CURIOS: CHINESE WORKS OF ART
IMPORTANT NOTICE TO BUYERS The auction will strictly abide by the Transaction Agreement set out by Ravenel Ltd. Prior to participating in the auction, bidders are advised to read and understand the following regulations: 1.
Interested parties must complete the registration procedures with valid personal identifications (i.e. Identification card, Passport, etc.). The completion of a registration form and the payment of a bidding deposit are required.
2.
Bidding deposit in the amount of NT$ 600,000 or US$ 20,000.
3.
The bidding deposit must be transferred to Ravenel's specified Bank account prior to 15th July 2020, details as follow: Beneficiary's Bank: HSBC BANK (Taiwan) Limited. SWIFT Code: HSBCTWTP Beneficiary's Name: Ravenel Ltd. Beneficiary's Account No: 001-234830-031 (NT$) or 001-234830-061 (US$) Beneficiary Bank Address: 14F, No. 333, Sec 1, Keelung Road, Taipei 110, Taiwan The bank should be notified that the transfer must be exactly the amount of bidding deposit. The payer will be responsible for any associated bank service fees.
4.
After the 15th July 2020, parties interested in obtaining a paddle number must submit a cash security deposit during the Taipei previews (From 16th July to 18th July 2020). Acceptance will cease on 18th July by noon (No other forms of payment will be accepted).
5.
Telephone / written / internet bids: In the event that the bidder chooses not to be present at venue on the day of the auction, the bidder may place a bid through means of a telephone, written or internet bid. A registration form must be completed and the bidding deposit transferred to Ravenel's specified Bank account before the 15th July 2020.
6.
If the bidding deposit has been transferred prior to 15th July 2020, suitable proof or documentation is required. Once this information is verified, the payer will be contacted for details of his/her/its paddle number.
7.
If the payment of the bidding deposit is made on the day of the auction, the payer may obtain his/her/its paddle number with valid personal identification (i.e. Identification Card, passport, etc.) for purposes of verification.
8.
Return of the Security Deposit: (1) Completed Transaction: (a) For successful bidder with a bidding deposit made through wire transfer, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder within 14 business days through means of a wire transfer. (b) For successful bidders with bidding deposit made by Cash, the hammer price, buyer's premium and other expenses will be deducted from the bidding deposit, any remaining value will be returned to the successful bidder on the same day after the auction for a cash refund. (c) If the Buyer, without any good cause, fails to pay any and all payment (including but without limitation, hammer price, buyer's Premium, and other expenses) of the Lot to the Company within 7 days after the auction date, the Buyer shall not claim for the return of the bidding deposit. (2) Nil Transaction: If the bidder is not able to purchase any lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. For individuals with a bidding deposit transferred by wire, the bidding deposit will be returned within 14 business days through means of a wire transfer. Cash bidding deposit will be returned to individuals on the same day after the auction.
9.
Successful bidder must settle the payment (hammer price with buyer's premium) prior to receiving the lot(s) on site. If the price exceeds the amount of the bidding deposit, the successful bidder may settle the outstanding balance through the following means: (1) A cash payment must not exceed NT$ 1,000,000. (2) A credit or China UnionPay payment: The credit payment must not exceed NT$ 1,000,000. The holder of the credit card or China UnionPay must be the successful bidder, credit payments from any title except for the successful bidder will not be permitted nor accepted.
10. Ravenel Ltd. retains full discretion to accept or decline a payment in the event of any unforeseen disputes or discrepancies.
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給予買家的重要通知 本拍賣會依據「羅芙奧股份有限公司業務規則」舉行，請在參加拍賣會之前仔細閱讀，充分理解以下規則： 1.
有意參與競投的買家需事前辦理登記申請手續：請出示有效證件 ( 如：身份證明、護照…) 並填寫登記文件以及繳納競投保 證金。
2.
競投保證金 : 新台幣陸拾萬元或貳萬美金。
3.
競投保證金需於 2020 年 7 月 15 日以前完成匯款至本公司指定帳號如下 : 銀行： 匯豐（台灣）商業銀行 - 台北分行 銀行代碼：0810016 戶名：羅芙奧股份有限公司 帳號：001-234830-031（新台幣）或 001-234830-061（美金） 地址：台北市基隆路一段 333 號 14 樓 匯款時請指示銀行本公司需實收競投保證金全額，銀行手續費請匯款人負擔。
4.
2020 年 7 月 15 日之後，若欲參與競投領取牌號者需於台北拍賣預展期間 ( 2020 年 7 月 16 日至 7 月 18 日 ) 以新台幣現鈔支 付 ( 恕不接受除現金之外之其他繳納方式 )，收款將於 7 月 18 日中午 12 點截止。
5.
電話／書面／網路競投：競投者如不能出席拍賣會，可透過電話／書面／網路方式進行競投。登記申請手續以及競投保證 金之繳納亦需在 2020 年 7 月 15 日以前完成匯款至本公司指定帳號。
6.
如於 2020 年 7 月 15 日以前完成競投保證金匯款，請提供我方可證明已匯款的證明文件。確認收到競投保證金匯款後，我 們將與競投者聯繫並與之確認其競標牌號。
7.
拍賣當天已繳納競投保證金之競投者欲領取所登記的牌號時，請出示有效證件 ( 如：身份證明、護照…) 以確認身份。
8.
競投保證金退還方式： (1) 有成交： (a) 競投保證金以「匯款」方式完成者，扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣日後十四個工作天內以匯款方式退還給買家。 (b) 競投保證金以「現金」方式完成者， 扣除應支付予本公司之款項 ( 包含落槌價、服務費及其他費用 ) 後，若有餘額 需退還，本公司將於拍賣當日以現金退還給買家。 (c) 若買家無正當理由未於成功拍賣日期後七天內支付全部應支付之款項（包含落槌價、服務費及其他費用）予本公司， 買家不得請求返還競投保證金。 (2) 未成交：若競投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證金。競投保證金以「匯款」方式完成者，本 公司將於拍賣日後十四個工作天內以匯款方式退還給買家。競投保證金以「現金」方式完成者，本公司將於拍 賣當日以現金退還給買家。
9.
若成功得標買方欲現場取貨，買方之應付款項 ( 落槌價與佣金 ) 金額超過競投保證金金額時，買方得以下列方式結清帳款： (1) 現鈔：上限新台幣壹佰萬元。 (2) 信用卡與銀聯卡：刷卡上限為新台幣壹佰萬元。信用卡與銀聯卡持有人必需是買家本人，本公司不接受他人之信用卡。
10. 羅芙奧股份有限公司有權在發生任何不可預見的糾紛或矛盾的狀況之下，對於接受或拒絕付款（包含競投保證金）保留全 部的決定權。
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羅芙奧 2020 春季拍賣會 博物怡情—中國古文物專場
RAVENEL SPRING AUCTION 2020 Curios: Chinese Works of Art 拍賣日期／地點 2020年7月18日（六） 下午 3:30 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳） 預展日期／地點 台中 2020年7月4日（六）下午1:00至下午6:00 2020年7月5日（日）上午11:00至下午6:00 豐藝館 台中市西區五權西路一段110號B1 台北 2020年7月16日（四）至 7月17日（五）上午10:00至下午7:00 2020年7月18日（六）上午10:00至下午2:00 萬豪酒店 台北市中山區樂群二路199號3樓（博覽廳）
AUCTION Saturday, July 18, 2020, 3:30 pm Marriott Taipei Grand Space, 3F , No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan
PREVIEWS Taichung
Saturday, July 4, 2020, 1:00 pm - 6:00 pm Sunday, July 5, 2020, 11:00 am - 6:00 pm Fong-Yi Art Gallery B1, No. 110, Section 1, Wuquan W. Rd., West Dist., Taichung, Taiwan
Taipei
Thursday, July 16 - Friday, July 17, 2020, 10:00 am - 7:00 pm Saturday, July 18, 2020, 10:00 am - 2:00 pm Marriott Taipei Grand Space, 3F, No. 199, Lequn 2nd Road, ZhongShan Dist., Taipei, Taiwan
拍賣目錄每本售價：NT$1,000 This auction catalogue: NT$1,000 per copy
Arthur WANG 王鎮華
Chairman 董事長
Clara KUO 郭倩如
Vice Chairman 副董事長
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陳砥翰 Masa Chen
林琬娸 Kitty Lam
古文物及書畫部 經理 Manager, Fine Chinese Works of Art and Paintings Department
業務經理 香港 Business Manager Hong Kong
周媛玲 Connie Chau
朱毅 Walter Zhu
古文物及書畫部 專員 Specialist, Fine Chinese Works of Art and Paintings Dapartment
業務代表 北京 Representative Beijing
陳姿穎 Zin Chen
李政希 Xiu Lee
業務助理 台北 Sales Assistant Taipei
業務代表 上海 Business Representative Shanghai
目次 / Contents 2
給予買家的重要通知
IMPORTANT NOTICE TO BUYERS 5
羅芙奧春季拍賣會
SALE INFORMATION 8
羅芙奧之服務
RAVENEL SERVICES 10
博物怡情—中國古文物專場
Curios: Chinese Works of Art 47
委託競投表格
ABSENTEE BID FORM 49
業務規則
TRANSACTION AGREEMENT
RAVENEL STAFF AND SERVICES FOR THIS SALE
SPECIALISTS
CATALOGUE SUBSCRIPTION
Masa Chen
Taiwan
Taiwan
Tel: +886 2 2708 9868 ext. 588 Email: masachen@ravenel.com
Zin Chen
Tommy Wu
Tel: +886 2 2708 9868 ext. 585 Email: zinchen@ravenel.com
Tel: +886 2 2708 9868 ext. 885 Email: tommywu@ravenel.com
Hong Kong, International
Hong Kong, International
PHONE BIDS AND WRITTEN BIDS
Kitty Lam Tel: +852 2889 0859 Email: kittylam@ravenel.com
Kitty Lam Tel: +852 2889 0859 Email: kittylam@ravenel.com
Taiwan
Shanghai．Beijing
China
Tel: +886 2 2708 9868 ext. 585 Email: zinchen@ravenel.com
Xiu Lee Tel: +86 21 6228 2883 Email: xiulee@ravenel.com
Xiu Lee Tel: +86 21 6228 2883 Email: xiulee@ravenel.com
Hong Kong, International
The catalogues are available for subscription. For details
Kitty Lam
of subscription, please refer to the explanations of the cat-
Connie Chau Tel: +886 2 2708 9868 ext. 908 Email: conniechau@ravenel.com
Zin Chen
Tel: +852 2889 0859 Email: kittylam@ravenel.com
Shanghai．Beijing
alogue or contact the above persons.
COLLECTION AND SHIPPING
Remarks: All the items auctioned may be collected upon receipt of payments. The Buyers are requested to arrange for collection as soon as possible to facilitate warehouse inventory circulation and centralize management. We accept person-
Xiu Lee Tel: +86 21 6228 2883 Email: xiulee@ravenel.com
al and corporate checks, however collection may be made
Remarks: If you are unable to attend the auction in person, you may tender the bid by phone or you may use the absentee bid forms attached at the back of the auction catalogue to tender your bid. It is also possible to bid online for selected lots. Please refer to ravenel.com for more information. In view of the limited phone line services at the auction, please inform us 24 hours prior to the auction for arrangements, including any foreign language assistance for the bidding.
to 6:30 pm, Monday to Friday.
only when such checks are honored. We apologize for no acceptance of traveler's checks. Other items may be collected at the Ravenel Ltd. The business hours are 9:30 am
Our professional administration department may make recommendations of arrangement or the most appropriate transportation for you. Ravenel is glad to provide you with the condition report of any of the items at the auction, however, the buyers must note that all the items at the auction are sold “as is”. Please refer to the Transaction Agreement at the back of the catalogue. Please refer to the “Transaction Agreement to the Buyers”.
ONLINE BIDS Register at Invaluable www.invaluable.com
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羅芙奧2020春季拍賣會服務部門及連絡人
諮詢專家
目錄訂閱
取貨及運輸事宜
陳砥翰 電話：+886 2 2708 9868 轉 588 電子信箱：masachen@ravenel.com
台灣
台灣
陳姿穎 電話：+886 2 2708 9868 轉 585 電子信箱：zinchen@ravenel.com
吳博峯
香港．國際
香港．國際
電話書面競標聯絡人
林琬娸 電話：+852 2889 0859 電子信箱：kittylam@ravenel.com
林琬娸 電話：+852 2889 0859 電子信箱：kittylam@ravenel.com
台灣
上海．北京
陳姿穎 電話：+886 2 2708 9868 轉 585 電子信箱：zinchen@ravenel.com
中國
李政希 電話：+86 21 6228 2883 電子信箱：xiulee@ravenel.com
李政希 電話：+86 21 6228 2883 電子信箱：xiulee@ravenel.com
香港．國際
本目錄開放各界訂閱，詳細訂閱辦法，請參照目錄之
林琬娸 電話：+852 2889 0859 電子信箱：kittylam@ravenel.com
說明或請洽上述聯絡人。
周媛玲 電話：+886 2 2708 9868 轉 908 電子信箱：conniechau@ravenel.com
電話：+886 2 2708 9868 轉 885 電子信箱：tommywu@ravenel.com
註一：所有拍品在貨款結清後，即可取貨；買家請儘 早通知安排取貨事宜，以利倉庫存貨流通和集中安排 辦理，本公司接受個人及公司支票付款，惟需在兌現 後始能提貨。恕不接受旅行支票付款。其他各項貨品
上海．北京
可在羅芙奧辦公室提領，上班時間為週一至週五上午
李政希 電話：+86 21 6228 2883 電子信箱：xiulee@ravenel.com
9:30至下午6:30。
註一：如您無法親臨拍賣現場，可以電話投標方式競
註二：我們的專業行政部門可為您建議或安排最適當 的運輸方式。
標；亦可利用附在此目錄後面之委託競投表格；或可 參與網上競投，詳情請洽羅芙奧官方網頁。
羅芙奧樂意提供您本次拍賣當中任何一項拍品的狀況 報告書，惟準買家需注意拍品均是以「當時認定」之
註二：鑑於拍賣現場電話有限，欲以電話投標方式競 標的投標者，請於拍賣前24小時通知我們為您安排， 尤其對需用外國語言服務之投標者。
網上競投 請前往 Invaluable 註冊 www.invaluable.com
狀況賣出，相關細項請參照目錄後之業務規則。請參 照買家需注意事項。
7 01 A WHITE JADE 'DRAGON' BELT HOOK Ming Dynasty (1368-1644) L : 9.7 cm
和闐白玉籽料雕琢，選料白皙溫潤，質地純淨，光澤柔潤，狀如凝 脂，表面帶有自然沁色，施以高浮雕和鏤空技法，以螭龍教子為主 題紋飾，圓雕龍首為鉤，望向鉤身的幼龍，盡顯溫情，螭龍蠶眉環
NT$ 20,000 - 40,000 HK$ 5,000 - 10,000 US$ 700 - 1,300 RMB 5,000 - 9,000
眼，闊鼻方口，三角耳，頸部龍鬃整齊粗壯，延伸至底，鉤身鏤雕 幼龍，四爪著地，撐起身體，仿佛飛翔於雲層之中爬行，將帶鉤與 螭龍教子這個故事完美的組合在一件器物之上，構思巧妙，雕琢更 是細巧精緻。雙龍之間的空間處理合宜妥當，生動完美的詮釋螭龍 教子這個美好寓意。此玉帶鉤皮色運用極為講究，刻工利用紅皮進 行巧妙構思，大龍的額頭、雙眼以紅皮點綴，富有逸趣，小螭龍整 身以皮色雕出，形象討巧。玉質的白色與漿皮的紅色形成鮮明的對
明 白玉蒼龍教 子 帶 鉤 長：9.7 cm
比，使視覺更加豐富。 This belt hook is carefully carved on a hetian white jade, whose lustrous and translucent characteristics gleams softly under the light. Its surface is reticulated and decorated in high relief carving, of two chi dragons, a grown-up teaching a child, which is lying on the belly of the adult. The dragon has thick brows and beady eyes, wide nose, rectangular mouth and triangular ears. Hair is thick behind its neck. A young dragon stands on the adult with its four paws facing downward, as if gliding through the clouds. The composition of the dragons on a belt hook is an ingenious idea with well-planned proportion. Russet inclusions of the white jade draw attention to the head and body of the young dragon.
Ravenel 10
7 02 A CARVED BAMBOO 'TEA APPRECIATION' BRUSHPOT Qing Dynasty (1644-1911) D : 7.2 cm H : 14 cm
NT$ 50,000 - 100,000 HK$ 13,000 - 26,000 US$ 1,700 - 3,300 RMB 12,000 - 24,000 清 竹雕品茗圖 筆 筒 直徑：7.2 cm 高：14 cm 此筆筒以竹莖雕而成，呈圓筒狀，下承三足圈足。外壁以薄地淺浮 雕技法刻劃品茗圖為主題，蒼松翠柏下，一人坐於榻上，長鬚飄於 胸前，寬衣博帶，頗為怡然自得，童子侍立於前，近旁桌上有盞壺 等物品，童子手奉蒲扇煮茶。觀其畫面構圖完整，綠蔭甚濃，更見 幽邃，猶如一幅水墨長卷，生動的描述士大夫於山林裡愜意場景， 情節生動，顯示出品茗之愉悅氣氛。此筆筒利用竹表與竹肌不同色 澤構成畫面層次，刀法嫺熟，紋飾線條流暢自然，深淺錯落有致， 畫面中山石嶙峋，古柏蒼勁，紋飾線條粗獷有力，古柏、人物、山 石皆鏤空透雕，且近於圓雕，具有極強的立體感，經過長久的摩 挲，色沉溫潤，頗為古雅。 This brushpot was carved on a bamboo stem, with three standing legs at the base. Light relief carving at the surface narrates the theme of tea appreciation. Under the luscious pine trees, a scholar with long beard and loose clothing is sitting on a bench. A servant boy is brewing tea with a hand holding a fan. Mist lingered in the distance over a dense forest. Making use of the different tones of bamboo, a vivid picture with varied tones and depth is created. Pictured against an ancient pine tree, the ancient tone and the relaxed feeling of tea appreciation is also depicted. The darkened skin of the brushpot suggests its usage over time and enhances the antiquity of the object.
70 3 A HUANGHUALI BRUSHPOT Early Qing Dynasty D : 15.5 cm H : 14.5 cm PROVENANCE: My Humble House collection, Taipei Private collection, Taiwan
NT$ 80,000 - 160,000 HK$ 21,000 - 41,000 US$ 2,700 - 5,300 RMB 19,000 - 38,000
此筆筒取料於上等黃花梨木製成，形製端莊典雅，器物表面光素無 紋，通體以黃花梨特有的自然紋理取勝，簡約雅致，其木質堅實細 密，紋理或隱或現，口沿起陽線，直壁至底微斂。紋美質堅，極具 質感，撫之滑膩，手感頗佳，展現黃花梨瑰麗氣質，又飽含文雅書 卷氣，久經摩玩承傳，筆筒表面包漿自然，蒼潤堅凝，歷史氣息 濃郁，不失為一件案頭陳設和實用的佳作，頗為清雅，盡顯文房雅 趣。 This brushpot was carved out of huanghuali wood with a solemn and elegant design. The surface is smooth without any decorations, hence fully displayed the dense grains of the wood. Lipped edges are carved on the top and bottom rims. The walls of the brushpot is straight and smooth in touch. The elegant design, specially selected material and a well-polished surface makes this brushpot a delighting piece in a
清早期 黃花梨 素 面 筆 筒 直徑：15.5 cm 高：14.5 cm 來源： 寒舍舊藏，台北 私人收藏，台灣
Ravenel 12
studio.
7 04 A ZITAN BRUSHPOT Qing Dynasty (1644-1911) D : 12 cm H : 12.5 cm
此筆筒取紫檀為材，直口，形體碩大，表面光素無紋飾，簡約大 方。表面呈現出緞子般的光澤，其木質堅硬，紋理纖細浮動，變化 無窮，尤其是它的色調深沉，顯得穩重大方而美觀。自古便知，良 材如雕花過多，則會掩蓋木質本身的紋理與色彩，為匠人所不取。
NT$ 100,000 - 200,000 HK$ 26,000 - 51,000 US$ 3,300 - 6,600 RMB 24,000 - 47,000
有「寸檀寸金」之說的紫檀製成如此簡約典雅，而此作充分展現了 用材之美，紫檀色澤深重，黑中見赭，隱現細密木紋，包漿潤澤透 亮，如墨玉一般，古樸厚重，簡潔素雅，通觀此物體線優美，圓口 平沿，直壁無足，腹深且闊，琢磨合乎法度，腹身筆直勁挺，格外 尊貴大氣。 This zitan brushpot has a wide opening sculpted with a robust look.
清 紫檀素面筆 筒
Its smooth surface shines with satin polish. It is always believed that
直徑：12 cm 高：12.5 cm
the less ornaments it has, the finer the material. Zitan, being precious in its own nature, would normally be used in its natural form. This robust brushpot alone would stand out on a study desk. The wood is dark with dense grain, polished with satin like texture. These grains reflected from its dense structure, suggesting its superb quality.
7 05 A BRONZE INCENSE BURNER Qing Dynasty (1644-1911) D : 10 cm
此爐選以精練銅為料，其仿宣德時期典型的蚰耳爐造型，蚰耳爐為 宣爐中最具代表性的款式，其厚重的銅材質與嫋嫋熏香結合，彰顯 高貴品質，表面包漿瑩潤，色澤古樸，其器形沉穩純厚，氣勢磅
NT$ 80,000 - 160,000 HK$ 21,000 - 41,000 US$ 2,700 - 5,300 RMB 19,000 - 38,000
礴，清代延續了明代宣德爐的叫法，大部分依舊鏨刻明代宣德款 識，此底部落「大明宣德年製」六字楷書款識。做工亦極精緻，銅 質勻淨，細膩密實，持之墜手，手感甚佳。叩之悅耳，餘音悠長， 沁人心脾。焚香於內，餘香繞梁，平添雅致之氣。據記載，明宣宗 愛之彌篤，置於書房為伴，明清兩代的人文更是將宣德爐視為書房 當中一件不可或缺的雅物。
清 銅蚰龍耳簋 式 爐 直徑：10 cm
This censer is casted in high quality bronze with an everted rim and looped ears on the two sides. Heavy material contrasts light mist of the burning censer. Exquisite forms and excellent quality suggest a highly-skilled craftsmanship. This censer is enclosed with a sixcharacter Xuande mark in Regular Script at the base. This incense burner is casted with highly skilled artistry and specially selected bronze quality, making it heavy in weight and producing a pleasant sound. Incense burners were an essential part of the studio of Emperor Xuanzong of the Ming Dynasty. Such traditions were
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maintained by the Ming and Qing scholars.
7 06 A 'LINGBI' ROCK Qing Dynasty (1644-1911) H : 39 cm (including base)
NT$ 80,000 - 160,000 HK$ 21,000 - 41,000 US$ 2,700 - 5,300 RMB 19,000 - 38,000 清 靈璧石擺件 高：39 cm（含座）
此靈璧石擺件屬精品，其形態獨特，符合觀賞 石漏和皺的特性，百看不厭，靈璧石分黑、白、 紅、三大類，其中以黑色最具有特色。觀之，其 色如墨，色澤青潤，最大程度保留原始嶙峋肌理， 層層疊疊，褶皺如皴，其質堅硬，色彩與紋理富於 變化，以危岩嶙峋、山勢雄渾、氣韻蒼古著稱與世，可 謂質、色、彩、紋、形皆備，文秀雅致，置於書齋案頭， 頓時生色，無愧天下第一石之美稱。 This rock is unique of its kind. With a few hollow surfaces and rugged cun texture, this is deemed as a beautiful piece with its base. Among the variations of colours of black, white and red, black lingbi rocks are the most sought-after. This rock retains its own colour and texture from Nature and a tone of antiquity. A balance of texture, colour and shapes, makes this piece stand on its own and enliven the studio, thus undoubtedly upholds its name as a magnificent work of art.
70 7 A BRONZE INCENSE BURNER Qing Dynasty (1644-1911) D : 10 cm PROVENANCE: Ravenel Hong Kong, 25 May 2014, Lot 8009
NT$ 150,000 - 240,000 HK$ 39,000 - 62,000 US$ 5,000 - 8,000 RMB 35,000 - 57,000
沖耳爐又稱朝天耳爐，是仿自宋代官窯瓷器的款式鑄造，後世也作 為供奉用爐，在眾多爐形中是較為經典的款式。雙耳朝天，被認為 具有可溝通天地之意，明清時期還將其視作祭天的禮器，置於天子 議政之所。此爐精銅所製，爐形雅致，腹均口薄，唯底加厚，侈口 有頸，鼓腹徽垂，三足適中，與沖耳上下呼應，諧美之至也。栗色 深沉，表面呈現一層仿若梨皮之感的色澤。銅質細膩密實，持之墜 手。爐底部中央，開框減地鏨刻「大明宣德年製」六字陽文楷書 款，款識周正，字體規整，時代特徵顯著。 Incense burners with upright loops are derived from the Guan ceramic works of the Song Dynasty. They are the classical version of incense burners. These loops face upwards and symbolize
清 銅梨皮沖耳 三 足 爐 直徑：10 cm
communication between heaven and earth. They are used in religious ceremonies in the shrines of the Ming and Qing Dynasties. Made in selected bronze, the shape of this censer is elegant. Thin bronze was used on the body, and thick bronze for the base. It has an everted
來源： 香港羅芙奧，2014 年 5 月 25 日，編號 8009
rim, slightly droop waist and three tapered legs which echo with the two upright loop handles. Dense bronze was used, making the bronze censer heavy to touch. An apocryphal six-character Xuande mark is placed at the center of the exterior base of the censer.
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7 08 A GILT-LACQUERED BRONZE FIGURE OF A DEITY Ming Dynasty (1368-1644) H : 25 cm (including base)
NT$ 150,000 - 240,000 HK$ 39,000 - 62,000 US$ 5,000 - 8,000 RMB 35,000 - 57,000 明 銅漆金魁星 踢 斗 立 像 高：25 cm（含座）
魁星圓瞪雙目凝視前方，上身袒胸，身軀瘦骨嶙峋，肩披薄衣繞 臂，下著薄褲，腰際繫結，帔帛繞臂迎風翻卷而下。左手捧墨斗， 右手持朱筆，左腳擺出揚起後踢姿態，為魁星點鬥祥瑞之意。立像 銅製精良，肢體細節刻劃極富動感，表情傳神，衣袂飄然，軀體色 澤棕褐，局部保存著當年漆金留下的痕跡，整體沉穩肅穆。巨眼獠 牙，面目猙獰，魁星相貌奇特，但寓意點取中榜人之名，有祝願讀 書人科舉成功、榜上有名之意。 Kuixing faces forward with a broad chest and skinny limbs. Dressed with thin clothes and trousers, tied loosely with a ribbon, the deity danced with his left hand holding the ink pot, and another hand holding a brush. Left leg is lifted towards the back carrying a message of blessing. The bronze material was carefully selected and the figure is casted with meticulous attention to detail, from the expression of Kuixing, to the posture and its clothings. Gilt gold still remains on the statue to enhance the solemness of the deity. Casted with large beady eyes and a wide smile, Kuixing carries a blessing to students and scholars who are about to take exams.
7 09 A BRONZE 'LOBSTER' FORM WATER DROPPER Ming Dynasty (1368 -1644) L : 16 cm
此龍蝦水滴就似乎是從爐火直接化生而出：龍蝦眼圓渾，熠熠閃 爍，十爪足尖，分別外露，範鑄後精心雕琢生物細節，活脫一活龍 蝦的形象。明代範鑄工藝的詮釋和展現，以龍蝦為題材的銅器作品
NT$ 150,000 - 240,000 HK$ 39,000 - 62,000 US$ 5,000 - 8,000 RMB 35,000 - 57,000
亦罕有傳世，此龍蝦水滴展示動態之姿，向前移動的姿態，足爪伸 張。更為奇巧的是，此拍品實為水滴，兼顧的實用的功能，身以內 儲存清水，可見工藝之精。其器工藝極其複雜，其眼部、鬚子等細 節均惟妙惟肖高凸有神，神態可謂展現得鮮靈活現，凡此均可見製 作者的巧思和奇技，傳世至今，極為珍貴，龍蝦水滴而並非單純的 文房器物，而是極富文人氣韻的雅器，想必古代文人雅趣也是對民
明 銅龍蝦水滴 長：16 cm
俗之物情有獨鍾，故具其獨特性。 The water dropper was casted in detail with antennae, beady eyes and ten outstretched walking legs, enhancing the vividness of the lobster. The walking legs are depicted in different angles, suggesting the movement of the lobster. As a water dropper, a chamber inside the body of the lobster is designed to store water. Meticulous depiction of this water dropper shows excellent craftsmanship and is a rare piece of scholar object.
Ravenel 18
7 10 A BRONZE 'MYTHICAL BEAST AND LINGZHI' BRUSH REST Ming Dynasty (1368-1644) L : 14.5 cm
此筆架色呈棕紫色，堅重細緻，且銅筆架沉穩，為筆架中的精品， 選材為精煉銅，範鑄呈四雅石，一瑞獸纏附於雅石之下。瑞獸望向 遠方，軒昂抖擻，毛髮上飄，掌抓強健，威嚴雄健。筆架銅質精煉
NT$ 190,000 - 300,000 HK$ 49,000 - 77,000 US$ 6,300 - 10,000 RMB 45,000 - 71,000
如金，雅石層次繁多且分明，宛如寫意蓬萊仙境的畫卷，立體而自 然。整體佈局緊湊有致，點綴的靈芝更是增添了意境，風格明快而 自然，極為古樸。此件筆架屬刻劃傳神且韻味十足的文房精品，從 題材到選材施藝足見品級之高，頗具文人士大夫的精神追求。 This brush rest is made of brownish purple bronze with a heavy weight. High quality brand was chosen and was casted into the
明 銅祥瑞如意 筆 架 長：14.5 cm
shape of four rugged rocks. A beast at the center looks afar. Its hair raised on the back and on the tail, as it hops in delight. Its animated character is vividly depicted. The rugged relief of rocks along with the beast suggest the scene of utopia. With a well-planned structure highlighted with lingzhi, it hints of antiquity. From the selection of bronze material to its composition and structure, this piece is a refined piece of scholarly object and a decorative piece for the studio.
71 1 A WHITE JADE 'MYTHICAL BEAST' SCROLL WEIGHT Qing Dynasty (1644-1911) L : 4.5 cm
瑞獸紙鎮為圓雕工藝雕刻而成，呈現伏臥狀態，材質為白玉質，玉 質瑩潤，表面帶少量沁，包漿均勻，華光內斂。體態伏臥狀，昂首 挺胸，雙目圓睜，凸眼粗眉，翹鼻闊口，雙耳後貼，嘴微張露齒， 背上凸脊，尾巴卷起，頸後及背部浮雕鬃毛，以細陰線飾之。前足
NT$ 220,000 - 320,000 HK$ 57,000 - 82,000 US$ 7,300 - 10,600 RMB 52,000 - 75,000
著地，後足蹲踞，不怒自威。面部表情刻劃傳神，顯出力道與動 感，豐腴有靈性。頗有既威武而又沉隱內斂之氣勢，刀工篤實，運 轉流暢，底座周圈雕刻回字錦地紋飾，彰顯治玉工匠的匠心精神。 瑞獸在古代歷史中有著豐富的文化意義，它象徵著神秘和力量，能 避邪納福，故千百年來在人們的心目中成為吉祥和力量的代表。瑞 獸造型規整，雙目炯炯有神，憨態可掬，但又不失威武之勢，躍 躍欲起之勢躍然眼前。刀工古樸簡練，造型規整，玉色老氣十足，
清 白玉瑞獸紙 鎮 長：4.5 cm
歷史感厚重。彌足珍玩，整器精巧，比例得宜，雕工細膩，繁複生 動，一絲不苟，渾厚有力的線條，側首瞬間的力量感，以及面部等 細節的刻畫，體現得十分完美，表現出瑞獸的神韻，顯得愈發威武 雄壯，不失為文房器物中的精品之作。 This scroll weight is a scholars' object in the form of a mythical beast that carries a blessing to a better future. Seated on a circular carved base, the beast is crouched. Made from lustrous white jade, the scroll weight's surface is mottled with slight inclusions. The beast is seated with its head held high. It has bulging eyes, thick brows, high nose and mouth slightly opened, showing the teeth. Its tail curled and the hair of the neck lies smoothly on its back. Half seated and half kneeled, the beast is ready to sprint forward. The expression on its face is radiant and ferocious. The carving skills were superb and smooth as the huiwen pattern was incised at the rim of the circular base. The beast symbolizes mysteriousness and strength, to protect people from evil spirits for hundreds of years. The beast is carved in a well-balanced proportion with ferocious expression, which proves the extraordinary craftsmanship of the period, hence enhancing the aesthetic quality of the beast.
Ravenel 20
7 12 A JADEITE FIGURE OF 'GUAN YIN' Qing Dynasty (1644-1911) H : 15 cm
NT$ 220,000 - 320,000 HK$ 57,000 - 82,000 US$ 7,300 - 10,600 RMB 52,000 - 75,000 清 翠玉淨瓶觀 音 像 高：15 cm 觀音菩薩開臉端莊祥和，雙目下視，鼻樑挺直，薄唇微閉，以立像 的形式展現。神態自然安詳，極具慈悲情懷。菩薩雙手交與身前一 手持淨瓶，寓意將象徵和平、幸福的甘露灑向人間。觀音身著曳地 長裙，衣衫、長裙輕柔飄逸，衣紋線條靈動，令人有「吳帶當風」 之感。此觀音立像以上等翡翠圓雕琢成，玉地綠翠相映成趣，時而 飄逸蕭散，時而凝鬱積蘊，令人縱情於斯，流連不止，造型端莊， 全身比例合宜，衣褶起伏柔美顯質感。刀法細勁遒婉，不見刻露之 痕，匠心獨運，渾然天成，極富文人情致。翡翠在玉石家族中屬於 「硬玉」，故施技亦非易事。色澤豔麗，在古代產出稀少，質地滋 潤細膩更是罕見，韌性較強，硬度極高。一經出現，就被冠以「玉 石之王」的美稱，既是源於翡翠的美輪美奐，同時也說明它是中國 玉石文化的延展，從明末傳入中國那一刻起，就受到國人狂熱的追 捧和喜愛。 The statue is a standing figure of Guan Yin looking downwards peacefully with a high nose and slightly closed thin lips. The hands are gently put at the front, holding a pure bottle, symbolizing peace among mankind. The loosely tied long cloak flows gently with the wind, demonstrating outstanding craftsmanship. Serenity is depicted by the expression and posture of the goddess which is carved with great attention to detail. Excellent craftsmanship could be observed. This figure is carved from jadeite, one of the hardest stones in the jade family. It is acclaimed as the king of the jades, due to its translucent and refined beauty.
7 13 A FINE YIXING MODELLING OF A BAMBOO SHOOT SIGNED CHEN MING-YUAN Early Qing Dynasty L : 8.3 cm PROVENANCE: Sotheby's Hong Kong, 7 May 2002, Lot 683 My Humble House collection, Taipei Private collection, Taiwan
此品紫砂冬笋小擺件，作橫臥冬笋之形，其弧度微妙，恰能巧妙平 衡。笋身形態飽滿，笋身表面為淺黃泥，以深褐色泥漿作線描，根 部稍塗褐紅色。六片笋殼緊密相疊纏裹，笋殼上的筋脈根根刻畫清 晰，仿生如真；根部筍鬚及切面微孔更是惟妙惟肖，極其生動自 然，隨形底座，嚴絲合縫。根部鈐有《鳴遠》篆書印款，其印款書 法古雅雄健，出自清代紫砂大師陳鳴遠之手，為其紫砂像生器之銘 心絕品。
ILLUSTRATED: Treasures of the Chinese Culture and Fine Arts Association: the 30th Anniversary Exhibition, National Museum of History, Taipei, February 2009, p. 56
陳鳴遠，江蘇宜興人，為清代康熙年間宜興陶藝巨匠。其出身紫砂 世家，為晚明製壺高手蔣時英外孫、紫砂製壺名家陳子畦之子，所 製茶具、文房雅玩，無不精美絕倫，又擅以細膩的紫泥材質配合其 雕塑絕技，形塑出各種自然生態，再運用接近真實肌理的泥料、釉
NT$ 600,000 - 950,000 HK$ 154,000 - 244,000 US$ 19,900 - 31,500 RMB 142,000 - 224,000
色等加以描繪，創造出各種宛然如生、細節惟妙惟肖的藝術效果。 This sculpture was modelled as a chunky bamboo shoot with a balanced and natural depiction. The sculpture was made with light yellow clay, highlighted and sketched with darker ochre clay. The end root was coloured in brownish red. The bamboo shoot is tightly wrapped by its outer skin which were naturally engraved with intense
清早期 紫砂冬 笋 小 擺 件 《 鳴 遠 》 款 長：8.3 cm 來源： 香港蘇富比，2002 年 5 月 7 日，編號 683 寒舍舊藏，台北 私人收藏，台灣 圖錄： 《瀚海藏珍：中華文物學會 30 週年紀念展》，國立歷史博物館， 台北，2009 年 2 月初版，頁 56
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lines. The root is naturally depicted with air holes and thin ends. Chen Ming-Yuan was born in Yixing of Jiangsu, and was an acclaimed pottery artisan during the Kangxi Period of the Qing Dynasty. Born to a family of pottery makers, he was the grandson of Jiang Shi-Ying and son of Chen Zi-Gui, who were well-known for their refined clay teapots and scholar objects.
7 14 A HUANGHUALI CARVED AND INSCRIBED BRUSHPOT Qing Dynasty, 18th Century D : 15 cm H : 15 cm
NT$ 600,000 - 950,000 HK$ 154,000 - 244,000 US$ 19,900 - 31,500 RMB 142,000 - 224,000
此黃花梨筆筒，圓形直尊式筆筒，取黃花梨木為之，質地細膩，紋 理清晰，葆光瑩潤。筆尊器身陰刻竹石圖，仿書畫冊頁形式，描寫 奇石二拳，修竹數欉；著意表現竹梢迎風，竹葉紛披飛舞之狀，所 鎸短竹葉，結體甚密、狀若飛絮，刀痕快利、力道短促，一刓而 就，見其遊刃有餘，刀趣未有少減；題刻五律一首，詩云：「庭竹 翠交加，虛兼罩碧紗。盤栽金線草，屋長玉簪花。雨過留殘日，雲 歸帶晚霞。未能消暑悶，閒步聽池蛙。時在甲子（1744）夏月， 芷巗製。」甲子即乾隆九年，為清代嘉定竹刻大家周顥62歲之作。 周顥，字晉瞻，時作峻瞻，號芷巗，又號晉齋，芷叟、芷道人、雪 樵、晉齋等，以髯多而美，人呼為「周髯」，晚號髯癡，嘉定（今
清 十八世紀 黃 花 梨 竹 石 圖 筆 筒 《 芷 巗 》款 直徑：15 cm 高：15 cm
上海）人。 This huanghuali brushpot is cylindrical with a dense structure, majestic grain and a fine polish. Bamboo and rock were incised and depicted as in a scroll. The bamboo sways with the wind and the movement of the leaves were captured by the sharp incision into the wood surface. A poem was engraved on the brushpot, describing the relaxing life in a luscious green bamboo garden with pots of plants and flowers, after the rain and the heat, as the frogs sing in the pond. Summer of 1744 by Zhi-Yan. It was the 9th year of the Qianlong Period and Zhou Hao the carpenter was already 62. He had several sobriquets including Jin-Zhan, Jun-Zhan and Zhi-Yan, also known as Zhou Ran derived from his bun on the head.
7 15 A SPINACH-GREEN JADE 'DRAGON AND PHOENIX' BRUSH WASHER Qing Dynasty (1644-1911) L : 20.5 cm
此碧玉龍鳳如意水洗，精選碧玉整料琢成，造為四合如意形，器形 端莊穩重，敦厚沈穩，儼有古風。敞口，洗內深腹，腹內如意紋壁 勻整對稱，內壁挖膛光素勻淨，光活細緻精到，壁厚外鼓。外壁正
NT$ 600,000 - 950,000 HK$ 154,000 - 244,000 US$ 19,900 - 31,500 RMB 142,000 - 224,000
面雕龍啣如意，雙龍口啣如意，盤踞左右，龍身蜿蜒成S形，四足外 撇，長尾後捲，呈現騰躍之狀，身姿矯健靈活。兩側鎸刻鳳凰展翅 並活環耳，如音棲弦，栩栩如生，底承四合如意圈足。龍鳳顧盼， 如意四合，可謂相映成趣。藝匠刀法爽利，洗練規矩；拋光精良， 尤能表現出玉質的溫潤光澤，是器雕飾繁簡、動靜對比鮮明，張弛 有度，氣宇恢宏又肅穆沉靜，洵為清代同類玉作之箇中翹楚。此器 用新疆和闐所產碧玉為之，玉料碩大規整，殊為珍罕，更難得者是
清 碧玉龍鳳如 意 水 洗
其玉質極佳，碧色濃烈，在深綠中含有墨點與白翳，厚澤溫潤，細
長：20.5 cm
膩如墨，濃翠動人。 This brush washer is carved out of a spinach-green jade boulder into a ruyi shape. The style is solemn and classical. The opening was carved deeply with a plain inner structure and thick walls. Ruyi are held in the mouths of the dragons as they walk around the exterior of the brush washer, forming an S shape. Their legs are outspread and their tails are curled, as if they are in motion. The two handles were carved with two phoenixes with wide spread wings and dangling rings. The coexistence of dragons, phoenixes and ruyi suggests a blessing to the owner. Excellent craftsmanship results in a lustrous jade with vivid characters and a solemn style. The jade material used in this jade was produced in Hetian, Xinjiang. A large piece of boulder is needed for this rare piece of art. This jade is semi-translucent and has an intense dark green with black and white inclusions.
Ravenel 24
71 6 A WHITE JADE FIGURE OF 'MONKEY' Qing Dynasty (1644-1911) H : 5.5 cm
此件白玉代代封侯，精擇和闐白玉琢成，玉質緊緻細膩，脂白溫 潤，呈現半透明狀。此作浮雕一只飽滿圓鼓布袋，兩隻靈猴分別攀 附在布袋上、下兩端，注目窺看或伸手試探眼前盛開的花朵，靈猴
NT$ 750,000 - 1,100,000 HK$ 193,000 - 283,000 US$ 24,900 - 36,500 RMB 177,000 - 259,000
面部扁平，圓眼凸嘴，刻畫富有肌肉感，額部僅以陰線刻寫，雙耳 突起，四肢刻畫具體，身姿矯健，十足活潑頑皮之貌。布袋上並淺 浮雕數朵葵花，盛開綻放，富於生氣，神態把握準確，形象生動， 是清代玉配飾精品之作。猴與侯諧音，寓意封侯賜爵；而袋、猴的 組合諧音即為「代代封侯」，寓意世代都能封侯進爵；靈猴探花， 意謂著士子高中榜首。
清 白玉代代封 侯
This figure is carved on a boulder of carefully selected Hetian white jade, which is semi-transparent with a dense structure. Carved in
高：5.5 cm
high relief, two monkeys climb on a bulging sac, looking downwards facing the sunflowers which are in full bloom. The monkeys are carved with beady eyes, pointy mouths and raised ears, as they cling onto the sac with muscular arms, which are depicted in detail. Light carvings were made on the bulging sac, ornamented with a few blossoms. The style and extravagant craftsmanship suggests that this magnificent piece belongs to the Qing Dynasty. Monkey and official share the same pronunciation "hou" in Chinese, and a depiction of the monkey suggests the promotion of an official. The combination of bag and monkey refers to a family of officials.
背面 Back
正面 Front
71 7 A SMALL HUANGHUALI KANG TABLE Ming Dynasty (1368-1644) L : 37 cm W : 16.5 cm H : 9 cm PROVENANCE: My Humble House collection, Taipei Private collection, Taiwan
NT$ 600,000 - 950,000 HK$ 154,000 - 244,000 US$ 19,900 - 31,500 RMB 142,000 - 224,000
黃花梨三彎腿小炕桌，精選紋理清晰的黃花梨木，其上滿佈狸斑， 即俗稱的「鬼臉」，此種如水波蕩漾，變幻莫測，彷彿具有萬千意 象的木紋，為黃花梨樹木自然生成之美。桌面拼板，矮束腰，桌面 四周設有攔水線、冰盤沿。牙板為壺門之形，弧線圓轉自如，抑揚 有致。壺門中央處浮雕如意雲紋，兩側作卷雲紋。此腿足作三彎 腿，馬蹄外翻。牙板內緣起陽線，順延至腿足，隨之彎曲，至底端 收卷為卷珠狀，與外翻馬蹄合為一體，不僅起了強調邊線的作用， 更富於簡約秀美的裝飾意趣。此三彎腿小炕桌造型古樸，文雅端 麗，洵為難得的明式家具精品。 This small kang table was made with carefully selected huanghuali wood panels, based on its elusive and ripple-like grain structure, the natural beauty of huanghuali wood. Attached by several panels, this small table has a short apron and uprising edges. The apron is curved and decorated with ruyi cloud patterns. Curvaceous pattern from
明 黃花梨三彎 腿 小 炕 桌 長：37 cm 寬：16.5 cm 高：9 cm 來源： 寒舍舊藏，台北 私人收藏，台灣
Ravenel 26
the apron runs down to the cabriole legs, forming an elegant and extravagant design of Ming furniture.
7 18 A HUANGHUALI TABLE CABINET 17th Century L : 23.5 cm W : 34.7 cm H : 34 cm
NT$ 800,000 - 1,200,000 HK$ 206,000 - 308,000 US$ 26,600 - 39,800 RMB 189,000 - 283,000 十七世紀 黃花 梨 官 皮 箱 長：23.5 cm 寬：34.7 cm 高：34 cm
此件黃花梨銅釦官皮箱，平頂，蓋下有平屜。兩扇對開門上緣留子 口，頂蓋關閉之後，可將子口扣住，即可將兩扇門閉鎖，無法打 開。箱內設有抽屜七具，兩側安提手。此件官皮箱銅活精緻講究， 尤以全器包角皆圓，甚為難得。官皮箱雖傳世甚多，然常見為紫檀 製者，黃花梨所製者反而少見，這是因為黃花梨的紋理色彩清晰， 若用其製作，為整體美觀計，則官皮箱所有板面最好都以一塊獨板 製成，即使採用拼板方式，也須儘量挑選花紋色彩相近者，因此甚 為珍貴。「官皮箱」的形體不大，但結構複雜，箱體前有兩扇門， 內設抽屜若干，箱蓋和箱體造有母子扣合，門前有面銅葉拍子，兩 側安有提手，上有空蓋的木製箱具。 This table cabinet is constructed with a cover and drawer compartments beneath. Two opposite cabinet doors close and are secured with the lock plate from the cover. This cabinet has seven compartments and two handles embellished at the sides. It was meticulously designed with close attention to detail, as all edges are polished and round. Table cabinets are numerous in number and often seen in zitan. Huanghuali are fewer in numbers due to their distinguishable grains which need to be matched for an overall aesthetic harmony. Thus, often a single wood panel or careful selection of similar wood panels would be used. Table cabinets are small in size, but have a complex structure. Two sides are embellished with bronze handles. An additional cover compartment was located on the top.
71 9 A SET OF FOUR CHINESE HONGMU LOW-BACK ARMCHAIRS Qing Dynasty, 19th Century L : 45.1 cm (each) W : 53.4 cm (each) H : 89.1 cm (each) PROVENANCE: Collection of A. Alfred Taubman
NT$ 950,000 - 1,500,000 HK$ 244,000 - 386,000 US$ 31,500 - 49,800 RMB 224,000 - 354,000 清 十九世紀 紅 木 玫 瑰 椅 四 件 一 組 長：45.1 cm（每件） 寬：53.4 cm（每件） 高：89.1 cm（每件） 來源： 艾佛瑞德．陶布曼舊藏
此件紅木玫瑰椅，四件一組，精選紅木製成。沿用明式風格，後背
This set of four armchairs were made of Hongmu. The chairs have
與扶手之內皆安直欞，後腿以及後背直欞均至上端逐漸向後彎；羅
spindles at the back and as arm support in the style of the Ming
鍋棖式搭腦兩端下彎，用「挖煙袋鍋」造法與後腿聯結，搭腦亦向
Dynasty. The top of the spindles at the back bent slightly backwards.
後微彎，與直欞悶榫相接。椅盤下方，前、側面均用羅鍋棖，棖上
The comb pieces form a zig-zagged shape downwards and
施雙矮老，後面用素牙子。方直腿，四根管腳棖，正面一根最低，
backwards to form a linkage with the spindles. The zig-zagged design
其下安設透空牙條，除加強結構承重，亦便於坐者踏足。整體造型
is used consistently on the beams below the saddle seats, supported
簡約大方，結構疏朗通透，光素無琢，雅致內蘊，為文人雅士居家
by short spindles, forming an apron. Plain aprons are used at the
擺設之首選佳器。
back. The legs are rectangular attached with four stretchers, the front of which being the lowest. An extra hollow stretcher is added to the
「玫瑰椅」的主要特點在於靠背和扶手略低矮，兩者高度也相差
lowered stretcher at the front for foot support. The whole design is
無多，且與椅盤垂直，形製直接上承宋式，此即王世襄所指具有
sleek and elegant, without extra flourishings and are perfect for a
「短其倚衡」（椅背低矮）、「折背樣」（椅背高度僅一般椅子的
scholar's home.
一半）兩大特點；多用珍貴的黃花梨和紅木製成，用材單細，少鏤 雕裝飾，結構通透，輕巧美觀，為明代十分流行的一種坐具形式。
These armchair are designed with low back and low arm. The saddle
明清時期繪畫或版畫插圖中往往可見玫瑰椅於桌案旁對面而設，或
seat is upright, echoing with the Song style - a low back that reached
未與桌案搭配，雙雙併列，或不規則斜對；搭配桌案時，不高於桌
almost half of the ordinary chairs. Huanghuali and Hongmu are
案，靠窗放置時亦不高出窗臺。尤其在多設有大片玻璃門窗的現代
common material for the simplistic design. These low-back armchairs
房屋中，玫瑰椅更適宜背靠窗臺擺放，而無阻擋觀景視線之虞，其
were common in the Ming Dynasty as its low design does not affect
擺設、用途可謂靈活多變。
the window panes and its sleek design match perfectly with any medium, including the modern glass design.
Ravenel 28
7 20 A PAIR OF CARVED ZITAN 'DRAGON' CABINETS, KANGGUI Qing Dynasty (1644-1911) L : 20.2 cm (each) W : 43.6 cm (each) H : 74.6 cm (each)
NT$ 1,200,000 - 1,900,000 HK$ 308,000 - 488,000 US$ 39,800 - 63,100 RMB 283,000 - 448,000 清 紫檀雕雲龍 紋 炕 櫃 一 對 長：20.2 cm（每件） 寬：43.6 cm（每件） 高：74.6 cm（每件）
紫檀雕雲龍紋炕櫃，成對陳設，通體為紫檀木製。左右對稱，四門 對開，櫃膛設二屜。櫃門皆高浮雕五爪雲龍，皆昂首而立，睥睨雄 視，龍身矯躍，氣宇軒昂。櫃膛鎸一對五爪行龍，所設抽屜銅提把 巧妙連結龍首與龍身。牙條則雕雙龍戲珠。所刻雲龍與行龍，俱雄 健威猛，輾轉騰挪於祥雲之間，氣勢磅礴。龍首呈如意或獅鼻之 形，雙角高揚，威嚴霸氣，龍身偉岸壯碩，鬃鬣紛披賁張，龍鱗 伏貼，龍爪弩張，姿態俱極生動自然。雲龍與行龍紋飾俱能獨立成 章，又可相互對稱、呼應，成其雄踞顧盼之勢。櫃門周匝環以回紋 飾帶，益增沉靜肅穆氣息。 These cabinets are displayed in pairs and are carved from zitan wood panels. The four doors are designed facing each other, above the two drawers. Doors are carved with five-clawed dragons surrounded by clouds in high relief. Aprons of the cabinets are carved with a pair of dragons playing with a ball. These dragons are ferociously depicted flying on clouds. Their heads are represented in a shape of ruyi with nostrils that resemble that of the lions. Two horns stand on its forehead and its hair raised as they are brushed by the winds. Their bodies are covered with scales and their hands are outstretched. Each panel forms a picture of its own, while echoing with the adjacent panels.
Ravenel 30
72 1 A WHITE JADE 'LOTUS' BRUSH WASHER Mid Qing Dynasty L : 24 cm PROVENANCE: Christie's New York, 16 September 1999, Lot 185 Ravenel Hong Kong, 25 May 2014, Lot 8087
NT$ 3,000,000 - 4,600,000 HK$ 771,000 - 1,183,000 US$ 99,600 - 152,700 RMB 708,000 - 1,085,000 清中期 白玉荷 葉 式 水 洗 長：24 cm 來源： 紐約佳士得，1999 年 9 月 16 日，編號 185 香港羅芙奧，2014 年 5 月 25 日，編號 8087
此器用大塊白玉籽料以鏤空法製成，玉質潔白細膩，以掏空部分雕 琢荷葉紋飾作洗池，以鏤雕的蓮莖作支架，造型自然樸實，構思靈 巧而有創意。荷葉卷口自然，蓮莖穿枝過梗，盤綖交搭，使全器顯 出清新獨特的氣韻。玉石乃硬度極高之材質，脆性也相對的加大。 在此原因之下，越細長的枝梗，因承受力度的關係，越易折斷。亦 由此可知，此水洗的製作工藝水準之高，難度之大，實難想像。在 工序上是先鏤空後琢工，尤其在鏤後變細的枝梗上，尚須做出扭動 轉折的自然姿態。並加琢必要的枝節葉脈，而不致折斷。如此的工 藝技法，更耐人尋味。 This brush washer is carved with high relief out of a pale celadon jade. The interior was carved out as a water container. Intertwined lotus stems serve as a supporting base. The leaf curls naturally at the edges, enhancing the elegant form. Jade is a hard material, which makes it even harder to carve given its crispiness. Hence thin and elongated stems would become fragile and easily brittle. With a high relief and natural depiction, the style of this washer requires excellent craftsmanship, first by drilling the hollow part next to the branch, followed by shaping the leaf carefully into its natural form, making this a fascinating piece of art.
Ravenel 32
72 2 A LARGE HUANGHUALI CHEST 17th Century L : 44.7 cm W : 73.5 cm H : 32.5 cm
NT$ 1,500,000 - 2,400,000 HK$ 386,000 - 617,000 US$ 49,800 - 79,700 RMB 354,000 - 566,000 十七世紀 黃花 梨 大 書 箱 長：44.7 cm 寬：73.5 cm 高：32.5 cm
此件黃花梨銅釦大書箱，斲取黃花梨良材為之，色澤紅潤，葆光瑩
This chest is made in huanghuali with a reddish tone and lightly
朗，尤以全器光素，未施多餘雕鏤，更彰顯出黃花梨木堅緻而細膩
polished. Few ornaments are added to the chest, so as to enhance
之質地、變幻萬千的紋理之美。書箱立牆的四角用銅葉包裹，蓋頂
the dense grain structure of the wood panels. Edges of the vertical
四角鑲雲紋銅飾件，正面為圓面葉，雲頭形拍子，兩側面安有提
walls are protected by bronze plates and floral roundels. The chest is
環，做工嚴謹考究，材美工良。銅木搭配，適所相宜，予人古樸精
secured with a bronze clasp and round plate at the front. Bronze loop
緻之感，洵為明式家具中的箱具精品。
handles are set at the side for easy transport. Excellent craftsmanship and careful selection of material allow this chest to be one of the
明式家具以物盡其用、清雅簡約為尚，講求方中有圓、圓中有方，
excellent pieces of furniture of the Ming Dynasty.
整體結構嚴謹合理，在關鍵細節處往往具有微妙的曲折變化，蘊藉 委婉含蓄之美；而在選材上，崇尚天然之美，巧妙運用木材天生的
The designs of Ming furniture often appear simple yet with maximum
色澤和紋理之美，僅在不影響整體效果的前提下，才會於局部作
utility. They are often rectangular in shape with rounded edges. As
小面積的雕飾，以顯畫龍點睛之妙。此種箱子為明人所製的基本形
for the choice of material, carpenters skilfully make use of wood
式，書箱往往是古代的仕宦與書香門第不可或缺的一樣家具，因為
panels with careful attention to detail, so as to maintain its natural
書箱便於搬運，十分靈巧方便，可以作為文人或官員外出時攜帶書
grains and beauty. This chest is a typical form in the Ming Dynasty
籍之用。因此，此一箱具除了多功能的實用性外，也成為古代文人
and was an essential object of a Ming studio. It is designed for
擁有書籍、知識等文化資本，具有身份地位的象徵。
storage of books, thus becoming a symbol of knowledge and power of a scholar.
Ravenel 34
72 3 A PALE CELADON JADE 'LOTUS' BRUSH WASHER Qing Dynasty (1644-1911) L : 20 cm
此件青白玉荷葉水洗，以青白玉為材，取整料雕琢而成，下配隨形 木座。器形厚重，玉質溫潤。整體造型為一朵飽滿卓立的大荷葉， 自然生動，栩栩如生，外壁琢出蓮蓬、荷葉與荷花數朵，分佈錯落
NT$ 440,000 - 650,000 HK$ 113,000 - 167,000 US$ 14,600 - 21,600 RMB 104,000 - 153,000
有致。荷葉之葉脈鏤刻精細，清楚分明，歷歷可數；荷葉邊緣作敞 口折沿，圓潤而光滑，可於滌洗毛筆時不致損傷筆毫，同時寫其捲 曲翻折之貌，有曲盡其態之妙，也反映其光活（拋光）細膩而精到 之處。荷葉底部雕出數枝蓮莖，翻折繞轉之間巧妙地托起了整件荷 葉筆洗，形態惟妙惟肖，構成一幅具有自然野趣的荷塘小景。 This brush washer is carved from a pale celadon jade. A wooden
清 青白玉荷葉 水 洗 長：20 cm
base was custom-made for the jade carving. A big lotus leaf was carved with naturally curved edges, surrounded by a lotus pod and lotus flowers. Veins of the leaf are meticulously carved in detail. A curvaceous opening is located at the edge, to facilitate the washing without harming the brush. Stems tangled beneath to support the whole structure, while creating a pond-theme.
Ravenel 36
7 24 A BRONZE CYLINDRICAL INCENSE BURNER AND RETICULATED COVER Qing Dynasty (1644-1911) D : 11 cm H : 14 cm PROVENANCE: Sotheby's Hong Kong, 3 December 2015, Lot 18
NT$ 400,000 - 600,000 HK$ 103,000 - 154,000 US$ 13,300 - 19,900 RMB 94,000 - 142,000
Seal 款
此爐式由宣德簋式爐發展而來，以精銅鑄造而成，上方爐蓋帶圓 鈕，蓋鈕上鏟地開光刻「大明宣德年製」六字楷書款。爐蓋鑄造如 意雲紋和龍紋為主題，龍紋和祥雲紋間隔鏤空，便於香氣的散發。 兩龍遊走祥雲其間，龍型身形矯健，蜿蜒盤曲，雲中追逐。爐身規 則的分佈蓮瓣紋，爐身兩側塑獸首，獸首鑄造精湛，惟妙惟肖，堪 稱此爐的點睛之筆。銅爐下承高圈足，上飾如意雲紋一周，圈足和 爐身兩部分上下相映成趣。全器雕鑄精細有力，線條婉轉流暢，沉 穩莊重，工藝精湛。傳世少見，殊為珍貴。保存較為完整，莊重古 樸。器身色澤沉古，凝重華麗，試想焚香時，輕煙由香爐內飄出， 繚繞爐體四周，流雲滾動，祥龍瑞獸隱沒翻騰，仿若仙境一般。 The style of this bronze censer was derived from Xuande gui censer. It is casted in selected bronze and incised with a six-character Xuande mark on the upper cylindrical knob of the finial. The lid of the censer was casted with ruyi clouds and dragon patterns. Reticulated hollow areas allow the smoke to ascend among the clouds and dragons. The two dragons are slender, as they meander through the censer as they chase each other among the clouds. Lotus petals are casted on the walls of the vessel, garnished with two meticulously depicted mythical beasts at each side of the censer, as they echo with the ferociousness of the dragons. Exquisite attention to detail and steeped in solemness, the censer shows excellent craftsmanship, as incense emits smoke and induces imaginations of mythical creatures.
清 銅鏤空雲龍紋蓮瓣式熏爐 直徑 : 11 cm 高：14 cm 來源： 香港蘇富比，2015 年 12 月 3 日，編號 18
72 5 A BAMBOO ROOT CARVED 'PINE' LIBATION CUP Qing Dynasty, Kangxi Period (1662-1722) H : 9 cm PROVENANCE: Sotheby's Hong Kong, 31 October 1995, Lot 578
NT$ 240,000 - 380,000 HK$ 62,000 - 98,000 US$ 8,000 - 12,600 RMB 57,000 - 90,000 清康熙 竹根雕 蒼 松 紋 盃 高：9 cm 來源： 香港蘇富比，1995 年 10 月 31 日，編號 578
此盃以竹根雕制而成，身形小巧精緻，通體採用透雕高浮雕工藝雕 刻而成，整個盃身雕成松樹狀，上面滿工松樹紋理癭節，團團鱗斑 惟妙惟肖。盃尾由下而上生長出幾株松幹，相互交錯亦貼杯身層巒 生長。樹幹上佈滿大大小小的松針團簇，層層迭迭或遮或掩，相互 交映十分精彩。盃口隨形自然，近似花瓣之貌，杯內壁光滑，寫實 生動，松樹虯勁挺出，都展現了古代雕刻藝人的功底，可見古人對 自然生態的細緻觀察和匠心獨到的雕刻技術。此松樹杯皮殼濃厚， 老氣十足，頗具文人情趣。此作可見皮殼熟舊，刀法流暢，整器頗 具明清犀角杯雕琢韻味，也是康乾盛世時期竹雕作品的經典之作。 This libation cup is small in size carved deeply into the bamboo root. It is shaped in the form of pine trees with aged and rugged texture on the trunks. Intertwined branches spread evenly throughout the sides of the cup. The natural form at the rim of the cup resembles the petals of a flower. The internal wall of the cup is smoothly carved. The complex structure and outstanding craftsmanship suggest the dedication of the carpenter and his close observation of Nature. The surface of the cup is intense and dark, suggesting the age of the cup. Every detail of this cup is carefully carved in detail, showing the force and skills of the carpenter, making this one of the magnificent scholar objects of the Kangxi and Qianlong Period of the Qing Dynasty.
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7 26 A BAMBOO ROOT CARVING OF A BUFFALO AND A BOY Early Qing Dynasty H : 20.5 cm
NT$ 170,000 - 260,000 HK$ 44,000 - 67,000 US$ 5,600 - 8,600 RMB 40,000 - 61,000 清早期 竹雕牧 牛 童 子 像 高：20.5 cm
此竹雕牧牛童子一作，此作取料色澤醇厚，造型生動可愛，其以圓 雕技法呈現，刀法精湛，人物刻畫精細，老牛俯身仰望，童子坐於 老牛背上，引頸左向，展顏歡笑，憨態可掬，雙手持韁繩動感十 足，牧童與老牛呈現對比關係，透露出牧童精靈果敢，牛的動態活 靈活現，牧童其樂融融，表情和動作透露出信手拈來的自信感。通 觀全器，可見刻劃精妙，皮殼溫潤，包漿英英。更為精妙的點在於 巧借竹子的肌理展示出牛毛的質感。 This figure of a buffalo and a boy is carved on bamboo with outstanding skills, depicting the features and proportions in meticulous detail. The buffalo is hunched, looking upwards to its left, as the boy pulls the string tied to its neck and nostrils. This contrasts with the seated boy who is confidently gleaming with a wide smile. The vividness of the buffalo and the boy could be seen through the outstanding skills by the bamboo craftsman. It is polished and carved meticulously in detail, using the texture of bamboo as the hair of the buffalo.
72 7 A CARVED AND INSCRIBED GREEN JADE BOULDER 20th Century L : 14 cm
此件玉石擺件青玉質地，質感細膩，採用浮雕手法雕翠竹高仕山 圖，枝繁葉茂。竹林下雕一高士，手撫古琴，正在沉浸在山中美色 和美妙的音韻中。此件青玉擺件，是玉質擺件中雕琢簡潔的一種，
NT$ 150,000 - 240,000 HK$ 39,000 - 62,000 US$ 5,000 - 8,000 RMB 35,000 - 57,000
為保持玉石料原形為基礎，幾近完整的保存了籽料的皮色。青玉刻 有「獨坐幽篁裡，彈琴復長嘯」一詩，講述浮雕裡高仕一邊彈琴吟 詩，一邊欣賞幽篁的情景。此件玉石擺件整體刀法有力，雕工精 細，線條自然流暢，與其意境相符，極具韻味，不可多得，堪稱上 品。 This jade carving was incised with an image of a scholar under
二十世紀 青玉 翠 竹 高 士 擺 件
luscious bamboo in shallow relief from a green jade boulder. As
長：14 cm
inscribed in the poem, the scholar is playing guqin by the bamboo grove and a rock. Shallow relief carving enables the jade boulder to maintain its original natural shape and russet inclusions. Such carving on boulders would follow a strict structure of foreground and background, incorporating subjects, such as landscape, running stream, cloud, figure and animals and birds. This piece of jade is carefully engraved with force, depicting the natural lines and forms of a scholar, rock and bamboo grove.
Ravenel 40
7 28 A MOTHER-OF-PEARL INLAID LACQUER INCENSE STAND Qing Dynasty, Kangxi Period (1662-1722) L : 32.5 cm W : 49 cm H : 49 cm
NT$ 150,000 - 240,000 HK$ 39,000 - 62,000 US$ 5,000 - 8,000 RMB 35,000 - 57,000
此件清代康熙年間的大漆鑲螺鈿香几，面六方，整器黑漆色黑，以 螺鈿嵌入漆木，頂面選取螺鈿片嵌入壽桃圖為主題。整器滿工，錦 地紋、卷草紋、花卉紋遍及上下各部，五彩珠光，斑點細碎，絢麗 而不豔俗。束腰豐肩，周圍密嵌螺鈿飾幾何紋，壺門式牙板上嵌纏 枝花卉紋螺鈿，卷起小足，三彎形式優美大器，足下有托泥，托 泥正面螺鈿有有松樹枝幹紋飾，腿足則有纏枝藤蔓圍繞，其工藝細 緻，花卉枝葉生動，遠望時銀光彩光奪目，香几為書房或佛堂中重 要的傢俱陳設，更是文人高尚氣質的陳設佳器。 This hexagon incense stand was made in the Kangxi Period of the Qing Dynasty. The top panel is luxuriously decorated with mother-
清康熙 黑漆螺 鈿 六 稜 香 几 長：32.5 cm 寬：49 cm 高：49 cm
of-pearl inlay of peach and butterfly figures. Flowers and openwork inset patterns scattered on the high waist and six cabriole legs, and the top panel of the low base is decorated with pine branches. Mother-of-Pearl shines in their vivid colours against the dark black lacquer, making this an admirable piece in a studio or a shrine. Such elongated design and slender cabriole legs enhance its elegance. Mother-of-Pearl inlay on lacquer is an extremely time-consuming task that requires superb craftsmanship. This stand is decorated with lots of elegant flourishings, making this a magnificent piece of the period. Incense stands are regarded as an important piece of furniture in studios and shrines of a notable scholar.
72 9 A ROSEWOOD PAINTING TABLE L : 168 cm W : 75 cm H : 78 cm
NT$ 80,000 - 160,000 HK$ 21,000 - 41,000 US$ 2,700 - 5,300 RMB 19,000 - 38,000 花梨木夾頭榫 畫 案 長：168 cm 寬：75 cm 高：78 cm
Ravenel 42
7 30 A BOXWOOD FIGURE OF MONK 'BUDAI' Qing Dynasty (1644-1911) H : 28 cm (including base)
NT$ 50,000 - 100,000 HK$ 13,000 - 26,000 US$ 1,700 - 3,300 RMB 12,000 - 24,000 清 黃楊木布袋 和 尚 像 高：28 cm（含座）
此件木雕擺件取料於黃楊木，以布袋和尚為題材，整觀面容神情雕 琢細緻，粗眉高顴，笑顏自然舒展，大耳垂肩，半披衣服，袒胸露 腹，右手託福袋，肩扛一杖，左手扶杖，杖上有一草帽，赤足站立 於布袋之上。包漿幽光沉靜，自然天成。布袋和尚平日以杖肩荷布 袋雲遊四方形象現身，以禪機點化世人，且樂善好，此件做工極 為精細，整體造型，表現其和藹形象討喜，衣紋刻畫精細，極富動 感，神情體態更是可遇而不可求。 This sculpture is made in boxwood, depicting the Monk 'Budai'. He is depicted with thick brows, high cheeks, big ears and a broad smile on the face. The monk is loosely clothed showing his belly and broad chest. He is holding a bag of blessing on the right hand, and a walking stick with a hanging straw hat on the other. He is standing barefooted on his 'Budai (bag)'. It was believed that he walked around with his walking stick and bag, helping people in need. This sculpture portrays the cheerful character of the monk, in the hopes of bringing happiness to its viewers.
73 1 A ROOTWOOD SHRINE SCULPTURE H : 65 cm (including base)
NT$ 20,000 - 40,000 HK$ 5,000 - 10,000 US$ 700 - 1,300 RMB 5,000 - 9,000 奇木佛龕 高：65 cm（含座）
Ravenel 44
7 32 A HARDWOOD BRAZIER AND BRONZE TEAPOT BRAZIER L : 30 cm W : 30 cm H : 22.5 cm TEAPOT D : 18.5 cm
NT$ 20,000 - 40,000 HK$ 5,000 - 10,000 US$ 700 - 1,300 RMB 5,000 - 9,000 酸枝火爐與銅 壺 火爐 長：30 cm 寬：30 cm 高：22.5 cm 壺 直徑：18.5 cm
Ravenel 46
委託競投表格 拍 賣 名 稱：羅芙奧 2020 春季拍賣會 博物怡情—中國古文物專場 拍 賣 編 號：TC2002 拍 賣 日 期：2020 年 7 月 18 日（星期六） 下午 3:30 萬豪酒店 台北市中山區樂群二路 199 號 3 樓 博覽廳
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RAVENEL SPRING AUCTION 2020 Curios: Chinese Works of Art TC2002 Saturday, July 18, 2020, 3:30 pm Taipei Marriott Hotel Grand Space, 3rd Floor, No. 199, Lequn 2nd Rd., Zhongshan Dist., Taipei
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業務規則 下述規則，為羅芙奧股份有限公司(下稱「本公司」)與賣家訂立合約，亦 作為賣家之代理人與買家訂立合約之條款。準買家、買家及賣家務須細讀 各項規則並完全同意遵守本業務規則。準買家、買家請特別留意第二條第5 項，其對本公司之法律責任作了限定。 一、本業務規則所用詞彙之定義 在下列規定中，某些常用詞彙需加以解釋。此等詞彙定義如下： 1. 「買家」：指本公司所接受之出價最高之自然人或法人。 2. 「準買家」：指任何有意參加本公司舉辦拍賣之任何自然人或法人。 3. 「賣家」：指將拍賣品獨家委託本公司於本公司舉辦之拍賣會參與拍賣 之自然人或法人。 4. 「拍賣品」：指交予本公司以供拍賣出售之物品，尤其在任何目錄內以 任何編號描述之一項或多項物品。 5. 「落槌價」：指本公司就某一拍賣品而接受之最高出價之價款。 6. 「買家服務費」：指買家按落槌價之某一百分比而支付本公司之費用； 收費率如第二條第4a項所列。 7. 「底價」：指本公司與賣家協定之最低價格，拍賣品不能以低於該價之 價格售出。 8. 「膺品」：指拍賣品構成模仿，而模仿之原構想及其整體執行均具有欺 詐意圖，以就拍賣品之作者、來歷、年代、時期、文化或來源進行欺 騙，而對此等事項之正確描述並未在目錄之描述上反映出來，而拍賣品 在拍賣當日之價值，遠低於按照目錄之描述所應有之價值。按此定義， 任何拍賣品均不會因為有任何損壞及／或任何形式之修整（包括重新上 漆）而成為膺品。 9. 「保險值」：指本公司不時按其絕對決定權認為拍賣品所應購買之保險 之價值（不論保險是否由本公司安排購買）。 10. 「賣家服務費」：指賣家應支付本公司之費用。 二、買家 1. 本公司作為賣家代理人 本公司作為賣家代理人之身分行事。除另行協定外，在本公司之拍賣中 成功拍賣之物品，即產生賣家通過本公司之代理與買家達成之合約。 2. 拍賣前 a. 鑑定物品 本公司鄭重建議，準買家應於拍賣進行之前親自鑑定其有興趣競投之 物品。本公司就任何拍賣品及相關證明文件之真偽，均不對買家作任 何保證。 b. 拍賣品狀況之重要注意事項 請準買家注意，在可能的範圍內，目錄中對於拍賣品特性上之描述， 皆已提及顯著的損壞，惟不包括所有的缺陷、瑕疪與不完整。對任何 拍賣品之描述亦不應視作表示其無經過重整或修理，亦不應視作對拍 賣品狀態或保存情況的陳述或保證。在目錄中若有狀態陳述的缺乏或 損害鑑定的缺乏，並不代表拍賣品是為良好狀態。本公司鄭重建議， 準買家在拍賣進行之前，對於有興趣競投之拍賣品狀況應經由親自檢 閱，不應依據目錄中的描述或陳述，因為任何在目錄中所列出的描述 或陳述是為純粹本公司的主觀意見，並非提供聲明或擔保。準買家知 悉並瞭解所有拍賣品均以「現狀」售出，本公司對於任何拍出之拍賣 品狀態不作任何承諾或保證。 c. 符號表示 以下為本目錄所載符號之說明 ｏ保證項目 拍賣品編號旁註有ｏ符號者，表示賣家已取得本公司保證，可在一次 或一連串拍賣中得到最低出售價格。此保證可由本公司、第三方或由 本公司與第三方共同提供。保證可為由第三方提供之不可撤銷競投之 形式做出。若保證拍賣品成功售出，提供或參與提供保證之第三方可 能會取得財務利益；惟銷售不成功時，則可能會產生虧損。若提供或 參與保證之第三方成功競投保證拍賣品時，他們仍需支付全額的買家 服務費。 d. 目錄說明 本公司於目錄或鑑定意見書內對任何拍賣品及其證書之作者、來歷、 日期、年代、尺寸、材質、歸屬、真實性、出處、保存狀況或估計售 價之陳述，或另行對此等方面之口頭或書面陳述，均僅屬意見之陳 述，不應依據為確實事實之陳述。目錄圖示亦僅作為指引而已，不應 作為任何拍賣項目之依據，藉以決定其顏色或色調，或揭示其缺陷。
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拍賣價格之估計，不應依據為拍賣品會成功拍賣之價格或拍賣品作 其他用途之價值陳述。 許多拍賣品基於其年代或性質，使其未能有完美之狀況，目錄內有 些說明或鑑定意見書會提述拍賣品之損壞及／或修整資料。此等資 料僅作為指引而已，如未有提述此等資料，亦不表示拍賣品並無缺 陷或修整，如已提述特定缺陷，亦不表示並無其他缺陷。 e. 買家之責任 有關拍賣品之狀況以及目錄說明所提述之事項，買家有責任自行查 明並瞭解，並就拍賣品為自己獨立之判斷及評估，並確使自己感到 滿意。 3. 拍賣時 a. 估價 目錄內及拍賣當日所提供之美金等貨幣估價，僅為參考依據。本拍 賣會須以新台幣結算，買家如須以新台幣之外其他貨幣繳付，須依 拍賣日現場公佈之匯率，折合所繳付之等值貨幣計算。 b. 拒絕入場 拍賣於本公司之場地進行，或於本公司為拍賣而具有控制權之場地 進行，本公司具有完全之決定權，可行使權利拒絕任何人進入拍賣 場地或參與拍賣。 c. 競投之前作出登記 每一準買家在作出競投之前，必須填妥及簽署登記表格，並提供身 分證明。準買家應注意，本公司通常會要求對買家作出信用核查。 d. 競投保證金 競投者，應在領取競投號牌前繳納競投保證金，競投保證金的金額 由本公司在拍賣日前公佈。 (1) 若競投者未支付競投保證金，本公司有權不接受其競投。若競 投者未能購得拍賣品且對本公司無任何欠款則將無息退還保證 金。 (2) 若競投者成為買家，則本公司有權將此保證金自動轉化為已成 交拍賣品購買款項之一部（包含落槌價、服務費或運費等相關 費用），若尚有餘款須退回給買家；若買家無正當理由未於成 功拍賣日期後七天內支付全部應支付之成交拍賣品購買款項 （包含落槌價、服務費或運費等相關費用）予本公司，買家不 得請求返還競投保證金。 e. 競投者為買家 競投者將被視為買家而須承擔個人法律責任，除非登記時已經與本 公司書面協定，競投者僅為第三人之代理人，且該第三人復為本公 司所接受者。 f. 委託競投 如準買家使用印於目錄說明之後之表格指示本公司代其競投，本公 司將盡適當努力代其競投，但代為競投指示須於拍賣前送抵本公 司。如本公司就某一拍賣品而收到多個委託競投之相等競投價，而 在拍賣時此等競投價乃該拍賣品之最高競投價，則該拍賣品會歸其 委託競投最先送抵本公司之人。委託競投之承擔受拍賣時之其他承 諾所限，而拍賣進行之情況可能使本公司無法代為競投。由於此項 承擔乃本公司為準買家按所述條款提供之免費服務，如未能按委託 作出競投，本公司將不負任何法律責任。準買家如希望確保競投成 功，應親自出席競投。 g. 電話競投 如準買家於拍賣前與本公司作好安排，本公司將盡適當努力聯絡競 投者，使其能以電話參與競投，但在任何情況下，如未能聯絡或無 法參加電話競投，本公司對賣家或任何準買家均不負任何責任。 h. 透過 Invaluable 進行網上競投 若準買家未能出席拍賣會，或可透過Invaluable網上競投服務於網上 競投屬意拍品，而承擔買家獨立責任。此項服務乃免費及保密。有 關透過 Invaluable 網上競投服務登記，進行網上競投之詳情，請參閱 本公司網頁 ravenel.com。使用Invaluable網上競投服務之準買家須接 受透過Invaluable網上競投服務進行即時網上競投之附加條款（可參 閱網站），以及適用於該拍賣之業務規則所規範，本公司得隨時修 改該業務規則。 i. 匯率轉換顯示板 拍賣會中，本公司會使用匯率轉換顯示板。匯率轉換顯示板僅供參 考，不論是顯示板所示之拍賣品編號或是新台幣競投價之相等外 匯，其準確程度均可能會出現非本公司所能控制之誤差。買家因依 賴匯率轉換顯示板（而非因以新台幣競投）所導致而蒙受之任何損 失，本公司概不負責。
j. 錄映影像 在有些拍賣中會有影像投射，但其操作或會出現錯誤。不論影像是 否與成功拍賣之拍賣品相配合，或是翻版影像之質素，本公司對買 家均不負任何責任。 k. 拍賣官之決定權 拍賣官具有絕對決定權，有權拒絕任何競投、以其決定之方式推動 出價、將任何拍賣品撤回或分批、將任何兩件或多件拍賣品合併， 以及如遇有誤差或爭議，將拍賣品重新拍賣。拍賣官會於拍賣開始 前或於相關拍賣品競標前對注意事項作出通告，準買家須負責自行 注意所有於拍賣會場發表之通告。建議使用即時網上競投服務參與 競投的準買家，於拍賣開始前登入，以確保準買家得知拍賣開始前 所作出之通告。 l. 成功競投在拍賣官之決定權下，下槌即顯示對最高競投價之接受， 亦即為賣家與買家合意依落槌價拍定拍賣品，視為成功拍賣合約之 訂立。 4. 成功拍賣後 a. 買家支付每件拍賣品之服務費費率 (1) 買家除支付落槌價外，另須支付服務費予本公司，落槌價於新台 幣參仟貳佰萬元以下者含參仟貳佰萬元以落槌價之20％計算。 (2) 落槌價於新台幣參仟貳佰萬元以上者，採分為二階段計費，其中 新台幣參仟貳佰萬元以落槌價之20％計算，超過新台幣參仟貳 佰萬元之部份再以落槌價之12％，加總計算服務費金額。 b. 稅項 買家應付予本公司之款項，如須另行支付貨物、服務稅或其他稅則 時（不論由台灣政府或別處所徵收）。買家須負責按有關法律所規 定之稅率及時間，自行繳付稅款。 c. 付款 成功拍賣後，買家須向本公司提供其真實姓名及永久地址。如經本 公司要求，買家亦須提供付款銀行之詳情，包含但不限於付款帳 號。買家應於拍賣日期後七天內悉數支付應支付予本公司之款項 （包含落槌價、服務費或運費等相關費用）。即使買家希望將拍賣 品出口並需要（或可能需要）出口許可證，此一付款條件亦適用。 買家如未向本公司支付所欠之全部款項，則不能取得拍賣品之所有 權，即使本公司已將拍賣品交付予買家亦然。如支付予本公司之 款項為新台幣以外之貨幣，須依拍賣日現場公佈之匯率（台灣銀 行），並以本公司就此兌換率而發出之憑證為準。 d. 領取已購拍賣品 除非本公司另有特別相反協定，否則本公司將暫時保留已成功拍賣 之拍賣項目，直至欠本公司之款項已悉數支付為止。已購拍賣品在 暫時保留期間，由成功拍賣日後起算七天將受保於本公司之保險， 如屆時拍賣品已被領取，則受保至領取時為止。七天期滿後或自領 取時起（以較早者為準），已購拍賣品之風險全由買家承擔。 e. 介紹裝運及運輸公司 本公司之貨運部門在買家要求下，可為買家介紹運輸公司、安排付 運及購買特定保險，但本公司在此方面不負任何法律責任。買家必 須預先繳付運輸費用。 f. 不付款或未有領取已購拍賣品之補救辦法 如買家並未在成功拍賣日後起算七天內付款，本公司即有權行使下 述一項或多項權利或補救辦法： (1) 在成功拍賣日後起算超過七天仍未付款，則按不超過台灣銀行基 本放款利率加收10%之年利率收取整筆欠款之利息。此外本公司 可同時按日收取依成交價（含落槌價、服務費）1％計算之懲罰 性違約金。本公司亦得自行選擇將買家未付之款項，用以抵銷 本公司或其他關係企業在任何其他交易中欠下買家之款項，買 家絕無異議。 (2) 對任何屬於買家所有而因任何目的(包含但不限於其他交易)而由 本公司管有之已購拍賣品行使留置權，並在給予買家有關其未 付之欠繳之十四天通知後，安排將該物品出售並將收益用以清 償該未付之欠款。 (3) 如買家因多項不同之交易而欠下本公司數筆款項，將所付之款項 用以清償已購拍賣品就任何特定交易而欠下之任何款項，而不 論買家是否指示用以清償該筆款項。 (4) 在將來的任何拍賣中，拒絕買家作出或由他人代其作出之競投， 或在接受其任何競投之前先收取買家一筆競投保證金。如買家 未有在三十五天內付款，本公司除上述辦法外，另有權為下述 一項或多項權利或補救辦法：
(a) 代賣家針對買家進行法律程序，以追討整筆欠款，連同此項以悉 數賠償為基準之法律程序訴訟費。 (b) 取消同一次或任何其他拍賣中買家競投得之拍賣品或任何其他售 予買家之拍賣品交易。 (c) 安排將拍賣品公開或私下重售，如重售所得價格較低，就差額連 同因買家未有付款而引致之任何費用一併向買家索償。 g. 未有領取已購拍賣品 如已購得之拍賣品未有在成功拍賣日後起算七天內領取，則不論是 否已付款，本公司將安排貯存事宜，費用由買家承擔。而買家在付 清所引起之貯存、搬運、運輸、保險及任何其他費用，連同欠本公 司之所有其他款項後，方可領取已購拍賣品項目。 h. 出口許可證 除本公司另有書面同意外，買家希望申請出口許可證，並不影響買 家在成功拍賣日後起算七天內付款之責任，亦不影響本公司對延遲 付款收取利息之權利。 如買家要求本公司代為申請出口許可證，本公司有權向其收取與此 項申請有關之款項及零碎開支連同任何有關之稅則。 如買家不需要出口許可證而作出付款，本公司並無責任退還買家因 此而引致之任何利息或其他開支。 5. 本公司之法律責任 本公司僅在第二條第6項所列之情況下，得退還款項予買家。除此之 外，不論賣家或本公司，或本公司任何僱員或代理人，對任何拍賣品之 作者、來歷、日期、年代、歸屬、真實性或出處之陳述，或任何其他說 明之誤差，任何拍賣品之任何瑕疵或缺陷，均不負有任何責任。賣家、 本公司、本公司之僱員或代理人，不論是明示或暗示均無就任何拍賣品 作出任何保證。任何種類之任何擔保，均不包含在本條之內。 6. 膺品/贓物之退款 本公司之拍賣品，經本公司書面認可之專業鑑定機構出具鑑定報告證實 為膺品、贓物或涉及不法情事者，則交易將取消，已付之款項於交付賣 家前將退還予買家。但如： a. 在拍賣日發出之目錄說明或拍賣場通告符合當時學者或專家普遍接納 之意見，或清楚表明有牴觸當時學者或專家普遍接納之意見。 b. 或證明拍賣品為膺品或贓物之方法，只是一種在目錄出版前仍未普遍 獲接納使用之科學程序，或是一種在拍賣日仍屬昂貴得不合理或並 不實際或很可能會對拍賣品造成損壞之程序，則本公司無論如何並 無責任退還任何款項。此外，買家只在滿足下述條件下方可獲得退 款： (1) 買家必須在拍賣日起十日內以書面通知本公司，說明買家認為有 關拍賣品乃膺品或贓物之詳細理由及證據。 (2) 且買家需於書面通知後十四天內將拍賣品送還本公司，而其狀況 應維持與拍賣當日相同，不得有任何損壞。 (3) 送還拍賣品後，買家須盡快出示證據，足以使本公司確信拍賣品 乃膺品或贓物(本公司保有最終及不可異議之決定權)，買家並可 將拍賣品之完整所有權及相關權利轉讓予本公司，而與任何第 三人之索償無涉。在任何情況下，本公司均毋須向買家支付多 於買家就有關拍賣品而支付之款項，而買家亦不能索取利息。 本擔保之利益不能轉讓，完全屬於拍賣品成功拍賣時獲本公司發給正本 發票之買家所有(該買家名稱被記載於發票上)，該名買家並須自拍賣後 一直保持拍賣品擁有人之身分，而且並無將拍賣品之任何利益讓予任何 第三人。本公司有權依據任何科學程序或其他程序確定拍賣品並非膺品 或贓物，不論該程序在拍賣當日是否已使用或已在使用，如本公司驗證 拍賣品是否屬於贗品或贓物結果與買家出示證據相衝突者，應以本公司 驗證結果為準。
賣方業務規則請參閱羅芙奧網站 http://ravenel.com http://ravenelart.com.cn
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TRANSACTION AGREEMENT The following provisions are entered into by and between Ravenel Ltd., as the auctioneer, (hereinafter referred to as the "Company"),and the Seller (hereinafter referred to as the "Seller"). This Agreement is also entered into by and between the Company as the agent of the Seller and the Buyer (hereinafter the "Buyer"). The Prospective Buyer, the Buyer and the Seller must carefully review and completely agree all provisions hereunder and any revisions from time to time. The Prospective Buyer, the Buyer should pay special attention to Article 2, Section 5 which provides limitations as to the legal responsibilities of the Company. ARTICLE 1.DEFINITION Some of the phrases commonly seen herein are defined as follows: 1. "The Buyer" shall mean highest bidder accepted by the Company. 2. "The Prospective Buyer" shall mean any potential bidder willing to attend the auction sale hosted by the Company. 3. "The Seller" shall mean the Seller who provides the Lot and agrees to appoint the Company as its exclusive agent to sell the Lot at the Auction and participate, and cooperate, in exhibitions prior to the Auction if so required by the Company. 4. "The Lot" shall mean the item delivered to the Company to be sold in an auction, especially the single or multiple pieces of items numbered in the catalogue. 5. "Hammer price" shall mean the highest bid with respect to one particular Lot accepted by the auctioning party. 6. The " Buyer's Premium" shall mean the fee based on a certain percentage of the Hammer price paid to the Company by the Buyer; the percentage shall be as prescribed in Article 2, Section 4a. 7. "The Reserve Price" shall mean the lowest price agreed by the Company and Seller. The Lot cannot be sold at a price lower than such price. 8. "Counterfeit" shall mean the Lot constitutes imitation and the original concept of the imitation and its overall execution result in fraud to cause deception in connection with the author, history, year, age, culture or origin of the Lot, for which the accurate description is not reflected in the catalogue and the value of the Lot on the auction day is far less than the value it should have according to the description in the catalogue. Therefore, no auction item will become a counterfeit as a result of any damage and/or any repairing in any manner (including repaints). 9. "Insured amount" shall mean the value of the insurance purchased for the Lot which the Company considers necessary under its absolute power from time to time (regardless whether such insurance is purchased by the Company). 10. The "Seller Service Fee" shall mean the fee is paid to the Company by the Seller. ARTICLE 2.THE BUYER 1. The Company as the Agent of the Seller The Company, shall act as the agent of the Seller. Except otherwise provided, items successfully sold in the auction held by the Company shall be bound by the agreement made by and between the Seller, through the agency of the Company, and the Buyer. 2. Prior to the Auction a. Authentication We strongly recommend that the Prospective Buyers conduct their own authentication for the items they are interested in bidding prior to the auction. The Company provides no guarantee to the Buyer including but without limitations whether the Lot is a counterfeit or the authentication of the Lot and related certificates. b. Important Notice Attention, the Prospective Buyers: As far as possible, the descriptions of auction items will mention obvious defects of the items; however, they do not necessarily include all flaws, defects, or incomplete aspects. The description of the auction items also do not imply and guarantee that the items have not gone through readjustment or repair or allude anything about the current state or storage conditions of the items. Any omission in the catalogue description regarding the current condition or the appraisal of defects in the items by no means represent that those items are in good condition, function normally. We strongly recommend the Prospective Buyers shall personally view the items for which they plan to bid before the auction. Any description in the catalogue or any statement provided by the Company is purely the Company's subjective opinion and not a statement of fact, not for representations or warranties. The Prospective Buyer completely understands and acknowledges that all of the items on auction are being sold in "as is" condition. The Company does not provide any representation or guarantee as to the condition of any of the items. c. Symbol Key The following key explains the symbol you may see inside this catalogue. â—‹ Guaranteed Property The Seller of the Lots with this symbol next to the Lot number has been guaranteed a minimum price from one auction or a series of auctions. This guarantee may be provided by the Company, by a third party or jointly by the Company and a third party. A guarantee may be in the form of an irrevocable bid provided by a third party. Third parties providing or participating in a guarantee may benefit financially if a guaranteed Lot is sold successfully and may incur a loss if the sale is not successful. If third parties providing or participating in a guarantee is the successful bidder for the guaranteed Lot, they should be required to pay the full Buyer's Premium. d. Catalogue Explanations Any statement of the author, history, date, year, size, material, ownership, authenticity, origin, condition of preservation or estimated selling price of any of the Lot and certificates thereof shown in the catalogue or the authentication opinion made by the Company, or any other verbal or written statements made separately shall be solely statements of opinions
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and shall not be deemed the basis for the statements of actual fact. The photographs shown in the catalogue shall serve as reference only and shall not be deemed as the basis for determining the color or tone of any Lots or disclosure of the defects of such item. The estimates of the auction price shall not be deemed the price at which such item will be successfully sold or the statement of the value of the item for other purposes. Many Lots fail to maintain their perfect condition because of time and other environmental factors. Some of the explanations in the catalogue or the authentication opinions will state defects and/or the repair background of the Lots. Such information is meant for reference only. Missing information in the statements does not mean the Lot has no defects or has not been repaired. Any statement of one particular defect does not mean there is no any other defect. e. Responsibility of the Buyer The Buyer is responsible for clarifying and satisfying himself about the condition of the items and any related matters stated in the catalogue descriptions and making his/her/its own judgment or estimation independently regarding the Lots.ing his/her own judgment or estimation independently regarding the Lots. 3. In the Auction a. Estimates The prices in US dollars or other currencies reproduced in the auction and this catalogue are for reference only. The Buyer is requested to pay by New Taiwan dollars or other foreign currencies in its equivalency based on the exchange rate announced by the Company on the day of auction. b. Refusal of Admission The auction is held at the premises of the Company or any location where the Company has control of for the auction. The Company has full discretion to exercise the right to refuse entry to the premises for the auction or to prevent participation in the auction. c. Registration Prior to the Bidding Prospective Buyers must fill in and sign the registration forms prior to the bidding and provide personal identification. Prospective Buyers should also note that the Company may request to conduct credit checks against Buyers. d. The Bidding Deposit The bidder shall pay the bidding deposit before receiving the bidding number. The Company will announce the amount of the bidding deposit before the auction day. (1) If the bidder fails to pay the bidding deposit in advance, the Company has the right to refuse the bid. If the bidder is not able to purchase any Lot and has no outstanding debts to the Company, the Company will return the bidding deposit to the bidder. (2) If the bidder becomes the Buyer, the Company has the right to transfer the bidding deposit into the payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs ) of the Lot for which transaction is concluded. And the Company will return the balance of the deposit to the Buyer (if any). If the Buyer ,without any good cause, fails to pay any and all payment (including but without limitation, Hammer price, Buyer's Premium, Costs and expenses for shipping and related costs) of the Lot to the Company within 7 days after the auction date ,the Buyer shall not claim for the return of the bidding deposit. e. The Bidder is the Buyer Unless a written agreement has been made upon registration that the bidder will be the agent who acts on behalf of a third person and such third person is accepted by the Company, the bidder will be deemed as the Buyer who will bear individual legal responsibilities. f. Commission Bids The Company will make the proper effort to bid for the Prospective Buyers who instruct us to bid on their behalf by using the provided forms attached to the explanations of the catalogue; however, bid commission instructions must be delivered to the Company prior to the auction. If the Company receives several commission bids for one particular item, with all bid prices being equal and of the highest bid price at the auction, priority shall be given to the Buyer whose bid commission is delivered to the Company first. Commission bids are subject to auction conditions. The situation at the auction may prevent the Company from making the bid as commissioned. This is a free service provided by the Company to the Prospective Buyers pursuant to the provisions prescribed. The Company will not be held legally liable if it fails to make the bid as commissioned. The Prospective Buyers should attend the auction in person if they wish to ensure a successful bid. g. Bid by Phone The Company will make proper effort to contact the bidder so he/she can participate in the auction by phone if the Prospective Buyer make arrangements with the Company prior to the auction. However, the Company will bear no responsibilities to the Seller or any prospective Buyer if no contact is made or any failure to participate in the auction by phone under any circumstances. h. Online Bids via Invaluable If the bidder cannot attend the auction, it may be possible to bid online via Invaluable for preferred Lots to bear individual buyer's responsibilities. This service is free and confidential. For information about registering to bid via Invaluable, please refer to Ravenel.com. The Bidders using the Invaluable online bidding service are subject to the additional terms and conditions for online bidding via Invaluable, which can be viewed at Ravenel.com and be revised by the Company from time to time. i. Exchange Rate Conversion Board There will be an exchange rate conversion board operating in auctions. Nonetheless, the auction will still be conducted in NT dollars. The exchange rate conversion board is not absolutely reliable and for the reference only. The accuracy of either the Lot numbering shown on the board or the equivalent of the bid price in any foreign currency is not within the control of the Company. The Company will not be responsible for any losses caused by the reliance of the Buyer on the exchange rate conversion board.
j. Recorded Images There is image projection in some auctions; however, errors may occur during the operation. The Company is not liable for the color accuracy of the reproduced image and whether the projected image corresponds to the item being auctioned. k. Determining Power of the Auctioneer The auctioneer has the absolute power to reject any bid, push for bids at his/her discretion, withdraw any auction items, separate or combine two or more auction items, and if there is any error or dispute, re-auction the items. If the auctioneer announces the points for attention before the auction or the bidding, the Prospective Buyers shall pay attention for any announcement as its own responsibility. We recommend the Prospective Buyers using Online Bids Services to log in the system prior to the commencement of the auction, to ensure the timely awareness of any notices or announcements made prior to the auction. l. Successful Bids Under the discretion of the auctioneer, the fall of the hammer indicates the acceptance of the highest bid price, i.e., the Seller and the Buyer enter into a successful auction agreement on Hammer Price. 4. Following the Auction a. The Buyer's Premium of Each Lot (1) The Buyer should pay the hammer price and, in addition, the Buyer's Premium to the Company. For hammer price below NT$ 32,000,000 (inclusive), the Buyer's Premium should be calculated at 20% of the hammer price. (2) For hammer price higher than NT$ 32,000,000, total amount of the Buyer's Premium should be that the first NT$ 32,000,000 of the hammer price should be calculated at 20% and the rest of the amount of the hammer price should be calculated at 12% of the hammer price. b. Taxes All the payments payable by the Buyer to the Company do not include any commodity or service taxes or any other value added taxes (whether imposed by the Taiwanese government or elsewhere). The Buyer should be responsible for paying any applicable taxes as required by the law. c. Payment The Buyer should provide his/her/its true name and permanent address to the Company upon the successful bid. Relevant bank information, including but without limitations the payment account, should also be provided upon the company request. All payments due (including the hammer price, the Buyer's Premium and any freights or other expenses) should be paid within 7 days following the auction date. The aforesaid provision also applies if the Buyer intends to export the Lot and (may) need the export permit. If the Buyer fails to pay to the Company all the payments due, the Buyer will not acquire the ownership of the Lot even if the Company has delivered such item to the Buyer. If the payment to the Company are made in any currency other than NT dollars, the exchange rate of the payments to the Company should be the exchange rate reported by the Bank of Taiwan to the Company on the auction date and should be based on the certificates issued by the Company according to such exchange rate. d. Collection of the Lot Sold Unless otherwise agreed by the Company, the Company will hold temporarily the successfully sold Lots until all payments to the Company are made in full. The Lot will be covered by the insurance of the Company from the auction date for 7 days during the temporary holding period. The insurance coverage will terminate upon earlier collection of such item. The Buyer should be responsible for all risks following expiration of the said 7-day period or the collection (whichever is the earlier). e. Referral of Packaging or Transportation Companies The shipping department of the Company may introduce the forwarder, assist in the arrangement of delivery, or purchase particular insurance upon the Buyer's request. The Company will not be held liable for any legal responsibilities in this regard. And the Buyer shall prepay the freight charges. Costs and expenses for shipping and insurance shall be paid in advance. f. Remedies for Non-Payment or Non-Collection of Items Sold The Company is entitled to exercise one or more of the following rights or remedies if the Buyer fails to make payment within 7 days following the auction date: (1) An interest at the annual rate of no higher than 10% plus the base interest rate of Bank of Taiwan will be imposed on all of the payment due if payment is not made within 7 days following the auction date. Besides, we have the right of charging also 1% selling price (including of hammer price and Buyer's Premium) multiplied by the number of delayed days as punitive damagefine for the default. The payment to be made by the Buyer may offset any payment owed by the Company or its subsidiaries to the Buyer for any other transactions upon the Company's sole decision. (2) To exercise lien of any items owned by the Buyer and held by the Company for any purpose including but without limitations other transactions. The Company may arrange to sell such items after serving a 14-day notice to the Buyer about his/hers/its non-payment. The proceeds shall make up for the payment due. (3) If the Buyer owes the Company several payments as a result of different transactions, the payments will set-off any payments due in any particular transaction, regardless of whether the Buyer specifies to setoff such payments. (4) Refuse the Buyer to make, or to make on behalf of others, bids in any future auctions and/or to require a bidding deposit from the Buyer before accepting any future bids from him/her/it. If the Buyer fails to make payment within 35 days, the Company is entitled to exercise one or more of the following rights in addition to the aforementioned: (a) To bring legal proceedings against the Buyer on behalf of the Seller to claim the entire payment due and the legal fees and attorney fees resulting from such proceeding based on a total claim. (b) Cancel the transaction of Lots bid by the Buyer or any other auction items sold to the Buyer at the same or any other auctions. (c) To arrange a public or private re-sale of the Lot. If the re-selling price is lower, the difference will be claimed against the Buyer together with any cost incurred as a result of the non-payment by the Buyer.
g. No Collection of the Lot Sold The Company will arrange for the storage of the Lot if such item sold is not collected within 7 days following the successful auction, regardless of payment. Such storage cost will be borne by the Buyer. Only when the storage, handling, shipping, insurance cost and any other expenses together with any other payments due to the Company are paid in full can the sold Lot be collected. h. Export Permit Except where otherwise agreed in writing by the Company, the fact that the Buyer's wishes to apply for an export permit does not affect the Buyer's responsibility to make the payments in 7 days following the auction date; nor does it affect the Company's right to impose interest on delayed payments. If the Buyer requests that the Company applies for the export permit on his/hers/its behalf, the Company is entitled to collect monies made in connection with such an application and any miscellaneous expenses together with any relevant value added taxes. If the Buyer makes the payment regardless of the fact that an export permit is needed, the Company is not responsible for returning to the Buyer any interest or other expenses incurred therefrom. 5. The Legal Responsibility of the Company The Company is responsible for returning payment to the Buyer pursuant to Article 2, Section 6. Otherwise, whether the Buyer, the Company, any employees or agents of the Company will not be held liable for any statements of the author, history, date, year, ownership, authenticity or origin of any auction item or any errors with respect to any explanations and any flaws or defects of any auction item. The Seller, the Company, the employees or the agents of the Company make no guarantee impliedly or explicitly with respect to any auction items. Any warranty of any kind shall not be included herein. 6. Return of Payments for Counterfeits or stolen goods The transaction will be cancelled and payments made before remit to the Seller will be returned to the Buyer if the Lot of the Company is confirmed to be a counterfeit or stolen goods, or involved in obvious illegality by the professional appraisal party agreed and recognized by the Company in writing. However, if: a. The catalogue explanations or the notice at the auction distributed on the auction day corresponds to the opinions generally accepted by the academic or professional fields or explicitly indicates it conflicts with the opinions generally accepted by the academic or professional fields. b. Or the method used to prove that the Lot is a counterfeit or stolen goods is a scientific procedure not generally accepted for use before the publication of the catalogue or a procedure unreasonably expensive on the day of the auction, or impractical, or may cause damage to the Lot; the Company is not liable for the return of any payment under any circumstances. In addition, the Buyer's payment can only be refunded when the following terms are met: (1) The Buyer must notify the Company in writing within 10 days following the auction day that he/she considers the relevant auction item a counterfeit or stolen goods. (2) The Buyer must return the Lot to the Company within the following 14 days and the condition of the item must be the same as on the auction day without any damage. (3) Upon returning the Lot, the Buyer must present evidence as soon as possible to convince the Company that the Lot is a counterfeit or stolen goods (The Company has the final and sole discretion and decision and such decision shall not be objected in this regard). The Buyer may also assign the good ownership of the Lot to the Company, which shall not concern any third party claim. Under no circumstances is it necessary for the Company to pay the Buyer an amount more than what the Buyer pays in connection with the Lot and the Buyer cannot claim interests. The interests of the warranty cannot be assigned and belong solely to the Buyer who receives the original invoice on which such Buyer's name is recorded from the Company when the Lot is sold. Such Buyers shall remain the owner of the auction Lot and cannot assign any interest of the Lot to any other person. The Company is entitled to ascertain that the Lot is not a counterfeit or stolen goods based on a scientific procedure or any other procedure, regardless of whether such procedure is being used on the day of the auction. If the result of appraising and verifying whether the Lot is a counterfeit or stolen goods by the Company conflicts with the evidence provided by the Buyer, the Company's said result shall prevail over the evidence provided by the Buyer.
Please refer to our website for seller's Transaction Agreement. http://ravenel.com http://ravenelart.com.cn
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