WHAT I LEARNED AT THE MOVIES ABOUT LEGAL ETHICS AND PROFESSIONALISM By Anita Modak-Truran HOW I GOT HERE I’ve been fortunate. I practice law. I make movies. I write about both. I took up my pen and started writing a film column for The Clarion-Ledger, a Gannett-owned newspaper, back in the late 90s, when I moved from Chicago, Illinois, to Jackson, Mississippi. (It was like a Johnny Cash song… “Yeah, I’m going to Jackson. Look out Jackson Town….”) I then turned my pen to writing for The Jackson Free Press, an indie weekly newspaper, which provided me opportunities to write about indie films and interesting people. I threw down the pen, as well as stopped my public radio movie reviews and the television segment I had for an ABC affiliate, when I moved three years ago from Jackson to Nashville to head Butler Snow’s Entertainment and Media Industry Group. During my journey weaving law and film together in a non-linear direction with no particular destination, I lived in the state where a young lawyer in the 1980s worked 60 to 70 hours a week at a small town law practice, squeezing in time before going to the office and during courtroom recesses to work on his first novel. John Grisham writes that he would not have written his first book if he had not been a lawyer. “I never dreamed of being a writer. I wrote only after witnessing a trial.” See http://www.jgrisham.com/bio/ (last accessed January 24, 2016). My law partners at Butler Snow have stories about the old days when Mr. Grisham would open the trunk of his car and give out copies of A Time To Kill. Since then, Mr. Grisham has become “the” master of the legal thriller, where his books have captured the imaginations of a global audience and movies based on his books are some of the finest in the Parthenon of all legal movies. I handled a zoning dispute (my own) against the City of Jackson before Judge Bobby DeLaughter. Before he took the bench, Judge DeLaughter’s chief claim to fame was his successful 1994 prosecution of Bryon De La Beckwith for the 1963 murder of civil rights leader Medgar Evers. Along the way, I got to know Mississippi Supreme Court Justice James Kitchens, who was one of the court-appointed legal representatives for Mr. Beckwith. If you saw Ghosts of Mississippi, these names should sound familiar. Ghosts of Mississippi, directed by Rob Reiner and starring Alec Baldwin, Whoopi Goldberg and James Woods, was based on the true story of the final murder trial against Mr. Beckwith. I’ve also met Gregory Peck, who played Atticus Finch in To Kill a Mockingbird, at the Cannes Film Festival. And I have countless other tales where law and film blend together. But what remains constant is that the best legally-based movies, like To Kill A Mockingbird, Ghosts