centerpiece of this plate is an illustration of three clusters of grapes that decorate the round surface. Plump grapes hanging from a vine symbolize vitality and longevity. Around the inflection point where the center and rim meet there are decorative patterns of interlocking flowers and vines, a symbol of auspiciousness. Although the outer wall does not feature any decorations, it does a feature a cracked glaze effect, making it look like the surface of a melon. A circle of glaze is purposely scraped off the base to reveal the red color of baked clay. This piece’s plump-like green sheen together with its intricate decorations make it a feast to the eye. Comparison: Topkapi Palace Museum in Turkey has a 15th century Longquan Plate with Grape Patterns in its collection that features similar ornamentation and crafting style. It can be used as a reference. See: Chinese Treasures of Istanbul , 2001, p.61. 這件大圓盤看起來十分氣派。它的特色在於盤內的圖飾，圓形的盤底雕有三串纏枝葡萄，果實累累，枝蔓曲捲綿延，隱含生生不息，萬代綿長的願望。盤心與內壁轉折處，刻一大圈代表吉祥的纏枝花蔓圖，花形豐美碩大。近口沿處另有一圈花蔓，花形小巧秀麗。外壁沒有紋飾，但卻布滿了類似瓜果表皮的細紋，別有一番風情。盤底的足圈內圍刮去一圈釉。整件作品散發出梅子似的嫩綠光澤，加上細緻繁縟的裝飾，令人賞心悅目。比對：土耳其托普卡帕皇宮博物館藏有15世紀〈龍泉窯葡萄紋大盤〉，其紋飾樣貌和製作風格與本拍品雷同，可做為參考樣本。詳見：《伊斯坦布耳的中國寶藏》，2001年，頁61。

9032 A YUE CELADON PILLOW-FORM BOX WITH CARVED FLOWER PATTERNS

This pillow-form box comes in a unique shape. More distinctive

Tang or Five Dynasties D: 21 cm

Surrounding decorations create a perfect stage of the four flowers

PROVENANCE: A Private Japanese Collection

with patterns of burgeoning leafs, imbuing the piece with a sense

HK$ 95,000-120,000 NT$ 373,000-471,000 US$ 12,200-15,500

composition. The inner box is plain without decorations. Inside, the

唐或五代越窯青釉纏枝花卉紋枕式蓋盒來源：日本藏家舊藏

are the four flower patterns engraved in a bold fashion on the lid. to captivate one’s attention. Space around the flower are decorated of liveliness. Walls of the outer box are decorated with carved out flower patterns, which together with the lid form a beautiful bottom bulges up a bit. Outside, a rim that circles around the base acts as a mechanism that creates a perfect fit between the inner and outer box. Crack are visible on the outer box and lid, revealing the items many years of usage. 這件枕式蓋盒造型奇巧。蓋面上的花紋更是別緻，以大膽的手法雕出四朵雋秀的花卉。環形的枝蔓繞著花蕊，讓主角更佳耀眼奪目。空白處繪滿嫩葉，使得整體畫面熱鬧活潑。蓋壁以鏤空手法雕出纏枝花卉，與蓋面上的主題相互輝映，使得整個蓋盒美觀大方。盒身沒有任何紋飾，呈現樸拙的相貌。內底有乳凸物，外側底部拉出一圈口沿，用來接合蓋口。盒壁的外側與蓋面上有一道裂痕，似在訴說著歲月的滄桑。

9033 A Yue Celadon Long Neck Vase Tang Dynasty H: 20.5 cm

HK$ 170,000-260,000 NT$ 667,000-1,020,000 US$ 21,900-33,500 唐越窯青釉長頸瓶

Yue ware is renowned for its celadon glaze. This long neck vase features a wide mouth and a downward sloping base. A clear division is visible where the neck meets the shoulder, which gradually flows into the body. The vase is widest close to the base. From the widest point downward, the body quickly tucks together above the base, creating a fluid and elegant curvature. The plump body together with the slim long neck produces a beautiful contrast that is pleasing to the eye. Inside the mouth, glaze is of a different tone. Hardened residual glaze is stuck to the bottom of the base. This item is in mint condition and does not appear to have any blemishes. A hint of yellow is mixed in with the green glaze, alluding to imagery of moonlight reflecting off a pond. 越窯以青瓷著名。這件長頸瓶，圓口寬沿，底足外撇。肩、頸之間有明顯的分界。肩部逐漸向中腹敞開，下腹驟然向足底收斂，呈現出流暢動人的曲線。渾圓的肚腹搭配細緻的長頸，在雄渾中透著柔美，予人一種恬適寧靜的感覺。瓶口的內沿微有褪色，瓶底也有因窯變所產生的色差及乳凸物。整件作品保存良好，沒有破損的跡象。綠中泛黃的色澤，彷彿湖底映襯著月色。

9034 A GREEN GLAZED EWER Tang Dynasty H: 17.7 cm PROVENANCE: A Private Asian Collection

HK$ 180,000-280,000 NT$ 706,000-1,098,000 US$ 23,200-36,100 唐綠釉執壺來源：亞洲藏家舊藏

This ewer has a round mouth, curved handle, short stout, and ornamental base. Three rivets are visible on the bottom of the base. A clear inflection divides the neck and shoulder, creating an area of thicker glaze that adds an extra level of ornamentation. A splash of green glaze is applied to the shoulder, giving the piece a crisp luster. No ornamentation is featured on the body, except for green graze running from shoulder to base where it mixes with yellow glaze. The green glaze splashed on top of the yellow glaze forms an interesting gradient between different tones of color, imbuing the work with a natural and lively personality. Aside from some light scratch to the base, the piece is kept in good condition. 中長頸，圓口，曲把，短流，假足圈。足底有三個支釘痕。肩頸之間有一輪深綠色圓圈繞過，看似分界線，卻又發揮了裝飾的作用。壺體施上薄釉，呈現清亮的光澤。壺身沒有任何紋飾，只在杏黃的底色中率性地施抹上幾筆嫩綠，又像似用潑灑的手法，將綠釉淋在黃色的器物上，使得色彩呈現出深、淺、明、暗的變化，自然而生動。整體狀況良好，足底有三處輕微的碰撞痕跡。

附:檢測報告

9035 A JUN CELESTE BLUE GLAZED CUP

This cup has a round mouth that uniformly slopes downward into its

Song Dynasty D: 7.5 cm

base, forming a hemispherical bowl. A light brown glaze is applied

PROVENANCE: A Private Japanese Collection

light brown color. These two shades of brown form an interesting

HK$ 240,000-320,000 NT$ 941,000-1,255,000 US$ 30,900-41,200

imagery of a clear sky and feelings of joy. This solid looking cup is in

宋鈞窯天青釉杯

圓形的杯口敞開，逐漸向圈足收斂。口沿塗淡褐的釉。足圈無釉，

來源：日本藏家舊藏

to the mouth, whereas the base is unglazed, exposing the clay’s contrast that enhances the aesthetic quality of the work. Aside from the two rims, the cup is cover in a light blue glaze, which alludes to perfect condition. A spot of excess glaze protrudes at the base. This work is a bold in its artistic expression.

露出淡淡的棕色，卻像似兩道滾邊，巧妙的發揮了裝飾的效果。杯的內外側施滿天藍色的釉，像萬里無雲的晴空，予人一種平和愉悅的感覺。杯體厚實，外觀完整，只有底部近足圈處有一塊隆起的乳凸物。顯示出創作者沒有刻意雕琢的率真與質樸。

9036 A CIZHOU WHITE VASE WITH BLACK PRUNUS PATTERNS

Prunus vases were mainly used as wine vessels or flower vases

Song Dynasty H: 22.5 cm

prunus blossom because only prunus branches could fit through

PROVENANCE: A Private Asian Collection

shaped mouth. Four thick black lines are painted horizontally around

HK$ 75,000-120,000 NT$ 294,000-471,000 US$ 9,700-15,500

composition. The center is decorated with patterns of peonies.

宋磁州窯白地黑花纏枝花卉紋梅瓶來源：亞洲藏家舊藏

during the Song and Liao dynasties. The vase was named after a its narrow mouth. This particular vase features a squat umbrellathe body, dividing the vase into three sections. The shoulder and lower body feature identical leaf patterns, creating a symmetrical Elliptical in shape, the center of mass for this vase lies relatively high. To counterbalance this, the base is molded from a thicker layer of clay. Bottom of the base is unglazed. This piece exudes a masculine vigor. 梅瓶的主要用途是盛酒與供花，流行於宋、遼時期。因為口徑小，只能插梅枝而得名。這只梅瓶有傘狀的平頂蓋。瓶身共有四道黑色粗線平行環繞，分隔出三組圖飾。肩上與下腹劃有對稱的蓮瓣紋，以烘托出中心的纏枝牡丹。輪廓呈杏圓狀，由於重心偏高，因此底部加厚，且未上釉。外觀狀況良好。散發出一種雄渾敦厚的味道。

9037 A CIZHOU BLACK AND WHITE “ROUGED LIPS” TIGER PILLOW Song Dynasty L: 37 cm PROVENANCE: A Private Asian Collection

HK$ 380,000-460,000 NT$ 1,490,000-1,804,000 US$ 49,000-59,300 宋磁州窯白地黑花「點絳唇」老虎枕來源：亞洲藏家舊藏

附:檢測報告

Rather whimsical looking, this tiger pillow does not exhibit the fierce

Comparison:

qualities of a tiger. In fact, this tiger looks quite cuddly. Written in

The Palace Museum in Beijing has a similarly styled gold Cizhou

calligraphic style on the flat white top are the Chinese characters,

Tiger Pillow in its collection that can be used as a reference.

“Dian Jiang Chun (rouged lips).” The two ends of the pillow form

See: Edited by Li Hui-Bing, Song Porcelains (I) , Hong Kong: The

the tail and head of the tiger. Tiger stripes are painted on the longer

Commercial Press, 1996, p. 232.

sides of the pillow. With a tail running along one side of its body, the beast appear even more endearing. According to folk legend, tiger pillows are like a patron saint that wards off evil spirits and bad luck. This delightful tiger pillow is a great furnishing addition for the home.

這件老虎枕的模樣十分逗趣。沒有猛虎的兇惡可怖，反倒有幾分的憨態。白色平坦的虎背上刻有一闕〈點絳唇〉的詞句。枕的兩側分別雕上虎頭跟虎尾。枕壁上畫著色澤豔麗的虎紋。尾巴順著老虎的身線，自然地收在腹下，顯得溫馴可愛。根據民間的傳說，老虎枕有驅邪消災的作用，是極佳的守護神。賞心悅目的老虎枕更是家中最好的擺設。比對：北京故宮博物院藏有風格雷同的金〈磁州窯虎枕〉可資佐證，詳見：李輝柄主編，《兩宋瓷器》(上)，香港：商務印書館，1996 年，頁232。

9038 A CIZHOU WHITE VASE WITH BROWN POEM INSCRIPTIONS

This vase features a round mouth, long concave-neck, and plump

Jin Dynasty H: 35 cm

of the vase is covered in a coat of white glaze with a yellow tint.

PROVENANCE: A Private Asian Collection

either flower or bird patterns. The calligraphic inscription is elegant

HK$ 280,000-360,000 NT$ 1,098,000-1,412,000 US$ 36,100-46,400

and shoulder meet, imbuing the piece with a rustic temperament.

金磁州窯白釉褐繪詩文瓶

圓口，長頸，頸中央微微收束，下腹鼓出。底部未上釉，有足圈。

來源：亞洲藏家舊藏

lower body. The base and area above it are unglazed, while the rest Aside from the inscription of a poem, the vase is not decorated with and exudes an ethereal quality. A few minimalistic horizontal line patterns decorate the lower body and section where the neck The vase form is defined by harmonious curves. Aside from some scratches across its lower body, this piece is in perfect condition.

瓶身以白釉為底，微微泛著黃光。沒有花鳥等紋飾，僅在瓶腹上以行書題上詩文一首。字跡秀雅飄逸。下腹與肩頸交會處各以褐彩簡單的繪出幾道平面弦紋，呈現出一種古樸的趣味。器物的輪廓線條和諧，外觀完整，只有口沿和下腹各有少許疑似碰撞的痕跡。

附:檢測報告

9039 A THREE COLOR FLOWER WALL VASE Song Dynasty H: 26 cm PROVENANCE: A Private Asian Collection

HK$ 1,100,000-1,800,000 NT$ 4,314,000-7,059,000 US$ 141,800-232,000 宋三彩貼花壁瓶來源：亞洲藏家舊藏

Coated in a green, brown, and yellow glaze, this vase is visually gorgeous. On top of the green glaze, there are flower-shaped ornamentations painted in a yellow glaze. The pair of symmetrical ribbon shapes extend from the flower. The ear connects to the ripple-textured collar that sits on top of the shoulder. The neck is decorated with a circle of tiny indentations. To imbue the work’s auspicious meaning of vitality, a carving of green imagery is featured on the wall-facing side of the vase. The composition of this work maintains a sense of uniformity despite its elaborate ornamentation. The item is kept in good condition. Only a few sections of glaze on the bottom are chipped off. 這件壁瓶以綠、褐、黃三色妝點出華麗的視覺效果。在綠色的釉面上，以貼花手法，用杏黃色的邊框，框出褐色的花卉。黃綠色的花心下飄動著一對彩帶，與兩側褐黃的垂耳相互輝映。耳上飾有類似環璫的裝飾，與肩上的浪形紋飾相連。頸上有一圈紋飾。平整的後背刻有邊框，框中雕有生機盎然的盆栽，隱有萬年長青的意味。整件器物裝飾繁縟，卻錯落有致。外觀狀況良好。只有底部足圈處微有脫釉的情況。附:檢測報告

9040 A BLUE AND WHITE FLORAL JAR Yuan Dynasty D: 8 cm PROVENANCE: A Private Japanese Collection

HK$ 75,000-90,000 NT$ 294,000-353,000 US$ 9,700-11,600 元青花纏枝花卉紋蓋罐來源：日本藏家舊藏

This jar features a round mouth, short neck, and flat bottom. The bulging abdominal is an oval shape that gradually slims downwards. The center of gravity lies in its middle abdominal. The white body has multiple blue lines that surround the upper and lower abdominal, which highlights the middle floral design. The floral design is purely blue. Yet, by using deep, shallow, clear, and dark techniques, it constructs a far, near, high, and low vision. The scenery is natural and elegant. The lid is shaped like a blooming flower, while the rim is slightly curled. The center of the lid has a dented circle which contains a sketch of a sapphire blue flower. The petals extend all the way to the rim. The bottom is unglazed, and there are faint signs of wear. 圓口，短頸，底足寬平。腹部鼓出呈扁圓狀，逐漸向下收束。罐體的重心在中腹。白底的罐身以釉下青花在腹部上、下方畫出兩圈複線弦紋，用以凸顯中間的纏枝花卉。花卉的色調單用青藍色，卻以深、淺、明、暗的手法，營照出遠、近、高、低的視覺。畫風自然而高雅。罐蓋形似一朵綻放的花蕊，口沿微捲。蓋面中心挖出一圈圓底，內以鮮亮的寶藍色勾勒出一朵大花，瓣尖直伸到口沿。足底未施釉，有些微磨損的痕跡。

9041 A JUN DAISY PETAL-SHAPED PLATE Song Dynasty D: 13.5 cm PROVENANCE: A Private Asian Collection

HK$ 260,000-380,000 NT$ 1,020,000-1,490,000 US$ 33,500-49,000 宋鈞窯菊瓣盤來源：亞洲藏家舊藏

The features of Jun kiln lie in kiln transformation. In addition to the original glazed color, other colors emerge from the firing process. These color changes are precious because they are naturally formed, and not due to any human factors. Thus, each piece made through kiln transformation is unique. With a skillful technique, a graceful daisy is neatly carved on the mouth and abdominal wall. The interior and exterior of the bowl are coated in a blue glaze. A petal shape is sketched out on the mouth and abdominal walls. Paired with an elegant green, this work exudes an extraordinary level of taste that people cannot help but love. 鈞窯的特色在於窯變。除了原本的釉色外，在燒製的過程中還會變化出其它的色彩。而這種色變之所以可貴，在於它是自然形成，而不是以人工描繪上去的。因此每一件鈞窯的瓷器都是獨一無二的。這件菊瓣盤以嫻熟的手法，工整的在盤口和腹壁上雕出秀麗的菊瓣。盤身內外以青釉為底，在盤口和腹壁上以黃褐色勾勒出花瓣的形狀，配上淡雅的青藍色，使整件作品散發出一種獨特的品味，令人愛不釋手。

9042 A pair of Jun Blue-Green Glazed Plates with Folded Rims Song or Jin Dynasty D: 16.5 cm

HK$ 95,000-120,000 NT$ 373,000-471,000 US$ 12,200-15,500 宋或金鈞窯天青釉折沿盤一對

These plates have open mouths, shallow abdominals, and a rim that folds outwards. The bottoms of the plates are unglazed. The outer rims of the plates are brown. On the inner walls near the rim, there are also circles of brown, which highlights the contours of the rim, while exerting a decorative feature. The interior and exterior of the plates are all glazed, yet they also are also blended with different colors due to kiln transformation. One of the plates exhibit a circle of fog-like purple in the center, while the other plate has a wide swath of green-yellow across the abdominal wall. The spots and fine lines derived from kiln transformation lets these two plates exhibit different dispositions. 這對折沿盤敞口，淺腹，口沿外折。足圈底部未施釉。口沿的外緣呈褐色。內壁近口沿處也有一圈褐色，凸顯了口沿的輪廓，同時發揮了裝飾的作用。盤身內外都施上青釉，但是這對盤卻因窯變而摻雜了不同的色調。其中的一件在盤中心形成一圈如同雲霧的紫色，另一件則有一道青黃色的寬紋橫過壁腹的一側。加上窯變所衍生的斑點和細紋，使得這兩件盤子呈現出不同的風貌。

9043 A JUN BLUE GLAZED PLATE WITH FOLDED RIM Northern Song Dynasty D: 17.5cm PROVENANCE: J. J. Lally

HK$ 420,000-500,000 NT$ 1,647,000-1,961,000 US$ 54,100-64,400 北宋鈞窯天藍釉折沿盤來源：J. J. Lally

The plate features a round mouth, shallow abdominal and folded rim. The body is painted with blue glaze. Only the rim and circular stool are gray because of the glaze. Yet, the gray blends well with the color of the plate’s body, complementing each other perfectly. It exudes a soft and elegant atmosphere. From the back, the circular stool, bottom, and rim just happen to form a concentric geometric shape, which is quite fascinating. This plate is very complete, except for three blemishes on the rim and interior, as well as five spur-marks on the internal bottom. 圓口，淺腹，口沿平折。通體施天藍色的釉，只有盤口的邊緣及圈足因釉薄而呈現灰色，卻反而與盤身的色澤相互交融，相得益彰。散發出一種溫潤柔和的典雅氣息。從盤子的背面看去，足圈與盤底及口沿，恰好構成一幅同心圓的幾何圖形，饒富趣味。整件圓盤的外觀十分完整，只有口沿與內底有三個縮釉斑。底部有五個支釘痕。

9044 A CIZHOU WHITE GLAZED SPRING FLOWER VASE

The name of the “spring flower vase” comes from the verse of

Song Dynasty H: 30 cm

“spring jade vase”. Prevalent in the Song Dynasty, they were first

PROVENANCE: J. J. Lally

This spring flower vase has a white glaze base, blended with a hint

HK$ 500,000-650,000 NT$ 1,961,000-2,549,000 US$ 64,400-83,800

and graceful. From the shoulders to the abdominal, there are four

宋磁州窯白釉剔花玉壺春瓶來源：J. J. Lally 舊藏

used to ladle wine before gradually becoming an object for viewing. of yellow, exuding the luster of topaz. With a narrow neck, smooth shoulders, and plump abdominal, the lines of the body are warm lines that each surround three sets of floral patterns. The large and lush flowers on the abdominal walls are shaped like peonies, emitting the vitality and joy of spring. 玉壺春瓶是由詩句「玉壺先春」而得名。在宋代廣為流行，當時主要用來盛酒，慢慢演變為觀賞的器物。這件以白釉為主的玉壺春瓶，白中泛黃，散發出美玉般的光澤。細頸滑肩，下腹鼓出，線條柔美。瓶身從肩部至下腹以四道複線弦紋剔刻出三組不同的纏枝花卉圖。腹壁的花型豐美碩大，形似牡丹，感覺春意盎然，令人心生歡喜。

9045 A BRONZE TRIPOD CENSER

This bronze tripod censer features a flat mouth and short neck.

Qing Dynasty D: 10.5 cm W: 808 g

There is a dented ring that surrounds the neck, and an oval

HK$ 48,000-80,000 NT$ 188,000-314,000 US$ 6,200-10,300

The exterior condition is very good, and the interior shows clear

abdominal that is the same width as the mouth. There are three legs on the bottom, as well as an inscription comprised of four words. marks of smoke. There are no decorations on the work, but it stuns with its quality, emitting a glossy reddish-brown color. This bronze censer stands on a lotus-shaped base. The shape is noble, elegant,

清銅片金鬲式爐

and filled with an old-fashioned sense. Censer and the music from a guqin is always to relieve people of their worries. 這件銅爐平口短頸，頸內束成環狀，腹部扁圓，與口同寬。腹下有三足。底署「世古之寶」四字篆文。外觀狀況良好，內壁有明顯煙燻的跡象。器表上沒有任何紋飾，卻是以質取勝，呈現光潔的褐紅色。這件銅香爐，附有荷花形底座，造型高尚典雅，古意十足。薰香配上琴聲，令人忘俗。

9046 A BRONZE TRIPOD CENSER WITH TWO EARS

This bronze tripod censer features a round and folder mouth, no

Qing Dynasty D: 12 cm W: 1236 g

neck, a bag-shaped belly, and shoulders that gradually extend

HK$ 55,000-90,000 NT$ 216,000-353,000 US$ 7,100-11,600

balance. There is a pair of elegant ears on the shoulders. Paired

outwards. An inscription of four words is inscribed on the bottom. There are three miniature legs near the inscription to cleverly provide with a lotus seat, the censer emits a sense of vitality within the solemn tranquility. There is a beautiful reddish-brown texture on the abdominal wall, giving this bronze censer the thickness of copper as

清銅板耳三乳足爐

well as the magnificence of marble. 這件銅爐圓口平折，束頸，袋形腹。肩下漸漸放寬。底下署有「珍舍永寶」四字篆文。篆文旁邊的三乳足，巧妙的發揮了平衡的作用。肩上有一對造型優雅的板耳，搭配底下的荷葉座，在靜謐莊嚴中透著幾分活潑。紅褐的腹壁上有漂亮的紋理，讓這件銅爐兼具銅器的厚重與大理石的瑰麗。

9047 A BRONZE TRIPOD CENSER WITH COVER

This bronze tripod censer features a round mouth and short neck.

Qing Dynasty D: 9.3 cm W: 780 g

The round lid is a deep brown color. The cover contains hollow parts

HK$ 60,000-95,000 NT$ 235,000-373,000 US$ 7,700-12,200

The abdominal is an oval shape, which exudes the warm luster of

that are carved into four sets of heart-shaped clouds. The top of the cover is inlaid with red coral, representing luck and good fortune. a reddish brown. The bottom has a block of inscription much like a seal. The bottom of the censer features three cute and miniature feet. The bronze censer comes with a dark base engraved with

清銅鬲式三足爐

auspicious patterns. This artifact has delicate carvings and smooth lines. It is indeed a fine incense burner. 這件銅爐圓口短頸。口上有深褐色的圓蓋。蓋面鏤空，雕著四組心形的如玉雲頭紋。蓋頂嵌了一樹紅色的珊瑚，代表吉祥如意。器腹為扁圓形，散發出溫潤的紅褐色光澤。底部署「木三立印」四字篆文。腹下凸起三乳足，小巧可愛。銅爐下附有雕著如意雲頭紋的深色底座。整件器物雕工精巧，線條流暢，是爐中佳品。

9048 A RARE BRONZE CENSER WITH DOUBLE CHI DRAGONS Qing Dynasty L: 20.5 cm W: 1450 g

HK$ 70,000-100,000 NT$ 275,000-392,000 US$ 9,000-12,900 清銅雙螭龍耳橢圓爐

100

The style of this bronze censer is very exquisite. The oval-shaped bronze censer manifests graceful curves. A set of Chi dragons are situated on the mouth of the bronze censer, and they seem to be vaguely gazing around. The bottom has four cloud-like legs, which are carved with auspicious patterns. They represent success, safety, and luck. A rectangular and seal-like block of inscription is on the bottom. According to legends, the Chi dragon is the second son of the Dragon King. The Chi dragon does not have any horns, and he is good at keeping guard. Thus, the roofs of temples often feature the statues of Chi dragons to prevent fire. The Chi dragon has a mighty demeanor which highlights the masculinity of men. The bronze censer is in good condition, yet the wall has some patina due to oxidation. 這件爐銅的造型十分別緻。橢圓的爐身現出柔美的曲線。爐口立著一對螭龍，隱約有張望的神色。腹部底下伸出雲朵狀的四矮足，上面雕著如意雲頭紋。象徵著事事如意，平安吉祥。爐底署有「玉筍堂」三字篆文。傳說中螭龍是龍王的第二個兒子，頭上無角，性好張望，因此寺廟的屋頂上常有螭龍的雕象，用來避火。螭龍神態威武，可以彰顯出男性的剛毅氣質。銅身狀況良好，僅內壁有因氧化而產生的銅綠。

9049 A BRONZE DRAGON EARS CENSER WITH ORIGINAL SEAT Qing Dynasty D: 17.5 cm W: 2107 g

HK$ 200,000-320,000 NT$ 784,000-1,255,000 US$ 25,800-41,200 清銅蚰龍耳圈足爐暨原銅座

102

Chi dragon ears bronze censer have arched handles to symbolize

蚰龍耳爐以樸素的圓弧鋬象徵龍身，深得明代宣德皇帝的喜愛，將

the body of dragons. They were deeply loved by Xuande Emperor of

這款爐具擺設在御用書房裡，並且分賜諸王府。這件銅爐的線條簡

the Ming Dynasty who would often put this kind of bronze censer

潔俐落，銅質精純。皮殼呈現出深栗色的瑩潤光澤。爐底署有「宣

in his study, as well as various places. The lines of the bronze censer

德年製」四字篆文，與底座下的篆文一致。這件銅器的可貴之處在

are clean and neat, while the copper is pure and polished. The skin

於它保留了原有的銅座。它的造型端莊優雅，擺設在案頭上可以表

exudes a shiny luster of deep maroon. "Made in the Xuande Period"

露出虔敬之心，作為客廳或書房的擺設，更可以營造出一種獨特的

is carved on the bottom, which is the same as the one under the

氣氛。

seat. The valuableness of this bronze censer lies in the fact that it retains its original bronze seat. It harbors a dignified and elegant style. By placing this incense burner on an altar, one can reveal their devotion. By placing this bronze censer in the living room or study, it can create a unique atmosphere.

9050 A BRONZE CENSER WITH THREE LEGS AND TWO BRIDGE-SHAPED HANDLES

This bronze censer features a stock body, while the abdominal is

Qing Dynasty D: 12.5 cm W: 1339 g

the shoulders and abdominal features an evident ridgeline. There

HK$ 24,000-40,000 NT$ 94,000-157,000 US$ 3,100-5,200

Period of the Ming Dynasty”. This is most likely an imitation work

like a round plate. The neck is inwardly dented, and junction of is a pair of bridge-shaped ears on both sides of the round rim. The bottom has a block of inscription that says “Made in the Xuande made in the Qing Dynasty. The bottom has three flat and oval stools that support the incense burner. There is a reddish brown protective coat of paint on the exterior, which is exquisite and polished. This

清銅雪花金橋耳三扁柱足爐

work is covered with snowflake patterns. The color of the inner wall is darker due to incense. 這件銅爐的身型矮胖，腹部像一個圓盤。頸部收束，肩腹交接處有明顯的棱線。圓形的口沿兩側對稱地拱起一對橋梁形狀的耳朵。爐底有方形的楷書款識，上署：「大明宣德年製」，應是清代創作的摹古品。爐底以三扁圓形的柱子做為支撐。外壁有紅棕色的保護漆皮，打磨精緻。器表遍滿雪花紋。內壁因為焚香的緣故顏色較暗。

104

9051 A BRONZE TRIPOD CENSER WITH SKYWORD EARS

This bronze censer with skyward ears imitates the style of Guan

Qing Dynasty D: 12.6 cm W: 950 g

for the gods. Called the “Son of Heaven,” the emperor of China

HK$ 20,000-36,000 NT$ 78,000-141,000 US$ 2,600-4,600

was casted with good material. The delicate texture has a solid feel.

Kiln from the Song Dynasty. “Skyward ears” represents a reverence must have reverence for the gods well as love for his people. Thus, emperors often put them in the government hall. This bronze censer The maroon coat of paint exudes a warm luster in the midst of a profound features. The circular mouth is complete, and a pair of skyward ears is situated on both sides of the mouth. With a circular

清銅朝天耳三乳足爐

dent around the neck, the bottom holds three miniature feet. The interior of the incense burner is darker, perhaps due to the incense. There is a block of regular script inscribed on the bottom that says, “Made in the Xuande Period of the Ming Dynasty”. This is an imitation work from the Qing Dynasty. 朝天耳爐仿自宋代官窯的款式。朝天耳有崇敬上天的意思。中國的皇帝又叫做「天子」。天子必須敬天愛民，因此帝王往往將它擺設在議政廳。此爐以上好的材料鑄成，質地細膩，手感厚實。栗色的漆皮在深沉中泛出溫潤的光澤。爐口圓整，口上豎起一對朝天耳。束頸圓腹，爐下有三乳足。內壁顏色較暗，疑似煙熏所致。腹下有方形的楷書落款，署「大明宣德年製」，是清代的摹古佳器。

9052 A BRONZE CENSER WITH BAMBOO EARS

This bronze censer features a circular mouth and a converged neck.

Qing Dynasty D: 18.5 cm W: 1224 g

The bulging abdominal gradually slims downwards. The bottom

HK$ 95,000-120,000 NT$ 373,000-471,000 US$ 12,200-15,500

which forms a nice parallel arc with the rim of the mouth. It cleverly

stool leans outwards. There is a raised line of string between the shoulders and abdominal. There is also a circle line on the bottom exerts the power of decoration, giving the object a graceful contour. There is a set of bamboo ears situated on both sides of the bronze censer. The bamboos are decorated with gold rings, adding a hint

清銅竹節耳弦紋爐

of elegance in the midst of simplicity. There is a block of "Made in the Xuande Period" inscribed on the bottom. The seat is hollowed out and carved with auspicious clouds. The deep color of the bronze censer manifests a quiet and solemn atmosphere. It is indeed an extraordinary piece of art. 爐口圓整，敞開，頸部收束。腹部鼓出，逐漸向下收斂。足圈外撇。肩、腹間有凸起的弦紋環繞。足底也有一圈弦紋與口沿形成三道漂亮的平行圓弧，巧妙的發揮了裝飾作用，使得器物呈現優雅的輪廓。爐具的兩側鑄了一對環形的竹節耳。竹節間飾有金環，在素雅中增添華貴。足圈內署有「宣德年製」四字篆文。底座鏤空，雕上如意雲紋。器表的顏色深沉，顯現一種靜謐莊嚴的氣息，實屬上乘之作。

106

9053 A BRONZE CENSER WITH TWO HANDLES

Featuring a thick and heavy texture, this bronze censer is made

Qing Dynasty D: 12 cm W: 1157 g

from pure copper. It features a round mouth, concave neck, and

HK$ 90,000-110,000 NT$ 353,000-431,000 US$ 11,600-14,200

of words inscribed on the bottom. There are two handles situated

round bottom. The slightly bulging abdominal gradually slims downwards. The lines are smooth and graceful. There is a block respectively on both sides. A “halberd” is a weapon used in ancient times. Bronze censer with halberd ears were gifts that emperors of the Ming Dynasty gave to the Ministry of War and the birthplaces

清銅戟耳臥足爐

of its ministers, alluding to the sense of national defense. This work features a deep gloss with no patterns. The simplicity of this incense burner is in line with the focus of the Qing Dynasty - pure and not flashy. The halberd ears highlight even more the solemn and extraordinary momentum. 這件銅爐以精純的黃銅打造，沉重而厚實。圓口，束頸，圈足。腹部微微鼓出，向足底緩緩收斂。線條柔美。爐底有方形的篆文落款。腹部兩側伸出一對形似戰戟的把手。「戟」是古代的一種兵器。戟耳爐是明代皇帝賜給兵部和刑部尚書所用的爐具，有執戟捍國的意義。器表的光澤深沉，素潔無紋，符合清代文人注重純樸，不尚浮華的風格。配上兩側線條靈動的戟耳，更顯得莊嚴肅穆，氣勢非凡。底署「山形卓起」四字款。

9054 A GOLDEN SNOWFLAKE BRONZE DRAGON EARS CENSER Qing Dynasty D: 10 cm W: 789 g

HK$ 50,000-80,000 NT$ 196,000-314,000 US$ 6,400-10,300 清銅雪花金蚰龍耳圈足爐

This bronze censer features a circular mouth, oval body, concave neck, bulging abdominal, and a circular stool that slightly leans outwards. There is a set of dragon ears situated on both sides of the bronze censer, symbolizing the body of a dragon. The bronze censer is covered with snowflake patterns, much like stars sparkling in the night sky. The rim and circular stool both have a dark brown color, contrasting heavily with the shiny gold of the bronze censer. There is a block of words inscribed on the bottom, “Made in the Xuande Period of the Ming Dynasty”. This is an imitation work made in the Qing Dynasty. The whole incense burner is in good condition, and only the inner wall has signs of oxidation due to incense. 這件圓口的銅爐，身型扁圓，頸部收束，下腹鼓出，圈足微微外撇。兩側伸出一對象徵龍身的蚰龍耳。器表上遍佈雪花金紋，像似滿天繁星，在夜空中閃爍。口沿與圈足上的暗沉褐色，以對比方式，凸顯出金屑的耀眼奪目。圈足內有方形的楷書落款，上署「大明宣德年製」六字楷書款。是清代的摹古作品。整件器物的外觀狀況良好，只有內壁有煙燻及氧化的跡象。

108

110

CHINESE WORKS OF ART (HONG KONG)

The following provisions are entered into by and between Ravenel Auction Hong Kong Limited, , as the auctioneer(hereinafter referred to as “the Company”) and the Seller (hereinafter referred to as the “Seller”). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter referred to as the “Buyer”). The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Buyer should pay special attention to Article 2, Section 5which provides limitations as to the legal responsibilities of the Company. Article 1.Definition Some of the phrases commonly seen herein are defined as follows: 1. “The Buyer” shall mean highest bidder accepted by the Company. 2. “The Prospective Buyer” shall mean any potential bidder willing to attend the auction sale hosted by the Company. 3. “The Seller” shall mean the mandator who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company. 4. “The Lot” shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue. 5. “Hammer price” shall mean the highest bid with respect to one particular auction item accepted by the auctioning party. 6. “The Buyer’s Premium paid by the Buyer” shall mean the fee based on a certain percentage of the Hammer price paid by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a. 7. “The Reserve Price” shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price. 8. “Counterfeit” shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints). 9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company). Article 2.The Buyer 1. The Company as the Agent The Company, as the auctioning party, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer. 2.Prior to the Auction a. Authentication We strongly recommend that the prospective buyers conduct their own authentication for the items they are interested in bidding prior to the auction. We provide no guarantees to the buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot’s certificates (with the exception of the guarantee with regard to counterfeits as defined in Article 1 of the Transaction Agreement). b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The Company does not guarantee that the Lots on auction are in good working condition and the descriptions in the catalogue must not be construed as implying such. The description of the auction items also do not imply that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally, or that there will be any free repair or replacement of parts. We strongly recommend the Prospective Buyers to personally view the items for which they plan to bid before the auction itself. If a Prospective Buyer is unable to view an item for whatever reason, then in our role as a service provider, we would be more than happy to offer our opinion of an item’s special characteristics and current condition. However, the Company is not a professional restorer of the Lots; therefore, any description in the catalogue or any statement provided by the Company is purely the Company’s subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in “as is” condition.The Company does not provide any representation or guarantee as to the conditions of any of the items. Unless otherwise stated in laws of Hong Kong, the Company does not provide any warranty with the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue. Premium Lot In order to bid on “Premium Lots” the Buyer must complete the required pre-registration application and deliver to The Company such necessary financial references, guarantees, deposits and / or such other security as The Company’s may in its absolute discretion require for your bid. The Companydecision whether to accept any pre-registration application shall be final. We recommend you complete and return the Lot pre-registration form in this catalogue in the manner required therein or contact the Company at least 5 working days prior to the relevant sale in order to process the pre-registration. Please bear in mind that we are unable to obtain financial references over weekends or public holidays. The Company will provide a special paddle number for the register of “Premium Lot”. ○ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer’s Premium.

111

d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lots and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes. Many auction items fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her own judgment or estimation independently regarding the items. 3. In the Auction a. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. b. Registration Prior to the Bidding The Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. The Prospective Buyers should also note that the Company may be requested to conduct credit checks against Buyers. c. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. d.Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the forms attached to the explanations of the catalogue; provided, however, bid commission instructions are delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions. The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. e. Bid by Phone The Company will make proper effort to contact the bidder so he can participate in the auction by phone if the Prospective Buyer makes arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any Prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. f. Online Bids via LiveAuctioneers If the bidder cannot attend the auction, it may be possible to bid online via LiveAuctioneers for selected Lots to bear individual buyers’ responsibilities. This service is free and confidential. For information about registering to bid via LiveAuctioneers, please refer to ravenel.com. Bidders using the LiveAuctioneers service are subject to the additional terms and conditions for online bidding via LiveAuctioneers, which can be viewed at ravenel.com and be revised by the Company from time to time. g. Exchange Rate Conversion Board There will be an exchange rate conversion board operating at the auctions. The exchange rate is calculated at the exchange rate of the one-month future goods reported to the Company from the bank when starting business on the day of the auction. Nonetheless, the auction will still be conducted in HKdollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board. h. Recorded Images There is image projection in the auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. i. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items.If the auctioneer announcethe points for attention before the auction or the bidding, the Buyer shall pay attention for any announcement as its own responsibility. j. Successful Bids Under the sole discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement. The Buyer shall be responsible to the Seller for performing the obligations and responsibility of a Buyer. 4. Following the Auction a. The Buyer’s Premium of Each Lot Payable by the Buyer (1)The Buyer should pay the hammer price and, in addition, the Buyer’s Premium to the Company. For hammer price below HK$ 8,000,000 (inclusive), the Buyer’s Premium should be calculated at 20% of the hammer price. (2)For hammer price higher than HK$ 8,000,000, total amount of the Buyer’s Premium should be that the first HK$ 8,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12%. b. Taxes All the payments payable by the Buyer to the Company do not include any government tax any commodity or service taxes or any other value added taxes. The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon request. All payments due (including the hammer price,

Buyer’s Premium and any applicable taxes) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit. If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to The Company are made in any currency other than HK dollars, the Company will collect from the Buyer any foreign exchange expense incurred therefrom, including bank charges and foreign exchange Buyer’s Premiums. The exchange rate of the payments to the Company in any currency other than HK dollars should be the exchange rate reported by the Hong Kong and Shanghai Banking Corporation (HSBC) to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period. The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Packaging and Transportation The Buyer is requested to note that he should bear all the risks after expiration of the said 7 days period or from collection of such items(whichever is the earlier), without prejudice to the Company’s right. f. Referral of Packaging or Transportation Companies The shipping department of the Company may act as the agent of the Buyer to arrange for delivery. Although we can refer freight forwarders upon special request, the Company will not be held liable for any legal responsibilities in this regard.And the Buyer shall prepay the freight charges. g. Remedies for Non-Payment of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1)An interest at the annual rate of no higher than 10% plus the base interest rate of Hong Kong and Shanghai Banking Corporation (HSBC) will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and the commission) multiplied by the number of delayed days as fine for the default. The payment to be made by the Buyer mayoffset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company’s sole decision. (2)To exercise lien of any items owned by the Buyer and held by the Company for any purposeincluding but without limitations other transactions. The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his non-payment. The proceeds shall make up for the payment due. (3)If the Buyer owes the Company several payments as a result of different transactions, the payments will setoff any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments. (4)Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/ or to require a security deposit from the Buyer before accepting any future bids from him. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a)To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim. (b)Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions. (c)To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any cost incurred as a result of the non-payment by the Buyer. h. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. i. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer’s wishes to apply for an export permit does not affect the Buyer’s responsibility to make the payments in 7 days following the auction date; nor does it affect the Company’s right to impose interest on delayed payments. If the Buyer requests that the Company applies for the export permit on his behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes. If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom. 5. The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Buyer, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein. 6. Return of Payments for Counterfeits The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields; or b. The method used to prove that the Lot is a counterfeit is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer’s payment can only be refunded when the following terms are met: 1. The Buyer must notify the Company in writing within 10 days following the auction day that he considers the relevant auction item a counterfeit. The Buyer must return the Lot to the Company within the following 14 days after notice and the said notice and the condition of the item must be the same as on the auction day and without any damage. 2. Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim.

Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer can not claim interests. The interests of the warrantee cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer’s name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction.If the result of appraising and verifying whether the Lot is a counterfeit by the Company conflicts with the evidence provided by the Buyer, the Company’s said result shall prevail over the evidence provided by the Buyer. Article 3.The Seller 1. The Company as the Agent The Company acts as the agent of the Seller at a public auction. The Closing Agreement of the Lot is the agreement by and between the Buyer and the Seller, through the agency of the Company on behalf of the Seller. The Seller shall be responsible to the Buyer for performing the obligations and responsibility of a seller. 2. Expenses The Seller shall bear costs relating to the following: a. Packing of the Lot and shipping to the Company for the auction b. Any applicable shipping insurance c. The packaging and shipping if the item is delivered back to the Seller. Any applicable custom duties d. Insured under the Company art relic insurance policy (explained in detail later) indicate cohere (we point below) e. Any repairs made to the Lot as per prior agreement with the Seller f. Authentication made by independent professionals appointed by the Company which the Company believes to be necessary in preparing the catalogue explanations. g. Any independent professional opinions appointed by the Company which the Company deems proper h. The storage, loading and unloading and custody of the Lot after the auction (if applicable) i. The administration cost of the Company reaches the total amount of 10% of all the expenses and 10% of the damages incurred as a result of client services provided. j. Any marketing and promotional expenses 3. Insurance Coverage to be Arranged by the Company a. Unless otherwise agreed by the Company, the Lot will be automatically insured under the the Company art relic policy in the amount as deemed appropriate and estimated by the Company. However, the insured amount is not the amount the Company undertakes to be successfully reached during the auction. b. The Company will collect 1% of the hammer price from the Seller or 1% of the Reserve Price if the Lot is not successfully auctioned as the insurance fee. If the shipping is arranged by the Company, an additional amount will be collected by the Company from the Seller as the shipping insurance. Such amount varies depending on the individual condition of each auction item. The Company will refer a freight forwarder if necessary. However, in no event shall the Company be not responsible for any legal responsibilities and liabilities incurred therefrom. c. The Lot will remain insured up to 7 days after the auction date. If the Lot has not been sold, it will be at the Seller’s risk upon the expiry of 7 days. d. We are unable to accept responsibility for damage caused by woodworm or changes in atmospheric conditions, moisture, force majeure or unforeseeable conditions, or any reason not attributable to the Company. 4. Insurance Purchased by the Owner If the Seller instructs the Company specifically that it is unnecessary to purchase insurance for the Lot, the risks shall be borne entirely by the Seller until the Buyer makes all the paymentsand the Lot is delivered to the Buyer. The Seller must indemnify the Company, the employees and agents of the Company and the Buyer (if applicable) any claims in connection with the auction against the Company, the employees and agents of the Company and the Buyer, regardless of the cause of such claim, without any conditions. The Buyer must be responsible and also pay for the expenses incurred as a result of such claim if requested by the Company, the employees and agents of the Company and the Buyer, even if such expenses are made as a result of negligence by the Company, the employees and agents of the Company and the Buyer without proof of legal responsibility. The Seller must informby himself/herself the underwriter of the Seller the provision herein. 5. Commitments Made by the Seller with Respect to the Lot The standards for the Company to handle the Lots are provided hereunder. These standards also stipulate and limit the sale relationship between the Seller and Buyer. In the event such standards are incorrect in any aspect, the Company or the Buyer may bring legal actions against the Seller. The Company should base the purchase and handling of auction items on the following undertaking made by the Seller: a. The Seller is the only legal owner of the Lot and has the unlimited rights to assign his ownership to the Buyer which should not concern any third party right or claim (including but without limitations copyright claims, liens, mortgage). b. The Seller complies with all the laws in connection with the import and export of auction items and any other laws and has notified the Company in writing any failure to comply with such rules in the past. c. The Seller has notified the Company in writing of any major modifications in the Lot to the best of his knowledge and any concern the third party has raised with respect to the ownership of the Lot and the condition. In the event of any inaccuracy of the above a, b and c now or in the future, the Seller must guarantee, if requested, to identify fully the Company and/or the Buyer all the claims, legal fees, attorney fees or other costs and expenses arising herefrom, whether caused by the Lot or the auction proceeds. 6. Auction Arrangements a. The Company has absolute discretion over the description of the auction in the catalogue, display layouts, authentication opinions, location and method of the auction, who will be allowed to bid and the acceptance of the bid price, whether to seek professional opinion and whether to combine or separate the Lots. b. Any price estimates, whether verbal or written are strictly opinions and shall not serve as a guarantee of the final price for the Lot to be sold. c. The Seller cannot withdraw the sale of the Lot without obtaining the prior written consent from the Company. The Company reserves the right to withdraw, suspend, or terminate the sale and authorization of the Lots for the following reasons. These reasons include: 1. The Company is doubtful about the definition or authenticity of the Lot or the accuracy of the statement referred to in Articles 5a, b. or c; or 2. Any violations of the Transaction Agreement; or 3. The Company deems it inappropriate to include the Lot in the auction.

112

d. Withdrawal of Mandate or Authorization (1)The Seller may not withdraw, suspend or terminate his/her/its mandate for the Item(s) or the authorization to the Company under this Agreement without prior written consent of the Company. (2)In the case of such withdrawal, suspending or termination stated in paragraph A, the Seller shall pay the Company an amount equivalent to 40% of the Reserve Price as punitive damages in addition to the compensation for damages or economic loss to the Company. (3)In case of default or breach of this Agreement, the Company may cancel or terminate this Agreement anytime and the Seller shall also pay all costs and expenses incurred by the Company under this Agreement. 7. Auction Rules a. The Company will auction the item according to the Reserve Price. The Reserve Price may not be higher than the minimum of the estimates set in the catalogue except otherwise if the Reserve Price agreed is in a currency other than HK dollars and the ReservePrice is higher than the minimum of the estimates caused by the exchange rate fluctuation between the Reserve Price agreement day and the auction day. Under such circumstances, except where otherwise agreed by the Company, the ReservePrice shall be in HK dollars calculated by the exchange rate at the closing of the market the day immediately before the successful auction. b. If the bid price is lower than the ReservePrice, the Company is in no way to be held liable; however, the Company is entitled to auction the item at a price lower than the ReservePrice. If the Company so auctions the item, the Company is responsible to pay the Seller the difference between the closing price and the ReservePrice. c. The Seller may not increase the price with his own or other third parties’ name, nor participate in the bidding of his/her/its auction item(s)with his own or other third parties’ name, however, The Company is authorized to bid on behalf of the Seller at the price not higher than the Reserve Price. 8. After the Successful Auction a. Settlement Upon the successful auction, the Company will request the Buyer to make full payment no later than within 7 days following the auction date, including the compensation payable by the Buyer. Upon payment by the Buyer, unless the Company receives a notice claiming such auction item is a counterfeit (as defined in Article 2 of the Transaction Agreement) or other necessary conditions, the Company will remit to the Seller within 60 workdays following the successful auction day an amount equal to the closing price taking away all the expenses payable by the Seller. In the event the Buyer delays the payment, the Company will remit to the Seller within 7 workdays following the payment in full by the Buyer. Unless otherwise instructed by the Seller in writing, the Company will make its payment in HK dollars. If the Seller requests to pay in currencies other than HK dollars, the exchange rate should be according to what the Hong Kong and Shanghai Banking Corporation (HSBC) reports and the Company announces on the auction date. b. Closing of the Transaction and Handling Fee (1)The transaction is closed when the Buyer has paid the Company in full after the auction. (2)The handling fee is payable to the Company after the closing of the transaction. c. Non-payment by the Buyer If the Buyer fails to make all the payments due within 7 days following the auction day, the Company is entitled to negotiate special terms in connection with the payments, storage, and insurance on behalf of the Seller and act as deemed necessary by the Company to collect payments payable from the Buyer.Any and all damages, costs, expenses or fees incurred shall be borne by the Seller. However, the Company is not responsible for making payment to the Seller nor for bringing any legal actions on behalf of the Seller. The Company will discuss with the Seller to adopt appropriate actions to claim auction payments from the Buyer. d. Counterfeits If the Buyer convinces or make the Company doubt that the Lot is a counterfeit (as defined in Article 1 of the Transaction Agreement) or stolen good or involved in any illegality within ten (10) days after the Buyer settles all payments and collects the Lot from the Company, the Company will return the hammer price (The Company may deduct the reasonable expenses and fees incurred) received from the Buyer and the Lot will be returned to the Seller or forwarded to the Police for handling. The Seller shall not object to the Company’s decision and handling in accordance with this Lot and make any claim or allegation. The Company will notify the Seller of such matter and the Seller shall return to the Company without objection the entire payment received within three (3) days of such notification, and shall pay the Company fees and expenses, and any and all losses, damages or related expenses and fees. In case that the Seller’s failure of payment and compensation obligations, the Seller shall pay the interest for delay of the entire payment by the best saving rate of the Hong Kong and Shanghai Banking Corporation (HSBC)plus ten percent (10%) per annum. In addition, the Company may collect one percent (1%) of the total amount of the hammer price plus the Buyer’s Premium paid by the Buyer as the compensations for breach of contract. The Company may decide to offset the Seller’s payment payable to the Company from the Company’s or other subsidiaries’payments due to the Seller in other transactions. e. Items Not Successfully Auctioned (1)Any items not successfully auctioned, not included in the auction or withdrawn from the auction for any reason must be collected by the Seller within 35 days upon notification by the Company to the Seller that he must reclaim the Lot. (2)A storage fee of HK$300 per day per piece will be imposed on each item not collected after such 35 day period together with an additional charge for purchasing insurance coverage. The Seller may not reclaim such item until all the payments due are made. (3)Such items may be removed to a third party warehouse if not collected in 60 days after the notification of collection is issued. The expenses arising therefrom shall be borne by the Seller. (4)The Company may dispose of the Lot in the manner it deems appropriate if such item is not collected within 90 days following the auction date or the notice date (whichever is the earlier). Such disposal includes removing the item to a third party warehouse with the associated expenses borne by the Seller and to auction such items under terms deemed appropriate by the Company (including the terms of estimates and the ReservePrice). The Company will pay the Seller the auction proceeds after payments owed are offset. (5)The Company is authorized to act as the sole agent of the Seller within 2 months following the auction for any auction item withdrawn from the auction or not sold. The Company may auction in private the item based on net amount the Seller may receive (the amount after deducting all the expenses payable by the Seller) or sell such item in private at a lower price agreed upon by the Company and the Seller. The Company has the rights to offset all expenses payable by the Seller in advance. Under such circumstances, the Seller’s responsibilities and liabilities to the Company are the same as during an auction. 9. Photographs and Display The Seller agrees the Company have rights to make the photographs, illustration, recordings and other reproduced images of the Lot. The Company owns all rights to the photographs, illustration,recordings and other reproduced images of the Lot made by the Company. All the rights(including but without limitation the copyright) of such images shall belong to the Company and the company is entitled to use such images in any manner it deems appropriate,and the Seller has no objection.

113

10. Taxes a. According to the tax laws of Hong Kong, The Company shall submit to the competent revenue agency the name of the Sellerand other relevant documents supplied by the Seller. b. If the Seller is a Hong Kong resident (corporation or individual), according to the tax laws of Hong Kong, no withholding amount of the profit tax will be deducted. However, The Company shall reserve the rights to claim for the tax amount and other related expenses (including but not limited to interests, penalty) from the Seller if the representation made or document provided by the Seller is not true. c. Where the Seller is a foreigner, the Seller agrees that The Company may deduct an amount equivalent to 0.5% of the hammer price or the Reserve Price (if the Reserve Price is higher than hammer price) and submit the deducted amount as Profits tax to the competent revenue agency. The amount to be withheld by The Company shall be subject to change once the applicable tax rate is adjusted. Article 4.Terms Applicable to Both the Buyer and the Seller 1. Intellectual Property Rights Intellectual property rights (including but without limitations, the copyright or patent) of all the images, photographs and written material in connection with the Lot shall maintain and belong to the Company at any time. The Buyer or any person may not use such items without obtaining prior written consent from the Company. 2. Notices All the notices distributed according to the Transaction Agreement herein shall be made in writing. Any notice shall be deemed served to the recipient on the second day following delivery if sent by mail. If the recipient is abroad, the notice shall be deemed served on the fifth working day following delivery by mail. 3. Severability a. If any part of the Transaction Agreement is deemed invalid, illegal or unenforceable by any court, such part can be ignored and the rest of the Transaction Agreement continues to be valid and enforceable to the maximum extent permitted by the law. b. The conditions of the Buyer under Article 2 exclusively apply to the relationship between the Company and the Buyer, which the Seller shall not apply. And the conditions of the Seller under Article 3 exclusively apply to the relationship between the Company and the Seller, which the Buyer shall not apply. 4. This Agreement is entered into the parties in English and Chinese. If there is any conflict with two versions, the Chinese version shall prevail. 5. This Agreement may be revised or modified by the Company from time to time, and the Prospective Buyer, the Buyer andthe Seller agree to obey the revision or modification. 6. Jurisdiction The Transaction Agreement is governed under the Hong Kong laws and the interpretation and effect of the Rules shall be subject to the laws of Hong Kong. The Buyer and Seller shall submit themselves to the exclusive jurisdiction of the Hong Kong courts for the interests of the Company.

香港古董業務規則

本業務規則，為羅芙奧香港拍賣有限公司 (「本公司」)作為拍賣公司與賣家訂立合約之條款，亦作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5項，其對本公司之法律責任作了限定。一. 本業務規則所用詞彙之定義在本業務規則中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1.「買家」：指本拍賣公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣之自然人或法人。 4.「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以任何編號描述之一項或多項物品。 5.「落槌價」：指本拍賣公司就某一拍賣品而接受之最高出價之價款。 6.「買家佣金」：指買家按拍賣落槌價之某一百分比而支付之費用；收費率如第二條第4a項所列。 7.「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之價格售出。 8.「贋品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義，任何拍賣品均不會因為有任何損壞及或任何形式之修整而成為膺品。 9.「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險之價值（不論保險是否由本公司安排購買）。二.買家 1. 本公司作為賣家之代理人作為拍賣公司，本公司以作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2.拍賣前 a. 鑑定物品本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之物品。除香港法例 (如商品說明條例)另有規定外，本公司不會就拍賣品及其證明文件之真偽對買家作任何保證。 b. 拍賣品狀況之重要注意事項請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述，皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疪與不完整。對任何拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議，準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知悉並瞭解所有拍賣品均以「現狀」售出。除香港法例(如商品說明條例)另有規定外，本公司對於任何拍出之拍賣品狀態不作任何承諾或保證。 c. 符號表示以下為目錄中所載符號之說明高估價拍賣品為對「高估價拍賣品」（）作出競投，買家必須填妥拍賣品預先登記表，並向本公司交付所需的財務狀況證明、擔保、存款證明及或本公司可絕對酌情要求買家為競投須作出的其他抵押。本公司對是否接受任何預先登記申請有最終決定權。本公司建議買家在有關拍賣日期至少五個工作日前聯絡本公司，以進行預先登記。請注意本公司不能在週末或公眾假期期間取得財政狀況證明。「高估價拍賣品」登記競投者，本公司將提供特殊的競投牌號參與競投。 ○ 保證項目拍賣品編號旁註有○ 符號者，表示賣家已取得本公司保證，可在一次或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家佣金。 d. 目錄說明本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、日期、年代、尺寸、材質、歸屬、真實性、產地、保存狀況或估計售價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬本公司主觀意見之陳述，不應依據為確實事實之陳述，亦不應視為本公司對於任何拍賣品之狀態所作之承諾或保證。目錄圖示亦僅作為參考而已，不應作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作其他用途之價值陳述。許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有些說明或鑑定意見書會提述拍賣品之損壞及或修整資料。此等資料僅作為參考而已，如未有提述此等資料，亦不表示拍賣品並無缺陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查明並了解，並就拍賣品為自己獨立之判斷及評估，確使自己感到滿意。 3.拍賣時 a. 拒絕入場拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣場地或參與拍賣而無須作出任何解釋。 b. 競投之前作出登記每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身分證明。準買家應注意，本公司通常會要求對買家作出信用核查。 c. 競投者為買家競投者將被視為買家而須承擔獨立之法律責任，除非登記時已經與本公司書面協定，競投者僅為第三人之代理人，且該第三人須為本公司所同意接受者。

d. 委託競投如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託作出競投，本公司將不負任何法律責任。準買家如希望確保競投成功，應親自出席競投。 e. 電話競投如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無法參加電話競投，本公司對賣家或任何準買家均不負任何責任。 f. 即時網上競投若準買家未能出席拍賣會，或可透過 LiveAuctioneers 網上競投服務於網上競投指定拍品，而承擔買方獨立責任。此項服務乃免費及保密。有關透過 LiveAuctioneers 網上競投服務登記，進行網上競投之詳情，請參閱本公司網頁 ravenel.com。使用 LiveAuctioneers 網上競投服務之準買家須接受透過 LiveAuctioneers 網上競投服務進行即時網上競投之附加條款（可參閱羅芙奧 ravenel.com），以及適用於該拍賣之業務規則所規範，本公司得隨時修改該業務規則。 g. 匯率轉換顯示板拍賣會中，本公司會使用匯率轉換顯示板，然而競投仍會以港幣進行。匯率轉換顯示板僅供參考，不論是顯示板所示之拍賣品編號或是港幣競投價之相等外匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依賴匯率轉換顯示板（而非因以港幣競投）所導致而蒙受之任何損失，本公司概不負責。 h. 錄映影像在拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是否與成功拍賣之拍賣品相配合，或是如翻版影像之質素，本公司對買家均不負任何責任。 i.拍賣官之決定權拍賣官具有絕對決定權，包括但不限於有權拒絕任何競投、以其決定之方式推動出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併拍賣，以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始前或於相關拍賣品競標前對應注意事項作出通告，買家須自行注意此等通告。 j. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受，視為賣家與買家之成功拍賣合約之訂立。買家即應對賣家負擔買受人之義務及責任。 4.拍賣後 a. 買家支付每件拍賣品之佣金費率 (1)買家除支付落槌價外，另須支付買家佣金予本公司，落槌價於港幣捌佰萬元以下者（含港幣捌佰萬元），以20％計算。 (2)落槌價於港幣捌佰萬元以上者，採分二級計價，其中港幣捌佰萬元以20％計算，超過港幣捌佰萬元之部份再以12％計算，加總計算佣金金額。 b. 稅項買家應付予本公司之所有款項均不包括任何國家或地區稅賦、貨物或服務稅或其他稅款。如有任何此等稅項適用，買家須負責按有關法律所規定之稅率及時間，自行繳付此稅款。 c. 付款成功拍賣後，買家須向本公司提供其姓名及永久地址。如遇要求，買方亦須提供付款銀行之詳情，包含但不限於付款帳號。買方應於拍賣日期後起算七天內悉數支付應付予本公司之款項（包含落槌價、佣金，以及任何適用之稅款及其他費用）。即使買家希望將拍賣品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。買家如未向本公司支付應付之全部款項，則不能取得拍賣品之所有權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之款項為港幣以外之貨幣，本公司將向買家收取所引致之任何外匯費用。這包括銀行收費與兌換貨幣之規費及匯差。以港幣以外之貨幣付款予本公司之匯率，依拍賣日現場由香港匯豐銀行公佈之匯率，並以本公司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣之拍賣品，直至所有應付予本公司之款項已悉數由買家支付為止。拍賣品在暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險，如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領取時起（以較早者為準），拍賣品之風險全由買家承擔。 e. 包裝及搬運本公司謹請買家注意，成功拍賣日後起算七天期滿後或自領取時起，拍賣品之風險全由買家承擔，但不得損及本公司之權益。 f. 介紹裝運及運輸公司本公司之貨運部門在買家要求下可為買家介紹運輸公司、安排付運及購買特定保險，但本公司在此方面不負任何法律責任。買家必須預先繳付運送費用。 g. 不付款之補救辦法如買家並未有在成功拍賣日後起算七天內付款，本公司即有權行使下述一項或多項權利或補救辦法： (1)在成功拍賣日後起算七天仍未付款，則按不超過香港匯豐銀行最優惠利率加10%之年利率收取整筆欠款之利息。此外本公司可同時按日收取依賣價（含佣金）1％計算之違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷本公司或其他附屬公司在任何其他交易中欠下買家之款項，買方絕無異議。 (2)對任何屬於買家所有而因任何目的（包含但不限於其他交易）而由本公司管有之物品行使留置權，並在給予買家有關其未付之欠繳之14天通知後，安排將該物品出售並將收益用以清償該未付之欠款。 (3)如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項用以清償就任何特定交易而欠下之任何款項，而不論買家是否指示用以清償該筆款項。 (4)在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投，或在接受其任何競投之前先收取買家一筆保證金。如買家未有在三十五天內付款，本公司除上述者外，另有權為下述一項或多項權利或補救辦法： (a)代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉數賠償為基準之法律程序之訴訟費及律師費等相關費用。 (b)取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售予買家之拍賣品之交易。 (c)安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連同因買家未有付款而引致之任何費用一併向買家索償。 h. 未有領取已購拍賣品如已購得之拍賣品未有被買家在成功拍賣日後起算七天內領取，則不論是否已付款，本公司將安排貯存事宜，費用由買家承擔。而買方在付清所引起之貯存、搬運、保險及任何其他費用，連同欠本公司之所有其他款項付清後，買家才可領取已購得之拍賣品。

114

i. 出口許可證除本公司另有書面同意外，買家希望申請出口許可證之事實，並不影響買家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲付款收取利息之權利。如買家要求本公司代為申請出口許可證，本公司有權向其收回與此項申請有關之付出款項及零碎開支連同任何有關之稅款。如買家不管需要有出口許可證之事實而作出付款，本公司並無責任退還買家因此而引致之任何利息或其他開支。 5. 本公司之法律責任本公司僅在第二條第6項所列之情況下，得將退還款項予買家。除此之外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之作者、來歷、日期、年代、尺寸、材質、歸屬、真實性、產地、保存狀況或估計售價之陳述，或任何拍賣品之任何缺陷，均不負有任何責任。賣家、本公司、本公司之僱員或代理人，不論明示或暗示，均無就任何拍賣品作出任何保證。 6. 贗品/贓物之退款如經本公司拍賣之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實為贗品或贓物，則交易將取消，已付之款項於交付賣方前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納之意見，或清楚表明有抵觸當時學者或專家普遍接納之意見，或 b. 證明拍賣品為贗品之方法，只是一種在目錄出版前仍未普遍獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退款： 1. 買家必須在付款領取拍賣品後的十日內以書面通知本公司，說明買家認為有關拍賣品乃贗品或贓物之詳細理由及證據，並通知後十四日內及將拍賣品送還本公司，而其狀況應維持與拍賣當日相同，不得有任何損壞；及 2. 送還拍賣品時，買家須出示證據，足以使本公司確信拍賣品乃贗品或贓物(本公司保有最終及不可異議的決定權)。在任何情況下，本公司均毋須向買家支付多於買家就有關拍賣品而支付予本公司之款項，而買家亦不能索取利息或任何賠償。本條款之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本發票之買家所有 (該買家名稱確係被記載於發票上)，該名買家並須自拍賣後一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證拍賣品是否屬於贗品之結果與買家出示證據相衝突者，應以本公司驗證結果為準。三.賣家 1. 本公司作為代理人本公司在公開拍賣會中，以作為賣家代理人身份行事。拍賣品成功拍賣後，即產生賣家通過本公司之代理與買家達成之合約，由賣家負責向買家履行出賣人義務及責任。 2. 開支賣家須負責與下述各項有關之費用： a. 將拍賣品包裝並運予本公司作拍賣。 b. 任何適用之運送保險。 c. 如拍賣品交回賣家其包裝與付運。若拍賣品由海外進口，付運費與進口適用之稅項。 d. 受保於本公司之精品保險單（下文另有解釋）。 e. 預先與賣家協定之對拍賣品作出之任何修整。 f. 本公司為擬定目錄說明指定需由外界專家作出之鑑定。 g. 本公司指定之任何外界專家意見。 h. 拍賣品拍賣前後之裝卸、貯存及保管等費用。 i. 本公司之行政費用，金額為因賣家而引致之一切費用及損害金額之10%。 j. 任何市場之推廣及廣告費用。 3. 由本公司安排保險事宜 a. 除非與本公司另有協定外，否則拍賣品將自動受保於本公司藝術品精品保險單，保險值為本公司自行評估當時認為適當者。然而保險金額並非本公司承諾拍賣品會成功拍賣之款額。 b. 本公司將向賣家收取拍賣落槌價之1%或若未拍賣成功時以拍賣品底價之1%，作為保險費。如由本公司安排運送，本公司將向賣家收取額外款項，作為運送保險費，款額視每宗拍賣品之特定情況而定。如有需要，本公司可建議/介紹承運人，但不論於何種情況下，本公司均不承擔任何有關此方面之運送法律責任。 c. 拍賣品在成功拍賣日後起算七天內保險仍然有效。如拍賣品未能成功拍賣，保險屆期以後風險全由賣家承擔。 d. 由蛀木蟲、空氣、水份情況轉變或其他不能預見或人力不可抗拒情況而對拍賣品造成之損壞，或其他非可歸責於本公司之事由所致之損壞，本公司不承擔任何法律責任。 4. 物主購買保險如賣家特別指示本公司毋須為拍賣品購買保險，風險全由賣家承擔，直至拍賣品交付予買家為止。賣家無條件同意須保障本公司、本公司之僱員與代理人，以及買家（如適用）免負因拍賣品而針對本公司、本公司之僱員與代理人，以及買家索償之賠償責任，而不論索償因何引起。賣家亦同意應本公司、本公司之僱員與代理人，以及買家所要求，負責償還因此種索償而引致之開支，縱使本公司、本公司之僱員與代理人，以及買家有疏忽之處，而未證明有任何法律責任而作出之付款，亦須償還。賣家須自行將本條條款揭露予賣家之承保人。 5. 賣家就拍賣品所作之承諾本項列出本公司處理拍賣品之基準，規範賣家與買家之間的買賣關係。如此基準在任何方面有不確實之處，本公司或買家可採取針對賣家之法律行動。本公司處理拍賣品及購買拍賣品，均以賣家所作之下述承諾及擔保為基準，賣家承諾及擔保如下： a. 賣家為拍賣品之唯一所有權人及/或合法持有人，具備將其所有權及相關所有權利(於無質押、無產權負擔及無涉及第三人權益或申索的情況下)轉讓予買家之無限制權利。 b. 賣家已遵守一切與拍賣品之進出口有關之法律或其他方面之規定，並已將過去任何第三人未能遵守此等規定之事以書面通知本公司。 c. 賣家已將其所知之有關拍賣品之任何重大修改以及第三人就拍賣品之所有權、狀況或歸屬所表示之任何關注以書面通知本公司。如上述a、b或c等三項擔保有任何不確實之處，賣家須應本公司及/或買家之要求，完全負責及彌償本公司及或買家一切因此而引起之損失索償、訴訟費、律師費、所有費用及開支，而不論是因拍賣品還是因拍賣收益而引起。

115

6.拍賣安排 a.本公司對目錄內拍賣品之描述與圖示方式、鑑定意見書、拍賣地點與方式、讓何人進場競投以及競投價之接受、是否應尋求專家意見，以及將物品合併或分開拍賣等均有完全之決定權。 b.任何估價，不論口頭或書面，均只屬意見，而非拍賣品最終可賣得的價錢之保證。 c.未得本公司事前書面同意，賣家不可撤回拍賣品之委託。但本公司保留隨時因後述原因而撤回、中止或終止拍賣品委託授權之權利。此等原因為： (1)本公司對拍賣品之界定或真實性或上述第5a、 b或c項所指之承諾之準確性有懷疑；或 (2)有任何違反本業務規則之情況；或 (3)本公司認定將拍賣品納入或繼續執行拍賣並不適當者。 d. 撤銷委託或授權條款 (1)非經本公司事前書面同意，賣家不得撤回、中止或終止對於標的作品之委託或授予本公司之權利。 (2)賣家依前項規定撤回、中止或終止拍賣品之委託或授與本公司之權利者，委託者除應對本公司負損害賠償或經濟上損失賠償責任外，尚須支付委託底價之40%作為懲罰性違約金付與本公司。 (3)如賣家有任何違約情事，本公司有權隨時終止委託事項，賣家須支付本公司所有之前為履行委託或授權工作所產生之費用及開支。 7. 拍賣守則 a. 本公司將會參照底價進行拍賣品之拍賣程序。底價不得高於拍賣目錄所印登載估價之下限，但如所同意之底價為港幣以外之貨幣，並因協定底價之日與成功拍賣之日上匯率波動而致底價高於估價下限，則不在此限。在此情況下，除本公司另行同意外，底價須為相等於以緊接成功拍賣前一個工作天之收市匯率計算之港幣款項。 b. 如競投價不能達到底價，本公司在任何情況均不負有任何責任，但本公司有權決定將拍賣品以低於底價拍賣。如本公司如此將拍賣品拍賣，本公司將有責任向賣家支付成交價與底價之差額。 c. 賣家不得以自己或第三人名義隨意哄抬競投價格，不得以自己或第三人名義參與競標拍賣品，亦不得聘請任何人代賣家參與競投，惟本公司有權代理賣家參與競投。 8.成功拍賣後 a. 結算成功拍賣後，本公司協助賣方要求買家最遲於成功拍賣日後7日內全數付款。在買家付款後，除非本公司收到通知謂拍賣品為膺品，否則，本公司會於成功拍賣日期後60個工作天，將一筆相等於成交價減去賣家應支付之所有費用之款額匯予賣家。如遇買家延遲付款，則本公司將在買家付款後7個工作天內匯款予賣家。如因任何理由而使本公司在買家付款前即已付款予賣家，則本公司即獲得拍賣品之完整之擁有權與所有權。但在本公司因拍賣品為膺品而被迫向買家收回拍賣品下，賣家方須將已收取之拍賣收益退還予本公司。除賣家另有書面指示外，本公司將以港幣付款。如賣家要求以港幣以外之貨幣付款，依拍賣現場由香港匯豐銀行公佈之匯率計算付款金額。 b.賣家支付每件拍賣品之手續費： (1)本公司之拍賣須至拍賣完成後買家實際付清所有款項予本公司時，視為交易完成。 (2)當交易完成，賣家須依約定支付本公司手續費。 c. 買家不付款如買家在成功拍賣日後起算7天內未支付應付之全部款項，本公司即有權代理賣家就付款、貯存與保險而協定特別條款，並有權代理賣家採取本公司認為適當的任何步驟以向買家收取其應付之款項，因而產生之相關費用及損害，概由賣家自行承擔。但本公司並未承擔任何付款責任，亦無義務代理賣家採取任何行動(包括但不限於法律行動)。但本公司將與賣家討論如何採取適當行動以向買家追討拍賣款額。 d. 膺品/贓物如買家於付款領取拍賣品後之十日內，使本公司相信或懷疑拍賣品為膺品或贓物或涉及任何不法情事者，本公司得自行決定無條件買家交付之拍賣落槌價(本公司得扣處因此所致之相關處理費用)予買家時，而拍賣品將由本公司退回賣家或送交警方處理，賣家不得異議或對本公司主張任何權利或請求，賣家並應於本公司通知後，於三日內無條件退還其所得之全數金額予本公司，賣家並應於十日內付清相關基本支出費用，及賠償本公司因此所致之所有損失、損害及相關費用等。逾期退還、給付者，賣家應另外支付按不超過香港匯豐銀行最優惠利率加10%之年利率收取整筆欠款之利息。此外本公司可同時按日收取依賣價（含佣金）1％計算之違約金。本公司亦得自行選擇將賣家未付之款項，用以抵銷本公司或其他附屬公司在任何其他交易中欠下賣家之款項，賣家絕無異議。 e. 未能成功拍賣之拍賣品 (1)任何拍賣品如未能成功拍賣，或不包括在拍賣之內，或因任何理由而撤回、中止或終止拍賣，則在本公司發出通知予賣家要求賣家領回拍賣品後之35天內，賣家必須領回拍賣品。 (2)任何此等拍賣品如在35天過期後仍未領回，本公司可向委託者徵收每天每件標的作品參佰港元 (HK$300)貯存費，並收取額外費用以購買保險。賣家須在付清所有未付費用後，方可領回拍賣品。 (3)此等拍賣品如在發出領回通知後之60天內仍未領回，則可被移往第三人之貨倉貯存，開支費用由賣家承擔。 (4)任何此等拍賣品如在拍賣日期後或上述通知日期後之90天內（以較早之日期為準）未被領回，則本公司可視乎是否合適而將該拍賣品處置。處置包括將拍賣品移往第三人之貨倉而開支費由賣家承擔，以及將該拍賣品按本公司認為適當之條款（包括有關估價與底價之條款）公開拍賣。本公司其後會將拍賣收益扣除所有欠款後支付予賣家。 (5)任何拍賣品如在拍賣中收回或未能成功拍賣，則本公司有權代理賣家在拍賣後的兩個月內作為賣家之獨家代理人，按賣家可收取之淨款額（即扣除賣家應付之一切費用後之款額），私下出售拍賣品。本公司得事前扣除所致之費用。在此情況下，賣家就該拍賣品而對本公司所負有之責任、義務及付款條件等，與拍賣品成功拍賣時一樣。 9. 圖片與圖示賣家同意本公司有權對拍賣品制作照片、圖示、錄像或其他形式的影像制品，此等照片、圖示、錄像及影像制品之著作權及其他一切權利均屬本公司所有，且本公司有權以任何本公司認為適合之方式使用之，賣家絕無異議。

10.稅制 a. 依香港稅法規定，拍賣品成交後委託者須提供報稅名單及相關資料，由本公司提報稅捐單位。 b. 如果賣家為香港公司或香港居民，根據香港稅法，本公司毋須向賣家代扣香港利得稅。如果本公司其後發現賣家之聲明及文件不實，本公司保留向賣家追討香港稅款及其他相關費用（如利息、罰款及律師費等）的權利。 c. 若委託者非香港本地人士，委託者並同意本公司直接代扣落槌價或底價(如底價高於落槌價)之0.5%，作為拍出後之利得稅，由本公司代為申報並繳交稅捐單位。由本公司扣除的款項將隨著當時的稅率而調整。四.買家與賣家均適用之條件 1. 智慧財產權與拍賣品有關之一切影像、圖示與書面材料之相關智慧財產權(包括但不限於著作權、專利等)，於任何時候均屬於本公司之財產及所有。未得本公司事先書面同意，賣家、買家或任何人均不得使用。 2. 通知 a. 根據本業務規則發出之通知，均須以書面發出。如採用郵遞發出，則在付郵寄出後第二個工作天，視為收件人已合法收受；如收件人在海外，則為付郵寄出後第五個工作天，視為收件人已合法收受。 b. 本公司根據本業務規則、委託授權書或買家所提供之聯絡資料對賣家或買家發出之通知，凡已依據委託授權書後附或買家所提供資料上所載的地址、電子郵件地址或傳真號碼統稱「聯絡方式」)以書面發出該通知者，均視為該通知已有效發出。若賣家或買家之聯絡方式有變更時，應立即以書面通知本公司。 3.可分割性 a. 如本業務規則有任何部份遭任何法院認定為無效、不合法或不可強制執行，則該部分可不予理會，而本業務規則之其他條款仍繼續有效及可強制執行。 b. 本業務規則第二條買家條款項下之各條款，專屬適用本公司與買家間法律關係，賣家不得主張適用。本業務規則第三條賣家條款項下之各條款，專屬適用於本公司與賣家間法律關係，買家不得主張適用。 4.本業務規則同時存在中文及英文版本，如二版本內容有所歧異，應以中文版條文為準。 5. 本業務規則得隨時由本公司修改，買方及賣方均同意遵守修改後之業務規則。 6. 法律及管轄權本業務規則受香港法律規範，本業務規則之解釋與效力均適用香港法律。賣家與買家須服從香港法院之排他性管轄權。

116

ABSENTEE BID FORM The absentee bid forms must be delivered to the Customer Service Department at least 24 hours before the auction begins. The bid forms may be faxed to: Hong Kong Tel: +852 2889 0859 Fax: +852 2889 0850 Taipei Tel: +886 2708 9868 Fax: +886 2708 8955 Bidder’s Details Name ID number Address

Auction Date Sale No. Location Address

RAVENEL AUTUMN AUCTION 2014 HONG KONG A SPECIAL SELECTION OF CHINESE CERAMICS AND BRONZE CENSERS Sunday, 23 NOV 2014, 3:00pm HC1404 Grand Hyatt Hong Kong (Grand Ballroom) 1 Harbour Road, Wanchai, Hong Kong

1. Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a security deposit are required. 2. In the event that the bidder chooses not to be present at the venue on the day of the auction, the bidder may place an absentee bid through means of a telephone, written or internet bid. A registration form must be completed and the security deposit transferred to Ravenel’s specified Bank account before the 18th Nov 2014 in order to obtain a paddle number for the purposes of placing a telephone/ written/internet bid(s).

Post code Tel Mobile Fax Email Signature (We must have your signature to execute this bid.)

It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder. I understand that Ravenel provides such bid services for the convenience of customers and Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received. I understand that if my bid is successful, I shall pay the final hammer price together with the Buyer’s Premium and any applicable sales tax. The Buyer’s Premium shall be calculated as 20% of the final hammer price (not applicable to wines). For detail please refer to Articles 4a, c and d of the Transaction Rules to the Buyer. (4a. The Buyer’s Premium of Each Lot Payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the Buyer’s Premium to the Company. For hammer price below HK$ 8,000,000 (inclusive), the Buyer’s Premium should be calculated at 20% of the hammer price. (2) For hammer price higher than HK$ 8,000,000, total amount of the Buyer’s Premium should be that the first HK$ 8,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12%.) The bid shall be subject to the Transaction Rules prescribed in the catalogue. Please note especially the limited guarantee and exclusive warrantees that may be provided for certain items.

PLEASE PRINT LEGIBLY Auction item number (in numerical order)

Title

Bid price (HK$) (excluding buyer’s premium)

Interested buyers should provide Ravenel with their current bank and/or other relevant material to ensure all bids will be accepted and the delivery of the auction item will not be delayed, and authorize us to verity the provided informations with the bank. Kindly provide this information for processing in advance of the auction date.

Bank Reference Approval Name of the bank Address of the bank

Name of the account Account number Contact of the bank Tel. No.

Ravenel Auction Hong Kong Limited Room 1307A, 13/F, 39 Healthy Street East, North Point, Hong Kong Tel: +852 2889 0859 Fax: +852 2889 0850 ravenel.com

117

委託競投表格委託競投表格須於拍賣24小時前送抵客戶服務部。競投表格可傳真至：香港電話：+852 2889 0859 傳真：+852 2889 0850 台北電話：+886 2708 9868 傳真：+886 2708 8955 投標者資料客戶編號（如有）姓名身份證號碼地址郵碼電話傳真簽名

拍賣名稱：羅芙奧香港 2014 秋季拍賣會麗色簡約 - 古瓷與宣爐珍品拍賣編號：HC1404 香港拍賣日期：2014 年 11 月 23 日（星期日）下午 3:00 香港君悅酒店 ( 宴會大禮堂 ) 香港灣仔港灣道 1 號

1. 有意參與競投的買家需事前辦理登記申請手續：請出示有效証件 ( 如：身份証明、護照…) 並填寫登記文件以及繳納保証金。 2. 競投者如不能出席拍賣會，可通過電話書面方式進行競投。登記申請手續以及保証金之繳納亦需在 2014 年 11 月 18 日以前完成匯款至本公司指定帳號。以取得電話書面競標牌號。

行動電話電郵

（本公司在取得閣下之簽名後方才接受競標）

茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。本人亦明白，羅芙奧為方便顧客而提供代為投標的服務，羅芙奧不因怠於投標而負任何責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以最先收到者優先辦理。本人知悉如投標成功，本人應付之購買價款為最後之落槌價加上買家佣金（連同該最後落槌價及買家佣金之營業稅）買家佣金依最後落槌價乘以佣金費率得之。詳見業務原則規定第 4 條 a,c,d 之規定。（4a. 買家支付每件拍品之買家佣金費率：（1）買家除支付落槌價外，另須支付買家佣金予本公司，落槌價於港幣捌佰萬元以下者（含捌佰萬元）以 20％計算；（2）落槌價於港幣捌佰萬元以上者，採分二級計價，其中港幣捌佰萬元以 20％計算，超過港幣捌佰萬元之部份以 12％計算；加總計算佣金金額。）本競投，本人同意並遵守本目錄所載所有業務規則（特別是有限保證、不負其他瑕疵擔保等規定）。

請用正楷填寫清楚拍賣品編號（按數字順序）

名

競投價（港元）（買家佣金不計在內）

稱

為確保所有投標均得以接受及拍賣品之送交不延誤，有意買家應向羅芙奧提供往來銀行或其他適當之參考資料，並予以授權羅芙奧得向銀行查證。該等資料應及時提供，以便在拍賣前著手處理。

銀行證明銀行名稱銀行地址羅芙奧香港拍賣有限公司香港北角健康東街39號13樓1307A室 Tel: +852 2889 0859 Fax: +852 2889 0850 ravenel.com

銀行帳戶名稱銀行帳號銀行聯絡者銀行電話

118

CHRONOLOGY 中國歷代年表

新石器時代商周秦漢三國晉南北朝隋唐五代遼宋北宋南宋西夏金元明洪武建文永樂洪熙宣德正統景泰天順成化弘治正德嘉靖隆慶萬曆泰昌天啟崇禎清順治康熙雍正乾隆嘉慶道光咸豐同治光緒宣統

10th - early 1st millennium BC NEOLITHIC 16th Century - C. 1050 BC SHANG DYNASTY C. 1050 - 221 BC ZHOU DYNASTY 221 - 206 BC QIN DYNASTY 206 BC - AD 220 HAN DYNASTY AD 220 - 265 THREE KINGDOMS AD 265 - 420 JIN DYNASTY AD 420 - 589 SOUTHERN AND NORTHERN DYNAST1ES AD 581 - 618 SUI DYNASTY AD 618 - 907 TANG DYNASTY AD 907 - 960 FIVE DYNASTIES AD 907 - 1125 LI AO DYNASTY AD 960 - 1279 SONG DYNASTY AD 960 - 1127 Northern Song AD 1127 - 1279 Southern Song AD 1038 - 1227 XIXIA DYNASTY AD 1115 - 1234 JIN DYNASTY AD 1279 - 1368 YUAN DYNASTY AD 1368 - 1644 MING DYNASTY AD 1368 - 1398 Hongwu AD 1399 - 1402 Jianwen AD 1403 - 1424 Yongle AD 1425 Hongxi AD 1426 - 1435 Xuande AD 1436 - 1449 Zhengtong AD 1450 - 1456 Jingtai AD 1457 - 1464 Tianshun AD 1465 - 1487 Chenghua AD 1488 - 1505 Hongzhi AD 1506 - 1521 Zhengde AD 1522 - 1566 Jiajing AD 1567 - 1572 Longqing AD 1573 - 1619 Wanli AD 1620 Taichang AD 1621 - 1627 Tianqi AD 1628 - 1644 Chongzhen AD 1644 - 1911 QING DYNASTY AD 1644 - 1661 Shunzhi AD 1662 - 1722 Kangxi AD 1723 - 1735 Yongzheng AD 1736 - 1795 Qianlong AD 1796 - 1820 Jiaqing AD 1821 - 1850 Daoguang AD 1851 - 1861 Xianfeng AD 1862 - 1874 Tongzhi AD 1875 - 1908 Guangxu AD 1909 - 1911 Xuan tong

119

120