AUTUMN AUCTION 2023 TAIPEI
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羅芙奧台北 2023 秋季拍賣會 現代與當代藝術
RAVENEL AUTUMN AUCTION 2023 TAIPEI Modern and Contemporary Art 拍賣日期
地點
2023年12月3日（日）下午 2:00 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳） 預展日期
地點
台中 2023年11月18日（六）下午1:00至下午6:00 2023年11月19日（日）上午11:00至下午6:00 豐藝館 台中市西區五權西路一段110號B1 台北 2023年11月30日（四）~ 12月2日（六）上午11:00至下午7:00 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳）
AUCTION Sunday, December 3, 2023, 2:00pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan PREVIEWS Taichung Saturday, November 18, 2023, 1:00pm - 6:00pm Sunday, November 19, 2023, 11:00am - 6:00pm Fong-Yi Art Gallery B1, No. 110, Section 1, Wuquan W. Rd., West Dist., Taichung, Taiwan Taipei Thursday, November 30 - Saturday, December 2, 2023, 11:00am - 7:00pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan
拍賣目錄每本售價：NT$2,000 This auction catalogue: US$70 per copy
6
王鎮華 Arthur Wang 董事長 Chairman
傅斐郡 Flora Fu
郭倩如 Clara Kuo 副董事長 Vice Chairman
林慧菁 Maggie Lin
藝術部總經理 President, Art Department
藝術部資深副總經理 Senior Vice President, Art Department
黃詩涵 Stella Huang 藝術部協理 Senior Manager, Art Department
林恒如 Nina Lin 藝術部業務助理 Sales Assistant, Art Department
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8
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目次 CONTENTS 7
羅芙奧秋季拍賣會
Sale Information 8
羅芙奧之服務
Ravenel Services 11
藝術家索引
Index 12
現代與當代藝術
Modern and Contemporary Art 164
給予買家的重要通知
Important Notice to Buyers 167
委託競投表格
Absentee Bid Form 169
業務規則
Transaction Agreement
10
藝術家索引 INDEX A Yoshitaka Amano
Daniel ARSHAM
天野喜孝 丹尼爾．阿爾軒
214 328
M LIU KUO-SUNG
劉國松 村上隆
252 305, 318-319
BUFFET B Bernard Jon Burgerman
貝爾納・畢費 喬恩．布爾格曼
226 286
N Tomoko NAGAI
Calleja C Javier Chang Teng-yuan
哈維爾．卡勒加 張騰遠 張義雄 陳景容 陳德旺 陳庭詩 陳威廷 邱亞才 朱德群 莊喆
308 217, 314 243 244 253 241 212, 311 254, 255 240, 260-261 239, 259
Ena NAGAO Moe NAKAMURA Yoshitomo NARA
長井朋子 長尾惠那 中村萌 奈良美智
Kohei NAWA Makoto Nishi NKSIN
名和晃平 西誠人 NKSIN
205-206, 220-221 293 201, 202, 204, 320-323 230, 233, 270-271, 280, 307 227 292 208
P
PANG Jiun Edgar Plans
龎均 艾德加・普連斯
257-258 276-277, 294
R
Ayako ROKKAKU
六角彩子
224-225
Mr Doodle Roby Dwi ANTONO
董小蕙 塗鴉先生 羅比．安托諾
251 326 309
S
E
Iwamura EN
岩村遠
236
F
Takashi MURAKAMI x Fujiko. F. Fujio 村上隆 x 藤子 F 不二雄 Alex Face 亞歷克斯．費斯 Alixe FU 傅慶豊 &19 世紀法國繪畫 Katsura FUNAKOSHI 舟越桂
SANYU Masaru SHICHINOHE Chiharu SHIOTA SHIY De-jinn David Shrigley Hajime SORAYAMA
常玉 七戶優 塩田千春 席德進 David Shrigley 空山基
249 216 223, 231-232, 304 256 281 317
T
Syozo TANIGUCHI Walasse TING Akiko TOJO TONG YANG TZE Yoshimasa TSUCHIYA Aico Tsumori
谷口正造 丁雄泉 東條明子 董陽孜 土屋仁応 津守愛香
203, 213 265-266 287 237 234-235 288
X XUE Song
薛松
242
Y Moisés Yagües
Mayuka YAMAMOTO
莫伊・亞格斯 山本麻友香
285 219, 299-302, 315
ZAO Wou-ki ZHOU Chunya
趙無極 周春芽
250, 262-263 264
YOSHIO CHANG CHEN CHING-JUNG CHEN Te-wang CHEN Ting-Shih CHEN Wei-Ting CHIU Ya-tsai CHU Teh-chun CHUANG Che
D DONG Shawhwei
H Han Choong-Seok
I J K
L
297 278-279, 312-313 245 210
Yusuke Hanai Yuichi HIRAKO Miho HIRANO Damien Hirst HSIAO Chin HSU Yu-jen Poren HUANG Michell HWANG
韓忠錫 花井佑介 平子雄一 平野實穗 達明．赫斯特 蕭勤 許雨仁 黃柏仁 黃銘哲
207 316 218, 222, 290 215 282-284 247 238 269, 289 246
Invader
Invader
228
Jerkface JU Ming
Jerkface 朱銘
298 267, 295-296, 330-332
KAWS KAWS ( 布萊恩・唐納利 ) IIDA Kiriko 飯田桐子 Ayako KITA 北彩子 Satoru KOIZUMI 小泉悟 Yayoi KUSAMA 草間彌生
325, 327 209 291 303,310,324 229, 272-275, 306, 329
SZETO Lap LI Chen XX Li
248 268 211
司徒立 李真 李西西
Takashi MURAKAMI
Z
201
Moe NAKAMURA
中村萌
(Japanese, b. 1988)
無題
Untitled
油性筆 紙板
Marker pen on cardboard 34 x 14.5 cm; 34.5 x 14 cm
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000
12
34 x 14.5 cm；34.5 x 14 cm
202
Moe NAKAMURA
中村萌
(Japanese, b. 1988)
黎明時分
Hour of the Dawn
2019
2019 Ballpoint pen on paper 15 x 10 cm Signed on the reverse Moe and dated 2019
15 x 10 cm
PROVENANCE
Tsubaki Gallery, Tokyo
NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 9,000 - 18,000
原子筆 紙本 簽名畫背：Moe 2019 來源
椿畫廊，東京
203
Syozo TANIGUCHI
谷口正造
(Japanese, b. 1990)
白兔
White Rabbit
2021
2021 Acrylic on board 22.7 x 15.8 cm Signed on the reverse Syozo TANIGUCHI, inscribed 22.7 x 15.8 cm and dated 2021
22.7 x 15.8 cm
NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 7,000 - 14,000
14
壓克力 木板 簽名畫背：Syozo TANIGUCHI 2021 SMサイズ 22.7 x 15.8 cm
204
Moe NAKAMURA (Japanese, b. 1988)
中村萌 繪畫 18－13
Drawing 18 - 13
2018
2018 Mixed media on paper 25.7 x 18.2 cm Signed lower right Moe
25.7 x 18.2 cm
PROVENANCE
Tsubaki Gallery, Tokyo ILLUSTRATED
Moe Nakamura “Growth”, Gallery Tsubaki Co., Ltd, Tokyo, 2020, p. 121
NT$ 80,000 - 160,000 HK$ 20,000 - 39,000 US$ 2,500 - 5,000 RMB 18,000 - 37,000
綜合媒材 紙本 簽名右下：Moe 來源
椿畫廊，東京 圖錄
《中村萌Growth》，椿畫廊，東京 2020，頁121
205
Tomoko NAGAI
長井朋子
(Japanese, b. 1982)
蘿莉波莉
Loli Polly
2018
2018 Oil on canvas 24 x 19.3 cm Signed on the reverse Tomoko NAGAI, titled Loli Polly in Japanese and dated 2018
24 x 19.3 cm
This lot is to be sold with a certificate of authenticity issued by Tomio Koyama Gallery
NT$ 70,000 - 140,000 HK$ 17,000 - 34,000 US$ 2,200 - 4,400 RMB 16,000 - 32,000 16
油彩 畫布 簽名畫背：Tomoko NAGAI ロ一リーポーリー 2018 附小山登美夫畫廊開立之原作保證書
206
Tomoko NAGAI
長井朋子
(Japanese, b. 1982)
經典沙發貓
Classic Sofa Cat
2014
2014 Mixed media, collage on paper 39 x 32 cm Signed on the reverse Tomoko NAGAI, titled Classic Sofa Cat in Japanese, and dated 2014
39 x 32 cm
PROVENANCE
Tomio Koyama Gallery, Tokyo
NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 30,000 - 50,000
綜合媒材 拼貼 紙本 簽名畫背：クラシックのソファー貓 2014 Tomoko NAGAI 來源
小山登美夫畫廊，東京
207
Han Choong-Seok
韓忠錫
(Korean, b 1981)
黑兔療癒
Black Rabbit Healing
2019
2019 Acrylic on Korean cotton 90.9 x 72.7 cm Signed on reverse han choong seok, titled Black Rabbit Healing in English, inscribed 90.9 x 72.7 cm (30F) acrylic on Korean cotton in Korean and dated 2019
90.9 x 72.7 cm
NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,400 - 6,900 RMB 25,000 - 50,000
18
壓克力 韓國棉布 簽名畫背：han choong seok Black Rabbit Healing 90.9 x 72.7 cm (30F) 광목천에 아크릴 채색 2019
208
NKSIN (Japanese, b. 1994)
NKSIN
我的男孩 94
My Boy 94
2022
2022 Acrylic spray on canvas 72.7 x 60.6 cm Signed on the reverse Nksin, titled My Boy 94 and dated 2022
72.7 x 60.6 cm
This lot is to be sold with a certificate of authenticity issued by Medel Gallery Shu, Tokyo
NT$ 140,000 - 220,000 HK$ 34,000 - 54,000 US$ 4,400 - 6,900 RMB 32,000 - 50,000
噴漆 壓克力 畫布 簽名畫背："My Boy 94" 2022 Nksin 附Medel Gallery Shu開立之原作保證書
209
IIDA Kiriko
飯田桐子
(Japanese, b. 1970)
皮膚
Skin
2019 - 2020
2019 - 2020 Oil on canvas 65.2 x 53 cm Signed on the reverse Kiriko Iida and dated 2019 - 2020
65.2 x 53 cm
NT$ 160,000 - 260,000 HK$ 39,000 - 63,000 US$ 5,000 - 8,100 RMB 37,000 - 59,000
20
油彩 畫布 簽名畫背：Kiriko Iida 2019 2020
210
Katsura FUNAKOSHI (Japanese, b. 1951)
舟越桂 DR2105
DR2105
2021
2021 Chatcoal on paper 30.5 x 23 cm Signed lower left KF in English and dated 2021
30.5 x 23 cm
NT$ 240,000 - 340,000 HK$ 59,000 - 83,000 US$ 7,500 - 10,600 RMB 55,000 - 78,000
炭筆 紙本 簽名左下：KF 2021
211
XX Li
李西西
(Chinese, b. 1989)
根本不是對手
You Piece of Cake
2023
2023 Acrylic on canvas 75 x 100cm Signed on the reverse XX Li in Chinese and English, titled You Piece of Cake and dated 2023
75 x 100cm
NT$ 120,000 - 180,000 HK$ 29,000 - 44,000 US$ 3,800 - 5,600 RMB 27,000 - 41,000
22
壓克力彩 畫布 簽名畫背：You Piece of Cake 李西西 XX Li 2023
212
CHEN Wei-Ting
陳威廷
(Taiwanese, b. 1991)
長大的你，會懂得
As You Grow Older, You Will Realize
2015
2015 Oil on canvas 116.5 x 80 cm
116.5 x 80 cm
NT$ 220,000 - 320,000 HK$ 54,000 - 78,000 US$ 6,900 - 10,000 RMB 50,000 - 73,000
油彩 畫布
213
Syozo TANIGUCHI
谷口正造
(Japanese, b. 1990)
我無法回去
I Can't Go Back
2022
2022 Acrylic on canvas 60.5 x 73 cm Signed on the reverse Syozo TANIGUCHI, titled I Can't Go
60.5 x 73 cm
Back in Japanese and dated 2022
附大屯24開立之作品保證書
This lot is to be sold with a certificate of authenticity issued by Datun24 Art Space, Taipei
NT$ 220,000 - 380,000 HK$ 54,000 - 93,000 US$ 6,900 - 11,900 RMB 50,000 - 87,000 24
壓克力 畫布 簽名畫背：Syozo TANIGUCHI かえれない 2022
214
Yoshitaka AMANO
天野喜孝
(Japanese, b. 1952)
甜心女孩 S－29
Candy Girls S - 29
2009
2009 Automotive paint on aluminum panel 50(L) x 50(W) x 10(D) cm Signed on bottom Y.Amano
50(長) x 50(寬) x 10(厚) cm
This lot is to be sold with a certificate of authenticity issued by Metaphysical Art Gallery
NT$ 320,000 - 460,000 HK$ 78,000 - 112,000 US$ 10,000 - 14,400 RMB 73,000 - 105,000
汽車漆 鋁板 簽名底部：Y.Amano 附形而上畫廊開立之作品保證書
215
Miho HIRANO
平野實穗
(Japanese, b. 1984)
創造 II
Creation II
2022
2022 Oil on canvas 53 x 53 cm Signed lower right Miho Signed on the reverse Miho Hirano in Kanji, titled Creation II, inscribed oil and dated 2022
53 x 53 cm
NT$ 260,000 - 360,000 HK$ 63,000 - 88,000 US$ 8,100 - 11,300 RMB 59,000 - 82,000 26
油彩 畫布 簽名右下：Miho 簽名畫背：Creation II 油彩 2022年 平野實穗
216
Masaru SHICHINOHE
七戶優
(Japanese, b. 1959)
商標女孩
Trademark Girl
2010
2010 Acrylic on board 27 x 40 cm Signed lower right Shichinohe Signed on the reverse Masaru Shichinohe, titled Trademark Girl, inscribed Acrylic on board and dated 2010.12.31
27 x 40 cm
NT$ 550,000 - 650,000 HK$ 134,000 - 159,000 US$ 17,200 - 20,300 RMB 126,000 - 148,000
壓克力 木板 簽名右下：Shichinohe 簽名畫背：Masaru Shichinohe Trademark Girl Acrylic on board December 31, 2010
217
Chang Teng-yuan
張騰遠
(Taiwanese, b. 1983)
製作新物種
New Species
2020
2020 Acrylic on canvas 145.5 x 116 cm Signed on edge Chang Teng Yuan Signed on the reverse Chang Teng Yuan and dated 2020
145.5 x 116 cm
ILLUSTRATED
Chang Teng Yuan Art Works 2015 - 2021, J.P.Art Center, Kaohsiung, 2022, p. 184
NT$ 400,000 - 500,000 HK$ 98,000 - 122,000 US$ 12,500 - 15,600 RMB 91,000 - 114,000 28
壓克力 畫布 簽名左側：Chang Teng-yuan 簽名畫背：Chang Teng-yuan 2020 圖錄
《張騰遠作品集201 - 2021》 琢璞藝術中心，高雄，2022，頁184
218
Yuichi HIRAKO
平子雄一
(Japanese, b. 1982)
無題
Untitled
2014
2014 Acrylic on canvas 53.5 x 45.5 cm Signed on the reverse YH and dated 2014
53.5 x 45.5 cm
NT$ 400,000 - 600,000 HK$ 98,000 - 146,000 US$ 12,500 - 18,800 RMB 91,000 - 137,000
壓克力 畫布 簽名畫背：YH14
219
Mayuka YAMAMOTO (Japanese, b. 1964)
Bat Boy 2012 Oil on canvas 80 x 100 cm Signed on the reverse Mayuka YAMAMOTO, titled Bat Boy and dated 2012
NT$ 750,000 - 950,000 HK$ 183,000 - 232,000 US$ 23,500 - 29,700 RMB 171,000 - 217,000 山本麻友香 蝙蝠男孩 2012 油彩 畫布 80 x 100 cm 簽名畫背：Mayuka YAMAMOTO Bat Boy 2012
30
220
Tomoko NAGAI (Japanese, b. 1982)
Bouquet Girl 2018 Oil and glitter on canvas 116.7 x 91 cm Signed on the reverse Tomoko NAGAI and titled Bouquet Girl in Japanese This lot is to be sold with a certificate of authenticity issued by Tomio Koyama Gallery
NT$ 550,000 - 1,000,000 HK$ 134,000 - 244,000 US$ 17,200 - 31,300 RMB 126,000 - 228,000 長井朋子 花束女孩 2018 油彩 亮片 畫布 116.7 x 91 cm 簽名畫背：Tomoko NAGAI 花束ガール 附小山登美夫畫廊開立之原作保證書
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221
Tomoko NAGAI (Japanese, b. 1982)
March on with Sparrow 2018 Oil and glitter on canvas 145.7 x 112 cm Signed on the reverse Tomoko NAGAI, titled March on with Sparrow in Japanese and dated 2018 This lot is to be sold with a certificate of authenticity issued by Tomio Koyama Gallery
NT$ 850,000 - 1,500,000 HK$ 207,000 - 366,000 US$ 26,600 - 46,900 RMB 194,000 - 342,000 長井朋子 麻雀的忠告 2018 油彩 亮片 畫布 145.7 x 112 cm 簽名畫背：Tomoko NAGAI 雀のススメ 2018 附小山登美夫畫廊開立之原作保證書
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222
Yuichi HIRAKO (Japanese, b. 1982)
Untitled 2014 Acrylic on canvas 90 x 90 cm Signed on the reverse YH and dated 2014
NT$ 1,300,000 - 2,000,000 HK$ 317,000 - 488,000 US$ 40,700 - 62,500 RMB 297,000 - 457,000 平子雄一 無題 2014 壓克力 畫布 90 x 90 cm 簽名畫背：YH 14
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223
Chiharu SHIOTA (Japanese, b. 1972)
Red Line VI 2012 Oil and pastel on paper 136 x 200 cm PROVENANCE
Nieves Fernández Gallery, Madrid EXHIBITED
The Hand Lines, Casa Asia, Barcelona, October 24, 2012 - January 1, 2013 This lot is to be sold with a certificate of authenticity issued by Galerie Nieves Fernández
NT$ 2,200,000 - 3,200,000 HK$ 537,000 - 780,000 US$ 68,800 - 100,100 RMB 502,000 - 731,000 塩田千春 紅線 (六) 2012 油彩 粉彩 紙本 136 x 200 cm 來源
Nieves Fernández 畫廊，馬德里 展覽
「The Hand Lines」Casa Asia， 巴塞隆納，展期自2012年10月24日至2013年1月1日 附 Nieves Fernández 畫廊開立之作品保證書
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Ayako ROKKAKU (Japanese, b. 1982)
Untitled 2010 Acrylic on canvas 140 x 100 cm Signed on the reverse Ayako Rokkaku in Japanese and dated 2010 PROVENANCE
Gallery Delaive, Amsterdam ILLUSTRATED
Colours in My Hand-Ayako Rokkaku, Gallery Delaive & Kunsthal Rotterdam, Netherland, 2011, p. 103
NT$ 2,200,000 - 3,800,000 HK$ 537,000 - 927,000 US$ 68,800 - 118,800 RMB 502,000 - 868,000 六角彩子 無題 2010 壓克力 畫布 140 x 100 cm 簽名畫背：2010 ロッカクアヤコ 來源
德萊夫畫廊，阿姆斯特丹 圖錄
《手指上的色彩－六角彩子》， 德萊夫畫廊 & Kunsthal Rotterdam，荷蘭，2011，頁103
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225
Ayako ROKKAKU
六角彩子
(Japanese, b. 1982)
無題
Untitled
2020
2020 Acrylic on canvas 130 x 130 cm Signed lower right Ayako Rokkaku in Japanese and dated 2010
130 x 130 cm
EXHIBITED
壓克力 畫布 簽名右下：2010 ロッカクアヤコ 展覽
「Volta 藝博會 2020」，德萊夫畫廊 紐約，展期自2020年3月4日至3月8日
Volta Art Fairs 2020, Gallery Delaive, New York, March 4 - 8, 2020
NT$ 5,500,000 - 7,500,000 HK$ 1,341,000 - 1,829,000 US$ 172,000 - 234,500 RMB 1,256,000 - 1,712,000
自成一格的繪畫特色與風格表現 女孩與兒童是貫穿她創作的主要母題，採取特寫形式的佈局。畫裡的人物往往不見笑容，或 睜大雙眼，扁著嘴，表現出憤怒的樣貌。她說自己的人物畫有兩個極端：「逃離與追尋」， 「遠目與凝視」。主角多數有行走的姿態，大步邁開向前。重覆性的隨機塗鴉圖案、動物， 也經常是畫裡的元素。無論是拉長的手臂或是過大的眼睛，鮮艷的色彩或是簡化的細節，這 些皆是日本卡通文化所帶來的影響。未上過任何藝術學校的六角彩子，其畫作技巧與本領皆 為自學，靠著她與生俱來的靈敏觀察力及細膩的情感，她的繪畫技巧上已自成一派。六角彩 子以手蘸滿壓克力顏料，觸摸時的溫暖手感及天馬行空的塗鴉精神價值，她用即興式的塗鴉 將色彩與形式作了有趣的試驗，繪出了她的夢想世界。 UNIQUE PAINTING CHARACTERISTICS AND STYLE The major themes throughout her painting history are girls and children, and she often portrays them in close-ups. The figures in her painting are often unsmiling. Their eyes may be opened wide and their lips pressed together, or they may look angry. She said her figures went from two sets of extremes: “escaping and chasing” or “looking away and staring.” Most of the main figures in her paintings are walking in large strides. Other common elements in her paintings are repetitive random sketches and animals. Having elongated arms or overly large eyes, bright colors or simplified details, they are all influenced by Japanese animation culture. She never received formal education of fine art, her painting skill is self-study, and reflected on her inherently sensitive observation and delicate emotions. Her hands dipped in acrylic, with the spirit value of graffiti, Ayako Rokkaku used improvised graffiti to make interesting experiments on colors and forms that created her hand- painted world of dreams.
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226
Bernard BUFFET (French, b. 1928 - 1999)
Nature morte aux tulipes 1978 Oil on canvas 81 x 100 cm Signed upper left Bernard Buffet and dated 1978 PROVENANCE
Christie's, London, February 5, 2015, lot 403 Private collection, Asia
NT$ 6,000,000 - 8,000,000 HK$ 1,463,000 - 1,951,000 US$ 187,600 - 250,200 RMB 1,370,000 - 1,826,000 貝爾納．畢費 鬱金香靜物 1978 油彩 畫布 81 x 100 cm 簽名左上：Bernard Buffet 78 來源
佳士得拍賣，倫敦，2015年2月5日，編號 403 私人收藏，亞洲
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Bernard BUFFET
NATURE MORTE AUX TULIPES 貝爾納．畢費 | 鬱金香靜物
法國戰後具象藝術的代表大師貝爾納．畢費支撐起藝術 史的重要版圖，在亞洲享有極知名高度與全球性的藏家 擴及度，使其公認為殿堂級藝術家。年輕時才華洋溢的 畢費，1955年僅27歲即被當時法國《藝術鑑賞雜誌》 選為「戰後十大最傑出藝術家」之首，1974年年僅46 歲的畢費，更入選為最年輕的法蘭西學院美術學院院 士，一生創作了超過八千幅的作品，他驚人的創作力留 下了一系列經典之作。 畢費一生致力於繪畫創作，時間長達50餘年，其中主題 則以馬戲團小丑、鬥牛士、肖像、風景、花卉、靜物為 多。從1940年代崛起於藝壇之後，1950年代，畢費專 注繪畫，畫面多以憂鬱寡歡的肖像來表達法國人在戰後 的不安心境。到了1960年代，畢費筆下的人與物在尖 銳粗曠的線條下更顯高亢激昂。 《鬱金香靜物》藝術家以粗獷有力的黑色線條勾勒藤 籃。藤籃與黃色鬱金香均衡擺放在畫面的左右，新穎的 構圖將觀者的視覺焦點由畫中央牽引至後方的景緻，畫 面的平衡感得到延展，熾熱的力量彷彿要從重心處擴散 至四面八方。而個性十足的簽名與書寫年代方式，無疑 是畢費特有的標籤，不是隱身於畫面的一隅，而是主體 一旁作為畫面平衡構圖的要角。畢費以物喻情的藝術本 質更是暗合東方人內斂含蓄的修身性格，其筆下尖銳簡 練的線條和獨特的空間處理，與日本傳統版畫有著某種 異曲同工之妙《鬱金香靜物》呈現了藝術家於20世紀 80年代的迷人風格，獨樹一幟，實是一幅精彩之作。 Bernard Buffet, the representing post-war figurative art master in France, who foothold the important territory in art history, enjoying a very high reputation in Asia and cherish among global collectors, making him considered as the artist in the Hall of Fame. His talent was demonstrated while he was young, in 1955 when Buffet was only 27 years old, he was already named as the best out of the top ten post war artists
by “Connaissance des Arts”. In 1974, when he was only 46 years old, he was selected as a member of the Académie des Beaux-Arts. He has created more than 8,000 works in his life, his amazing creativity has left a series of classic works. Buffet devoted his life to painting for more than 50 years, his themes were mostly circus clown, toreador, portrait, landscape, flower and still life. After rising up in the art world in the 1940s, in the 1950s, Buffet focused on painting, mostly using melancholy portraits to express the disturbed state of mind among French people after the war. While in the 1960s, the people and objects in his paintings became more highpitched and indignant through his sharp and rough lines. In "Still Life with Tulips" Buffet outlines the rattan basket with bold and powerful black lines. Rattan basket and yellow tulips are placed harmoniously on the left and right handed sides of the picture. The novel composition draws the viewer's visual focus from the center of the painting to the scenery behind. The proportionate of the picture is extended, the fiery power seems to spread from the center of emphasis to all directions. His full of personality signature and the way he writes the dates are undoubtedly his unique style. They are not hidden in the corner of the picture, but are placed next to the subject as an important part in balancing the composition of the picture. Buffet's artistic essence of using objects as metaphors for feelings is more in line with the introverted and reserved personality of the oriental people. His sharp and concise lines and distinctive treatment in space display a certain similarity with traditional Japanese woodblock prints. "Still Life with Tulips" presents the artist's charming style in the 1980s, which is truly a wonderful and extraordinary painting.
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Kohei NAWA
名和晃平
(Japanese, b. 1975)
王座
Throne
2019
2019 Mixed media, edition no. 6/10 72.6(L) x 49.5(W) x 155.2(H) cm
72.6(長) x 49.5(寬) x 155.2(高) cm
綜合媒材 6/10
NT$ 7,500,000 - 8,500,000 HK$ 1,829,000 - 2,073,000 US$ 234,500 - 265,800 RMB 1,712,000 - 1,941,000
「創作時，我會用心思考、感受人類與生態系的關係。人，不 能代表整個世界，從事任何活動時，自然應該是指點迷津的存 在。」—名和晃平 被喻為當代日本最具人氣的藝術家之一的名和晃平其作品以雕 塑為主要創形式，而他最著名的「PixCell」雕塑系列探討細胞 與表層的關係，以現代社會特有的媒材如玻璃珠、樹脂、熔膠 等從事形變等雕塑創作。名和晃平亦積極從事其他創作形式如 影像，更與愛馬仕、Agnès. b等時尚品牌跨界合作。 19世紀日本明治維新以來，打開國門積極擁抱外來文明的日 本，也同時向西方世界輸出了自己的文化。為紀念法日建交 160週年及日本明治時代150週年，巴黎在2018-19年有非常多 精心設計的日本文化主題展覽。2018年羅浮宮與法國日本基 金會聯合舉辦「日本主義2018：心靈的迴聲」，作為展覽季 重要活動之一。羅浮宮金字塔地下大廳展出名和晃平作品《王 座》，設計靈感來源於亞洲傳統宗教儀式，金色的王座如帝王 般飄浮於金字塔中心，引發人類思考權力體制。透明金字塔灑 落的陽光襯應下閃閃發光，設計上由3D打印、漆藝和金箔技術 共同完成，結合日本傳統文化和現代技術。設立於羅浮宮金字 塔內更有代表文明象徵，從古文明至當代藝術，讓觀眾省思藝 術無限的可能性，驚豔四座，是藝術家對文化、界限和形式的 探索與超越，展現了名和晃平不斷突破自己的能力。 "When I create, I will diligently ponder and feel the relationship between mankind and the ecosystem. Human beings surely cannot represent the entire world. When engaging in any activity, nature should be the one who provides guidance." - Kohei Nawa. Kohei Nawa, who is considered one of the most popular artists in Japanese contemporary art, uses sculpture as the 48
main creative form of his works. His most famous "PixCell" sculpture series explores the relationship between cells and surfaces, employing media that is so unique in modern society, such as glass beads, resins and melt glues etc. in his creation of deformed sculptures. Nawa Kohei is also actively engaged in other creative forms such as video, and has also collaborated with fashion brands such as Hermès and Agnès. b. Since Japan's Meiji Restoration in the 19th century, Japan, which has opened its doors and actively embraced foreign civilizations, has also exported its own culture to the Western world. To celebrate the 160th anniversary of the establishment of diplomatic ties between France and Japan and the 150th anniversary of Japan's Meiji Era, Paris has held many welldesigned Japanese cultural themed exhibitions in 2018-19. In 2018, the Louvre and Japan Foundation in France jointly organized "Japonisme 2018: Souls in Harmony ", which is one of the important events of the exhibition season. The Louvre displayed the work "Throne" by Kohei Nawa in the underground hall of the pyramid. The design is inspired by traditional Asian religious rituals. The golden throne floats like an emperor in the center of the pyramid, triggering viewers to think about the system of power. The transparent pyramid sparkles under the sunlight. The design is completed by 3D printing, lacquer art and gold foil technology, combining both Japanese traditional culture and modern technology. Exhibited in the Louvre Pyramid, even more so is a representative symbol of civilization. From ancient civilization to contemporary art, it allows the audience to reflect on the infinite possibilities of art. Absolutely stunning is the artist's exploration and transcendence of culture, boundaries and forms, which demonstrates Kohei Nawa's ability to constantly breakthrough himself.
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Invader (French, b. 1969)
Alias BSL 03 2016 Mosaic tiles on perspex 75.9 x 85.4 cm Engraved on reverse BSL_03 and dated 2016 PROVENANCE
Over The Influence, Los Angeles Acquired from the above by the present owner This lot is to be sold with the ID card signed by the artist
NT$ 14,000,000 - 22,000,000 HK$ 3,415,000 - 5,366,000 US$ 437,800 - 687,900 RMB 3,196,000 - 5,023,000
Invader 別名：巴塞爾3號 2016 馬賽克磁磚 玻璃板 75.9 x 85.4 cm 簽名雕刻背面：BSL_03 2016 來源
Over The Influence，洛杉磯 現有藏家購自上述來源 附藝術家簽名之作品識別卡
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從地表至太空－Invader的全方面入侵! From the earth’s surface to space - Invader’s all-round invasion!
巴塞爾的藝術歷史十分悠久，大多數人之所以知道這座 瑞士城市，是因為這裡每年舉辦藝術博覽會，而巴塞爾 的藝術場景遠不只於此，而且全年都值得參觀。巴塞爾 擁有近40間博物館，還有眾多畫廊、藝術空間和計劃， 以及獨具一格的建築典範，多元的藝術涵養更使得街頭 藝術讓巴塞爾街頭充滿活力。踏入21世紀，藝術媒介 已經從紙本、畫布等傳統媒材跨至日常生活甚至網際網 路。作為社會運動、追求自由以及實現自主的象徵，街 頭藝術在規模、作品可見度以及流行增長速度上，都是 這時期的藝術界領軍代表。 創作於巴塞爾另一件象徵藝術美好作品，巧妙安裝於巴塞爾藝術展廣告上方 Another work installed above the AD of Art Basel which expresses a symbol of beauty art
Space Invader或稱Invader，一位國際知名的法國街頭 藝術家。藝名的靈感取材自1978年起風靡多時的街頭 電玩遊戲機「太空侵略者」Space Invaders，太空侵 略者，在台灣暱稱為「小蜜蜂」，玩家用左右平行移 動的方式，發動飛機射擊上方的太空侵略者。Space Invaders是有史以來，對後來影響最有開創性與影響力 的電玩遊戲之一，藝術家少年時期熱愛的電子遊戲，深 植心中，Invader發展出一格格2D點陣式馬賽克磁磚拼 裝塗鴉，宛如「太空侵略者」遊戲的外星人，悄悄地攀 上世界各大城市的街牆，用一種藝術高度識別度，在21 世紀的今日成為另類的經典，他的像素風圖像創作， 無疑是對20世紀數碼時代既懷舊且浪漫的詮釋。而獨 一無二的的馬賽克磁磚或魔術方塊的塗鴉運用，成為 Invader最標誌性的媒材表現。他至今共有4151件入侵 者遍佈地表，更合計分佈超過83個地區。
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與場域共存的創作概念，讓城市街頭成為一個露天美術 館。街頭藝術的起源大部分可追溯至紐約的地鐵塗鴉熱 潮，開始於1960年代，並於1970年代逐漸成熟，而在 1980年代達到地鐵塗鴉的最高峰。法國的城市藝術家 Invader將電玩遊戲角色轉化成實體，在現實生活中賦 予它生命，入侵每個國家，更為城市地景添加有趣且多 元風貌，為了避免真正的破壞歷史建築，他更採用馬賽 克拼貼創作。《Alias BSL 03》原設置在巴塞爾城市中 的施耐德街上，為其城市25個外太空侵略者之一，相對 噴漆的短暫，馬賽克磚的保存更為久遠，馬賽克外太空 侵略者為Invader精典符號之一，彩虹更為Invader對於 藝術美好的理想表現。Invader對於每個城市的空間互 動，會根據城市的美學與獨特性做規劃，他的藝術幽默 與讓人們對於城市有更多的互動性並為大眾生活帶來驚 喜，每當完成一件城市裝置後，他也會對此計畫評分， 如同電玩遊戲中的評分一般。從地表至太空，街頭隨處 可見的Invader很認真地正在對這個世界展開全方面的 侵略!
Space Invader, or Invader, is an internationally renowned French street artist. The stage name is inspired by the popular street video game "Space Invaders" that has been popular since 1978. "Space Invaders", nicknamed "Little Bee" in Taiwan, players move horizontally between left and right to launch aircraft to shoot the invaders in the space above. "Space Invaders" is one of the most groundbreaking and influential video games in history. The video game that the artist loved playing during boyhood was so deeply rooted in his heart. Invader developed a grid of 2D dot matrix mosaic tiles to assemble graffiti, just like the aliens from the "Space Invaders", which quietly climbed up the street walls of major cities around the world. With a high level of artistic recognition, they have become alternative classics in the 21st century. His pixel style image creation is undoubtedly a nostalgic and romantic interpretation of the 20th century digital age. His unmatched graffiti application of mosaic tiles or magic squares has become Invader's most iconic media expression. So far, he has a total of 4151 invaders spread across the earth's surface, are widely distributed in more than 83 regions.
graffiti upsurge, which began in the 1960s, gradually matured in the 1970s, and reached its peak in the 1980s. French urban artist Invader transforms video game characters into substance, giving them life in reality, invading every country and adding interesting and diverse features to the urban landscape. In order to avoid damaging historical buildings, he even employs mosaics in his collage creation. "Alias BSL 03" was originally set on the Schneider street in the city of Basel. It is one of the city's 25 outer space invaders. Compared with the short-lived nature of spray painting, the mosaic bricks can be preserved for a longer time. The mosaic outer space invaders are one of the Invader's classic symbols and the rainbow is Invader's ideal expression of the beauty of art. Invader's spatial interaction in each city is planned according its aesthetics and uniqueness. His artistic humor allows people to have more interactivity with the city, which also brings surprises to public life. Every time when he completes an urban installation, later he will rate the project, just like scoring in the video game. From the earth's surface to space, Invader that can be seen everywhere on the streets is seriously launching an all-round invasion of the world!
Basel has a rich history of art, while most people know this city in Switzerland is because of its annual art fair, yet the art scene in Basel is way much more than that and definitely worth visiting year-round. Basel has nearly 40 museums, as well as numerous galleries, art spaces and programmes, not to mention architectures that are so unique in style. The diverse artistic culture even more so makes the street art filled with vitality across the streets in Basel. In the 21st century, art medium has crossed over from traditional media such as paper and canvas to daily life and even the Internet. As a symbol of social movements, the pursuit of freedom and the realization of autonomy, street art undoubtedly is a leading representative of the art world during this period in terms of scale, visibility of works and growth in popularity. The creative concept of coexisting with the site turns the city into an open-air art gallery. Most of the origins of street art can be traced back to New York's subway
原作品安裝於巴塞爾施奈德街上 The work installed at Schneider street, Basel, Switzerland
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Yayoi KUSAMA (Japanese, b. 1929)
Summer Days 2012 Acrylic on canvas 112 x 145.5 cm Signed on the reverse Yayoi KUSAMA, titled Summer Days in English and Japanese, and dated 2012 PROVENANCE
Private collection, Asia This lot is to be sold with a registration card issued by Yayoi Kusama Studio
NT$ 40,000,000 - 60,000,000 HK$ 9,756,000 - 14,634,000 US$ 1,250,800 - 1,876,200 RMB 9,132,000 - 13,699,000 草間彌生 夏日時光 2012 壓克力 畫布 112 x 145.5 cm 簽名畫背：Yayoi KUSAMA Summer Days 夏の日々 2012 來源
私人收藏，亞洲 附草間彌生工作室開立之作品登錄卡
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Yayoi KUSAMA
SUMMER DAY 草間彌生 | 夏日時光
「她創造出一種形式，用首尾一致、仿若菌絲般不停增 殖的白色遮蔽物，把意識封閉起來。那是一種自律的藝 術，用毫不遮掩的方式呈現一種超越的真實。那種奇妙 又美麗的形象，以一種令人瞠目結舌的方式，鮮明地在 我們的感官上留下烙印」－赫伯特．里德《無限的網， 草間彌生自傳》 她的南瓜，她的點，她的線條，她的自我消融，已是大 草間彌生《無限的點 (HTI)》2001 壓克力 畫布 194 x 390 cm 富藝斯香港2023春拍 港幣2767.5萬元成交 Yayoi Kusama, Infinity Dots (HTI), 2001, Acrylic on canvas, 194 x 390 cm Phillips Spring Auction 2023 Hong Kong, US$3,525,545
眾耳熟能詳的符號。「圓點」是草間彌生創作的主要元 素，也是嬉皮年代的重要符號。在嬉皮、性解放、反戰 的1960年代裡，草間彌生活躍於國際藝壇，人稱「圓點 女王」、「嬉皮女王」或是「前衛天后」，當時的知名 度與影響力不輸普普藝術大師安迪．沃荷。數十年持續 不輟的創作生涯，對藝術堅定不移的態度，有著日本現 存國寶級藝術家的美譽並入選為全球百大重要藝術家。 草間彌生創作散佈於世界各地，去年與Louis Vuitton跨 界聯名轟動時尚與藝術圈，更於東京、巴黎、紐約設有 大型裝置，使得草間彌生無限的圓點及網紋再次創造話 題。這些自我消融的創作源自於草間彌生自幼年時期即 開始的幻覺：正因恐懼在幻覺裡擴散蔓延的圓點，所以 進行著與幻覺同樣無盡的藝術創作，試圖從中得到解 脫。當草間彌生自我消融的圓點佈滿物件及空間時，物 件即消融於空間中，物件的邊界、空間的邊界、世界的 邊界以及圓點的邊界似乎皆不再明確。 此件由草間彌生於2012年所創作的《夏日時光》是她對 於盛夏的回憶，以經典的黃、黑配色構成作品的全貌。 若我們將黃色比喻為盛夏的陽光，在黑底上的無限波卡 原點，如藝術家童年對於盛夏裡綻放炙熱陽光下的南瓜 田回憶。層疊的細膩構圖不但為畫面帶來多層次的視覺 感受，其反覆交疊的原點更令人不禁感到目眩。她的創 作充滿了對生命和宇宙的深思，表達了對無限和存在的
草間彌生《 夕陽 (TOXAT) 》2007 壓克力 畫布 160 x 130 cm 佳士得香港2022春拍 港幣2205萬元成交 Yayoi Kusama, The Evening Sun (TOXAT), 2007, Acrylic on canvas, 160 x 130 cm Christie's Spring Auction 2022 Hong Kong, US$2,808,972
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探索，這些主題與自然的變化和季節的更迭密切相關。 在這個念頭於大腦中升起的當下猶如回到了與藝術家共 同身處烈日曝曬的年代－當年那個夏天。
talk. These self- dissolution creations originate from the hallucinations that Yayoi Kusama has had since childhood: exactly because of the fear of dots that spread in her hallucinations, she throws herself in artistic creations equally endless as her hallucinations, trying to seek for relief from them. When Yayoi Kusama’s self-dissolving dots fully fill up the object and space, then the object seems to be dissolved among the space, finally the boundaries of the object, space, world and dots no longer seem to be clear.
She created a type of form. With a white overlap like mycelium that is consistent throughout and keeps proliferating, consciousness is enclosed. That is art with a level of self-discipline, which uses unobstructed matter to present a transcendent reality. With an astounding method, this wonderful and beautiful image is vividly imprinted into our sensory organs. Herbert Read, Mugen no Ami: Yayoi Kusama Jiden Her pumpkins, her dots, her lines, and her selfdissolution have become familiar symbols to the public. “Polka dots” are the main element in Yayoi Kusama’s creations and also an important symbol of the hippie era. In the 1960s’hippie, sexual liberation and anti-war, Yayoi Kusama was active in the international art scene. She was known as the “Polka Dot Queen”, “Hippie Queen” or “Avant-Garde Queen”. She was equally popular and influential as Pop art master Andy Warhol. With decades of continuous creative career and an unswerving attitude towards art, she has the reputation of being a national treasure artist in Japan and has been named as one of the top 100 important artists in the world. Yayoi Kusama’s creations are scattered all over the world. Last year, her cross-border collaboration with Louis Vuitton caused a sensation both in the fashion and art worlds. There were large-scale installations in Tokyo, Paris and New York, leading her infinite dots and net patterns once again become subject of a
This piece “Summer Day” created by Yayoi Kusama in 2012 is her memory of midsummer. The classic yellow and black colors make up the entire work. If yellow is metaphorical to the sunshine in the midsummer, then the infinite polka dots on the black background definitely compare as the pumpkin fields blooming under the scorching sunshine in hot summer, just as her childhood memories. The cascading and delicate composition not only brings a multi-layered visual experience to the picture, but its repeatedly overlapping origins are even more dizzying. Her creations are full of deep thoughts about life and the universe, expressing her exploration of infinity and existence. These themes are closely related to the changes in nature and seasons. At the moment when this thought arises in the audience’s mind, it will then feel like returning to the time of being exposed to the same hot sunshine with the artist as the summer of that year.
《星塵的積累》，2001 壓克力 畫布 194 x 390 cm 日本松本市美術館典藏 Accumulation of Stardust, 2001, acrylic on canvas, 194 x 390 cm, Matsumoto City Museum of Art, Japan
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Yoshitomo NARA (Japanese, b. 1959)
Study for Auspicious Heavens 2019 Bronze, edition no. 7/7 21(L) x 18.5(W) x 21.1(H) cm PROVENANCE
Blum & Poe, Los Angeles Acquired from the above by the present owner This lot is to be sold with a certificate of authenticity issued by BLUM & POE This work is included in the Yoshitomo Nara online Catalogue Raisonné (No. YNF 6759)
NT$ 3,800,000 - 6,000,000 HK$ 927,000 - 1,463,000 US$ 118,800 - 187,600 RMB 868,000 - 1,370,000 奈良美智 《吉祥天女》習作 2019 銅雕 7/7 21(長) x 18.5(寬) x 21.1(高) cm 來源
Blum & Poe, 洛杉磯 現有藏家購自上述來源 附BLUM & POE藝廊開立之作品保證書 此作收錄於奈良美智線上作品集（作品編號YNF 6759）
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獨樹一格的大頭娃娃－奈良美智 One of a kind Big-Headed Girls — Yoshitomo Nara
「我實際感受到幾十年後我就不在了，但作品卻會被留下來，於是想嘗試青銅」 — 奈良美智 2011年東日本大地震震擊了日本，也撼動了全世界。當時的奈良美智對於來自日本 地震災區所產生虛無感與創傷也如海嘯般來襲，即便親身前往災區賑災，在那之後半 年依舊無法動筆畫畫。有別於1990年代所使用玻璃纖維所製作光滑夢幻的大型雕塑 創作，震災後，奈良美智回歸手感的陶土雕塑，使他於泥塑過程找回與自己的對話， 從而孕育出釋放靜默溫度的作品，更啟發了當時奈良美智對於雕塑媒材的無限可能 性。起初，先不斷重複作小型作品，練習過後，很自然地移轉到大的尺寸，那是比真 實尺寸大出許多的頭像。奈良盡量不去拘泥於細部，而專心在整體表現上，把心中所 思化為形體。泥塑原型再經過鑄造，成為擁有金屬強度的半永久生命。在藝術家的藝 術創作裡，不論媒材，繪畫與雕塑互有特色、互相影響，持續精進。奈良美智曾言陶 泥是一種活生生的素材，在搓捏黏土時的手感，彷彿體驗生命中的真實。 《吉祥天女》為奈美良智創作於2019 - 2020年作品，高度127.4公分的大型銅雕，此 件拍品屬於創作大型雕塑前較小尺幅的習作，隨著翻模成為帶有剛硬質感的金屬物 件，重現精緻的痕跡，可以感覺到藝術家親手製作的過程。「吉祥天女」是佛教守護 神的諸天之一，為最初印度教女神拉克希米引入佛教。吉祥的意思是繁榮和好運， 據說是像徵幸福、美麗和財富的神，也被視為美麗的代名詞而受到尊崇。《〈吉祥天 女 〉習作》經典線條溫婉圓潤， 寧謐，面部表情和細節
非常精緻，給人充滿
力量的感覺。奈良
後期的立體雕塑
有著他對於生命
深刻的無常體
悟。
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似笑半睜半眛的眼神既祥和
"I actually felt that I would be gone in a few decades, but my works would be left behind, so I wanted to try bronze." - Yoshitomo Nara Yoshitomo Nara is undoubtedly one of the most popular Japanese artists in the art market in recent years. His works are solitarily but warm, simple yet moving, captivating with childlike but rebellious images, are highly sought after by collectors. Self-proclaimed as a minstrel, he has a warm heart full of revolt while simultaneously brimming with humanity. He likes to create while traveling. During creation he recalls his childhood, depicting touching life experiences. In 2011, the Great East Japan Earthquake shock Japan and the whole world. At that time, Yoshitomo Nara’s sense of nothingness and trauma from the earthquake disaster areas in Japan also strike him like a tsunami. Even though he personally went to the earthquake -stricken areas to provide disaster relief, he was still unable to pick up his brush to paint again for the following six months. He followed the master photographer Nobuyoshi Araki to explore photography, and slowly regained his creativeness in the clay sculptures which seemed to have captured the warmth from the land. Different from the smooth and dreamy large-scale sculptures made of fiberglass in the 1990s, Yoshitomo Nara returned to clay sculptures which bring tactile feeling in 2011. Clay is a natural material without pretense, which allows him to find a dialogue with himself while sculpturing the clay. Clay sculpture inspired him to quest for the unlimited possibilities as medium for sculpture at that time. In his artistic creation, regardless of the media, whether painting or sculpture each have their own characteristics, while influencing mutually, strive to continuous improvement. Yoshitomo Nara once said that clay is a living material, and the feeling of kneading clay is sort of like experiencing the reality in life. The lines are gentle and rounded, and the clay is a natural material with no pretense, which enables him to communicate with himself during clay sculpture.
《吉祥天女》銅雕，2019 - 2020 126 x 105 x 127.4 cm，巴塞爾博覽會場 邁阿密，2021，65萬美金成交 Auspicious Heavens, bronze, 2019 - 2020, 126 x 105 x 127.4 cm, Art Basel, Miami, 2021, sold at US$650,000
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Chiharu SHIOTA (Japanese, b. 1972)
State of Being (Map) Metal frame, map, white thread 35.4(L) x 35(W) x 71(H) cm Signed inner frame C.S. PROVENANCE
Der Horng Gallery, Tainan
NT$ 3,000,000 - 4,000,000 HK$ 732,000 - 976,000 US$ 93,800 - 125,100 RMB 685,000 - 913,000 塩田千春 存在的狀態 (地圖) 金屬 地圖 白線 35.4(長) x 35(寬) x 71(高) cm 簽名後方：C.S. 來源
德鴻畫廊，台南
儘管生命有限，但她深信肉體雖死而靈魂長存。自被診 斷出12年前的癌症復發後，塩田千春抱著這個信念用線 重現萬物活過的痕跡以及人生無常的課題。《存在的形 狀(地圖)》白色的紗線代表新生和永恒，體現了多次徘 徊生死間藝術家的生死觀。鹽田千春的創作主題通常與 回憶、懷念、夢境有所關連，透過作品帶領著大眾一探 自己的內心世界，觸動觀賞者的內心深處。 Although her life is limited， she firmly believes that although the body dies， the soul lives on. After being diagnosed with the recurrence of cancer 12 years ago， Chiharu Shiota held this belief and used thread to recreate the traces of the life of all things and the subject of the impermanence of life. The white yarn in "State of Being (Map)" represents rebirth and eternity， embodying the artist's view of life and death as she has experienced with them many times. Chiharu Shiota's creative themes are often related to memories， nostalgia， and dreams. Through her works， she leads the audience to explore their inner worlds and touches the depth of their hearts. 62
232
Chiharu SHIOTA
塩田千春
(Japanese, b. 1972)
存在的狀態 (鏡子)
State of Being (Mirror)
2015
2015 Metal frame, mirror, black thread 120(L) x 74.5(W) x 93(H) cm Signed inner frame C.S.
120(長) x 74.5(寬) x 93(高) cm
金屬框架 鏡子 黑線 簽名後方：C.S. 附Templon 畫廊開立之作品保證書
This lot is to be sold with a certificate of authenticity issued by Galerie Templon
NT$ 2,400,000 - 3,600,000 HK$ 585,000 - 878,000 US$ 75,000 - 112,600 RMB 548,000 - 822,000
《存在的形狀(鏡子)》透過一根根細繩編織，表達一種
house was caught with fire， and the image of the
情感、一種思念與關懷。黑色的線如夜空或宇宙交織成
burnt piano was very shocking to the artist. The poetic
一個無限的空間。小時候鄰居家招受祝融，焦黑的鋼琴
atmosphere outlined by thousands of threads， the
影像對藝術家來說非常有震撼力。千絲萬縷勾勒出的詩
mirror is suspended on tens of millions of strings，
意氛圍，鏡子被懸吊於數千萬根細繩上，和藝術家共感
and the memories shared by the artist touch the
的記憶如潮水流瀉般觸動觀賞者的內心深處。塩田千春
viewer's heart like a flowing tide. Chiharu Shiota
善用記憶中的生活物品，透過作品描述藝術家的生活與
makes good use of daily objects in her memory to
情感、更描繪與人之間的連結。
describe her life and emotions through her works，
透過一根根細繩編織出恢宏的景觀，紅線、黑線或白線交
and also depicts the connections between people.
纏而成、鋪天蓋地貫穿整個空間，千絲萬縷勾勒出的詩意
A magnificent landscape is woven through thin
氛圍，日常家用物品被懸吊於數千萬根細繩上，和藝術家
strings. Red， black or white threads are intertwined
共感的記憶如潮水流瀉般觸動觀賞者的內心深處。
and overwhelmingly run through the entire space.
"State of Being (Mirror)" is woven through strings to express an emotion， longing and care. Black strings intertwined into an infinite space like the night sky or the universe. When she was a child， her neighbor's
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Thousands of threads outline a poetic atmosphere. Daily household items are suspended on tens of millions thin strings， the memory shared by the artist flows like a tide， touching the viewers deep in the heart.
233
Yoshitomo NARA (Japanese, b. 1959)
Hand Searching 2017 Polystone, acrylic, color pencil and mixed media, edition no. 149/150 15(L) x 12(W) x 31(H) cm PROVENANCE
HOW2WORK, Hong Kong Acquired from the above by the present owner
NT$ 1,600,000 - 2,400,000 HK$ 390,000 - 585,000 US$ 50,000 - 75,000 RMB 365,000 - 548,000 奈良美智 我的手呢 2017 寶麗石粉 壓克力 彩色鉛筆 綜合媒材 149/150 15(長) x 12(寬) x 31(高) cm 來源
HOW2WORK，香港 現有收藏者購自上述來源
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234
Yoshimasa TSUCHIYA (Japanese, b. 1977)
Kirin 2019 Wood, crystal, polychrome 27(L) x 13 (H) x 47 (H) cm Signed on the bottom Yoshimasa Tsuchiya in Kanji
NT$ 1,300,000 - 2,600,000 HK$ 317,000 - 634,000 US$ 40,700 - 81,300 RMB 297,000 - 594,000 土屋仁応 麒麟 2019 樟木 水晶 彩色 27(長) x 13(寬) x 47(高) cm 簽名底部：土屋仁応
235
Yoshimasa TSUCHIYA (Japanese, b. 1977)
Kirin 2022 Wood, crystal, polychrome 39(L) x 14(W) x 22(H) cm Signed on the bottom Yoshimasa Tsuchiya in Kanji and dated 2022
NT$ 1,100,000 - 1,800,000 HK$ 268,000 - 439,000 US$ 34,400 - 56,300 RMB 251,000 - 411,000 土屋仁応 麒麟 2022 樟木 水晶 彩色 39(長) x 14(寬) x 22(高) cm 簽名底部：土屋仁応 2022
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236
Iwamura EN (Japanese, b. 1988)
Neo Joman: Trophy 2021 Ceramic 25.5(L) x 21(W) x 50(H) cm Signed on the bottom EN PROVENANCE
Ross + Kramer Gallery, New York This lot is to be sold with a certificate of authenticity signed by the artist
NT$ 850,000 - 1,500,000 HK$ 207,000 - 366,000 US$ 26,600 - 46,900 RMB 194,000 - 342,000 岩村遠 新繩獸：英俊哥 2021 陶瓷 25.5(長) x 21(寬) x 50(高) cm 簽名雕刻底部：EN 來源
Ross + Kramer 畫廊，紐約 附藝術家簽名之作品保證書
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TONG YANG TZE
董陽孜
(Taiwanese, b. 1942)
知行合一
Unity of Knowledge and Action
水墨 紙
Ink on paper 70 x 69 cm With three seals of the artist
鈐印左下及右下
NT$ 80,000 - 160,000 HK$ 20,000 - 39,000 US$ 2,500 - 5,000 RMB 18,000 - 37,000
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70 x 69 cm
238
HSU Yu-jen (Taiwanese, b.1951)
In the Quiet Sky 2007 Ink on paper 227.5 x 48.5 cm Signed on the tag HSU Yu-jen in Chinese
NT$ 80,000 - 160,000 HK$ 20,000 - 39,000 US$ 2,500 - 5,000 RMB 18,000 - 37,000 許雨仁 靜空中 2007 水墨 紙本 227.5 x 48.5 cm 簽條款識：樹橫橫生 葉茬飄飄 藤纏生靜空中中 許雨仁2007
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CHUANG Che
莊喆
(Taiwanese, b. 1934)
舞動青春
Dance of Youth
綜合媒材 紙本
Mixed media on paper 94 x 78 cm Signed lower right Chuang Che
簽名右下：莊喆
NT$ 190,000 - 280,000 HK$ 46,000 - 68,000 US$ 5,900 - 8,800 RMB 43,000 - 64,000
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94 x 78 cm
240
CHU Teh-chun (Chinese - French, 1920 - 2014)
朱德群 藍季 (七件一組)
Blue Season (a set of 7)
2006
2006 Lithograph, edition no. 20/99 41 x 32 cm ; 44.5 x 34.5 cm ; 41.2 x 30.2 cm ; 45 x 69 cm Signed lower right CHU TEH-CHUN in Chinese and French, numbered lower left 20/99
41 x 32 cm；44.5 x 34.5 cm
NT$ 260,000 - 360,000 HK$ 63,000 - 88,000 US$ 8,100 - 11,300 RMB 59,000 - 82,000
石版畫 20/99 41.2 x 30.2 cm；45 x 69 cm 簽名右下：朱德群 CHU TEH-CHUN 版次左下：20/99
241
CHEN Ting-Shih
陳庭詩
(Taiwanese, 1916 - 2002)
晝與夜 #10
Day & Night #10
1970
1970 Woodblock print, edition no. 3/20 90.5 x 90.5 cm Signed lower right Chen Ting-Shih, titled lower left Day and Night #10 and number 3/20
90.5 x 90.5 cm
ILLUSTRATED
CHEN Ting-Shih (1915 - 2000), Taipei Fine Arts Museum, Taipei, 2002, p. 119
NT$ 220,000 - 320,000 HK$ 54,000 - 78,000 US$ 6,900 - 10,000 RMB 50,000 - 73,000 74
版畫 3/20 簽名右下：Chen Ting-Shih 題識左下：Day and Night #10 3/20 圖錄
《大律希音；陳庭詩紀念展 》 台北市立美術館，台北，2002 頁119
242
XUE Song (Chinese,b 1965)
Dialogue with Hong Ren 2006 Oil on canvas 100 x 50 cm Signed lower right XUE Song in Chinese Signed XUE Song in Chinese and English, titled on the reverse Dialogue with Hong Ren "Lanscape"in Chinese, inscribed 100 x 50 cm, and dated 1999 This lot is to be sold with a certificate of authenticity issued by William gallery, Taipei
NT$ 320,000 - 420,000 HK$ 78,000 - 102,000 US$ 10,000 - 13,100 RMB 73,000 - 96,000
薛松 與弘仁對話 2006 油彩 畫布 100 x 50 cm 簽名右下：薛松 簽名畫背：與弘仁對話《山水》 100 x 50 cm 薛松 XUE Song 2006 附威廉藝術中心開立之原作保證書
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Yoshio CHANG
張義雄
(Taiwanese, 1914 - 2016)
康乃馨
Carnation
1985
1985 Oil on canvas 60 x 38 cm Signed lower right CHANG.Y. and dated 1985
60 x 38 cm
NT$ 130,000 - 240,000 HK$ 32,000 - 59,000 US$ 4,100 - 7,500 RMB 30,000 - 55,000
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油彩 畫布 簽名右下：85 CHANG.Y.
244
CHEN Ching-jung
陳景容
(Taiwanese, b. 1934)
百合花
Lily
油彩 畫布
Oil on canvas 91 x 73 cm Signed lower left Ching-Jung in Chinese
簽名左下：景容
NT$ 320,000 - 420,000 HK$ 78,000 - 102,000 US$ 10,000 - 13,100 RMB 73,000 - 96,000
91 x 73 cm
245
Alixe FU (FU Qingli, Ching-Fong)
傅慶豊 & 19世紀法國繪畫
(Chinese - French, b. 1961)
一的世界 II；單身漢 II (兩件一組)
Unique II; Celibataire II (a set of 2)
2005
2005 Mixed media on paper 15 x 10.1 cm; 15 x 10.2 cm Signed lower left Fu 2005 Signed lower right Fu 2005
15 x 10.1 cm；15 x 10.2 cm
This lot is to be sold with a certificate of authenticity issued by Lyna Art Co., Ltd
NT$ 110,000 - 160,000 HK$ 27,000 - 39,000 US$ 3,400 - 5,000 RMB 25,000 - 37,000
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綜合媒材 紙本 簽名左下：Fu'05 簽名右下：Fu 2005 附Lyna Art Co., Ltd開立之作品保證書
246
Michell HWANG (HWANG Ming-che) (Taiwanese, b. 1948)
Woman with Cat 1993 Oil on canvas 182 x 60.5 cm Signed lower left Che in Chinese and dated 1993 Titled on the reverse Woman in Chinese, inscribed size 50F 180 x 60, signed Che in Chinese and dated 1993
NT$ 420,000 - 550,000 HK$ 102,000 - 134,000 US$ 13,100 - 17,200 RMB 96,000 - 126,000 黃銘哲 女人與貓 1993 油彩 畫布 182 x 60.5 cm 簽名左下：哲 1993 簽名畫背：50F 180 x 60 1993 女人 哲
247
HSIAO Chin (XIAO Qin)
蕭勤
(Taiwanese, b. 1935)
光輝的花園
Glorious Garden
1999
1999 Acrylic on canvas 110 x 90 cm Signed on the reverse HSIAO Chin, titled Il giardino di luci in Italian and Chinese, inscribed 110 x 90 cm and dated 1999
110 x 90 cm
This lot is to be sold with a certificate of authenticity issued by Hsiao Chin International Art Foundation
NT$ 550,000 - 800,000 HK$ 134,000 - 195,000 US$ 17,200 - 25,000 RMB 126,000 - 183,000 80
壓克力 畫布 簽名畫背：HSIAO Chin 光輝的花園 "Il giardino di luci" 1999 110 x 90 cm 附蕭勤國際藝術基金會開立之原作保證書
248
SZETO Lap
司徒立
(Chinese, b. 1949)
走廊 (兩件一組)
Hallway (a set of 2)
1988
1988 Oil on canvas 146 x 97 cm (each) Signed lower left Szeto in English and dated 1988 (left) Signed lower right Szeto in English and dated 1988 (right)
146 x 97 cm (每件)
NT$ 550,000 - 650,000 HK$ 134,000 - 159,000 US$ 17,200 - 20,300 RMB 126,000 - 148,000
油彩 畫布 簽名左下：Szeto 1988 (左) 簽名右下：Szeto 1988 (右)
249
SANYU (CHANG Yu)
常玉
(Chinese - French, 1895 - 1966)
穿著襯衫的女士
Lady in Blouse
1920 - 1930 年代
c. 1920 - 1930 Ink on paper 45 x 28 cm
45 x 28 cm
PROVENANCE
Hotel Drouot, Paris Michel Habart Collection, France ILLUSTRATED
Rita Wong, Sanyu: Index of Drawings, The Li-Ching Cultural and Educational Foundation, Taipei, 2014, no. D2337, p. 106 (E - Catalogue)
NT$ 650,000 - 850,000 HK$ 159,000 - 207,000 US$ 20,300 - 26,600 RMB 148,000 - 194,000 82
水墨 紙本
來源
圖歐拍賣會，巴黎 米謝．阿拔赫家族 收藏，法國 圖錄
衣淑凡，《常玉素描全集》，財團法人 立青文教基金會，台北，2014，編號 D2337，頁106 (電子圖錄)
250
ZAO Wou-ki
趙無極
(Chinese - French, 1920 - 2013)
無題
Untitled
1980
1980 Ink on paper 57 x 47.5 cm Sign lower right Wou-ki in Chinese and ZAO in French
57 x 47.5 cm
This lot is to be sold with a certificate of authenticity signed by Atelier Zao Wou-ki
NT$ 950,000 - 1,600,000 HK$ 232,000 - 390,000 US$ 29,700 - 50,000 RMB 217,000 - 365,000
水墨 紙本 簽名右下：ZAO無極 附趙無極工作室開立之原作保證書
251
DONG Shawhwei
董小蕙
(Taiwanese, b. 1962)
海棠紅
Begonia
2012
2012 Oil on canvas 100 x 80 cm Signed lower left S.Hwei 2012
100 x 80 cm
This lot is to be sold with a certificate of authenticity issued by Asia Art Center, Taipei
NT$ 800,000 - 1,100,000 HK$ 195,000 - 268,000 US$ 25,000 - 34,400 RMB 183,000 - 251,000 84
油彩 畫布 簽名左下：S.Hwei 2012 附亞洲藝術中心開立之作品保證書
252
LIU KUO-SUNG
劉國松
(Taiwanese, b. 1932)
月之變位之四十
Moon's Change Identity No. 40
1974
1974 Mixed media on paper 81 x 56.5 cm Signed lower left Liu Kuo-sung and dated 1974 in Chinese With one seal of the artist Signed on the frame Liu Kuo-sung, titlted Moon's Change Identity No. 40, inscribed 81 x 56.5 cm and dated 1974
81 x 56.5 cm
PROVENANCE
Aquired from the artist by the present owner
NT$ 1,600,000 - 2,600,000 HK$ 390,000 - 634,000 US$ 50,000 - 81,300 RMB 365,000 - 594,000
綜合媒材 紙本 簽名左下：劉國松 一九七四 鈐印左下：劉國松 簽名畫框背板：劉國松作 月之變位之四十 1974 81 x 56.5 cm 來源
現有藏家購自藝術家本人
253
CHEN Te-wang
陳德旺
(Taiwanese, 1909 - 1984)
裸女與浴盆
Nude Girl with Bathtub
1980
1980 Oil on canvas 61 x 45.5 cm
61 x 45.5 cm
ILLUSTRATED
Taiwan Fine Arts Series 15, Artist Co. Ltd., Taipei, 1995, cover, pp. 70 - 71 & p. 256
NT$ 1,100,000 - 2,200,000 HK$ 268,000 - 537,000 US$ 34,400 - 68,800 RMB 251,000 - 502,000
86
油彩 畫布
圖錄
《台灣美術全集15》，藝術家出版社， 台北，1995，封面，頁70 - 71及頁256
254
CHIU Ya-tsai
邱亞才
(Taiwanese, 1949 - 2013)
希望
Hope
1991
1991 Oil on canvas 145.5 x 112 cm Signed lower right Ya tsai
145.5 x 112 cm
ILLUSTRATED
CHIU Ya-tsai, Goethe Art Center, Taichung, 2006, cover & p. 64
NT$ 1,700,000 - 2,600,000 HK$ 415,000 - 634,000 US$ 53,200 - 81,300 RMB 388,000 - 594,000
油彩 畫布 簽名右下：亞才 圖錄
「邱亞才」，哥德藝術中心，台中 2006，封面及頁64
255
CHIU Ya-tsai (Taiwanese, 1949 - 2013)
Portrait of Woman 1993 Oil on canvas 116.5 x 90.5 cm Signed lower left Chiu Ya tsai in Chinese
NT$ 2,000,000 - 3,000,000 HK$ 488,000 - 732,000 US$ 62,500 - 93,800 RMB 457,000 - 685,000 邱亞才 女人肖像 1993 油彩 畫布 116.5 x 90.5 cm 簽名左下：邱亞才
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256
SHIY De-jinn
席德進
(Taiwanese, 1923 - 1981)
苗栗火炎山景
Landscape of Mountain Houyan in Miaoli
1979
1979 Ink and color on paper 69.5 x 139 cm Signed lower right SHIY De-jinn and dated 1979 With two artist's seals
69.5 x 139 cm
NT$ 2,400,000 - 3,200,000 HK$ 585,000 - 780,000 US$ 75,000 - 100,100 RMB 548,000 - 731,000
90
彩墨 紙本 簽名右下：席德進 1979 鈐印右下：席德進印 鈐印左上：席氏書畫
257
PANG Jiun
龎均
(Taiwanese, b. 1936)
輕舟已過萬重山
The Boat Has Already Sailed Through Thousands of Hills
2001
2001 Oil on canvas 114.5 x 114.5 cm Signed lower left Pang Jiun in Chinese and dated 2001 With one painted seal of the artist. Signed on reverse PANG Jiun in Chinese and English, titled The Boat Has Already Sailed Through Thousands of Hills, and dated 2001
簽名左下：龎均 2001
NT$ 1,900,000 - 2,800,000 HK$ 463,000 - 683,000 US$ 59,400 - 87,600 RMB 434,000 - 639,000
油彩 畫布 114.5 x 114.5 cm 手繪鈐印：均 簽名題識：龎均 PANG Jiun 輕舟已過萬重山 2001
258
PANG Jiun (Taiwanese, b. 1936)
Guilin 2009 Oil on canvas 108 x 155 cm Signed lower right Pang Jiun in Chinese and dated 2009 With one painted seal of the artist
NT$ 3,200,000 - 4,600,000 HK$ 780,000 - 1,122,000 US$ 100,100 - 143,800 RMB 731,000 - 1,050,000
龎均 桂林 2009 油彩 畫布 108 x 155 cm 簽名右下：龎均 2009 手繪鈐印：均
92
259
CHUANG Che (Taiwanese, b. 1934)
Green River (diptych) 1994 Acrylic, oil on canvas 127 x 336 cm Signed lower right CHUANG Che and dated 1994 Titled on the reverse Green river in Chinese and English and dated 1994 ILLUSTRATED
CHUANG Che, Asia Art Center, Taipei, 2005, p. 46
NT$ 3,600,000 - 4,800,000 HK$ 878,000 - 1,171,000 US$ 112,600 - 150,100 RMB 822,000 - 1,096,000 94
莊喆 青河 (雙聯幅) 1994 壓克力 油彩 畫布 127 x 336 cm 簽名右下：莊喆 1994 題識畫背：青河 Green River 1994 圖錄
《莊喆》，亞洲藝術中心，台北，2005，頁46
260
CHU Teh-chun (Chinese - French, 1920 - 2014)
Green Lanscape 1981 Oil on canvas 50 x 65 cm Signed lower right CHU TEN-CHUN in Chinese and English Signed on the reverse CHU TEN-CHUN in Chinese and English and dated 1981
NT$ 4,600,000 - 6,000,000 HK$ 1,122,000 - 1,463,000 US$ 143,800 - 187,600 RMB 1,050,000 - 1,370,000 朱德群 綠色山水 1981 油彩 畫布 50 x 65 cm 簽名右下：朱德群 CHU TEN-CHUN 簽名畫背：CHU TEN-CHUN 朱德群 1981
此幅《綠色山水》即為朱德群1980年代的作品。沉穩的深 綠色主調賦予畫面一種神秘而充滿內涵的氛圍。綠色展現 大自然與生命力，也隱含著一種探索或追求的過程，一種 對自我和外部世界的思考。而畫面中點綴的黃色色塊象徵 著希望、光明充滿著奔放的能量，線條紛繁交織，營造出 強烈的動感，彷彿一部濃郁而有力的交響樂曲。在展現大 自然的風采的同時，更能感受到藝術家內心的熾烈情感。 T h e pa i n t i n g " G re e n L a n d s c a p e" i s o n e of Z h u Dequn's works from the 1980s. The serene deep green tone imbues the scene with a mysterious and profound atmosphere. The green color represents nature and vitality, while also hinting at a process of exploration and pursuit, a contemplation of the self and the external world. The scattered yellow blocks in the composition symbolize hope and radiate exuberant energy. The inter twining lines create a strong sense of dynamism, as if composing a rich and powerful symphony. While showcasing the splendor of nature, you can also feel the artist's inner passion.
96
261
CHU Teh-chun (Chinese - French, 1920 - 2014)
Door of Opening 1988 Oil on canvas 60 x 73 cm Signed lower right CHU TEN-CHUN in Chinese and English, and dated 1988
NT$ 6,000,000 - 8,000,000 HK$ 1,463,000 - 1,951,000 US$ 187,600 - 250,200 RMB 1,370,000 - 1,826,000 朱德群 開啟之門 1988 油彩 畫布 60 x 73 cm 簽名右下：朱德群 CHU TEN-CHUN 88
藍色調是朱德群的最愛，因為它象徵了大自然中海天共用 的原色。藍色既親切又富詩意，充滿了天地間磅礡的氣 魄。此幅1988年創作的《開啟之門》抑是以藍色為基調。 朱德群充分運用中國書法中的氣韻生動，引入水墨中的渲 染、飛白、垂懸等表現性元素。充滿動感的佈局，畫面肌 理得體，準確優美，極富表現力。畫面中如韻律跳躍、節 奏雄健，似交響樂般的點塊表現，無不既融匯了中國草書 俐落瀟灑的用筆，又呈現了西方韻律、節奏的視覺美感。 Blue is Chu's favorite for base color, it is the color of the ocean and the sky. It' s decent and poetic, and could create the atmosphere between the worlds. "Door of Opening" created in 1988, is dominated by a blue color palette. By this time, the art of Chu Teh-chun had already transformed from saturated ink and expressionistic strokes of calligraphy into a perfectly integrated form of visual representation. The painting shows the jumping rhythm with power. The dots and blocks seemed like symphony performance, integrated with the fluency of Chinese cursive writing and the Western rhythm of visual aesthetic.
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262
ZAO Wou-ki (Chinese - French, 1920 - 2013)
1.5.2002 2002 Oil on canvas 150 x 162 cm Signed lower right Wou-ki in Chinese and ZAO in French Signed on the reverse ZAO Wou-ki in French, titled Dans un jardin des plantes, inscribed Ambassade de France (Berlin) 150 x 162 cm and dated November 1953 PROVENANCE
Ravenel Auction, Taipei, June 5, 2005, lot 40 Private collection, Asia EXHIBITED
Zao Wou-ki, Retrospective, Galerie Nationale du Jeu de Paume, Paris, Octo- ber-November 2003 Zao Wou-ki, La Quête du Silence, Musée des Beaux-Arts de Dunkerque, Dunkerque (Nord, Nord-Pas-de-Calais), April 4 to August 30, 2004 ILLUSTRATED
Zao Wou-ki, Galerie Nationale du Jeu de Paume, France, 2003, p. 161 Zao Wou-ki, La Quête du Silence, Somogy Editions d'Art, Paris, 2004, no. 71, pp. 92 - 93
NT$ 46,000,000 - 60,000,000 HK$ 11,220,000 - 14,634,000 US$ 1,438,400 - 1,876,200 RMB 10,502,000 - 13,699,000 趙無極 1.5.2002 2002 油彩 畫布 150 x 162 cm 簽名右下：無極ZAO 簽名畫背：Ambassade de France (Berlin) ZAO Wou-ki 1 May 2002 150 x 162 cm 來源
羅芙奧拍賣，台北，2005年6月5日，編號40 私人收藏，亞洲 展覽
「趙無極回顧展」，網球場國家畫廊,巴黎，展期自2003年10月至11月 《趙無極：寂靜之追尋》，敦克爾克美術館，敦克爾克（法國東北部） 展期自2004年4月4日至8月30日 圖錄
《趙無極》，網球場國家畫廊，法國，2003，頁161 《趙無極：寂靜之追尋》，索摩日美術出版社，巴黎，2004，編號71，頁92 - 93
100
《1.5.2002》是一幅趙無極新世紀的得意創作，畫中氣 勢萬千，彷如一片深沈的穹蒼與海洋。令不少評論家驚 喜地發現，畫家在近期作品展現了前所未有的輕盈、悠 揚，色彩富麗而華美，更多熱情、細膩的情感融入在其 中，洋溢和諧自得的寧靜詩意。 這幅油畫作品在畫家近期兩次重要回顧展中皆獲邀請展 出，一是2003年巴黎網球場國家畫廊的盛大回顧展， 另一項展出則是2004年法國東北部敦克爾克美術館的 「趙無極:寂靜追尋」。前者是繼1981年大皇宮回顧 展之後，巴黎首度舉行的趙無極盛大回顧展，對畫家 而言，可是非同小可的大事。而後者則屬於歐盟資助 的「2004里爾:歐洲文化之都」活動，以及法國文化部 「中法文化年」的年度盛會活動之，其重要性不言可 喻。 藝評家們認為，趙無極近作是「寂靜之畫」，彷如一種 「自然的夢」。有一段評論文字，道出畫家近作的精 神:「趙無極的繪畫並非全然無聲的，而是極深沈的寂 靜，如同一位不停工作的人凝視著，無止盡地的兢兢業 業，因為每一線條，每一筆觸，都在成就著整體繪畫之 大。」(參閱法國《人道報》2002年7月2日DW所撰寫 的〈趙無極的忠誠道路〉一文) 2002年趙無極獲得法蘭西藝術學院終身院士的榮譽， 華裔大師的成就再往推進一個階段，而在藝術創作上， 他亦不斷向前，帶給觀者歎為觀止的驚奇!
102
ZAO Wou-ki
1.5.2002
趙無極 |1.5.2002
1.5.2002 is one of Zao Wou-ki's eminent works in the new millennium, a painting of tremendous force reminiscent of the deep-vaulted firmament and the unfathom- able ocean. Many critics were pleasantly surprised to see that in his latest works Zao had progressed to develop an entirely new style, light and supple like a flowing melody, with rich and freely applied colors. There is even more passion and subtle emotion in his new paintings, which are overflowing with a contented and har- monious lyricism. This oil painting was on display in two important retrospective exhibitions of the artist's oeuvre that were held in recent years. One was the Grand Retrospective at the Galerie Nationale du Jeu de Paume in Paris, and the other was at the Dunkerque Museum of Fine Arts, titled "Zao Wouki: La Quête du Silence". The Paris exhibition was the second retrospec- tive of Zao's work in the French capital after an earlier one held in 1981 at the Galerie National du Grand Palais, and the continued recognition meant a great deal to the artist. The Dunkerque retrospective was one of a series of activities, all part of the EU-
sponsored event “Lille, Capitale Européenne de la culture en 2004". At the same time, the exhibition was part of the "L'année de la Chine" the year of China under the aegis of the French Ministry of Culture, making it one of the year's major art events. Critics have labeled Zao Wouki's recent works “paintings of silence” and “dreams of nature" (rêve de nature). The following quote aptly describes the spirit of the artist's latest paintings: “Les toiles de Zao Wou-ki ne sont donc pas muettes, mais profondément silencieuses, comme un qui travaille sans relêche, regarde, et avec d'infinies précautions reprend. Parce que chaque trait, chaque touche modifie le grand tout du tableau" (D.W., La voie royale de Zao Wou-ki, Journal l'Humanité, Paris, July 2, 2002). In 2002, Zao was made a member of the Académie des Beaux-Arts, a great honor that marked yet another milestone in the life of this grand master of Chinese origin. Most importantly, Zao continues to set milestones in his artistic work, dazzling aficionados with ever new creations.
263
ZAO Wou-ki (Chinese - French, 1920 - 2013)
Dans un jardin des plantes 1953 Oil on canvas 65 x 81 cm Signed lower right Wou-ki in Chinese and ZAO in French Signed on the reverse ZAO WOU-Ki in French, titled Dans un jardin des plantes and dated November 1953 PROVENANCE
Pierre Gallery, Paris Private collection, California Private collection, Asia This work will be included in the artist's forthcoming Catalogue Raisonné prepared by Françoise Marquet-Zao and Yann Hendgen This lot is to be sold with a certificate of authenticity signed by Atelier Zao Wou-ki
NT$ 65,000,000 - 90,000,000 HK$ 15,854,000 - 21,951,000 US$ 2,032,500 - 2,814,300 RMB 14,840,000 - 20,548,000 趙無極 在植物園裡 1953 油彩 畫布 65 x 81 cm 簽名右下：無極ZAO 簽名畫背：ZAO WOU-KI, Dans un jardin des plantes, XI-53 來源
皮埃爾畫廊，巴黎 私人收藏，加利福尼亞 私人收藏，亞洲 此作將收錄於法蘭絲娃絲•馬凱及揚•亨德根即將出版之 《趙無極作品編年目錄》 附趙無極工作室開立之原作保證書
104
亨利．米修認為： 趙無極的畫其實不是「風景」，而是「自然」。 早期作品有幽渺曠遠與神祕的感覺，一種中國節慶氣 氛，他的評畫相當契合藝術家的心境。而傑克梅第曾經 告訴趙無極，特別喜歡他「畫中有一種潦草顫動的東 西」，對於後來趙無極轉向抽象還頗有微辭。1948年 趙無極離開中國前往法國學習藝術，浸淫在歐洲濃郁的 文化氛圍中，極短的時間適應了當地的生活，出色的畫 藝使得他很快受到肯定。1951年時他暫緩繪畫創作， 開始到歐洲各國旅行充實自我。就在他前往瑞士參加自 己的銅版畫發表時，有機會在伯恩參觀了保羅．克利的 畫展。當他看到小小的畫面營造出遼闊無比的空間，色 彩間交雜著線條符號，牽引出抽象的詩意與想像，內心 受到極大的感動。克利帶有東方精神的高妙繪畫，提示 出一條通往抽象藝術的途 徑。這段探索時期對於趙無 極後來成為國際知名抒情抽 象畫家，可謂至關重要。
w e re n o t d e p i c t i n g " l a n d s c a p e s " a s m u c h a s " n a t u re , " a n d t h a t h i s e a r l y wo r k w a s ba t h e d in the lively atmosphere of Chinese festivals, while at the same time emanating a power ful sense of vastitude and mysticism. Giacometti once told Zao that he was especial- ly fond of t h e "s p o n t a n e o u s n o n c h a l a n c e r i p p l i n g i n trem- ors" (il y avait un côté pattes de mouche tremblotantes) through his paintings-a remark already hinting at the ar t- ist's gradual switch to out-and-out abstraction, which was to follow later in his career.
In 1948, Zao Wou-ki left China for France, where he studied ar t and immersed himself in 之後趙無極又到義大利、西 the pulsating bohemian 班牙等地旅行，南歐的城市 and cultural life of the 建築吸引了他的目光，地中 old continent. He was 海的明亮色彩與想像力都是 quickly at home in Paris, 創作的源泉。這些空間佈局 and his superior painting 被他運用在1950年代初期 skills and creative 的作品之中。以此幅《在植 genius soon found wide 物園裡》為例，顫動纖細 recognition in art circles. 的線條切割產生空間感。 In 1951, Zao temporarily 象形文字般的符號線條組構 put his painting effor ts 出山村綠樹，呈現自然質樸 on a backburner and 保羅．克利《古銘文》，1919 水彩 紙 9.5 x 12 cm 的特色，隱約見到人物嬉戲 began to travel through 法國聖赫西安寧美術館典藏(法蘭絲娃絲，馬凱 2015年捐贈) Paul Klee, Altelnschrift, 1919, watercolor on paper, 9.5 x 12 cm, Musée de 其間，歐洲繪畫專有的亮黃 E u ro p e to b roa d e n h i s 色調，結合清新的綠色，使 l'Hospice Saint-Roch, Issoudun, France (Donation by Françoise Marquet-Zao) horizons and seek new 整幅繪畫洋溢愉悅感，宛 inspirations. Making 如夢境般的氤氳空間。1950年代早期油畫《在植物園 his way to Switzerland for a presentation of his 裡》仍屬於具象畫，畫中描寫的對象以簡化符號取代， copperplate etchings, he had the oppor tunity 但觀眾仍可辨識。自然世界裡的幽玄語彙，讓整幅畫帶 to visit a Paul Klee exhibition in Bern. Zao was 有神祕而迷人的氣氛。中國繪畫多點透視空間的傳統、 d e e p l y i m p r e s s e d b y K l e e's a b i l i t y t o e v o ke 文人畫意境，巧妙地融合於此。趙無極來自歷史悠久的 immeasurably vast spaces in even the smallest東方，接觸了西方，為他的繪畫中帶進西方的光線與色 sized of paintings, and to delicately blend colors 彩，而西方又導引他重新發現中國，尤其是中國的空 with lines and symbols to conjure up abstract 間。兩種傳統不相互約束，反而交互作用成趙無極抒情 poeticism and playgrounds of imagination. There 又遼闊的繪畫世界，走向抽象藝術的探索。 i s s o m e t h i n g O r i e n t a l a b o u t K l e e's w o r k , a n ingenious master y that directly communicated H e n r i M i c h a u x , w h o s e c r i t i q u e s of i n d i v i d u a l itself to Zao, pointing a way toward the ar t of w o r k s a re a l w a y s v e r y i n s i g h t f u l a n d i n t u n e the abstract. It is no exaggeration to say that with the ar tist's mood, felt that Zao's paintings 106
those years of freewheeling exploration were crucial for the Chinese artist's development as an internationally renowned master of lyrical-abstractionist painting. Zao also traveled to other places, such as Italy and Spain, where Southern European architectural styles attracted his interest, and the bright, intense colors a n d ro m a n t i c M e d i t e r r a n e a n s p i r i t b e c a m e l a s t i n g sources of inspiration for his work. This influence can be strongly felt in the artist's compositions from the early 1950s, including this lot, titled "In a Garden of Plants", in which vacillating fine lines dominate the foreground and expand to both sides of the canvas to create a sense of depth and space. Dark lines reminiscent of Chinese pictographs are assembled into a mountain village and green trees, with human figures faintly discernible in between. Bright yellow tones in the European tradition a re f u s e d w i t h f re s h s h a d e s of g re e n to g e n e r a te a joyful atmosphere that is further accentuated by dabs of opaque white. The overall effect is that of a dreamlike world, a delightfully different plane of reality. "In a Garden of Plants" has to be counted as a work of representational art: while the depicted subjects have already been "replaced" by symbolic pictograms, they yet remain immediately identifiable by the obser ver. However, the profound mystique of the natural world, per fectly mirrored in the ar tist's shor thand imager y, imbues the entire composition with an intriguing mood, both confusing and spellbinding. Moreover, "Paysage" is a def tly craf ted amalgam of European palette and the traditional Chinese multi-per spective approach, a cl eve r m ixture of litera ti-pa inting m eta ph o r s a nd Western techniques. Zao, while rooted in the Oriental tradition, encountered European styles and techniques with an open mind, absorbing new ways of lighting and coloring to come away with a fresh outlook on Chinese visual art, in particular its treatment of space and perspective. Zao has a true talent for combining seemingly incongruent elements and approaches, and allowing them to harmoniously complement each other. In the process, he has created masterpieces both lyrical and majestic, always forging ahead in his search for perfect abstraction.
趙無極《黃金城市》1951 油彩 畫布 88.7 x 115.7 cm 蘇富比香港2021春拍 港幣 7445.3 萬元成交 Zao Wou-Ki, Untitled (Golden City), 1951, oil on canvas, 88.7 x 115.7 cm Sotheby's Spring Auction 2021, HK, US$9,581,729
趙無極《阿拉伯城市》1953 油彩 畫布 81 x 65 cm 蘇富比巴黎2021春拍 歐元 441.63 萬元成交 Zao Wou-Ki, Ville arabe, 1953, oil on canvas, 81 x 65 cm Sotheby's Spring Auction 2021, Paris, US$5,352,409
264
ZHOU Chunya
周春芽
(Chinese, 1955)
綠狗
Green Dog
2009
2009 Oil on canvas 150 x 120 cm Signed lower right Zhou Chunya in Chinese and English, dated 2009
油彩 畫布 150 x 120 cm 簽名右下：2009 周春芽 Zhou Chunya
NT$ 9,000,000 - 18,000,000 HK$ 2,195,000 - 4,390,000 US$ 281,400 - 562,900 RMB 2,055,000 - 4,110,000
綠狗系列是周春芽最負盛名的代表作，被形容為「畫 布上的雕塑」。 藝術評論家呂澎在〈綠狗敘事〉一 文中評述：「狗在畫家的生活中是潛在的需要，這樣 與人相比看來似乎無意識的生命成為逐漸減少自然性 的都市環境中人的一種渴望。事實上，只有一種通情 理的、具有依附性的生命也許可以讓人感受到慰藉， 使你在枯燥和空乏的社會環境裡沾染一點自然與淳樸 的氣息。」在「綠狗」系列中，畫家進一步放棄對形 體的追求，且直接將綠狗置於視覺中心，巨大而空曠 的白色畫布上，綠色的身影、充實的質感和強烈的攻 略性，令人久久無法忘懷。 The "Green Dog" series is immediately i d e n t i f i a b l e a s o n e of Z h o u C h u n y a 's m o s t recognized group of works. It has been described as "sculpture on canvas". The ar t critic Lu Peng says in "Narrating the Green
108
Dog", "His dog was a big responsibility in the artist's life more so than human being. A dog as a companion has become an unconscious d e s i re of m a n y p e o p l e l i v i n g i n c i t i e s a n d urban areas as they have become divorced and separated from nature. The loyalty and dependability of a dog is a comfort to people, and adds a depth of meaning, bringing c o l o r a n d f e e l i n g to a n o t h e r w i s e d u l l a n d meaningless life." Taking a more expressionist v i e w p o i n t , Z h o u p l a c e d t h e b i g g re e n d o g in the visual center of his canvases. The silhouette of the green dog against a huge white backdrop, the luxuriant texture of the paintwork and the heightened emotional displays of the dog, leave a deep impression on the viewer.
265
Walasse TING (Chinese - American, 1929 - 2010)
Take Me to Movie 1975 Acrylic on canvas 99 x 135 cm Signed on the reverse ting, titled Take Me to Movie and dated 1975 PROVENANCE
Christie's, Hong Kong, May, 26, 2013, lot 3420
NT$ 3,400,000 - 5,000,000 HK$ 829,000 - 1,220,000 US$ 106,300 - 156,300 RMB 776,000 - 1,142,000 丁雄泉 帶我去看電影 1975 壓克力 畫布 99 x 135 cm 簽名畫背：Take Me to Movie Ting 75 來源
佳士得拍賣，香港，2013年5月26日，編號3420
110
266
Walasse TING (Chinese - American, 1929 - 2010)
Where is the Mr. Ting? 1986 Acrylic on canvas 62 x 76 cm Signed on the reverse ting, titled Where is the MR. TING? in English, dated 1986 PROVENANCE
Catto Gallery, London This painting is to be sold with a certificate of authenticity issued by Walasse Ting Archive
NT$ 1,200,000 - 1,800,000 HK$ 293,000 - 439,000 US$ 37,500 - 56,300 RMB 274,000 - 411,000 丁雄泉 丁先生在哪兒? 1986 壓克力 畫布 62 x 76 cm 簽名畫背：Where is the MR. TING? ting 86 來源
卡托畫廊，倫敦 附丁雄泉基金會開立之原作保證書
112
267
JU Ming
朱銘
(Taiwanese, 1938 - 2023)
太極拱門
Taichi Arch
1992
1992 Wood carving 60(L) x 22(W) x 32(H) cm Engraved left side Ju Ming in Chinese and dated 1992
60(長) x 22(寬) x 32(高) cm
木雕 簽名雕刻左側：朱銘'92 附真善美畫廊開立及藝術家簽名之原作保證書
This lot is to be sold with a certificate of authenticity signed by the artist and issued by Kalos Gallery
NT$ 3,400,000 - 5,500,000 HK$ 829,000 - 1,341,000 US$ 106,300 - 172,000 RMB 776,000 - 1,256,000
「太極拱門」原本是從雙人太極推手演化而來。藝 術家說：「以前的推手，兩個個體間還有間距，而 現在，我讓雙手連接起來，一連接，氣的流動、肌 肉的牽動，就相互貫通、活絡，合為一體，轉化成 拱門的造型。」 太極拳法瀟灑飄逸，你來我往之間，雙方拳者象徵 著中國的陰陽兩儀，推手的兩方又構成了太極的本 體。朱銘從練太極拳中獲得自然的啟示，1970年代 後期開始專研太極造型，逐漸發表一系列蜚聲國際 的太極系列雕塑，其中「太極拱門」可謂是頗具動 感的一種姿態。 在二十餘年的太極系列創作過程 ，朱銘最後以帶有 極簡抽象意涵的巨大「拱門」作為句號 。本次拍品 《太極拱門》為1992年的木雕作品。木雕表面有俐 落的刀斧痕跡，人物造型和諧具有美感。在此，藝 術家同時敦實地傳承傳統文化的精要，也融入新創 的形式美學。 " Ta i c h i A r c h " w a s o r i g i n a l l y e v o l v e d f r o m " Ta i c h i P u s h i n g H a n d s " T h e a r t i s t s a i d : " T h e re a re d i s t a n c e s b e t w e e n t w o o b j e c t s in the' Pushing Hands' from the past, now,
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I connected those too hands, once they are connected, the flow of chi, and movements of muscles are connected and alive, become a single object, and transformed to an arch." Fa r f ro m b e i n g j u s t a m a r t i a l a r t , Ta i c h i i s unrestrained and graceful, the relationship of two boxers are like the Chinese Ying Yang, pushing hands between two formed Taichi. Ju Ming inspired by nature when he practiced Taichi, and gradually completed his worldfamed Taichi Series, among the series, "Arch" is one of the liveliest piece of works. D u r i n g h i s c re a t i o n t h a t s pa n 2 0 ye a r s f o r Taichi Series, Ju Ming used this simple and abstractive "Arch" as a period for the series. This piece is a wood carving finished in 1992, and are obvious car ving marks on the wood surface. The gesture of characters are harmony and beautiful. The ar tist honestly inherited Chinese traditions; he also brings new forms of aesthetic into it.
268
LI Chen (Taiwanese, b. 1963)
Soul 2006 Bronze, edition no. 6/8 24(L) x 26(W) x 71(H) cm Engraved on the back Li Chen in Chinese and English, numbered 6/8 and dated 2006 ILLUSTRATED
Li Chen in 52nd Venice Biennale-Energy of Emptiness, Venice, Asia Art Center, Taipei, 2007, pp. 196 - 197 Li Chen: In Search of Spiritual Space, 2008 Solo Exhibition at National Art Museum of China, Asia Art Center, Taipei, 2008, pp. 158 - 165 Greatness of Spirit: Li Chen Premiere Sculpture Exhibition in Taiwan, Asia Art Center, Taipei, 2012, p. 10 This lot is to be sold with a certificate of authenticity issued by Asia Art Center, Taipei
NT$ 1,900,000 - 2,800,000 HK$ 463,000 - 683,000 US$ 59,400 - 87,600 RMB 434,000 - 639,000 李真 靈思 2006 銅雕 6/8 24(長) x 26(寬) x 71(高) cm 簽名雕刻後側：李真 Li Chen 6/8 2006 圖錄
《虛空中的能量—第52屆威尼斯雙年展》，亞洲藝術中心，台北 ， 2007，頁196-197 《李真—尋找精神的空間》，亞洲藝術中心，台北，2008，頁158 - 165 《大氣—李真台灣大型雕塑首展》，亞洲藝術中心，台北，2012，頁10 附亞洲藝術中心開立之作品保證書
116
269
Poren HUANG
黃柏仁
(Taiwanese, b. 1970)
地盤
My Territory
2005
2005 Bronze, edition no. 3/12 132(L) x 57(W) x 112(H) cm Engraved on right back 12 - 3 PR and dated 2004.12.27
132(長) x 57(寬) x 112(高) cm
銅雕 3/12 簽名右後：12-3 PR 2004.12.27 展覽
黃伯仁，台北國際藝術博覽會，台北，2008 圖錄
EXHIBITED
《狗札記—黃柏仁 作品集》，紅野畫廊有限
Huang Po-ren, Art Taipei, Taipei, 2008
公司，台北，2020，頁14-15 (另一版次)
ILLUSTRATED
The Dog’s Notes A Portfolio of HUANG Poren's Sculptures , Powen Gallery Co. Ltd., Taipei, 2014, colorillustrated, p. 13 (another cast)
NT$ 750,000 - 1,200,000 HK$ 183,000 - 293,000 US$ 23,500 - 37,500 RMB 171,000 - 274,000 社會進步，經濟發展快速，科技時代日日求新求變，數 位化的各式新品引領著人類善變、崇流，人與人之間最 原始的真誠度，誠信互賴也漸行漸遠，心靈的寄託也轉 而至動物的身上。動物本身是大自然的一份子，自古以 來，狗一直是人類最忠誠的伙伴，本身有著特殊的求生 本能與超乎人類的辨識能力，經由人類情感付出使其社 會化，懂得保護引領人類，體貼人性，與人之間的互動 忠誠已是一個生命共同體。人與人的溝通可由文字言語 行動，而人與狗則藉由它的眼神、肢體動作，以及它超 感度的敏感行為在堅守崗位。 而現今已是國際村的新人文時代，學習狗的靈敏度、 機警與它的忠誠度，不斷的掌握新方向與思維，挑戰 自我。科技時代的速度敏感宛如動物性的超感度，誰 先嗅覺到便是贏家，但科技的發明延展始終來自於人 類，而人也是動物的一環，人性的本質是不變的，需 秉持務實、機警與忠誠才能真正邁入國際的競技場。 As a rapid development of the society and e c o n o m y, n e w s c i e n c e a n d t e c h n o l o g y, various digitized products bring human beings capricious and vainglorious. The most p r i m i t i ve i d e a a n d f a i t h a m o n g p e o p l e a re a l s o g ro w i n g f u r t h e r a pa r t . A c o m m i t m e n t to spirit is turning to animals. They are a par t of nature. Since the ancient times, dogs
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are always the most loyal par tner to human beings. With particular instinct to seek survive and ability to recognize, the human emotion c a u s e s i t s o c i a l i z a t i o n , k n o w i n g to p ro te c t human beings and kind to us. Interaction and loyalty between dogs and human beings, we are the one already. The communication a m o n g p e o p l e i s b y w o rd s a n d l a n g u a g e s , and between dogs and human beings by expression in eyes, the body movement and very alert act to persevere in its post. Nowadays, it has been a globe village in new h u m a n i t i e s t i m e . We c a n l e a r n s e n s i t i v i t y, smar t and loyalty from dogs, in order to master the new direction and thought, and challenge ourselves. The speed and sensitivity of new science and technology is super feeling like animals, and a winner is the first one who smells it. However, the invention and extension of s c i e n c e a n d t e c h n o l o g y i s a l w a y s f r o m humanity. Besides, the human is animal, too. For the reason, human nature is ixed. Only some who are practical, vigilant and loyal can step into an international arena.
270
Yoshitomo NARA
奈良美智
(Japanese, b. 1959)
甜美女孩
Mellow Girl
2009
2009 Woodcut , edition no. 48/50 46 x 46 cm Signed lower right Na in Japanese, numbered 48/50 and dated 2009
46 x 46 cm
PROVENANCE
Tomio Koyama Gallery, Tokyo Omotesando Hills S and O, Tokyo ILLUSTRATED
Yoshitomo Nara: The Complete Works 1, Chronicle Books LLC, San Francisco, 2011, no. E-2009-001, p. 314
NT$ 400,000 - 800,000 HK$ 98,000 - 195,000 US$ 12,500 - 25,000 RMB 91,000 - 183,000 120
木刻 版畫 48/50 簽名右下：48/50 Na 09 來源
小山登美夫畫廊，東京 S and O，東京 圖錄
《奈良美智作品全集第一冊》 編年出版社，舊金山，2011 編號E-2009-001，頁314
271
Yoshitomo NARA
奈良美智
(Japanese, b. 1959)
別哭
Don't Cry
2012
2012 Woodcut , edition no. 30/50 42 x 29 cm Signed lower Na in Japanese, numbered 30/50 and dated 2012
42 x 29 cm
PROVENANCE
Tomio Koyama Gallery, Tokyo Omotesando Hills S and O, Tokyo
NT$ 650,000 - 950,000 HK$ 159,000 - 232,000 US$ 20,300 - 29,700 RMB 148,000 - 217,000
木刻 版畫 30/50 簽名下方：Na 2012 30/50 來源
小山登美夫畫廊，東京 S and O，東京
272
Yayoi KUSAMA
草間彌生
(Japanese, b. 1929)
花
Flowers
1985
1985 Screenprint, edition no. 66/100 53.3 x 60.8 cm Signed on the bottom Yayoi KUSAMA, titled Flowers, numbered 66/100 and dated 1985
53.3 x 60.8 cm
PROVENANCE
OTA Fine Arts, Tokyo Omotesando Hills S and O, Tokyo ILLUSTRATED
Yayoi Kusama Prints 1979 - 2017, Abe Publishing Ltd., Tokyo, 2017, no. 83, p. 56
NT$ 420,000 - 600,000 HK$ 102,000 - 146,000 US$ 13,100 - 18,800 RMB 96,000 - 137,000 122
版畫 66/100 簽名下方：66/100 Flowers 1985 Yayoi KUSAMA 來源
大田畫廊，東京 S and O，東京 圖錄
《草間彌生全版畫1979 - 2017》， 阿部出版株式會社，東京，2017， 編號83，頁56
273
Yayoi KUSAMA
草間彌生
(Japanese, b. 1929)
揚子江
The Yangtze River
1990
1990 Screenprint, edition no. 21/100 54 x 62.8 cm Signed lower Yayoi KUSAMA, titled The Yangtze River, numbered 21/100 amd dated 1990
54 x 62.8 cm
PROVENANCE
OTA Fine Arts, Tokyo Gallery at Lammfromm, Tokyo ILLUSTRATED
Yayoi Kusama Prints 1979 - 2017, Abe Publishing Ltd., Tokyo, 2017, no. 141, p. 92
NT$ 550,000 - 1,000,000 HK$ 134,000 - 244,000 US$ 17,200 - 31,300 RMB 126,000 - 228,000
版畫 21/100 簽名下方：21/100 揚子江 1990 Yayoi KUSAMA 來源
大田畫廊，東京 Lammfromm，東京 圖錄
《草間彌生全版畫1979 - 2017》， 阿部出版株式會社，東京，2017， 編號141，頁92
274
Yayoi KUSAMA (Japanese, b. 1929)
Flowers 2002 Lithograph, edition no. H.C., edition of 50 75 x 55 cm Signed lower Yayoi Kusama, titled Flowers, numbered H.C. and dated 2002 PROVENANCE
Der Horng Art Gallery, Tainan ILLUSTRATED
Yayoi Kusama Prints 1979-2017, Abe Publishing Ltd., Tokyo, 2017, no. 309, p. 179
NT$ 850,000 - 1,000,000 HK$ 207,000 - 244,000 US$ 26,600 - 31,300 RMB 194,000 - 228,000 124
草間彌生 花 2002 版畫 H.C. 限量50 75 x 55 cm 簽名下方：Yayoi Kusama FLOWERS 2002 H.C. 來源
德鴻畫廊，台南 圖錄
《草間彌生全版畫1979 - 2017》， 阿部出版株式會社，東京，2017， 編號309，頁179
275
Yayoi KUSAMA
草間彌生
(Japanese, b. 1929)
思考的南瓜
Thinking Pumpkin
1993
1993 Screenprint, edition no. 16/120 75.8 x 62.3 cm Signed lower Yayoi KUSAMA, titled Thinking Pumpkin in Japanese, numbered 16/120 and dated 1993
75.8 x 62.3 cm
ILLUSTRATED
Yayoi Kusama Prints 1979 - 2017, Abe Publishing Ltd., Tokyo, 2017, no. 182, p. 113 This authenticity of this work is confimed by Yayoi Kusama Inc
NT$ 1,600,000 - 2,000,000 HK$ 390,000 - 488,000 US$ 50,000 - 62,500 RMB 365,000 - 457,000
版畫 16/120 簽名下方：Yayoi KUSAMA 考えるかぼちゃ 1993 16/120 圖錄
《草間彌生全版畫1979 - 2017》， 阿部出版株式會社，東京，2017， 編號182，頁113 草間彌生工作室已確認本件拍品無誤
276
Edgar Plans
艾德加．普連斯
(Spanish, b. 1977)
無題
Untitled
綜合媒材 木板
Mixed media on board 30.2 x 30.2 cm Signed lower left Plans
簽名左下：Plans
NT$ 650,000 - 800,000 HK$ 159,000 - 195,000 US$ 20,300 - 25,000 RMB 148,000 - 183,000
126
30.2 x 30.2 cm
277
Edgar Plans
艾德加．普連斯
(Spanish, b. 1977)
無題
Untitled
鉛筆 色鉛筆 紙本
Pencil, colorpencil on paper 18 x 18 cm Signed lower right Plans
簽名右下：Plans
NT$ 220,000 - 320,000 HK$ 54,000 - 78,000 US$ 6,900 - 10,000 RMB 50,000 - 73,000
18 x 18 cm
278
Alex Face
亞歷克斯．費斯
(Thai, b. 1981)
遊戲場邊界 No.4
Playground's Border No.4
2020
2020 Oil, acrylic, spray on linen 100 x 100 cm Signed lower right Alex Face
100 x 100 cm
NT$ 420,000 - 650,000 HK$ 102,000 - 159,000 US$ 13,100 - 20,300 RMB 96,000 - 148,000
128
油彩 壓克力 噴漆 亞麻布 簽名右下：Alex Face
279
Alex Face
亞歷克斯．費斯
(Thai, b. 1981)
招財貓 No.1
Fortune Cat No.1
2019
2019 Oil, acrylic, spray on linen 65 x 65 cm Singed lower right Alex Face and dated 2019
65 x 65 cm
NT$ 340,000 - 460,000 HK$ 83,000 - 112,000 US$ 10,600 - 14,400 RMB 78,000 - 105,000
油彩 壓克力 噴漆 亞麻布 簽名右下：Alex Face 19
280
Yoshitomo NARA
奈良美智
(Japanese, b. 1959)
時間流逝
Time Goes On
2002 - 2004
2002 - 2004 Aquatint, edition 50/52 47.5 x 37.5 cm Signed lower right Na in Japanese and dated 2002 - 04 Numbered lower left 50/52
47.5 x 37.5 cm
PROVENANCE
Tomio Koyama Gallery, Tokyo Omotesando Hills S and O, Tokyo ILLUSTRATED
Yoshitomo Nara: The Complete Works 1984 - 2010, Volume 1, Chronicle Books, LLC, San Francisco, 2011, p. 313, no. E-2004-006
NT$ 130,000 - 220,000 HK$ 32,000 - 54,000 US$ 4,100 - 6,900 RMB 30,000 - 50,000 130
版畫 50/52 簽名右下：な 2002 - 04 版次左下：50/52 來源
小山登美夫畫廊，東京 S and O，東京 圖錄
《奈良美智作品全集第一冊》，編年 出版社，舊金山2011，頁313，編號 E-2004-006
281
David Shrigley
David Shrigley
( British, b. 1968)
巧克力不是問題，你才是問題
Chocolate Is Not the Problem, You Are the Problem
2020
2020 Acrylic on paper 75 x 56 cm Signed on the reverse DS and dated 2020
簽名畫背：DS 2020
PROVENANCE
Galleri Nicolai Wallner, Copenhagen
NT$ 190,000 - 300,000 HK$ 46,000 - 73,000 US$ 5,900 - 9,400 RMB 43,000 - 68,000
壓克力 紙本 75 x 56 cm 來源
Nicolai Wallner 藝廊，哥本哈根
282
Damien Hirst
達明．赫斯特
(British, b. 1965)
蝴蝶旋轉畫
Spin Painting- Butterfly
2009
2009 Acrylic, metallic paint on paper 68 x 52 cm Hand signed on the reverse Damien Hirst Painted signature Damien Hirst, stamped with the artist’s copyright and marked with the studio's blind stamp on the reverse
68 x 52 cm
NT$ 120,000 - 260,000 HK$ 29,000 - 63,000 US$ 3,800 - 8,100 RMB 27,000 - 59,000
132
壓克力 金屬塗料 紙本 親簽畫背：Damien Hirst 印刷簽名畫背：Damien Hirst © Damien Hirst 藝術家工作室壓印
283
Damien Hirst (British, b. 1965)
Spin Painting- Circle 2009 Acrylic, metallic paint on paper 52 cm (diameter) Hand signed on the reverse Damien Hirst Painted signature Damien Hirst, stamped with the artist’s copyright and marked with the studio's blind stamp on the reverse
NT$ 120,000 - 260,000 HK$ 29,000 - 63,000 US$ 3,800 - 8,100 RMB 27,000 - 59,000 達明．赫斯特 圓形旋轉畫 2009
284
壓克力 金屬塗料 紙本
Damien Hirst
52 cm (直徑) 親簽畫背：Damien Hirst 印刷簽名畫背：Damien Hirst © Damien Hirst 藝術家工作室壓印
(British, b. 1965)
Spin Painting-Heart 2009 Acrylic, metallic paint on paper 51.5 x 51.5 cm Painted signature Damien Hirst, stamped with the artist’s copyright and marked with the studio's blind stamp on the reverse
NT$ 80,000 - 160,000 HK$ 20,000 - 39,000 US$ 2,500 - 5,000 RMB 18,000 - 37,000 達明．赫斯特 愛心旋轉畫 2009 壓克力 金屬塗料 紙本 51.5 x 51.5 cm 印刷簽名畫背：Damien Hirst © Damien Hirst 藝術家工作室壓印
285
Moisés Yagües
莫伊．亞格斯
(Spanish, b. 1972)
生存或毀滅
To Be or Not to Be
2020
2020 Acrylic on board 100 x 65 cm Signed lower right Yagües and dated 2020 Signed on the reverse Moisés Yagües, titled To Be or Not to Be and dated 2020
100 x 65 cm
This lot is to be sold with a certificate of authenticity issued by Ting Ting Art Space
NT$ 160,000 - 260,000 HK$ 39,000 - 63,000 US$ 5,000 - 8,100 RMB 37,000 - 59,000 134
壓克力 木板 簽名右下：Yagües 2020 簽名畫背："TO BE OR NOT TO BE" Moisés Yagües 2020 附丁丁藝術空間開立之作品保證書
286
Jon Burgerman
喬恩．布爾格曼
( British, b. 1979)
凱伊
Kay
2021
2021 Aerosol on panel 35.5 (L) x 27.9 (W) x 1.9 (D) cm Signed on the reverse Jon Burgerman and dated 2021
35.5(長) x 27.9(寬) x 1.9(厚) cm
This lot is to be sold with a certificate an authenticity issued by Dopeness Art Lab
NT$ 80,000 - 160,000 HK$ 20,000 - 39,000 US$ 2,500 - 5,000 RMB 18,000 - 37,000
氣溶膠 木板 簽名畫背：Jon Burgerman 2021 附Dopeness Art Lab開立之作品保證書
287
Akiko TOJO
東條明子
(Japanese, b. 1984)
鴨子 3
Duck 3
木雕
Wood 14(L) x 9(W) x 15(H) cm Engraved on bottom Akiko TOJO
簽名雕刻：Akiko TOJO
EXHIBITED
Their H2O, Shinjuku Takashimaya Gallery, Tokyo, July 6 - 18, 2022
NT$ 70,000 - 140,000 HK$ 17,000 - 34,000 US$ 2,200 - 4,400 RMB 16,000 - 32,000 136
14(長) x 9(寬) x 15(高) cm 展覽
「他們的H2O」，新宿高島屋美術 畫廊，東京，展期自2022年7月6日 至7月18日
288
Aico Tsumori
津守愛香
(Japanese, b. 1979)
蛇眼
Snake Eyes
2022
2022 Mixed media, pottery 23(L) x 21(W) x 22.5(H) cm Engraved on reverse Tsumori
23(長) x 21(寬) x 22.5(高) cm
PROVENANCE
LaiSun Keane, Boston EXHIBITED
PHANTASM / Rena Kudoh．Taeko Maezawa．Risa Takahashi．Aico Tsumori, LaiSun Keane, Boston January 6 - February 26, 2023 This lot is to be sold with a certificate of authenticity issued by LaiSun Keane Gallery
NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,600 RMB 21,000 - 41,000
綜合媒材 陶土 簽名雕刻背面：Tsumori 來源
麗新基恩畫廊，波士頓 展覽
「PHANTASM / Rena Kudoh． Taeko Maezawa．Risa Takahashi． Aico Tsumori」，麗新基恩畫廊， 波士頓，展期自2023年1月6日至 2月26日 附LaiSun Keane畫廊開立之原作 保證書
289
Poren HUANG
黃柏仁
(Taiwanese, b. 1970)
享受
Enjoy
2018
2018 Bronze, baking paint, edition no. 8/30 20(L) x 20(W) x 22(H) cm Engraved on bottom PR and numbered 30 - 8
20(長) x 20(寬) x 22(高) cm
PROVENANCE
Powen Gallery, Taipei
NT$ 130,000 - 240,000 HK$ 32,000 - 59,000 US$ 4,100 - 7,500 RMB 30,000 - 55,000
138
銅 烤漆 8/30 簽名雕刻底部：30 - 8 PR 來源
紅野畫廊，台北
290
Yuichi HIRAKO (Japanese, b. 1982)
Boy 87 2016 Mixed media 10(L) x 15(W) x 36(H) cm Signed on bottom YH and dated 2016 This lot is to be sold with a certificate of authenticity issued by Art Front Gallery
NT$ 150,000 - 260,000 HK$ 37,000 - 63,000 US$ 4,700 - 8,100 RMB 34,000 - 59,000 平子雄一 男孩 87 2016 綜合媒材 10(長) x 15(寬) x 36(高) cm 簽名底部：YH 16 附Art Front Gallery開立之作品保證書
291
Ayako KITA (Japanese, b. 1981)
I'm Going to Down 2020 Cypress, acylic 16(L) x 20(W) x 33(H) cm Signed on the bottom Ayako Kita EXHIBITED
"ART OSAKA WALL by APCA", FUMA Contemporary, Tokyo Bunkyo-Art, Osaka, December 17 - 20, 2020
NT$ 160,000 - 260,000 HK$ 39,000 - 63,000 US$ 5,000 - 8,100 RMB 37,000 - 59,000 北彩子 我將墜落 2020 檜木 壓克力 16(長) x 20(寬) x 33(高) cm 簽名底座：AYAKO KITA 展覽
「ARTOSAKA WALL by APCA」，FUMA Contemporary, Tokyo Bunkyo-Art，大阪， 展期2020年12月17日至12月20日
140
292
Makoto NISHI
西誠人
(Japanese, b. 1955)
眺望著風
Gazing at the Wind
綜合媒材 木雕
Mixed media, wood 22(L) x 11(W) x 10(H) cm Signed on the bottom Makoto Nishi PROVENANCE
Suiha Gallery, Japan
NT$ 160,000 - 260,000 HK$ 39,000 - 63,000 US$ 5,000 - 8,100 RMB 37,000 - 59,000
22(長) x 11(寬) x 10(高) cm 簽名底部：MAKOTO NISHI 來源
翠波畫廊，日本
293
Ena NAGAO
長尾惠那
(Japanese, b. 1982)
可能被刺了
Maybe I've Get a Splinter
2019
2019 Wood 46(L) x 35(W) x 60(H) cm Signed on the bottom Ena Nagao and dated 2019
46(長) x 35(寬) x 60(高) cm
This lot is to be sold with a certificate of authenticity issued by Piaopiao art
NT$ 380,000 - 460,000 HK$ 93,000 - 112,000 US$ 11,900 - 14,400 RMB 87,000 - 105,000
142
樟木 簽名底部：Ena Nagao. 2019 附一票人票畫空間開立之作品保證書
294
Edgar Plans
艾德加．普連斯
(Spanish, b. 1977)
藝術小英雄 (藍)
Hero Artist (Blue)
2019
2019 Mixed media, edition no. 5/40 26(L) x 19.5(W) x 31(H) cm
26(長) x 19.5(寬) x 31(高) cm
This lot is to be sold with a certificate of authenticity signed by the artist
NT$ 400,000 - 500,000 HK$ 98,000 - 122,000 US$ 12,500 - 15,600 RMB 91,000 - 114,000
綜合媒材 5/40 附藝術家簽名保證卡
295
JU Ming
朱銘
(Taiwanese, 1938 - 2023)
三姑六婆
Laughing and Chatting
1993
1993 Stone, carving 26(L) x 23(W) x 18(H) cm Signed lower left side Ju Ming in Chinese and dated 1993
26(長) x 23(寬) x 18(高) cm
These sculpture is to be sold with a certificate of authenticity issued by Caves Art Center, Taipei
NT$ 320,000 - 460,000 HK$ 78,000 - 112,000 US$ 10,000 - 14,400 RMB 73,000 - 105,000
144
石雕 簽名左側下方：朱銘 '93 附敦煌藝術中心開立之原作保證書
296
JU Ming
朱銘
(Taiwanese, 1938 - 2023)
三姑六婆
Laughing and Chatting
木雕
Wood Left: 30.5(L) x 23(W) x 37(H) cm Right: 17(L) x 14(W) x 67.5(H) cm Left: Signed on the bottom Ju Ming Right: Signed on the back right leg Ju Ming
右：17(長) x 14(寬) x 67.5(高) cm
NT$ 460,000 - 550,000 HK$ 112,000 - 134,000 US$ 14,400 - 17,200 RMB 105,000 - 126,000
左：30.5(長) x 23(寬) x 37(高) cm 左：簽名底部：朱銘 右：簽名右腿後側：朱銘
297
Takashi MURAKAMI x Fujiko. F. Fujio (Japanese, b. 1962)
We Came to the Field of Flowers Through Anywhere Door (Dokodemo Door) 2019 Screenprint, edition no. 209/300 50 x 50 cm Signed lower Fujiko. F. Fujio, M, numbered 209/300 and dated 2019
NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 7,000 - 14,000 村上隆 x 藤子．F．不二雄 我們通過任意門來到了花園
298
2019
Jerkface
絲網版畫 209/300
(American, b. 1982)
50 x 50 cm
Me Love Cookies
簽名下方：藤子．F．不二雄；M 2019 209/300
2015 Screenprint, edition no. 4/50 45.7 x 45.7 cm Signed lower right Jerkface and numbered 4/50 PROVENANCE
Over The Influence, Los Angeles
NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 9,000 - 18,000
Jerkface 我愛餅乾 2015 版畫 4/50 45.7 x 45.7 cm 簽名右下：Jerkface 4/50 來源
Over The Influence，洛杉磯
146
299
Mayuka YAMAMOTO (Japanese, b. 1964)
Sitting Bear 2022 Lithograph, edition no. 67/75 61 x 44 cm Singed lower Mayuka, titled Sitting Bear and numbered 67/75
NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 9,000 - 18,000 山本麻友香 坐著的小熊 2022 版畫 67/75
300
61 x 44 cm
Mayuka YAMAMOTO
簽名版次下方：67/75 Sitting Bear Mayuka
(Japanese, b. 1964)
Blue Monster 2021 Lithograph, edition no. 22/80 70 x 52 cm Signed lower Mayuka, numbered 22/80, titled Blue Monster and dated 2021 This lot is to be sold with a certificate of authenticity issued by Gallery Tsubaki, Tokyo
NT$ 60,000 - 120,000 HK$ 15,000 - 29,000 US$ 1,900 - 3,800 RMB 14,000 - 27,000 山本麻友香 藍怪獸 2021 版畫 22/80 70 x 52 cm 簽名下方：22/80 Blue Monster 2021 附椿畫廊開立之作品保證書
301
Mayuka YAMAMOTO (Japanese, b. 1964)
Pink Monster 2021 Lithograph, edition no. 21/80 70 x 52 cm Signed lower Mayuka, numbered 21/80, titled Pink Monster and dated 2021 This lot is to be sold with a certificate of authenticity issued by Gallery Tsubaki, Tokyo
NT$ 60,000 - 120,000 HK$ 15,000 - 29,000 US$ 1,900 - 3,800 RMB 14,000 - 27,000
山本麻友香 粉怪獸 2021 版畫 21/80
302
70 x 52 cm
Mayuka YAMAMOTO
簽名下方：21/80 Pink Monster 2021
(Japanese, b. 1964)
附椿畫廊開立之作品保證書
Kitty Boy 2019 Print, edition no. 15/25 55.5 x 40 cm This lot is to be sold with a certificate of authenticity issued by Corey Helford Gallery, LA
NT$ 60,000 - 120,000 HK$ 15,000 - 29,000 US$ 1,900 - 3,800 RMB 14,000 - 27,000 山本麻友香 凱蒂貓男孩 2019 版畫 15/25 55.5 x 40 cm 附Corey Helford藝廊開立之作品 保證書
148
303
Satoru KOIZUMI (Japanese, b. 1983)
Studio 2021 2021 Lithograph, edition no. 22/50 105 x 75 cm Singed lower SATORU KOIZUMI, numbered 22/50 and dated 2021
NT$ 60,000 - 100,000 HK$ 15,000 - 24,000 US$ 1,900 - 3,100 RMB 14,000 - 23,000 小泉悟 工作室 2021 2021 版畫 22/50 105 x 75 cm 簽名版次下方：SATORU KOIZUMI 22/50 2021
304
Chiharu SHIOTA (Japanese, b.1972)
Wavy Line; Inner House (a set of 2) 2019 Lithograph, edition no. 27/40 30 x 40 cm (each) Signed lower right CS. Numbered lower left 27/40
NT$ 70,000 - 140,000 HK$ 17,000 - 34,000 US$ 2,200 - 4,400 RMB 16,000 - 32,000 塩田千春 波浪線；內在之屋 (兩件一組) 2019 石版畫 版次 27/40 30 x 40 cm (每件) 簽名右下：CS. 版次左下：27/40
305
Takashi MURAKAMI (Japanese, b. 1962)
Flowerballs (a set of 2) 2016; 2017 Offset lithograph, edition 49/300 ; 62/300 71 x 71 cm (each) Signed lower right M and numbered 49/300 Signed lower right M and numbered 62/300
NT$ 70,000 - 140,000 HK$ 17,000 - 34,000 US$ 2,200 - 4,400 RMB 16,000 - 32,000 村上隆
306
花球 (兩件一組)
Yayoi KUSAMA
2016；2017
(Japanese, b. 1929)
版畫 49/300 62/300
Dots Obsession
71 x 71 cm (每件) 簽名右下：M 49/300 簽名右下：M 62/300
2011 Mixed media, mirror, edition no. 120/300 33(L) x 25.2(W) x 4(D) cm Signed on the reverse Y.Kusama, titled Dots Obsession, numbered 120/300 and dated 2011 PROVENANCE
Omotesando Hills S and O, Tokyo
NT$ 80,000 - 160,000 HK$ 20,000 - 39,000 US$ 2,500 - 5,000 RMB 18,000 - 37,000 草間彌生 迷戀圓點 2011 綜合媒材 鏡子 120/300 33(長) x 25.2(寬) x 4(厚) cm 簽名背後：Y.Kusama, titled DOTS OBSESSION 120/300 2011 來源
S and O，東京
150
307
Yoshitomo NARA (Japanese, b. 1959)
Doggy Radio 2011 Fiberglass, edition no. 0456/3000 43(L) x 22.5(W) x 29.5(H) cm This lot is accompanied with its original product box
NT$ 90,000 - 150,000 HK$ 22,000 - 37,000 US$ 2,800 - 4,700 RMB 21,000 - 34,000 奈良美智 小狗收音機 2011 玻璃纖維 0456/3000 43(長) x 22.5(寬) x 29.5(高) cm 附作品原產紙盒包裝
308
Javier Calleja (Spanish, b. 1971)
Heads; No Art Here (a set of 2) 2020 PVC, Glass, edition of 1000 Left: 12.6(L) x 13.9(W) x 30(H) cm Right: 27(L) x 14.9(W) x 30(H) cm This lot is accompanied with a NFC manual
NT$ 100,000 - 180,000 HK$ 24,000 - 44,000 US$ 3,100 - 5,600 RMB 23,000 - 41,000 哈維爾．卡勒加 頭；這裡沒有藝術 (兩件一組) 2020 塑膠 玻璃 限量1000 左：12.6(長) x 13.9(寬) x 30(高) cm 右：27(長) x 14.9(寬) x 30(高) cm 附NFC保證卡及原產紙盒包裝
309
Roby Dwi ANTONO (Indonesian, b. 1990)
Mystique Moonlight Lamp 2022 Mixed media, edition no. 035/250 26(L) x 20(W) x 30(H) cm Print on the bottom Roby 035/250 This lot is to be sold with a certificate of authenticity and accompanied with its original box
NT$ 100,000 - 180,000 HK$ 24,000 - 44,000 US$ 3,100 - 5,600 RMB 23,000 - 41,000 羅比．安托諾
310
神秘月光
Satoru KOIZUMI
2022 綜合媒材 035/250 26(長) x 20(寬) x 30(高) cm 簽名印刷底部：Roby 035/250 附藝術家簽名作品保證卡與作品 原產紙盒包裝
(Japanese, b. 1983)
"With" Mickey 2020 Wood, edition no. 70/88 25(L) x 19.5(W) x 50(H) cm 印刷簽名腳底: Satoru Koizumi © Disney This lot is to be sold with a certificate of authenticity signed by the artist and accompaigned with its original product box
NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,400 - 6,900 RMB 25,000 - 50,000 小泉悟 與米奇在一起 2020 木雕 70/88 25(長) x 19.5(寬) x 50(高) cm Painted signature Satoru Koizumi © Disney 附藝術家簽名保證卡與作品原產紙盒包裝
152
311
CHEN Wei-Ting (Taiwanese, b. 1991)
Kuma Kuma 2020 Fiberglass, edition no. 22/40 (Brown); 20/40 (Black); 21/40 (Pink) 14(L) x 15(W) x 8(D) cm
NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,400 - 6,900 RMB 25,000 - 50,000 陳威廷 熊熊 2020 玻璃纖維 咖22/40；黑20/40；粉21/40 14(長) x 15(寬) x 8(厚) cm
312
Alex Face (Thai, b. 1981)
Pepper 2016 Bronze, edition no. 30/35 18.5(L) x 11.5(W) x 23(H) cm Engtaved on foot Alex 30/35 This lot is to be sold with a certificate of authenticity issued by CityCity Gallery,Bangkok
NT$ 110,000 - 220,000 HK$ 27,000 - 54,000 US$ 3,400 - 6,900 RMB 25,000 - 50,000 亞歷克斯．費斯 派博 2016 銅雕 30/35 18.5(長) x 11.5(寬) x 23(高) cm 簽名雕刻腳後方：Alex 版次雕刻後方：30/35 附城市城市畫廊開立之作品保證書
314
Chang Teng-yuan (Taiwanese, b. 1983)
Disappearing Painting 2020 Plastic, acrylic, wooden box, mining tool set, edition no. 1/20 Woodcase: 27(L) x 27(W) x 60.2(H) cm Sculpture: 17(L) x 17(W) x 47(H) cm 4.5 x 5.5 cm (disappearing painting) Signed on the reverse Chang Teng-yuan in English This lot is to be sold with a certificate of authenticity issued by Neptune Gallery
313
Alex Face (Thai, b. 1981)
Peace for Bangkok 2020 Stainless steel, edition no. 7/12 29(L) x 18(W) x 43.8(H) cm Engraved on right foot Alex Face 7/12
NT$ 140,000 - 240,000 HK$ 34,000 - 59,000 US$ 4,400 - 7,500 RMB 32,000 - 55,000 張騰遠 消失的畫 2020 塑料 壓克力 木箱 挖掘工具組 限量 1/20
EXHIBITED
木箱：27(長) x 27(寬) x 60.2(高) cm
Monument of Hope, CityCity Gallery, Bangkok, October 31 - December 27, 2020
胸口隱藏繪畫：4.5 x 5.5 cm
This lot is to be sold with a certificate of authenticity issued by CityCity Gallery, Bangkok
NT$ 150,000 - 260,000 HK$ 37,000 - 63,000 US$ 4,700 - 8,100 RMB 34,000 - 59,000 亞歷克斯．費斯 曼谷的和平 2020 不鏽鋼 7/12 29(長) x 18(寬) x 43.8(高) cm 簽名雕刻右腳：Alex Face 7/12 展覽
「希望紀念碑」，城市城市畫廊，曼谷 展期自2020年10月31日至12月27日 附城市城市畫廊開立之作品保證書
154
雕塑：17(長) x 17(寬) x 47(高) cm 簽名後背：Chang Teng-yuan 附涅普頓藝術開立之作品保證書
315
Mayuka YAMAMOTO (Japanese, b. 1964)
Pink Monster 2021 Polystone, edition no. 21/120 18(L) x 14(W) x 31(H) cm Signed on the bottom Mayuka This lot is to be sold with a certificate of authenticity and accompanied with its original box
NT$ 70,000 - 140,000 HK$ 17,000 - 34,000 US$ 2,200 - 4,400 RMB 16,000 - 32,000 316 山本麻友香 粉怪獸 2021 寶麗石粉樹脂 21/120 18(長) x 14(寬) x 31(高) cm 簽名底部：Mayuka 附藝術家簽名作品保證卡與作品原產紙盒包裝
Yusuke Hanai (Japanese, b. 1978)
We Will Fly Again; Down But Not Out 2021 Mixed media, edition no. 55/150, edition no. 247/250 16.4(L) x 20(W) x 28(H) cm; 13(L) x 18.5(W) x 29(H) cm Signiture printed on the bottom Yusuke Hanai 247/258, 55/150 This lot is accompanied with a NFC manual and accompanied with its original box
NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,600 RMB 21,000 - 41,000 花井佑介 再次高飛；倒地再起 2021 綜合媒材 55/150；247/250 16.4(長) x 20(寬) x 28(高) cm 13(長) x 18.5(寬) x 29(高) cm 簽名印刷底部：Yusuke Hanai 247/258，55/150 附NFC保證卡及原產紙盒包裝
317
Hajime SORAYAMA (Japanese, b. 1947)
Future Mickey Retro (a set of 2) 2004 Zinc, 0823 (silver); 1/1000 (red) 21(L) x 27(W) x 34.5(H) cm (each) Trademark TOMY ® MADE IN CHINA © Disney (bottom) Numbered on the bottom 0823 (sluver) Numgered on the bottom 1/1000 (red) This lot is accompanied with its original product box
NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,600 RMB 21,000 - 41,000 空山基 未來米奇限定版 (兩件一組) 2004 鋅合金 0823 (銀)；1/1000 (紅) 21(長) x 27(寬) x 34.5(高) cm (每件) 註冊商標：TOMY ® MADE IN CHINA © Disney (底部) 版次底部：0823 (銀) 版次底部：1/1000 (紅) 附作品原產紙盒包裝
318
Takashi MURAKAMI (Japanese, b. 1962)
Mr. Dobtopus (a set of 2) 2017 Vinyl, plastic edition of 800; edition of 400 30(L) x 20.5(W) x 25(H) cm 34(L) x 26.5(W) x 26.6(H) cm These works are accompanied with their original product boxes
NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,600 RMB 21,000 - 41,000 村上隆 DOB章魚君 (兩件一組) 2017 彩繪 搪膠 限量800件 限量400件 30(長) x 20.5(寬) x 25(高) cm 34(長) x 26.5(寬) x 26.6(高) cm 附作品原產紙盒包裝
156
319
Takashi MURAKAMI (Japanese, b. 1962)
Mr. DOB (a set of 2) 2016 Vinyl, plastic, edition of 250 (Golden); edition of 750 (Red) 28(L) x 19(W) x 24(H) cm (each) Trademark © TM / KK COMPLEXCON BAIY SWITCH These works are accompanied with their original product boxes
NT$ 70,000 - 140,000 HK$ 17,000 - 34,000 US$ 2,200 - 4,400 RMB 16,000 - 32,000 村上隆 DOB君 (兩件一組) 2016 彩繪 搪膠 限量250件 (金黃) 限量750件 (紅藍) 28(長) x 19(寬) x 24(高) cm (每件) 註冊商標：© TM / KK COMPLEXCON BAIY SWITCH (每件) 附作品原產紙盒包裝
320
Moe NAKAMURA (Japanese, b. 1988)
Bud of Hope 2021 Polystone, edition no. 107/160 21(L) x 17(W) x 20(H) cm Print on the bottom Moe This lot is to be sold with a certificate of authenticity signed by the artist and accompanied with their original product box
NT$ 60,000 - 120,000 HK$ 15,000 - 29,000 US$ 1,900 - 3,800 RMB 14,000 - 27,000 中村萌 希望之芽 2021 寶麗石粉樹脂 107/160 21(長) x 17(寬) x 20(高) cm 簽名印刷底部：Moe 附藝術家簽名保證卡與作品原產紙盒包裝
321
Moe NAKAMURA (Japanese, b. 1988)
Bambooshika 2018 Polystone, edition no. 138/160 15.5(L) x 16(W) x 21(H) cm; 11(L) x 10.2(W) x 15.5(H) cm Print on the bottom Moe Hand signed on the reverse Moe This lot is to be sold with a certificate of authenticity signed by the artist and accompanied with their original product box
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000 中村萌
322
母子筍
Moe NAKAMURA
2018
(Japanese, b. 1988)
寶麗石粉樹脂 138/160 15.5(長) x 16(寬) x 21(高) cm 11(長) x 10.2(寬) x 15.5(高) cm 簽名印刷底部：Moe 親簽底部：Moe 附藝術家簽名保證卡與作品原產紙盒包裝
I'm Nobody 2020 Polystone, edition no. 62/180 15(L) x 13(W) x 32(H) cm Print on the bottom Moe This lot is to be sold with a certificate of authenticity signed by the artist and accompanied with their original product box
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000 中村萌 我什麼都不是 2020 寶麗石粉樹脂 62/180 15(長) x 13(寬) x 32(高) cm 簽名印刷底部：Moe 附藝術家簽名保證卡與作品原產紙盒包裝
158
323
Moe NAKAMURA (Japanese, b. 1988)
Alone in the Dark 2020 Polystone, edition no. 35/200 14.5(L) x 14(W) x 28(H) cm Print on the bottom Moe This lot is to be sold with a certificate of authenticity signed by the artist and accompanied with their original product box
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000 中村萌 獨自在黑暗中 2020 寶麗石粉樹脂 35/200 14.5(長) x 14(寬) x 28(高) cm 簽名印刷底部：Moe 附藝術家簽名保證卡與作品原產紙盒包裝
324
Satoru KOIZUMI (Japanese, b. 1983)
Empty Bucket 2019 Resin, edition no. 178/230 16(L) x 14(W) x 30(H) cm Painted signature Satoru Koizumi on left feet This lot is to be sold with a certificate of authenticity signed by the artist and accompaigned with its original product box
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000 小泉悟 空桶 2019 樹脂 178 /230 16(長) x 14(寬) x 30(高) cm 印刷簽名腳底：Satoru Koizumi 附藝術家簽名保證卡與作品原產紙盒包裝
325
KAWS (Brian Donnelly) (American, b. 1974)
Snoppy 2010 - 2011 Mixed media, vinyl, edition of 500 14(L) x 11(W) x 21.5(H) cm Trademark: © 2010 PNTS-2011PNTS produced by SPECIAL PROJECT CONSULTING Designed by KAWS These works are accompanied with their original product boxes.
NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 9,000 - 18,000 KAWS 史努比 2010 - 2011 綜合媒材 搪膠 限量500件 14(長) x 11(寬) x 21.5(高) cm 註冊商標：© 2010 PNTS-2011PNTS produced by SPECIAL PROJECT CONSULTING Designed by KAWS； MEDICOM TOY 2010 CHINA 附作品原產紙盒包裝
326
Mr Doodle (British, b. 1994)
The Doodler 2 2022 Resin, edition no. 324/500 18(L) x 15.5(W) x 36.5(H) cm Signed MR DOODLE! and dated 2022 This lot is to be sold with a certificate of authenticity and accompanied with its original box
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000 塗鴉先生 塗鴉先生 2 2022 樹酯 324/500 18(長) x 15.5(寬) x 36.5(高) 簽名腳底：MR DOODLE! 2022 附藝術家簽名作品保證卡與作品原產 紙盒包裝
160
327
KAWS (Brian Donnelly) (American, b. 1974)
Holiday: UK (White & Black) Ceramics, edition of 1000 19(L) x 13(W) x 42(H) cm (each) Print on the bottom KAWS..(each) This lot is to be sold with its original product box
NT$ 50,000 - 100,000 HK$ 12,000 - 24,000 US$ 1,600 - 3,100 RMB 11,000 - 23,000 KAWS〈布萊恩．唐納利〉 英國假期 (白、黑) 瓷 限量 1000 19(長) x 13(寬) x 42(高) cm (每件)
328
簽名印刷底部：KAWS.. (每件)
Daniel ARSHAM
附原產紙盒包裝
(American, b. 1980)
Arsham Monograph-Studio Guidelines; Hollow Figure 2018 Book and cotton gloves, edition 127/1000 Resin, edition 404/500 book: 31.5(L) x 27.5(W) x 3.5(D) cm sculpture: 34(L) x 27.5(W) x 31.5(H) cm This work is accompanied with its original product box.
NT$ 40,000 - 80,000 HK$ 10,000 - 20,000 US$ 1,300 - 2,500 RMB 9,000 - 18,000 丹尼爾．阿爾軒 阿爾軒工作室教戰手冊；空洞人物 2018 書本 棉質手套 127/1000 樹脂 404/500 書本：31.5(長) x 27.5(寬) x 3.5(厚) cm 雕塑：34(長) x 27.5(寬) x 31.5(高) cm 附作品原產紙盒包裝
329
Yayoi KUSAMA (Japanese, b. 1929)
The Me That I Adore (Future, Fish) (a set of 2) 2013 Bone China, edition no. 122/500 Future: 28 cm (diameter); Fish: 23 cm (diameter) Engraved on upper middle YAYOI KUSAMA in English Engraved on the reverse, titled, Future Yayoi Kusama 2013 122
NT$ 30,000 - 60,000 HK$ 7,000 - 15,000 US$ 900 - 1,900 RMB 7,000 - 14,000 草間彌生 我熱愛的自己 (未來 / 魚) (二件一組) 2013 骨瓷 122/500 未來：直徑 28 cm 魚：直徑 23 cm 瓷盤背後：FUTURE Yayoi KUSAMA 2013 122 瓷盤背後：FISH Yayoi KUSAMA 2013 122
330
JU Ming (Taiwanese, 1938 - 2023)
Living World Series - Lining Up 2002 Pewter 72(L) x 18.5(W) x 19.4(H) cm This lot is to be sold with a certificate of limited reproduction issued by Ju Ming Museum, Taipei
NT$ 60,000 - 120,000 HK$ 15,000 - 29,000 US$ 1,900 - 3,800 RMB 14,000 - 27,000 朱銘 人間系列－排隊 2002 鉛錫合金 72(長) x 18.5(寬) x 19.4(高) cm 附朱銘美術館限量複製品證明書
162
331
JU Ming (Taiwanese, 1938 - 2023)
Side Kick Unsaturated polyester resin, calcium carbonate, oil color paste, edition no. 153/300 24(L) x 20(W) x 25(H) cm Numbered on the bottom 153/300 This lot is to be sold with a certificate of limited reproduction issued by Ju Ming Museum, Taipei
NT$ 60,000 - 120,000 HK$ 15,000 - 29,000 US$ 1,900 - 3,800 RMB 14,000 - 27,000 朱銘 側踢 不飽和聚酯樹脂 碳酸鈣 油性色母 153/300 24(長) x 20(寬) x 25(高) cm
332
JU Ming (Taiwanese, 1938 - 2023)
版次底部：153/300
Taichi Series - Single Whip
附朱銘美術館限量複製品證明書
Unsaturated polyester resin, calcium carbonate, oil color paste, edition no. 279/300 28.5(L) x 14.4(W) x 18.2(H) cm Numbered on the bottom 279/300 This lot is to be sold with a certificate of limited reproduction issued by Ju Ming Museum, Taipei
NT$ 90,000 - 180,000 HK$ 22,000 - 44,000 US$ 2,800 - 5,600 RMB 21,000 - 41,000 朱銘 太極系列－單鞭下勢 不飽和聚酯樹脂 碳酸鈣 油性色母 279/300 28.5(長) x 14.4(寬) x 18.2(高) cm 版次底部：279/300 附朱銘美術館限量複製品證明書
給予買家的重要通知 本拍賣會依據「羅芙奧股份有限公司業務規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.
有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納競投保證 金。
2. 3.
競投保證金 : 新台幣陸拾萬元或貳萬美金。 競投保證金需於 2023 年 11 月 29 日以前完成匯款至本公司指定帳號如下 : 銀行：匯豐（台灣）商業銀行 - 台北分行 銀行代碼：0810016 戶名：羅芙奧股份有限公司 帳號：001-234830-031（新台幣）或 001-234830-061（美金） 地址：台北市基隆路一段 333 號 14 樓 匯款時請指示銀行本公司需實收競投保證金全額，銀行手續費請匯款人負擔。
4.
2023 年 11 月 29日之後，若欲參與競投領取牌號者需於台北拍賣預展期間 (2023 年 11 月 30 日至 12 月 3 日 ) 以新台幣現鈔支付 ( 恕不接受除現金之外之其他繳納方式 )，收款將於 12 月 3 日中午 12 點截止。
5.
電話
書面
網路競投：競投者如不能出席拍賣會，可透過電話
書面
網路方式進行競投。登記申請手續以及競投保證金
之繳納亦需在 2023 年 11 月 29 日以前完成匯款至本公司指定帳號。 6.
如於 2023 年 11 月 29 日以前完成競投保證金匯款，請提供我方可證明已匯款的證明文件。確認收到競投保證金匯款後，我們 將與競投者聯繫並與之確認其競標牌號。
7.
拍賣當天已繳納競投保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以確認身份。
8.
競投保證金退還方式： (1) 有成交： (a) 競投保證金以「匯款」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 (b) 競投保證金以「現金」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣當日以現金退還給買家。 (c) 若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之款項（包含落槌價、服務費及其他費用）予本公司， 買家不得請求返還競投保證金。 (2) 未成交：若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。競投保證金以「匯款」方式完成者， 本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。競投保證金以「現金」方式完成者，本公司將於拍賣 當日以現金退還給買家。
9.
若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價、服務費及其他費用 ) 金額超過競投保證金金額時，買方得以下列方 式結清帳款： (1) 現鈔：上限新台幣壹佰萬元。 (2) 信用卡與銀聯卡：刷卡上限為新台幣壹佰萬元。信用卡與銀聯卡持有人必需是買家本人，本公司不接受他人之信用卡。
10. 羅芙奧股份有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含競投保證金）保留全部 的決定權。 164
IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1.
Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a bidding deposit are required.
2.
Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.
3.
The bidding deposit must be transferred to Ravenel's specified Bank account prior to 29 Nov 2023, details as follow: Beneficiary's Bank: HSBC BANK (Taiwan) Limited. SWIFT Code: HSBCTWTP Beneficiary's Name: Ravenel Ltd. Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$) Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.
4.
After the 29 Nov 2023, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 30 Nov to 3th Dec 2023). Acceptance will cease on 3th Dec by 12pm (No other forms of payment will be accepted).
5.
Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified Bank account before the 29 Nov 2023.
6.
If the bidding deposit has been transferred prior to 29 Nov 2023, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her/its paddle number.
7.
If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.
8.
Return of the Security Deposit: (1) Completed Transaction: (a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. (b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit. (2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.
9.
Successful bidder must settle the payment (hammer price, buyer's premium, and other expenses) prior to receiving the lot(s) on site. If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment must not exceed NT$ 1,000,000. (2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.
10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies. 166
委託競投表格 委託競投表格須於拍賣24小時前送抵藝術部。競投表格可傳真至:
拍 賣 名 稱：羅芙奧台北 2023 秋季拍賣會 現代與當代藝術
藝術部 電話：+886-2-2708 9868 ｜傳真：+886-2-2701 3306
拍 賣 編 號：TA2304
投標者資料 客戶編號
拍 賣 日 期：2023 年 12 月 3 日 ( 星期日 ) 下午 2:00
姓名
拍 賣 地 點：台北萬豪酒店三樓（博覽廳） 台北市中山區樂群二路 199 號
護照號碼/身份證字號/統一編號 電話號碼（住宅）
（手機）
拍賣期間之聯絡電話 (僅限電話競投) 電郵
傳真號碼
地址 拍賣品編號
名
稱
競投價 (新台幣) / (服務費不計在內)
※投標規則： 1. 茲請求羅芙奧就下列拍賣品於下列競投價範圍內投標。 2. 本人知悉書面及電話競標乃羅芙奧為基於投標者之便利而提供代為投標之服務而不成立任何委託投標之契約，羅芙奧不因執行投標而負任何 責任。倘羅芙奧就同一項拍賣品收到相同競價之委託，以最先收到者優先辦理。 3. 本人同意如投標成功，本人應付之購買價款為最後落槌價加上服務費，服務費依業務規則第二條第4項之規定計算。(4a.買家支付每件拍品之 服務費率：（1）買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台幣參仟貳佰萬元以下者含參仟貳佰萬元以20％計算；（2） 落槌價於新台幣參仟貳佰萬元以上者分為二級，其中新台幣參仟貳佰萬元以20％計算，超過新台幣參仟貳佰萬元之部份以12％計算。) 4. 本競投，本人同意並遵守本目錄所載所有業務規則。(包含但不限於羅芙奧不負瑕疵擔保責任及保證責任等規定) 5. 如投標者未曾於羅芙奧競投拍賣品，請附上投標者資料之副本及銀行證明資料。 6. 本人同意買家須知、投標者登記表格、委任競投表格及業務規則等附屬文件均視為本契約之一部分。 7. 羅芙奧基於上述原因而需蒐集、處理或非營利目的之利用投標者個人資料， 該資料將在前開蒐集目的之存續期間及依法令規定要求之期間內被處理或利用。
簽署 ：
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羅芙奧在取得投標者之個人 / 公司資料及簽名後方才接受競標 簽名即代表確認以上登記 / 競投，詳閱並同意接受羅芙奧載於圖錄及網站內之業務規則
Ravenel Ltd. 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel: +886 2 2708 9868 | Fax: +886-2-2701 3306 ravenel.com | ravenelart.com.cn
ABSENTEE BID FORM The absentee bid forms must be delivered to the Art Department at least 24 hours before the auction begins. The bid forms may be faxed to: Art Department Tel: +886 2 2708 9868 ｜Fax: +886 2 2701 3306
Bidder's Details Customer Number
Name
Passport number/ID number/Unified Business number Tel (Home)
Auction Date Sale No. Location Address
AUTUMN AUCTION 2023 TAIPEI Modern & Contemporary Art Sunday, December 3, 2023, 2:00pm TA2304 Marriott Taipei 3F (Grand Space) No. 199 Lequn 2nd Road, Zhong Shan District, Taipei
(Mobile)
Tel (For Phone Bid) Email
Fax
Address Auction Lot Number
Title
Bid Price (NT$) (Not including Buyer's premium)
※Bidding rules： 1. It is requested hereby that Ravenel tenders the bid on my behalf for the following auction items within the bidding range described hereunder. 2. I understand and agree that Ravenel provides such bid services for the convenience of customers and no contract or agreement shall be constituted. Ravenel shall not be held liable for any failure to execute a bid. If Ravenel receives more than one commission of the same bid price with regard to a particular auction item, priority will be given to the person whose bid is first received. 3. I understand and agree that if my bid is successful, I shall pay the final hammer price together with the buyer's premium. For detail please refer to Article 2,section 4 of the Transaction Agreement to the buyer. (4a. The service fee of each lot payable by the Buyer: (1) The Buyer should pay the hammer price and, in addition, the buyer's premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the buyer's premium should be calculated at 20% of the hammer price; (2) For hammer price higher than NT$ 32,000,000, the first NT$ 32,000,000 should be calculated at 20% and the rest of the amount should be 12%.) 4. The bid shall be subject to the Transaction Agreement prescribed in the catalogue.(including but not limited to Ravenel's non-defect warranty and non-guaranteed liability). 5. If the bidder has not bid for the auction item at Ravenel, please attach a copy of the bidder's information. (Individual: ID card or passport with photo issued by the government) 6. I agree that the Notice To Bidders, Bidder Registration, Absentee Bid Form and Transaction Agreement and other attached documents are regarded as part of this agreement. 7. Ravenel will collect, process and use the personal data provided by the client for auction-related matters and other non-profit purposes.
Signature：
Date：
We accepts the bid only after obtaining the personal/company information and signature to execute this bid. By signing this form, you confirm your registration/bid(s) as above and you agree that you have read and understood our Transaction Agreement as stated in our catalogues and on our website. 168
Ravenel Ltd. 18F, No. 76, Sec. 2, Dunhua S. Rd., Taipei 106485, Taiwan Tel: +886 2 2708 9868 | Fax: +886-2-2701 3306 ravenel.com | ravenelart.com.cn
業務規則 下述規則，為羅芙奧股份有限公司(下稱「本公司」)與賣家訂立合約，亦 作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀 各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5 項，其對本公司之法律責任作了限定。 一、本業務規則所用詞彙之定義 在下列規定中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1. 「買家」：指本公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣 之自然人或法人。 4. 「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以 任何編號描述之一項或多項物品。 5. 「落槌價」：指本公司就某一拍賣品而接受之最高出價之價款。 6. 「買家服務費」：指買家按落槌價之某一百分比而支付本公司之費用； 收費率如第二條第4a項所列。 7. 「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之 價格售出。 8. 「膺品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺 詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺 騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品 在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義， 任何拍賣品均不會因為有任何損壞及 或任何形式之修整（包括重新上 漆）而成為膺品。 9. 「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險 之價值（不論保險是否由本公司安排購買）。 10. 「賣家服務費」：指賣家應支付本公司之費用。 二、買家 1. 本公司作為賣家代理人 本公司作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中 成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2. 拍賣前 a. 鑑定物品 本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之 物品。本公司就任何拍賣品及相關證明文件之真偽，均不對買家作任 何保證。 b. 拍賣品狀況之重要注意事項 請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述， 皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疪與不完整。對任何 拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍 賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或 損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議， 準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢 閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述 或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知 悉並瞭解所有拍賣品均以「現狀」售出，本公司對於任何拍出之拍賣 品狀態不作任何承諾或保證。 c. 符號表示 以下為本目錄所載符號之說明 ｏ保證項目 拍賣品編號旁註有ｏ符號者，表示賣家已取得本公司保證，可在一次 或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由 本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之 形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可 能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或 參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家 服務費。 d. 目錄說明 本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、 日期、年代、尺寸、材質、歸屬、真實性、出處、保存狀況或估計 售價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬意見之陳 述，不應依據為確實事實之陳述。目錄圖示亦僅作為指引而已，不應 作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。
拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作其 他用途之價值陳述。 許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有 些說明或鑑定意見書會提述拍賣品之損壞及 或修整資料。此等資 料僅作為指引而已，如未有提述此等資料，亦不表示拍賣品並無缺 陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任 有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查 明並瞭解，並就拍賣品為自己獨立之判斷及評估，並確使自己感到 滿意。 3. 拍賣時 a. 估價 目錄內及拍賣當日所提供之美金等貨幣估價，僅為參考依據。本拍 賣會須以新台幣結算，買家如須以新台幣之外其他貨幣繳付，須依 拍賣日現場公佈之匯率，折合所繳付之等值貨幣計算。 b. 拒絕入場 拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地 進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣 場地或參與拍賣。 c. 競投之前作出登記 每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身 分證明。準買家應注意，本公司通常會要求對買家作出信用核查。 d. 競投保證金 競投者，應在領取競投號牌前繳納競投保證金，競投保證金的金額 由本公司在拍賣日前公佈。 (1) 若競投者未支付競投保證金，本公司有權不接受其競投。若競 投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證 金。 (2) 若競投者成為買家，則本公司有權將此保證金自動轉化為已成 交拍賣品購買款項之一部（包含落槌價、服務費或運費等相關 費用），若尚有餘款須退回給買家；若買家無正當理由未於 成功拍賣日期後七天內支付全部應支付之成交拍賣品購買款項 （包含落槌價、服務費或運費等相關費用）予本公司，買家不 得請求返還競投保證金。 e. 競投者為買家 競投者將被視為買家而須承擔個人法律責任，除非登記時已經與本 公司書面協定，競投者僅為第三人之代理人，且該第三人復為本公 司所接受者。 f. 委託競投 如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公 司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公 司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而 在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其 委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承 諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項 承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託 作出競投，本公司將不負任何法律責任。準買家如希望確保競投成 功，應親自出席競投。 g. 電話競投 如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競 投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無 法參加電話競投，本公司對賣家或任何準買家均不負任何責任。 h. 透過網路進行競投 若準買家未能出席拍賣會，可透過 Invaluable 或本公司官網「即時競 標」（網址：https://bid.ravenel.com/）競投屬意拍賣品，而承擔買家 獨立責任。進行網上競投之詳情，請參閱本公司網頁 Ravenel.com， 惟準買家及買家透過 Invaluable 網上競投之方式成功拍得屬意拍賣 品，除須支付依本業務規則二、買家、4(a)規定所計算之服務費外， 並應另行支付落槌價3%之服務費，且應同意本公司得隨時修改該業 務規則。 i. 匯率轉換顯示板 拍賣會中，本公司會使用匯率轉換顯示板。匯率轉換顯示板僅供參 考，不論是顯示板所示之拍賣品編號或是新台幣競投價之相等外 匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依 賴匯率轉換顯示板（而非因以新台幣競投）所導致而蒙受之任何損 失，本公司概不負責。
j. 錄映影像 在有些拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是 否與成功拍賣之拍賣品相配合，或是翻版影像之質素，本公司對買 家均不負任何責任。 k. 拍賣官之決定權 拍賣官具有絕對決定權，有權拒絕任何競投、以其決定之方式推動 出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併， 以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始 前或於相關拍賣品競標前對注意事項作出通告，準買家須負責自行 注意所有於拍賣會場發表之通告。建議使用即時網上競投服務參與 競投的準買家，於拍賣開始前登入，以確保準買家得知拍賣開始前 所作出之通告。 l. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受， 亦即為賣家與買家合意依落槌價拍定拍賣品，視為成功拍賣合約之 訂立。 4. 成功拍賣後 a. 買家支付每件拍賣品之服務費費率 (1) 買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台 幣參仟貳佰萬元以下者含參仟貳佰萬元以落槌價之20％計算。 (2) 落槌價於新台幣參仟貳佰萬元以上者，採分為二階段計費，其中 新台幣參仟貳佰萬元以落槌價之20％計算，超過新台幣參仟貳 佰萬元之部份再以落槌價之12％，加總計算服務費金額。 b. 稅項 買家應付予本公司之款項，如須另行支付貨物、服務稅或其他稅則 時（不論由台灣政府或別處所徵收）。買家須負責按有關法律所規 定之稅率及時間，自行繳付稅款。 c. 付款 成功拍賣後，買家須向本公司提供其真實姓名及永久地址。如經本 公司要求，買家亦須提供付款銀行之詳情，包含但不限於付款帳 號。買家應於拍賣日期後七天內悉數支付應支付予本公司之款項 （包含落槌價、服務費或運費等相關費用）。即使買家希望將拍賣 品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。 買家如未向本公司支付所欠之全部款項，則不能取得拍賣品之所有 權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之 款項為新台幣以外之貨幣，須依拍賣日現場公佈之匯率（台灣銀 行），並以本公司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品 除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣 之拍賣項目，直至欠本公司之款項已悉數支付為止。已購拍賣品在 暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險， 如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領 取時起（以較早者為準），已購拍賣品之風險全由買家承擔。 e. 介紹裝運及運輸公司 本公司之貨運部門在買家要求下，可為買家介紹運輸公司、安排付 運及購買特定保險，但本公司在此方面不負任何法律責任。買家必 須預先繳付運輸費用。 f. 不付款或未有領取已購拍賣品之補救辦法 如買家並未在成功拍賣日後起算七天內付款，本公司即有權行使下 述一項或多項權利或補救辦法： (1) 在成功拍賣日後起算超過七天仍未付款，則按不超過台灣銀行基 本放款利率加收10%之年利率收取整筆欠款之利息。此外本公司 可同時按日收取依成交價（含落槌價、服務費）1％計算之懲罰 性違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷 本公司或其他關係企業在任何其他交易中欠下買家之款項，買 家絕無異議。 (2) 對任何屬於買家所有而因任何目的(包含但不限於其他交易)而由 本公司管有之已購拍賣品行使留置權，並在給予買家有關其未 付之欠繳之十四天通知後，安排將該物品出售並將收益用以清 償該未付之欠款。 (3) 如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項 用以清償已購拍賣品就任何特定交易而欠下之任何款項，而不 論買家是否指示用以清償該筆款項。 (4) 在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投， 或在接受其任何競投之前先收取買家一筆競投保證金。如買家 未有在三十五天內付款，本公司除上述辦法外，另有權為下述 一項或多項權利或補救辦法： 170
(a) 代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉 數賠償為基準之法律程序訴訟費。 (b) 取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售 予買家之拍賣品交易。 (c) 安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連 同因買家未有付款而引致之任何費用一併向買家索償。 g. 未有領取已購拍賣品 如已購得之拍賣品未有在成功拍賣日後起算七天內領取，則不論是 否已付款，本公司將安排貯存事宜，費用由買家承擔。而買家在付 清所引起之貯存、搬運、運輸、保險及任何其他費用，連同欠本公 司之所有其他款項後，方可領取已購拍賣品項目。 h. 出口許可證 除本公司另有書面同意外，買家希望申請出口許可證，並不影響買 家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲 付款收取利息之權利。 如買家要求本公司代為申請出口許可證，本公司有權向其收取與此 項申請有關之款項及零碎開支連同任何有關之稅則。 如買家不需要出口許可證而作出付款，本公司並無責任退還買家因 此而引致之任何利息或其他開支。 5. 本公司之法律責任 本公司僅在第二條第6項所列之情況下，得退還款項予買家。除此之 外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之 作者、來歷、日期、年代、歸屬、真實性或出處之陳述，或任何其他說 明之誤差，任何拍賣品之任何瑕疵或缺陷，均不負有任何責任。賣家、 本公司、本公司之僱員或代理人，不論是明示或暗示均無就任何拍賣品 作出任何保證。任何種類之任何擔保，均不包含在本條之內。 6. 膺品/贓物之退款 本公司之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實 為膺品、贓物或涉及不法情事者，則交易將取消，已付之款項於交付賣 家前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納 之意見，或清楚表明有牴觸當時學者或專家普遍接納之意見。 b. 或證明拍賣品為膺品或贓物之方法，只是一種在目錄出版前仍未普遍 獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並 不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並 無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退 款： (1) 買家必須在拍賣日起十日內以書面通知本公司，說明買家認為有 關拍賣品乃膺品或贓物之詳細理由及證據。 (2) 且買家需於書面通知後十四天內將拍賣品送還本公司，而其狀況 應維持與拍賣當日相同，不得有任何損壞。 (3) 送還拍賣品後，買家須盡快出示證據，足以使本公司確信拍賣品 乃膺品或贓物(本公司保有最終及不可異議之決定權)，買家並可 將拍賣品之完整所有權及相關權利轉讓予本公司，而與任何第 三人之索償無涉。在任何情況下，本公司均毋須向買家支付多 於買家就有關拍賣品而支付之款項，而買家亦不能索取利息。 本擔保之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本 發票之買家所有(該買家名稱被記載於發票上)，該名買家並須自拍賣後 一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何 第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品 或贓物，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證 拍賣品是否屬於贗品或贓物結果與買家出示證據相衝突者，應以本公司 驗證結果為準。
賣方業務規則請參閱羅芙奧網站 http://ravenel.com http://ravenelart.com.cn
TRANSACTION AGREEMENT The following provisions are entered into by and between Ravenel Ltd., as the auctioneer, (hereinafter referred to as the “Company”),and the Seller (hereinafter referred to as the "Seller"). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer"). The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5 which provides limitations as to the legal responsibilities of the Company. ARTICLE 1.DEFINITION Some of the phrases commonly seen herein are defined as follows: 1. "The Buyer" shall mean highest bidder accepted by the Company. 2. "The Prospective Buyer" shall mean any potential bidder willing to attend the auction sale hosted by the Company. 3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company. 4. "The Lot" shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue. 5. "Hammer price" shall mean the highest bid with respect to one particular Lot accepted by the auctioning party. 6. The " Buyer's Premium" shall mean the fee based on a certain percentage of the Hammer price paid to the Company by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a. 7. "The Reserve Price" shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price. 8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints). 9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company). 10. The "Seller Service Fee” shall mean the fee is paid to the Company by the Seller. ARTICLE 2.THE BUYER 1. The Company as the Agent of the Seller The Company, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer. 2. Prior to the Auction a. Authentication We strongly recommend that the Prospective Buyers conduct their own authentication for the items they are interested in bidding prior to the auction. The Company provides no guarantee to the Buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot and related certificates. b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The description of the auction items also do not imply and guarantee that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally. We strongly recommend the Prospective Buyers shall personally view the items for which they plan to bid before the auction. Any description in the catalogue or any statement provided by the Company is purely the Company's subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in "as is" condition. The Company does not provide any representation or guarantee as to the condition of any of the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue. ○ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer's Premium. d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lot and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not
3.
be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes. Many Lots fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her/its own judgment or estimation independently regarding the Lots.ing his/her own judgment or estimation independently regarding the Lots. In the Auction a. Estimates The prices in US dollars or other currencies reproduced in the auction and this catalogue are for reference only. The Buyer is requested to pay by New Taiwan dollars or other foreign currencies in its equivalency based on the exchange rate announced by the Company on the day of auction. b. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. c. Registration Prior to the Bidding Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. Prospective Buyers should also note that the Company may request to conduct credit checks against Buyers. d. The Bidding Deposit The bidder shall pay the bidding deposit before receiving the bidding number. The Company will announce the amount of the bidding deposit before the auction day. (1) If the bidder fails to pay the bidding deposit in advance, the Company has the right to refuse the bid. If the bidder is not able to purchase any Lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. (2) If the bidder becomes the Buyer, the Company has the right to transfer the bidding deposit into the payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs ) of the Lot for which transaction is concluded. And the Company will return the balance of the deposit to the Buyer (if any). If the Buyer ,without any good cause, fails to pay any and all payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs) of the Lot to the Company within 7 days after the auction date ,the Buyer shall not claim for the return of the bidding deposit. e. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. f. Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the provided forms attached to the explanations of the catalogue; however, bid commission instructions must be delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions. The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. g. Bid by Phone The Company will make proper effort to contact the bidder so he/she can participate in the auction by phone if the Prospective Buyer make arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. h. Online Bidding If the Prospective Buyer cannot attend the auction, it may be possible to bid online via Invaluable or our company's official website, "BID NOW" (https://bid.ravenel.com/), for their preferred Lots bearing individual buyer's responsibilities. For information about registering for online bidding, please refer to Ravenel.com., When successfully winning an item through online bidding via Invaluable, the Prospective Buyer and the Buyer shall pay a service fee of 3% of the hammer price in addition to the Buyer's Premium calculated according to Article 2, Section 4a. The Prospective Buyer and the Buyer agree that this Agreement can be viewed at the website and be revised by the Company from time to time. i. Exchange Rate Conversion Board There will be an exchange rate conversion board operating in auctions. Nonetheless, the auction will still be conducted in NT dollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board.
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j. Recorded Images There is image projection in some auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. k. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his/her discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items. If the auctioneer announces the points for attention before the auction or the bidding, the Prospective Buyers shall pay attention for any announcement as its own responsibility. We recommend the Prospective Buyers using Online Bids Services to log in the system prior to the commencement of the auction, to ensure the timely awareness of any notices or announcements made prior to the auction. l. Successful Bids Under the discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement on Hammer Price. Following the Auction a. The Buyer's Premium of Each Lot (1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the Buyer's Premium should be calculated at 20% of the hammer price. (2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's Premium should be that the first NT$ 32,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12% of the hammer price. b. Taxes All the payments payable by the Buyer to the Company do not include any commodity or service taxes or any other value added taxes (whether imposed by the Taiwanese government or elsewhere). The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his/her/its true name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon the company request. All payments due (including the hammer price, the Buyer's Premium and any freights or other expenses) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit. If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to the Company are made in any currency other than NT dollars, the exchange rate of the payments to the Company should be the exchange rate reported by the Bank of Taiwan to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period. The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Referral of Packaging or Transportation Companies The shipping department of the Company may introduce the forwarder, assist in the arrangement of delivery, or purchase particular insurance upon the Buyer's request. The Company will not be held liable for any legal responsibilities in this regard. And the Buyer shall prepay the freight charges. Costs and expenses for shipping and insurance shall be paid in advance. f. Remedies for Non-Payment or Non-Collection of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1) An interest at the annual rate of no higher than 10% plus the base interest rate of Bank of Taiwan will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and Buyer's Premium) multiplied by the number of delayed days as puntive damage for the default. The payment to be made by the Buyer may offset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company's sole decision. (2) To exercise lien of any items owned by the Buyer and held by the Company for any purpose including but without limitations other transactions. The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his/hers/its non-payment. The proceeds shall make up for the payment due. (3) If the Buyer owes the Company several payments as a result of different transactions, the payments will set-off any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments. (4) Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/or to require a bidding deposit from the Buyer before accepting any future bids from him/her/it. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a) To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim. (b) Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions. (c) To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any
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cost incurred as a result of the non-payment by the Buyer. g. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, handling, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. h. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer's wishes to apply for an export permit does not affect the Buyer's responsibility to make the payments in 7 days following the auction date; nor does it affect the Company's right to impose interest on delayed payments. If the Buyer requests that the Company applies for the export permit on his/hers/its behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes. If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom. The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Seller, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein. Return of Payments for Counterfeits or stolen goods The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit or stolen goods, or involved in obvious illegality by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields. b. Or the method used to prove that the Lot is a counterfeit or stolen goods is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer's payment can only be refunded when the following terms are met: (1) The Buyer must notify the Company in writing within 10 days following the auction day that he/she considers the relevant auction item a counterfeit or stolen goods. (2) The Buyer must return the Lot to the Company within the following 14 days and the condition of the item must be the same as on the auction day without any damage. (3) Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit or stolen goods (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim. Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer cannot claim interests.
The interests of the warranty cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer's name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction. If the result of appraising and verifying whether the Lot is a counterfeit or stolen goods by the Company conflicts with the evidence provided by the Buyer, the Company's said result shall prevail over the evidence provided by the Buyer.
Please refer to our website for seller's Transaction Agreement. http://ravenel.com http://ravenelart.com.cn