2023 Salon Art + Design Press Report by Sanford L. Smith + Associates

ART + DESIGN

PRESS REPORT November 9–13, 2023 Park Avenue Armory New York City

thesalonny.com | @thesalonny Produced by Sanford L. Smith + Associates

SALON ART + DESIGN 2023 PULL QUOTES “A staple of New York City’s cultural calendar.” - Irenie Forshaw, Elite Traveler, October 10, 2023 “There’s always something intriguing about the masterful mix of art, design, antiquities, and jewelry on view at Salon Art+ Design.” - Staff Writer, Galerie, Late Fall Issue, 2023 “The 12th edition offers a staggering breadth of wares.” - Staff Writer, Galerie, Late Fall Issue, 2023 “Appealing to seasoned and young collectors alike, Salon offers an extensive yet curated range of pieces, ensuring something for everyone.” - Staff Writer, Bustler, October 30, 2023 “A living lexicon of the city’s cultural history.” - Katie White on Jill Bokor, Artnet News, November 2, 2023 “Bokor brings her characteristic acuity and eye for style to the highly anticipated annual art and design fair hosted at the Park Avenue Armory.” - Katie White, ArtNet News, November 2, 2023 “For its upcoming 12th edition in Manhattan, Salon Art + Design embarks on a refreshing approach.” - Osman Can Yerebakan, Interior Design, November 3, 2023 “There’s wit, design expertise, and craftsmanship like you’ve never seen before.” - Adarsh Soni, AD India, November/December Issue, 2023 “What sets this edition of the art and design fair apart is its commitment to showcasing both established and emerging voices in the world of design.” - Aarthi Mohan, Stir Pad, November 8, 2023 “This year’s Salon Art + Design, the 12th edition of a fair dedicated to fine and decorative arts, transforms the Park Avenue Armory into a fabulous and eccentric collector’s house.” - Will Heinrich, The New York Times, November 12, 2022 “Salon Art + Design is always a must-visit event for anyone who appreciates fine art and design.” - Geoffrey Montes, Galerie, November 11, 2023 “The fall art season certainly doesn’t disappoint! There’s something for everyone!” - Tinu, Tinu Online, November 11, 2023 “There were many striking pieces at various booths.” - Bettina Zilkha, Forbes, November 11, 2023 “Salon Art + Design is always catnip for designer lovers.” - Jill Brooke, Flower Power Daily, November 10, 2023

“It feels both intimate and accessible. Like a home.” - Jill Brooke, Flower Power Daily, November 10, 2023 Salon Art + Design’s 12th edition was a certified showstopper.” - Sean Santiago, Helena Madden, Bebe Howorth, Elle Decor, November 13, 2023 “Salon Art + Design is the town square at the center of the decorative and fine arts world.” - Benjamin Schmidt, The Interior Review, November 13, 2022 “Salon Art + Design is a sophisticated offering that caters to New York’s particularly discerning raft of buyers; a significant slice of the international collector base.” - Adrian Madlener, Effect Magazine, November 17, 2023 “Everywhere one looked, there was an item or booth that was beautiful to behold.” - Z.G. Burnett, Antiques and The Arts Weekly, December 1, 2023 “Elegant and refined, amid surroundings that evoke the antique splendor of New York, the 12th edition of Salon Art + Design transformed Park Avenue Armory into a genuine stage for contemporary creativity.” - Anna Casotti, IDFM, November 22, 2023 “An impressive display of exemplary craftsmanship.” - Samantha Coles on Trunks Company, Elite Traveler, Winter 2023-2024 “A beguiling mix of paintings, jewelry and modern Brazilian design.” - Will Heinrich, The New York Times,, November 12, 2023.

NOVEMBER 5, 2023

Here’s What to See at Salon Art + Design 2023 Dealers are bringing their best to the 12th edition of the illustrious fair, which arrives at the Park Avenue Armory this week. By Fred A. Bernstein

NOVEMBER 5, 2023Sanford Smith, the founder of SALON ART + DESIGN, chose the fair’s name carefully. The idea was to present FINE ART and functional objects together. Indeed, Jill Bokor, who has run the fair since its debut, in 2012, says booths that contain, say, both FURNITURE and PAINTINGS are the preferred model. “They help people imagine how rooms in their homes and offices could look.” This year’s Salon, at New York’s PARK AVENUE ARMORY, will feature 50 booths filled with everything from OLD MASTER PAINTINGS to LED lighting. And by the time the fair opens — following a preview benefiting the DIA ART FOUNDATION on November 9 — Bokor will have seen practically every item. In the days before the vernissage, “as exhibitors start to unpack, I look, and I look, and I look,” says Bokor, who has been known to purchase objects for her own collection. She will also guide a vetting committee from booth to booth before the official opening. The committee checks the authenticity of the older pieces, but she doesn’t expect much drama. After more than a decade, she can recall just one item that was removed from the floor — an Italian chandelier that had been over-restored — and a couple of others that had to be relabeled. And even with experts ensuring authenticity, there could still be bargains at Salon. “Our highest price would be the lowest price at some contemporary art fairs,” Bokor says.

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

The SALON ART + DESIGN fair returns to New York’s Park Avenue Armory from November 9 to 13 with 50 booths and 15 special exhibitions brimming with exceptional work. Jewelry dealer ROSIOR will be offering the DROP EARRINGS pictured at left, which combine turquoise ceramic with emeralds and purple sapphires, while ACHILLE SALVAGNI will display pieces like his Brancaleone onyx-and-bronze sconce, seen at right (photos throughout courtesy of the galleries unless otherwise noted). Top: Design lovers and collectors browse the fair in 2022 (photo by Peter Baker).

This year, the main exhibition space, in the armory’s vast Wade Thompson Drill Hall, will include JEWELRY dealers for the first time. That’s good news for ROSIOR. The Portuguese jeweler will dazzle fairgoers with the bright colors of EMERALDS, RUBIES, TSAVORITES and, in the case of one pair of gold earrings, a burst of deep turquoise ceramic. The jewel-like furniture of ACHILLE SALVAGNI will also dazzle, on a larger scale. His Achille Salvagni Atelier (a partnership with downtown dealer MAISON GERARD) is just a few blocks from the armory, but decamping to Salon means meeting more potential customers in five days — the show runs through November 13 — than he might encounter in months on his home turf.

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

DONZELLA LTD. will show a walnut cabinet by GIO PONTI and PIERO FORNASETTI.

That explains why so many New York dealers — 22 this year — flock to the fair. And it explains why they pull out all the stops. “I set aside some very exciting pieces for Salon this year,” says Manhattan gallerist PAUL DONZELLA, who specializes in 20th-century treasures. A cabinet by GIO PONTI and PIERO FORNASETTI, designed for Casa Ceccato in Milan in 1950, is a fantastic example of the collaboration between these two important artists. Also in Donzella’s booth: a very rare pair of leather-wrapped gaming chairs by WILLIAM HAINES. They were made for his “Desert Living Room” display at the 1939 Golden Gate International Exposition in San Francisco. “For me, having these chairs to present is a holy grail moment,” Donzella says.

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

YUNHWAN KIM’s Unintended console table will be on view at the TODD MERRILL booth.

TODD MERRILL, whose eponymous gallery is located IN MANHATTAN’S TRIBECA NEIGHBORHOOD, says he has put together “a more impactful booth than ever,” starting with the oversize moiré patterns of DEDAR’s Amoir Libre fabric on the walls. A bronze console from the Unintended series by the young South Korean artist YUNHWAN KIM holds the floor. Trained as a woodworker, Kim is now producing bulging, biomorphic metal furniture. The console’s heft makes it a perfect foil for Paul Swan Topen’s LED lamp, a gracefully skeletal, almost ethereal bronze sculpture.

LIZ O’BRIEN is offering Carson Converse’s quilted work Inheritance (left) and a wooden vessel by Alan Meredith (right).

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

LIZ O’BRIEN, a Manhattan dealer IN 20TH-CENTURY DECORATIVE ARTS, will show quilts by Massachusetts-based contemporary artist Carson Converse, who, O’Brien says, “plays with scale, to zoom in to the process and reveal how it all works or to step way back and make the question almost moot.” The dealer will also be presenting works by a selection of Irish makers: Isobel Egan’s delicate paper-like porcelain sculptures, Cecilia Moore’s brightly enameled metal objects and Alan Meredith’s turned-wood vessels. O’Brien brought in BRIAN J. MCCARTHY, a former partner in THE LEGENDARY INTERIORS FIRM PARISH-HADLEY, to design the booth. He is working with plaster artist Stephen Antonson to create a classical-inspired setting.

A slate-top JEAN PROUVÉ coffee table will be among the pieces from MAGEN H GALLERY.

Hugues Magen introduced the work of PIERRE SABATIER to U.S. collectors in 2016 at his Greenwich Village gallery, MAGEN H. One of the highlights of his 2023 Salon booth is Dots Argent, a handmade 1975 steel-andtin wall sculpture by Sabatier. It will hang near a slate-top coffee table by JEAN PROUVÉ and an exceptionally sleek wood desk designed circa 1960 FOR CHANDIGARH by LE CORBUSIER. Along with a chunky circa 1965 cedar coffee table by PIERRE CHAPO, the pieces will constitute a master class in materials used wisely.

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

GUY REGAL will present a WALNUT CABINET by CARLO BUGATTI.

Another Manhattanite, art and antiques dealer GUY REGAL, will journey less than two miles from his midtown showroom to the armory with his Salon offerings, but it will be an auspicious procession, complete with several dozen favorites. Regal says he is especially proud to be showing an early (circa 1922) ART DECO mahogany sideboard by MAURICE DUFRÊNE, which he calls “a tour de force of French craftsmanship.” An exceedingly rare, circa 1900 CARLO BUGATTI CABINET of walnut inlaid with parchment, copper, pewter and bone will be another highlight. Regal will surround the older pieces with CONTEMPORARY CERAMICS, including dramatically textured lamps and vessels from Peter Lane Studio and COLLEEN CARLSON.

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

CHARLES BURNAND’s booth will include DENHOLM’s Ronin chair (left) and Dawn Bendick’s Time Rock Stack XVI (right, photo by Graham Pearson

Traveling a little farther to Salon, SIMON STEWART, of London’s CHARLES BURNAND GALLERY, will be showcasing what he describes as “very playful” work by DENHOLM, composed of U.K.-born, Melbourne-based artists Lars Stoten and Steven Clark. Pieces will include their Ronin chair, made of South Australian limestone infused with brightly colored dyes, and their Sister Dead Mental table, composed of colorless but deeply textured limestone slabs in a macabre arrangement. Stewart is also showing a monumental, pillar-like metal-and-acrylic lamp by Paris-based designers Agathe Labaye and Florian Sumi, along with Dawn Bendick’s Rock Stack sculptures, made of cast dichroic glass that shifts from warm pinks and oranges to cool electric greens and blues when exposed to natural and artificial light. Also in the mix will be Harnessing the Elements, Stewart’s own spectacular, gold-toned mica-and-LED chandelier, which, he says, “embodies the marriage of art and science.”

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

CRISTINA GRAJALES is bringing Tim Horn’s Stardust & Moonlight (left), as well as seating by Mark Grattan and a fique-and-bronze rug by Hechizoo (right).

“We’re going to have a very glamorous booth,” promises CRISTINA GRAJALES. The Lower Manhattan GALLERIST will introduce a few new discoveries: Tim Horn’s wall sculptures of nickel-plated bronze and mirrored glass, CHRISTINA Z ANTONIO’s leather-fronted cabinets and Ann McCoy’s animal-sculpture sconces. CHRISTOPHE CÔME’s highly inventive lighting and Mark Grattan’s sleek furniture will round out the booth, which is to be outfitted by 1STDIBS 50 interior designer YOUNG HUH with calligraphic compositions by AAMIR KHANDWALA, burlap-covered paintings by JOHN-PAUL PHILIPPE and a natural-fiber rug with bronze filaments by the incomparable Colombian weavers Hechizoo.

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

TWENTY FIRST GALLERY is showing Jean-Marie Fiori’s Sumer cabinet.

The lower Manhattan gallery TWENTY FIRST is showing three spectacularly quirky cabinets. Polish artist MARCIN RUSAK, descended from generations of flower growers, created the front of his Flora credenza by suspending vividly colored petals and leaves in snow-white resin. Jean-Marie Fiori’s Sumer cabinet features not flora but fauna — stylized animals in cast metal on doors made of patinated bronze and ash wood. Fiori was inspired by the bas-reliefs of ancient civilizations. By contrast, ERWAN BOULLOUD’s Romane cabinet is pure abstraction, a stunning display of polished-brass marquetry with inlaid lapis lazuli, tigereye, amethyst and other gemstones. “We think of the booth as a kind of living room where our pieces will spark a whimsical and joyful atmosphere,” says Twenty First founder RENAUD VUAILLAT. “We’re not looking for decorum.”

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

Booths in the armory’s Wade Thompson Drill Hall in 2022. Photo by Peter Baker

Along with the 50 dealers’ booths, Salon has given space to individual makers in both the drill hall and the armory’s smaller front rooms. Interior designer PHILLIP THOMAS has reimagined the elaborate Colonel’s Reception Room as a cabinet of curiosities. “Every element celebrates the idea of your home as the showcase for a life well lived,” says Thomas. Among the pieces he chose for his “cabinet” are a pair of bronze-and-quartz tables by ARRIAU from Paul Donzella, a graceful floor lamp by Israeli artist AYALA from Maison Gerard and a CHINOISERIE chest from Liz O’Brien.

THE SPACELESS GALLERY will exhibit works by ceramist Ruan Hoffmann in the armory’s South Hall.

THE SPACELESS GALLERY is taking over the armory’s South Hall, where it will show voluptuous clay sculptures by Ukrainian-born artist OLGA SABKO, paintings by PIERRE BONNEFILLE and plates by Ruan

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

Hoffmann, a ceramist who covers the surfaces of his misshapen works with images and text that, according to the gallery, can be “unapologetic, politically confrontational, improper and even sometimes rude” — but also “uncompromising and exhilarating.” Back in the drill hall, the Spaceless Gallery has collaborated with HUMANS SINCE 1982, a Stockholm-based studio founded by Bastian Bischoff and Per Emanuelsson in 2009, to present the KINETIC installation A million Times 120, which entrances viewers with its choreography of 120 meticulously synchronized analog clocks.

Special exhibitions in the drill hall will include new pieces from JAMES DE WULF, like his Exo poker table (left), and DEMURO DAS, such as the maker’s Tempest side table (right).

Also marking time is DEMURO DAS, a firm based in New Delhi and New York that’s introducing several new lines of furniture. Part of a range of tables made with semiprecious stones and hand-cast metals, the Tempest side table, in smoky quartz and solid bronze, seems to embody eons of natural history. California- and Hawaii-based furniture designer JAMES DE WULF, in his first time at Salon, is showing additions to his Exo series: a console, side table, poker table and library table made of concrete with external bronze, brass and stainless steel reinforcements. Those visible frames mimic the geometries of shells and flowers. “I’m having fun and following nature,” says De Wulf. “My goal is to make heirlooms out of the finest materials. And, yes, I think of concrete as a fine material.”

https://www.1stdibs.com/introspective-magazine/salon-art-and-design-2023/

ARCHITECTURAL DIGEST

N OVE MB E R-DECE M BER 2 02 3 IND IA ₹ 3 0 0 THE M OST B E AUTIFUL H OM ES IN T HE WOR LD

Land of the High Passes STO K PA L AC E LADAKH

Crafted With Love Salon Art + Design returns to the Park Avenue Armory in New York City in November, and from India, spotlights pieces by DeMuro Das and the Trunks Company. RIGHT: THE GAME ISLAND TRUNK BY TRUNKS COMPANY. BELOW: THE TEMPEST SIDE TABLE BY DEMURO DAS.

t’s going to be the most unique fair that we’ve ever had,” says Jill Bokor, executive director of Salon Art + Design. “There’s an exciting mix of top international galleries returning, along with some young names who are pushing collectible design with new materials and forms.” Consider the evidence: Paris-based Mathieu Lehanneur, a multidisciplinary designer who not only creates beautiful furniture, but also designed the torch for the 2024 Olympics; iconic New York gallery Karl Kemp with their one-of-akind antiques; and side tables studded with semi-precious stones, courtesy of New Delhi–based DeMuro Das. There’s wit, design expertise, and craftsmanship like you’ve never seen before. At DeMuro Das, inspiration comes in from all four directions. Manifesting in the form of a bookshelf inspired by traditional Indian pedestals, as well as tables that take from the rich history of Jaipur’s jewel trade. “Our favourites continue to be pieces from the Tempest and Clarion collections, which employ unique finishes like claret dolomite, vesuvianite, and howlite,” says Puru Das, one half of DeMuro Das. Each stone is cut and inlaid by artisans, with lines between pieces become invisible to the eye, morphing into a singular carved stone. Elsewhere, board games take over some of Trunks Company’s most lavish designs—the Pipe & Chess Bar Cabinet Trunk and the Game Island Trunk. The

6 2 A D A R C H I T E C T U R A L D I G E S T N O V- D E C 2 0 2 3

former features an extendable workstation and sections for bar tools, while the latter keeps up with the element of surprise with a game hidden in each layer. “We wanted to craft pieces that surpass the rules of trunkmaking, unveiling a world of grandeur with each wing unfolding itself,” says Paritosh Mehta, who co-founded Trunks Company with his brother Priyank. A single trunk takes around six months to manufacture, and the finished product blurs the boundaries between art and design. Salon Art+Design will be held in New York City from 9–13 November. T E X T: A DA R S H S O N I . P H OTO S : C O U

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ARCHITECTURAL DIGEST

a cura di Giovanni D’Odorico Borsoni

B A C K S TA G E

Dal marmo alle fibre della foresta amazzonica, dalla pietra ai metalli antichi, mobili e accessori con una diversa idea di lusso. Contemporanea, inclusiva, architettonica

Foto: ©Jean-Pierre Vaillancourt per Charles Zana; ©Juliana Gómez Quijano per Side Gallery

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Fa parte della prima collezione di mobili di alta gamma autoprodotti da Zana la lampada da tavolo in pietra. Il paralume ruota orientando la luce. In mostra a New York al Salon Art + Design.

Coffee table realizzato a mano da Francisco Jaramillo (Fango), in metallo e fibra di yaré, una radice spontanea che sostituisce il legno dell’Amazzonia colombiana minacciato dalla deforestazione.

Portaborse richiudibile in acciaio formato da una striscia di pelle Suede con o senza ricamo. Versatile, può essere collocato ovunque. Disponibile in molte eleganti finiture.

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La struttura della poltrona, in oro lucido o cromo nero, è costituita da una serie di tubolari metallici accostati e curvati. Il comfort è garantito dai generosi cuscini di seduta e schienale.

Tavolino tondo con base in acciaio inox con finitura bronzo antico e top in marmo (nella foto), ma disponibile anche con piano in legno o in diversi tipi di marmo. Anche su misura.

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AUGUST 28, 2023

The Salon Art + Design By Staff Writer November 9-November 13, 2023 Park Avenue Armory New York, NY, USA

Historical, modern and contemporary furniture, groundbreaking design, and late-19th through 21st-century art take center stage at the Salon Art + Design in New York. Produced by Sanford L. Smith + Associates, the show has featured galleries including the likes of ranging from Liz O'Brien, Todd Merrill Studio and Tuleste Factory, all in New York, to Monaco's Lebreton, Paris's Galerie Negropontes, and Rio de Janeiro's Mercado Moderno—and beyond. Learn More

https://www.architecturaldigest.com/event/salone-art-and-design

OCTOBER 17, 2023

Max Lamb Unveils Cardboard Furniture, Pierre Frey Acquires Zuber, and More News Here’s the news to know By Alia Akkam, Mel Studach, and Sydney Gore

Max Lamb among the cardboard models for his new collection, BOX. Photo: Tom Jamieson c/o Gallery Fumi

From significant business changes to noteworthy product launches, there’s always something new happening in the world of design. In this biweekly roundup, AD PRO has everything you need to know. Exhibitions

https://www.architecturaldigest.com/story/max-lamb-unveils-cardboard-furniture-pierre-frey-acquireszuber-and-more-news?redirectURL=https%3A%2F%2Fwww.architecturaldigest.com%2Fstory%2Fmaxlamb-unveils-cardboard-furniture-pierre-frey-acquires-zuber-and-more-news

Photo: Angus Mill Box chair by Max Lamb

Max Lamb sets his sights on cardboard

Sustainability has long piqued the interest of British designer Max Lamb, so it was only a matter of time before he decided to transform the pileup of cardboard in his studio, typically reserved for models and prototypes, into furniture. These earthy, wood-and-rock-like creations are the focus of “BOX”, an exhibition at Gallery FUMI in London’s Mayfair district (on view until November 18 before traveling to Salon Art + Design in New York, Design Miami, and Frieze Los Angeles). Lamb cut, scored, folded, and crushed the utilitarian brown paper. He then reassembled the material into a crumpled sack-like vase and a series of monolithic chairs and tables, with the help of bolts, screws, paper gum tape, and a homemade flour and water glue, infusing each piece with a raw, well-worn quality.

Photo: Angus Mill Box table by Max Lamb

Photo: Angus Mill Box coffee table by Max Lamb

NOVEMBER 15, 2023

Salon Art + Design Debuts to Note, Remembering Maria Pergay, and More News Here’s what you need to know By Alia Akkam, Mel Studach, and Lila Allen

Photo: Filippo Pincolini

https://www.architecturaldigest.com/story/salon-art-design-debuts-to-note-remembering-maria-pergayand-morenews?utm_source=nl&utm_brand=ad&utm_mailing=ARD_ADPRO_111523&utm_campaign=auddev&utm_medium=email&bxid=5da45b21639ec82776658c0f&cndid=54716266&hasha=c6e806860471 7510a1a66a925884f78a&hashb=233cdc6352544c7a357b0b72fd2fcbba99c3ccac&hashc=fb713920ffd12 bda9a93315ed6fe80dad465b84a6a72afc44cf601be9f6e6595&esrc=APR19_FIX&utm_term=ARD_AdPro

Photo: Inge Clemente

Cox London co-founders Chris and Nicola Cox present the Magnolia Grandiflora chandelier.

Photo: Gaspard Hermach

Rimbaud rocking chair by Charles Zana

Photo: Arturo Sanchez

L’eau de la mirror by Nathalie Ziegler-Pasqua, available at Twenty-First Gallery Salon Art + Design highlights we’re still thinking about

Plenty caught the eye at the most recent installment of Salon Art + Design, held in New York at the Park Avenue Armory on November 9–13. One of these highlights, the Magnolia Grandiflora chandelier, dramatically graced the entrance to the fair with its mélange of hand-forged iron and ethereal cotton blooms crafted by the atelier Cox London. Sinuous, natural forms distinguish another standout, Parisian glass artist Nathalie Ziegler-Pasqua’s monumental L’eau de la mirror. Part of the Twenty-First Gallery in New York’s showcase, it melds silvering glass from the historic Verrerie de Saint-Just with splashes of obsidian. Meanwhile, Paris architect and designer Charles Zana also made an impression with his assemblage of new collectibles, including the sleek, curving Rimbaud rocking chair fusing leather and steel and the funky Milos lamp pairing a silver travertine base with an ebony- and bronze-hued wicker shade.

NOVEMBER 20, 2023

Biedermeier Furniture Is Having a Moment—Again! This 19th-century furniture style—originally made to accommodate a growing middle class—is ripe for revisiting By Hannah Martin

Since seeing Paola Saracino Fendi’s Upper East Side pad, fabulously decorated by British firm Campbell-Rey, I can’t stop thinking about her dining chairs. A collection of eight mismatched Biedermeier beauties, with seats reupholstered in colorful Lelièvre corduroys, surround a sleek 1980s table by Paul Mayen. They were fun—with their scrolling, decorative backrests—but also somewhat serious with crisp, clean-cut lines. In Germany and Austria between 1815 and 1850, when the seats were likely made, this style represented the peak of modernity. The Napoleonic wars had ended and a burgeoning middle class emerged, with the time and money to furnish their homes. A new style of furniture was created to suit their needs: streamlined versions of more opulent Empire furniture, characterized by strong lines, warm local woods like walnut, pear, and cherry, and simplified shapes—though, notably, not totally stripped of ornament. Hallmarks include flared arms and legs or curlicue seat backs. In Biedermeier: Art and Culture in Central Europe 1815–1848, authors Radim Vondracek, Claudia Terenzi, and Jiri Rak call it “the undisputed point of breakdown between Classicism and modernism,” both for that clean, modern look and the fact that—for the first time—production was based on standard models.

https://www.architecturaldigest.com/story/biedermeier-furniture-is-having-a-momentagain?redirectURL=https%3A%2F%2Fwww.architecturaldigest.com%2Fstory%2Fbiedermeier-furnitureis-having-a-moment-again

The origins of its moniker (only given decades later) can be found in the German words bieder—plain, unpretentious, and inoffensive—and Biedermann, an honest, upright citizen without intellectual ambition. Despite that rather disparaging name, Biedermier forms would lay the groundwork for much of modern furniture design to come: Thonet’s iconic bistro chair has roots in a Biedermeier model; as do many pieces of Wiener Werkstatte–era furniture, which would emerge soon after. The origins of its moniker (only given decades later) can be found in the German words bieder—plain, unpretentious, and inoffensive—and Biedermann, an honest, upright citizen without intellectual ambition. Despite that rather disparaging name, Biedermier forms would lay the groundwork for much of modern furniture design to come: Thonet’s iconic bistro chair has roots in a Biedermeier model; as do many pieces of Wiener Werkstatte–era furniture, which would emerge soon after.

A pair of Biedermeier armchairs add a classical touch to a Nashville living room designed by Roger Higgins. Photo: Haris Kenjar

“We loved how playful they were, yet so elegant and classic,” says Duncan Campbell of the dining chairs that caught my eye—a set that once belonged to an Austrian design enthusiast, which his client snagged on 1stDibs. He and Charlotte Rey have been gravitating to pieces from this period, which they praise for quality craftsmanship as well as, in Rey’s words, their ability to “lift a room.” The duo recently placed a walnut burr Biedermeier chest of drawers in a project in Greece. Other designers and tastemakers have been slowly reintegrating these period pieces into their interiors. Jill Bokor, executive director of New York’s Salon Art + Design fair, recently purchased a Biedermeier table for her new Berkshires home, calling the style “the freshest antique to make a return to the market.” Fashion designer Adam Lippes, whose father collected Biedermeier, lives with a pedestal dining table in his Brooklyn apartment. R.Higgins Interiors principal designer Roger Higgins placed a pair of armchairs from the era in a Nashville house. And when Derek Lam and Neal Beckstedt were working on Lam’s Fire Island beach house, they looked to the 1980s interiors of Joe D’Urso that, while staunchly minimalist, also incorporated the occasional Biedermeier treasure.

https://www.architecturaldigest.com/story/biedermeier-furniture-is-having-a-momentagain?redirectURL=https%3A%2F%2Fwww.architecturaldigest.com%2Fstory%2Fbiedermeier-furnitureis-having-a-moment-again

A Biedermeier pedestal table in fashion designer Adam Lippes’s Brooklyn apartment. Photo: Stephen Kent Johnson

https://www.architecturaldigest.com/story/biedermeier-furniture-is-having-a-momentagain?redirectURL=https%3A%2F%2Fwww.architecturaldigest.com%2Fstory%2Fbiedermeier-furnitureis-having-a-moment-again

A photograph by Slim Aarons hangs above a Biedermeier chest in Lulu de Kwiatkowski’s Bahamian home. Photo: Pernille Loof

“It seems to sing in very restrained and even minimal interiors,” explains Adam Charlap Hyman, of the AD100 firm Charlap Hyman Herrero. He recently surrounded an artist-made dining table with Biedermeier chairs at a SoHo loft. “I enjoy the juxtaposition between wooden Biedermeier furniture and High Tech pieces from the ’70s and ’80s by the likes of Gae Aulenti or Joe D’Urso.” It doesn’t feel like an accident that the last major Biedermeier resurgence happened in the ’80s when that particular type of minimalism was taking root. In 1981, The New York Times spotlighted the style’s re-emergence, declaring that Biedermeier was “so easy to live with in small apartments—they are simple, charming, have great ambiance and the light woods makes them ever so appealing.” Just three years later, Robert Venturi designed his cartoonish riff for Knoll.

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In the primary bedroom at stylist Mieke ten Have’s barn in upstate New York, a Biedermeier chest of drawers with marble top is a quiet star. Photo: Ricardo Labougle

Perhaps that’s the contemporary appeal of Biedermeier: It’s quite a chameleon. It brings a calculated hit of classicism to a cool, minimalist interior, but it can deliver streamlined modernity to one that is layered and super decorated. Higgins, for example, likes the way that Biedermeier pieces work in more maximalist interiors, explaining that “their simple lines and overall restraint complement current trends toward warmer, pattern-filled spaces.” Keep an eye out for Biedermeier treasures on sites like 1stDibs or at auction, where they can still be scored at relatively affordable prices. “With its clean architectural lines and light woods, Biedermeier can warm a contemporary home without having your ‘grandma’s antiques’ feel,” explains Anna Hicks, head of the furniture and decorative arts department at Bonhams in Los Angeles, who adds that, “It is a very affordable way to add diversity to your interior.” Just last week, the auction house sold a Biedermeier chest from the collection of Cliff Fong for a reasonable $1,024. And over the last decade pieces from the era have emerged from the collections of writer Jackie Collins and actress Lauren Bacall. Rey’s main piece of advice? Try not to take period pieces like these too seriously. “It is important to not be afraid to mix them with color and other periods,” she explains. “Perhaps you place a Memphis Milano lamp on top of a Biedermeier sideboard? Being too respectful can make it feel overly polite.” Shop the Style

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Antique Rosewood Biedermeier Chest of Drawers with Vanity Mirror $1,990 Etsy

“The World of Biedermeier” $91 Amazon

Biedermeier Primavera Armoire by Baker Furniture $3,595

Chairish

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Gottlieb Side Table $3,900

Bunny Williams Home

Set of Four Biedermeier Dining Chairs $14,000 InCollect

Pair of Vintage Cast Aluminum Armchairs $875 Etsy

Garth Console Table

$4,605

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Theodore Alexander Swedish Biedermeier Dining Chairs Set of 4

19th Century Biedermeier Walnut Chairs $3,887 1stdibs

$3,477 1stdibs

Biedermeier X-Shaped Leg Console Table $1,800 Chairish

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NOVEMBER 8, 2023

The best of Indian design at Salon Art + Design in New York City Salon Art + Design returns to the Park Avenue Armory in New York City in November, and from India, spotlights pieces by DeMuro Das and the Trunks Company. By Adarsh Soni

Trunks Company

It’s going to be the most unique fair that we’ve ever had,” says Jill Bokor, executive director of Salon Art + Design. “There’s an exciting mix of top international galleries returning, along with some young names who are pushing collectible design with new materials and forms.” Consider the evidence: Paris-based Mathieu Lehanneur, a multi disciplinary designer who not only creates beautiful furniture, but also designed the torch for the 2024 Olympics; iconic New York gallery Karl Kemp with their one-of-a kind antiques; and side tables studded with semi-precious stones, courtesy of New Delhi–based DeMuro Das. There’s wit, design expertise, and craftsmanship like you’ve never seen before.

https://www.architecturaldigest.in/story/the-best-of-indian-design-at-salon-art-design-in-new-york-city/

At DeMuro Das, inspiration comes in from all four directions. Manifesting in the form of a bookshelf inspired by traditional Indian pedestals, as well as tables that take from the rich history of Jaipur’s jewel trade. “Our favourites continue to be pieces from the Tempest and Clarion collections, which employ unique finishes like claret dolomite, vesuvianite, and howlite,” says Puru Das, one half of DeMuro Das. Each stone is cut and inlaid by artisans, with lines between pieces become invisible to the eye, morphing into a singular carved stone.

The Tempest side table by DeMuro Das. DeMuro Das

Elsewhere, board games take over some of Trunks Company’s most lavish designs—the Pipe & Chess Bar Cabinet Trunk and the Game Island Trunk. The former features an extendable workstation and sections for bar tools, while the latter keeps up with the element of surprise with a game hidden in each layer. “We wanted to craft pieces that surpass the rules of trunkmaking, unveiling a world of grandeur with each wing unfolding itself,” says Paritosh Mehta, who co- founded Trunks Company with his brother Priyank. A single trunk takes around six months to manufacture, and the finished product blurs the boundaries between art and design.

Salon Art+Design was held in New York City from 9–13 November.

https://www.architecturaldigest.in/story/the-best-of-indian-design-at-salon-art-design-in-new-york-city/

OCTOBER 24, 2023

Salon Art + Design By Alia Akkam, Mel Studach, and Sydney Gore WHEN Nov 9–13, 2023 Add To Your Calendar »

WHERE Park Avenue Armory

643 Park Ave, New York, NY 10065, United States

Get Directions » ETC Visit »

Settebello lounge chairs designed by Gio Ponti and Giulio Minoletti in 1952.

Salon Art + Design, the city’s premiere design fair, returns to the Park Avenue Armory for a weekend-long celebration of the best in decor. Featuring booths from 60 of the most internationally renowned art and design galleries, just about every aesthetic is represented. On top of the covetable furniture and art that may beg to come home with you—check out the fair’s exclusive collection of ABASK objects and Atelier FM collectibles—this year’s fair includes seven stimulating conversations on the intersection of design and culture. Opening the weekend will be an AIR MAIL conversation on the decorative arts in film and television. From the tiers of pastries and endless flowers of Bridgerton to the suburban North Jersey interiors of The Sopranos, the eminent film production designer Bob Shaw, the longtime critic and AIR MAIL contributor James Wolcott, and the AIR MAIL Arts Intel Report editor Laura Jacobs will dig into the details. —Lucy Horowitz https://airmail.news/arts-intel/events/salon-art-design-3

AUGUST 16, 2022

Save the Date New York’s Salon Art + Design fair returns for its 12th edition By Kelly Pau

https://aninteriormag.com/new-york-salon-art-design-fair-returns-12th-edition/

Colonne Noailles by LABAYE SUMI, shown by Charles Burnand Gallery (Courtesy Charles Burnand Gallery)

Colonne Noailles by LABAYE SUMI, shown by Charles Burnand Gallery (Courtesy Charles Burnand Gallery (Courtesy of Charles Burnand Gallery (Courtesy of Charles Burnand Gallery (Courtesy of Charles Burnand Gallery)

“We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry-level collectors alike,” said Jill Bokor, executive director of Salon Art + Design, in a statement. “While Salon is known for showing some of the most world-renowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries who are showcasing some of the most cutting-edge design, whether that be vintage, modern, or contemporary. We’re excited for our visitors to reconnect with the galleries one may expect at the fair, while also discovering the new and unexpected.”

https://aninteriormag.com/new-york-salon-art-design-fair-returns-12th-edition/

Tempest Side Table by DeMuro Das (Courtesy DeMuro Das)

Of the nearly 50 exhibitors in the far, newcomers include Achille Salvagni Atelier, bo Design Group, Guy Regal NYC, Mercado Moderno, Mia Karlova Galerie, Salon Design, Spazio Nobile, and Zeit Contemporary Art. They fall alongside familiar names like Bernard Goldberg Fine Arts, Cristina Grajales, David Gill Gallery, Donzella, Galerie Marcilhac, Karl Kemp, Liz O’Brien, Maison Gerard, Todd Merrill Studio, and Twenty First Gallery who are returning from previous years.

https://aninteriormag.com/new-york-salon-art-design-fair-returns-12th-edition/

Light Entanglements by Stine Bidstrup, shown by Fumi Gallery (Courtesy Fumi Gallery)

London’s Charles Burnand Gallery will also be in attendance, featuring LABAYE SUMI, the studio led by Agathe Labaye and visual artist Florian Sumi. The duo operate under the ethos that “objects make architecture” and defy singular aesthetics. Their collaborative style is apparent in the Colonne Noailles, a stained glass sculptural light thats cues from classic pillars and provides dual functionality as a light source and side table.

Lampe Chios allumée by Charles Zana Mobilier (Jean-Pierre Vaillancourt)

Lampe Milos by Charles Zana Mobilier(Jean-Pierre Vaillancourt)

https://aninteriormag.com/new-york-salon-art-design-fair-returns-12th-edition/

Other architects in the fair include Paris-based Charles Zana, founder of his epononymous architecture firm and the interior designer of MAD Architects’ UNIC building. He will introduce his first self-produced, high-end furniture collection (which includes lighting and seating) extend his luxurious yet inviting visual language into products. For the fair’s first special design and jewelry exhibitions, the fair invited ABASK, Zana, Cox London, DeMuro Das, Humans Since 1982, Mathieu Lehanneur, Silvia Furmanovich, and others to create exclusive capsule collections. Learn more about the attendees and works on view here.

https://aninteriormag.com/new-york-salon-art-design-fair-returns-12th-edition/

AUGUST 28, 2023

Dealer news in brief including Abbott and Holder's 'affordable art' web page A roundup of news and events from around the trade By Francis Allitt

One of the items offered at Abbott and Holder in the inaugural edition of the Plan Chest Page is of a set of five 19th century prints by various hands including this scene. They are available together for £25.

https://www.antiquestradegazette.com/print-edition/2023/september/2607/dealers-diary/dealer-newsin-brief-including-abbott-and-holders-under-50-web-page/

Abbott and Holder, the British picture specialist in Museum Street, London, has introduced a new selling strategy: the Plan Chest Page. The web page is the successor to the firm’s physical £50 and Under Box. That in turn replaced the 5/ Box which was used when the firm traded from Castelnau. These works “as beautiful or interesting as they may be, do not warrant the expense of being framed, mounted and introduced on our monthly Lists”, the gallery says. abbottandholder-thelist.com New York fair exhibitors

Salon Art + Design Fair (November 9-13) has announced the exhibitors for its 12th edition. The New York fair hosts several newcomers such as Achille Salvagni Atelier, Didier Ltd and Galerie Gmurzynska, while returning exhibitors include Maison Gerard, Karl Kemp and Bernard Goldberg Fine Arts. thesalonny.com Event launch

Women in Art Fair, a new Contemporary event, launches this autumn at Mall Galleries London. Founded by Jacqueline Harvey, the event runs from October 11-14 and has on its committee dealers Virginia Damtsa and Cynthia Corbett among others. womeninartfair.com

https://www.antiquestradegazette.com/print-edition/2023/september/2607/dealers-diary/dealer-newsin-brief-including-abbott-and-holders-under-50-web-page/

NOVEMBER 21, 2023

Major Sales Opening Night At Salon Art + Design Review & Onsite Photos by Z.G. Burnett

The Park Avenue Armory’s stately entrance to the Salon Art + Design show would welcome more than 2,000 visitors on opening night.

https://www.antiquesandthearts.com/major-sales-opening-night-at-salon-art-design/

NEW YORK CITY — The 12th edition of the Salon Art + Design at the Park Avenue Armory welcomed more than 2,000 visitors during its dazzling opening night on November 9. Salon was produced by Sanford Smith + Associates, and the premier event was co-hosted by Nathalie and Laura de Gunzburg. With 50 leading design exhibitors and 12 special design exhibitions from global houses exclusive to Salon, the show was off to a great start with an excellent number of sales from many vendors during the opening. Everywhere one looked, there was an item or booth that was beautiful to behold, dating from ancient artifacts to contemporary tableaus. Salon was open to the public through November 13. “It’s always like this, though,” said one visitor to another during the early press preview. “Literally the last minute.” Any reader who has produced, sold at or even assisted at such a show can empathize with the controlled chaos of scaffolding, ladders and drinking glass organization that typically ensues right up to opening. Many exhibitors were international but even some locals were down to the wire setting up, a lengthy process in which anything and everything can go wrong. The majority were ready to receive customers within the hour, and those who were not quite there still had people waiting patiently for their favorite designers to settle. Twenty First Gallery, New York City, gave one a case of the “ooh shiny,” presenting the glittering work of French sculptor Nathalie Ziegler, who works with specially blown glass from the Verrerie de Saint Just that’s broken into shards and reassembled into unique, signed home furnishings. Ziegler’s green-tone Tree Hanging chandelier hung from the exhibition space’s ceiling, but our eye was drawn to a trio of peacock colored, five-armed candle holders titled “La Forêt,” or “The Forest.” Twenty First also displayed a collection of Ziegler’s mirrors in various sizes, presenting options at a range of prices to create more accessibility for young collectors.

“Sovereignty” (left) and “Double Dutch” (right), by Anina Majors who uses weaving techniques passed down by her family to create glazed stoneware sculptures that feature a dash of sand from her homeland, the Bahamas. Shoshana Wayne Gallery, Los Angeles.

Another sculptor expanding the media was Bahamian artist Anina Major, represented by Shoshana Wayne Gallery, Los Angeles. Descended from artisan basket makers on both sides of her family, Major uses weaving techniques passed down to her to construct her glazed stoneware sculptures. Two of these occupied the far corners of the exhibition space. “Sovereignty” was created with the coiled weaving style used by her father, while “Double Dutch” showed the plait style taught to Anina by Major’s mother. Both were sprinkled with Bahamian sand, a detail she uses to further link the objects with her homeland. Many artists and designers attended the show to discuss their work with potential customers and admirers. Brian DeMuro and Puru Das of DeMuro Das, Delhi and New York City, unveiled their new LouLou lounge chairs. Described as “a contemporary interpretation of a club chair,” the LouLou offers a deep seat without dominating a

https://www.antiquesandthearts.com/major-sales-opening-night-at-salon-art-design/

room, emphasizing both comfort and design. Upholstered with tapestry-like fabric in Dedar’s Schwarzwald, or Enchanted Forest, pattern in a few different colors and wood bases, the LouLou also features long, shredded fringe from Houles that moves gracefully along with the chair’s unexpected swivel. “We didn’t want to just do white bouclé,” DeMuro said with a wry smile. Another designer bringing “a bit of wit” to the classics was Sebastian Errazuriz, who could be found in the David Gill Gallery, London, exhibition space along with a number of his interior pieces. Inspired by antiquity, Errazuriz uses busts and sculptures from the Greco-Roman canon in unexpected, humorously irreverent ways. A prime example was “Athena Lemnia,” a bronze and marble side table featuring the goddess Athena’s inverted head on the underside, and another was a set of ebony, steel and marble composite shelves titled “Bust.” As its name implies, work featured different portrait busts in various states of completion holding up the shelves. Errazuriz’s use of these ancient motifs in this way suggests their simultaneous relevance and irrelevance; they are timeless but ultimately utilitarian when the need arises.

Dating back to 2400 BCE, this Cycladic figure was in “original skin,” meaning it showed no repairs or breaks aside from its lost feet. In the background, a superb Augustan period Dionysus bronze showed emerald and silver eyes, one of which was original. Phoenix Ancient Art, Zurich and New York City.

One of the earliest pieces at Salon was brought by Phoenix Ancient Art, Geneva and New York City, a Cycladean figure made circa 2400 BCE by the Steiner Master. Possibly a “mother goddess” figure, it was in remarkable condition with no repairs or losses aside from its feet, referred to as being in “original skin.” Although their original significance is not exactly known, these figures were intentionally broken before being buried in gravesites. This example had a long exhibition history, including five museums in the 1980s, and was offered from a private collection.

https://www.antiquesandthearts.com/major-sales-opening-night-at-salon-art-design/

Another rare ancient piece was a tabletop-sized Roman marble sculpture circa the First Century BCE to the First Century CE, “Actaeon Attacked by his Hounds,” presented by Ariadne, London. In the Roman version of this myth, Actaeon was a Theban hero who was caught spying on the bathing goddess Diana, who punished the mortal man by turning him into a stag that was then hunted by his own dogs. This particular sculpture was one of few that exist in private collections, and a similar example was found at Herculaneum and is now in the Vatican Museum. Circumambulating the sculpture created the illusion of movement, which was especially compelling when contrasted against the surrounding contemporary art.

“Feeding Consciousness,” 2023, was one of many digital installations by Dominic Harris from Halcyon Gallery, London; this example showed “visual snippets” of Google’s top five trending topics, was geo specific and changed from minute to minute.

Across the aisle in the Halcyon Gallery, London, was one such impressive piece from Dominic Harris, a tower composed of small, tablet-like screens that changed every minute to reflect Google’s five trending topics, titled “Feeding Consciousness.” The topics were localized and geo specific, giving “visual snippets” of information. This was Halcyon’s first showing at Salon, and versions of the installation had already been acquired by institutions in the United Kingdom and the United States by opening night. Salon Art + Design takes place at the Park Avenue Armory, 643 Park Avenue — dates for its 2024 edition are forthcoming. For information, 212-777-5218 or www.thesalonny.com.

https://www.antiquesandthearts.com/major-sales-opening-night-at-salon-art-design/

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Published by The Bee Publishing Company, Newtown, Connecticut

November 3, 2023

INDEXES ON PAGES 36 & 37

ACROSS AMERICA IN 1955

MUSEUM OF FINE ARTS, HOUSTON Q&A: Shelby Sickler Rarity & Quality Drive Hindman’s European F&D Auction Soulis Sale Showcases Regionalism & Kansas City Art History Rhinebeck Antiques Show: A Hudson Valley Fall Classic ‘Old School’ Connecticut River Book Auctioneer Is Hammer Holdout Kaminski’s All-Asian Sale Includes James Dolph’s Private Collection Fall Edition Of Brimfield North Draws A Huge Crowd Go Figure! Human Form Dominates Top Lots At Ahlers & Ogletree Pugliese Illustration Collection Draws Nearly $350,000 For Bruneau Boston College’s McMullen Museum of Art— Peter Lynch Collection Donation Goes On Extended View 6

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12 — Antiques and The Arts Weekly — November 3, 2023

Salon Art + Design Returns With New Galleries & Design Displays NEW YORK CITY — Salon Art + Design, the collectible design and art fair produced by Sanford L. Smith + Associates, announces its 12th edition, taking place at the Park Avenue Armory in New York City, November 9-13. Salon Art + Design has evolved into a destination for showcasing, acquiring and engaging with design and art. A highlight of New York City’s fall arts calendar, Salon is unveiling new exhibitors, paired with special displays of collectible design. Featuring some 50 exhibitors from around the world, Salon presents leading design — vintage, modern and contemporary — and blue-chip Twentieth Century art. The fair presents an array of material from furniture, studio glass and ceramics, to Japanese art and jewelry. Salon is welcoming several new exhibitors, many who are much-anticipated up-and-comers in the collectible design space, and some debuting in the United States for the first time at the fair. New design exhibitors include Achille Salvagni Atelier, bo Design Group, Didier,

Mathieu Lehanneur, pied-à-terre in New York.

Silvia Furmanovich, “Japanese Leaves” centerpiece. DK Farnum, Elevated Matter Gallery, Galerie Mathivet, Galerie Philia, Guy Regal NYC, Mercado Moderno, Mia Karlova Galerie, Potterton Books, Rosior, Salon Design, Spazio Nobile, Tuleste Factory and Yvel. Galerie Gmurzynska, Halcyon Gallery and Zeit Contemporary Art join the fair as new fine art dealers. While the fair is known for paving the way for new exhibitors and voices in design, Salon welcomes back longstanding participants, including Bernard Goldberg Fine Arts, Cristina Grajales, David Gill Gallery, Donzella Ltd, Galerie Marcilhac, Galerie Chastel-Maréchal, Gallery FUMI, Karl Kemp, Liz O’Brien, Maison Gerard, Todd Merrill Studio and Twenty First Gallery. For the first time, Salon will integrate a select group of special design and jewelry exhibitions on the floor, ranging from exclusive capsule collections from individual designers to smaller curations from galleries. Special design exhibitors include ABASK, Charles Zana

PAINTINGS WANTED ESTATES & COLLECTIONS

~ Highest Prices Paid ~

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Due to high demand, the gallery is buying new inventory: American paintings, Old Masters, European Paintings, Abstract and Modern Art, Contemporary and Surrealist Art, American and European Impressionists

5230 Silo Hill Road, Doylestown, PA 18902 / (215) 348.2500 www.gratzgallery.com/ pgratz@gratzgallery.com Wed. through Sat. 10 - 6, Sun. 12 - 5, and by appointment

At Park Avenue Armory For Its 12th Edition

Mobilier, Cox London, DeMuro Das, Humans Since 1982 x Spaceless Gallery, James de Wulf, M. Fisher, Mathieu Lehanneur, Phillip Thomas, Silvia Furmanovich, Thomas Cooper Studio and Trunks Company. “We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry-level collectors alike,” said Jill Bokor, executive director of Salon Art + Design. “While Salon is known for showing some of the most worldrenowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries who are showcasing some of the most cutting-edge design, whether that be vintage, modern or contemporary. We’re excited for our visitors to reconnect with the galleries one may expect at the fair, while also discovering the new and unexpected.” The fair distinguishes itself through its blend of the historic and cutting-edge contemporary

Humans Since 1982, “A Million Times 120,” installation view. collectible design and fine art. Just as esteemed interior designers craft eclectic and cuttingedge spaces for their discerning clientele, exhibitors at Salon Art + Design are encouraged to fashion immersive environments that mirror the dynamic ways we decorate and live today. Each year, Salon elects an esteemed group of individuals who embody the spirit of the fair to join the Honorary Committee. This year’s committee is cochaired by Nathalie & Laura de Gunzburg joined by Paul Arnhold, Guillaume Coutheillas, Beth Rudin DeWoody, Christina Ohly Evans, Linda Fargo, Den-

nis Freedman, Wendy Goodman, Gabriel Hendifar, Julie Hillman, Colin King, Jeff Klein, Carlos Mota, David Netto, Daniella Ohad, Suchi Reddy and Lizzie Tisch. Salon also announced the fourth issue of Salon - The Intersection of Art + Design Magazine, the fair’s print publication that is available on Salon’s website. Produced in conjunction with Cultureshock Media, the magazine is slated to publish midOctober. The Park Avenue Armory is at 643 Park Avenue. For information, www.thesalonny or 212777-5218.

Fairfield University Art Museum Receives Art Bridges Foundation Funding FAIRFIELD, CONN. — The Fairfield University Art Museum is the recipient of a threeyear grant totaling $56,000 from the Art Bridges Foundation, the national arts nonprofit founded by philanthropist Alice Walton. The initiative titled “Access for All,” will provide $40 million in funding to 64 museums nationwide. “Access for All,” aims to increase access to museums across the United States and foster engagement with local communities by covering the costs of free admission days and expanded free hours as well as programming, outreach and community partnerships that together, will eliminate many common barriers to access. Each museum will have the opportunity to use the funds to develop tailored programming specifically for their communities. The Fairfield University Art Museum is using its funds to support extended hours for the museum. The funding from Art Bridges will allow the museum to be open on Thursdays until 8 pm for the next three years. Fairfield University Art Muse-

um is one of four museums in Connecticut to receive grant funding, including Mattatuck Museum, New Britain Museum of American Art and Wadsworth Atheneum Museum of Art. “Fairfield University Art Museum is honored to be a part of Art Bridges’ 'Access for All' initiative, allowing us fulfill our mission of providing the Fairfield County community the opportunity to connect to art, ideas and each other,” said Carey Mack Weber, executive director of the museum. “Our diverse audiences have long asked for extended hours, particularly to accommodate those who work during the day. We hope that this initiative will bring new visitors and new excitement, as well as expanded partnerships, allowing us to welcome more community members than ever before.” In addition to the Fairfield University Art Museum, museums participating in the Access for All initiative span 36 states and Puerto Rico. The full list of participating museums can be found on the Art Bridges website www. artbridgesfoundation.org.

“Access for All” represents a sweeping effort to get people back to museums after Covid-19 brought declines in revenue, staffing and attendance. With many museums seeing just 71 percent of their pre-pandemic attendance, the new initiative will aim to restore pre-pandemic levels — and open opportunities for all people to enjoy American art by reducing barriers to access and strengthening community relationships. This initiative positively impacts the accessibility of the exhibition “In Real Times. Arthur Szyk: Artist and Solder for Human Rights,” currently on view in the museum’s Bellarmine Hall Galleries, and “Szyk: The Interactive Experiencee” in the museum’s Walsh Gallery. On view through December 16, starting on November 2, gallery hours will be open Tuesday and Wednesday, 11 am to 4 pm, Thursday, 11 am to 8 pm, and Friday and Saturday, 11 am to 4 pm. Fairfield University is at 200 Barlow Road. For additional information, 203-254-4046 or www.fairfield.edu.

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Published by The Bee Publishing Company, Newtown, Connecticut

December 1, 2023

INDEXES ON PAGES 36 & 37

Your Money Or Your Life MEDIEVAL MONEY, MERCHANTS AND MORALITY At The Morgan Library & Museum

Q&A: John Rogers Leslie Fire Memorabilia Collection Burns Bright At Eldred’s China Trade, Art & Ephemera Bring Big Bids At Merrill’s Heritage’s Ethnographic Auction Sees Strength In Artifacts From The Americas Guyette & Deeter Draws Large Crowd & $2.3 Million 6

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Native American & Western Arts Shine At Santa Fe Art Auction

Major Sales Opening Night At Salon Art + Design Decorative Arts, Niall Smith Collection Earn Strong Results For Stair Thomaston Place’s Autumn Majestic Auction— Cross-Category Interest Yields $1.3 Million At Poster Auctions International— Art Nouveau Master Alphonse Mucha & More Draw Top Bids The Bruce Museum— Connecticut Modern: Art, Design & The Avant-Garde

14 — Antiques and The Arts Weekly — December 1, 2023

Major Sales Opening Night At Salon Art + Design

hosted by Nathalie and Laura de Gunzburg. With 50 leading design exhibitors and 12 special design exhibitions from global houses exclusive to Salon, the show was off to a great start with an excellent number of sales from many vendors during the opening.

Two LouLou lounge chairs from DeMuro Das, Delhi and New York City, a reinterpretation of the classic club chair that invites with its shape and delights the eyes with its artisanal fabric and long fringe.

“The Coming of the Mayflower in 1620,” oil on canvas by N.C. Wyeth, presented by Bernard Goldberg Fine Arts, is one of 19 murals commissioned for the Metropolitan Life Insurance Company’s New York headquarters at One Madison Avenue. Collectively known as “The New England Series,” Wyeth would finish 14 of these before his untimely, accidental death.

If one is somehow tired of the art and design on display, Salon’s guests provided premium people-watching.

Everywhere one looked, there was an item or booth that was beautiful to behold, dating from ancient artifacts to contemporary tableaus. Salon was open to the public through November 13. “It’s always like this, though,” said one visitor to another during the early press preview. “Literally the last minute.” Any reader who has produced, sold at or even assisted at such a show can empathize with the controlled chaos of scaffolding, ladders and drinking glass organization that typically ensues right up to opening. Many exhibitors were international but even some locals were down to the wire setting up, a lengthy process in which anything and everything can go wrong. The majority were ready to receive customers within the hour, and those who were not quite there still had people waiting patiently

for their favorite designers to settle. Twenty First Gallery, New York City, gave one a case of the “ooh shiny,” presenting the glittering work of French sculptor Nathalie Ziegler, who works with specially blown glass from the Verrerie de Saint Just that’s broken into shards and reassembled into unique, signed home furnishings. Ziegler’s green-tone Tree Hanging chandelier hung from the exhibition space’s ceiling, but our eye was drawn to a trio of peacock colored, five-armed candle holders titled “La Forêt,” or “The Forest.” Twenty First also displayed a collection of Ziegler’s mirrors in various sizes, presenting options at a range of prices to create more accessibility for young collectors. Another sculptor expanding the media was Bahamian artist Anina Major, represented by Shoshana Wayne Gallery,

Los Angeles. Descended from artisan basket makers on both sides of her family, Major uses weaving techniques passed down to her to construct her glazed stoneware sculptures. Two of these occupied the far corners of the exhibition space. “Sovereignty” was created with the coiled weaving style used by her father, while “Double Dutch” showed the plait style taught to Anina by Major’s mother. Both were sprinkled with Bahamian sand, a detail she uses to further link the objects with her homeland. Many artists and designers attended the show to discuss their work with potential customers and admirers. Brian DeMuro and Puru Das of DeMuro Das, Delhi and New York City, unveiled their new LouLou lounge chairs. Described as “a contemporary interpretation of a club chair,” the LouLou offers a deep seat

“Actaeon Attacked by his Hounds,” an extremely rare and dynamic Roman sculpture with few peers in private collections and even fewer in museums, presented by Ariadne, London. The Park Avenue Armory’s stately entrance to the Salon Art + Design show would welcome more than 2,000 visitors on opening night.

Review & Onsite Photos by Z.G. Burnett, Contributing Editor

“This is one of the best pieces in the whole show,” commented one onlooker of André Dubreuil’s “Paris” table, designed in 1988 for A.D. Decorative Arts Ltd. On its surface was a gemstone and crystal bowl from German cutter and artist Helmut Wolf. Karl Kemp, New York City.

Johannes Nagel’s “Tangled Construction III” seemed to become more enmeshed the more one walked around it and was another unconventional porcelain sculpture at Salon. Gallery Fumi, London.

December 1, 2023 — Antiques and The Arts Weekly — 15

“The combination of concrete and porcelain speaks about the human loss of harmony with nature and the infertility of attempts to restore it,” said Mia Karlova, Karlove Galerie, Amsterdam, Netherlands, of Turkish sculptors Yulia Batyrova and Marat Mukhametov. Titled “The Bird,” this piece was assembled with feather light pieces of porcelain, resembling wings alighting from the heavy concrete block to which it was bound. without dominating a room, emphasizing both comfort and design. Upholstered with tapestry-like fabric in Dedar’s Schwarzwald, or Enchanted Forest, pattern in a few different colors and wood bases, the LouLou also features long, shredded fringe from Houles that moves gracefully along with the chair’s unexpected swivel. “We didn’t want to just do white bouclé,” DeMuro said with a wry smile. Another designer bringing “a bit of wit” to the classics was Sebastian Errazuriz, who

Donzella, New York City, gave pride of place to this rare display cabinet from Gio Ponti and Piero Fornasetti. Produced by Giordano Chiesa in 1950, the cabinet was fashioned from Ferrara walnut root and decorated with handpainted and lithographic transferprinted wood, showing maps and imagery of Venice. A ceramic vase of the same period from Guido Gambone was a perfect fit and complement to the cabinet.

could be found in the David Gill Gallery, London, exhibition space along with a number of his interior pieces. Inspired by antiquity, Errazuriz uses busts and sculptures from the Greco-Roman canon in unexpected, humorously irreverent ways. A prime example was “Athena Lemnia,” a bronze and marble side table featuring the goddess Athena’s inverted head on the underside, and another was a set of ebony, steel and marble composite shelves titled “Bust.” As its name implies,

Clockwise from left: “Untitled [Smoke]” nylon, cord and cotton wall installation by Jacqueline Surdell; “Celadon Filigree” unique, handblown glass pendant lamps by Phillipp Weber; and “The Birdhouse” glazed stoneware vessel by Bela Silva. Part of the Pleiades Exhibition from Spazio Nobile, Brussels.

Unique “curiosity cabinet” titled “Fétiche II,” fashioned from charred wood, bronze and charms by Erwan Boulloud, presented by Galerie Negroponts, Paris.

work featured different portrait busts in various states of completion holding up the shelves. Errazuriz’s use of these ancient motifs in this way suggests their simultaneous relevance and irrelevance; they are timeless but ultimately utilitarian when the need arises. One of the earliest pieces at Salon was brought by Phoenix Ancient Art, Geneva and New York City, a Cycladean figure made circa 2400 BCE by the Steiner Master. Possibly a “mother goddess” figure, it

Nathalie Ziegler’s blown and broken glass creations are mesmerizing to behold, and we could only imagine how these “La Forêt” candleholders would glimmer in soft, flickering light. Twenty First Gallery, New York City.

“Three Pots,” editioned set of 50 color-screened prints signed and numbered by Jonas Wood, cultivated “a tremendous amount of interest” from collectors and museum curators, according to a representative of Zeit Contemporary Art, New York City.

Throckmorton Fine Art, New York City, displayed four ancient Chinese Bi Discs collectively dating from 3200 to 221 BCE on either side of Marc Leuthold’s jade porcelain disc “Reflection,” made in 2022.

Bibliophiles were kept more than busy with Potterton Books, United Kingdom, the only exhibitor exclusively selling monographs, art books and large, glossy designers’ tomes. A few objects presented were a facsimile of Henri Matisse’s 1947 “Jazz,” a circa 1920 sample album of more than 1,100 hand-painted French wallpaper designs and Italian “Wave” paper sculptures made of folded antique books by Crizu.

16 — Antiques and The Arts Weekly — December 1, 2023

This cozy interior by Maisonjaune Studio, Paris, includes a full roster of designers and artists, including an Angelo Mangiarotti table, Uchiwa model appliqué lamps from Ingo Maurer and a large design on canvas by Roger Capron.

Anh Duong’s oil on canvas “Louse Point,” painted in 2010, attracted much attention to the space of Galerie Gmurzynska, Zurich and New York City. Duong is known for her self-portraits such as this and describes them as “a visual diary.”

Salon Art + Design

“Bust” set of shelves by Sebastian Errazuriz, one of the many designers in attendance at Salon, represented by David Gill Gallery, London.

Abask is a United Kingdom-based business that represents more than 250 makers from 50 different countries, making it impossible to choose just one of their objects to feature. Embracing maximalism in its dining room-designed installation, this was certainly the brightest booth and required many visits to investigate even half of Abask’s goods. This was the company’s United States premiere at Salon.

Yunhwan Kim’s “Unintended Wall Cabinet No. 3” showcased his “respect for the tradition of cabinet making and sculptural furniture,” made from sandblasted ash wood that seemed to move as the doors opened to reveal a black mirror on the cabinet’s interior. Hanging on either side are “Infusion Pendants” by Jamie Harris, LED pendant lamps specially designed to appear as color field paintings. Todd Merrill Studio, New York City and Southampton, N.Y.

British-American artist Anthony James creates installations and sculptures of all sizes with two-way mirrors and LED lights framed in brushed steel, notably with his 97-inch-high crystal piece displayed in the 2020 Mayfair Sculpture Trail, London. This was a smaller example, only about waistheight, presented by Opera Gallery, New York City (one of 16 locations).

“A blooming and a booming…” This hanging lamp titled “Guernica” references the bombing of the Basque city during the Spanish Civil War, made famous by Pablo Picasso’s 1937 oil painting of the same title. Mathieu Lehanneur, Paris and New York City.

A rare moment of quiet for James De Wulf’s “Imperial Poker” games table, one of “Exoskeleton” series of indoor/outdoor, customizable concrete furniture and games pieces presented by the Los Angeles-based artist, who gregariously conversed with guests throughout the evening.

December 1, 2023 — Antiques and The Arts Weekly — 17

Galerie Philia, which has locations in Geneva, New York City and Singapore, titled their design gallery “Reflect,” which was all but empty save for a few works by select artists, including Cédric Breisacher, Elsa Foulon, Philip Jividen, Morghen and William Guillon, to create a space for Salon patrons and exhibitors to “reflect” upon the current crisis in Israel and Gaza. From Philia’s website, “Dialogue and mutual understanding is the only way. Coexistence is the only way. Peace is the only way.” was in remarkable condition with no repairs or losses aside from its feet, referred to as being in “original skin.” Although their original significance is not exactly known, these figures were intentionally broken before being buried in gravesites. This example had a long exhibition history, including five museums in the 1980s, and was offered from a private collection. Another rare ancient piece was a tabletop-sized Roman marble sculpture circa the First Century BCE to the First Century CE, “Actaeon Attacked by his Hounds,” presented by Ariadne, London. In the Roman version of this myth, Actaeon was a Theban hero who was caught spying on the bathing goddess Diana, who punished the mortal man by turning him into a stag that was then hunted by his own dogs. This particular sculpture was one of few that exist in private collections, and a similar example was

found at Herculaneum and is now in the Vatican Museum. Circumambulating the sculpture created the illusion of movement, which was especially compelling when contrasted against the surrounding contemporary art. Across the aisle in the Halcyon Gallery, London, was one such impressive piece from Dominic Harris, a tower composed of small, tablet-like screens that changed every minute to ref lect Google’s five trending topics, titled “Feeding Consciousness.” The topics were localized and geo specific, giving “visual snippets” of information. This was Halcyon’s first showing at Salon, and versions of the installation had already been acquired by institutions in the United Kingdom and the United States by opening night. Salon Art + Design takes place at the Park Avenue Armory, 643 Park Avenue — dates for its 2024 edition are forthcoming. For information, 212-777-5218 or www.thesalonny.com.

Looking rather lonely, but not for long, was François-Xavier Lalanne’s bronze patina, epoxy and concrete “Brebis” from his “Nouveaux Moutons” series, signed, dated and numbered under the muzzle with the inscription “Blanchet Fondeur.” Galerie Marcilhac, Paris.

Humans Since 1982 was a solo installation featuring the Stockholm-based studio founded by Bastian Bischoff and Per Emanuelsson in 2009, hosted by The Spaceless Gallery, Paris and Miami Beach, Fla. “A million Times 120” was one of a few mesmerizing, editioned kinetic sculptures, which “subvert clocks by presenting them as art objects,” whose hands would move and form to give a digital reading of the time.

Den Holm’s “Ronin Chair,” unexpectedly crafted from dyed Australian limestone, was decorated with various hand-drawn designs, including useful instructions for sitting on it.

Salon Art + Design Opening hour at Salon; a crowd that would grow steadily throughout the evening can be seen advancing from the far end of the hall.

Mounted set of miniature trunks from Trunks Company, Jaipur, outside of its exhibition space, which resembled a fantastical vault of exquisitely handcrafted storage and luggage trunks.

December 1, 2023 — Antiques and The Arts Weekly — 37

John Morris, Art Show Producer & Rock And Roll Promoter, 84

SANTA FE, N.M. — John H. Morris Jr of Santa Fe, N.M., the creator and first managing director of The Fillmore East rock and roll theatre in New York City, and the production manager of the original Woodstock Festival of Art and Music, died at his Santa Fe home Friday, November 10, after a long illness. Born in Grammercy Park, N.Y., in 1939, Morris studied theater at Carnegie Tech. At the age of 25, after a brief career as a lighting designer off-Broadway, on London’s West End, and at Peter Cook’s The Stroller’s Club in New York, Morris launched his career as a theatrical producer. He acquired the rights to Peter Cook’s satirical British productions, The Establishment and Cambridge Circus, and toured the shows across the United States with casts, including John Cleese, Cass Elliot, Peter Bellwood and Joe Maher. In July of 1967, during “the summer of love,” Morris produced his first rock and roll concert, a free show in Toronto, Canada’s City Hall square, featuring Jefferson Airplane, which drew a crowd of more than 50,000, second in size only to The Beatles’ Shea Stadium concert the year before. The show was to promote a week-long Jefferson Airplane and Grateful Dead rock and roll residency at Toronto’s O’Keefe Theatre produced by Morris and fellow Carnegie Tech alum Joshua White for West Coast rock and roll empresario, Bill Graham. In Toronto, Morris and White introduced elaborate theatrical staging to the world of rock and roll, including the first psychedelic light show projected from behind a giant screen. Their theatrical innovations in concert production have evolved into today’s elaborate staging of popular music shows and festivals. Morris produced Jefferson Airplane’s first East Coast tour before rejoining White in December of 1967, to produce a weeklong Festival of Light and Music at the Minneola Theatre, featuring shows by Frank Zappa, Vanilla Fudge, Tim Buckley and Ravi Shankar, that formally launched the psychedelic Joshua Light Show. Morris then produced rock concerts at the Anderson Theatre on New York’s Second Avenue for Crawdaddy magazine, where, with Janis Joplin’s New York City premier, he convinced Bill Graham to open an East Coast theatrical version of his already legendary San Francisco’s psychedelic rock ballroom. Eighteen days after Graham and partners, including Bob Dylan’s agent Albert Grossman, acquired Lowes lower East Side Village Theater, Morris, and a crew that included theater tech students from NYU, led by Professor Chris Langhart, opened The Fillmore East with Janis Joplin, BB King, Tim Buckley and the Joshua Light Show on the marquee.

After co-producing the first European concert tours for Jefferson Airplane and The Doors with Doors manager Bill Siddons, Morris was invited to join the production team for the Woodstock Festival of Art and Music. For Woodstock, Morris booked most of the bands which would appear at Woodstock, assuring that both the relatively unknown Santana, Country Joe and the Fish and Joe Cocker were on the bill. During the iconic, but weather-plagued three-day festival, where a crowd anticipated to be 100,000 grew to an estimated half a million, Morris was the principal master of ceremonies and is recognized as “the voice” of Woodstock, having made the now famous announcement, “It’s a free concert from now on.” After moving to England in 1970 to organize the European Producers Association and promote touring US rock bands, Morris launched London’s first rock and roll theatre, The Rainbow, in Finsbury Park, with The Who as its opening act, November 4, 1971. Morris continued to produce rock and roll events throughout Europe and the United States until 1990, including 19 Grateful Dead concerts; the premier European tour of Paul and Linda McCartney’s post-Beatles band, Wings; and tours with Ike and Tina Turner, Chuck Berry, New Riders of the Purple Sage and Santana. His production companies, Jumping Jack Productions in the United Kingdom and Europe, and Cadogan Productions in the United States, mounted concerts for artists such as Stevie Ray Vaugh, David Bowie, Pink Floyd and Frank Zappa. He also acted as manager for Otis Redding, the Danish band Gasolin’ and Japanese jazz musician, Stomu Yamashta, producing Yamashta’s third album, Go Too for Arista Records. A collector and student of Native American art and artifacts since boyhood, Morris opened a Native American antiques store in London in 1973, The Bear Creek Trading company. In 1995, he joined with Kim R. Martindale to produce antiques, fine art and design shows, throughout the United States. For the next 28 years, their antiquities shows, Native American art shows and Objects of Art shows were produced in Santa Fe, N.M., New York City, Los Angeles, San Francisco, Seattle, Denver, Scottsdale and Napa, Calif. The son of John H. Morris and Louise Morris, John’s Grammercy Park childhood in New York City was interrupted when his father returned to active duty in the US Army during the Korean War, and he attended sixth grade in three states, before the family settled in Pleasantville, N.Y., following the war. John H. Morris Jr is survived by his partner of 33 years, Luzann Fernandez of

Santa Fe; brother, Mark Morris of Sneden’s Landing, N.Y.; nephew, Eric Morris of Los Angeles; nieces, Nicole Merrick and her husband, Keil; Marie Fernandez and her husband, Guillermo Serrano Terren; and Katie Fernandez; grandnephews, Oliver and Charlie Merrick, and grandniece, Kate Merrick. Morris is also survived by a world of loyal and loving friends drawn to him over a

lifetime on concert stages, sailing adventures, photographic safaris, dinner tables, art show f loors and pickup football games. Plans for a Celebration of Life will be announced at a later date. The family requests that in lieu of f lowers, donations may be made in Morris’ memory to Assistance Dogs of the West in Santa Fe (www.assistancedogsofthewest.org/).

!"#$%&'&()&*+,$-&'&!"#$% !"#$%&' '&!"#$% !"+,1).&$&2'0$-./,.0& (New York City) Major Sales Opening Night At Salon Art + Design...................................................................14-17

!)*+,'"$-./,.0& (Hanover, Mass.) Leslie Fire Memorabilia Collection Burns Bright At Eldred’s ......................................................4 (Dallas) Heritage’s Ethnographic Auction Sees Strength In Artifacts From The Americas ...............................13 (Easton, Md.) Guyette & Deeter Draws Large Crowd & $2.3 Million Total .......................................................19-21 (Williston, Vt.) China Trade, Art & Ephemera Bring Big Bids At Merrill’s..........................................................22-23 (Santa Fe, N.M.) Native American & Western Arts Shine At Santa Fe Art Auction ......................................24-25 (Dallas) September 11 Flag Stands Strong In Heritage Historical Americana Sale ............................................38 (East Dennis, Mass.) Surprises & Strong Results Follow Skinner Collection To Eldred’s...................................38 (Marlborough, Mass.) Connecticut Chest-On-Chest Earns $381,500 At Bonhams Skinner...............................38 (New York City) RM Sotheby’s Gets $51.7 Million For Most Valuable Ferrari Ever Auctioned...........................38 (Philadelphia) Berks County Redware Plate Leads Freeman’s Americana ...........................................................38 (York, Penn.) “Bat Man” Sans Batplane, Part Of A Rare Gum Card Set That Soars In Hake’s Sale ................38 (Dallas) Heritage Silver Buyers Eat Up Tiffany & Co Flatware Sets .........................................................................39 (Windsor, Conn.) C.H. Davis Landscape Leads For Nadeau’s ...................................................................................39 (Thomaston, Maine) At Thomaston’s Auction, Cross-Category Interest Yields $1.3 Million........................41-43 (Hudson, N.Y.) Decorative Arts, Niall Smith Collection Earn Strong Results For Stair...................................46-47 (New York City) Art Nouveau Master Alphonse Mucha Top Bids At Poster Auctions International ..............50

.32,4,+,'"& (Chadds Ford, Penn.) Holiday Railroad, Critter Ornaments Return To Brandywine Museum..............................3 (Waterbury, Conn.) “Double Take” On View At Mattatuck Museum.........................................................................6 (Greenwich, Conn.) Connecticut Modern Art, Design & The Avant-Garde At Bruce Museum..........................8 (Boston) MFA Boston’ “Creative Spaces” Explores Photographers’ Studios.........................................................9 (Steamboat Springs, Colo.) Explore The “Wild West” At Colorado’s Steamboat Art Museum ........................12 (New Haven, Conn.) New Haven Museum Presents Doll House Miniatures Lecture ........................................13 (Huntington, W.Va.) Huntington Museum Shares Daywood Collection Prints......................................................18 (New York City) New Exhibit At The Grolier Club Investigates The History Of Detective Literature................23 (New York City) Spotlight On Romare Bearden’s Art And Activism At The New School....................................25 (London) Buckingham Palace Gallery Opens Largest UK Holbein Exhibition In 15 Years ..................................27 (Corning, N.Y.) Corning Museum Of Glass Presents “Disclosure: The Whiteness Of Glass”............................29 (New York City) Medieval Money, Merchants And Morality At The Morgan Library & Museum .............30-32 (Yonkers, N.Y.) Hudson River Museum Presents Contemporary Art In “Kindred Worlds” ................................33 (Houston) MFAH’s Judaica Gallery ..................................................................................................................................39 (Laguna Beach, Calif.) Laguna Art Museum Breaks Rules In Paul Wonner, Theophilus Brown Exhibit ........48

!"#$!%&'((( Across The Block.................................................................................................................................................................10 Antiques Shows & Flea Markets Calendar ............................................................................................................44-45 Historic Homes (Cos Cob, Conn.) Greenwich Historical Society’s Holiday Festivities For All Ages ............................................40 (Newport, R.I.) Holiday Sparkle Returns To The Newport Mansions ....................................................................40 (Woodbury, Conn.) Glebe House Hosts Two Holiday Events ...................................................................................40 International ....................................................................................................................................................................26-27 Q&A: John Rogers..................................................................................................................................................................1 Transitions .............................................................................................................................................................................34 (West Palm Beach, Fla.) Norton Museum Of Art Acquires Rachel Rossin Work ...................................................7 (Geneva, Switzerland) Blue Diamond Sells For $44-Plus Million At Christie’s Geneva Auction .......................26 (Paris) Louvre Seeks Donations To Keep Chardin’s Strawberry Basket In France ..............................................26 (Paris) 42 New Sites Added To UNESCO World Heritage List ...................................................................................26 (Stockholm, Sweden) Goldstein Painting Acquired By Nationalmuseum..............................................................27 (Sacramento, Calif.) Unveiling Native American Monument At Capitol, Replaces Toppled One .....................28 (Newark, N.J.) The Ballantine House Reopens ............................................................................................................34 (New York City) Construction Begins On New-York Historical Society’s New Democracy Wing....................34 (Media, Penn.) Decorative Arts Trust Awards Prize For Excellence & Innovation To Concord Museum ......39 (Atlanta, Ga.) Lelands Adds 57,000-Lot Sales Archive In New Partnership With Worthpoint...........................49 (Washington DC) National Gallery Welcomes Major Haitian Art Gifts ...................................................................52

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Larger and longer: the new Winter Olympia look by Frances Allitt The Winter Art & Antiques Fair Olympia has a larger and longer staging planned for this year. Running from October 30 to November 5, the event has not only an extra full day on last year’s fair, but also longer opening hours. Doors now open to the public at 10am rather than 10.30am and each day runs until 6pm. There are two exceptions: the late opening on the Tuesday, when it closes at 9pm, and Sunday when it shuts at 5pm. It is also moving venue, taking place in the west London exhibition centre’s Grand Hall. It continues to run in the

Right: Palissy-style ‘art of the earth’ basin, 1856, $40,000 (£33,350) at Strawser, with detail top.

Continued on page 4

Earthly pleasures This Palissy-style ‘art of the earth’ basin is inscribed and dated Avisseau, Tours, 1856 for Charles-Jean Avisseau (1795-1861). The French ceramicist, based in Saint-Pierredes-Corps, is often credited with rediscovering the techniques of Bernard Palissy (c.1510-90) although his ambitious creations often went well beyond those of the Renaissance potter. This 22in (55cm) dish teams with life, from a pike

lying in a pool of water to the centre to a lush border populated by lizards, a snake and a frog, each coloured with a different glaze. Similar items were exhibited by Avisseau at the Great Exhibition in 1851. As a large, signed and dated example it sold well above its $2000-3000 estimate to an internet bidder for $40,000 (£33,350) plus 23% buyer’s premium as part of the majolica sale at Strawser’s auction in Indiana on August 23. Roland Arkell

Ceramics & Glass Special report on the market – including poison bottles Page 12-20

The Largest Antiques Fair in the South of England

TUES 5 & WEDS 6 SEPT

TUES &

WEDS

PAGE 001, 004, 005 1607.indd 1

Tuesday 9am - 5pm £20 (Tuesday ticket allows entry on Wednesday) Wednesday 8am - 4pm £6

SOUTH OF ENGLAND SHOWGROUND, WEST SUSSEX RH17 6TL

01636 702326 l www.iacf.co.uk

SCAN TO BUY TICKETS

25/08/2023 15:34:50

Send your dealer news to Frances Allitt at francesallitt@antiquestradegazette.com

News in brief Abbott and Holder, the British picture specialist in Museum Street, London, has introduced a new selling strategy: the Plan Chest Page. The web page is XLI WYGGIWWSV XS XLI ƼVQƅW TL]WMGEP e ERH 9RHIV &S\ 8LEX MR XYVR VITPEGIH XLI &S\ [LMGL [EW YWIH [LIR XLI ƼVQ XVEHIH JVSQ 'EWXIPREY 8LIWI [SVOW “as beautiful or interesting as they may be, do not warrant the expense of being framed, mounted and introduced on our monthly Lists,” the gallery says. abbottandholder-thelist.com

5 Questions Malcolm Fairley of St James’s deals in Japanese applied arts of the 19th and early 20th centuries with a focus on cloisonné enamels and metalwork. malcolmfairley.com

1 How did you get your start? After joining Sotheby’s from school as a sales clerk, I went into the Japanese department. I stayed for 18 years, then joined Barry Davies, one of the main dealers at the time until I was able to set up on my own in 1995. After a short period working from home I found my gallery in St James’s where I shall remain (no desire for retirement). I am currently ƼRHMRK ERH VIWIEVGLMRK MXIQW JSV SYV annual exhibition catalogue on show

Above: one of the items offered in the inaugural edition of the Plan Chest Page is of a set of ve 9th century prints by various hands including this scene. They are available together for £25.

Salon Art + Design Fair (November 10-14) has announced the exhibitors for its 12th edition. The New York fair hosts several newcomers such as Achille Salvagni Atelier, Didier Ltd and Galerie Gmurzynska, while returning exhibitors include Maison Gerard, Karl Kemp and Bernard Goldberg Fine Arts. thesalonny.com

Women in Art Fair, a new Contemporary event, launches this autumn at 1EPP +EPPIVMIW 0SRHSR *SYRHIH F] .EGUYIPMRI ,EVZI] XLI IZIRX VYRW from October 11-14 and has on its committee dealers Virginia Damtsa and Cynthia Corbett among others. womeninartfair.com See more online at antiquestradegazette.com

in November. Constant research is one of the joys of this profession.

2 What is one great discovery you have made? As far as objects are concerned, I recognised and purchased one of the greatest pieces by the Kyoto enamel maker Namikawa Yasuyuki (18451927), found unattributed in an auction catalogue (before catalogues existed online) and subsequently sold it for a record price.

3 What is something you’d love to get your hands on – a ‘holy grail’ in your area? I’d like that vase back. Otherwise, the set of 12 bronze falcons made by Suzuki Chokichi for the 1893 Chicago World’s Fair and now in the National Museum of Modern Art, Tokyo. Pretty unlikely to get either! 4 Do you collect personally? I don’t have a major collection of anything in particular but numerous rather quirky objects, mainly kept in carboard boxes, to be seldom viewed but with the same excitement as when - ƼVWX JSYRH XLIQ *SV I\EQTPI VSGO crystal spheres (left), one of which set MXW WXERH SR ƼVI [LIR - [EW I\LMFMXMRK MR New York… display with caution.

5 Real ale or espresso martini? 2IMXLIV +SSH *VIRGL [MRI FYX increasingly, 0.0% beer which has improved dramatically in recent years. If you would like to be featured in 5 Questions, please contact

francesallitt@antiquestradegazette.com

The web shop window

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week. Blue John, the soft, semi-precious mineral mined only in Derbyshire, reached the height of its popularity in the 19th century. It was used for ornamental purposes, and was made into jewellery, vases, tables and even the windows of some stately homes. Kendall House Antiques of Chipping Campden offers a pair of Blue John lanterns, c.1890, for £7500. The gothic revival lanterns with Millers Vein panels are probably the work of RG Lomas. When they were discovered recently they were in original condition with some of the panels broken or missing. The lanterns were taken to Treak Cliff Cavern where replacement panels were mined and prepared and the lanterns are offered with ceiling roses, their original hanging chains and bulb holder.

kendallhouseantiques.co.uk antiquestradegazette.com

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24/08/2023 16:14:12

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ISSUE 2615 | 28 October 2023

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Pick of the week Left and below: halfpenny token for dealer in curiosities Richard Summer, 1797, featuring a ‘wild man’s head’ from northern Japan, £2600 at Baldwin’s.

Buyers go wild about tokens collection This halfpenny featuring a ‘wild man’s head’ from northern Japan actually promotes a rather less fier esome in ivi al i har Summer, a perfumer and dealer in curiosities in aven ish treet on on. Dated 1797, this halfpenny was one of the highlights of the third part of the Patrick Deane olle tion omprisin on on an politi al 18th-century tokens which was auctioned in

Continued on page 8

arlie

by Laura Chesters The Antiquities Dealers’ Association (ADA) has spoken out against claims made by the Manhattan District Attorney’s office and Homeland Security Investigations. In a press release issued on October 10, the Manhattan District Attorney stated 19 antiquities collectively valued at nearly $19m had been returned to Italy and listed a series of individual dealers that

it is investigating who it described as “major antiquities traffickers”. Following the press release’s publication and articles written on the topic in several media outlets including Antiques Trade Gazette’s website, Joanna van der Lande, chairman of the ADA, issued a statement questioning many of the claims made in the press release i n clu d i n g t h e d e a l e r s mentioned and the valuations put on the objects returned. Continued on page 4

Asian art feature

a white love sale at al win s yer s premi m on to er 1 . The ‘wild man’ token – which had last changed hands in 1931 for a mere 63 shillings £ .1 took £ 6 on this o asion from a olle tor i in online a ainst an estimate of £ .

Sale satisfaction: s ecial re ort on t e

Antiquities dealers hit back at ‘exaggerated’ claims of trafficking

Our extensive annual spotlight includes auction and dealer previews, Asian Art in London award nominees and collector interviews Page 12-40

atts rst editions auction – page 50-51

WHO DO YOU TRUST TO DELIVER YOUR PRECIOUS FINDS? To arrange delivery for your next auction purchase, go to mbe.co.uk/auction Sold for £2,600 by Catherine Southon Auctioneers & Valuers. Delivered by Mail Boxes Etc. Croydon.

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20/10/2023 12:03:07

Dealers’ Diary

Fairs flurry means a need for hurry A string of events gave a welcome chance to do business but was an intensive time for many dealers

by Frances Allitt Results from a flurry of fairs early this autumn prove there is plenty of space for such events in the London market. The season started with a bang. The LAPADA Berkeley Square Fair ran from September 27-October 1 while the British Art Fair (BAF) took place at the Saatchi Gallery from September 28-October 1. They were closely followed by the Decorative Antiques and Textiles Fair (DATF) and Tribal Art London running together at Battersea Evolution from October 3-8. For some exhibitors, the concentration of fairs meant a demanding schedule. Twentieth century British art dealer Freya Mitton was among a large group of dealers standing at more than one of the events, in her case LAPADA and BAF. She set up her stand at Berkeley Square and stayed at LAPADA for the first two days before departing for the Saatchi Gallery. The model worked for her. Mitton had seasoned representatives to man the stand at LAPADA and she has deep affection for both fairs. The “very glamorous, very highend crowd” at Berkeley Square gave rise to her higher value sales, while she noticed a more “academic” group of visitors and “niche collectors” at BAF where she parted with more by volume. There was even a handful of buyers she recounted visiting from out of town and luxuriating in the choice of two London fairs at once. “It was good to see things picking up after the summer,” she said, but added that it was a “very busy, very intense week”. Mitton was among many who hoped this collection of fairs would have space between them in the future. The London events also overlapped with the Northern Antiques Fair (September 28-October 1) in Leyburn (more in a future issue).

Robust numbers On the other hand, results from the various events suggest that there is space in the market to sustain them all. Visitor numbers were robust with 3000 coming through LAPADA on opening night alone and nearly 56 | 28 October 2023

PAGE 056, 057, 058 2615.indd 1

“

The market is there but you have to work hard – the people you meet can be as important as the actual sales

2 1. This very rare set of Uroku-dô Gusoku samurai armour was offered for £90,000 and sold from the stand of David Thatcher at LAPADA. 2. At Battersea Gallery BR sold as a trio of Spanish 14th-15th century carved stone capitals typical of Girona ticketed at £8500. 3. Timewise Vintage Watches sold this Patek Philippe 1951 watch for £17,500 at LAPADA. 4. An Artichoke ceiling light by Danish designer Poul Henningsen ticketed at £15,000 was sold by Foster & Gane during the Battersea decorative fair. 5. The Peartree Collection sold one of only two known 1906 silver ‘spaceship’

12,000 at BAF during its total run (more on final count than initially reported in ATG No 2612). Both events recorded strong sales, too. Macconnal-Mason kicked off LAPADA with the sale of more than £500,000 worth of works on preview night including a Lowry picture. Other stand-out sales during the fair included a suit of Samurai armour that went from David Thatcher for £90,000, a Patek Philippe 1951 watch which Timewise Vintage Watches offered for £17,500 and a work of Contemporary

inkwells, originally sold by Liberty as part of its Cymric silver range, for a ƼZI ƼKYVI EQSYRX at LAPADA. 6. The Home Bothy sold an archaic carved limestone Janus head from the private collection of a Surrealist artist in France to an existing private customer at a ticket price of more than £5000 at Battersea. 7. Freya Mitton sold John Wells’ Journey into Space for a ƼZI ƼKYVI sum to an established collector at British Art Fair. 8. The stand of Vagabond Antiques including a pair of early 18th century Venetian carved gilded wooden angels ticketed at £18,000 at Battersea.

Chinese art by Wei Ligang, which Michael Goedhuis had on his stand for £85,000.

Ravilious highlight At BAF, highlight sales included a £200,000 Eric Ravilious painting which went from the stand of the Fine Art Society, Glyn Philpot’s Square in Ostend, 1936, which had an asking price of £50,000 from Oliver Brooke-Walder and at least two Winifred Nicholson pictures, one each from the stands of Jonathan Clarke and Patrick Bourne & Co. antiquestradegazette.com

20/10/2023 10:27:20

Send your dealer news to Frances Allitt at francesallitt@antiquestradegazette.com

The web shop window

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

6 The Hungarian-born artist Nickolas Muray (1892-1965) is best remembered for his photographs of Mexican artist Frida Kahlo, though he shot many celebrities from Greta Garbo to Marilyn Monroe. This picture of her in a blue dress was taken in 1939 around the height of the two artists’ decade-long affair, which ended the following year when Kahlo remarried Diego Rivera. This particular print, which New York gallery Throckmorton Fine Art offers at the Salon Art + Design Fair (November 9-13), was printed by contemporary photographer Tod Gangler. One of only a handful of people who still use the process of carbon printing or tri-colour printing, he produces his own works and reproduces those of others using the process. It takes five ays an a s ession of 9 steps to reate ea h print.

throckmortonnyc.com

Jenna Burlingham, specialist in Modern British Art, was among those standing at two fairs, and after departing from BAF headed across town and set up at Battersea. An extra 12 dealers joined fresh from LAPADA. They included Precious Flora and Timewise Vintage Watches, Jeroen Markies Art Deco, Hickmet Fine Arts and M&D Moir. Burlingham said: “I also go straight from Islington (London Art Fair) to Battersea in January. I prefer back-to-back than simultaneously or a week in between. I’m quite used to it now. We don’t completely split our stock up for the two fairs but we do put a different emphasis on the second week. Battersea is more decorative and contemporary, it’s a different sort of marketplace.” Though she said that both fairs were a success for the gallery, “neither of them were fliers. The market is there but you have to work hard. The people you meet can be as important as the actual sales. For us, the trick is that we also have our gallery open at the same time. We have to have it all working when we go away.” Taking place three times per year, Battersea is now the longest continuously running of the vetted London antiques fairs. This was its first sold-out edition since the start of the pandemic, and the antiquestradegazette.com

PAGE 056, 057, 058 2615.indd 2

atmosphere was buoyant. Dealers noted international buyers and young crowds, particularly on the weekend. Notable sales included the star piece at Martin D Johnson, a Holland & Sons table made for Windsor Castle which went for a five-figure sum to a US decorator for their personal collection. Foster & Gane, meanwhile, parted with a Roman mosaic set as a low table offered for £16,500, Chalet White parted with a long set of 12 Georgian dining chairs after Robert Manwaring ticketed at five-figures, and Dorian Caffot de Fawes reported his best opening day to date finding a new home for a pair of Arts & Crafts chair ticketed at £3300. For seasoned Battersea exhibitor Joe Chaffer of Vagabond Antiques, who came to this edition after his first appearance at LAPADA “the switch to Battersea was seamless. It was like coming home.”

thesalonny.com

The Cotswolds Decorative, Antiques & Art Fair Westonbirt School, Tetbury, Glos GL8 8QG rd th

3 -5 November 2023 Friday - Sunday open 11am - 5pm

The Pavilions of Harrogate Decorative, Antiques & Art Fair at The Yorkshire Showground, Harrogate HG2 8NZ

10th - 12th November 2023 Friday - Sunday open 11am - 5pm

High Quality Antiques & Works of Art from Leading Professional Dealers

Heat is on As is always the case, each event had its share of challenges. BAF organisers were left looking into climate control at the Saatchi after a warm weekend left some of the galleries very hot. Not all at Battersea were completely content with the volume of buyers. Some even speculated that

Admission £5.00 Free Car Parking

EXHIBITORS - Booking Fairs for 2024? Full details of all our events are available now from www.cooperevents.com or call 01278 784912

Continued on page 58 28 October 2023 | 57

20/10/2023 10:42:24

OCTOBER 23, 2023

The web shop window: photograph of Frida Kahlo Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week. By Francis Allitt

A photograph of Frida Kahlo by Nickolas Muray, offered by Throckmorton Fine Art.

https://www.antiquestradegazette.com/print-edition/2023/october/2615/dealers-diary/the-web-shopwindow-photograph-of-frida-kahlo/

The Hungarian-born artist Nickolas Muray (1892-1965) is best remembered for his photographs of Mexican artist Frida Kahlo, though he shot many celebrities from Greta Garbo to Marilyn Monroe. This picture of her in a blue dress was taken in 1939 around the height of the two artists’ decade-long affair, which ended the following year when Kahlo remarried Diego Rivera. This particular print, which New York gallery Throckmorton Fine Art offers at the Salon Art + Design Fair (November 9-13), was printed by contemporary photographer Tod Gangler. One of only a handful of people who still use the process of carbon printing or tri-colour printing, he produces his own works and reproduces those of others using the process. It takes five days and a succession of 39 steps to create each print. throckmortonnyc.com thesalonny.com

https://www.antiquestradegazette.com/print-edition/2023/october/2615/dealers-diary/the-web-shopwindow-photograph-of-frida-kahlo/

NOVEMBER 13, 2023

Even the Olsens Stopped By This NYC Design Fair—Here’s What Caught Our Eye Salon Art + Design’s 12th edition was a certified showstopper. By Sean Santiago, Helena Madden And Bebe Howorth

Courtesy Galerie Chastel-Maréchal

The 12th installment of Salon Art + Design, held once again at the Park Avenue Armory in New York City, drew more than 2,000 visitors—including the twins Olsen, Linda Fargo, and Colin King—on its opening night this past weekend. On display was a curated assortment of vintage, modern, and contemporary design and art presented by more than 50 influential exhibitors. Noteworthy sales were reported, featuring iconic pieces by the likes of Karl Springer and Carlo Bugatti. However, it was a number of distinctive works from independent galleries and showrooms that particularly caught our eye. Here, we highlight a few of our favorite discoveries from the exhibition.

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

DEMURO DAS

The New Delhi– and New York City–based studio DeMuro Das, founded by Brian DeMuro and Puru Das, presented the LouLou, a contemporary spin (pun intended) on a classic lounge chair that sits on a swiveling base and was shown in a Dedar fabric with fringe by Houlès. —Sean Santiago

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

GALLERY FUMI

Jeremy Anderson

Artist Jeremy R. Anderson shared a pair of lamps he cheekily dubbed his Uptown Ladies, in collaboration with London-based Gallery Fumi. They were inspired, according to Anderson’s Instagram, by the stylish women of New York City who come to the Armory “dressed in their finest.” —S.S.

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

ABASK

Abask

This vintage 1970s silver snail ice bucket is one of many standout pieces on offer from the new British online design retailer Abask. Others from the brand’s booth included a Josef Hoffmann sterling-and-lapis coffee service and a collection of throws by Studio Shamshiri. —Bebe Howorth

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

MAISON GERARD

Niamh Barry

Irish designer and artist Niamh Barry’s calling card is her monumental bronze light fixtures, but her latest, a chandelier comprising eight large components, is among her most complex. Inspired by the golden artifacts found in the Broighter Hoard in Ireland, the work manages to feel both weighty in its meaning and weightless in its proportions. —Helena Madden

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

GALERIE CHASTEL-MARÉCHAL

Courtesy Galerie Chastel-Maréchal

Painter and sculptor Joy de Rohan Chabot, a longtime Dior Maison collaborator, showed off a series of new pieces with the Paris-based Galerie Chastel-Maréchal. Nature motifs are frozen in delicate bronze, with golden flowers crisscrossing in the pair of cocktail tables and birds perching among the metallic leaves of the screen. —H.M.

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

COX LONDON

Cox London founders Nicola and Christopher Cox displayed a more-than-12-foot-tall sculptural chandelier, hung in the exhibition hall entrance; it’s made from nearly 4,000 individually hand-forged and patinated iron leaves, with cotton blossoms resembling those of a magnolia tree. —B.H.

https://www.aol.com/even-olsens-stopped-nyc-design-223900007.html

AUGUST 14, 2022

A request for proposals will be launched next month for the adaptive reuse of the Bronx’s Kingsbridge Armory By Dan Roche

The Kingsbridge Armory in the northwest Bronx is slated for redevelopment. (Courtesy NYCEDC)

One-hundred-year-old, hulking brick fortresses that once housed gigatons of gunpowder, dynamite, and rifles built by the military are sprinkled throughout New York City. They’re hard to miss. You may have stumbled across one flâneuring the tree-lined streets of Park Slope or Bedford-Stuyvesant, Brooklyn; or Park Avenue in Manhattan. With them no longer in use, what should we do with them? Last week, the New York City Economic Development Corporation (NYCEDC) announced plans for the adaptive reuse of the Kingsbridge Armory in the northwest Bronx; the largest armory in the United States. It was built between 1912 and 1917 during World War One and was owned by the military until 1996 when it was handed over to the city. For decades, it has sat dormant. Recently, state and city officials paired up with WXY architecture + urban design, Buro Happold, AKRF, Toscano Clements Taylor, Jablonski Building Conservation, artist Manuel Miranda, and the nonprofit Hester Street to participate in a feasibility study and community engagement process to reimagine the Bronx castle.

https://www.archpaper.com/2023/08/a-request-for-proposals-will-be-launched-next-month-for-theadaptive-reuse-of-the-bronxs-kingsbridge-armory/

The Kingsbridge Armory is a 570,000 square foot open-air vault that takes up several city blocks. The $200 million project backed by the NYCEDC, Governor Hochul, and local community leaders is part of Mayor Eric Adams’s Rebuild, Renew, Reinvent: A Blueprint for New York City’s Economic Recovery, a plan which prioritizes job creation in the Bronx. In the past nine months, project officials engaged over 4,000 people to inform the Together for Kingsbridge Vision Plan. The NYCEDC claims that the project could create 1,800 jobs, including 1,100 construction jobs, and deliver $10 billion in economic impact.

“From the onset of our administration, we said we were committed to working with our community partners to reimagine the Kingsbridge Armory, and we are now one step closer to doing just that with the ‘Together for Kingsbridge Vision Plan’,” Bronx Borough President Vanessa Gibson said in the press release. “It is exciting to see so many of our residents, merchants, elected officials, and community leaders participate in this process as well as their shared interest in making this a space that can not only benefit Kingsbridge Heights but the entire borough.” To date, other armories in New York City have enjoyed second lives. The Park Avenue Armory is one of the most popular art spaces in the city, having hosted performances by world-renowned artists and serving as the annual venue for the Salon Art + Design show. The Park Slope Armory in Brooklyn was converted into a YMCA after World War One. In 2022, the city hired Freeform Deform and Urbane to help transform the Bed-Stuy Armory on Marcus Garvey Boulevard, built in 1894. In the years prior, the Bedford Union Armory in Crown Heights was transformed into a community center. Until August 25, the public can tour the Kingsbridge Armory every Friday on scheduled visits. The NYCEDC invites local developers and organizations to get involved in its transformation. More information about the project can be found here.

https://www.archpaper.com/2023/08/a-request-for-proposals-will-be-launched-next-month-for-theadaptive-reuse-of-the-bronxs-kingsbridge-armory/

OCTOBER 31, 2023

November 2023: Dates and Events By Pansy Schulman

An "open-air depot" designed by Asli Çiçek displays unused items from the Middelheim Museum's collection at the institution's public courtyard in Antwerp. This permanent but evolving installation is explored alongside other experimental approaches to preservation in As Found, now on view at the Flanders Architecture Institute. Photo © Tom Cornille

RECORD's monthly list of upcoming and ongoing exhibitions, events, and competitions. Events Salon Art + Design New York City

November 9 - 13, 2023 The 12th edition of the leading collectible design and art fair produced by Sanford L. Smith + Associates will take place at the Park Avenue Armory. On display, from nearly 50 exhibitors from around the world, is furniture, studio glass, and ceramics across a variety of styles and genres, including vintage as well as modern and contemporary pieces. See thesalonny.com.

https://www.architecturalrecord.com/articles/16561-november-2023-dates-and-events

OCTOBER 25, 2023

Salon Art + Design Special Event | In-Person By Staff Writer

Black Mirror vanity table by Vadim Kiabardin, Mia Karlova Galerie.

For New Yorkers, designers, artists, and culturally curious experience-seekers around the world: Salon offers a preeminent annual survey of cutting-edge contemporary art and classic vintage design, through both a print publication and a five-day live event. In 2023, Intersection Magazine drops in October, and Salon Art + Design takes over NYC’s historic Park Avenue Armory November 9 - 13. Preview events run Thursday evening until 9 p.m.: purchase a 4 p.m. entry ticket to support Dia Art Foundation or join us at 7 p.m. to get a first look. Salon opens daily at 11 a.m., Friday Nov. 10 through Monday Nov. 13. Date Thu, Nov 9

Time 4:00 pm - 5:00 pm

Location Park Avenue Armory. 643 Park Avenue, New York, NY 10065

By Salon Art + Design

Get tickets

https://www.archtober.org/events/salon-art-design

NOVEMBER 1, 2023

Conteúdo Conteúdo Agenda de Eventos NOVEMBRO 2023 – Salon Art + Design, Nova York Salon Art + Design 2023 acontece de 9 a 13 de novembro no Park Ave, em New York, Estados Unidos By Staff Writer

(Divulgação/Salon Art + Design)

Uma das mais importantes feiras de design colecionável do mundo, o Salon Art + Design acontece de 9 a 13 de novembro no Park Avenue Armory, em Nova York. O evento mescla escolas, expondo itens vintages, modernos e contemporâneos.

https://blog.archtrends.com/novembro-2023-salon-art-design-nova-york/

A feira é frequentada tanto por colecionadores, quanto por admiradores de design de uma forma geral. Salon Art + Design, Nova York DATA: 9 a 13 de novembro INGRESSOS: a partir de US$ 35, conferir no site LOCAL: 643 Park Ave, New York, NY 10065, Estados Unidos

https://blog.archtrends.com/novembro-2023-salon-art-design-nova-york/

NOVEMBER 9, 2023

Salon Art + Design 2023 November 9 @ 8:00 am - November 13 @ 5:00 pm By Staff Writer

The renowned exhibition, Salon Art + Design, organized by Sanford L. Smith + Associates, is scheduled to take place at the Park Avenue Armory in New York City from November 9-13, 2023. Along with an array of elite 20thcentury artworks, the event will showcase various styles of vintage, modern, and contemporary design from renowned galleries from around the globe, offering attendees an exclusive opportunity to explore the latest trends in collectible design. At the Salon, inclusivity and contemplation of both fine and decorative art according to current lifestyle are prioritized. It is believed that in modern times, builders and gatherers are more mindful when composing living spaces than selecting items. The Salon’s triumph is due to the exhibiting galleries’ selectivity, the international presentation of the exhibits, and the exactness that today’s collectors and directors demand. Salon has a carefully selected range of items which are sure to satisfy both experienced and novice collectors alike. Therefore, providing a variety of options for all. https://archup.net/event/salon-art-design/

NOVEMBER 9, 2023

Dominic Harris opens his acclaimed ‘Feeding Consciousness’ exhibition at Salon Art + Design in New York By Donna Salek

Leading British digital artist Dominic Harris opens his acclaimed exhibition Feeding Consciousness exhibition at Halcyon Gallery’s space in Salon Art + Design in New York today. Featuring 50 exceptional exhibitors from around the world, Salon Art + Design is one of the most influential collectible design and art fairs and showcases blue-chip 20th-century art as well as leading designers, from vintage to modern and contemporary. London-based Halcyon Gallery is making its debut at Salon Art + Design this year and chose to feature Feeding Consciousness after the exhibition’s hugely successful run at its Mayfair gallery this summer.

https://artplugged.co.uk/dominic-harris-opens-his-acclaimed-feeding-consciousness-exhibition-at-salonart-design-in-new-york/

Arctic Souls by Dominic Harris triptych front gallery view

Kate Brown, Creative Director at Halcyon Gallery, said: “We are so excited to be taking part in Salon Art + Design this year with Dominic Harris, one of the leading artists in the fast-moving digital space. It’s been another great year for Dominic and Halcyon Gallery and we’re looking forward to introducing Dominic to a whole new audience as well as people who are already familiar with his work. The Salon Art + Design art fair is a great way to do just that.”

Visitors to Halcyon Gallery’s exhibition space at Salon Art + Design will be invited to explore Harris’s intricately created worlds, from the natural environment to the Gods of Olympus, the financial markets and online news to the polar ice caps, all brought to life using Harris’ unique, immersive and interactive methods. In Feeding Consciousness, Harris takes his artistic skill and technical expertise to even greater heights to produce movement and interaction in magical and mythical settings, from underwater worlds to the frozen Antarctic tundra. Visitors can enter the worlds of Zeus, Poseidon and Atlas and ‘play God’ by interacting with and disrupting the environment, making the sun rise and set, and creating lightning strikes to light up the night sky. Harris’ landmark innovation, and namesake for the exhibition, is a 10-foot digital sculpture inspired by the Biblical story of the Tower of Babel. Harnessing Artificial Intelligence and datasets, the artwork acts as a feed of the country’s collective consciousness, presenting the top five trending subjects on Google’s UK search engine. The topics dominating the communal psyche are splashed across the tower’s 180 LCD screens and accompanying split-flap Solari display.

https://artplugged.co.uk/dominic-harris-opens-his-acclaimed-feeding-consciousness-exhibition-at-salonart-design-in-new-york/

Dominic Harris World Stage USA Landscape

Harris’s connection with Halcyon Gallery goes back several years, launching his first exhibition with the gallery in 2019. The exhibition, titled Imagine, featured an immersive and retrospective display of Harris’ work in the largest single exhibition of his pieces to date and included iconic works such as the butterflies of Flutter Wall, one of his earlier works which first propelled Harris into prominence in the art world. Established in 1982, Halcyon Gallery specialises in modern and contemporary art, representing both established and emerging artists, such as Bob Dylan and Dominic Harris, and is a revered leader in master artist works, including Andy Warhol, Pablo Picasso and David Hockney. The gallery curates a modern art programme including large-scale public installations and museum-scale exhibitions in the UK and internationally. Born in London in 1976, Dominic Harris is expert at using technology to interpret and reveal the world around us. Originally trained as an architect, since 2007 Dominic has operated from his own studio in Notting Hill, London, where he and his team create his artworks and installations. Drawing inspiration from art history, classical texts, pop art, Victorian inventions, nature and everyday icons, Harris’s works have caught the eye of collectors including McLaren’s Ron Dennis, Google’s Eric Schmidt and billionaire philanthropist Leonard Lauder, and his distinctive artworks have graced such diverse locations as Heathrow Airport, Tower Bridge and a Norwegian cruise ship.

https://artplugged.co.uk/dominic-harris-opens-his-acclaimed-feeding-consciousness-exhibition-at-salonart-design-in-new-york/

Harris’ visual inventions have been digitally painted by hand through a process that is comparable to traditional oil painting, though his use of technology as a means to produce movement and interaction, creates an immediacy with the viewer that no ordinary still life ever could. Said Harris: “The artworks I create are about interactive storytelling. By using technology in ways that were previously impossible, I draw the viewer in to become immersed in the artwork. The ultimate objective is to stimulate the viewer to feel more deeply, and in doing so to reveal something about themselves.” Salon Art + Design takes place at the Park Avenue Armory in New York City from 9 – 13 November, Featuring 50 exceptional exhibitors from around the world, Salon presents leading design, vintage to modern and contemporary and blue-chip 20th-century art. The fair presents an array of material from furniture, studio glass and ceramics, to Japanese art and jewellery. ©2023 Halcyon Gallery

https://artplugged.co.uk/dominic-harris-opens-his-acclaimed-feeding-consciousness-exhibition-at-salonart-design-in-new-york/

AUGUST 14, 2022

Salon Art + Design returns with new galleries & unique displays of collectible design By Staff Writer

Carole Davenport, Full size 6 panel screen, 67 high by 144 inches when open flat. Beautiful red pigment on gold leaf ground. Signed by the artist, Hinen Taizen, 1813-1861, the screen is dated Winter 1861 and has a Chinese poem.

NEW YORK, NY.- Salon Art + Design, the leading collectible design and art fair produced by Sanford L. Smith + Associates, announces its 12th edition, taking place at the Park Avenue Armory in New York City from November 9 - 13, 2023. Salon Art + Design has evolved into the premier destination for showcasing, acquiring and engaging with design and art. A highlight of New York City's Fall arts calendar, Salon is pleased to unveil new exhibitors, paired with special displays of collectible design.

https://artdaily.com/news/160217/Salon-Art---Design-returns-with-new-galleries---unique-displays-ofcollectible-design

For the first time, Salon will integrate a select group of special design and jewelry exhibitions on the floor, ranging from exclusive capsule collections from individual designers to smaller curations from galleries. Special design exhibitors include ABASK, Charles Zana Mobilier, Cox London, DeMuro Das, Humans Since 1982, Mathieu Lehanneur, Phillip Thomas Inc., Silvia Furmanovich and Trunks Company. “We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry- level collectors alike,” says Jill Bokor, Executive Director of Salon Art + Design. “While Salon is known for showing some of the most world-renowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries who are showcasing some of the most cutting-edge design, whether that be vintage, modern or contemporary. We’re excited for our visitors to reconnect with the galleries one may expect at the fair, while also discovering the new and unexpected.” The fair distinguishes itself through its meticulously curated blend of the historic and cutting-edge contemporary collectible design and fine art. Just as esteemed interior designers craft eclectic and cutting- edge spaces for their discerning clientele, exhibitors at Salon Art + Design are encouraged to fashion immersive environments that mirror the dynamic ways we decorate and live today. Each year, Salon elects an esteemed group of individuals who embody the spirit of the fair to join their Honorary Committee. This year’s Committee is Co-Chaired by Nathalie & Laura de Gunzburg joined by Paul Arnhold, Guillaume Coutheillas, Beth Rudin DeWoody, Linda Fargo, Dennis Freedman, Wendy Goodman, Gabriel Hendifar, Julie Hillman, Colin King, Jeff Klein, Carlos Mota, David Netto, Daniella Ohad, Suchi Reddy and Lizzie Tisch. Salon is also pleased to announce the fourth issue of Salon - The Intersection of Art + Design Magazine, the fair’s luxurious print publication that is available on Salon’s website. Produced in conjunction with Cultureshock Media - known for their outstanding publications by such entities as Sotheby’s, The Tate and the V&A – the magazine is slated to publish mid-October.

https://artdaily.com/news/160217/Salon-Art---Design-returns-with-new-galleries---unique-displays-ofcollectible-design

NOVEMBER 6, 2023

The Salon Art + Design By Staff Writer The Salon Art + Design brings together the finest galleries from around the world who present top design and art from the 19th, 20th and 21st centuries. Approximately 60 vetted galleries display their decorative items at this autumn fair which has an exemplary reputation. Furniture, lighting, mirrors, textiles and decorative pieces can be purchased, as well as paintings and photographs. Art Nouveau, Art Deco, Mid-Century design, 70s, 80s and 90s items all sit alongside contemporary items of the highest standards. The Salon Art + Design is visited by interior designers and collectors who come for the wide range of fine objects that can be seen at the event. Finally the venue also adds prestige to the event as it takes place in the iconic Park Avenue Armory, like TEFAF New York Fall & Spring or The Winter Show.

https://www.artfairmag.com/the-salon-art-design/

OCTOBER 2, 2023

New York art fairs By Staff Writer NOVEMBER 2023 THE SALON ART + DESIGN 643 Park Ave Park Avenue Armory, thesalonny.com The Salon Art + Design

November 9 - November 13, 2023

https://artguide.artforum.com/artguide/place/new-york?category=art+fairs

NOVEMBER 2, 2023

New York’s Salon Art and Design Returns for Its 12th Edition, Promising Visitors a ‘Sense of Discovery’ The fair will take place at New York's Park Avenue Armory November 9– 13, 2023. By Staff Writer

Mel Bochner, Do I Have To Draw You a Picture (2023). Courtesy of Opera Gallery.

https://news.artnet.com/buyers-guide/salon-art-and-design-2023-2388726

A premier destination for presenting and collecting fine art and collectible design, Salon Art and Design returns this month for its 12th edition. Taking place from November 9 through 13, 2023 at the iconic Park Avenue Armory, the fair will feature nearly 50 exhibitors—both local and international—presenting a dynamic and diverse array of vintage, modern, and contemporary design as well as 20th-century blue chip artworks. From furniture and studio glass to ceramic and jewelry, as well as painting, photography, and sculpture, the forthcoming edition promises to bring visitors a dazzling and wide-ranging exploration of fine art and design.

Anina Major, Double Dutch (2022). Courtesy of Shoshana Wayne Gallery.

Alongside returning favorites, such as Bernard Goldberg Fine Arts, Todd Merrill Studio, and Twenty First Gallery, a host of exhibitors are slated to participate for the first time, several of which are simultaneously making their U.S. debut. Halcyon Gallery and Zeit Contemporary Art will be among the ranks of new fine art dealers joining Salon Art and Design, and Achille Salvagni Atelier, Galerie Mathivet, and Mercado Moderno are just a few of the new design exhibitors.

https://news.artnet.com/buyers-guide/salon-art-and-design-2023-2388726

Nickolas Muray, Frida Kahlo in Blue Blouse (1939, printed 1991). Courtesy of Throckmorton Fine Art.

Premiering at the fair this season, Salon will stage a selection of special design and jewelry exhibitions on the fair floor, ranging from exclusive capsule collections by important designers to smaller, curated presentations from galleries. Speaking of the direction of the fair, Executive Director Jill Bokor said, “We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry-level collectors alike. While Salon is known for showing some of the most world-renowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries that are showcasing some of the most cutting-edge designs, whether that be vintage, modern, or contemporary. We’re excited for our visitors to reconnect with galleries one may expect at the fair, while also discovering the new and unexpected.”

https://news.artnet.com/buyers-guide/salon-art-and-design-2023-2388726

Andy Warhol, Candy Box (1980). Courtesy of Zeit Contemporary Art.

While the fair—as always—promises to showcase the pinnacle of design, art collectors and enthusiasts will find incredible inclusions of work by some of modern and contemporary art history’s most iconic artists. Andy Warhol, Mel Bochner, and Anni Albers are just a few of the canonic artists that will be featured at the fair. Whether you’re a first-time visitor or a long-time attendee, the 12th edition of Salon Art and Design is not to be missed.

https://news.artnet.com/buyers-guide/salon-art-and-design-2023-2388726

Rudolf Livora, Girl With Flute (ca. 1908). Courtesy of Bernard Goldberg Fine Arts.

Salon Art and Design will take place November 9–13, 2023 at the Park Avenue Armory.

https://news.artnet.com/buyers-guide/salon-art-and-design-2023-2388726

JANUARY 27, 2023

Here’s Our Up-to-the-Minute Guide to All the Art Fairs Taking Place Around the World in 2023 Mark your calendars. By Staff Writer

Work by Martha Rosler, presented by Mitchell Innes and Nash and Galerie Nagel Draxler at Art Basel, 2022. Courtesy Art Basel.

As January dawned, and before most people had even taken down their holiday decorations, art-world denizens had already begun to jet-set around the world to get ahead on a calendar year chock-a-block with events. Although some fairs, like Masterpiece London, have cancelled their 2023 editions, the fate of others, like FIAC, remains in the balance. We’ve rounded up all of the fairs we could confirm for the upcoming 12 months, from Morocco to Mexico, and everywhere in between. There are a handful of fairs that have yet to announce their dates for this year; but we’ll keep an eye out and continue to update this list as more information becomes available. NOVEMBER

https://news.artnet.com/market/art-fairs-20232241330?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=1%2F30%20U S%20AM&utm_term=US%20Daily%20Newsletter%20%5BMORNING%5D

Visitors browse the gala preview of the ADAA Art Show’s 2020 edition. Photo by Jocko Graves, BFA, courtesy of the Art Dealers Association of America.

•

Salon Art + Design, November 9–13 Park Avenue Armory, New York

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NOVEMBER 2, 2023

Salon Art & Design Director Jill Bokor Embraces Outsider Art and Calls Her Berkshires Home a ‘Blank Canvas’ for Her Collection We asked the director of New York's Salon Art + Design fair what she values in art and life. By Katie White

Jill Bokor. Photo by BFA.

So much of the art world orbits around questions of value, not only in terms of appraisals and price tags, but also: What is worthy of your time in these times, as well as your energy, your attention, and yes, your hard-earned cash? What is the math that you do to determine something’s meaning and worth? What moves you? What enriches your life? In this new series, we’re asking individuals from the art world and beyond about the valuations that they make at a personal level. https://news.artnet.com/art-world/jill-bokor-salon-art-design-director-valuations-2388334/amp-page

Jill Bokor is a born and bred New Yorker—with the style and wit to prove it. She is also an icon of the city’s art world and has spent over 30 years in the cultural sphere—working across art, design, and philanthropy. A living lexicon of the city’s cultural history, Bokor proudly counts numerous gallerists, designers, and collectors as her closest friends. Today, the executive director of the Salon Art & Design, Bokor brings her characteristic acuity and eye for style to the highly anticipated annual art and design fair hosted at the Park Avenue Armory. Now in its 12th edition, this year’s Salon Art & Design (November 10–13, preview November 9) will include special design exhibitions hosted within the venue’s historic rooms on the entry floor. Bokor’s passion for the arts crosses into her personal life, too, and she is the owner of a dazzling design collection of 19th-century to 21st-century objects with a special focus on Outsider art. On weekends, Bokor treasures time with her beloved pooch, William, a mini-Aussie Shepherd, and loves to fill her home with vases of pink peonies. Ahead of the fair, we sat down with Bokor to discover what she values in art and life—and why. What is the last thing that you splurged on? Liberty fabrics and a Biedermeier dining table. I recently bought a house in the Berkshires. It’s a 1989 structure, somewhat loft-like and airy and best of all very much a blank canvas for both vintage and contemporary art and design.

Pressed plants in resin and glass vessel and base by Tom Glancy.

What would you Peonies. The bright, pinky coral ones.

buy

you

found

$100?

https://news.artnet.com/art-world/jill-bokor-salon-art-design-director-valuations-2388334/amp-page

What makes you feel like a million bucks? My career. I have been incredibly blessed to spend the last 40 years looking at art and design on a daily basis. Having worked at an auction house, run art and design publications, owned a gallery, and finally created Salon Art + Design, I have pinched myself over the years to realize my days have been spent touching, examining, and viewing works of great beauty and accomplishment, and getting paid for it! What do you think is your greatest asset? Empathy. I was always the kid who brought home wounded animals. Something I try never to lose sight of is the beingness and feelings of others whether it’s a petulant child or an artist who is struggling to find his/her/their voice. It also reminds me that without the dark there can be no stars. What do you most value in a work of History, intimacy, and engagement. The works I am attracted to tend to be contextual and very personal.

art?

Group of Outsider watercolors by Janice Kennedy from the 1990s.

Who is an emerging artist worthy of everyone’s attention? Stefan Kurten. He is actually a mid-career artist who paints idylls of midcentury scenes, houses, and interiors. Born in postwar Germany, the works are, on the surface, dreams of peace and perfection. The structures are all classically mid-century, but most don’t exist. He told me that when he was young, he and his family would drive all around looking at architecture and that he always kept these scapes in his mind. They are domestic and tranquil or full of gnarled trees, cacti, bushes, and brambles, juxtaposing perfect order and potential chaos. Beauty and order are paired with a hint of something darker and his palettes frequently suggest the coming of a storm or disturbance.

https://news.artnet.com/art-world/jill-bokor-salon-art-design-director-valuations-2388334/amp-page

Who is an overlooked artist who hasn’t yet gotten their due? Helen Torr was better known for her marriage to Arthur Dove than for her own career as an artist. Stieglitz showed her work in the early 1930s. After that she was occasionally part of a group show. I first saw her work at Graham Gallery In the ’80s and was very taken with it. The work is an exemplar of early Modernism and, though her paintings are in collections like the Met, the BFA, and the Philips, she never became part of the canon of American Modernism. What, in your estimation, is the most overrated thing in the art world? NFTs. Maybe it’s very old-school and a non-courant way to love art, but for me, art on pixels disallows the use of all of our senses.

Bokor’s beloved mini Aussie, William.

What is your most treasured possession? Aside from my son, Luc, and my mini Aussie Shepherd, William, it would be my grandfather’s cufflink box. It’s made of old tooled leather from the 1920s, with his initials on top. It has traveled with me to every home I’ve ever lived in, so it’s resided in many many places.

https://news.artnet.com/art-world/jill-bokor-salon-art-design-director-valuations-2388334/amp-page

What’s been your best investment? The work of the Outsider artist James Castle. His work was shown at the Outsider Art Fair in the late eighties. The soot and spit drawings of rural America (he was from Idaho and lived there most of his life), his drawings of interiors, farm scenes, houses, and barns spoke to me of intimacy and engagement. Castle was deaf and probably illiterate and is a wonderful reminder of what can be achieved even without the full use of one’s senses. The detail in the works; pieces of furniture, wallpaper, household knick-knacks, on such a tiny scale forces the viewer to look closely, reminding him/her/they how miraculous tiny prosaic things can be. I bought a few of them for $350 in 1987. What is something small that means the world to you? It would have to be a little carved wooden pig with wings by an anonymous Outsider artist with the legend “sometimes pigs really do fly.” What’s not worth the hype? Commodification. When I started in the art world in the ’80s, Impressionism was all the rage. Names became more important than the works themselves and people were paying large prices to be able to say they had a (fill in the artist) in their collection, even if it was an inferior work. I do think that collectors have become more discerning, but the issue of breaking records at auction certainly exists more than ever. Whenever I have been asked about the potential value of a work of art I would respond “don’t buy it if you don’t love it.’ What do you believe is a worthy cause? Taking each and every possible measure to ensure that Donald Trump does not become president again. What do you Balance and discipline. I’m studying to be a dog trainer.

aspire

to?

https://news.artnet.com/art-world/jill-bokor-salon-art-design-director-valuations-2388334/amp-page

NOVEMBER 10, 2023

5 Covetable Objects From Salon Art + Design in New York, From a Giacometti Bronze to a Rare Gio Ponti Cabinet The 12th edition of the art and design fair runs from November 9–12 at the Park Avenue Armory. By Lee Carter

Rudolf Livora, Girl With Flute tapestry (ca. 1908), located in the booth of Bernard Goldberg Fine Art.

Long a highlight of New York City’s fall arts calendar, Salon Art + Design is back at the Park Avenue Armory for 2023. The 12th edition, taking place from November 9–12, brings together over 50 leading exhibitors in the collectible design space from around the world. “We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry-level collectors alike,” said executive director Jill Bokor. “While Salon is known for showing some of the most worldrenowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries who are showcasing some of the most cutting-edge design.” Newcomer galleries Guy Regal NYC and Mercado Moderno, among others, join returning exhibitors Bernard Goldberg Fine Arts, Cristina Grajales, Galerie Chastel-Maréchal, and Maison Gerard. Together, they present an outstanding array of collectible items ranging from furniture, studio glass, and ceramics to Japanese art and jewelry—an eclectic mix of vintage, modern, and contemporary designs, as well as blue-chip art. Here, we take a closer look at five of the remarkable objects that will be on view at Salon Art + Design.

https://news.artnet.com/market/salo-art-design-2023-highlights-2392521

Gio Ponti Donzella, New York

and

Piero

Fornasetti, Trumeau Cabinet

Gio Ponti and Piero Fornasetti, ‘Trumeau’ cabinet (1950).

Brought by Donzella, this extraordinary cabinet, a collaboration between Gio Ponti and his protégé Piero Fornasetti, was made for the Milan home of the Ceccatos—of Dulciora confectionary fame—to display their collection of Chinese porcelains. “This was during the peak time for these two artists to be working together,” said Paul Donzella. The gallerist noted that its structure—made of walnut root from the Ferrara region of Italy—was designed by Ponti and its surface decorated by Fornasetti, including the lower doors featuring an aerial view of Venice by the 15th-century printmaker Jacopo de’ Barbari. All of the major pieces from the Ceccato house, including this bureau, were built by the master cabinet-maker Giordano Chiesa. “Finding the trifecta of Ponti, Fornasetti, and Chiesa is extremely rare.” Ponti and Fornasetti have become celebrated icons of 20th-century Italian design. “This was a very avant-garde piece for its time,” added Donzella, “and I believe that Ponti’s idea of mashing up old ideas with a new approach in execution makes it just as avant-garde today.” This and the other contents of the Ceccato home remained with the family until they were sold at Christie’s London in March 2006, when the cabinet was purchased by famed design dealer Peter Loughrey. Following his death in 2020, it was acquired by Donzella. Asking price: $240,000

https://news.artnet.com/market/salo-art-design-2023-highlights-2392521

Ted Kurahara, Cadmium Carole Davenport, New York

Red

Medium

and

Deep

Ted Kurahara, Cadmium Red Medium and Deep (2015).

Carole Davenport, a specialist in Japanese art, has brought a striking crimson-red painting by the artist Ted Kurahara, who just celebrated his 98th birthday yet continues to pick up the paintbrush, said the dealer. Kurahara started his characteristically layered, enigmatic blocks of color with a series of white paintings in 1981. These contemplative works derive from a variety of inspirations, most notably haiku poetry, which his father wrote and he himself makes a point of reading. The subtle variations between light and dark in Kurahara’s monochromes lend depth and dimension, blending contemporary American abstraction with traditional Japanese mark-making. “[Since] the 8th century,” said Davenport, “small wooden pagodas were created as devotional images for important temples in the Buddhist faith. They are a testament to the Japanese attention to clarity of form and design.” Asking price: over $45,000

https://news.artnet.com/market/salo-art-design-2023-highlights-2392521

Rudolf Livora, Girl Bernard Goldberg Fine Arts, East Hampton

With

Flute Tapestry

Rudolf Livora, Girl With Flute tapestry (ca. 1908).

As the Arts and Crafts movement swept across Europe at the turn of the 20th century, cottage industries sprung up as part of a socially conscious program to bring meaningful jobs to remote areas. This was the case with the Czech region of Moravia, where the painter and teacher Rudolf Livora lived and worked. He was one of the key designers at the Tapestry Manufactory, a center for woven works of modern design, where he created this mesmerizing tapestry, Girl With Flute (ca. 1908), using multiple colors, intricate patterns, and hand-woven techniques. Livora was also a puppeteer who was inspired by the traditional handicrafts of the Slovácko region of Moravia in the southeastern part of Czechoslovakia, known for its lively folklore, music, and puppetry. His work designing for the Czech Association of Puppet Theatre Friends and the Sokol Hodonín Puppet Theatre, which he founded and directed, reflect his interest in the popular art of the time. Asking price: $115,000 Alberto Galerie Mathivet, Paris

Giacometti, Oblong

https://news.artnet.com/market/salo-art-design-2023-highlights-2392521

Cup

Alberto Giacometti, Oblong Cup (1949).

This Oblong Cup by Alberto Giacometti comes courtesy of Paris-based Galerie Mathivet, a first-time exhibitor at Salon Art + Design. Much like his Cubist sculptures, such as his bronze Spoon Woman of 1927, Giacometti shaped the cup by overlapping geometric elements. The generously proportioned cup is a prime example of Giacometti’s fascination with the lines of ancient Egyptian objects, according to gallerists Céline and Fabien Mathivet. He discovered Egyptian art in the late 1910s during his travels to Venice, but it was a visit to the archaeological museum of Florence in 1920 that he become entranced— two years before the discovery of King Tutankhamun’s tomb in the Valley of the Kings. His passion for Egyptian art was no passing fancy, but a constant influence in his work. He was particularly influenced by the aesthetic principles of ancient Egypt—the straightforward gazes, upright postures, and hieratic poses (arms alongside the body and joined feet). According to the gallery, only three Oblong Cups can be found in the Giacometti Foundation database. The other two had a different patina, such as one belonging to the French couturier Hubert de Givenchy that exhibits a gold shimmer rather than the antique green patina seen here. Asking price: upon request Jean Galerie Gabriel, New York

Royère

https://news.artnet.com/market/salo-art-design-2023-highlights-2392521

Armchairs

Jean Royère armchairs (ca. 1950s).

The French interior designer Jean Royère first found success when, in 1934, he won a contest to design the brasserie of the Hotel Carlton on the Champs-Élysées in Paris. That allowed him to create his own company in 1944, designing custom furniture for high-end clients and opening offices in Cairo, Beirut, Teheran, and São Paulo. Royère had a gift for combining whimsy (think: round sofas and furry chairs) with more traditional components, bridging the gap between past and future. Royère’s ability to blend modernity and classicism is on full display in two armchairs brought by Galerie Gabriel, based in Paris. Their most striking feature is the use of a woven cane wood pattern, providing a tactile contrast to the French oak frame. The intricacy of the caning, coupled with the sturdy frame, exemplify Royère’s balance of artisanal craftsmanship and modern design, and underscores his deep appreciation for the natural world. Though influential during his lifetime, his designs began to fall out of favor following his death in 1981. That is, until 1999, when the Musée des Arts Décoratifs in Paris held a major show of his work. In 2008, Sonnabend Gallery in New York mounted a comprehensive retrospective of over 100 pieces. Then, in March 2023, a full comeback took place with the Adam Lindemann auction at Christie’s New York, according to the Artnet Price Database. Jean Royère’s Polar Bear set of round furniture (ca. 1952), still in its original mohair fabric upholstery, sold for $3.42 million (fees included), doubling its presale estimate. Asking price: $380,000

https://news.artnet.com/market/salo-art-design-2023-highlights-2392521

OCTOBER 30, 2023

12th Edition Of Salon Art + Design: Unveiling Special Design Exhibitions & Programming Here’s the news to know By Staff Writer

Salon Art + Design, the leading collectable design and art fair produced by Sanford L. Smith + Associates, recently announced its 12th edition, taking place at the Park Avenue Armory in New York City from November 9 – 13, 2023. A highlight of New York City’s Fall arts calendar, Salon is pleased to reveal special design exhibitions, within the historic rooms at the entry of the fair and throughout the Drill Hall floor, as well as programming scheduled throughout the fair’s duration.

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

For more than a decade, Salon Art + Design has evolved into the premier destination for showcasing, acquiring and engaging with design and art. A high point of New York’s Fall arts calendar, the fair will continue to captivate its audience with a robust international exhibitor list, special design exhibitions and programming including onsite conversations and panel discussions. EXHIBITORS Salon is thrilled to welcome several new exhibitors, many of whom are much-anticipated up-and-comers in the collectable design space, and some debuting in the US for the first time at the fair. New design exhibitors include Achille Salvagni Atelier, bo Design Group, Didier Ltd., DK Farnum, Elevated Matter Gallery, Galerie Mathivet, Galerie Philia, Guy Regal NYC, Mercado Moderno, Mia Karlova Galerie, Rosior, Salon Design, Spazio Nobile, Tuleste Factory and Yvel. Galerie Gmurzynska, Halcyon Gallery and Zeit Contemporary Art joined the fair as a new fine art dealer.

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

While the fair is known for paving the way for new exhibitors and voices in design, Salon is pleased to welcome back longstanding participants including Bernard Goldberg Fine Arts, Cristina Grajales, David Gill Gallery, Donzella Ltd, Galerie Marcilhac, Galerie Chastel-Maréchal, Gallery FUMI, Karl Kemp, Liz O’Brien, Maison Gerard, Todd Merrill Studio and Twenty First Gallery. SPECIAL EXHIBITIONS & INSTALLATIONS

For The First Time, the Salon will integrate a select group of special design and jewellery exhibitions on the exhibitor floor and within the historic rooms at the entrance to the fair, ranging from exclusive capsule collections from individual designers to smaller curations from galleries.

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

ABASK | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

ABASK – the destination for curated, collectable and unique objects founded by Tom Chapman and Nicolas Pickaerts – is delighted to announce its debut at Salon. ABASK will highlight exclusive pieces from worldrenowned makers to shine a light on exceptional craftsmanship and design. ATELIER FM | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Atelier FM, founded by Brazilian designer Fabiana Machado, offers curated, collectable designs that reflect a sense of timeless elegance and opulent ease with an emphasis on highly executed craftsmanship. At the fair, Atelier FM will introduce its debut collection, “Continuous Series” 2023. As part of this eight-piece collection, each sculptural piece incorporates rectilinear, modernist lines that travel unrelentingly beyond inspection. CHARLES ZANA MOBILIER | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Charles Zana Mobilier, a furniture collection by Architect Charles Zana, features pieces with an exclusive, modern mood that is in keeping with great French traditions. COX LONDON | SALON ENTRYWAY & UNDER THE GRAND STAIRCASE

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Cox London are artists and makers who have built an international reputation for creating elemental and remarkable pieces of lighting, furniture and artworks. At Salon, Cox London will present their unique pieces – providing the perfect balance of artistry, artefact, design and craftsmanship – for the first time in New York City. DEMURO DAS | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

DeMuro Das is an international design firm and the aesthetic and cultural coalescence of its founders, Brian DeMuro and Puru Das. Based in New Delhi and New York but drawing inspiration from around the world; precisely modernist but rooted in history; DeMuro Das believes in the quality of material, the value of collaboration, and the timeless nature of honest beauty. HUMANS SINCE 1982 x THE SPACELESS GALLERY | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Operating through a circuit of ephemeral locations all over the world, the Spaceless Gallery looks beyond the walls of a traditional white cube space to provide an ever-changing experience for their artists, collectors and designers. JAMES DE WULF | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Los Angeles-based artist James De Wulf has been widely recognized for his original and innovative work with concrete design. Known for his commitment to pushing the limits of his art both functionally and aesthetically, De Wulf fuses concrete technology with modern and natural concrete forms and other materials including bronze, brass, steel, stainless steel, and iron. M. FISHER STUDIO | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Matthew Fisher of M.Fisher Studio will be debuting a new collection at Salon. The collection, “Elegy”, has been a year in the making and consists of his first furnishings and lighting carved from Brazilian quartzites and Middle Eastern onyx suspended and supported by dark bronze and burnished silver metalwork. THE SPACELESS GALLERY | SOUTH HALL

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Operating through a circuit of ephemeral locations all over the world, the Spaceless Gallery looks beyond the walls of a traditional white cube space to provide an ever-changing experience for both their artists, collectors and designers. MATHIEU LEHANNEUR | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Born in 1974, Mathieu Lehanneur is one of the rare designers of his generation to be able to embrace such a wide range of creative fields. His approach is radically multidisciplinary, ranging from objects to architecture, from artwork products, and unique handcrafted pieces to cutting-edge technological work. PHILLIP THOMAS INC. | COLONELS ROOM

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Phillip Thomas is the Founder and Principal of Phillip Thomas Inc., a leading interior design firm based in New York City. Since establishing Phillip Thomas Inc. in 2011, Thomas has worked with a wide range of clients on projects both in the United States and internationally. SILVIA FURMANOVICH | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Silvia Furmanovich was born in São Paulo, Brazil, to a line of Italian goldsmiths – including her father, who taught her the importance of craftsmanship from a young age. THOMAS COOPER STUDIO | DRILL HALL FLOOR

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

Thomas Cooper Studio represents a multilayered, multifaceted collaboration between owners & designers Sally and Jason Cooper. TRUNKS COMPANY | DRILL HALL FLOOR

Jaipur-based Trunks Company will make their US debut at Salon this year. Founded by Priyank and Paritosh Mehta, Trunks Company creates artisan, handmade, luxury trunks that bridge tradition and innovation. With a passion for craft, Trunks Company rethinks the art of trunkmaking. SALON CONVERSATIONS Salon Conversations will return to the fair for its 12th edition, providing a platform that fosters thought provoking, in-depth and forward-thinking discussions between design luminaries, editors, tastemakers and industry leaders. 2023 Salon Conversations include:

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

The Decorative Arts On Television | Friday, November 10th, 2PM Longtime critic and AIR MAIL contributor James Wolcott, Arts Intel Co-Editor Laura Jacobs, and a well-known set designer will discuss the fascinating subspecialty of the decorative arts on television, from period rooms in Bridgerton to yacht décor on Succession. AIR MAIL Deputy Editor Julia Vitale will moderate.

A Brave New Art World: Best Practices, The Law And Finance | Friday, November 10th, 4 PM A conversation touching on timely and important topics in the worlds of art, entity governance, law and finance. Please join Danielle Amato-Milligan (Amato Milligan & Associates), Leila Amineddole (Amineddoleh & Associates LLC) and Pouya Lavian (Wells Fargo Advisors) for what will be a lively discussion on how to effectively navigate our ever-evolving art and finance worlds.

EVOKE Book Signing & Conversation | Friday, November 10th, 6:30PM Join Houston-based designer Nina Magon as she discusses her debut monograph, EVOKE, from The Monacelli Press, with co-author, Jill Sieracki, managing editor of Galerie. In EVOKE, Magon explores the cosmopolitan influences and fashion-forward glamour that inform her signature aesthetic. Her interiors carefully balance high-gloss modernism and old-world grandeur for a unique and sophisticated style.

Salon Art + Design, produced by Sanford L. Smith + Associates, presents the world’s best design – Vintage, Modern, and Contemporary – enhanced by blue-chip 20th-century art. The Salon’s inclusivity and willingness to consider both fine and decorative art in the context of contemporary life is predicated on the belief that Today, More Than Ever, Designers And Collectors Create Environments Rather Than Collect Objects. The success of the Salon lies in the quality of its exhibiting galleries, the extremely international flavour of the material, and an eclecticism that is highly sought by today’s collectors and tastemakers. Appealing to seasoned and young collectors alike, Salon offers an extensive yet curated range of pieces, ensuring something for everyone. Salon is the only international fair of this caliber to combine styles, genres, and periods cutting a universal and timeless swath. Ready for Salon Art + Design?

https://www.bocadolobo.com/en/inspiration-and-ideas/12th-edition-of-salon-art-design-unveilingspecial-design-exhibitions-programming/

NOVEMBER 9, 2023

10 Galleries To Visit In New York During Salon Art + Design By Staff Writer

Salon Art + Design is an event that will take place in New York from November 9 to 13, 2023. Take advantage of this opportunity to visit some of the city’s most prominent art and design galleries, which we will reveal in this post. The art and design culture thrives in the center of New York City, thanks to a varied selection of galleries. These vibrant locations ranging from Chelsea to SoHo, provide an exquisite tapestry of modern and avant-garde works. Each gallery offers a window into the ever-changing universe of artistic expression and design innovation. From young talent to veteran artists, these galleries serve as lively centers where creativity knows no limits. Whether exploring the industrial charm of DUMBO or the stylish vibe of the Upper East Side, New York‘s art and design galleries provide an immersive trip through the pulse of modern innovation, fostering an atmosphere where the frontiers of artistic discovery are constantly pushed. 10 Galleries in New York ready to receive you.

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Espasso

Espasso is a thriving connection for interior designers, architects, artists, collectors, and museum curators, showcasing mid-century modern and contemporary Brazilian design. The brand has gained international acclaim for its curatorial vision and outstanding service, representing works of the highest quality and cultural significance. Colony

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Colony is a community of independent furniture, lighting, textile, and object designers gathered on a New York City stage to celebrate American design with a worldwide audience, founded and organized by Jean Lin. Friedman Benda

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Friedman Benda represents famous established and rising designers, as well as historic galleries across five continents and five generations. Friedman Benda develops and pushes significant narratives that link modern design, craft, architecture, art, and technical research with the purpose of expanding the discussion in design and exploring previously neglected views. Smack Mellon, Dumbo

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Smack Mellon is a non-profit arts group in Brooklyn’s DUMBO neighborhood. Smack Mellon’s aim is to foster and encourage young, under-recognized mid-career and female artists in the development and display of new work by offering exhibition opportunities, studio space, and access to equipment and technical help for ambitious projects. Smack Mellon collaborated with Sage & Coombe Architects to restore the former boiler house into a one-of-a-kind cultural facility that offers free entry to museum-scale contemporary art exhibitions, creative workspaces, and educational and public activities. Templon

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Daniel Templon, who was only 21 at the time, opened the gallery in 1966. It initially operated on Rue Bonaparte in Saint-Germain-des-Prés before moving to its current home on Rue Beaubourg in the Marais in 1972. The gallery in the United States is located at 293 Tenth Avenue, New York, NY 10001. TEMPLON now represents a diverse range of international artists. The program encourages intergenerational discussion by featuring veteran artists, worldwide mid-career artists, and the perspectives of younger artists. The gallery also offers curatorial and design advice and support in establishing shows by its artists in museums or international venues. Salon 94

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Salon 94’s main site is Greenberg Rohatyn’s Upper East Side residence, where art and furniture coexist harmoniously. Salon 94 Design is the latest venture for her and her partners. R & Company

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

R & Company has championed collectible design for over 20 years, expanding the modern industry and actively cultivating a worldwide collector base and clientele. Its creators, Zesty Meyers and Evan Snyderman, are wellknown for spotting emerging talent, increasing studies on collectible design, and creating new paths for growth in the sector. Carpenters Workshop Gallery

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Carpenters Workshop Gallery is a contemporary art space dedicated to pushing the limits of art, sculpture, and design. Carpenters Workshop Gallery, which has been operating in the market of Functional Art and Collectible Design since 2006, curates shows that challenge established creative categories. Salon Design

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Salon curates and nurtures creative artists and artisans from all over the world, looking for the most imaginative creations and unique approaches. These chosen designers produce one-of-a-kind standout pieces that capture the eye and pique one’s interest. Pace

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Pace is a renowned worldwide art gallery that represents some of the century’s most significant contemporary artists and estates. The Gallery has established a notable reputation as an artist-focused space that hosts key historical and current shows. Pace has a long history of publishing art books, having published over 500 works in close partnership with artists, with an emphasis on original scholarship and adding new voices to the art historical canon. Boca do Lobo‘s Pieces That Could Be On a Gallery Newton Console

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

Filigree Mirror

Did You Take Notes For This Week at Salon Art + Design?

https://www.bocadolobo.com/en/inspiration-and-ideas/10-galleries-to-visit-in-new-york-during-salonart-design/

NOVEMBER 17, 2023

New York’s Salon Art + Design fair reveals fresh and reprised trends From groundbreaking glass and layered surface treatments to highly ornate game sets, the stalwart collectibles fair keeps the measure of an everevolving industry By Adrian Madlener

Collectible design fairs are a dime a dozen these days. With twice-annual events such as PAD and Design Miami/ making a splash in their respective markets, new format happenings like NOMAD tap into the cache of jet-set travel while also pushing beyond the booth-lined floors of convention centers and tented outposts. Increasingly, however, galleries trading in different types of wares—vintage or contemporary; traditional or experimental, decorative or conceptual—are being more selective about which fairs they decided to show with. Collectors have plenty to choose from. The most shrewd know where to look. Holding court over New York’s especially exhaustive autumn cultural calendar, Salon Art + Design is a sophisticated offering that caters to New York’s particularly discerning raft of buyers; a significant slice of the international collector base. Staged at the storied Park Avenue Armory—a well preserved, highly ornate vestige of the city’s Gilded Age—the boutique fair takes on a holistic approach as it brings together works by some of today’s most sought-after talents but also features unexpected rarities; treasures exhumed from dusty warehouses by some of the savviest experts. Being able to transcend disciplinary definitions is as relevant as ever given the fact that most

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

buyers are looking to appoint their homes with works that carry meaning and personality, regardless of application. A chair can now have as much resonance as a painting.

Highlights of Salon Art + Design 2023 at New York’s Park Avenue Armory included: (L): ‘Swirl’ by Benoit Averly at Bo Design Group; (C): ‘Colonne Noailles’ by Agathe Labaye and Florian Sumi at Charles Burnand Gallery; and (R): ‘Fluid’ by Yulia Batyrova and Marat Mukhametov at Mia Karlova Galerie

This year’s edition of Salon Art + Design—held from 9 to 13 November—expanded that all-encompassing approach by welcoming in a slew of new exhibitors. With some of the blue-chip platforms not participating—many of them already established with brick and mortar space in New York and mounting their own adjacent shows— room was afforded to newcomer galleries (many of which are based abroad), luxury furniture producers, independent superstar talent, and even online artisanal marketplaces. It was a unique opportunity for fresh talents to get in front of the fair’s especially informed clientele. What was put on full display during this edition is the industry’s ability to foster material research, the reinterpretation of age-old craft traditions, conceptual ideation, and free expression. Such an eclectic and open presentation makes for a strong survey of the latest trends, such as collectible design’s relatively recent expansion into new sectors such as homeware and jewelry. From the 2023 Salon Art + Design fair, Effect Magazine pin-points four themes currently influencing this ever-changing and growing market. Experimental Glass

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

Experimental glass made a re-emergence at Salon Art + Design 2023, a stunning example being ‘Sakura’ by Dutch artist Maarten Vrolijk, presented by Todd Merrill Studio

As the result of a growing push to revive artisanal traditions, glass has re-emerged as one of the most dynamic mediums. The ability to transform sand into a translucent solid hasn’t gone amiss for those who appreciate the finer things, and yet it isn’t always easy to avoid the pitfalls of kitsch, cartoon-like figurines found in tourist shops. Implementing this ancient, almost alchemical, material in innovative and refined form is a feat. Case in point: Dutch artist Maarten Vrolijk. The talent is able to distill some of the natural world’s most fundamental qualities— color, shape, fragility, strength, transparency, and ephemerality in abstract yet succinct forms. His Sakura vessel, on view during Salon Art + Design with New York gallery Todd Merrill Studio stands testament to a growing impetus among craft-led artist and designer to innovate glass; utilizing this medium in new, viscerally engaging, applications. Expressive Textile

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

Brussels gallery Spazio Nobile Gallery presented the fiber tapestry ‘Waiting for Color After The Storm’ by Chicago-based Jacqueline Surdell at Salon Art + Design 2023

Textile or fiber, as it’s more loosely defined these days, is yet another medium being reinterpreted by a diverse range of creatives. At the intersection of art, craft, and design, this manually produced material has been a cornerstone of the human experience since the dawn of civilization. And yet, it’s been usurped by industry, fast fashion, and the forces of overconsumption in the past few centuries. Seeking to reclaim textile as something far more artistic, singular, and valuable are emerging fiber-artists like Chicago-based Jacqueline Surdell. For her, the especially painterly and even sculptural works she creates—the Waiting for Color After The Storm tapestry on view at the fair with Brussels gallery Spazio Nobile Gallery, for example—is a holistic manifestation of process. The almost meditative yet labor-intensive practice of weaving, knitting, and cumulatively assembling material is evidence of physical stamina. Like with much of the output of her contemporaries also redefining textile, Surdell’s bespoke pieces take on graphical and visceral qualities in equal measure.

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

Layered Materiality

Layered materiality: a beautifully delicate and nuanced porcelain sculpture by Yulia Batyrova and Marat Mukhametov was presented at Salon Art + Design by Amsterdam-based Mia Karlova Galerie

Finding ways to cohesively collage and meld together different, seemingly disparate components, is not easy. Layering—even in a mono-material application—is a useful technique that lets artists and designers infuse their work with visual and tactile complexity. Whether achieved with recycled polymers or forged bronze, the possibilities seem endless. For Moscow-based artistic duo Yulia Batyrova and Marat Mukhametov, mastering the manual formation, firing, and combination of especially temperamental porcelain has proven to be fruitful as a way of expressing movement; the incredibly nuanced quality of shapeless fluency. On view at Salon Art + Design with Amsterdam-based Mia Karlova Galerie, the studio’s Fluid sculpture is both evidence of artisanal precision and the aesthetic potency of layering. Collectible Accessories

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

One of the contemporary collectible accessories evident at 2023’s Salon Art + Design was Alexandra Llewellyn’s detailed Vortex Marquetry Tournament Backgammon. The design represents the finest translation of age-old inlaid wood techniques

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

Alexandra Llewellyn’s artisanal backgammon set represents age-old inlaid wood techniques

Operating with a somewhat similar mission—providing a platform for contemporary artisans operation around the world—online marketplace ABASK made its Salon Art + Design debut this year. Hundreds of functional objects were presented within a bold, all-green backdrop. Among this dynamic offering was Londonbased Alexandra Llewellyn’s incredibly detailed Vortex Marquetry Tournament Backgammon. The design represents the finest translation of age-old inlaid wood techniques. Produced by an impressive network of nine artisanal workshops throughout the UK, this unique piece demonstrates that sumptuous materials and the highest standards of craftsmanship can be harnessed in almost any application.

https://magazine.thebrunoeffect.com/salon-art-design-fair-2023-reveals-trends/

NOVEMBER 29, 2023

Why gallery titans Nilufar and The Future Perfect made a transatlantic pact By Adrian Madlener

The two preeminent galleries have joined forces to promote a new in-house furniture collection with pieces developed by a long list of leading talents When it comes to championing playful, or expressive, luxury, no two collectible design platforms are more adept than Milan’s Nilufar Gallery and New York’s The Future Perfect. Both institutions have spent the past two decades shaping the industry in their image: a focus on contemporary decorative arts that celebrates fresh expression and experimentation as much as the translation of age-old techniques and historical details. https://magazine.thebrunoeffect.com/why-gallery-titans-nilufar-and-the-future-perfect-made-atransatlantic-pact/

Playful and expressive collectible design from Nilufar Gallery includes (L): Talco low tables by Draga and Aurel; (C): Mensa Dining Table by Filippo Carandini; (R): Unfold poufs and archchairs by Analogia Project (Photos: Filippo Pincolini)

At the forefront of the Brooklyn makers movement and the subsequent emergence of autonomous art-design studios throughout the city in the 2000s, The Future Perfect emerged as one of the country’s—and even the world’s—most revered platforms purveying one-of-a-kind, well-crafted, slightly ornate wares. It grew over time to include unique, contextualized, home-gallery spaces in Los Angeles and San Francisco. With a move of its New York flagship into a David Chipperfield-designed West Village townhouse in 2021, The Future Perfect adopted a highly curated approach throughout its network.

https://magazine.thebrunoeffect.com/why-gallery-titans-nilufar-and-the-future-perfect-made-atransatlantic-pact/

Nilufar Gallery founder Nina Yashar pictured in front of the Sofa Macaron by Gal Gaon (Photo: Filippo Pincolini)

New collections are presented through an ever-changing exhibition programme utilizing these venues’ different domestic—albeit lavish—vignettes. Other rooms remain appointed with curated selections of other works, as if to suggest a level of seamless integration. Almost everything can be spec-ed; even the bespoke wallpaper. Unlike other market heavyweights, much of the gallery’s offering is produced on a limited-edition basis rather than as one-off art pieces. There are some exceptions of course. Nilufar was established in 1979 by Iranian immigrants to Milan trading in the finest carpets and historic furnishings. Since the early 2000s, the gallery has expanded to include a more contemporary catalog of works by some of the day’s most innovative artists and designers. Think Dutch design but also those pushing material and application in Japan and South Korea, among many other places. With the gallery’s main storefront well anchored in the city’s posh Quadrilatero della Moda district, the acquisition of a massive 1,500-sqm outskirt warehouse from Opera company La Scala in 2015 unlocked the door to new possibilities. In this space, Nilufar has programmed groundbreaking thematic Milan Design Week shows while also staging style-specific vignettes. Through this curation, the gallery has fostered many of the overall design industry’s top emerging and established practitioners. The new Open Edition collection comes as a culmination of that tireless cultivation. Many of the names Nilufar nurtured over time have contributed to this extensive yet succinct assemblage. The 100 or so serially produced, rather than limited edition, designs reflect gallery founder Nina Yashar unified vision for a sophisticated home interior. The various sofas, credenzas, and vessels coalesce around whimsical yet restrained juxtapositions of form, hue, and texture. Lustrous textiles and iridescent surface treatments play off of organic and strictly geometric shapes.

https://magazine.thebrunoeffect.com/why-gallery-titans-nilufar-and-the-future-perfect-made-atransatlantic-pact/

Nilufar pieces at the Future Perfect Gallery in New York include (L) Macaron armchair by Gal Gaon; (C): Piero Tris ceiling lamp by Vibeke Fonnesberg-Schmidt; and (R): C Sofa by Claude Missir and Luminaria table lamp by Analogia Project (Photos: Joe Kramm)

Through various ventures, offshoot venues, special projects, and a consistent presence at most fairs, both platforms have a lot of similarities. Both have established extensive and eclectic talent rosters. Both present themselves as elevated one-stop shopping experiences for buyers, their advisors, and interior designers. In looking to launch the new offering, it only seems fitting that Nilufar should choose The Future Perfect as its main U.S. partner. Deciding to debut the collection during New York’s cultural high season and around the same time as Salon Art + Design 2023 this November was also a strategic move. “This collaboration offers a dynamic glimpse into the future of design excellence.”

Nina Yashar, founder of Nilufar Galler “The Open Edition collection was curated to ignite a vibrant exploration into the boundless realms of design possibilities,” says Nilufar founder Nina Yashar. “We are thrilled to be bringing this exhibition to The Future Perfect, which we consider to be the authority on American design. This collaboration offers a dynamic glimpse into the future of design excellence.”

https://magazine.thebrunoeffect.com/why-gallery-titans-nilufar-and-the-future-perfect-made-atransatlantic-pact/

The Orient Armchair by David/Nicolas in Venezia Dark Olive velvet personifies the Nilufar aesthetic, with elements of classic Italian design spiced with a retro-future sensibility that is entirely contemporary

Beirut design duo David/Nicolas (David Raffoul and Nicolas Moussallem) developed the retro-futuristic Dualita bench and modular Orient armchair. Tel Aviv architect Gal Gaon’s amoebic coffee table anchors on a leaning base. Milanese designer Osanna Visconti’s ornate elliptical carpets take on a bold yet elegant presence. Londonbased Analogia Project‘s Unfold dining and living room set matches well with the studio’s striped glass and bronze, layered-cylinder luminaires. Semi-translucent and colored-glass elements integrate warm, seemingly old world yet emphatically current, pastels. Relief panels carry contemporary themes and slightly-fluted wood forms the base of cubic settees.

https://magazine.thebrunoeffect.com/why-gallery-titans-nilufar-and-the-future-perfect-made-atransatlantic-pact/

Pieces from The Open Edition – described by Nilufar founder Nina Yashar as “curated to ignite a vibrant exploration into the boundless realms of design possibilities” (Photo: Joe Kramm)

“Nina’s discerning eye and dedication to innovative design has redefined what it means to champion emergent voices,” says David Alhadeff,founder of The Future Perfect. “The Open Edition collection, with its fusion of meticulous craftsmanship and formal experimentation, is set to captivate the imagination of design enthusiasts and collectors alike. Through this partnership, we do not merely join forces — we celebrate the lasting legacy of Nilufar and The Future Perfect and our shared vision of championing boundary-pushing design, while embracing the industry’s vast frontiers.”

https://magazine.thebrunoeffect.com/why-gallery-titans-nilufar-and-the-future-perfect-made-atransatlantic-pact/

NOVEMBER 10, 2023

Kid-friendly drops from Oeuf, the best collections at Salon Art + Design and more By Caroline Biggs The temperatures may be cooling outside, but the launches are getting hotter by the minute. Between Salon Art + Design in New York and the latest designer collaborations, there’s no shortage of inventive new products to admire over the weekend. From free-form bronze console tables to contemporary hand-painted quilts, here are 10 memorable debuts from the past week.

The Keyhole table and bench, styled with Mariposa chairs by Fyrn Elizabeth Carababas

Fyrn welcomed the Keyhole collection into its growing family of circularity-minded offerings. The debut includes the brand’s first-ever dining table—a sleek, trestle-style stunner crafted in solid North American hardwoods—and an accompanying clean-lined bench, both of which are reinforced with exposed metal brackets that allow each piece to be broken down and replaced in parts to ensure a longer life cycle.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

Left: The Del Playa pendant by Jessica Helgerson for Roll & Hill Aaron Leitz | Right: The brand’s Rue Sala pendant by Jessica Helgerson Aaron Leitz

Jessica Helgerson’s new lighting collections for Roll & Hill are a love letter to old-school style. Available as pendants and sconces, the wood series, Del Playa, pays tribute to the Arts and Crafts-esque aesthetic of 1970s California, while the brass Rue Sala style references the ornate motifs found on antique French furniture.

The Unintended bronze console by Yunhwan Kim at Todd Merrill Studio Courtesy of Todd Merrill Studio

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

Todd Merrill Studio presented an array of avant-garde pieces at Salon Art + Design. On top of the colorful Circles and Lines chandelier—bedecked in hand-blown tinted glass bulbs—by Jamie Harris, the display showcased an array of bold biomorphic works, such as Yunhwan Kim’s amorphous Unintended bronze console and Paul Swan Topen’s fluid, liquid bronze–covered Diploe pendant.

Left: Amphora fabric in Eden by Paola Melendez Casa Sebastián Román | Right: The brand’s Jungle Damask fabric in Tiara Sebastián Román

Paola Melendez Casa released Send Flowers, a selection of fabric patterns inspired by floral motifs found throughout art and textile history. The launch features three hand-illustrated designs, screen-printed in multiple earthy colorways, including the striped, Greek pottery–style Amphora, the botanical Ikat Garden and the medallion-esque Jungle Damask.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

Selections from the Om collection by Olivia Muniak Jen Sosa

Olivia Muniak dropped the Om collection just in time for the holidays. The line features 16 heirloom-quality tablewares crafted by local Los Angeles–based artisans in sophisticated natural materials, such as the textural, wabi sabi–style ceramic Cena dinner set and the Lazy Fancy placemat woven from 100 percent linen.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

The Guillaume sofa by Charles Zana Adrian Gaut

At Salon Art + Design, Charles Zana unveiled his second collection of self-produced mobilier designs. In addition to the serpentine Guillaume sofa and the billowing Teddy headboard, introductions include a suede-upholstered stained oak dining chair named Ana, and Kos, a silver travertine table lamp capped with a woven wicker lampshade.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

Selections from the Domus collection by Ginori 1735 at ABC Carpet & Home, including the Dulcis large pouf in Blue Sagitta Courtesy of Ginori 1735

Italian design lovers rejoice: Ginori 1735 launched Domus, its first-ever home collection. Available exclusively at ABC Carpet & Home, the series offers seating, case goods and cushions adorned in vibrant patterns inspired by the brand’s iconic ceramic motifs, such as the two-toned floral LaVenus lounge chair and the graphic Dulcis pouf.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

The Moss Toddler bed in Peapod by Oeuf Courtesy of Oeuf

Oeuf’s latest launch, Moss, is proof that kids’ furniture doesn’t have to skimp on style. The playful five-piece collection is crafted from solid birch and offers everything from a spindled crib with protective side rails to a chic three-drawer dresser with oversize pulls and a toddler-size bed bedecked in undulating scallops.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

Left: Cerused Oak Frame chairs by Frances Elkins at Liz O’Brien New York Courtesy of Liz O’Brien New York | Right: The brand’s Inheritance quilt by Carson Converse Courtesy of brands

Liz O’Brien’s Brian McCarthy–designed booth at Salon Art + Design was teeming with Arts and Crafts–friendly inspo. Along with a selection of the New York brand’s gorgeous antique designs—including a set of 1940s cerused oak chairs by Frances Elkins—the showcase featured a pair of dreamy, hand-dyed and -painted pieces by quiltmaker Carson Converse.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

The Flora Organic Print duvet cover, Cascade Organic Matelasse blankets and Meares hand-knotted wool rug by Coyuchi and Rejuvenation Courtesy of brands

Coyuchi rolled out its highly anticipated collaboration with Rejuvenation, including its inaugural line of handmade carpets. The drop spans 10 sumptuous designs crafted in highly touchable organic materials, such as the quilted cotton Cascade blanket and the Meares rug, a hand-knotted stunner woven from pure wool.

https://businessofhome.com/articles/kid-friendly-drops-from-oeuf-the-best-collections-at-salon-artdesign-and-more

OCTOBER 30, 2023

Salon Art + Design 2023 By Staff Writer Thursday, Nov 9, 20234 PM — Monday, Nov 13, 20235 PMEDT New York, NY, US | Park Avenue Armory

Salon Art + Design, produced by Sanford L. Smith + Associates, returns to the Park Avenue Armory in New York City November 9-13, 2023. Salon presents the world’s best design – vintage, modern and contemporary – enhanced by blue-chip 20th century art, and features leading art and design galleries from all over the world, spotlighting the trends of collectible design. The Salon’s inclusivity and willingness to consider both fine and decorative art in the context of contemporary life is predicated on the belief that today, more than ever, designers and collectors create environments rather than collect objects. The success of the Salon lies in the quality of its exhibiting galleries, the extremely international flavor of the material, and an eclecticism that is highly sought by today’s collectors and taste-makers. Appealing to seasoned and young collectors alike, Salon offers an extensive yet curated range of pieces, ensuring something for everyone.

https://bustler.net/events/14119/salon-art-design-2023

THE

CITY LIFEORG AUGUST 20, 2023

SALON ART + DESIGN RETURNS WITH NEW GALLERIES & UNIQUE DISPLAYS OF COLLECTIBLE DESIGN By Staff Writer

David Gill Gallery, Sebastian Brajkovic, ‘Garnier’ Chair

Fair Returns to the Park Avenue Armory for its 12th Edition Salon Art + Design, the leading collectible design and art fair produced by Sanford L. Smith + Associates, announces its 12th edition, taking place at the Park Avenue Armory in New York City from November 9 – 13, 2023. Salon Art + Design has evolved into the premier destination for showcasing, acquiring and engaging with design and art. A highlight of New York City’s Fall arts calendar, Salon is pleased to unveil new exhibitors, paired with special displays of collectible design.

https://thecitylife.org/2023/08/20/salon-art-design-returns-with-new-galleries-unique-displays-ofcollectible-design/

Featuring some 50 exceptional exhibitors from around the world, Salon presents leading design – vintage, modern and contemporary – and blue-chip 20th-century art. The fair presents an array of material from furniture, studio glass and ceramics, to Japanese art and jewelry. Salon is thrilled to welcome several new exhibitors, many who are much-anticipated up-and-comers in the collectible design space, and some debuting in the US for the first time at the fair. New design exhibitors include Achille Salvagni Atelier, bo Design Group, Didier Ltd., Galerie Mathivet, Galerie Philia, Guy Regal NYC, Mercado Moderno, Mia Karlova Galerie, Rosior, Salon Design, Spazio Nobile and Yvel. Galerie Gmurzynska, Halcyon Gallery and Zeit Contemporary Art join the fair as new fine art dealers. While the fair is known for paving the way for new exhibitors and voices in design, Salon is pleased to welcome back longstanding participants including Bernard Goldberg Fine Arts, Cristina Grajales, David Gill Gallery, Donzella Ltd, Galerie Marcilhac, Galerie Chastel-Maréchal, Gallery FUMI, Karl Kemp, Liz O’Brien, Maison Gerard, Todd Merrill Studio and Twenty First Gallery. For the first time, Salon will integrate a select group of special design and jewelry exhibitions on the floor, ranging from exclusive capsule collections from individual designers to smaller curations from galleries. Special design exhibitors include ABASK, Charles Zana Mobilier, Cox London, DeMuro Das, Humans Since 1982, Mathieu Lehanneur, Phillip Thomas Inc., Silvia Furmanovich and Trunks Company. “We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry- level collectors alike,” says Jill Bokor, Executive Director of Salon Art + Design. “While Salon is known for showing some of the most world-renowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries who are showcasing some of the most cutting-edge design, whether that be vintage, modern or contemporary. We’re excited for our visitors to reconnect with the galleries one may expect at the fair, while also discovering the new and unexpected.” The fair distinguishes itself through its meticulously curated blend of the historic and cutting-edge contemporary collectible design and fine art. Just as esteemed interior designers craft eclectic and cutting- edge spaces for their discerning clientele, exhibitors at Salon Art + Design are encouraged to fashion immersive environments that mirror the dynamic ways we decorate and live today. Each year, Salon elects an esteemed group of individuals who embody the spirit of the fair to join their Honorary Committee. This year’s Committee is Co-Chaired by Nathalie & Laura de Gunzburg joined by Paul Arnhold, GuillaumeCoutheillas, Beth RudinDeWoody, Linda Fargo, Dennis Freedman, Wendy Goodman, Gabriel Hendifar, Julie Hillman, Colin King, Jeff Klein, Carlos Mota, David Netto, Daniella Ohad, Suchi Reddy and Lizzie Tisch. Salon is also pleased to announce the fourth issue of Salon – The Intersection of Art + Design Magazine, the fair’s luxurious print publication that is available on Salon’s website. Produced in conjunction with Cultureshock Media – known for their outstanding publications by such entities as Sotheby’s, The Tate and the V&A – the magazine is slated to publish mid-October. For more info: thesalonny.com | Facebook | Instagram | Twitter | #thesalonny ABOUT SALON ART + DESIGN

Salon Art + Design, produced by Sanford L. Smith + Associates, presents the world’s best design – vintage, modern, and contemporary – enhanced by blue-chip 20th-century art. The Salon’s inclusivity and willingness to consider both fine and decorative art in the context of contemporary life is predicated on the belief that today, more than ever, designers and collectors create environments rather than collect objects. The success of Salon lies in the quality of its exhibiting galleries, the extremely international flavor of the material, and an eclecticism that is highly sought by today’s collectors and tastemakers.

https://thecitylife.org/2023/08/20/salon-art-design-returns-with-new-galleries-unique-displays-ofcollectible-design/

Appealing to seasoned and young collectors alike, Salon offers an extensive yet curated range of pieces, ensuring something for everyone. The Salon is the only international fair of this caliber to combine styles, genres, and periods cutting a universal and timeless swath. LIST OF EXHIBITORS – NEW EXHIBITORS*

Salon Art + Design will bring together a diverse and international group of art and design dealers, showcasing exceptional global material for every taste. In addition to an array of stateside exhibitors, this year will include a selection of European and international galleries hailing from Belgium, France, Israel, Monaco, The Netherlands, Portugal, Switzerland and the United Kingdom. *Achille Salvagni Atelier – US

Contemporary Design Ariadne Galleries – US

Classical Antiquities Bernard Goldberg Fine Arts – US

20th Century International Art and Design bo Design Group – US

Contemporary Design Carole Davenport Japanese Art – US

Japanese Art Charles Burnand Gallery – UK

Contemporary Design Cristina Grajales – US

Contemporary Design David Gill Gallery – UK

Contemporary International Design *Didier Ltd. – UK

Artist Jewelry & Design Donzella – US

Post-war International Design GARDE – US

Contemporary Design Galerie Chastel-Maréchal – France

20th CenturyFrenchDesign *Galerie Gmurzynska – Switzerland

Modern and Contemporary Art Galerie Marcilhac – France

20th Century Decorative Arts *Galerie Mathivet – France

French Decorative Arts Galerie Negropontes – France

Contemporary French Design *Galerie Philia – US

International contemporary sculptural design and art Gallery FUMI – UK

Contemporary Design *Guy Regal NYC – US

Fine Art, Furniture and Decorative Arts *Halcyon Gallery – UK

Contemporary Art J. Lohmann Gallery – US

https://thecitylife.org/2023/08/20/salon-art-design-returns-with-new-galleries-unique-displays-ofcollectible-design/

Contemporary Ceramics Karl Kemp – US

Furniture & Decorative Arts Lebreton – US / Monaco

Post-war French and European Art Liz O’Brien – US

Modern and Contemporary American and European Design Lobel Modern – US

20th Century Design Magen H Gallery – US

Modern International Design Maison Gerard – US

Modern and Contemporary European and American Design Maison Rapin – France

20th Century and Contemporary Design *Mercado Moderno – US

Modern Brazilian Design *Mia Karlova Galerie B.V. – US

Modern Brazilian Design Opera Gallery – US / UK / France / Switzerland / Asia

Modern and Contemporary Art Phoenix Ancient Art – US

Antiquities and Modern Art *Rosior – Portugal

Contemporary Fine Jewelry *Salon Design – US

Contemporary Design Spazio Nobile – Belgium

Contemporary Applied Arts, Design and Photography Thomas Fritsch – Artrium – France

Post-War French Ceramics Throckmorton Fine Art – US

Latin Photography, Asian and Pre-Columbian Works Todd Merrill Studio – US

20th Century & 21st Century Furniture and Lighting Twenty First Gallery – US

Contemporary Design WonderGlass – UK

Contemporary Glass *Yvel – Israel

Contemporary Jewelry *Zeit Contemporary Art – US

Modern, Post-War and Contemporary Art

https://thecitylife.org/2023/08/20/salon-art-design-returns-with-new-galleries-unique-displays-ofcollectible-design/

NOVEMBER 11, 2023 By Cool Hunting

At @thesalonny, @galerie_negropontes is exhibiting this unique charred wood and polished bronze cabinet, named Fétiche II, by artist and designer @Erwan_Boulloud. It’s one of many highlights on display right now. https://www.instagram.com/p/CzhEVLTLqoD/?hl=en

NOVEMBER 15, 2023

Salon Art + Design 2023: ABASK’s Dedication to Craftsmanship The recently opened homeware retailer’s spectacular in-person display was a highlight at the beloved fair By David Graver

Joining the ranks of acclaimed galleries like Negropontes and Maisonjaune Studio, who returned this year to NYC’s carefully curated Salon Art + Design fair, London-based homeware and gifting platform ABASK set a standard for enticing, accessible decor with their debut booth. This was the first-ever physical presentation in NYC for the retailer, which partners with more than 200 global artisans for an inventory of more than 4,000 different home-design items. And if the enveloping green hue they chose to decorate their booth is any indicator (as well as their marvelous product selection of pieces from the likes of Carl Aubock, Oeuvres Sensibles, Lobmeyr and Osanna Visconti), we foresee continued commercial growth and an ever-expanding, dedicated consumer base. In perusing ABASK’s installation, we fell in love with so many items, each with its own story and all within a broad spectrum of pricepoints. To learn more about the vision of the brand, as well as how they’re capable of

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

delivering to 165 different countries within four days of a purchase, we spoke with co-founder and CEO Nicolas Pickaerts—who even explained to us what an ABASK wink is.

Courtesy of ABASK

Why was Salon Art + Design an ideal partner for ABASK?

Salon Art + Design is renowned for displaying the world’s best-in-class design objects and for bringing the international design world together. At ABASK, our mission is to spotlight the world’s most exquisite craftsmanship and home-design objects, so when we were invited to be a special exhibitor we were immediately on board. We are also approaching our first anniversary, so bringing all our incredible makers together both in our booth and on our stage during our panel session felt like a great way to celebrate one year of ABASK. While we are a global direct-to-consumer retailer, the chance to present ABASK in real life so that visitors could enjoy a physical touchpoint was a fantastic opportunity for us.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

What led you to stage such a distinct, green room?

The shade we used is the ABASK green that is our signature hue. We were thrilled to have the brilliant creative director Stefan Beckman on board to design the space as we really wanted to make the booth stand out. It turned out to be the perfect background color to display all our home-design objects in Stefan’s captivating set design that perfectly conjured ABASK’s home-design wisdom and tongue-in-cheek wit. He said he wanted “to celebrate the eclectic and unique nature of ABASK’s home-design objects by creating a fantastical, surreal and immersive world that conveys its warmth and appetite for fun,” and he absolutely did that.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

What did you choose to display and why? How is it a reflection of what ABASK offers?

At Salon, we spotlighted 100 of our world-renowned makers which included over 600 items, 60 of which were exclusive to ABASK—and that is just a flavor of what we have on offer. Currently, we stock over 4,000 homedesign objects on ABASK.com. At Salon, we wanted to show the breadth and depth of our home-design offering, incorporating all our rooms—including the dining room, the snug, the games room, the kitchen and the study— as well as our aesthetics—modernist, minimalist, bohemian and classic—presenting not just the makers who people are already familiar with, but the lesser-known artisans who have amazing stories to tell and that we take pride in sharing.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

Where have you and your team dedicated time in the year since ABASK was founded?

The customer’s experience is at the heart of everything we do and we have placed the utmost importance on enhancing and fine-tuning the user journey—from first encounter to receiving their purchase—to ensure it’s a seamless one. Our buying team has continued to hone our edit based on what we know the ABASK customer is responding to, which in turn has propelled the launch of more rooms and more opportunity to share our makers’ work and we have also developed our trade service, where we work with interior designers to help source the smalls for their projects.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

How do you curate your offerings on the site? In turn, how did you build relationships with more than 200 local and global artisans?

Both Tom and I feel very fortunate to have a brilliant team who are all at the top of their game. Our buying team, led by buying director Bryony Sheridan, is constantly on the hunt for exquisite talent and interesting design objects all over the world and their tenacity and taste is reflected in our diverse offering. Once we have invested in a maker, we remain in close communication with them, building relationships on trust and mutual respect, which often leads to exclusive collections such as archive re-editions. On ABASK.com, we present our objects in the rooms they have been designed to be used in, which is how our customer likes to shop and allows us to create little worlds which we communicate with our original storytelling, interviews and exclusive tastemaker edits from the ABASK collective across the website and our social-media platforms.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

Your delivery promise—one to four days in 165 countries—almost doesn’t seem possible. Can you tell us why it’s important?

People were used to receiving fashion purchases within that timeframe but not home-design objects. Because we are a retailer that buys and holds stock, as opposed to a marketplace that redirects to third parties, we are in a position to offer this service and guarantee is reliability. At ABASK, our modus operandi is to take the hard work out of finding, buying and receiving a unique design object—whether that be for oneself or as a gift—and so our promise of delivering to 165 countries within four days is absolutely essential to that. We spent a lot of time working with the artist Sarah Martinon to develop the artwork for our packaging, too, as we want people to feel excited when they see an ABASK box headed their way, knowing that they can trust that whatever is inside is going to be exquisite.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

Is there one overarching ABASK aesthetic?

All our home-design objects have been individually and specifically chosen because it is an exquisite piece that celebrates skill and artisanship so our curation has that in common; all our products are either handmade or have the hand touch. Aesthetic-wise, we are working toward four aesthetics that our curation falls into but as far as one overarching theme goes, I would say it is more of a mood than one aesthetic; everything on ABASK has something special about it, which we call the ABASK wink.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

Courtesy of ABASK

And finally, is there something you wish consumers would know about ABASK that they might not know yet?

The most important thing to us is our customer-first ethos which transcends throughout every area and touchpoint. Being a retailer that sources, curates, buys, sells, packages and delivers all our home-design objects— as opposed to a marketplace that redirects customers to third parties—is absolutely key to that. That’s how we can guarantee the best-in-class customer service that is hard to find elsewhere in the home-design space.

https://coolhunting.com/design/salon-art-design-2023-abasks-dedication-to-craftsmanship/

NOVEMBER 6, 2023

Maximalism Is Out, Jewelry Is In: The Salon Art + Design Fair Returns Amid a Changing Market The New York design fair is back at the Park Avenue Armory with a number of new faces and debut collections. By Polina Cherezova

Image courtesy of Cox London/Instagram.

Visitors entering the Park Avenue Armory later this week will be greeted by a monumental chandelier that resembles a tangle of magnolia flowers. The site-specific installation by Cox London is one of the many statement pieces due to be unveiled at this year’s Salon Art + Design fair, which opens this Thursday in New York. The 12th

https://www.culturedmag.com/article/2023/11/06/salon-art-design-fair-new-york

edition of the event, which focuses on collectible design, will offer an increasingly international lineup and, for the first time, vintage, modern, and contemporary jewelry. “The inclusion of jewelry is a conversation we’ve been having for a long time,” says Jill Bokor, Salon’s executive director. “It’s a great way to refresh the fair without changing its core.” The design market experienced a boost during and immediately after lockdown, when collectors had money to burn and a renewed appreciation for the importance of their domestic surroundings. Trends have shifted since then. Today, Bokor notices buyers and designers leaning toward a minimalist sensibility. “During the years of and immediately following Covid, we saw maximalism taken to a new height,” she says. “People were home and wanted the big, the comfy, the overstuffed with lots of color. This year, people seem to be looking at rather sculptural, sleek, and somewhat neutral pieces. It’s not a Mario Buatta moment.”

Image courtesy of Trunks Company.

This year’s fair will spread across the Armory’s cavernous Drill Hall and smaller historic rooms, which designers seek to transform into immersive installations. “Knowing as they do that our core audience comprises designers and collectors with discerning eyes, our galleries know that plinths and vitrines don’t have the appeal of walking into each space and having it be a discovery,” says Bokor. Salon is working with a number of new exhibitors this year, several of whom are making their U.S. debut. The Jaipur-based Trunks Company will premiere new art objects including their Pipe & Chess Bar Cabinet and Game Island Trunk, which fuse classic board games with the craftsmanship of hand-painted leather trunk-making. Salon’s first book dealer, Potterton Books from Britain, will participate alongside exhibitors from countries including Belgium, Portugal, Spain, Monaco, and the Netherlands.

https://www.culturedmag.com/article/2023/11/06/salon-art-design-fair-new-york

Artwork by Dominic Harris. Image courtesy of the artist and Halcyon Gallery.

Among the new collections debuting at Salon is designer Matthew Fisher’s “Elegy,” his first Brazilian quartzite and Arabic onyx carved furnishings, inspired by artifacts he came across on a trip to Volterra, Italy in the summer of 2022. Meanwhile, Brazil-based designer Silvia Furmanovich’s “East/West” collection incorporates Japanese motifs and craft traditions such as Indigenous Ainu wood carvings and bamboo weaving, which she first discovered on a trip to Japan. While the economy is on shakier ground than it was a year or two ago, Bokor says audiences remain interested in both investing and experimenting with design. “More than anything, we see an expanded, ever infinitely more interesting market, with a collector of Japanese ceramics also collecting abstract expressionism, for example," she explains, before continuing. "Also, you can never separate design from the real estate market. In a rather cool market, we see people doing really interesting things in smaller spaces. And it doesn’t necessarily mean that they are collecting smaller objects." She cites a tiny early 20th century cottage in the Berkshires which she stumbled upon during a recent trip. The home was filled with mid-century furniture and paintings that, "rather than overpowering the space, seemed to complete it."

https://www.culturedmag.com/article/2023/11/06/salon-art-design-fair-new-york

NOVEMBER 2, 2023

Object Chandigarh By Daniella Ohad

Ever since Amy Siegel created her memorable video Provenance—which tells the curious story of a set of humble, yet exquisitely designed furniture made during the postwar years for the offices in the civic buildings of the new Indian capital of Chandigarh—this body of furniture has become a household product. Chandigarh was a city like no other; set at the foothills of Shivaliks, it was designed by Le Corbusier as a utopian modernist urban government compound. It was the pride of India’s first Prime Minister Sh. Jawahar Lal Nehru, with thousands of offices, High Court, University, and more. All of these official spaces were furnished with humble pieces of furniture crafted by local shops with local wood, designed by the architect and his cousin Pierre Jeanneret. As these started to be removed from India and brought to Europe and the US, they became collectible and tofday, seen everywhere. Vintage (and not so vintage) examples are regularly offered at auction houses across the globe, they are seen in chic interiors featured in magazines, while copies have flooded the market, and recent production by various furniture firms has been led by Cassina and RH, have made them popular and exposed . There are many narratives and approaches attached to the story of the furniture, which was obscured for decades until rescued by a group of French design dealers 15 years ago. They have since come to symbolize not only social status and taste, but also the economic value and collectibility attached to objects of heritage. Office furniture used to be created by the thousands, were damaged from usage and often used as scrap wood, until being recognized, https://daniellaondesign.com/blog/object-chandigarh/

exported, and became a the ashion statement it is today. These stories have been told by players in the marketplace, and by the scholars Le Corbusier and Pierre Jeanneret, who had signed off the design of hundreds of models crafted during the three decades of the building process of Chandigarh. What else can be said about this piece of material culture? What stories still need to be told? George Gilpin, a Brooklyn-based dealer who has been going to Chandigarh for years and is known for selling this furniture, is now telling his own story in his new book titled Object Chandigarh. The book was released in conjunction with an exhibition under the same title, which opened this week at Patrick Parrish Gallery and showcases models from his own personal collection. The limited-edition book is designed in the spirit of Le Corbusier’s polychromed architecture, since his love for color was legendary; he believed that color, particularly primary colors, play a significant role in evoking emotions and creating spatial illusions. Gilpin wants to tell the story of the furniture’s raw detail and the way it was found in India after years of use. It is a pictorial history with documentation of the furniture before it was restored and staged for contemporary interiors—what a difference. Since most people want their furniture to be beautiful, upholstered, and refinished, the pieces in their original state are hardly ever shown or photographed. The introductory essay by Simon Andrews, the trailblazer of vintage modern design, captures the complexity of the cultural and historical heritage of Chandigarh’s project. Both the book and exhibition teach an important lesson in design connoisseurship. ‘Once attuned to their aesthetic frequencies,’ Andrews says, ‘the poetic dialect of patina upon these objects reveals itself with fluency. These are furnishings that celebrate lived history with proud authority, as battered yet elegant warriors. Through their weary surfaces — with sun-bleached, split upholstery and improvised alterations — they announce an honest primitivism, honed by the souls of generations of users, travelling ever further from their modernist nativity. Their emotive murmurs are essential, inimitable and valuable. They are imperfect, but all the more beautiful for their!jolielaide!honesty. These are objects that are repaired, but not yet restored. As if companion travellers to Orpheus, they belong neither to one world nor another, fossilised, suspended within a memory of Utopia and not yet enhanced to embrace the likely next.,’ capturing the allure of the authentic. The exhibition will be open at Patrick Parrish Gallery through November 22nd.

https://daniellaondesign.com/blog/object-chandigarh/

NOVEMBER 8, 2023

Salon Art + Design: Selects By Daniella Ohad

Michela Cattai, Naturalia; presented by Maison Gerard.

https://daniellaondesign.com/blog/salon-art-design-selects/

Gio Ponti & Giullio Minoletti, ‘Settebello Lounge Chairs’, c.1952; presented by Donzella.

Zaha Hadid ‘Liquid Glacial, 2013; presented by David Gill.

https://daniellaondesign.com/blog/salon-art-design-selects/

Jean Royere, Flaque Table, 1948; presented by Galerie Gabriel.

https://daniellaondesign.com/blog/salon-art-design-selects/

Chapter & Verse, Sarcomere Console II in cardboard, 2022; presented by 0Todd Merrill Studio.

https://daniellaondesign.com/blog/salon-art-design-selects/

Lorin Silverman, Ripples; presented by Donzella.

https://daniellaondesign.com/blog/salon-art-design-selects/

Jean Derval, Bird Feet Cup, 1953; presented by Thomas Fritsch

https://daniellaondesign.com/blog/salon-art-design-selects/

Erwan Bolloud, ‘FÉTICHIE II’, 2023; presented Galerie Negropontes.

https://daniellaondesign.com/blog/salon-art-design-selects/

Alice Gavilet, ‘Blue Vase.’ Presented by Twenty First Gallery.

https://daniellaondesign.com/blog/salon-art-design-selects/

Jin Kuramoto, ‘Bamboo Chair,’ presented by Spazio Nobile.

Sebastian Brajkovic, ‘Shanty’ Console, 2019; presented by David Gill.

https://daniellaondesign.com/blog/salon-art-design-selects/

René Gabriel, Armchairs, ce. 1950; presented by Magen H.

https://daniellaondesign.com/blog/salon-art-design-selects/

NOVEMBER 10, 2023

The Salon Art + Design: Opening Night By Daniella Ohad

With Mathieu Lehanneur

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Achille Salvagni

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

Galerie Gabriel

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Jill Bokor

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Francis Sultana at David Gill Gallery’s booth

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Charles Zaha

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Roy Alpert

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Achille Salvagni

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

With Valerio and Sam at FUMI

https://daniellaondesign.com/blog/the-salon-art-desing-opening-night/

NOVEMBER 2, 2023

SALON ART + DESIGN RETURNS FOR 2023 EDITION By Tim Spears

salon art + design 2023 assembles unique collectibles and conversations

Salon Art + Design returns to Park Avenue Armory for 2023, as the highlight of New York City’s fall arts calendar. Taking place from November 9-12, the 12th edition of the fair unites over 50 leading exhibitors in the world of collectible and unique design and art pieces. Special exhibitions and insightful panel conversations keep the audience captivated amidst the highly visual displays.

Find one-of-a-kind collectible pieces at Salon Art + Design from November 9-13, 2023 – designboom readers receive discounted discounts, here.

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

(main image: charles burnand: den holm, ‘ronin chair’, 2023

A centerpiece of the city’s arts calendar each fall, Salon Art + Design is the must-visit autumnal arts rendezvous, gathering the best-of-the-best exhibitors, buyers, and art aficionados every year in New York. It is the place to be for showcasing, acquiring, and engaging with truly unique pieces. The 2023 edition promises even more intrigue, brought to life once again by Sanford L. Smith + Associates.

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

coxlondon: nicola and christopher cox, ‘magnolia grandiflora chandelier’, custom-made for salon, 2023

COLLECTIBLES + CONVERSATIONS

The 2023 fair is set to showcase over 50 exceptional exhibitors from around the world. While many long-standing participants return, several new exhibitors in the collectible design space join to astound audiences for the first time. Exhibitions span an array of materials in furniture, studio glass, and ceramics to japanese art and jewelry. The eclectic mix includes vintage, modern, and contemporary designs, and blue-chip 20th-century art.

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

silvia furmanovich

‘We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry-level collectors alike,‘ says Jill Bokor, Executive Director of Salon Art + Design. ‘While Salon is known for showing some of the most world-renowned galleries in design, we also want the fair to serve as a platform for burgeoning galleries who are showcasing some of the most cutting-edge design, whether that be vintage, modern or contemporary. We’re excited for our visitors to reconnect with the galleries one may expect at the fair, while also discovering the new and unexpected.‘

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

thomas cooper studio: from the ‘fonda’ collection

That is not all though, as this edition introduces special design exhibitions within the historic rooms at the fair and Drill Hall floor for the first time. This select group of design and jewelry exhibitors are set to impress with exclusive capsule collections from individual designers to curated items from galleries. The special exhibitions boast names like ABASK, Charles Zana Mobilier, Cox London, DeMuro Das, Humans Since 1982, Mathieu Lehanneaur, Phillip Thomas Inc., Silvia Furmanovich, and Trunks Company.

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

galerie negropontes: erwan bolloud, ‘FÉTICHIE II’, 2023

Beyond browsing the exhibition stands, visitors can hear from the creative minds at the onsite conversations and panel discussions. Salon Conversations serves as a platform sparking thought-provoking, in-depth, and forwardthinking discussions between design luminaries, editors, tastemakers, and industry leaders. It is where ideas collide and inspiration takes flight. On the hunt for one-of-a-kind collectibles, look no further than Salon Art + Design from November 9-13, 2023 – apply your designboom readers discount for tickets, here.

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

halcyon gallery: dominic harris artist, ‘metamorphosis: unseen’, 2023

twenty first gallery: alice gavilet, ‘blue vase’

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

donzella: gio ponti & giullio minoletti, ‘settebello lounge chairs’, c.1952

mathivet galerie: ‘unnamed’

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

2023 exhibitors: Achille Salvagni Atelier, Ariadne Galleries, Bernard Goldberg Fine Arts, bo Design Group, Carole Davenport Japanese Art, Charles Burnand Gallery, Cristina Grajales, David Gill Gallery, Didier Ltd., DK Farnum, Donzella, Elevated Matter Gallery, Galerie Chastel-Maréchal, Galerie Gabriel, Galerie Marcilhac, Galerie Negropontes, Galerie Philia, Galerie FUMI, GARDE, Garrido Gallery, Guy Regal NYC, Halcyon Gallery , J.Lohmann Gallery, Karl Kemp, Lebreton, Liz O’Brien, Lobel Modern, Magen H Gallery, Maison Gerard, Maison Rapin, Mercado Moderno, Mia Karlova Galerie B.V., Opera Gallery, Phoenix Ancient Art, Rosior, Salon Design, Shoshana Wayne Gallery, Spazio Nobile, Thomas Fritsch–Artrium, Throckmorton Fine Art, Todd Merrill Studios, Twenty First Gallery, WonderGlass, Tuleste Factory, Yvel and Zeit Contemporary Art. event info: name: Salon Art + Design | @thesalonny location: Park Armory Avenue, New York, NY, USA dates: November 9-13, 2023

https://www.designboom.com/design/salon-art-design-2023-preview-11-02-2023/

OCTOBER 5, 2023

Salon Art + Design 9-13 November 2023 New York City, USA thesalonny.com By Staff Writer

New York-based fair Salon Art + Design presents its 12th edition, exhibiting the work of over 50 international creators and collectors. Vintage, modern and contemporary decorations, furnishings and artworks will be curated for visitors to view throughout the venue's historic rooms. The broad spectrum of objects on display aims to appeal to both experienced and new collectors, collating items of global origins, design styles and genres.

Salon Art + Design takes place between 9 to 13 November at Park Avenue Armory, 643 Park Ave, New York City, New York 10065, USA. https://www.dezeen.com/eventsguide/2023/11/salon-art-design-new-work/

OCTOBER 31, 2023

Seven architecture and design events in November from Dezeen Events Guide By Sophie Chapman

Salon Art + Design, HIX and the Dezeen Awards 2023 party are among the architecture and design events featured in Dezeen Events Guide this month. Other events taking place in November include Sustainable Design Summit, Dubai Design Week and Business of Design Week.

https://www.dezeen.com/2023/10/31/architecture-design-events-november-dezeen-events-guide2023/amp/

Salon Art + Design is an annual event, this year hosted at Park Avenue Armory. Photo is by Peter Baker

Salon Art + Design 9 to 13 November 2023, USA

Celebrating its 12th edition, Salon Art + Design returns to the Park Avenue Armory in New York City. The art and design fair hosts furniture, objects and lighting from more than 50 global galleries in vintage, modern and contemporary styles. Alongside the exhibition, the event includes a series of discussions, exploring topics of jewellery, interior design and decorative arts in media. Dezeen is a media partner for Salon Art + Design 2023.

https://www.dezeen.com/2023/10/31/architecture-design-events-november-dezeen-events-guide2023/amp/

NOVEMBER 9, 2023

Agenda de eventos: qué hacer en Nueva York del 9 al 15 de noviembre Romeo Santos vuelve a la ciudad para presentarse este viernes en el Barclays Center By Liseth Pérez-Almeida

El Rey de la Bachata continúa rompiendo récords con su gira “Fórmula Vol. 3”. Crédito: Jason Kempin | Getty Images

Feria de Arte Internacional

Salon Art + Design, la feria líder de arte y diseño coleccionable producida por Sanford L. Smith + Associates, celebrará su 12.ª en Park Avenue Armory (643 Park Ave, Manhattan), desde hoy jueves 9 al 13 de noviembre. Salon, un punto culminante del calendario artístico de otoño de Nueva York, presenta nuevos expositores junto con exhibiciones especiales de diseño coleccionable. Por primera vez, el evento integrará un grupo selecto de exhibiciones especiales de diseño y joyería, que van desde colecciones cápsula exclusivas de diseñadores individuales hasta curaciones más pequeñas de galerías. Los expositores de diseño especiales incluyen ABASK, Charles Zana Mobilier, Cox London, DeMuro Das, Humans Since 1982, Mathieu Lehanneur, Phillip Thomas Inc., Silvia Furmanovich y Trunks Company. Entradas: https://www.thesalonny.com.

https://eldiariony.com/2023/11/09/agenda-de-eventos-que-hacer-en-nueva-york-del-9-al-15-denoviembre/

Foto: 1970s Accolay Flower Frog Vase at ABASK

https://eldiariony.com/2023/11/09/agenda-de-eventos-que-hacer-en-nueva-york-del-9-al-15-denoviembre/

OCTOBER 10, 2023

Salon Art + Design Fair Returns to New York City The fair will showcase an array of pieces spanning everything from furniture to ceramics. By Irenie Forshaw

A unique furniture collection by architect Charles Zana will be on display / ©Salon Art + Design

It’s that time of year again: Sanford L. Smith + Associates has announced the 12th edition of Salon Art + Design. A staple of New York City’s cultural calendar, the design and art fair will return to the Park Avenue Armory for an incredible collection of exhibitions and events this fall.

https://elitetraveler.com/design-culture/art-exhibitions/salon-art-and-design-new-york

Running from November 9 – 13, 2023, the fair will showcase over 50 exhibitors, presenting the very best vintage, modern, and contemporary design from across the world. The wide-ranging selection of pieces on display will span everything from furniture and ceramics to luxury trunks and Japanese art. This year, Salon Art + Design is adding several new exhibitors to its line-up including, for the first time, a carefully selected group of special design and jewelry exhibitions.

Side table by Demuro Das / ©Salon Art + Design

So who should you be looking out for? Among the treasures on display in New York is a unique furniture collection by architect Charles Zana; a series of elegant home-design objects from ABASK; and an assortment of tables crafted from hand-cast bronze and semi-precious stones by international design firm, DeMuro Das. Alongside these exciting new voices, Salon Art + Design is set to welcome back several of its longstanding participants including Gallery FUMI, Karl Kemp, Bernard Goldberg Fine Arts, Maison Gerard, and Twenty First Gallery.

https://elitetraveler.com/design-culture/art-exhibitions/salon-art-and-design-new-york

1970s Accolay Flower Frog Vase at ABASK / ©Salon Art + Design

“We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry-level collectors alike,” commented Jill Bokor, executive director of Salon Art + Design. “While Salon is known for showing some of the most world-renowned galleries in design, we also want to serve as a platform for burgeoning galleries who are showcasing more of the most cutting-edge design, whether that be vintage, modern or contemporary.”

https://elitetraveler.com/design-culture/art-exhibitions/salon-art-and-design-new-york

WINTER 2023/24

The Suites Issue SUPERLATIVE ABODES FROM AN UNDERWATER LAIR TO A PENTHOUSE WITH A BASKETBALL COURT

DISCOVER

elite traveler

Object of desire by Samantha Coles

Playing games Unveiled for the first time at Salon Art + Design, a prestigious New York art show held in November, this nostalgic trunk celebrates the traditional board game. Yet less a trunk and more a fully functional game table, the piece, named ‘Game Island Trunk,’ is full of clever compartments and contraptions that house the most beloved games. The sides of the trunk open out to offer seating on either side and create a workstation for each player; a chess board has its home atop the workstation. Deeper inside, you’ll find backgammon and Ludo, as well as a hidden tower of Jenga blocks guarded by mini trunks that hold poker chips. The trunk is an impressive display of exemplary craftsmanship — the tangible result of brothers Paritosh and Priyank Mehta’s creativity. The pair founded the Trunks Company, a Jaipur-based brand specializing in handmade, hand-painted trunks created using traditional methods such as the ‘lost-wax technique.’ (It’s a process by which a duplicate sculpture — often a metal, such as silver, gold, brass or bronze — is cast from an original sculpture. Intricate works can be achieved by this method, and the oldest example dates back to 4550–4450 BC.) Many of the Trunks Company’s pieces are bespoke and include such whimsical creations as Timeless Travels with the Taj — a re-imagination of the majestic Taj Mahal Palace Hotel in trunk form. Price on request. Contact enquiry@trunkscompany.com, +91 992 876 6444, trunkscompany.com

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The Game Island Trunk is full of clever compartments and contraptions that house the most beloved games

WINTER 2023/24

NOVEMBER 13, 2023

Even the Olsens Stopped By This NYC Design Fair—Here’s What Caught Our Eye Salon Art + Design’s 12th edition was a certified showstopper. By Sean Santiago, Helena Madden And Bebe Howorth

Courtesy Galerie Chastel-Maréchal

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

weekend. On display was a curated assortment of vintage, modern, and contemporary design and art presented by more than 50 influential exhibitors. Noteworthy sales were reported, featuring iconic pieces by the likes of Karl Springer and Carlo Bugatti. However, it was a number of distinctive works from independent galleries and showrooms that particularly caught our eye. Here, we highlight a few of our favorite discoveries from the exhibition. DEMURO DAS

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

GALLERY FUMI

Jeremy Anderson

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

ABASK

Abask

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

MAISON GERARD

Niamh Barry

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

GALERIE CHASTEL-MARÉCHAL

Courtesy Galerie Chastel-Maréchal

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

COX LONDON

https://www.elledecor.com/design-decorate/g45823972/salon-art-design-2023/

CUARTO INFANTIL PARA SOÑAR

AS DE COPAS

UN BAR EXTRAORDINARIO EN VENECIA

TU AMOR PROPIO

CARÁCTER ESCULTÓRICO

EL VALOR DE LAS LIBRERÍAS

CA N A RIAS 4,65 € S I N IVA

Nº 218 OCTUBRE 2023 - 4,50 €

Estilo para un dormitorio importante

OTOÑO CALIENTE CLÁSICO O BRUTAL, EL DISEÑO REPIENSA EL INTERIOR

ELLEDECO HOTLIST

Alegre imaginer’a

Ansiosos por ver in situ las curiosas y divertidas criaturas escultóricas de Ahryun, Buzz. Será en Salon Art + Design la principal feria de arte y Design, diseño de coleccionismo que tendrá lugar en el Park Avenue Armory de Nueva York del 9 al 13 de noviembre de 2023. thesalonny.com

H U MO R C

AT I VO

AIRE COSMOPOLITA

Mirar con perspectiva

Escaleras, ventanas, luces y sombras proyectadas sobre las paredes de los edificios en el papel Metropolis , en la primera colaboración de LatoxLato con Inkiostro Bianco. ¡Es espectacular! inkiostrobianco.com

SA L I R R E DON DO

10 Coleccionando planes

Abrimos nuestra agenda para anotar una nueva cita: del 17 de octubre al 4 de noviembre en París abrirá el Project Room de India Mahdavi que en esta edición estará a cargo de AGO Projects. Una gran ocasión para descubrir más de 30 piezas como este sofá Hoodoo Couch, de Ryan Belli. india-mahdavi.com

82 ELLE DECORATION OCTUBRE 2023

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NOVEMBER 11, 2023

Salon Art + Design regresa con Nuevas Galerías de Diseño a Nueva York By Staff Writer

The Armory en Park Avenue. Cortesía: Salon Art + Design.

El mundo del diseño y del interiorismo de Nueva York se prepara para recibir la 12ª edición de Salon Art + Design. Esta destacada feria de arte y diseño coleccionable producida por Sanford L. Smith + Associates, abre sus puertas del 9 al 13 de noviembre de 2023. El Park Avenue Armory será el epicentro de esta cita imperdible, consolidándose como el destino principal para la exhibición, donde su recorrido cómodo y cálido, lleva a los visitantes a disfrutar una experiencia de otro mundo para la adquisición de piezas de diseño y de colección.

https://revistaexclama.com/salon-art-design-2023/

Salon Art + Design ha evolucionado para convertirse en el referente de Nueva York durante el otoño, presentando lo mejor del diseño vintage, moderno y contemporáneo, así como arte del siglo XX de alta calidad. Con la participación de más de 50 destacados expositores de todo el mundo, la feria abarca una amplia gama de materiales, desde muebles, vidrio de estudio y cerámica hasta arte japonés y joyería.

Collectors Lounge. Cortesía: Salon Art + Design.

https://revistaexclama.com/salon-art-design-2023/

Entre las emocionantes novedades de este año se encuentran la llegada de prometedores exponentes del diseño coleccionable, muchos de ellos debutando en Estados Unidos. Además, se integrarán nuevas galerías de arte fino, como Galerie Gmurzynska, Halcyon Gallery y Zeit Contemporary Art. Salon también sorprenderá al público al incorporar exhibiciones especiales de diseño y joyería, desde colecciones exclusivas de diseñadores individuales hasta selecciones más íntimas de galerías y reunirá a un grupo diverso e internacional de distribuidores de arte y diseño, presentando material excepcional de todo el mundo para todos los gustos. Además de una variedad de expositores estadounidenses, este año se incluye una selección de galerías europeas e internacionales procedentes de Bélgica, Francia, Israel, Mónaco, los Países Bajos, Portugal, España, Suiza y el Reino Unido.

https://revistaexclama.com/salon-art-design-2023/

Jill Bokor, Directora Ejecutiva de Salon Art + Design, destaca la importancia de mantener un equilibrio entre galerías consolidadas y aquellas emergentes que presentan diseños vanguardistas. Este año, la feria continúa su tradición de crear ambientes inmersivos, reflejando la diversidad y dinamismo de la vida contemporánea. Más info de la feria aquí.

https://revistaexclama.com/salon-art-design-2023/

F L A U N T NOVEMBER 9, 2023

SALON ART + DESIGN | THE FAIR RETURNS TO NEW YORK FOR ITS 12TH EDITION ON VIEW AT THE PARK AVENUE ARMORY NOVEMBER 9-13TH By Sofia Ziman

Glithero. Stacks Vases Prototypes 1, 2023. Unique Stoneware, Silver Gelatin Photogram. H60 / Ø26 CMH23.6" / Ø10.2"(GLI108). Photo: Copyright The Artist. Courtesy of Gallery, FUMI.

November 9th marks the opening of the Salon Art + Design fair. Returning to New York City’s renowned epicenter for arts and culture, the 12th edition fair is held at the Park Avenue Armory. Salon prides itself on being

https://www.flaunt.com/post/salon-art-design-12th-edition

an immersive and electric experience for all attendees, whether avid collectors or curious observers. Featuring 50 distinguished exhibitors, the fair shines a spotlight on collectible design and art.

Ruven Afanador. Dancers: Conservatorio Profesional de Danza. "Antonio Ruiz Soler", "El Cortijo de la Sierra", El Cuervo, Sevilla, España (Angel Gitano). 2011. Selenium Toned Gelatin Silver Print. 16 x 20 in. Edition 3 of 25. Signed & numbered in pencil on verso (Inv#67757.3).

Embracing novelty and tradition alike, this year welcomes new and returning participants such as Bernard Goldberg Fine Arts, David Gill Gallery, Maison Gerard, and Liz O'Brien. New additions range from up-andcoming players in the collectible design space, alongside familiar names in the fine arts such as Galerie Gmurzynska, Halcyon Gallery, and Zeit Contemporary Art. Valuing global and artistic expansion, Salon + Art further serves as the US debut for specific exhibitors.

https://www.flaunt.com/post/salon-art-design-12th-edition

Photo courtesy of Thomas Cooper Studio

Moving beyond usual collectibles such as art, furniture and decor, Salon will integrate a special selection of design and jewelry exhibitions for the first time. The wearable art ranges from exclusive capsule collections by specialized designers to smaller gallery curations.

https://www.flaunt.com/post/salon-art-design-12th-edition

Cox London's Magnolia Grandiflora Chandelier

Displayed alongside other works on the main floor, the jewelry exhibitions coincide with the diversity of the fair, which includes vintage, modern, contemporary and blue-chip 20th century pieces. Incorporating elements of timelessness and the avant-garde, the selections will showcase elegant simplicity as well as statement and one-ofa-kind pieces.

https://www.flaunt.com/post/salon-art-design-12th-edition

The Spaceless Gallery Presents: "Humans since 1982"

To toast this year’s edition of the fair, Salon Art + Design's Executive Director Jill Bokor, hosted an intimate cocktail at One Wall Street with the support of frenchCALIFORNIA, as well as the fair’s 2023 Honorary Committee, including Co-Chairs Nathalie & Laura de Gunzburg.

https://www.flaunt.com/post/salon-art-design-12th-edition

LOUISE NEVELSON (1899-1988). Dawn's Presence–Two, 1969-1975. Each element numbered and marked with directional arrow on underside, 1-4, 7-8. Six elements, wood painted white. 247.7 x 198.1 x 144.8 cm 97.52 x 77.99 x 57.01 inches. Unique.

https://www.flaunt.com/post/salon-art-design-12th-edition

NOVEMBER 7, 2023

Floratorium’s Carlos Franqui Chosen for Salon Art + Design By Jill Brooke

Drumroll, please. This year’s florist chosen by Flowerpowerdaily’s Jill Brooke for the prestigious Salon Art + Design show will be Carlos Franqui of Floratorium. The annual show returns to the Park Avenue Armory in New York City from November 9-13, 2023 You know Floratorium’s work in creating outdoor installations at restaurants and corporations with vivid faux and real flowers. Not only has the media – as well as even Martha Stewart – hailed his work in creating an oasis of positivity during Covid, but Franqui continues to impress with his sculptural installations that others have now routinely attempted to imitate. “Carlos Franqui and his team are innovators,” says Flowerpowerdaily founder Jill Brooke. “They are not only heroes for New York but continue to bring cheer and color into everything they create.”

https://flowerpowerdaily.com/floratoriums-carlos-franqui-chosen-for-salon-art-design/

As the New York Post’s food and real estate columnist Jennifer Gould wrote, the striking outdoor installations actually boosted revenues for restauranteurs by “drawing in diners eager to forget they’re eating in a former parking spot” and having “ugly city scaffolding disappear under an intricate swath of vines popping with flowers.” As Salon Art + Design’s executive director Jill Bokor says, “Not only are their extraordinary creations florals, they are works of art unto themselves. His work will be a brilliant complement to the mis-en-scene at Salon. As the first displays seen by visitors to Salon, these incredible arrangements set exactly the tone we look for – a breathtaking blend of art and design.” Although Franqui wants to surprise the guests who visit the Park Avenue Armory in New York City November 913, 2023, we have some hints what to expect.

https://flowerpowerdaily.com/floratoriums-carlos-franqui-chosen-for-salon-art-design/

Maybe it’s a mix of maple leaves, camelia, jasmin, dahlias, marigolds, cosmos and burgundy cabbage roses creates the perfect set up for autumn. Or perhaps it’s inspired by Daschner Castle, Floratorium’s first immersive hospitality experience in upstate New York.

https://flowerpowerdaily.com/floratoriums-carlos-franqui-chosen-for-salon-art-design/

One thing for sure, it will have a lot of greenery. Why? Franqui just trademarked the concept of Biofauxlia, which creates “50 shades of green.” “Just like I realized people were focusing on the inside of restaurants instead of the outside floral displays, I see a need in the market that there aren’t enough offerings for special greenery,” he notes. After all, great talents are always “growing” and like the Salon Art + Design event, showcasing what is trending, visually stimulating and relevant for this moment of time.

https://flowerpowerdaily.com/floratoriums-carlos-franqui-chosen-for-salon-art-design/

NOVEMBER 10, 2023

What Lit Up Salon Art+Design Show? These 7 Floral Chandeliers By Jill Brooke

Salon Art + Design, the prestigious fair in New York, showcasing the finest art, architecture, and design from leading galleries worldwide, is always catnip for designer lovers. Part of the reason is that its leader Jill Bokor cherry-picked what designers can participate in the event that only has sixty-two installations. Therefore it feels both intimate and accessible. Like a home.

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

But this year, as guests visited the Park Avenue Armory for the 12th year, there were many kudos given for the extraordinary flower-inspired fixtures. Greeting guests was an extraordinary chandelier created by Cox London. Inspired by magnolia leaves, it literally is a showstopper from the lighting and furniture company. “We are always inspired by botanicals,” says Cox London founder Chris Cox. He and his wife Nicola were sculptor-makers who pivoted to forging natural form with interior beauty in such inspiring ways. And using magnolia leaves seems to be trending. “It’s always a popular flower, especially during the holiday season,” notes florist Yossi Benhamou, from New York’s Matles Florist. Floratorium’s Carlos Franqui also used magnolia leaves as a focal point for his live flowers. What else had a magnolia theme?

This magnolia leaf wall lighting by Nana Lure was a nice accent to drape and illuminate any vase of flowers or home decor. Particularly appreciated how the designers at Spazio Nobile Gallery intuitively knew to arrange the flowers sweeping toward the lighting fixture. So much of design is layering and creating an eco-system. The wall mirror also sweeps to the left so the overall effect stops you in your tracks. It almost makes you want to dance to a groove.

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

Todd Merrill Studio also charms and this year is no different. Here we have yet another floral-inspired chandelier. Staff at the showroom also commented on how floral chandeliers were in abundance. While this one was a darker tone, it had that botanical inspiration that was free-flowing and modern.

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

Another winner was from Garde which seemed to float down from the clouds above and put a lovely spotlight on the nearby painting that oozed calm and intrigue.

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

Of course, when you think of botanicals, your thoughts drift to something green. The color of nature. This is why many applauded this green floral chandelier from Karl Kemp. It’s so easy to match with anything in a home, whether it’s art or in a kitchen. Plus was also drawn to the tulip candle holders on the mantle.

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

This piece by Maison Rapin felt both airy and intricate. It also helped showcase other pieces in their salon including the botanical mirrors.

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

Matthieu Lehanneur told me he had wanted to create a flower-inspired chandelier for some time. But since he wanted something “original” and practical, inspiration had eluded him. Until now. Until this piece. “It’s as though the petals are unfurling and bringing light,” he commented. Furthermore, light hits this piece in unexpected ways while also having an interior source heating up the design. Throughout history, flowers have been the muse of artists for both contemporary and classic design. As Christopher Cox says, “you can’t have art without nature.” With so many varieties, designers have so many options to choose from in their pursuit of the new and the pursuit of making clients happy. After all, connecting to nature is both calming and roots us to beauty.

Cox London

https://flowerpowerdaily.com/what-lit-up-salon-artdesign-these-7-floral-chandeliers/

NOVEMBER 1, 2023

Sparkling Collectible Art Jewels At The Salon Art + Design Fair By Anthony DeMarco

Earrings by Silvia Furmanovich made of persimmon wood, known as “kaki no ki” in Japan

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

SILVIA FURMANOVICH

Salon Art + Design, the annual collectible design and art fair, will hold it 12th edition November 9 – 13 at the Park Avenue Armory in New York from November 9 - 13. Approximately 50 exhibitors from several countries will be presenting vintage, modern and contemporary collectibles art and design objects in categories that include furniture, studio glass and ceramics, Japanese art and fine art. Contemporary jewelry artists and designers will play a more prominent role in the fair this year as organizers for the first time will integrate a group of special design and jewelry exhibitions on the exhibitor floor and within the historic rooms at the entrance to the fair, ranging from exclusive capsule collections from individual designers to smaller curations from galleries. The 10 jewelers in the fair are as follows:

Didier presents a pendant by Harry Bertoia, formed from three fused strips of beryllium bronze DIDIER

Didier Ltd.

The London-based gallery that specializes in jewels by leading Modern masters and designers from the second half of the 20th century acquired from the secondary art market, will present a curated selection of jewels by American artists exhibited alongside works by American studio craft jewelers. Among the pieces are a silver ring by Alexander Calder, a hammered silver gong pendant of a stylized female form by Harry Bertoia and a pendant formed from scraps of shaped wood by Louise Nevelson.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

DK Farnum presents vintage Cartier star bombe earrings, cica 1950s, in 18k gold and diamonds DK FARNUM

DK Farnum

The New York firm specializes in estate jewels, with a particular focus on signed, one-of-a-kind 20th-century pieces. The collection includes iconic pieces from historic jewelry houses including Verdura, Cartier, Tiffany, Belperron and Seaman Schepps, as well as newer creators whose work embrace the benchmarks of classic design.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

A ring with an 11.86-carat oval tanzanite encrusted with layers of multicolored sapphires, diamonds, colored diamonds and emeralds ROSIOR

Rosior

The family-owned Portuguese jewelry house founded in 1870 creates finely crafted artistic jewels and other objects that are colorful and vibrant. Everything is produced in house. The firm specializes in bespoke work as well.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

A Silvia Furmanovich blue wave pattern marquetry clutch with topaz and ivory SILVIA FURMANOVICH

Silvia Furmanovich

The celebrated Brazilian jeweler who specializes in interpreting ancient crafts into exceptional jewels and art objects is presenting her latest collection of jewelry and home pieces based on her trip to several cities in Japan. The pieces represent several crafts she learned while visiting the different regions of the country, such as bamboo weaving, lacquerware and wood carvings. In addition, Japanese motifs - from textile patterns to family crests - are reinterpreted using Furmanovich’s signature marquetry technique and miniature painting.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

The Yvel “Fantasia” brooch made of pearls, tourmalines, gold and diamonds YVEL

Yvel Jewelry

Yvel creates jewelry that draws inspiration from organic shapes found in nature. Over the past four decades, the Israeli jeweler has earned prestigious awards and global recognition. Elevated Matter Gallery

Elevated Matter Gallery, a private gallery in Hudson, NY, will be representing the works of five contemporary artists and craftspersons at the fair. They are:

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

Hourglass knocker earrings by Andy Lif with 5.27 carats of green tourmaline set in 18k gold ANDY LIF

Andy Lif

Lif crafts his jewels in 18k gold and he often incorporates plique-à-jour, a vitreous enameling technique where the enamel is applied in cells with no backing. He often combines this with diamonds or colored gemstones. His jewelry is sculptural and refined, elegant and bold.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

Anthony Lent Sunset Ring in 18k yellow gold and platinum centered with amethyst ANTHONY LENT

Anthony Lent

Lent has been handcrafting sculptural fine jewelry for women and men in a unique style for almost 50 years. He has dedicated his life to the painstaking transformation of visionary images into intricate pieces of detailed and conceptually profound wearable art.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

Chris Davis “Amphora” earrings, 2021, made of 18k yellow and rock crystals J. GOLD & CO.

Chris Davies

Davis has a background dressmaking and the study of ancient civilizations, which influence his designs. He has a solid understanding of the historical importance of jewelry as an artform and a desire to translate the couturier’s exploration of technique and form into the symbolic power of the jewel.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

Stripe earrings by Elizabeth Garvin made of opals, 18K yellow gold and oxidized silver ELIZABETH GARVIN

Elizabeth Garvin

Elizabeth Garvin expresses her interest in natural sciences, geology and metallurgy through the jewelry she creates. Her designs are inspired by geometry with a modernist sensibility. She combines the traditional jewelry making techniques with new technologies, new ideas and a unique skill set.

https://www.forbes.com/sites/anthonydemarco/2023/11/01/sparkling-collectible-art-jewels-at-the-salonart--design-fair/?sh=2c69fec22e3b

The Stella Flame Maris necklace in 18k gold with baroque Tahitian and South Sea pearls STELLA FLAME

Stella Flame

The Stella Flame Fine Jewelry Collection is handmade in workshops in Istanbul by master bench jewelers, many of them from families who have been doing this work for generations. These craftsmen are skilled with techniques developed hundreds of years ago.

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NOVEMBER 9, 2023

Trunks Company Is Bringing Handcrafted Artisanal Trunks To New York By Nadja Sayej

A handcrafted, artisan trunk by Trunks Company TRUNKS COMPANY

Every year in New York City, Salon Art + Design is a renowned fair known for bringing the world’s top designers from all over the world into one showroom, whether it’s contemporary, vintage, or modern. This year is the 12th annual showcase and will feature 50 unique exhibitions from the worlds of art, architecture, and design at the Park Avenue Armory from November 10 to 13.

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One of the highlights for this year comes from Jaipur, India. Trunks Company feels like the ultimate luxury, simply because it is a slow design devoted to traditional art, craft, culture and heritage. This brand specializes in handcrafted trunks, watch and jewelry trunks, not to mention bar trunks, coffee trunks and multi-dimensional games trunks. In other words, it’s functional art, an object of desire in your home—and is an ode to the finer things in life.

Games Island Trunk by Trunks Company in Jaipur, India TRUNKS COMPANY

Revolutionizing the historic tradition of steamer trunks from the past, these creations are handcrafted masterpieces. It takes roughly six months or 300 man hours, by a team of 55 artisans, to complete each trunk. Trunks Company creates only 83 pieces per year, and royalties, influential personalities, global leaders and industrialists are lining up to have their bespoke handcrafted trunks. At Salon Art + Design, Trunks Company will present “Trunks Company’s Alchemy of Art and Design,” as part of their latest exhibition featuring a collective of artisanal trunks.

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“The exhibit encompasses two distinct segments of design and art,” said Paritosh Mehta, the founder of Trunks Company. They’ll be showing their Rajputana Bar Cabinet Trunk alongside the Medium Bar Cabinet, which comes with its own custom hand-cut crystalware and bar accessories, and the Games Island Trunk. They’ll also be showcasing their Watch Collector’s Trunk, which is perfect for the luxury watch collector who wants to give a proper home for their timepieces. “A watch is carefully cradled upon the adjustable wrists of the sentinel and provides an undeniable feeling of security enveloping the watch’s custodian,” said Mehta.

Paritosh Mehta, founder of Trunks Company TRUNKS COMPANY

“At Trunks Company, we understand for connoisseurs who hold a deep reverence for the art of horology and the pursuit of timepiece perfection. Watch collecting is more than a hobby—it's a profound passion. Our watch trunks not only provide a secure haven for these horological masterpieces but elevate and treasure them to a level of unrivaled grandeur.” Made of leather and teakwood, they have small, medium, and large watch trunks, as well as jewelry trunks, both of which are ideal, safe homes for precious family heirlooms. https://www.forbes.com/sites/nadjasayej/2023/11/09/trunks-company-is-bringing-handcrafted-artisanaltrunks-to-new-york/?sh=aaa74334dba5

“Our items are timeless, functional art,” said Mehta. It stems from the company’s design philosophy, which is to revolutionize the art of the travel trunk, which was popular from the 18th century to the 20th century, “Travel has been fast forwarded from steamer ships to air travel,” said Mehta. “Trunks have become a lost glory, and we’re giving them a new life by infusing them with creative concepts of our art and craft—beyond the outdated purpose of mere luggage.”

A medium bar cabinet hand-painted in ombre by Trunks Company TRUNKS COMPANY

Most of their collection focuses on the classic Steamer Trunks, which offers traditional, thoughtfully handcrafted trunks to incorporate into your home, to the Trunks of Spirit, which act as a home to finest of spirits, handcut crystalware and wine, not to mention their travel bar steamer trunks. They’re also launching their multidimensional collective of Games Trunks, which include chess, backgammon, and poker, among other games. They also create bespoke trunks, which allow each client to choose the size, purpose, finishing touches, hues, and down to the smallest details for the interior and exterior of each trunk.

https://www.forbes.com/sites/nadjasayej/2023/11/09/trunks-company-is-bringing-handcrafted-artisanaltrunks-to-new-york/?sh=aaa74334dba5

Hand-painting at Trunks Company TRUNKS COMPANY

The process for creating each trunk is a well thought out and detailed creative process. Each trunk begins with a sketch, then, the wood craft after which the leather hide is carefully sourced and sheathed onto the wooden framework by the master artisans. That's when the hand-painting process begins, as dyes, pigments and oils give the leather, life. The artisan team also uses hand-stitching techniques for the leather, along with their wooden inlay technique called “signature teakwood contouring” to perfect the inner detailing of trunk interiors. Then, they add metal hardware as part of their finishing touches for each clasp, corner, and lock.

https://www.forbes.com/sites/nadjasayej/2023/11/09/trunks-company-is-bringing-handcrafted-artisanaltrunks-to-new-york/?sh=aaa74334dba5

Leather stitching goes into every hand-crafted piece at Trunks Company TRUNKS COMPANY

“We only handcraft a limited amount of trunks a year, and this allows us to establish a deeper connection with our clientele who want to treasure their emotions, passions, prized possessions through one-of-a-kind trunks,” said Mehta. Next up, the brand hopes to host events, collaborations, and pop-ups next year, just as they’re planning an international flagship boutique. “To carve out something as exquisite as our creations, purely out of our depths of imagination is an art,” he said. “It’s an art infused with life and soul that doesn’t exist anywhere else in the world.”

https://www.forbes.com/sites/nadjasayej/2023/11/09/trunks-company-is-bringing-handcrafted-artisanaltrunks-to-new-york/?sh=aaa74334dba5

An artisan works on the leather craftsmanship of a piece at Trunks Company TRUNKS COMPANY

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NOVEMBER 11, 2023

Salon Art + Design's Opening Night Sees Record Attendance, Brisk Sales By Bettina Zilkha Over 2,000 visitors flooded Salon Art + Design's opening night on Thursday evening at the Armory. The salon's 12th edition saw some changes, with many new exhibitors and a more contemporary bent. The opening night cocktail was a benefit for the Dia Art Foundation, co-chaired by Nathalie & Laura de Gunzburg. Committee members for the evening included Paul Arnhold, Guillaume Coutheillas, Beth Rudin DeWoody, Christina Ohly Evans, Linda Fargo, Dennis Freedman, Wendy Goodman, Gabriel Hendifar, Julie Hillman, Colin King, Jeff Klein, Carlos Mota, David Netto, Dr. Daniella Ohad, Suchi Reddy, and Lizzie Tisch.

https://www.forbes.com/sites/bettinazilkha/2023/11/11/salon-art--designs-opening-night-sees-recordattendance-brisk-sales/

Nathalie de Gunzburg, Jessica Morgan MATT BORKOWSKI/BFA.COM

"The Salon is very different this year," said Salon Art + Design Executive Director Jill Bokor. "We have much more contemporary representation, and vintage is punctuating that. We have also admitted jewelry for the first time, which adds a lot of color, especially this year when there seem to be a lot of neutrals in the design world. The pops of color in the jewelry booths add lots of excitement. Finally, we have some exhibitors towards the back which are the 'makers': Silvia Furmanovich, Abask, and Trunks - these are very different for Salon." Dia Art Foundation chair Nathalie de Gunzburg greeted guests at the 4 o'clock opening, along with Dia Director Jessica Morgan. "Jill Bokor is an amazing organizer; she loves Dia and she wants to help out," said de Gunzburg, surrounded by a slew of friends and supporters. "Dia is having its fiftieth anniversary next year, and many things are happening," said Morgan. "We have a major project with Steve McQueen that's going to be in Beacon and Chelsea, and another project with an artist that's less known, but equally amazing, called Meg Webster."

https://www.forbes.com/sites/bettinazilkha/2023/11/11/salon-art--designs-opening-night-sees-recordattendance-brisk-sales/

Wes Gordon, Linda Fargo, Paul Arnhold MATT BORKOWSKI/BFA.COM

There were many striking pieces at various booths, including a 2012 Zaha Hadid dining table at David Gill, an art installation at Halcyon by Dominic Harris that updates every minute according to what is being searched on Google, and a Carlo Bugatti table at Guy Regal. "This is my first time exhibiting at this show," said Regal. "I wanted to be in an environment where I could present a much more complex look, which involves vintage period art deco mixed with contemporary artisans. The Salon show is the perfect market for that mix." Over at Maison Gerard, owner Benoit Drut was optimistic about the fair and the state of the market. "There have been a few changes this year, new galleries have come in, and that's good- I like positive change," said Drut.

https://www.forbes.com/sites/bettinazilkha/2023/11/11/salon-art--designs-opening-night-sees-recordattendance-brisk-sales/

Bronson Van Wyck, Jamie Tisch, Elizabeth Callender MATT BORKOWSKI/BFA.COM

The crowd began picking up around 4:30, as Elizabeth Callender, Jamie Tisch, Marcia Mishaan and Nicole Miller admired the abundance of pieces that were truly works of art. Liz O'Briens' booth was a collaboration between designer Brian McCarthy and plaster artist Stephen Antonson, who created a frieze by turning cardboard into beautiful, sculptural, plaster-coated shapes. "We've been busy all year, and I'm very grateful for that," said O'Brien. "There is a great appetite for beautiful, unusual, unique things.” Silvia Furmanovich was especially fond of a handbag she had designed. "It's made of tiger bamboo, which is naturally oxidized, and very rare," said Furmanovich, "with marquetry inlay and carnelian and 18K gold fasteners." Abask co-owner Tom Chapman had never exhibited in a physical space before. "Abask will be celebrating its first anniversary in a week," said Chapman. "We are an online business and this is our first physical exhibition. We have about 4,000 different options to ship at the moment on the site. There are 60

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to 70 different collaborations in this booth, made by different makers across the world, done exclusively with us. It's all the beautiful things you surround yourself with in life, that have a purpose and are useful."

https://www.forbes.com/sites/bettinazilkha/2023/11/11/salon-art--designs-opening-night-sees-recordattendance-brisk-sales/

RALPH LAUREN CELEBRATES IN STYLE SIMON DE PURY’S SECRETS FOR BUYING AT AUCTION HOMES IN NEW YORK, PALM BEACH, AND MARTHA’S VINEYARD WHERE ART COMES FIRST

the

collectors LATE FALL 2023, ISSUE NO 32

GALERIEMAGAZINE.COM

Inside their passionate pursuit of art, design, fashion, jewelry, and more

Ahryun Lee’s 2022 works (from left) Buzz and Tweety.

The Brigette Romanek– designed interior of AP House Los Angeles, which displays artworks from François Ghebaly gallery.

There’s always something intriguing about the masterful mix of art, design, antiquities, and jewelry on view at Salon Art + Design, the annual New York fair taking place at the storied Park Avenue Armory from November 9 to 13. The 12th edition offers a staggering breadth of wares from the world’s top dealers, including Achille Salvagni, who is presenting new cabinets and some striking onyx and bronze wall sconces in his Salon Art + Design debut, and Amsterdam-based Mia Karlova Galerie, which mounts an exclusive exhibit of works by designers such as Sho Ota and Vadim Kibardin. New York’s J. Lohmann Gallery shows Ahryun Lee’s ceramic figures, and Todd Merrill Studio, a mainstay of the event, is displaying pieces by Yunhwan Kim, an up-and-coming Korean artist who is causing a stir with his irregular and organic furniture. thesalonny.com

/ DESIGN /

L.A. TIME The rarefied world of Swiss haute horlogerie has been given a dose of California cool at the new AP House Los Angeles, an innovative retail concept by Audemars Piguet. Located in West Hollywood, the 6,500-square-foot penthouse includes indoor and outdoor space, with interiors by Brigette Romanek, of Romanek Design Studio, who devised a whimsical homage to the Swiss village of Le Brassus, where the maison has been located since 1875. At AP House, visitors can browse the latest timepieces and see inside the state-of-the-art watchmaking studio. “It is a celebration of creativity and craftsmanship at all levels,” says Ginny Wright, CEO of Audemars Piguet, Americas. “A beautiful sanctuary and full-scale watchmaking experience.” audemarspiguet.com —L.R.

Around the World . . . ARTISSIMA | November 3–5 The 30th edition of Artissima, directed by Luigi Fassi, will set up shop at the Oval in Turin, Italy, with nearly 200 international galleries and 86 solo and curated projects. artissima.art

DOWNTOWN EDITIONS | November 8–11 Part of Dubai’s Downtown Design week, this boutique fair honors craftsmanship with limited editions, including nature-inspired works by Australian industrial designer Edward Linacre and Singaporean artist Akar de Nissim, whose pieces demonstrate an elegant East-meetsWest sensibility. downtowndesign.com

PARIS PHOTO | November 9–12 A highlight of this year’s edition is Elles x Paris Photo, a program that aims to shine a light on female talents and their contribution to the history of photography. parisphoto.com

ART COLOGNE | November 16–19 The oldest art fair in the world returns to the charming German city with its diverse array of modern and postwar art, contemporary art, and artist collaborations, as well as its signature Neumarkt section, spotlighting solo presentations and group exhibitions of galleries less than 13 years old. artcologne.com —L.R.

GALERIEMAGA ZIN E .CO M

/ RESTAURANTS /

Roman Empire Pecorino Romano–dusted twirls of spaghetti, prosciutto twisted around juicy slices of cantaloupe, and maritozzi buns exploding with whipped cream are just a few of the delicacies at Roscioli, which recently opened its door in New York’s SoHo neighborhood. With one floor acting as a restaurant and cellar tasting room and another as a salumeria and wine bar, this venture marks the first outpost of the beloved Roman group of restaurants, where tourists and locals alike line up for classic dishes perfectly executed with the best Italian provisions. The original, serving pizza and bread, opened almost 50 years ago on the historic site of a 200-year-old bakery. The New York location will benefit from all that experience as well as from ingredients shipped directly from their establishments in Rome to ensure its authenticity. rosciolinyc.com —J.T.

CLOCKWISE FROM TOP LEFT: COURTESY OF J. LOHMANN GALLERY; MICHAEL P.H. CLIFFORD, COURTESY OF AUDEMARS PIGUET; GARY HE

FAIR GAME

AUGUST 24, 2023

Béatrice Serre’s Otherworldly Mosaics Utilize Raw Stones, Minerals, and Even Fossils The Paris-based artisan is gearing up for a highly anticipated solo show at Galerie Yves Gastou that showcases her mastery of the storied craft By Geoffrey Montes

Béatrice Serre's Moon Mirror. PHOTO: COURTESY OF TWENTY FIRST GALLERY

With her ingenious use of raw stones, minerals, and even fossils to create exceptional mosaics, Béatrice Serre has injected glamour and whimsy into an art form that dates back thousands of years. “The famous technique of marteline and block cutting has not changed for purists,” explains the artist, who chips away marbles and granites in a labor-intensive process that often lasts days to collect a plethora of smaller jagged, imperfect shapes that she reassembles into textural expanses. “The stones have hidden treasures,” she asserts. “The most difficult phase is not the endurance of the manual cutting exercise, but rather knowing how to find the right alchemy of all these

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materials.” Every element has a special place in the composition, “down to the smallest sparkle,” Serre adds, “which can transform everything.”

Béatrice Serre with a bespoke wall installation made of rough gems, marble, minerals, and fossilized ammonite. PHOTO: COURTESY OF TWENTY FIRST GALLERY

The ethereal mirrors, tables, lamps, and bas-reliefs that result from this painstaking method have earned Serre a legion of admirers. Among them are Julie Hillman, Thierry Lemaire, and interior designer Jean-Louis Deniot, who commissioned her to create several bespoke works, starting a decade ago with a wall sculpture—a stunning explosion of slate and minerals—that caught the eye of Renaud Vuaillat, owner of Twenty First Gallery in Manhattan. “I was blown away by the strength and beauty of the piece,” says Vuaillat, who will show Serre’s work at Salon Art + Design in November and Design Miami/ in December. “It was like she invented a new language.”

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One of Serre’s new mirrors for Twenty First Gallery, made of opal, Carrara marble, and white onyx. PHOTO: ANTOINE DUHAMEL, COURTESY OF TWENTY FIRST GALLERY

Vuaillat immediately added her to his roster and now regularly shows her spectacular creations at his booths on the design fair circuit. At Salon Art + Design last November, visitors to the gallery’s display could find a low table topped with a swirling galaxy of geodes, lava stone, granite, and metallic accents. “Collectors of Serre’s works are attracted to them like magnets,” he adds. “They purchase them without a second thought. I believe they are attracted to the power of the stones.” "The smallest sparkle can transform everything” BÉATRICE SERRE

Serre can relate—the artist herself was drawn to the energy of these earthly materials starting at a young age. Born in Paris, she spent her childhood constantly on the move, relocating from Gabon to China to Brazil with her family, finding that collecting stones and minerals provided her with a reassuring constant. Ultimately settling in the French capital, Serre crafted her first compositions while studying at the École Nationale Supérieure des Arts Appliqués. “The mosaic is a symbol of reconstruction, rebirth, and re-creating,” she says. “It is beyond an art; it’s like therapy, with ever more elaborate techniques uniting the old to new technologies.”

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A radiant Sun mirror features golden chalcopyrite, lava stone, black garnet, and slate, among other materials. PHOTO: ANTOINE DUHAMEL; COURTESY OF TWENTY FIRST GALLERY

Following the recent launch of a capsule collection of jewel-encrusted Cosmic bags with Aquazzura, Serre is working on custom installations for retail clients such as Cartier, for whom she’s already created an Art Deco– inspired wall work composed of marble, onyx, travertine, and gold enamel tesserae. She is also gearing up for a highly anticipated solo show this fall at Galerie Yves Gastou in Paris that will explore her ongoing fascination with opals and turquoise. “They transport me to miniature constellations and large spaces of serenity,” she says. “Certain pebbles that have been scarified and damaged by time also particularly affect me, because they carry within them the authenticity of their journey, like wrinkles and wounds for humans. They are more powerful because they have stood the test of time.”

A version of this article first appeared in print in our 2023 Fall Issue under the headline “Glam Rock.” Subscribe to the magazine.

https://galeriemagazine.com/beatrice-serre/

NOVEMBER 3, 2023

5 Can’t-Miss Art and Design Fairs Around the World in November From New York to Dubai, these major showcases will draw collectors with their masterful mix of art, design, antiquities, and jewelry By Lucy Rees

Ahryun Lee’s 2022 works, Buzz and Tweety. PHOTO: COURTESY OF J. LOHMANN GALLERY

SALON ART + DESIGN | November 9–13

NOVEMBER 11, 2023

5 Top Designers Share Their Favorite Finds from This Year’s Salon Art + Design See what caught the eye of Gabriel Hendifar, Julie Hillman, David Netto, Suchi Reddy, and Guillaume Coutheillas By Geoffrey Montes

Salon Art + Design is always a must-visit event for anyone who appreciates fine art and design. Held annually at the historic Park Avenue Armory in Manhattan, the fair showcases the finest works of modern and contemporary design from leading galleries around the world. To mark the occasion of this year’s edition, open until November 13, Galerie asked honorary committee members Guillaume Coutheillas, Gabriel Hendifar, Julie Hillman, David Netto, and Suchi Reddy to select one piece from the show that caught their eye. See below for their picks.

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The Erosion series by Georges Mohasseb. PHOTO: GALERIE GABRIEL

1. Guillaume Coutheillas

I love the new Erosion series that Galerie Gabriel is bringing from Lebanese architect and designer Georges Mohasseb. The collection is inspired by the force of nature, and he uses ancient techniques that allow organic shapes to adapt to any space the piece is in.

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Eugene Printz desk from Galerie Marcilhac. PHOTO: GALERIE MARCILHAC

2. Gabriel Hendifar

I love the Eugene Printz desk from Galerie Marcilhac. It’s so simply and elegantly resolved.

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Jean Royère table at Galerie Gabriel. PHOTO: GALERIE GABRIEL

3. Julie Hillman

I absolutely love this coffee table by Jean Royère from Galerie Gabriel. It has been one of my favorites for many years, and it’s extremely rare and not often seen. In studying Royère’s work, I have always loved this quote from him: ‘When you’ve got a well-designed piece of furniture, the form and volume live on.’ That’s what I admire about Royère’s designs: the pieces are all timeless.

https://galeriemagazine.com/salon-2023-design-picks/

Galerie Gabriel’s booth features an amoeba-shaped Jean Royère table. PHOTO: GALERIE GABRIEL

4. David Netto

The best of the best is a very subjective thing, but you know it when you see it. This Jean Royère table at Galerie Gabriel is a model that blows the top of my head off whenever I see it—which is not often. I have a weakness for freeform, amoeba-shaped furniture and sculpture, and this is both—voluptuous, handmade modernism. I saw Stephen Sills make a plinth for one once in the same black lacquer as the top; even the plinth was a dream.

https://galeriemagazine.com/salon-2023-design-picks/

The “tatami” by Hechizoo, on view at Cristina Grajales Gallery's booth. PHOTO: CRISTINA GRAJALES GALLERY

5. Suchi Reddy

For me, my pick would be “tatami” by Hechizoo which will be shown at Cristina Grajales Gallery‘s booth. Jorge Lizarazo’s impeccable design takes a classic form and reinvents it as effortless elegance, elevating and amplifying the beauty of the tatami.

https://galeriemagazine.com/salon-2023-design-picks/

NOVEMBER 1, 2023

SALON ART AND DESIGN, AT THE ARMORY NOVEMBER 2023 By Staff Writer

The 12th edition of New York’s Salon Art + Design fair takes place from November 9-13, 2023, at the Park Avenue Armory. Organized by Sanford L. Smith + Associates, the event is a popular fixture on the city’s fall arts calendar.

https://hiclassmag.com/salon-art-and-design-at-the-armory-november-2023/

Salon Art + Design offers a range of design and art, presenting a blend of vintage, modern, and contemporary pieces. Items on display cover a spectrum from furniture and studio glass to ceramics, Japanese art, and jewelry.

This year introduces several new global exhibitors, some of whom are making their first appearance in the US at this fair. New to the roster are design exhibitors like Achille Salvagni Atelier and boDesign Group, among others. Joining the art side are dealers like Galerie Gmurzynska.

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Regular participants, such as David Gill Gallery and Galerie Marcilhac, are also returning. A notable change this year is the inclusion of special design and jewelry exhibitions on the main floor. These range from individual designer showcases to gallery collections. Jill Bokor, Executive Director of Salon Art + Design, remarked, “We hope Salon offers an opportunity for discovery for all attendees. While we have established galleries, the fair also introduces newer voices in design.” The event promises interaction with both familiar and new exhibitors.

1970s Accolay Flower Frog Vase at ABASK

https://hiclassmag.com/salon-art-and-design-at-the-armory-november-2023/

SHOW CALENDAR Events on November 9

*First Look*: Preview to benefit Dia Art Foundation – Time: 4 p.m. entry – Price: $300 *Collectors Preview* – Time: 5 p.m. entry (Invited Guests only) *Vernissage* – Time: 7 p.m. entry – Price: $200 **Note**: Tickets include unlimited Run of Show access and Phillip Thomas Inc. Collectors Lounge entry. Show Dates: November 10 – 13** Single-Day: $35 Run of Show: $75 Student: $10 (Door only with valid ID) Show Hours Friday, November 10: 11 a.m. – 8 p.m. Saturday, November 11: 11 a.m. – 7 p.m. Sunday, November 12: 11 a.m. – 7 p.m. Monday, November 13: 11 a.m. – 5 p.m. For tickets click here.

https://hiclassmag.com/salon-art-and-design-at-the-armory-november-2023/

NOVEMBER 22, 2023

Collectible design, the latest trends In New York, Salon Art + Design unveiled the creative, cutting-edge vision of some of the leading galleries in this sector By Anna Casotti

Salon Art + Design - Photo © Black & Steil

Elegant and refined, amid surroundings that evoke the antique splendour of New York, the 12th edition of Salon Art + Design transformed Park Avenue Armory into a genuine stage for contemporary creativity. Unique pieces and limited editions featured in an event that brought together collectors, invited to discover the new galleries appearing at one of the most important events.

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Presenting at the event for the first time were names such as Tuleste Factory, Galerie Philip, Spazio Nobile and Salon Design who displayed unique pieces in the form of lighting, furniture, fabrics and hand-painted wallpaper made by Pictalab, Creators of Objects and many others.

Draga & Aurel

The Dutch Mia Karlova Galerie made its debut with an extraordinary exhibition of works by international designers such as Sho Ota, Jordan van der Ven, Jesse Visser, in a stimulating dialogue between genres and cultures. And a touch of ecological awareness with works by Vadim Kibardin, an artist and designer based in Prague who for ten years has been using waste paper and cardboard to create exclusive furniture pieces such as the chair and vanity table from the Black Mirror capsule collection, establishing a dialogue between form, function and aesthetics.

https://ifdm.design/2023/11/22/collectible-design-the-latest-trends/

Black Mirror collection by Vadim Kibardin – Photo © Jeroen van der Spek Exo Bronze Side table by James De Wulf

British company ABASK – an online platform for unique and collectible objects founded by Tom Chapman and Nicolas Pickaerts – making their debut in New York with their first physical space presented a cabinet of curiosities bathed in colour in which exclusive pieces by a hundred world-renowned producers showcase exquisite craftsmanship in pieces designed for the home, office and leisure. Special exhibitions included James De Wulf from Los Angeles – known for his experimental works made with concrete combined with bronze, brass, steel and iron – who brought Exoskeleton, a series of unique pieces, a harmonious union between form and function, while the studio DeMuro Das unveiled the Badal, Clarion and Tempest collections of tables, handcrafted using bronze and semi-precious stones, evoking India’s cultural and craft heritage.

https://ifdm.design/2023/11/22/collectible-design-the-latest-trends/

Tempest by DeMuro Das

There was no shortage of reminiscences of Etruscan culture reworked by Matthew Fisher Elegy range: furniture and lamps carved in Brazilian quartzite and Middle Eastern Onyx, suspended and supported by metal elements in dark bronze and burnished silver. Among Salon Art + Design’s longstanding galleries – FUMI, Chastel-Maréchal, Maison Gerard, to name but a few – one that stood out was Todd Merrill Studio with furniture, lighting and sculptural objects based on the juxtaposition of different materials and surfaces. Giving life to functional works infused with rare beauty.

https://ifdm.design/2023/11/22/collectible-design-the-latest-trends/

NOVEMBER 10, 2023

Salon Art + Design Returns With Diversity and Style for its 12th Edition By Benjamin Genocchio

The 12th edition of Salon Art + Design is a signature and much-anticipated event on the New York design calendar. On view at the Park Avenue Armory through Monday the 13th, the fair once again presents a smorgasbord of outstanding decorative art, collectible design, and art from all periods and styles. It’s a designer’s paradise. This year, the central exhibition space in the Armory’s voluminous Drill Hall hosts 50 booths and includes a handful of collectible jewelry dealers for the first time. Most of the exhibitors are, however, seasoned design and antique dealers presenting exciting new work and unveiling their latest finds. The majority of the dealers are American, but as usual, there are excellent, important European design dealers here as well.

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Maison Rapin

Among the European galleries is Maison Rapin, the Parisian dealer of elegant and adventurous contemporary design who has brought over a selection of pieces by the late jewelry and furniture designer Robert Goossens. Goosens, who designed jewelry for Chanel, also turned his talents to the creation of furniture, lighting, and decorative objects in dazzling gilt bronze and rock crystal. Philippe Rapin’s designs for his own limited edition brand Kam Tin include a pair of impressive jade tables with a patinated brass organic form and jade mosaic top. Nearby is a set of three Cloud Tables made with polished ivory onyx that positively glow in the darkened Drill Hall. Galerie Negropontes, another Parisian dealer, is also taking part in the Salon with a selection of what gallery owner, Sophie Negropontes, describes as “unique pieces of furniture and objets d'art, guided by the harmony of shapes and the preciousness of materials.” The booth juxtaposes outstanding recent works by Gianluca Pacchioni, Erwan Boulloud, Perrin & Perrin, Ulrika Liljedahl, Benjamin Poulanges, Éric de Dormael, Étienne Moyat, Jean-Christophe Malaval and Hervé Langlais. New York design dealer Evan Lobel is a longtime champion with expert knowledge of the work of Philip and Kelvin LaVerne. He specializes in rare pieces by late father Philip and son Kelvin, with whom he is personally acquainted, and Lobel has curated something very special for this edition of the fair. Guided by vintage photographs from the LaVerne archives, he has recreated the New York showroom of Philip and Kelvin LaVerne with, he explains, “several one-of-a-kind sculptural pieces that have not been shown together since the showroom closed back in the late 1970s.” This is a special and important booth at the fair and contains some astonishing sculptures.

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Lobel Modern

Guy Regal

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Donzella Lobel has a trio of showrooms at the New York Design Center on Lexington Avenue, where his housemates include Guy Regal and Paul Donzella, who are also showing at the Salon. It is Regal’s first time at this fair, and his booth is terrific — populated with dramatic and impressive pieces; lamps by Peter Lane, one of the hottest names in contemporary ceramics, and grand historical furniture, including a rare circa 1900 Carlo Bugatti cabinet in walnut and parchment with elaborate inlay and embossing on copper, pewter, and bone. This year, Donzella wanted to focus on sculpture and sculptural objects, so he took two booths back to back with no dividing wall to allow for an extra large space with access from adjacent aisles. “I wanted the stand to feel open and spacious,” he says. He is showing rare and important Italian pieces by Gio Ponti, Osvaldo Borsani, and Giulio Minoletti, and by Americans Philip and Kelvin LaVerne, Studio Eben Haskell, as well as a rare pair of chairs by legendary Hollywood decorator Billy Haines made of leather with pig skin stitching — this is next level furniture design, creative, rare and always functional. The chairs were exhibited in his “Desert Living Room” at the 1939 Golden Gate International Exposition. This presentation is an impressive showing of the masterful connoisseurship and curation Donzella is well known for. Twenty First, a New York gallery specializing in talented contemporary makers, also shows an amalgam of pieces — this time by gallery artists. The booth stands out for spectacular, inventive cabinets by three of their star designers, Marcin Rusak, Erwan Boulloud, and Jean-Marie Fiori. Add to the mix floor lamps by François Corbeau and the Quark Plexiglass coffee table by Emmanuel Babled and you have a booth that is as dramatic as it is enticing. There is great design on show here.

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Todd Merrill Studio

Galerie Negropontes

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Thomas Cooper Studio

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Throckmorton Fine Art Todd Merrill Studio has the work of several contemporary designers for their 7th showing at Salon. Things of note in the booth include the debut of a new collection, Flare, from design duo Draga and Aurel. The Flare series incorporates a process of working with Lucite that, when opposing colors react to any ambient light, creates an impression of internal illumination. There is also a new, sublime console by the Korean artist Yunhwan Kim. It is the artist’s first work using bronze. Along with gallery booths, Salon has given space to what they call “special design exhibitions,” showcasing capsule collections by individual makers, and curated pieces from galleries in the Drill Hall and the Armory’s historic rooms at the entryway to the fair. There are terrific finds here, for example, Los Angeles-based artist James De Wulf, who crafts cutting-edge furniture he playfully calls “concrete couture,” which he has surrounded with potted plants, and L.A. design team Thomas Cooper Studio, a collaboration between designers Sally and Jason Cooper. They are debuting new lighting collections and art pieces, including sconces made out of alabaster, or beguiling fusions of glass, and the Halcyon chandelier, “a cascade of blossoms of smooth, solid cast cristale glass and hand cast natural bronze.” There is such a vast array of material here in other genres it is impossible to mention it all. Some highlights include Throckmorton Fine Art’s “Them Bones-Sky Walk,” 1990, a painting by New York Neo-Expressionist Frank Holliday that is nothing short of fabulous and has been in the collection of Spencer Throckmorton for over 30 years. Converso has a terrific selection of Paul Evans pieces, including a unique dining table, and Karl Kemp has several outstanding André Dubreuil pieces, including a table made of acid-treated steel and a pair of 1990 “Perles” candle holders, with partially gilded wrought iron vines decorated with hand-blown crystal beads.

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Mercado Moderno

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Liz O'Brien

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Converso

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Karl Kemp Mercado Moderno, from Rio de Janeiro, is dedicated to Brazilian design, specifically vintage modern furniture from the 1950s to 1980s, and happily is presenting original pieces by Joaquim Tenreiro, Jorge Zalszupin, and the manufacturer Forma, alongside vibrant paintings by Chico da Silva, Jaider Esbell and Lorenzato, among others. “The furniture pieces reflect the elegance and the sophistication of the renowned Brazilian Modernism, while the paintings reveal the expressiveness of the increasingly valued Brazilian Popular Art,” says João Vicente at the gallery. Liz O'Brien has also conjured a marvelously fresh and interesting booth combining work from quilt artist Carson Converse, who she now represents, with pieces by Irish makers inspired by her visit to Ireland earlier this year. She invited Irish gallerist and independent curator Stephen O’Connell to select items for her booth, and he chose an array of items by three makers — Isobel Egan’s porcelain sculptures, Cecilia Moore’s hand-raised metal objects, and Alan Meredith's turned-wood vessels. Some, if not all, of these talented makers will be new to American design enthusiasts. Galerie Philia decided to empty their booth to offer “a physical and mental space to reflect,” the gallery says, with the booth itself functioning as an interesting study in minimal-conceptual design display. There is little, almost nothing on display. Nearby, Charles Burnand Ltd has an exceptionally eye-catching collection of objects. The London-based dealer has curated their booth to reflect an imaginary collector’s home with art and design by Gio Ponti, DenHolm, Labaye Sumi, Frederick Nielsen, Dawn Bendick, and Caleb Zipperer, among others. It is an inspiring kaleidoscope of colors, materials, shapes, and ideas and a perfect microcosm of the fair at large.

https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

Galerie Philia

Charles Burnand Gallery https://www.incollect.com/articles/salon-art-design-returns-with-diversity-and-style-for-its-12th-edition

DECEMBER 12, 2023

Phillip Thomas, Founder and Lead Designer, Phillip Thomas Inc. on Designing a VIP Fair Lounge By Benjamin Genocchio Photography by Aydin Arjomand unless otherwise noted

Interior designer Phillip Thomas created an inspired space for the VIP Collectors Lounge at the 2023 edition of Salon Art + Design, transforming the historic Colonel’s Reception Room at the Park Avenue Armory in New York City into the “Colonel’s Cabinet of Curiosities.' Thomas is known for his elegant use of bold color palettes, and this room is evidence of his artistry.

Benjamin Genocchio, Editor in Chief of Incollect spoke with the designer Phillip Thomas about his design for the VIP lounge for the 2023 Salon Art + Design Fair in New York.

https://www.incollect.com/articles/phillip-thomas-founder-and-lead-designer-phillip-thomas-inc-ondesigning-a-vip-fair-lounge

Phillip Thomas. Photo by Tim Charles

First of all, Phillip, what a great job you did on designing the VIP lounge! It was exciting, exotic as well as fun. Thank you. I had fun doing it!

What was the most enjoyable part of the project for you? The most enjoyable part of the project was just being able to work in one of the historic rooms of the Park Avenue Armory — the Colonel’s Room. It is something that a designer can rarely say they have done and it has always been something that I have wanted to add to my resume.

And the challenges? https://www.incollect.com/articles/phillip-thomas-founder-and-lead-designer-phillip-thomas-inc-ondesigning-a-vip-fair-lounge

What was challenging but also exciting were the constraints one has to work within when designing in the historic rooms: one cannot have anything within 12” of any walls and one is limited to a weight of no more than 150 pounds per square foot.

Was there any specific design brief you had to adhere to? Besides having to accommodate seating for at least 25 guests, the sky was the limit as to what I could do with the space! That can often be very daunting.

How is designing an art and design fair lounge similar or different to working for a more conventional client? The main difference between my work as a designer and my collaboration with Salon is the lack of a client. With all of my projects, I like to learn about my client and use that understanding to create interiors that reflect my clients’ passions, etc.

Left: Ayala Serfaty’s Nuraya floor light sculpture, seen at the left rear of the photo, is crafted of glass rods covered by a polymer membrane that results in an organic, delicately textured surface and lovely, glowing ambient light. The Israeli artist is inspired by clouds, crystals, corals and flora, and her works straddle the line between the natural world and the abstract. Designer Phillip Thomas commissioned Andrew Tedesco Studios to create the bright orange trompe l’oeil wall panels, and the hand-painted sisal carpet is by decorative artist Phillip Bland, who is well known for painting the Met Gala red carpet. Right: Historic gravitas is melded with contemporary furniture forms, with a pair of Aloys Waldispuhl “Hoof” lounge chairs replacing the typical pair of wing chairs.

Tell us about your design concept and why you chose it. Given the absence of a real-life client to collaborate with, I imagined a client and conjured up their story. As this room was the Colonel’s Room, I created a fictitious colonel whom I envisioned traveling the world on missions, discovering beautiful pieces while on those trips. I visualized the colonel bringing all these pieces back to this room at the Armory to create a layered space where he would entertain his friends and colleagues. The name for the room became “The Colonel’s Cabinet of Curiosities.” I selected items from all parts of the globe and every continent was represented.

https://www.incollect.com/articles/phillip-thomas-founder-and-lead-designer-phillip-thomas-inc-ondesigning-a-vip-fair-lounge

You managed to create an amazingly relaxed, easy, and casual atmosphere and mood— it was calming and gave the VIP clients time to think and chat after the bustle of the fair. What is the secret to that kind of design? I took inspiration from the name of the fair — Salon. I thought of the salon culture that has been part of our society over the centuries. I wanted people to come into the room and feel as though they were entering someone’s home. For that reason, for example, I decided to forgo the conventional bar setup you would find at a fair and instead, I had a team serving guests as if they were in a home.

Left: A Warren McArthur Machine Age lounge chair circa 1936 courtesy of Donzella, contemporary “Giroscopio” table lamp with swiveling glass panel by Roberto Rida, and midcentury Italian table by Paolo Buffa. Right: Slate and travertine topped “Twin” coffee tables by contemporary French designer Franck Evennou echo the shape of a curved semicircular sofa.

The standing lamp at the back center of the room was pivotal to the design and anchored the space — tell us about that piece and why you chose it. I have always been a fan of the illuminated sculptures by Ayala Serfaty. This one I chose in particular, was a captivating piece drawing you in like a moth to a flame. I designed the mirrored screen behind the sculpture to help amplify the feel of the sculpture.

https://www.incollect.com/articles/phillip-thomas-founder-and-lead-designer-phillip-thomas-inc-ondesigning-a-vip-fair-lounge

Phillip Thomas designed this luminous and vibrant Upper East Side pied-á-terre for his art-loving clients to display their collection of pieces that reflect their eclectic interests and love of travel. He balanced pattern and scale, earthy textures contrasted with sparkling surfaces to create a flow that guides the eye around the room. Traditional furniture forms are presented in a contemporary aspect, for a comfortable, timeless, and immensely enjoyable setting. Photo by Genevieve Garruppo.

You used a lot of different decorative objects — is that something characteristic of your approach to creating rooms in general, or it was just specific to this project? I feel that I am a storyteller and I am telling my clients’ stories through the interiors that I create for them. Accessories are a wonderful way of telling that story. Each accessory is a chapter in their story. I am always working with my clients to find pieces that are not only functional but also speak to them and evoke an emotion.

https://www.incollect.com/articles/phillip-thomas-founder-and-lead-designer-phillip-thomas-inc-ondesigning-a-vip-fair-lounge

Two examples of how Phillip directs the eye upward to draw attention to the ceiling — the all-important and sometimes neglected “fifth wall.” Variations in the color and finish of architectural details, rather than an all-over neutral tone as would be expected, help to achieve a sense of lofty spaciousness. Vertical shapes with dynamic patterns, at left, a spectacular stone slab backdrop for a wet bar, and at right, a perfectly installed piece of artwork, play up the luxurious ceiling height. Photos by Genevieve Garruppo.

What were some of your favorite items and objects in the room? That is such a tough question to answer as every piece spoke to me in some way. Besides the illuminated sculpture, I loved the curved sofa from Maison Gerard. I felt that it was conducive to great conversations. I also loved the chest of drawers from Liz O’Brien. The designs and colors of the cabinet were inspirations for some of the custom elements that I designed for the space, such as the hand-painted carpet and silk panels.

What is your process for mixing and matching contemporary and historical objects in an interior? I really enjoy mixing items from different periods and of different styles. To me, this mixture of items is thought-provoking and makes you pay attention to and consider each individual item all the more than if it were all in a space with similar items. The key to mixing and matching items is that there is no key. Much like fine art, choose items that speak to you for your interior. While they need to serve a functional purpose, they can also serve to constantly inspire and draw forth memories.

https://www.incollect.com/articles/phillip-thomas-founder-and-lead-designer-phillip-thomas-inc-ondesigning-a-vip-fair-lounge

NOVEMBER 10, 2023 By Mazzi Odu

Where to next Jewellery, Design and Art lovers? Whilst I type this on a searingly hot Lagos afternoon, the aesthetic action has moved to New York where all roads lead to Salon Art + Design which opened yesterday and runs til Monday at the Park Avenue Armory.

https://www.instagram.com/p/CzeUverIAs6/?hl=en&img_index=1

For the fair unitiated, this one is a goodie: inclusiveness was a guiding principle from its inception twelve years ago, and as Executive Director Jill Bokor shares, "We want Salon to provide a sense of discovery for our audiences, which includes both seasoned and entry- level collectors alike.” In short, you won't be turned away if you're not dipped head to toe in new drop Phoebe or you aren't aware there are such things as Blue Topazes. This is a fair where enthusiasm and expertise are treated as of being of equal import. Bokor adds "We’re excited for our visitors to reconnect with the galleries one may expect at the fair, while also discovering the new and unexpected.” And if you're a jewellery collector this fair is a veritable voyage of discovery with treasure at every turn. London based gallery Didier has come through with an exquisite hand hammered silver brooch by Alexander Calder (first slide). Regular readers will know my love for Calder runs deep, and this piece made for Mrs Mcdonald, the mother of his daughter, has an extra back story frisson. Next up are a pair of turquoise ceramic earrings made by New York OG jeweller Rosior, that are party- season ready with their 19.2ct and 4.79ct of emeralds and purple sapphires set in yellow gold. Finally for the arm candy committed, look no further than this one of a kind bracelet from Yvel featuring diamonds, tourmaline, blue topaz, citrine, amethyst and smoky quartz. Yvel has long expressed his pieces as 'art to wear ' and this is precisely the nexus of where this and the other pieces featured on my edit reside. The tide has firmly turned to accepting jewelry as more than adornment or an asset to be locked up in a vault. It is art. To be collected, appreciated, worn, passed down and invested in. And like all works of art, written about at length both for now and posterity. #mazzimusings #salonartanddesign #jewelryartist #artistjewelry

https://www.instagram.com/p/CzeUverIAs6/?hl=en&img_index=1

NOVEMBER 14, 2023

La mesa ‘For No One’ de Gio Pagani se exhibe en la feria New York Salon Art + Design By Staff Writer El escaparate del Salon Art + Design tiene lugar en el histórico Park Avenue Armory de Manhattan, evocando el ambiente y la elegancia neoyorkina de antaño. En este marco, la boutique de diseño estadounidense Garde —con sedes en Los Ángeles, Dallas y Nueva York— presenta la mesa ‘For No One’, firmada por Gio Pagani, arquitecto y diseñador, fundador de la marca homónima que abrió su primera galería en el corazón de Milán. Esta exposición marca el inicio de una prometedora colaboración entre el diseñador italiano y Garde. A través de sus creaciones, Gio Pagani canaliza un enfoque de diseño ecléctico, rico en elementos evocadores y recuerdos. La narrativa está dirigida por materiales nobles y procesos artesanales, todo ello interpretado con una sensibilidad profundamente arraigada en la cultura estética y manufacturera de principios del siglo XX.

El mármol es el elemento de esta mesa minimalista y brutalista, que solo está disponible en tamaño grande y redondeada.

La mesa ‘For No One’ personifica una integración equilibrada entre forma y materia, despertando sensaciones arraigadas en la memoria. Su diseño minimalista y brutalista nace de la elección de un material orgánico, como es el mármol Ambrosia, que el diseñador transforma en un objeto escultórico. La tersura de la piedra, acentuada por el atrevido tablero de la mesa, armoniza con las sólidas patas monolíticas semicirculares, suavizadas por un toque gráfico de metal negro mate en la base.

https://www.interempresas.net/Mobiliario/Articulos/495895-La-mesa-For-No-One-de-Gio-Pagani-seexhibe-en-la-feria-New-York-Salon-Art-Design.html

Concebida, diseñada y elaborada íntegramente en Italia, ‘For No One’ transmite la monumentalidad y la fuerza primigenia de un material milenario y resistente, moldeado durante siglos por procesos geológicos, y moldeado ahora mediante procesos de fabricación que afectan intrínsecamente a su estructura. Integrando, a su vez, técnicas artesanales que tallan, ensamblan y restauran la piedra, se entrelazan a la perfección con tecnologías de vanguardia.

https://www.interempresas.net/Mobiliario/Articulos/495895-La-mesa-For-No-One-de-Gio-Pagani-seexhibe-en-la-feria-New-York-Salon-Art-Design.html

NOVEMBER 25, 2023

Salon Art & Design 2023: гармония случая и добра By Olga Bozhko Photo: courtesy galleries and Salon Art & Design

Zaha Hadid, стол Liquid Glacial, галерея David Gill.

Нью-йоркская ярмарка Salon Art + Design в 2023 году проходит уже в 12-й раз. Место остается неизменным — это Park Avenue Armory, где собираются международные художники, дизайнеры, архитекторы и коллекционеры. Это ведущая выставка, объединяющая винтажный, современный и футуристический дизайн со всего мира. В этом году состав участников значительно расширился за счет новых экспонентов, многие из которых дебютировали на американском рынке. Впервые некоторые экспозиции выделены в специальную группу выставок, также впервые появилась секция ювелирных украшений. В первые дни были проданы знаковые вещи по дизайну Карла Спрингера и Карло Бугатти. Однако для американского рынка громкие продажи не редкость, да и арт-рынок, с которым у этой выставки с каждым годом все больше общего, шокирует куда большими суммами. Интрига нынешнего года была скорее сосредоточена вокруг самобытных работ из независимых галерей и тех отдельных курируемых экспозиций, число которых по сравнению с прошлыми годами возросло драматически.