PORTFOLIO A M B O TA N G
SELECTED WORKS • PRE VIEW EDITION
R I Z A L
VOL 2 12.2018
physical model • paralib • parametric designmasterclass • controlmad • madrid
performative practice a manifesto excerpt The role of architecture and architectural practice as an agent of social change has been diluted by commercialisation, the rise of digital technology, globalisation and mass production which absolves the profession from its social obligation. Architecture now is more about commercial image and economic benefits than about spaces and functions. Architects have reached a stratospheric pedestal which subjugates the need of the masses and only serves the select few and the privileged, with beauty and aesthetics, but condemns the remainder to banal design, undeserving of the architect’s attention... Architecture can redeem itself from the accusation of negligent of its role and obligation to society, as an agent of change, by committing architectural practice to the idea of performative practice. Performative practices collectively can make a difference, through socially sustainable architecture, locally and globally, by harnessing the power of the internet and digital technology. It is time for architects to be inclusive and be enablers to social change. Scan QR code for extended version
Performative practice architects of equity.
is
for
RIZAL AMBOTANG Home : 18 Stephen Crescent, Croydon 3136 VIC Email : rizalambotang@gmail.com LinkedIn : https://www.linkedin.com/in/rizalambotang/ Phone (home) : +61 3 9725 8797 Phone (mob) : +60 467 893 404 My work is highly influnced by research and performative architecture. I am inspired by the work of NOX Studio (Lars Spuybroek), Heatherwick and Morphosis that explore futuristic digital form finding techniques and material innovations into possibilities for construction and new spatial experience. My design strength lies with my ability to couple contextual elements with dynamic form-finding approach using digital tools. I hope to bring fresh design ideas and strong technical know-how to an architectural outfit that values loyalty, innovation and human capital.
education Master of Architecture (MArch) Expected completion, Feb. 2019 The University of Melbourne
Bachelor of Environment . Architecture, 1st HONS The University of Melbourne
Graduate Diploma . Computing Monash University, Melbourne
Bachelor of Science . Aeronautical Engineering Rensselaer Polytechnic Institute (RPI), Troy , NY, USA
awards & activities
technical skills
GRADUATE BURSARY AWARD 2017
3d modelling • rhinoceros • 3ds max • cinema4d parametric • grasshopper • visual scripting • coding bim • autodesk revit • dynamo • visual arq (rhino) graphic design • adobe cc suite operating system • windows certified pro • os x fabrication • lasercutting • 3d printing rendering • keyshot • vray • maxwell • lumion • twinmotion
The University of Melbourne
DEAN’S LIST AWARD 2014, 2016 The University of Melbourne
DEAN’S LIST
Rensselar Polytechnic Institute(RPI)
PEER MENTOR PROGRAM The University of Melbourne
certification & training microsoft certified professional (MCP) masterclass in parametric design ControlMAD, Madrid.Spain
AA visiting school melbourne The University of Melbourne
performative +environmental analysis • ladybug/honeybee • ecotect • karamba mapping • arcgis • avenza mapublisher(illustrator) • maproom(3ds max)
skills
digital design workflow problem solving design research project management system administration application/desktop support
pro j e c t s page
ret ke shahar | cities of sand an exploration in aeolian architecture
07
tutors daniela mittenberger • studio amal.gam fest[val.] tiziano derme
ludiville | city of amusement reimagining the city of homo luden
13
tutor toby reed • thesis studio waterscraper
308 exhibition applied construction
19
tutor robert demelis • applied construction
collective common co-housing multi residential prototype
25
tutor hannes macnamara • studio six pack
elastica materializing personal space
31
tutor jeffrey turko • design method 1.0 • AA visiting school paul loh
the tale of a traveller personal work • photography & poetry
rizal ambotang
37
ret ke shahar | cities of sand
an exploration in aeolian architecture
?
What if we reject holding an event in the same place year after year, what if instead it is brought to the shifting sand dunes from which the very soul of the event originated? What would a festival look like without a fixed location, without a fixed form, and without fixed pathways to travel upon
Taking the Pushkar Camel Fair as a case study, we aim to create a new annual livestock fair for the camel herders of Rajasthan. In this new fair the traditional camel herders of Rajasthan will not only participate in the usual trade of camel stock, but will also participate in specific rituals that generate an iterative, layered, moving architecture that would provide an everevolving site for future fairs. By holding the fair in the same, established location every year the relationships that has been interior cavern view to arena built over centuries between camel, herder and environment is slowly worn away. Releasing the fair’s architecture from a fixed location refocuses the true ideals of the fair as one of the bond between man and beast and the arduous journeys groupwork; rendering, material study and fabrication, grasshopper that both must take to continue thriving together.
birds eye view to arena
/ ˈrɪtʃ • u • əl/ noun. A religious or solemn ceremony consisting of a series of actions performed according to a prescribed order adjective (of actions) arising from convention or habit.
meshlab : point -cloud rendering (15 million points) rhino3d +grasshopper +dune simulation: form finding
research themes 1
// aeolian transport countless sand particles travelling through the currents of fluid motion are shifted into complex natural formations that are constantly shifting and evolving. These particles move across a still landscape , accumulating into migrating dunefields that make permanent fixtures near impossible.
2
// ritual sunna no onna - woman in the dunes (1964) - kobo abe a japanese classic it potrays what is life but endless cycle of rituals. a women in the dunes deals with the choice between working against or with the environment.
3
// sedimentation natural structures formed through the gradual layering of material and solidification and compression.
4
// camel-raika relationship the raika people of rajastan believe they were chosen by Shiva, a hindu god, to practice camel husbandry. This proud ethnic group live their lives with their camels and develop close relationships with the animal. Some said to be able to identify camels by the footprints they leave on the sand.
7
ret ke shahar | cities of sand
an exploration in aeolian architecture
CAMEL TRADING KARTIK EKADASHI ARRIVAL
GATHERING
GATHERING
PRIVATE TRADING
PRIVATE TRADING
day 01
day 02
day 03
day 04
day 05
More camels and livestock including brought in by herders throughout Rajastan. Some groups walkswhile others arrive with camels, and bullock carts.
Groups of camels, herders, livestock and traders begin to appear from out of the desert and set up camps in designated enclaves
Clans and traders begin visiting each other camps to view potential livestock for sale and bid. Day and evening gatherings initiate discussions. Camel branding ceremonies.
Private trading initiates early trading period.
Daily trades of camels and livestock continues with private sales. Sales are done on designated trade grounds or at individual camp ground for small trades.
day 06
ISOMETRIC - MASTER PLAN
main street - parade route desert bound
primary circulations
desert bound
city streets
6
1 2 1
1
1
3
2 1
5
2
4 1
2 2
1
2 1
herders settlement
4
camel show preparation area
2
trade ground/auction
5
SHOWGROUND
3
show ground
6
markets
2
desert bound
main festival ground desert bound
PRIVAT
ATE TRADING
9 Scan QR code for journal edition
CAMEL FESTIVALS KARTIK POORNIMA PUBLIC AUCTION day 07 Gathering of camels reaches its climax. The camels population swell to 50,000 camels along with growing number of visitors. Public auctions at the showground to solicits popular bids .
CAMEL PARADE
MARKET DAY
MARKET DAY
day 08
day 09
day 10
day 11
Trading period officially ends with a grand parade. Traders parades their winning camels and livestock. Small herders and clan group begin journey hoome while majority stays for starts of festival.
Various markets for came decoration and craft are set up for the preparation of camel shows and the increasing number of tourist arrivals.
Fairground is open for various competitions, the camel pageantry and livestock shows. Craft fair opens for visitors and tourists. Population of people swells to 200,000
Festivals ends with gradual dispersal of herder groups and tourists. Camels are used to transport out tourists back to cities throughout the state.
SPATIAL TYPOLOGIES
“MAIN STREET” Camel Parade 2 camels side-by-side Spectators on either side
. AUCTION HALL Camel pageantry - dancing Camel Auction 100 prize camels 200 spectators and herders
HABITATION Camel & herders rest area Casual trading Grooming Up to 15 camels Up to 3 herders/family200 spectators and herders
SHOWGROUND Camel grand parade Camel racing Up to 300 camels 500 spectators and herders
FESTIVAL ENDS
ret ke shahar | cities of sand
an exploration in aeolian architecture
FENCE PLACEMENT wind
STAGE 1
STAGE 1
INJECTION
GROWTH
GROWTH SECOND FENCE
STAGE 2 STAGE 2
D U N E
P H Y S I C A L
F E N C I N G
M O D E L S
11
S E D I M E N T A R Y A R C H I T E C T U R E B I O C E M E NTAT I O N To emulate the natural process of sedimentation the layering technique couple with the biocementation of sand as solidification approach was chosen. The biological activity is initiated within the target zone through augmentation of microbes onto the surface by means of spraying the bacteria solution to catalyse the precipitation of calcite and binds the sand together.
Micorbial-induced calcite precipitation through urea hydrolysis. The use of biocementation is a viable technique to bind together loose sand to create sustainable structure in the desert environment using the available resources of the biotope; camel urea, sand with introducing bacteria B. Pasteurii was chosen because it has highly active urease enzyme which catalizes the reactions that produces precipitation of calcite.
L A Y E R I N G To create an even layer of solidified sand, a simple spraying machine would include a nozzle array that sprays the solution onto the sand surface with even distribution. The spraying machine is designed to be attached to the camel like a back pack typical of its traditional role as the beast of burden. With the typical number of camels (50,000 to 200,000) attending the festival it’s viable and practical approach.
Scan QR code for extended version
D I G I T A L
alpha map input
P R O C E S S
point density gradient
growth algorithm
voxelization
smoothing/erosion algorithm
SITUATIONIST SPATIAL SITUATIONS
ludiville | city of amusement
reimagining the city of homo luden
(anti)
SPECTACLE Supressing the consumerism of public spaces. Remove social alienation by promoting active social interaction.
DERIVÉ Transient passage through different ambiences; different atmosphere , character and mood. Organic EXPERIENCE of the city through walking and getting lost.
AMBIGIOUS SPACES Flexible spaces to allow for unedited functions ; changable and adaptable spaces responding to personal and communal time sensitive requirements.
ANTI BORING Ever changing spaces and landscape to create different spaces and situations.
L
udiville is a critical interpretation the project is responding to. The project Ludiville is loosely arranged into sectors that of
the
work
of
Constant investigates the role of architecture in the correspond to the French philosopher, Roger
Nieuwenhuys’s New Babylon futile pursuits of play and the production of Caillois four ludic archetypes : Agon, Mimicry, (Constant and Stamps 2016) and space that encourages ludic urges.
Ilinx and Alea.
the Situationist Movement (Stracey 2014) to establish a city of play .The Situationist The project explored the ideas of Carl Ludiville’s flexible spaces adapts to the anti-capitalist ideas set the scene for an Theodore Sorensen’s terrain vagues and junk changing water levels at various times of the architecture of desire built to realize
the playgrounds as ludic spaces that encourages year. It’s generative form creates environment
utopian society of “Homo Luden” (Constant child-like adventure. Through its generative detached from the real world with different and Wigley 1998).
form, Ludiville creates a utopia that adopted ambiances and atmosphere that encourages Aldo Van Eyck’ city of playground where public exploration and play.
Château de Chambord in Loire Valley, the site space are characterised by non-hierarchical for this project, is a reminder of a nostalgic composition using interstitial spaces. True to utopia and a symbol of bourgeois society, Constant Niewwenhuys’s New Babylon,
homo ludens “All play means something” Johan Huizinga
13
rhino3d +grasshopper : form finding 3ds max : 3d modelling keyshot , vray, lumion : rendering lumion : 3d animation
GENESIS OF A CITY
DERIVE
CHAMBORD NATIONAL DOMAIN
FORM FINDING
MOONSCAPE ALPHAMAP
CELLULAR AUTOMATA ALGORITHM
VOXEL TRANSFORMATION
SMOOTHING TRANSFORMATION
ludiville | city of amusement
reimagining the city of homo luden
MASTER PLAN - LUDIC PLAY MODE sector
sector
sector
ALEA - CHANCE Supressing the consumerism of public spaces. Remove social alienation by promoting active social interaction.
AGON COMPETITION Space for contest and showmanship.
ILINX - VERTIGO
MIMICRY
Ever changing spaces and landscape to create different spaces and situations. Detaching the sense of place. Organic EXPERIENCE of the city through walking and getting lost.
Space and places for performances (acting) and virtual play or alternate reality
CONTEXTUAL RELATIONSHIP
CHATEAUX DE CHAMBORD
LUDIVILLE
LUDIVILLE
N 0
100
200M
VERTICAL ACCESS & TRANSPORT SECTOR 03 SECTOR 02
SECTOR 04
LIFT CORES CENTRAL PIER & ACCESS RAMP
BAY OF SITUATION WEST PIER & RAMP ARTIST SETTLEMENT CORE TO RESIDENTIAL COMPLEX
sector
SECTOR 01
(VR and AR)
HYPER LOOP UNDERWATER TUBES 15
A. LUDIC LIGHTHOUSE B. HYPER LOOP STATION C. HOTEL LUDIC D. ISLETS
D
D B
A
C D
BAY OF SITUATION
N
7
50
100M
N
ludiville | city of amusement
reimagining the city of homo luden
AMBIANCES
N
1. PLAN PERSPECTIVE SECTOR 4 FRAGMENT 2. SECTIONAL PERSPECTIVE SECTOR 2 FRAGMENT 3. PLAN PERSPECTIVE SECTOR 3 FRAGMENT 4. PLAN PERSPECTIVE SECTOR 1 FRAGMENT
1 CTOR
E TO S EL
A LEV
E SE ABOV 22M
3 CTOR
E TO S
E SEA
ABOV 15 M
L
LEVE
17
B WATE R@
10M
ABOV
E SEA
LEVEL
B’
20M ABOVE SEA LEVEL 15M 10M
Scan QR code for design jounal
SECTION B B’ - SECTOR 2 FRAGMENT MARINA
N
308 EXHIBITION
applied construction
NORTH PODIUM
NORTH LOBBY
WEST PODIUM
PERSPECTIVES
EXPLODED AXON PODIUM STRUCTURAL ARRANGEMENT
Mega columns
Steel rod support
Flush glazing, glass unit on aluminium mullion Double layer steel space frame roof , galvanised & powder coated
West Podium North Podium
1 3 2
Top-hung weathershield
round steel hollow sections bolted to concrete column
round hollow section - web member
round steel hollow sections
welded steel brackets
steel node connector , threaded joint
IFC
concrete column
Laminated glass unit
steel column
1
HOT PRESSED STEEL BALL NODE FOR RETICULATED SPACE FRAME STRUCTURE
2
ROUND STEEL HOLLOW SECTIONS ON CONCRETE COLUMN
3
ROUND STEEL HOLLOW SECTIONS POINT FIX TO CURTAIN WALL IFC
19
Scan QR code for extended version
EXPLODED AXON TYPICAL FLOOR SLAB STRUCTURAL SYSTEM
Typical floor
Core shear walls Perimeter columns Primary Band Beam Band Beam Edge beam Mega columns
Mega diagonals
groupwork; performative analysis/ grasshopper, structural system, podium
308 EXHIBITION
applied construction
STRUCTURAL TYPOLOGICAL MODEL
CORE & OUTRIGGER STRUCTURAL SYSTEM DESIGN
BRACING SYSTEM
LATERAL LOAD-RESISTING SYSTEM
LATERAL LOAD STRUCTURAL SYSTEM
STEEL OUTRIGGER + BELT TRUSS SYSTEM 1
ing
ind
d loa
W
Steel outrigger
Mega columns
ind
g din
Steel belt truss
loa
2
W
1 3
Latticework of mega columns and diagonals to resist lateral forces (wind). Interconnection of mega columns and diagonal members will equalize axialloading when the overall structure subject to lateral forces
Lateral load primarily wind loading transferred to the core shear wall through systems of trusses. At the top third of the tower, the truss system is further enhanced with interconnected truss belt because the wind load is at its maximum at that elevation.
To further improve the performance of the lateral system where the tower is at its maximum wind loading, a belt truss interconnect to perimeter frame columns to maxmize the axial stiffness of columns participating in the lateral system.
STEEL OUTRIGGER
Shear-wall core
Lateral force transferred through mega columns
Steel outrigger Mega columns
SHEAR-WALL CORE
GRAVITY SYSTEM Gravity
ind
g
din
loa
Dead/live load
2
The outrigger trusses resist lateral loads by maximizing the effective depth of the structure.
Shear-wall core
STEEL OUTRIGGER
W
Shear-wall core Steel outrigger Mega columns
Primary component of lateral system include a central reinforced concrete core linked to exterior megacolumns by outrigger trusses.
Pretensioned reinforced concrete slabs and composite concrete columns. Gravity load from dead load and live loads are transferred down from slabs to columns.
3
The shear-wall core directly linked to the exterior mega-columns and diagonals by structural steel outrgger trusses.
21
ENVELOPE COMPONENTS
TYPICAL UNITISED DOUBLE SKIN FACADE 9 10
14
13
12
8
11
7
6 5
1
4
3
2
9
1.
Single glaze embedded solar PV
2.
Steel catwork, galvanised, 800mm clearence
3.
Concrete edge beam
4.
HVAC ducting with ventilation inlet
5.
Suspended ceiling system with acoustic ceiling pads
6.
Services tray
7.
Raised floor system with cabling void
8.
Concrete band beam
9.
Concrete floor slab
10.
Carpet flooring
11.
Plenum air-conditiong vents
12.
Automatic integrated venetian blind daylighting and shading control
13.
Double glaze window low-e glass with argon-filled blind cavity
14.
Alu mullion
8
10
11
7 15
12
TYPICAL UNITISED FACADE
13
16
6
15.
Cladding hangers with insulation and firestop
16.
Alucobond spandrel panel
5
3
13
12
11
4
PODIUM SHOP FRONT CURTAIN WALL
10
9
8 7 6 5
4
1.
Granite tiles - Adelaide black
2.
Screed on weatherproof membrane
3.
Ground floor slab
4.
Polished concrete finish - interior floor slab
5.
Concrete ground floor slab
6.
Suspended baffle ceiling system
7.
Services tray and eletrical cabling
8.
HVAC ducting with air-conditioning outlets
9.
Polished concrete finish - interior floor slab
10. Laminated structural glass fin 11. Alucobond spandrel panels
1 2
3
12. 1500 x 2300 Pilkington safety glass 13. Pilkington point fix attachments
308 EXHIBITION
applied construction
1:100 @A4
BONDED SCREED ARDEX A 38 NOMINAL THICKNESS 40MM POLISHED CONCRETE HIPERFLOOR PREMIUM FINISH 10 MM MIN
HORIZONTAL ALU MULLION BOLTED TO EDGE BEAM
ANCHOR BRACKET LIQUID FIRE RATED SEALANT
POINT -FIXED BOLTED GLAZING SYSTEM
5MM ROD SUSPENSION CLIP POLYTHENE WATERPROOF
220
SPANDREL PANEL
MEMBRANE BAFFLE HANGER 40 15
TO CONCRETE EDGE BEAM
800
INSITU REINFORCED CONCRETE EDGE BEAM FLEXIBLE SILICONE GASKET 4 MM ALUCOBOND
METAL BACK PAN 145
SS ANGLE ANCHOR TO EDGE BEAM
S-KA 16/20
NOT TO SCALE
UNEQUAL ANGLE 150 X 90 X 9 MM
CONSTRUCTION DRAWING OVERVIEW
BOLTED TO EDGE BEAM
355
PILKINGTON SS PIN JOINT
4 MM ALUCOBOND FIN HEADER SPANDREL PANEL
25
5MM ROD SUSPENSION CLIP
M12 EXPANSION BOLTS
23
103
ARMSTRONG METALWORK BAFFLES 220
INSITU REINFORCED CONCRETE EDGE BEAM
LAMINATED GLASS FIN
S-KA 16/20
280
S-KA 16/20
BAFFLE HANGER
800
SPANDREL PANEL HORIZONTAL METAL HANGERS ALU MULLION
150
BATT INSULATION
MINERAL WOOL FIRESTOP BATT 60 MINS
PIN JOINT SS HEADER ISOMETRIC VIEW - FIN HEADE
30
S -K A 1 6/20
S-KA 16/20
UNEQUAL ANGLE 150 X M10 90 X 9EXPANSION MM BOLT M10 EXPANSION BOLT
ARMSTRONG UNIGRID CHANNEL
ANCHOR BRACKET TO CONCRETE EDGE BEAM
EDGE COLUMN BEHIND
POINT -FIXED BOLT
METAL BACK PAN S-KA 16/20
FLEXIBLE SILICONE GASKET
UNEQUAL ANGLE 150 X 90 X 9 MM
30
S -K A 1 6/20
M10 EXPANSION BOLT
BONDED SCREED ARDEX A 38 NOMINAL THICKNESS 40MM
335 150
400
HORIZONTAL ALU MULLION BOLTED TO EDGE BEAM
HORIZONTAL ALU MULLION BOLTED TO EDGE BEAM
S-KA 16/20
S-KA 16/20
LIQUID FIRE RATED SEALANT
ISOMETRIC VIEW - FIN HEADER NOT TO SCALE
POLYTHENE WATERPROOF MEMBRANE
POLISHED CONCRETE HIPERFLOOR PREMIUM FINISH 10 MM MIN
DETAILS - GLASS FIN HEADER, SPANDREL , SUSPENDED CEILING & PODIUM FLOOR 103
ARMSTRONG METALWORK BAFFLES
355
FIN HEADER
UNEQUAL ANGLE 150 X 90 X 9 MM
M12 EXPANSION BOLTS
40 15
25
SCALE 1: 10 @A2
ARMSTRONG UNIGRID CHANNEL
SECTION C-C'
S-KA 16/20
M10 EXPANSION BOLT
EMBEDDED INSERT
ISOMETRIC SILICONE JOINT VIEW - POINT FIX FITTING
145
01 A4.1 PILKINGTON SS PIN JOINT
FIBER GASKET
10-12 NOMINAL
NOT TO SCALE
BAFFLE HANGER
130
ISOMETRIC VIEW - POINT FIX FITTING TO FIN 220
5MM ROD SUSPENSION CLIP
SECTION C-C'
800
4 MM ALUCOBOND SPANDREL PANEL
130
A4.1
CC'
CEILING & PODIUM FLOOR 10
PILKINGTON OPTIFLOAT 335 CLEAR R39 SPANDREL PANEL 400 GLASS METAL HANGERS SAFETY 1500 X 2300 X 12 MM MINERAL WOOL FIRESTOP BATT PILKINGTON 905J TO STRUCTURAL DETAILS - GLASS FIN HEADER, SPANDRELFIN , SUSPENDED 60 MINS POINT FIX INSITU REINFORCED SCALE 1: 10 @A2 SILICONE WEATHERPROOF CONCRETE EDGE BEAM JOINT SEALANT
280
BATT INSULATION
01
ANCHOR BRACKET PILKINGTON OPTIFLOAT CLEAR R39 TO CONCRETE EDGE BEAM SAFETY GLASS LAMINATED GLASS FIN 1500 X 2300 X 12 MM
CENTERLINE
CC'
130
S-KA 16/20
10
CENTERLINE
400 S -K A 1 6/20
10-12 NOMINAL
EXTERIOR
HORIZONTAL ALU MULLION BOLTED TO EDGE BEAM
S-KA 16/20
130
GLASS FIN SHOE
UNEQUAL ANGLE 150 X 90 X 9 MM
INTERIOR
S-KA 16/20
10 24
GLASS MULLION/FIN 25 103 CLAMPED BETWEEN SS ANGLES
80
60
400
28
@A2
55
905J ROD ASSY ST/STL
905J BODY ASSY ST/STL
IN-SITU REINFORCE CONCRETE FLOOR SLAB 200MM 65
PILKINGTON OPTIFLOAT CLEAR R39 SAFETY GLASS 1500 X 2300 X 12 MM
PLAN VIEW
SILICONE JOINT SEALANT FOR WEATHERPROOFING
PLAN VIEW
IN-SITU REINFORCED CONCRETE BAND BEAM 600MM
POINT FIX FITTINGS TO STRUCTURAL GLASS FIN DETAILS
02 A4.1
NOT T
10
130
10-12 NOMINAL
Ø50
130
SILICONE WEATHERPROOF JOINT SEALANT
10
PILKINGTON 905J TO STRUCTURAL FIN
FIX FIN DETAILS POINT FIX FITTINGS TO STRUCTURALPOINT GLASS
905 EMBEDDED ATTACHMENT
IN-SITU REINFORCED CONCRETE Ø50 10 BAND BEAM 600MM
IN-SITU REINFORCE CONCRETE FLOOR SLAB 200MM
65
ISOMETRIC VIEW - PO
55
SECTION C-C'
SCALE 1: 5 @A2
Ø40 FIBER GASKET
ANCHOR BOLTS M12 EXPANSION
25 X 25 MM WELDED WIRE 2MM SHIMS TO ADJUST TO GALVANISED MESH REINFORCEMENT PER ASSURFACE 3958 VARIATIONS
02 A4.1
LAMINATED STRUCTURAL GLASS FIN 400 X 7100 X 19 MM
ANCHOR BOLTS M12 EXPANSION
DETAILS - GLASS FIN HEADER, SPANDREL , SUSPENDED CEILING & PODIUM FLOOR
UNBONDED SCREED 40-80 MM NOMINAL NEOPRENE GUIDES ARDEX A38
SHIMS TO ADJUST TO SURFACE VARIATIONS
EDGE COLUMN BEHIND
POLISHED CONCRETE HIGH GLOSS 3000 GRIT INTERIOR FLOOR FINISH
80
335
56
25 X 25 MM WELDED WIRE 2MM GALVANISED MESH A4.1 SCALE 56N/A 1: 10 REINFORCEMENT PER AS 3958
NEOPRENE GUIDES
CENTERLINE
ARMSTRONG METALWORK
GLASS MULLION/FIN CLAMPED BETWEEN SS ANGLES
28
20
60
01
ELEVATION VIEW
POLISHED CONCRETE HIGH GLOSS 3000 GRIT ELEVATION VIEW INTERIOR FLOOR FINISH ARMSTRONG UNIGRID CHANNEL
INTERIOR
20
40-80 MM NOMINAL ARDEX A38
V
NOT T
SILICONE JOINT SEALANT FPR WEATHERPROOFING
130 BAFFLES
GLASS FIN SHOE
GRANITE TILES ADELAIDE BLACK 600X300X20MM UNBONDED SCREED EXTERIOR FLOOR FINISH ARDEX WPM300 MOISTURE BARRIER + ARDEX WPM155 UNDERTILE MEMBRANE
400 355
50 X 50 ALU. GLAZING CHANNEL PILKINGTON SS PIN JOINT FIN HEADER GRANITE TILES M12 EXPANSION BOLTS ADELAIDE BLACK EXTERIOR 600X300X20MM EXTERIOR FLOOR FINISH
SILICONE SEALANT
130 ISOMETRIC
CENTERLINE
LAMINATED FIN SILICONEGLASS SEALANT
ARDEX WPM300 MOISTURE BARRIER + ARDEX WPM155 UNDERTILE MEMBRANE
SILICONE JOINT SEALANT FPR WEATHERPROOFING
30
10 24
M10 EXPANSION BOLT
SILICONE WEATHERPROOF JOINT SEALANT
150
METAL BACK PAN
PILKINGTON 905J TO STRUCTURAL FIN POINT FIX
50 X 50 ALU. GLAZING CHANNEL
NOT TO SCALE
SEALANT
EDGE COLUMN BEHIND
SCALE 1: 5 @A2 CENTERLINE
PILKINGTON PLANAR LAMINATED GLASS
LAMINATED GLASS FIN
PILKINGTON PLANAR & HEAT SOAKED TOUGHENED LAMINATED GLASS OUTER LAYER WITH FRIT PATTERN TOUGHENED & HEAT SOAKED 3 X 10MM OUTER LAYER WITH FRIT PATTERN 3 X 10MM
10 24
EXTERIOR MINAL - 12 NO Ø100 10
03 A4.1
20
80
SILICONE WEATHERPROOF JOINT SEALANT
STEEL TUBE HORIZONTAL MAST
56
UNBONDED SCREED 40-80 MM NOMINAL ARDEX A38
ANCHOR BOLTS M12 EXPANSION
POINT -FIXED BOLTED GLAZING SYSTEM
GASKET DETAIL (SECTION)FIBER - TOP WEATHERSHIELD 25HUNG X 25 MM WELDED WIRE 2MM POINT FIXED BOLTED GLASS CURTAIN WALL GALVANISED MESH
SCALE 1: 10DETAIL @A2
03 A4.1
ISOMETRIC VIEW NOT TO SCALE
REINFORCEMENT PER AS 3958
POINT -FIXED BOLTED GLAZING S
(SECTION)NEOPRENE - TOP HUNG GUIDES WEATHERSHIELD POINT FIXED BOLTED GLASS CURTAIN WALL
SUBJECT
TUTORIAL
GROUP MEMBER :
SITE ADDRESS
TUTORIAL 17 ROBERT DEMELIS
RIZAL AMBOTANG 641233
308 EXHIBITION STREET, MELBOURNE
02
NOT TO SCALE
IN-SITU REINFORCE CONCRETE FLOOR SLAB 200MM
SHIMS TO ADJUST TO
SCALE N/A 1: 10 @A2 SURFACE VARIATIONS
A4.1 ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY SEMESTER 1, 2017
65
ISOMETRIC VIEW
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY SEMESTER 1, 2017
SUBJECT
55
SS STRUT
COLD ROLLED BA FINISH FIBER GASKET STEEL MEMBER 180 UB 175
SS SPIDER FITTING PUNCHED THROUGH PERFORATED LAMINATED GLASS
Ø80
COLD ROLLED BA FINISH STEEL MEMBER 180 UB 175
POLISHED CONCRETE HIGH GLOSS 3000 GRIT INTERIOR FLOOR FINISH
STEEL ANCHOR TUBE PUNCHED THROUGH PERFORATED LAMINATED GLASS
Ø80
GRANITE TILES ADELAIDE BLACK 600X300X20MM JOINT SEALANT SS BRACING EXTERIOR FLOOR FINISH CABLES SS BRACING ARDEXCABLES WPM300 MOISTURE BARRIER + SS STRUT ARDEX WPM155 UNDERTILE MEMBRANE
60
SPIDER FITTING
WEATHERPROOF SILICONE JOINT SEALANT WEATHERPROOF SILICONE
GLASS MULLION/FIN CLAMPED BETWEEN SS ANGLES
Ø100
Ø100 MINAL - 12 NO Ø100 10
SILICONE SEALANT
SS CUSTOM MADE SS CUSTOM MADE SPIDER FITTING 50 X 50 ALU. GLAZING CHANNEL
ELEVAT
SILICONE WEATHERPROOF JOINT SEALANT
INTERIOR
Ø104
Ø104
28
STEEL TUBE MAST
SILICONE JOINT SEALANT
GLASS FIN SHOE
STEEL TUBE MAST
STEEL TUBE ANCHOR STEEL TUBE ANCHOR BOLTED THROUGH GLASS PERFORATIONS BOLTED THROUGH GLASS PERFORATIONS TO STEEL MEMBER AT NODE POINTS AT NODE POINTS TO STEEL MEMBER
400
SCALES
DRAWING No.
SECTION DETAILS 1:5 & 1:10 ISOMETRIC DRAWINGS NO SCALE
A5.1
IN-SITU REINFORCED CONCRETE BAND BEAM 600MM
Ø50
PLA
POINT FIX FITTINGS TO STRUCTURAL GLASSMEMBER FIN DETAILS TUTORIAL GROUP :
SITE ADDRESS
SCALES
SCALE 1: 5TUTORIAL @A2 17
308 EXHIBITION STREET, MELBOURNE
SECTION DETAILS 1:5 & 1:10 ISOMETRIC DRAW NO SCALE
ROBERT DEMELIS
RIZAL AMBOTANG 641233
the collective common
co-housing multi residential prototype
C
ollective
common was conceived as a hybrid prototype multi-residential development, it combines the traditional terrace/row house typology common in Melbourne with typical urban dwelling of apartment living. The development builds upon the idea of co-housing where the development retains individual private home ownership while fostering community relationship and sense of neighbourhood through shared spaces and multiuse common facilities.
Port Melbourne is demographically inclined towards young professionals, growing young families and independent elderly citizens. These groups typically have different housing and social requirements which creates fractured housing options in the market.In consequence, this creates social isolation and decrease affordability as developers generalised these requirements to fit a larger spectrum of buyers.
LOCALITY
HISTORY
1
Kitchen & Sons soap & candle works at Ingles site in 1859.
Area origin , noxious trades and industry area with proximity to Yarra and swampy wasteland of Fishermen’ Bend
Warehouse red brick facade with white pedimens and Kitchen & Soap factory sign
Hit-&-miss red brick facade of DHL & EZYAUTO 1
FRONTYARD
25
SECTIONAL PERSPECTIVE A-A’
6
5
5
3
5
3
4 2
0
PRIVATE
INTERNAL COURTYARD
10
PUBLIC
POS (PRIVATE OPEN SPACE) 2
5
SHARED 3
BALCONIES
4
BACK YARD
5
PARKLET
COMMUNAL 5
TRANSITIONAL SPACES
6
TERRACE & ROOFTOP VEGE’ GARDEN
the collective common
co-housing multi residential prototype
ROOF PLAN
AA’
BB’
SECTION CUT 15M
ELEVATION ALONG INGLES STREET
27
INGLES STREET
TYPICAL PLANS
INGLES STREET
FIRST FLOOR
GROUND FLOOR
0
5
10
SECTION B-B’ - LONGITUDINAL SECTION THROUGH GARDEN COURT
the collective common
co-housing multi residential prototype
COMMUNAL SPACES & AMENITIES
vignette series
parklet
Scan QR code for extended version
29
TYPOLOGIES TYPOLOGIES SINGLE STOREY UNIT
ROW HOUSE
“GRANNY FLAT”
SHARED COURTYARD
ROW HOUSE & SINGLE STOREY UNIT
DUPLEX
DUPLEX
The development offers myriad of housing options catering typical contemporary lifestyle as well as alternative home-sharing opportunities.
9
1
3
4
rooftop communal spaces 1 CLUBHOUSE
5 DAYCARE & PLAY ROOM
2 ROOFTOP VEGE-GARDEN
6 GYM
3 GARDEN SHED
7 BBQ
4 LOOKOUT
8 PLAYGROUND 9 PERGOLA
2 7 8
5
6
elastica
materializing personal space | AA visiting school, melbourne
SOCIAL PLAY : REPULSION
Elastica
is a architectural design project that looks at materializing the space that is inherently part of us, the personal space. Our personal space constrains and facilitates our interaction with the environment. It is influenced both by social structure and architectural product of our time. To represent this space we are using the tensegrity system as the material system of choice. It possesses material qualities that are reflective of this personal space. The elasticity and the volumetric space it created provides an idealized approach to representing how this space reacts to social norms and conditioning. Tensegrity as a system of compression and tension parallels the idea of the loading of social structure and architecture onto the personal space.
THE CHARACTERS Configuration 01
Configuration 02
31
THE STAGE - INTERSECTION
SOCIAL PLAY : CONNECTION 90
91
92
Momentary connection
Disconnection
93
94
95
As architecture defines space, we would use the tensegrity system to visualize this personal space. We hypothesized the structure to be personalized and is an architectural extension to the body. As the body itself is a unified tensegrity system (biotensegrity) it’s natural for us to extend this system to include our architectural system as means of diagrammatically visualize the space. To illustrate the social loading we created a play which include different actors in distinctive designs and choreographed social scenarios to display how the structure (hence the personal space) would react to social loadings.
groupwork; ideation, grasshopper, photography
elastica
01
materializing personal space | AA visiting school, melbourne
M AT E R I A L S Y S T E M
02
SITE A N A LY S I S
03
04
05
PA R A M E T R I C MODELING
3 STRUTS I N D E X
I N D E X T O A G G R E G AT I O N
T E N S E G R I T Y
WORKFLOW
Our
design methodology follows the basic process of understanding the site through site analysis. We looked for opportunities to mediate the surroundings or in this instance to understanding the dynamic of the site and behavior that we could elicit . We have to converge the material system and our findings from the site anaysis to develop with a structural form which mediates the site. In our case the observation on the behavior from the pedestrian flow and collision study directed us to create a material representation of the personal space using the tensegrity system. We used parametric modeling and grasshopper tool to inform us of possible configuration of the tensegrity system which may suit our scenario to further develop its potential to scale and grow to fulfill the project objective. The use of computational tools such as Kangaroo helped us to scale the project and test its viability. From the mapping process, we created a multitude of configurations which are personalised. These processes are iterative to ensure that we reached an optimised configuration which is suitable to each person. We finally designed scenarios which simulate social situations. These scenarios will show how the structure performs in a social environment.
33
06
M AT E R I A L I Z AT I O N
10
THE MAKING
08
09
CO MPUTAT ION
SCENARIO DESIGN
MAPPING: B O DY
CONFIGURATION
I T E R AT I O N S
07
FA B R I C A T I O N 47
48
49
50
51
52
53
54
While the process of making allows us to test the limit of the material system as well as taking advantage of its flexibility and scalability to achieve the project objective. From the making process we tried to map the tensegrity structure to the body tensegrity model as a mean of integrating the two systems seamlessly. PROTOTYPES
groupwork; ideation, grasshopper, photography
elastica
materializing personal space | AA visiting school, melbourne
COMPUTATION BRANCHING FROM ONE SHARED MEMBER
TO P VI E W STRUT MEMBERS USED AS SHARED IN SEQUENCE TO GENERATE CIRCULAR NETWORK
SHARED MEMBER
GROWTH FROM ONE BRANCH INDEX UNIT
01
02
03
04 C2
0’’
0’
0’
SCALE 3.5
x
0
2’
2’ 0
2
C3
1’’
2
1
1
MOVE 30 CM Z- AXIS 1’
0
2’’ 1’
0
3 PO INTS TO FORM T RI ANG LE
1
MOVE 30 UN ITS Z-AXIS SCALE 3. 5x
C1
0
1
R OTAT E 160 C LOCK W I SE
2’’
2
2
2
1
C OM PR E S S I O N ME MB E R S C1
0 - 2’’
C2
1 - 0’’
C3
2 - 1’’
35 Scan QR code for extended version
BIOTENSEGRITY SPATIAL MAPPING
Biotensegrity Model
Configuration 02
Photo : Tom Flemon 77a
Configuration 01
Mapping
of various tensegrity geometries onto body anatomy require understanding the role of the body parts and the forces involved. Such mapping has been attempted and researched. This is particulary useful for the application of robotics and prosthetics.
05
0’’ T4
Our tensegrity system can only be an approximation and personal indication of how a person describe his/her personal space. In our configurations, the scale of the index and the aggregation design is purely of the individual group member’s personal taste and her attempt to visualize her defintion of her personal space.
1’’
T5 T6 T8
Biotensegrity force lines and nodes
T7 2’’
0
T9
T2 T1
2
Elastica tensegrity system force lines and nodes
T3
1
T ENS IO N NE T WO RK T1 T2 T3
0 - 1 0 - 2 1 - 2
T4 T5 T6
0” - 1” 0” - 2” 1” - 2”
T7 T8 T9
0 - 1” 2 - 0” 1 - 2”
Changes made align to biotensegrity
photography & poetry
I : the Longing Mom said “you go to another land find another city better than mine� I am still searching, for it takes time In my existence these words chime I have yet to find the city of mine. I soar sky high, free as the wind takes me As I said good bye, flying away with glee This shore welcomes me with open arms,
The Tale of a
Traveller 37
vignette series
photography & poetry are part of a studio submission
photography & poetry
Enticed by the glittering flickers of charms in the darkness of the night, it looks so calm promise riches tropes, landed full of hopes drained and weary, I mope it feels right in this dead of the night.
The Tale of a
Traveller 39
photography & poetry
The Tale of a
II : the Escape In the restricted frame of view, In the restricted frame of view, with strings of headlights approaching and red taillights departing, vex with constant honking, screeching and clacking, with no means to tame. Beleaguered soul and senses inflamed. They walk in black and robes attired, work ward and homeward. Expressionless‌. with life muted and soul looted. Ants with no mother but they all walk together
In between the thunderous whine. One brief moment rare like wine, the heaven is aligned to this patch of green shrine. The Eucalyptus smells divine, with the rustle of its leaves entwined.
Traveller 41
cont. With all these crazy rhythms, look for freedom for I’m beaten take these memories as I don’t need them. Itchy eyes drawn to the green patch, down the broad valley, crosses different alleys fronted by red bricks, colours mismatch. An adventure’s about to hatch From the strident trains, outbound. The hound growling his bitter wound. Echoes from above the ground, cast un welcome shield around, the small green oasis is almost drowned.
This green turf is what is left of the wharf, it was. The wood pylons aligned like a wall, among the trees they stand tall, as sign this land is not for all. The river was heaven in time past. Sepia coloured sluggish flow, small ripples, left by ploughs. There were mists with shadows cast. Birrarrung was the dreaming path. As clouds and clouds embrace. Flows of breeze waft this space, gently soothes this worried face. The gust distorts the hollow noises as focus echoes of own voices. Rest in grace of this heaven for brief of time worries are lessen.
render • paralib • parametric design masterclass • controlmad • madrid
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thank you.