薈萃國際：現代與當代藝術 SELECT: Modern & Contemporary Art

SPRING AUCTION 2023 TAIPEI

拍賣目錄每本售價：NT$2,000

This auction catalogue: US$70 per copy

羅芙奧 2023 春季拍賣會

薈萃國際：現代與當代藝術

RAVENEL SPRING AUCTION 2023 SELECT: Modern & Contemporary Art

拍賣日期／地點

2023年6月3日（六）下午 4:00

萬豪酒店

台北市中山區樂群二路199號3樓（博覽廳）

預展日期／地點

高雄

2023年5月13日（六）上午11:00至下午6:00

2023年5月14日（日）上午11:00至下午6:00

琢璞藝術中心

高雄市前金區五福三路63號8樓

台中

2023年5月20日（六）下午1:00至下午6:00

2023年5月21日（日）上午11:00至下午6:00

豐藝館

台中市西區五權西路一段110號B1

台北

2023年6月1日（四）- 3日（六）上午11:00至下午7:00

萬豪酒店｜台北市中山區樂群二路199號3樓（博覽廳）

AUCTION

Saturday, June 3, 2023, 4:00pm

Marriott Taipei

Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei

PREVIEWS

Kaohsiung

Saturday, May 13, 2023, 11:00am - 6:00pm

Sunday, May 14, 2023, 11:00am - 6:00pm

J. P. Art Center

8F, No. 63, Wufu 3rd Rd., Qianjin Dist., Kaohsiung, Taiwan

Taichung

Saturday, May 20, 2023, 1:00pm - 6:00pm

Sunday, May 21, 2023, 11:00am - 6:00pm

Fong-Yi Art Gallery

B1, No. 110, Section 1, Wuquan W. Rd., West Dist., Taichung, Taiwan

Taipei

Thursday, June1 - Saturday, June 3, 2023, 11:00am - 7:00pm

Marriott Taipei

Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan

王鎮華 Arthur Wang

董事長 Chairman

郭倩如 Clara Kuo

副董事長 Vice Chairman

陳惠黛 Odile Chen

國際藝術部 總經理 Head of International Art Department

陳昱良 Iris Chen

國際藝術部 副理 Assistant Manager, International Art Department

謝依廷 Tina Hsieh

國際藝術部 行政助理 Sales Assistant, International Art Department

林琬娸 Kitty Lam

香港業務經理 Hong Kong Business Manager

李政希 Xiu Lee

上海業務經理 Shanghai Business Manager

羅芙奧

2023 春季拍賣會服務部門及連絡人

藝術品諮詢專家 國際藝術部

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RAVENEL STAFF AND SERVICES FOR THIS SALE

ART CONSULTANTS INTERNATIONAL ART DEPARTMENT

Head of International Art Department

Odile Chen

Tel: +886 2 2708 9868 ext. 889

Email: odilechen@ravenel.com

Assistant Manager

Iris Chen

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Email: kittylam@ravenel.com

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PHONE BIDS AND WRITTEN BIDS

Taiwan

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ONLINE BIDS

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Remarks:

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CATALOGUE SUBSCRIPTION

Taiwan ． International

Tina Hsieh

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Email: tinahsieh@ravenel.com

Hong Kong

Kitty Lam

Tel: +852 2889 0859

Email: kittylam@ravenel.com

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Xiu Lee

Tel: +86 21 6228 2883

Email: xiulee@ravenel.com

The catalogues are available for subscription. For details of subscription, please refer to the explanations of the catalogue or contact the above persons.

COLLECTION AND SHIPPING

Taiwan ． International

Jerry Wu

Tel: +886 2 2708 9868 ext. 587

Email: jerrywu@ravenel.com

Remarks:

All the items auctioned may be collected upon receipt of payments. The Buyers are requested to arrange for collection as soon as possible to facilitate warehouse inventory circulation and centralize management. We accept personal and corporate checks, however collection may be made only when such checks are honored. We apologize for no acceptance of traveler's checks. Other items may be collected at the Ravenel Ltd. The business hours are 9:30 am to 6:30 pm, Monday to Friday.

Our professional administration department may make recommendations of arrangement or the most appropriate transportation for you.

Ravenel is glad to provide you with the condition report of any of the items at the auction, however, the buyers must note that all the items at the auction are sold "as is". Please refer to the Transaction Agreement at the back of the catalogue. Please refer to the "Transaction Agreement to the Buyers".

PAYMENT

Emily Wang

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Payment details are described at the back of the catalogue. Please contact the above person if you need any further information.

藝術家索引 INDEX

001

JU YOUNG RYU

(Korean, b. 1984) Dream Garden

2019

Acrylic on canvas

73 x 73 cm

Signed reverse RUJU, titled Dream Garden in Korean and dated 2019

EXHIBITED

The Garden - Junseok Kang & Ju Young

Ryu, The Art Plant Jo Gallery, Seoul, March 15 - 27, 2021

This lot is accompanied with a certificate of authenticity issued by everyART, Seoul.

NT$ 100,000 - 160,000

HK$ 26,000 - 42,000

US$ 3,300 - 5,300

RMB 23,000 - 36,000

柳 伷 姈 夢想花園

2019 年

壓克力 畫布

73 x 73 cm

簽名題識畫背： RUJU 꿈속 정원 2019

展覽

「花園－雙人展」，

The Art Plant Jo 畫廊，首爾，

展期 2021 年 3 月 15 日至 27 日

附首爾 everyART 畫廊開立原作保證書

柳 伷 姈出生於 1984 年，現於韓國濟州島 生活和工作。受到生活環境周圍大自然的 啟發，她的作品描繪了徜徉在大自然中的 理想純潔女孩，看起來神秘而夢幻。柳 伷 姈以其特有的觸感和溫暖柔和的色彩，將 圓圓的大眼睛面無表情的女孩以完美的形 式存在，唱歌或躺在大自然中。

Ju Young Ryu was born in 1984. She lives and works in Jeju, Korea. Inspired by the nature around Ryu, Her painting showing an ideal pure girl lying in nature looks mysterious and dreamy. Ryu maximizes the aura of the girl further with her characteristic touch, and warm and soft colors. The expressionless girl with big, round eyes exists in a perfect form, singing a song or lying down in nature.

002

HAN

CHOONG SEOK

(Korean, b. 1981)

The Dog - Church

2019

Acrylic on Korean cotton

53 x 45.5 cm

Signed lower right side choong seok

Signed reverse han choong seok, titled The Dog - Church, inscribed 53x45.5cm, Acrylic on Korean cotton in Korean and dated 2019

This lot is accompanied with a certificate of authenticity issued by Gallery Woo, Busan, South Korea.

NT$ 100,000 - 160,000

HK$ 26,000 - 42,000

US$ 3,300 - 5,300

RMB 23,000 - 36,000

韓忠錫

國王狗─教堂

2019 年

壓克力 韓國棉布

53 x 45.5 cm

簽名右下側邊： choong seok

簽名題識畫背： han choong seok The Dog - Church

53x45.5cm 광목천에 아크릴 채색 2019

附釜山宇畫廊開立原作保證書

003

HAN CHOONG SEOK

(Korean, b. 1981)

Ice Cream Owl

2019

Acrylic on Korean cotton

53 x 45.5 cm

Signed lower right side choong seok

Signed reverse han choong seok, titled Ice Cream Owl, inscribed 53x45.5cm, Acrylic on Korean cotton in Korean and dated 2019

PROVENANCE

Gallery Woo, Busan, South Korea

This lot is accompanied with a certificate of authenticity issued by Gallery Woo, Busan, South Korea.

NT$ 80,000 - 140,000

HK$ 21,000 - 36,000

US$ 2,700 - 4,600

RMB 18,000 - 32,000

2019 年

壓克力 韓國棉布

53 x 45.5 cm

簽名右下側邊： choong seok

簽名題識畫背： han choong seok

Ice Cream Owl 광목천에 아크릴 채색 2019

004

TAKERU AMANO

(Japanese, b. 1977)

Madonna

2021

Acrylic on canvas

72.7 x 60.6 cm

Signed lower right side Takeru Amano and dated 2021

EXHIBITED

OIL by Bijutsutecho, Tsutaya Ginza Book Store, Tokyo, February 7, 2022

NT$ 300,000 - 460,000

HK$ 78,000 - 119,000

US$ 9,900 - 15,200

RMB 68,000 - 105,000

天野タケル

女神 2021 年

壓克力 畫布

72.7 x 60.6 cm

簽名右下側邊： Takeru Amano 2021

展覽 「 OIL by 美術手帖」，銀座蔦屋書店，

東京， 2022 年 2 月 7 日

005

LIM HEEJO

(Korean, b. 1988)

Preoccupation

2022 Oil on canvas

91 x 73 cm

Signed reverse Heejo Lim , titled Preoccupation in Korean and English and dated 2022 With one painted seal of the artist

EXHIBITED

Art Taichung 2022, The Lin Hotel, Taichung, July 15 - 17, 2022

NT$ 120,000 - 180,000

HK$ 31,000 - 47,000

US$ 4,000 - 6,000

RMB 27,000 - 41,000

全神貫注

2022 年

油彩 畫布

91 x 73 cm

簽名題識畫背： Lim Heejo

2022 딴생각 Preoccupation

手繪鈐印畫背： Lim Heejo

藝術家的作品以飽和的色彩及簡單 的元素構成，將生活周遭的事物圖 像化，創作出具有童趣的作品。其 作品也被首爾市政府文化總部博物 館所收藏。

Composed of saturated colors and simple elements, the artist's works visualize the things around her and create childlike works. Her work had been collected at Seoul Metropolitan Government - The Museum Department.

006

KATHARINA ARNDT (German, b. 1981) The Blue Dyed Hair

2023

Acrylic on canvas

130 x 90 cm

Signed reverse Katharina Arndt, titled The Blue Dyed Hair and dated 2023

NT$ 280,000 - 420,000

HK$ 73,000 - 109,000

US$ 9,300 - 13,900

RMB 64,000 - 95,000

凱薩琳娜．阿恩特 染藍髮的女孩

2023 年

壓克力 畫布

130 x 90 cm

簽名題識畫背： Katharina Arndt The Blue Dyed Hair 2023

凱薩琳娜．阿恩特獲得了喬恩．阿 姆萊德的美術碩士學位。透過具有 光滑紋理的媒材引喻塑膠物質文 化。藝術家誇大和諷刺了現代社會 頹廢又豐富的大眾消費主義美學。 阿恩特曾在柏林、巴塞隆納、哥本 哈根等地展出。

Katharina Arndt achieved her MFA by Jon Armleder. She uses glossy texture to represent our plastic and materialistic culture. The artist exaggerates and ironizes the contemporary mass consumerist aesthetic of a decadent, abundant society. Arndt has participated in solo and group exhibitions in Barcelona, Berlin, Copenhagen, among others.

007

OSCAR

LLORENS

(Spanish, b. 1975)

Fight

2022

Mixed media on paper mounted on wood

150 x 120 cm

Signed lower right Oscar Llorens

EXHIBITED

Art Taipei 2022, Taipei World Trade Center Exhibition, Taipei, November 18 - 21, 2022

NT$ 480,000 - 700,000

HK$ 125,000 - 182,000

US$ 15,900 - 23,200

RMB 109,000 - 159,000

奧斯卡．羅倫斯

戰鬥

2022 年

綜合媒材 紙本裱於木板 150 x 120 cm

簽名右下： Oscar Llorens

展覽 「 2022 台北藝術博覽會」，

展期 2022 年 11 月 18 日至 21 日

「童年是任何人一生中的關鍵階段。我希望透過我的作品繼續 傳達那些感覺。」－奧斯卡．羅倫斯 奧斯卡．羅倫斯是西班牙藝術家， 1975 年出生於馬德里。在學

習工商管理後，他曾於多家廣告公司和雜誌擔任插畫師。受到 童年懷舊的啟發，羅倫斯開始藝術創作，反映他最可愛的回憶、 豐富多彩的人物和日常生活，讓我們更接近生命中最珍貴的歲 月。羅倫斯曾為世界各地的知名品牌合作，包括可口可樂、華 盛頓郵報、世界報、太陽馬戲團和谷歌等。他的作品也在西班 牙和國外的眾多畫廊展出。 2018 年旅居東京時期，羅倫斯以一

連串像是哆啦 A 夢、 Hello Kitty 等知名卡通人物與東京街景進 行重新摹繪與詮釋。而近期藝術家展開了一個原創的恐龍題材。 這個看似來自來自外太空的恐龍時而冒險、時而戰鬥，皆是出 自藝術家兒時的各種幻夢奇想。而此恐龍系列曾展出於 2022 台 北藝術博覽會參展，造成廣大迴響。

"Childhood is the key stage in the life of any human being. I hope to continue remembering those sensations through my work." -

Oscar Llorens

Oscar Llorens is a Spanish artist born in Madrid in 1975. After studying business administration, he worked as an illustrator for various advertising agencies and magazines. Inspired by the nostalgia of his childhood, Llorens began creating works of art that reflected his most endearing memories, colorful characters, and everyday situations that bring us closer to the most important years of our lives. Llorens has worked for clients around the world, including Coca-Cola, Washington Post, Le Monde, Cirque du Soleil and Google, among others. His work has also been exhibited in numerous galleries, both in Spain and abroad. During his stay in Tokyo in 2018, Llorens created a series of reimagined cartoon characters and Tokyo cityscapes, featuring popular figures such as Doraemon and Hello Kitty. Recently, the artist has embarked on an original dinosaur theme, depicting extraterrestrial dinosaurs that embark on adventures and battles, inspired by his childhood fantasies and dreams. The dinosaur series has gained a lot of attention and positive feedback since being exhibited at the 2022 Art Taipei.

《戰鬥》在藝術家工作室 "Fight" at the artist's studio.

Photo courtesy of instgram @oscarllorensgallery

008

POREN HUANG

(Taiwanese, b. 1970)

For You

2017 Stainless steel, ed. 5/30

20(L) x 14(W) x 28(H) cm

Engraved backside PR

Engraved bottom of the right paw PR and numbered 30-5

This lot is accompanied with a certificate of authenticity issued by Powen Gallery, Taipei and signed by the artist.

NT$ 180,000 -280,000

HK$ 47,000 - 73,000

US$ 6,000 - 9,300

RMB 41,000 - 64,000

黃柏仁 For You

2017 年

不鏽鋼 版次 5/30

20 （長） x 14 （寬） x 28 （高） cm

簽名雕刻後側： PR

簽名雕刻右足底部： 30-5 PR

附紅野畫廊開立藝術家簽名原作保證書

009

ETSU EGAMI

(Japanese, b. 1994)

Untitled 2019 Oil on canvas

30.5 x 40.5 cm

Signed overlap Etsu and dated 2019

PROVENANCE

Acquired directly from the artist by the present owner

NT$ 180,000 - 280,000

HK$ 47,000 - 73,000

US$ 6,000 - 9,300

RMB 41,000 - 64,000

江上越

無題 2019 年

油彩 畫布

30.5 x 40.5 cm

簽名畫布折入處： Etsu 2019 來源 現有收藏者直接得自藝術家本人

010

TOMOKO NAGAI

(Japanese, b. 1982)

Bear's Dream

2006

Watercolor, acrylic, color pencil, pencil and ink on paper

29 x 49.5 cm

Signed reverse Tomoko Nagai and dated 2006

PROVENANCE

Tomio Koyama Gallery, Tokyo

SBI Art Auction, Tokyo, September 18, 2021, lot 226

NT$ 100,000 - 160,000

HK$ 26,000 - 42,000

US$ 3,300 - 5,300

RMB 23,000 - 36,000

長井朋子

SBI 藝術拍賣，東京， 2021 年 9 月 18 日，編號 226

011

YUICHI HIRAKO

(Japanese, b. 1982)

Luminous Plant 3

2014

Acrylic on canvas

46 x 46 cm

Initialed YH and dated 14

PROVENANCE

Galleri Christoffer Egelund, Copenhagen

Acquired from the above by the present owner

EXHIBITED

Yuichi Hirako: The Bark of Mind, Galleri Christoffer Egelund, Copenhagen, April 26 - May 31, 2014

NT$ 280,000 - 420,000

HK$ 73,000 - 109,000

US$ 9,300 - 13,900

RMB 64,000 - 95,000

平子雄一

夜光植物 3

2014 年

壓克力 畫布

46 x 46 cm

簽名畫背： YH 14

來源

克里斯托弗．埃格隆德畫廊，哥本哈根

現有收藏者得自上述來源

展覽

「平子雄一：心靈的樹皮」，克里斯托弗．埃格隆德畫

廊，哥本哈根，展期 2014 年 4 月 26 日至 5 月 31 日

012

TOUL OTSUKI

(Japanese, b. 1973)

Forbidden Fruit

2014

Oil, acrylic and gold leaf on canvas

41 x 32 cm

Signed lower right Toul and dated 2014

Signed reverse board Toul Otsuki, titled Forbidden Fruit in Japanese and dated 2014

PROVENANCE

Mitsukoshi Fine Art Department, Tokyo

EXHIBITED

Art Fair Tokyo 2014, Tokyo International Forum, Tokyo, March 7 - 9, 2014

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

大槻透 禁忌的果實

2014 年

油彩 壓克力 金箔 畫布

41 x 32 cm

簽名右下： Toul 2014

簽名題識背板：大槻透 穢れた果 実 2014 年

來源

三越美術部，東京

展覽

「東京藝術博覽會 2014 」，東京國際會館，

東京， 2014 年 3 月 7 日至 9 日

013

MIWA KOMATSU

(Japanese, b. 1986)

Guardian Dog's Moment

2019

Acrylic on canvas

27.5(L) x 35.5(W) x 7(D) cm

Initialed lower side KoMiwa and Miwa Komatsu in Japanese

This lot is accompanied with a certificate of authenticity issued by Whitestone Gallery, Hong Kong.

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

小松美羽

狛 犬時光

2019 年

壓克力 畫布

27.5 （長） x 35.5 （寬） x 7 （厚） cm

簽名下方側邊： KoMiwa 小松美羽

附香港白石畫廊開立原作保證書

014

MIWA KOMATSU

(Japanese, b. 1986)

The Same Way, Jumping to the Future

2019 Acrylic on canvas

60.6 x 72.7 cm

Initialed reverse KoMiwa, Miwa Komatsu in Japanese and dated 2019.9

This lot is accompanied with a certificate of authenticity issued by Whitestone Gallery, Hong Kong.

NT$ 750,000 - 1,200,000

HK$ 195,000 - 312,000

US$ 24,900 - 39,800

RMB 170,000 - 273,000

小松美羽 一起，邁向未來！

2019 年

壓克力 畫布

60.6 x 72.7 cm

簽名畫背： KoMiwa 小松美羽 2019.9

附香港白石畫廊開立原作保證書

「守護獸帶有一股溫柔的能量。我相信眼睛是人與動物、守護 獸用來傳達能量的管道。眼睛是人體非常重要的一部分，人跟 人之間可以透過眼神交流。」─ 小松美羽

日本新生代女性藝術家小松美羽 2013 年曾獲頒「康頌獎：世界

最佳 39 位藝術家」，構成神秘美麗的圖畫，她結合大自然與神 道教元素的個人風格，深受台灣藏家青睞。其作品被大英博物 館永久收藏，成為該館典藏的最年輕在世藝術家。拍品《一起， 邁向未來！》藝術家以壓克力顏料媒材堆疊層次，其筆下流動、 圖騰式的線條構成守護獸輪廓，飽和的色彩如金、黑、紅、紫、 綠等絢麗大膽色彩，構成神秘美麗的圖畫。

"The guardian beast carries a gentle energy. I believe that eyes are the channel for conveying energy between humans, animals, and guardian beasts. Eyes are a very important part of the human body, and people can communicate with each other through eye contact." -

Miwa Komatsu

Miwa Komatsu, a Japanese emerging female artist, has been selected as "Prix Canson: World's Best 39 Finalist" in 2013. Her personal style combining nature and Shinto elements has been highly favored by Taiwanese collectors. Her works are permanently collected by the British Museum, making her the youngest living artist whose works are included in the museum's collection. The artwork "The Same Way, Jumping to the Future" showcases the artist's layering technique using acrylic paints to create flowing, totem-like lines that form the outline of a guardian beast. The bold and brilliant colors such as gold, black, red, purple, and green are combined to create a vivid and striking composition.

015

CHIHARU

SHIOTA

(Japanese, b. 1972)

Navigation Into the Unknown

2020

Lithograph, ed. 22/40

65 x 50 cm

Initialed lower right CS

Numbered lower left 22/40

PROVENANCE

Galerie Templon, Brussels

Acquired from the above by the present owner

NT$ 80,000 - 120,000

HK$ 21,000 - 31,000

US$ 2,700 - 4,000

RMB 18,000 - 27,000

塩田千春 航向未知

2020 年

石版畫 版次 22/40

65 x 50 cm

簽名右下： CS.

版次左下： 22/40 來源

016

YAYOI KUSAMA

(Japanese, b. 1929)

Rain in the Evening Glow

1992

Silkscreen, ed. 46/75

52.8 x 45.5 cm (image); 61 x 53.5 cm (sheet)

Signed lower right Y.Kusama

Titled lower center Rain in the Evening Glow in Japanese

Numbered lower left 46/75 and dated 1992

ILLUSTRATED

Yayoi Kusama Prints 1979-2017, Abe Publishing Ltd.,

Tokyo, 2017, color illustrated, no. 171, p. 107

NT$ 240,000 - 360,000

HK$ 62,000 - 94,000

US$ 8,000 - 11,900

RMB 55,000 - 82,000

草間彌生

傍晚的雨光

1992 年

絲網印刷 版次 46/75

52.8 x 45.5 cm （圖）； 61 x 53.5 cm （紙）

簽名右下： Y.Kusama

題識下方：夕映えの雨

版次年代左下： 46/75 1992

圖錄

《草間彌生全版畫 1979-2017 》，阿部出版株式會社，

東京， 2017 ，彩色圖版，編號 171 ，頁 107

017

CHIHARU

SHIOTA

(Japanese, b. 1972)

Two Boxes in the Room

2016

Oil pastel and thread on paper

40 x 30 cm

Initialed lower left CS

PROVENANCE

Galerie Templon, Paris

Acquired from the above by the present owner

NT$ 460,000 - 650,000

HK$ 119,000 - 169,000

US$ 15,200 - 21,500

RMB 105,000 - 148,000

塩田千春 房間裡的兩個盒子

2016 年

油畫棒 線 紙本

40 x 30 cm

簽名左下： CS. 來源

018

SUSUMU KAMIJO

(Japanese, b. 1975)

Long Sunday

2019

Pastel pencil and oil pastel on Lenox 100 cotton paper

183 x 239 cm

NT$ 480,000 -750,000

HK$ 125,000 - 195,000

US$ 15,900 - 24,900

RMB 109,000 - 170,000

上條晉 漫長的星期天

2019 年

蠟筆 油畫棒 棉紙

183 x 239 cm

上條晉於 2000 年取得奧勒岡大學的美術學士學位， 並於 2002 年獲得華盛頓大學的繪畫藝術碩士學位。

他曾在紐約、布魯塞爾、首爾、東京等地舉辦過多次 個展，也在國內外參加過聯展。他的「貴賓犬」系列 自 2014 年首次亮相以來就引起了極大的關注，這種 風格類似詩歌和短篇小說的風格，以簡約的方式表現 豐富內涵和情感。

Susumu Kamijo holds a BFA at the University of Oregon (2000) and an MFA in Painting and Drawing at the University of Washington (2002). He has exhibited both nationally and internationally in solo exhibitions at New York, Seoul, Brussels, Tokyo among others. His poodles have attracted significant attention ever since they first appeared in 2014. His own interest in creative writing has also lent a narrative "style" to his paintings that mimics the minimalism of a poem and the surprise of a short story.

019

SADAMASA MOTONAGA

(Japanese, 1922-2011)

Blue and Beige

1972

Acrylic on paper

15 x 10 cm

Signed lower S.Motonaga and dated '72

Motonaga Archive Research Institution Ltd. has confirmed the authenticity of this work.

NT$ 80,000 - 120,000

HK$ 21,000 - 31,000

US$ 2,700 - 4,000

RMB 18,000 - 27,000

元永定正 藍色和米色

1972 年

壓克力 紙本 15 x 10 cm

簽名下方： S.Motonaga '72

元永文獻研究室已確認此作品的真實性

020

KAZUO

SHIRAGA

(Japanese, 1924-2008)

Wave Line

1969

Spray on paper

27.2 x 24.1 cm

Signed lower left Shiraga in Japanese

Signed, titled and dated reverse in Japanese

PROVENANCE

Mallet Auction, Tokyo, November 19, 2020, lot 129

Acquired from the above by the present owner

This lot is accompanied with a certificate of authenticity issued by Japan Art Dealer Association.

NT$ 380,000 - 550,000

HK$ 99,000 - 143,000

US$ 12,600 - 18,200

RMB 86,000 - 125,000

白髮一雄

波浪線

1969 年

噴漆 紙本 27.2 x 24.1 cm

簽名左下：白髮

簽名題識畫背：白髮一雄 ウェーブライン 昭和 44 年 6 月

來源

現有收藏者購自上述來源

附日本洋畫商協同組合開立鑑定登錄保證書

021

SHOZO

SHIMAMOTO

(Japanese, 1928-2013)

Untitled

1991

Oil and broken glass on canvas

41 x 31.8 cm

Signed lower left S.Shimamoto

PROVENANCE

Mainichi Auction, Tokyo, October 30, 2021, lot 161

Acquired from the above by the present owner

This lot is accompanied with a certificate of authenticity issued by Associazione Shozo Shimamoto. (Archive ID 1963)

NT$ 200,000 - 300,000

HK$ 52,000 - 78,000

US$ 6,600 - 9,900

RMB 45,000 - 68,000

嶋本昭三

無題

1991 年

油彩 碎玻璃 畫布 41 x 31.8 cm

簽名左下： S.Shimamoto

來源

每日拍賣，東京， 2021 年 10 月 30 日，編號 161

現有收藏者購自上述來源

附嶋本昭三協會開立原作保證書（編號 1963 ）

022

CHIYU UEMAE

(Japanese, 1920-2018)

Untitled 1990

Thread on cloth

80 x 72 cm

Signed reverse Chiyu Uemae in Japanese, inscribed 80x72, 46 and dated 1990.8

PROVENANCE

Whitestone Gallery, Tokyo

Christies, New York

Acquired from the above by the present owner

NT$ 200,000 - 300,000

HK$ 52,000 - 78,000

US$ 6,600 - 9,900

RMB 45,000 - 68,000

上前智祐

無題 1990 年

線 布 80 x 72 cm 簽名畫背：上前智祐

80x72 46 1990.8

上前智祐是日本美術團體「具體派」創始成員 之一。他曾自學中國的文人畫，之後才轉向油 畫創作。不論是以油畫刀、綿線縫紉所重複組 成圖案的平面作品，或由火柴棒及木屑構築的 雕塑作品等，這些廣泛而多元的體裁皆可追溯 至藝術家豐富的人生經驗。自 1953 年起上前參 與了每一次的具體派的展出直到團體解散。 Uemae was one of the earliest participants of the "Gutai" group while it was active. Uemae then taught himself Chinese "Nan-ga" painting before shifting to oil painting. His wide-ranging creations, from two-dimensional works composed of patterns achieved by knife painting or intricate stitching to sculptural works made of wood or sawdust, come from the broad experience he gained during his adolescence. Since 1953, the artist took part in every "Gutai" exhibition until its dissolution.

SADAMASA MOTONAGA

(Japanese, 1922-2011) Red & Red & Red Square

1985

Acrylic on canvas

91 x 72.7 cm

Signed lower right S.Motonaga and dated '85

Signed reverse S.Motonaga, titled Red & Red & Red Square in Japanese and dated 1985

This lot is accompanied with a certificate of authenticity issued by Motonaga Archive Research Institution Ltd., Hyogo, Japan. (Registration No:#F(255)-85 )

NT$ 950,000 - 1,500,000

HK$ 247,000 - 390,000

US$ 31,500 - 49,700

RMB 216,000 - 341,000

元永定正在 1955 年到 1971 年間屬於「具體美術協會」（具體

派）的一員， 1970 年代宣佈退出。因早期為報社雜誌創作卡通 和插畫的工作影響，隨後開始著重於繪本創作。他於 1950 年代 開始嘗試使用油畫為載體，「滴落式」用鐵桶等容器鑽洞將顏 料滴在畫布上，獨特的創作方式吸引了西方的注意。 1960 年代 在美國所創作的抽象繪畫，色彩變得明亮並帶有圓形組合；結 合象形及人物形象的形態進行藝術創作。 1980 年代創作了一系 列幽默的畫作，先後出版繪本《 Moko Moko Moko 》、《麗莎 重生》等出版物。

《紅色，紅色與紅色四方形》正是這一繪本時期的重要作品， 以鮮明躍動的色彩帶來趣味組合，觀者可以直截了當地被這片 絢麗的色彩構圖所吸引。簡單的線條和具有幽默感的圖形將元 永的天真發揮得淋淋盡致。壓克力彩以噴槍進行創作，在簡單 柔和的白底疊加上豔紅、螢光黃、活力橙等多種霓虹色彩，相 互強烈碰撞牽制。色彩明亮飽和，硬邊、類似卡通的繪畫風格 也奠定了元永定正後來的作品形式。同時他還創作藝術裝置、 雕塑和進行表演藝術且在 2009 年的威尼斯雙年展上展出。元永 定正把自己幽默的稱為「傻瓜派」，並把自己的作品叫做「滑 稽藝術」。

Sadamasa Motonaga was a member of the "Gutai Art Association" from 1955 to 1971, before announcing his departure in the 1970s. Influenced by his early work creating cartoons and illustrations for newspapers and magazines, he began to focus on creating picture books. In the 1950s, he began experimenting with oil painting as a medium,

元永定正 紅色、紅色與紅色四方形

1985 年

壓克力 畫布

91 x 72.7 cm

簽名右下： S.Motonaga '85

簽名畫背： S.Motonaga あかとあかとあかしかく

1985 年作

附元永文獻研究室開立原作保證書

（登入編號＃ F(255)-85 ）

using a "Poured paint" technique to drip paint onto canvas from containers such as metal buckets, which attracted attention from the West for its unique approach. In the 1960s, his abstract paintings created in the United States became brighter in color and featured circular combinations, combining forms of pictograms and human figures in his artistic creations. In the 1980s, he created a series of humorous paintings and published picture books such as "Moko Moko Moko" and "Lisa's Rebirth".

"Red & Red & Red Square" is an important work from this period of picture book creation, featuring lively and vivid colors that create playful combinations. Viewers are immediately drawn in by the dazzling color composition. The simple lines and humorous graphics showcase Motonaga's innocence and humor to the fullest. Acrylic paint using a spray gun, layering bright neon colors such as vibrant red, fluorescent yellow, and lively orange on a simple and soft white background, colliding and constraining with each other. The bright and saturated colors, hard edges, and cartoon-like painting style also establish Motonaga's later artistic forms. Additionally, he creates art installations, sculptures, and performance art, exhibiting at the Venice Biennale in 2009. Motoi describes his humor as "Foolish Art" and his work as "Comic Art."

024

INOUE YUICHI (Japanese, 1916-1985)

Yume (Dream)

1967

Carbon ink on Chinese paper

60.6 x 89.5 cm

With one seal of the artist

EXHIBITED

Yuichi Inoue Anātman, TSO Gallery, Taipei, April 13 - May 25, 2019

ILLUSTRATED

Yuichi Inoue Anātman, TSO Gallery, Taipei, 2019, color illustrated

This lot is accompanied with a certificate of authenticity issued by TSO Gallery, Taipei.

NT$ 650,000 - 950,000

HK$ 169,000 - 247,000

US$ 21,500 - 31,500

RMB 148,000 - 216,000

井上有一

夢 1967 年

墨 中國紙

60.6 x 89.5 cm

鈐印左下：有

展覽

「井上有一 無我」，別古藏藝術空間，台北，

展期 2019 年 4 月 13 至 5 月 25 日

圖錄

《井上有一 無我》，別古藏文化藝術有限公司，台北， 2019 ，彩色圖版

附別古藏藝術空間開立之原作保證書

日本戰後井上有一提倡「前衛書道」，將西方當代藝術的創作 技法與觀念進行揉合與催化，成為日本現代書法發展大躍進的 里程碑。井上 1960 年代獨創的「凍墨」技法，改良傳統水墨媒 材，強化水與墨分離漸層的墨跡，視覺上更顯筆跡的層次與立 體感，同時達到「宿墨」與「飛白」的效果。而井上的「夢」 字主題始於 1966 年，含意上聯結藝術家思親之情，以及一段無 疾而終的單戀，可謂井上的藝術生涯中，最貼近其感情生活的 藝術表達。拍品《夢》整幅作品打破了漢書字體的結構，保留 了書法的卷軸裝裱。筆劃從中間延伸至左而右下轉筆、停頓、 最後再以一點筆收式，畫面佈滿了強烈的律動感與表現張力。

In post-war Japan, Inoue Yuichi advocated for "avant-garde calligraphy" and combined and catalyzed the creative techniques and concepts of contemporary Western art, becoming a milestone in the development of modern calligraphy in Japan. In the 1960s, Inoue created the unique "frozen ink" technique, which improved traditional ink and wash materials, strengthened the ink traces separated by water and ink gradients, visually highlighting the level and three-dimensionality of the strokes, and achieved the effects of "resting ink" and "flying white". Inoue's theme of the character "Yume" began in 1966, and in meaning, it is linked to the artist's affection for his parents as well as an unrequited love that went nowhere. It can be said that this is the artistic expression that comes closest to Inoue's emotional life in his career. The artwork "Yume" breaks the structure of traditional Chinese calligraphy characters, but retains the scroll mounting of calligraphy. The strokes extend from the middle to the lower right, with turns, pauses, and ending in a dot stroke, filling the picture with a strong sense of rhythm and expressive tension.

025 CHIHARU SHIOTA (Japanese, b. 1972) State of Being (Windows)

2021

Metal frame, windows and thread

45(L) x 80(W) x 120(H) cm

Initialed lower right CS.

PROVENANCE

Galerie Templon, Brussels

EXHIBITED

Chiharu Shiota - Living Inside, Galerie Templon, Brussels, May 27 - July 17, 2021

This lot is accompanied with a certificate of authenticity issued by Galerie Templon, Brussels

NT$ 4,200,000 - 6,500,000

HK$ 1,091,000 - 1,688,000

US$ 139,200 - 215,400

RMB 955,000 - 1,477,000

塩田千春 存在的狀態（窗扉）

2021 年

金屬框 窗扉 紅線

45 （長） x 80 （寬） x 120 （高） cm

簽名右下： CS.

來源

坦普隆畫廊，布魯塞爾

展覽

「塩田千春：生活在其中」，坦普隆畫廊，布魯塞爾，

展期 2021 年 5 月 27 日至 7 月 17 日

附坦普隆畫廊開立原作保證書

CHIHARU SHIOTA

When you weave a string, it' s a communication with space. It's like painting a picture in the air.

Chiharu Shiota

塩田千春 1972 年出生於日本大阪， 1996 年進入德國漢堡大 學就讀，而後師從「行為藝術先驅」瑪莉娜‧阿布拉莫維奇

（ Marina Abramovic ），並接受德國藝術家瑞貝卡‧霍恩

（ Rebecca Horn ）指導。她以「物質」連結三度空間，模糊現 實與虛幻的邊界，反覆打磨時間與歷史留下的傷痕，並以藝術 行為表現個人精神的極限。經歷世界大戰與東西德分裂，柏林 圍牆倒塌後，大量戰時的廢墟重建，影響德國的戰後藝術，將 創作精神、媒材圍繞在破壞與重生之間思索。

約自 2004 年起，塩田開始收集廢棄建築的窗戶，並探索「窗」

的意象，作為內在與外部區隔的表徵，窗戶同時也象徵「記憶」，

連結過去和未來的通道。 2008 年間創作的《內與外》，由上

百個破舊窗櫺組件的大型裝置，希望觀者一同回望柏林歷史。

2009 年日本金澤 21 世紀美術館展演的《記憶之屋》，玻璃窗 搭建而成的塔樓，內部與外在參觀者的視線，模糊也相融在半 透明的玻璃之中。拍品《存在的狀態（窗扉）》創作於 2021 年， 運用紅色絲線隱喻著人際（鮮血），嚴密纏繞著四方金屬框， 一大一小窗框懸浮其中，獨立異樣的空間，濃縮了藝術家對於 存在的詮釋。

塩田千春對於正紅色的偏愛，自其 1994 年的京都精華大學畢

業之作《 From DNA to DNA 》和完成於同年的《成為畫》行 為表演創作就能略知一二。正紅色強烈感染力，和絲線在日本 傳統文化的結緣象徵，再再加強了塩田獨一無二的創作風格。 塩田鋪天蓋地的大型空間裝置，和絲線構成的編織雕塑，占據 了收藏家對塩田的既定印象。作品帶有超現實感的陰鬱氛圍， 如蛛絲網盤結核心主軸的現成物：洋裝、天秤、銅管樂器、鑰 匙、吉他、書頁，作品亦如今次拍品《存在的狀態（窗扉）》

圍繞在「存在的狀態」此一主題。 2013 年起塩田千春的雕塑裝 置，開始少量出現於國際拍場。塩田千春創作逾 25 年， 2012 年開始幾乎連年超過十檔以上的個人展覽，作品受邀聯展的紀 錄更是不勝枚舉。隨塩田 2015 年代表日本參加威尼斯雙年展， 與數十年藝術家遍布全球的展覽足跡，自 2019 年市場起，其 作品頻繁出現於亞洲區藝博會，拍賣交易量與成交金額，明顯 出現變化並逐年上升。 2021 年台北市立美術館《塩田千春： 顫動的靈魂》大型回顧展，圍繞六件大型裝置為中心，加上編 織雕塑、創作歷程的錄像、攝影、原稿，與舞台設計的珍貴資 料，引發全台巨大的迴響與共鳴。 2023 年在丹麥奧胡斯美術館 （ Aros Aarhus Kunstmuseum ）、洛杉磯哈默博物館（ Hammer Museum ）、雅加達 MACAN 博物館等舉行個展，顯見十分活 躍於國際。

Chiharu Shiota was born in Osaka, Japan in 1972. In 1996, she entered the University of Hamburg in Germany, where she studied under Marina Abramovic, a pioneer of performance art, and received guidance from German artist Rebecca Horn. She uses "materials" to connect threedimensional space, blurring the boundaries between reality and illusion, repeatedly polishing the scars left by time and history, and expressing the limits of personal spirit through artistic performance. Having experienced World War II and the division of East and West Germany, the large-scale reconstruction of wartime ruins after the fall of the Berlin Wall has greatly influenced post-war art in Germany. Artists have been contemplating the spirit of creation and the materials used between destruction and rebirth.

「當你開始編織繩線時，這是一種與空間的交流，就像在空中作畫一樣。」—塩田千春

Starting from around 2004, Shiota began to collect windows from abandoned buildings and explore the symbolism of "windows" as a representation of the boundary between internal and external spaces. Windows also symbolize "memory" and serve as a passage connecting the past and the future. The large-scale installation "Inside - Outside," created in 2008, is composed of hundreds of old window frames, inviting viewers to reflect on the history of Berlin together. In 2009, Shiota's exhibition "A Room of Memory" was shown at the 21st Century Museum of Contemporary Art in Kanazawa, Japan. The exhibition featured a tower made of glass windows, where internal visitors' sight were blurred and merged within the outsider's vision on the translucent glass. The artwork "State of Being (Windows)" was created in 2021, and it uses red thread as a metaphor for interpersonal connections (blood), tightly winding around a square metal frame. Suspended within the frame are two windows, one large and one small, creating a unique and independent space that concentrates the artist's interpretation of existence.

Chiharu Shiota's preference for deep red can be traced back to her graduation work from Kyoto Seika University in 1994, titled "From DNA to DNA," and the art project "Becoming Painting," which was completed in the same year. The strong infectious power of deep red threads, combined with its symbolism of "Connection" in traditional Japanese culture, further reinforces Shiota's unique artistic style. Shiota's

large-scale spatial installations and woven sculptures made of threads have established a strong impression among collectors. The works convey a surreal and gloomy atmosphere, with ready-made objects such as dresses, scales, brass instruments, keys, guitars, and book pages intertwined with the core axis of spider webs. Similarly, the upcoming artwork "The State of Being (Windows)" also revolves around the theme of the state of existence. Since 2013, Chiharu Shiota's sculpture installations have begun to appear in international auctions. With over 25 years of artistic career, Shiota has held almost ten solo exhibitions per year since 2012, and her works have been invited to numerous group exhibitions. Representing Japan at the Venice Biennale in 2015 and exhibiting her works around the world for decades, her artwork has frequently appeared at art fairs in Asia since 2019, and the volume and amount of auction transactions have clearly increased year by year. In 2021, the Taipei Fine Arts Museum held a large retrospective exhibition titled "Chiharu Shiota: The Soul Trembles". The exhibition revolved around six large-scale installations, accompanied by woven sculptures, video recordings of the creative process, photography, original manuscripts, and valuable materials related to stage design, which sparked a huge response and resonance throughout Taiwan. It is evident that Chiharu Shiota remains highly active in the art world, with solo exhibitions scheduled in 2023 at the Aros Aarhus Kunstmuseum in Denmark, the Hammer Museum in Los Angeles, and the MACAN Museum in Jakarta.

Photo credit: Odile Chen

026

HSIAO CHIN (Taiwanese, b. 1935)

Ricordo di Xiang (Remember of Xiang)

1983

Acrylic and Ink on canvas

129 x 202 cm

Signed lower right Hsiao in English, Chin in Chinese and dated 1983

PROVENANCE

Acquired from Eslite Gallery, Taipei

EXHIBITED

Hsiao Chin, Studio Marconi, Milano, November 17, 1988 - January 15, 1989

ILLUSTRATED

Hsiao Chin, Mazzotta, Milano, 1988, illustrated

NT$ 650,000 - 950,000

HK$ 169,000- 247,000

US$ 21,500 - 31,500

RMB 148,000 - 216,000

蕭勤

憶香

1983 年

壓克力 墨 畫布

129 x 202 cm

簽名右下： Hsiao 勤 一九八三

來源

購自誠品畫廊，台北

展覽

「蕭勤」，馬可尼工作室畫廊，米蘭，

展期 1988 年 11 月 17 日至 1989 年 1 月 15 日

圖錄

《蕭勤》，馬佐塔出版社，米蘭， 1988 ，圖版

蕭勤於 1940 年代末隨家人移居台灣， 1956 年在台北參與並創

立東方畫會，與霍剛、夏陽、吳昊、蕭明賢、陳道明、李元佳、 歐陽文苑並稱「八大響馬」，目標打破社會現實主義對藝術的 束縛，從當代西方的形式實驗和個人表達尋找創作靈感。蕭勤 的抽象畫融和中國傳統技法和歐洲現代主義畫法，包含豐富的 沉思體會。其作品現藏於高雄市立美術館、紐約現代藝術博物 館和位於阿伯里斯特威斯的威爾斯國家圖書館中。拍品《憶香》 長達兩米的橫幅構圖，以赭紅、墨黑、素白三色構成，整體氣 韻通達簡練，傳遞與舒展形而上的東方抽象概念，與「禪學」 內在意義的表達。

Hsiao Chin moved to Taiwan with his family in the late 1940s. In 1956, he participated in and co-founded the Ton Fan Art Group in Taipei with Huo Gang, Hsia Yan, Wu Hao, Hsiao Ming-hsien, Chen Daoming, Li Yuan-chia, and Ouyang Wenyuan. They were known as the "Eight Bandits" and aimed to break the bondage of social realism on art and find inspiration from contemporary Western experimental forms and personal expression. Hsiao Chin's abstract paintings incorporate traditional Chinese techniques and European modernist painting methods, reflecting rich contemplative experiences. His works are now held in the Kaohsiung Museum of Fine Arts, the Museum of Modern Art in New York, and the National Library of Wales in Aberystwyth. The abstract painting "Ricordo di Xiang" by Hsiao Chin, is a two-meter-long banner composition in shades of red, black, and white, with a simple and concise overall atmosphere, conveying the metaphysical concept of Eastern abstraction, and expressing the inner meaning of Zen.

027

DONG SHAWHWEI (Taiwanese, b. 1962) White Camellia (Dawn)

2018 Oil on canvas

41 x 31.5 cm

Signed lower right S.Hwei and dated 2018

EXHIBITED

Dong Shaw-hwei Exhibition, Dongli Gallery, Taipei, October 15 - December 22, 2019

This lot is accompanied with a certificate of authenticity issued by Dongli Gallery, Taipei and signed by the artist.

NT$ 150,000 - 220,000

HK$ 39,000 - 57,000

US$ 5,000 - 7,300

RMB 34,000 - 50,000

董小蕙 白茶花（晨曦）

2018 年

油彩 畫布

41 x 31.5 cm

簽名右下： S.Hwei 2018

展覽

「老院情深─ 2019 董小蕙作品收藏展」，東籬畫廊，

台北，展期 2019 年 10 月 15 日至 12 月 22 日

附東籬畫廊開立藝術家簽名原作保證書

028

CHIU YA-TSAI

(Taiwanese, 1949-2013)

Smile

1992

Oil on canvas

91 x 72.5 cm

Signed lower left Chiu Ya-tsai in Chinese

EXHIBITED

Art Basel Hong Kong 2014, Hong Kong Convention and Exhibition Center, Hong Kong, May 15 - 18, 2014

ILLUSTRATED

Chiu Ya-tsai, Ming Art Gallery, Taipei, 2009, color illustrated, p. 138

NT$ 420,000 - 650,000

HK$ 109,000 - 169,000

US$ 13,900 - 21,500

RMB 95,000 - 148,000

邱亞才

微笑

1992 年

油彩 畫布

91 x 72.5 cm

簽名左下：邱亞才

展覽

「香港巴塞爾藝術展 2014 」，香港會議展覽中心，香港，

展期 2014 年 5 月 15 日至 18 日

圖錄

《邱亞才》，旻谷藝術，台北， 2009 ，彩色圖版，頁 138

029

ANDRÉ COTTAVOZ

(Spanish-French, 1922-2012) Picking Cherries

1977

Oil on canvas

114 x 162 cm

Signed lower left Cottavoz

Titled reverse Cueillette des Cerises

PROVENANCE

Galerie Tamenaga, Tokyo

Private collection, Asia

EXHIBITED

André Cottavoz Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, June 20 - July 16, 2006

ILLUSTRATED

André Cottavoz Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, 2006, color illustrated, p. 14

NT$ 650,000 - 950,000

HK$ 169,000 - 247,000

US$ 21,500 - 31,500

RMB 148,000 - 216,000

安德烈．科達沃茲

採櫻桃

1977 年

油彩 畫布

114 x 162 cm

簽名左下： Cottavoz

題識畫背： Cueillette des Cerises

來源

為永畫廊，東京

私人收藏，亞洲

展覽

「幻彩波動─安德烈‧科塔弗茲個展」，

國立臺灣美術館，台中，展期 2006 年 6 月 20 日至 7 月 16 日

圖錄

《幻彩波動─安德烈‧科塔弗茲個展》，

國立臺灣美術館，台中， 2006 ，彩色圖版，頁 14

030

ANDRÉ COTTAVOZ

(Spanish-French, 1922-2012)

Outdoor Café

1978

Oil on canvas

114 x 162 cm

Signed lower right Cottavoz and dated 78

Signed reverse Cottavoz, titled L'Épicerie and dated 1978

PROVENANCE

Galerie Tamenaga, Tokyo

Private collection, Asia

EXHIBITED

André Cottavoz Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, June 20 - July 16, 2006

ILLUSTRATED

André Cottavoz Solo Exhibition, National Taiwan Museum of Fine Arts, Taichung, 2006, color illustrated, p. 13

NT$ 650,000 - 950,000

HK$ 169,000 - 247,000

US$ 21,500 - 31,500

RMB 148,000 - 216,000

安德烈．科達沃茲

露天咖啡館

1978 年

油彩 畫布

114 x 162 cm

簽名右下： Cottavoz 78

簽名題識畫背： L'Épicerie Cottavoz 1978

來源

為永畫廊，東京

私人收藏，亞洲

展覽

「幻彩波動─安德烈‧科塔弗茲個展」，

國立臺灣美術館，台中，展期 2006 年 6 月 20 日至 7 月 16 日

圖錄

《幻彩波動─安德烈‧科塔弗茲個展》，

國立臺灣美術館，台中， 2006 ，彩色圖版，頁 13

031

PAUL AÏZPIRI

(French, 1919-2016)

Two Models

Oil on canvas

60.5 x 73 cm

Signed lower right Aïzpiri

PROVENANCE

Galerie Tamenaga, Tokyo Private collection, Asia

NT$ 800,000 - 1,200,000

HK$ 208,000 - 312,000

US$ 26,500 - 39,800

RMB 182,000 - 273,000

保羅．艾斯比利 兩位模特兒

油彩 畫布

60.5 x 73 cm 簽名右下： Aïzpiri

艾斯比利出生於巴黎的一個藝術世家。早期作品以深色和濃黑 色調為主，反映了戰後的艱難時期。然而， 1957 年與畢卡索的 相遇改變了他的藝術方向，開始使用鮮豔的色彩和簡化的形式。 艾斯比利的藝術頌揚法國風景，以及童年、女性和詩歌。其作 品曾在世界各地的畫廊和博物館展出，並被公共和私人收藏。

1996 年，日本尾道市建立艾斯比利美術館，專門展示他的作品。

Paul Aïzpiri was born in Paris in a family of artists. Aïzpiri early works were marked by dark colors and thick blacks, reflecting the difficult post-war period. However, a meeting with Pablo Picasso in 1957 changed his artistic direction, and he began using bright colors and simplified forms. Aïzpiri art celebrates French landscapes, as well as childhood, women, and poetry. His works have been exhibited in galleries and museums worldwide and are held in public and private collections. In 1996, the Aïzpiri Museum was founded in Onomichi, Japan, dedicated solely to his work.

032 PAUL AÏZPIRI (French, 1919-2016) Memories of Amsterdam

c.1994 Oil on canvas

100 x 100 cm

Signed lower right Aïzpiri

PROVENANCE

Galerie Tamenaga, Tokyo Private collection, Asia

NT$ 1,000,000 - 1,500,000

HK$ 260,000 - 390,000

US$ 33,100 - 49,700

RMB 227,000 - 341,000

保羅．艾斯比利 阿姆斯特丹的回憶

約 1994 年

油彩 畫布 100 x 100 cm

簽名右下： Aïzpiri

來源

為永畫廊，東京

私人收藏，亞洲

法國具象畫家保羅．艾斯比利以生動豐富的獨特畫風，深受歐 洲與日本藏家喜愛。濱海或描繪河岸風光的城市景觀，是他筆 下最受歡迎的繪畫主題。他於 1936 年進入國立美術學院，從

1943 年開始在巴黎舉辦展覽。 1951 年獲國家獎並代表法國參

加威尼斯雙年展，1957 年與畢卡索等知名畫家參加「巴黎畫派」

聯展。艾斯比利的繪畫風格，昇華二十世紀中葉野獸派、立體 主義、表現主義等藝術浪潮之精髓。早年陰鬱的創作風格，隨 戰後法國社會的復甦逐漸明亮開闊，天真浪漫充滿幻想色彩且 獨樹一格。拍品《阿姆斯特丹的回憶》畫面用色飽和，筆觸精 彩生動，完美詮釋荷蘭首都建築特色與人文景觀。

French figurative painter Paul Aïzpiri, with his vivid and rich unique painting style, is highly favored by European and Japanese collectors. Coastal or riverfront cityscapes are his most popular painting subjects. He entered the National School of Fine Arts in 1936 and began exhibiting in Paris from 1943. In 1951, he received the National Award and represented France at the Venice Biennale. In 1957, he participated in the "Paris School" group exhibition with famous painters such as Picasso. Aïzpiri's painting style sublimates the essence of artistic trends such as Fauvism, Cubism, and Expressionism in the mid-20th century, and is innocent, romantic, imaginative, and unique. His early gloomy artistic style gradually became brighter and more open as French society recovered after the war. The painting "Memories of Amsterdam" is saturated in color, with brilliant and lively brushstrokes, perfectly depicting the characteristic architectural scenery of the Dutch capital.

033

ANDRÉ BRASILIER

(French, b. 1929)

Vallée de la Muze

1989

Oil on canvas

81 x 116 cm

Signed lower right André Brasilier

Initialed reverse A.B. and titled Vallée de la Muze

PROVENANCE

Hammer Galleries, New York

Galerie Elegance, Taipei

Acquired from the above by the present owner

This lot is accompanied with a certificate of authenticity issued by Galerie Elegance, Taipei.

NT$ 1,800,000 - 2,800,000

HK$ 468,000 - 727,000

US$ 59,700 - 92,800

RMB 409,000 - 636,000

安德烈．布拉吉利 繆思河谷

1989 年

油彩 畫布

81 x 116 cm

簽名右下： André Brasilier

簽名題識畫背： A.B. Vallée de la Muze

來源

哈默畫廊，紐約

愛力根畫廊，台北

現有收藏者購自上述來源

附愛力根畫廊開立之原作保證書

布拉吉利出生於 1929 年法國昂儒的索米爾鎮， 1953 年獲得羅 馬大獎。 2005 年受邀於聖彼得堡冬宮隱士廬博物館，舉行為期 三個月的盛大回顧展。受到浮世繪與表現主義影響，藝術家擅 長描繪開闊寫意的風景，禮讚大自然與生命之美，數十年來高 雅畫風倍受各國藏家青睞。布拉吉利視「駿馬」為自然造物中 神性的象徵，象徵了純潔堅貞的美、高貴和自由。拍品《繆思 河谷》為藝術家紀念南法繆思河（ La Muze/La Muse ）美景之 作。構圖上飽含東方美學哲思，紅日之下山景綿延餘霞成綺。 以雙駿恬然自得之態，間接表達畫家的悠遊心境，一景一物伴 隨富饒的精神感受。

André Brasilier was born in 1929 in Saumur, Anjou, France and awarded the Grand Prix de Rome of painting in 1953. In 2005, he was invited to hold a grand retrospective exhibition for three months at the Hermitage Museum in St. Petersburg. Influenced by Ukiyo-e and Expressionism, the artist is skilled in depicting expansive and expressive landscapes painting that praise the beauty of nature and life. For decades, his elegant style has been highly sought after by collectors from all over the world. Brasilier sees "horses" as a symbol of divinity in nature, representing the beauty of purity, nobility, and freedom. The artwork "Vallée de la Muze" is a souvenir of the beautiful scenery of the river La Muze/La Muse in Southern France by the artist. The composition is full of Eastern aesthetic conception, with each element conveying a rich spiritual experience. Under the red sun, the mountain landscape extends with a beautiful afterglow, and the two horses in a peaceful state indirectly express the artist's leisurely mood.

034

ROBERT COMBAS

(French, b. 1957)

Untitled

1986

Acrylic on printed fabric on canvas

80 x 90 cm

Signed lower Combas and dated 1986

PROVENANCE

Private collection, Taiwan

Ravenel Auction, Taipei, December 5, 2021, lot 247

Acquired from the above by the present owner

NT$ 1,600,000 - 2,400,000

HK$ 416,000 - 623,000

US$ 53,000 - 79,500

RMB 364,000 - 545,000

羅伯．貢巴斯

無題

1986 年

壓克力 印花布拼貼於畫布

80 x 90 cm

簽名右側： Combas 1986

來源

私人收藏，台灣

羅芙奧拍賣，台北， 2021 年 12 月 5 日，編號 247

現有收藏者購自上述來源

「我的畫是搖滾音樂，是對『感覺』的追逐。感覺是節奏，它 是叢林裡瘋狂的鼓手和巫毒教的舞蹈，滾石樂團翻唱了黑人藍 調歌手們的老歌，無意間創作了新音樂。對我而言，繪畫亦然， 感覺到中國書法、阿拉伯文，還有地中海彩繪廣告的韻律。」

羅伯．貢巴斯

貢巴斯為法國「自由具象」團體的主要創始人，好友迪羅沙兄 弟（ Di Rosa ）等為共同成員，崛起於 1980 年代。「自由具象」

藝術家們顛覆了「極簡主義」、「觀念主義」等代表的高尚品味， 以扭曲粗獷的筆觸、漫畫嘲諷式前衛風格，寫下當代美術史的 重要史篇。

"My painting is rock n' roll music, the search for Feeling. The Feeling is rhythm, it is the mad drummer in the jungle and voodoo dances, it is the Rolling Stones who imitated the old songs of black bluesmen and created new music without knowing it. For me, it's the same with painting, feeling the rhythm of calligraphy on Chinese, Arabic, and Mediterranean painted advertisements." – Robert

Combas

Combas is the main founder of the French "Figuration Libre" movement that flourished in the 1980's. His good friend Di Rosa was also a member. Figuration Libre artists subverted the noble status of Minimalism and Conceptualism, and created an important chapter in the history of contemporary art with twisted and rough brushworks as well as avant-garde satirical cartoons.

美國普普藝術大師：梅爾．拉莫斯（ Mel Ramos ） 1963 年參展洛杉磯藝術博物館「普普藝術展覽」，確立其藝術領域之先鋒地位， 與安迪‧渥荷、李奇登斯坦並駕齊驅。拉莫斯的創作，以性感海報女郎形象主題，結合大眾消費產品：雪茄、糖果、馬丁尼的繪畫 作品聞名於世。作品為紐約惠特尼美術館、舊金山現代藝術博物館、洛杉磯當代藝術博物館收藏。拍品《裸女臥姿》 1990 年完成， 此畫作原為藝術家個人收藏。其畫面構圖承接西洋古典美學，筆法線條綿延，色彩層次乾淨簡潔，完美展演女性軀體溫暖柔韌之美。

035 MEL RAMOS

(American, 1935-2018)

Reclining Nude

1990

Oil on canvas

76 x 147 cm

Signed reverse Mel Ramos and dated 90

ILLUSTRATED

Mel Ramos: Catalogue Raisonne of the Paintings 1953-2015, Kerber Verlag, Bielefeld, Germany, 2016, color illustrated, p. 223

This lot is accompanied by a certificate of authenticity issued by the artist's studio.

NT$ 1,800,000 - 2,800,000

HK$ 468,000 - 727,000

US$ 59,700 - 92,800

RMB 409,000 - 636,000

梅爾．拉莫斯

臥姿裸女

1990 年

油彩 畫布

76 x 147 cm

簽名畫背： Mel Ramos 90

圖錄

《梅爾．拉莫斯：繪畫編年目錄 1953-2015 》， Kerber Verlag 出版社，畢勒費爾，德國， 2016 ，彩色圖版，頁 223

附藝術家工作室開立之原作保證書

American Pop Art artist: Mel Ramos participated in the "Pop Art Exhibition" at the Los Angeles Museum of Art in 1963, establishing his pioneering position in the art world alongside Andy Warhol and Roy Lichtenstein. Ramos is renowned for his paintings featuring sexy pin-up girls combined with popular consumer products such as cigars, candies, and martinis. His works are collected by the Whitney Museum of American Art in New York, the San Francisco Museum of Modern Art, and the Los Angeles Museum of Contemporary Art. The painting "Reclining Nude" was executed in 1990 and was originally part of the artist's personal collection. Its composition follows classical Western aesthetics, with flowing brushstrokes and clean, simple color layers that perfectly showcase the warm and supple beauty of the female form.

036

BÙI XUÂN PHÁI

(Vietnamese, 1920-1988)

Hanoi Street

1982

Oil on canvas

40 x 30 cm

Signed lower right Phái and dated '82

ILLUSTRATED

Bùi Xuân Phái, Under the Light of an Oil Lamp, Fine Arts Publishing House, Hanoi, 2008, color illustrated, p. 79

This lot is accompanied with a certificate of authenticity issued by artist’s family.

NT$ 600,000 - 900,000

HK$ 156,000 - 234,000

US$ 19,900 - 29,800

RMB 136,000 - 205,000

裴春派

河 内 街道

1982 年

油彩 畫布

40 x 30 cm

簽名右下： Phái '82

圖錄

《裴春派：在油燈的光輝下》， 美術出版社，河內， 2008 ，

彩色圖版，頁 79

附藝術家家族開立原作保證書

裴春派是最著名的越南現代畫家之ㄧ。他以 河內老城區的繪畫聞名。不僅藝術上的貢獻， 裴春派的人品也受到越南人的推崇和欽佩， 他代表了一個為了藝術而受苦的孤獨藝術 家。他支持文化自由運動「人文佳品運動」。 裴春派也在 1996 年追授越南的最高國家貢 獻獎「胡志明獎」。

Bùi Xuân Phái is the best known of Vietnamese modern painters. He is famous for his paintings of the Hanoi old quarter series. Bui Xuan Phai is respected and admired for both his art and moral character. Bùi Xuân Phái epitomizes for the Vietnamese the lone artist suffering for art: he supports "Nhân Vân" affair a movement for political and cultural freedom in 1957. However, he was awarded posthumously Ho Chi Minh prize in 1996, the highest national prize in Vietnam.

(Taiwanese, 1938-2023)

Water Buffalo

1985

Wooden sculpture

56(L) x 35.2(W) x 46.4(H) cm

Engraved lower back Ju Ming in Chinese and dated 85

PROVENANCE

Ravenel Auction, Taipei, December 1, 2013, lot 671

Acquired from the above by the present owner

This lot is accompanied with a certificate of authenticity issued by the Nonprofit Organization Ju Ming Culture and Education Foundation.

NT$ 1,500,000 - 2,200,000

HK$ 390,000 - 571,000

US$ 49,700 - 72,900

RMB 341,000 - 500,000

朱銘

水牛

1985 年

木雕

56 （長） x 35.2 （寬） x 46.4 （高） cm

85

朱銘生於 1938 年 1 月 20 日，生 肖屬牛，其「水牛」群像具鄉土 情懷，且意謂著自身終身勤奮創 作，至死方休。

來源

2013 年 12 月 1 日，編號 671

Ju Ming was born on January 20th, 1938, and belongs to the Chinese zodiac sign of the ox. His "Water Buffalo" portraits embody his nostalgia for his hometown and also signify his lifelong dedication to hard work in creative pursuits until the end of his life.

038

PABLO PICASSO

(Spanish, 1881-1973)

Profil de Jacqueline (A.R. 385)

1956

Earthenware ceramic plaque with black engobe and white glaze, ed. 320/500

Ø18.5 cm

Stamped reverse Madoura Plein Feu and Empreinte Originale de Picasso

PROVENANCE

Guy Loudmer Auction, Paris, December 8, 1996, lot 320

Acquired from the above by the present owner

This lot is accompanied with a certificate of authenticity signed by Guy Loudmer, Paris.

NT$ 220,000 - 320,000

HK$ 57,000 - 83,000

US$ 7,300 - 10,600

RMB 50,000 - 73,000

巴布羅．畢卡索

賈桂琳的側臉（ A.R. 385 ）

1956 年

黑地白彩上釉陶盤 版次 320/500

直徑 18.5 cm

鈐印背面： Madoura Plein Feu

Empreinte Originale de Picasso

來源

吉．路 德梅

拍賣，巴黎， 1996 年 12 月 8 日，編號 320 現有收藏者購自上述來源

附巴黎吉．路德梅拍賣官開立原作保證書

039

BERNARD CHAROY

(French, b. 1931)

Leslie

1998

Oil on canvas

55 x 46 cm

Signed center right Bernard Charoy

Titled reverse Leslie

This lot is accompanied by a certificate of authenticity signed by the artist.

NT$ 280,000 - 400,000

HK$ 73,000 - 104,000

US$ 9,300 - 13,300

RMB 64,000 - 91,000

貝爾納．夏洛瓦

蕾絲里

1998 年

油彩 畫布

55 x 46 cm

簽名右中： Bernard Charoy

題識畫背： Leslie

附藝術家親筆簽名作品保證書

040

GEORGIA DYMOCK

(British, b. 1998)

Pulling Plait, Sucking Straw (part one)

2022

Oil on linen

150 x 150 cm

Signed reverse Georgia Dymock and dated 2022

PROVENANCE

JD Malat Gallery, London

Acquired from the above by the present owner

EXHIBITED

Georgia Dymock: Eyes Closed, Wide Open, JD Malat Gallery, London, June 7 - 30, 2022

NT$ 750,000 - 1,100,000

HK$ 195,000 - 286,000

US$ 24,900 - 36,500

RMB 170,000 - 250,000 喬治婭．迪莫克

拉辮子，吸吸管（之一）

2022 年

油彩 亞麻布

150 x 150 cm

簽名畫背： Georgia Dymock 2022

來源

JD 馬拉特畫廊，倫敦

現藏者購自上述來源

展覽

「喬治婭．迪莫克－閉眼，睜眼」，

「在網路空間中，身體的正常本質和現實不斷受到質疑。我對那些透過過 程中呈現的『缺陷』感到興趣，例如油彩凝聚和畫筆的毛髮在畫布上留下 的痕跡。 」─ 喬治婭．迪莫克

喬治婭．迪莫克 1998 年出生於英國。於倫敦大學學院獲得人類學學士， 並在倫敦藝術大學攻讀美術研究生文憑課程。目前在倫敦大學學院 (UCL) 斯萊德美術學院攻讀繪畫碩士學位 (2021-2023) 。迪莫克在作品中探討了 身份、自我和女性形式的問題，並在創作中結合了數位和傳統繪畫。藝術 家筆下圓潤的人物的受畢卡索新古典主義時期啟發，或捲曲、或扭轉的形 式在畫布範圍內呈現。迪莫克在紐約及倫敦等地參加個展和聯展，她的作 品也被巴西貝洛奧里藏特的保拉之心博物館所收藏。拍品《拉辮子，吸吸 管（之一）》是藝術家 2022 年於倫敦 JD 馬拉特畫廊展出的主要作品之一。

畫面中歡樂豐滿的人物與幾何圖形背景對比帶來強烈視覺效果。主體與畫 面之間的這種悖論是藝術家探索我們的虛擬和物理世界之間不斷拉扯關係 的核心。

"The normal nature and reality of a body is continuously brought into question in the online space. I am interested in the 'imperfections' that come through the labor of the process, where the paint gathers and hairs of the brush sit on the canvas." – Georgia Dymock

Georgia Dymock born in 1998 in the UK. She graduated from UCL with a BSc in Anthropology and graduate Diploma course in Fine Art at University of the Arts London. Currently pursuing her MFA in Painting at the Slade School of Fine Art, University College London (UCL) (2021-2023). Georgia Dymock addresses questions of identity, the 'self,' the female form as such. Dymock combines digital and analogue modes in image creation. Dymock's figures are composed of curling, distorted forms which contort within the confines of the painterly surface boundaries, where their exaggerated curves are inspired by the generous rounded shapes from Picasso's Neoclassical Period. Dymock has participated in solo and group exhibitions in New York, London, among others. Her work is collected of Museu Inima de Paula, Belo Horizonte, Brazil. The artwork "Pulling Plait, Sucking Straw (part one)" is one of the main works exhibited by the artist at the JD Malat Gallery in London in 2022. The joyfully plump figures contrast with the geometric background, creating a strong visual impact. The paradox between subject and surface is central to the artist's exploration of the constant push-pull relationship between our virtual and physical worlds.

041

IRYNA MAKSYMOVA

(Ukrainian, b. 1991)

She is a Snake Fighter

2021

Acrylic on canvas

150 x 115 cm

Titled center in Ukrainian

NT$ 200,000 - 300,000

HK$ 52,000 - 78,000

US$ 6,600 - 9,900

RMB 45,000 - 68,000

伊琳娜．馬克西莫娃 她是堅強的戰士

2021 年

壓克力 畫布 150 x 115 cm 題識中央：（烏克蘭語）

伊琳娜．馬克西莫娃於 1991 年出生於烏克蘭科洛梅 亞。馬克西莫娃的創作色彩鮮豔，帶著異國情調的場 景中描繪著帶有魔力般地生物。其面部特徵扭曲看似 苦惱或痛苦為質疑人類對動物的支配關係。她把情 感經歷和影響生活的事情表達於畫布上。在 2021 年 中，馬克西莫娃在基輔、柏林和洛杉磯等城市展出， 作品也被美國、歐洲和澳洲等地藏家所收藏。

Iryna Maksymova was born in 1991 in Kolomyia. Maksymova combines colorful domestic settings with exotic, often magic-tinged creatures, whose facial features contort in displays of distress or agony, encouraging the viewer to question humans' feelings of supremacy over animals. Her figurative expression on canvas comes from her emotional experiences and the topics which affect her life. In 2021 alone, Maksymova participated in solo and group exhibitions in Kyiv, Berlin, and Los Angeles. Her work is held in private collections across the US, Europe, and Australia.

042

LAURA BERGER

(American, b. 1979) Joyride

2022 Oil on canvas

91.4 x 111.8 cm

Signed reverse Laura Berger, titled Joyride and dated 2022

EXHIBITED

Soft Bound, Eve Leibe Gallery, London, June 18 - 30, 2022

NT$ 380,000 - 550,000

HK$ 99,000 - 143,000

US$ 12,600 - 18,200

RMB 86,000 - 125,000

蘿拉．伯格

兜風

2022 年

油彩 畫布

91.4 x 111.8 cm

簽名題識畫背： Laura Berger

Joyride 2022

展覽

「模糊邊界」，夏娃．雷貝畫廊，

蘿拉．伯格的作品以相互依存和自我理解為 主題，在簡約的畫面中以流動的線條結合柔 和的色彩描繪出人物形象。畫中人物以抽象 的形式互相纏繞，透過重疊的輪廓和光影傳 遞人物交集的能量和情感。伯格在美國國內 以及國際，如澳洲、比利時、加拿大、智利 和紐西蘭有過展出的經驗。

Laura Berger's work centered around themes of interdependence and selfunderstanding, her images focus on figurative archetypes, intuitive color palettes and dreamlike minimalistic environments. Pathways are charted in each of the compositions through intimate gestures that transfer energy and emotions of the gathered figures, light and shadow. Berger has shown her artwork across the US and abroad., with exhibitions in Australia, Belgium, Canada, Chile, and New Zealand.

043

AMY VAN WINKLE (American, b. 1970)

High Desert Mirage

2017 Oil on wood panel

76.5 x 76.5 cm

Signed reverse stretch A.Van Winkle, titled High Desert Mirage, inscribed oil, Santa Fe, NM USA and dated 2017

EXHIBITED

Daily Sentiments, Bluerider ART Gallery, Taipei, September 7 - October 20, 2019

NT$ 140,000 - 220,000

HK$ 36,000 - 57,000

US$ 4,600 - 7,300

RMB 32,000 - 50,000

2017 年

油彩 木板

76.5 x 76.5 cm

簽名題識畫背框條： A.Van Winkle High Desert Mirage oil Santa Fe NM USA 2017 展覽

作畫過程中利用磨擦、刮除顏料等手法，表 現時間性和不同層次間的對話，在不同技 法、厚塗的肌理效果中，呈現細膩變化的細 節。其創作理念受到大師葛哈．李希特、馬 克．羅斯科等啟發，以帶律動的線條及隱約 結構的抽象畫著稱。包括美國伊利諾州的弗 里波特美術館，溫克的展覽經驗豐富，作品 也被荷蘭銀行等大型企業收藏。

Winkle usually scrapes the surface on which it adds texture and creates a dialog between the fused layers. Her influences include Gerhard Richter, Mark Rothko. Along with these artist's influences, there's always a hint of structure and control to her abstract paintings. Winkle has participated in multiple shows in the U.S.A. including Freeport Art Museum, and her works are included in the collection of various noted enterprises including Bank of Holland.

044

EDOARDO CIALFI

(Italian, b. 1993)

The Illusoriness of Hope

2022

Spray paint on canvas

150 x 100 cm

Signed reverse Edoardo Cialfi aka Rise, titled L'illusorietà della Speranza and dated 2022

NT$ 180,000 - 280,000

HK$ 47,000 - 73,000

US$ 6,000 - 9,300

RMB 41,000 - 64,000

愛德華．夏爾菲

希望的幻覺

2022 年

噴漆 畫布

150 x 100 cm

簽名題識畫背：

Edoardo Cialfi aka Rise "L'illusorietà della Speranza" 2022

愛德華．夏爾菲在佛羅倫斯的 LABA 獲得了繪畫 和視覺藝術的一級學術文憑後，於維洛納美術學 院攻讀為期兩年的繪畫工作室指導藝術文化調解 專業課程。他的作品致力於對風景畫等原型繪畫 的重新詮釋，他試圖用「霧」和「風暴」兩個自 然領域來表達兩個不同的概念。夏爾菲曾在義大 利多座城市舉行過個展和聯展。

Edoardo Cialfi obtained a First Class Academic Diploma in Painting and Visual Arts at the LABA in Florence. Studying a two-year specialization in Art-Cultural Mediation in Painting Studio Direction at the Academy of Fine Arts in Verona. He worked on a reinterpretation of archetypal pictorial languages, especially the genre of landscape painting, he tried to use two fields to express two different concepts: fog and storm. Cialfi has held solo and group exhibitions in many Italian cities.

045

RAMIRO SMITH ESTRADA

(Argentine, b. 1984)

My Whole Life is Thunder

2022

Oil on canvas

91 x 70.5 cm

Signed reverse Ramiro Smith Estrada and dated 2022

EXHIBITED

Profile Picture, Bluerider ART Gallery, Taipei, December 24, 2022 - February 19, 2023

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

拉米羅．史密斯． 埃斯特拉達

我的一生都是雷霆 2022 年

油彩 畫布

91 x 70.5 cm

簽名畫背： Ramiro Smith Estrada 2022

展覽 「社群圖鑑」，

藍騎士藝術空間，台北，

展期 2022 年 12 月 24 日至 2023 年 2 月 19 日

拉米羅．史密斯．埃斯特拉達曾多次入選 阿根廷國家藝術展， 2012 年獲得威廉姆斯 獎，並曾參與美國、阿根廷、比利時的國 際駐地計畫。藝術家以繪畫展現「世俗性」 以及在文化社交壓力下的衝突，利用街頭、 刺青等裝飾性符號妝點，反諷著在社交行 為的庸俗表相。

Ramiro Smith Estrada was selected to be displayed at the National Exhibition of Fine Arts in the field of Engraving in 2010 and 2013, and to the Williams Award in 2012. He participated in art residency programs in America, Buenos Aires, Brussels. His paintings attempt to highlight and beautify the"mundane"and at the same time exacerbate the clash between fleeing narcissism and the weight of culture. The "ornament" then functions as a means of symbolic and formal decoration.

046

KUO YEN FU (Taiwanese, b. 1979) Suitcase – Female Artist

2019

Mixed media on canvas, collage

170 x 190 cm

Signed upper KUO YEN FU

NT$ 240,000 - 360,000

HK$ 62,000 - 94,000

US$ 8,000 - 11,900

RMB 55,000 - 82,000

2019 年

複合媒材 畫布 拼貼 170 x 190 cm

簽名上方： KUO YEN FU

原為歌手兼藝人出身的當代藝術家郭彥甫， 1979 年出生於台灣。他於 2015 年開始全職 藝術創作生涯，在巴黎羅浮宮卡魯賽勒商廊 展出的「行李箱」系列畫作獲得國際讚賞。 郭彥甫在台灣多次舉行個展，在洛杉磯、義 大利、西班牙等地也有展出經驗。藝術家藉 由「行李箱」刻畫對人類心理觀察的詮釋。

Singer and entertainer-turned visual artist Kuo Yen Fu was born in 1979 in Taiwan. He began his full-time painting career in 2015. Garnering international acclaim for his Suitcase series of paintings in an exhibition at Carrousel du Louvre in Paris. Kuo is most frequently exhibited in Taiwan, and also had exhibitions in Los Angeles, Italy, Spain and elsewhere. His work "Suitcase" is an artistic interpretation of his observations on human psychology.

047

WILLI SIBER

(German, b. 1949)

Tafelobjekt

2022

Chrome enamel on MDF, unique

80(L) x 56(W) x 9(D) cm

Signed reverse Siber and dated 2022

PROVENANCE

Bluerider ART, Taipei

Acquired from the above by the present owner

NT$ 360,000 - 550,000

HK$ 94,000 - 143,000

US$ 11,900 - 18,200

RMB 82,000 - 125,000

威利．希伯 板上物件

2022 年

鍍鉻烤漆 纖維板 單一件

80 （長） x 56 （寬） x 9 （厚） cm

簽名畫背： Siber 2022

藍騎士藝術空間，台北 現有收藏者得自上述來源

048

THIERRY FEUZ

(Swiss, b. 1968)

Silent Winds Electra

2022

Lacquer and acrylic on canvas

130 x 100 cm

Signed reverse Thierry Feuz, titled Silent Winds Electra and dated 2022

Signed overlap Thierry Feuz

EXHIBITED

Autumn 22, Bluerider ART Gallery, Taipei, October 27, 2022 - January 31, 2023

NT$ 460,000 - 650,000

HK$ 119,000 - 169,000

US$ 15,200 - 21,500

RMB 105,000 - 148,000

西瑞．菲茲

微風系列－伊萊特拉

2022 年

漆 壓克力 畫布

130 x 100 cm

簽名題識畫背： Thierry Feuz Silent Winds Electra 2022

簽名畫布折入處： Thierry Feuz

展覽

「迎秋」，藍騎士藝術空間，台北，

展期 2022 年 10 月 27 日至 2023 年 1 月 31 日

049

SUSANNE KÜHN

(German , b. 1969)

Flash Sketch 5

2020

Acrylic on canvas

160 x 130 cm

Signed reverse Susanne Kühn, inscribed 130x160cm, Flash Realism 1, Pandemic and dated 2020

EXHIBITED

Flash, Beck & Eggeling, Dusseldorf, January 19 - February 27, 2021

ILLUSTRATED

Susanne Kühn, Flash, Beck & Eggeling Kunstverlag, Dusseldorf, 2021, color illustrated, p. 40&46

NT$ 750,000 - 1,100,000

HK$ 195,000 - 286,000

US$ 24,900 - 36,500

RMB 170,000 - 250,000

蘇珊．庫恩

浮光掠影 5

2020 年

壓克力 畫布

160 x 130 cm

簽名題識畫背： Susanne Kühn 130x160cm

Flash Realism 1 Pandemic 2020

展覽

「閃光」，貝克與艾格林畫廊，杜塞道夫，

展期 2021 年 1 月 19 日至 2 月 27 日

圖錄

蘇珊．庫恩，《閃光》，貝克與艾格林畫廊，

杜塞道夫， 2021 ，彩色圖版，頁 40&46

蘇珊．庫恩擁有萊比錫視覺藝術學院（ HGB ）繪畫與版畫藝術 碩士學位，並曾獲紐約視覺藝術學院和亨特學院（ School of Visual Arts and Hunter College ）的研究生資助及哈佛大學拉 德克利夫高等研究院（ Harvard University Radcliffe Institute for Advanced Studies ）獎學金。自 2015 年起，擔任紐倫堡美 術學院（ Academy of Fine Arts Nuremberg ）繪畫教授。蘇珊． 庫恩的作品被弗萊堡當代美術館、哈佛大學施瓦茨藝術收藏館、 UBS 藝術收藏、德意志聯邦銀行等重要機構永久收藏。

Susanne Kühn after studying at the Hochschule für Grafik und Buchkunst Leipzig (HGB) in Germany (1990–1995), she completed postgraduate studies at the School of Visual Arts and Hunter College (1995–1996). And she was awarded a Radcliffe Fellowship from the Radcliffe Institute for Advanced Study, Harvard University. Since 2002, Since 2015 she is a professor of painting at the Academy of Fine Arts Nuremberg. Works by Susanne Kühn can be found in important collections in Germany and abroad, such as the Museum für Neue Kunst in Freiburg, the Schwartz Art Collection of Harvard University, the UBS Art Collection, and the Deutsche Bundesbank Collection.

050

WILL MARTYR (British, b. 1980)

Dreams Within Reach

2017 Acrylic on canvas

200 x 200 cm

Signed reverse W.Martyr, titled Dreams Within Reach and dated 2017

PROVENANCE Unit London, London

NT$ 650,000 - 950,000

HK$ 169,000 - 247,000

US$ 21,500 - 31,500

RMB 148,000 - 216,000

威爾．馬特 夢想觸手可及

2017 年

壓克力 畫布

200 x 200 cm

簽名畫背： W.Martyr Dreams Within Reach 2017

來源

倫敦單元畫廊，倫敦

威爾．馬特於 2002 年從倫敦斯萊德美術學院獲得學士學位後， 在紐約工作室學院修習一年， 2007 年回到倫敦並取得倫敦皇家 藝術學院繪畫碩士學位。馬特的作品被全球許多知名的國際私 人和機構收藏。現於倫敦生活和工作。馬特的繪畫主題呈現城 市和自然景觀，作品中如明信片般超現實描繪的山脈和豪華住 宅，既誘人又不失烏托邦情懷，重新定義了新媒體時代的繪畫 美學。

After graduating from the Slade School of Fine Art in 2002 with a BA, Martyr moved to New York and studied at the New York Studio School for a year. In 2005, he began a MA course in Painting at the The Royal College of Art London and graduated in 2007. Martyr's work is placed in many high profile international private and corporate collections worldwide. He lives and works in London. Martyr's subject matter has largely been urban and natural landscapes. His paintings present hyperreal depictions of postcard-perfect mountains and luxury residences. that were simultaneously seductive yet impossibly utopian that redefine the aesthetic of painting in the new media age.

051

RAJAN KRISHNAN

(Indian, 1967-2016)

Embryo

2006

Acrylic on canvas

182.5 x 152.5 cm

Signed reverse Rajan M Krishnan, titled Embryo and dated 2006

EXHIBITED

Rajan Krishnan: Embryo - Solo Show, Art Singapore 2006, Singapore, September 28 - October 2, 2006

This lot is accompanied with a certificate of authenticity issued by Bodhi Art, Singapore.

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

拉詹．克里希南

胚芽系列

2006 年

壓克力 畫布

182.5 x 152.5 cm

簽名題識畫背： Rajan M Krishnan 2006 Embryo

展覽

「拉詹．克里希南個展：胚芽」，

2006 新加坡藝術博覽會，新加坡，

展期 2006 年 9 月 28 日至 10 月 2 日

附新加坡菩提藝術畫廊開立原作保證書

052

BYEN UNG

(Korean, b. 1975)

PIL

Two People - Red 3

2018 Oil on canvas

180 x 150 cm

Signed reverse Byen Ung Pil and titled Two People - Red Ⅲ in Korean and English, inscribed 180x150cm, Oil on canvas and dated 2018

EXHIBITED

Someone - Byen Ung Pil Solo Exhibition, Gallery Arirang, Busan, April 26 - May 31, 2018

NT$ 480,000 - 650,000

HK$ 125,000 - 169,000

US$ 15,900 - 21,500

RMB 109,000 - 148,000

邊雄必 雙人－紅色

2018 年

油彩 畫布

3

180 x 150 cm

簽名題識畫背： 변웅필 Byen

Ung Pil 두사람 - 빨강 Ⅲ

Two People - Red Ⅲ

180x150cm Oil on canvas 2018

展覽

2018 年 4 月 26 日至 5 月 31 日

邊雄必畢業於韓國東國大學藝術學系，後赴德國於明 斯特美術大學取得碩士學位。他用最少的陰影捕捉表 情，用線條、平面和顏色將人物描繪成匿名的存在， 重新定義了肖像畫。邊雄必在韓國、德國和孟加拉等 地有過展覽經歷，他的作品被收藏於韓國國家當代美 術館、首爾美術館和德國赫爾福德的瑪塔美術館。

Byen Ung Pil received his BFA from the Dongguk University and Master's degree at the University of Fine Arts Münster, German. Not deviating from his style of self-portraits, he depicts figures as anonymous beings, capturing expressions with the least shades, employing mostly lines, planes, and colors. Byen Ung Pil held successive art exhibitions throughout the time in Korea, Germany, and Bangladesh, to name a few. His art is displayed in the National Museum of Contemporary Art, Korea, Seoul Museum of Art and Marta Herford Museum of Art, Hereford, Germay.

「邊雄必個展：某個人」， 阿里郎畫廊，釜山，

053

DANIELE OLDANI

(Italian, b. 1979) Confusion

2022

Acrylic and oil pastels on canvas

100 x 80 cm

Mirror-write signed upper right

Oldani

Signed reverse Daniele Oldani, titled Confusion and dated 2022

NT$ 180,000 - 280,000

HK$ 47,000 - 73,000

US$ 6,000 - 9,300

RMB 41,000 - 64,000

丹尼爾．歐丹尼

迷亂

2022 年

壓克力 油畫棒 畫布 100 x 80 cm 簽名右上： Oldani （鏡像）

簽名題識畫背： Confusion

Daniele Oldani 2022

丹尼爾．歐丹尼曾在包括華納兄弟在內的多家出 版社擔任漫畫家和插畫師。多年來，他不斷探索 各種風格和藝術潮流。「鏡像書寫」是在歐丹尼 的作品中的特徵之一。他隨機性的通過文字的相 反方向進行書寫，從而得到正常文字的鏡像。觀 者可以藉由解讀畫面中的文字，進而尋找藝術家 留下的蛛絲馬跡。

Daniele Oldani worked as a cartoonist and illustrator with a number of publishing houses, including Warner Brothers. Over the years, painting has been with him, and he has also continued to explore various styles and artistic trends. In Oldani's works, "mirror writing" is a characteristic that can be seen at first sight. He randomly writes in the opposite direction of the text, so as to obtain the mirror image of the normal text. The viewer can continuously interpret the text in the picture, and then find the clues left by the artist.

054

MOISÉS YAGÜES

(Spanish, b. 1972)

Rothko’s Assistants

2022

Acrylic on canvas

80 x 80 cm

Signed lower right Yagües and dated 2022

Titled lower left Rothko’s Assistants

Signed reverse Moisés Yagües, titled Rothko’s Assistants and dated 2022

EXHIBITED

One Art 2023, Hotel Metropolitan Premier Taipei, Taipei, January 13 - 15, 2023

NT$ 280,000 - 420,000

HK$ 73,000 - 109,000

US$ 9,300 - 13,900

RMB 64,000 - 95,000

莫伊．亞格斯

羅斯科的助手們

2022 年

壓克力 畫布

80 x 80 cm

簽名右下： Yagües 2022

題識左下： Rothko's Assistants

簽名題識畫背： Moisés Yagües Rothko's Assistants 2022

展覽

「 One Art 2023 」， JR 東日本大飯店，

台北，展期 2023 年 1 月 13 日至 15 日

055

JISBAR

(JEAN-BAPTISTE LAUNAY)

(French, b. 1989)

Oreo Freedom Dino

2022

Mixed media on canvas

130 x 97 cm

Signed reverse Jisbar©, titled Oreo Freedom Dino, inscribed 2441879 and dated 2022

NT$ 480,000 - 700,000

HK$ 125,000 - 182,000

US$ 15,900 - 23,200

RMB 109,000 - 159,000

吉斯巴 奧利奧、自由、恐龍

2022 年

綜合媒材 畫布

130 x 97 cm

簽名題識畫背： Jisbar© Oreo Freedom Dino

2441879 2022

吉斯巴本名尚 - 巴蒂斯特．奈洛，是一位出生於 1989 年的法國 街頭普普藝術家。他在巴黎和里斯本兩地生活和創作。吉斯巴 以街頭藝術風格重新詮釋古典藝術傑作如蒙娜麗莎、安迪．沃 荷而聞名於世。他與 BMW 、 Armani 與 LG 等品牌合作，為品

牌形象注入令人興奮的新元素。吉斯巴的作品在許多國際畫廊 展出，如舊金山、黃金海岸、台北、威尼斯、巴黎和倫敦。他 的作品也被知名博物館收藏像是阿布達比的馬娜奧薩迪亞特藝 術中心、巴黎國家移民歷史博物館。藝術家重新詮釋《蒙娜麗 莎》的作品更曾在盧森堡總理的收藏中展出。

拍品《奧利奧、自由、恐龍》中可以看到雷內．馬格利特經典 作品《戴圓頂硬禮帽的男子》和其他街頭風元素組合。藝術家 對於這些相異元素的結合，認為是多種多樣的文化的積累。這 些元素彼此之間沒有聯繫，但每個人都可以通過作品來創造自 己的故事。

Jean-Baptiste Launay, better known as Jisbar, is a French pop-street artist born in 1989. He lives and works between Paris and Lisbon. Jisbar is famous worldwide for being the first ever artist to reinterpret classical art masterpiece figures such as Mona Lisa or Warhol with his personal style of pop and street art. This striking blend of influences shaped a clear and unique identity that inspires a lot of artists and brands such as BMW, Armani, LG across the world today. Jisbar's work is shown in many galleries all over the world such as San Francisco, Gold Coast, Teipei, Venice, Paris and London. His artwork was also collected by well-known museums such as the Manarat Al Saadiyat in Abu Dhabi or the National Museum for the History of Immigration in Paris. His best known work is also the revival of the Mona Lisa which was exhibited in the collection of the Prime Minister of Luxembourg.

The work "Oreo Freedom Dino" features a combination of René Magritte's classic piece "Man in a Bowler Hat" and other street-style elements. The artist thinks that this blend of diverse elements represents the accumulation of various cultures. Although these elements have no direct connection to each other, everyone can create their own story through the artwork.

056

MAJA DJORDJEVIC

(Serbian, b. 1990)

Birth of Her 6

2021

Oil and enamel on canvas

35.5 x 28.5 cm

Signed overlap Maja Djordjevic and dated 2021

PROVENANCE

Dio Horia Gallery, Athens

NT$ 110,000 - 170,000

HK$ 29,000 - 44,000

US$ 3,600 - 5,600

RMB 25,000 - 39,000

瑪雅．喬爾傑維奇

維納斯的誕生 6

2021 年

油彩 瓷漆 畫布

35.5 x 28.5 cm

簽名畫布折入處：

Maja Djordjevic 2021

來源

Dio Horia 畫廊，雅典

賽爾維亞藝術家瑪雅．喬爾傑維奇在貝爾格萊德美 術學院完成了學士和碩士學位。其作品將傳統油畫 技巧與電腦繪圖的計算式相結合，並探討網路藝術 和女權主義形象。曾在台北、上海、倫敦、洛杉磯、 雅典舉行過個展。喬爾傑維奇的作品被北京木木美 術館；北京 X 美術館；馬德里蒂森夫婦收藏等著名 藝術收藏機構和名人典藏。

Maja Djordjevic completed her bachelor and master studies at Faculty of Fine Arts in Belgrade. Djordjevic's work combines traditional oil painting techniques with the computer-aided aesthetic of MS Paint. Directly engaged with net art and feminist figuration. Solo exhibitions include in Taipei, Shanghai. London, Los Angeles, Athens. Djordjevic's work has been collected in notable art collections, such as M Woods Museum, Beijing; X Museum, Beijing; Blanca and Borja Thyssen-Bornemisza Collection, Madrid.

057

MAJA DJORDJEVIC

(Serbian, b. 1990)

Love Your Way

2019 Oil and enamel on canvas

150 x 110 cm

Signed overlap Maja Djordjevic, titled Love Your Way and dated 2019

PROVENANCE

Dio Horia Gallery, Athens

EXHIBITED

Maja Djordjevic: I Am Always A Different Person, Dio Horia Gallery, Athens, November 29, 2019 - January 12, 2020

NT$ 360,000 - 550,000

HK$ 94,000 - 143,000

US$ 11,900 - 18,200

RMB 82,000 - 125,000

瑪雅．喬爾傑維奇

喜歡你的樣子

2019 年

油彩 瓷漆 畫布

150 x 110 cm

簽名畫布折入處： Maja Djordjevic

Love Your Way 2019

來源

Dio Horia 畫廊，雅典

展覽

「瑪雅．喬爾傑維奇：我永遠都是一個不同的人」，

Dio Horia 畫廊，雅典，展期 2019 年 11 月 29 日至

2020 年 1 月 12 日

058

NIKKI (American, b. 1996)

Be With You

2022 Mixed media on canvas

77 x 77 cm

Signed reverse NIKKI

This lot is accompanied with a certificate of authenticity signed by the artist.

NT$ 200,000 - 300,000

HK$ 52,000 - 78,000

US$ 6,600 - 9,900

RMB 45,000 - 68,000

畫布 77 x 77 cm 簽名畫背： NIKKI

059

NIKKI (American, b. 1996)

Untitled

2022

Mixed media on canvas

100 x 100 cm

Signed reverse NIKKI

NT$ 400,000 - 600,000

HK$ 104,000 - 156,000

US$ 13,300 - 19,900

RMB 91,000 - 136,000

NIKKI

2022 年

畫布 100 x 100 cm 簽名畫背： NIKKI

060

JUAN DE LA RICA (Spanish,

b. 1979)

La Despedida (The Farewell)

2021 Oil on canvas

146 x 114 cm

Signed reverse Juan De la Rica, titled La Despedida, inscribed Oleo Sobre

Lienzo, 146x114cm and dated 2021

EXHIBITED

De Nada, Juan Manuel Lumbreras

Art Gallery, Bilbao, October 28December 3, 2021

NT$ 280,000 - 420,000

HK$ 73,000 - 109,000

US$ 9,300 - 13,900

RMB 64,000 - 95,000

胡安．德拉黎加

再見

2021 年

油彩 畫布

146 x 114 cm

簽名題識畫背： Juan De la Rica

《 La Despedida 》 Oleo Sobre

Lienzo 146x114cm 2021

展覽 「沒關係」，胡安．曼努埃爾．

胡安．德拉黎加於 2007 年取得了巴斯克 大學的美術學士學位後，在許多國家和國 際展覽中舉行個展和聯展。其作品特色是 平塗、簡潔的線條以及高度飽和的色彩。 藝術家經常從反諷和略帶幽默的角度創 作，也嘗試以更開放的敘事使觀者有更自 由的詮釋空間。

Juan de la Rica received his BFA from the University of the Basque Country in 2007. Since then, he has exhibited his work in many national and international solo and group shows. He likes to paint with flat and saturated colors, and with synthetic and clean lines. He usually approaches these topics with irony and humor, and he likes to suggest open narratives, so that the viewer makes his own movie.

061

NATHAN

PADDISON

(Australian, b. 1983)

Peg Arse Us Fly Inn's Cool

2022

Acrylic, oil stick, charcoal, pencil and spray paint on canvas

152 x 134 cm

Signed center left Paddison

Signed reverse NP and Nathan Paddison, titled Peg Arse us Fly Inn's Cool and dated XXII

PROVENANCE

Acquired directly from the artist Private collection, Asia

NT$ 300,000 - 460,000

HK$ 78,000 - 119,000

US$ 9,900 - 15,200

RMB 68,000 - 105,000

內森．帕迪森

飛天小馬 2022 年 壓克力 油畫棒 炭筆 鉛筆 噴漆 畫布

152 x 134 cm

簽名左中： Paddison 簽名題識畫背： Peg Arse Us Fly Inn's Cool XXII NP

Nathan Paddison 來源 直接購自藝術家本人

私人收藏，亞洲

內森．帕迪森使用了多重的媒材，如：壓克力、 炭筆、麥克比、墨水、粉彩和拼貼。其藝術同 時是原始且感官的。部分作品具有諷刺意味， 且傳達了強烈的社會、政治信息。其他系列則 反映其童年回憶，並展示出有趣嬉鬧和樂觀的 感受。也正是這種主題、圖像和訊息的對照， 使內森成為如此獨特而有趣的澳洲新興藝術家。 Nathan Paddison works in a variety of media, including acrylics, charcoal, marker, ink, pastel and collage. Nathan's art can be raw and confront your senses. Some of Nathan's work is ironic and delivers strong social and political messages. Other works reflect on childhood memories and convey a palpable sense of playfulness and optimism. It is this dichotomy in themes, imagery and messaging that makes Nathan such a unique and interesting emerging Australian artist.

062

SZABOLCS BOZÓ

(Hungarian, b. 1992)

Home Again

2020

Acrylic on paper

83 x 59 cm

PROVENANCE

L21 Gallery, Mallorca, Spain

Private collection

Acquired form the above by the present owner

EXHIBITED

Szabolcs Bozó: Home Again, L21 Gallery, Mallorca, Spain, December 12,

2020 - February 5, 2021

NT$ 220,000 -320,000

HK$ 57,000 - 83,000

US$ 7,300 - 10,600

RMB 50,000 - 73,000

薩波爾齊斯．博佐

重返家園

2020 年

壓克力 紙本

83 x 59 cm

來源

L21 畫廊，馬約卡島，西班牙 私人收藏 現有收藏者購自上述來源

展覽

「薩波爾齊斯．博佐：重返家 園」， L21 畫廊，馬約卡島，

西班牙，展期 2020 年 12 月 12

日至 2021 年 2 月 5 日

博佐的藝術靈感來自於童年回憶和過 去的經歷，他喜愛充滿當地民間故 事、神話和黑色幽默的匈牙利動畫和 童書。藝術家將畫布鋪在地板上，用 放鬆的筆觸畫出角色，彷彿畫布是一 本巨大的著色本。他的作品曾在包括 巴黎、馬德里、倫敦和上海等地展出。

Childhood memories and past experiences are key to Bozó's art. His favorite Hungarian animation and children's books were full of local folklore, mythology and dark humor. The artist rolls his canvases out on the floor, filling in the figures with loose strokes as if the surface were a giant coloring book. His works have been exhibited in Paris, Madrid, London and Shanghai.

063

RHIANNON

(British, b. 1984)

SALISBURY

Disney Princess

2021

Oil on canvas

158.5 x 120 cm

Signed reverse Rhiannon Salisbury, initialed RS and dated 2021

NT$ 380,000 - 600,000

HK$ 99,000 - 156,000

US$ 12,600 - 19,900

RMB 86,000 - 136,000

麗安儂．索爾茲伯里

迪士尼公主

2021 年

油彩 畫布

158.5 x 120 cm

簽名畫背： Rhiannon Salisbury RS 2021

麗安儂．索爾茲伯里於 1984 年出生於倫敦， 並於 2016 年於切爾西藝術學院獲得藝術碩士 學位。她多從時尚雜誌中的精品廣告中取材， 對圖像的扭曲和抽象，探索其中女性氣質的呈 現和結構，作品皆以她著名的流體畫研究製作， 賦予作品發自內心一種既美麗又怪誕的質感。

Rhiannon Salisbury was born in London in 1984 and got her MA Fine Art from Chelsea College of Art in 2016. Salisbury works from images of luxury brand advertising campaigns found in fashion and lifestyle magazines. Through her distortion and abstraction of these images she is exploring representations and structures of femininity as it is presented to us. The works have all been created with her signature approach of pouring and painting, giving the works a textured and visceral feel that is both beautiful and grotesque.

064

KUKWON WOO (Korean, b. 1976)

Porker Face

2019 Oil on canvas

130 x 162 cm

Signed upper left W. Kukwon

PROVENANCE Gallery BK, Seoul

Acquired form the above by the present owner

NT$ 750,000 - 1,100,000

HK$ 195,000 - 286,000

US$ 24,900 - 36,500

RMB 170,000 - 250,000

禹國元 撲克臉

2019 年

油彩 畫布

130 x 162 cm

簽名左上： W. Kukwon

來源

BK 畫廊，首爾

現有收藏者購自上述來源

「人生不總是手握好牌，有時候也是要把一手爛牌打好。」

傑克．倫敦

禹國元是一位在首爾生活和工作的韓國藝術家。其作品將殘酷的 童話場景和手寫的名言與豐富的色彩相結合，創造了一種普普藝 術和具象藝術混合的獨特流派。禹國元被選為韓國重要獎項之ㄧ 的第 32 屆中央日報藝術獎。自 2009 年以來，他舉辦了多次個 展，最近他的作品被經營「蔦屋書店」的日本文化便利俱樂部公 司（ CCC ）所收藏。此外，他的作品還被韓國國立現當代美術館、 首爾國立大學美術館等機構收藏。禹國元引用美國 20 世紀著名 現實主義作家傑克．倫敦的名言於拍品《撲克臉》中。鮮豔的藍 色背景和禹國元習慣在厚塗顏料上用手摩擦或刮擦，製成粗糙的 質感相呼應。畫中人物與動物存在於同一空間為藝術家一如往常 單純的情感表達方式。加上畫龍點睛的文字，導向觀眾的主觀意 識，而不只是藝術家的意圖。

"Life is not always a matter of holding good cards, but sometimes, playing a poor hand well." Jack London

Kukwon Woo is a South Korean artist living and working in Seoul. Woo's work combines cruel fairy tale scenes and roughly scribbled famous words with his natural gift of color, creating a unique genre that mixes Pop Art and Figurative Art. Woo was selected for the 32nd JoongAng Fine Arts Prize which is one of the important awards in Korea. He held numerous solo exhibitions since 2009 and recently his art piece has been collected at "Culture Convenience Club company" a Japanese company that operates Tsutaya, a nationwide bookstore in Japan. Furthermore, his paintings had been collected at various museums in Korea such as the National Museum of Modern and Contemporary Art and Seoul National University Museum of Art. The quote by famous American realist writer of the 20th century, Jack London was referenced by Kukwon Woo in the artwork "Poker Face". The vibrant blue background echoes the rough texture created by Woo's habit of rubbing or scraping thick paint with his hands. The characters and animals in the painting exist in the same space, conveying the artist's usual simple emotional expression. With the addition of the impactful text, it guides the audience's subjective consciousness, rather than just the artist's intention.

065

JORDY KERWICK

(Australian b. 1982)

Seattle Drop

2019

Oil and mixed media on canvas 100 x 80 cm

Signed resverse Jordy and dated 2019

EXHIBITED

Jordy Kerwick, I am D.B. Cooper, Galerie

Rompone, Cologne, June 29 - August 31, 2019

NT$ 1,400,000 - 2,200,000

HK$ 364,000 - 571,000

US$ 46,400 - 72,900

RMB 318,000 - 500,000

喬迪．科維克 西雅圖水滴

2019 年

油彩 複合媒材 畫布 100 x 80 cm

簽名畫背： Jordy 2019

展覽

「喬迪．科維克：我是 D.B. 庫珀」，

喬迪．科維克出生於澳洲，現在定居於法國阿爾比。科維克是一 位自學成才的畫家。他使用油彩、噴漆、拼貼等創作媒材，大膽 的色彩組合和加粗的輪廓線巧妙地取代了畫面中的景深。並且以 檯燈、植物和地毯等常見的日常物品或個性強烈的動物圖案，呈 現出具有家庭溫暖感的現代靜物畫。科維克曾在雪梨、紐約、舊 金山、洛杉磯、倫敦、巴黎、哥本哈根、科隆、漢堡、東京和香 港展出，他的作品也被世界各地的收藏家收藏。

拍品《西雅圖水滴》是科維克一系列經典的靜物作品之一。受到 馬蒂斯大膽的色彩的啟發，藝術家利用大量鮮豔的紅色和幾何形 狀製造出活力生動的意象，也使傳統靜物主題產生新的詮釋。

Jordy Kerwick is a self-taught Australian painter who lives and works in Albi, France. Being influenced by depictions of still life in modern art, he is recreating the familiar feeling of domestic warmth in a contemporary setting. His mixed media approach consists of the heightened use of oil brushstrokes, spray-paint and collage, while including elements of sketching. His pictorial references of common objects, such as lamps, plants and rugs are fused with the intense energy of his patterned animals. What is intentionally omitted in depth, is cleverly replaced by bold color combinations and thick outlines.Kerwick has exhibited in Sydney, New York, San Francisco, Los Angeles, London, Paris, Copenhagen, Cologne, Hamburg and Tokyo. His works are also included in collections all around the world.

The artwork "Seattle Drop" is one of Jordy Kerwick's series of still-life works. Inspired by Matisse's bold use of color, the artist utilizes a large amount of vibrant red and geometric shapes to create lively and dynamic imagery, giving a new interpretation to the traditional still-life subject matter.

066

YOSHITOMO NARA (Japanese, b. 1959)

Untitled

1994

Acrylic on paper

47 x 33.5 cm

Signed lower left Na in Japanese and dated lower right 94

PROVENANCE

Tomio Koyama Gallery, Tokyo

ILLUSTRATED

Yoshitomo Nara: The Complete Works Volume 2, Chronicle Books LLC, San Francisco, 2011, color illustrated, p. 73

NT$ 3,800,000 - 5,500,000

HK$ 987,000 - 1,429,000

US$ 126,000 - 182,300

RMB 864,000 - 1,250,000

奈良美智 無題

1994 年

壓克力 紙本

47 x 33.5 cm

簽名左下：な

年代右下： 94

來源

小山登美夫畫廊，東京

圖錄

《奈良美智作品全集第二冊》，編年出版社，舊金山， 2011 ，彩色圖版，頁 73

奈良美智《 Dog with Coffin 》 1993

羅芙奧台北 2019 春拍 台幣 12,000,000 成交

Yoshitomo Nara, Dog with Coffin, 1993, oil on canvas, 60 x 60 cm

Ravenel Taipei 2019 Spring Auction, USD 379,746 sold

YOSHITOMO NARA

奈良美智《無題》創作於德國留學時期。縱觀其創作各個系列，分別標 誌著奈良美智藝術生涯的不同重要階段。 1993 年，他畢業於世界知名 的杜塞道夫美術學院。正值畢業的前後兩年間，奈良美智創作了一批以 小女孩頭部為特寫的作品，無論是後來所作《碟子上的中國娃娃》亦或 是《燈花女孩》等大尺幅作品中，藝術家都有在娃娃頭的局部創作著墨。

此件《無題》奈良美智透過簡單的圖像和輪廓分明的線條，以簡約風格 勾勒出小女孩一瞬間的神態。渾圓的泡泡糖打破單一構圖，明藍色的使 用活潑了整個畫面。一改在德時期的緊張心態：戒備、茫然、無助，獨 自飄蕩的處境反映當時隻身踏入異國土地的心境。畢業後的這一年，奈 良重新審視了自我而有此悠然自得的女孩像。。

留學期間，強烈的孤獨感是奈良美智創作的精神來源，他的作品呈現強 烈的自我意識，很多時反映出多重不安。而這件作品，咀嚼口香糖吹著 大大泡泡的女孩來看，雙眼微閉的孩童形象安靜地佇立於中央，眉宇之 間流露出一抹彷彿周遭一切都於己無關的從容與淡定。閉目養神間放下 了所有的戒備，坦然面對。觀者從畫面情緒中也能感受到「方得寧靜， 心如止水」的氛圍。畢業後的奈良美智真正意義上的開啟了他游走於東 西方視覺文化間的職業藝術生涯。

奈良美智《 Your Puppy 》 2016 玻璃纖維

羅芙奧台北 2020 春拍 台幣 64,160,000 成交

Yoshitomo Nara, Your Puppy, 2016, FRP, 271.3(L) x 140.3(W) x 188.3(H) cm

Ravenel Taipei 2020 Spring Auction

USD 2,170,501 sold

奈良美智《小猴仔加油》 1993

羅芙奧台北 2019 秋拍

台幣 13,200,000 成交

Yoshitomo Nara, Monkey Baby Go-Go, 1993, Acrylic on cotton, 85.2 x 55 cm

Ravenel Taipei 2019 Autumn Auction

USD 442,359 sold

"Untitled" by Yoshitomo Nara was created during his period of studying abroad in Germany. Throughout his various series of works, this marks an important stage in Nara's artistic career. In 1993, he graduated from the worldrenowned Dusseldorf Art Academy. In the two years before and after his graduation, Nara created a series of works featuring close-ups of little girl's heads. Whether it was the later work "Chinese Girl on the Dish" or the large-scale work "Lamp Flower Girl" the artist focused on the details of the doll's head in his creations."

"Untitled" by Yoshitomo Nara depicts the momentary expression of a little girl through simple imagery and distinct contours. The round bubblegum breaks the single composition, while the bright blue color adds liveliness to the entire painting. This work marks a departure from the artist's tense mindset during his time in Germany, characterized by vigilance, confusion, and helplessness, and depicts the artist's solo wandering in a foreign land. It was during this year after graduation that Nara began to reexamine himself.

奈良美智《碟子上的中國娃娃》 1993

羅芙奧台北 2019 秋拍

台幣 75,360,000 成交

Yoshitomo Nara, Chinese Girl on the Dish, 1993, Acrylic on canvas, 130 x 100 cm

Ravenel Taipei 2019 Autumn Auctio

USD 2,470,820 sold

During his period of study abroad, Yoshitomo Nara's strong sense of loneliness served as a source of inspiration for his artwork. His works reflect a strong sense of selfawareness and often portray multiple anxieties. However, in this particular piece, a girl chewing gum and blowing a big bubble, the child's image stands quietly in the center with closed eyes, revealing a sense of calm and composure between the eyebrows, as if everything around her is irrelevant and she is unfazed by worldly affairs. With eyes closed, she lets go of all her defenses and faces everything calmly. The rhythmic atmosphere in the painting conveys a sense of tranquility and a peaceful mind. After graduation, Nara's career as a professional artist truly began as he wandered between Eastern and Western visual cultures.

067 JAVIER CALLEJA

(Spanish, b. 1971) With a Bit of Luck

2017 Acrylic on canvas

162 x 130 cm

Signed reverse Javier Calleja and dated 2017

This lot is accompanied with a certificate of authenticity issued by Galerie Zink, Bavaria, Germany.

NT$ 15,000,000 - 22,000,000

HK$ 3,896,000 - 5,714,000

US$ 497,200 - 729,200

RMB 3,409,000 - 5,000,000

哈維爾．卡勒加

有一點點幸運

2017 年

壓克力 畫布

162 x 130 cm

簽名畫背： 2017 Javier Calleja

附德國 Zink 畫廊開立原作保證書

每個人物都是自畫像的一部分。所以每張人物畫 都有一點是我自己。我媽媽問我，「哈維，你能 畫女孩。為什麼不畫女孩呢？」我說，「因為我 不是女孩。這些人物每一個都是我自己。」

哈維爾．卡勒加

Every character is a little bit of a self-portrait. So it's me in each one a little bit. My mom asked me: "Javi, you can paint girls. Why you don't paint girls?" I say, "Because I'm not a girl. Every one of these is me. "

- Javier Calleja

藝術家與拍品合影 The artist photographed in front of the artwork.

JAVIER CALLEJA

哈維爾．卡勒加，

1971 年出生於西班牙南部的馬拉加。在成為

藝術家以前，他曾經是奧林匹克體操競賽的訓練選手。 2000 年 自格拉那達大學美術系畢業，開始其藝術創作生涯。卡勒加曾 在馬拉加當代藝術中心舉辦的奈良美智展覽中工作過，深受吸 引。他後來發展出的結合文字與圖像的作風，由此可見奈良美 智對他的影響。

此外，自小深受日本動漫影響的他，在作品中融入「大眼睛」

元素。 2003 年在西班牙舉行首次個展，之後陸續展覽於世界各

地如法國巴黎、德國瓦爾德基興、漢堡及美國紐約。 2017 年起 開始在亞洲香港、東京舉行畫廊個展，並於 2019 年首次在希臘

舉行個人畫展， 2022 年繼日本個展之後展覽不斷，短短時間使 他成為最炙手可熱的當代藝術家。

卡勒加筆下的大眼仔男孩們，都可以看成是他自身的反射。以 最簡潔的視覺語言：一雙眼睛、一件標語 T-shirt 敘述故事，讓 畫面自然與觀者產生對話，貫徹他希望用藝術傳遞重要道理的 精神。水汪汪的大眼睛，澄澈透明。如同孩子停止哭泣，代表 他們克服當下的困境，繼續向前邁進，砥礪自己成為內在堅強 的英雄。畫中寫下：「不要哭泣」（ Don't cry ）、「永遠不遲」

（ never too late ）、「此時此刻」（ here and now ）標語的同 時，亦留下大面積的留白，讓觀眾保有想像的空間，用各自的 視角闡述畫中故事。卡勒加不斷在新展覽中推陳出新，一方面

是不斷超越自我，另一面是他認為觀者的感受，與藝術的呈現 應該相輔相成。若是沒有了觀眾，孤芳自賞的藝術，也失去「溝 通」的本意。

大眾初識卡勒加大多是從 2017 年發售的限量立體作品《想念藍

天》開始，一只非常可愛生動的大眼睛公仔，「大眼仔」的形 象即詮釋了卡勒加在創作時以人物主導畫筆，每一個細節的處 理又傳達出藝術家當下創作的心境，並提出作品主題的發展。 融匯卡通、動畫、電玩等流行符號，透過大眾化普及元素和觀 眾互動。隨後發展出大型雕塑和畫布作品，以及發表一系列的 繪畫新作帶到展覽中。作品跨越傳統藝術媒介，打破繪畫與藝 術裝置的界限，在日常所見中加入些許微妙的轉折。

在哈維爾．卡勒加的作品中，黑暗中的眼睛為最初的靈感來源， 從紙縫裡小心翼翼地窺視著周圍。薈萃國際專場封面拍品《有 一點點幸運》創作於 2017 年，畫中主角身著明黃色 T-shirt 小 男孩，一臉稚氣是對生活上的周遭的鼓勵。哈維爾．卡勒加創 造出普普風格的形象：粉嫩雙頰，瞪大雙眼一幅不知所以的神 情，圓亮金黃的眼睛，像極剔透的琥珀寶石。泛紅的小鼻子， 露出兩顆大門牙咧嘴而笑。 T-shirt 上「有一點點幸運」既是對 自己創作狀態的一種總結，也俗和漫畫的扁平式表述，在他創 作時，又總會在卡通、寫實以及抽象之間找到平衡，使得作品 看起來非純然超扁平卡通風格。草垛般的頭髮佈局在畫面上方

哈維爾．卡勒加《再等一下》

香港佳士得 2021 港幣 8,890,000 成交

Javier Calleja, Waiting for a While, 130 x 116 cm, acrylic on canvas

Christie's Hong Kong 2021

HKD 8,890,000 sold

哈維爾．卡勒加 《綠日紅字》 2017

羅芙奧台北 2020 秋拍 台幣 18,600,000 成交

Javier Calleja, Green Days with Red Words, 2017, 162 x 120 cm, acrylic on canvas

Ravenel Taipei 2020 Autumn Auction

USD 652,632 sold

和男孩的臉龐的精緻形成對比。如此令觀眾會心一笑的幽默，

不僅生動有趣，更巧妙應證他心中的藝術，毋須艱澀論述，也 可以自然融入日常情景並深植人心。之後，這些「大眼睛」的 小東西們慢慢從黑暗中走出，形態各異。「大眼睛」是日本動 漫人物的經典標誌，而今日本動漫被這位西班牙藝術家重新演 繹。

哈維爾．卡勒加可謂是最成功的當代西班牙藝術家之一，其異 想天開和俏皮的風格，其文化滲透性不亞於 KAWS ，他的俏皮

風格經常被拿來與凱斯．哈林和巴斯奇亞等藝術家相提並論。 他融合了波普藝術、極簡主義和超現實主義的元素，已建立自 我特色與影響力。 2002 年 4 月 -5 月在溫哥華國際當代藝術中

心（ CICA Vancouver ）參加聯展，同行展出有喬治．康多、拉

希德．約翰遜等；同年 10-11 月他以自己寵物貓發展出的 Mr. Günter 主題系列，在溫哥華國際當代藝術中心舉行個展。卡勒 加以幽默與創造力為其作品注入低調而真誠的力量，積極正向、 療癒人心的風格在世人歷經流行病之後彌足珍貴。

Javier Calleja was born in Malaga, a city in the south of Spain, in 1971. Before becoming an artist, he was a training athlete for Olympic gymnastics competitions. He graduated from the Fine Arts department of the University of Granada in 2000 and began his artistic career. Calleja worked at the

哈維爾．卡勒加 《有一點瘋狂》 2018

羅芙奧台北 2021 春拍 台幣 26,400,000 成交

Javier Calleja, A Little Crazy, 2018, 195 x 162 cm, acrylic on canvas

Ravenel Taipei 2021 Spring Auction

USD 942,857 sold

Nara Yoshitomo exhibition held at the Contemporary Art Center in Malaga, which deeply attracted him. His style of combining text and image that he later developed can be seen as influenced by Yoshitomo Nara.

In addition, heavily influenced by Japanese anime since childhood, Javier Calleja incorporated the "big-eyed" element into his works. He held his first solo exhibition in Spain in 2003 and subsequently exhibited in various parts of the world such as Paris, Waldkichen, Hamburg, and New York. Starting in 2017, he began to hold gallery exhibitions in Hong Kong and Tokyo, and in 2019, he held his first solo exhibition in Greece. The continous invitations to exhibit around the world since then, have made him one of the most popular contemporary artists.

The big-eyed boys in Calleja's artwork can be seen as a reflection of himself. With the simplest visual language: a pair of eyes, a slogan T-shirt narrating a story, he allows the picture to naturally communicate with the viewers and embodies his desire to use art to convey important messages. The watery big eyes are clear and transparent, just like a child who stops crying, representing their ability

to overcome current difficulties and continue moving forward, forging themselves into strong inner heroes. Along with the slogans "Don't cry", "never too late", and "here and now", Calleja also leaves a large blank space in the painting for the audience to imagine and interpret the story from their own perspective. Calleja constantly brings new ideas into his exhibitions, on the one hand, to continuously surpass himself, and on the other hand, to complement the presentation of art with the viewers' feelings. Without the viewers, art that is self-indulgent would lose its original intention of "communication."

The public first learned of Calleja mostly through the limited edition sculpture piece "Missing The Blue Sky", a cute and vibrant figure with a pair of big eyes. The image illustrates how the character leads the brush in Calleja's creative process while every detail conveys the state of the artist's mind in the moment as it extends the theme of the work. He brings brand-new large sculptures and canvas pieces, as well as a series of drawings to the exhibition. His works transcend traditional art media, breaking the boundaries between drawing and installation to add subtle twists to images in everyday life.

In Javier Calleja's works, the eyes in the darkness are the initial source of inspiration, peeking carefully through the paper seams to observe their surroundings. The cover lot of the "Select: Modern & Contemporary Art". "With a Bite of Luck" was created in 2017, featuring a young boy wearing a bright yellow T-shirt with an innocent expression, serving as an encouragement for life. Javier Calleja creates the character image of Pop Art Style: rosy cheeks but with enlarged eyes displaying a puzzled expression, and shiny golden eyes that resemble transparent amber gems. The rosy nose and two big front teeth complete the joyful and carefree smile. The text on the T-shirt, "With a Bite of Luck,"

not only summarizes his creative state but also reflects his flat cartoon style, a balance he found between cartoon, realism, and abstraction that makes his works unique. The layout of the boy's straw-like hair contrasts with his delicate face, bringing a smile to the viewer's face with its humor. The humor is not only vivid and interesting but also cleverly exemplifies his artistic vision, naturally integrating into everyday life and deeply rooted in people's hearts. Afterward, these "big-eyed" characters slowly emerged from the darkness, each with their own unique form. The "big eyes" are a classic symbol of Japanese anime characters, which have now been reinterpreted by this Spanish artist.

Javier Calleja is undoubtedly one of the most successful contemporary Spanish artists, whose imaginative and playful style has made him just as culturally pervasive as KAWS. His whimsical style is often compared to that of artists such as Keith Haring and Basquiat. He blends elements of Pop Art, minimalism, and surrealism to establish his own distinctive style and influence.

In April-May 2002, Calleja participated in a group exhibition at the CICA Vancouver International Contemporary Art Center, alongside artists such as George Condo and Rashid Johnson. Later that same year, in October-November, he held a solo exhibition at the same center featuring his Mr. Günter theme series, inspired by his pet cat. Calleja injects his works with humor and creativity, imbuing them with a subdued yet sincere power that promotes positivity and healing. This style has become even more precious in the aftermath of the pandemic.

068

MATÍAS SÁNCHEZ

(German, b. 1972)

Isla

2016 Oil on canvas

200 x 200 cm

Initialed lower left MS

Signed reverse Matías Sánchez, inscribed Sevilla and dated 2016

NT$ 1,300,000 - 2,000,000

HK$ 338,000 - 519,000

US$ 43,100 - 66,300

RMB 295,000 - 455,000

馬蒂亞斯‧ 桑切斯為 1972 年出生於德國圖賓根（ Tübingen ） 的藝術家，現定居於西班牙塞維亞。作為自學而成的藝術家， 他探索不同創作領域，如同文學、音樂、與藝術之間相關聯的 共通性，並視為對創作過程的挑戰。桑切斯大量研究前輩藝術 大師，例如柯洛、莫內、畢卡索、羅斯科、德庫寧等人的作品， 從中發掘藝術歷史的變化。「他們瞭解藝術如同一門語言，並 且將它運用自如」馬蒂亞斯‧ 桑切斯如此說道。

桑切斯帶有插畫特色的創作風格，線條筆觸強烈。像蠟筆塗鴉 出來的毛線團，一塊塊色塊搭建起故事的舞台，等待主角們上 場演出。桑切斯非透視的構圖，抽象畫的佈局分散觀者單一視 覺焦點，著重於整體氛圍提供的感受。桑切斯的每件作品，如 同他將自己的心境視覺化：狂野、細緻、華麗、怪誕、幽默。

就像寓言故事的寫真，充滿奇幻古怪的想像。作品之間關連性 極高，畫中故事似乎都發生在郊外的黑森林。老鼠、巫婆、骷 顱頭、雪人、小丑等元素，角色通常都帶著誇張詭異的神情， 蓄著大鬍或是香腸般的大鼻子。搭配敘事感開放的作品題名， 刺激著觀者的想像力，進入他創造的奇幻世界。

Born in 1972 in Tübingen, Germany, Matías Sánchez is an artist currently living in Seville, Spain. As a self-taught artist, he explores the commonalities associated with different creative fields, such as literature, music, and art, regarding it as a challenge to his creative process. Sánchez has

馬蒂亞斯．桑切斯

extensively researched the works of art masters, such as Corot, Monet, Picasso, Rothko, and de Kooning, to unearth the changes throughout art history. "They understood how art is a language and used it well," says Matías Sánchez.

Sánchez's creative style is dominantly illustrative with strong lines and strokes. Like woolen balls drawn by crayons, blocks of color build the stage of the story, waiting for the protagonists to perform. In Sánchez's non-perspective compositions, the layouts of the abstract paintings distract viewers from a single visual focus, instead focusing on the sentiments provided by the overall ambiance.Every piece of Sánchez's work is like a visualization of his state of mind: wild, detailed, ravishing, grotesque, and humorous. Just like a fable, they are filled with fantastical and bizarre imaginations. His works are intricately linked, and the stories in his paintings all seem to take place in the outskirts of the Black Forest. Figures, such as mice, witches, skulls, snowmen, and clowns, are often depicted with exaggerated and weird expressions, toting big beards or big sausagelike noses. The titles of his works harbor an open narrative, stimulating the viewers' imagination to enter his created world of fantasy.

069

ANDREA

FRIED

(Argentine, b. 1972)

Portal Ⅰ

2020

Acrylic on canvas

188 x 160 cm

EXHIBITED

Espacio y Trazo, desde el arte a la arquitectura (The Virtual Exhibition), La Dirección General de Cultura de la Honorable Cámara de Diputados de la Nación, Buenos Aires, Argentina, July 20 - 29, 2021

NT$ 150,000 - 220,000

HK$ 39,000 - 57,000

US$ 5,000 - 7,300

RMB 34,000 - 50,000

安德莉亞．弗里德

門Ⅰ

2020 年

壓克力 畫布

188 x 160 cm

展覽

「空間與線條：從藝術到建築」

（線上虛擬展），國民議會文化

總局，布宜諾斯艾利斯，阿根

廷，展期 2021 年 7 月 20 日至 29 日

抽象、色彩和幾何是安德莉亞．弗里德創作的 基本核心。作品中線條平行或匯聚到一個消失 點，將觀者的視線擴展至作品周圍的空間，藝 術家意圖創造一種「動態幾何」的概念。她在 阿根廷、義大利、烏拉圭和美國等地參加個展 和聯展，她的作品也被布宜諾斯艾利斯當代藝 術博物館（ MACBA ）所收藏。

Abstraction, color and geometrics are the essential cores of her actual artworks. Lines converge to a vanishing point or are parallel, both cases they seek to extend the space that surrounds the work. That is the risk that she takes when it comes to expressing her intention and communicating in her work and through it: Geometric that flows. Fried has participated in solo and group exhibitions in Argentina, Italy, Uruguay and the United States among others. Her work is part of the collection of the Contemporary Art Museum of Buenos Aires (MACBA).

070

CANE (RICCARDO NANNINI)

(Italian, b. 1980)

Playing Cards with Friends

2022

Acrylic on canvas

100 x 100 cm

Signed reverse Cane, titled Playing Cards with Friends, inscribed Barcelona and dated 2022

NT$ 380,000 - 600,000

HK$ 99,000 - 156,000

US$ 12,600 - 19,900

RMB 86,000 - 136,000

甘蔗（里卡多．南尼尼）

與朋友玩牌

2022 年

壓克力 畫布

100 x 100 cm

簽名題識畫背： Cane Playing Cards with Friends

Barcelona 2022

071

GABRIELLE GRAESSLE

(Swiss, b. 1956)

The King is Dead

2022

Acrylic, spray and glitter on canvas

180 x 150 cm

Signed reverse Gabrielle Graessle, titled

The King is Dead and dated 2022

NT$ 380,000 - 600,000

HK$ 99,000 - 156,000

US$ 12,600 - 19,900

RMB 86,000 - 136,000

嘉貝麗．格雷爾斯

國王之死

2022 年

壓克力 噴漆 亮粉 畫布

180 x 150 cm

簽名題識畫背： Gabrielle Graessle The King is Dead 2022

嘉貝麗．格雷爾斯就讀於蘇黎世藝術大學並 取得平面設計學士學位，期間主要創作黑白 炭筆自畫像，並在學生時代就舉辦了首次個 展。 2020 年，她在巴塞隆納和馬德里的藝術 博覽會上展示了她的作品，並參加了德國和 法國的聯展。她的畫作色彩艷麗、具象化、 奇特，畫面中時而伴隨著文字或亮粉裝飾。

Gabrielle Graessle studied at the Zurich University of the Arts and received a BA in Graphic Design. She had her first solo exhibition when she was still a student, and during this period, she mainly created selfportraits in black and white charcoal. In 2020, she presented her work at Art Fairs in Barcelona and Madrid, and participated in group exhibitions in Germany and France. Graessle's creation is intuitive and unplanned, which allows each of her pieces to take on a life of their own.

072

GEMMA HOLZER

(American, b. 1996)

Stuck in The Past

2022

Acrylic and oil on canvas

140 x 110 cm

Signed reverse Gemma Holzer, titled Stuck in The Past and dated 2022

EXHIBITED

One Art 2023, Hotel Metropolitan Premier Taipei, Taipei, January 13 - 15, 2023

NT$ 380,000 - 600,000

HK$ 99,000 - 156,000

US$ 12,600 - 19,900

RMB 86,000 - 136,000

吉瑪．霍爾澤

緬懷過去 2022 年

壓克力 油彩 畫布 140 x 110 cm

簽名題識畫背： Gemma Holzer Stuck in The Past 2022

展覽 「 One Art 2023 」， JR 東日本大飯店，台北，

展期 2023 年 1 月 13 日至 15 日

073

B.D. GRAFT (BRIAN DE GRAFT) (German, b. 1988)

Planted Thoughts

2021

Acrylic, oil pastel and charcoal on canvas

120 x 100 cm

Signed reverse B.D. Graft, titled Planted Thoughts, inscribed Amsterdam and dated 2021

NT$ 180,000 - 280,000

HK$ 47,000 - 73,000

US$ 6,000 - 9,300

RMB 41,000 - 64,000

布萊恩．德．格拉夫特

植物之思

2021 年

壓克力 油畫棒 炭筆 畫布 120 x 100 cm

簽名題識畫背： B.D. Graft

Planted Thoughts

Amsterdam 2021

B.D. Graft 於 2015 年畢業於阿姆斯特丹大學，獲 得英國文學與文化碩士學位。格拉夫特豐富多彩的 創作涵蓋繪畫、素描、陶瓷和拼貼畫，而他的題材 從風景到植物成蔭的室內裝飾和鬱鬱蔥蔥的花束。 他的作品曾與 Off-White 、凱歌香檳和 Rimowa 等 知名品牌合作。拍品《植物之思》為格拉夫特的一 系列同名作品之一，在畫布上他用童趣的筆法處理 反覆出現的植物、花瓶等元素。

B.D. Graft graduated from the university of Amsterdam, with a MA in English Literature and Culture in 2015. B.D Graft's colorful practice spans painting, drawing, ceramics, and collage, while his subject matter ranges from landscapes to plant-lined interiors and lush floral bouquets. He has worked together with brands such as Off-White, Veuve Clicquot and Rimowa. The work "Planted Thoughts" is one of BD Graft's series of works with the same title, in which he uses childlike brushstrokes to depict recurring elements such as plants and vases on the canvas.

074

RHYS BROWN (RHYS MARCUS BROWN) (British, b. 1993)

Just Another Day

2022

Ink and oil pastel on canvas

157.5 x 157.5 cm

Signed reverse Rhys Brown, titled Just Another Day and dated 2022

NT$ 380,000 - 600,000

HK$ 99,000 - 156,000

US$ 12,600 -19,900

RMB 86,000 - 136,000

萊斯．布朗

平凡的一天 2022 年

墨 油畫棒 畫布

157.5 x 157.5 cm

簽名題識畫背： Rhys Brown

Just Another Day 2022

萊斯．布朗 2014 年畢業於克羅伊登藝術學院。 在大學期間，布朗將他的創作從插畫和絲網版 畫轉為一種日本的傳統「魚拓」技法。布朗身 為玩具文化的愛好者，使用絨毛玩具作為創作 題材。他的作品以一種獨特的方式製作，從絨 毛玩具的身體動作到特定區域的墨水量，每幅 作品都是獨一無二的。藝術家曾於台北、倫敦、 巴黎等地有展出。

Rhys Brown graduated from Croydon School of Art in 2014. During college and university, Brown turned his focus from illustration and screen printing to "Gyotaku" printing, a traditional Japanese process. Brown, a lifelong fan of toy culture, uses them as subjects. The nature of his works are produced in a way that makes every print unique from the body movement to the amount of ink applied in a specific area. His exhibitions include in Taipei, London, Paris.

075

LAKSAMANA RYO (RYOL)

(Indonesian, b. 1993) 1993 Boy

2021

Acrylic on canvas

100 x 100 cm

Signed lower right Ryol and dated 2021

EXHIBITED

AHAF TAIPEI 2022, Courtyard

by Marriott Taipei Downtown, Taipei, April 30 - May 1, 2022

NT$ 360,000 - 550,000

HK$ 94,000 - 143,000

US$ 11,900 - 18,200

RMB 82,000 - 125,000

拉薩馬納．利歐

1993 年的男孩

2021 年

壓克力 畫布

100 x 100 cm

簽名右下： Ryol 2021

展覽

「 AHAF 2022 藝術博覽會」， 國泰萬怡酒店，台北，

展期 2022 年 4 月 30 日至 5 月 1 日

拉薩馬納．利歐 1993 年出生於印度 尼西亞東爪哇，畢業於著名的印尼藝 術學院日惹分校。學生時期即開始職 業藝術家生涯。利歐筆下的畫作乍看 之下可愛且奇異夢幻，但他也藉由通 俗的動漫角色挑戰傳統父權社會。

Laksamana Ryo born in 1993 in East Java, Indonesian, graduate of the prestigious Institut Seni Indonesia in Yogyakarta. His career began much earlier while he was still a student. At a glance, Ryo's paintings are charmingly whimsical; pop surrealist artworks skillfully done in an illustrative style reminiscent of the world of anime.

076

ROBY DWI

ANTONO

(Indonesian, b. 1990)

Untitled 2020 Charcoal on paper 42 x 30 cm

Signed lower right Roby and dated 2020

NT$ 380,000 - 550,000

HK$ 99,000 - 143,000

US$ 12,600 - 18,200

RMB 86,000 - 125,000

羅比．安托諾

無題 2020 年 炭筆 紙本 42 x 30 cm

簽名右下： Roby 2020

1990 年出生的印尼當代藝術家：羅比． 安托諾，其藝術如同印尼當代社會，交 揉外來文化的歷史背景，其畫風受美國 低眉藝術影響，藝術家也自承對馬克． 萊登與瑪麗恩．佩克的仰慕，「普普超 現實」風格已成為安托諾的同義詞。

Roby Dwi Antono, an Indonesian contemporary artist born in 1990, Antono's art mirrors contemporary society in Indonesia, featuring a historical background of diverse foreign cultures, his style was considered to have been influenced by American lowbrow art with his admiration for Mark Ryden and Marion Peck. Antono has since become synonymous with the "popsurrealism" style.

SUANJAYA KENCUT (I PUTU ADI SUANJAYA)

(Indonesian, b. 1994)

Skate Boys - The Winner

2021

Acrylic on canvas

100 x 80 cm

Signed lower right side Suanjaya Kencut and dated 21

Signed reverse Suanjaya Kencut, titled Skate Boys - The Winner, inscribed 100x80cm, Yogyakarta and dated 2021

NT$ 480,000 - 700,000

HK$ 125,000 - 182,000

US$ 15,900 - 23,200

RMB 109,000 - 159,000

桑賈亞．肯卡特 滑板男孩－優勝者

2021 年

壓克力 畫布 100 x 80 cm

簽名右下側邊： Suanjaya Kencut 21

簽名題識畫背： Suanjaya Kencut Skate Boys - The Winner 100x80cm Yogyakarta 2021

伊普圖．阿迪．桑賈亞，又名肯卡特， 1994 年出生於印尼峇里 省，於 2012 年印尼日惹藝術學院（ ISI Yogyakarta ）獲得美術

學士學位後於日惹生活和創作。肯卡特從他長大的傳統峇里島 藝術和現代藝術裝置中汲取靈感。玩偶是肯卡特作品中的主要 題材，透過擬人化，藝術家讓他們富有情感、努力生活，宛如 現實生活中栩栩如生。肯卡特的個展曾在印尼三寶壟、峇里島、 雅加達等城市中展出。也曾參與日惹、雅加達、韓國、吉隆坡 等地的多場聯展。

肯卡特以鈕扣眼娃娃為創作標誌，這些鈕扣眼娃娃被描繪成具 有人類行為的人形。儘管這些人形的行為顯而易見，但它們的 動機卻深深地隱藏在它們沒有情感的鈕扣眼中，等待著觀眾的 解讀。藝術家也希望人們能通過他的藝術作品反思自己。

I Putu Adi Suanjaya, also known as Kencut, born in 1994 in Bali, Indonesia. Lives and works in Yogyakarta, Indonesia. He received his Bachelor's degree in Fine Arts from the Indonesia Institut of Art Yogyakarta, Indonesia (2012). Kencut derived his inspiration from the traditional Balinese art and modern art installations he grew up surrounded by. The dolls are the main subjects in Kencut's work. He aims to bring them to life by placing them in real-life situations. The dolls seem to live through human emotions, struggles and life joys. Kencut's work has been featured in solo exhibitions, such as Semarang, Bali, Jakarta Selatan. also been featured in several group exhibitions in Yogyakarta, Jakarta, South Korea, Kuala Lumpur among others.

Kencut is known for his button-eyed figures, a humanoid shaped doll. It is portrayed that button-eyed figures have human-like behaviors. Although the action of these figures can be seen clearly, their motives are deeply hidden in their emotion-less button eyes, waiting to be interpreted by its spectators. Kencut hopes people can reflect on themselves through his artworks.

078

GAMMANZI

(Korean, b. 1995)

How Do I Look Today?

2022

Mixed media on canvas

117 x 91 cm

Signed center Gammanzi

Signed reverse Gammanzi in Korean and English, titled How do I look today?, inscribed 117x91cm, Mixed media on canvas and dated 2022

EXHIBITED

AHAF TAIPEI 2022, Courtyard by Marriott Taipei Downtown, Taipei, April 30 - May 1, 2022

NT$ 150,000 - 220,000

HK$ 39,000 - 57,000

US$ 5,000 - 7,300

RMB 34,000 - 50,000

甘曼茲 今天我看起來怎麼樣？

2022 年

複合媒材 畫布

117 x 91 cm

簽名畫中： Gammanzi

簽名題識畫背： Gammanzi

감만지 How do I look today? 117x91cm Mixed media on canvas 2022

展覽 「 AHAF 2022 藝術博覽

甘曼茲畢業於中溪藝術大學版畫系， 目前正在弘益大學版畫專業攻讀博士 學位。她的首個個展在首爾展出後， 陸續曝光作品於多場個展和聯展。藝 術家捕捉了各種生活中的片刻，豐富 多彩的想法和事件從作品中萌芽。

Gammamzi graduated from Chugye University of the Arts Department of Printmaking and is currently pursuing a Ph.D. in Printmaking at Hongik University. Her first solo exhibition was presented at Seoul, she has been showing new artworks through her participation in several solo and group exhibitions since. Gammanzi's work captures a moment in life where all kinds of ways of living from which colorful ideas and events sprout.

079

HEE

RIN YANG

(Korean, b. 1975)

Dream Wanderer -

Where is My Home No.13

2022

Acrylic on canvas

100 x 80 cm

Signed lower right Hee Rin and dated 2022

Initialed left side H.R, titled Dream Wanderer - Where is My Home No.13 in Korean and dated 2022

EXHIBITED

Dream Wanderer - Where is My Home, Alloro Gallery, Seoul, June 24 - July 3, 2022

NT$ 240,000 - 360,000

HK$ 62,000 - 94,000

US$ 8,000 - 11,900

RMB 55,000 - 82,000

梁憙潾

夢想旅行者─何處是我家 No.13

2022 年

壓克力 畫布

100 x 80 cm

簽名右下： Hee Rin 2022

簽名左側邊： H.R 꿈꾸는방랑자

우리집은어디일까 No.13 2022

展覽

「夢想旅行者－何處是我家」， Alloro 畫廊，首爾，

展期 2022 年 6 月 24 日至 7 月 3 日

080

TAKERU AMANO

(Japanese, b. 1977)

Venus and Fawn

2022

Resin and fabric, ed.72/88

Produced by APPortfolio

53.8(L) x 44.2(W) x 50(H) cm

This lot is accompanied with a certificate of authenticity by APPortfolio, Hong Kong; with original wooden case.

NT$ 50,000 - 100,000

HK$ 13,000 - 26,000

US$ 1,700 - 3,300

RMB 11,000 - 23,000

天野タケル

維納斯與小鹿

2022 年

玻璃纖維與植絨 版次 72/88

發行單位 APPortfolio

53.8 （長） x 44.2 （寬） x 50 （高） cm

附 APPortfolio 開立之原作保證書及原裝木箱

081 FANNY BRODAR (FANNY NICOLE BRODAR) (Norwegian, b. 1971)

Mars Playground

2022

Acrylic, crayon on canvas 119 x 101.5 cm

Signed reverse Fanny Nicole Brodar, titled Mars Playground and dated 2022

PROVENANCE

Acquired directly from the artist

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

芬妮．布魯達 火星遊樂場

2022 年

壓克力 蠟筆 畫布 119 x 101.5 cm

簽名題識畫背： Fanny Nicole Brodar Mars Playground 2022

來源 直接購自藝術家本人

芬妮．布魯達擁有波士頓藝術學院的藝 術學士學位。她的個展橫跨了歐洲和亞 洲，作品為美國和海外的私人收藏。布 魯達明亮的色彩、孩子般的筆觸和塗鴉 式文字邀請觀者深入挖掘自己的懷舊情 懷，同時也質疑真實與虛構的意涵。

Fanny Brodar has a BFA from The Art Institute of Boston. Her solo exhibitions have spanned across Europe and Asia, and her works are held in private collections in the United States and abroad. Brodar used animated tapestry of memories from childhood, present day pop culture, and the future. Bright colors, child-like marks, and scribbled words invite the viewer to delve deeper into their own nostalgia while also questioning what is real and what is make believe.

082

KEA TSAI (TSAI MENGDA)

(Taiwanese, b. 1980)

Everything is Good

2022

Acrylic, spray and UV absorber on wood

100(L) x 163(W) x 4(D) cm

Signed reverse Kea Tsai and dated 2022

PROVENANCE

Whitestone Gallery, Taipei

EXHIBITED

KEA TSAI :Sticker Up!, Whitestone Gallery, Taipei, June 11 - July 30, 2022

This lot is accompanied with a certificate of authenticity issued by Whitestone Gallery, Hong Kong.

NT$ 550,000 - 750,000

HK$ 143,000 - 195,000

US$ 18,200 - 24,900

RMB 125,000 - 170,000

KEA TSAI （蔡孟達）

一切都好

2022 年

壓克力 噴漆 紫外線吸收劑 木板

100 （長） x 163 （寬） x 4 （厚） cm

簽名畫背： Kea Tsai 2022

來源

白石畫廊，台北

展覽

「 KEA TSAI: Sticker Up! 」，白石畫廊，台北，

展期 2022 年 6 月 11 日至 7 月 30 日

附香港白石畫廊開立原作保證書

083

POREN HUANG

(Taiwanese, b. 1970)

New World

2009

Bronze, baking paint, ed. 6/8

63(L) x 49(W) x 45(H) cm

Engraved back of right foot PR and numbered 8-6

EXHIBITED

Poren Huang: The Dog's Notes, Powen Gallery, Taipei, March 1 - 29, 2015

Poren Huang: New & Classics, Powen Gallery, Taipei, December 23, 2022 - February 18, 2023

ILLUSTRATED

The Dog's Notes: Poren Huang, Powen Gallery, Taipei, 2014, color illustrated, pp. 128-131

This lot is accompanied with a certificate of authenticity issued by Powen Gallery, Taipei and signed by the artist.

NT$ 750,000 - 1,100,000

HK$ 195,000 - 286,000

US$ 24,900 - 36,500

RMB 170,000 - 250,000

黃柏仁

新大陸

2009 年

銅 烤漆 版次 6/8

63( 長 ) x 49( 寬 ) x 45( 高 ) cm

簽名右腳後方： PR 8-6

展覽

「黃柏仁的狗札記」，紅野畫廊，

台北，展期 2015 年 3 月 1 日至 29 日

「黃柏仁 2023 年新作暨經典作品展」，

紅野畫廊，台北，展期 2022 年 12 月 23 日

至 2023 年 2 月 18 日

圖錄

《狗札記 / 黃柏仁》，紅野畫廊，台北，

2014 ，彩色圖版，頁 128-131

附紅野畫廊開立藝術家簽名原作保證書

084

LEE CHEN-DAO (Taiwanese, b. 1982) Cat Fight V

2013

Oil on canvas, classical frame

62 x 91.5 cm (image)

89.5(W) x 120(L) x 10.5(D) cm (with frame)

EXHIBITED

Symbiosis - Taiwan, Japan, Germany

Contemporary Art Exhibtion, Aki Gallery, Taipei, January 9 - February 23, 2013

This lot is accompanied with a certificate of authenticity issued by AKI Gallery, Taipei.

NT$ 140,000 - 220,000

HK$ 36,000 - 57,000

US$ 4,600 - 7,300

RMB 32,000 - 50,000

李承道

妖精打架 5

2013 年

油彩 畫布 仿古雕花框

62 x 91.5 cm （畫面）

89.5 （寬） x 120 （長） x 10.5 （厚） cm （含框）

展覽

「共生／台－日－德特展」，也趣畫廊，台北，

展期 2013 年 1 月 9 日至 2 月 23 日

附也趣藝廊開立之原作保證書

085 LO CHAN PENG

(Taiwanese, b, 1983)

Journal of Strawberry Generation 30

2009 Oil on canvas

72.5 x 91 cm

Signed reverse Lo Chan Peng in English and Chinese, titled Journal of Strawberry Generation 30 in Chinese, inscribed 30F and dated 2009

This lot is accompanied with a certificate of authenticity issued by AKI Gallery, Taipei and signed by the artist.

NT$ 140,000 - 220,000

HK$ 36,000 - 57,000

US$ 4,600 - 7,300

RMB 32,000 - 50,000

羅展鵬

草莓族青春日誌 30 2009 年

油彩 畫布

72.5 x 91 cm

簽名題識畫背：羅展鵬 Lo Chan Peng

草莓族青春日誌 30 30F 2009

附也趣藝廊開立藝術家簽名原作保證書

086

ANTONIO CUGNETTO

(Italian, b. 1983)

Water Gun

2013

Recycled plastic and foam rubber, unique 40(L) x 40(W) x 70(H) cm

EXHIBITED

Welcome, Gestalt Gallery, Pietrasanta, Italy, September 7 - 30, 2013

This lot is accompanied by a certificate of authenticity signed by the artist.

NT$ 180,000 - 280,000

HK$ 47,000 - 73,000

US$ 6,000 - 9,300

RMB 41,000 - 64,000

安東尼奧．庫涅托

水槍

2013 年

再生塑膠 泡棉 單一件

40 （長） x 40 （寬） x 70 （高） cm

展覽

「歡迎」，格式塔畫廊，彼得拉桑塔，義大利，

展期 2013 年 9 月 7 日至 30 日

附藝術家親筆簽名作品保證書

安東尼奧．庫涅托於 2007 年畢業於佛羅倫斯美術學院，主要研

究個人和批判性當代藝術。在他的創作生涯中，參加了義大利 各地的許多活動和比賽，並在各種藝術節、博覽會和獎項中嶄 露頭角。庫涅托的創作既俏皮又諷刺，一個小男人形象就像在 兒童卡通或動畫片中一樣，乍看似乎是孩子氣和無憂無慮的場 景的一部分，但再細看作品就會發現其怪誕的細節。

Antonio Cugnetto graduated in Contemporary Painting at the Academy of Fine Arts of Florence in 2007 and started

his personal and critical art studies. During his career, he has participated in many activities and competitions all over Italy, and has emerged in the art market in various art festivals, expositions, and awards. His creation is playful but ironic, a stylized little man, as in a children's cartoon or cartoon, seems at first glance to be part of a childish and carefree scene , yet a second glance at the work reveals the grotesque details of its violence.

087

LIU YE

(Chinese, b. 1964) Olympic

2008

Girl

Screenprint on paper, ed. 60/99

102 x 77 cm

Signed lower right Ye in Chinese, Liu and dated 08

Titled lower left O.G

Numbered lower center 60/99

NT$ 220,000 - 340,000

HK$ 57,000 - 88,000

US$ 7,300 - 11,300

RMB 50,000 - 77,000

劉野 奧林匹克女孩

2008 年

絲網版畫 版次 60/99

102 x 77 cm

簽名年代右下：野 Liu 08

題識左下： O.G.

版次中下： 60/99

088

DECKI LEOS FIRMANSAH

(Indonesian, b. 1983)

Mr Content Creator

2021

Acrylic on canvas

120 x 150 cm

Signed lower right Decki Leos Firmansah

Signed reverse Decki Leos Firmansah, titled Mr Content Creator and dated 2021

NT$ 100,000 - 160,000

HK$ 26,000 - 42,000

US$ 3,300 - 5,300

RMB 23,000 - 36,000

德奇．雷歐斯．費爾曼沙

網路創作者

2021 年

壓克力 畫布 120 x 150 cm

簽名右下： Decki Leos Firmansah 簽名題識畫背： Decki Leos Firmansah Mr Content Creator 2021

德奇．雷歐斯．費爾曼沙出生於印 尼日惹，並以日惹為創作和生活的 據點。畢業於印尼日惹藝術學院 （ ISI Yogyakarta ）。他是 2017 年 新加坡大華銀行年度繪畫獎的銀 獎得主，也是 2012 年印尼藝術獎 （ IAA ）的決賽入圍者。。

Decki "Leos" Firmansah was born in 1983 in Yogyakarta, Indonesia, and also lives and works in Yogyakarta. He graduated from the Institut Seni Indonesia (ISI), Yogyakarta. He was the Silver Award Winner for the 2017 UOB Painting of the Year Award in Singapore and a finalist for the Indonesian Art Award (IAA) in 2012.

089

AYAKO ROKKAKU

(Japanese, b. 1982)

Untitled

2021

Silkscreen in 67 colors printed on Corona Magnani paper, ed. 112/200

73 x 103 cm

Signed lower right Ayako Rokkaku in Japanese and dated 2021

Numbered lower left 112/200

PROVENANCE

Gallery Delaive, Amsterdam

NT$ 340,000 - 500,000

HK$ 88,000 - 130,000

US$ 11,300 - 16,600

RMB 77,000 - 114,000

六角彩子

無題 2021 年

67 色絲網印刷 版次 112/200

73 x 103 cm

鈐印右下： ロッカクアャコ 2021

版次左下： 112/200

來源

德萊夫畫廊，阿姆斯特丹

090

MATÍAS SÁNCHEZ

(German, b. 1972)

Gato

2019

Oil on linen

61 x 50 cm

Initialed lower right MS

Signed reverse Matías Sánchez, titled Gato, inscribed 61x50cm Sevilla and dated 2019

This lot is accompanied with a certificate of authenticity issued by Delimbo Gallery, Seville.

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

馬蒂亞斯．桑切斯

貓

2019 年

油彩 亞麻布

61 x 50 cm

簽名右下： MS

簽名題識畫背： Matías Sánchez Gato

61x50cm Sevilla 2019

附西班牙德林博畫廊開立原作保證書

091

MOE NAKAMURA

(Japanese, b. 1988)

Growth

2017

Pastel on paper

25 x 17 cm

Signed lower right Moe

Signed reverse Moe and dated 2017

PROVENANCE

Tsubaki Gallery, Tokyo

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

萌芽 2017 年

蠟筆 紙本

25 x 17 cm

簽名右下： Moe

簽名題識畫背： Moe 2017

來源

椿畫廊，東京

092

KOJIRO MATSUMOTO

(Japanese, b. 1976)

Fake Dragon

2020

Acrylic on canvas

45.5 × 61 cm

Signed overlap

Kojiro Matsumoto and dated 2020.11.18

EXHIBITED

Kojiro Matsumoto solo exhibition

PH-VLKR, Wrong Gallery, Beijing, March 6 - April 5, 2021

NT$ 90,000 - 150,000

HK$ 23,000 - 39,000

US$ 3,000 - 5,000

RMB 20,000 - 34,000

松本弘二郎

假龍

2020 年

壓克力 畫布

45.5 × 61 cm

簽名畫布折入處： Kojiro Matsumoto 2020.11.18

展覽

「松本弘二郎個展 PH-VLKR 」， 靠邊走藝術空間，北京，

松本弘二郎獲得多摩美術大學碩士學位後，加入村 上隆 Kaikaikiki 畫廊。 2012 年策劃「滲透」展覽， 推動以漫畫藝術為基礎的新風格。松本弘二郎的作 品，主題經常用大眾流行文化的可愛女孩形象，並 採用了 17 至 19 世紀日本繪畫和浮世繪傳統風格 和技巧，結合歷史，重塑了日本當代藝術的概念， 成為其獨一無二的特色。

After obtaining a master's degree in Tama Art University, Matsumoto joined Kaikai Kiki Gallery. In 2012, he curated the "Transeffusion" exhibition, which promoted a new style of Japanese contemporary art based on manga art. The theme of Kojiro Matsumoto's works often focus on cute girls in popular culture and apply traditional style and technique of the 17th to 19th century Japanese painting and ukiyo-e, combined with history, therefore has successfully reshaped the concept of Japanese contemporary art and become his distinctive feature.

093

YOKOTEEN

(Japanese, b. 1972)

Untitled

2020 Oil on canvas

53 x 45.5 cm

Signed reverse Yokoteen

EXHIBITED

Self Delivery, Gallery Func, Shanghai, October 9 - 31, 2021

NT$ 80,000 - 120,000

HK$ 21,000 - 31,000

US$ 2,700 - 4,000

RMB 18,000 - 27,000

Yokoteen

畫布

53 x 45.5 cm

簽名畫背： Yokoteen

展覽

「交付自我」， Func 畫廊，上海，

展期 2021 年 10 月 9 日至 31 日

Yokoteen 的標誌性人物經常被描繪成在衝 浪，周圍充滿透明海水的夏威夷風景。藝 術家利用水的元素來團結我們所有人，通 過它所具有的心理力量來彰顯它的古老存 在。水、生命、誕生和重生之間的聯繫都有 助於形成一種精神象徵。藝術家曾於東京、 台北、上海等地舉行個展。

Yokoteen's signature character is often depicted surfing, surrounded by Hawaiian landscapes filled with aquamarine shades of fresh transparent water. The Artist uses the water element to unite us all, making its ancient presence known via its psychological power that comes with it. The connection between water, life, birth and rebirth all contribute to a spiritual symbology. Yokoteen has held solo exhibitions in Tokyo, Taipei, Shanghai, and other places.

094 SATOSHI SAITOH

(Japanese, b. 1982)

Reside in the Idol

2019

Painted camphora wood, ash, glue

20(L) x 20(W) x 45(H) cm

Signed backside

This lot is accompanied with a certificate of authenticity issued by s+arts, Tokyo and signed by the artist.

NT$ 80,000 - 120,000

HK$ 21,000 - 31,000

US$ 2,700 - 4,000

RMB 18,000 - 27,000

齊藤智史 存在於偶像

2019 年

彩繪樟木 灰 膠

20 （長） x 20 （寬） x 45 （高） cm

簽名背面

附東京 s+arts 畫廊開立藝術家簽名原作保證書

095

MAYUKA YAMAMOTO

(Japanese, b. 1964)

Little Prince Boy

2021 Screenprint, ed.37/50

56 x 41 cm

PROVENANCE

Corey Helford Gallery, Los Angeles

This lot is accompanied with a certificate of authenticity issued by Corey Helford Gallery, Los Angeles and signed by the artist.

NT$ 60,000 - 120,000

HK$ 16,000 - 31,000

US$ 2,000 - 4,000

RMB 14,000 - 27,000

山本麻友香

小王子

2021 年

版畫 版次 37/50

56 x 41 cm

來源

科里．赫爾福德畫廊，洛杉磯

附科里．赫爾福德畫廊畫廊開立藝術家簽名原作保證書

096

YAYOI KUSAMA

(Japanese, b. 1929)

Endless Narcissus; Narcissus Garden

2001; 1966-2001

Stell ball, edition of 2000

Plastic ball, edition of 1500

Ø 16 cm (each)

Signed Yayoi Kusama and dated 2001 (Plastic ball)

Engraved Yayoi Kusama and dated 2001 (Steel ball)

EXHIBITED

Yayoi Kusama-Endless Narcissus, International Triennale of Contemporary Art, Yokohama, Japan, 2001

Yayoi Kusama-Narcissus Garden, les Abattoirs, Toulouse, France, 2001

With original exhibition bag and label

NT$ 80,000 - 120,000

HK$ 21,000 - 31,000

US$ 2,700 - 4,000

RMB 18,000 - 27,000

草間彌生 永無止盡的自戀；自戀庭園

2001 年； 1966-2001 年

不鏽鋼鏡面球 限量 2000 件

電鍍塑膠球 限量 1500 件

直徑 16 cm （每件）

簽名： Yayoi Kusama 2001 （電鍍塑膠球）

簽名雕刻： Yayoi Kusama 2001 （不鏽鋼鏡面球）

展覽

「草間彌生：永無止盡的自戀」，

橫濱三年展，日本， 2001

「草間彌生：自戀庭園 1966-2001 」，

土魯斯角鬥場博物館，法國， 2001

附原展覽手提袋與標籤

097

YOSHITOSHI KANEMAKI

(Japanese, b. 1972)

Caprice Figurative 01 (a set of 2)

2020 Resin, ed.55/120

18(L) x 16.5(W) x 33 (H) cm (each)

PROVENANCE

Elsa Gallery, Taipei

This lot is accompanied by a certificate of authenticity card signed by the artist.

NT$ 150,000 - 220,000

HK$ 39,000 - 57,000

US$ 5,000 - 7,300

RMB 34,000 - 50,000

金卷芳俊

人物隨想 01 （兩件一組）

2020 年

樹脂 版次 55/120

18 （長） x 16.5 （寬） x 33 （高） cm （每件）

來源

雲清藝術，台北

附藝術家親筆簽名作品保證卡

098

XU MAOMAO (Chinese, b. 1979) No-Cry Separation

2006

Acrylic on canvas

197 x 149.5 cm

Signed lower right MIMU MM and titled No Cry Separation in Chinese

PROVENANCE

Acquired from the artist's studio

NT$ 140,000 - 220,000

HK$ 36,000 - 57,000

US$ 4,600 - 7,300

RMB 32,000 - 50,000

徐毛毛 分離沒有人哭泣

2006 年

壓克力 畫布

197 x 149.5 cm

MIMU

MM

徐毛毛生於 1979 年，畢業於西安美術學 院，深受日本漫畫影響，作品風格介於卡 通與現實之間，表達的主題多是生活方 式、情感訴求及文化背景的現實意義。

Xiu Maomao was born in 1979 and graduated from Xian Academy of Fine Arts, Xu Maomao has been greatly affected by Japan cartoons and even now, in respect of cartoon style is ranged between cartoon and reality, depicting the theme with practical significance mainly concerning about lifestyles, emotional demands and cultural background.

099

COWBOY

(Based in London)

2022

Acrylic on canvas

100 x 100 cm

Initialed lower left CC20

PROVENANCE

Acquired directly from the artist's studio

NT$ 160,000 - 240,000

HK$ 42,000 - 62,000

US$ 5,300 - 8,000

RMB 36,000 - 55,000

宇宙牛仔

壓克力 畫布 100 x 100 cm 簽名左下： CC20 來源

宇宙牛仔工作室 (CC20) 是由克麗絲和史黛芙組成的藝 術家二人組，她們出生於荷蘭和比利時，目前居住於倫 敦。 CC20 的作品以簡潔粗線、醒目色彩及個性鮮明的 人物，引人進入打破常規、耳目一新的新奇宇宙！延伸 後普普藝術的叛逆精神和商業語言，無論是在嘲諷還是 挑戰當下的社會制度，都透過筆下人物，準確地切中了 現代人的審美和精神境界。

Cosmic Cowboy Studio (CC20) is an artist duo made up of Chrissie and Stevie, born in the Netherlands and in Belgium and currently living in London. CC20's work uses simple thick lines, eye-catching colors, and characters with distinct personalities, inviting you to enter a novel universe that breaks the rules and shakes your world! Extending the rebellious spirit and commercial language of Post Pop Art, whether mocking or challenging the current social system, they accurately hit the spot of aesthetic and spiritual state of modern people, through these characters on canvas and screen.

100 KENZ (Thai, b. 1995)

Power House

2021

Acrylic on canvas

80 x 80 cm

Signed reverse Kenz, titled Power House and dated 2021

This lot is accompanied with a certificate of authenticity issued by Suomei M50 Gallery, Shanghai.

NT$ 120,000 - 180,000

HK$ 31,000 - 47,000

US$ 4,000 - 6,000

RMB 27,000 - 41,000

Kenz 快樂滿屋

2021 年

壓克力 畫布

80 x 80 cm

簽名題識畫背： Kenz Power House 2021

附上海索美 M50 畫廊開立原作保證書

101

KENZ

(Thai, b. 1995)

Sweet Heart

2022

Acrylic on canvas

80 x 80 cm

Signed reverse Kenz, titled Sweet Heart and dated 2022

EXHIBITED

Kawaii Art Exhibition, Huashan 1914 Creative Park, Taipei, December 10 - 19, 2021

NT$ 150,000 - 220,000

HK$ 39,000 - 57,000

US$ 5,000 - 7,300

RMB 34,000 - 50,000

Kenz

甜心 2022 年

壓克力 畫布

80 x 80 cm

簽名題識畫背： Kenz Sweet Heart 2022

展覽

「 Kawaii Art 藝術展」，華山文創園區，台北，

展期 2021 年 12 月 10 日至 19 日

102 HOU CHUN-MING

(Taiwanese, b. 1963)

Hsing-Tien (a set of 2)

1992

Woodcut print, ed. A.P.

31.5 x 22 cm; 32.5 x 23 cm (image)

48 x 37 cm; 39 x 27 cm (sheet)

Signed lower center Lioujiao Hou, inscribed A.P., Taipei and dated 1992 in Chinese

With one seal of the artist

NT$ 20,000 - 50,000

HK$ 5,000 - 13,000

US$ 700 - 1,700

RMB 5,000 - 11,000

侯俊明 刑天傳（兩件一組）

1992 年

木刻版畫 版次 A.P.

31.5 x 22 cm ； 32.5 x 23 cm （圖）

48 x 37 cm ； 39 x 27 cm （紙）

簽名下方：六腳侯氏 A.P. 台北 歲次壬申年霜降 1992 鈐印右方（肖形印）

NT$ 120,000 -180,000

HK$ 31,000 - 47,000

US$ 4,000 - 6,000

RMB 27,000 - 41,000

104

KAWS X BE.BIKE Limited Edition BMX Bicycle

2005

Carbon fiber (frame); rubber (tire)

Frame of BMX, Limited edition of 100

168(L) x 50(W) x 95(H) cm

EXHIBITED

Be.Bike Shift Exhibition, Cafe Reissue, Tokyo, February 11 - 13, 2005 (another piece)

NT$ 100,000 - 180,000

HK$ 26,000 - 47,000

US$ 3,300 - 6,000

RMB 23,000 - 41,000

KAWS X Be.Bike

限量 BMX 單車

2005 年

碳纖維（車架）；橡膠（輪胎）

BMX 車架 限量 100 件

168 cm （長） x 50 （寬） x 95 （高） cm

展覽

Be.Bike 主題展， Cafe Reissue ，東京，

展期 2005 年 2 月 11 日至 13 日（另一版次）

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給予買家的重要通知

IMPORTANT NOTICE TO BUYERS

The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations:

1. Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a bidding deposit are required.

2. Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.

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Beneficiary's Bank: HSBC BANK (Taiwan) Limited.

SWIFT Code: HSBCTWTP

Beneficiary's Name: Ravenel Ltd.

Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$)

Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.

4. After the 31 May 2023, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 1st June to 3rd June 2022). Acceptance will cease on 3rd June by 12pm (No other forms of payment will be accepted).

5. Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified Bank account before the 31 May 2023.

6. If the bidding deposit has been transferred prior to 31 May 2023, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her/its paddle number.

7. If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.

8. Return of the Security Deposit:

(1) Completed Transaction:

(a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer.

(b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund.

(c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit.

(2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.

9. Successful bidder must settle the payment (hammer price, buyer's premium, and other expenses) prior to receiving the lot(s) on site. If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means:

(1) A cash payment must not exceed NT$ 1,000,000.

(2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.

10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.

委託競投表格

委託競投表格須於拍賣24小時前送抵國際藝術部。競投表格可回傳至

投標者資料

護照號碼/身份證字號/統一編號

電話號碼（住宅） （手機）

拍賣期間之聯絡電話 (僅限電話競投)

:

拍 賣 名 稱：羅芙奧台北 2023 春季拍賣會 薈萃國際：現代與當代藝術

拍 賣 編 號：TA2301

拍 賣 日 期：2023 年 6 月 3 日 ( 星期六 ) 下午 4:00

拍 賣 地 點：台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路 199 號

拍賣品編號 名 稱 競投價 (新台幣) / (服務費不計在內)

※投標規則：

1. 茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。

2. 本人知悉書面及電話競標乃羅芙奧為基於投標者之便利而提供代為投標之服務而不成立任何委託投標之契約，羅芙奧不因執行投標而負任何 責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以最先收到者優先辦理。

3. 本人同意如投標成功，本人應付之購買價款為最後落槌價加上服務費，服務費依業務規則第二條第4 項之規定計算。(4a.買家支付每件拍品之 服務費率：（1）買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下者含參仟貳佰萬元以20％計算；（2） 落槌價於新台幣參仟貳佰萬元以上者分為二級，其中新台幣參仟貳佰萬元以20％計算，超過新台幣參仟貳佰萬元之部份以12％計算。)

4. 本競投，本人同意並遵守本目錄所載所有業務規則。(包含但不限於羅芙奧不負瑕疵擔保責任及保證責任等規定)

5. 如投標者未曾於羅芙奧競投拍賣品，請附上投標者資料之副本及銀行證明資料。

6. 本人同意買家須知、投標者登記表格、委任競投表格及業務規則等附屬文件均視為本契約之一部分。

7. 羅芙奧基於上述原因而需蒐集、處理或非營利目的之利用投標者個人資料， 該資料將在前開蒐集目的之存續期間及依法令規定要求之期間內被處理或利用。

簽署 ： 日期：

羅芙奧在取得投標者之個人 / 公司資料及簽名後方才接受競標

簽名即代表確認以上登記 / 競投，詳閱並同意接受羅芙奧載於圖錄及網站內之業務規則

羅芙奧股份有限公司 106485 台北市敦化南路二段 76 號 18 樓 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel : +886 2 2708 9868 | Fax : +886 2 2701 3306 ravenel.com | ravenelart.com.cn

ABSENTEE BID FORM

The absentee bid forms must be delivered to the International Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: International Art Department

Tel: +886 2 2708 9868 ext. 883｜Fax: +886 2 2701 3306

Bidder's Details

Auction SPRING AUCTION 2023 TAIPEI

SELECT: Modern & Contemporary Art

Date Saturday, June 3, 2023, 4:00 pm

Sale No. TA2301

Location Marriott Taipei 3F (Grand Space)

Address No. 199 Lequn 2nd Road, Zhong Shan District, Taipei

Auction Lot Number Title Bid Price (NT$) (Not

※Bidding rules：

1. It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder

2. I understand and agree that Ravenel provides such bid services for the convenience of customers and no contract or agreement shall be constituted. Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received.

3. I understand and agree that if my bid is successful, I shall pay the final hammer price together with the buyer's premium. For detail please refer to Article 2,section 4 of the Transaction Agreement to the buyer. (4a. The service fee of each lot payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the buyer's premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the buyer's premium should be calculated at 20% of the hammer price; (2) For hammer price higher than NT$ 32,000,000, the first NT$ 32,000,000 should be calculated at 20% and the rest of the amount should be 12%.)

4. The bid shall be subject to the Transaction Agreement prescribed in the catalogue.(including but not limited to Ravenel's non-defect warranty and non-guaranteed liability).

5. If the bidder has not bid for the auction item at Ravenel, please attach a copy of the bidder's information. (Individual: ID card or passport with photo issued by the government)

6. I agree that the Notice To Bidders, Bidder Registration, Absentee Bid Form and Transaction Agreement and other attached documents are regarded as part of this agreement.

7. Ravenel will collect, process and use the personal data provided by the client for auction-related matters and other non-profit purposes.

Signature： Date：

We accepts the bid only after obtaining the personal/company information and signature to execute this bid.

By signing this form, you confirm your registration/bid(s) as above and you agree that you have read and understood our Transaction Agreement as stated in our catalogues and on our website.

業務規則

下述規則，為羅芙奧股份有限公司 ( 下稱「本公司」 ) 與賣家訂立合約，亦

作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀 各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5 項，其對本公司之法律責任作了限定。

一、本業務規則所用詞彙之定義

在下列規定中，某些常用詞彙需加以解釋。此等詞彙定義如下：

1. 「買家」：指本公司所接受之出價最高之自然人或法人。

2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。

3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣 之自然人或法人。

4. 「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以 任何編號描述之一項或多項物品。

5. 「落槌價」：指本公司就某一拍賣品而接受之最高出價之價款。

6. 「買家服務費」：指買家按落槌價之某一百分比而支付本公司之費用； 收費率如第二條第4a項所列。

7. 「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之 價格售出。

8. 「膺品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺 詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺 騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品 在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義， 任何拍賣品均不會因為有任何損壞及／或任何形式之修整（包括重新上 漆）而成為膺品。

9. 「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險 之價值（不論保險是否由本公司安排購買）。

10. 「賣家服務費」：指賣家應支付本公司之費用。

二、買家

1. 本公司作為賣家代理人

本公司作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中 成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。

2. 拍賣前

a. 鑑定物品

本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之 物品。本公司就任何拍賣品及相關證明文件之真偽，均不對買家作任 何保證。

b. 拍賣品狀況之重要注意事項 請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述， 皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疪與不完整。對任何 拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍 賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或 損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議， 準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢 閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述 或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知 悉並瞭解所有拍賣品均以「現狀」售出，本公司對於任何拍出之拍賣 品狀態不作任何承諾或保證。

c. 符號表示

以下為本目錄所載符號之說明

ｏ保證項目

拍賣品編號旁註有ｏ符號者，表示賣家已取得本公司保證，可在一次 或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由 本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之 形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可 能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或 參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家 服務費。

d. 目錄說明 本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、 日期、年代、尺寸、材質、歸屬、真實性、出處、保存狀況或估計 售價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬意見之陳 述，不應依據為確實事實之陳述。目錄圖示亦僅作為指引而已，不應 作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。

拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作其 他用途之價值陳述。 許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有 些說明或鑑定意見書會提述拍賣品之損壞及／或修整資料。此等資 料僅作為指引而已，如未有提述此等資料，亦不表示拍賣品並無缺 陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。

e. 買家之責任 有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查 明並瞭解，並就拍賣品為自己獨立之判斷及評估，並確使自己感到 滿意。

3. 拍賣時

a. 估價 目錄內及拍賣當日所提供之美金等貨幣估價，僅為參考依據。本拍 賣會須以新台幣結算，買家如須以新台幣之外其他貨幣繳付，須依 拍賣日現場公佈之匯率，折合所繳付之等值貨幣計算。

b. 拒絕入場 拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地 進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣 場地或參與拍賣。

c. 競投之前作出登記 每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身 分證明。準買家應注意，本公司通常會要求對買家作出信用核查。

d. 競投保證金

競投者，應在領取競投號牌前繳納競投保證金，競投保證金的金額 由本公司在拍賣日前公佈。

(1) 若競投者未支付競投保證金，本公司有權不接受其競投。若競 投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證 金。

(2) 若競投者成為買家，則本公司有權將此保證金自動轉化為已成 交拍賣品購買款項之一部（包含落槌價、服務費或運費等相關 費用），若尚有餘款須退回給買家；若買家無正當理由未於 成功拍賣日期後七天內支付全部應支付之成交拍賣品購買款項 （包含落槌價、服務費或運費等相關費用）予本公司，買家不 得請求返還競投保證金。

e. 競投者為買家 競投者將被視為買家而須承擔個人法律責任，除非登記時已經與本 公司書面協定，競投者僅為第三人之代理人，且該第三人復為本公 司所接受者。

f. 委託競投 如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公 司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公 司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而 在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其 委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承 諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項 承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託 作出競投，本公司將不負任何法律責任。準買家如希望確保競投成 功，應親自出席競投。

g. 電話競投 如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競 投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無 法參加電話競投，本公司對賣家或任何準買家均不負任何責任。

h. 透過 Invaluable 進行網上競投 若準買家未能出席拍賣會，或可透過Invaluable網上競投服務於網上 競投屬意拍品，而承擔買家獨立責任。此項服務乃免費及保密。有 關透過 Invaluable 網上競投服務登記，進行網上競投之詳情，請參閱 本公司網頁 ravenel.com。使用Invaluable網上競投服務之準買家須接 受透過Invaluable網上競投服務進行即時網上競投之附加條款（可參 閱網站），以及適用於該拍賣之業務規則所規範，本公司得隨時修 改該業務規則。

i. 匯率轉換顯示板 拍賣會中，本公司會使用匯率轉換顯示板。匯率轉換顯示板僅供參 考，不論是顯示板所示之拍賣品編號或是新台幣競投價之相等外 匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依 賴匯率轉換顯示板（而非因以新台幣競投）所導致而蒙受之任何損 失，本公司概不負責。

j. 錄映影像

在有些拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是 否與成功拍賣之拍賣品相配合，或是翻版影像之質素，本公司對買 家均不負任何責任。

k. 拍賣官之決定權

拍賣官具有絕對決定權，有權拒絕任何競投、以其決定之方式推動

出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併， 以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始 前或於相關拍賣品競標前對注意事項作出通告，準買家須負責自行 注意所有於拍賣會場發表之通告。建議使用即時網上競投服務參與 競投的準買家，於拍賣開始前登入，以確保準買家得知拍賣開始前 所作出之通告。

l. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受， 亦即為賣家與買家合意依落槌價拍定拍賣品，視為成功拍賣合約之 訂立。

4. 成功拍賣後

a. 買家支付每件拍賣品之服務費費率

(1) 買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台 幣參仟貳佰萬元以下者含參仟貳佰萬元以落槌價之20％計算。

(2) 落槌價於新台幣參仟貳佰萬元以上者，採分為二階段計費，其中 新台幣參仟貳佰萬元以落槌價之 20 ％計算，超過新台幣參仟貳 佰萬元之部份再以落槌價之12％，加總計算服務費金額。

b. 稅項

買家應付予本公司之款項，如須另行支付貨物、服務稅或其他稅則 時（不論由台灣政府或別處所徵收）。買家須負責按有關法律所規 定之稅率及時間，自行繳付稅款。

c. 付款 成功拍賣後，買家須向本公司提供其真實姓名及永久地址。如經本 公司要求，買家亦須提供付款銀行之詳情，包含但不限於付款帳 號。買家應於拍賣日期後七天內悉數支付應支付予本公司之款項 （包含落槌價、服務費或運費等相關費用）。即使買家希望將拍賣 品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。

買家如未向本公司支付所欠之全部款項，則不能取得拍賣品之所有 權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之

款項為新台幣以外之貨幣，須依拍賣日現場公佈之匯率（台灣銀 行），並以本公司就此兌換率而發出之憑證為準。

d. 領取已購拍賣品

除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣 之拍賣項目，直至欠本公司之款項已悉數支付為止。已購拍賣品在 暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險， 如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領 取時起（以較早者為準），已購拍賣品之風險全由買家承擔。

e. 介紹裝運及運輸公司

本公司之貨運部門在買家要求下，可為買家介紹運輸公司、安排付 運及購買特定保險，但本公司在此方面不負任何法律責任。買家必 須預先繳付運輸費用。

f. 不付款或未有領取已購拍賣品之補救辦法

如買家並未在成功拍賣日後起算七天內付款，本公司即有權行使下

述一項或多項權利或補救辦法：

(1) 在成功拍賣日後起算超過七天仍未付款，則按不超過台灣銀行基 本放款利率加收10%之年利率收取整筆欠款之利息。此外本公司 可同時按日收取依成交價（含落槌價、服務費） 1 ％計算之懲罰 性違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷 本公司或其他關係企業在任何其他交易中欠下買家之款項，買 家絕無異議。

(2) 對任何屬於買家所有而因任何目的(包含但不限於其他交易)而由 本公司管有之已購拍賣品行使留置權，並在給予買家有關其未 付之欠繳之十四天通知後，安排將該物品出售並將收益用以清 償該未付之欠款。

(3) 如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項 用以清償已購拍賣品就任何特定交易而欠下之任何款項，而不 論買家是否指示用以清償該筆款項。

(4) 在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投， 或在接受其任何競投之前先收取買家一筆競投保證金。如買家 未有在三十五天內付款，本公司除上述辦法外，另有權為下述

一項或多項權利或補救辦法：

(a) 代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉 數賠償為基準之法律程序訴訟費。

(b) 取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售 予買家之拍賣品交易。

(c) 安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連 同因買家未有付款而引致之任何費用一併向買家索償。

g. 未有領取已購拍賣品

如已購得之拍賣品未有在成功拍賣日後起算七天內領取，則不論是 否已付款，本公司將安排貯存事宜，費用由買家承擔。而買家在付 清所引起之貯存、搬運、運輸、保險及任何其他費用，連同欠本公 司之所有其他款項後，方可領取已購拍賣品項目。

h. 出口許可證

除本公司另有書面同意外，買家希望申請出口許可證，並不影響買 家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲 付款收取利息之權利。

如買家要求本公司代為申請出口許可證，本公司有權向其收取與此 項申請有關之款項及零碎開支連同任何有關之稅則。

如買家不需要出口許可證而作出付款，本公司並無責任退還買家因 此而引致之任何利息或其他開支。

5. 本公司之法律責任 本公司僅在第二條第 6 項所列之情況下，得退還款項予買家。除此之 外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之 作者、來歷、日期、年代、歸屬、真實性或出處之陳述，或任何其他說 明之誤差，任何拍賣品之任何瑕疵或缺陷，均不負有任何責任。賣家、 本公司、本公司之僱員或代理人，不論是明示或暗示均無就任何拍賣品 作出任何保證。任何種類之任何擔保，均不包含在本條之內。

6. 膺品/贓物之退款 本公司之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實 為膺品、贓物或涉及不法情事者，則交易將取消，已付之款項於交付賣 家前將退還予買家。但如：

a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納 之意見，或清楚表明有牴觸當時學者或專家普遍接納之意見。

b. 或證明拍賣品為膺品或贓物之方法，只是一種在目錄出版前仍未普遍 獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並 不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並 無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退 款：

(1) 買家必須在拍賣日起十日內以書面通知本公司，說明買家認為有 關拍賣品乃膺品或贓物之詳細理由及證據。

(2) 且買家需於書面通知後十四天內將拍賣品送還本公司，而其狀況 應維持與拍賣當日相同，不得有任何損壞。

(3) 送還拍賣品後，買家須盡快出示證據，足以使本公司確信拍賣品 乃膺品或贓物(本公司保有最終及不可異議之決定權)，買家並可 將拍賣品之完整所有權及相關權利轉讓予本公司，而與任何第 三人之索償無涉。在任何情況下，本公司均毋須向買家支付多 於買家就有關拍賣品而支付之款項，而買家亦不能索取利息。 本擔保之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本 發票之買家所有 (該買家名稱被記載於發票上 )，該名買家並須自拍賣後 一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何 第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品 或贓物，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證 拍賣品是否屬於贗品或贓物結果與買家出示證據相衝突者，應以本公司 驗證結果為準。

賣方業務規則請參閱羅芙奧網站

http://ravenel.com

http://ravenelart.com.cn

TRANSACTION AGREEMENT

The following provisions are entered into by and between Ravenel Ltd., as the auctioneer, (hereinafter referred to as the "Company"),and the Seller (hereinafter referred to as the "Seller"). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer").

The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5 which provides limitations as to the legal responsibilities of the Company.

ARTICLE 1.DEFINITION

Some of the phrases commonly seen herein are defined as follows:

1. "The Buyer" shall mean highest bidder accepted by the Company.

2. "The Prospective Buyer" shall mean any potential bidder willing to attend the auction sale hosted by the Company.

3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company.

4. "The Lot" shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue.

5. "Hammer price" shall mean the highest bid with respect to one particular Lot accepted by the auctioning party.

6. The " Buyer's Premium" shall mean the fee based on a certain percentage of the Hammer price paid to the Company by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a.

7. "The Reserve Price" shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price.

8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints).

9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company).

10. The "Seller Service Fee" shall mean the fee is paid to the Company by the Seller.

ARTICLE 2.THE BUYER

1. The Company as the Agent of the Seller

The Company, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer.

2. Prior to the Auction

a. Authentication

We strongly recommend that the Prospective Buyers conduct their own authentication for the items they are interested in bidding prior to the auction. The Company provides no guarantee to the Buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot and related certificates.

b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The description of the auction items also do not imply and guarantee that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally. We strongly recommend the Prospective Buyers shall personally view the items for which they plan to bid before the auction. Any description in the catalogue or any statement provided by the Company is purely the Company's subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in "as is" condition. The Company does not provide any representation or guarantee as to the condition of any of the items.

c. Symbol Key

The following key explains the symbol you may see inside this catalogue.

○ Guaranteed Property

The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer's Premium.

d. Catalogue Explanations

Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lot and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not

be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes. Many Lots fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect.

e. Responsibility of the Buyer

The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her/its own judgment or estimation independently regarding the Lots.ing his/her own judgment or estimation independently regarding the Lots.

3. In the Auction

a. Estimates

The prices in US dollars or other currencies reproduced in the auction and this catalogue are for reference only. The Buyer is requested to pay by New Taiwan dollars or other foreign currencies in its equivalency based on the exchange rate announced by the Company on the day of auction.

b. Refusal of Admission

The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction.

c. Registration Prior to the Bidding

Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. Prospective Buyers should also note that the Company may request to conduct credit checks against Buyers.

d. The Bidding Deposit

The bidder shall pay the bidding deposit before receiving the bidding number. The Company will announce the amount of the bidding deposit before the auction day.

(1) If the bidder fails to pay the bidding deposit in advance, the Company has the right to refuse the bid. If the bidder is not able to purchase any Lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder.

(2) If the bidder becomes the Buyer, the Company has the right to transfer the bidding deposit into the payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs ) of the Lot for which transaction is concluded. And the Company will return the balance of the deposit to the Buyer (if any). If the Buyer ,without any good cause, fails to pay any and all payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs) of the Lot to the Company within 7 days after the auction date ,the Buyer shall not claim for the return of the bidding deposit.

e. The Bidder is the Buyer

Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities.

f. Commission Bids

The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the provided forms attached to the explanations of the catalogue; however, bid commission instructions must be delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions. The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid.

g. Bid by Phone

The Company will make proper effort to contact the bidder so he/she can participate in the auction by phone if the Prospective Buyer make arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances.

h. Online Bids via Invaluable

If the bidder cannot attend the auction, it may be possible to bid online via Invaluable for preferred Lots to bear individual buyer's responsibilities. This service is free and confidential. For information about registering to bid via Invaluable, please refer to Ravenel.com. The Bidders using the Invaluable online bidding service are subject to the additional terms and conditions for online bidding via Invaluable, which can be viewed at Ravenel.com and be revised by the Company from time to time.

i. Exchange Rate Conversion Board

There will be an exchange rate conversion board operating in auctions. Nonetheless, the auction will still be conducted in NT dollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board.

j. Recorded Images

There is image projection in some auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned.

k. Determining Power of the Auctioneer

The auctioneer has the absolute power to reject any bid, push for bids at his/her discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items. If the auctioneer announces the points for attention before the auction or the bidding, the Prospective Buyers shall pay attention for any announcement as its own responsibility. We recommend the Prospective Buyers using Online Bids Services to log in the system prior to the commencement of the auction, to ensure the timely awareness of any notices or announcements made prior to the auction.

l. Successful Bids

Under the discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement on Hammer Price.

4. Following the Auction

a. The Buyer's Premium of Each Lot

(1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the Buyer's Premium should be calculated at 20% of the hammer price.

(2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's Premium should be that the first NT$ 32,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12% of the hammer price.

b. Taxes

All the payments payable by the Buyer to the Company do not include any commodity or service taxes or any other value added taxes (whether imposed by the Taiwanese government or elsewhere). The Buyer should be responsible for paying any applicable taxes as required by the law.

c. Payment

The Buyer should provide his/her/its true name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon the company request. All payments due (including the hammer price, the Buyer's Premium and any freights or other expenses) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit.

If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to the Company are made in any currency other than NT dollars, the exchange rate of the payments to the Company should be the exchange rate reported by the Bank of Taiwan to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate.

d. Collection of the Lot Sold

Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period. The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier).

e. Referral of Packaging or Transportation Companies

The shipping department of the Company may introduce the forwarder, assist in the arrangement of delivery, or purchase particular insurance upon the Buyer's request. The Company will not be held liable for any legal responsibilities in this regard. And the Buyer shall prepay the freight charges. Costs and expenses for shipping and insurance shall be paid in advance.

f. Remedies for Non-Payment or Non-Collection of Items Sold

The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date:

(1) An interest at the annual rate of no higher than 10% plus the base interest rate of Bank of Taiwan will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and Buyer's Premium) multiplied by the number of delayed days as puntive damage for the default. The payment to be made by the Buyer may offset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company's sole decision.

(2) To exercise lien of any items owned by the Buyer and held by the Company for any purpose including but without limitations other transactions. The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his/hers/its non-payment. The proceeds shall make up for the payment due.

(3) If the Buyer owes the Company several payments as a result of different transactions, the payments will set-off any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments.

(4) Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/or to require a bidding deposit from the Buyer before accepting any future bids from him/her/it. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned:

(a) To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim.

(b) Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions.

(c) To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any

cost incurred as a result of the non-payment by the Buyer.

g. No Collection of the Lot Sold

The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, handling, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected.

h. Export Permit

Except where otherwise agreed in writing by the Company, the fact that the Buyer's wishes to apply for an export permit does not affect the Buyer's responsibility to make the payments in 7 days following the auction date; nor does it affect the Company's right to impose interest on delayed payments.

If the Buyer requests that the Company applies for the export permit on his/hers/its behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes.

If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom.

5. The Legal Responsibility of the Company

The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Seller, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein.

6. Return of Payments for Counterfeits or stolen goods

The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit or stolen goods, or involved in obvious illegality by the professional appraisal party agreed and recognized by the Company in writing. However, if:

a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields.

b. Or the method used to prove that the Lot is a counterfeit or stolen goods is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer's payment can only be refunded when the following terms are met:

(1) The Buyer must notify the Company in writing within 10 days following the auction day that he/she considers the relevant auction item a counterfeit or stolen goods.

(2) The Buyer must return the Lot to the Company within the following 14 days and the condition of the item must be the same as on the auction day without any damage.

(3) Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit or stolen goods (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim. Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer cannot claim interests.

The interests of the warranty cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer's name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction. If the result of appraising and verifying whether the Lot is a counterfeit or stolen goods by the Company conflicts with the evidence provided by the Buyer, the Company's said result shall prevail over the evidence provided by the Buyer.

Please refer to our website for seller's Transaction Agreement. http://ravenel.com http://ravenelart.com.cn