TABLE OF CONTENTS
FDCP’s participation at BIFF
FDCP Objectives
Philippine Participation in Numbers
Icons Section
Window on Asian Cinema
Philippine presence at ACFM Philippine Pavilion
Filipino Production Companies and Filmmakers at the Philippine Pavilion
ACFM Market Screenings
Asian Project Market
AFIS (Asian Film School)
BAFA (Busan Asian Film Academy) mylab (Malaysian Fiction Feature Film Development Lab)
Platform Busan Forum BIFF
Philippine Events in Busan
The FDCP’s participation in the Busan Film Festival and Asian Contents and Film Market is pursuant to the fulfillment of the Agency’s mandate pursuant to Republic Act 9167 Sec. 4 to encourage and undertake activities that will promote the growth and development of the local film industry and promote its participation in both domestic and foreign markets.
By participating in one of the biggest and most significant film festivals in Asia, FDCP offers the Philippines access to diverse global networks, screenings, and festival and industry activities that would allow delegates to explore and secure international partnerships and cooperations on all levels and aspects of film and audiovisual production.
The Busan International Film Festival has grown from Korea’s first international film festival to Korea’s largest, and has become a film festival loved by many filmmakers and audiences not only in Asia but also in the world.
As the largest film festival in Asia, it has won the heart of filmmakers and industry professionals who appreciate the programming and the festival offering that spans the cultural, creative, development, and industry aspects. Happening simultaneously is the Asian Contents and Film Market.
FDCP OBJECTIVES
In this year’s participation, the FDCP aims to achieve the following:
• To be present and network with important industry players including film commissions, film markets, film festivals, development labs, funding agencies, and filmmakers.
• To introduce the new leadership and FDCP’s new directions from 2022 onwards
• To showcase the Philippine delegation and support the delegates’ participation in the Busan Film Festival and Asian Contents and Film Market
• To support the Filipino delegates in Busan to fulfill their objectives in finding international partners and collaborations through networking events.
• To continue the promotion of the FilmPhilippines brand and incentive programs.
• To promote and support new and upcoming Filipino films aiming for international sales and distribution
• To pursue and secure relevant partnerships in line with FDCP’s programs and promotion of Philippine Cinema internationally
FILIPINO FILMS AT THE FESTIVAL
In the early days of its establishment, it was simply focused on building the best film festivals in Asia and promoting Korean films to the world. Today, it is also serving as a bridgehead to promote Asian films to the world by discovering and supporting various films and talented filmmakers.
As a non-competitive film festival that rose to the top in such a short time, the Busan International Film Festival played a decisive role in making Busan the center of the film industry and the city of film.
Five Filipino films are featured in this year’s festival.
ICONS SECTION
A showcase of the latest films of contemporary iconic filmmakers from around the world. Two Filipino Icons were selected with their new films.
FEAST
SYNOPSIS SCREENING SCHEDULE
A hit-and-run accident transpires two families. When her husband succumbs to death, Nita files a criminal case. Alfredo is sent to jail after pleading guilty in place of his son Rafael, but Rafael cannot be released from the burden of guilt.
08 OCT 16:30 CGV Centum City 3 *with guest visit
09 OCT 09:00 CGV Centum City 5 *with guest visit
12 OCT 17:30 Lotte Cinema Centum City 9
WHEN THE WAVES ARE GONE
SYNOPSIS SCREENING SCHEDULE
Lieutenant Hermes Papauran, one of the best investigators in the Philippines, is at a deep moral crossroads. He is a first-hand witness of the murderous anti-drug campaign conducted by his force, his anxiety and guilt triggering a severe skin disease. As he tries to heal, a dark past haunts him.
07 OCT 14:00
11 OCT 13:30
12 OCT 14:00
Lotte Cinema Centum City 2 *with guest visit
Lotte Cinema Centum City 8
Lotte Cinema Centum City 10
WINDOW ON ASIAN CINEMA
A peek into the various styles and visions within Asian Cinema, highlighting the latest films from well-established directors as well as the upcoming rookies of the industry. The audience can grasp the zeitgeist of Asian films of the year.
The following Filipino co-productions have been selected in this year’s Window on Asian Cinema section:
AUTOBIOGRAPHY
Directed by Makbul Mubarak Co-produced by Armi Cacanindin with Indonesia, France, Poland, Germany, Qatar SYNOPSIS
A young man is working as a housekeeper in an empty mansion. When its owner returns to start his mayoral election campaign, the young man bonds with him and defends him when his campaign is vandalized, setting off a chain of violence.
SCREENING SCHEDULE
07 OCT 12:30 Lotte Cinema Centum City 6 *with guest visit
9 OCT 16:00 Lotte Cinema Centum City 7 *with guest visit
13 OCT 14:00 Lotte Cinema Centum City 9
ARNOLD IS A MODEL STUDENT
SYNOPSIS
A school representative for an academic contest gets involved with the cheating of the entrance examination to the prestigious military school. What happens to him after that will change his perception of morality forever.
SCREENING SCHEDULE
07 OCT 09:00 Lotte Cinema Centum City 5 *with guest visit
10 OCT 19:30 Lotte Cinema Centum City 7 *with guest visit
13 OCT 17:00 Lotte Cinema Centum City 9
PLAN 75
Directed by Chie Hayakawa Co-produced by Alemberg Ang of Daluyong Studios and Wilfredo Manalang of Fusee with Japan, France, and Qatar
SYNOPSIS
In Japan, government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.
SCREENING SCHEDULE
07 OCT 14:30 CGV Centum City 7
9 OCT 20:00 CGV Centum City 3 *with guest visit
11 OCT 19:30 Busan Cinema Center Cinema 1*with guest visit
PHILIPPINE PRESENCE AT ACFM
The Asian Contents & Film Market (ACFM) is a marketplace where diverse media content from films to audiovisuals, publications, webtoons, and web novels are traded. As a networking and business platform for industry professionals worldwide, ACFM provides various programs, including investment and co-production markets, industry conferences and events, and film production funding programs.
Over 2,000 industry professionals from more than 50 countries participate in ACFM every October during the Busan International Film Festival. ACFM 2022 will host a physical market to provide in-person networking and business opportunities to worldwide participants with online components supplemented.
PHILIPPINE PAVILION
The Philippine Pavilion in this year’s Asian Content and Film Market will serve as a one-stop-shop for all interested to work with Filipino producers, screen and acquire Filipino films, and explore possible collaboration with FDCP and the Philippines.
BOOTH E03 | HALL 4C-F, EXHIBITION CENTER 2, BEXCO
FILIPINO PRODUCTION
PHILIPPINE PAVILION FILMMAKERS COMPANIES AND
AT THE
This year, seventeen (17) production companies are joining the market on-site. We also issued market badges and assisted twenty seven (27) filmmakers representing these companies in the market.
ANIMA
bianca.balbuena@kroma.ph | www.anima.ph
MS. BIANCA BALBUENA
Head of Studios and Manager Director
MS. ETHEL ESPIRITU Vice President for Film & Series Productions and Development
MR. AUGUST LYLE ESPINO
CEO and President
augustlyle828@gmail.com | www.clayshopinc.com info@createcinema.org | www.createcinema.org
MS. MICA OLIVEROS
Associate Producer
MR. JULES KATANYAG Co-Owner/Director and Producer
MS. DANZEN KATANYAG Co-Owner/Producer
MR. ALFREDO ADLAWAN Director
MS. TANYA MACAPAGAL Producer
heavensbestentertainment@gmail.com www.hbeproduction.com
ethelmespiritu@yahoo.com | kreativden.com juleskatanyag@gmail.com | digitaldreams.com.ph
MS. GELLIE BALBUENA
Producer and Finance Officer
gelliebalbuena@gmail.com | www.epicmedia.ph will@fusee.biz | www.fusee.biz
MR. WILFREDO MANALANG
Founder/President
MS. HARLENE BAUTISTA Producer
MS. MA-AN ASUNCION DAGNALAN Director
kthouseproductionsinc@gmail.com www.facebook.com/KTHousePH manny@twentymanila.com | www.twentymanila.com
MR. EMMANUEL ANGELES Producer
johannakirsten@icloud.com www.facebook.com/mandalaproductions
MS. JOHANNA KIRSTEN LAGMAN Producer
MS. AMELIA PEREZ Head of Production
FILIPINO PRODUCTION COMPANIES AND FILMMAKERS
NOKARIN PRODUCTIONS INC.
nokarin08@gmail.com | www.nokarin-production.com
MR. CARLO OBISPO Director
MR. MARVIN REYES Producer/Cinematographer
QUANTUM FILMS
contact@quantumfilmsph.com www.quantumfilmsph.com
ATTY. JOJI ALONSO
Chief Operating Officer
REGAL FILMS
adesquitado@regal-entertainment.com | regalfilms.com
MS. ROSELLE MONTEVERDE Chief Operating Officer
MS. ANNIE DESQUITADO Head of Acquisitions and Sales
SOUTHERN LANTERN PRODUCTIONS
sherondayoc@southernlantern.com www.southernlantern.com
MR. SHERON DAYOC Director/Producer
MR. SONNY CALVENTO Director/Producer
MR. ARDEN ROD CONDEZ Director
SPRING FILMS, INC.
fernc@springfilmsph.com www.facebook.com/SpringFilms
MS. FERN CASTRO Associate Producer
MS. LADY MAE GASALAO Supervising Producer
TBA STUDIOS
rogielou.patapat@tba.ph | www.tba.ph
MS. DAPHNE CHIU President and COO
MS. ROGIELOU PATAPAT Manager, Film Screenings and Distribution
ACFM ONLINE MARKET SCREENINGS
Asian Contents & Film Market (ACFM) provides exhibitors who have purchased Sales Booth or Online Booth the opportunity to register for Online Screening. It is operated for 4 days on the ACFM 2022 Online Site with convenient access.
The Online Market Screenings will help the films and production companies to reach more possible buyers, sellers, and distributors in the market. The films will screen online for four days where market badge holders can access the films on demand.
This year, the following films have been sponsored by FDCP to be part of the ACFM Market Screenings
THE BASEBALL PLAYER
Directed by Carlo Obispo | Nokarin ProductionsAmir, a 17-year-old Moro child soldier whose father was killed in an all-out war in 2000, dreams to live a different life – he wants to become a baseball player. Training extensively with his coach, he makes it to the final tryout of a local university. Unfortunately, another all-out war against Moro rebels breaks out in 2003, and he is confronted with making a choice between pursuing his dream or fighting in the war.
SCREENING SCHEDULE
October 8-11, 2022 | www.acfm.kr
BLUE ROOM
Rebel Rebel, an indie rock band composed of woke albeit sheltered teens, gets its biggest break at a prestigious local music festival. But after their celebratory night at the local bar, they are arrested for drug possession. Instead of the standard procedures, they were hauled to the Blue Room, a VIP detention area where they can bribe their way out through rogue cops. The band members have to decide whether to use their privilege to go on with their lives or to own up to what they had been preaching.
SCHEDULE
October 8-11, 2022 | www.acfm.kr
12 WEEKS
Directed by Sunshine Matutina | Digital DreamsAfter ending her toxic relationship with her boyfriend Ben, 40-year-old Alice discovers she is pregnant. With her age and current relationship status, her first instinct is to have the pregnancy terminated. As her body undergoes dramatic changes, Alice struggles and needs to decide what to do. Will she slide back into the arms of Ben? What will this mean for the child growing inside her?
October 8-11, 2022 | www.acfm.kr
ASIAN PROJECT MARKET
Asian Project Market (APM) is the first launched co-production platform in Asia that offers emerging filmmakers the opportunity to meet international leading film professionals.
After launching in 1998 as Pusan Promotion Plan (PPP), it has grown into the biggest and most important pre-market in Asia. In 2011, it was renamed as Asian Project Market and has been successfully delivering its role as the cradle of creativity.
Each year APM discovers fresh feature film projects ranging from big-scale commercial ones to low-budget indies to link them with global film investors, producers, and distributors. Numerous APM projects have already made it through to completion and received positive responses from both film festivals and international audiences. As such, APM continues to earn greater interest from filmmakers around the world.
This year, the Film Philippines Office will be joining the Asian Project Market and will meet with the selected projects and explore possible co-productions with the Philippines and offer FPO incentives and grants.
AFIS (ASIAN FILM SCHOOL)
Busan Asian Film School (AFiS) is located in Asia’s first UNESCO-designated City of Film, Busan. This educational facility has been founded in 2016 to foster the development of the global film industry for the benefit of professionals and filmmakers from around the world.
AFiS operates International Film Business Academy, Busan Film Academy, and Asian Filmmaking Workshop for young talents in Asia, to lay the foundations for Asian cinema’s mutual development.
AFiS is also seeking an Asian aesthetic and beauty which is found within and reflects the cultural diversity of Asia, and to prepare the film industry for a foundation to share its strengths among other Asian countries, and while accelerating the growth of the domestic film industry, see likewise growth to the global film industry as well.
BAFA
(BUSAN ASIAN FILM ACADEMY)
The ‘Asian Film Academy’, designed to discover the emerging generation of Asian filmmakers and catalyze diverse networks among young talents, now has 363 alumni from 32 countries since 2005. For the past 17 years, the ‘Asian Film Academy’ has been well received by participants as a global educational program to learn the practice and philosophy of filmmaking under the guidance of worldrenowned directors and instructors. Its alumni have been recognized for their excellence in the film industry around the world and at the world’s prestigious film festivals.
MYLAB
(MALAYSIAN FICTION FEATURE FILM DEVELOPMENT LAB)
mylab is a joint project initiated by the National Film Development Corporation Malaysia (FINAS) in partnership with the Film Development Council of the Philippines, the Singapore Film Commission (SFC), and the Taiwan Creative Content Agency (TAICCA) geared toward Asian filmmakers. It focuses on projects in their early stages of development, with a team of scriptwriters, directors, and/or producers attached, targeted at regional or international audiences.
All participants will undergo special lectures and guidance from regional and international experts in scriptwriting, directing, producing, distribution, and markets and festivals, as it aims for each project to deliver a package of script, budget, financing plan, dossier, and pitch-ready materials by the end of the program.
PLATFORM BUSAN
Platform BUSAN is a network of independent filmmakers aiming to reach collective growth by encompassing Korean and Asian film directors, producers, and key staff members.
Platform Busan, a joint growth network of Asian independent filmmakers, is a forum for exchanges where Asian independent filmmakers can gather to share their experiences and explore opportunities for solidarity and collaboration. By building a network of young filmmakers working in Asia, the Busan International Film Festival, which has already established itself as a hub for Asian films, is expected to play an important role in leading the future of Asian films.
FDCP SCHOLARS PLATFORM BUSAN DELEGATES
• Arvin Kadiboy Belarmino
• John Eric Bico
• Mark Noel Ebreo
• Jahn Ansell Kyle Fermindoza
• Kyle Jumayne Francisco
• Kristelle Jurao Laguda
• Gian Carlo Librojo
• Maria Gabriela Seuss Serrano
• Myra Angeline Soriaso
• Cyril John Zinampan
• Faith Kristie Aragon
• Mike Cabrales
• Kirstie Lee Contrevida
• Xzy Dumabok
• Jeddalyn Medrano
• Kevin Piamonte
• Robert Rodriguez
• Jay Mananday Rosas
• Robert Joshua San Luis
• Tyron Santos
• Jarell Mahinay Serencio
• Kristine Camille Sulit
• Edmund Telmo
• Ryan Termoso
FORUM
As a socializing hub for filmmakers and professionals worldwide, Forum BIFF will provide the audience with an opportunity to experience the wealth of cinematic intelligence.
KOFIC (Korean Film Council) will host events during Forum BIFF. FDCP will be joining the forums and sessions this year.
PHILIPPINE EVENTS
BIFF IN BUSAN
To meet the objectives of this year’s participation, the following events will be hosted by the Film Development Council of the Philippines:
1. Welcome cocktails to introduce FDCP’s new leadership, FilmPhilippines Office, and Full Circle Lab Philippines 2023 at the Philippine Pavilion on October 8, 2022 | 4PM | MARKET BADGE HOLDERS
2. Philippine Cinema Night co-presented by the Philippine Embassy in Seoul on October 11, 2022, Haeundae Ogtap Rooftop, 8:30 PM-1:30 PM
Address: Haeundae Ogtap Restaurant, 28 Dalmaji-gil 62beon-gil, Jung 1(il)dong, Haeundae-gu, Busan, South Korea | STRICTLY FOR INVITED GUESTS ONLY
LOCAL TRANSPORTATION
ACFM SHUTTLE SERVICE
Market Shuttle runs exclusively for ACFM badge holders.
Market GENESIS Vehicle
Show your ACFM Badge to volunteers and notify them about your destination.
Operation Schedule
Boarding & Drop-off
8 - 10 October, 8:30 - 19:30 11 October, 8:30 - 18:30
Exhibition Center 2, BEXCO Seacloud Hotel Kwangsu Hotel Felix by STX
Shilla Stay Shuttle Bus
Shilla Stay shuttle buses run on a fixed schedule between Shilla Stay Haeundae and Exhibition Center 2, BEXCO.
8-10 October 11 October
SHILLA STAY BEXCO
BEXCO
8:00 | 8:25 | 9:50 10:15 | 11:00 | 12:00 13:00 | 14:00 | 15:00 16:00 | 17:00 | 17:30
8:00 | 8:25 | 9:50 10:15 | 11:00 | 12:00 13:00 | 14:00 | 15:00 16:00 | 17:00 | 17:30
SHILLA STAY
Metro
13:00 | 14:00 | 15:00 16:00 | 16:30 | 17:30 18:00 | 18:30 | 19:00 19:30 | 20:00
13:00 | 14:00 | 15:00 16:00 | 16:30 | 17:30 18:00 | 18:30 | 19:00
Busan’s extensive Metro system makes it possible to go just about anywhere. There are four lines (1,2, 3 and 4) and they are easily traveled given their distinct colors. Destination announcements are made in Korean, English, Japanese and Chinese. The sound of a bird is used for stops that are transfer points, accompanied by announcements in Korean, English, Japanese and Chinese.
Bus
A bus fare can be paid in cash or by transportation card (used to pay both bus and metro fares) upon boarding the bus.
To indicate you want to get off, push the button on the wall. Get off using the back door. Note that the cash fare is higher than the transportation card fare. In addition, those who pay in cash are unable to receive a transfer discount.
General Taxi
You can catch a taxi at a taxi stand or flag one down in the street. If the taxi is vacant, you will find a “Vacant” or “For Hire” sign in red color and the lamp of the taxi sign on top will be turned on.
Taxi fares increases after midnight until 4:00am.
Address: South Korea, Busan, Haeundae-gu, Centum 2-ro, 25 센텀드림월드 1F Phone: +82 51-746-2223
Hops Pizzeria Centum Namdareun Gamjatang Bexco
Address: 393 Haeun-daero, Haeundae-gu, Busan, South Korea Phone: +82 51-742-2155
Mom’s Touch Chicken & Burger
Address: South Korea, Busan, Haeundae-gu, Centumnam-daero, 50 센텀임페리얼타워 103호 Phone: +82 51-746-8123
POLICE: dial 112
FIRE AND AMBULANCE: dial 119
MEDICAL EMERGENCIES: dial 129
REPORT-A-SPY: dial 113
FOCUS (FOREIGNER COMMUNITY SERVICE): call (02) 798-7529
MEDICAL REFERRAL SERVICE: call 010-4769-8212
SEOUL HELP CENTER: visit www.global.seoul.go.kr/
LEGAL COUNSELING SERVICE: call (02) 508-1745
ALCOHOLICS ANONYMOUS SEOUL: (02) 319-5861
ALCOHOLICS ANONYMOUS DAEGU: (053) 768-6732
INTERNATIONAL OPERATOR: dial 00799
LOCAL DIRECTORY ASSISTANCE: dial 114
SEOUL IMMIGRATION OFFICE: (02) 650-6239
INCHEON IMMIGRATION OFFICE: (032) 882-0544
BUSAN IMMIGRATION OFFICE: (051) 463-7161
GIMPO IMMIGRATION OFFICE: (02) 664-7614
GIMHAE IMMIGRATION OFFICE: (051) 972-1610
www.biff.kr/eng/addon/10000001/page.asp?page_num=4886
www.acfm.kr/eng/addon/10000001/page.asp?page_num=1530
https://apm.biff.kr/eng/addon/10000001/page.asp?page_num=1268
855 T.M. Kalaw Street, Ermita, Manila, Philippines 1000
Telephone: (+632) 8 256-9908; (+632) 8 256-9948 Email: info@fdcp.ph
TO KNOW MORE, SCAN THE QR CODE