薈萃國際:現代與當代藝術 SELECT: Modern & Contemporary Art

AUTUMN AUCTION 2021 TAIPEI

羅芙奧台北 2021 秋季拍賣會 薈萃國際：現代與當代藝術

RAVENEL AUTUMN AUCTION 2021 TAIPEI SELECT: Modern & Contemporary Art 拍賣日期

地點

2021年12月4日（六）下午 3:30 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳） 預展日期

地點

高雄 2021年11月13日（六）上午11:00至下午6:00 2021年11月14日（日）上午11:00至下午6:00 琢璞藝術中心 高雄市前金區五福三路63號8樓 台中 2021年11月20日（六）下午1:00至下午6:00 2021年11月21日（日）上午11:00至下午6:00 豐藝館 台中市西區五權西路一段110號B1 台北 2021年12月2日（四）- 4日（六）上午11:00至下午7:00 萬豪酒店｜台北市中山區樂群二路199號3樓（博覽廳）

AUCTION Saturday, December 4, 2021, 3:30pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei PREVIEWS Kaohsiung Saturday, November 13, 2021, 11:00am - 6:00pm Sunday, November 14, 2021, 11:00am - 6:00pm J. P. Art Center 8F, No. 63, Wufu 3rd Rd., Qianjin Dist., Kaohsiung, Taiwan Taichung Saturday, November 20, 2021, 1:00pm - 6:00pm Sunday, November 21, 2021, 11:00am - 6:00pm Fong-Yi Art Gallery B1, No. 110, Section 1, Wuquan W. Rd., West Dist., Taichung, Taiwan

拍賣目錄每本售價：NT$2,000 This auction catalogue: US$70 per copy

Taipei Thursday, December 2 - Saturday, December 4, 2021, 11:00am - 7:00pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan

7

王鎮華 Arthur Wang 董事長 Chairman

郭倩如 Clara Kuo 副董事長 Vice Chairman

陳惠黛 Odile Chen 國際藝術部 總經理 Head of International Art Department

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羅芙奧台北 2021 秋季拍賣會服務部門及連絡人 藝術品諮詢專家 國際藝術部 總經理

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11

目次 CONTENTS

7

羅芙奧秋季拍賣會

Sale Information 10

羅芙奧之服務

Ravenel Services 13

藝術家索引

Index 14

薈萃國際：現代與當代藝術

SELECT: Modern & Contemporary Art 161

給予買家的重要通知

Important Notice to Buyers 163

委託競投表格

Absentee Bid Form 165

業務規則

Transaction Agreement

藝術家索引 INDEX A

B

C

Takeru AMANO Roby Dwi ANTONO

天野タケル 羅比．安托諾

18, 19 75, 105

Eva ARMISÉN

艾娃．阿米森

12, 13

Guy BARDONE Katherine BERNHARDT

居．巴赫東 凱薩琳．伯恩哈特

51 91

Molly BROCKLEHURST

莫莉．布洛克赫斯特

84

Bernard BUFFET

貝爾納．畢費

36, 38

Jonathan CHAPLINE Robert COMBAS

喬納森．查普林 羅伯．貢巴斯

62 11, 39

Glendon CORDELL

格倫登．科德爾

99

DESIRE OBTAIN CHERISH Andy DIAZ

強納森．保羅 安迪．迪亞茲

57 94

Cannon DILL

卡農．迪爾

82

E

Ákos EZER

阿科斯．埃澤

80, 81

F

Sol FELPETO Thierry FEUZ

索兒．費佩托 西瑞．菲茲

59 56

Alixe FU

傅慶豊

41

Yasuhiro FUJIWARA

藤原康博

98

G

Timothy GATENBY

提姆西．蓋滕比

95

H

Ai HAIBARA Adam HANDLER

灰原愛 亞當．漢德勒

D

Camille HILAIRE

卡密．伊列魯

Yuichi HIRAKO

平子雄一

Jammie HOLMES

傑米．霍姆斯

Poren HUANG

黃柏仁

I

Kiriko IIDA

飯田桐子

J

JI Dachun JUNG Yeo Eun

季大純 鄭與恩

K

L

Tania MARMOLEJO Eddie MARTINEZ

塔妮亞．馬莫列霍 艾迪．馬丁內斯

85 63

Georges MATHIEU

喬治．馬修

37

Nat MEADE

奈特．米德

87

MICHEL-HENRY

米歇爾 昂利

49

Cristina de MIGUEL

克莉絲汀娜．德．米格爾

89

(Francesco Camillo Giorgino)

米洛

86

Atsuhiko MISAWA

三澤厚

Mr Doodle

塗鴉先生

Galina MUNROE

葛林娜．蒙羅

Tomoko NAGAI Chihiro NAGASHIMA

長井朋子 永島千裕

Reika NAKAYAMA

中山玲佳

44

Yoshitomo NARA

奈良美智

21, 22

Kitti NAROD

奇蒂．納羅德

97

NIKKI

Nikki

58

O

Kyle ORLANDO Sakae OZAWA

凱爾．奧蘭多 小澤沙加耶

92 47

P

Nathan PADDISON José PARLA

內森．帕迪森 荷西．帕拉

93 64

Nicolas PARTY

尼古拉斯．帕蒂

55

Pablo PICASSO

巴布羅．畢卡索

35

Edgar PLANS

艾德加．普連斯

104

R

Rhiannon R. SALISBURY Peter RIEZEBOS

麗安儂．索爾茲伯里 彼得．萊茲伯斯

S

André SARAIVA (aka Mr. A) Chiharu SHIOTA

安德列．薩拉華（A 先生） 塩田千春

M

Millo

N

15 78, 79 48 14 66, 67 50 7 30 100

Tetsutaro KAMATANI Ik-Joong KANG

鎌谷徹太郎 姜益中

52 74

Yuka KASHIHARA

柏原由佳

46

KAWS (Brian Donnelly)

布萊恩．唐納利

68-73

KEA (TSAI Mengda)

KEA（蔡孟達）

102

Kenz

Kenz

96

Tschang-Yeul KIM

金昌烈

34

Maiko KOBAYASHI

小林麻衣子

20

Jeff KOONS

傑夫．昆斯

54

Yayoi KUSAMA

草間彌生

LIANG Quan Adam LISTER

梁銓 雅當．里斯特

LY

LY

61, 103

83 1, 2, 10 17

88 65 101 6

Josh SMITH

喬許．史密斯

SNIPE1

SNIPE1

60

SupaKitch

市霸奇奇

16

Aya TAKANO T'ANG Haywen

高野綾 曾海文

Soju TAO

田尾創樹

Walasse TING

丁雄泉

40

Shinnosuke TOJO

東城信之介

53

WANG Jianwei

汪建偉

33

Grace WEAVER

格蕾絲．韋弗

90

X

XUE Song

薛松

32

Y

Mayuka YAMAMOTO

山本麻友香

43

Z

ZAO Wou-ki

趙無極

28

T

W

23-27 31 5

45 3, 4

76, 77

8, 42 29 9

13

001

TOMOKO NAGAI (Japanese, b. 1982)

Cider's Room 2015 Watercolor and collage on paper 35 x 29.5 cm Signed reverse Tomoko Nagai , titled Cider's Room in Japanese and dated 2015

長井朋子 蘇打汽水的房間 2015年 水彩 拼貼 紙本 35 x 29.5 cm 簽名題識畫背：サイダーの部屋 2015 Tomoko Nagai 來源

小山登美夫畫廊，東京

PROVENANCE

Tomio Koyama Gallery, Tokyo

NT$ 60,000 - 90,000 HK$ 17,000 - 25,000 US$ 2,200 - 3,200 RMB 14,000 - 21,000

長井朋子於 1982 年出生於日本愛知縣，並於 2006 年畢業 於愛知縣立藝術大學油畫系。在長井的作品中，多以森林 和家中的房間為背景，戲劇性地描繪了各種動物、兒童、 五顏六色的樹木和蘑菇。長井的每幅畫充滿了多種主題， 並擁有獨特的空間感，其中濃縮了虛構敘事世界的活力， 與層層圖像錯綜複雜地重疊在一起。

002

TOMOKO NAGAI (Japanese, b. 1982)

Star Girl

長井朋子 來自星星的女孩 2009年

2009 Watercolor, ink, pencil, color pencil, glitter, sticker on paper 64 x 44.2 cm Signed lower right Tomoko Nagai and dated 2009 Signed reverse Tomoko Nagai , titled Star Girl in Japanese and dated 2009

水彩 墨 鉛筆 色鉛筆 亮片 貼紙 紙本

PROVENANCE

Tomoko Nagai was born in Aichi Prefecture, Japan in 1982

Tomio Koyama Gallery, Tokyo

NT$ 80,000 - 120,000 HK$ 22,000 - 34,000 US$ 2,900 - 4,300 RMB 19,000 - 28,000

64 x 44.2 cm 簽名右下：2009 Tomoko Nagai 簽名題識畫背：Tomoko Nagai 星の国ガール 2009 來源

小山登美夫畫廊，東京

and graduated from the Department of Oil Painting, Aichi University of the Arts in 2006. In Nagai's artworks, various animals, children, colorful trees and mushrooms are depicted in a theatrical arrangement against the backdrop of forests and domestic rooms. Loaded with a multitude of motifs, each of Nagai's paintings embraces a unique sense of spatiality, wherein a dynamism that encapsulates the worlds of fictional narratives intricately overlaps with layers of images.

15

003

MR DOODLE (British, b. 1994)

Mad Scientist

塗鴉先生 瘋狂科學家 2018年

2018 Acrylic on canvas 35.8 x 25.3 cm

壓克力 畫布

PROVENANCE

琢璞藝術中心，高雄

JP Art Centre, Kaohsiung This lot is accompanied with a certificate of authenticity signed by the artist issued by JP Art Centre, Kaohsiung.

NT$ 280,000 - 400,000 HK$ 78,000 - 112,000 US$ 10,100 - 14,400 RMB 65,000 - 93,000

35.8 x 25.3 cm 來源

附琢璞藝術中心開立之作品保證書

004

MR DOODLE (British, b. 1994)

Untitled

塗鴉先生 無題 2018年

2018 Acrylic on paper 29.7 x 42 cm Signed lower right MR DOODLE!

壓克力 紙本

PROVENANCE

塗鴉先生專賣店

Mr Doodle Shop

29.7 x 42 cm 簽名右下：MR DOODLE! 來源

附韓國Sinit公司開立之原作保證書

This lot is accompanied with a certificate of authenticity issued by Sinit Co. Ltd..

NT$ 50,000 - 80,000 HK$ 14,000 - 22,000 US$ 1,800 - 2,900 RMB 12,000 - 19,000 17

005

ADAM LISTER

雅當 ． 里 斯 特

亞當．李斯特 2003 年畢業於紐約視覺藝術學院

WGM Shark Hoodies

WGM鯊魚連帽衫

繪畫學士學位。受美國雅達利和日本任天堂遊戲

2019年

(American, b. 1978)

2019 Watercolor on paper 20.3 x 40.6 cm Signed lower right A. LISTER and dated 19 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 70,000 - 110,000 HK$ 20,000 - 31,000 US$ 2,500 - 3,900 RMB 16,000 - 26,000

水彩 紙本 20.3 x 40.6 cm 簽名右下：A. LISTER 19 附藝術家簽名之原作保證書

機啟發，他運用 8 位元方形幾何，型塑獨特「低 畫素」風格，呼應了立體派的幾何結構，並刻意 避開使用對角線和曲線。李斯特擷取經典藝術名 作、大眾流行文化名人，並以自身的手法解構其 視覺形象。 Adam Lister received his B.F.A. in painting from The School of Visual Arts in New York in 2003. Inspired by the 8-bit graphics of Atari and Nintendo game consoles, Lister's unique style deliberately avoids all use of diagonal and curved lines and echoes the geometric structure of Cubism. Lister selects the recognizable artworks or popular cultures icons to deconstruct their images by his methods.

006

CHIHARU SHIOTA (Japanese, b. 1972)

7 Dresses

塩田千春

塩田千春師從行為藝術先驅瑪莉娜．阿布

七件洋裝

拉莫維奇，又進入柏林藝術大學，接受瑞

2014年

2014 Photogravure, ed. 11/20 56.5 x 40 cm (Image); 80 x 60 cm (Sheet) Initialed lower right CS. Numbered lower left 11/20

照相凹版版畫 版次11/20

PROVENANCE

來源

Galerie Templon, Paris Acquired from the above by the present owner

NT$ 100,000 - 150,000 HK$ 28,000 - 42,000 US$ 3,600 - 5,400 RMB 23,000 - 35,000

貝卡．霍恩的指導。此後，塩田以柏林為 據點，活躍於各大雙年展、美術館及畫廊。

56.5 x 40 cm（圖）;

Chiharu Shiota subsequently studied

80 x 60 cm（紙）

with the performance art pioneer Marina

簽名右下：CS.

Abramovic (1946-) at the Braunschweig

版次左下：11/20

University of Art from 1997 to 1998,

坦普隆畫廊，巴黎 現有收藏者得自上述來源

and then with Rebecca Horn (1944-) at Berlin University of the Arts. Since then, Shiota has been based in Berlin, actively showing her works at biennales and exhibitions at art museums and galleries.

19

007

KIRIKO IIDA

(Japanese, b. 1970)

Children of the Small Town 2012 Pencil, color pencil, charcoal, coffee on paper 53 x 21 cm Signed lower right Kiriko Iida PROVENANCE

Gallery IDF, Nagoya EXHIBITED

Surface Tension - Iida Kiriko Solo Exhibition , Soka Art, Taipei, October 27-November 25, 2012 This lot is accompanied with a certificate of authenticity issued by Gallery IDF, Nagoya.

NT$ 50,000 - 80,000 HK$ 14,000 - 22,000 US$ 1,800 - 2,900 RMB 12,000 - 19,000

飯田桐子 小鎮小孩 2012年 鉛筆 色鉛筆 炭筆 咖啡 紙 53 x 21 cm 簽名右下：Kiriko Iida 來源

IDF畫廊，名古屋 展覽

「表面張力－飯田桐子個展」，索卡藝術，台北， 2012年10月27日至11月25日 附IDF畫廊開立之作品保證書

008

AYA TAKANO (Japanese, b. 1976)

Hunting African Girls 2012 Watercolor and pencil on paper 15.7 x 23.7 cm Signed lower right Aya Takano and dated 2012

高野綾 非洲狩獵女孩 2012年 水彩 鉛筆 紙本 15.7 x 23.7 cm 簽名下方：2012 Aya Takano

NT$ 280,000 - 420,000 HK$ 78,000 - 117,000 US$ 10,100 - 15,100 RMB 65,000 - 98,000

21

009

SOJU TAO

(Japanese, b. 1977)

Crocodile; Tree Lady (a set of 2) 2007 Oil on canvas 15.8 x 22.7 cm; 16 x 23 cm Signed reverse stretch Soju Tao and dated 2007 (Crocodile) PROVENANCE

Gallery J. Chen, Taipei This lot is accompanied with two certificates of authenticity issued

by Gallery J. Chen.

NT$ 120,000 - 180,000 HK$ 34,000 - 50,000 US$ 4,300 - 6,500 RMB 28,000 - 42,000

田尾創樹

田尾創樹，1977 年出生於日本栃木縣，目

鱷魚；樹女士（兩件一組）

前居住於日本京都與東京。2002 年畢業於

2007年 油彩 畫布 15.8 x 22.7 cm；16 x 23 cm 簽名畫背框條： 2007 Soju Tao（鱷魚） 來源

J. Chen畫廊，台北 附J. Chen畫廊開立之原作保證書

倫敦雀兒喜美術與設計學院，並於 2003 年取得倫敦斯雷德美術學校美術碩士。田 尾創樹曾多次舉辦個展，如「Okame Pro 展」（2006，東京）、「Project N 30 田 尾創樹」（2007，東京）。 Born in 1977 in Tochigi, Japan. He now lives and works in Kyoto and Tokyo.

Soju Tao graduated from the Chelsea college of Art and Design, London, UK in 2002, and graduated from the Slade School of Fine Art, London, UK with a Master degree in 2003. His works have been shown in solo exhibitions "Okame Pro" (2006, Tokyo); "Project N30 Soju Tao" (2007, Tokyo).

010

TOMOKO NAGAI (Japanese, b. 1982)

When Dinosaurs Were Around 2007 Watercolor, colored pencil, pencil, ink, acrylic on paper 27 x 38 cm Signed reverse Tomoko Nagai , titled When Dinosaurs Were Around in Japanese and dated 2007 PROVENANCE

Tomio Koyama Gallery, Tokyo Gallery Tagboat, Tokyo

長井朋子 當恐龍在附近時 2007年 水彩 色鉛筆 鉛筆 墨 壓克力 紙本 27 x 38 cm 簽名題識畫背："恐竜のいたとき" Tomoko Nagai 2007 來源

小山登美夫畫廊，東京 Tagboat畫廊，東京 附原作保證書

This lot is accompanied with a certificate of authenticity.

NT$ 160,000 - 240,000 HK$ 45,000 - 67,000 US$ 5,700 - 8,600 RMB 37,000 - 56,000

23

011

ROBERT COMBAS (French, b. 1957)

Running Man 1989 Acrylic on canvas 20 x 20 cm Signed center right Combas and dated 89 PROVENANCE

Galerie Elegance, Taipei Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 110,000 - 170,000 HK$ 31,000 - 47,000 US$ 3,900 - 6,100 RMB 26,000 - 40,000 羅伯．貢巴斯 雄赳赳，氣昂昂 1989年 壓克力 畫布 20 x 20 cm 簽名右中：Combas 89 來源

愛力根畫廊，台北 現有收藏者得自上述來源 附愛力根畫廊開立之作品保證書

「我的作品來自於隨意塗鴉，而非美術學校所學。」以貢巴斯為首的法國 的「自由具象」或稱「新自由具象」（Nouvelle Figuration Libre），不 見強烈的政治傾向，純然盡情自由的繪畫。他們鍾情於歷史英雄人物、非 洲原生藝術，華麗阿拉伯式普普藝術、暴力情色題材等始終感到興味盎然。 "My work comes from scribbling rather than from what I learnt at art school". Headed by Combas, the French Figuration Libre or Nouvelle Figuration Libre, Combas and his fellow artists, strong political tendency was absent as they favored pure and free-style paintings.

They also loved rock and punk music, and had a strong interest in historical heroic figures, native African art, magnificent Arabic pop art, and themes with violence and eroticism.

25

012

EVA ARMISÉN (Spanish, b. 1969)

Un Dia de Campo (A Day in the Countryside) 2011 Oil on canvas 38 x 56 cm Signed lower right Armisén Titled upper left Un Dia de Campo PROVENANCE

Dado Art Gallery, Seoul

艾娃．阿米森 一日農村 2011年 油彩 畫布 38 x 56 cm 簽名右下：Armisén 題識左上：Un Dia de Campo 來源

Dado畫廊，首爾 展覽

EXHIBITED

台北國際藝術博覽會，台北， 展期2011年8月26日至8月29日

ArtTaipei Art Fair, Taipei, August 26-29, 2011

附Dado畫廊開立之作品保證書

This lot is accompanied with a certificate of authenticity issued by Dado Art Gallery, Seoul.

艾娃．阿米森於巴塞隆納大學取得美術學位。阿米森 專注於捕捉日常生活中不平凡的時刻，賦予其充滿活

NT$ 90,000 - 140,000 HK$ 25,000 - 39,000 US$ 3,200 - 5,000 RMB 21,000 - 33,000

力和樂觀的形貌，將我們帶入一個充滿情感的宜居世 界。其作品為西班牙的馬德里國家圖書館、馬約卡皮 拉爾米羅基金會美術館，和里斯本博物館所典藏。

013

EVA ARMISÉN (Spanish, b. 1969)

Relax

2012 Oil on canvas 46 x 61 cm Signed lower left Armisén Titled upper right Relax Signed reverse stretch Armisén and dated 2012

艾娃．阿米森 放輕鬆 2012年 油彩 畫布 46 x 61 cm 簽名左下：Armisén 題識右上：Relax 簽名畫背框條：Armisén 2012 來源

PROVENANCE

AndrewShire Gallery, Los Angeles EXHIBITED

Spoon Art Fair Hong Kong, Grand Hyatt Hong Kong, May 18-20, 2012 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 110,000 - 170,000 HK$ 31,000 - 47,000 US$ 3,900 - 6,100 RMB 26,000 - 40,000

安德魯郡畫廊，洛杉磯 展覽

Spoon藝術博覽會，君悅酒店，香港， 2012年5月18日至20日 附藝術家簽名之原作保證書 Eva Armisén got her degree in Fine Arts from the University of Barcelona. Her artworks focus on capturing daily life and everydayness as something extraordinary, proposing a vital and optimistic look that takes us to a livable world full of emotion. Her artworks have been selected by the National Library, Madrid, the Fundació Pilar i Joan Miró a Mallorca, the Museum of Lisbon and other public institutions.

27

014

YUICHI HIRAKO

平子雄一

Luminous Plant 3/Untitled (Castle)

2014年

(Japanese, b. 1982)

夜光植物 3

2014 Acrylic on canvas 46 x 46 cm Initialed reverse YH and dated 14

壓克力 畫布

PROVENANCE

克里斯托弗．埃格隆德畫廊，哥本哈根 現有收藏者得自上述來源

Galleri Christoffer Egelund, Copenhagen Acquired from the above by the present owner EXHIBITED

Yuichi Hirako: The Bark of Mind , Galleri Christoffer Egelund, Copenhagen, April 26-May 31, 2014

NT$ 150,000 - 220,000 HK$ 42,000 - 61,000 US$ 5,400 - 7,900 RMB 35,000 - 51,000

46 x 46 cm 簽名題識畫背：YH 14 來源

展覽

「平子雄ㄧ：心靈的樹皮」，克里斯托弗．埃格隆德畫廊， 哥本哈根，展期2014年4月26日至5月31日

015

AI HAIBARA

(Japanese, b. 1981)

She Decided to Pose as a Crane 2019 Wooden sculpture 24(L) x 18.5(W) x 55(H) cm Signed back of base Ai Haibara and dated 2019 PROVENANCE

Nihonbashi Takashimaya SC Art Gallery, Tokyo EXHIBITED

Ai Haibara Sculpture , Nihonbashi Takashimaya SC Art Gallery, Tokyo, October 30-November 5, 2019

NT$ 320,000 - 480,000 HK$ 89,000 - 134,000 US$ 11,500 - 17,200 RMB 75,000 - 112,000 灰原愛 她決定擺出鶴的姿態 2019年 木雕 24（長）x 18.5（寬）x 55（高）cm 簽名底座後方：2019 Ai Haibara 來源

日本橋高島屋美術畫廊，東京 展覽

「灰原愛彫刻展」，日本橋高島屋美術畫廊，東京， 展期2019年10月30日至11月5日

29

016

SUPAKITCH (French, b. 1978)

A Bathing Bird 2014 Acrylic on canvas 65.8 x 48 cm Signed lower right SupaKitch and 2014 This lot is accompanied with a certificate of authenticity issued

by Galerie Elegance, Taipei.

NT$ 180,000 - 280,000 HK$ 50,000 - 78,000 US$ 6,500 - 10,100 RMB 42,000 - 65,000 市霸奇奇 沐浴之鳥 2014年 壓克力 畫布 65.8 x 48 cm 簽名右下：SupaKitch 2014 附愛力根畫廊開立之作品保證書

市霸奇奇出生於巴黎，曾經在許多大都會進行創作，包括法國的巴黎和比亞里茨，以及美國的洛杉磯和紐約。他特別鍾情街頭 藝術、漫畫、塗鴉、刺青和嘻哈文化，在他的作品中，這些元素無所不在。1990 年代，他認識了同期的塗鴉藝術家 Hazy 和音 樂製作人 Eone，啟發他的靈感，開始在創作中納入各種繪畫、攝影、製圖技巧，在創作的同時探索音樂之美。市霸奇奇曾經與 Sixpack、Brendan Monroe、Wayne Horse、Koralie 等品牌合作，為他們的商店創作壁畫，足跡遍布歐洲各地，包括德國杜塞 道夫、哥本哈根、巴黎、聖塞巴斯提安和里斯本。市霸奇奇個人的首場重要畫展於 2007 年舉辦，並以他所謂的「無所不在」作 為畫展的原創概念。他的作品曾在世界各地的藝廊展出，包括巴黎、台北、邁阿密等地。 Guillaume Grando a.k.a. SupaKitch, a Parisian-born artist who has worked in many metropolitan cities including Paris, Biarritz, Los Angeles and New York. The artist has a great passion for street art, mangas, graffiti and tattoos and the hiphop culture, which elements that appear to be omnipresent in his works. In the 1990s, he met fellow graffiti artist Hazy and music producer Eone, who inspired him to explore works combining various techniques of painting, photography and graphics, integrate the theme of music into his creation. SupaKitch has collaborated with brands such as Sixpack, Brendan Monroe, Wayne Horse, Koralie where the artist painted murals in the brand's various shops across Europe, Dusseldorf, Copenhagen, Paris, San Sebastian and Lisbon. In 2007, SupaKitch had his first major solo show based upon an original concept he called Ubiquity. He has also been exhibiting worldwide in galleries in Paris, Taipei and Miami.

017

CHIHIRO NAGASHIMA (Japanese, b. 1983)

Waterpipes at Night 2007 Acrylic on paper mounted on wood panel 97.2 x 130.9 cm Signed reverse Chihiro Nagashima in Kanji, titled Waterpipes at Night in Japanese and dated 2007 PROVENANCE

Christie's, Asian Contemporary Art, Hong Kong, May 25, 2009, lot 1135 Acquired from the above by the present owner

NT$ 260,000 - 380,000 HK$ 73,000 - 106,000 US$ 9,300 - 13,600 RMB 61,000 - 89,000

永島 千 裕

永 島 千 裕 於 1983 年 出 生 於 日 本 靜 岡

夜之水道

縣，並於 2006 年畢業於京都嵯峨藝術

2007年 壓克力 紙本 裱於木板 97.2 x 130.9 cm 簽名題識畫背： 夜の水道 2007 永島千裕 來源

佳士得，「亞洲當代藝術」， 香港，2009年5月25日，編號1135 現有收藏者得自上述來源

大學油畫學系。其多以明亮的壓克力 顏料精細描繪，畫面中如圖騰，帶有 漫畫感的圖案，像是每天出現在社群 網路上大量的信息碎片，也像萬千神 靈的精神。 C h i h i ro N a g a s h i m a w a s b o r n i n Shizuoka Prefecture, Japan in 1983 and graduated from the Department of Oil Painting, Kyoto Saga University of Arts in 2006. She often uses bright acrylic to depict images exquisitely. These images are like totems and comics, they symbolize the large amount of infor mation fragments that appear on SNS every day; they also symbolize the spirits of thousands of gods.

31

018

TAKERU AMANO (Japanese, b. 1977)

Venus 2

天野タケル 維納斯 2 2021年

2021 Spray paint on paper 152 x 112 cm Signed lower right Takeru Amano and dated 21

噴漆 紙本

PROVENANCE

十方藝術空間，台北 私人收藏，亞洲

Galerie OVO, Taipei Private collection, Asia EXHIBITED

Venus in Midsummer , Galerie OVO, Taipei, August 4-28, 2021 This lot is accompanied with a certificate of authenticity issued by Galerie OVO, Taipei.

NT$ 380,000 - 550,000 HK$ 106,000 - 154,000 US$ 13,600 - 19,700 RMB 89,000 - 128,000

152 x 112 cm 簽名右下：Takeru Amano 21 來源

展覽

「仲夏的維納斯」，十方藝術空間，台北， 展期2021年8月4日至28日 附十方藝術空間開立之作品保證書

019

TAKERU AMANO (Japanese, b. 1977)

Venus Buttock II

天野タケル 維納斯 2016年

2016 Acrylic on linen 134 x 134 cm Signed reverse Takeru Amano and dated 2016

壓克力 麻布

EXHIBITED

「經典偶像Ⅱ」，Art Statements，香港， 展期2016年7月21日至9月30日

Icônes II , Art Statements, Hong Kong, July 21-September 30, 2016 ILLUSTRATED

134 x 134 cm 簽名畫背：Takeru Amano 2016 展覽

圖錄

《經典偶像》，澀谷蔦屋，東京，2020，彩色圖版

ICONS , Shibuya Tsutaya, Tokyo, 2020, color illustrated

NT$ 380,000 - 600,000 HK$ 106,000 - 168,000 US$ 13,600 - 21,500 RMB 89,000 - 140,000

33

020

MAIKO KOBAYASHI (Japanese, b. 1977)

Untitled (Contrast) 2019 Acrylic, color pencil on canvas 42 x 32 cm Signed reverse Maiko.K , titled Untitled (Contrast) and dated 2019 This lot is accompanied with a certificate of authenticity.

NT$ 480,000 - 750,000 HK$ 134,000 - 209,000 US$ 17,200 - 26,900 RMB 112,000 - 175,000

小林麻 衣 子

小林麻衣子於 1977 年出生於日本橫濱，2008

無題（對比）

年於英國諾桑比亞大學取得碩士學位。她筆下

2019年 壓克力 色鉛筆 畫布 42 x 32 cm 簽名題識畫背：Maiko.K 2019 Untitled (Contrast) 附原作保證書

創造的角色有著白皙的膚色和幽靈般的表情。 使用日常媒材，如報紙、食品袋、記事本，也 強化了這種脆弱的印象。藝術家透過圖像表達 一種不存於世界和無法勇敢表達的聲音，反映 出當代社會的現實面。 Maiko Kobayashi was born in Kanagawa, Japan. She got the Master's Degree from The Northumbria University, England in 2 0 0 8 . K o b a y a s h i re p re s e n t s i m a g i n a r y creatures with fair complexions and ghostly expressions. The impression of fragility is also reinforced by the use of daily objects, like newspaper pages, food bags or notepad sheets. Through the images, she expresses the voice of those who no longer dare to express themselves, nor exist in the world, reflecting the reality of modern society.

021

YOSHITOMO NARA (Japanese, b. 1959)

Broken Treasures 2012 Woodcut print, ed. 7/50 42 x 30 cm Signed lower edge Na in Japanese, dated 2012 and numbered 7/50 PROVENANCE

Akira Ikeda Gallery, Tokyo Acquired from the above by the present owner

奈良美智 破碎的寶物 2012年 木刻版畫 版次7/50 42 x 30 cm 簽名下方：7/50 2012 な 來源

池田畫廊，東京 現有收藏者得自上述來源

NT$ 650,000 - 950,000 HK$ 182,000 - 265,000 US$ 23,300 - 34,100 RMB 152,000 - 221,000

35

022

YOSHITOMO NARA (Japanese, b. 1959)

Guitar Girl

2003 Lithograph, ed. 1/75 Publisher: KIDO Press, Inc., Tokyo 50 x 40 cm (Image); 66 x 50.5 cm (Sheet) Signed lower edge Na in Japanese, dated 2003 and numbered 1/75 PROVENANCE

Tomio Koyama Gallery, Tokyo Christie's, "Neon Dreams: Editioned Works

by Kusama, Murakami and Nara", New York, September17-October 1, 2013, lot 45

奈良美智 吉他女孩 2003年 石版印刷 版次1/75 出版者：東京KIDO Press, Inc. 50 x 40 cm（圖）；66 x 50.5 cm（紙） 簽名下方：1/75 な 2003 來源

小山登美夫畫廊，東京 佳士得，「霓虹之夢：草間彌生、村上隆和奈良美智 版畫」專場，紐約，2013年9月17日至10月1日，編號45 圖錄

《奈良美智作品全集1》，編年出版社，舊金山，2011， 彩色圖版，編號E-2003-004，頁312

ILLUSTRATED

Yoshitomo Nara: The Complete Works 1 , Chronicle Books LLC, San Francisco, 2011, color illustrated, no. E-2003-004, p. 312

NT$ 1,100,000 - 1,700,000 HK$ 307,000 - 475,000 US$ 39,500 - 61,000 RMB 256,000 - 396,000 「在畫畫的時候，音樂就會進入我的耳朵，然後直接從我的

Indeed, music has always accompanied Nara in life. Yoshitomo

手中傳出。」奈良美智會一邊聽音樂，一邊創作。有他的不

Nara stated that: "Whenever I am painting, music enters my

少作品或展覽名稱，都是來自西洋歌曲名稱或歌詞。至今在

ears and directly pours out from my hands." He would listen to

他的工作室裡，繼續累積著更多的搖滾、藍調、靈魂和龐克

music while he worked, and many of his artworks or exhibition

的專輯唱片。2020 年洛杉磯郡立美術館的奈良美智回顧展

titles came from western music song titles or lyrics. Even now,

策展人吉竹美香（Mika Yoshitake），點出藝術家長期所熱

his studio continues to accumulate more rock, blues, soul and

愛的「音樂」，以此貫穿整場展覽的主軸。她說，「自奈

punk albums. In 2020, the curator of LACMA's Yoshitomo Nara

良美智九歲時聽到民謠以來，各式唱片專輯的封面成為他接

retrospective exhibition, Mika Yoshitake, pointed out the artist's

觸、吸收藝術的途逕之一」。

longtime passion in music, which became the theme that ran through the entire exhibition. She said "Ever since Yoshitomo Nara heard folk songs at the age of nine, the covers of all types of albums became one of the means by which he came into contact with and became engrossed in art."

37

023

YAYOI KUSAMA

草間彌生

Pumpkin TWOTEOL

2012年

(Japanese, b. 1929)

2012 Silkscreen (3 colors) + etching embossing, ed. 2/30 45.5 x 53 cm (Image); 61.3 x 66.8 cm (Sheet) Signed lower right Yayoi Kusama Titled lower left Pumpkin in Kanji and TWOTEOL in English and dated 2012 Numbered lower left 2/30 PROVENANCE

Ota Fine Arts, Tokyo ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, no. 383, p. 220

NT$ 900,000 - 1,400,000 HK$ 251,000 - 391,000 US$ 32,300 - 50,300 RMB 210,000 - 326,000

南瓜 TWOTEOL 絲網印刷3色 蝕刻壓花 版次2/30 45.5 x 53 cm（圖）；61.3 x 66.8 cm（紙） 簽名右下：Yayoi Kusama 題識左下：南瓜TWOTEOL 2012 版次左下：2/30 來源

大田秀則畫廊，東京 圖錄

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，編號383，頁220

024

YAYOI KUSAMA (Japanese, b. 1929)

Citrouille (I)

2000 Screenprint, edition AP 38 x 45.5 cm (Image); 50 x 65 cm (Sheet) Signed lower right Yayoi Kusama Titled lower center Citrouille (I) and dated 2000 Numbered lower left A.P.

草間彌生 南瓜（I） 2000年 絲網印刷 版次AP 38 x 45.5 cm（圖）；50 x 65 cm（紙） 簽名右下：Yayoi Kusama 題識中下：Citrouille (I) 2000 版次左下：A.P. 圖錄

ILLUSTRATED

Portfolio Amour Pour Toujours , printed by Atelier Eric Seydoux, Paris, published by FMR Trading Limited, Hirakata, Japan, 2000 Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, no. 282, p. 167

《永遠的愛版畫集》，Eric Seydoux工作室印行； FMF貿易有限公司，日本枚方市，2000 《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，編號282，頁167

NT$ 900,000 - 1,400,000 HK$ 251,000 - 391,000 US$ 32,300 - 50,300 RMB 210,000 - 326,000 39

025

YAYOI KUSAMA (Japanese, b. 1929)

Lemon Squash (I) 1992 Lithograph, ed. 18/50 28.4 x 23 cm (Image); 45 x 36.7 cm (Sheet) Signed lower right Yayoi Kusama Titled lower center Lemon Squash (I) in Japanese and dated 1992 Numbered lower left 18/50 PROVENANCE

Gallery Tagboat, Tokyo ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, no. 169, p. 106

NT$ 700,000 - 1,100,000 HK$ 196,000 - 307,000 US$ 25,100 - 39,500 RMB 163,000 - 256,000

草間彌生 檸檬蘇打水（I） 1992年 石版印刷 版次18/50 28.4 x 23 cm（圖）；45 x 36.7 cm（紙） 簽名右下：Yayoi Kusama 題識中下：レモンスカリシユ (I) 1992 版次左下：18/50 來源

Tagboat畫廊，東京 圖錄

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，編號169，頁106

026

YAYOI KUSAMA (Japanese, b. 1929)

Fruit Basket (5) 1999 Screenprint, lame, ed. 29/60 45 x 54 cm (Image); 60 x 68 cm (Sheet) Signed lower right Yayoi Kusama Titled lower center Fruit in Kanji and Basket in Japanese, Fruit Basket in English and dated 1999 Numbered lower left 29/60 PROVENANCE

Gallery TOKI-NO-WASUREMONO/Watanuki, Tokyo ILLUSTRATED

Yayoi Kusama Prints 1979-2017 , Abe Publishing Ltd., Tokyo, 2017, color illustrated, no. 277, p. 164 This lot is accompanied with a certificate of authenticity issued

by TOKI-NO-WASUREMONO/Watanuki inc., Tokyo in 2011.

草間彌生 水果籃（5） 1999年 絲網印刷 亮粉 版次29/60 45 x 54 cm（圖）；60 x 68 cm（紙） 簽名右下：Yayoi Kusama 題識左下：果物かご（5）1999 編號中下：29/60 來源

TOKI-NO-WASUREMONO/Watanuki畫廊，東京 圖錄

《草間彌生全版畫1979-2017》，阿部出版株式會社， 東京，2017，彩色圖版，編號277，頁164 附東京TOKI-NO-WASUREMONO/Watanuki inc. 開立之原作保證書

NT$ 700,000 - 1,000,000 HK$ 196,000 - 279,000 US$ 25,100 - 35,900 RMB 163,000 - 233,000 41

027

YAYOI KUSAMA (Japanese, b. 1929)

Pumpkin

Conceived in 1998; cast in 2012 Bronze, ed. 82/100 27(L) x 27(W) x 28(H) cm Engraved bottom YAYOI KUSAMA in English and dated 1998 Inscribed 2012 No 82/100 FONDERIE DE PARIS This lot is accompanied with a certificate of authenticity issued by FMR Limited, Japan.

草間彌生 南瓜 1998年構思，2012年翻鑄 銅雕 版次82/100 27（長）x 27（寬）x 28（高）cm 簽名雕刻：YAYOI KUSAMA 1998 鑄造者雕刻：2012 No 82/100 FONDERIE DE PARIS 附FMR開立之作品保證書

NT$ 2,400,000 - 3,600,000 HK$ 670,000 - 1,006,000 US$ 86,200 - 129,300 RMB 559,000 - 839,000 1993 年草間彌生代表日本參加第 45 屆威尼斯雙年展，從此南瓜題材的作品聲名大噪，也受邀創作巨型裝置作品， 如福岡市美術館的戶外雕塑。而題材「南瓜」來自於草間的童年，在戰爭時期草間的家種滿了南瓜；她說「小時候 在家裡植物採種場玩，摘下來的南瓜會跟我說話。」「南瓜外型實在太可愛了…吸引我的是它脂粉未施的大肚子， 還有強大的精神安定感。」 In 1993 she represented Japan at the 45th Venice Biennale. From then on, her pumpkin themed works became famous, leading to the creation of large scale installations, such as the outdoor sculpture at Fukuoka Art Museum. Inspiration for the "pumpkin" theme originated from the artist's childhood. During the war, Kusama's home was filled with pumpkins. She said, "When I was a child I used to play in the plant nursery outside my house. The pumpkins I picked would talk to me. The shape of a pumpkin is way too cute…what attracts me is its bare swollen belly, and the strong sense of mental stability".

43

028

ZAO WOU-KI

趙無極

Untitled

1992年

(Chinese-French, 1920-2013) 1992 Ink on paper 24.5 x 32 cm Signed lower right Wou-ki in Chinese, ZAO in French and dated 92 This lot is accompanied with a certificate of authenticity issued by Zao Wou-ki Foundation.

NT$ 320,000 - 500,000 HK$ 89,000 - 140,000 US$ 11,500 - 18,000 RMB 75,000 - 117,000

無題 墨 紙本 24.5 x 32 cm 簽名右下：92 無極 ZAO 附趙無極基金會開立之原作保證書

029

T'ANG HAYWEN

曾海文

Sans Titre

1964年

(Chinese-French, 1927-1997)

無題

1964 Acrylic, ink and watercolor on Kyro card 70 x 50 cm Signed lower right T'ang in English and Haywen in Chinese

壓克力 墨 水彩 Kyro紙板

PROVENANCE

藝術家工作室 私人收藏，歐洲 德薩畫廊，香港 現有收藏者得自上述來源

The Artist's Studio Private collection, Europe de Sarthe Gallery, Hong Kong Acquired from the above by the present owner

70 x 50 cm 簽名右下：T'ang 海文 來源

附菲利浦．古獨奇開立之原作保證書（編號S3-LMC-3）

This lot is accompanied with a certificate of authenticity issued by Philippe Koutouzis. (reference no.S3-LMC-3)

NT$ 850,000 - 1,300,000 HK$ 237,000 - 363,000 US$ 30,500 - 46,700 RMB 198,000 - 303,000 45

030

JI DACHUN (Chinese, b. 1968)

Reminiscences in Dreams of Tao An 1996 Mixed media on canvas 88 x 112.5 cm Signed upper center The painting

by Dachun and dated Chinese Year Bing-zi (1996)

季大純

季大純的繪畫使用鉛筆在畫布上直接繪畫，

陶庵夢憶

在繪畫性層次上，使用鉛筆代替顏料的效果

1996年 綜合媒材 畫布 88 x 112.5 cm 簽名中上：大純之繪 丙子

更佳，因為鉛筆在畫布上的造型具有一種影 像效果。季大純的畫具有一種文人畫氣息， 這種氣息和他所接受到的西方現代繪畫的教 育交融在一起，從而成就了季大純的面貌。 在構圖上，季大純明顯的採用了傳統繪畫的

來源

「空白」佈局，人物集中在畫面的中央，具

現有收藏者直接得自藝術家本人

有一種空靈的歷史宿命感。 Ji Dachun's paintings are drawn in pencil

PROVENANCE

directly on the canvas. In terms of art, the

Acquired directly from the artist

use of pencil to replace pigments achieves an even better effect because pencil on

NT$ 340,000 - 550,000 HK$ 95,000 - 154,000 US$ 12,200 - 19,700 RMB 79,000 - 128,000

canvas can create a particular kind of graphical effect. Ji Dachun's paintings have a feel of literati painting to them, and this has fused with his education in modern Western painting to create his style.

031

LIANG QUAN (Chinese, b. 1948)

Untitled

2016 ink, color and collage on paper 120 x 90 cm Signed lower right Liang Quan in Chinese and dated 201 6 EXHIBITED

Literati Painting From Six Artists , Soka Art, Beijing, October 8-December 18, 2016

梁銓 無題 2016年 水墨設色 拼貼 紙本 120 x 90 cm 簽名右下：梁銓 2016 展覽

「文人繪畫六君子」，索卡藝術，北京， 展期2016年10月8日至12月18日 附索卡畫廊開立之作品保證書

This lot is accompanied with a certificate of authenticity issued by Soka Gallery, Taipei.

NT$ 800,000 - 1,400,000 HK$ 223,000 - 391,000 US$ 28,700 - 50,300 RMB 186,000 - 326,000 47

032

XUE SONG

薛松

Dialogue with Mondrian No. 4

2012年

(Chinese, b. 1965)

2012 Mixed media on canvas 140 x 160 cm Signed lower right Xue Song Signed reverse Xue Song both in Chinese and English, titled Dialogue with Mondrian No. 4 in Chinese, dated 2012 and inscribed 140 cm x 160 cm PROVENANCE

33 Auction Pte Ltd, Modern and Contemporary Asian Art , Singapore, January 17, 2014, lot 41 Loftyart Gallery, Taipei Acquired from the above by the present owner EXHIBITED

Ink Asia 2017 , Hong Kong Convention and Exhibition Centre, Hong Kong, December 14-17, 2017 Pine.Smoke.Ink - Xue Song Solo Exhibition , Loftyart Gallery, Taipei, January 6-March 4, 2018 Reshaping Experience , Half Image, Shanghai, August 11-October 12, 2018 ILLUSTRATED

Pine.Smoke.Ink - The Art of Xue Song, Lofty Culture & Art, Taipei, 2017, color illustrate This lot is accompanied with a certificate of authenticity issued by Loftyart Gallery, Taipei.

NT$ 1,400,000 - 2,200,000 HK$ 391,000 - 615,000 US$ 50,300 - 79,000 RMB 326,000 - 513,000

與蒙德里安對話 No. 4 綜合媒材 畫布 140 x 160 cm 簽名右下：Xue Song 簽名題識畫背：與蒙德里安對話 No. 4 Mondrian 140 cm x 160 cm 薛松 Xue Song 2012 來源

33拍賣行，「亞洲現當代藝術」，新加坡， 2014年1月17日，編號41 高士畫廊，台北 現有收藏者得自上述來源 展覽

「香港水墨藝術博覽會」，香港會展中心，香港， 展期2017年12月14日至17日 「松．煙．墨－薛松個展」，高士畫廊，台北， 展期2018年1月6日至3月4日 「重塑經驗」，半張圖藝術館，上海， 展期2018年8月11日至10月12日 圖錄

《松．煙．墨－薛松的藝術》，高士文化藝術有限公司， 台北，2017，彩色圖版 附高士畫廊開立之作品保證書

49

033

WANG JIANWEI (Chinese, b. 1958)

Cambrian No. 1 2018 Oil on canvas 187.5 x 250 cm Signed reverse Wang Jianwei both in English and Chinese and dated 2018.7 PROVENANCE

Long March Space, Beijing Acquired from the above by the present owner EXHIBITED

Wang Jianwei: Cambrian , Art021 Shanghai Contemporary Art Fair, Shanghai, November 8-11, 2018 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 2,600,000 - 4,000,000 HK$ 726,000 - 1,117,000 US$ 93,400 - 143,600 RMB 606,000 - 932,000

汪建偉 1958 年生於四川，從 1970 年代起他開始藝術的實 踐，即被視為中國當代藝術領域的先鋒。汪建偉在浙江美 術學院（今中國美術學院）學習繪畫期間，大量閱讀存在 主義哲學和中國歷史，受到這些經驗的影響，他早期以繪 畫為主的創作帶有強烈的實驗性以及複雜的觀念；而自上 世紀 90 年代至今，汪建偉持續探索知識綜合與跨學科對當 代藝術的影響，嘗試使用不同學科的方法論去創造新的藝 術語言。2014 年曾於紐約古根漢美術館個展，獲何鴻毅家 族基金贊助。 Wang Jianwei was born in Sichuan in 1958. He began

汪建偉

his art practice in the 1970s, and he began to become

寒武紀 No. 1

a pioneer in the field of contemporary Chinese art.

2018年 油彩 畫布 187.5 x 250 cm 簽名畫背：汪建偉 Wang Jianwei 2018.7

When he studied at Zhejiang Academy of Fine Arts (now China Academy of Art), he read a lot of Existentialism and Chinese History. Influenced by these experiences, his early works were experimental with complicated conceptions. Since the 1990s, Wang Jianwei continues

來源

t o e x p l o re t h e s y n t h e s i s o f k n o w l e d g e a n d t h e

長征空間，北京 現有收藏者得自上述來源

interdisciplinary approach to art, experimenting with

展覽

new artistic language. In 2014, Wang presented his solo

「汪建偉：寒武紀」，上海廿一當代藝術博覽會， 上海，展期2018年11月8日至11日

exhibition, the first of three commissions of The Robert

附藝術家簽名之原作保證書

Guggenheim Museum, New York.

the use of different disciplines. Methodology to create a

H.N. Ho Family Foundation Chinese Art Initiative at the

51

034

TSCHANG-YEUL KIM (Korean, 1929-2021)

Waterdrops BG02007 2007 Oil on panel 49.8 x 32.1 cm Signed reverse Tschang-Yeul Kim in Kanji and titled BG 02007 PROVENANCE

Private collection, South Korea This lot is accompanied with a certificate of authenticity issued by the Authentication & Appraisal Committee of the Galleries Association of Korea.

NT$ 2,000,000 - 3,000,000 HK$ 559,000 - 838,000 US$ 71,800 - 107,700 RMB 466,000 - 699,000

金昌烈是韓國最偉大的畫家之一。他於 1929 年出生於當時統 一的朝鮮北部，為了逃避共產黨政權而移居南方。隨後，前往 紐約追尋他的藝術之夢，最終於 1969 年定居巴黎。在巴黎， 他開始培育一個獨特的主題：水滴。水滴是其標誌性作品的起 點，站在抒情抽象、波普藝術和中國書法的交匯處，他的作 品巧妙地融合了道家智慧、反諷和戰爭悲劇性。金昌烈被認 為是在國際舞台上建立韓國當代藝術的傑出人物之一，與白 南準（Nam-June Paik, 1932-2006）和李禹煥（Lee Ufan, b.

1936）並駕齊驅。其作品已在世界各地展出：國立網球場現代 美術館（法國，2004）、中國美術館（北京，2006）、釜山 美術館（韓國，2009）、台灣國立美術館（台中，2012）、 光 州 藝 術 博 物 館（ 韓 國，2014）、 金 昌 烈 美 術 館（ 韓 國， 2018）、阿爾敏．萊希畫廊（紐約，2018）。 Kim Tschang-Yeul is one of the greatest Korean painters.

Born in 1929 in the north of the then unified Korea, he migrated to the south to escape the communist regime.

He subsequently left for New York to pursue his artistic dreams before finally settling in Paris in 1969. There, he began to nurture, over a period of forty years, a unique motif: the drop of water. The waterdrop was the starting

金昌烈

point for a singular and iconic body of work, which stands

水滴 BG02007

at the confluence of lyrical abstraction, Pop art and

2007年 油彩 木板 49.8 x 32.1 cm 簽名題識畫背：金昌烈 BG02007

Chinese calligraphy. This simple and limpid œuvre subtly fuses Taoist wisdom, modern conceptual irony and the tragedy of war. Kim Tschang-Yeul is considered one of the pre-eminent figures in the establishment of contemporary Korean art on the international scene, alongside Nam-

來源

June Paik and Lee Ufan. His work has been shown around

私人收藏，韓國

the world, Jeu de Paume National Gallery, Paris, 2004,

附韓國畫廊協會鑒定委員會開立之作品保證書

National Art Museum of China, Beijing, 2006, Busan Museum of Art, Korea, 2009, Taiwan National Museum of Fine Art, Taichung, 2012, Gwangju Museum of Art, Korea, 2014, Kim Tschang-Yeul Art Museum, South Korea, 2018, and Almine Rech Gallery, New York, 2018.

53

035

PABLO PICASSO (Spanish, 1881-1973)

Grand tête de femme au chapeau orné Conceived in 1964 Terracotta plaque, partially engraved, with black engobe, ed. 39/50 62.3 x 51.6 cm Stamped and numbered reverse Madoura Plein Feu/Empreinte Originale de Picasso/39/50 PROVENANCE

Sotheby's, London, March 24, 1998, lot 206 Acquired from the above by the present owner ILLUSTRATED

Alain Ramié, Picasso Catalogue of the Edited Ceramic Works

1947-1971 , Galerie Madoura, Vallauris, 1988, illustrated, p. 259, no. 518 (another number)

NT$ 2,400,000 - 3,600,000 HK$ 670,000 - 1,006,000 US$ 86,200 - 129,300 RMB 559,000 - 839,000

藝術家照片 Artist photo

《戴著華麗大帽的女人》代表了畢卡索當時最重要的私人關係， 並標註了他與藝術夥伴拉米埃家族，與賈桂琳·洛克的戀情。作

巴布羅．畢卡索

品以泥土色泥板上的簡單線性雕刻設計組成。藝術家利用泥土

戴著華麗大帽的女人

的自然泥土色調，對比鮮明的黑色土坯創造出溫暖、細緻入微

1964年構思 陶板 局部刻紋 黑色釉 版次39/50

的作品。創作於 1964 年，這件大矩形紅色陶板畫共限量 50 件， 表面施以修飾土塗層，亦是畢卡索最大的陶板畫作品。

62.3 x 51.6 cm

"Grande Tête De Femme Au Chapeau Orné" represents

壓印背面：Madoura Plein Feu/Empreinte

Picasso's most important relationships at the time, namely

Originale de Picasso/39/50

his artistic partnership with the Ramiés and his romance

來源

with Jacqueline Roque. Composed of a simple linear carved

蘇富比，倫敦，1998年3月24日，拍賣編號206 現有收藏者得自上述來源 圖錄

阿蘭．拉米埃，《畢卡索1947-1971陶瓷作品編年目錄》， 馬杜拉畫廊，1988，圖版，頁259，編號518 （不同版次）

design in an earth tone clay plaque, Picasso takes advantage of the natural earth tones of clay to create a warm, nuanced work with contrasting black engobe. Created in 1964, this red earthenware clay big rectangular plaque printed with an engobe pad is from the edition of 50, also being the biggest pottery painting by Picasso.

55

036

BERNARD BUFFET (French, 1928-1999)

Delphiniums Bleus 1964 Oil on canvas 81 x 54 cm Signed lower left Bernard Buffet and dated 64 PROVENANCE

承於大自然的餽贈，人類對美的概念，來自於「具體花卉」的延伸。

Galerie David et Garnier, Paris Findlay Galleries, Chicago Leslie Hindman Inc., Chicago, May 2, 2012, lot 263 Galerie Elegance, Taipei Acquired from the above by the present owner

西方藝術史中它們是歷久彌新的題材，以藝術歌頌自然，文化演展

This lot is accompanied with a certificate of authenticity issued by Galerie Garnier.

羞澀個性與孤單童年，動、植物就是他最好的朋友與模特兒。

NT$ 4,400,000 - 6,500,000 HK$ 1,229,000 - 1,816,000 US$ 158,000 - 233,400 RMB 1,026,000 - 1,515,000

on beauty are extensions of the realistic images of flowers. In

貝爾納．畢費

的歷程，更加多彩炫目。人們的迷戀，賦予花朵更多意義與想像。 從文藝復興時期的象徵意義，到印象派恬適的日常，川流不止的 時光推移，花卉是歷代繪畫名家標誌自我風格的重要課題。而這 項的挑戰，對畢費來說並非難事，他從小熱愛大自然的一景一物，

Inherited from the gifts of nature, much of humanity's concepts the history of Western art, flowers are long-standing themes, inspiring artists to sing praises to nature with art. Through the process of cultural performance and exhibition, they become more colorful and dazzling, and this human infatuation endows flowers with even more meaning and imaginations. From the symbolic significance of the Renaissance to the comfortable

藍色大飛燕

daily life imagery of Impressionism, flowers are an important

1964年

motif with which famous painters define their own style. This

油彩 畫布

challenge posed no difficulties for Buffet, who had loved every

81 x 54 cm

stick and stone of nature since childhood. A shy and lonely

簽名左下：Bernard Buffet 64

boy, Buffet relied on animals and plants as his best friends and

來源

大衛與賈尼耶畫廊，巴黎 芬德雷畫廊，芝加哥 萊斯利．辛德曼拍賣，芝加哥，2012年5月2日， 拍賣編號263 愛力根畫廊，台北 現有收藏者得自上述來源 附賈尼耶畫廊開立之作品保證書

artistic models.

57

「生於巴黎，由慈愛的母親在小公寓中撫養，他（畢費）只能從學 校短暫的休息中逃離水泥與磚石 ... 當成年有了選擇，他逃離那些令 他窒息的群眾、喧囂與城市躁動。」－安娜貝爾．畢費 "Born in Paris, and brought up by a loving mother in a small apartment, he (Bernard Buffet) could escape the concrete and stone only during those brief breaks from school... As soon as he was old enough to choose, he fled the crowds, the noise, the agitation of the city that suffocated him" – Annabel Buffet

1928 年出生巴黎，歷經大環境的風起雲湧，畢費一生猶如新浪潮電影， 充滿戲劇性。八千多件的創作中，留有不少靜物畫作，而「花卉」系列， 是他最抒情、最貼近個人生活的題材。從大眾認識他的 1950 年代初期， 到生命戲劇性落幕的 1999 年，畢費畫過無數花卉靜物。從早年畫面的灰 階素淨，到晚期線條的鮮明銳利，花卉主題就像畢費的藝術傳記，紀錄他 繪畫風格的演變轉化。透過不同時期的畫作，後世得以感受這位法國大師 筆下，最真摯動容的「戰後表現主義」美學。 今次秋拍「薈萃國際專場」推薦畢費 1964 年《藍色大飛燕》洋溢南法風 情與藝術家標誌性特色。藍色飛燕草又名翠雀花，花語為歡欣、鼓舞帶 有祝福之意。其長穗狀豔麗花序，盛開時隨風搖曳，宛若群燕飛翔。高雅 的造型與美好寓意，吸引眾藝術家如梵谷、方坦．拉圖爾（Henri FantinLatour）、林風眠、黎譜（Le Pho）等人，延伸為筆下靈感。1957-1964 年間，畢費長居於普羅旺斯的弓之莊園（Le Château l'Arc），此期最常 出現的花種：雛菊、鳶尾、翠雀、鬱金香和大理花，搭配在各色精緻的水 晶玻璃、古董瓷瓶之中，想見畢費夫婦當時生活之富足餘裕。 拍品《藍色大飛燕》保有畢費空間佈局的個人特色，簡單在畫面下拉上 L 型線條，搭配格子狀或是一角白布示意桌面。瓶花占據中心，簡化背景與 光源，強調單一焦點，燦然怒放的花束，幾乎要越過邊際。此作朝氣奔放 的形態，無論是橘紅瓶身，悉心勾勒的繁密花紋，或是藍墨色花瓣噴發的 點狀筆觸，每處細節扣人心弦，都渲染著歡快的氣息，令人讚嘆的同時， 也映照畢費自信洗鍊，成熟巔峰的心境。2014 年紐約拍賣的同年代花卉 作品，成交價近台幣一千八百萬元，為目前藝術家該系列畫作最高紀錄。 在抽象藝術主導藝壇的年代，畢費堅持具象藝術創作，是反抽象團體「見 證人」（L'homme Témoin）的活躍成員。1958 年舉辦個人回顧展，吸 引近十萬人參觀，想見藝術生涯早年已獲得高度評價。1973 年獲授榮譽 軍團勳章，1974 年成為法蘭西美術學院院士。其作品獲世界頂尖博物館 收藏，包括倫敦泰德現代美術館、紐約現代藝術博物館、巴黎市立美術館， 以及日本畢費個人美術館。

Born in Paris in 1928, after decades of upheaval and war, Buffet's life was like a new wave film, full of drama. Among his more than 8000 works, there are many still life paintings. The "Flowers" series is the most lyrical, as well as the most intimate. From his rise to fame in the early 1950s to the dramatic end of his life in 1999, Buffet painted countless flower still life works. From the simple monochromes of his early years to the sharp lines of his later years, the flower theme is like Buffet's artistic biography, recording the evolution and transformation of his painting style. Through paintings from different periods, later generations can feel the late French master's most sincere and moving post-war Expressionism aesthetics.

In this autumn auction collection, Buffet's 1964 Delphiniums Bleus is recommended as an exemplary work filled with a southern French ambiance and the artist's iconic style. A symbol of joy and encouragement, the blue delphinium is often associated with blessings. Its long spike seems to sway gently in full exuberant bloom, the clusters of blossoms like a flock of flying swallows. The painting's elegant shape and beautiful implication attracted artists such as Van Gogh, Henri Fantin-Latour, Lin Fengmian, Le Pho and others to extend their inspiration. From 1957 to 1964, Buffet lived in Le Château l'Arc in Provence. The most common flowers he painted in this period—daisies, iris, delphinium, tulip and dahlias—were matched with various exquisite crystal glass and antique porcelain bottles, a mark of the affluence Buffet and his wife were enjoying by this time.

The lot Delphiniums Bleus retains Buffet's unique characteristic spatial layout, with simple L-shaped lines paired with lattice or a corner of white cloth to indicate the desktop. The bouquet occupies the center of the painting with the background and light source simplified and blunted to emphasize a single focus; the blossoms almost overflow from the painting's edge. The work's form is vigorous and unrestrained, from the orange vase to the carefully articulated lines of the flowers and the dotted strokes of the ink-blue petals. Each exciting detail renders a cheerful atmosphere which enthrals the viewer. At the same time, it also reflects Buffet's maturity and confidence at this time. Other Buffet flower paintings of the same period were auctioned in New York in 2014 for NT $18 million-a record price for the artist's flower series which remains unbroken.

In an era when abstract art dominated the art world, Buffet insisted on realism and was an active member of the anti-abstract group "L'homme Témoin". A Buffet retrospective exhibition in 1958 attracted nearly 100,000 people, a testament to how Buffet's art career won high praise from its early years. Buffet was awarded the Legion of Honor in 1973 and became an academician of the French Academy of Fine Arts in 1974. His works have been collected by the world's top museums, including the Tate Modern Art Museum in London, the Museum of Modern Art in New York, the City of Paris Museum of Modern Art, and the Bernard Buffet museum in Japan.

貝爾納．畢費《大理花束》1964 油彩 畫布 195.5 x 96.5cm 紐約蘇富比2014約台幣18,000,000成交 Bernard Buffet, Ouquet de zinnias , 1964, Oil on canvas, 195.5 x 96.5 cm Sotheby's New York 2014 Impressionist & Modern Art Day Sale, USD 581,000

59

037

GEORGES MATHIEU (French, 1921-2012)

Obsessions Vides 1988-1989 Oil on canvas 114 x 146 cm Signed lower left Mathieu Titled reverse stretch OBSESSIONS VIDES

是集中精神能量的體現，亦可能的徹底空虛的狀態。」

PROVENANCE

－喬治．馬修

Galerie Hurtebize, Cannes This lot is accompanied with a certificate of authenticity issued by the authorized expert.

NT$ 5,500,000 - 8,500,000 HK$ 1,536,000 - 2,374,000 US$ 197,500 - 305,200 RMB 1,282,000 - 1,981,000 喬治．馬修 迷戀虛空 1988-1989年 油彩 畫布 114 x 146 cm 簽名左下：Mathieu 題識畫背框條：OBSESSIONS VIDES 來源

赫特比埃茲畫廊，法國坎城 附專家開立之原作保證書

「速度與即興發揮之外，我要營造一種恍惚的狀態：它既

I will add to these conditions of speed and improvisation that of needing to be in a trance-like zone: it is both a concentration of psychic energies as well as the most total state of vacuousness possible.

– Georges Mathieu

61

「不應只為了大眾而創作，更應鼓勵大眾一起創作，每個人都可以成為某種藝術家， 每個人的貢獻都浸浴於美學與道德不可分割的恩典裡。」－喬治．馬修 Not only creation shared by all but creation made by all, with each person becoming a particular form of artist, with each of our actions bathing in a grace in which the aesthetic would be indissociable from the ethical. － Georges Mathieu

早 在 2019 年 羅 芙 奧 季 刊 第 27 期「 藝 術 與 投 資 」 專 欄： 快 意

化館」舉辦個展，見證創作晚期另一波璀璨高峰。《迷戀虛空》

譜 寫 華 麗 史 詩 抒 情 抽 象 之 父 喬 治． 馬 修（Georges Mathieu,

難能可貴之處，在於同時保留早期自動性滴流特色，與後來剛

1921-2012）一文就直指馬修作為法國當代藝術巨擘，相較於同

強銳直的噴發性線條。紅、藍、金三色恣意交錯，墨色的噴濺

時期朱德群、趙無極、哈同、蘇拉吉，其重要歷史地位與市場

飛舞，激盪在渾沌虛空的無涯之中。《迷戀虛空》的題名也正

價值背離，可預期的成長空間吸引全球市場關注。而這兩年間

面回應藝術家核心理念，以速度至上，避免來自意識干擾的可

的發展，無論是交易市場的熱絡，亦或藝術家百歲誕辰紀念年

能性。獨立與專注的直覺意志，毫不預留設限，也不依賴外來

份，全球美術機構與畫廊先後推出回顧展覽，皆證明藝術市場

的物質型態。隨線條與筆觸的動勢昂揚，更能想像一代大師不

的脈絡發展終歸有跡可循。

假思索，臨場揮毫的瀟灑姿態，正如法國前文化部長及作家馬

戰後抽象的浪潮中，「抒情抽象之父」－ 喬治．馬修，無疑是

樂侯（André Malraux）盛譽的「西方的書法家」之名。

領先群英高掛天際的啟明之星。他運用更直觀、原始的方式宣

In 2019, the article, "Composing Grand Epics with Rapid

揚抒情抽象理論，倡言抽象藝術從幾何概念解放，以全新的型

- Georges Mathieu, The Father of Lyrical Abstraction", in

式表現，展露帶有東方書法語言，抽象符號與圖像化的演變。

the Art and Investment column of Ravenel Quarterly No.

馬修甚至將成果拓展至應用藝術的實踐，載入藝術史冊的功績

27 pointed to George Mathieu's role as a master of French

赫赫且影響致遠。他在觀眾面前「現場即興繪畫」，以表演型

contemporary art. Compared to artists from his time, such

式揭開創作過程的面紗，運用媒體拉近大眾的注意力，實質上

as Chu Teh-Chun, Zao Wou-Ki, Hans Hartung, and Pierre

打破抽象藝術歸屬知識份子，高冷不易理解的刻板印象。

Soulages, however, Mathieu's key role in history was not

1950 年 代 馬 修 的 抽 象 畫 多 研 究 無 定 形 的 形 體（amorphous shapes）和實驗性「滴流」（dripping）技法，他使用油彩滴 流的非具象形體，直接從管狀顏料擠出條狀色料，產生浮雕式 的輪廓與肌理，達成流暢直覺性的表現。來到 1970 年代深淺有 層次的背景，線條色彩變化萬千華麗繽紛。筆觸也從條狀色料 的圓潤，多了畫刀刮擦畫面的強勁。而 1980 年代其風格有了巨 大轉變，後世稱為「宇宙時期」（The Cosmic Period），此系

directly reflected in the market value of his works. Hence, the predicted growth of his work has attracted global market attention. Over the past two years, this trend of development is reflected in the active transactions of the art market, the artist's centennial birthday celebration, and the retrospective exhibitions launched by art organizations and galleries around the world.

列堪稱在獨特性、爆發力、速度感、渲染張力上都是藝術家無

In the wave of post-war abstraction, the "father of lyrical

與倫比，高掛於藝術史星空的偉大成就。載於《喬治．馬修：

abstraction" Georges Mathieu undoubtedly stood as the

創作 50 年》的展覽評論，更盛讚此系列是對當時風起雲湧的全

most inspirational and talented pioneer. He expressed

球性動盪最好的演繹。而此系列更是近年，藝術家拍賣交易最

the theory of lyrical abstraction by using a more intuitive,

為活絡的項目。

primitive method to advocate the liberation of abstract art

《迷戀虛空》完成於 1989 年，該年度馬修受邀於「法國梅斯文

from geometric concepts while presenting it in a whole new style. In addition to demonstrating the evolution of abstract

symbols and graphics in the language of eastern calligraphy,

another glamorous climax in the later phases of Mathieu's

Mathieu even expanded the approach to the practice of

creation. The Obessesions Vides is valuable for retaining

applied art, leaving a profound impact in art history with his

the characteristics of automatic dripping in Mathieu's early

many remarkable achievements. He improvised paintings in

works. The dripping paints boldly intersect with the firm and

front of viewers and unveiled the creative process through

versatile lines in red, blue, gold as the ink-colored splashes

expressive performances. Drawing public attention through

poured into a chaotic void. The title, Obessesions Vides,

the media, Mathieu broke the stereotype that abstract art

also echoes the artist's core concept of speed and freedom

could only be appreciated by intellectuals due to being too

from conscious distraction, conveying an independent and

difficult to approach and understand.

focused intuition with neither any predetermined limits nor

Most of Mathieu's abstract paintings from the 1950s focused on amorphous shapes and the experimental "dripping" technique. He applied the abstract form of dripping oil paint by directly squeezing paint out of its tube to create embossed outlines and textures for a smooth, intuitive expression. By the 1970s, Mathieu's work displayed a

dependency on external materials. Following the dynamic, lively outlines and pen strokes, it is possible to imagine how the art master gracefully created the painting without too much thinking, like a "western calligrapher" as described by André Malraux, the former Minister of Culture in France and a novelist.

layered background with varying shades and brilliantly colored lines. More palette knife marks were also visible in the originally smooth color strips. Mathieu's style changed drastically by the 1980s in what the art community later referred to as "The Cosmic Period." From the perspectives of uniqueness, versatility, speed, and immersivity, this series indeed marked an unparalleled achievement by the artist that deserves to be recorded in art history. The exhibition critique published in Mathieu: 50 Ans de Création described this series as the best illustration of the global turmoil during that surging era. In recent years, this series has proven to be the most popular item in art auctions and trades.

Completed in 1989, the same year when Mathieu was invited to hold a solo exhibition at Maison de la Culture de Metz, The Obessesions Vides served as testimony to yet

喬治．馬修《四季蛻變》1987 油彩 畫布 130 x 250 cm 奧地利2021多羅索姆拍賣 美金1,042,252成交 Georges Mathieu, Le temps a laissé son manteau , 1987, Oil on canvas, 130 x 250 cm Dorotheum Auction, Vienna, 2021, USD 1,042,252 sold

63

BERNARD BUFFET 貝爾納．畢費（Bernard Buffet）被譽為「戰後表現主義泰斗」、

若說畢費描繪的小丑，生於戰爭傷痛與人性疏離的反思，華麗

「法國寫實主義繪畫的接班人」，曾為《藝術鑑賞雜誌》選為「戰

高昂的鬥牛士主題，就是呼應著 1950-1960 年代法國社會，青

後十大最傑出藝術家」之首。日本收藏家岡野喜一郎尊畢費為

年思想運動，音樂、電影、文學、美術的人文薈萃時期。

「法國藝術的教宗」，為其建造個人美術館。畢費的聲名遠播， 一生為鎂光燈追捧，支持者遍佈全球五洲。二戰期間，青年畢 費筆下多以靜物、自畫像、家鄉風景和工作室為主題。法國總 統席哈克亦道：「畢費具體地呈現了法國戰後的苦難，全心全 意地表達虛弱、痛苦與貧窮的情況。」

本季羅芙奧秋拍「薈萃國際專場」拍品編號 038《鬥牛士》（Tête de Toréro）創作於 1961 年個性化鬥士面部表情的傑作。有別 於 1950 年代末期同系列畫作，著重在人物姿態的側寫，此期作 品強調人物精神性的高貴肅穆。此作由法國代理賈尼耶畫廊， 收錄於基金會文獻檔案。自 1990 年代起為亞洲私人珍藏。畫作

戰後經濟環境的好轉，反映在畫家豐富的題材，例如：鬥牛士、

背景層次豐富，黃褐色凸顯人物深邃堅毅的表情，直式構圖更

馬戲團、知名歷史場景，也相承他於高等美院、羅浮宮為名作

顯情緒張力。人物身著華麗服飾，頭頂貴族黑帽。堅挺造型如

薰陶的經歷。旺盛的創作慾望，催生激情澎湃的成果，一舉成

威武鎧甲，捲曲黑線勾勒細節，粗細交錯營造陰影立體感。華

名的成功，讓畢費被譽為天才。一生逾八千件作品，數量豐沛

服鬥士與盛怒公牛緊張對峙的高潮，全場群眾激情澎湃，場上

如洪水沖積，肥沃了渴求刺激的藝壇，也契合當時社會對藝術

充滿暴力的慾望之舞，都為藝術家凝練為人物精神性的隱喻，

再度引領人類精神的冀盼。近年，主要交易市場，畢費並列印

確為畢費最精彩的肖像藝術。

象派、巴黎畫派等經典藝術之位，尤以 1950-1960 年代作品屢 創佳績，而「鬥牛士」系列則是當中代表性主題。 1958 年畢費三十而立，名聲鵲起，首次舉辦個人回顧展，至 今 廣 受 全 球 藏 家 愛 戴、 氣 勢 軒 昂 的 經 典 主 題「 鬥 牛 士 」 系 列 也 在 同 年 展 開。 畢 費 是 為「 鬥 牛 」 的 愛 好 者， 他 對 這 項 西 班 牙 的 傳 統 文 化 有 著 無 比 的 激 情。 歷 史 中 也 不 乏 西 班 牙 名 家， 包 含 畢 卡 索（Pablo Picasso）、 奧 斯 卡． 多 明 格 斯（Oscar Dominquez）、馬諾洛．米拉雷斯（Manolo Millares）等人， 引此為創作靈感。畢費在普羅旺斯地區買下莊園定居，鄰近西 班牙國界，該區域也有著豐富的鬥牛文化。畢費邀請夫人安娜 貝爾作為模特兒，穿著鬥士裝束於工作室佈置場景，模擬鬥士 不同動作的颯爽英姿。「貝爾納帶領我進入鬥牛的世界 ... 第一 次觀賞時，我馬上著迷於那驚人的藝術性。... 現在想想，當模 特兒的時光，也像昨天才發生的事。」－ 安娜貝爾．畢費。 2016 年十月巴黎市立美術館舉辦「畢費回顧展」，入口處以 1966 年創作總長達 5 米 5，高度 2 米 5 的巨型《鬥牛─單膝下 跪》畫作迎賓，該鬥士群像充滿戲劇張力，神聖且不容侵犯。 如此磅礡的開場，猶如親臨鬥牛場的熱血澎湃，震攝每一位參 觀群眾。1967 年大衛與賈尼耶畫廊，舉辦「鬥牛士」主題個展，

貝爾納．畢費《鬥牛士》1966 油彩 畫布 65 x 46 cm 羅芙奧2018春季拍賣會 台幣9,000,000成交 Bernard Buffer, Torrero , 1966, Oil on canvas, 65 x 46cm Ravenel 2018 Spring Auction, USD 301,609

65

038

BERNARD BUFFET (French, 1928-1999)

Tête de Toréro 1961 Oil on canvas 100 x 81 cm Signed center left Bernard Buffet and dated 61 PROVENANCE

Galerie David et Garnier, Paris Jean-Louis Picard Auction, Paris, June 28, 1996, lot 13 Modern Art Gallery, Taichung Private collection, Asia This lot is accompanied with a certificate of authenticity issued by Galerie Garnier.

NT$ 16,000,000 - 24,000,000 HK$ 4,469,000 - 6,704,000 US$ 574,500 - 861,800 RMB 3,730,000 - 5,594,000 貝爾納．畢費 鬥牛士 1961年 油彩 畫布 100 x 81 cm 簽名左中：Bernard Buffet 61 來源

大衛與賈尼耶畫廊，巴黎 尚－路易．畢凱拍賣，巴黎，1996年6月28日，編號13 現代藝術空間，台中 私人收藏，亞洲 附賈尼耶畫廊開立之作品保證書

貝爾納．畢費《鬥牛士》1961 油彩 畫布 100 x 81 cm 羅芙奧2020春季拍賣會 台幣18,000,000成交 Bernard Buffer, Torrero , 1961, Oil on canvas, 100 x 81 cm Ravenel 2020 Spring Auction, USD 608,931

67

「我看待鬥牛士如同高貴、拚搏的囚獸 – 野獸的主宰。」－ 畢費 "I view Toréro as a noble, hard-fighting animal - The king of beasts." － Bernard Buffet

Known as "the master of post-war Expressionism" and

dress in matador clothing and be his model, imitating

"the successor of French realism", Bernard Buffet is

matador poses in his studio. "Buffet led me to the

ranked at the very top of Art Appreciation Magazine's

world of bullfighting. The first time I entered the arena

list of "Top Ten Post-war Artists". Japanese collector

to watch the performance, I was almost immediately

Ichiro Okano praised Buffet as the "Pope of French art"

fascinated by its amazing sense of aestheticism...I still

and even built a personal art museum in honor of him.

remember when I posed as a model. Looking back, it is

Buffet's reputation spread far and wide with fans all over

as if happened only yesterday." Annabelle Buffet

the world, and he was pursued by the limelight all his life. During World War II, young Buffet mostly painted still lifes, self-portraits, hometown landscapes and studios. Former French President Jacques Chirac also once wrote: "Buffet gives concrete expression to the suffering of post-war France—a wholehearted expression of weakness, pain and poverty."

In October 2016, the Musée d'Art Moderne de la Ville de Paris held a retrospective exhibition of Buffet's works.

Visitors were greeted at the entrance by the giant 1966 painting La Corrida, Toréro , Desplante de rodillas, with a total length of 5 meters and a height of 2 meters.

The group of fighters is full of dramatic tension, sacred and inviolable. Such a magnificent opening, like the

The improvement of the post-war economic environment

bloody bullring, shocked every visitor. In 1967, Galerie

is reflected in the enrichment of the artist's themes, such

David et Garnier held a solo exhibition on the Matador

as matadors, circuses, and famous historical scenes,

theme. If Buffet's clown was a reflection of the pain and

as well as the edification of Buffet's works in the École

humiliation of war, the magnificent theme of the matador

Nationale Supérieure des Beaux-arts and the Louvre.

echoes the French society, youth movement, music, film,

W ith his creative drive, exuberant and passionate

literature, art of the 1950s and 1960s.

creations, and rapid rise to fame, Buffet was hailed as a genius. He was incredibly prolific, producing more than 8,000 works in his life. Buffet enriched an art world that was eager for stimulation, and his work was also aligned with society's hope that art would once again lead the human spirit. In recent years, in the main trading market, Buffet has ranked among the classical arts such as Impressionism and L'École de Paris, especially his works from 1950 to 1960. The Matador series is a representative theme.

Ravenel's autumn auction lot 038 Tête de Toréro is a 1961 masterpiece of the matador's personal facial expression. Unlike Buffet's works from the late 1950s, which focus on the profile of the figure, this work emphasizes the noble and solemn spirit of the subject.

This work is represented by Galerie Garnier in France and is included in the Foundation's archive. It has been in a private collection in Asia since the 1990s. The background of the painting is richly layered, and the tan colors highlight the subject's profound and resolute

In 1958, when he was in his thirties and already famous,

expression. The angular composition emphasizes the

Buffet held his first personal retrospective exhibition.

piece's emotional tension. The subject is dressed in

The classic Matador series, beloved by collectors

bullfighting finery and wears a solemn black hat. The

all over the world, was also launched in the same

strong shapes evoke armor, with curling black lines

year. Buffet was a bullfighting connoisseur and had a

outlining the details. Thick lines alternate with thin ones

great passion for this Spanish tradition. Many famous

to create a three-dimensional shadow. The climax of the

Spanish artists throughout history were also inspired by

confrontation between the gallant warrior and the raging

bullfighting, including Pablo Picasso, Oscar Dominquez,

bull, the passion of the audience, and the violence of

Manolo Millares and more. Buffet bought an estate in

the dance of desire are all condensed into a metaphor

Provence, near the Spanish border, which also had a rich

of the subject's spirit. This is indeed a wonderful work of

bullfighting culture. Buffet invited his wife Annabel to

Buffet's portraiture.

69

039

ROBERT COMBAS

羅伯．貢巴斯

(French, b. 1957)

搖滾樂手

Les Rockeurs

2002年

2002 Acrylic on canvas 54 x 65 cm Signed lower right Combas

壓克力 畫布

PROVENANCE

科爾內特．德．聖西爾拍賣，巴黎， 2012年10月12日，編號394

54 x 65 cm 簽名右下：Combas 來源

Cornette de Saint Cyr Auction, Paris, October 12, 2012, lot 394 EXHIBITED

Robert Combas Greatest Hits , Musée d'art contemporain de Lyon, Lyon, February 24- July 12, 2012

展覽

「羅伯．貢巴斯精選集」，里昂當代藝術館， 里昂，展期2012年2月24日至7月12日 附愛力根畫廊開立之原作保證書

This lot is accompanied with a certificate of authenticity issued by Galerie Elegance,Taipei.

NT$ 1,400,000 - 2,200,000 HK$ 391,000 - 615,000 US$ 50,300 - 79,000 RMB 326,000 - 513,000 羅伯．貢巴斯生於法國里昂，是法國 1980 年代引領自由繪畫運

Born in Lyon, France. Robert Combas was the leader of "La

動的藝壇寵兒，他是位多才多藝的藝術家、雕塑家、詩人、音

Figuration Libre" movement of the 80s in France, and is regarded

樂人。哪怕是走了音的吉他，熱愛音樂的貢巴斯依然玩得盡興，

as one of the most prolific artists of today. Combas is a multi-

他也曾表示「我的畫就是搖滾樂」。貢巴斯的作品之所以能迅

talented artist in painting, sculpting, poetry, and music. The

速的在藝壇界發光，正是因為他透過作品述說著跨國界的語言，

amount of energy and passion Combas has for arts is just the

將多元文化、人性、戰爭、信仰、神話、音樂流派等編織出愛

same as for guitar, as he once said that "mine painting is rock

恨交融且無拘束的繪畫藝術。貢巴斯的作品珍藏於巴黎龐畢度

(Ma peinture c'est du rock)". The main reason to the growing

中心、巴黎卡地亞藝術基金會、荷蘭阿姆斯特丹市立美術館及

popularity of Combas' works is because he's able to speak

台南永都藝術館等。

the language of the world, across boundaries through his works. Combas composes his work by integrating humanity, historical war, religions, mythology and music spontaneously and simultaneously, and finally forming the love-hate relationship of art. Major museums such as the Centre Pompidou in Paris, Cartier Foundation in Paris, Stedelijk Museum Amsterdam and Yung Tu Museum of Art in Tainan all have works of Combas in their collection.

藝術家照片 Artist photo

71

040

WALASSE TING

(Chinese-American, 1929-2010)

Blond Lady

丁雄泉 金髮女子 1993年

1993 Acrylic and ink on rice paper 43 x 32 cm With one seal of the artist

壓克力 墨 宣紙

PROVENANCE

龍門雅集，上海 現有收藏者得自上述來源

Longmen Art Projects, Shanghai Acquired from the above by the present owner EXHIBITED

To Love to Fresh - Exhibition of Walasse Ting Paintings from the 1980s & 1990s , Longmen Art Projects, Hwas Gallery, Shanghai, March 4-May 31, 2011 ILLUSTRATED

1980s & 1990s Walasse Ting , Longmen Art Projects, Hwas Gallery, Shanghai, 2011, color illustrated

NT$ 160,000 - 240,000 HK$ 45,000 - 67,000 US$ 5,700 - 8,600 RMB 37,000 - 56,000

43 x 32 cm 鈐印右中：採花大盜 來源

展覽

「使我愛使我新鮮－丁雄泉八十年代、九十年代作品 展」，龍門雅集、華氏畫廊，上海，展期2011年3月4日 至5月31日 圖錄

《丁雄泉八十年代、九十年代》，龍門雅集、華氏畫廊， 上海，2011，彩色圖版

041

ALIXE FU

(Chinese-French, b. 1961)

Hyacinth

1994 Oil on canvas 92 x 73 cm Signed lower left Alixe Fu and dated 1994 Signed reverse Alixe Fu and Fu Qingli in Chinese, titled Hyacinth in Chinese and dated 1994 PROVENANCE

East Gallery, Taipei Acquired from the above by the present owner

傅慶豊 風信子 1994年 油彩 畫布 92 x 73 cm 簽名左下：Alixe Fu 94 簽名題識畫背："風信子" 1994 傅慶豊 Alixe Fu 來源

東之畫廊，台北 現有收藏者得自上述來源 附東之畫廊開立之作品保證書

This lot is accompanied with a certificate of authenticity issued by East Gallery, Taipei.

NT$ 190,000 - 280,000 HK$ 53,000 - 78,000 US$ 6,800 - 10,100 RMB 44,000 - 65,000

73

042

AYA TAKANO (Japanese, b. 1976)

Hathor Inside 2013 Oil on canvas 60.6 x 50 cm Signed overlap Aya Takano and dated 2013 PROVENANCE

Kaikai Kiki Gallery, Tokyo

NT$ 1,300,000 - 1,900,000 HK$ 363,000 - 531,000 US$ 46,700 - 68,200 RMB 303,000 - 443,000 高野綾 哈索爾女神

1976 年在埼玉縣出生，屬於日本超扁平運動藝術 家。1997 年加入村上隆公司 Kaikai Kiki 旗下成為 大受歡迎的女藝術家。2000 年畢業於多摩藝術大 學的藝術部，作品包括畫集《熱香蕉軟糖》和漫 畫《太空船 EE》。高野綾在世界各地的展覽頗豐， 如 2009 年「復興世界」個展於紐約的斯卡斯特 畫廊舉行，2010 年也參加了大阪當代美術館「00 日本繪畫公園」的聯展。

2013年 油彩 畫布

Aya Takano was born 1976 in Saitama, Japan,

60.6 x 50 cm

as a Japanese pop artist who associated with

簽名畫布折入處：2013 AYA TAKANO

the Superflat movement. Since 1997 she

來源

Kaikai Kiki畫廊，東京

became an assistant for leading Japanese Contemporary Artist Takashi Murakami. Aya Takano received a B.A. from Tama Art University in Tokyo, 2000. Aya Takano published her catalogue as "HOT BANANA FUDGE" and comic "SPACE SHIP EE". She has exhibitions all over the world, like 2009 had her solo exhibition "Reintegrating Worlds," in Skarstedt gallery in New York and group exhibition as "Garden of Painting Japanese Art of the 00s" at the National Museum of Art in Osaka 2010.

75

043

MAYUKA YAMAMOTO (Japanese, b. 1964)

Red Bear

山本麻友香 紅熊 2008年

2008 Oil on canvas 227.5 x 162.5 x 3.5 cm Signed overlap Mayuka Yamamoto , titled red bear and dated 2008

油彩 畫布

PROVENANCE

椿畫廊，東京 現有收藏者得自上述來源

Gallery Tsubaki, Tokyo Acquired from the above by the present owner EXHIBITED

Mayuka Yamamoto , Gallery Tsubaki, Tokyo, November 8-29, 2008 ILLUSTRATED

Rosy Wu, Mayuka Yamamoto , Chinese Contemporary Art News, 50, 2009, pp. 42-47

227.5 x 162.5 x 3.5 cm 簽名題識畫布折入處：red bear 2008 Mayuka Yamamoto 來源

展覽

「山本麻友香展」，椿畫廊，東京， 展期2008年11月8日至29日 圖錄

吳華，〈山本麻友香〉，《CANS當代藝術新聞》， 第50期，2009，頁42-47

NT$ 1,600,000 - 2,400,000 HK$ 447,000 - 670,000 US$ 57,500 - 86,200 RMB 373,000 - 559,000 1964 年出生於日本岡山縣，1990 年自武藏野美術大學碩士畢業後，以日本文化廳藝術家研究員身分赴英國研修至 1999 年 返回日本。其作品自 1993 年起定期於日本椿畫廊舉辦多場個展（1993-2006）後，也在荷蘭畫布國際藝術畫廊舉辦個展「鹿 男孩與其他孩童」（2007，阿姆斯特丹）。較近期的聯展則是參加過「韓國國際藝術博覽會」（2004-2007）、「日本年青 畫作」（2007，阿姆斯特丹）。 Born in 1964 in Okayama, Japan, Yamamoto received her master degree at Musashino Art University in Tokyo in 1990, and joined the Japanese Government Overseas Study Program for Artists to continue her studies in London until 1999.

Her works have been shown in several solo shows held by Gallery Tsubaki, Japan since 1993–2006, and her solo show ''Deer Boy and Other infants'' was held by Canvas International Arts gallery in Amsterdam (2007). She also participated in group shows as "Korean International Art Fair'' (2004-2007); "Young Japanese Painting" (2007, Amsterdam).

77

044

REIKA NAKAYAMA (Japanese, b. 1974)

Labyrinth Vol. 2 2010 Acrylic and pencil on canvas 60.5 x 73 cm Signed reverse Reika Nakayama and dated 2010 PROVENANCE

Mori Yu Gallery, Kyoto EXHIBITED

Reika Nakayama, Furikaeru, Tosonomukouni, Solo Exhibition , Mori Yu Gallery, Kyoto, July 24-September 18, 2010 This lot is accompanied with a certificate of authenticity issued by Mori Yu Gallery, Kyoto.

NT$ 120,000 - 180,000 HK$ 34,000 - 50,000 US$ 4,300 - 6,500 RMB 28,000 - 42,000

中山玲 佳

中山玲佳於 2000 年畢業於京都市立藝

迷宮第二集

術大學美術科油畫系，墨西哥的生活經

2010年 壓克力 鉛筆 畫布 60.5 x 73 cm 簽名畫背：Reika Nakayama 2010 來源

Mori Yu畫廊，京都 展覽

「迷宮和果實－中山玲佳」， Mori Yu畫廊，京都， 2010年7月24日至9月18日 附Mori Yu畫廊開立之作品保證書

驗和氣候，對中山的藝術表現影響甚鉅， 她的風格也被稱為魔幻現實主義。中山 玲佳於 2011 年獲得 VOCA 大獎殊榮。 Reika Nakayama graduated from The Department of Fine Arts, Kyoto City University of Arts in 2000. The life experience and climate of Mexico have a great influence on Nakayama's artistic expression, and her style is also known as Magic Realism. She has won the top prize in VOAC 2011.

045

ATSUHIKO MISAWA (Japanese, b. 1961)

Animal 04

三澤厚 彦 胖胖 04 2004-2005年

2004-2005 Camphor wood and oil 63(L) x 20(W) x 37(H) cm Signed bottom Atsuhiko Misawa , titled "Animal 04 " and dated 2004-2005

樟木 油彩

PROVENANCE

親和拍賣，東京 現有收藏者得自上述來源

Shinwa Auction, Tokyo Acquired from the above by the present owner

NT$ 190,000 - 280,000 HK$ 53,000 - 78,000 US$ 6,800 - 10,100 RMB 44,000 - 65,000

63（長）x 20（寬）x 37（高）cm 簽名題識底部：Atsuhiko Misawa "Animal 04" 2004-2005 來源

三澤厚彥為日本現代雕塑最具代表性的領 導者之一，於 2006 年起任教職於武藏野 美術大學雕刻學系。2000 年開始製作一 系列的木雕動物，以有力的斧劈皴樟木和 油彩著色著稱。有著實物般大，三澤的動 物，如同動物天然的皮毛一般，表情栩栩 如生，使其具有強烈的存在感。 Atsuhiko Misawa has worked in the Sculpture Department of Musashino Art University since 2006. Misawa is best known for the series Animals, which he began in 2000, featuring lifesized animals carved from camphor wood with powerful chisel strokes and painted with oil paint. Misawa's animals have a truly powerful presence and lifelike expressions that arouse a range of powerful responses in the viewer.

79

046

YUKA KASHIHARA (Japanese, b. 1980)

Koko Lake

柏原由佳

柏原由佳於 2013 年畢業於德國萊比錫視覺藝術學院。

可可湖

柏原多描繪如山脈、洞穴、湖泊等千變萬化的地貌景觀

2012年

2012 Tempera and oil on canvas 130 x 100.5 cm

蛋彩 油彩 畫布

PROVENANCE

小山登美夫畫廊，東京

Tomio Koyama Gallery, Tokyo This lot is accompanied with a certificate of authenticity signed by the artist and issued

by Tomio Koyama Gallery, Tokyo.

NT$ 200,000 - 300,000 HK$ 56,000 - 84,000 US$ 7,200 - 10,800 RMB 47,000 - 70,000

130 x 100.5 cm 來源

附小山登美夫畫廊開立藝 術家簽名之原作保證書

及其自然能量，此地景同時也是藝術家內在自省的表徵。 使用日本畫的技巧，融合蛋彩和壓克力顏料，使其作品 透明度和飽和度並存。曾於 2013 年獲得 VOCA 展的「榮 譽獎」、「大原美術館獎」。 Yuka Kashihara graduated from the Hochschule für Grafik und Buchkunst Academy of Fine Arts Leipzig in 2013. Kashihara expressed symbolically as an introspective speculation in the forms of the motifs of caves, holes, mountains and lakes which she repeatedly takes up within her work, and through this process of sublimation it is as though the original energies which lie dormant within the great Earth have become awakened. She uses oil paint applied in a thinly diffuse manner similar to that of Japanese nihonga painting, and by applying it in numerous layers. She has won the "Honourable Mention Award" and "Ohara Museum of Art Award" in VOCA 2013.

047

SAKAE OZAWA (Japanese, b. 1980)

It Can't Be a Coincidence

小澤 沙 加 耶

生於日本滋賀縣。2003 年畢業於京

不會是偶然

都 造 形 藝 術 大 學 藝 術 學 院 西 畫 組，

2012年

2012 Oil on canvas 100 x 100 cm

油彩 畫布

PROVENANCE

Mori Yu畫廊，京都

Mori Yu Gallery, Kyoto EXHIBITED

Empty Forest , Mori Yu Gallery, Kyoto, December 15, 2012 - February 24, 2013 This lot is accompanied with a certificate of authenticity issued by Mori Yu Gallery, Kyoto.

NT$ 200,000 - 360,000 HK$ 56,000 - 101,000 US$ 7,200 - 12,900 RMB 47,000 - 84,000

100 x 100 cm 來源

展覽

「空森林」，Mori Yu畫廊，京都，展期 自2012年12月15日至2013年2月24日 附Mori Yu畫廊開立之作品保證書

2008 年 畢 業 於 維 也 納 造 形 美 術 大 學。小澤沙加耶的作品充滿浪漫及細 膩的色彩美感，時而清晰時而迷濛， 彷彿夢境一般。 Born in Shiga, Japan. Sakae OZAWA Graduated from Kyoto University of Arts and Design in 2003 then graduated from Die Akademie der bildenden Kuenste Wien in 2008. Sakae Ozawa's works are filled with gentle and romantic touch of the colors; Ozawa's works processed dream-like features that blurred the boundary between reality and fantasy.

81

048

CAMILLE HILAIRE (French, 1916-2004)

L'étang de Bagatelle Oil on canvas 73 x 60.5 cm Signed lower right Hilaire Signed reverse Hilaire and titled L'étang de Bagatelle With a gallery stamp of Lucien Lefebvre–Foinet, Paris on the reverse, TOILES & COULEURS / [EXTRA FINES] / LUCIEN LEFEBVRE-FOINET / PARIS / 19, RUE VAVIN & 2, RUE BREA

卡密．伊列魯 巴葛蒂爾小池塘 油彩 畫布 73 x 60.5 cm 簽名右下：Hilaire 簽名題識畫背：Hilaire L'étang de Bagatelle 鈐印畫背：TOILES & COULEURS / [EXTRA FINES] / LUCIEN LEFEBVRE-FOINET / PARIS / 19, RUE VAVIN & 2, RUE BREA 來源

PROVENANCE

Lucien Lefebvre–Foinet Gallery, Paris Private collection, Asia

NT$ 150,000 - 220,000 HK$ 42,000 - 61,000 US$ 5,400 - 7,900 RMB 35,000 - 51,000

呂西安．雷費布爾－富瓦內畫廊，巴黎 私人收藏，亞洲

049

MICHEL-HENRY (French, 1928-2016)

Les Pivoines Odorants

米歇爾－昂利 芳香的牡丹花 油彩 畫布

Oil on canvas 92 x 73.5 cm Signed lower left Michel-Henry Signed reverse stretch MICHEL-HENRY and titled Les Pivoines Odorants

92 x 73.5 cm

PROVENANCE

帝門藝術中心，台北 現有收藏者購自上述來源

Dimensions Art Center, Taipei Acquired from the above by the present owner

簽名左下：Michel-Henry 簽名題識畫背框條：MICHEL-HENRY Les Pivoines Odorants 來源

NT$ 160,000 - 240,000 HK$ 45,000 - 67,000 US$ 5,700 - 8,600 RMB 37,000 - 56,000

83

050

POREN HUANG

黃柏仁

Go!

2004年

(Taiwanese, b. 1970)

GO!

2004 Iron; unique 66(L) x 83(W) x 171(H) cm Engraved base PR in English and dated 2004.2.15

鐵雕 單一件

PROVENANCE

羅芙奧，台北，2015年12月6日，拍賣編號203 現有收藏者得自上述來源

Ravenel, Taipei, December 6, 2015, lot 203 Acquired from the above by the present owner

NT$ 950,000 - 1,500,000 HK$ 265,000 - 419,000 US$ 34,100 - 53,900 RMB 221,000 - 350,000

66（長）x 83（寬）x 171（高）cm 簽名雕刻圓盤底座：2004.2.15.PR 來源

051

GUY BARDONE (French, 1927-2015)

Le Vallon Givré - Pyrénées 1991 Oil on canvas 114 x 146 cm Signed lower left Bardone Titled reverse stretch LE VALLON GIVRÉ - PYRENEES - , dated 1991 and inscribed 80F PROVENANCE

Galerie Elegance, Taipei Acquired from the above by the present owner

居．巴赫東 霜雪的山谷－庇里牛斯山 1991年 油彩 畫布 114 x 146 cm 簽名左下：Bardone 題識畫背框條：80F/91 LE VALLON GIVRÉ - PYRENEES 來源

愛力根畫廊，台北 現有收藏者得自上述來源

NT$ 360,000 - 550,000 HK$ 101,000 - 154,000 US$ 12,900 - 19,700 RMB 84,000 - 128,000

85

052

TETSUTARO KAMATANI

鎌谷徹太郎

Happy Paradise II - 11

2008年

(Japanese, b. 1979)

2008 Mixed media, oil on canvas 116.7 x 91 cm Signed reverse Kamatani , titled Happy Paradise II - 11 and dated 2008 PROVENANCE

Gallery J. Chen, Taipei Private collection, Taiwan EXHIBITED

Ultra Superficial - Kamatani Tetsutaro , Gallery J. Chen, Taipei, March 21-April 30, 2009 ILLUSTRATED

Ultra Superficial - Kamatani Tetsutaro , Gallery J. Chen, Taipei, 2009, color illustrated

NT$ 160,000 - 240,000 HK$ 45,000 - 67,000 US$ 5,700 - 8,600 RMB 37,000 - 56,000

快樂天堂 II－11 綜合媒材 油彩 畫布 116.7 x 91 cm 簽名題識畫背：Kamatani 2008 Happy Paradise II - 11 來源

J. Chen畫廊，台北 私人收藏，台灣 展覽

「極端膚淺論－鎌谷徹太郎」，J. Chen畫廊， 台北，展期2009年3月21日至4月30日 圖錄

《極端膚淺論－鎌谷徹太郎》，J. Chen畫廊， 台北，2009，彩色圖版

053

SHINNOSUKE TOJO

東城信之介 1978 年出生於日本長野，現居住及創作於神奈川縣。於 2004

Sharangaran

（Spiral Independent Creators Festival）、2019 年 VOCA（The Vision

(Japanese, b. 1978)

2020 Copperplate, rust, pigment, ink 105 x 100 x 3 cm Initialed reverse TJ, titled Sharangaran and dated 2020 J

NT$ 240,000 - 360,000 HK$ 67,000 - 101,000 US$ 8,600 - 12,900 RMB 56,000 - 84,000

年 東 京 造 型 大 學 取 得 美 術 學 士 學 位。 他 曾 獲 獎 無 數， 如 2018 年 SICF of Contemporary Art）首獎殊榮。其作品也受邀展覽於日本全國畫廊和展 覽中心，包含小海町高原美術館、53 美術館和上野之森美術館。東城信之 介在薄鋼板上用刻痕製作三維繪畫，將所見之具有聯結想像的圖像或心靈風 景，帶入現實生活中。隨光影變化線條圖像也隨時改變，是東誠觀看事物的 方法，也是他與觀者分享曾經活躍與生命的軌跡。 Tojo Shinnosuke was born in Nagano in 1978 and currently lives and bases in Kanagawa, Japan. In 2004, Tojo received B.F.A from Tokyo Zokei University. Tojo has won several art prizes in Japan such as GrandPrix of VOCA Art Award (2019) and Spiral Independent Creators Festival (2018). His works have been exhibited in galleries nationwide, including exhibitions at Koumimachi Kogen Museum of Art, 53 Museum, and Ueno

東城信之介 夏萊卡蘭 2020年 銅版 鐵鏽 顏料 墨 105 x 100 x 3 cm 簽名題識畫背：Sharangaran 2020J TJ

Royal Museum. Tojo makes three-dimensional paintings with scratches on a thin steel plate to bring back images or landscapes of mind to real life which he saw with synesthetic sense to real life. Those images never get fixed since they look different all the time with lighting conditions, but that's the way he sees them. Sharing those moments with visitors will be evidence that he is alive and leaves a trace of life behind.

87

其他角度 other side

054

JEFF KOONS (American, b. 1955)

Diamond (Red) 2020 French Limoges porcelain with chromatic coating, ed. 212/599 31.8(L) x 39.3(W) x 32(H) cm Signed on the bottom JEFF KOONS , titled DIAMOND (RED) , numbered 212/599 and dated 2020 With a stamp of Bernardaud, Limoges, France This lot is accompanied with a certificate of authenticity and the original product box designed by Jeff Koons.

NT$ 600,000 - 900,000 HK$ 168,000 - 251,000 US$ 21,500 - 32,300 RMB 140,000 - 210,000

傑夫．昆斯 鑽石（紅） 2020年 法國利摩日瓷器彩繪塗層 版次212/599 31.8（長）x 39.3（寬）x 32（高）cm 簽名題識底部：JEFF KOONS DIAMOND (RED) 212/599 '20 鈐印底部：Bernardaud, Limoges, France 附原作保證書與藝術家設計原裝盒

055

NICOLAS PARTY (Swiss, b. 1980)

Untitled

2018 Acrylic on glass vase, unique piece 8.6(L) x 8.6(W) x 18.6(H) cm PROVENANCE

Dimes, New York, Spring Water Benefit for Dig Deep, May 15, 2018 (courtesy of the artist) Private collection, USA This lot is accompanied with a certificate of authenticity.

NT$ 650,000 - 950,000 HK$ 182,000 - 265,000 US$ 23,300 - 34,100 RMB 152,000 - 221,000 尼古拉斯．帕蒂 無題 2018年 壓克力 玻璃花瓶彩繪 單一件 8.6（長）x 8.6（寬）x 18.6（高）cm 來源

Dimes餐廳，紐約，「深層地泉水淨化募款餐會義賣」， 2018年5月15日（藝術家提供） 私人收藏，美國 附原作保證書

尼古拉斯．帕蒂於 1980 年出生於瑞士洛桑，先

Nicolas Party was bor n in Lausanne, Switzerland in 1980. He

後於洛桑藝術設計學院和蘇格蘭格拉斯哥藝術學

successively got his bachelor's and master's degrees from Lausanne

院，取得學士和碩士學位。帕蒂主要以色彩飽和

School of Art and Glasgow School of Art, Scotland. Party is primarily

的繪畫和壁畫而聞名，同時亦創作彩繪雕塑、粉

known for his colour-saturated paintings and murals, he also makes

彩、裝置、版畫和素描。經常描繪日常的風景、

painted sculptures, pastels, installations, prints and drawings. He often

人物肖像和靜物，並去除所有無關緊要的細節。

paints landscapes, portraits and still lifes of everyday objects, which

其作品並為考夫曼．雷佩托畫廊、澤維爾．霍夫

he strips of all extraneous detail. Party's works have been representing

肯畫廊、豪瑟沃斯畫廊等機構所代理。

by Kaufmann Repetto Art Gallery, Xavier Hufkens, Hauser & Wirth, etc.

89

056

THIERRY FEUZ (Swiss, b. 1968)

Purple Atlas Sirocco 2021 Lacquer, oil, acrylic and glitter on canvas 200 x 160 cm Signed reverse Thierry Feuz , titled Purple Atlas Sirocco and dated 2021 EXHIBITED

Neo-Baroque - Thierry Feuz , Bluerider ART DunRen Gallery, Taipei; Bluerider ART Shanghai Gallery, Shanghai, June 1-August 21, 2021

西瑞．菲茲 阿特拉斯系列－紫氣東來 2021年 漆 油彩 壓克力 亮粉 畫布 200 x 160 cm 簽名題識畫背：Thierry Feuz 2021 Purple Atlas Sirocco 展覽

「血液裡的浪漫：西瑞．菲茲台北上海雙城個展」， 藍騎士藝術敦仁展覽，台北；藍騎士藝術上海展館， 上海，展期2021年6月1日至8月21日

NT$ 800,000 - 1,200,000 HK$ 223,000 - 335,000 US$ 28,700 - 43,100 RMB 186,000 - 280,000 西瑞．菲茲 1968 年出生於瑞士，日內瓦藝術與設計大學碩士

Thierry Feuz was born in 1968 in Switzerland. He

畢，目前在日內瓦居住、創作。在他的藝術世界中，藝術、科

graduated with a Master's degree from the Haute Ecole

學、哲學是相遇的，他關心人類普世間共有的「存在」之意義，

d'Art et de Design in Geneva, and currently lives and

並用獨有的繪畫技術呈現未曾可見之境域。西瑞．菲茲的作品，

works in Geneva. Art, science and philosophy meet in his

混合了多種繪畫基因，包括西班牙巴洛克時期細膩的靜物畫、

art world. He is concerned about the significance of the

波洛克的滴流畫、胡安．米羅的超現實主義、賽．湯伯利的古

"existence" of all humankind around the world. Some clues

典神話。他將具體之物放入虛實之間，創造出一種無法被定義

to Feuz's creative elements can be seen in the delicate still

的繪畫。作品獲瑞士歷史與藝術博物館、新加坡藝術基金會、

life paintings of Spain's Baroque period, the drip paintings

美國薩克斯第五大道精品百貨公司、微風集團，以及瑞士銀行

of Jackson Pollock, the surrealism of Joan Miró, and Cy

等機構收藏。

Twombly's classical mythology. Feuz places concrete objects between the real and the imagined and creates a kind of painting that defies definition. His works have been included in institutional collections of the Musée d'Art et d'Histoire, Neuchâtel, Switzerland, the Singapore Art Foundation, America's Saks Fifth Avenue Enterprise, Breeze Center and the United Bank of Switzerland (UBS).

91

057

DESIRE OBTAIN CHERISH (D.O.C) (American, b. 1975)

It's Been Swell, but the Swelling's Gone Down (Triptych) 2015 Digital print on canvas, spray paint; unique 119.5 x 180 cm Signed reverse Desire Obtain Cherish and dated 2015 With a security laser tag EXHIBITED

Desire Obtain Cherish: #YourKiddingRight , Bluerider ART Gallery, Taipei, May 23-July 1, 2017

NT$ 1,200,000 - 1,800,000 HK$ 335,000 - 503,000 US$ 43,100 - 64,600 RMB 280,000 - 420,000

強納森．保羅 它一直在膨脹，但膨脹已經消了（三聯幅） 2015年 數位輸出 噴漆 畫布 單一件 119.5 x 180 cm 簽名畫背：Desire Obtain Cherish 2015 防偽雷射標籤 展覽

「D.O.C. 藝術壞痞子」，藍騎士藝術空間，台北， 展期2017年5月23日至7月1日

D.O.C. 畢業於世界著名設計學府紐約帕森設計學院的 D.O.C.，創作結合街頭藝術、普普藝術、 概念藝術及挪用藝術，呈現手法橫跨多樣媒材與型態。2000 年起以街頭塗鴉在藝術圈迅速竄紅， 於美國各大藝術博覽會嶄露頭角，2015 年 D.O.C. 受邀在威尼斯雙年展期間 於著名的百夫長皇 宮酒店展出，2016 年更受紐約第五大道精品百貨薩克斯邀請合作，結合時尚與藝術展出其經典 系列棒棒糖裝置作品。 D.O.C. graduated from the famous Parsons School of Design in New York, D.O.C. integrates the concepts of pop-art, street art and conceptual art and implemented appropriation techniques to reach beyond limitations of medium. In 2000, he became an instant hit with his focus in street art, and was widely seen in major art fairs across America. In 2015, D.O.C.'s works were exposed at the Centurion Palace during the Venice Biennale. Afterwards, he was invited by the department store, Saks Fifth Avenue in New York to exhibit his most-known art installation series: "Meltdown" in shapes of lollipops.

93

058

NIKKI

(American, b. 1996)

Untitled

2021 Mixed media on canvas 101 x 81 cm Signed reverse NIKKI This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 400,000 - 600,000 HK$ 112,000 - 168,000 US$ 14,400 - 21,500 RMB 93,000 - 140,000

Ni k ki

1996 年出生於美國，現居於紐約創作，以

眨眼睛

插畫、兒童繪本創作為主。畫面用色繽紛，

2021年 綜合媒材 畫布

活潑可愛的女孩圖樣，融合諸多日本與美 國當代藝術家標誌性創作元素，賦予新意。

101 x 81 cm

Born in the United States in 1996, Nikki

簽名畫背：NIKKI

now lives and works in New York, mainly

附藝術家簽名之原作保證書

creating illustrations and children's picture books. The screen uses colorful, lively and cute girl patterns, and integrates multiple Japanese and American contemporary artists, with iconic creative elements.

059

SOL FELPETO (Venezuelan, b. 1990)

Saint Seiya: The Cats of the Zodiac 2021 Acrylic on canvas 97 x 97 cm Signed lower right SOL FELPETO and dated '21 Signed reverse, inscribed Madrid and dated '21 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 380,000 - 550,000 HK$ 106,000 - 154,000 US$ 13,600 - 19,700 RMB 89,000 - 128,000

索兒．費 佩 托

索兒．費佩托 2016 年開始專職於藝術創作。她

聖鬥士星矢：黃道12宮戰貓

的創作旨在將藝術轉譯為動人的事物，目標是

2021年 壓克力 畫布 97 x 97 cm 簽名右下：SOL FELPETO '21 藝術家簽名題識畫背 附藝術家簽名之原作保證書

將已知事物與新事物之間建立聯繫以創造情感。 過程涉及對參考文獻的深入研究，與個人經驗 的交流。以動物作為主要角色重塑歷史，為觀 眾帶來驚喜，尋求互動和提高意識。 Sol Felpeto started her art career in 2016.

She seeks to translate art into something immediately catchy, making a connection between known and new to create emotions.

Her creative process parts on a deep study of references in order to overlap her personal universe so that she can rewrite history with animals as main characters, surprising audiences and looking for interaction and raising awareness.

95

060

SNIPE1

(Japanese, b. 1974)

aFlower

2021 Spray paint on canvas; unique piece 120 x 80 cm Signed graffiti reverse, inscribed Tokyo and dated 2021

NT$ 400,000 - 600,000 HK$ 112,000 - 168,000 US$ 14,400 - 21,500 RMB 93,000 - 140,000

S NIPE1

1974 年 SNIPE1 出生於東京，是日本塗鴉藝術界的先驅。

一朵小花

自嶄露頭角以來，就一直相當活躍。1990 年初投入紐約

2021年 噴漆 畫布 單一件 120 x 80 cm 藝術家簽名塗鴉題識畫背

塗鴉界，自此 SNIPE1 走遍了各個國家，並與世界各地的 塗鴉社群建立起聯繫。SNIPE1 的塗鴉汲取了街頭文化的 敏感性，同時加入其獨有並鮮明的「骯髒」風格，透過不 斷地突破界限，打破了塗鴉文化的刻板印象。 SNIPE1 was born in Tokyo in 1974. As a pioneer among Japanese graffiti writers, Snipe1 has been active since the dawn of Japan's graffiti scene and later threw himself into the graffiti world of early 1990s New York. Since then, he has traveled to various countries establishing connections with graffiti communities all around the world. Snipe1's graffiti draws upon the sensibility of street culture but incorporates an edge of "dirtiness" that lends to an unmistakable individual style. By pushing the boundaries, he continuously dares to toe the danger of breaking stereotypes.

061

LY

LY

LUV's Street

2021年

(Japanese, b. 1981) 2021 Acrylic on canvas 116.7 x 91 cm Inscribed upper left LUV. BURGER Signed reverse Ly and dated 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

LUV在街頭 壓克力 畫布 116.7 x 91 cm 題識左上：LUV. BURGER 簽名畫背：Ly 2021. 附藝術家簽名之原作保證書

NT$ 900,000 - 1,500,000 HK$ 251,000 - 419,000 US$ 32,300 - 53,900 RMB 210,000 - 350,000

97

062

JONATHAN CHAPLINE (American, b. 1987)

Domestic Landscape 2017 Acrylic and flashe on panel 61.6 x 78.7 cm Signed reverse CHAPLINE and dated 2017 PROVENANCE

BEERS London, London Private collection, Los Angeles Private collection, USA Sotheby's, New York, November 18, 2020, lot 201 Acquired from the above by the present owner EXHIBITED

75 Works on Paper , BEERS London, London, November 17-December 19, 2017

NT$ 950,000 - 1,500,000 HK$ 265,000 - 419,000 US$ 34,100 - 53,900 RMB 221,000 - 350,000 喬納森．查普林 家庭景觀

喬納森．查普林於 1987 年出生於美國喬治亞州的薩凡納，並成 長於德州的韋科。2009 年因參與羅德島設計學院的歐洲優異計 畫而赴義大利羅馬，並於 2010 年取得繪畫學系的美術學位。查 普林為同時擅長電腦繪圖和傳統繪圖的藝術家，他重新處理了 電腦繪圖中的「彩現（渲染）」（用於模擬實境），調整了形狀、 視角、表面紋理、光源和陰影等，重現了一個「不真實的」、「奇 幻的」真實世界。

2017年

Jonathan Chapline was born in Savannah, GA, USA in 1987

壓克力 flashe顏料 畫板

and grew up in Waco, TX. In 2009, he went to Rome, Italy to

61.6 x 78.7 cm

participate in the European Honors Program of the Rhode

簽名畫背：CHAPLINE 2017

Island School of Design. In 2010, he received a Bachelor's

來源

BEERS London畫廊，倫敦 私人收藏，洛杉磯 私人收藏，美國 蘇富比，紐約，2020年11月18日，編號201 現有收藏者得自上述來源 展覽

「75紙上群展」，BEERS London畫廊，倫敦， 展期2017年11月17日至12月19日

degree from the Department of Painting, RISD. Chapline is an artist who specializes in both computer graphics and traditional graphics. He reprocessed the "rendering" (used to simulate reality) in computer graphics, adjusted the shape, perspective, surface texture, light source and shadows, etc., to reproduce an "unreal" and "fantasy" real world.

99

063

EDDIE MARTINEZ (American, b. 1977)

Blockheads for Detroit 2019 Oil, spray paint, ink, marker and crayon on paper, unique piece 76 x 51 cm Initialed lower right EM 16/20 and dated 2019 Titled lower center Blockheads for Detroit PROVENANCE

Museum of Contemporary Art Detroit, USA Private collection, Asia EXHIBITED

Eddie Martinez: Fast Eddie , Museum of Contemporary Art Detroit, Detroit, May 10-August 18, 2019 This lot is accompanied with a certificate of authenticity issued

by John Wolf Art Advisory & Brokerage, Los Angeles.

NT$ 1,400,000 - 2,600,000 HK$ 391,000 - 726,000 US$ 50,300 - 93,400 RMB 326,000 - 606,000 艾迪．馬丁內斯 底特律的傻瓜

此幅畫為馬丁內斯 20 幅「底特律的傻瓜」系列創作之一， 於 2019 年 5 月 10 日至 8 月 18 日，底特律當代藝術博物館 「馬丁內斯：快速艾迪」個展中展出。底特律當代藝術博物 館當年為籌措展覽經費，以傻瓜頭象圖案絲網版畫為基底， 邀請藝術家馬丁內斯於每幅版畫上重新親筆繪創作，出售所 得用於支持展覽。此系列的每一件都是獨一無二的，具有獨 特的技法，媒材從釉、油彩、噴漆和拼貼元素，各具特色。 This painting is one of 20 unique works of Martinez's Blockheads for Detroit. For the exhibition Eddie Martinez: Fast Eddie at the Museum of Contemporary Art Detroit of May 10-August 18, 2019, MOCAD offered a silkscreen

2019年

with the artist's hand painting produced in a limited

油彩 噴漆 墨 簽字筆 蠟筆 紙本 單一件

edition to supporters of the exhibition. Each piece within

76 x 51 cm

the edition is uniquely worked, with materials ranging

簽名右下：EM16/20 2019

from enamel, oil paint, spray paint and collage elements.

題識中下：Blockheads for Detroit 來源

底特律當代藝術博物館，美國 私人收藏，亞洲 展覽

「艾迪．馬丁內斯：快速艾迪」，底特律當代藝術博物館， 底特律，展期2019年5月10日至8月18日 附約翰．沃爾夫藝術諮詢與經紀開立之作品保證書

101

064

JOSÉ PARLÁ

荷西．帕拉於 1973 年出生於邁阿密，為古巴裔美國人，先後畢

Alphabet Layers

界藝術學院。荷西．帕拉以書法和斑斕的色彩而聞名，擅用抽

(American, b. 1973)

2006 Mixed media on Dr. Romanelli patchwork leather 82 x 106 cm Signed reverse Parla , titled Alphabet Layers and dated June 13th 2006 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 2,000,000 - 3,000,000 HK$ 559,000 - 838,000 US$ 71,800 - 107,700 RMB 466,000 - 699,000

業於邁阿密達德學院、薩凡納藝術設計學院，和邁阿密的新世 象的語彙，表達對歷史、人類和語言的豐富性的覺察，如其和 法國藝術家 JR（Jean René）共同合作的項目《城市的皺紋： 古巴哈瓦那》（2012 年），和其知名機構所繪製的大型壁畫： 布魯克林巴萊克中心的《布魯克林日記》（2012 年）、北卡羅 萊納州立大學亨特圖書館的《語言的本質》（2013 年）、紐約 世界貿易中心一號大樓的《共識》（2014 年）、德州大學奧斯 汀分校的《美國友誼》（2018 年）等。 José Parlá was born in Miami in 1973. He is a CubanAmerican. He graduated from Miami Dade College, Florida, Savannah College of Art & Design, Georgia, and New World School of the Arts, Miami, Miami. José Parlá is famous for his calligraphy and bright colours, and he uses a distinctive abstract way to express his awareness of history and the

荷西．帕拉

richness of mankind and language. For example, the

字母圖層

project "Wrinkles of the City - Havana, Cuba" (2012) that he

2006年

collaborated with a French artist JR (Jean René); and large

綜合媒材 Dr. Romanelli拼接皮革 82 x 106 cm

scale mural at well-known institutions: "Diary of Brooklyn" (2012) of Barclays Center, Brooklyn, New York, "Nature of

簽名題識畫背：Alphabet Layers Parlá 2006 June 13th

Language" (2013) of Hunt Library by SNØHETTA, North

附藝術家簽名之原作保證書

World Trade Center, New York (2014), "Amistad América"

Carolina State University, "ONE: Union of the Sense" of ONE (2018) of Landmarks, University of Texas at Austin, etc.

103

065

PETER RIEZEBOS

彼得．萊茲伯斯 2015 年在華東師範大學創作了《高度懷疑》

Radical Doubt

上海半島酒店、上海多倫現代美術館、上海 M50 等多個展覽

(Dutch, b. 1980)

2015 Mixed media on canvas 200 x 200 cm Initialed R and dated 15

作為藝術家的代表作品之一，具有其標誌性風格。此作曾於 中展出，作為背景出現在幾部電視節目中，並被選為藝術家目 錄 「超越極致 」的封面，該目錄記錄了藝術家從 2014 年至 2020 年的全球藝術冒險。此作的靈感來自於讓 - 米切爾·巴斯 基亞爾、哲學家勒內·笛卡爾和上海 M50 創意園的塗鴉作品， 也反映了彼得．萊茲伯斯對批判性思維和系統性懷疑的信念。

EXHIBITED

Super Monkey King - from Huaguoshan to Moganshan , United Art Space, Shanghai, March 5-April 5, 2016

China Normal university in 2015. As one of the artist's

ILLUSTRATED

representative works with signature style, it has been

Peter Riezebos created ' Radical Doubt ' at the East

Plus Ultra , Peter Riezebos, Harderwijk, 2020, color illustrated, cover, pp.34-37, pp.42-43, pp.138-143, pp.230-231, p.234.

presented at multiple exhibitions, like The Peninsula

This lot is accompanied with a certificate of authenticity issued by artgogo, Shanghai.

Shanghai, featured as background in several TV

NT$ 2,400,000 - 3,600,000 HK$ 670,000 - 1,006,000 US$ 86,200 - 129,300 RMB 559,000 - 839,000

Shanghai, The Duolun Museum of Moder n Art, M50 appearances, and also selected as cover of artist's catalog Plus Ultra which documents Peter Riezebos' global art adventure from 2014-2020. 'Radical Doubt ' is inspired by Jean-Michel Basquiat, the philosopher René Descartes and the graffiti artworks at Shanghai M50 Creative Park, also reflecting on Riezebos' beliefs in critical thinking and systemic doubts.

彼得．萊茲伯斯 高度懷疑 2015年 綜合媒材 畫布 200 x 200 cm 簽名右下：R 15 展覽

「從花果山到莫干山之猴賽雷」，聯合藝術空間， 上海，2016年3月5日至4月5日 圖錄

《超越極致》，彼得．萊茲伯斯，哈爾德韋克，2020， 彩色圖版，封面、頁34-37、42-43、138-143、 230-231、234 附藝高高開立之作品保證書

藝術家與拍品合影 The artist in front of Radical Doubt

105

066

JAMMIE HOLMES

在整個美國，青年的流失往往是槍枝暴力的結果，源自於長

Children of War

生存而戰鬥。傑米．霍姆斯知名的公共項目「他們要殺了我」

(American, b. 1984)

2019 Oil and acrylic on canvas 59 x 45 cm Initialed reverse JH , titled Children of War and dated 2019 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 1,200,000 - 1,800,000 HK$ 335,000 - 503,000 US$ 43,100 - 64,600 RMB 280,000 - 420,000

期以來社會和種族的不平等，貧窮社區的有色人種被迫為了 （They're Going to Kill Me）行為藝術，即是為了回應喬 治．弗洛伊德被謀殺的新聞事件。本件讓人聯想起霍姆斯早 期的創作，探討在魯莽環境中長大的孩子，類比於獅子山共 和國的窮困兒童兵。灰色如混凝土般的背景為這作品奠定了 基礎，象徵了一個冷硬的過去；畫中男孩模糊而不具體的外 表，則代表了這是所有黑人的共同經歷。 Across America, loss of the young in particular is too often the result of gun violence that stems from deep and long standing social and racial inequity, where people of color in poor communities are forced to struggle to survive. Jamie Holmes initiated the "They Are Killing Me" public project in response to the news

傑米．霍姆斯

that George Floyd was murdered. This artwork is

戰爭之子

reminiscent of earlier works by Holmes that paralleled

2019年 油彩 壓克力 畫布 59 x 45 cm 簽名題識畫背：JH 2019 Children of War 附藝術家簽名之原作保證書

kids growing up in rough neighborhoods to child soldiers in Sierra Leone. The grey concrete grounds the work and represents a hardened past. The vague and unrealistic appearance represents that this is the common experience of all blacks.

107

067

JAMMIE HOLMES (American, b. 1984)

Coming Home 2020 Acrylic and oil pastels on canvas 91.5 x 122 cm Initialed reverse JH , titled Coming Home and dated 2020 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 3,000,000 - 5,000,000 HK$ 838,000 - 1,397,000 US$ 107,700 - 179,500 RMB 699,000 - 1,166,000 傑米．霍姆斯 回家 2020年 壓克力 蠟筆 畫布 91.5 x 122 cm 簽名題識畫背：JH 2020 Coming Home 附藝術家簽名之原作保證書

109

傑米．霍姆斯出生於美國路易斯安那州的提柏道克斯， 是一個自學成才的藝術家，他的作品描述美國南部地區 黑人家庭的生活故事。藉由具象的繪畫，霍姆斯表現日 常的悲喜掙扎。他生長的地方距密西西比河二十分鐘路 程，仍圍繞在過去黑歷史的社會和經濟現實，自 1887 年「提柏道克斯大屠殺」（Thibodaux Massacre）以來， 奴役的記憶，工會衝突持續不斷。霍姆斯的作品既表現 了路易斯安那州熱情包容的浪漫神話，同時有意隱藏延 續幾世紀以來貧窮和種族主義的傷痕。儘管環境如此， 霍姆斯的作品仍以捕捉家庭、儀式和傳統的節慶時刻為 特色。 霍姆斯的祖母是提柏道克斯社區教會的引座員，自幼隨 之參與教會活動。禮拜天總是混亂繁忙，對一個小男孩 來說，對宗教的矛盾情緒，隨著年齡的增長與日俱增。 霍姆斯說：「宗教的意義現在變得很不同。我們生活在 魯莽輕率的環境中，所以教會感覺就像避風港，也是聆 聽人生教誨的所在。而牧師在簾後聽著我們訴說現實生 活的種種。」有時出現在霍姆斯的作品中的花卉壁紙， 出現在男性人像的背景之中，就像禮拜天一樣，象徵著 黑人男性為了生存而要表現得不具威脅感。 其作品也反映出孩子在權利被剝奪的社區中長大，必須 懂得「堅強」的壓力；照顧自身與家人；犯罪、暴力和 虐待的威脅已成為日常。他說：「許多美國孩童在被剝 奪權利的社區中長大。我們忘記了崎嶇的城市裡到處是 早熟的孩子。」 作 於 2020 年 的 知 名 公 共 藝 術 作 品「 通 用 語 言 」 （Universal Language），這幅壁畫是描述兒童遊戲時 會使用的通用語言。儘管不會說同一種語言，孩子仍然 知道如何一起玩耍，因為不得不背負的責任，現在的孩 子過於早熟，不管在何處，孩童的嘻笑聲總是相同。壁 畫內容描繪了在舊床墊上後空翻的孩子，提醒著我們： 藝術家照片 Artist photo ©All right reserved by Jammie Holmes

孩子們總是能找到保有童心的創造性方法，而我們不應 剝奪他們的權利。

JAMMIE HOLMES 達 拉 斯 藝 術 博 物 館 當 代 藝 術 助 理 策 展 人 薇 薇 安． 克 羅 克 特

behind a male figure - meant to symbolize the need black

（Vivian Crockett）如此形容霍姆斯的作品：「我認為霍姆斯

men feel to present themselves as unthreatening in order to

以一種不常見，而又複雜的表現方式，展現黑人男子氣概，非

stay alive.

常有力量。」其作品已為達拉斯藝術博物館永久典藏。重要的 展覽經歷包括：「傑米．霍姆斯：所有都受傷」（達拉斯當代 美術館，德州，美國，2020）、「解剖：傑米．霍姆斯」（圖 書館街頭團體畫廊，底特律，2020）、「男人的碎片」（2021）

His artworks also reflect the pressure on children growing up in disenfranchised neighborhoods to 'be strong'; take care of themselves and their families from a young age; and to

和「待確認」（2020）等。

normalize exposure to threats of crime, violence, or abuse.

Jammie Holmes is a self-taught painter from Thibodaux,

neighborhoods. We forget that rough cities are filled with

Louisiana, whose work tells the story of contemporary

kids who grew up too fast." － JAMMIE HOLMES

life for many black families in the Deep South. Through figurative works and tableaux, Holmes depicts stories of the celebrations and struggles of everyday life. Growing up 20 minutes from the Mississippi River, Holmes was surrounded by the social and economic consequences of America's dark past, where reminders of slavery exist alongside labor union conflicts that have fluctuated in intensity since the Thibodaux Massacre of 1887. His work is a counterpoint to the romantic mythology of Louisiana as a hub of charming hospitality, an idea that has been perpetuated in order to hide the deep scars of poverty and racism that have structured life in the state for centuries. Despite the circumstances of its setting, Holmes' work is characterized by the moments he captures where family, ritual and tradition are celebrated.

Holmes' grandmother was an usher at his community church in Thibodaux, having been involved with the congregation from a young age. Sunday was always chaotic, and as a boy, he had conflicted feelings around religion that only grew as he did. Says Holmes, "Religion now means something different. We were living in a reckless environment, so church felt like a safe haven and a place to listen to life lessons.

Our reverend lived in the hood and talked about real things happening." Floral wallpaper is sometimes incorporated into

"So many American kids are growing up in disenfranchised

One of his public artwork, "Universal Language" has been created in 2020. Says Holmes: "This mural is about the universal language spoken by children through play; kids who may not speak the same language still know how to have fun with each other. Kids grow up too fast now because of the responsibilities we put on them. Laughter and play will always sound and look the same no matter where it happens. In the mural, there is a kid doing a backflip on an old mattress outside, left for trash. Kids will always find creative ways to stay young － it's up to us not to take that away from them."

"I think there's something very powerful about the way that (Holmes) presents black masculinity; a way that people aren't used to seeing. It's a very complex portrayal." － Vivian Crockett, the Nancy and Tim Hanley Assistant Curator of Contemporary Art at the Dallas Museum of Art. His artwork have been selected by the Dallas Museum of Art. His exhibitions include: "Jammie Holmes: Everything Hurts. " (Dallas Contemporary, Dallas, TX, USA, 2020), "Anatomy: Jammie Holmes" (Library Street Collective, Detroit, 2020), "Pieces of a Man" (2021) and "To Be Determined" (2020), etc.

Homes' paintings as in All on a Sunday - often depicted just

111

068

KAWS (BRIAN DONNELLY) (American, b. 1974)

Four Foot Companion (Black) 2007 Painted cast vinyl, edition of 100 37(L) x 57(W) x 127(H) cm Copyright © KAWS.. 07 on the bottom of the right foot, and trademark MEDICOM TOY 2007 MADE IN CHINA on the bottom of the left foot With a security laser tag This lot is accompanied with the original product box.

NT$ 1,500,000 - 2,200,000 HK$ 419,000 - 615,000 US$ 53,900 - 79,000 RMB 350,000 - 513,000 布萊恩．唐納利 4呎同伴（黑色） 2007年 彩繪 搪膠 限量100件 37（長）x 57（寬）x 127（高）cm 版權右腳：© KAWS.. 07 註冊商標左腳：MEDICOM TOY 2007 MADE IN CHINA 防偽雷射標籤 附原裝盒

069

KAWS (BRIAN DONNELLY) (American, b. 1974)

Four Foot Dissected Companion (Black) 2009 Fiber reinforced plastics, edition of 100 31(L) x 54(W) x 128(H) cm Copyright © KAWS.. 09 on the bottom of the left foot, and trademark MEDICOM TOY 2009 MADE IN CHINA on the bottom of the right foot With a security laser tag PROVENANCE

Zhong Cheng Auctions, Taipei, June 10, 2018, lot 206 Acquired from the above by the present owner This lot is accompanied with the original product box.

NT$ 1,600,000 - 2,400,000 HK$ 447,000 - 670,000 US$ 57,500 - 86,200 RMB 373,000 - 559,000 布萊恩．唐納利 4呎同伴解剖（黑色） 2009年 纖維增強塑料 限量100件 31（長）x 54（寬）x 128（高）cm 版權左腳：© KAWS.. 09 註冊商標右腳：MEDICOM TOY 2009 MADE IN CHINA 防偽雷射標籤 來源

中誠拍賣，台北，2018年6月10日，編號206 現有收藏者得自上述來源 附原裝盒

113

070

KAWS (BRIAN DONNELLY) (American, b. 1974)

Untitled

布萊恩．唐納利 無題 2012年

2012 Acrylic on canvas Diameter 50.8 cm Signed reverse KAWS.. and dated 12

壓克力 畫布

PROVENANCE

富藝斯拍賣，紐約，2019年9月24日，編號69 現有收藏者得自上述來源

Phillips, New York, September 24, 2019, lot 69 Acquired from the above by the present owner

NT$ 2,800,000 - 4,200,000 HK$ 782,000 - 1,173,000 US$ 100,500 - 150,800 RMB 653,000 - 979,000

KAWS《無題》（雙聯幅）2013 壓克力 畫布 89 x 58.4 x 4 cm（每件） 羅芙奧2021春季拍賣會 台幣7,200,000成交 KAWS, Untitled (Diptych) , 2013, Acrylic on canvas, 89 x 58.4 x 4cm (each) Ravenel 2021 Spring Auction, USD 257,143

直徑 50.8 cm 簽名畫背：KAWS.. 12 來源

115

K

A

W

S

KAWS 本名是布萊恩．唐納利，生於美國紐澤西。畢業於紐

Born in New Jersey, U.S.A., the real name of KAWS is Brian

約視覺藝術學院插畫專業，之後受雇於迪士尼擔任動畫師。因

Donnelly. After graduating from the School of Visual Arts

為覺得 KAWS 四個字母塗寫起來好看，就在城市各處塗鴉，

in New York with a Bachelor of Fine Arts in illustration, he

於是成為了他作為藝術家身份的化名。KAWS 的美學產物開

worked as an animator for Disney. Because he liked the

始於街頭，屬於地下、反文化的，不像傳統藝術家走主流模

look of the four letters "KAWS" together, he began to paint

式，一直遊走在藝術、大眾文化和商業世界之間，成為傳奇。

graffiti of "KAWS" everywhere in the city, which turned into

2010 年至 2014 年期間，KAWS 開始嘗試一系列抽象畫作，

his artistic pseudonym. Unlike traditional mainstream artists,

於畫布上重新解構卡通形象，這一批壓克力畫作也成為了日後

the aesthetics of KAWS began with and belong to the streets

藏家的夢幻逸品。那時的 KAWS 挪用了《辛普森家庭》（The

with its underground and anti-cultural characteristics. KAWS

Simpsons）、《 藍 色 小 精 靈 》（The Smurfs）、《 海 綿 寶

has since become a legendary artist that roams between the

寶 》（SpongeBob SquarePants） 等 經 典 卡 通 形 象。 經 過

realms of art, public culture, and the commercial world.

KAWS 再創作後，有著焦慮和扭曲的卡通角色臉部特徵，和 可識別的「XX」眼，並對圖像作抽象和碎片化的處理，如同 迷彩圖案一般。作品《無題》正是這一時期的代表作品。特別 是在 2011 年「Hold The Line（堅持下去）」Honor Fraser Gallery 洛 杉 磯 榮 譽 弗 雷 澤 畫 廊 與 2012 年「KAWS：Down Time（停機時間）」High Museum of Art 亞特蘭大高級藝術 博物館期間，KAWS 繪畫中的非常規調色板，從高強度衝擊 對比到單色使用螢光色，原色和深色調隱化了無處不在的角

Between 2010 and 2014, KAWS began experimenting with a series of abstract paintings of cartoon images on canvas.

These acrylic paintings, which depicted various classic cartoon figures including the Simpsons, the Smurfs, and SpongeBob SquarePants, eventually became some of the most soughtafter works in the auction market. After reformulation by KAWS, the figures take on anxious and distorted facial features

色，同時強調了體積和表面豐富的還原幾何遊戲。

of cartoon characters and distinctive "XX" eyes. The images

KAWSBOB 是畫布作品中反覆出現的主題，在此時期 KAWS

of camouflage.

以圓形的畫面達到形式和風格的統一。在《無題》的這一時期 繪畫作品中，KAWS 重新巔覆原本的海綿寶寶，人物似乎在 卡通爆炸的零重力後果中浮現。當我們想要試圖去瞭解他的角 色時，劃「XX」的雙眼禁止情感的交流，主題雖然可愛幽默 卻也保持慣有的情感冷酷，無論恐懼或貪婪都不顧，甚至拒絕 溝通。被動態的黑色木板，磚塊或顏色的觸手纏繞在一起，卡 通角色的暗示，大膽顛覆正常的透視感。KAWS 的作品顯示 出自我遏制和情緒疏離。而作品平面的圓形邊緣與卡通化的面 部特徵產生共鳴：突如其來的紅色，藏藍、湖藍和淺藍的疊加 配以塊狀矩形牙齒的按比例放大，簡潔塗抹，硬邊曲線進行縮 放和裁剪，使面部呈現為種類的色域。圓形畫上的圖像剪輯了 卡通人物不同身體部位，畫作顯得宏觀起來，營造豐富的構圖 效果。視覺都集中在 KAWS 的角色 KAWSBOB 身上，神秘個 人化的涵義，甚至帶有抽象形式的壯麗。

are further abstracted and fragmented to resemble a pattern

The work Untitled is exactly the work representative of this period. In particular, KAWS painted with an unconventional palette from the impact of high-intensity contrast to a monochromatic fluorescent color, obscuring the omnipresent c h a r a c t e r s w i t h p r i m a r y c ol or s a n d d a r k s h a d e s wh i ch emphasize the volume and varied surfaces of the restoration geometry game. These works were featured in the Hold The

Line exhibition at the Honor Fraser Gallery in Los Angeles in 2011, and the KAWS: Down Time exhibition at the High Museum of Art in Atlanta.

During the period when KAWSBOB was a recurring theme of his canvas works, KAWS used the round shape as the imagery unifying format and double-unifying style. During the paintings completed during the Untitled period, KAWS again

subverted the original image of SpongeBob SquarePants, which seemed to emerge in the zero gravity outcome after an explosion of cartoons. When we attempt to understand the character, the "XX" eyes are drawn to prohibit emotional exchanges. The theme seems cute with a sense of humor, while maintaining the usual coolness of feelings. It seems to refuse communication regardless of fear or greed.

The passive black wooden boards, bricks, or the colorful tentacles are intertwined with the hints of cartoon characters, boldly subverting the ordinary perspective.

The paintings of KAWS reveal a sense of self-control and emotional detachment. The round edges of the 2D plane of the work resonate with cartoonized facial features. The unexpected red, purplish blue, lake blue, and light blue are layered together and paired with chunky rectangular teeth proportionally enlarged, and painted in a simple manner.

The hard curved edges are zoomed and cropped, turning the face portion as a type of color field. The circular painting featured image fragments of the body parts of cartoon characters, building up to a vibrant composition and effect for the overall painting. The vision is fixed on the body of the KAWSBOB character created by KAWS, mystifying the meaning of personalization that even carries a sense of abstract magnificence.

《THE KAWS ALBUM》2019 春拍約1億1,600萬港元成交 The KAWS Album , sold for HK$115,966,000 Spring 2019 in Hong Kong

藝術家照片 Artist photo

117

071

KAWS (BRIAN DONNELLY) (American, b. 1974)

Don't Sink

布萊恩．唐納利 不要下沉 2012年

2012 Acrylic on canvas Diameter 101.6 cm Signed reverse KAWS.. and dated 12

壓克力 畫布

PROVENANCE

貝浩登畫廊，香港 私人收藏，洛杉磯 蘇富比，紐約，2014年5月15日，拍賣編號425 私人收藏 佳士得，紐約，2018年3月1日，拍賣編號267 萊恩．布蘭特收藏，紐約 蘇富比，紐約，2019年9月26日，拍賣編號223

Galerie Perrotin, Hong Kong Private collection, Los Angeles Sotheby's, New York, May 15, 2014, 1ot 425 Private collection Christie's, New York, March 1, 2018, lot 267 Ryan Brant's collection, New York Sotheby's, New York, September 26, 2019, lot 223 EXHIBITED

KAWS: The Nature of Need , Galerie Perrotin, Hong Kong, May 16-June 30, 2012

NT$ 7,000,000 - 10,000,000 HK$ 1,955,000 - 2,793,000 US$ 251,300 - 359,100 RMB 1,632,000 - 2,331,000

展覽圖片 Exhibition Photo

直徑 101.6 cm 簽名畫背：KAWS.. 12 來源

展覽

「KAWS：需要的本質」，貝浩登畫廊，香港， 展期2012年5月16日至6月30日

119

你只需要明白每個人都有自己的背景和故事，他們會把自己所見的作品變成想要的樣子， 我的創作不是說要接觸特定的人或是傳達特定的訊息，因為這不是我能控制的，也不會 是我想去控制的，畢竟，如果每個人看到它都在想一樣的事，那不是很可怕嗎？ － KAWS You just understand that people come with their own backgrounds and their own history and are going to make what they want of the work they see. It's not like I'm trying to reach a certain person or deliver a certain message. It's not something you can control, and it's not something I want to control. It would be horrible if everybody saw it and thought the same thoughts. － KAWS

2021 年 KAWS 紐約全新個展「KAWS: SPOKE TOO SOON（言

「XX」是 KAWS 作品的標誌。這個標誌均在 KAWS 所有喜愛

之過早）」即將於 11 月 5 日至 12 月 11 日開展。此次個展是

的潮流文化或動畫卡通人物身上出現過，隨著創作的豐富，這

繼 2 月布魯克林美術館回顧大展「KAWS: WHAT PARTY」之後

些陪伴一代人長大的米老鼠、藍色小精靈、辛普森一家、海綿

於美國的又一全新展覽。而作為 KAWS 與 Skarstedt 合作的第

寶寶、史努比等經典的卡通形象經過 KAWS 的再創作，解構這

四次個展，其中將展出一系列全新繪畫與雕塑作品。同樣是今

些經典的卡通形象，將之轉化為更抽象的藝術形式，成為融合

年 7 月 KAWS 還在日本東京森美術館舉辦首次大型特展「KAWS

了 KAWS 藝術語言的新形象。在《不要下沉》圓形作品裏，海

TOKYO FIRST」。 隨 後 KAWS 舉 辦 的「KAWS：HOLIDAY」

綿寶寶的形象依稀可辨。這個形象始於「KAWSBOB 海綿寶寶」

繼首爾、臺北、香港、富士山、佛吉尼亞海灘、太空、英國布

2008 年邁阿密貝浩登。像 KAWS 之前的作品一樣，該系列包括

里斯托之後又開啟了新一波世界巡迴展覽的預告片發布——新

眾所周知的圖像，旨在創作出容易理解的藝術，超越語言和文

加坡！

化。同樣 KAWSBOB 也是藝術家最愛的形象亦或說是符號也不

KAWS 每年都在世界各地重要美術機構或畫廊舉辦個人展覽， 作品《不要下沉》曾是來源自 KAWS 2012 年香港貝浩登畫廊 「 需 要 的 本 質 － The Nature of Need」 開 幕 首 展。 回 顧 當 時 KAWS 的創作，還是以新一代街頭藝術家之姿態亮相。擅長在 展覽中營造整體的氛圍，多以長條形的畫作形式示人，讓展覽

為過；結合了 KAWS 的獨特的 XX 眼，人們常知的海綿寶寶即 成 KAWSBOB。大圓形的《不要下沉》構圖中大圓套小圓，偏 離中心聚焦於海綿寶寶一側的圓形眼睛之上，大面積的灰色運 用將作品基調降低與螢光色成對比，3 顆紅色斑點有打破寂靜， 使整體的圓形構圖再度與眼睛、紅斑點、海綿氣孔組成了具有 幾何美感的抽象繪畫。

有了獨特的印記，那時的作品中注重線條和色彩，因而廣為人 所喜愛。其標誌性元素「XX」更是被延續和變形，在之後每一 件作品中得以重新組合，他利用精美的圖像語言，透過俏皮人 物的大膽造型，為具象藝術注入了新元素，是讓人無法忘懷並 且深深著迷的主要原因。 為 了 完 美 契 合「The Nature of Need（ 需 要 的 本 質 ）」 的 整 體視覺感，特別展示了 50 組獨特分割的直幅油畫作品，展示 KAWS 所創造的藝術概念系列。與此組相對的是展館中有三組 異型的創作，除了著名的「Hands of Death（死亡之手）」以 及經典人物「Chum」以外，圓形的《不要下沉》起到空間調和 的作用，作品中可以看到 KAWS 對海綿寶寶形象的挪用與解構， 熒光黃與亮藍的套用提升了作品的飽和感，顏彩光鮮亮麗，且 具有工業產品的色澤質感。以至於整體展覽多樣而不單調，可 見此組作品的重要性，打破長條形作品的局限，畫面的風格越 發突出，延續了之前的空間重組的多彩風格。

貝浩登展覽主視覺 Exhibition GDN

A new KAWS solo exhibition titled KAWS: Spoke Too Soon

as a spatial harmonizer. The work revealed the borrowing

is scheduled to open in New York from November 5 to

and decomposition of the SpongeBob SquarePants image

December 11, 2021. It is another brand new exhibition in

by KAWS, where the use of neon yellow and vibrant blue

the U.S. following his solo exhibition KAWS: What Party

enhanced the sense of saturation in the painting, which also

held in the Brooklyn Museum in February of this year. It

resembled the color and texture of industrial products. The

will be the fourth of KAWS' solo exhibition in collaboration

importance of the work within the group was how it broke

with the Skarstedt Gallery, showcasing a whole new series

free from the limitation of a long-striped work, presenting

of paintings and sculptures. Earlier this year, KAWS held

an exhibition with diversity and attention-grabbing painting

his first large-scale special exhibition KAWS Tokyo First at

styles that continued the multi-color style of previous spatial

the Mori Arts Center Gallery in Tokyo, followed by KAWS:

reorganization.

Holiday, which toured in Seoul, Taipei, Hong Kong, Mount Fuji, Virginia Beach, the Space, and Bristol, UK, before launching a new wave of promotional films for the world exhibition tour with Singapore as the next destination!

The "XX" symbols have become the mark of KAWS' work, appearing on all of his favorite trendy culture or animated cartoon characters. Rehashed by KAWS, classic cartoon figures such as Mickey Mouse, The Smurfs, The Simpsons,

Every year, KAWS organizes his solo exhibitions around the

SpongeBob SquarePants, and Snoopy have accompanied

world in major art institutions or galleries. His work Don't

a generation of children growing up. KAWS deconstructed

Sink originates from his exhibition KAWS: The Nature of

these images of classic cartoons and transformed them into

Need held in 2012 as the first exhibition at the opening of

even more abstract artistic formats, becoming new images

Galerie Perrotin in Hong Kong. Looking back at his works

that integrate the artistic vocabularies of KAWS. Within

during that time, KAWS appeared as one of the budding

the round canvas of Don't Sink , the image of SpongeBob

new generation of street artists. He excels in creating the

SquarePants can still be distinguished. This image originates

overall ambience in an exhibition, often showcasing long

from the 2008 KAWSBOB exhibit at the Galerie Perrotin

strips of paintings to establish a unique impression for the

in Miami Beach. Just like previous works by KAWS, that

event. Many people liked the works of KAWS during that

series includes all the well-known images, aiming to create

period, when lines and colors were the focus of his works.

art that exceeds language and culture, that is also easy to

His iconic element "XX" has been extensively used and

understand.

transformed, reformulated in each subsequent artwork. He relies on a magnificent language of imagery to imbue new elements into figurative art with bold styles and playful characters, which is the main reason his works are fascinating and memorable to the viewers.

Similarly, KAWSBOB is also the favorite image or symbol of KAWS. By combining the XX eyes unique to KAWS, what is known as SpongeBob SquarePants turns into KAWSBOB. The large and round composition of Don't Sink consists of a small circle surrounded by a bigger circle. The off-

To completely integrate with the overall visual presentation

center focus is on one of the round eyes of SpongeBob

of The Nature of Need, the exhibition included 50 sets

SquarePants. The application of gray color on a large area

of uniquely-cut long canvas strips, to illustrate the series

lowers the foundation color tone, forming a contrast with the

of artistic concepts created by KAWS. In contrast, three

neon color. The three red dots break the stillness, becoming

other groups of unusual works were set up at the exhibition

part of the abstract painting with geometric aesthetics in

venue. In addition to the famed Hands of Death , and

combination with the eyes and the sponge pores in the

classic figure Chum , the round shaped Don't Sink served

overall composition of the round canvas.

121

072

KAWS (BRIAN DONNELLY) (American, b. 1974)

Uniqlo Official Poster - The Single (Companion) 2019 Printed laminated under acrylic glass on wood panel, edition of 3 170.6 x 114.4 cm Copyright © KAWS on the upper left Domain name UNIQLO.COM on the lower left PROVENANCE

DOPE! Gallery, Hong Kong This lot is accompanied with a certificate of authenticity issued by DOPE! Gallery, Hong Kong.

NT$ 3,000,000 - 4,600,000 HK$ 838,000 - 1,285,000 US$ 107,700 - 165,200 RMB 699,000 - 1,072,000

此 件 作 品《 優 衣 庫 廣 告 單 人 版 同 伴 》 是 KAWS x 優 衣 庫 官 方 正式聯名的原版廣告大海報。創作於 2019 年，以丙烯酸覆膜 印刷，壓克力玻璃保護，並裱貼於木板上，發行僅限量三件。 KAWS x 優衣庫聯名廣告大海報共有六種版本，圖案或有經典 同伴 Companion，或是芝麻街 BFF 圖案，用以宣傳當年度優衣 庫 x KAWS 聯名 T 恤。這些海報讓人想起這 KAWS 在 1990 年 末和 2000 年初在紐約街頭盜走候車亭廣告箱海報加以再創作的 不凡創意。 This lot "Uniqlo Official Poster - The Single (Companion)" is an official and original Kaws x Uniqlo advertising poster.

Created in 2019, this work is form an edition of 3, a print laminated under acrylic glasses mounted onto a wood panel. There are six versions of KAWS x Uniqlo advertising posters with the artist's classic figures Companion or Sesame Street BFF, to promote Uniqlo's T-shirts. These posters are reminiscent of the artist#39; s work in late 1990 and early 2000 when he hijacked branded advertising posters on the streets of New York.

布萊恩．唐納利 優衣庫廣告單人版同伴 2019年 覆膜印刷 壓克力玻璃 木板 限量3件 170.6 x 114.4 cm 版權左上：© KAWS 網域左下：UNIQLO.COM 來源

DOPE!畫廊，香港 附DOPE!畫廊開立之作品保證書

KAWS x 優衣庫聯名廣告海報 ©KAWS KAWS x Uniqlo advertising posters ©KAWS

123

073

KAWS (BRIAN DONNELLY) (American, b. 1974)

Companion (Karimoku Version) 2011 Wood, ed. 80/100 12.4(L) x 6.5(W) x 27(H) cm Signed KAWS.., numbered 80/100 and stamped Karimoku in Japanese, OriginalFake on the underside With a security laser tag PROVENANCE

Zhong Cheng Auctions, Taipei, June 12, 2016, lot 208 Ravenel, Taipei, July 19, 2020, lot 32 Acquired from the above by the present owner This lot is accompanied with the original product box.

NT$ 900,000 - 1,400,000 HK$ 251,000 - 391,000 US$ 32,300 - 50,300 RMB 210,000 - 326,000 布萊恩．唐納利 同伴（Karimoku版） 2011年 木質 版次80/100 12.4（長）x 6.5（寬）x 27（高）cm 簽名底部：KAWS.. 80/100 カリモク OriginalFake 防偽雷射標籤 來源

中誠拍賣，台北，2016年6月12日，編號208 羅芙奧，台北，2020年7月19日，拍賣編號32 現有收藏者得自上述來源 附原裝盒

074

IK-JOONG KANG (Korean, b. 1960)

100,000 Dreams

姜益 中

姜益中 1988 年於紐約普瑞特藝術學院獲得碩士學

十萬個夢想

位。姜益中使用多幅 3 X 3 英吋的畫布創作公共藝

1999年

1999 Crayon, pencil and watercolor on paper 74.5 x 106 cm Signed lower left Ik-Joong Kang and dated 1999

蠟筆 鉛筆 水彩 紙本

PROVENANCE

首爾拍賣，首爾， 2020年10月15日

Seoul Auction, Seoul, October 15, 2020 This lot is accompanied with a certificate of authenticity issued

by Seoul Auction, Seoul.

NT$ 280,000 - 420,000 HK$ 78,000 - 117,000 US$ 10,100 - 15,100 RMB 65,000 - 98,000

74.5 x 106 cm 簽名左下： Ik-Joong Kang 1999 來源

附首爾拍賣開立 之作品保證書

術作品，以此突出世界各地人民和社會的困境，因 此而聞名於國際。姜益中的作品廣泛地展示於世界 各地，並為古根漢美術館、惠特尼美國藝術博物 館、底特律藝術中心、大英博物館、洛杉磯當代藝 術館等公共機構典藏。 Ik-Joong Kang received his MFA from Pratt Institute in Brooklyn, New York in 1988. Kang is internationally recognized for creating major public art works using multiple 3 x 3 inch canvases to spotlight the plight of people and societies around the world. Ik-Joong Kang has exhibited widely, and his works in the collection of the Solomon R. Guggenheim Museum, Whitney Museum of American Art in New York, the Detroit Institute of Arts in Detroit, the British Museum in UK, the Museum of Contemporary Art in Los Angeles.

125

075

ROBY DWI ANTONO (Indonesian, b. 1990)

Demonic Little Girl 2020 Charcoal and spray paint on raw canvas 100 x 150 cm Signed reverse Roby and dated 2020 PROVENANCE

Srisasanti Syndicate Gallery, Yogyakarta, Indonesia EXHIBITED

Lucid Fragments , Srisasanti Syndicate, Yogyakarta, February 15-March 28, 2021 ILLUSTRATED

Lucid Fragments , Srisasanti Syndicate, Yogyakarta, 2021, color illustrated, pp. 58, 90-91 This lot is accompanied with a certificate of authenticity issued by Srisasanti Syndicate, Yogyakarta.

NT$ 2,400,000 - 3,600,000 HK$ 670,000 - 1,006,000 US$ 86,200 - 129,300 RMB 559,000 - 839,000 羅比．安托諾 小魔女 2020年 炭筆 噴漆 原始畫布 100 x 150 cm 簽名畫背：Roby 2020 來源

斯里薩桑蒂．辛迪加畫廊，日惹，印尼 私人收藏，亞洲 展覽

「清晰的片段」，斯里薩桑蒂．辛迪加畫廊，日惹， 展期2021年2月15日至3月28日 圖錄

《清晰的片段》，斯里薩桑蒂．辛迪加畫廊，日惹， 2021，彩色圖版，頁58、90-91 附斯里薩桑蒂．辛迪加畫廊開立之作品保證書

127

ROBY DWI ANTONO

藝術家照片 Artist photo ©All right reserved by Roby Dwi Antono

2021 年初印尼日惹市斯里薩桑蒂．辛迪加畫廊，為 1990 年出

綠如深潭的小動物們，和諧的與奧特曼、雪怪、蝙蝠俠等超扁

生的印尼當代藝術家：羅比．安托諾（Roby Dwi Antomo），

平世代英雄同框野餐。畫面裡深綠色熱帶樹林的環繞，闊葉植

舉行其藝術生涯第四次個人展覽「清晰的片段 關於過往的敘

物與奇花異草相互襯托，不禁讓人聯想同樣是自學成才，以純

事」（Lucid Fragments–A Narrative About The Past）。作為

真、原始風格著稱的後印象派畫家亨利．盧梭。人型小精靈們

印尼當代藝術新星，安托諾的藝術創作始於天份驅動與自學的

作為藝術家擅長的單一主題直視觀眾，它們手抱鱷魚、山貓抑

成果。2012 年受畫廊邀請首次舉辦個展，成為晉身全職藝術家

或剖開的魚肚，碩大頭部與身體如嬰孩的不成比例。總總趨近

的起點。安托諾的藝術如同印尼當代社會，外來文化交揉的歷

於「野生動物」的側寫，或許是藝術家探索人類 / 自我內在的動

史背景，與本土的自然風俗刺激，孵化令人驚艷的獨特成果。

物性本質綜合當代表現的思考過程。

市場初認識安托諾，認為其畫風受美國低眉藝術影響，藝術家 也自承對馬克．萊登（Mark Ryden）與瑪麗恩．佩克（Marion Peck）的仰慕，並同樣擅長運用荒誕場景與略帶神秘的古典氣 質，打造出詭譎與童真並具的奇幻風格。早年作品畫面精緻， 女孩與小動物的形象如陶瓷玩偶，經過不斷變造與附加符號， 各種奇異可愛的「類人類」生物，喚起觀者自我解讀後的內在 情緒，「普普超現實」風格已成為安托諾的同義詞。

由九零後策展人寧．德扎尼（Nin Djani）編撰的藝術家個人展 覽目錄，詳細剖析不同媒材，如：噴漆、油畫、蠟筆，對於安 托諾藝術創作的進階意涵。除了展示媒材能表現的視覺效果， 如藝術家作為鐵匠之子，炭筆連結的兒時記憶，更影響創作者 在情緒表現上，回望過往與現存狀態相互之間的轉折。安托諾 雖然不曾接受過傳統學院教育，但是創作熱情和精益求精的自 學過程，反而驅動他大膽嘗試各項媒材，而毫不受限。他同樣

最新的創作系列中，安托諾的想像與東南亞特色，繪成一篇篇

熟悉於平面設計和電腦技術，型塑特色角色的能力擴大他與公

別具風情的當代繪畫。他在疫情之下保留更多時間創作，回望

仔製造商合作，跨出平面創作領域，在不同層級間擴散自己的

童年時期成長於家鄉安巴拉旺 （Ambarawa）的景色與回憶，

知名度與影響力。巴黎、倫敦、香港、東京、雅加達、紐約、

探索自我的軌跡。揮別以往的復古棕色系，安托諾筆下的世界

墨爾本、馬尼拉、台北，安托諾的展覽足跡已經遍佈全球等重

好像戴上紅色濾鏡，各種深淺漸層與對比在主色調的調度下突

點城市，也讓人備加期待他未來的發展。

出線條輪廓。猶如雨林版愛麗絲夢遊仙境，擁有大眼眸色澤碧

In early 2021 at the Srisasanti Syndicate Gallery in

may be the thinking process of the artist in exploring the

Yogyakarta, Indonesia, Roby Dwi Antomo, an Indonesian

comprehensive contemporary expression of the animal

contemporary artist born in 1990, held the fourth solo

nature of the human or inner self.

exhibition of his artistic career, Lucid Fragments-A Narrative About The Past. As a rising star in Indonesian contemporary art, Antono's artistic creation stems from his natural artistic drive and independent studies. In 2012, he was invited by the gallery to hold his first solo exhibition, which launched his career as a full-time artist. Antono's art mirrors contemporary society in Indonesia, featuring a historical background of diverse foreign cultures, stimulated by local customs, that incubate unique and amazing achievements.

When Antono first entered the art market, his style was considered to have been influenced by American lowbrow art. With his admiration for Mark Ryden and Marion Peck, Antono was equally adept at using absurd scenes and slightly mysterious classical temperaments to create a freakish and childlike fantasy style. His early works are highly refined, featuring doll-like images of girls and small animals. Through constant change and additional symbols, a variety of strange and lovely human-like creatures evoke the viewer's post-self-conscious inner feelings. Antono has since become synonymous with the "pop-surrealism" style.

The artist's personal exhibition catalogue, compiled by Gen-Z curator Nin Djani, analyzes in detail the advanced implications of different media, such as painting, oil painting and pastel, for Antono's artistic creation. In addition to displaying the visual effects that the medium can show, such as how charcoal evokes the artist's childhood memories as the son of a blacksmith, it also affects the creator's emotional performance and recalls the transition between past and present. Although Antono never received a traditional college education, his creative enthusiasm and independent study have driven him to boldly and freely experiment with various media. He is also familiar with graphic design and computer technology, expanding his ability to shape characteristic roles. He cooperated with doll manufacturers to step out of the field of graphic creation and spread his popularity and influence at different levels. In Paris, London, Hong Kong, Tokyo, Jakarta, New York, Melbourne, Manila, Taipei, and other major cities, Antono has been leaving his artistic footprints all over the world, leaving the world looking forward to his future development.

In the latest series, Antono's imagination and Southeast Asian characteristics are incorporated into contemporary paintings with a distinctive style. During the COVID-19 outbreak, he spent more time making art, reflecting on the scenery and memories of his childhood in his hometown of Ambarawa and exploring his own trajectory. Departing from the retro sepia tones of the past, Antono's world now seems to sport a red filter, with various shades and contrasts highlighting the line contours under the main tone. Like a rainforest version of Alice in Wonderland, small animals with huge eyes as blue as deep pools harmoniously have a picnic with Altman, Snow Monster, Batman and other super flat generation heroes.

Surrounded by dark green tropical forests, broad-leaved plants and exotic flowers, one can't help but be reminded of Henri Rousseau, a post-impressionist painter who is also a self-taught talent known for the innocent appearances of his original style. Looking directly at the viewer, the human-like elves serve as the single theme, characteristic of Antono's art. The elves hold crocodiles, bobcats, or cut-out fish bellies, with large heads out of proportion to their bodies like babies. The general profile approach of Wild Animals

羅比．安托諾立體作品《星夜女神》 Asteria by Roby Dwi Antono

129

076

JOSH SMITH (American, b. 1976)

Untitled

喬許．史密斯

喬 許． 史 密 斯 於 1976 年 出 生 於 日

無題

本沖繩，後移居美國，1994 年就讀

2019年

俄亥俄州的邁阿密大學，並於 1996 年於田納西大學，諾克斯維爾分校

2019 Monotype on Whatman paper; unique piece 67 x 52 cm Signed lower right JOSH SMITH and dated 2019 Numbered reverse JS19127

單版畫 Whatman紙 單一件

來源

瑞士等地舉辦個展。其作品被瑞典

PROVENANCE

伊娃．培森胡柏畫廊，蘇黎世 私人收藏，亞洲

斯德哥爾摩當代美術館、巴黎龐畢

附作品保證書

現代美術館、維也納路德維希現代

Galerie Eva Presenhuber, Zurich Private collection, Asia This lot is accompanied with a certificate of authenticity.

NT$ 800,000 - 1,200,000 HK$ 223,000 - 335,000 US$ 28,700 - 43,100 RMB 186,000 - 280,000

67 x 52 cm 簽名右下：JOSH SMITH 2019 編號畫背：JS19127

取得美術學位。2003 年始於洛杉磯 舉 辦 個 展， 至 2020 年 已 陸 續 於 紐 約、倫敦、維也納、荷蘭、比利時、 墨爾本、巴黎、東京、羅馬、挪威、

度藝術中心國家藝術博物館、紐約 美術館、紐約惠特尼美國藝術博物 館等公共機構所收藏。

077

JOSH SMITH (American, b. 1976)

Passage

喬許． 史 密 斯

Josh Smith was born in Okinawa, Japan in

行旅

1976 and moved to the United States. He

2019年

studied at the Miami University in Ohio in 1994 and got a Bachelor of Fine Arts from

2019 Oil on linen 25.5 x 20.5 cm Signed reverse JOSH SMITH , titled PASSAGE and dated 2019

油彩 麻布

來源

PROVENANCE

York, London, Vienna, the Netherlands,

澤維爾．霍夫肯畫廊，布魯塞爾 現有收藏者購自上述來源

Belgium, Melbourne, Paris, Tokyo, Rome,

附澤維爾．霍夫肯畫廊開立

artworks have been selected by Moderna

之作品保證書

Museet, Stockholm, Sweden, Musée

Xavier Hufkens Gallery, Brussels Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity issued

by Xavier Hufkens Gallery, Brussels.

NT$ 1,200,000 - 1,800,000 HK$ 335,000 - 503,000 US$ 43,100 - 64,600 RMB 280,000 - 420,000

25.5 x 20.5 cm 簽名題識畫背：JOSH SMITH PASSAGE 2019

the University of Tennessee, Knoxville in 1996. He started his solo exhibition in Los Angeles in 2003. Until 2020, he has successively held solo exhibitions in New

Norway, Switzerland and other places. His

National d'Art Moderne, Centre Georges Pompidou, Paris, the Museum of Modern Art, New York, the Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, and the Whitney Museum of American Art, New York and other public institutions.

131

078

ADAM HANDLER (American, b. 1986)

Moody Summer Tulip 2017-2018 Oil stick and acrylic on canvas 137 x 117 cm Signed reverse Adam Handler , titled Moody Summer Tulip and dated 2017-2018 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 280,000 - 420,000 HK$ 78,000 - 117,000 US$ 10,100 - 15,100 RMB 65,000 - 98,000

亞當．漢德勒 有情調的夏日鬱金香 2017-2018年 油畫棒 壓克力 畫布 137 x 117 cm 簽名題識畫背：Adam Handler 2017-2018 Moody Summer Tulip 附藝術家簽名之原作保證書 亞當．漢德勒於 1986 年出生於紐約皇后區，並於長島長大。 成長過程中待在祖父母所經營的畫框工廠的經歷，養成了對 藝術的熱情，使他不可避免地選擇了藝術家的道路。漢德 勒曾在義大利學習「裸體素描」，並就讀於紐約州立大學的 帕切斯學院，並和豪爾赫．尼維斯學習工藝設計，亦和黛博 拉．梅莎－佩利學習彩色攝影。漢德勒的作品已在紐約、康 涅狄格州的格林威治、加拿大和德克薩斯州等地展出。

079

ADAM HANDLER (American, b. 1986)

Galaxy Girl

2021 Oil stick and acrylic on canvas 112 x 147.5 cm Signed reverse Adam Handler , titled Galaxy Girl and dated 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 440,000 - 650,000 HK$ 123,000 - 182,000 US$ 15,800 - 23,300 RMB 103,000 - 152,000

亞當．漢德勒 銀河女孩 2021年 油畫棒 壓克力 畫布 112 x 147.5 cm 簽名題識畫背：Adam Handler 2021 "Galaxy Girl" 附藝術家簽名之原作保證書 Adam Handler was born in Queens NY and grew up on Long Island. As a young child and adolescent, he spent countless hours at his grandparents' framing factory in New York City.

There, his passion for the arts grew and it became inevitable that he would choose an artistic path. Handler studied Life Drawing in Italy and received a Purchase College. He has also studied craft design with Jorge Nieves and color photography with Deborah Mesa-Pelley. Handler's work has been exhibited in New York, Greenwich CT, Canada, and Texas.

133

080

ÁKOS EZER

阿科斯．埃澤於 2014 年畢業於匈牙利美術大學。埃澤常以描繪

Delivery Man

倒的時刻。以當代和流行文化服飾來區別人物性格，以及柔和

(Hungarian, b. 1989) 2021 Mixed media, ed. 16/50 Produced by GE Artwork Studio & Aishonanzuka 35(L) x 34(W) x 40(H) cm (sculpture); 46(L) x 49(W) x 54(H) cm (box) EXHIBITED

Ákos Ezer, Let the Time Pas s, Aishonanzuka, Hong Kong, March 20-April 17, 2021 This lot is accompanied with a certificate of authenticity signed by the artist and a NFC manual.

NT$ 120,000 - 180,000 HK$ 34,000 - 50,000 US$ 4,300 - 6,500 RMB 28,000 - 42,000 阿科斯．埃澤 送貨員 2021年 綜合媒材 版次16/50 發行單位GE Artwork Studio & Aishonanzuka 35（長）x 34（寬）x 40（高）cm（雕塑）； 46（長）x 49（寬）x 54（高）cm（原裝盒） 展覽

「阿科斯．埃澤：讓時間消逝」，Aishonanzuka畫廊， 香港，展期2021年3月20日至4月17日 附藝術家簽名之原作保證書及NFC說明書

四肢拉長和姿勢彎曲的男性為主角，其姿勢動作讓人聯想起跌 的用色風格，為埃澤的繪畫世界提供了幽默的途徑。其個展經 歷包括：「休假日計劃」（2021，德羅斯特畫廊，杜塞爾多夫， 德國）、「未來巴黎的記憶」（2020，德羅斯特畫廊，巴黎）、 「抽象匈牙利」（2019，Künstlerhaus KM– 當代美術館，格拉 茲，奧地利）等。

081

ÁKOS EZER

(Hungarian, b. 1989)

Orange Juice

2020 Oil on canvas 60 x 50 cm Signed reverse Akos Ezer , dated 2020 , titled Orange Juice and inscribed oil on canvas PROVENANCE

Massey Klein Gallery, New York This lot is accompanied with a certificate of authenticity issued

by Massey Klein Gallery, New York.

阿科斯 ． 埃 澤

Ákos Ezer graduated from Hungarian University

柳橙汁

of Fine Arts in 2014. The main protagonists of

2020年 油彩 畫布 60 x 50 cm 簽名題識畫背：Akos Ezer 2020 Orange Juice oil on canvas

Ezer characterize male persons with elongated l i m b s a n d b e n t p o s t u re s , w h o s e g e s t u r a l movements remind of moments of falling. The different personalities, marked by contemporary and pop-cultural clothing, as well as the pastel colour palette used, offer a humorous approach to Ezer's pictorial world without trivialising it.

來源

His solo exhibitions include: "Day off Ideas"

梅西．克萊因畫廊，紐約

(2021, Galerie Droste, Düsseldorf, Germany),

附梅西．克萊因畫廊開立

"Memories from the Future" (2020, Galerie

之作品保證書

Droste, Paris), "Ábstract Hungary" (2019, Künstlerhaus KM–, Graz, Austria), etc.

NT$ 500,000 - 800,000 HK$ 140,000 - 223,000 US$ 18,000 - 28,700 RMB 117,000 - 186,000 135

082

CANNON DILL (American, b. 1991)

Hollywood Forever Cemetery

卡農．迪爾 好萊塢風景 2021年

2021 Acrylic on canvas 151 x 121 cm Signed reverse CANNON DILL and dated 2021 Titled reverse Hollywood Forever Cemetery

壓克力 畫布

EXHIBITED

Curios, Galina Munroe & Cannon Dill , Piermarq Gallery, Paddington, Australia, July 28-August 15, 2021

「奇珍異寶－葛林娜．蒙羅和卡農．迪爾」， 皮爾馬克畫廊，帕丁頓，澳洲， 展期2021年7月28日至8月15日

This lot is accompanied with a certificate of authenticity.

附作品保證書

NT$ 320,000 - 480,000 HK$ 89,000 - 134,000 US$ 11,500 - 17,200 RMB 75,000 - 112,000

151 x 121 cm 簽名畫背：2021 CANNON DILL 題識畫背：Hollywood Forever Cemetery 展覽

美國藝術家卡農．迪爾以其獨特風格的壁畫作品聞名。他使用 鋼筆與墨水畫出充滿靈性的動物，如：郊狼、貓、公牛。20182020 年間迪爾於奧克蘭 pt.2 畫廊舉行三檔個人展覽。 Cannon Dill is an American artist, best known for his murals done in a distinctive style. He uses pen and ink drawing with common themes such as spirit animals like wolves, cats or oxen. Dill had three solo exhibition at pt. 2 Gallery in Oakland.

083

GALINA MUNROE (British-French, b. 1993)

Sprowston Tulips 2021 Oil, enamel, canvas collage on canvas 159 x 139 cm Signed reverse Galina, titled Sprowston , dated 2021 and inscribed Norwich EXHIBITED

Curios, Galina Munroe & Cannon Dill , Piermarq Gallery, Paddington, Australia, July 28-August 15, 2021 This lot is accompanied with a certificate of authenticity.

NT$ 320,000 - 480,000 HK$ 89,000 - 134,000 US$ 11,500 - 17,200 RMB 75,000 - 112,000

葛林娜．蒙羅 斯普羅斯頓鬱金香 2021年

油彩 珐瑯彩 畫布拼貼 畫布 159 x 139 cm

簽名題識畫背：Sprowston Galina 2021 Norwich 展覽

「奇珍異寶－葛林娜．蒙羅和卡農．迪爾」，皮爾馬克畫 廊，帕丁頓，澳洲，展期2021年7月28日至8月15日 附原作保證書 葛林娜．蒙羅 2016 年畢業於倫敦中央聖馬丁學院。她的實踐延伸 到超現實和抽象世界的範圍，其中不斷變化的造型和形式展示於 她畫布之上。作品展覽於雪梨、義大利、倫敦等城市。 Galina Munroe (b. 1993) graduated with an MFA from the Central Saint Martins in London. Her practice extends within the parameters of a surreal and abstract world in which shifting shapes and forms illustrate the surface of her canvases. Her works have been exhibited in Sydney, Italy, London.

137

084

MOLLY BROCKLEHURST (British, b. 1994)

May Day

莫莉．布 洛 克 赫 斯 特

莫莉．布洛克赫斯特 2019 年於溫布頓藝術學院

五月天

取得藝術碩士學位，並曾於 2019 年榮獲薩奇新

2021年

2021 Oil on canvas 110 x 161 cm Signed reverse Molly Brocklehurst

油彩 畫布

EXHIBITED

「自由放養2019」， 杜魯門老啤酒廠， 倫敦，展期2019年 6月21日至7月8日

Free Range 2019 , The Old Truman Brewery, London, June 21-July 8, 2019 This lot is accompanied with a certificate of authenticity.

NT$ 320,000 - 480,000 HK$ 89,000 - 134,000 US$ 11,500 - 17,200 RMB 75,000 - 112,000

110 x 161 cm 簽名畫背：Molly Brocklehurst 展覽

附原作保證書

星藝術家獎。布洛克赫斯特著迷於歷史照片影 像，她以這些舊照片為素材，描繪出跳脫既定時 空背景的畫面，並注入新的敘事內容。其多以慶 典、遊行和童年的場景為主題，柔和的色調，為 些許令人不安的敘事添加了平靜。 M o l l y B r o c k l e h u r s t g o t h e r M FA f r o m Wimbledon College of Arts in 2019. She was awarded the Saatchi Art Rising Star in 2019.

Brocklehurst has an obsession with historical photographic images, closely observing and reinventing them in new compositions featuring new players in unsettling narratives.

Her work encapsulated Brocklehurst's unique style and portrayal of human form in ceremony and ritual. Her palette flows through muted washes of colours, bringing a calming undertone to a somewhat haunting dynamic.

085

TANIA MARMOLEJO (Dominican, b. 1975)

Rendezvous 2

塔妮亞． 馬 莫 列 霍

塔妮亞．馬莫列霍的藝術創作始於時尚與生活

約會之二

風 格 雜 誌 的 插 畫 作 家。2005 年 她 參 與 數 次 聯

2020年

2020 Oil on canvas 129 x 129 cm Signed reverse Tania Marmolejo , titled Rendezvous 2 and dated 2020

油彩 畫布

PROVENANCE

蓋．赫普納畫廊，紐約 私人收藏，亞洲

Guy Hepner, New York Private collection, Asia This lot is accompanied with a certificate of authenticity.

129 x 129 cm

展，並致力於發展藝術事業。她的作品曾展出 於諸多展覽如：邁阿密環境藝博會、紐約平塔 藝博會。

簽名題識畫背："Rendezvous 2"

Tania Marmolejo begins her artistic career

Tania Marmolejo 2020

as an illustrator for the fashion and lifestyle

來源

附原作保證書

magazine. In 2005 she participates in several group exhibitions, focuses entirely on the development of her artistic career along with the design. Her work has been exhibited i n n u m e ro u s n a t i o n a l a n d i n t e r n a t i o n a l exhibitions such as Context Art Miami, and Pinta New York.

NT$ 500,000 - 800,000 HK$ 140,000 - 223,000 US$ 18,000 - 28,700 RMB 117,000 - 186,000 139

086

MILLO (FRANCESCO CAMILLO GIORGINO)

米洛

米洛以大型黑白壁畫聞名，其作品以孩

保護

童般的人物形象、簡約的單色線條，結

Protection

壓克力 畫布

2021 Acrylic on canvas 120 x 100 cm Signed reverse MILLO and dated 2021

簽名題識畫背：MILLO 2021

(Italian, b. 1979)

EXHIBITED

At The Crack of Dawn , Thinkspace Projects, Los Angeles, May 1-22, 2021 This lot is accompanied with a certificate of authenticity.

NT$ 550,000 - 850,000 HK$ 154,000 - 237,000 US$ 19,700 - 30,500 RMB 128,000 - 198,000

2021年 120 x 100 cm

展覽

「在破曉時分」，思想空間畫廊， 洛杉磯，展期2021年5月1日至22日 附原作保證書

合少量色彩及建築元素為特徵。米洛結 合對繪畫的熱情與自身建築師的背景， 2014 年通過 B.Art 競賽他獲得於義大 利杜林市創作十三面新壁畫的殊榮。 Millo (Francesco Camillo Giorgino) is known for his predominantly black and white large-scale murals. His artworks are characterized by childlike figures, simple monochromatic lines combined with a dash of color, and elements of architecture.

Millo combined his passion for painting with his background as an architect, in 2014, he won the B. Art competition which allowed him to create 13 new murals in Turin, Italy.

087

NAT MEADE (American, b. 1975)

Last Meal

奈特．米 德

奈特．米德於 2007 年獲得普瑞特藝術

最後的宴席

學院的碩士學位。他的畫作描繪了多重

2017年

主題，並經常探索男性原型。這些人物 代表了藝術家自身，向關於男性、成人

2017 Oil on linen 81.3 x 71.1 cm

油彩 麻布

展覽

俄勒岡等地的畫廊或藝術博覽會。

EXHIBITED

「全能者」，弗洛利克畫廊，波特蘭， 展期2017年10月31日至12月2日

Nat Meade received his MFA from

All Arounders , Froelick Gallery, Portland, October 31-December 2, 2017 This lot is accompanied with a certificate of authenticity issued by Froelick Gallery, Portland.

NT$ 550,000 - 850,000 HK$ 154,000 - 237,000 US$ 19,700 - 30,500 RMB 128,000 - 198,000

81.3 x 71.1 cm

附弗洛利克畫廊開立之作品保證書

或父親等人際關係問題拋出的疑問。其 作品曾展出於紐約、波特蘭、邁阿密、

Pratt Institute in 2007. His paintings depict multiple subject matter and o f t e n e x p l o re s m a l e a rc h e t y p e s .

These figures stand in for Meade's own open questions regarding his relationship with manhood, adulthood, and fatherhood. His works have been exhibited in the gallery or art fair in New York, Portland, Miami or Oregon.

141

088

RHIANNON R. SALISBURY

麗安 儂 ． 索 爾 茲 伯 里

麗安儂．索爾茲伯里於 2016 年於切爾西 藝術學院獲得藝術碩士學位。她多從時尚

Curdle

凝結 2021年

(British, b. 1984)

2021 Acrylic on cotton stretched canvas 150 x 100 cm Signed reverse Rhiannon Salisbury , titled Curdle and dated 2021

壓克力 棉布

EXHIBITED

「女性氣質－麗安儂．索爾茲伯 里」，德爾菲安畫廊， 倫敦，展期2021年7月18日 至8月1日

Femininity - Rhiannon Salisbury , Delphian Gallery, London, July 18-August 1, 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 420,000 - 650,000 HK$ 117,000 - 182,000 US$ 15,100 - 23,300 RMB 98,000 - 152,000

150 x 100 cm 簽名題識畫背："Curdle" Rhiannon Salisbury 2021 展覽

附藝術家簽名之原作保證書

雜誌中的精品廣告中取材，她解構了女性 的概念，並批判了強化外在標準的結構。 作品皆以她著名的流體畫研究製作，賦予 作品發自內心一種既美麗又怪誕的質感。 Rhiannon R. Salisbury got her MA Fine Art from Chelsea College of Art in 2016.

Salisbury works from images of luxury brand advertising campaigns found in fashion and lifestyle magazines.

Her works deconstruct notions of the feminine, as well as critique the structures that reinforce paradigms of representation. The works have all been created with her signature approach of pouring and painting, giving the works a textured and visceral feel that is both beautiful and grotesque.

089

CRISTINA DE MIGUEL (Spanish, b. 1987)

Rap

2020 Acrylic and oil stick on canvas 150 x 117.5 cm Signed reverse Christina de Miguel and dated 2020 This lot is accompanied with a certificate of authenticity.

NT$ 550,000 - 850,000 HK$ 154,000 - 237,000 US$ 19,700 - 30,500 RMB 128,000 - 198,000

克莉絲 汀 娜 ． 德 ． 米 格 爾

克莉絲汀娜．德．米格爾於 2012 年取得普

饒舌

瑞特藝術學院的碩士學位。她以熱情洋溢地

2020年 壓克力 油畫棒 畫布 150 x 117.5 cm

表現性街頭藝術風格聞名。她同時從巴洛克 風格到塗鴉藝術汲取靈感。藝術家目前居住 且創作於紐約皇后區。

簽名題識畫背：

Cristina de Miguel received her MFA from

Christina de Miguel 2020

Pratt Institute in 2012. She is an artist

附原作保證書

that's known for her ebulliently expressive paintings with street art flair. De Miguel's diverse range of interests is both eclectic and unexpected; she draws equally from Baroque painting and graffiti. De Miguel lives and works in Queens, New York.

143

090

GRACE WEAVER (American, b. 1989)

Untitled (Portrait of a Girl)

格蕾絲．韋弗

格蕾絲．韋弗 2015 年於維吉尼亞聯邦大

無題（女孩肖像）

學美術取得碩士學位。以圖像描繪充滿刺

2021年

2021 Watercolor on paper 40.3 x 30.5 cm

水彩 紙本

PROVENANCE

詹姆斯．柯恩畫廊，紐約 現有收藏者購自上述來源

James Cohan Gallery, New York Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity.

NT$ 220,000 - 340,000 HK$ 61,000 - 95,000 US$ 7,900 - 12,200 RMB 51,000 - 79,000

40.3 x 30.5 cm 來源

附原作保證書

激的現代生活有趣場景。她以獨特的美學， 呈現生活中的小插曲，筆下削瘦的平面化 人物，使他們幾乎擁有卡通造型的外觀。 Grace Weaver, received an MFA from Virginia Commonwealth University in 2015. She portrays playful scenes of stimulus-saturated moder n life in a graphic style. Presenting these vignettes in a distinctive aesthetic, Weaver flattens and elongates her figures, giving them an almost cartoon-like appearance.

091

KATHERINE BERNHARDT (American, b. 1975)

Untitled

凱薩琳 ． 伯 恩 哈 特

凱薩琳．伯恩哈特於 2000 年於紐約視覺藝術學

無題

院取得美術碩士學位。其作品像彩繪的牆紙一

2019年

樣吸引人，富有韻律感的圖案，參考了摩洛哥 地毯和非洲紡織品上的圖案，這些作品通常被

2019 Acrylic and watercolor on paper 45.7 x 61 cm

壓克力 水彩 紙本

來源

藝術博物館，德州（2017）、紐約加拿大畫廊

PROVENANCE

澤維爾．霍夫肯畫廊，布魯塞爾 現有收藏者購自上述來源

（2020）、英國卡爾．弗里德曼畫廊（2020）等。

Xavier Hufkens Gallery, Brussels Acquired from the above by the present owner This lot is accompanied with a certificate of authenticity.

NT$ 400,000 - 600,000 HK$ 112,000 - 168,000 US$ 14,400 - 21,500 RMB 93,000 - 140,000

45.7 x 61 cm

附原作保證書

稱為「圖式」繪畫，因為這些圖式在單一作品 中反覆地出現。其展覽經歷包括：沃斯堡現代

Katherine Bernhardt received a MFA degree from the School of Visual Arts, New York in 2000. Her work attracts the eye like painted wallpaper, with rhythmic patterns that mimic those found in Moroccan rugs and African textiles. These works are often referred to as "pattern" paintings, as the motifs she illustrates are repeated within a single work.

Her exhibition experience includes: Modern Art Museum of Fort Worth, TX (2017), Canada in New York (2020), Carl Freeman Gallery in the UK (2020).

145

092

KYLE ORLANDO (American, b. 1989)

The Best, Most Delicious, Most Fresh 2021 Acrylic, oil pencil, marker and spray paint on unprimed canvas 157 x 132 cm Signed reverse KYLE ORLANDO

凱爾．奧蘭多

凱 爾． 奧 蘭 多 目 前 創 作 並 生 活 於 美 國 紐 澤

最棒、最美味、最新鮮

西，自學型藝術家，主要以繪畫和素描創作。

2021年 壓克力 油畫棒 簽字筆 噴漆 未塗底漆的畫布 157 x 132 cm 簽名畫背：KYLE ORLANDO 附藝術家簽名之原作保證書

最新作品結合現成物畫布、木棧板。以往， 奧蘭多的視覺語言在不同的圖像之間擺盪， 如：狂躁的豹子、事故車輛、牛仔等。其首 場個展名為「新牌二手車」2018 年於紐澤 西深空間畫廊舉行。 Kyle Orlando lives and works in Jersey City, New Jersey. He is a self-taught

This lot is accompanied with a certificate of authenticity signed by the artist.

artist who works primarily in painting

NT$ 260,000 - 400,000 HK$ 73,000 - 112,000 US$ 9,300 - 14,400 RMB 61,000 - 93,000

discarded wooden pallets. In the past,

and drawing. His most recent works are combines of found objects, canvas, and Orlando's visual language has fluctuated between images of screaming cheetahs; car wrecks; and cowboys. Orlando had his first solo show titled 'Brand New used Cars' in 2018 at Deep Space Gallery in Jersey City, NJ.

093

NATHAN PADDISON (Australian, b. 1983)

Ease Ear Thai Gore 2021 Acrylic, spray paint and charcoal on canvas 152 x 130 cm Signed reverse Nathan Paddison , titled Ease Ear Thai Gore , and dated XXI This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 320,000 - 480,000 HK$ 89,000 - 134,000 US$ 11,500 - 17,200 RMB 75,000 - 112,000

內森．帕迪 森

內森．帕迪森是來自澳洲塔瑞市，天賦自學的藝術家。

老虎耳朵

作品使用多重媒材，如壓克力、炭筆、麥克筆、墨水、

2021年 壓克力 噴漆 炭筆 畫布 152 x 130 cm 簽名題識畫背： Ease Ear Thai Gore XXI Nathan Paddison 附藝術家簽名之原作保證書

粉彩和拼貼。他的藝術同時是原始且感官的。部分作品 則具有諷刺意味，並且傳達了強烈的社會、政治信息。 其他系列則反映其童年回憶，並展示出有趣嬉鬧和樂觀 的感受。也正是這種主題、圖像和信息的對照，使內森 成為如此獨特而有趣的澳洲新興藝術家。 Nathan Paddison is a self-taught Australian artist from Taree, Australia. Nathan works in a variety of media, including acrylics, charcoal, marker, ink, pastel and collage. Nathan's art can be raw and confront your senses. Some of Nathan's work is ironic and delivers strong social and political messages. Other works reflect on childhood memories and convey a palatable sense of playfulness and optimism. It is this dichotomy in themes, imagery and messaging that makes Nathan such a unique and interesting emerging Australian artist.

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094

ANDY DIAZ

(American, b. 1993)

Party

2021 Spray paint on canvas 91.2 x 91.4 cm Signed reverse ANDY DIAZ and dated '21 This lot is accompanied with a certificate of authenticity.

NT$ 180,000 - 280,000 HK$ 50,000 - 78,000 US$ 6,500 - 10,100 RMB 42,000 - 65,000

安迪． 迪 亞 茲

安迪．迪亞茲創作靈感來自個人的日常經驗、流

派對動物

行文化、滑板運動，互相交織反照藝術家生命的

2021年 噴漆 畫布 91.2 x 91.4 cm 簽名畫背：ANDY DIAZ '21 附原作保證書

對話。狄亞茲同時將溫柔與黑色幽默，賦予在他 畫中的人物與生物。迪亞茲的畫作運用噴漆、油 彩、壓克力及複合媒材，在如朦朧夢境的巧妙色 調中，轉成越趨強烈的螢光色的無留白畫面。 Andy Diaz draws influence from his everyday experiences, skateboarding, personal struggles and popular culture to make work that reveals the dialogue of his life. Diaz incorporates equal measures of tenderness and dark humor into the painted creatures and figures inhabiting his canvases. Rendered with spray paint, oils, acrylic, or a mix, Diaz's canvases alter nate between hazy dreamscapes painted in subtle tones to more aggressive, tightly-painted scenes in day glow colors.

095

TIMOTHY GATENBY (British, b. 1987)

Pool with Two Figures (Simpsons x Hockney) 2021 Oil on canvas 100 x 120 cm Initialed reverse TG and dated 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 320,000 - 480,000 HK$ 89,000 - 134,000 US$ 11,500 - 17,200 RMB 75,000 - 112,000

提姆西 ． 蓋 滕 比

提姆西．蓋滕比於 1987 年出生於英國。蓋滕比

泳池與兩個人像 （辛普森 X 哈克尼）

在作品中運用古典繪畫技巧，推翻各種流行文化

2021年 油彩 畫布 100 x 120 cm 簽名畫背：TG 2021 附藝術家簽名之原作保證書

指標既有的形象。時常以崩壞卡通角色的方式傳 達黑色幽默，反映出消費主義下造成的社會壓力 及放縱文化。展覽經歷包括：「重新活化」（蓋． 赫普納畫廊，紐約，2021）、「對不起，不抱歉」 （Plan X 畫廊，米蘭，2021）、「美好的一天」 （瓦盧索畫廊，倫敦，2020）等。 Tim Gatenby was born in the United Kingdom in 1987. Gatenby's work uses classical painting techniques to subvert pop cultural icons. Often combining deconstructed cartoon characters with dark humor, his images reflect the pressures of consumerism and modern societal tendency towards overindulgence.

His exhibitions include: "Re-animated" (Guy Hepner, New York, 2021), "Sorry, not sorry."

(Plan X Gallery, Milano, 2021), "Nice Day Out" (Waluso Gallery, London, 2020), etc.

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096

KENZ

(Thai, b. 1995)

Daybreak

2021 Acrylic on canvas 120 x 120 cm Signed reverse Kenz , titled Daybreak and dated 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 360,000 - 550,000 HK$ 101,000 - 154,000 US$ 12,900 - 19,700 RMB 84,000 - 128,000

Kenz

Kenz 2019 年於墨爾本迪肯大學獲得設計

天亮了

（視覺傳達）學士學位。他熱衷於描繪兒

2021年 壓克力 畫布 120 x 120 cm 簽名題識畫背：Kenz 2021 Daybreak 附藝術家簽名之原作保證書

時生活中的個人物件，如橡皮浴鴨和學步 車，探索懷舊和純真童年記憶的概念。作 品側重於能喚起強烈視覺記憶的題材，運 用標誌性的活力鮮亮色調。 Kenz got his Bachelor's degree in Design (Visual Communication) from the Deakin University, Melbour ne in 2019. Kenz is interested in exploring the concept of nostalgia and innocent childhood memories through the depiction of his own personal objects from early life such as rubber bath ducks and walking push toys. His work focuses on the relationship between humans and objects that have the ability to bring back strong visual memories. This is executed through his signature style of vibrant tones.

097

KITTI NAROD (Thai, b. 1976)

The Race

2018 Acrylic on canvas 99 x 79 cm Signed lower right KITTI This lot is accompanied with a certificate of authenticity.

NT$ 420,000 - 650,000 HK$ 117,000 - 182,000 US$ 15,100 - 23,300 RMB 98,000 - 152,000

奇蒂．納 羅 德

奇蒂．納羅德於 1976 年出生於泰國，畢業於泰國皇

賽跑

家理工大學博昌工藝美術學院。納羅德的作品透過描

2018年 壓克力 畫布 99 x 79 cm 簽名右下：KITTI 附原作保證書

繪日常生活中恬靜而溫暖的氛圍，傳達歡樂的氣息， 在他作品裡的人事物都生活在烏托邦裡。納羅德曾先 後在曼谷、倫敦、蒙特利爾、新加坡、墨爾本、都柏 林和深圳展出。 Kitti Narod was born in Thailand in 1976, and graduated from Poh-Chang Academy of Arts, Rajamangala University of Technology Rattanakosin.

Narod creates paintings that convey a sense of joy and optimism through the gentle and warm portrayal of daily life and human connectedness.

In his paintings, everyone and everything exists together in a utopia. He has exhibited extensively in Bangkok, London, Montreal, Singapore, Melbourne, Dublin and Shenzhen.

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098

YASUHIRO FUJIWARA

藤原康 博

藤原康博 2002 年於英國倫敦切爾西藝術學 院取得藝術碩士學位。藤原將個人記憶、集

Dwarf 11001

小矮人 11001 2011年

(Japanese, b. 1968)

2011 Polystyrene, beads and mirror Mirror : Diameter 90 cm Figure: 21(W) x 23(L) x 55(H) cm

聚苯乙烯 珠子 鏡面

PROVENANCE

來源

Mori Yu Gallery, Kyoto This lot is accompanied with a certificate of authenticity issued by Mori Yu Gallery and signed by the artist.

NT$ 160,000 - 240,000 HK$ 45,000 - 67,000 US$ 5,700 - 8,600 RMB 37,000 - 56,000

鏡面：直徑90cm 人物：21（長）x 23（寬）x 55（高）cm

Mori Yu畫廊，京都 附Mori Yu 畫廊開立及藝術家 簽名之原作保證書

體記憶和童話故事中的主題融入到他的作品 之中。其展覽經歷包括：在 Mori Yu 畫廊舉 辦的系列個展、「超越風景 – 對『風景』現 下的想像」（三重縣立美術館，2019）等。 Ya s u h i r o F u j i w a r a g o t h i s M a s t e r ' s degree in Fine Arts from the Chelsea College of Arts, London in 2002. Fujiwara incorporates personal and collective memories, and themes from fairy tales into his artworks. His exhibitions include: a series of solo exhibitions held at Mori Yu Gallery, "Para landscape - The Present of Imagination over 'Landscape'" (Mie Prefectural Art Museum, 2019) etc.

099

GLENDON CORDELL (Australian, born c.1980)

Take Me Somewhere Magical #1 2019-2021 Acrylic on canvas 94 x 58 cm Initialed lower right G.C. and dated 2019 Signed reverse GLENDON CORDELL , titled TAKE ME SOMEWHERE MAGICAL 1 and dated 2019 PROVENANCE

19 Karen Gallery, Gold Coast, Australia Private collection, Asia This lot is accompanied with a certificate of authenticity issued by 19 Karen Gallery, Gold Coast, Australia.

NT$ 200,000 - 300,000 HK$ 56,000 - 84,000 US$ 7,200 - 10,800 RMB 47,000 - 70,000 格倫登．科德爾 帶我去神奇的地方 #1 2019-2021年 壓克力 畫布 94 x 58 cm 簽名右下：G.C. 2019 簽名題識畫背：GLENDON CORDELL 2019 "TAKE ME SOMEWHERE MAGICAL 1" 來源

19 凱倫當代藝術空間，黃金海岸，澳洲 私人收藏，亞洲 附19 凱倫當代藝術空間開立之原作保證書

格倫登．科德爾是來自澳洲墨爾本的抽象風景畫

Glendon Cordell is an abstract landscape painter from Melbourne. Cordell

家，他於塔斯馬尼亞大學取得美術學士學位。科

is a graduate of the University of Tasmania with a Bachelor of Fine Arts.

德爾的藝術有著令人耳目一新的觀點，簡單而專

Cordell has a particularly refreshing perspective of his art, with a simple

注於喚醒觀者共鳴，並從藝術欣賞獲得愉悅。他

focus on conjuring joy in the viewer and garnering artistic appreciation.

描繪澳洲山丘的起伏、水脈的深邃色澤和陽光親

Cordell captures undulating hills, the deep hues of Australian water ways

吻過，留下焦黃芥色的田野，突顯出澳大利亞豔

and the burnt mustard of sun kissed fields; highlighting the technicolour

麗多彩的夢幻景觀。科德爾筆下充滿活力和俏皮

dreamscape of Australia. He delivers vibrant and playful depictions that

的景色，照亮並活躍了觀眾的感官。

will brighten and enliven the senses.

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100

JUNG YEO EUN (Korean, b. 1992)

Heroes-2

2021 Mixed media on corrugated cardboard 116.8 x 91 cm Signed reverse Jyeoeun , titled Heroes-2 and dated 2021 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 200,000 - 300,000 HK$ 56,000 - 84,000 US$ 7,200 - 10,800 RMB 47,000 - 70,000

鄭與恩

鄭與恩於 2020 年畢業於世宗大學藝術與體育學院美術

英雄 2

系，主修韓國畫。卡通人物「魔法公主 Minky Momo」

2021年 綜合媒材 紙板 116.8 x 91 cm 簽名題識畫背： Jyeoeun 2021 Heroes-2 附藝術家簽名之原作保證書

有著可愛的外表，但又同時擁有能拯救世界強大力量的， 強烈地吸引著她，成為其作品中常見的主題。鄭與恩曾 參與 2021 年的 One Art Taipei，並已在首爾的 Gallery SARA（2020 年 ）、Maru Art Center（2020 年 ） 和 ART SPACE I: SAEK（2020 年）等地舉辦個展。 Jung Yeo Eun graduated from The Department of Painting, College of Arts and Physical Education, Sejong University in 2020, and majored in Korean p a i n t i n g . H e ro e s i n c a r t o o n s w i t h c u t e f a c e s , simultaneously with tremendous power that can save the world, are strongly attracting her, owing to that it has become a common theme in her works. Jung Yeo Eun has participated in One Art Taipei in 2021, and held solo exhibitions at Gallery SARA (2020), Maru Art Center (2020) and ART SPACE I: SAEK (2020) in Seoul.

101

ANDRÉ SARAIVA (a.k.a. MR. A) (French-Swede, b. 1971)

Style C - Snoopy x Mr. A 2019 Fiberglass, edition of 50 Produced by APPortfolio 68(L) x 68(W) x 139(H) cm Copyright André © , © Peanuts , and trademark APPortfolio ® on the bottom With the original product box

NT$ 360,000 - 550,000 HK$ 101,000 - 154,000 US$ 12,900 - 19,700 RMB 84,000 - 128,000 安德列．薩拉華（A 先生） 款式C－史奴比與A先生 2019年 玻璃纖維 限量50件 發行單位APPortfolio 68（長）x 68（寬）x 139（高）cm 版權底部：André © © Peanuts 註冊商標底部：APPortfolio ® 附原始包裝箱 安德列．薩拉華（A 先生）出生於瑞典的葡裔法

André Saraiva (a.k.a Monsieur A) is an artist of Portuguese descent who

國藝術家，十三歲時開啟了他的非法塗鴉之旅。

was born in Sweden and grew up in Paris, where he started his path in the

1989 年薩拉華創作了知名角色 Mr A，也開始在

illegal graffiti scene at the age of 13. In 1989, he developed his original

城市的公共空間，和行人共同進行逗趣和歡樂的

and iconic character Mr A, which he began painting throughout the city

創作互動。自此，薩拉華被視為當代街頭藝術的

in poetic and joyful interaction with the public space and passers-by. The

先驅之一。薩拉華持續於世界各地的畫廊和藝術

artist has been regarded as one of the fathers of the contemporary urban

機構展出，其作品為許多著名收藏機構典藏。多

art scene. André Saraiva has also been exhibiting his works in galleries

才多藝的他甚至指導多部電影、流行 MV，和同時

and institutions around the world and his oeuvre is represented in various

擔任多間餐廳、夜店、飯店的藝術總監及擁有者。

renowned collections. He has also directed several films and music videos and worked as creative director and owner of clubs, hotels and restaurants in diverse countries.

155

102

KEA (TSAI MENGDA) (Taiwanese, b. 1980)

The Space Graffiteur 2017 Hei-Cast, stainless steel, ed. 1/6 34(L) x 30(W) x 60.5(H) cm (sculpture); 37.5(L) x 41(W) x 70(H) cm (box) Signed KXX and numbered 1/6 on the heel of the right foot EXHIBITED

BIGBANG 10 the Exhibition A to Z , YG Entertainment, Taipei, June 24-August 22, 2017 This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 240,000 - 360,000 HK$ 67,000 - 101,000 US$ 8,600 - 12,900 RMB 56,000 - 84,000 KE A（ 蔡孟達） 太空塗鴉者 2017年 聚氨酯樹脂 不鏽鋼 版次1/6 34（長）x 30（寬）x 60.5（高）cm（雕塑）； 37.5（長）x 41（寬）x 70（高）cm（原裝盒） 簽名右腳後跟：KXX 1/6 展覽

「BIGBANG 10 A to Z 十週年巡迴展」，YG 娛樂， 台北，展期2017年6月24日至8月22日 附藝術家簽名之原作保證書

103

LY

(Japanese b. 1981)

I am Luv

2020 Resin with fully hand-painted shirt, edition of 5+AP 10(L) x 13(W) x 25(H) cm Signed bottom Ly and dated 2020 This lot is accompanied with a certificate of authenticity signed by the artist.

LY 我是Luv 2020年 100%手工彩繪 樹脂 限量五件+AP 10（長）x 13（寬）x 25（高）cm 簽名底部：Ly 2020. 附藝術家簽名之原作保證書

NT$ 380,000 - 600,000 HK$ 106,000 - 168,000 US$ 13,600 - 21,500 RMB 89,000 - 140,000 LY 於 1981 年出生於東京。其城市風景畫，融合了多種 經典的城市藝術元素與意象，如滑板公園、商店、漢堡 店和地鐵站，沉浸於更傳統的日本建築和設計風格當 中。這些黑白作品中的 LUV 或 LUVS，是一個神祕的黑 色人物，外觀有如無害的妖怪，靈感源於經典的日本傳 統與漫畫。這個角色可以被視為是藝術家的分身，賦予 日常行為新的意義，開啟了對當今都會生活中，社會和 文化行為的不同解讀。 LY was born in Tokyo in 1981. LY's city landscapes merge together several classical urban art elements and imagery such as Skate parks and shops, burger joints and subway stations immersed in a more traditional Japanese architecture and design style.

These black and white compositions are very often populated by LUV (or LUVS), a mysterious dark figure, designed in the appearance of a good Monster, conceived putting again together bits of Japanese classic heritage and classical comics hints.

This character, who can be interpreted like the artist alter-ego, gives new meanings to everyday actions opening up different readings of the social and cultural behavior in the present metropolitan life.

157

Morado

Juanin

Olivia

Rosa

Rojo

104

EDGAR PLANS (Spanish, b. 1977)

The Power of the Letters (a set of 5)

艾德加．普連斯 文字的力量（五件一組） 2021年

2021 Alloy, crystal, ed. 230/250 (Morado); 239/250 (Juanin); 225/250 (Olivia); 70/250 (Rosa); 74/250 (Rojo) (from left to right). Produced by Misha Made Art Project 16(H) cm (each)

合金 水晶 版次230/250（Morado）；239/250（Juanin）；

EXHIBITED

「艾德加．普連斯：文字的力量藝術快閃」， K11博物館，香港，展期2021年5月14日至6月14日

Edgar Plans, The Power of the Letters Art Pop Up , K11 Musea, Hong Kong, May 14-June 14, 2021 This lot is accompanied with a certificate of authenticity and a NFC manual.

NT$ 240,000 - 360,000 HK$ 67,000 - 101,000 US$ 8,600 - 12,900 RMB 56,000 - 84,000

225/250（Olivia）；70/250（Rosa）；74/250（Rojo） （由左至右）發行單位Misha Made Art Project 16（高）cm（每件） 展覽

附原作保證書及NFC說明書

105

ROBY DWI ANTONO (Indonesian, b. 1990)

Luh & Ruh

羅比．安 托 諾

羅比．安托諾於 1990 年出生於印尼的安巴拉哇，

眼淚與靈魂

為年輕一代的超現實主義藝術家。安托諾以其豐

2020-2021年

富、流暢、充滿色彩的筆觸而聞名，描繪了兔子、 小女孩、超級戰隊、海洋生物等無數代表性的經典

2020-2021 Poly-Resin, ed. 74/150 Produced by VINS 22(L) x 22(W) x 29(H) cm (sculpture); 24(L) x 32(W) x 38(H) cm (box) (each)

複合樹脂 版次74/150

24（長）x 32（寬）

Roby Dwi Antono was bor n in Ambarawa,

This lot is accompanied with a certificate of authenticity and wooden boxes.

x 38（高）cm（原裝盒）

Indonesia in 1990. He is a surrealist artist of the

（每件）

young generation. Antono is known for his rich,

NT$ 140,000 - 220,000 HK$ 39,000 - 61,000 US$ 5,000 - 7,900 RMB 33,000 - 51,000

發行單位VINS 22（長）x 22（寬） x 29（高）cm（雕塑）；

附作品保證書及木盒

偶像。展覽經歷則包括：「好奇心－羅比．安托諾， 山佳子雙人展」（斯蒂芬妮畫廊，2021）、「清 晰的片段」（斯里薩桑蒂．辛迪加畫廊，2021）等。

smooth, color-infused brushstrokes depicting a myriad of symbolic icons from rabbits and little girls to sentai superheroes and marine species.

His exhibitions include: "Curiosities - Roby Dwi Antono, Yokoyama Yoshiko Duo show" (Galerie Stephanie, Philippines, 2021), "Lucid Fragments" (Srisasanti Syndicate, Yogyakarta, Indonesia, 2021) etc.

159

給予買家的重要通知 本拍賣會依據「羅芙奧股份有限公司業務規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.

有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納競投保 證金。

2.

競投保證金：新台幣陸拾萬元或貳萬美金。

3.

競投保證金需於 2021 年 6 月 2 日以前完成匯款至本公司指定帳號如下 : 銀行：匯豐（台灣）商業銀行 - 台北分行 銀行代碼：0810016 戶名：羅芙奧股份有限公司 帳號：001-234830-031（新台幣）或 001-234830-061（美金） 地址：台北市基隆路一段 333 號 14 樓 匯款時請指示銀行本公司需實收競投保證金全額，銀行手續費請匯款人負擔。

4.

2021 年 6 月 2 日之後，若欲參與競投領取牌號者需於台北拍賣預展期間 (2021 年 6 月 3 日至 6 月 5 日 ) 以新台幣現鈔支付 ( 恕不接受除現金之外之其他繳納方式 )，收款將於 6 月 5 日中午 12 點截止。

5.

電話

書面

網路競投：競投者如不能出席拍賣會，可透過電話

書面

網路方式進行競投。登記申請手續以及競投保證

金之繳納亦需在 2021 年 6 月 2 日以前完成匯款至本公司指定帳號。 6.

如於 2021 年 6 月 2 日以前完成競投保證金匯款，請提供我方可證明已匯款的證明文件。確認收到競投保證金匯款後，我們 將與競投者聯繫並與之確認其競標牌號。

7.

拍賣當天已繳納競投保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以確認身份。

8.

競投保證金退還方式： (1) 有成交： (a) 競投保證金以「匯款」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 (b) 競投保證金以「現金」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣當日以現金退還給買家。 (c) 若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之款項（包含落槌價、服務費及其他費用）予本公司， 買家不得請求返還競投保證金。 (2) 未成交：若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。競投保證金以「匯款」方式完成者， 本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。競投保證金以「現金」方式完成者，本公司將於拍賣 當日以現金退還給買家。

9.

若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價、服務費及其他費用 ) 金額超過競投保證金金額時，買方得以下列方 式結清帳款： (1) 現鈔：上限新台幣壹佰萬元。 (2) 信用卡與銀聯卡：刷卡上限為新台幣壹佰萬元。信用卡與銀聯卡持有人必需是買家本人，本公司不接受他人之信用卡。

10. 羅芙奧股份有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含競投保證金）保留全 部的決定權。 161

IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1.

Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.).

The completion of a registration form and the payment of a bidding deposit are required.

2.

Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.

3.

The bidding deposit must be transferred to Ravenel's specified Bank account prior to 2nd June 2021, details as follow: Beneficiary's Bank: HSBC BANK (Taiwan) Limited.

SWIFT Code: HSBCTWTP Beneficiary's Name: Ravenel Ltd. Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$) Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.

4.

After the 2nd June 2021, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 3rd June to 5th June 2021). Acceptance will cease on 5th June by 12pm (No other forms of payment will be accepted).

5.

Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified Bank account before the 2nd June 2021.

6.

If the bidding deposit has been transferred prior to 2nd June 2021, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her/its paddle number.

7.

If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.

8.

Return of the Security Deposit: (1) Completed Transaction: (a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. (b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit.

(2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.

9.

Successful bidder must settle the payment (hammer price, buyer's premium, and other expenses) prior to receiving the lot(s) on site.

If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment must not exceed NT$ 1,000,000.

(2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.

10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.

委託競投表格 委託競投表格須於拍賣24小時前送抵國際藝術部。競投表格可回傳至:

拍 賣 名 稱：羅芙奧台北 2021 秋季拍賣會 薈萃國際：現代與當代藝術

國際藝術部 電話：+886-2-2708 9868 分機 883｜傳真：+886-2-2701 3306

拍 賣 編 號：TA2103

投標者資料 客戶編號

拍 賣 日 期：2021 年 12 月 4 日 ( 星期六 ) 下午 3:30

姓名

拍 賣 地 點：台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路 199 號

護照號碼/身份證字號/統一編號 電話號碼（住宅）

（手機）

拍賣期間之聯絡電話 (僅限電話競投) 電郵

傳真號碼

地址 拍賣品編號

名

稱

競投價 (新台幣) / (服務費不計在內)

※投標規則： 1. 茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。 2. 本人知悉書面及電話競標乃羅芙奧為基於投標者之便利而提供代為投標之服務而不成立任何委託投標之契約，羅芙奧不因執行投標而負任何 責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以最先收到者優先辦理。 3. 本人同意如投標成功，本人應付之購買價款為最後落槌價加上服務費，服務費依業務規則第二條第4項之規定計算。(4a.買家支付每件拍品之 服務費率：（1）買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下者含參仟貳佰萬元以20％計算；（2） 落槌價於新台幣參仟貳佰萬元以上者分為二級，其中新台幣參仟貳佰萬元以20％計算，超過新台幣參仟貳佰萬元之部份以12％計算。) 4. 本競投，本人同意並遵守本目錄所載所有業務規則。(包含但不限於羅芙奧不負瑕疵擔保責任及保證責任等規定) 5. 如投標者未曾於羅芙奧競投拍賣品，請附上投標者資料之副本及銀行證明資料。 6. 本人同意買家須知、投標者登記表格、委任競投表格及業務規則等附屬文件均視為本契約之一部分。 7. 羅芙奧基於上述原因而需蒐集、處理或非營利目的之利用投標者個人資料， 該資料將在前開蒐集目的之存續期間及依法令規定要求之期間內被處理或利用。

簽署 ：

日期：

羅芙奧在取得投標者之個人 / 公司資料及簽名後方才接受競標 簽名即代表確認以上登記 / 競投，詳閱並同意接受羅芙奧載於圖錄及網站內之業務規則

羅芙奧股份有限公司 106485 台北市敦化南路二段76號18樓 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel : +886 2 2708 9868 | Fax : +886 2 2701 3306 ravenel.com | ravenelart.com.cn

163

ABSENTEE BID FORM The absentee bid forms must be delivered to the International Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: International Art Department Tel: +886 2 2708 9868 ext. 883｜Fax: +886 2 2701 3306

Bidder's Details Customer Number

Name

Passport number/ID number/Unified Business number Tel (Home)

Auction Date Sale No. Location Address

AUTUMN AUCTION 2021 TAIPEI SELECT: Modern & Contemporary Art Saturday, December 4, 2021, 3:30 pm TA2103 Marriott Taipei 3F (Grand Space) No. 199 Lequn 2nd Road, Zhong Shan District, Taipei

(Mobile)

Tel (For Phone Bid) Email

Fax

Address Auction Lot Number

Title

Bid Price (NT$) (Not including Buyer's premium)

※Bidding rules： 1. It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder.

2. I understand and agree that Ravenel provides such bid services for the convenience of customers and no contract or agreement shall be constituted. Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received.

3. I understand and agree that if my bid is successful, I shall pay the final hammer price together with the buyer's premium. For detail please refer to Article 2,section 4 of the Transaction Agreement to the buyer. (4a. The service fee of each lot payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the buyer's premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the buyer's premium should be calculated at 20% of the hammer price; (2) For hammer price higher than NT$ 32,000,000, the first NT$ 32,000,000 should be calculated at 20% and the rest of the amount should be 12%.)

4. The bid shall be subject to the Transaction Agreement prescribed in the catalogue.(including but not limited to Ravenel's non-defect warranty and non-guaranteed liability).

5. If the bidder has not bid for the auction item at Ravenel, please attach a copy of the bidder's information. (Individual: ID card or passport with photo issued by the government) 6. I agree that the Notice To Bidders, Bidder Registration, Absentee Bid Form and Transaction Agreement and other attached documents are regarded as part of this agreement.

7. Ravenel will collect, process and use the personal data provided by the client for auction-related matters and other non-profit purposes.

Signature：

Date：

We accepts the bid only after obtaining the personal/company information and signature to execute this bid.

By signing this form, you confirm your registration/bid(s) as above and you agree that you have read and understood our Transaction Agreement as stated in our catalogues and on our website.

Ravenel Ltd. 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel: +886 2 2708 9868 | Fax: +886 2 2701 3306 ravenel.com | ravenelart.com.cn

業務規則 下述規則，為羅芙奧股份有限公司(下稱「本公司」)與賣家訂立合約，亦 作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀 各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5 項，其對本公司之法律責任作了限定。 一、本業務規則所用詞彙之定義 在下列規定中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1. 「買家」：指本公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣 之自然人或法人。 4. 「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以 任何編號描述之一項或多項物品。 5. 「落槌價」：指本公司就某一拍賣品而接受之最高出價之價款。 6. 「買家服務費」：指買家按落槌價之某一百分比而支付本公司之費用； 收費率如第二條第4a項所列。 7. 「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之 價格售出。 8. 「膺品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺 詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺 騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品 在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義， 任何拍賣品均不會因為有任何損壞及 或任何形式之修整（包括重新上 漆）而成為膺品。 9. 「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險 之價值（不論保險是否由本公司安排購買）。 10. 「賣家服務費」：指賣家應支付本公司之費用。 二、買家 1. 本公司作為賣家代理人 本公司作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中 成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2. 拍賣前 a. 鑑定物品 本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之 物品。本公司就任何拍賣品及相關證明文件之真偽，均不對買家作任 何保證。 b. 拍賣品狀況之重要注意事項 請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述， 皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疪與不完整。對任何 拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍 賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或 損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議， 準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢 閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述 或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知 悉並瞭解所有拍賣品均以「現狀」售出，本公司對於任何拍出之拍賣 品狀態不作任何承諾或保證。 c. 符號表示 以下為本目錄所載符號之說明 ｏ保證項目 拍賣品編號旁註有ｏ符號者，表示賣家已取得本公司保證，可在一次 或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由 本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之 形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可 能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或 參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家 服務費。 d. 目錄說明 本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、 日期、年代、尺寸、材質、歸屬、真實性、出處、保存狀況或估計 售價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬意見之陳 述，不應依據為確實事實之陳述。目錄圖示亦僅作為指引而已，不應 作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。

拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作其 他用途之價值陳述。 許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有 些說明或鑑定意見書會提述拍賣品之損壞及 或修整資料。此等資 料僅作為指引而已，如未有提述此等資料，亦不表示拍賣品並無缺 陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任 有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查 明並瞭解，並就拍賣品為自己獨立之判斷及評估，並確使自己感到 滿意。 3. 拍賣時 a. 估價 目錄內及拍賣當日所提供之美金等貨幣估價，僅為參考依據。本拍 賣會須以新台幣結算，買家如須以新台幣之外其他貨幣繳付，須依 拍賣日現場公佈之匯率，折合所繳付之等值貨幣計算。 b. 拒絕入場 拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地 進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣 場地或參與拍賣。 c. 競投之前作出登記 每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身 分證明。準買家應注意，本公司通常會要求對買家作出信用核查。 d. 競投保證金 競投者，應在領取競投號牌前繳納競投保證金，競投保證金的金額 由本公司在拍賣日前公佈。 (1) 若競投者未支付競投保證金，本公司有權不接受其競投。若競 投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證 金。 (2) 若競投者成為買家，則本公司有權將此保證金自動轉化為已成 交拍賣品購買款項之一部（包含落槌價、服務費或運費等相關 費用），若尚有餘款須退回給買家；若買家無正當理由未於 成功拍賣日期後七天內支付全部應支付之成交拍賣品購買款項 （包含落槌價、服務費或運費等相關費用）予本公司，買家不 得請求返還競投保證金。 e. 競投者為買家 競投者將被視為買家而須承擔個人法律責任，除非登記時已經與本 公司書面協定，競投者僅為第三人之代理人，且該第三人復為本公 司所接受者。 f. 委託競投 如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公 司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公 司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而 在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其 委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承 諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項 承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託 作出競投，本公司將不負任何法律責任。準買家如希望確保競投成 功，應親自出席競投。 g. 電話競投 如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競 投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無 法參加電話競投，本公司對賣家或任何準買家均不負任何責任。 h. 透過 Invaluable 進行網上競投 若準買家未能出席拍賣會，或可透過Invaluable網上競投服務於網上 競投屬意拍品，而承擔買家獨立責任。此項服務乃免費及保密。有 關透過 Invaluable 網上競投服務登記，進行網上競投之詳情，請參閱 本公司網頁 ravenel.com。使用Invaluable網上競投服務之準買家須接 受透過Invaluable網上競投服務進行即時網上競投之附加條款（可參 閱網站），以及適用於該拍賣之業務規則所規範，本公司得隨時修 改該業務規則。 i. 匯率轉換顯示板 拍賣會中，本公司會使用匯率轉換顯示板。匯率轉換顯示板僅供參 考，不論是顯示板所示之拍賣品編號或是新台幣競投價之相等外 匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依 賴匯率轉換顯示板（而非因以新台幣競投）所導致而蒙受之任何損 失，本公司概不負責。

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j. 錄映影像 在有些拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是 否與成功拍賣之拍賣品相配合，或是翻版影像之質素，本公司對買 家均不負任何責任。 k. 拍賣官之決定權 拍賣官具有絕對決定權，有權拒絕任何競投、以其決定之方式推動 出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併， 以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始 前或於相關拍賣品競標前對注意事項作出通告，準買家須負責自行 注意所有於拍賣會場發表之通告。建議使用即時網上競投服務參與 競投的準買家，於拍賣開始前登入，以確保準買家得知拍賣開始前 所作出之通告。 l. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受， 亦即為賣家與買家合意依落槌價拍定拍賣品，視為成功拍賣合約之 訂立。 4. 成功拍賣後 a. 買家支付每件拍賣品之服務費費率 (1) 買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台 幣參仟貳佰萬元以下者含參仟貳佰萬元以落槌價之20％計算。 (2) 落槌價於新台幣參仟貳佰萬元以上者，採分為二階段計費，其中 新台幣參仟貳佰萬元以落槌價之20％計算，超過新台幣參仟貳 佰萬元之部份再以落槌價之12％，加總計算服務費金額。 b. 稅項 買家應付予本公司之款項，如須另行支付貨物、服務稅或其他稅則 時（不論由台灣政府或別處所徵收）。買家須負責按有關法律所規 定之稅率及時間，自行繳付稅款。 c. 付款 成功拍賣後，買家須向本公司提供其真實姓名及永久地址。如經本 公司要求，買家亦須提供付款銀行之詳情，包含但不限於付款帳 號。買家應於拍賣日期後七天內悉數支付應支付予本公司之款項 （包含落槌價、服務費或運費等相關費用）。即使買家希望將拍賣 品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。 買家如未向本公司支付所欠之全部款項，則不能取得拍賣品之所有 權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之 款項為新台幣以外之貨幣，須依拍賣日現場公佈之匯率（台灣銀 行），並以本公司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品 除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣 之拍賣項目，直至欠本公司之款項已悉數支付為止。已購拍賣品在 暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險， 如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領 取時起（以較早者為準），已購拍賣品之風險全由買家承擔。 e. 介紹裝運及運輸公司 本公司之貨運部門在買家要求下，可為買家介紹運輸公司、安排付 運及購買特定保險，但本公司在此方面不負任何法律責任。買家必 須預先繳付運輸費用。 f. 不付款或未有領取已購拍賣品之補救辦法 如買家並未在成功拍賣日後起算七天內付款，本公司即有權行使下 述一項或多項權利或補救辦法： (1) 在成功拍賣日後起算超過七天仍未付款，則按不超過台灣銀行基 本放款利率加收10%之年利率收取整筆欠款之利息。此外本公司 可同時按日收取依成交價（含落槌價、服務費）1％計算之懲罰 性違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷 本公司或其他關係企業在任何其他交易中欠下買家之款項，買 家絕無異議。 (2) 對任何屬於買家所有而因任何目的(包含但不限於其他交易)而由 本公司管有之已購拍賣品行使留置權，並在給予買家有關其未 付之欠繳之十四天通知後，安排將該物品出售並將收益用以清 償該未付之欠款。 (3) 如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項 用以清償已購拍賣品就任何特定交易而欠下之任何款項，而不 論買家是否指示用以清償該筆款項。 (4) 在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投， 或在接受其任何競投之前先收取買家一筆競投保證金。如買家 未有在三十五天內付款，本公司除上述辦法外，另有權為下述 一項或多項權利或補救辦法：

(a) 代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉 數賠償為基準之法律程序訴訟費。 (b) 取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售 予買家之拍賣品交易。 (c) 安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連 同因買家未有付款而引致之任何費用一併向買家索償。 g. 未有領取已購拍賣品 如已購得之拍賣品未有在成功拍賣日後起算七天內領取，則不論是 否已付款，本公司將安排貯存事宜，費用由買家承擔。而買家在付 清所引起之貯存、搬運、運輸、保險及任何其他費用，連同欠本公 司之所有其他款項後，方可領取已購拍賣品項目。 h. 出口許可證 除本公司另有書面同意外，買家希望申請出口許可證，並不影響買 家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲 付款收取利息之權利。 如買家要求本公司代為申請出口許可證，本公司有權向其收取與此 項申請有關之款項及零碎開支連同任何有關之稅則。 如買家不需要出口許可證而作出付款，本公司並無責任退還買家因 此而引致之任何利息或其他開支。 5. 本公司之法律責任 本公司僅在第二條第6項所列之情況下，得退還款項予買家。除此之 外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之 作者、來歷、日期、年代、歸屬、真實性或出處之陳述，或任何其他說 明之誤差，任何拍賣品之任何瑕疵或缺陷，均不負有任何責任。賣家、 本公司、本公司之僱員或代理人，不論是明示或暗示均無就任何拍賣品 作出任何保證。任何種類之任何擔保，均不包含在本條之內。 6. 膺品/贓物之退款 本公司之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實 為膺品、贓物或涉及不法情事者，則交易將取消，已付之款項於交付賣 家前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納 之意見，或清楚表明有牴觸當時學者或專家普遍接納之意見。 b. 或證明拍賣品為膺品或贓物之方法，只是一種在目錄出版前仍未普遍 獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並 不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並 無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退 款： (1) 買家必須在拍賣日起十日內以書面通知本公司，說明買家認為有 關拍賣品乃膺品或贓物之詳細理由及證據。 (2) 且買家需於書面通知後十四天內將拍賣品送還本公司，而其狀況 應維持與拍賣當日相同，不得有任何損壞。 (3) 送還拍賣品後，買家須盡快出示證據，足以使本公司確信拍賣品 乃膺品或贓物(本公司保有最終及不可異議之決定權)，買家並可 將拍賣品之完整所有權及相關權利轉讓予本公司，而與任何第 三人之索償無涉。在任何情況下，本公司均毋須向買家支付多 於買家就有關拍賣品而支付之款項，而買家亦不能索取利息。 本擔保之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本 發票之買家所有(該買家名稱被記載於發票上)，該名買家並須自拍賣後 一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何 第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品 或贓物，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證 拍賣品是否屬於贗品或贓物結果與買家出示證據相衝突者，應以本公司 驗證結果為準。

賣方業務規則請參閱羅芙奧網站 http://ravenel.com http://ravenelart.com.cn

TRANSACTION AGREEMENT The following provisions are entered into by and between Ravenel Ltd., as the auctioneer, (hereinafter referred to as the "Company"),and the Seller (hereinafter referred to as the "Seller"). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer").

The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5 which provides limitations as to the legal responsibilities of the Company.

ARTICLE 1.DEFINITION Some of the phrases commonly seen herein are defined as follows: 1. "The Buyer" shall mean highest bidder accepted by the Company.

2. "The Prospective Buyer" shall mean any potential bidder willing to attend the auction sale hosted by the Company.

3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company.

4. "The Lot" shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue.

5. "Hammer price" shall mean the highest bid with respect to one particular Lot accepted by the auctioning party.

6. The " Buyer's Premium" shall mean the fee based on a certain percentage of the Hammer price paid to the Company by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a.

7. "The Reserve Price" shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price.

8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints).

9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company).

10. The "Seller Service Fee" shall mean the fee is paid to the Company by the Seller.

ARTICLE 2.THE BUYER 1. The Company as the Agent of the Seller The Company, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer.

2. Prior to the Auction a. Authentication We strongly recommend that the Prospective Buyers conduct their own authentication for the items they are interested in bidding prior to the auction. The Company provides no guarantee to the Buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot and related certificates. b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The description of the auction items also do not imply and guarantee that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally. We strongly recommend the Prospective Buyers shall personally view the items for which they plan to bid before the auction. Any description in the catalogue or any statement provided by the Company is purely the Company's subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in "as is" condition. The Company does not provide any representation or guarantee as to the condition of any of the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue. ○ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions.

This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer's Premium. d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lot and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not

3.

be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes.

Many Lots fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her/its own judgment or estimation independently regarding the Lots.ing his/her own judgment or estimation independently regarding the Lots.

In the Auction a. Estimates The prices in US dollars or other currencies reproduced in the auction and this catalogue are for reference only. The Buyer is requested to pay

by New Taiwan dollars or other foreign currencies in its equivalency based on the exchange rate announced by the Company on the day of auction. b. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. c. Registration Prior to the Bidding Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. Prospective Buyers should also note that the Company may request to conduct credit checks against Buyers. d. The Bidding Deposit The bidder shall pay the bidding deposit before receiving the bidding number. The Company will announce the amount of the bidding deposit before the auction day.

(1) If the bidder fails to pay the bidding deposit in advance, the Company has the right to refuse the bid. If the bidder is not able to purchase any Lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder.

(2) If the bidder becomes the Buyer, the Company has the right to transfer the bidding deposit into the payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs ) of the Lot for which transaction is concluded. And the Company will return the balance of the deposit to the Buyer (if any). If the Buyer ,without any good cause, fails to pay any and all payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs) of the Lot to the Company within 7 days after the auction date ,the Buyer shall not claim for the return of the bidding deposit. e. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. f. Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the provided forms attached to the explanations of the catalogue; however, bid commission instructions must be delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions.

The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. g. Bid by Phone The Company will make proper effort to contact the bidder so he/she can participate in the auction by phone if the Prospective Buyer make arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. h. Online Bids via Invaluable If the bidder cannot attend the auction, it may be possible to bid online via Invaluable for preferred Lots to bear individual buyer's responsibilities. This service is free and confidential. For information about registering to bid via Invaluable, please refer to Ravenel.com. The Bidders using the Invaluable online bidding service are subject to the additional terms and conditions for online bidding via Invaluable, which can be viewed at Ravenel.com and be revised by the Company from time to time. i. Exchange Rate Conversion Board There will be an exchange rate conversion board operating in auctions.

Nonetheless, the auction will still be conducted in NT dollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board.

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j. Recorded Images There is image projection in some auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. k. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his/her discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items. If the auctioneer announces the points for attention before the auction or the bidding, the Prospective Buyers shall pay attention for any announcement as its own responsibility. We recommend the Prospective Buyers using Online Bids Services to log in the system prior to the commencement of the auction, to ensure the timely awareness of any notices or announcements made prior to the auction. l. Successful Bids Under the discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement on Hammer Price.

Following the Auction a. The Buyer's Premium of Each Lot (1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the Buyer's Premium should be calculated at 20% of the hammer price.

(2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's Premium should be that the first NT$ 32,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12% of the hammer price. b. Taxes All the payments payable by the Buyer to the Company do not include any commodity or service taxes or any other value added taxes (whether imposed by the Taiwanese government or elsewhere). The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his/her/its true name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon the company request. All payments due (including the hammer price, the Buyer's Premium and any freights or other expenses) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit.

If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to the Company are made in any currency other than NT dollars, the exchange rate of the payments to the Company should be the exchange rate reported by the Bank of Taiwan to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period.

The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Referral of Packaging or Transportation Companies The shipping department of the Company may introduce the forwarder, assist in the arrangement of delivery, or purchase particular insurance upon the Buyer's request. The Company will not be held liable for any legal responsibilities in this regard. And the Buyer shall prepay the freight charges. Costs and expenses for shipping and insurance shall be paid in advance. f. Remedies for Non-Payment or Non-Collection of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1) An interest at the annual rate of no higher than 10% plus the base interest rate of Bank of Taiwan will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and Buyer's Premium) multiplied by the number of delayed days as puntive damage for the default. The payment to be made by the Buyer may offset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company's sole decision.

(2) To exercise lien of any items owned by the Buyer and held by the Company for any purpose including but without limitations other transactions.

The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his/hers/its non-payment. The proceeds shall make up for the payment due.

(3) If the Buyer owes the Company several payments as a result of different transactions, the payments will set-off any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments.

(4) Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/or to require a bidding deposit from the Buyer before accepting any future bids from him/her/it. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a) To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim. (b) Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions. (c) To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any

5.

6.

cost incurred as a result of the non-payment by the Buyer. g. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, handling, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. h. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer's wishes to apply for an export permit does not affect the Buyer's responsibility to make the payments in 7 days following the auction date; nor does it affect the Company's right to impose interest on delayed payments.

If the Buyer requests that the Company applies for the export permit on his/hers/its behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes.

If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom.

The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Seller, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein.

Return of Payments for Counterfeits or stolen goods The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit or stolen goods, or involved in obvious illegality by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields. b. Or the method used to prove that the Lot is a counterfeit or stolen goods is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer's payment can only be refunded when the following terms are met: (1) The Buyer must notify the Company in writing within 10 days following the auction day that he/she considers the relevant auction item a counterfeit or stolen goods.

(2) The Buyer must return the Lot to the Company within the following 14 days and the condition of the item must be the same as on the auction day without any damage.

(3) Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit or stolen goods (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim. Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer cannot claim interests.

The interests of the warranty cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer's name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction. If the result of appraising and verifying whether the Lot is a counterfeit or stolen goods by the Company conflicts with the evidence provided by the Buyer, the Company's said result shall prevail over the evidence provided by the Buyer.

Please refer to our website for seller's Transaction Agreement. http://ravenel.com http://ravenelart.com.cn