SANYU: THE HABART COLLECTION
王鎮華 Arthur Wang 董事長 Chairman
郭倩如 Clara Kuo 副董事長 Vice Chairman
李雅欣 Wendy Lee
陳惠黛 Odile Chen
執行長 Chief Executive Officer
國際藝術部 總經理 Head of International Art Department Chief Specialist
陳昱良 Iris Chen 國際藝術部 初級專家 Junior Specialist, International Art Department
陳怡潔 Josephine Chen 藝術部 行政助理 Executive Assistant, Art Department
李政希 Xiu Lee 上海商務代表 Representative, Shanghai
RAVENEL SPRING AUCTION 2019
SELECT: MODERN & CONTEMPORARY ART Sanyu: The Habart Collection
羅芙奧 2019 春季拍賣會 薈萃：國際現代與當代藝術 阿拔赫家族常玉收藏專拍
AUCTION
拍賣日期 / 地點
Saturday, June 1, 2019, 2:00 pm Marriott Taipei 3F (Grand Space) No. 199, Lequn 2nd Road, Zhong Shan District, Taipei
2019年6月1日（六） 下午 2:00 萬豪酒店三樓（博覽廳） 台北市中山區樂群二路199號
PREVIEWS
預展日期 / 地點
Taichung
台中 2019年5月11日（六） 下午1:00至下午6:00 2019年5月12日（日） 上午11:00至下午6:00 豐藝館 台中市西區五權西路一段110號B1
Kaohsiung
高雄 2019年5月18日（六）至5月19日（日） 上午11:00至下午6:00 琢璞藝術中心 高雄市前金區五福三路63號8樓
Saturday, May 11, 2019, 1:00 pm - 6:00 pm Sunday, May 12, 2019, 11:00 am - 6:00 pm Fong-Yi Art Gallery B1, No. 110, Sec. 1, Wuquan W. Rd., West Dist., Taichung, Taiwan
Saturday, May 18 - Sunday, May 19, 2019, 11:00 am - 6:00 pm J. P. Art Center 8F, No. 63, Wu Fu 3rd Road, Qianjin District, Kaohsiung, Taiwan Hong Kong Sunday, May 26, 2019, 10:00 am - 7:00 pm Grand Hyatt Hong Kong 11F (The Poolhouse) No. 1, Harbour Road, Wanchai, Hong Kong
Taipei
Thursday, May 30 - Saturday, June 1, 2019 10:00 am - 7:00 pm Marriott Taipei 3F (Grand Space) No. 199, Lequn 2nd Road, Zhong Shan District, Taipei
香港 2019年5月26日（日） 上午10:00至下午7:00 香港君悅酒店11樓（The Poolhouse） 香港灣仔港灣道1號 台北 2019年5月30日（四）至6月1日（六） 上午10:00至下午7:00 萬豪酒店三樓（博覽廳） 台北市中山區樂群二路199號
As requested by the Buyer, we are delighted to offer the condition reports of all the auction items, provided, however, such items will be sold “as is”. In addition, the Buyer is requested to take note of the transaction agreement and the explanations of the provisions regarding the notice of no-guarantee. This auction catalogue: NT$ 800 per copy.
RAVENEL STAFF AND SERVICES FOR THIS SALE
ART CONSULTANTS INTERNATIONAL ART DEPARTMENT Head of International Art Department Odile Chen Tel: +886 2 2708 9868 ext. 889 Email: odilechen@ravenel.com
Junior Specialist Iris Chen Tel: +886 2 2708 9868 ext. 883 Email: irischen@ravenel.com
Remarks: If you are unable to attend the auction in person, you may tender the bid by phone or you may use the absentee bid forms attached at the back of the auction catalogue to tender your bid. It is also possible to bid online for selected lots. Please refer to ravenel.com for more information. In view of the limited phone line services at the auction, please inform us 24 hours prior to the auction for arrangements. Particularly for those of you who need foreign language assistance of the bidding.
Executive Assistant Josephine Chen Tel: +886 2 2708 9868 ext. 881 Email: josephinechen@ravenel.com
PHONE BIDS AND WRITTEN BIDS Taiwan, International Iris Chen Tel: +886 2 2708 9868 ext. 883 Email: irischen@ravenel.com
Hong Kong Connie Chau
Tel: +852 2889 0859 Email: conniechau@ravenel.com
Shanghai, Beijing Xiu Lee Tel: +86 21 6228 2883 Email: xiulee@ravenel.com
CATALOGUE SUBSCRIPTION Taiwan Josephine Chen Tel: +886 2 2708 9868 ext. 881 Email: josephinechen@ravenel.com
Shanghai, Beijing Xiu Lee Tel: +86 21 6228 2883 Email: xiulee@ravenel.com The catalogues are available for subscription. For details of subscription, please refer to the explanations of the catalogue or contact the above persons.
COLLECTION AND SHIPPING Taiwan, International Iris Chen Tel: +886 2 2708 9868 ext. 883 Email: irischen@ravenel.com
Remarks: All the items auctioned may be collected upon receipt of payments. The Buyers are requested to arrange for collection as soon as possible to facilitate warehouse inventory circulation and centralize management. We accept personal and corporate checks, however collection may be made only when such checks are honored. We apologize for no acceptance of traveler’s checks. Other items may be collected at the Ravenel Ltd. The business hours are 9:30 am to 6:30 pm, Monday to Friday. Our professional administration department may make recommendations of arrangement or the most appropriate transportation for you. Ravenel is glad to provide you with the condition report of any of the items at the auction, however, the buyers must note that all the items at the auction are sold “as is”. Please refer to the Transaction Agreement at the back of the catalogue. Please refer to the “Transaction Agreement to the Buyers”.
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羅芙奧2019春季拍賣會服務部門及連絡人
藝術品諮詢專家 國際藝術部 國際藝術部總經理 陳惠黛 電話：+886 2 2708 9868 轉 889 電子信箱：odilechen@ravenel.com
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初級專家
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目錄訂閱
行政助理
台灣
陳怡潔 電話：+886 2 2708 9868 轉 881 電子信箱：josephinechen@ravenel.com
陳怡潔 電話：+886 2 2708 9868 轉 881 電子信箱：josephinechen@ravenel.com
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魅力極簡之常玉─ 阿拔赫家族的半世紀珍藏 CHIC MINIMALISM SANYU’S DRAWINGS FROM MICHEL HABART COLLECTION
「薈萃：國際現代與當代藝術」專場，S e s s i o n I 推薦「阿拔赫家族常玉收藏專 拍」單元，呈獻21幅近半世紀珍藏的常玉素描作品。已故收藏家米謝•阿拔赫 （Michel Habart, 1911-1987）先生，曾任法國駐摩洛哥的農業工程師，退休後 以詩文寫作、翻譯及藝術鑑賞為樂。1970 年代初，一日他於巴黎圖歐Drouot拍賣公 司遇見一批綑裝的畫作，同行友人看出應 是出自中國畫家常玉之手。他如獲至寶， 爽快買下超過百幅的常玉紙上作品。他珍 視常玉的藝術，多年來曾幾度割愛與同 好，即使1987年過世之後多件作品仍由家 族珍藏，誠屬難得。 米謝•阿拔赫，與已故藝評家陳炎鋒 （Antoine Chen, 1949-2001）為忘年之 交，他們二人因常玉而結緣。陳炎鋒曾於 1982年在台北版畫家畫廊舉辦常玉首次在 台展覽，即是得自於阿拔赫的舊藏。陳炎
常玉 Sanyu 1895-1966
鋒極力推崇常玉的紙上作品，進而尋覓畫 家的足跡，考證與研究，並出版常玉的畫
集與傳記《巴黎的一曲相思》 （1982）以及《華裔美術選集─常玉》（1995） 著作。 陳炎鋒生前研究常玉生平與藝術貢獻良多，為飄零異鄉飛鴻雪地留泥爪。後繼有 衣淑凡女士接力，花費二十年完成常玉的出平史料考證，完成油畫、水彩與素 描、版畫作品全集的編年目錄（catalogue raisonné），並策畫常玉專題展覽，兩 人都是有口皆碑的常玉專家，見識過阿拔赫或其家族的收藏。 陳炎鋒從見到友人得自阿拔赫贈與的一幅常玉素描開始，展開他的探索之旅，對 於早期留法學人回憶錄中提及熱愛巴黎的中國畫家，他有著無比的憧憬，因此結 下不解之緣。在衣淑凡女士編輯的《常玉素描與水彩全集》一書中，詳細地描述 米謝•阿拔赫（衣淑凡女士於其出版中譯作「米謁爾•哈巴爾」）如何先發現常 玉，且結識陳炎鋒的點滴經過，摘錄於後。
另一個透過圖歐拍賣公司發掘常玉作品的收藏家是米謁爾•哈巴爾（1911-1987）。哈巴爾1930年代在法屬摩洛哥政府擔任農業工程師，退 休返回巴黎之後，展開了他作家、詩人以及譯者的生涯，並透過好友吉內特•席涅克（1913-1980，畫家保羅•席涅克的女兒），追尋他畢生 對藝術的熱情。他大部分的時間都待在法國國家圖圖書館或是鄰近的圖歐拍賣公司尋珍覓寶。 吉內特•席涅克的繼子亨利•卡山是《法國晚報》的記者，筆名亨利•克雷亞。他與常玉的好友兼畫迷亞爾拔•達昂共事，進而得知常玉。 1970年代早期，有一次哈巴爾和卡山在圖歐看到大批的常玉素描，卡山馬上認出這些作品，哈巴爾也毫不遲疑地買下一箱。哈巴爾的女兒朵 瑞絲回憶：「我還記得父親帶著他的寶貝回家時，臉上流露出的光芒……。簡約俐落的線條以及從這些二十年代女體流瀉而出的性感，看過的 人莫不議論紛紛。我們在中國書法和這些無數裸女中找到共同點。我父親從這些畫作中看到馬諦斯、馬約爾的雕塑，以及亨利•摩爾。常玉用 毛筆的溫潤筆觸創造了專屬的獨特。」 對常玉素描著迷不已的哈巴爾開始想盡辦法要更了解這個沒沒無名的藝術家，卡山便把他介紹給達昂。達昂在1981年寫了一封文情並茂的推 薦信給哈巴爾：「如果您見過29至30年代的素描……您可以體會常玉的藝術是隨著時光的前進而簡化……」達昂如是說。「我從來沒有看過 他正在作畫……就那麼一次看到他拿著筆……是為了向我示範中國人如何握筆，如此才能發揮更柔和的效果……」的確，常玉在1920至1930 年代間使用中國筆墨的創作，不但能展現律動與韌性，演繹出簡雅的中國美學，同時還融入當時風靡巴黎的當代極簡主義。 同年，旅居巴黎的陳炎鋒從友人處看到一幅常玉的素描，喚醒了他記憶中這個被遺忘的中國藝術家。這幅畫是友人的父親從米謁爾•哈巴爾處 取得的，陳炎鋒因此希望和哈巴爾見上一面。第一次碰面時，哈巴爾向陳炎鋒展示了上百幅在圖歐標得的素描與水彩，並分享了他從達昂口中 認識到的常玉。「此次，只略翻了百來張！」陳炎鋒在重新感受常玉作品後如此說：「但我心裡所受的震撼確是這百來張重量的千萬倍。」哈 巴爾和陳炎鋒的友誼自此展開，共同為拼湊常玉的生平及推廣他的藝術而努力。「他們兩個可以聊常玉聊上好幾個小時，」朵瑞絲說：「他們 試圖填滿常玉的生平，而且在日期的考證上總是意見相左，談話往往就在笑聲中結束。」 幾次討論後，哈巴爾同意陳炎鋒的提案，於1982年5月在台北版畫家畫廊舉辦了常玉在台的第一場展覽，名為《常玉，30年代的素描與水彩》。 儘管觀展人潮踴躍，但收藏的意願卻大不如陳炎鋒所預期。接著在1984年5月，哈巴爾和陳炎鋒在巴黎東方畫廊舉辦常玉紙上作品展。關於這個 活動並沒有太多記載，只知道每幅水彩售價二千五百法國法郎，有落款的素描一千五百，未落款素描一千，但卻幾乎沒有成交。 1
此次徵集的21幅阿拔赫家族藏品，已悉數收錄於衣淑凡女士 編著的《常玉素描全集》電子目錄中，且經衣女士確認所有 素描皆為常玉真跡無誤。 1921年，常玉自中國遠渡重洋至藝術之都，捨棄藝術學院學 習，1920-30年代進入大茅屋學院（Académie de la Grande Chaumière），以人體速寫起始，素描基本功開始探索，運 用其自幼擅長的中國水墨書寫、線條勾勒、寫意風格，結合 西方現代藝術的變形、抽象，炭筆暈染出雕塑量感，巴黎自 由浪漫的風氣，孕育出常玉個性的創新繪畫。
馬諦斯《粉紅裸女》美國巴爾的摩美術館收藏 Henri Matisse, Large Reclining Nude , 1935, oil on canvas, 66 x 92.7 cm, collection of the Baltimore Museum of Art
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陳炎鋒，《巴黎的一曲鄉思》，印刷出版社， 1982.02.28 出版 Antoine Chen, SAN YU, Une Chanson Nostalgique , Yin-Shua Publication, 28 Feburary, 1982.
荷蘭籍藝評家沃斯庫爾（Jan D. Voskuil）在1932年時曾寫道：「觀賞常玉的畫作而不受感動的人， 可說是毫無情趣。」常玉與生俱來的細膩觀察力，高貴淡雅的佈局，散發無人能及的魅力與氣質。東 方與西方文化的激盪，在他的筆下精確又美妙的和諧地化為一幅幅美麗篇章。 在阿拔赫的收藏中有多幅變形風格的抽象圖像，如 Lot 001的《抽象裸女》：常玉簡化裸女的頭部描 繪，不斷的簡化、簡化，減筆至近乎無形，在二十世紀初期可謂十足前衛，如 Lot 002《雙手報頭的 裸女》、L o t 004《站姿裸女》、L o t 010《側身裸女》。速寫素描的探索，後期也運用於其油畫創 作，傳達極簡的美感。 常玉早期曾受超現實主義、野獸派與巴黎畫派等多位現代名家的啟發，然而其特殊人體速寫造形， 可看出與幾位大師如亨利摩爾（Henry Moore）、馬諦斯（Henri Matisse）、藤田嗣治（Léonard Foujita）雷捷（Fernand Léger）、馬松（André Masson）互相觀摩。這些特色表現於手指如梳 齒狀、毛筆自動性技法、誇張比例、炭墨暈染肌理、瞇著單眼，如 Lot 005《摩登雙姝》、Lot 006 《戴珍珠項鍊的女士》、L o t 011《裸女坐姿》、L o t 017《穿著襯衫的女士》、L o t 019《站姿裸 女》、Lot 021《坐姿裸男》等。 素描裸女或人物往往即興又快速，靈感來時信手拈來，墨色線條一氣呵成畫就。在中西合併的過程 中，常玉為了找尋自我的風格，多方以素描練習，常見類似構圖的作品，但每一幅皆是獨立存在，各 具特色。也由於常玉一生創作多不為牟利或討好而作，許多素描上未必會有簽名，尤其是極簡化再極 簡化的水墨裸女。 極簡美學或許在二十世紀初期顯得過於前衛，常玉繪畫之美能突破時空的限制，即使今日看來依然十 足摩登。若非無比的才賦，能將「簡單」詮釋得既有氣勢又顯優雅。常玉一方面以水墨概括西方現代 美術造形，另一方面也以油彩鋪陳心中的水墨境界。無論布面油畫或是紙上作品，常玉都充滿自信、 完美地詮釋無邊的自由及其個性魅力，無疑是恆久經典、夢幻逸品。 註1：(摘錄自衣淑凡編著的《常玉素描與水彩全集》，財團法人立青文教基金會，台北，2014，頁4與頁6)
“Sanyu: The Harbart Collection” is recommended in Session
course of Chen’s life, he studied Sanyu’s life and made many
I of the sale SELECT Modern and Contemporary Art. This
contributions to art, leaving behind footprints while he was
collection features 21 precious drawings by Sanyu from
far away from home. His works were succeeded by Mrs.
nearly half a century ago. The late collector Mr. Michel
Rita Wong, who spent twenty years verifying historical data
Habart (1911-1987) was a French agricultural engineer in
about Sanyu’s life and completing the curation of Sanyu’s
Morocco. Upon retirement, he enjoyed spending his days
exhibitions. Both Chen and Wong are well-known Sanyu
composing poetry, conducting translation, and appreciating
experts who had either met Habart or directly viewed the
art. In the early 1970s, Mr. Habart came across a bundle
Habart family’s collection.
of paintings one day at the Drouot auction house in Paris. His friend recognized the paintings as the work of the Chinese artist, Sanyu. As if suddenly coming across a trove of treasure, Mr. Habart purchased more than a hundred pieces of Sanyu’s works on paper. While Mr. Habart cherished Sanyu’s art very much, he gave away some of the paintings to other enthusiasts over the years. Fortunately, many of the paintings still remain in the family’s collection even after Mr. Habart passed away in 1987.
Chen began his journey of exploration ever since he saw a piece of Sanyu’s sketch that Habart gave to his friend. When he read the memoirs written by early students in France, he admired those Chinese artists who passionately love d Paris. Th at w as h ow th e ir fate s became intertwined. Edited by Wong, the book titled Sanyu Catalogue Raisonné: Drawings and Watercolors contains a detailed description of how Michel
A cross-generational friendship had for med between
Habart (with a slightly different
Michel Habart and the late art critic Antoine Chen (1949-
Chinese translation in Rita
2001) when their paths crossed because of Sanyu. In 1982,
Wong’s edition) discovered
Antoine Chen held Sanyu’s first exhibition in Taiwan at the
Sanyu and came to know
Taipei Printmaker's Gallery. All of the works exhibited were
Chen, which is included
obtained from Habart’s collection. Chen highly praised
as an excerpt at the
Sanyu’s works on paper and used them to trace the artist’s
end.
path. In addition to examining and studying these works, Chen also published Sanyu’s albums of painting and biographies such as Une Chanson Nostalgique (1982) and Overseas Chinese
Fine Arts Series (I) San Yu (1995) . O v e r t h e
Ravenel 11
A n o t h e r p e r s o n w h o d i s c o v e re d S a n y u ’s d r a w i n g s a n d
a Chinese ink brush, adding “This will let you have the
watercolors at the Hotel Drouot was Michel Habart (1911-
most flexibility.” Indeed, Sanyu’s drawings of the 1920s and
1987), an agricultural engineer living and working in Morocco
1930s using Chinese ink and brush demonstrate a fluidity
in the 1930s as a member of the French colonial administration.
and suppleness that epitomized the Chinese aesthetic of
Upon his retirement, he returned to Paris and started his career
simplicity, while embracing the modernist minimalism that was
as a writer, poet, and translator and also pursued his lifelong
all the rage in Paris.
passion for art, counting among his close friendes Ginette Signac (1913-1980), daughter of the painter Paul Signac. He spent most of his time at the Bibliothèque nationale de France or the nearby Drouot auction house looking for treasures.
In the same year, Antoine Chen, a Chinese living in Paris, was shown a Sanyu drawing by a friend that sparked his memory of this forgotten Chinese artist. This particular drawing had been given to his friend’s father by Michel Habart, whom Chen
Habart discovered Sanyu’s drawings and watercolors on a
asked to meet. At their first meeting Habart showed Chen
visit to the Hotel Drouot with Ginette Signac’s stepson, Henri
the more than one hundred drawings and watercolors that
Cachin, in the early 1970s. Cachin, a journalist for France Soir
he had bought at Drouot and relayed what he had learned
who wrote under the pen name Henri Kréa, had learned of
about Sanyu from Dahan. “The jolt I felt was indescribable,”
Sanyu from his colleague Albert Dahan, who was a friend of
exclaimed Chen upon rediscovering Sanyu’s works, “ten
Sanyu’s and greatly admired his skill as an artist. When they saw
million times the weight of the hundreds of drawings!” Thus
the many Sanyu drawings for sale at the Hotel Drouot, Cachin
began a friendship dedicated to trying to reconstruct Sanyu’s
pointed them out to Habart, who readily bought one box.
life and promote his art. “These two could talk for hours about
Habart’s daughter, Doris, reminisces, “I remember the beaming
Sanyu,” recalls Doris, “they attempted to fill the gaps in the
face of my father when he came home with his treasure under
biography of the painter, and never agreed on the dates. It
his arm…. The simplicity of the line, and the moving sensuality
always ended in peals of laughter.”
that emanated from the 1920s women evoked comments from the people who saw them. We made parallels between Chinese calligraphy and these innumerable nudes. My father saw in these works inspiration from Matisse, Maillol sculptures and Henry Moore. With his calligrapher’s brush creating a tender line, Sanyu had indeed invented something unique.”
After some discussion, Habart agreed to Chen’s proposal to exhibit Sanyu’s drawings and watercolors in Taiwan. In May 1982 Chen organized the first exhibition of Sany’s works in Taiwan – "Sanyu, dessins et aquarelles des années 30"—at Printmaker’s Gallery in Taipei. Although the exhibition was well attended, few paintings sold; much to Chen’s disappointment,
Intrigued by Sanyu’s drawings, Habart began a quest to learn
few showed interest in collecting the works. Following the first
more about this unknown artist. Cachin introduced Habart to
collaboration, Habart and Chen held another exhibition of
Dahan, who wrote a long, emotional testimonial to Habart
Sanyu’s works on paper at the Orient Galerie in Paris in May
about Sanyu in 1981. “If you could see some of his drawings
1984. Not much is known of this event except that the works
of the 1929-1930, you could see that his talent foresaw the
were for sale: 2,500 French francs for the watercolors, 1,500
trend towards simplification of the modern era,” wrote Dahan.
for the signed drawings, and 1,000 for the unsigned drawings.
“I never saw him paint, but once he showed me how to hold
Few, if any, sold. 1
The 21 drawings of the Habart Family’s collection for this
Drawing nude or character sketches is often impromptu and
occasion are all recorded in the catalogue in Rita Wong’s
quick. When inspiration comes, charcoal lines can be drawn
edition of Sanyu: Index of drawings. Mrs. Wong has confirmed
in one go. During the process of integrating the east and
all of these drawings to be Sanyu’s authentic works.
west, Sanyu often practiced sketching to find his own style.
In 1921, Sanyu left China and travelled across the sea to arrive at the capital of art. Instead of studying at a more esteemed art school, Sanyu entered the Académie de la Grande Chaumière during the 1920s-1930s. Starting with human body sketches, Sanyu began to explore the basic skills of sketching. He applied the skills that he learned from childhood, such
He created many composition-like pieces, each of which existed independently with its unique characteristics. Since most of Sanyu’s works were not intended to make money or please other people, many of his sketches do not necessarily contain his signature on them. This is especially the case for the extremely simplified ink-wash sketches of nude women.
as the Chinese styled ink wash painting, outlining, freehand
Minimalist aesthetics might have appeared too avant-garde
drawing, and combined them with contemporary western
in the early twentieth century. Nevertheless, the beauty of
art in terms of transformation and abstraction. The use
Sanyu’s paintings has broken through the limitations of time
of charcoal created a sculpture-like feeling. The free and
and space as they still look very modern on this present day.
romantic atmosphere in Paris cultivated Sanyu’s personal and
It takes exceptional talent to interpret “simplicity” in such
innovative paintings.
a powerful and elegant way. Sanyu used ink wash to outline
As the Dutch art critic Jan D. Voskuil once wrote in 1932, “He who is not charmed by the work of Yu Sanyu is a real grouch.” Sanyu was born with the power of exquisite observation; his noble and elegant layout created a charming temperament that could not be paralleled. Sanyu’s pen strokes precisely and beautifully transformed the fusion of eastern and western cultures into beautiful paintings with ease. There are many abstract paintings with a transformative style in Habart’s collection. For example, in Lot 001 Abstract
shapes in western contemporary art on one hand, and applied oil paint to lay out the ink wash world in his mind on the other hand. Regardless of whether he drew on oil canvas or paper, Sanyu confidently and perfectly expressed infinite freedom as well as his charming personality through his paintings. His works are undoubtedly a timeless classic that everyone dreams to possess. 1 Rita Wong, Sanyu Catalogue Raisonné: Drawings and Watercolors , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, p. 7 & p. 9
Nude , Sanyu simplified the depiction of the nude woman’s head to the extent of being nearly indiscernible. This was an avant-garde approach in the early twentieth century. Other examples include Lot 002 Standing Nude with Hands
on Head , Lot 004 Standing Nude , and Lot 010 Nude . In exploration of quick sketching, Sanyu also applied this method to his oil paintings later on to deliver the aesthetics of minimalism. In his early days, Sanyu had been influenced and inspired by several famous modern artists in Surrealism, Fauvism, and the School of Paris. In exchange with masters such as Henry Moore, Henri Matisse, Léonard Foujita, Fernand Léger, and André Masson, Sanyu formed his unique way of sketching the human body. Some of their common characteristics include comb-like fingers, calligraphy automatism, exaggerated proportion, charcoal skin, and squinted eyes. Some examples include Lot 005 Two Ladies , Lot 006 Lady with Pearl Necklace , L o t 011 Sitting Nude , L o t 017 Lady in Blouse , L o t 019
Standing Nude , and Lot 021 Seated Male Nude .
米謝．阿拔赫（前中）、陳炎鋒（第二排）與友人在巴黎常玉素描與 水彩展，1984年5月。朵瑞絲．阿拔赫、立青基金會提供。 Michel Habart (front center) and Antoine Chen (second row) with friends at the exhibitions of Sanyu's drawings and watercolors in Paris, May 1984. Courtesy of Doris Habart & The Li-Ching Cultural and Educational Foundation.
Ravenel 13
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
001 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Abstract Nude 1920s - 1930s Ink on paper 41 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0345, p. 34 (E-Catalogue)
NT$ 480,000 - 700,000 HK$ 122,000 - 179,000 US$ 15,600 - 22,800 RMB 105,000 - 154,000
常玉 抽象裸女 1920 - 1930年代 水墨 紙本 41 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0345，頁34（電子圖錄）
Ravenel 15
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
002 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Standing Nude with Hands on Head 1920s - 1930s Ink on paper 44 x 26.5 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0504, p. 44 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 雙手抱頭的裸女 1920 - 1930年代 水墨 紙本 44 x 26.5 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0504，頁44（電子圖錄）
Ravenel 17
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
003 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Reclining Nude 1920s - 1930s Ink on paper 28 x 45 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0219, p. 23 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 臥姿裸女 1920 - 1930年代 水墨 紙本 28 x 45 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0219，頁23（電子圖錄）
Ravenel 19
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
004 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Standing Nude 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0524, p. 45 (E-Catalogue)
NT$ 500,000 - 750,000 HK$ 128,000 - 191,000 US$ 16,300 - 24,400 RMB 110,000 - 164,000
常玉 站姿裸女 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0524，頁45（電子圖錄）
Ravenel 21
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
005 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Two Ladies 1920s - 1930s Charcoal on paper 45 x 27 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D3089, p. 121 (E-Catalogue)
NT$ 550,000 - 850,000 HK$ 140,000 - 217,000 US$ 17,900 - 27,700 RMB 121,000 - 186,000
常玉 摩登雙姝 1920 - 1930年代 炭筆 紙本 45 x 27 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D3089，頁121（電子圖錄）
Ravenel 23
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
006 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Lady with Pearl Necklace 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2379, p. 108 (E-Catalogue)
NT$ 550,000 - 850,000 HK$ 140,000 - 217,000 US$ 17,900 - 27,700 RMB 121,000 - 186,000
常玉 戴珍珠項鍊的女士 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2379，頁108（電子圖錄）
Ravenel 25
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
007 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Lady with Pearl Necklace 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2341, p. 106 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 戴珍珠項鍊的女士 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2341，頁106（電子圖錄）
Ravenel 27
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
008 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Seated on Stool Sketching 1920s - 1930s Ink on paper 45.5 x 28.3 cm Signed lower right YU in Chinese and SANYU in French PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2403, p. 110 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 凳上的素描者 1920 - 1930年代 水墨 紙本 45.5 x 28.3 cm 簽名右下：玉SANYU 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2403，頁110（電子圖錄）
Ravenel 29
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
009 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Standing Nude 1920s - 1930s Ink on paper 30 x 20 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0564, p. 47 (E-Catalogue)
NT$ 440,000 - 650,000 HK$ 112,000 - 166,000 US$ 14,300 - 21,200 RMB 96,000 - 143,000
常玉 抬腿裸女 1920 - 1930年代 水墨 紙本 30 x 20 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》， 財團法人立青文教基金會，台北，2014， 彩色圖版，編號D0564，頁47（電子圖錄）
010 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Nude 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0407, p. 38 (E-Catalogue)
NT$ 550,000 - 850,000 HK$ 140,000 - 217,000 US$ 17,900 - 27,700 RMB 121,000 - 186,000
常玉 側身裸女 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》， 財團法人立青文教基金會，台北，2014， 彩色圖版，編號D0407，頁38（電子圖錄）
Ravenel 31
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
011 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Sitting Nude 1920s - 1930s Ink on paper 45 x 28 cm Signed lower right YU in Chinese and SANYU in French PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0084, p. 14 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 裸女坐姿 1920 - 1930年代 水墨 紙本 45 x 28 cm 簽名右下：玉SANYU 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0084，頁14（電子圖錄）
Ravenel 33
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
012 SANYU (CHANG YU)
常玉
(Chinese-French, 1895 - 1966)
坐姿裸女
Sitting Nude
1920 - 1930年代 水墨 紙本 28 x 45 cm
1920s - 1930s Ink on paper 28 x 45 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D0279, p. 28 (E-Catalogue)
NT$ 480,000 - 700,000 HK$ 122,000 - 179,000 US$ 15,600 - 22,800 RMB 105,000 - 154,000
來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D0279，頁28（電子圖錄）
013 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Seated Nude 1920s - 1930s Charcoal on paper 46 x 29 cm Signed lower right YU in Chinese and SANYU in French PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1351, p. 79 (E-Catalogue)
NT$ 480,000 - 700,000 HK$ 122,000 - 179,000 US$ 15,600 - 22,800 RMB 105,000 - 154,000
常玉 裸女坐姿 1920 - 1930年代 炭筆 紙本 46 x 29 cm 簽名右下：玉SANYU 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》， 財團法人立青文教基金會， 台北，2014， 彩色圖版，編號D1351，頁79（電子圖錄）
Ravenel 35
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
014 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Profile of A Lady 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2385, p. 109 (E-Catalogue)
NT$ 480,000 - 700,000 HK$ 122,000 - 179,000 US$ 15,600 - 22,800 RMB 105,000 - 154,000
常玉 女子側影 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2385，頁109（電子圖錄）
015 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Profile of a Lady 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D4093, p. 129 (E-Catalogue)
NT$ 500,000 - 750,000 HK$ 128,000 - 191,000 US$ 16,300 - 24,400 RMB 110,000 - 164,000
常玉 女子側影 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D4093，頁129（電子圖錄）
Ravenel 37
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
016 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Lady Reading 1920s - 1930s Ink on paper 28 x 23 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2211, p. 98 (E-Catalogue)
NT$ 440,000 - 650,000 HK$ 112,000 - 166,000 US$ 14,300 - 21,200 RMB 96,000 - 143,000
常玉 凝視的女子 1920 - 1930年代 水墨 紙本 28 x 23 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2211，頁98（電子圖錄）
Ravenel 39
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
017 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Lady in Blouse 1920s - 1930s Ink on paper 45 x 28 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2337, p. 106 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 穿著襯衫的女士 1920 - 1930年代 水墨 紙本 45 x 28 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2337，頁106（電子圖錄）
Ravenel 41
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
018 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Lady with Curly Hair Reading 1920s - 1930s Ink on paper 49 x 31 cm Signed center right YU in Chinese and SANYU in French PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D2071, p. 89 (E-Catalogue)
NT$ 650,000 - 950,000 HK$ 166,000 - 242,000 US$ 21,200 - 30,900 RMB 143,000 - 208,000
常玉 閱讀中的捲髮女子 1920 - 1930年代 水墨 紙本 49 x 31 cm 簽名右中：玉SANYU 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D2071，頁89（電子圖錄）
Ravenel 43
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
019 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Standing Nude 1920s - 1930s Charcoal on paper 49 x 30 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1234, p. 71 (E-Catalogue)
NT$ 480,000 - 700,000 HK$ 122,000 - 179,000 US$ 15,600 - 22,800 RMB 105,000 - 154,000
常玉 站姿裸女 1920 - 1930年代 炭筆 紙本 49 x 30 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D1234，頁71（電子圖錄）
Ravenel 45
SANYU: THE HABART COLLECTION 阿拔赫家族常玉收藏專拍
020 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Kneeling Nude 1920s - 1930s Charcoal on paper 53 x 35.5 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1064, p. 60 (E-Catalogue)
NT$ 460,000 - 650,000 HK$ 117,000 - 166,000 US$ 15,000 - 21,200 RMB 101,000 - 143,000
常玉 跪姿裸女 1920 - 1930年代 炭筆 紙本 53 x 35.5 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描全集》， 財團法人立青文教基金會，台北，2014，彩色圖版， 編號D1064，頁60（電子圖錄）
021 SANYU (CHANG YU)
(Chinese-French, 1895 - 1966)
Seated Male Nude 1920s - 1930s Charcoal on paper 27 x 21 cm PROVENANCE Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED Rita Wong, Sanyu Catalogue Raisonné: Drawings and Watercolors , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1056, p. 90 Rita Wong, Sanyu: Index of Drawings , The Li-Ching Cultural and Educational Foundation, Taipei, 2014, color illustrated, no. D1056, p. 59 (E-Catalogue)
NT$ 400,000 - 600,000 HK$ 102,000 - 153,000 US$ 13,000 - 19,500 RMB 88,000 - 132,000
常玉 坐姿裸男 1920 - 1930年代 炭筆 紙本 27 x 21 cm 來源 圖歐拍賣會，巴黎 米謝．阿拔赫家族收藏，法國 圖錄 衣淑凡，《常玉素描與水彩全集》， 財團法人立青文教基金會，台北，2014年， 彩色圖版，圖版編號D1056，頁90 衣淑凡，《常玉素描全集》，財團法人立青文教基金會， 台北，2014，彩色圖版，編號D1056，頁59（電子圖錄）
Ravenel 47
給予買家的重要通知 本拍賣會依據「羅芙奧股份有限公司業務規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.
有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納競投保 證金。
2.
競投保證金 : 新台幣陸拾萬元或貳萬美金。
3.
競投保證金需於 2019 年 5 月 29 日以前完成匯款至本公司指定帳號如下 : 銀行： 匯豐（台灣）商業銀行 - 台北分行 銀行代碼：0810016 戶名：羅芙奧股份有限公司 帳號：001-234830-031（新台幣）或 001-234830-061（美金） 地址：台北市基隆路一段 333 號 14 樓 匯款時請指示銀行本公司需實收競投保證金全額，銀行手續費請匯款人負擔。
4.
2019 年 5 月 29 日之後，若欲參與競投領取牌號者需於台北拍賣預展期間 (2019 年 5 月 30 日至 6 月 1 日 ) 以新台幣現鈔支付 ( 恕不接受除現金之外之其他繳納方式 )，收款將於 6 月 1 日中午 12 點截止。
5.
電話／書面／網路競投：競投者如不能出席拍賣會，可透過電話／書面／網路方式進行競投。登記申請手續以及競投保證 金之繳納亦需在 2019 年 5 月 29 日以前完成匯款至本公司指定帳號。
6.
如於 2019 年 5 月 29 日以前完成競投保證金匯款，請提供我方可證明已匯款的證明文件。確認收到競投保證金匯款後，我 們將與競投者聯繫並與之確認其競標牌號。
7.
拍賣當天已繳納競投保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以確認身份。
8.
競投保證金退還方式： (1) 有成交： (a) 競投保證金以「匯款」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 (b) 競投保證金以「現金」方式完成者， 扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣當日以現金退還給買家。 (c) 若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之款項（包含落槌價、服務費及其他費用）予本公司， 買家不得請求返還競投保證金。 (2) 未成交：若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。競投保證金以「匯款」方式完成者，本 公司將於拍賣日後十四個工作天內以匯款方式退還給買家。競投保證金以「現金」方式完成者，本公司將於拍 賣當日以現金退還給買家。
9.
若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價與佣金 ) 金額超過競投保證金金額時，買方得以下列方式結清帳款： (1) 現鈔：上限新台幣壹佰萬元。 (2) 信用卡與銀聯卡：刷卡上限為新台幣壹佰萬元。信用卡與銀聯卡持有人必需是買家本人，本公司不接受他人之信用卡。
10. 羅芙奧股份有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含競投保證金）保留全 部的決定權。
Ravenel 49
IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1.
Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a bidding deposit are required.
2.
Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.
3.
The bidding deposit must be transferred to Ravenel's specified Bank account prior to 29th May 2019, details as follow: Beneficiary's Bank: HSBC BANK (Taiwan) Limited. SWIFT Code: HSBCTWTP Beneficiary's Name: Ravenel Ltd. Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$) Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.
4.
After the 29th May 2019, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 30th May to 1st June 2019). Acceptance will cease on 1st June by noon (No other forms of payment will be accepted).
5.
Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified Bank account before the 29th May 2019.
6.
If the bidding deposit has been transferred prior to 29th May 2019, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her/its paddle number.
7.
If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.
8.
Return of the Security Deposit: (1) Completed Transaction: (a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. (b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's Premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit. (2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.
9.
Successful bidder must settle the payment (hammer price with buyer's premium) prior to receiving the lot(s) on site. If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment must not exceed NT$ 1,000,000. (2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.
10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.
委託競投表格 委託競投表格須於拍賣24小時前送抵國際藝術部。競投表格可傳真至： 國際藝術部 電話：+886-2-2708 9868 傳真：+886-2-2701 3306 投標者資料
拍 賣 名 稱：羅芙奧 2019 春季拍賣會 薈萃：國際現代與當代藝術 拍 賣 編 號：TA1901 拍 賣 日 期：2019 年 6 月 1 日（星期六） 下午 2:00 拍 賣 地 點：台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路 199 號
客戶編號 （如有） 姓名 身份證字號 地址 郵碼 電話 （住宅） （辦公室） 傳真
電郵
簽名 （注意：本公司在取得閣下之簽名後方才接受競標；閣下所填報之姓名及地 址資料，將會被列印在發票上，隨後將不能更改） 茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。 本人亦明白，羅芙奧為方便顧客而提供代為投標的服務，羅芙奧不因怠於投標而負任何責任。倘羅芙奧就同一項拍賣品收到相同競價之委託， 以最先收到者優先辦理。 本人知悉如投標成功，本人應付之購買價款為最後之落槌價加上服務費，服務費依最後落槌價乘以服務費率得之。詳見業務原則規定第二項第 4條之規定。（4a.買家支付每件拍品之服務費率：（1）買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下 者含參仟貳佰萬元以20％計算；（2）落槌價於新台幣參仟貳佰萬元以上者分為二級，其中新台幣參仟貳佰萬元以20％計算，超過新台幣參仟 貳佰萬元之部份以12％計算。） 本競投，本人同意並遵守本目錄所載所有業務規則（特別是有限保證、不負其他瑕疵擔保等規定）。
請用正楷填寫清楚 拍賣品編號 （按數字順序）
名
稱
競投價（新台幣） （服務費不計在內）
為確保所有投標均得以接受及拍賣品之送交不延誤，有意買家應向羅芙奧提供往來銀行或其他適當之參考資料，並予以授權羅芙奧得向銀行查 證。該等資料應及時提供，以便在拍賣前著手處理。
銀行證明 銀行名稱 銀行地址 銀行帳戶名稱 銀行帳號 銀行聯絡者 銀行電話
羅芙奧股份有限公司 台北市106敦化南路二段76號15樓之2 15F-2, No. 76, Sec. 2, Dunhua S. Rd., Taipei 10683, Taiwan Tel: +886 2 2708 9868 Fax: +886 2 2701 3306 ravenel.com ravenelart.com.cn
ABSENTEE BID FORM The absentee bid forms must be delivered to the International Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: International Art Department Tel: +886 2 2708 9868 Fax: +886 2 2701 3306
Auction Date Sale No. Location Address
RAVENEL SPRING AUCTION 2019 SELECT: Modern & Contemporary Art Saturday, June 1, 2019, 2:00 pm TA1901 Marriott Taipei 3F (Grand Space) No. 199 Lequn 2nd Road, Zhong Shan District, Taipei
Bidder’s Details Name ID number Address Post code Tel: (Daytime)
(Evening)
Fax
Signature (Notice: We must have your signature to execute this bid. Billing name and address should agree with your state or local sales tax exemption certificate. Invoice cannot be changed after they have be printed.) It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder. I understand that Ravenel provides such bid services for the convenience of customers and Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received. I understand that if my bid is successful, I shall pay the final hammer price together with the buyer's premium The buyer's premium shall be calculated as 20% of the final hammer price (not applicable to wines). For detail please refer to Article 2, section 4 of the Transaction Agreement to the Buyer. (4a. The service fee of each lot payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the service fee to the Company. For hammer price below NT$ 32,000,000 (inclusive), the buyer's premium should be calculated at 20% of the hammer price; (2) For hammer price higher than NT$ 32,000,000, the first NT$ 32,000,000 should be calculated at 20% and the rest of the amount should be 12%.) The bid shall be subject to the Transaction Agreement prescribed in the catalogue. Please note especially the limited guarantee and exclusive warranties that may be provided for certain items.
PLEASE PRINT LEGIBLY Auction item number (in numerical order)
Title
Bid price (NT$) (excluding service fee)
Interested buyers should provide Ravenel with their current bank and/or other relevant material to ensure all bids will be accepted and the delivery of the auction item will not be delayed, and authorize us to verity the provided informations with the bank. Kindly provide this information for processing in advance of the auction date.
Bank Reference Approval Name of the bank Address of the bank
Name of the account Account number Contact of the bank Tel. No.
Ravenel Ltd. 15F-2, No. 76, Sec. 2, Dunhua S. Rd., Taipei 10683, Taiwan Tel: +886 2 2708 9868 Fax: +886 2 2701 3306 ravenel.com ravenelart.com.cn
SELECT: MODERN & CONTEMPORARY ART SESSION I LOTS 001-021 SATURDAY, JUNE 1, 2019, 2:00 PM