State-of-the-Arts Gallery Collection, Book D, Chinese Ink Painting series

Book (D) Chinese Ink Paintings, July 2023

State-of-the-Arts Gallery

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FeaturedArtists:

黃 永 玉 Huang Yong-yu

林 天 行 LAM Tian-xing

颜 正 安 Ann YEN

徐 子 雄 CHUI Tze-hung www.sotagallery.com.hk

Portrait of Qi Baishi

LAM Tian Xing (Hong Kong)

2004, Ink on paper

69 cm (W) x 77 cm (H) x 5cm (D)

HK$86,800

Framing included, 89 cm (W) x 97 cm( H)

Huang Yong-yu 黃永玉 (b 1924)

Art master Huang Yongyu is known for his woodblock prints, ink paintings and literary works A multi-talented man, Huang has published poems, essays, novels, screenplays and photo albums A prolific carver of wooden engravings, he has held exhibitions in China, Hong Kong, Australia, Germany and Italy. He has lived and worked in Shanghai, Taiwan, Beijing and Hong Kong.

Huang never went to a regular art school but he had talent and worked hard He studied art and literature by himself and learned from friends, society and life Perhaps this is why he shows such initiative and vitality in his works without any set pattern

In 2006, he was awarded an honourable “Art Forms & Performance Achievements Award” in China During the same year he donated a large 2m x 3m painting titled “World Peace” to United Nations in China, which, like Picasso’s “Gernica”, is a large scale painting that promotes peace The following year Huang was given a special award for his charity

In 2005, he was the winner of “Lifetime Achievement in Arts and Culture Award” in China His outstanding artistic achievements are recognised in Italy as well, where he was awarded the highest honour award “Commander of the Order”

In 2008, Huang became the first Chinese to be awarded the “Olympic Art Prize” by the International Olympic Committee to acknowledge his contribution to arts and cultural development

With Humour and Inexhaustible Creativity

“Huang Yongyu is a very versatile and multi-talented artist who always brings surprises He never ceases to explore and take risks Moreover, he pushes boundaries and tries for the extreme and he is a very prolific artist There are very few artists who channel as much energy into art as he does. Huang’s talent is also apparent in his literary works There is wisdom, observation, wit, humour and compassion His writing enriches the way one sees his paintings ” (excerpt from the speech given by the Vice Chairman of the Basic Law Committee, Elsie Leung in 2004 at the opening an exhibition by Huang)

Where Inspiration Leads / 隨心圖

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame

24 cm (W) x 27 cm (H) x 5cm (D)

HK$26,800

Framing included, 34 cm (W) x 37 cm( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only

Actual framing style will be proposed and quoted separately upon request

Dedication (心意)

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame 24 cm (W) x 27 cm (H) x 5cm (D)

HK$26,800

Framing included, 34 cm (W) x 37 cm( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only Actual framing style will be proposed and quoted separately upon request

Home in the Clouds / 家在雲天裡

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame 24 cm (W) x 27 cm (H) x 5cm (D)

HK$26,800

Framing included, 34 cm (W) x 37 cm( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only Actual framing style will be proposed and quoted separately upon request

Reflections / 水天一色

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame 24 cm (W) x 27 cm (H) x 5cm (D)

HK$26,800

Framing included, 34 cm (W) x 37 cm( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Sound of Spring / 聽泉

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame

68 cm (W) x 68 cm (H) x 5cm (D)

HK$86,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only Actual framing style will be proposed and quoted separately upon request

Colourful Autumn / 艷秋

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame

68 cm (W) x 68 cm (H) x 5cm (D)

HK$86,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Morning

Glory

/ 朝 暉

LAM Tian Xing (Hong Kong)

2006, Ink on paper with matt and frame

59 cm (W) x 54 cm (H) x 5cm (D)

HK$56,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only

Actual framing style will be proposed and quoted separately upon request

Redolence / 香遠

LAM Tian Xing (Hong Kong)

2006, Ink on paper with matt and frame

59 cm (W) x 54 cm (H) x 5cm (D)

HK$66,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Romantic Talks / 細語

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame

59 cm (W) x 54 cm (H) x 5cm (D)

HK$56,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Verdant Summer / 碧夏

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame 68 cm (W) x 68 cm (H) x 5cm (D)

HK$66,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Glimmering Moonlight / 新界月色

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame

68 cm (W) x 68 cm (H) x 5cm (D)

HK$96,800

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Moonlight on Lotus (荷上月光)

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame

68 cm (W) x 68 cm (H) x 5cm (D)

HK$88,900

Framing included, 100 cm (W) x 100 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Hovering I & II / 靈動 (1 & 2)

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame

48 cm (W) x 179 cm (H) x 5cm (D) each

HK$168,000 (A set of 2)

Framing included, app. 60 cm (W) x 200 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Hovering III & IV / 靈動 (3 & 4)

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame

48 cm (W) x 179 cm (H) x 5cm (D) each

HK$168,000 (A set of 2)

Framing included, app. 60 cm (W) x 200 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Hovering I, II, III, IV ( 靈動 1, 2,3, 4 )

LAM Tian Xing (Hong Kong)

2005, Ink on paper with matt and frame 48 cm (W) x 179 cm (H) x 5cm (D) each

HK$300,000 (A set of 4)

Framing included, 60 cm (W) x 200 cm ( H) each

Autumn Rain / 秋雨 -

西藏神山聖湖系列

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame

53 cm (W) x 45 cm (H) x 5cm (D)

HK$68,000

Framing included, 63 cm (W) x 55 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only Actual framing style will be proposed and quoted separately upon request

Gatherings / 相遢 - 西藏神山聖湖系列

LAM Tian Xing (Hong Kong)

2006, Ink on paper with matt and frame

53 cm (W) x 45 cm (H) x 5cm (D)

HK$68,000

Framing included, 63 cm (W) x 55 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Simulated Interior photo for reference only Actual framing style will be proposed and quoted separately upon request

Three Clouds / 淳雲三朶 - 西藏神山聖湖系列

LAM Tian Xing (Hong Kong)

2006, Ink on paper with matt and frame

53 cm (W) x 45 cm (H) x 5cm (D)

HK$68,000

Framing included, 63 cm (W) x 55 cm ( H)

Lam Tian Xing (林天行)

Lam Tian Xing, also known as “Master of the Hall of Boundlessness”, a renowned contemporary ink color painter, has been studying and practicing Chinese painting, Western painting and Chinese calligraphy since he was fourteen During 30 years of artistic exploration, he has gradually developed his own profound style, which blends the traditional framework of Chinese ink color painting with bold western techniques Rich, vibrant colors form layered images that are both abstract and concrete

Lam was twice invited by the Chinese Ministry of Culture to paint on the theme of Hong Kong views The paintings, ”Morning Songs” and “Side view in Victoria Harbour”, accompanied the space journeys of Shenzhou VI and Shenzhou VII in 2005 and 2008 respectively, bearing witness to these important national milestones, and bringing honour to Hong Kong

Since the late 1990s Lam has created a series of work on the theme of Hong Kong scenery and landscapes He also travelled to Tibet three times, risking his life, and created his “Tibet in Tian Xing” series His latest series “Lotus in Tian Xing”, has been his focus in recent years All these have uniquely marked his personal artistic development His paintings are well received by public and private collectors alike, both local and overseas

Lam has held more than 30 solo exhibitions in Beijing, Hong Kong, New York, Berlin, Milan, Singapore and Taiwan His works have exhibited at the Centennial Exhibition of Chinese Paintings in Beijing, the China National Art Exhibition, the Art Exhibition Commemorating the 30th Anniversary of Reform and Opening, the International Ink Painting Biennial Exhibition of Shenzhen, the Contemporary Hong Kong Art Biennial Exhibition, to name a few He has also participated in joint exhibitions around the globe

Lam’s works have been widely collected by private and corporate organizations, both local and overseas Museum collections include the National Art Museum of China, the Research Institute of Chinese Painting in Beijing, the Guangzhou Museum of Art, the Shenzhen Museum of Art, the Hong Kong Museum of Art, the Heritage Museum of Hong Kong and the Hong Kong Government House, the Hong Kong Trade Development Council of Washington, the Cathay Pacific, the Hong Kong Four Seasons Hotel, the Macau Four Seasons Hotel, the Hong Kong Mandarin Oriental Hotel, the Beijing ShangriLa Hotel, the United Airlines, the Credit Suisse HK Representative Offices Moreover, he has published more than ten albums of his work

Autumn Rain / 秋雨 - 西藏神山聖湖系列

LAM Tian Xing (Hong Kong)

2004, Ink on paper with matt and frame

53 cm (W) x 45 cm (H) x 5cm (D)

HK$68,000

Framing included, 63 cm (W) x 55 cm ( H)

Three Clouds / 淳雲三朶 - 西藏神山聖湖系列

LAM Tian Xing (Hong Kong)

2006, Ink on paper with matt and frame

53 cm (W) x 45 cm (H) x 5cm (D)

HK$68,000

Framing included, 63 cm (W) x 55 cm ( H)

Gatherings / 相遢 - 西藏神山聖湖系列

LAM Tian Xing (Hong Kong)

2006, Ink on paper with matt and frame

53 cm (W) x 45 cm (H) x 5cm (D)

HK$68,000

Framing included, 63 cm (W) x 55 cm ( H)

The Lake series #1

Ann Yan (USA)

2006, Ink on paper with matt and frame

75 cm (W) x 75 cm (H) x 5cm (D)

HK$28,000

Framing included, 100 cm (W) x 100 cm ( H)

“Dancing Ink and Colour ” by Ann Yen of Chinese ink painting

The vivid colors, the stylized composition, the spontaneous strokes and splashes all these are the peculiar elements in Ann Yen’s paintings, which lead viewers from the mundane world to tranquility Born in Shanghai, Ms Yen showed her artistic talent at a young age in theatre Starting her acting career after the graduation from the Shanghai Drama Academy, she later won a scholarship to study filmmaking in New York University In spite of her background and career in the filming circle, she remained ardent in the pursuits of visual arts During her years in the U S, she studied painting, which she has been doing since her early childhood, in the renowned Art Students’ League

Her experience as a performer and a producer for, like the National Geographic Television and the Discovery Channel, enriches the perspective of her art, while a nomadic lifestyle, which means moving every 2 to 3 years to various cities with her husband, who is a diplomat, provides her with an abundance of inspiration For the past decades, she had solo and group exhibitions wherever life took her, in big cities like New York, Singapore, Beijing, Shanghai and so on Her paintings are collected by art lovers from all around the world Most of the proceeds of her art are donated to charities

Ms Yen paints in different media such as oil, pastel and watercolor Independent from any school or trend, she perceives art as “an expression of an individual’s inner being” In Ms Yen’s paintings, the Chinese and the Western elements are naturally integrated and indispensable of each other She paints the scenery with touches of Chinese ink-wash, while the exuberant colors and the nearly abstract imagery give a sense of Western modernity The exhibited work includes the series of The Doors, reflecting the cultural background of the artists As an oriental symbol, the doors, commonly found in traditional residence, represent a reminiscence of the fading past The limited range of colors pays tribute to the traditional ink painting, as well as forming a visual unity The harmonious composition of the door and the vegetation hints at the Chinese ideology of “nature and human as one”, providing the viewers with spiritual peace and visual meditation

Horseman Ann Yan (USA)

2006, Ink on paper with matt and frame 77 cm (W) x 77 cm (H) x 5cm (D)

HK$38,000

Framing included, 100 cm (W) x 100 cm ( H)

The vivid colors, the stylized composition, the spontaneous strokes and splashes all these are the peculiar elements in Ann Yen’s paintings, which lead viewers from the mundane world to tranquility Born in Shanghai, Ms Yen showed her artistic talent at a young age in theatre Starting her acting career after the graduation from the Shanghai Drama Academy, she later won a scholarship to study filmmaking in New York University In spite of her background and career in the filming circle, she remained ardent in the pursuits of visual arts During her years in the U S, she studied painting, which she has been doing since her early childhood, in the renowned Art Students’ League

Her experience as a performer and a producer for, like the National Geographic Television and the Discovery Channel, enriches the perspective of her art, while a nomadic lifestyle, which means moving every 2 to 3 years to various cities with her husband, who is a diplomat, provides her with an abundance of inspiration For the past decades, she had solo and group exhibitions wherever life took her, in big cities like New York, Singapore, Beijing, Shanghai and so on Her paintings are collected by art lovers from all around the world Most of the proceeds of her art are donated to charities

Ms Yen paints in different media such as oil, pastel and watercolor Independent from any school or trend, she perceives art as “an expression of an individual’s inner being” In Ms Yen’s paintings, the Chinese and the Western elements are naturally integrated and indispensable of each other She paints the scenery with touches of Chinese ink-wash, while the exuberant colors and the nearly abstract imagery give a sense of Western modernity The exhibited work includes the series of The Doors, reflecting the cultural background of the artists As an oriental symbol, the doors, commonly found in traditional residence, represent a reminiscence of the fading past The limited range of colors pays tribute to the traditional ink painting, as well as forming a visual unity The harmonious composition of the door and the vegetation hints at the Chinese ideology of “nature and human as one”, providing the viewers with spiritual peace and visual meditation

“Dancing Ink and Colour ” by Ann Yen of Chinese ink painting

The door series #1 Ann Yan (USA)

2008, Ink on paper with matt and frame 140 cm (W) x 110 cm (H) x 5cm (D)

HK$48,000

Framing included

The vivid colors, the stylized composition, the spontaneous strokes and splashes all these are the peculiar elements in Ann Yen’s paintings, which lead viewers from the mundane world to tranquility Born in Shanghai, Ms Yen showed her artistic talent at a young age in theatre Starting her acting career after the graduation from the Shanghai Drama Academy, she later won a scholarship to study filmmaking in New York University In spite of her background and career in the filming circle, she remained ardent in the pursuits of visual arts During her years in the U S, she studied painting, which she has been doing since her early childhood, in the renowned Art Students’ League

Her experience as a performer and a producer for, like the National Geographic Television and the Discovery Channel, enriches the perspective of her art, while a nomadic lifestyle, which means moving every 2 to 3 years to various cities with her husband, who is a diplomat, provides her with an abundance of inspiration For the past decades, she had solo and group exhibitions wherever life took her, in big cities like New York, Singapore, Beijing, Shanghai and so on Her paintings are collected by art lovers from all around the world Most of the proceeds of her art are donated to charities

Ms Yen paints in different media such as oil, pastel and watercolor Independent from any school or trend, she perceives art as “an expression of an individual’s inner being” In Ms Yen’s paintings, the Chinese and the Western elements are naturally integrated and indispensable of each other She paints the scenery with touches of Chinese ink-wash, while the exuberant colors and the nearly abstract imagery give a sense of Western modernity The exhibited work includes the series of The Doors, reflecting the cultural background of the artists As an oriental symbol, the doors, commonly found in traditional residence, represent a reminiscence of the fading past The limited range of colors pays tribute to the traditional ink painting, as well as forming a visual unity The harmonious composition of the door and the vegetation hints at the Chinese ideology of “nature and human as one”, providing the viewers with spiritual peace and visual meditation

“Dancing Ink and Colour ” by Ann Yen of Chinese ink painting

47 cm (W) x 73 cm (H)

HK$28,000

Framing included

Chui Tze Hung received a classical Chinese Introduction to art through the inseparable twins of calligraphy and brush painting But using the tradition brush, ink and rice paper, Chui chose to experiment with more abstract forms searching for the elusive and philosophical ideal of “form and spirit”

It is through landscape painting that Chui seeks to express himself in what he describes as his “Search for innocence”

Words often fall short of what the artist wishes to convey and it is interesting how calligraphy and painting have become mediums of mutual support and reinforcement

The combination of poetry and calligraphy and painting to express “form and spirit” in a landscape was a significant intellectual achievement. The landscape evokes a sense of completeness, universality and from the infinity of space down to the definitive of a single blade of grass

It is through the calligraphy approach of fluidity and economy of line that brush painting has become the means of capturing the elusive qualities of “form and spirit”

In Spring Time Weather, a recent work by Chui, we have the solidity of a mountain delineated in great strength on one side, as if to recognize the man-made mountains of architecture. This unequivocal symmetry contrasts with the indeterminate line of nature’s mountain swathed in mists of endless movement

The straight line of Western perspective with its implicit single viewing point also contrasts with the multiviewpoint of Chinese landscapes Chui reinforces this contrast and the perceptual limitation that Western perspective gives to man’s observation of the world He found the indefinable ‘spirit’ in Chinese landscape painting was absent in Western realistic painting

So, although Chui experimented with Western style abstractions in his work, he remains committed to the ideals of Chinese brush painting Hence in a sense his return to tradition

The Malaysian jungle was the inspiration where the complex structure of life allowed the smallest of creatures to survive, each in a cycle yet related to the whole

Cloudy mountain

Chui Tse Hung (Hong Kong)

2009, Ink on paper with matt and frame

47 cm (W) x 73 cm (H)

HK$28,000

Framing included

Chui Tze Hung received a classical Chinese Introduction to art through the inseparable twins of calligraphy and brush painting But using the tradition brush, ink and rice paper, Chui chose to experiment with more abstract forms searching for the elusive and philosophical ideal of “form and spirit”

It is through landscape painting that Chui seeks to express himself in what he describes as his “Search for innocence”

Words often fall short of what the artist wishes to convey and it is interesting how calligraphy and painting have become mediums of mutual support and reinforcement

The combination of poetry and calligraphy and painting to express “form and spirit” in a landscape was a significant intellectual achievement. The landscape evokes a sense of completeness, universality and from the infinity of space down to the definitive of a single blade of grass

It is through the calligraphy approach of fluidity and economy of line that brush painting has become the means of capturing the elusive qualities of “form and spirit”

In Spring Time Weather, a recent work by Chui, we have the solidity of a mountain delineated in great strength on one side, as if to recognize the man-made mountains of architecture. This unequivocal symmetry contrasts with the indeterminate line of nature’s mountain swathed in mists of endless movement

The straight line of Western perspective with its implicit single viewing point also contrasts with the multiviewpoint of Chinese landscapes Chui reinforces this contrast and the perceptual limitation that Western perspective gives to man’s observation of the world He found the indefinable ‘spirit’ in Chinese landscape painting was absent in Western realistic painting

So, although Chui experimented with Western style abstractions in his work, he remains committed to the ideals of Chinese brush painting Hence in a sense his return to tradition

The Malaysian jungle was the inspiration where the complex structure of life allowed the smallest of creatures to survive, each in a cycle yet related to the whole

Simulated Interior photo for reference only Actual framing style will be proposed and quoted separately upon request

Raining in spring

Chui Tse Hung (Hong Kong)

2009, Ink on paper with matt and frame

89 cm (W) x 68 cm (H)

HK$58,000

Framing included

Chui Tze Hung received a classical Chinese Introduction to art through the inseparable twins of calligraphy and brush painting But using the tradition brush, ink and rice paper, Chui chose to experiment with more abstract forms searching for the elusive and philosophical ideal of “form and spirit”

It is through landscape painting that Chui seeks to express himself in what he describes as his “Search for innocence”

Words often fall short of what the artist wishes to convey and it is interesting how calligraphy and painting have become mediums of mutual support and reinforcement

The combination of poetry and calligraphy and painting to express “form and spirit” in a landscape was a significant intellectual achievement. The landscape evokes a sense of completeness, universality and from the infinity of space down to the definitive of a single blade of grass

It is through the calligraphy approach of fluidity and economy of line that brush painting has become the means of capturing the elusive qualities of “form and spirit”

In Spring Time Weather, a recent work by Chui, we have the solidity of a mountain delineated in great strength on one side, as if to recognize the man-made mountains of architecture. This unequivocal symmetry contrasts with the indeterminate line of nature’s mountain swathed in mists of endless movement

The straight line of Western perspective with its implicit single viewing point also contrasts with the multiviewpoint of Chinese landscapes Chui reinforces this contrast and the perceptual limitation that Western perspective gives to man’s observation of the world He found the indefinable ‘spirit’ in Chinese landscape painting was absent in Western realistic painting

So, although Chui experimented with Western style abstractions in his work, he remains committed to the ideals of Chinese brush painting Hence in a sense his return to tradition

The Malaysian jungle was the inspiration where the complex structure of life allowed the smallest of creatures to survive, each in a cycle yet related to the whole

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