Type Specimen Book by Sam Lehnert

Type Specimen Book

Table of Contents Berkeley 1 Caslon 3

Old Style Serif Old Style Serif

Cheltenhem 5

Old Style Serif

Eurostile 7

Geometric Sans

Filosofia 9

Transitional Serif

Frutiger 11

Humanist Sans

Futura 13

Geometric Sans

Garamond 15

Old Style Serif

Gill Sans 17

Humanist Sans

Helvetica Neue 19

Grotesque Sans

Interstate 21

Grotesque Sans

Melior 23

Clarendon (Slab) Serif

MetaPlus 25 Minion 27

Humanist Sans Clarendon (Slab) Serif

MrsEaves 29

Transitional Serif

New Baskerville 31

Old Style Serif

Palatino 33

Old Style Serif

Rockwell 35 Trade Gothic 37 Univers 39

Egyptian (Slab) Serif Gothic Sans Grotesque Sans

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Frederic Goudy 1937

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Lorem Ipsum Am eum at que nul lorem ssequatur.Or rest, occabor umquas simpor alicat lia con plam quis volupta turi aspic or tota acitatem even ip sum ecae cae. Et hitate asime tinva lupe erupient. Lorem sum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Berkeley

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Oldstyle Book Oldstyle Book Italic Oldstyle Italic Oldstyle Medium Oldstyle Bold Oldstyle Bold Italic Oldstyle Black Oldstyle Black Italic

Berkeley is an Old Style serif typeface designed in 1937 by Frederic Goudy for the University of California Press at Berkeley. After being designed, the typeface was not used much until the 1980â&#x20AC;&#x2122;s when it was finally digitized by ITC.

Designed in 1937 by Frederic Goudy Some defining characters include uppercase C, Q, X, and W, as well as lowercase d, e, m, and g. The K is a good indicator of Berkeley, since the contrasting thick leg and thing arm meet before the arm touches the mian stroke. Berkeley is also good for identity and body copy, since it is very legible.

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Lorem Ipsum Am eum que lore nullore ssequatur. Or rest, ocu occabor umquassimpor alicat lia conplam quise volupta que turi aspic totae acitatem even queecae cae. Et hitate vit asisi inve erupient. 11/12

Caslon

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Lorem Ipsum Am eum que nul lore ssequatur. Or rest, occabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

Lorem Ipsum Am eum at que nul lorem ssequatur. Or rest, occabor umquas simpor alicat lia con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

William Caslon 1954

Regular Italic Italic Oldstyle Figures Regular Small Caps & Oldstyle Figures Semibold Semibold Italic Semibold Italic Oldstyle Figures Semibold Small Caps Bold Bold Italic Bold Italic Old Style Figures Bold Old Style Figures

Designed by William Caslon as early as 1722, Caslon is the first English typeface. His works usage diminished until the mid 1800â&#x20AC;&#x2122;s Arts and Crafts movement in Britain. It is known to be a good typeface for print.

Designed in 1954 by William Caslon Adobe Caslon was an offshoot designed by Carol Twombly and was done in 1990. Adobe Caslon can be identified easily by a few select letters including the lowercase a, e, g, and k, as well as uppercase E, R, Q, and W.

Bertram Goodhue 1896

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Lorem Ipsum Am eum que nul lore ssequatur. Or rest, occabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

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Cheltenham

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Light Condensed Light Condensed Italic Book Condensed Book Condensed Italic Bold Condensed Bold Condensed Italic Ultra Condensed Ultra Condensed Italic Light Light Italic Book Book Italic Bold Bold Italic Ultra Ultra Italic

The typeface Cheltenham was designed in 1896 by Bertram Grosvenor Goodhue and Ingalls Kimball to be used by the Cheltenham Press, a New York newspaper. It is an old style typeface by classification. The New York Times uses condensed bold and condensed bold italic styles of Cheltenham.

Designed in 1896 by Bertram Goodhue Tony Stan, of International Typeface Corporation, retouched it in 1975. He increased the x-height, and touched up the italics. The letters A, Q, k and y separate it from other typefaces and are the best for indentifying it.

Aldo Novarese 1962

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Eurostile

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Condensed Bold Condensed Oblique Medium Demi Demi Oblique Bold Bold Oblique Extended 2 Bold Extended 2

Designed by Aldo Novarese in 1962, Eurostile is a geometric sans-serif typeface. Under the Italian type foundry, Nebiolo, Novarese designed the typeface and family. Eurostile is one of the easist typefaces to identify, since it has a rectangular shape with rounded corners in many letters.

Designed in 1962 by Aldo Novarese Some letters that separate Eurostile from other typefaces can include the uppercase Q, lowercase a and g, and uppercase R and S. The ? symbol and he uppercase O have a distinct rounded feeling as well, which seperates them from other typefaces.

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Lorem Ipsum Am eum que nulibo lore ssequatur. Or rest, occabola umqu as qsimpor alicat lia con mi plam quis at volupta turiaspic to tae que acitatem evenecaecae. Et hitate vit asimet moti lia con inve erupient. 12/13

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Zuzana Licko 1996

Filosofia

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Grand GrandCaps Regular SmallCaps Unicase Italic Bold GrandBold

Designed by Zuzana Licko in 1996, Filosofia is a transitional serif type face. Along with Mrs. Eaves and many other typefaces designed by Licko, it became licensed by Emigre, a type foundry that Licko and her husband Rudy VanderLans had run.

Designed in 1996 by Zuzana Licko It was designed for to be used for text and display. Some characters that are helpful in identifying Filosofia include, but are not limited to; uppercase S, G, C, and J, as well as lowercase g, q, b, and a.

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Adrian Frutiger 1968

Frutiger

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

45 Light 46 Light Italic 47 Light Condensed 55 Roman 56 Italic 57 Condensed 65 Bold 66 Bold Italic 67 Bold Condensed 75 Black 76 Black Italic 77 Black Condensed 87 Extra Black Condensed 95 Ultra Black

Designed in 1968 by Adrian Frutiger, the typeface Frutiger is a clean, simple sans serif typeface that is very legible. Originally the typeface was called Roissy, and released publically by the Stempel type foundry in 1976. It was originally done for airport signage for the Charles De Gaulle International Airport in France, but is commonly used today.

Designed in 1968 by Adrian Frutiger The typeface can be classified in the Humanist style of sans serifs. It is known to be used for many corporate identities, signage, advertising, and small print. Some of its most easily defining letters can include lowercase a, m, s, and y. Other easily identifiable uppercase letters include G, R, W, and A.

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Futura

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

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Paul Renner 1927

Light Light Oblique Book Book Oblique Medium Medium Oblique Heavy Heavy Oblique Bold Bold Oblique Extra Bold Extra Bold Oblique

This typeface Futura was designed and released in 1927 by Paul Renner. It is classified as a geometric sans-serif. It was associated with the Bauhaus movement (Renner himself was not connected to the Bauhaus) and design style and commissioned by the Bauer type foundry.

Designed in 1927 by Paul Renner Extra Bold and Extra Bold Italic styles were designed by Edwin W. Shaar in the 1950â&#x20AC;&#x2122;s. The typeface is known to give off a perception of movement, speed, and efficiency. It was known to have influenced Adrian Frutiger in his designing of Avenir Typeface. Some of the most identifiable letters include uppercase B, G, Z, and O, as well as lowercase e, a, s, p, and y.

Claude Garamond 1500’s

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Garamond

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Roman Roman Small Caps & Old Style Figures Italic Italic Oldstyle Figures Bold Bold Oldstyle Figures Bold Italic Bold Italic Oldstyle Figures

Garamond was originally a group of Old Style serif typefaces created by Claude Garamond of France in the 1500’s. Garamond’s letters are closely connected to Stempel Garamond. It is evident that the bowl of the a, eye of the e, are good in separating it from similar typefaces. The uppercase W and B also help separate it from similar serif typefaces. One popular use of Garamond includes use in Dr. Seuss books.

Designed in 1500’s by Claude Garamond Apple used a variation of Garamond upon the release of Macintosh as well. Another variation was used in the Harry Potter series. Some versions of Garamond that are easy to mistake for Stempel include, Adobe Garamond, Granjon, Sabon, Garamond Premier, and Garamond Antiqua. Since some variations of the original are either based on Jean Jannon who created a similar variation, or they are newer designs based on the original typeface. These include ITC Garamond, Apple Garamond, Monotype Garamond, among others.

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Lorem Ipsum Am eum que loreque nullore ssequatur. Or rest, ocupada occabor umquassimpor alicat lia pon conplam quise volupta que turi aspic totae acitatem even queecae cae. Et hitate vit asisi inve erupient. 11/12

Lorem Ipsum Am eum que nul lore ssequatur. Or rest, ocota cabor umquassimpor lia alicat lia con plam quis votor lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet ipsuma inverupient. 10/11

Gill Sans

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

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Eric Gill 1926

Condensed Bold Condensed Light Light Italic Light Shadowed Regular Italic Shadowed Bold Bold Italic Extra Bold Extra Bold Display

Designed by Eric Gill in 1926, Gill Sans is a humanist sans-serif typeface. Gill was greatly influenced by the type for the famous London Transport done by his teacher Edward Johnston. Gill Sans was later released in 1928 by Monotype Corporation. The Bold and Condensed have many times been great for package design.

Designed in 1927 by Eric Gill The BBC and Church of England have adopted it as their corporate typefaces. The lower case g, a, and r separate it from similar typefaces. The oblique style has several characters that have distinct differences from similar typefaces in the w and z.

Max Miedinger 1954

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Helvetica Neue

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

27 Ultra Light Condensed 27 Ultra Light Condensed Oblique

65 Medium 66 Medium Italic

37 Thin Condensed 37 Thin Condensed Oblique

75 Bold 75 Bold Outline 76 Bold Italic

47 Light Condensed 47 Light Condensed Oblique 57 Condensed 57 Condensed Oblique 67 Medium Condensed 67 Medium Condensed Oblique 77 Bold Condensed 77 Bold Condensed Oblique 87 Heavy Condensed 87 Heavy Condensed Oblique 97 Black Condensed 97 Black Condensed Oblique 107 Extra Black Condensed 107 Extra Black Condensed Oblique 25 Ultra Light 26 Ultra Light Italic 35 Thin 36 Thin Italic 45 Light 46 Light Italic 55 Roman 56 Italic

85 Heavy 86 Heavy Italic 95 Black 96 Black Italic 23 Ultra Light Extended 23 Ultra Light Extended Oblique 33 Thin Extended 33 Thin Extended Oblique 43 Light Extended 43 Light Extended Oblique 53 Extended 53 Extended Oblique 63 Medium Extended 63 Medium Extended Oblique 73 Bold Extended 73 Bold Extended Oblique 83 Heavy Extended 83 Heavy Extended Oblique 93 Black Extended 93 Black Extended Oblique

Helvetica is an amazingly popular typeface developed in 1957 by type designers Max Miedinger and Eduard Hoffman of Switzerland. Originally, it was designed to compete with Akzidenz Grotesque and was then titled â&#x20AC;&#x153;Neue Hass Grotesk,â&#x20AC;? but in 1960 it was renamed Helvetica.

Designed in 1957 by Max Miedinger Helvetica Neue is just a reworked version that has some height and width modifications that was done by D. Stempel AG, company owned by Linotype. Known to have 51 total styles, Helvetica Neue can be identified by the counter shape in the lower-case a, the spur of the G, and many horizontal and vertical cuts into strokes as opposed to diagonals.

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Interstate

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Lorem Ipsum Am eum que nul lore ssequatur. Or rest, occabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

Lorem Ipsum Am eum at que nul lorem ssequatur. Or rest, occabor umquas simpor alicat lia con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Tobias Frere-Jones 1994

Regular Regular Condensed Regular Compressed Bold Bold Condensed Bold Compressed Light Light Condensed Light Compressed Black Black Condensed Black Compressed

Designed by Tobias Frere-Jones in 1994, the typeface Interstate classified as a eo-grotesque, sans-serif typeface licensed by the Font Bureau. Interstate strongly resembles the type of signage alphabet used for the US Federal Highway Administration in 1949, which in turn made the name Interstate seem appropriate.

Designed in 1994 by Tobias Frere-Jones Although the typeface was designed for signage, it has certain typographical characteristics that make it a good choice for print and screen uses. Interstate holds a high level of legibility due to large open counters. For example, the lowercase g, o p, and q. Other characters that separate Interstate from similar looking type include uppercase G, Q, K, and S.

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Lorem Ipsum Am eum at que nul lorem ssequatur. Or rest, occabor umquas simpor alicat lia con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Hermann Zapf 1952

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Melior

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz012 3456789,.?’!”&;:

Bold Bold Italic Medium Italic

Designed by Hermann Zapf in 1952, the typeface Melior is known for its strong square like serifs. Zapf intended to create a typeface that would be effective for newspaper and other uses that require a high standard of legibility.

Designed in 1952 by Hermann Zapf It has an elegant feel and is a great choice for print body type, but doesnâ&#x20AC;&#x2122;t. It was officially released by the Stempel foundry. Identifiable characters include uppercase J, K, B, and Q, as well as lowercase r, q, a, and w.

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Lorem Ipsum Am eum que nul lore ssequatur. Or rest, ocus cabor umquassimpor lia alicat lia con plam quis vot lupta up que turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

Lorem Ipsum Am eum at que que nul lorem ssequatur. Volor rest, occabor umquas simpor alicat lia con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Erik Spiekermann 1993

Meta Plus

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Black Roman Black Italic Bold Roman Bold Italic Bold Caps Bold Caps Italic Book Roman Book Italic Book Caps Book Caps Italic Medium Roman Medium Italic Medium Caps Medium Caps Italic Normal Roman Normal Italic Normal Caps Normal Caps Italic

Designed by Erik Spiekermann of Germany in 1993, MetaPlus is a highly regarded sans-serif typeface in the design community. MetaPlus was an expansion on Spiekermannâ&#x20AC;&#x2122;s Meta originally created in 1991.

Designed in 1993 by Erik Spiekermann It was originally designed for postage stamps for the German Federal Post, but never used. MetaPlus was supposed to be readable from an angle and in smaller point sizes. In 1998 the family was renamed back to Meta. Some defining letters include uppercase Q, Z, K, and F, as well as lowercase t, g, p, and y.

Lorem Ipsum Am eum que nulibo lore ssequatur. Or rest, occabola umqu as simpor alicat lia con mi plam quis ato volupta turiaspic to tae que acitatem evenecaecae. Et hitate vit asimet moti vata lia con inve erupient. 12/13

Lorem Ipsum Am eum que lorem oc nullore ssequatur. Or rest, ocuppado occabor umquassimpor alicat liama conplam quise volupta que turi aspic totae acitatem even queecae cae. Et hitate vit asisi inve erupient. 11/12

Robert Slimbach 1990

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Minion

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Display Display Italic Regular Italic Semibold Semibold Italic Bold Bold Italic Black

Designed by an American named Robert Slimbach in 1990, the typeface Minion is a useful Old Style serif that was done for Adobe Systems. The name Minion comes from the naming system for type sizes. On that naming scale, Minion is located between nonpareil and brevier. The typeface was inspired by other Old Style faces of the late Renaissance.

Designed in 1990 by Robert Slimbach Some characters useful in separating Minion from similar typefaces include the ampersand, as well as uppercase letters A, Q, K, and B, as well as lowercase letters g, z, t, and f. The typeface has been used for Brown University’s logo, Wake Forest University’s primary serif typeface, and as the body type in the famous design book “The Elements of Typographic Style,” written by Robert Bringhurst.

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Lorem Ipsum Am eum que nulibo lore ssequatur. Or rest, occabola umqu asos simpor alicat lia con mi plam quis que volupta turiaspic to tae que acitatemphis evenecaecae. Et hitate vit asimet motivata lia con inve erupient. 12/13

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Adrian Frutiger 1954

MrsEaves

AaBbCcDdEeFfGg HhIiJjKkLlMmNn OoPpQqRrSsTtUu VvWwXxYyZz0123 456789,.?’!”&;:

Roman Italic Petite Caps Small Caps fractions Bold Just Ligatures Roman Just Ligatures Italic Just Ligatures Bold

Designed by Zuzana Licko in 1996, Mrs Eaves is a transitional serif typeface. It became licensed by Emigre, a type foundry that Licko and her husband Rudy VanderLans had run. Fractions and Just Ligatures are some of the other styles. Just Ligatures useful in dealing with ligature issues when used for large type. Fractions is quite useful in situations where fractions need to be shown.

Designed in 1954 by Adrian Frutiger Some of the characters that separate it from similar faces include the lowercase g due to its ear and lower counter, the uppercase C’s serifs at the top and bottom, and the lack of a serif at the W’s apex. Also, the uppercase G’s spur is useful in identifying the typeface. The tail of the Q,as well as the serif on the horizontal stroke of the 7, and the contrast between thick and thin strokes of the U additionally seperate MrsEaves from similar typefaces.

John Baskerville 1757

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Lorem Ipsum Am eum at que nul lorem ssequatur.Or rest, occabor umquas simpor alicat lia con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

New Baskerville

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Roman Small Caps & Oldstyle figures Italic Italic Oldstyle Figures Bold Bold Small Caps & Oldstyle Figures Bold Italic Bold Italic Oldstyle Figures

Designed by John Baskerville in 1757, New Baskerville is a transitional serif typeface. Baskerville was greatly influenced by the work of William Caslon in creating the typeface. It differs from Caslonâ&#x20AC;&#x2122;s work, since Baskerville had increase contrast between think and thin strokes, and sharpened the serifs, as well as making the curved, rounded letters more vertical.

Designed in 1757 by John Baskerville John Baskerville is famous for his work of his folio Bible, done in 1763, using his typeface. The uppercase Q makes a great indicator of New Baskerville. Other characters that separate New Baskerville from similar typefaces include uppercase A, B, Q, K, W, and G, as well as lowercase g, v, and s. The typeface was reworked by ITC some years as well.

Hermann Zapf 1948

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Lorem Ipsum Am eum que nul lore ssequatur. Or rest, con cabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

Lorem Ipsum Am eum at a que nul lorem ssequatur. Or rest, occabor umquasit simpor alicat liapa con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Palatino

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Light Light Italic Medium Medium Italic Roman Italic Italic Oldstyle Figures Small Caps & Oldstyle Figures Bold Bold Oldstyle Figures Bold Italic Bold Italic Oldstyle Figures

Palatino is an Old Style serif typeface that in 1948, Hermann Zapf designed and was released by the Linotype Foundry. It was named after Giambattista Palatino, an Italian master of Calligraphy and known to be based on some of the Humanist fonts of the Italian Renaissance. Microsoft had also released a similar typeface called Book Antigua.

Designed in 1948 by Hermann Zapf It is difficult to tell the two typefaces apart, but in Palatino, the S is not as wide and the legs on upper-case k and R are slightly thinner. According to a TypeWar. com study, the upper-case letters X, Y, E, F, and L are the letters that separate Palatino from similar typefaces.

Frank Pierpont 1934

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Lorem Ipsum Am eum que nul lore ssequatur. Or rest, occabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

Lorem Ipsum Am eum at que nul lorem ssequatur. Or rest, occabor umquas simpor alicat lia con plam quis volupta turiaspic or tota acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Rockwell

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Light Light Italic Regular Italic Condensed Bold Condensed Bold Bold Italic Extra Bold

Designed by Frank Pierpont of the Monotype foundry in 1934, Rockwell is a slab serif typeface, also called Egyptian. The typeface was based on a condensed slab serif known as Litho Antique. The Monotype foundry actually had the typeface designed at their in-house studio with Pierpont at the helm.

Designed in 1934 by Frank Pierpont Rockwell tends to be a geometric slab serif due to the rectangular â&#x20AC;&#x153;slab-likeâ&#x20AC;? serifs, and tends to be used for display as opposed to body copy. The typeface has almost no contrast between the weights of its strokes. Some defining letters include the lowercase a, n, d, and r, as well as uppercase G, R, E, and Q. The typeface often gives off a feeling of honesty and is great for headings.

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Adrian Frutiger 1954

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Lorem Ipsum Am eum que nul lore ssequatur. Or rest, occabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

Lorem Ipsum Am eum at que nul lorem ssequatur.Or rest, occabor umquas sim por alicat lia con plam quis volupta turiaspic or totaque acitatem even ipsum ecae cae. Et hitate asime tinva lupe erupient. 9/10

Trade Gothic

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Light Light Oblique Medium Oblique Bold Bold Oblique Bold No. 2 Bold No. 2 Oblique Condensed No. 18 Condensed No. 18 Oblique Bold Condensed No. 20 Bold Condensed No. 20 Oblique

Designed by Jackson Burke in 1948, Trade Gothic is a Sans Serif classified in the Gothic style. Trade Gothic was released by the Linotype foundry and is now distributed by Linotype and MyFonts. It is known to be a simple grotesk typeface that is commonly used for books, magazines, and newspapers.

Designed in 1954 by Adrian Frutiger The reason for it being so good for print is the counterâ&#x20AC;&#x2122;s large space and legibility. Some characters that separate it from similar typefaces include lowercase a, y q, and k, as well as uppercase G, Q, R, and W.

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Lorem Ipsum Am eum que nul lore ssequatur. Or rest, occabor umquassimpor lia alicat lia con plam quis vot lupta turiaspic totae acitata tem evenecaecae. Ethitque asimet inverupient. 10/11

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Adrian Frutiger 1954

Univers

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45 Light 45 Light Oblique

65 Bold 65 Bold Oblique

47 Light Condensed Oblique 47 Light Condensed

67 Bold Condensed 67 Bold Condensed Oblique

53 Extended 53 Extended Oblique

73 Black Extended 73 Black Extended Oblique

55 Oblique 55 Roman

75 Black 75 Black Oblique

57 Condensed 57 Condensed Oblique

93 Extra Black Extended 93 Extra Black Extended Oblique

63 Bold Extended 63 Bold Extended Oblique

Univers was designed in 1954 by Adrian Frutiger and released in 1957 by Deberney & Peignot. It was part of a group of neo-grotesque sans-serif swiss typefaces that includes the famous Helvetica, although Univers has a little smaller x-height. Frutiger redesigned it in 1997 under the name Linotype Univers, since Linotype is itâ&#x20AC;&#x2122;s current owner.

Designed in 1954 by Adrian Frutiger Compared to Helvetica and Akzidenz Grotesk, the tail of letter a, and the top of 1 are not as round. The upper-case G is formed without a spur, the arms of K join at the stem, the tail of Q runs along the baseline, the top of the t is angled, and the upper-case Y has a straight descender. Those letters are useful in seperating Univers from similar typefaces.