Revista OJO 20 by Revista OJO

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No.

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LINDA MELÉNDEZ

FLAVIO HERRERA

ARIANA ARTEAGA

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CARTA DE AMOR

GABRIELA BENAZAR / REDACCIÓN

JESÚS TORRIVILLA / EDITOR

JOSEPH ARTILES / COORDINADOR GENERAL

FEDERICO SANTELMO / GERENCIADE MARCA

ANDREA ATILANO / REDACCIÓN

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FUERA DEL AULA

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ENSAYO FOTOGRﾃ：ICO _ LINDA MELﾃｩNDEZ

ILUSTRACIONES _ Flavio Herrera

EN SENDEROS COMUNES SE CONSIGUEN VOCES QUE ALTERNAN ENTRE LA VIDA Y LA MUERTE, LA LITERATURA Y EL PERIODISMO, REALIDAD Y FICCIÓN. ES LA HISTORIA DE PERSONAJES QUE PALPITAN EN LA NOCHE !"#$7#*+)3850&395#"6%3:)";%&3<=.#*+525>3?3@%1"?3A@#!'%A3B)1CD+%C3<='%1"?;)1C+C>

DIARIO DE RUTA

HOMENAJE A HUNTER S. THOMPSON

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Lápiz súper héroe protagonista ojo

Jorge Corona, oriundo de Maracaibo, ilustró en nuestra edición catorce. Desde entonces sus trabajos llegaron a una de las editoras de historietas más importantes de Estados Unidos, DC Comics. Para ello, fue encargado de ilustrar una edición de La Liga de la Justicia. Está por culminar una maestría en Artes secuenciales —nombre técnico de un programa enfocado en historietas— en Savannah College of Art and Design (SCAD), en Georgia, una de las mejores universidades de diseño del mundo.

Celebramos 20 ediciones de talento joven Es la noche imposible del desaparecido Sake Bar, de los actuales Discovery y La Quinta, del feroz Molino. Es la tarde de Periférico Caracas, los jardines de Bellas Artes y Los Galpones. Son golpes, pogos, gritos, besos y caras de admiración. Son ojos rojos, alucinados, skinny jeans y todavía dreads que bailan ska. Son cinco años que para muchos han sido incertidumbre, para otros la promesa del cambio o la militancia del presente. Los jóvenes han hecho cualquier cosa menos apoltronarse. Y con orgullo hemos mostrado en nuestras páginas ese fragmento aluvional de nuestra cultura, que después cada quien recordará con su propia nostalgia.

CUMPLIMOS VEINTE EDICIONES ESCUDRIÑANDO A LA CULTURA, TOMANDO EL TALENTO EN SU ETAPA MÁS TÍMIDA Y LANZÁNDOLO AL RUEDO. HOY, EN RETROSPECTIVA, VEMOS LA EVOLUCIÓN DE QUIENES HAN SALIDO EN NUESTRAS PÁGINAS Por Redacción Revista OJO

En los últimos años el rock venezolano, la fotografía y el arte han fortalecido sus lazos ante la crisis, que obliga a buscar caminos independientes, dentro o fuera del país. Ante el desinterés de la industria del disco, del mercado tradicional, o las directrices ideológicas de los museos, cada artista busca sus sistemas de difusión alternativa, sus redes sociales, galerías privadas, concursos independientes, internacionales.

Contar historias a través de imágenes es lo suyo. “Desde que ilustré en Revista OJO, mi estética ha cambiado bastante. Los primeros trimestres de mi maestría los orienté en experimentar nuevas técnicas que no conocía como parte de la estética y el lenguaje visual que quería para mis páginas. El cambio es bastante diferente”, explica. “Trato de no enfocar dos proyectos iguales. Cuando quieres entrar a la industria de cómics o grálca es bueno tener un lenguaje visual especílco que ayude a reconocerte”. Aunque descubrió las historietas en su infancia y se volvieron eje central de su carrera, las novelas grálcas le atraen poderosamente, así como los cómics publicados por editoriales independientes.

El futuro que le depara después de lnalizar su maestría lo tiene perfectamente ilustrado. “Mi idea es llevar a Venezuela lo que he aprendido aquí. Todavía no tenemos la mayor apertura hacia un medio como el cómic. Sin embargo, comienza a cambiar, me gusta que vas a una librería y hay una sección de cómics que antes no se veía”. Cierra con incendio, del que no todos los superhéroes se salvarían. De poder rescatar de las llamas a alguno, sería, para Jorge, el primer número de Batman. Los que empujaría a las brasas, en cambio: los de Twilight.

Las políticas de la belleza Muchas veces nos han preguntado qué tienen que decir los artistas venezolanos respecto a su entorno. Si hablan de amor o de estallidos sociales, de derrumbes o de pistolas, del incandescente mensaje de las balas.

La eterna cuestión del compromiso que asume el creador con su obra la señala Colette Capriles en su artículo “Mi obra y yo”, publicada en Código Venezuela. Con el peligro de ser señalados por el poder, Capriles alrma que como sujeto: “el artista debe compro meterse con la recepción o uso de su obra; debe usar su libertad para conducirla en la arena pública y por ello mismo lo que se le pide es ser honesto con sus propias convicciones”. Sea fotografía de moda, poemas de desga rrado despecho o ilustraciones de seres fantásticos, la honestidad de un artista es uno de los puntos en los que se detiene el público para el reconocimiento de su obra. En qué tan seducidas o confrontadas por el poder se puedan sentir. Esto también lo hemos encontrado en la calle, en nuestros veinte números. Hay recelos, miradas atentas. El cuidado por las resonancias de la palabra “política”. Pero así como publicamos las viñetas de Jorge, llenas para ese momento de lobos y contrastes, también nos acercamos a trabajosde una estética totalmente diferente, como las de Florencia y Valentina Alvarado, cuyo discurso sobre lo femenino habla desde la intimidad, que puede estar llena de belleza pero también de angustia. Este conmicto por decir o denunciar desorienta a muchos. En una democracia, Capriles explica que el creador no aspira a esculpir conciencias. No es arte para moldear hombres nuevos o para rescatar los valores de una patria perdida y de una por venir. La exploración estética pasa a ser un ejercicio de libertad, y el artista un ciudadano, no creador de obras-fetiche.

La edición de marzo de este año de La Liga de la Justicia estuvo lrmada por un nombre familiar. Jorge entró en contacto el verano pasado con uno de los editores de la costa Este de DC Comics y se interesó en su trabajo. Le envió los guiones de prueba para hacer las ilustraciones y evaluar su nivel y las posibilidades de que se le asignase un guion. El primer intento para ilustrar un libro no fue fructífero. Pero después: “Alex, el editor, me dijo que si quería participar en una edición de la Liga de la Justicia y acepté”.

Para nuestro vigésimo número decidimos hacer un recorrido por las bandas, diseñadores y fotógrafos que hemos entrevistado. De qué otros lentes han aprendido y qué nuevos acordes han conquistado. Son años en los que han recibido premios o se han dejado ver en otras pantallas. Revista OJO es una casa que los ve crecer con orgullo. 45

Etéreas oh nenas

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DIABLO POR VIEJO

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Tomás Straka, el historiador y su tiempo

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EL REFLEJO DE LUCÍA PIZZANI

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DESDE LA BURBUJA

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CARACAS ES UNA CIUDAD INSONDABLE, QUE NO ES TÍMIDA EN PRODIGAR SORDIDEZ Y BELLEZA. CON EL APOYO DE REVISTA OJO Y EL CENTRO DE ESTUDIOS FOTOGRÁFICOS, EL CENTRO DE ESTUDIANTES DE COMUNICACIÓN SOCIAL DE LA UCAB ORGANIZÓ UN CONCURSO DE FOTOGRAFÍA PARA BUSCAR LA MÉDULA DE LA CIUDAD EN UNA IMAGEN. ESTOS FUERON LOS GANADORES:

LAS ÚLTIMAS TENDENCIAS DE LA MODA YA NO SOLO ESTÁN EN LAS PASARELAS SINO TAMBIÉN SE DESCARGAN EN MEGA BYTES, CON LA POTENCIA DEL MUNDO DIGITAL, YA SEA PARA PRESENTAR UNA NUEVA COLECCIÓN O PARA ENSEÑAR A ATAR CORRECTAMENTE EL NUDO DE UNA CORBATA

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3er lugar: Francisco Touceiro

1er lugar: Eduardo León 2do lugar: Jesús Navas !#

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Crﾃｳnica transmedia: ﾂ｡lee y escanea los cﾃｳdigos!

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KENDRICK RODRÍGUEZ_ODONTOLOGÍA debate

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RICHARD LEO_INGENIERÍA DE SISTEMAS UNIVERSIDAD METROPOLITANA

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PIERINA SORA_PERIODISMO UNIVERSIDAD CATÓLICA ANDRÉS BELLO

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CHULETA

UNO DE LOS TROFEOS QUE NUESTROS ESPÍAS TIENEN MESES BUSCANDO ES ALGUNA PRUEBA DE MEDICINA EN LA UCV, CELOSAMENTE GUARDADAS. ¡LO HEMOS LOGRADO! PRESENTAMOS UN EXAMEN DE LA ESCUELA LUIS RAZETTI. ERUPCIONES, HERPES MANIFIESTOS, VIRUS, Y LESIONES COMPONEN ESTA SELECCIÓN SIMPLE QUE INTRODUCE A LOS ESTUDIANTES DE PREGRADO EL UNIVERSO DE LAS ENFERMEDADES PEDIÁTRICAS

en las universidades

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@RevistaOJO !"

ULTIMA PAGINA

FÉLIX SUAZO ES UN INVESTIGADOR DEL ARTE QUE CREE EN SU OFICIO COMO PRODIGIO METÓDICO DE LA IMAGINACIÓN. DE SU LIBRO UMBRALES DE LA MUSEOLOGÍA NOS PRESTÓ ESTE DIBUJO, LA “CÁMARA DE LAS MARAVILLAS”, UNA EXPOSICIÓN FICTICIA QUE REINTERPRETA EL ANTIGUO CONCEPTO DE ANTICUARIO Y LOS ESTUDIOS DE LOS SABIOS CON OBRAS DE ARTISTAS VENEZOLANOS DEL SIGLO XX. ES LA IDEA DE UN MUSEO QUE SE REDIMENSIONA DESDE LA OBRA DE ARTE Y QUE SE INSPIRA EN EL CUADRO DE ARTURO MICHELENA “EL DESVÁN DEL ANTICUARIO”