Work in progress 4th rsu 2016 by Rsu ArtandDesign

The 4th Rangsit University International Design Symposium â&#x20AC;&#x153;Work in Progress 4 : Art and Design for Lifeâ&#x20AC;? 29th April 2016

Executive Committee Associate Professor Dr. Tan Jeanne, Institute of Textiles & Clothing, The Hongkong Polytechnic University, Hongkong. Franyo Aatoth, Artist creator of exceptional graphic works. France. Geri Forkner, Textile Artist, USA. Cui Yong, Founder/Partner Society Particular, The Netherlands-Chaina. Sridhar Ryalie, Design Researcher, India. Professor Vichoke Mukdamanee, National Artist. Assosiate Professor Kamol Phaosavasdi, Chulalongkorn University. Assosiate Professor Sone Simatrang, Silpakorn University. Assosiate Professor Pisprapai Sarasalin, Dean, Faculty of Art and Design, Rangsit University. Somchai Jongsaeng, Silpathorn Award in Design. Jitsing Somboon, Head of Design Playhound.

R a ng s i t University’s missions has been to continually develop the quality of education through research and development in order to broaden knowledge and s t im u l ate innovation that meet and serve the needs of society and the nation. T o wa r d s attaining this mission and to foster an environment of learning and sharing, Rangsit University is organising the RSU National and International Research Conference on the 29th of April 2016 and the theme for this even is “Innovation for Competitiveness and Quality of Life”. U n de r the aegis of this conference, the Faculty of Art and Design is organising i t s 4 t h International Design Symposium entitled “Art & Design for Life” in c o ll a b oration with the Art & Design Dean Council of Thailand, and a worldwide c o mm i t tee and participation from Thailand, China, HongKong, United Stated of America, the Netherlands etc. The Faculty of Art & Design at Rangsit University would like to invite designers, artists, researchers, thinkers, innovators and makers from various disciplines to join us and s h ar e their research, processes, art projects, views and opinions on how design plays an important role in the quality of life. The way in which we live varies a lot depending on the our economy, our cultures shaping our views of this world, socio-economic conditions, market trends etc. All of these, which vary over time, become the foundations for the creative processes of design.

The research question, analysis and synthesis for the design process not only has a goal, of coming up with an innovative solution in the form of a concrete object in response to a given problem, but also to develop an inner sense and perception of everything around us in an abstract way. Complexity and diversity is the key to the design process and it primarily gets i n sp i r ed by the contexts within which we live and how we perceive it in a creative manner. B o un d a ries between disciplines or forms of expression are fast disappearing. Re pre s entational media like painting, photography, graphic design, multimedia, m i xe d media are seamlessly being integrated with works that that are more re la t e d to our physical part of living such as fashion design, product design, furniture design, interior design etc. and they in turn are related to architecture and urban planning of the cities and towns we inhabit. Considering the rich and diverse complexity of relationships between innovative d e si g n and the quality of life, the International Design Symposium will be a platform for artists, designers, thinkers, innovators, and faculty members from various disciplines to further explore and share these research topics.

Objective To develop the quality of creative design works. To provide the knowledge and share progress of creative design works. To stimulate and create an environment for knowledge sharing and interaction.

Dear distinguished keynote speaker, Mr. Cui Yong , faculty members, students, and distinguished guests of honor. The Fourth Rangsit University International Design Symposium, “Work in Progress,” this year is held under Rangsit University International Design Main Symposium. It is our hope that this symposium fosters an academic collaboration among these international institutions, as well as serves as a venue for researchers, designers, artists, thinkers, inventors, and makers from all disciplines to share their ongoing work. D e si g n is a powerful force that influences all aspects of life. It shapes our perception of the world and guides our behavior. It forms our culture and prompts education. In the words of Albert Einstein, “The important thing is not to stop questioning. Curiosity has its own reason for existing… Imagination is the highest f o rm of research. Imagination is everything. It is the preview of life’s coming attractions. T h is year’s symposium focuses on interior design, as we knew, interior design i s i n direct contact with human beings, mediating between man and a rch i tecture. Interior field is a very intricate design, it is an art of creating an experience for human beings. Interior space nourished both physical and spiritual aspect, in order to create good design, designers need to have empathy of the others in the design thinking and process, it needs to understand consumers and understand business aspect as well as collaborate in teams with people from various fields.

Today we are here to celebrate the work of Mr. Cui Yong, the founder and design d i re c tor at Society Particular, whose design process is based on the critical thinking of people from various field and with an in depth research to improve social lifestyles. I do hope that this sharing will be an inspiration to all of us to continue our works in progress. Please join us in welcoming Mr. Cui Yong Thank you very much. Associate Professor Pisprapai Sarasalin Dean of The Faculty of Art and Design, Rangsit University, Thailand

KEY NOTE SPEAKER

Mr. Cui Yong Architect / Designer , CHINA

Biography Date of Birth 29. 12. 1983 Sex Male Nationality Chinese Address Lloydstraat, 3024 EA, Rotterdam, The Netherlands Website societyparticular.com E-mail cy@societyparticular.com Education 2004-2008 Bachelor in Architecture, China Central Academy of Fine Arts, School of Architecture 2008-2010 Master of Science in Architecture, Delft University of Technology, Delft, The Netherlands Employment 2013-Present Partner & Founder at Society Particular 2012-2013Architect at OMA, Rotterdam, The Netherlands 2012Architect at The NL Architect, Rotterdam, The Netherlands 2011Architect at KCAP, Rotterdam, The Netherlands

Selected Works 2015 Vanke Longchen, China 2014 Guggenheim Helsinki, Helsinki, Sweden 2013 The Incubator, China 2013 Park Pavilion, Milan, Italy 2013 Modern Art Center, Lietuva 2013 Floatation, South China Sea 2012 Chair Pavillion 2012 Twin Towers, China 2012 Moscow Faucet 2010 Magic Cube Faucet 2008 Museum of Evenks, Mongolia Awards 2011 Europan 2011, Runner Up 2010 Reddot Concept Design, Magic Cube Faucet

LIST OF ARTIST DESIGNER IN EXHIBITION Cui Yong China Gunnar Seel Germany Kim Marc Bobsin Germany Daniel Klapsing Germany Philipp Schรถpfer Germany Bryan C Lee Jr. U.S.A. Shohei Sakurai Japan Passama Sanpatchayapong The Netherlands Don Lino Philippine Tadas Jonauskis Lithuania Saharat Tantivaranyoo U.S.A. Franyo Aatoth France Arahmaiani Feisal Indonesia Geri Forkner U.S.A. Jeff Hamilton U.S.A. Xiaochun Zhang China Lee Wonju South Korea Sunjung Lee South Korea Professor Vichoke Mukdamanee Thailand Associate Professor Kamol Phaosavasdi Thailand Associate Professor Sone Simatrang Thailand Somchai Jongsaeng Thailand Jitsing Somboon Thailand Amata Luphaiboon Thailand

MEDIA PARTICULAR 2016, ROTTERDAM, NL

office@societyparticular.com www.societyparticular.com

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016

Guggenheim Museum Helsinki, Finland

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MEDIA PARTICULAR 2016, ROTTERDAM, NL

office@societyparticular.com www.societyparticular.com

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SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

Guggenheim Museum Helsinki, Finland office@societyparticular.com www.societyparticular.com

LOGO

Merging two slabs and defining the needed volume for the Museum

labs and defining the needed volume for the Museum

Twisting the volume of the Museum according to main city axis

Merging the plinth and the Museum

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

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Guggenheim Museum Helsinki, Finland office@societyparticular.com www.societyparticular.com

ARCHITECTURE+FLOATATION SOCIETY PARTICULAR 2011-2016 ARCHITECTURE+FLOATATION MEDIA PARTICULAR 2016, ROTTERDAM, NL 2011-2016

Helsinki, Finland Guggenheim Museum Helsinki, Finland office@societyparticular.com www.societyparticular.com

MEDIA PARTICULAR 2016, ROTTERDAM, NL

office@societyparticular.com www.societyparticular.com

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Cui Yong

Guggenheim Museum , 2015

Architectural & Interior Design, China

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

Incubator Nantong, China

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016

office@societyparticular.com www.societyparticular.com

LOGO

MEDIA PARTICULAR 2016, ROTTERDAM, NL

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Cui Yong

Incubator, 2015

Architectural & Interior Design China

Incubator Nantong, China office@societyparticular.com www.societyparticular.com

2016, ROTTERDAM, NL

www.societyparticular.com

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400mm

40m m

15mm

40mm

15mm

10mm

40mm

320mm

0m 32

40m

mm 40

400

Cui Yong

Chair Pavilion Shenzhen, 2014

Architectural & Interior Design, China

0m 40

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

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SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

Magic Cube Products office@societyparticular.com www.societyparticular.com

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Magic Cube , 2011-2016

Cui Yong

Product Design, China

Moscow , 2011-2016

Moscow Products office@societyparticular.com www.societyparticular.com

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016

Floatation South China Sea

MEDIA PARTICULAR 2016, ROTTERDAM, NL

FITNESS 2000sqm BAR 500sqm RESTAURANT 1600sqm

LIBRARY 150sqm

BALCONY ROOM 1200 sqm

MINI SUIT 8600 sqm

SHOPPING 750sqm CASINO 750sqm LIBRARY 150sqm

BAR 500sqm

RESTAURANT 1600sqm

LOUNGE 2000sqm BALCONY ROOM 1200 sqm

CASINO 750sqm

FITNESS 2000sqm

RESTAURANT 1600sqm PENTHOUSE SUIT 1200 sqm

FITNESS 2000sqm SHOPPING 750sqm

MINI SUIT 8600 sqm

Cui Yong

Floatation South China Sea, 2014

Architectural & Interior Design China

MEDIA PARTICULAR 2016, ROTTERDAM, NL

office@societyparticular.com www.societyparticular.com

LOUNGE 2000sqm

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PENTHOUSE SUIT 1200 sqm

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016

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Floatation South China Sea office@societyparticular.com www.societyparticular.com

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016

Helsinki Products

MEDIA PARTICULAR 2016, ROTTERDAM, NL

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

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“CUP” , 2016

office@societyparticular.com www.societyparticular.com LOGO

Cui Yong

Product Design, China

SOCIETY PARTICULAR ARCHITECTURE+FLOATATION 2011-2016 MEDIA PARTICULAR 2016, ROTTERDAM, NL

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“Helsinki” , 2016

CUP Products office@societyparticular.com www.societyparticular.com

Jeff Hamilton AflaSense, 2015

Product Design, U.S.A.

Daniel Klapsing

Product Designer / Artist , Germany

Philipp Schรถpfer Interior Designer, Germany

45 Kilo,

Arahmaiani Feisal Various , 1996-2015

Performance Art Indonesia

Bryan C Lee Jr. Noma, 2015

Architectural & Interior Design U.S.A.

Lee Wonju ELECTRONIC TOLL GATE, 2015

Product Design South Korea

Lee Wonju

Clock Tower of Seoul Train Station , 2015

Product Design South Korea

Lee Wonju

AUTOMATIC PARKING SYSTEM , 2015

Product Design South Korea

Don Lino

1545 House, 2015 Architectural & Interior Design Philippines

Don Lino

910 Renovation, 2016

Architectural & Interior Design Philippines

Kim Marc Bobsin & Gunnar Seel Various, 2016

Interior Design Germany

Xiaochun Zhang Go to my home, 2016

Animation China

The Formal Research chain necklaces (2015) Made at the beginning of the project is the starting point of the next developmemts: one-off edition hand-sculpted bracelets. The groups of bracelets were crafted with the follwing keywords in mind dividing / sequencing / sizing / layering. During the sculpting process, the shapes were transformed by manipulation and time. The sculpted results were plated directly with silver on the outer layer. They were not edited and are presented as they turned out. The tryouts are the end-products, and vice versa. FORMAL RESEARCH : BRACELETS

Noom Passama

Formal Research (Bracelets), 2015

A group of 10 bracelets with 1 to 10 fat sections Material : silver, rigit clay The Netherlands

Saharat Tantivaranyoo

Cosmos; A Spacetime Odyssey, 2015

Charactor Design U.S.A.

Shohei Sakurai

West 17th Street Clinic, 2016

Interior Design Japan

B+G+R=White surface

Blue light

Green light

Red light

This is a pure white wall; it starts to become a special space, when a person is a part of the space, while the wall starts to show colorful shadows. Originally the background color of the wall is white. However, it is also filled with invisible white lights, made of three spotlights (Red, Green, and Blue). Such a setting lets any existence or movement of an object between the wall and the spotlights produce colorful shadows, out of five colors, R, G, B, R+G, and G+B, for instance. Here, interestingly, when a person comes close to the wall or blocks all of the three primary colors, now she will see the typical Black shadow, just in front of her.

Light is a fundamental element to make exist space as well as an stimulates human beings' sentiments. The most direct and effe and spaces is to use various lights, because lights, as a subset of space, provoke a set of realization and behaviors of human bein opportunity to allow a new experience of space perception. Ma colorful shadows and this unusual space with colorful shadow neous participants and behaviors. As Nicolas Bourriaud said shifted towards their public", this project attempts to complete that a person autonomously fills the space with colorful shadow

o become a part of the ow colorful color of the d with invisitlights (Red,

movement of e spotlights ve colors, R,

comes close ree primary ack shadow,

create your space with your colorful shadows. The space will be different from what you know.

This project drives intuitive situations by utilizing lights and colours among the mechanisms of various experiences. In other words, this is an installation art to help phenomenologically understand the nature of space by disclosing new space unexpectedly and coincidentally built through a user's participations to multiple physical presentation space. This project is a research on the spatial design based on the concept of the phenomenological space which produces new perceptual experiences induced by subjective interrelations between a private individual and space.

B+G+R=White surface

Blue light

Green light

Red light

Light is a fundamental element to make exist space as well as an immaterial substance that stimulates human beings' sentiments. The most direct and effective way to realize objects and spaces is to use various lights, because lights, as a subset of the elements consisting of space, provoke a set of realization and behaviors of human beings. This project presents an opportunity to allow a new experience of space perception. Manipulating lights generates colorful shadows and this unusual space with colorful shadows leads spectators' spontaneous participants and behaviors. As Nicolas Bourriaud said "The aura of artworks has shifted towards their public", this project attempts to complete empty space in a new way that a person autonomously fills the space with colorful shadows..

Sun Jung Lee

Triple Expressions, 2016

Performance Art South Korea

Light stimu and sp space oppor colorf neous shifte that a

Factory transformation, Kaunas, Lithuania, 2009

Bauhaus Vitrine, Dessau-Roßlau, Germany, 2015, Finalist

Kretinga town hall square, Kretinga, Lithuania, 2015, First prize

Music and theatre academy campus, Vilnius, Lithuania, 2015

Frontside, Lund, Sweden, 2015, Special mention

Curonian delta, Silute, Lithuania, 2014

Bauhaus Vitrine, Dessau-Roßlau, Germany, 2015, Finalist

PUPA – Public Urbanism Personal Architecture

is an innovative team of urbanists found in Rotterdam in 2009, since 2013 based in Vilnius, Lithuania. PUPA focus is in field of strategic planning, urban research and public space design. Our fascination is formation of the city, its driving forces of growth and active life that are expressed in various processes that rigidly shape the city. We believe that every space and place in the city is true representative of various urban systems, actions and habits of citizens. We study what social, cultural, economical processes define urban growth, what improves living environment, how to describe healthy, comfortable, accessible and sustainable city. Knowledge about the urban issues, innovative approach and creativity is represented in all our projects. PUPA team works with Lithuanian and international projects, collaborates with interdisciplinary partners, participates in conferences, workshops and exhibitions. Our projects are published and awarded in various local and international competitions.

Frontside, Lund, Sweden, 2015, Special mention Bauhaus Vitrine - Bauhaus museum competition finalist, in the top 30 out of 830 international entries, Dessau, Germany 2015. “Collective Gardens Revival” exhibited in the International Architecture Biennale Rotterdam, the Netherlands, 2014. Project published and presented in variuos conferences. Multitalented City - first prize winner in the international Europan 11 competition in Reims, France, 2011. Frontside - honourable mention in the international Europan 13 competition in Lund, Sweden, 2015.

Fields of Synergy - honourable mention in the international ideas competition, La Trobe, Australia 2012. Floating harbour concept, first prize winner, Klaipėda, Lithuania 2013. Kretinga city square design competition, first prize, Lithuania 2014. Šilutė market square competition, second prize, Lithuania 2013. Park in Ukmergė, landscape design competition, second prize, Lithuania, 2010. Žirmūnai triangle project featured in URBACT publications and various conferences.

Fields of synergy, La Trobe, Australia, 2012, Honourable mention

Allotment gardens revival, Lithuania - The Netherlands, 2014

Atrium hotel, Vilnius, Lithuania, 2016, Finalist

Multitalented city, Reims, France, 2011, First prize

Bauhaus Vitrine, Dessau-Roßlau, Germany, 2015, Finalist

PUPA – Public Urbanism Personal Architecture

Bauhaus Vitrine - Bauhaus museum competition finalist, in the top 30 out of 830 international entries, Dessau, Germany 2015. “Collective Gardens Revival” exhibited in the International Architecture Biennale Rotterdam, the Netherlands, 2014. Project published and presented in variuos conferences. Multitalented City - first prize winner in the international Europan 11 competition in Reims, France, 2011. Frontside - honourable mention in the international Europan 13 competition in Lund, Sweden, 2015.

Tadas Jonauskis P.U.P.A., 2016

Architectural Design & Urban Planing Lithuania

Frontside, Lun

Fields of syne

CINEMA OASIS CLIENT OASIS KhunCINEMA Samanrat Kanjanavanit CLIENT LOCATION Khun Samanrat KanjanaSukhumvit 43 vanit Thailand Bangkok, LOCATION COMPLETION CINEMA OASIS Sukhumvit 43 2014Bangkok, Thailand CLIENT Khun Samanrat KanjanaPROJECT AREA COMPLETION vanit LOCATION 1,200 sq.m. 2014 Sukhumvit 43 Bangkok, Thailand COMPLETION 2014 PROJECT AREA 1,200 sq.m.

PROJECT AREA

1,200 sq.m. PROJECT DESIGNER Somchai Jongsaeng PROJECT DESIGNER ARCHITECT PROJECT DESIGNER Somchai Jongsaeng Somchai Jongsaeng Tat Wattanamethee ARCHITECT ARCHITECT PROJECT TEAM Tat Wattanamethee Tat Wattanamethee PROJECT TEAM Tat Wattanamethee Tat Wattanamethee Waris Sinsuebpol PROJECT TEAM Waris Sinsuebpol Yossaral Thanathannithip Tat Wattanamethee INTERION DESIGNER Yossaral Thanathannithip Waris Sinsuebpol Waris Sinsuebpol Yossaral Thanathannithip INTERION YossaralDESIGNER Thanathannithip CONSTRUCTION COST Waris Sinsuebpol INTERION DESIGNER 1,000,000 USD WarisThanathannithip Sinsuebpol Yossaral Yossaral Thanathannithip

CONSTRUCTION COST CONSTRUCTION COST 1,000,000 USD 1,000,000 USD

MATERIALS AND ORNAMENTS OF INTERIOR AND ARCHITECTURE

MATERIALS AND ORNAMENTS MATERIALS AND ORNAMENTS OF INTERIOR OF INTERIOR AND AND ARCHITECTURE ARCHITECTURE

Somchai Jongsaeng Cinema Oasis, 2016

Architectural & Interior Design Thailand

Franyo Aatoth

“Double Dream with a Chair” , 2012

Oil on canvas France

Geri Forkner

“Touching Thoughts” , 2016

Fashion Design U.S.A.

Prof.

Vichoke Mukdamanee

FACE 2001 , 2001

Mix Media Thailand

Asso.Prof. Son Simatrang Khaiktiyo Pagoda (Thai) พระธาตุอินแขวน (ไทย) , 2016

Installation Art Thailand

Asso.Prof. Kamol Phaosavasdi living Museum Project (Noostalgia) , 2012

Video Documentary Thailand

Jitsing Somboon The Who?, 2016

Installation Art Thailand

Prof. Watthana Chudhavipata Thailand Tawan Wongsawan Thailand Suporn Choosongdej Thailand Panot Susuwan Thailand Assist.Prof. Surapong Eiampichairit Thailand Sukkasam Auyto Thailand Warawan Suwannaphati Thailand Jinabhadr Kantaputra Thailand Sirada SK Vaiyavatjamai Thailand Danu Phumalee Thailand Vishnunad Katanyuthaveethip Thailand Prinda Setabundhu Thailand Bundit Niamsup Thailand Achara Narklada Thailand Chuchai Assawaarekun Thailand Asso.Prof. Pakorn Prohmvitak Thailand Sam Forkner U.S.A. Chaiporn Panichrutiwong Thailand Wannaporn Chujitarom Thailand Anupong Suttalak Thailand Hathaichanok Chiengthong Thailand Sutat Palama Thailand Teera Dhanamun Thailand Department of Architecture, RSU Thailand Pordee Pordee School Thailand

The Three Characteristics : Impermanent , Conflict , Non-self

Prof.

Watthana Chudhavipata

The Three Characteristics, 2016

Digital Painting Thailand

Suporn Choosongdej Enamor.Lust, 2016

Video Art Thailand

Architecture with Personality With 9 architects + 9 schools , the architecture is automatically filled with personalities With multiple personalities , the project becomes multi-faceted , lively and engaging “resist reductionism and oversimplification and do not give up architecture’s mission to penetrate the mystery of human condition”

Tawan Wongsawan

Hope l Happiness l Joyful Disaster, 2016

Short Film Thailand

THE REMAINING TIME.

Budnil family’s destiny confronted Serios diseases on mother, father and son. Include the suddenly death of the father by cancer. The death confrontation with conscious and to take care of family in the final moments as mission of life, include the way of life and struggles in low class family.

Panot Susuwan

The Remaining Time , 2016

Documentary Thailand

DEPARTMENT OF ARCHITECTURE

IDIN ARCHITECT

UPDATED OVERALL CONSTRUCTION

VIN VARAVARN ARCHITECT

JUNSEKINO ARCHITECT AND DESIGN

SPACETIME

WALLLASIA

OVERALL CONSTRUCTION

SITE RESEARCH BY D4D

CONCEPT

STUCTURE DIAGRAME

MODEL

After the earthquake struck in Chiang Rai, the main school building of Phan Subdistrict Administrative Organization School was damaged and in need of restoration. Other buildings were used as temporary classrooms but the space are still insufficient to accommodate students from every level. The school was in urgent need of a functional school building with three classrooms. Walllasia took on the responsibility of the design in 6 x 9 meters-space Temporary classroom following the ‘Por Dee Por Dee’ (sufficiency) concept emphasizing the efficient use of materials in order to reduce as much construction waste as possible. The building were designed to be both cost-effective as well as fast and e-asy to construct. The light and airy wall structure can easily be dismantled and adjusted into the school’s cafeteria after the construction of the main building is completed. Furthermore, sections of the wall in each classroom were designed to function as a built-in bookshelf, optimize spatial functionality within the limited space. The wooden laths were used with the rest of the wall to enhance ventilation and provide a sense of visual connectivity with the outside environment.

Pordee Pordee School 2015

Architectural & Interior Design Thailand

www.pordeepordee.org

Stone carvings Apsara and Angle. Onthe surface, appear strong Soft robes and a massive fine See light and movement When transmitted through art photos on canvas material soft. The idea of screening Design and lifestyle Society as a costume of Apsara. And rhythmic dance as worship and sacred all right.

Assist.Prof.

Surapong Eiampichairit

“ Angkor”, 2016

Liquid Light sensitive on fabric Thailand

“BAITONG” leaves of banana trees and “BUA” lotus plants are involved in the social life of Thailand in many contexts as well as food crops, medicinal plants is associated with tradition. And culture of Thailand From birth until death.

Sukkasam Auyto BAITONG, 2016

Photography Thailand

Pinhole camera is a camera without lens. Light can pass through the notes on the photosensitive material by passing a small hole. Although no imaging lens, but can be qiute attractive, whether it is a distartion of colar, the flare occured but also creating an attractive and interesting photo.

Warawan Suwannaphati POINT OF VIEW THROUGH PINHOLE CAMERA, 2016

Pinhole Camera Thailand

Vegetarians do not eat or support the killing of animals. Their bodies fright against diseases and have a stronger immunity than those who eat animals. Therefore, nothing would clarify our soul and body except for the consumption of natural food.

Jinabhadr Kantaputra

The Portrait of Vegetarian No.01, 2016

Digital Illustration Thailand

M-Phyathai & M-Silom is a luxurious condominuim located in the business district area of Bangkok. They are Major development public company limited. designed to be an iconic Architecture, dominating the skyline of the central business district. Built around the concept of Negative Space | Contemplative Space, which carves the building into forms of differing heights, open areas and captivating view are created by Major development public company limited.

Sirada SK Vaiyavatjamai

M-Phyathai & M-Silom Sale kit, 2016

Interactive Touch screen Thailand

A4 booklet (portfolio), A3 poster 9. Photos

Make the portfolio for present performance, skill to Set Thai peopleâ&#x20AC;&#x2122;s mindset for change the attitude.

Danu Phumalee (Im) portfolio

Thailand Transnational Migrant Labour, 2016 Viral (online & offline media) Thailand

Knowledge gains from education in term of formal, non-formal and informal education. Self-direct learning is self searching information which is the important factor for the process of fabrication and innovation. It creates a change for all walks of life in the globe and it can enhance better life condition. Thus, education is the important foundation of knowledge that thinker, inventor, and designer use to create innovation in the future.

Vishnunad Katanyuthaveethip

Education : Knowledge for Innovation, 2016

Infographic Thailand

St. Chic Angel is a quest in finding a creative process utilizing an interdisciplinary approach by combining my background in Thai music, philosophy, and visual art to produce a creative work. St. Chic angel sits often in a fine deep light, Casts a pool of sad tea in this decaf night, As long lenses light, at noon soul fight, Else a cine chic, a science of sound, Descends to a cage of noises long ago tine, St. Chic angel lost in an ageless line.

Prinda Setabundhu St. Chic Angel, 2016

Digital Collage and Drawing Thailand

“ LINE DRAWINGS ARE NOT JUST CONSIDERED WORTHLESS OR WASTEFUL MEMOIR DIARY, BUT IT’S THE BEGINNING OF DESIGNER’S PATH TOWARD POWERFUL GOAL.”

Bundit Niamsup

“ LINE” MEMOIR DIARY OF DESIGNER, 2016

Illustration & Freehand Sketching Thailand

Life consists of body, soul and consciousness. People will be happy when all of the elements are balanced. Losing balance in life causes depression. To sustain equilibrium for this sculpture, the signal must show that every problem in life can be handled. If the conscious mind is entrenched, it makes everything balanced, stable and calm. It makes happiness and success appear.

Achara Narklada “Balance of Life”, 2016

Hardwood with turning tecniques Thailand

An Inspiration from “The story of Pra Mahachanok”, and an ancient Bhuddist scripture that depict a practice of perseverance. The design of an Image of Mane Makala Goddess of the sea who neglected Pra Mahachanok in the sea for 7 days and had helped him to reach the land.

Chuchai Assawaarekun Mane Makala Goddess and Pra Mahachanok, 2016

Fiberglass Thailand

From an Imagination of the story of Pra Mahachanok who got shipwreck and survived alone in the sea for 7 days until “Mane Makala” Goddess of the sea had helped him for survival.

Street music has it pure potential in beauty. This surveyand making the art pieces to get that point and have the art pieces for show. Take the inside beauty of street music in the beauty of video art.

Asso.Prof. Pakorn Prohmvitak â&#x20AC;&#x153; STREET MUSIC â&#x20AC;&#x153; , 2016

Music Video Thailand

The cabinet from Wat Cherngwai has been studied by genneration of artists for its detail and skill of execution. Therefore it was these detials I wished to bring out in a large scale video art. As the technology has changed considerably over past decade, the process needed updatingto be displayed on more modern equipment. This led to an opportunity to re-articulate the work at a higher resolution that befor, and also re-evalute the way a contemporary general audience might appreciated it. The idea is not to update Thai traditional motifs, but to display the great ones with modern technology. And to add somthing to bring attention to it and heighten its qualities

Sam Forkner

Moving Thai Motif, 2016

Digitally Remastered, Photograph Thailand

The idea of the Animaion I created created mainly came from scout camping. Everyone in in the team has to finish each task all together as good teamwork. The journey might be hard to get through, but in the end, everyone will be happy for their success. They will be Heroes for the kids in next generation. This could be implied to how life is. Life is not a smooth journey, we need a good theamwork to become successful person.The Animation concept is to create it in the children book style by not focusing muck on the movement of the charactors, scence design of the whole story. As if the audience are reading a children book with little movement.

Chaiporn Panichrutiwong Yod-Manoot Fuok Hud, 2016

Animation Thailand

Children has to be grown up with a good taking care and support, begins with 3 words “ It’s alright” , “Thank you” and “Sorry” with bilingual language Thai and English for world wide communication.

Wannaporn Chujitarom “Sweet Little Witch” Children’s Storybook, 2016

Electronic Painting Thailand

In year 2011, Rangsit canal plight faced with catastrophic floods five years ago. The expansion of the urban road and building flood defenses for the city make lifestyle of community are changing many people who once lived life to take the path of the canal were evacuated from the area. Without knowing there are any realizing areas that they can live like a local Canal.

Anupong Suttalak “Klong wi-tee”, 2016

Photo Collages by Photomontage Thailand

Humanity - What does it mean for my life? Human beings always assign value to success, but real humanity is framed an dragged around by society. We have closed our eyes until we don’t know who we really are anymore. We forget to put meaning in how we move our lives and the time we have. If life is considered long, it is long. If it’s short, it’s considered short. We haven’t seen a way out and we are trapped by our delusion. It’s a dimension where humans cheat each other until the have forgotten that the most important thing is humanity.

Hathaichanok Chiengthong MANOOT-NIYOM, 2016

Digital art Thailand

1. Viroon Chambang Episode.

H e makes himself invisible so that no one can see him. Then he sets out to kill all of the monkey troops, who die like falling leaves. Pipek is one of the monkeys who suggests to Rama to use his arrows to shoot Nilphahu’s horse. This horse now belongs to Viroon Chambang, who escapes and hides himself in a bubble. Finally he is killed by Hanuman. The design uses dark tones to give a mystical feeling. Death and power make the composition sending power to the front. It emphasizes Viroon Chambang’s green body, strong red eyes and the surroundings have a dark color as well. 2. Hanuman makes Longkar City Sleep

In this episode the designer used blue and purple tones to create a metaphor. There is some red on Hanuman’s body while in the pose of preparing to kill Tossakan while he sleeps. Hanuman wants to be make Tossakan’s shameful by put the hair and sticking it to his forehead. It is a spell that no weapon or other magic can fix. Only by hitting his head three times can end the spell. 3. Nasoon Battle

This is the episode when Tossakan’s aura is diminished. He invites his brother Tapnasoon, who has a different mother, to help. With some magic he makes himself very large and throws his body on the land. He opens his mouth wide, all the way into the sky. Then uses his arms to gather the monkeys and puts them all in his mouth. The design emphasizes the size of his mouth to show the chaos. Using a black-grey tone gives the massacre a dark mood. All of the monkeys get magic from Shiva so that if they die, the wind or dew drops can make them come to life again.

Sutat Palama

“Ramayana, the End of Tossakan”, 2016

Digital Art Thailand

Amata Luphaiboon The Flow , 2015

Architectural & Interior Design, Department of Architecture, RSU Thailand

The Guanyin Pavilion that design by Studiomake represents the Contemporary Chinese design together with the Thai craftsmanship and construction technique. The architectural component is the combination of line, shape and form that attract the view from the outside, but for the interior space the transparent glass reflected the shade and shadow of the brick column from the front elevation and the bamboo tree from the opposite side. The tensile modular ceiling system make the space more simply when the light lit up the whole ceiling as one piece. So the point of departure for the exhibition furniture system design that assigned to the student was to respect the existing space and atmosphere. From the functional requirement from the exhibitor we only need to type of furniture, the vertical panel board and the horizontal table. The concept is translate from the contemporary form and shape of Chinese architectural and interior architectural component.

Teera Dhanamun

Guanyin Pavilion Opening Ceremony Exhibition., 2016

Exhibition Design Thailand

1. ดร. อรรถวิท อุ ไรรัตน์ ประธานอ�ำนวยการ Dr. Attawit Ourirat 2. รศ.พิศประไพ สาระศาลิน ที่ปรึกษา Assoc.Prof. Pisprapai Sarasalin 3. อาจารย์อ�ำนวนวุ ฒิ สาระศาลิน ที่ปรึกษา Aamnouvut Sarasalin 4. อาจารย์นัฐวุ ฒิ สีมันตร ที่ปรึกษา Nuttavut Seemontara 5. อาจารย์อนุสรณ์ ศรีแก้ว ที่ปรึกษา Anusorn Srikaew 6. รศ.ดร.กฤษณ์ ทองเลิศ ที่ปรึกษา Assoc.Prof. Dr.Grit Thonglert 7. ดร.วราวรรณ สุวรรณผาติ ประธานกรรมการ Dr. Warawan Suwannaphati 8. อาจารย์สุเทพ โลหะจรู ญ กรรมการฝ่ ายงบประมาณ Sutep Lohacharoon 9. อาจารย์สุชีพ กรรณสูต กรรมการฝ่ายจัดนิทรรศการ Sucheep Karnasuta (ผู ้ทรงคุณวุ ฒิภายในประเทศ) 10. อาจารย์ธีร ธนะมั่น กรรมการฝ่ ายจัดนิทรรศการ Teera Dhanamun (ผู ้ทรงคุณวุ ฒิต่างประเทศ) 11. อาจารย์ไพลิน โภคทวี กรรมการฝ่ ายพิธีการและต้อนรับ Pailin Phokthavi 12. อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ กรรมการฝ่ ายจัดเลี้ยง NattaphongSripungwiwat 13. อาจารย์เรวัฒน์ ช� ำนาญ กรรมการฝ่ ายประชาสัมพันธ์ Rewat Chumnarn 14. อาจารย์อรรถกฤษณ์ อุ ทัยกาญจน์ กรรมการฝ่ ายสถานที่ Atthakrit Uthaigarn 15. อาจารย์บัณฑิต เนียมทรัพย์ กรรมการฝ่ ายลงทะเบียน Bundit Niamsup 16. อาจารย์คงรัฐ สุนทรโรจน์พัฒนา กรรมการฝ่ ายโสตทัศนูปกรณ์ Kongrat Suntornpattana 17. นางชฎารัตน์ บุ ญถนอม เลขานุการ Chadarat Boonthanom 18. นางสาวรณิดา หาญเพชรไทย ผู ้ช่วยเลขานุการ Ranida Harnpetthai

ฝ่ ายงบประมาณ 1. อาจารย์สุเทพ โลหะจรู ญ Sutep Lohacharoon 2. นางสาวทัศนีย์ บู รณจารุ พันธุ ์ Tassanee Buranjarupan 3. นางชฎารัตน์ บุ ญถนอม Chadarat Boonthanom

หัวหน้าคณะท�ำงาน คณะท�ำงาน เลขานุการ

ฝ่ ายนิทรรศการ 1. อาจารย์สุชีพ ที่ปรึกษาคณะท�ำงาน Sucheep Karnasuta (ผู ้ทรงคุณวุ ฒิภายในประเทศ) 2. อาจารย์ธีร ธนะมั่น หัวหน้าคณะท�ำงาน Teera Dhanamun (ผู ้ทรงคุณวุ ฒิต่างประเทศ) 3. รศ. ปกรณ์ พรหมวิทักษ์ คณะท�ำงาน Assoc.Prof. Pakorn Prohmvitak (ศิลปิ นต่างประเทศ) 4. อาจารย์เรวัฒน์ ช� ำนาญ คณะท�ำงาน Rewat Chumnarn (ศิลปิ นต่างประเทศ) 5. อาจารย์สิรดา ศ. ไวยาวัจมัย คณะท�ำงาน Sirada Vaiyavatjamai (ศิลปิ นต่างประเทศ) 6. อาจารย์อ�ำพรรณี สะเตาะ คณะท�ำงาน Ampannee satoh (ศิลปิ นต่างประเทศ) 7. อาจารย์ดนุ ภู่มาลี คณะท�ำงาน Danu Phumalee (สูจิบัตร) 8. อาจารย์เดชากุล ภูริญัฐโชติ คณะท�ำงาน Dejchakul Phurinatchoti 9. อาจารย์นิพล สมานมิตร คณะท�ำงาน Nipon Smanmit 10. อาจารย์พิสิษฐ์ โพธิ์แก้ว คณะท�ำงาน Pisit Pokaew 11. นายแดง มั่นเหมาะ คณะท�ำงาน Dang Manmoh 12. นายลอย บุ ญจันทร์ คณะท�ำงาน Loyd Boonjun 13. นายฉลอ เสียสูงเนิน คณะท�ำงาน Chalor Siasoongnoen 14. นายไพฑูรย์ เข็มกลัด คณะท�ำงาน Pitoon Khemklad 15. คุณนุชรัช พระมุ นี เลขานุการ Nucharach Pramunee ฝ่ ายพิธีการและต้อนรับ 1. อาจารย์ไพลิน โภคทวี หัวหน้าคณะท�ำงาน Pailin Phokthavi 2. อาจารย์ลลิตา สีมันตร คณะท�ำงาน Lalita seemontara 3. อาจารย์อรพรรณ สาระศาลิน เชเฟอร์ คณะท�ำงาน Orapun Sarasalin Schafer 4. อาจารย์อนัญญาลัลน์ วัฒนะนุพงษ์ คณะท�ำงาน Ananyalan Wattananupong 5. นางสาวรณิดา หาญเพชรไทย เลขานุการ Ranida Harnpetthai

ฝ่ ายจัดเลีย้ ง 1. อาจารย์ณัฐพงศ์ ศรีปุงวิวัฒน์ NattaphongSripungwiwat 2. อาจารย์ลัดดาวัลย์ สารพัฒน์ Laddawan Sarapat 3. อาจารย์วัชรี ศรีวิชัย WachareeSriwichai 4. นางสาวนวรัตน์ ป้องจิตใส Nawarat Pongjitsai

ฝ่ ายประชาสัมพันธ์และบันทึกภาพ 1. อาจารย์ อาจารย์ดนุ ภู่มาลี Danu Phumalee 2. อาจารย์เรวัฒน์ ช� ำนาญ Rewat Chumnarn 3. อาจารย์ถวัลย์ วงษ์สวรรค์ Tawan Wongsawan 4. อาจารย์นิจาภา เหมะภูมิ แฮมมิวตัน Nijapa C Hamilton 5. อาจารย์อนันต์กิตติ์ จันทรไกร Anunkit Chankri 6. อาจารย์พิพัฒน์ ลิ้มประไพพงษ์ Pipat Limprapaipong 7. นาวสาวไปรมา บุ ญชู Praima Boonchu ฝ่ ายสถานที่ 1. อาจารย์อรรถกฤษณ์ อุ ทัยกาญจน์ Atthakrit Uthaigarn 2. อาจารย์เกรียงศักดิ์ สุวรรณบู ล Kriangsakdi Suwannabool 3. อาจารย์เอกชั ย สมบู รณ์ Ekachai Somboon 4. นายไพฑูรย์ เข็มกลัด Pitoon Khemklad 5. นายฉลอ เสียสูงเนิน Chalor Siasoongnoen 6. นางสาวนวรัตน์ ป้องจิตใส Nawarat Pongjitsai

หัวหน้าคณะท�ำงาน คณะท�ำงาน คณะท�ำงาน เลขานุการ

ที่ปรึกษา หัวหน้าคณะท�ำงาน คณะท�ำงาน คณะท�ำงาน คณะท�ำงาน คณะท�ำงาน คณะท�ำงานและเลขานุการ

หัวหน้าคณะท�ำงาน คณะท�ำงาน คณะท�ำงาน คณะท�ำงาน คณะท�ำงาน เลขานุการ

ฝ่ ายลงทะเบียนและประเมินผล 1. อาจารย์บัณฑิต เนียมทรัพย์ Bundit Niamsup 2.. อาจารย์ชินภัศร์ กันตะบุ ตร Jinabhadr Kantaputra 3. นางสาวจุ ฑาทิพย์ กาญจนไตรภพ Chuthatip Karnchanatraipop 4. นางสาววรรณภา ภูจริต Wannapa Poojarit

ฝ่ ายออกแบบ นายวันทวี สิมชมภู Wantawee Simchompoo

หัวหน้าคณะท�ำงาน คณะท�ำงาน คณะท�ำงาน เลขานุการ

กราฟิ กดีไซน์ (รู ปเล่มสูจิบัตร)