Typographic Magazine

Page 1

Rosa Johnsen grd.2.1 B NKH 2014

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Sources katemoross.com quotesquotations.com/biography/ edvard-grieg-biography/


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Decorative font “Måne” 5 Experimental typography Kate Moross 7 Typo as a shape The Norwegian Opera & Ballet 9 Classic typo Edvard Grieg 11


/ «måne» decorative font

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THE

MOON

(LATIN:

LUNA)

IS

EARTH’S

ONLY

NATURAL

SATELLITE.ALTHOUGH NOT THE LARGEST NATURAL SATELLITE IN THE SOLAR SYSTEM, IT IS, AMONG THE SATELLITES OF MAJOR PLANETS, THE LARGEST RELATIVE TO THE SIZE OF THE OBJECT IT ORBITS IT IS THE SECOND-DENSEST SATELLITE AMONG THOSE WHOSE DENSITIES ARE KNOWN (AFTER JUPITER’S SATELLITE IO)

// You can be the moon and still be jealous of the stars // IV


T h e M o o n is in synchronous rotation with Earth, always showing the same face with its near side marked by dark volcanic maria that fill between the bright ancient crustal highlands and the prominent impact craters. It is the second-brightest regularly visible celestial object in Earth’s sky (after the Sun), as measured by illuminance on the surface of Earth Although it can appear a very bright white, its surface is actually dark, with a reflectance just slightly higher than that of worn asphalt. Its prominence in the sky and its regular cycle of phases have, since ancient times, made the Moon an important cultural influence on language, calendars,

art, and cycle mythology. The Moon’s gravi-tational influence produces the ocean tides and the slight lengthening of the day. The Moon’s current orbital distance is about thirty times the diameter of Earth, causing it to have an apparent size in the sky almost the same as that of the Sun. This allows the Moon to cover the Sun nearly precisely in total solar eclipse. This matching of apparent visual size is a coincidence. The Moon’s sun linear distance from sky Earth is currently increasing at a rate of 3.82±0.07 cm per year, of but this rate is not constant.

V

decorative font

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E xperimental typo

/ Kate Moross

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God bless this mess

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THE NORWEGIAN OPERA AND BALLET

Typo as a shape / Den Norske Opera og Ballett

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VIII


Typo as a shape

/ Den Norske Opera og Ballett

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X


E

GE

d r a g v e d i E Gr

g

C lassic

typo

/ Edvard Grieg

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XI

3 4 8 1 07 19


g typo

/ Edvrad Grieg

G

e

e m a ec ned b ies etur usic d o el eg r a m der m al Gri as foun tra. n itio year self the ches ion d ra he him me or tat w. t d an 66, t shed beca hony repu Bulo e 8 bli rieg mp ne by ur 1 t l er esta e G a sy a fi rth» cu aft lk nd e tim and e him No n fo itte ia a r ad the m i n r a n a o i s w istia the s a ch o m in of eg n w o hr At th ian op or siti N po in C er. » wi or p Ch e f e« th om led orm rpe s» f c ett erf he ce d th o s i e h e s rt p Eut Pie alle v o n l t i y. H nce ty « ical as c is n H ide wa co cie yr g w L r d ev No an rt so f « rie to cher nce ion o ns. G tea a co llect sicia of is co mu H ong am

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e tiv ina c, ag oli im kah el, ly hly wor his enz ical his hig a of W iat ed k le, ing ce .F. hus uin tac mb Be uen r, E nt e r at hu er. fl he o e t h ere A os in ac s a ev // mp the e te usic ly th a s co der abl d m ive red ong un mir die uls ffe ife-l // ad stu mp e su a l m he d co . H y – oble an alth uris pr he ple ing of eath br

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