RUB DESIGN BOOK
RUB DESIGN BOOK RUSSIA UKRAINE BELARUS
Curated by
Promote Design / Creativirus / Profi2profit
Editors: Anastasia Krylova / Creativirus Maria Tvardovskaya / Profi2profit Translation: Ekaterina Bagdasarova Elena Chepel Anastasia Kantorova Alexandra Osina Anastasia Krylova Maria Tvardovskaya Graphic Design: Promote Design Cover Project: Magy Lamp by Albina Basharova Brand identity: Timofey Zhuravlev 9—12 July 2014
Media Partners:
9—12 Июля 2014
EKATERINBURG
9 - 12.07.2014
www.rubdesigners.com First edition All Rights Reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author or publisher, except in the case of a reviewer, who may quote brief passages embodied in critical articles or in a review.
Printed in Italy / January 2014
Introduction as the leading raw materials exporter and one of the biggest consumption market. Are there other sectors of economy and creative industry that can drive people’s motivation for national pride? Could it be “design” such an engine? Asking these questions, it’s important to understand the origins of national design. It all began with the industrial and cultural revolution in the XVII century led by Peter The Great who tried to replace the traditional medieval social and political system with another one based on modern scientific and Europe-oriented approach. He ordered to translate the Dutch book about shipbuilding by Carel Allard to create the imperial navy, and established the first Russian In recent years, there is a noticeable movement of Russian,
newspaper “Vedomosti” for which the civil print different
Ukrainian and Belarusian designers contributing to development
from the former Church Slavonic graphic style was developed.
and establishment of the creative industry in their countries, with interior and graphic design studios, independent product
The industrial reforms required the skilled personnel and,
designers and local furniture, glass & porcelain brands. Only few
therefore, a school for applied and decorative art was
of them are recognized throughout Europe for their innovative,
founded in Moscow in 1825. Later it was renamed to
eclectic spirit and functional projects. Unfortunately, there are
Stroganov School for Technical Drawing which served as
neither strong rooted dialogue and cooperation between design
foundation for many design schools in Russia. Stroganov
and national production, nor the support of emerging industries
Moscow State Academy of Arts and Industry is one of them.
in the process of consolidation and opening to international market, despite the fact that Russia, Ukraine and Belarus have
In 1829 the first industrial exhibition was open in St. Petersburg, later
available materials, resources and export/import facilities.
it was held in various Russian cities with the increasingly growing assortment of goods. In 1896 the largest industrial exhibition was
If furniture and accessories come from Italy and France, glass from Austria, cars and bathroom suites from Germany, high tech design and sports articles from the United States and Asia… What has RUB design been known for and what prospects can it have in the future? Nowadays, Russia is mainly considered
run in Nizhny Novgorod where mainly the articles of the applied arts and crafts and machine-building products were presented. The Russian Empire also participated in the international fairs. From the middle of the XIX century and up to 1914, Russia came
up to the European economical level. In art and architecture the
international industrial exhibitions also took place in the USSR.
most dominant direction was Art nouveau style (called “Modern”)
One of the most enduring and recognisable symbols of the Soviet
with the national ornamental and floral motifs, especially,
Union is the “Worker and Kolkhoz Woman” statue created by
in book production, advertisements, magazines and labels.
Vera Mukhina for the 1937 international exhibition held in Paris.
The
avant-
In a theoretically non-consumerist and non-materialist society
garde, constructivism styles with the simplification of form
approaches
and
revolutionary
concepts
of
the Soviet designers chose the national pride as their concept
and use of geometry, the revitalized interest in traditional
that is why historic events and national achievements often
folk art particularly influenced the forming of RUB design.
featured in packaging, public spaces and festive decoration. One of the most significant examples is the Soviet metro
In 1920 “Vkhutemas” (Higher Art and Technical Studios) was
system opened in 1935 which was an enormous achievement
founded in Moscow. The workshops were established by a decree
both in construction and interior design. But its luxurious
of Vladimir Lenin with the intentions to prepare master artists
decoration was not a Soviet standard feature because the
of the highest qualifications for industry like a center of the
transportation and product design remained rather faceless.
Russian avant-garde movement. In 1927 it was reorganized in
The movement, not the style, mattered. The aeronautical
“Vkhutein” (Higher Art and Technical Institute) where Vladimir
design became a jewel in the crown after the first artificial
Tatlin, one of the most famous figures of Post-Revolutionary
satellite was launched and the first man travelled into space.
Art, worked. He created the three-dimensional constructions made of wood and metal recalling contemporary design
Fantasy had an important role in Soviet design. Challenged to
installations. The interesting fact that he began his art career as
think beyond boundaries, architects, engineers and artists had
an icon painter as many Russian avant-garde artists who were
the chance to give free reign to their imaginations and dreams.
inspired by traditional art and cultural heritage. The Institute
‘We were born to turn fairy tales into reality,’ – with these words
was dissolved in 1930 after political and internal pressures.
the “March of the Aviators’ (1923) started which was sung at parades across the country. While many design ideas were realised,
The Soviet government saw the need to use mass-media,
some only came close. The 1932 was the official approval of the
monumental architecture and visual art in the spread of
Socialist Realism school that left the avant-garde out of favour.
the Communist ideology that was expressed in thousands of
political
posters,
Stalin’s
empire
style
buildings
As a result, having received the poor design of consumer goods,
and social realism movement. As a result, design and
in 1962 in Moscow the Soviet government established the
branding of day-to-day Soviet items were subordinated
VNIITE (USSR Research Institute of Industrial Design) which was
both to an aesthetic stand point and a propaganda tool.
divided into nine key divisions. Six of those (design theory, socio-
The organisation of the national fairs and participation in the
economic research, product testing, ergonomics, decorative materials
and finishes, information and documentation) sought to provide
identity to connect contemporary consumer society with
research discoveries to designers working throughout the USSR.
the national pride and respect to the nature and to a
The other three (interior and car design, machine tools, graphics and
human being talented in any sphere of creative activities.
packaging) were devoted to the most important design projects. This was part of a wider Soviet governmental program to improve design standards, further demonstrated by the ruling requiring Soviet manufacturers to use trademarks on their products. Nonetheless, the redesign of “nonessential goods” had a low priority in an economy geared to satisfying the needs of the military and heavy industry.
Taking into account all the above-mentioned, we decided to launch RUB design community to unite the neighbour countries with common historical background, mental, language and artistic similarities. We believe that true talents and hard working professionals are able to break into the world design scene rubbing all the boundaries.
From 1964 VNIITE published the “Technical Aesthetics” design journal with the information supplement on industrial design abroad included. However, the most important in terms of external relations was the link with ICSID (International Council of Societies of Industrial Design), which VNIITE became an institutional member of in 1969. Then postmodernism arrived with the falling of the Berlin Wall, and the destruction of the Soviet Union, the establishment of the Russian Federation, the Republics of Ukraine and Belarus that determined the new artistic and design system of the independent countries. Over the years RUB design turned into fresh phenomenon, without the obligatory soviet iconography and adopted an international outlook, but it has retained its cultural matrix. The new generation of RUB designers seems interested in old stories, they are constantly in search of the personality, trying to understand their role within the international design scene, and how to promote and make their products competitive, and create true innovations. Now the design in RUB countries is to become a tool for business
promotion,
brand
differentiation
and
cultural
Anastasia Krylova & Maria Tvardovskaya Inspirators of RUB DESIGN BOOK and founders of Russian Design Pavilion
PROJECT & DESIGNER RUSSIA UKRAINE BELARUS
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Antonina Lantsova Antonina Lantsova was born in 1991 in Moscow. Upon graduating from high school, she received good knowledge of Spanish and English languages. At the same time Antonina graduated from Art School where she decided to become artist and designer. In 2008 she entered Moscow State Art and Industry Academy named after S.G. Stroganov, department of furniture design where she was specializing in industrial design. Antonina actively participates in various design contests. She is a winner at “Nayada Archchallenge” for a concept of a table “Kasvot”, and in the competition “Fresh Collection” for a project of a hanging bed-swing. Antonina took part in the 7th edition of “Furniture Club”, and in St. Petersburg Design Week 2012. As she says, it is only the beginning of a long journey. In addition to design and studies, Antonina loves photo-shooting, cycling, traveling and reading. Moscow, RU
AIRY It looks like a paper layout but is in fact a solid and stable chair. Frame is made of thin sheet of steel covered by fabric with soft filling, and is leaning on slim legs. It gives a sense of lightness and evanescence. Elegant lines with the unusual upholstery attract attention. Soft seat makes a chair comfortable. It is designed both for interior and exterior. Size: 450x210x700h mm.
+7 968 634 17 90
lantsova.antonina@yandex.ru
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43 Where did your passion for design come from? It was very interesting to be involved in creating an environment around me. Even coloring wallpapers with crayons is a part of this process. What’s your design philosophy? Where do you find the inspiration for your projects? I love simple organic things, made in accordance with nature. I call it sensual minimalism. I get inspired by nature and design perfection. How can you characterize your approach to designing: as an engineering thought or art? I always try to combine these two things. Design is a symbiosis of an engineering thought and art. Sometimes I follow the specifics of materials and contemporary trends, as it was with my project “Miau!”. What would you like to design? What’s your dream project? Now I only look around me and try to get my own style. Of course, I’d love to see my projects in mass production, create something innovative for consumers. What famous designers would you like to work with and why? I am interested in Karim Rashid’s works. I love his approach to design, his work with material. I am a follower of his 50 commandments. Please define your expectations of publication in the “RUB DESIGN BOOK”. I would like to show my projects in Europe and find a producer for my furniture. MIAU! Light, ergonomic and simple chair in a form of a cat can be suitable for many places: from outdoors to a child’s room or a modern exhibition hall. Made of methacrylate sheet, bended in five places or plywood. Chair is foldable, easy to use and rather inexpensive. It is available in different colors and can be covered with stickers to create a new look . Size: 850x500x450h mm.
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Arseniy Lubkov Arseniy Lubkov (born in 1991 in Moscow) graduated in 2008 from educational center #1089 “Collage”. During these years Arseniy actively involved himself into art life. In 2007 he won “Moscow - unity in diversity” competition and Moscow High School Olympics in Art. In 2008 he entered Moscow State Art and Industry Academy named after S.G. Stroganov, department of furniture design. In 2009 Arseniy was awarded a University certificate for a report about student research activities. In 2011 he participated in the VII international exhibition “Furniture Club” (Moscow). During his studies, Arseniy took part in various design projects, including work on commercial interiors of “Chaihana #1”, “Buddha bar”, “Topchan Chaihana”. Arseniy is constantly learning about contemporary trends, visits art and design exhibitions both in Russia and abroad. Moscow, RU
SPLAIN Modular soft furniture with gently curving back is designed for spacious public areas: airports, railway stations or exhibition areas. It can be transformed into different geometrical compositions which can suit to any architectural environment. Frame is made of polyurethane foam, covered with bright vinyl fabric. Color layout may also vary, depending on client’s preference.
+7 916 704 84 12
0159dez@gmail.com
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47 Where did your passion for design come from? From redesigning my workplace. It is one of the best design tools an artist can suggest. What’s your design philosophy? Where do you find the inspiration for your projects? Time is a key word. It is necessary to keep up to date, follow contemporary trends, learn innovative materials and technologies, otherwise, one will be left in the basket. How can you characterize your approach to designing: as an engineering thought or art? One cannot exist without the other. Have you heard about Macintosh? What would you like to design? What’s your dream project? Something significant, a Mecca for pilgrims from design. I am even dreaming of the Museum of Modern Art. What famous designers would you like to work with and why? I would choose Antonio Gaudi, an architect, a designer, a dreamer, and all in one. A person who changed his own city. A weirdo, who created masterpieces of Spanish Art Nouveau, a genius and a pioneer of his time. Gaudi is a great sculptor with unique use of colors, forms and materials. I admire him, and his personality means a lot to me. Please define your expectations of publication in the “RUB DESIGN BOOK”. It is definitely a victory and a selffulfillment. I cannot even think of any other answers. CONNECTION Office furniture collection for coworking is multifunctional system with a simple frame. Thanks to a flexible construction of mounting it allows to create various modular compositions. It is available in different colors. Materials of the cubicles are transparent plastic, fiberboard or laminated MDF. The joining elements are made of painted metal. Easy in assembling and installation.
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Elizaveta Putyatina Elizaveta Putyatina got interested in design after watching at age of ten a Russian TV show “Residential Questions” (“Kvartirny vopros”). She understood she wanted to create interiors and started to prepare herself for Moscow State Art and Industry Academy named after S.G. Stroganov, department of furniture design. Elizaveta chose to create objects because to her furniture is an integral part of interior, and she never regretted her choice. While designing a concept, she always pays more attention to colour scale than material. Elizaveta likes to make experiments and find unusual combinations with colour and light. She repaints walls in her apartment annually to create a new atmosphere and get new inspiration. Elizaveta Putyatina has big experience in arranging and decorating private interiors and participating in various exhibitions. Moscow, RU
PALETTE STOOL The material of stool (450 X 320 X 430) is colored acryl glass. Frame and openings can be cut with laser or milling. The connection of all elements is realized by the UV-gluing. The original form reminds a cleaved ice. It is distinguished by functionality and lightness. The stool can be folded and easily carried. It’s perfect both for home and retail interiors.
+7 903 184 82 09
palette_1@mail.ru
www.flickr.com/photos/elizabeth_palette
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77 Where did your passion for design come from? I got interested in design in early childhood and then increased my passion while preparing for Moscow State Art and Industry Academy named after S.G. Stroganov to become a student of department of furniture design. What’s your design philosophy? Where do you find the inspiration for your projects? The surroundings inspire me a lot to develop new design ideas, regarding furniture and home accessories. I usually try to see and explore the extraordinary forms and images in everyday life that helps me creating innovative projects. How can you characterize your approach to designing: as an engineering thought or art? My personal approach to designing is closer to art and creativity. That’s why I think more visually than technically. What would you like to design? What’s your dream project? As a designer I would like to create at least one “everlasting” project which has become a historical and high-status item. What famous designers would you like to work with and why? I would be happy to work with Karim Rashid, his life is color, as he said to me, as so is mine. Please define your expectations of publication in the “RUB DESIGN BOOK”. Try my fortune and get new professional experience. MARSHMALLOW ARMCHAIR The armchair (1200x700x600) is available in pastel shades, depending on target audience. The structure consists of a braid of five soft components with the fiberglass sticks included to keep the marshmallow’s form stable on the plastic base. Soft elements are made of polyurethane foam and cover is made of microfiber. It’s perfect both for residential and public spaces.
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Katerina Papush Katerina Papush started to think about decorating areas around her in early childhood. She made sketches about interior and woman apparels. Later she got interested in graphic art, and visited courses in drawing, painting and composition. These creative and technical skills helped her to formulate a goal – to enter Moscow State Art and Industry Academy named after S.G. Stroganov, department of furniture design. In 2012 she graduated from the Academy and took an internship in Milan Academy of Design. Since then Katerina participated in international and national exhibitions and competitions in product design. She has experience working on private and public interiors; she successfully completed several furniture collections. Katerina loves to work with colors, forms and materials and watch what an impression it leaves on people. Moscow, RU
BERESTA Unusual modular bench for outdoor and home interiors is inspired by a form of the birchbark and includes eleven structural elements with dynamically cut frame. It can be combined differently to change a silhouette and organize any space. Material is fibrous concrete which is solid, light, not very expensive and durable. Thickness of each cut section is 18 – 20mm.
+7 915 375 42 90
klika10@mail.ru
RUB DESIGN BOOK
97 Where did your passion for design come from? I am very interested in art and once I formulated for myself that I want to do something that takes you away from monotonous life. I like to communicate with world through contemplation. What’s your design philosophy? Where do you find the inspiration for your projects? Innovative technologies and materials give new thoughts. Some architectural constructions and new places inspire for creative ideas. Even a dark urbanistic landscape has its beauty. How can you characterize your approach to designing: as an engineering thought or art? For me it is more of an art. First come forms, colors, texture. I need a piece of paper, a pencil and a laptop to fix it. What would you like to design? What’s your dream project? I would be happy to create a modern art gallery. This gives an endless source of ideas. Or transfer a huge garbage dump into a park or a scientific center. What famous designers would you like to work with and why? Gaetano Pesce, Giulio Cappellini, some other famous fashion designers and architects. Please define your expectations of publication in the “RUB DESIGN BOOK”. I want to show my works to more people. Thus, I will get more inspiration to create for the future. BUBBLE GUM Flexible storage system is made of 7 wavy elements of different sizes and colors. It is ideal for each situation: library, room divider, desk, etc. Big modules include drawers, medium and small boxes have swing doors with push-to-open mechanisms. All functional and decorative units are made of transparent and non-transparent plastics. System will complement any space or design.
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PI KITCHEN Frame of the kitchen consists of a set of the functional islands: washing machine, stove, add-on islands above the stove, with mounted hood and shelves. Each island is a combination of boxes with different textures designed for storing dishes and other kitchen utilities. Set also includes a “home garden� with drainage system to grow greens or flowers. Material is Corian.
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ZAZA Unusual form of the armchair recalls a tropical insect, but initially its concept has appeared while bending gummy sweets. Basic material is curved plywood. Soft parts are made of polyurethane foam and covered with thick fabric of different colors and textures. Legs are painted metal bars welded to a solid frame. It is comfortable to sit both for adults and kids.
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Kseniya Trofimova Kseniya Trofimova was born in 1990 in Moscow, in a family of engineers - technologists. Her grandparents were professors in the Moscow Aviation Technical University. In 1998 she entered Moscow City Linguistics Gymnasium #1513 with major in German linguistics. Kseniya started to learn design, drawing and painting in 2002, when she entered a design studio, founded in 1960 by professors graduated from Moscow State Art and Industry Academy named after S.G. Stroganov. Design studio inspired Kseniya to continue studying design, improve her professional skills and get a degree in this discipline. She switched her school to a Moscow school #96, and after graduating it in the summer of 2008, entered Moscow State Art and Industry Academy, department of furniture design. Getting a degree was not an easy ride, but it was certainly worth it. Moscow, RU
UKKI Armchair is designed for residential areas, cafes or lounge zones. Frame includes different parts made of polyurethane foam which cover symmetrically the central section formed by a soft round seat. Back of the armchair softly flows into the armpad. Concept is inspired by wood mushrooms. It is available in different colors and fabrics. Sizes: 1000x1000x900 mm.
+7 905 765 20 33
zaja495@mail.ru
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109 Where did your passion for design come from? I always wanted to create unusual things and make the world a more interesting place. I like to see how a design concept develops from an idea to production. What’s your design philosophy? Where do you find the inspiration for your projects? I find it in nature, city atmosphere, objects around me. I try to combine simple forms with new furniture technologies and innovative materials. How can you characterize your approach to designing: as an engineering thought or art? My professional approach is more technical. Object’s construction should be carefully thought of, although style and appearance are very important. I always think ahead: how will it be constructed? What would you like to design? What’s your dream project? I want to design a furniture collection that could be fashionable for long time. It would push out dull objects from our houses. What famous designers would you like to work with and why? I would like to work with British designers, such as Edward Barber and Jay Osgerby. I just love what they do! Please define your expectations of publication in the “RUB DESIGN BOOK”. I would like my works to be evaluated by other people. It will give me an opportunity to bring my ideas to life. SOGNO NERO Modular furniture is perfect for public and residential areas, lounge zones and galleries. Dynamic form of the structure includes several sections made of plastics. Black fabric in internal parts contrasts with external white surface. Modules can stand separately or in composition to take up bigger areas. Sizes: lower element 600x500x650 mm and higher element 600x800x1700 mm.
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Maria Marshchuk Maria Marshchuk was born in 1990. From 1997 to 2007 she studied in the Art School of Temruk in Krasnodar region. In 2007 she moved to Moscow. In 2008 Maria entered in Moscow State Art and Industry Academy named after S.G. Stroganov, department of furniture design. Since this time she has started actively participating in art life of Moscow and study in private studios of the famous Russian artists. Maria took part in the international competition for young designers “Kreata Award” and in Saint Petersburg Design Week 2012. She is a winner of the contest organized by the furniture company “Pointex” in May 2013. Maria also participates in the annual international exhibition for furniture, components and technologies “Euroexpofurniture” in Moscow. She is regularly involved in various art and design exhibitions and contests in Russia and abroad. Moscow, RU
COPACABANA BAR STOOL Stool is using all possible technological potential of a new material: methacrylate. It is designed for public areas, like a bright accent of the modern interior. Unusual frame of the stool is produced of cutoff and bending of a color methacrylate piece. It has a comfortable foot rest made of a bended steel piece. Size: 900x370x410 mm.
+7 926 068 66 01
z1ble2@mail.ru
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113 Where did your passion for design come from? Interest for design came from my willingness to create beautiful and practical things for modern people’s life which should correspond to the contemporary trends and use of innovative materials and technologies. What’s your design philosophy? Where do you find the inspiration for your projects? I try to follow the common strategy. Any piece of furniture should reflects the function it is executing. How can you characterize your approach to designing: as an engineering thought or art? It is hard to respond to this question. As I said, all depends on a reason or a function of the object. It is also important to think about its target audience. What would you like to design? What’s your dream project? I get satisfaction from the creative process of designing. My professional dream is not about developing a certain concept, but more in confidence that my work will bring joy and emotions to a consumer. What famous designers would you like to work with and why? I would like to work with many successful and talented designers, primarily to get more professional experience and technical skills. Please define your expectations of publication in the “RUB DESIGN BOOK”. They are very optimistic! CHESS BAR STOOL Stool looks like a human silhouette or a chess pawn. It is made of methacrylate and has perfect physical and mechanical properties. Stool is designed for commercial spaces, where it will act as a contemporary sculpture in interior. It can also serve as a chair-hanger. Stool is made by cutoff and bending of a color methacrylate piece. Size: 827x311x313 mm.
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Olga Kryukova Olga Kryukova started to draw in childhood and her parents never resisted her. She would do drawings on a fence, instead of coloring it; some of the walls in her apartment still have traces of her artistic childhood. She entered the Children’s Art School, and decided that art is what she really likes. After graduating from it, Olga thought she wanted to continue, and entered the Art College, where she finally formulated her views on design and chose what she wanted to study. After the Art College, Olga entered Moscow State Art and Industry Academy named after S.G. Stroganov, department of furniture design, and started to expose her works at various exhibitions after third year of study. In 2010-2013 she successfully participated in the exhibitions of SaloneSatellite WorldWide Moscow and in Russian Design Pavilion at 100% London Design. Moscow, RU
STALACTITE MUG Stalactite-shaped mug will definitely be noticed by nature and cave lovers. It has contemporary and unusual design. Geometrical form of the mug is comfortable in the hand and amusing to the eye. It looks like a small but functional art object. Mug is available in different sizes and colors. It’s guaranteed to enliven your coffee break and perk up both classical and modern pantry.
+ 7 915 163 22 51
kryukova.olg@gmail.com
www.be.net/ola-la
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131 Where did your passion for design come from? I started to love art in childhood, and after Art College decided to work in design. What’s your design philosophy? Where do you find the inspiration for your projects? Nature and environment inspire me and make me want to make the world a better place. A man is slowly moving from the nature and stops to live in harmony, chooses grey concrete buildings. How can you characterize your approach to designing: as an engineering thought or art? I think these are two extremes and we have to find a way between them, since they are both important. And object can be not only beautiful, but also functional. Ergonomics and design are two important things. What would you like to design? What’s your dream project? I keep my dreams in secret because if I tell it, it may not happen. What famous designers would you like to work with and why? It is a difficult question because many famous designers have their unique style, they are all geniuses, and I cannot choose one particular among them. It would be unfair, and then… think of the second commandment from the Bible! Please define your expectations of publication in the “RUB DESIGN BOOK”. I am always open to collaboration and a professional dialog. STALACTITE WASHSTAND Design concept recalls the stalactite caves which are being created for centuries in dark and remote places. Water comes through rock formations drop by drop and fruits tiny stalactite bodies. Geometrical and organic elements of the washstand harmonise with one another. It has a sliding down icicle shape which can fit in any bathroom interior.
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MIKKI Concept is inspired by a soft teddy bear, a regular pillow strapped up in four places. Comfortable sofa is perfect for children’s room and can give a bright accent to any classical interior. It has a metal frame which holds a soft cushion covered with a case. Showcased in SaloneSatellite WorldWide Moscow 2010 and in 100% Design London 2013.
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FLOWER Modular system allows to find various solutions in office interiors, using only several items. Multifunctional collection helps to transform standard office furniture into a creative workplace. Conference table can become a call center table, or a collaborative table, or a table for client meetings. It includes the arc-shaped partition system which helps to organize an open space composition.
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Sergey Smirnov Sergey Smirnov studied Furniture Design at Moscow State Art and Industry Academy named after S.G. Stroganov. During his studies he took part in internship in Kizhi State open-air Museum of Cultural History and Architecture. Being a Bachelor student he participated in different competitions for young artists like “Furniture Club 2009”. He also worked as product and interior designer for a manufacturing company for two years and then he began to take private orders as freelancer. He is interested in projects dealing with artistic furniture that is innovative in terms of aesthetics as well as construction. He participated in competitions KREATA 2011 (2nd award in nomination Furniture design) and REHAU 2012 (3rd award in nomination Design of Kitchen-living room), and was shortlisted in a ‘’Design Debut 2012’’ Contest with a concept of Boiler bar. Moscow, RU
EI The egg shaped armchair (1000x920x760 mm) is designed for spacious loft and hitech interiors. Being a decorative accent it brings liveliness to the environment. Removable fabrics can be made of natural or artificial leather. The pipes, which the seat pillow lays down on, are covered with chrome. Materials of the frame: veneer, liquid plastic, or metal and PU.
+7 916 270 20 27
serega97m@mail.ru
www.smirnov-project.ru
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155 Where did your passion for design come from? Born in artistic family I grew up surrounded by Art. I liked to watch my father painting or wood carving. What’s your design philosophy? Where do you find the inspiration for your projects? I prefer not to stick to a particular philosophy. I’m in constant search for innovative ideas and ways of their realization. Sometimes it’s necessary to start from the scratch. Nature and its forms inspire me to design furniture items and teach me a lot. How can you describe your approach to design: rather engineering thought or art? Rather art. Unless the task implies specific environment I always start designing from a drawing to find the concept. What would you like to design? What’s your dream project? I’d like to create a piece of furniture or rather a series that can become history like Thonet’s chairs or Ludwig Mies van der Rohe’s works. What famous designers would you like to work with and why? Many of them. For instance, with Charles Eames and Arne Jakobsen. I could learn a lot from them, from their approach, from the way they saw an object. Please define your expectations of publication in the “RUB DESIGN BOOK”. I hope my projects will be noticed. My ultimate goal is to collaborate with a manufactory. WHALEBONE The dynamic forms of the framework are reached with curves and bright colors. The decorative knot of cringles and leather belts situated on each side create a sense of tension. The formless seat contrasts with the rigid construction. Armchair (875x720x895 mm) is made of liquid plastic with a metalic tube and a seat in veneer and PU.
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Vladimir Litvinov Vladimir Litvinov graduated from Moscow Aviation Institute where he took fundamental studies: “When you know how to design an airplane you will definitely design a chair”. Vladimir started to work in the construction bureau named after Kamov and in several studios of architectural construction design. Then he managed to find a job in a good architectural bureau where he worked about 7 years. At the same time Vladimir took a course in Industrial and Civil Construction at the Moscow State University of Civil Engineering, participated in different exhibitions, contests where he was the finalist. In collaboration with another designer Vladimir received the first place in competition for the best interior of Shokoladnitsa cafe in Moscow. He considers the project interesting if a client understands a role of a designer or an architect in it. Moscow, RU
RELAX ARMCHAIR Lounge armchair is to be used indoors as well as outdoors spaces. It has a simple form with a convenient seat. Complete openings in lateral parts emphasize the form’s smoothness and can store things. Also they allow pets to be close to their owners and at the same time in their own space. The main materials are metal, restuck ply-wood, natural fibers.
+7 916 181 99 54
wetlan@mail.ru
www.archides.mypressonline.com
RUB DESIGN BOOK
173 Where did your passion for design come from? As I remember, I always drew something, created and made something. I think that everybody has an interest in design, therefore, it can not begin or end. The person can not live without creating. To think means to exist («Je pense, donc je suis», René Descartes, 1637). How would you characterize your approach in designing: closer to engineering thought or to art? From my point of view, such comparison of design approaches is not correct. Design can not exist without engineering thought. The word “design” already means the application of engineering knowledge. If a designer does not use engineering knowledge in work then he does not design. And such person can not be called «designer». The known French scientist-encyclopedist Charles Henri stated an idea very actual for modern design: “It is impossible to study mathematics without being a poet, otherwise, you are engaged in it as the layman”. I mean that it is impossible to be involved in design without being an artist and an engineer at the same time, otherwise, you are dealing with it as a layman. Please define your expectations of publication in the “RUB DESIGN BOOK”. It is a good opportunity to share my thoughts with the world. For me it is quite enough. ROCKING CHAIR Rocking chair is aimed to be used everywhere where people have a rest. Seat and back are designed as one detail according to a matrix. Frame is made of a steel pipe in the form of a rotation spring with bendings for a support and for seat fixture. Rigidity of a spring can be regulated by a choice of pipe section, quantities of rounds, type of steel.
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RUB DESIGN BOOK
Vladislav Karpushin Vladislav Karpushin graduated in 1992 from Abramtsevo Art and Industrial College named after V.M.Vasnetsov, Wood craft department. In 1999 he graduated from Moscow State Art and Industry Academy named after S.G. Stroganov, Furniture design department. Vladislav is working on product and interior design for residential and public spaces. He believes that the most important thing in design is not to repeat oneself and constantly strive for new creative, technological and decorative solutions. The experience in design proved to Vladislav that most interesting results come from combining four elements: nature, science, technics and art. He sees environment as an endless resource of ideas, which can lead to most courageous and challenging artistic concepts. It gives thought for projects in painting, graphic, furniture and interior design. Moscow, RU
SPILLED Contrasting combination of two materials creates an effect of “spilled liquid� and highlights the elegant silhouette. The solid frame reminds of a wineglass, and the brightly colored back looks like a viscous form. Stool (415 x 430 x 910 mm) can be made of transparent, non-transparent plastics or in chrome and mat versions. Seat is covered with fabric or leather.
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RUB DESIGN BOOK
177 Where did your passion for design come from? I always disassembled mechanical toys and watches to create something of my own. Once I made a dancing ballet girl from a mechanical helicopter, and a peacock from watches. What’s your design philosophy? Where do you find the inspiration for your projects? I love to think of objects’ life: how will a person deal with this object? How an object will deal with a person? New things in their relations lead to new ideas in design. How can you characterize your approach to designing: as an engineering thought or art? I love art, flavored with engineering thought. I suppose it only works like this in design. My approach to design is in combining these two things. What would you like to design? What’s your dream project? I like designing various things, it’s only important to think of new technologies and design trends, and accumulate them with your own ideas. What famous designers would you like to work with and why? I would be happy to work with Philippe Starck, my congenial soul. Please define your expectations of publication in the “RUB DESIGN BOOK”. I think RUB DESIGN is a very good and long-expected project. It gives an opportunity to meet foreign producers and get to know other designers and their works. JUNCTION The curved and sensuous form of faucet (370 x 170 x 170) inspired by function highlights the hidden mechanism creating a dynamic effect: hot and cold streams are being united in one place to make warm water. Transforming it from a technical product to a decorative object, faucet’s design enhances the room’s overall impression. It can be made in chrome or with coloured finishes.
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RABBIT Stool (380 x 380 x 900 mm) has a welded or assembled metal frame flooded with colored plastics. Seat is made of polyurethane foam or curved plywood, covered with porolon and furniture fabric. Stool’s name comes from its spring shape, which is not exactly rabbit-like, but some can see a rabbit’s head in a part of it. What a surprise for a slightly tight guest in a bar!
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COFFEE Plasticity of forms (420 x 420 x 860 mm) is inspired by both a coffee bean and metal properties, light and solid at the same time. Durable and stable back flows into frame creating a comfortable footrest. Chrome structure is a molded single block with a seat of colored leather. Its dynamic look can decorate any public space or become a perfect complement for kitchen island.
Index Introduction Albina Basharova
5-6-7 10 -13
Elina Bilous
74 - 75
Elizaveta Putyatina
76 - 77
Alexandra Sizinceva
14 - 15
Elvira Akopyan
78 - 79
Alex Petunin
16 - 19
Evgeniya Matsukevich
80 - 83
Anastasia Tarkhanova & Oleg Malykhin
20 - 23
Galina Sorokotyaga
84 -85
Andrey Kalmykov
24 - 25
SVIT Form
86
Ann Malyakina
26 - 27
MEBEL Professional
87
Anna Kharchenko
28 - 31
Iana Kozak
88 - 89
Moscow Design Week
32 - 33
Julia Merkusheva
90 - 91
Anna Sergeeva
34 - 35
Julia Nizamutdinova
92 - 93
Anna Smurygina
36 - 39
Karina_Kartina
94 - 95
Anna Strupinskaya
40 - 41
Katerina Papush
96 - 99
Antonina Lantsova
42 - 43
Katya Stepanova
100 - 101
Aotta Design
44 - 45
Ksenia Chernyakova
102 - 103
Arseniy Lubkov
46 - 47
Ksenia Ladatko
104 - 107
Bureau GN
48 - 49
Kseniya Trofimova
108 - 109
Saint Petersburg Design Week
50 - 51
Maria Altukhova
110 - 111
Depst
52
Maria Marshchuk
112 - 113
ART 1
53
Maria Todorashko
114 - 115
DarkDesignGroup
54 - 55
Marina Petrova
116 - 117
Denis Azarov
56 - 57
Nadya Semchishina
118 - 119
Dmitry Ochakov
58 - 59
Natalia Rumyantseva
120 - 121
Dima Sukharev
60 - 61
Natali Danilova
122 -123
Ekaterina Dekhtyarenko
62 - 63
Nikita Medelets
124 - 125
Ekaterina Ershova
64 - 65
Nikolay Korenkov
126 - 127
Architector.ua
66 - 67
Olga Chebanova
128 - 129
SALON Magazine
68
Olga Kryukova
130 - 133
I see design
69
Panacom
134 - 137
Elena Cheburashkina
70 - 71
Polina Privalova
138 - 139
Elena Sidorova
72 - 73
Potap Frez
140 - 141
Minsk Design Week
142
Kyky.org
143
Redo Studio
144 - 147
Sergei Gusarov
148 -149
Serge Nejman
150 - 151
Sergey Shashmurin
152 -153
Sergey Smirnov
154 - 155
Sofya Zhukova
156 - 157
Tatyana Demenchuk
158 -159
Tembolat Gugkaev
160 - 163
Timofey Zhuravlev
164 - 167
Valeria Zelenova
168 - 169
Vladimir Ivanov
170 - 171
Vladimir Litvinov
172 - 173
Vladimir Tsoy
174 -175
Vladislav Karpushin
176 - 179
Yury Veredyuk
180 - 181
Enzo Carbone
184
Promote Design
185
Design For
186
Artistar
187
Anastasia Krylova
188
Maria Tvardovskaya
189
Russian Design Pavilion
190
Domus Academy
191
Istituto Marangoni
192 - 193
RUB DESIGN BOOK is the first publishing project which connects Russian, Ukrainian and Belarusian designers with the European manufacturers to give innovative design proposals and open new markets. Over the years RUB DESIGN turned into fresh phenomenon, without the obligatory Soviet iconography and adopted an international outlook but it has retained its cultural matrix. BOOK includes 65 designers and studios profiles, 158 projects, more than 500 images, interesting interviews, biorgaphies, presentations of Moscow, Saint Sait -Petersburg, Petersburg, Minsk design weeks and important Kyiv exhibitions, national design magazines and websites, concept stores, Russian design pavilion, and leading Italian design schools with introduction dedicated to the cultural and historical origins of Russian, Ukrainain and Belarusian design and its perspectives.
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