FOREWORD
Winner the first edition of the Malamud Prize, New York, and Dennis Scholl, Art Collector and Filmmaker, Miami, for their dedication to this process and for the time and attention they committed to the selection process. Their vision, counsel, and wisdom make the exhibition stronger. Their participation and interactions with this year’s finalists will create invaluable opportunities for them to continue developing their practice and network.
The 2024 finalists represent a range of media and diverse approaches to art making that reflect personal themes, social, cultural, and universal topics and experiences. Samuel Aye-Gboyin, Patricia L. Cooke, Tenee’ Hart, Fernando Ramos, Diego Alejandro Waisman, and Clio Yang represent the dynamic and growing art scene in Florida. Their works, individually, and together in dialogue in the exhibition, attest to the critical need for platforms that support, give visibility, and provide mentorship to artists who aspire to expand professionally and create impact in our contemporary society.
We congratulate the winner of the second edition of Pathways: The Carlos Malamud Prize and celebrate the achievements of an incredibly talented group of artists. We hope this opportunity will contribute to their growth: “The Prize is a Pathway for the emerging artists, to empower them, to aim for success in their career, in the artistic and financial aspects” noted Carlos Malamud.
Our sincere gratitude goes to Mr. Malamud for bringing the concept of the exhibition to the Rollins Museum of Art and providing the funding for the prize, and to the Pabst Steinmetz Foundation, Presenting Sponsor of the exhibition at Rollins, for generously funding the installation and catalog.
Gisela Carbonell, Ph.D.
CURATOR, ROLLINS MUSEUM OF ART
Shannon Lindsey, M.F.A.
ASSOCIATE LECTURER AND UCF ART GALLERY DIRECTOR
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Eugene Ofori Agyei
VISUAL ARTIST AND WINNER OF THE FIRST EDITION OF THE MALAMUD PRIZE, NEW YORK
Serving as the juror for Pathways was a rewarding experience. As the awardee of the 2022 Carlos Malamud Prize, I was genuinely impressed by the substantial number of applications and the outstanding quality of work I encountered while evaluating submissions. The competitive nature of this opportunity serves as a catalyst, propelling artists to establish higher goals, push their creative boundaries, and strive for excellence in their practice. It holds immense benefits for both finalists and winners, spanning from financial support and professional growth to heightened visibility, networking, and the nurturing of a supportive artistic community.
JUROR STATEMENTS
Terrific artist and maker Tenee’ Hart’s work features essential elements such as wrapped fibers, dynamic forms, and the innovative manipulation of everyday materials, creating a fascinating artistic expression. In her art, Tenee’ pushes the boundaries of the materiality of fiber, delving into themes of beauty, anatomy, and the inequalities faced by women. Through the incorporation of personal narratives within the material context, the artist shares her own story, aspiring to resonate with and address the experiences of others.
Fernando Ramos’s work is visually appealing coupled with tactile layers. In the artist’s practice, collage holds a special significance as a medium that allows him to reinterpret, repurpose, and give new life to images and books that would otherwise be discarded in an unsustainable manner. By incorporating these found materials sourced from his community, Fernando aims to emphasize a sense of connection. This process creates a meaningful dialogue between local and global communities, fostering an awareness of connectedness that extends beyond perceived boundaries. The act of repurposing materials becomes a metaphor for shared human experience.
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Ginger Gregg Duggan
FOUNDING PARTNER OF c2 – curatorsquared, WINTER PARK
As a contemporary curator based in Florida, it is easy to feel a bit isolated at times. For many years I would find travel to major cities the most significant resource and be delighted when I would learn of regional artists whose work I could include in our thematic exhibitions. More recently, however, I have been struck by the quality, variety and seriousness of work being created by artists working in Florida. My experience as a juror for the Pathways 2024: The Carlos Malamud Prize confirmed this trend with a truly incredible selection of work by a diverse group of artists at a pivotal moment in their careers. I was excited to see that 84 artists submitted to the Prize and I thoroughly enjoyed pouring over each submission first on my own, then together with the other jurors to compare notes and discuss the merits of the finalists. The themes and subject matter explored were representative of both our global experience as well as very personal points of view about heritage, lived experience and cultural narrative. It has been my absolute pleasure to be a part of this wonderful program that offers the gift of generous financial assistance and mentorship at a time when it is most beneficial to take their practice to the next level.
Patricia Cooke’s installation, Hollow, is impossible to ignore: the monochromatic Barbie-pink fabrics are meant to attract; the soft, plush materiality beckons to be touched; the installation as a whole dares the viewer to keep their distance. As a woman, I found this relatable for all of the cliche’d but valid reasons. Even the title references the female expectation of exterior perfection and allure that supersedes internal depth and purpose. Upon a closer inspection, we are confronted with even more stereotypically soft, feminine tropes—roses, teacups, hand mirrors, makeup—stitched in meticulous detail with Victorian-era design details. However, Cooke, like her work, offers so much more for consideration than meets the eye. I was happy to look closely and ponder the endless references to home, femininity, the male gaze and gendered art-making roles.
Dennis Scholl
ART COLLECTOR, FILMMAKER, AND FORMER PRESIDENT AND CEO OF OOLITE ARTS, MIAMI
The quality of this year’s work submitted to Pathways 2024: The Carlos Malamud Prize reminds us that Florida artists are on the rise. There was so much quality work to be discovered in the submissions that it made the selection process very difficult. I was particularly impressed with the diversity of media on display, in many cases the use of multiple media by a single artist.
Diego Alejandro Waisman focuses on areas impacted by gentrification and housing instabilities in mobile home communities and elevates them in his photographic presence. With Florida’s housing crisis at an all-time high, and mobile homes being the housing of last resort for many, these architectural portraits deserve careful consideration as a metaphor for our society.
Clio Yang’s heartfelt work about human connection causes us to explore the benefits and detriments of technology and the value of true friendship. Her use of multimedia imagery and the willingness to play with the placement of the camera and the characters in her works makes them stand out and invites the viewer to insert themself into the story.
Samuel Aye-Gboyin is a photographer with a discerning eye who sees those who are generally unseen. His photographic series asks the viewer to acknowledge the value of these individuals. These images also remind us of the struggle to carve out a living in today’s two-tier society.
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Patricia L. Cooke
Patricia L. Cooke was born and raised in Greensboro, North Carolina. She earned her BFA in 2011 from Appalachian State University in Boone, North Carolina. In 2015, Cooke was awarded a Graduate Teaching Assistant Scholarship from the University of Miami in Coral Gables, Florida where she earned her MFA in Sculpture in 2018. Cooke is currently Lecturer in Sculpture at the University of Miami. She lives and works in North Miami Beach, Florida with her loving partner Wade and three cats.
PATHWAYS FINALISTS
8 9 8
Courtesy
ON VIEW AT RMA
ON VIEW AT RMA
Patricia L. Cooke (American, b. 1988)
Meandering 2022
Velour, beads, scrap wood, steel wire, thread
35 X 24 x 12 in.
Courtesy of the artist
Patricia L. Cooke (American, b. 1988)
Hollow (living room: sofa, coffee table, painting, wall sconces, clock, mirror, vanity, rug), 2023
Neoprene, polyester boning, thread, ribbon
Dimensions variable
of the artist
11 10
ON VIEW AT UCF
ON VIEW AT UCF
Patricia L. Cooke (American, b. 1988)
Time Casts its Spell on You 2020
Neoprene, vintage lace, scrap wood, steel, bottle caps, paint, thread
84 X 75 x 18 in.
Courtesy of the artist
Patricia L. Cooke (American, b. 1988)
Hollow, (bedroom: bed, chair, footstool, side table) 2023
Neoprene, polyester boning, thread, ribbon
Dimensions variable
Courtesy of the artist
13 12
Samuel Aye-Gboyin
Gboyin is an interdisciplinary artist who works in various mediums such as design, photography, video, animation, and sculpture. He is currently an MFA candidate in Art and Technology at the School of Art and Art History, University of Florida. Samuel received his master’s degree with an emphasis in Graphic Design from Eastern Illinois University in 2021, in addition to his bachelor’s degree in communication design with a concentration in animation and motion graphics from the Kwame Nkrumah University of Science & Technology in 2018. Samuel investigates the topics of commerce, migration, globalization, and hybridity. His work is an ever-evolving cross cultural conversation between home and the African diaspora.
17 X 22 in.
15 14
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Fisherman, 2021 Archival pigment print
Courtesy of the artist ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Charcoal Vendor 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Kenkey Vendor 2021
Archival pigment print
22 X 17 in.
17 16
Courtesy of the artist ON VIEW AT RMA
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Poultry Vendor, 2021
Archival pigment print
17 X 17 in.
Courtesy of the artist
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Koko Vendor, 2021
Archival pigment print
22 X 17 in.
19 18
Courtesy of the artist ON VIEW
AT RMA
ON VIEW AT RMA
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Coconut Vendor, 2021
Archival pigment print
22 X 17 in.
Courtesy of the artist
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Teacher 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
21 20
Video 53 Secs. Courtesy of the artist ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
Rice+Soup+Tilapia 2023
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Fisherman II, 2021
Archival pigment print
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17 X 22 in. Courtesy of the artist ON VIEW
AT RMA
ON VIEW AT UCF
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Watermelon Vendor, 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Sweets Vendor 2021
Archival pigment print
22 X 17 in.
Courtesy of the artist
25 24
ON VIEW AT UCF
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Metal Welder 2021
Archival pigment print
22 X 17 in.
Courtesy of the artist
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Farmer, 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
27 26
ON VIEW AT UCF
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Mother, 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Fishmonger, 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
29 28
ON VIEW AT UCF
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Kitchenware Vendor 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Gari Vendor, 2021
Archival pigment print
17 X 22 in.
Courtesy of the artist
31 30
Tenee’ Hart
Tenee’ Hart is an ‘unconventional’ fiber sculpture artist pursuing themes of feminism that delve into topics of beauty, anatomy, and the inequality of women. Wrapped fibers, gushing forms, and the manipulation of the everyday are crucial components within Hart’s works. Her abstract forms remain committed to an intriguing physicality that comes from palpable and intentional material usage. Hart hails from Virginia, where she received her Bachelor of Arts degree from the University of Mary Washington in 2011. Later, Hart earned her Master’s of Fine Arts degree from Florida State University, where she has been teaching, at the college level, since the completion of her degree in 2015. Hart is currently the Co-Head of ODL for FSU | Department of Art. Beyond her role as an educator, Hart is the sole Graduate Advisor and Coordinator for the Department of Art at Florida State University.
Video 2 mins. 51 Secs. Courtesy of the artist ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
Go Home, 2022
33 32
Tenee’ Hart (American, b. 1988) Uguisu 2018-2023
Makeup wipes, decorative birds, birdcages, birdcage veil, chopsticks, paint, lampshades, picture frame stand, wallpaper, paint, artificial light, metal, various fibers and audio element of the nightingale’s song combined with rubbing lotion
72 X 25 x 25 in.
Courtesy of the artist
ON VIEW AT RMA
Tenee’ Hart (American, b. 1988)
Powdered and Pale, 2017-2023
Powder, faux pearls, loofa, melted bowls, powder puff, plastic tablecloths, cut-glass lamps, aerolux bulbs, lampshades, metal, mirror, paint and various fibers
72 X 48 x 30 in.
Courtesy of the artist
ON VIEW AT RMA
35 34
96
Courtesy of the artist
ON VIEW AT UCF
ON VIEW AT UCF
Tenee’ Hart (American, b. 1988)
Cestoda II, 2013-2021
Faux pearls, vintage silkscreened wallpaper, milk glass hurricane lamp, extension cords, artificial light, metal and various fibers
X 18 x 24 in.
Tenee’ Hart (American, b. 1988)
Womb Veils, 2014-2021
Shower caps, liquid plastic, wedding veil, crib, toile wallpaper, chandeliers, parlor chair, paint, artificial light, crocheted and hand dyed fibers
96 X 58 x 30 in.
Courtesy of the artist
37 36
Fernando Ramos
Fernando Ramos is a queer Latin American artist born in Miami, Florida. Ramos received an Associate Degree in Arts from Miami Dade College. Selected group exhibitions include the inaugural exhibit SPACE (2023), Cape Center, Cape in Canaveral, FL; 92nd Annual Online Juried Open Exhibition (2023), National Arts League, New York, New York; Connections, Online Juried Open Exhibition (2023), Collage Artists of America, Studio City, California. Ramos received Best in Show at the Beaux Arts Festival held by the Lowe Art Museum in Miami, Florida (2011 & 2012) as well as Best in Show at the Coconut Grove Woman’s Club 9th Annual Young Artists’ Gallery in Coconut Grove FL (2011), Merit Award Winner at the 92nd Annual Online Juried Open Exhibition. Ramos lives and works in Miami, Florida.
Fernando Ramos (American, b. 1994)
Stone Ceremony, Water Deity 2023
Collage
16 X 8 in.
39 38
Courtesy of the artist ON VIEW AT RMA
ON VIEW AT RMA
Fernando Ramos (American, b. 1994)
La Concepción de Conejos (Niños de la Luna), 2022
Collage
5 X 9 in.
Courtesy of the artist
Fernando Ramos (American, b. 1994)
Dryad 2023
Collage
12 X 7 in.
41 40
Courtesy of the artist ON VIEW
AT RMA
ON VIEW AT RMA
Fernando Ramos (American, b. 1994)
Old Magic, New World, 2023
Collage
11 X 16 in.
Courtesy of the artist
Fernando Ramos (American, b. 1994)
Spirit of the Sun 2022
Collage
19 X 8 in.
43 42
Courtesy of the artist ON VIEW
AT RMA
Fernando Ramos (American, b. 1994)
River, 2023
Collage
8 X 9 in.
Courtesy of the artist
45 44
ON VIEW AT UCF
Fernando Ramos (American, b. 1994)
Sublimation Condensation 2021
Collage
25 X 8 in.
Courtesy of the artist
ON VIEW AT UCF
Fernando Ramos (American, b. 1994)
Sea of Stone 2022
Collage
14 X 8 in.
Courtesy of the artist
47 46
ON VIEW AT UCF
Fernando Ramos (American, b. 1994)
A Push and Pull 2022
Collage
18 X 8 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman
Buenos Aires–born, Miami-based Diego Waisman is a visual artist that explores themes of social and economic displacement, identity, and exile. Waisman utilizes documentary photography, video, and installation to build connected narratives about overlooked social topics. He holds an animation degree from the Art Institute of Pittsburgh, a bachelors in studio art from the University of Miami and an MFA from Florida International University. In 2022, Waisman received the Green Space grant, which funded and exhibited his installation This Community, and the 30th Annual Emerald Coast National Best-in-Show, organized by Northwestern Florida State College. In 2023, he participated in the Urban History Association’s 10th Biennial, where he presented a paper on his recent research and creative work around issues of affordable housing in South Florida. He is a Ratcliffe Art + Design Incubator fellow and has received an arts scholarship from the Berkowitz Contemporary Foundation and the Faena Art Curatorial Studies Scholarship. His first monograph, Sunset Colonies, will be released by the University Press of Florida in Fall 2024.
49 48
Diego Alejandro Waisman (Argentinian, American, b. 1979) Flags 2022
C-print
24 X 36 in.
Courtesy of the artist ON VIEW AT RMA
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Shred, 2021
51 50
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Fence, 2022
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
Extra Care 2022
C-print
24 X 24 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Diagonal, 2018
53 52
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Dixie Court, 2023
Hd video
4 Mins, 10 secs. Courtesy of the artist ON VIEW AT RMA
Grow, 2021
C-print
24 X 36 in. Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979)
55 54
Diego Alejandro Waisman (Argentinian, American, b. 1979)
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Flamingos 2022
57 56
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Crookson 2022
Newspaper Clipping 1 2022
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Enjoy the Trail, 2021
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979)
59 58
Clio Yang
Clio Yang (she/they) is a filmmaker, video artist and film educator who actively engages her multiple cultural backgrounds while negotiating a unique identity that calls into question the very idea of media representation. She takes a generalist approach that includes cinematography, photography, writing, sound, and video editing. A lesbian woman born and raised in Jinan, China, and the first in her family to attend college in the U.S., she portrays disconnections and displacement, but also love and reconciliation in her queer experience that straddles East Asian and American languages and cultures. She points focus to socio-economic issues faced by marginalized groups in her communities, like those in Florida, and among foreigners and Chinese in the South. Projects she worked on have been screened at Florida Film Festival, Athena Film Festival, Global Peace Film Festival, Southeast European Film Festival LA, and so on. She established her film production knowledge and skills by working in an industry setting and a micro-budget independent setting, across narrative, documentary, and experimental. Clio graduated magna cum laude from Barnard College of Columbia University with a Film Studies BA. She is currently a film lecturer teaching post-production and screenwriting at University of Central Florida, where she earned her feature film production MFA with documentary “And They Saved My Sorry Ass”.
Layout, 2023
HD video
2 mins, 17 secs Courtesy of the artist ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979)
61 60
8AM to Washington 2019
Digital video
5 mins.
Courtesy of the artist
ON VIEW AT RMA
Love & Hate 2021
Digital video
4 mins. 20 secs.
Courtesy of the artist
ON VIEW AT RMA
63 62
Clio Yang (Chinese, b. 1997)
Clio Yang (Chinese, b. 1997)
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Drizzling Night #1 2020
65 64
Clio Yang (Chinese, b. 1997)
Drizzling Night #2 2020
Digital photograph
18 x 12 in.
Courtesy of the artist
ON VIEW AT RMA
Digital photograph
16 x 20 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Drizzling Night #3 2020
67 66
Clio Yang (Chinese, b. 1997)
Astray #3, 2023
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Astray #4, 2023
69 68
Clio Yang (Chinese, b. 1997)
Astray #6 , 2023
Blind Box, 2021
Video installation
40 mins.
Courtesy of the artist
ON VIEW AT UCF
They’ll Be Antiques 30 Years Later, 2022
16mm Film to Digital
2 mins.
Courtesy of the artist ON VIEW AT UCF
Clio Yang (Chinese, b. 1997)
71 70
Clio Yang (Chinese, b. 1997)
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT UCF
Astray
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT UCF
Clio Yang (Chinese, b. 1997)
Astray #7, 2023
73 72
Clio Yang (Chinese, b. 1997)
#8 , 2023
CHECKLIST
Patricia L. Cooke (American, b. 1988)
Hollow (living room: sofa, coffee table, painting, wall sconces, clock, mirror, vanity, rug), 2023
Neoprene, polyester boning, thread, ribbon
Dimensions variable
Courtesy of the artist
ON VIEW AT RMA
Patricia L. Cooke (American, b. 1988) Meandering, 2022
Velour, beads, scrap wood, steel wire, thread 35 X 24 x 12 in.
Courtesy of the artist
ON VIEW AT RMA
Patricia L. Cooke (American, b. 1988)
Hollow, (bedroom: bed, chair, footstool, side table) 2023
Neoprene, polyester boning, thread, ribbon
Dimensions variable
Courtesy of the artist
ON VIEW AT UCF
Patricia L. Cooke (American, b. 1988)
Time Casts its Spell on You, 2020
Neoprene, vintage lace, scrap wood, steel, bottle caps, paint, thread 84 X 75 x 18 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Fisherman 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Kenkey Vendor, 2021 Archival pigment print 22 X 17 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Charcoal Vendor 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Koko Vendor 2021 Archival pigment print 22 X 17 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Poultry Vendor, 2021 Archival pigment print 17 X 17 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Teacher, 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Coconut Vendor 2021 Archival pigment print 22 X 17 in.
Courtesy of the artist ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Fisherman II, 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
Rice+Soup+Tilapia 2023
Video 53 Secs.
Courtesy of the artist
ON VIEW AT RMA
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Sweets Vendor, 2021 Archival pigment print 22 X 17 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Watermelon Vendor, 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Farmer 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT UCF
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Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Metal Welder, 2021 Archival pigment print
22 X 17 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Fishmonger, 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Mother, 2021 Archival pigment print
17 X 22 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Gari Vendor, 2021 Archival pigment print
17 X 22 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
The Kitchenware Vendor, 2021 Archival pigment print 17 X 22 in.
Courtesy of the artist
ON VIEW AT UCF
Samuel Aye-Gboyin (Ghanaian, b. 1991)
Go Home, 2022
Video
2 mins. 51 Secs.
Courtesy of the artist
ON VIEW AT UCF
Tenee’ Hart (American, b. 1988)
Uguisu, 2018-2023
Makeup wipes, decorative birds, birdcages, birdcage veil, chopsticks, paint, lampshades, picture frame stand, wallpaper, paint, artificial light, metal, various fibers and audio element of the nightingale’s song combined with rubbing lotion
72 X 25 x 25 in.
Courtesy of the artist
ON VIEW AT RMA
Tenee’ Hart (American, b. 1988)
Powdered and Pale 2017-2023
Powder, faux pearls, loofa, melted bowls, powder puff, plastic tablecloths, cut-glass lamps, aerolux bulbs, lampshades, metal, mirror, paint and various fibers
72 X 48 x 30 in.
Courtesy of the artist
ON VIEW AT RMA
Tenee’ Hart (American, b. 1988) Womb Veils, 2014-2021
Shower caps, liquid plastic, wedding veil, crib, toile wallpaper, chandeliers, parlor chair, paint, artificial light, crocheted and hand dyed fibers
96 X 58 x 30 in.
Courtesy of the artist
ON VIEW AT UCF
Tenee’ Hart (American, b. 1988)
Cestoda II, 2013-2021
Faux pearls, vintage silkscreened wallpaper, milk glass hurricane lamp, extension cords, artificial light, metal and various fibers
96 X 18 x 24 in.
Courtesy of the artist
ON VIEW AT UCF
Fernando Ramos (American, b. 1994)
Stone Ceremony, Water Deity, 2023
Collage
16 X 8 in.
Courtesy of the artist
ON VIEW AT RMA
Fernando Ramos (American, b. 1994)
Dryad, 2023
Collage
12 X 7 in.
Courtesy of the artist
ON VIEW AT RMA
Fernando Ramos (American, b. 1994)
La Concepción de Conejos (Niños de la Luna), 2022
Collage
5 X 9 in.
Courtesy of the artist
ON VIEW AT RMA
Fernando Ramos (American, b. 1994)
Spirit of the Sun 2022
Collage
19 X 8 in.
Courtesy of the artist
ON VIEW AT RMA
Fernando Ramos (American, b. 1994) Old Magic, New World 2023 Collage
11 X 16 in.
Courtesy of the artist
ON VIEW AT RMA
Fernando Ramos (American, b. 1994) River, 2023 Collage
8 X 9 in.
Courtesy of the artist
ON VIEW AT UCF
Fernando Ramos (American, b. 1994) Sublimation Condensation 2021 Collage
25 X 8 in.
Courtesy of the artist
ON VIEW AT UCF
Fernando Ramos (American, b. 1994) Sea of Stone 2022 Collage
14 X 8 in.
Courtesy of the artist
ON VIEW AT UCF
Fernando Ramos (American, b. 1994) A Push and Pull, 2022 Collage
18 X 8 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979) Flags, 2022
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979) Shred, 2021
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979) Fence 2022
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Diagonal, 2018
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Extra Care, 2022
C-print
24 X 24 in.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979) Dixie Court 2023 Hd video
4 Mins, 10 secs.
Courtesy of the artist
ON VIEW AT RMA
Diego Alejandro Waisman (Argentinian, American, b. 1979) Grow, 2021
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979) Flamingos 2022
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979) Crookson 2022
C-print 24 X 36 in.
Courtesy of the artist ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979) Newspaper Clipping 1, 2022
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
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Diego Alejandro Waisman (Argentinian, American, b. 1979)
Enjoy the Trail, 2021
C-print
24 X 36 in.
Courtesy of the artist
ON VIEW AT UCF
Diego Alejandro Waisman (Argentinian, American, b. 1979)
Layout, 2023
Hd video
2 Mins, 17 secs
Courtesy of the artist
ON VIEW AT UCF
Clio Yang (Chinese, b. 1997)
8AM to Washington 2019
Digital video
5 mins.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Love & Hate, 2021
Digital video
4 mins. 20 secs.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Drizzling Night #1 2020
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Drizzling Night #2 2020
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Drizzling Night #3 2020
Digital photograph
18 x 12 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Astray #3, 2023
Digital photograph 16 x 20 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Astray #4 2023
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Astray #6 2023
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT RMA
Clio Yang (Chinese, b. 1997)
Blind Box 2021
Video installation 40 mins.
Courtesy of the artist
ON VIEW AT UCF
Clio Yang (Chinese, b. 1997)
They’ll Be Antiques 30 Years Later, 2022 16mm Film to Digital 2 mins.
Courtesy of the artist
ON VIEW AT UCF
Clio Yang (Chinese, b. 1997)
Astray #7, 2023
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT UCF
Clio Yang (Chinese, b. 1997)
Astray #8 2023
Digital photograph
12 x 18 in.
Courtesy of the artist
ON VIEW AT UCF
VIRTUAL EVENTS
PATHWAYS ARTIST TALK SESSION 1
June 11 / 6 P.M.
Patricia Cooke / Tenee’ Hart / Diego Alejandro Waisman
PATHWAYS ARTIST TALK SESSION 2
July 16 / 6 P.M.
Samuel Aye Gboyin / Fernando Ramos / Clio Yang
IN PERSON EVENTS
EXHIBITION TOUR @ UCF ART GALLERY
August 23rd / 11 A.M.
Dr. Gisela Carbonell, Curator, Rollins Museum of Art / Shannon Lindsey, M.F.A., Associate Lecturer and UCF Art Gallery Director
EXHIBITION TOUR @ ROLLINS MUSEUM OF ART
August 30th / 11 A.M.
Dr. Gisela Carbonell, Curator, Rollins Museum of Art / Shannon Lindsey, M.F.A., Associate Lecturer and UCF Art Gallery Director
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