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NORMA · SUS ANNAH · A MASKED BALL WORLD PREMIERE
LA
BOHÈME · THE TROJANS · TWO WOMEN
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· PARTENOPE · TOSCA · CINDERELLA (L A CIOCIARA)
· THE MARRIAGE OF FIGARO
2 sfopera.com/norma
S O NDR A R A DVA NO V S K Y
“PONSELLE, MILANOV, CALLAS, SUTHERLAND… after last night
RADVANOVSKY can add her name to the list.” – THE HUFFINGTON POST
3
NORMA VINCENZO BELLINI
S E P 5 , 1 0 , 1 4 m , 1 9 , 2 3 , 2 7, 3 0
PER H A P S O N C E A GEN ER AT I O N, a soprano comes along who can do full justice to one of opera’s most dazzling and demanding roles. Today, that singer is Sondra Radvanovsky, who “earned a thunderous ovation…her top notes ringing and powerful, her middle range velvety, her coloratura nimble and phrasing elegant” (The New York Times), when she debuted as Norma at the Metropolitan Opera this past fall. In Bellini’s bel canto masterpiece, a Druid high priestess betrays her people by falling in love with an occupying Roman soldier. When the soldier abandons her for another, her volatile mix of anger and guilt threatens the lives of the innocent and guilty alike. Kevin Newbury, praised by Opera News for his thoughtfulness and eye for detail, stages this exciting new production. Music Director Nicola Luisotti conducts.
CAST
PRODUCTION
Norma: Sondra Radvanovsky
Conductor: Nicola Luisotti
Adalgisa: Daveda Karanas
Director: Kevin Newbury
Pollione: Marco Berti
Set Designer: David Korins
Oroveso: Christian Van Horn
Costume Designer: Jessica Jahn*
*San Francisco Opera debut Approx. 2 hours, 50 minutes including one intermission Co-production with Canadian Opera Company, Gran Teatre del Liceu and Lyric Opera of Chicago Sung in Italian with English supertitles
Lighting Designer: D. M. Wood* Chorus Director: Ian Robertson
Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by Opening Weekend Grand Sponsor Diane B. Wilsey, Thomas F. and Barbara A. Wolfe, Koret Foundation and Tad and Dianne Taube. Major support for this production also provided by the Great Interpreters of Italian Opera Fund established by Jan Shrem and Maria Manetti Shrem. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Ms. Radvanovsky’s and Mr. Berti’s appearances are made possible by a gift to the Great Singers Fund by Joan and David Traitel.
4 sfopera.com/susannah
SUSANNAH C ARLISLE FLOY D
S E P 6 , 9, 12 , 16 , 2 1m IN THE BACKWOODS
of Tennessee, a beautiful young woman is
accused of indecent behavior after she is discovered bathing naked in a stream. Will the charismatic traveling preacher who sets his sights on her soul be her salvation, or her downfall? Carlisle Floyd’s all-American score, which beautifully evokes the work’s rural Appalachian setting, “is unabashedly neo-Romantic” (The New York Times). The radiant Patricia Racette sings the title role, with Brandon Jovanovich as her brother and Raymond Aceto as the hell-raising itinerant preacher. Conductor Karen Kamensek makes her San Francisco Opera debut in this eagerly awaited company premiere directed by Michael Cavanagh (Nixon in China, 2012).
CAST
PRODUCTION
Susannah Polk: Patricia Racette
Conductor: Karen Kamensek*
Sam Polk: Brandon Jovanovich
Director: Michael Cavanagh
Reverend Olin Blitch: Raymond Aceto
Set Designer: Erhard Rom
Little Bat McLean: James Kryshak*
Costume Designer: Michael Yeargan
*San Francisco Opera debut Approx. 2 hours including one intermission San Francisco Opera production Costumes part of a co-production of the Lyric Opera of Chicago and Houston Grand Opera Sung in English with English supertitles
Lighting Designer: Gary Marder Chorus Director: Ian Robertson
This production is made possible, in part, by Leslie and George Hume and The Andrew W. Mellon Foundation. Ms. Racette’s appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.
sfopera.com/maskedball 5
A
MASKED BALL GIUSEPPE VERDI
O C T 4 , 7 ˚, 1 0 , 1 3 , 1 6 , 1 9 m , 2 2˚ † A SWEDISH KING
laughs off a fortune teller’s warning of a plot
against his life. But when his closest aide discovers the monarch is having an affair with his wife, the threat of assassination becomes real. Nicola Luisotti conducts this tuneful Verdi masterpiece, “one of the composer’s most hot-blooded and vividly crafted tales” (San Francisco Chronicle), with an outstanding cast led by the splendidly lyrical Ramón Vargas (Mephistopheles, 2013) and the riveting Dolora Zajick (Aida, 2010). Amelia, the troubled king’s beloved, is portrayed by the ravishing Krassimira Stoyanova and the passionate Julianna Di Giacomo, with Thomas Hampson (Heart of a Soldier, 2011) and Brian Mulligan (Nixon in China, 2012) sharing the role of Amelia’s furious husband.
CAST
PRODUCTION
Amelia: Krassimira Stoyanova* / Julianna Di Giacomo* †
Conductor: Nicola Luisotti
Oscar: Heidi Stober
Costume Designer: John Conklin
Gustavus III: Ramón Vargas
Lighting Designer: Gary Marder
Count Anckarström: Thomas Hampson / Brian Mulligan°
Chorus Director: Ian Robertson
Madame Arvidson: Dolora Zajick
*San Francisco Opera debut Approx. 3 hours including one intermission San Francisco Opera production Sung in Italian with English supertitles
Count Ribbing: Scott Conner* Count Horn: Christian Van Horn
Director: Jose Maria Condemi
This production is made possible, in part, by The Bernard Osher Endowment Fund and the Thomas Tilton Production Fund. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Ms. Stoyanova’s, Mr. Vargas’, Mr. Hampson’s and Ms. Zajick’s appearances are made possible by a gift to the Great Singers Fund by Joan and David Traitel.
6 sfopera.com/partenope
PARTENOPE GEORGE FRIDERIC HANDEL
O C T 15, 18 , 2 1, 24 , 3 0 • N OV 2 m DISGUISES AND CROSS-DRESSING
reveal deep
truths about the human heart in Handel’s brilliantly entertaining comedy about Queen Partenope of Naples and her three royal suitors, featuring one of his greatest scores. In this Olivier Award-winning production, director Christopher Alden moves the action to 1920s Paris, and the results are never less than riveting. Baroque music specialist Christian Curnyn leads a superb cast featuring Danielle de Niese, “a voice seductive enough to woo gods as well as mortals” (The New York Times), the sensational David Daniels (Xerxes, 2011) and the elegant Daniela Mack (The Barber of Seville, 2013).
CAST
PRODUCTION
Partenope: Danielle de Niese
Conductor: Christian Curnyn*
Rosmira: Daniela Mack
Director: Christopher Alden
Arsace: David Daniels
Set Designer: Andrew Lieberman*
Emilio: Alek Shrader
Costume Designer: Jon Morrell*
Armindo: Anthony Roth Costanzo*
Lighting Designer: Adam Silverman
Ormonte: Philippe Sly
*San Francisco Opera debut Approx. 3 hours, 30 minutes including two intermissions Production originally created by English National Opera and Opera Australia Sung in Italian with English supertitles
This production is made possible, in part, by The Bernard Osher Endowment Fund. Ms. de Niese’s and Mr. Daniels’ appearances are made possible by a gift to the Great Singers Fund by Joan and David Traitel.
sfopera.com/tosca 7
TOSCA GIACOMO PUCCINI
O C T 2 3 , 2 6 m • N OV 1, 4 , 8 I N H E R T H R I L L I N G D E B U T at London’s Royal Opera House, Lianna Haroutounian “seemed to pull forth ever-increasing vocal powers until you thought her heart, or yours, would burst” (The Observer, London). Puccini’s sexually explosive thriller depicts a corrupt police chief who sets his sights on a glamorous singer as he plots to destroy her lover, a politically rebellious painter. Conductor Riccardo Frizza leads an outstanding cast, including the brilliant Brian Jagde and Mark Delavan, whose portrayal of the evil Scarpia is “a convincingly staged crescendo of terror” (Opera News).
BACK BY POPUL AR DEMAND! San Francisco Opera’s classic production of Tosca—five performances only! Included only in Half Series F, K, T and W.
CAST
PRODUCTION
Floria Tosca: Lianna Haroutounian*
Conductor: Riccardo Frizza
Mario Cavaradossi: Brian Jagde
Director: Jose Maria Condemi
Baron Scarpia: Mark Delavan
Production Designer: Thierry Bosquet
*San Francisco Opera debut Approx. 2 hours, 30 minutes including two intermissions San Francisco Opera production Sung in Italian with English supertitles
Lighting Designer: Gary Marder Chorus Director: Ian Robertson
This production is made possible, in part, by the Burgess and Elizabeth Jamieson Fund.
8 sfopera.com/cinderella
CINDERELL A GIOACHINO ROSSINI
N O V 9 m , 13 , 16 m , 18 , 2 1, 2 6 THANKS TO HER OPEN HEART
and determination,
Cinderella triumphs over her mean-spirited relatives in Rossini’s sparkling version of the classic fairy tale. Karine Deshayes, lauded for her “emotional depth and vibrant, beautiful sound” (The New York Times), makes her San Francisco Opera debut in the beloved fairy tale about a gentle but courageous servant girl who catches the eye of a handsome prince. In San Francisco Opera’s charming and heartwarming production, esteemed Spanish conductor Jesús López-Cobos leads a superb cast. The elegant and exciting René Barbera debuts as the prince, the warm-voiced Italian baritone Fabio Capitanucci returns as the prince’s valet and Spanish baritone Carlos Chausson debuts in the colorful role of Cinderella’s manipulative stepfather.
CAST
PRODUCTION
Angelina (Cinderella): Karine Deshayes*
Conductor: Jesús López-Cobos
Don Ramiro: René Barbera*
Director: Gregory Fortner*
Dandini: Fabio Capitanucci
Production: Jean-Pierre Ponnelle
Don Magnifico: Carlos Chausson*
Lighting Designer: Gary Marder
Alidoro: Christian Van Horn
Chorus Director: Ian Robertson
Exploration Workshops for Families will be presented by the San Francisco Opera Education Department prior to select performances. Sign up for E-Opera (monthly e-newsletter) at sfopera.com/eopera to receive notification of schedule and pricing.
*San Francisco Opera debut Approx. 2 hours, 50 minutes including one intermission San Francisco Opera production Sung in Italian with English supertitles
sfopera.com/boheme 9
LA
BOHÈME
GIACOMO PUCCINI
NOV 14, 15 †, 19, 20 †, 22, 23m †, 25, 29, 30m † • DEC 2, 3 †, 5, 7m † WHEN AN ASPIRING POET
falls in love with a fragile seamstress,
their intense passion is matched only by their youthful idealism. John Caird, the director of one of the biggest stage hits in recent years, Les Misérables, brings his unique touch to this new production of Puccini’s beloved opera. Resident Conductor Giuseppe Finzi leads two superb casts. One is headed by the “silvery voiced soprano” Sonya Yoncheva (The New York Times), the intensely expressive Michael Fabiano and the delightful Nadine Sierra. The other features Leah Crocetto, “a major operatic star” (San Francisco Chronicle), the mesmerizing Giorgio Berrugi and the beguiling Ellie Dehn.
L A BOHÈME FOR FA MILIES,
Nov 22m, 29m, see page 14 for details.
CAST
PRODUCTION
Mimì: Sonya Yoncheva / Leah Crocetto †
Conductor: Giuseppe Finzi
Musetta: Nadine Sierra / Ellie Dehn †
Director: John Caird*
Rodolfo: Michael Fabiano / Giorgio Berrugi * †
Production Designer: David Farley*
Marcello: Alexey Markov* / Brian Mulligan †
Lighting Designer: Michael James Clark
Schaunard: Philippe Sly
Chorus Director: Ian Robertson
Colline: Christian Van Horn
*San Francisco Opera debut Approx. 2 hours, 20 minutes including one intermission Co-production with Houston Grand Opera and Canadian Opera Company Sung in Italian with English supertitles
Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by the Burgess and Elizabeth Jamieson Fund and San Francisco Opera Guild.
10
THE FALL OF TROY
THE TROJAN HEC TOR BERLIOZ
S U M M E R 2 0 1 5 : J U N 7 m , 1 2 †, 1 6 , 2 0 †, 2 5 • J U L 1 † O N E O F T H E L A R G E S T,
most magnificent pieces in the entire
repertory, this rarely staged epic is presented here for the first time in 47 years, the way it was originally meant to be seen—both operas in one spectacular evening! The tragic fall of Troy, the passionate love of two great leaders, the urgent pull of destiny: all unfold as part of Berlioz’s visionary masterpiece—French grand opera’s answer to Wagner’s Ring. Former Music Director Donald Runnicles, who masterfully conducted the Ring cycle in 2011, returns to lead this intensely lyrical, colorfully orchestrated, viscerally exciting score. David McVicar’s visually striking new production, “a major event” (The Guardian, London), moves the action to the mid-19th century. The worldclass cast stars—as the ill-fated lovers Dido and Aeneas—the “vocally sumptuous and alluring” Susan Graham and Bryan Hymel, who gives “an impassioned and confident performance of a heroic role” (The New York Times). Anna Caterina Antonacci and Daveda Karanas share the dramatic role of the prophetess Cassandra.
sfopera.com/trojans 11
THE TROJANS AT C AR THAGE
NS
T WO OPER AS IN ONE GRE AT E V ENT
CAST
PRODUCTION
Cassandra: Anna Caterina Antonacci / Daveda Karanas †
Conductor: Donald Runnicles
Dido: Susan Graham
Set Designer: Es Devlin*
Aeneas: Bryan Hymel*
Costume Designer: Moritz Junge*
Anna: Sasha Cooke
Lighting Designer: Wolfgang Göbbel
Narbal: Christian Van Horn
Chorus Director: Ian Robertson
Production: David McVicar
Chorebus: Brian Mulligan *San Francisco Opera debut Approx. 5 hours, 30 minutes including two intermissions Please note early curtains: 6pm eve and 1pm mat.
Co-production with Royal Opera House, Covent Garden; Teatro alla Scala, Milan and Wiener Staatsoper, Vienna Sung in French with English supertitles
Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by The Goatie Foundation, the Edmund W. and Jeannik Méquet Littlefield Fund, Koret Foundation and Tad and Dianne Taube. Additional support is provided by the Columbia Foundation and by an award from the National Endowment for the Arts. Ms. Graham’s and Ms. Antonacci’s appearances are made possible by a gift to the Great Singers Fund by Joan and David Traitel.
12 sfopera.com/twowomen
T WO WOMEN (L A CIOCIAR A )
MARCO TUTINO by M A R C O T U T I N O and FA B I O C E R E S A Adapted from a script by L U C A R O S S I Music by
Libretto
Ba s e d on t he nove l La Cioc ia ra by ALBER TO MOR AV IA
By a r r a ng e m e nt w it h S TUDIO LEGALE C AU MOR ANDI MINUTILLO TUR TUR C o m m i s s io ne d by SAN FR ANCISCO OPER A
S U M M E R 2 0 15 : J U N 13 , 19, 2 3 , 2 8 m , 3 0 T H E C R U ELT Y O F WA R ,
the loss of innocence and the intense love
of a mother for her daughter make for moving drama in this world premiere—based on a novel that was adapted into a classic movie starring Sophia Loren. As the Allies invade Italy toward the end of World War II, a strong-willed widow and her 16-year-old daughter flee Rome for the nearby mountains in a vain attempt to find safety. Music Director Nicola Luisotti conducts the lushly expressive score by Italian composer Marco Tutino, whose work is “a joyful discovery” (San Francisco Classical Voice). Francesca Zambello directs the outstanding cast led by the “extraordinary” Anna Caterina Antonacci, known for “her intelligent and charismatic artistry” (The New York Times).
CAST
PRODUCTION
Cesira: Anna Caterina Antonacci
Conductor: Nicola Luisotti
Rosetta: Sarah Shafer
Director: Francesca Zambello
Michele: Stephen Costello
Set Designer: Peter Davison
Giovanni: Mark Delavan
Costume Designer: Jess Goldstein
Approx. 3 hours including one intermission Co-production with Teatro Regio di Torino Sung in Italian with English supertitles
Lighting Designer: Mark McCullough Projection Designer: S. Katy Tucker Chorus Director: Ian Robertson
Company Sponsors John A. and Cynthia Fry Gunn are proud to support the commission of Two Women. The world premiere is made possible, in part, by The Andrew W. Mellon Foundation. Nicola Luisotti’s appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata. Ms. Antonacci’s appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.
sfopera.com/figaro 13
THE MARRIAGE OF FIGARO WOLFGANG AMADEUS MOZ ART
SUMMER 2015: JUN 14m, 18, 21m, 24, 27, 29 † • JUL 3 †, 5m† M OZ A R T ’ S WA R M E S T, W I S E S T O P E R A
is one of
the composer’s most graceful creations—a tender comedy in which a countess and her servant join forces to punish her aristocrat husband for his philandering. In the process, two very different couples learn humbling lessons about life and love. The cast is led by Philippe Sly as Figaro, a “gifted and accomplished” singer who has “the ability to combine virility and tenderness in a single phrase” (San Francisco Chronicle); Luca Pisaroni as the lecherous Count; the charismatic Nadine Sierra as his Countess and Lisette Oropesa as Figaro’s saucy love Susanna. Patrick Summers, whose Figaro was celebrated for its “dramatic pace, musical discernment and unfailing good taste” (Sydney Morning Herald), conducts.
CAST
PRODUCTION
Figaro: Philippe Sly
Conductor: Patrick Summers
Susanna: Lisette Oropesa
Director: Robin Guarino *
Countess Almaviva: Nadine Sierra
Lighting Designer: Gary Marder
Cherubino: Kate Lindsey / Angela Brower †
Chorus Director: Ian Robertson
Count Almaviva: Luca Pisaroni Don Bartolo: John Del Carlo Marcellina: Catherine Cook Don Basilio: Greg Fedderly
*San Francisco Opera debut Approx. 3 hours, 40 minutes including two intermissions San Francisco Opera production Sung in Italian with English supertitles
14
L A BOHÈME F O R FA M I L I E S N OV 2 2, 12 p m; N OV 2 9, 1p m The perfect opera for families and new operagoers of all ages, La Bohème for Families is a specially priced matinee of this exciting production sung in Italian with English supertitles. Recommended for age 7 and older. ADULT
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Exploration Workshops for Families will be presented by the San Francisco Opera Education Department prior to each performance. Sign up for E-Opera (monthly e-newsletter) at sfopera.com/eopera to receive notification of schedule and pricing.
FREE OUT DOOR E V ENT S OPERA AT THE BALLPARK Free live simulcast at AT&T Park La Traviata Saturday, July 5, 2014, 8pm sfopera.com/simulcast MEROLA’S SCHWABACHER SUMMER CONCERT Yerba Buena Gardens Saturday, July 19, 2014, 2pm merolaopera.com SAN FRANCISCO OPERA IN THE PARK Sharon Meadow, Golden Gate Park Sunday, September 7, 2014, 1:30pm sfopera.com/park
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ALL OPERAVISION SERIES 5 Sunday Matinees
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Su Nov 9 2pm
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ALL OPERAVISION SERIES 5 Sunday Matinees
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Su Sep 14 2pm
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1 Mon Eve • 4 Tue Eves
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Figaro
T Sep 16 7:30pm
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W Sep 10 7:30pm
Th Oct 30 7:30pm
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Th Jun 25 6pm
Weekdays
ALL OPERAVISION SERIES AND BEST SEATING AVAILABILIT Y 2 Tue Eves • 1 Wed Eve • 1 Thu Eve
Masked Ball
Tosca
Cinderella
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Th Oct 16 7:30pm
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T Jun 30 7:30pm
Mixed Days
BEST SEATING AVAILABILIT Y 1 Mon Eve • 1 Tue Eve • 1 Wed Eve • 1 Sun Mat
Norma
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T Sep 30 7:30pm
M Oct 13 7:30pm
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$944
$48
$1,250
Orchestra Premium 2 (ORP2) or Grand Tier Premium 2 (GTP2)
$576
$416
$763
Orchestra (ORC) or Grand Tier (GT)
$576
$144
$763
Orchestra Ring (ORR)
$336
$80
$444
Dress Circle (DC)
$412
$100
$545
Dress Circle 2 (DC2)
$336
$80
$444
Balcony Circle (BC)
$336
$80
$444
Balcony Front (BLF)
$196
$84
$260
Balcony Rear (BLR)
$100
$40
$132
$80
$20
$106†
HALF SERIES WEEKDAY Box Seats (BOX)
Balcony Side (BLS)
†
†
C
SUBSCRIBERS HAVE PRIORIT Y ACCESS Purchase additional tickets months before they go on sale to the general public, including tickets for La Bohème for Families. Plus, purchase tickets to performances not included in your subscription series, or treat friends and family to any of the season’s operas at discounted subscriber-only prices. As an added benefit, subscribers may exchange additional (add-on) tickets using subscriber exchange privileges. Visit sfopera.com for add-on ticket pricing.
19 FALL 2014 AND SUMMER 2015
(415) 864-3330
· sfopera.com
You Save
K
You Save
L
You Save
N
You Save
O
You Save
W
You Save
$315
$1,864
$96
$1,760
$90
$1,864
$96
$1,760
$90
$1,408
$72
$300
$1,489
$79
$1,405
$75
$1,489
$79
$1,405
$75
$1,124
$60
$760
$1,489
$79
$1,405
$75
$1,489
$79
$1,405
$75
$1,124
$60
$415
$964
$239
$910
$225
$964
$239
$910
$225
$728
$180
$220
$545
$133
$515
$125
$545
$133
$515
$125
$412
$100
$215
$620
$153
$585
$145
$620
$153
$585
$145
$468
$116
$310
$524
$249
$495
$235
$524
$249
$495
$235
$396
$188
$195
$524
$127
$495
$120
$524
$127
$495
$120
$396
$96
$241
$370
$153
$340
$140
$385
$159
$365
$150
$282
$116
$228
$268
$113
$245
$105
$280
$116
$265
$110
$204
$86
$53
$131
$34
$120
†
$30
N/A
N/A
N/A
N/A
$100
$26
You Save
E
You Save
F
You Save
S & RBW
You Save
T
You Save
X
You Save
$85
$1,626
$85
$1,228
$64
$1,626
$85
$1,228
$64
$1,273
$66
$64
$1,250
$64
$944
$48
$1,250
$64
$944
$48
$989
$51
$551
$763
$551
$576
$416
$763
$551
$576
$416
$713
$327
$190
$763
$190
$576
$144
$763
$190
$576
$144
$614
$153
$107
$444
$107
$336
$80
$444
$107
$336
$80
$355
$85
$133
$545
$133
$412
$100
$545
$133
$412
$100
$426
$104
$107
$444
$107
$336
$80
$444
$107
$336
$80
$351
$107
$107
$444
$107
$336
$80
$444
$107
$336
$80
$351
$84
$111
$270
$115
$201
$86
$285
$121
$216
$92
$225
$95
$53
$140
$55
$104
$41
$152
$58
$116
$44
$132
$53
$26
$110
$28
$82
$21
$116
$31
$88
$24
$88
$23
†
†
†
†
†
†
†
20
2014–15 CALENDAR SEP 2014 SU N
MON
TUE
1
WED
2
THU
3
FR I
4
5 A
7
8
Opera in the Park
9
1:30pm
Norma
14 M, O
21
15
2pm
Susannah
M, N
Susannah
D, E
22
7:30pm
16
Susannah
A, C
7:30pm
Norma
23
2pm
D, F
Norma
10 R, S, RBW
11
17
G, H
18
24
25
29
SU N
MON
Susannah 7:30pm
Susannah
13
7:30pm
19
Norma
G, I
7:30pm
26
20
27
Norma
J, L
7:30pm
ROSH HASHANAH
Norma
30 X
OCT 2014
6
8pm J, K
7:30pm EREV ROSH HASHANAH
28
12
7:30pm
SAT Norma
7:30pm
TUE
WED
THU
1
FR I
2
SAT 4 Masked Ball
3
J, K EREV YOM KIPPUR
5
7 Masked Ball
6
A, B
13 Masked Ball
12
X
19 Masked Ball M, N
26 W
20
Tosca
14
7:30pm
21 A, C
2pm
27
28
8
10 Masked Ball
9
7:30pm
Partenope 7:30pm
G, H
15
Partenope
D, E
7:30pm
22 Masked Ball D, E
29
2pm
7:30pm
16 Masked Ball R, T
23 F
Tosca
17
24
30
Partenope
R, S, RBW
7:30pm
11
7:30pm
7:30pm
7:30pm G, I
7:30pm YOM KIPPUR
Partenope
18
Partenope
J, L
7:30pm
25
7:30pm
31
HD video projection screens are featured on the balcony level for this performance. Visit sfopera.com/operavision. All evenings at 7:30pm, all matinees at 2pm, except where noted. For the most up-to-date calendar of events, visit sfopera.com/calendar.
Highlighted boxes denote opening performances.
Letters denote subscription series (A, B, C, D, E, F…).
Photos by: cover/Opéra national de Paris production of La Cenerentola/2011©Christian Leiber, San Francisco Opera production of The Marriage of Figaro/Cory Weaver, Partenope/©ENO/Catherine Ashmore, San Francisco Opera production of A Masked Ball/Terrence McCarthy; inside spread/ San Francisco Opera production of The Marriage of Figaro/Cory Weaver; p. 2/Sondra Radvanovsky/Metropolitan Opera production of Norma/Marty Sohl; p. 4/Susannah production set image/Erhard Rom; p. 5/San Francisco Opera production of A Masked Ball/Terrence McCarthy; p. 6/Partenope/ ©ENO/Catherine Ashmore; p. 7/San Francisco Opera production of Tosca/Cory Weaver; p. 8/Opéra national de Paris production of La Cenerentola/ 2011©Christian Leiber; pp. 9 and 14/Canadian Opera Company production of La Bohème/Michael Cooper/Michael Cooper Photographic;
NORMA
CINDERELLA
TOSCA
NOV–DEC 2014 SU N
MON
TUE
WED
THU
FR I
SAT Tosca
1 K
Partenope
2 M, O
M, N
10
5
6
W
11
17
2pm
Bohème
23 M, O
2pm
30
Bohème
24
7
7:30pm
12
18
Cinderella
A, B
7:30pm
R, S, RBW
25
Bohème
26
A, C
7:30pm
R, T
Bohème
3
19
Bohème 7:30pm
Cinderella
13
Cinderella
D, F
7:30pm
20
Bohème
21
D, E
7:30pm
G, I
14 G, H
27
Bohème
15
Bohème
7:30pm J, L
7:30pm
Cinderella 7:30pm
28
W
2
2pm
B
7:30pm X
7:30pm
Bohème/Fam 12pm
Bohème 7:30pm
7:30pm
Bohème
Bohème
22 K
29
Bohème/Fam 1pm
THANKSGIVING
1
Tosca
8
7:30pm
2pm
Cinderella
16
Tosca
4 T
Cinderella
9
3
2pm
7:30pm
4
5
7:30pm
I
Bohème
6
7:30pm
Adler Gala Concert 7:30pm
Bohème
7 N
2pm
JUN–JUL 2015 SU N
MON
7
Trojans
M, N
1pm
WED
9
THU
10
15
16 A, C
2pm
21
Figaro
W
2pm
Trojans
17
A, B
18
6pm
R, S, RBW
23 Two Women 24
22
7:30pm
Figaro
25
D, F
7:30pm
R, S, RBW
1
Trojans
2
FATHER’S DAY
28 Two Women 29
Figaro
A, C
7:30pm
2pm
30 Two Women R, T
PRIDE
5 X
12 G, H
M, O
M, O
FR I
11
Figaro
14
TUE
8
7:30pm
D, E
6pm
Figaro 7:30pm
Trojans
SAT Trojans
13 Two Women
6pm J, L
7:30pm
19 Two Women 20
Trojans
J, K
6pm
G, I
7:30pm
26
6pm
3 G, H
Figaro
27
Figaro
J, L
7:30pm
4
7:30pm INDEPENDENCE DAY
Figaro 2pm
pp. 10–11/Les Troyens/Bill Cooper/Royal Opera House/ArenaPAL; p. 12/Anna Caterina Antonacci/Cory Weaver; p. 13/San Francisco Opera production of The Marriage of Figaro/Cory Weaver; p. 14/San Francisco Opera Simulcast at AT&T Ballpark/Edgar Lee; p. 19/War Memorial Opera House interior/David Wakely; mailing panel/Nicola Luisotti/Cory Weaver. The costumes in Susannah are made possible by a generous gift from Abbott Laboratories to the Lyric Opera of Chicago and from Philip Morris Companies, Inc. to Houston Grand Opera as sponsor to its Opera New World program. Design: Mission Minded · www.Mission-Minded.com
GET CLOSER TO OPERA SFO PE R A .CO M Read program notes and plot synopses, listen to audio clips and watch current production videos available prior to each opera’s opening night.
CO N N EC T W I T H US sfopera.com/blog
PR E - O PE R A TA LK S Before every performance, charismatic music scholars present a 25-minute overview of the story, characters and music, with insights on the composer and historical background. Talks begin 55 minutes prior to curtain (except Opening Night, Sep 5, 2014). Visit sfopera.com/operatalks.
Photo: Cory Weaver
O PE R AV ISI O N I N T H E BA LCO N Y
I NSI G H T PA N E L S & O PE R A PR E V I E WS Learn about the season’s operas by attending informal Insight Panels featuring artists and personalities from the opera world, or by attending Guild Opera Previews that welcome musicologists and other experts for in-depth looks at upcoming operas. Visit sfopera.com/ insights or sfopera.com/previews.
J O I N B R AVO! C LU B Join BRAVO! CLUB and meet other opera-loving, young professionals ages 21–40. Members enjoy educational and social events and ticket discounts throughout the year. Visit sfopera.com/bravo.
Select performances feature high-definition video projection screens on the Balcony level, bringing audiences closer to the action on stage (look for the symbol). Subtitles are shown at the bottom of each screen. Visit sfopera.com/operavision. Series pricing with OperaVision performances include a discounted per-ticket surcharge (BLS $2, BLR $4 and BLF $5) to offset the cost of this service. OperaVision is made possible by the Koret-Taube Media Suite.
OTHER WAYS TO SAVE FULL SERIES
8 or 9 operas with discounts up to 30% and no-fee exchanges Enjoy a full season of opera! Keep the same seats for each performance, and enjoy the benefit of keeping your same seats from year to year.
STUDENT AND TEACHER SERIES
OUT OF TOWN SERIES
With discounts up to 50%
Designed to accommodate travelers—see two or three operas in two or three days! Enjoy seats in the same section for each performance, discounted up to 10% off single ticket prices.
2 or 3 operas
For full-time students and teachers, select Half and Full Series and new Semester Series are discounted up to 50% off single ticket prices! Visit sfopera.com/edu.
(415) 864-3330
· sfopera.com
HOW TO ORDER 1. FIND your series and
PHONE
seating section
(415) 864-3330
Choose from Series and Prices on pages 16–19.
BOX OFFICE HOURS
2. LET US help you find the package that works best for you!
Mon 10am–5pm Tue–Fri 10am–6pm Sat 10am–6pm (Saturday phones only, except during performance season)
CUSTOMIZE YOUR ORDER with early exchanges or the drop-one-opera option by calling or visiting the Box Office to order. Only available at the time of order; not available by mail, fax or online.
MAIL or IN PERSON
ARRANGE A PAYMENT PLAN when you call or visit the Box Office to place your order.
ONLINE
ADD TICKETS to other performances not in your subscription when you order.
3. PLEASE consider
making a contribution Engage with this amazing art form on a deeper level. Your investment helps us deliver world-class performances, train the stars of tomorrow, bring opera education to local schools and present free community events.
4. ENJOY the season! New subscriptions, early exchanges and add-on tickets are sold unseated. Seating priority is based upon subscription and contribution history, with greater consideration given to contributions. For information, please call (415) 551-6320.
San Francisco Opera War Memorial Opera House 301 Van Ness Avenue San Francisco, CA 94102-4509 sfopera.com/subscribe
SUGGESTIONS AND NOTES ABOUT YOUR ORDER • Select a second choice for your seating section, in case your first choice is not available. • Performances dropped or exchanged at the time of order will be permanently released from your series for this season; please provide alternate choices. Early exchanges are sold unseated and seats are not likely to be the same as the original subscription seats. • Checks will be deposited immediately and credit cards will be charged for the full value of your first choice or the full value of your first payment if you have chosen a payment plan. This is not a guarantee of seating. If your final seat assignment is your alternate choice, we will automatically refund or charge the difference due, as appropriate. • Please note that we will do our best to accommodate seating requests; however, we cannot guarantee the availability of seating in any section or price level. If we cannot seat you in any of your choices, we will contact you to discuss an alternate section, seat, package or a full refund. If you do not receive an acknowledgment of your order by email or mail within 14 days, please call us at (415) 864-3330 (Mon 10am–5pm, Tue–Sat 10am–6pm). Design Your Own Series will be available May 2014.
If you have specific seating requests, including accessibility needs, please contact the Box Office.
Cast, programs, prices and schedules are subject to change. All orders are final. No refunds or returns.
Sennheiser amplification devices for hearing-impaired patrons are available at all performances. Headsets are available at the North Promenade coat check room.
A $1 per ticket facility fee is included in Balcony Front, Rear and Side section prices; all other sections include a $2 per ticket facility fee.
Text-to-Voice Supertitles: Live Titles, headsets that provide a spoken version of the projected supertitles, are now available at the North Lobby coat check at all performances.
An $11 handing fee is charged per order.
YOU’RE INVITED
SEASON SPONSOR
CORPORATE PARTNERS
S TA R T AT
San Francisco Opera is supported, in part, by a grant from Grants for the Arts/ San Francisco Hotel Tax Fund.
$80
O U R 4 - O P E R A PAC K AG E S
COMPANY SPONSORS Norby Anderson Ann and Gordon Getty Foundation John A. and Cynthia Fry Gunn Franklin and Catherine Johnson Edmund W. and Jeannik Méquet Littlefield Fund Bernard and Barbro Osher Jan Shrem and Maria Manetti Shrem Diane B. Wilsey
Music Director
N I CO L A LU I S OT T I
General Director
DAV I D G O CK LE Y
sfopera.com · (415) 864-3330
War Memorial Opera House 301 Van Ness Avenue San Francisco, CA 94102-4509
SAN FRANCISCO OPERA
U.S. POSTAGE PAID
NONPROFIT ORGANIZATION